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Speaker 1: And That's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 3: Welcome to you, and That's what you really miss podcast.

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Speaker 3: I'm Jenna, I'm Kevin, the one with the bad immunees.

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Speaker 2: Yeah, I'm coming to you live with strap throat.

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Speaker 1: Oh boy, Well, at least we're able to do this mobile.

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Speaker 2: We should take it. We should start cataloging the illnesses

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Speaker 2: I have during this because if people don't know, fun fact,

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Speaker 2: my immune system is non existent.

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Speaker 1: Crap.

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Speaker 2: Yeah. So, and if you talk to anybody that we

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Speaker 2: worked with on Glee, they can also tell you that

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Speaker 2: because I was.

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Speaker 3: Sick all the time, all the time while we were

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Speaker 3: also being worked to the bone.

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Speaker 1: So it didn't help that we were on like very

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Speaker 1: little sleep and.

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Speaker 3: Very although do you remember that we used to get

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Speaker 3: every once in a while, and maybe this is I'm

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Speaker 3: making this up on the show, we would get a

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Speaker 3: doctor to calm and give us some be twelve shots

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Speaker 3: in the butt while we were having some real rough times.

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Speaker 2: I believe there was more tour we did that.

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Speaker 3: Oh okay, well and then we did it during waitress

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Speaker 3: as well, so maybe that's why my brain.

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Speaker 1: But yes, we did love that.

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Speaker 2: Do you remember like so singers and performers, we need

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Speaker 2: to perform live and sing. Sometimes your voice is gone

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Speaker 2: because you're sick or whatever, and so in America it's

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Speaker 2: very easy to call up a doctor and get like

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Speaker 2: a steroid shot in your butt. Yeah, and it reduces

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Speaker 2: the inflammation and you can sing and you're fine, go

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Speaker 2: about your business. Do you remember when we were in Manchester,

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Speaker 2: England on tour and so many of us were sick

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Speaker 2: because it was I think our first like two consecutive

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Speaker 2: days off had finally caught up with us. We were ill,

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Speaker 2: and then we had the hardest time because you know,

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Speaker 2: they don't just give out medicine like like Americans zo right,

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Speaker 2: And we had to like scrounge to find a doctor

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Speaker 2: who would come. We had to describe what we needed.

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Speaker 2: And finally, right before the show, we were in a

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Speaker 2: line and just like getting poked with a shot in

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Speaker 2: the ass.

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Speaker 1: Yeah, that's right. I had something similar on tour.

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Speaker 3: I think it was the second one when we were

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Speaker 3: here doing staples because I was living in my we

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Speaker 3: weren't living together anymore, sad and I lost my voice

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Speaker 3: and I called our doctor and he came and had

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Speaker 3: to give me a story shot, I had no voice

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Speaker 3: at all. I didn't think I was gonna be able

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Speaker 3: to get through the tour at all, or we would

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Speaker 3: have to use some pre record or something like that

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Speaker 3: formed to and I.

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Speaker 1: Was like, I'm not doing that. In La You're crazy.

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Speaker 3: At Staple Center, all of our like everybody was there,

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Speaker 3: like we're singing live, And within twenty minutes of that shot,

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Speaker 3: my voice was completely bad for the rest of the night.

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Speaker 1: It's pretty crazy.

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Speaker 2: We were not vocally prepared to go on tour. My

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Speaker 2: voice was gone too fair.

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Speaker 3: Look, I think we would have been vocally prepared if

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Speaker 3: we weren't out partying as well and like living it up.

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Speaker 2: I don't know what you're talking about.

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Speaker 3: I mean, I'm not talking about like until five and

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Speaker 3: I was talking to like we want to like drinks

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Speaker 3: out you know after Yeah, yeah, No, we weren't okay.

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Speaker 3: This episode is the beginning of our run with Brad Beaker,

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Speaker 3: who was a editor on the show up until this

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Speaker 3: point and then got his first episode and this was

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Speaker 3: his directorial debut on Glee and it was very exciting.

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Speaker 3: Brad Baker would go on to direct many, many many episodes.

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Speaker 3: We should have him on the show. And he continued

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Speaker 3: to work with Ryan forever.

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Speaker 2: He ended up getting some of the more difficult logistical

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Speaker 2: episodes that we've mentioned before.

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Speaker 1: Because they knows how to do yes.

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Speaker 2: And you watch his episodes and there's no fluff, like

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Speaker 2: he only shot what you needed, and so it was

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Speaker 2: the days were usually pretty short or on time with him.

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Speaker 3: Yeah, unless it was one of the like regional's resectionals

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Speaker 3: or whatever.

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Speaker 1: But he did that a lot too.

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Speaker 3: So this is season two, episode six, Never Been Kissed,

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Speaker 3: and the the original airdate was November ninth, twenty ten,

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Speaker 3: so we are almost in Thanksgiving time.

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Speaker 1: Now.

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Speaker 2: This is a gigantic episode for several reasons. Okay, but

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Speaker 2: before we get into that, right, let's tease it with

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Speaker 2: the state of the world. So the number one song

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Speaker 2: was we Are Who We Are by Key Dollar sign

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Speaker 2: h Kesha. Number one movie was Due Date with Robert

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Speaker 2: Dwren Junior and Zach Gothnakis. But more importantly, the best

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Speaker 2: news this week is that Glee the Music the Christmas

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Speaker 2: Album was released on this same day the episode aired.

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Speaker 2: It was the fourth soundtrack by the Glee cast, and

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Speaker 2: it went platinum. Baby the Albums Christmas Album at number

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Speaker 2: one of the Billboard Soundtracks chart, compeaked at number three

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Speaker 2: on the Billboard two hundred.

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Speaker 1: What.

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Speaker 2: Yeah, this was I believe our most successful album ever

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Speaker 2: because Christmas music is going to do it to you.

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Speaker 2: And I gotta say, Cam Davis and everyone just like smashed.

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Speaker 3: It, right, also like h for sure, and then also

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Speaker 3: like you still hear Glee Christmas music everywhere every season,

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Speaker 3: Like do you also remember that this year this was

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Speaker 3: the TV Guide We made the twenty ten hot list

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Speaker 3: on tv Guide and we shot Glee covers, we sure did,

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Speaker 3: and you, me and Harry were on a gleek went

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Speaker 3: on the tv Guide cover.

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Speaker 2: You know, thinking back about those things, like you see

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Speaker 2: that getting on a tv Guide cover, getting any cover

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Speaker 2: is a really big deal. It is hard, it is rare.

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Speaker 2: But when we're shooting so many hours, this all the

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Speaker 2: planning for that happens and we have no idea that

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Speaker 2: it's happening. And then we get like ushered into We're

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Speaker 2: told at some point like, oh, there's gonna be a

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Speaker 2: photo shoot for tv Guide, right, and then we get

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Speaker 2: ushered into one of the sound stages connected to our

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Speaker 2: main sound stages, and there's a little setup and we

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Speaker 2: have about fifteen minutes.

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Speaker 3: And they did multiple covers, so there was like Finn

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Speaker 3: and Rachel, there was our our Love Triangle, There's a

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Speaker 3: Quinn and Puck and all of these ones. But yes,

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Speaker 3: it usually like a cover shoot takes a whole weekend

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Speaker 3: and there's a lot, a lot that isn't integrated into

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Speaker 3: the preparation and the shoot itself.

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Speaker 1: But we literally were like, it's like a blink of

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Speaker 1: an eye.

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Speaker 2: Yeah, and next thing you know, like, oh, we're on

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Speaker 2: the cover of TV gunt. You don't even real it's

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Speaker 2: in the middle of your workdays. You don't even realize

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Speaker 2: what's happening.

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Speaker 3: It is one of my favorite covers though, my favorite

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Speaker 3: photos that I have. Yeah, they're really good.

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Speaker 2: I love it and I love that I got to share

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Speaker 2: it with the two of you. That was special. It

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Speaker 2: was party. They had a TV Guide party that we

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Speaker 2: went to.

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Speaker 3: Vaguely it was at the Sols Hotel. It was at

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Speaker 3: the W Oh the w that's right. It was on

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Speaker 3: the roof, right, yes, yes.

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Speaker 1: Yeah, what what it was? It was messy, was it? Yeah?

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Speaker 2: There was somebody else that I'm friends with on another show.

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Speaker 2: Oh and she had a little too much, you know.

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Speaker 2: It happens and we were all trying to avoid her,

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Speaker 2: and Amber was like, you guys are terrible people. I'm

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Speaker 2: walking her to her car and I was like, you're

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Speaker 2: an excellent, excellent person, Amber, your.

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Speaker 1: Parents are really branding. And I was like, I want

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Speaker 1: no party.

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Speaker 2: No, it was really embarrassing. I'm like, we're at literally

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Speaker 2: a TV Guide party.

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Speaker 1: This is where a house party.

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Speaker 3: Yeah.

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Speaker 2: I was like, I don't know what to do. But

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Speaker 2: I met Brandy. Do you remember we met Brandy?

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Speaker 1: Amber was you wouldn't remember.

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Speaker 2: Oh my, I embarrassed myself so hard, but we met Brandy.

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Speaker 2: I even think I got her number somehow, and she's like,

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Speaker 2: I want to come to stop And I think I

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Speaker 2: tried to arrange for her to come to set some point,

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Speaker 2: but it never obviously happened.

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Speaker 1: But I, oh.

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Speaker 2: Was I star strike, Like I also needed to be

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Speaker 2: walked out to my car because it.

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Speaker 3: Started out I probably scored it. You out okay, okay, okay.

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Speaker 3: So this is a big episode because this is the

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Speaker 3: beginning of Brad Peeker. As I said, it is also

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Speaker 3: the debut of Darren Chris, which we will get into.

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Speaker 3: We would meet Blatane for the first time. We also have.

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Speaker 2: Some pretty heavy Max Adler.

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Speaker 1: Got a lot more.

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Speaker 3: Yes, we've got a lot more for Coach Beast as well,

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Speaker 3: and at Ray Jones, who this is her first stuff

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Speaker 3: with like all the all of the Glee Club, Dot

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Speaker 3: actually received an Outstanding Guest Actress in a Comedy Series

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Speaker 3: nod for her work on the second season, and they

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Speaker 3: submitted this episode.

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Speaker 2: Because Dot was excellent in this episode.

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Speaker 1: She's an angel like I also love.

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Speaker 2: So this is the return of Puck after got punished

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Speaker 2: irl releasing an album. He's now back and has a

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Speaker 2: gigantic storyline.

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Speaker 1: So I would say that let's start.

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Speaker 3: This is where we've set the precedent that usually if

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Speaker 3: a cast member gets in trouble, leaves, acts out, does something,

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Speaker 3: they usually come back and they get a huge difference.

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Speaker 2: I will say when we allude to people getting away

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Speaker 2: with things, and we're not here to be gossipy, however,

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Speaker 2: but when we allude to if people act up or

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Speaker 2: get away with things, they don't get punished, this is

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Speaker 2: sort of what we're referring to where a lot of times,

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Speaker 2: like Jenna and I would feel like, do we need

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Speaker 2: to start acting crazy crazy? And then we get a

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Speaker 2: storyline out of it because it seemed like the squeaky

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Speaker 2: wheel sort of.

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Speaker 1: Thing got yeah, the gold yeah, and so.

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Speaker 2: But you know, we weren't really anyway. So you know,

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Speaker 2: Puck gets a big storyline, and I'm involved in storylines,

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Speaker 2: So no complaints.

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Speaker 3: I think it's funny that you also said like, I

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Speaker 3: don't really remember this episode. I didn't either, to be fair,

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Speaker 3: but you were all over this no recollection.

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Speaker 1: Did you remember as it started? You were like, oh,

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Speaker 1: this is that episode.

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Speaker 2: Yes. What I remember about it is two scenes.

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Speaker 1: One love, one Love and the.

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Speaker 2: Scene in the hallway where already convinces Puck to let

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Speaker 2: Lady sort of rehabilitate Puck to him and we do

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Speaker 2: that really inappropriate hand finger thing.

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Speaker 3: And David literally gave me his hands last night and

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Speaker 3: I was like, I'm not doing it.

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Speaker 2: Yeah, obviously that was Mark's idea, and we were like

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Speaker 2: it got kept. Yeah, We're like, should we do this?

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Speaker 2: And no one knew what it meant. You know, the

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Speaker 2: adults on set didn't know what it meant. So it's

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Speaker 2: our handshake.

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Speaker 3: Stop stop, I know, you know, teenagers. Yeah, teenagers. Okay,

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Speaker 3: sorry I interrupted you before. Was there something else I

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Speaker 3: want to say?

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Speaker 2: No, there was those two scenes. That's all I remember.

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Speaker 2: But I think what I also remember leading up to

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Speaker 2: this episode is we had heard that there was going

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Speaker 2: to be a new We heard about the Warblers, right.

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Speaker 2: I remember us being in the ten Sad and Dance

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Speaker 2: rehearsal and remember knowing that there was another singing group

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Speaker 2: coming on, but it was all sort of like hush hush,

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Speaker 2: like we were busy to filming the episode before, we

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Speaker 2: didn't really know what was happening. They were casting, and

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Speaker 2: then Zach I think it was Zach came in and said,

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Speaker 2: this song you're doing is really good, and we all

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Speaker 2: crowded around and he played it for us, and we

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Speaker 2: were all sort of envious because it was such a great,

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Speaker 2: great cover reminiscent of you know, the original don't Stuff

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Speaker 2: Believing with those backgrounds yep. And I just remember like, oh,

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Speaker 2: this is going to be huge, Like this is so

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Speaker 2: so good, And we were just really excited to like

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Speaker 2: see what the Warblers were going to be because we

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Speaker 2: did not know at all that they were going to

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Speaker 2: be around permanently, yeah, or anything like that. So it

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Speaker 2: was an exciting, exciting time when we all got to

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Speaker 2: meet Darren, and it was also fun to get to

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Speaker 2: see Max Adler get to act.

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Speaker 3: Do you remember when when Darren came on set he

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Speaker 3: was wearing pink sunglasses. He always wore those pink sunglasses,

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Speaker 3: and he showed up in a Michigan T shirt. I

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Speaker 3: was dating somebody at the time who had also gone

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Speaker 3: to Michigan or from that's right, and knew Darren, and

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Speaker 3: so I went up to Darren was like, we have

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Speaker 3: mutual friends. He was also kind of in the musical

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Speaker 3: theater scene. I mean he definitely was not kind of

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Speaker 3: he was in the musical theater theater scene as well.

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Speaker 3: So like the names were being thrown, I was like,

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Speaker 3: I know of this kid, and he had done so

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Speaker 3: much before already that like in his own you know, original.

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Speaker 1: Making way that he does and.

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Speaker 2: The Harry Potter of it all.

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Speaker 3: Yeah, yeah, yeah, And so I remember like him coming

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Speaker 3: on to set and being like, oh, I kind of

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Speaker 3: know you, but I didn't know he was going to

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Speaker 3: be Kurt's boyfriend yet.

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Speaker 2: I I didn't know him at all. I he just

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Speaker 2: like came on and felt like he had always sort

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Speaker 2: of been there, Yes, that's right, but it felt different.

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Speaker 2: I was like, oh, this is like the start of

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Speaker 2: like Kurt getting a boyfriend is going to be a

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Speaker 2: really big deal totally, and so it was. It was

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Speaker 2: so interesting that I have somebody knew come on and

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Speaker 2: take on that responsibility because we had been living in

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Speaker 2: that world and seeing how Chris gets approached publicly by

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Speaker 2: fan and how much Kurt means to people, and then

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Speaker 2: to have somebody come on, like, I hope you're prepared

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Speaker 2: for this, because it's going to ye totally.

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Speaker 1: If there's anybody that was prepared for it, it was Darren

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Speaker 1: say that he.

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Speaker 2: Can just handle it like he's it all just rolls

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Speaker 2: off the.

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Speaker 3: Back, literally, nothing fazes him.

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Speaker 1: Tell me about the songs in this episode.

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Speaker 2: We have one Love by Bob Marley, Teenage Dream by

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Speaker 2: Katy Perry, Start Me Up, Living on a Prayer by

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Speaker 2: Rolling Zones, and bon Jovie. I mean, the girls smashed

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Speaker 2: it like it's so good and you sound great on it,

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Speaker 2: and I have issues with it, and I'll point them

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Speaker 2: out when we get there. Stop with the Name of Love,

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Speaker 2: Saush for your Mind, Mashup Supremes.

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Speaker 1: And Vogue, So good, so good it was.

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Speaker 3: It's a weird one, but yeah, I love we loved

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Speaker 3: that one. Shooting you guys shooting that one We loved.

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Speaker 2: You loved Chord. Chord was still new, and I remember

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Speaker 2: Cord stepping out for his solo and all of you

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Speaker 2: literally gasped and giggled and started like what you're doing

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Speaker 2: right now? Your hands on your face. There was no acting.

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Speaker 2: Everyone was so enamored with Cord, like he's our little

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Speaker 2: baby brother.

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Speaker 3: Yes, like a little puffy, so charming and so cute, and.

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Speaker 2: You guys melted and it was crazy.

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Speaker 1: We were surprised, though.

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Speaker 3: I think he came out of nowhere and he like,

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Speaker 3: he just fit in with you guys, like you guys

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Speaker 3: all hold this like very high standard of like being

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Speaker 3: yourselves and these things like Corey looks like a fool dancing,

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Speaker 3: but he's so committed and it's so cute, and everybody

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Speaker 3: looked that way, and Cord just like fit right in

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Speaker 3: with that, and I was like, wow, he really feels

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Speaker 3: comfortable here and that that's awesome. But yes, we were

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Speaker 3: totally smith.

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Speaker 2: I also feel like the girls didn't have as nearly

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Speaker 2: as much time with cord A at this point as

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Speaker 2: all the boys did. There was a lot of boy

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Speaker 2: centric scenes with him, and so this was sort of

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Speaker 2: like we know we had done numbers with him without

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Speaker 2: you guys, so right.

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Speaker 1: And then you rehearsed all this stuff with him, and

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Speaker 1: so you had a lot more time with this. But

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Speaker 1: he's so the sweetest. The whole number was just so cute.

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Speaker 1: You guys all looked really great. All right.

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Speaker 3: So the episode summary of this this episode is a

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Speaker 3: big part of it was that Kurt makes a new friend.

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Speaker 1: In a new glee club and a new school while

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Speaker 1: he continues to deal with Karowski bullying him at McKinley.

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Speaker 1: Finn and Sam come up with this idea to use

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Speaker 1: Coach Beast for a way to cool down.

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Speaker 3: And it it Beast finds out, gets her to quit,

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Speaker 3: and Tine is also involved in.

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Speaker 1: That, and then Puck and Alaradie strike up in unlikely friendship.

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Speaker 1: Where do you want to begin?

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Speaker 2: I mean, okay, let's talk about I mean the story

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Speaker 2: this episode is really crazy because I think when people

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Speaker 2: think about this episode generally, all that you really remember

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Speaker 2: is the Warblers, right, Darren getting introduced, Kasi bullying Kurt

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Speaker 2: and kissing him, and like that's sort of the main

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Speaker 2: thing because that has ramifications throughout the rest of the series.

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Speaker 2: But somehow this show The Bumper is Finn and Sam

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Speaker 2: talking about how they found these two girls who won't

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Speaker 2: sleep with them, basically, and Finn's like, well, what I

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Speaker 2: do to stop myself from going all the way? And

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Speaker 2: we have a great callback to at the very beginning

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Speaker 2: of the show have the mamman on the windshield, and

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Speaker 2: so Finn basically is like, look, you need to find

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Speaker 2: your own thing. And so in that moment, Coach Beast

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Speaker 2: is yelling at Artie and she's picking a wedgie and

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Speaker 2: Sam was like, great, I found my thing. This very

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Speaker 2: quickly spirals out of control because then Sam goes to

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Speaker 2: mentally use Beast in this way when he is hooking

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Speaker 2: up with Quinn shortly after, but he says out loud

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Speaker 2: Beast and she gets. Quinn's not happy about it. But

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Speaker 2: then the boys tell the other boys aka Mike Chang,

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Speaker 2: who then tells his girlfriend Tina, and so Tina's like, oh,

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Speaker 2: let's see, let's see if like this is actually true.

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Speaker 2: Let's put it to the test. But it's not Mike

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Speaker 2: who's the one that needs it. Tina, Tina a la

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Speaker 2: Sam a couple of scenes earlier, closes her eyes and

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Speaker 2: thinks of Beast it's like saying, it's like, close your

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Speaker 2: eyes and think of England. The whole time I was like,

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Speaker 2: close your eyes and think of Beast, and all of

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Speaker 2: these incredible shots of Dot Marie Jones doing different thing

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Speaker 2: with a ballet are smarting the meat.

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00:19:03,080 --> 00:19:04,399
Speaker 1: It is so good.

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Speaker 3: It's so good. She does such it's so it's very

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00:19:09,040 --> 00:19:12,200
Speaker 3: like Niptucky. You know, it looks very niptucky to me. Yeah,

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00:19:13,080 --> 00:19:18,919
Speaker 3: I just Dot Dot the amazing actress and hilarious angel.

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Speaker 2: I have to say, I think this is some of

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00:19:20,760 --> 00:19:24,919
Speaker 2: your finest work. You are hilarious. You and Harry are hilarious.

365
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Speaker 2: And this this little nuggle that's like sprinkled in this

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Speaker 2: episode and you guys eat it up and I love

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Speaker 2: that it's you. And like in that scene at the end,

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00:19:33,920 --> 00:19:38,560
Speaker 2: you know when well before we get there. So what

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Speaker 2: happens is Quinn is obviously upset about it, goes to

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Speaker 2: Sue and is like, I don't know what to do

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Speaker 2: because clearly Sam is hooking up with Coach Beast, and

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Speaker 2: Sue is like, well, I'm looking away to get her fired,

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Speaker 2: so you need to publicly confront him and make it loud,

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Speaker 2: and she does, and Coach Beast hears it and gets

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Speaker 2: yell at all, so by Mike Chang to stay away

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00:20:02,920 --> 00:20:09,200
Speaker 2: from his girlfriend, and so Will finds out right and

377
00:20:09,359 --> 00:20:18,879
Speaker 2: Will confronts the glee club and says the boys and

378
00:20:18,880 --> 00:20:30,200
Speaker 2: and girl in your face, Like it's such an insane storyline,

379
00:20:30,200 --> 00:20:32,000
Speaker 2: but I love it because it's so high school.

380
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Speaker 1: It is very high school.

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Speaker 2: It's very inappropriate, and leave.

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Speaker 3: It, chick, Tina to have like the weird to be the.

383
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Speaker 2: Also your costume, like your costumes.

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Speaker 3: This episode these This was the moment, Kevin, This was

385
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Speaker 3: the moment. This is the turning point. Well maybe not,

386
00:20:52,560 --> 00:20:55,439
Speaker 3: we're getting there. Actually that's a lie. But this was

387
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Speaker 3: on the way to that moment where I thought I

388
00:20:57,680 --> 00:21:02,440
Speaker 3: can't do this anymore. But yes, my costumes were getting

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00:21:02,480 --> 00:21:03,320
Speaker 3: more extreme.

390
00:21:03,760 --> 00:21:09,720
Speaker 2: Yeah they looked really cool though. Yeah yeah they With

391
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Speaker 2: Kurt when he first gets pushed in your.

392
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Speaker 1: On his outfit, I mean, are you joking?

393
00:21:13,720 --> 00:21:16,959
Speaker 2: No, Train, but your outfit was just as good, like

394
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Speaker 2: you both were like fashion, fashion.

395
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Speaker 3: Fashion, fair, fair, fair, fair fair. Yeah, this was lou

396
00:21:21,960 --> 00:21:24,480
Speaker 3: like giving her her moment to these.

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Speaker 2: Guys really getting to play.

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Speaker 3: I feel like Tina and Kurt, you can't do that

399
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Speaker 3: on which is like, yeah, so Will finds out, and

400
00:21:31,720 --> 00:21:34,159
Speaker 3: so Beast confronts Will.

401
00:21:35,119 --> 00:21:40,640
Speaker 1: About it because she trusts him and she's the only

402
00:21:40,720 --> 00:21:44,959
Speaker 1: person who she can trust in this school.

403
00:21:45,480 --> 00:21:49,239
Speaker 2: And I Will so much together, you know, like they

404
00:21:49,280 --> 00:21:50,879
Speaker 2: have like a really sweet friendship.

405
00:21:51,320 --> 00:21:51,720
Speaker 1: They do.

406
00:21:51,960 --> 00:21:55,720
Speaker 3: They do they and it's nice that they have each other.

407
00:21:56,080 --> 00:21:59,119
Speaker 3: They're like kind of the underdogs outsiders, like like he

408
00:21:59,240 --> 00:22:00,200
Speaker 3: says in the show.

409
00:22:00,920 --> 00:22:03,760
Speaker 2: Well, it's like when she first entered the scene, Sue

410
00:22:04,000 --> 00:22:06,359
Speaker 2: tried to get Will to use her as a common enemy,

411
00:22:06,640 --> 00:22:09,080
Speaker 2: like they're like enemy of my enemy is my friend.

412
00:22:09,720 --> 00:22:14,240
Speaker 2: But really, I mean their collective enemy is Sue Sue.

413
00:22:14,359 --> 00:22:16,360
Speaker 2: So yeah, they have that bomb strengthen numbers.

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00:22:16,720 --> 00:22:20,720
Speaker 1: That's right, crazy Sue, which we'll talk about her competti

415
00:22:20,760 --> 00:22:26,040
Speaker 1: se Well. Will decides to give a chur straight I mean,

416
00:22:26,080 --> 00:22:29,560
Speaker 1: not comfortably or willingly, but he feels like it's probably

417
00:22:29,600 --> 00:22:33,479
Speaker 1: the right thing to do based on their trust.

418
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Speaker 3: And she she takes it very personally as one would.

419
00:22:42,320 --> 00:22:46,959
Speaker 1: And and it leads her to quit the quit her

420
00:22:46,960 --> 00:22:51,719
Speaker 1: position as coach Beast. Then we get to the scene

421
00:22:51,840 --> 00:22:57,359
Speaker 1: where he is a summoned by a note from Becky

422
00:22:57,480 --> 00:23:01,200
Speaker 1: to go to the auditorium to meet Sue. Sue is celebrating.

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00:23:01,320 --> 00:23:04,000
Speaker 1: She says, do you notice the cannons, I've gotten my

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00:23:04,040 --> 00:23:07,280
Speaker 1: budget back. We guys, coach Beast quit because of your

425
00:23:07,320 --> 00:23:10,360
Speaker 1: glee club. Your glee club did this, these mean children.

426
00:23:11,560 --> 00:23:13,680
Speaker 1: And then the confetti cans explained.

427
00:23:13,800 --> 00:23:17,520
Speaker 2: She has a great line too, about you know, songs

428
00:23:17,560 --> 00:23:19,520
Speaker 2: about being ugly or whatever it is that you guys

429
00:23:19,520 --> 00:23:20,040
Speaker 2: do in there.

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00:23:21,119 --> 00:23:22,760
Speaker 1: It's just so good, and.

431
00:23:24,359 --> 00:23:29,680
Speaker 3: The confetti cans explode, and Sue's laugh is just even

432
00:23:29,720 --> 00:23:32,680
Speaker 3: when you hate Sue so much, then the scenes are

433
00:23:32,720 --> 00:23:33,719
Speaker 3: so freaking funny.

434
00:23:35,080 --> 00:23:37,280
Speaker 2: I remember them shooting that scene or talking about shooting

435
00:23:37,320 --> 00:23:39,040
Speaker 2: that scene, how they were going to do it with

436
00:23:39,080 --> 00:23:42,120
Speaker 2: the cleanup, like you need to get it once one.

437
00:23:42,240 --> 00:23:43,080
Speaker 1: It's like a slushy.

438
00:23:43,520 --> 00:23:45,320
Speaker 3: I really try to go for it once because that

439
00:23:45,400 --> 00:23:46,719
Speaker 3: was a lot of confetti.

440
00:23:46,920 --> 00:23:49,080
Speaker 2: Oh, and that confetti gets everywhere.

441
00:23:49,440 --> 00:23:54,280
Speaker 3: We would notice Will's each shot, his confetti's like a

442
00:23:54,320 --> 00:24:00,399
Speaker 3: little bit different because like confetti's like like glitter, you

443
00:24:00,440 --> 00:24:03,119
Speaker 3: can't like always quite get it right, but it's everywhere.

444
00:24:05,400 --> 00:24:10,280
Speaker 3: So Will tells the glee club that Beast quit and

445
00:24:10,359 --> 00:24:13,440
Speaker 3: the glee club is surprised, not sure why. I guess

446
00:24:13,440 --> 00:24:20,280
Speaker 3: we're kids, so we're surprised. But he everybody is very upset,

447
00:24:20,400 --> 00:24:29,520
Speaker 3: and so Finn and Sam go apologize, and Will goes

448
00:24:29,560 --> 00:24:32,159
Speaker 3: to actually find Beasts and tries to talk to her

449
00:24:32,200 --> 00:24:34,119
Speaker 3: as well and says, the kids really love you and

450
00:24:34,160 --> 00:24:38,159
Speaker 3: they are really sorry, and.

451
00:24:36,760 --> 00:24:38,879
Speaker 1: And then this scene. Yeah, it's weird.

452
00:24:39,000 --> 00:24:41,639
Speaker 3: I remember reading it in the script and thinking like,

453
00:24:41,880 --> 00:24:45,879
Speaker 3: do we have to but I do. Look, it feels

454
00:24:45,880 --> 00:24:48,840
Speaker 3: like it was threading the needle to Kurt and having

455
00:24:48,840 --> 00:24:51,919
Speaker 3: never been kissed and Beast never been kissed, and it

456
00:24:52,040 --> 00:24:56,520
Speaker 3: was like that was the point, see to get to.

457
00:24:57,040 --> 00:24:58,840
Speaker 3: All the rest was kind of getting there, which was

458
00:24:58,840 --> 00:25:04,880
Speaker 3: actually better than this point. See that happened. But okay, yeah,

459
00:25:04,920 --> 00:25:08,560
Speaker 3: he's so uncomfortable. I know, it's just strange. This is

460
00:25:08,640 --> 00:25:10,160
Speaker 3: not necessary, like.

461
00:25:11,960 --> 00:25:14,960
Speaker 2: She want you to be her first kiss, like sir,

462
00:25:15,600 --> 00:25:16,800
Speaker 2: that's pretty presumptuous.

463
00:25:17,240 --> 00:25:19,560
Speaker 1: But Will was doing he was opening the door for

464
00:25:19,600 --> 00:25:24,080
Speaker 1: her to then actually just of men. I don't know,

465
00:25:24,160 --> 00:25:24,800
Speaker 1: it's so weird.

466
00:25:24,880 --> 00:25:27,840
Speaker 2: Yeah, it's just very the whole scene. I was like, no, no,

467
00:25:27,920 --> 00:25:29,760
Speaker 2: don't do it, because I couldn't really remember, but I

468
00:25:29,800 --> 00:25:32,600
Speaker 2: felt like he was going to do it, because of

469
00:25:32,640 --> 00:25:33,280
Speaker 2: course he would.

470
00:25:33,720 --> 00:25:34,920
Speaker 3: And then he did it, and I was like I

471
00:25:35,040 --> 00:25:40,359
Speaker 3: was dreading it I was dreading it, but but it

472
00:25:40,400 --> 00:25:42,800
Speaker 3: was an important scene with or without the kiss.

473
00:25:43,000 --> 00:25:48,399
Speaker 1: Yes, for Dot and Beast to.

474
00:25:47,119 --> 00:25:50,360
Speaker 3: Be vulnerable reveal these things, it really makes you love

475
00:25:50,400 --> 00:25:53,560
Speaker 3: her even more and see the softer side of her

476
00:25:53,560 --> 00:25:57,679
Speaker 3: and kind of understand her because on the on the

477
00:25:57,680 --> 00:26:03,679
Speaker 3: outside you she is not your typical female coach and

478
00:26:03,720 --> 00:26:06,800
Speaker 3: so like just to see her as like open up.

479
00:26:06,680 --> 00:26:09,080
Speaker 1: And to understand her more was really great for the show.

480
00:26:09,320 --> 00:26:11,400
Speaker 2: I also thought it was interesting because in an episode

481
00:26:11,400 --> 00:26:15,320
Speaker 2: that you have two introduction of two more gay characters,

482
00:26:15,920 --> 00:26:21,280
Speaker 2: you then have her state I'm not gay, right. It

483
00:26:21,359 --> 00:26:24,199
Speaker 2: was like they probably they got to clear it up

484
00:26:24,200 --> 00:26:26,120
Speaker 2: for people. It's like, not every character in the show

485
00:26:26,200 --> 00:26:28,719
Speaker 2: now is going to be gay. We do have some

486
00:26:28,760 --> 00:26:30,400
Speaker 2: straight characters.

487
00:26:30,119 --> 00:26:34,520
Speaker 3: Yes, yes, definitely, even though Dot is gay right exactly

488
00:26:34,920 --> 00:26:35,520
Speaker 3: in real.

489
00:26:35,680 --> 00:26:38,080
Speaker 2: But Darren and Max aren't. So you had to balance

490
00:26:38,119 --> 00:26:41,520
Speaker 2: it out. You know, we were all playing different characters.

491
00:26:41,680 --> 00:26:43,600
Speaker 1: Yeah, we're actors. Actors.

492
00:26:43,960 --> 00:26:49,000
Speaker 2: So to get Beasts to not quit, the boys perform

493
00:26:49,080 --> 00:26:52,960
Speaker 2: their mashup and apologize for Beasts in the choir room

494
00:26:53,600 --> 00:26:55,280
Speaker 2: to try to get her to smile because she's such

495
00:26:55,280 --> 00:27:01,480
Speaker 2: a good smile and we do our mash up. You

496
00:27:01,560 --> 00:27:04,480
Speaker 2: know where the girls lost their mind for one quart

497
00:27:04,520 --> 00:27:06,440
Speaker 2: over Street understandable.

498
00:27:07,680 --> 00:27:09,480
Speaker 1: So wonderful, What a wonderful number.

499
00:27:10,359 --> 00:27:13,160
Speaker 3: I loved the number. I loved the mashup, I loved

500
00:27:13,240 --> 00:27:15,959
Speaker 3: the performance. I loved the costumes. I thought it was

501
00:27:16,080 --> 00:27:20,200
Speaker 3: so cute and so charming. It's just wonderful. I love

502
00:27:20,320 --> 00:27:21,399
Speaker 3: boyf versus girls.

503
00:27:21,720 --> 00:27:23,840
Speaker 2: I do too. It was it was a really weird

504
00:27:24,520 --> 00:27:27,600
Speaker 2: it was. I remember recording it and they had all

505
00:27:27,600 --> 00:27:31,720
Speaker 2: these like really intense back up. I mean, my ad

506
00:27:31,760 --> 00:27:37,199
Speaker 2: libs don't like Michael Jackson like aggressive, and I was.

507
00:27:37,200 --> 00:27:39,119
Speaker 1: Like, you were on that?

508
00:27:39,280 --> 00:27:43,600
Speaker 2: Yeah, yeah, And I remember, like Corey, Corey assumed that

509
00:27:43,720 --> 00:27:47,080
Speaker 2: every ad lib was just mine. When we were filming.

510
00:27:47,119 --> 00:27:51,600
Speaker 2: I was like, Corey, that's your voice. Was like, yeah, Corey,

511
00:27:51,640 --> 00:27:54,199
Speaker 2: that's that's you. He's like I did that. I was like,

512
00:27:54,200 --> 00:27:56,600
Speaker 2: what you must have. And I remember bringing him over

513
00:27:57,000 --> 00:27:59,400
Speaker 2: to the sound and you can solo out all the things.

514
00:27:59,480 --> 00:28:01,480
Speaker 2: I'm like, can you solo these? Because I'm pretty sure

515
00:28:01,520 --> 00:28:05,119
Speaker 2: that's Corey and that's not me, and yeah, and that's I.

516
00:28:05,160 --> 00:28:08,560
Speaker 3: Remember that they pulled the wall out for this one

517
00:28:10,000 --> 00:28:13,200
Speaker 3: when they were shooting it, and I remember it being

518
00:28:13,280 --> 00:28:16,120
Speaker 3: very efficient the way that Brad Beeker shot this.

519
00:28:17,880 --> 00:28:18,760
Speaker 1: And that was with.

520
00:28:18,760 --> 00:28:23,240
Speaker 3: Us, and you guys were just really cute, really really cute.

521
00:28:23,640 --> 00:28:26,200
Speaker 2: Well, I can't wait to talk about yours. Let's get

522
00:28:26,240 --> 00:28:26,560
Speaker 2: into that.

523
00:28:26,880 --> 00:28:28,159
Speaker 1: Yeaheah, let's talk about that.

524
00:28:28,280 --> 00:28:32,080
Speaker 3: So along with this whole never Been Kissed storyline with

525
00:28:32,160 --> 00:28:37,440
Speaker 3: Beast Shoe has the competition list for Sectionals and that's

526
00:28:37,440 --> 00:28:43,120
Speaker 3: how the Warbars are introduced. And then we get into Dalton.

527
00:28:43,160 --> 00:28:47,240
Speaker 3: But the assignment for the week is boys versus Girls,

528
00:28:47,280 --> 00:28:53,160
Speaker 3: and the tournament is announced and the girls come up. Well,

529
00:28:53,200 --> 00:28:56,240
Speaker 3: then it gets kind of switched up, right. Everybody's kind

530
00:28:56,240 --> 00:28:59,640
Speaker 3: of bored with that whole idea. So mister Sue decides

531
00:28:59,680 --> 00:29:02,000
Speaker 3: that the girls have to do something that the boys

532
00:29:02,000 --> 00:29:03,880
Speaker 3: would normally do, and the boys have to do something

533
00:29:03,920 --> 00:29:06,240
Speaker 3: that the girls would normally do. Yeah, and so it

534
00:29:06,320 --> 00:29:10,080
Speaker 3: just adds another level, another, an extra challenge, an added

535
00:29:10,160 --> 00:29:12,880
Speaker 3: challenge to the tournament.

536
00:29:12,640 --> 00:29:15,960
Speaker 2: On attempt to really like appease Kirk because he's just

537
00:29:16,560 --> 00:29:20,640
Speaker 2: getting abused left, right and centered by Karowski and so

538
00:29:20,960 --> 00:29:23,480
Speaker 2: he wants to be with the girls. Will's really adamant

539
00:29:23,640 --> 00:29:26,280
Speaker 2: no and has this like really good one on one

540
00:29:26,320 --> 00:29:30,720
Speaker 2: with him, and through that then decides to give the

541
00:29:30,720 --> 00:29:34,720
Speaker 2: girls and boys an extra challenge like you said, right,

542
00:29:34,880 --> 00:29:40,040
Speaker 2: but when you guys do your number, I was so

543
00:29:40,080 --> 00:29:43,800
Speaker 2: excited to watch this because yeah, because even though you

544
00:29:43,840 --> 00:29:45,480
Speaker 2: guys weren't on Vitamin D.

545
00:29:46,560 --> 00:29:50,440
Speaker 1: We looked like it energy you know, yes, yes.

546
00:29:50,800 --> 00:29:55,040
Speaker 2: You didn't forget that, and everyone is singing in it.

547
00:29:55,360 --> 00:29:58,000
Speaker 2: So here's my problem with this number. Tell me every

548
00:29:58,040 --> 00:30:00,000
Speaker 2: time you sing, the camera's never on you.

549
00:30:00,400 --> 00:30:02,280
Speaker 1: Yeah, it happens a lot, and I.

550
00:30:02,240 --> 00:30:04,400
Speaker 2: Was really pissed because you sound really good and you

551
00:30:04,400 --> 00:30:06,280
Speaker 2: don't get to sing like rock music that often.

552
00:30:06,840 --> 00:30:08,960
Speaker 1: Thanks, it happens a lot.

553
00:30:08,840 --> 00:30:10,800
Speaker 2: But I will say I think there was. I think

554
00:30:10,800 --> 00:30:14,200
Speaker 2: it was an editing thing because it happened several times

555
00:30:14,200 --> 00:30:16,160
Speaker 2: where the camera was not on the person singing.

556
00:30:16,680 --> 00:30:19,840
Speaker 1: Yes fair. I think Badger had to get used to

557
00:30:19,840 --> 00:30:24,520
Speaker 1: that also perhaps, but also additionally, mine were riffs, right,

558
00:30:24,560 --> 00:30:27,080
Speaker 1: A lot of my stuff was riffs, or maybe just

559
00:30:29,760 --> 00:30:29,960
Speaker 1: of the.

560
00:30:31,840 --> 00:30:34,479
Speaker 3: It was like leads on the choruses, like we were

561
00:30:34,520 --> 00:30:37,800
Speaker 3: featured voices, and that's so much like every two that's right,

562
00:30:38,000 --> 00:30:38,920
Speaker 3: that's right, it would.

563
00:30:38,760 --> 00:30:40,160
Speaker 1: Be me and then Leah, I mean and Leah, and

564
00:30:40,240 --> 00:30:41,800
Speaker 1: I was like, oh, I forgot I sang on this.

565
00:30:41,920 --> 00:30:44,520
Speaker 1: I was like is that my voice? Again? Kind of

566
00:30:44,560 --> 00:30:46,200
Speaker 1: like Corey, You're like, did I do that?

567
00:30:46,320 --> 00:30:50,560
Speaker 3: But but yes, fair enough that I was like a

568
00:30:50,600 --> 00:30:52,840
Speaker 3: lot of the time, you wouldn't know that I sang

569
00:30:52,840 --> 00:30:53,480
Speaker 3: out a lot of these.

570
00:30:55,240 --> 00:30:58,480
Speaker 2: Well, also happens soon we forget because if we only

571
00:30:58,520 --> 00:31:01,560
Speaker 2: have four or five a song, we go record that

572
00:31:01,640 --> 00:31:03,920
Speaker 2: in about fifteen minutes, and then we go about a

573
00:31:04,000 --> 00:31:06,000
Speaker 2: day and forget. Yeah, we completely forget.

574
00:31:06,440 --> 00:31:10,360
Speaker 3: Yes, So more importantly in this, in this kind of

575
00:31:10,960 --> 00:31:16,440
Speaker 3: storyline with the tournament, was is Kurt being bullied to

576
00:31:16,560 --> 00:31:22,400
Speaker 3: no end by Krofsky? Really unhappy? It's just not manageable

577
00:31:22,480 --> 00:31:24,360
Speaker 3: or sustainable violence.

578
00:31:24,560 --> 00:31:26,000
Speaker 2: It's really how he's getting.

579
00:31:26,040 --> 00:31:29,120
Speaker 3: I'm surprised that, Like mister, She's like, is there anything

580
00:31:29,160 --> 00:31:29,640
Speaker 3: I can do?

581
00:31:29,760 --> 00:31:33,360
Speaker 1: You're like, yeah, get him out of here.

582
00:31:33,640 --> 00:31:34,360
Speaker 2: Yeah, exactly.

583
00:31:36,360 --> 00:31:39,320
Speaker 3: And so Kurt goes to visit Dalton and he has

584
00:31:39,360 --> 00:31:42,920
Speaker 3: a whole new experience and he needs Blaine, who is

585
00:31:42,960 --> 00:31:46,240
Speaker 3: also gay and out in his school. And not everybody's

586
00:31:46,280 --> 00:31:49,160
Speaker 3: gay Dalton, but there are more game and that are

587
00:31:49,200 --> 00:31:54,480
Speaker 3: out and you know, probably there than McKinley, and as.

588
00:31:54,600 --> 00:31:58,520
Speaker 2: Blaine says, they're rock stars. So everything that Kurt wants

589
00:31:58,640 --> 00:32:02,360
Speaker 2: is represented. The Warblers in a Blaine, it is something

590
00:32:02,400 --> 00:32:05,120
Speaker 2: that he didn't even know existed, and you get to

591
00:32:05,120 --> 00:32:09,760
Speaker 2: see him finally meeting another out gay person his age

592
00:32:10,240 --> 00:32:13,560
Speaker 2: and like the weight that he's been carrying every day

593
00:32:13,560 --> 00:32:16,360
Speaker 2: at his school and also at his own school when

594
00:32:16,360 --> 00:32:18,080
Speaker 2: we were all teamed up for the boys, the boys

595
00:32:18,080 --> 00:32:21,440
Speaker 2: aren't particularly nice or supportive of him at all, and

596
00:32:21,520 --> 00:32:24,840
Speaker 2: so he's completely abandoned.

597
00:32:25,040 --> 00:32:32,640
Speaker 3: Yeah, it was now watching this also as a viewer

598
00:32:34,800 --> 00:32:38,360
Speaker 3: teenage dream which became like a don't Stop where it

599
00:32:38,440 --> 00:32:40,560
Speaker 3: was like almost played too much. We heard it too

600
00:32:40,640 --> 00:32:43,440
Speaker 3: much after a while, right, it was like definitely running

601
00:32:43,440 --> 00:32:46,040
Speaker 3: to the ground, like don't stop. I watched you Garan't

602
00:32:46,080 --> 00:32:49,000
Speaker 3: do that and I was like, oh my god, what

603
00:32:49,160 --> 00:32:58,520
Speaker 3: a stunner, Like don't very charmed by him. I as Blaine, Like,

604
00:32:58,600 --> 00:33:00,600
Speaker 3: I was like, oh yeah.

605
00:33:00,400 --> 00:33:04,840
Speaker 2: I got to having some distance from it. I could

606
00:33:05,080 --> 00:33:08,640
Speaker 2: understand it better now, I think when it was happening,

607
00:33:09,280 --> 00:33:12,000
Speaker 2: because the number when we started, like don't Stop Believing

608
00:33:12,120 --> 00:33:14,800
Speaker 2: was a very simple number, right, but it was so

609
00:33:15,000 --> 00:33:19,200
Speaker 2: charming and worked really well. But by the point that

610
00:33:19,520 --> 00:33:22,520
Speaker 2: we got to this episode, we had done Rocky Horror

611
00:33:22,560 --> 00:33:24,920
Speaker 2: and Madonna and Brittany and our numbers were out of

612
00:33:24,960 --> 00:33:28,840
Speaker 2: control and they were great and big and expensive. And

613
00:33:28,880 --> 00:33:32,280
Speaker 2: then to have Teenage Dream come along that was sort

614
00:33:32,320 --> 00:33:36,880
Speaker 2: of like a reset where it's very simple, there's not

615
00:33:37,000 --> 00:33:40,640
Speaker 2: a lot of choreography, and it's one hundred charm And

616
00:33:40,680 --> 00:33:43,840
Speaker 2: I think at the time I was confused as to

617
00:33:43,880 --> 00:33:46,200
Speaker 2: why it was so popular, Like I knew the cover

618
00:33:46,320 --> 00:33:46,880
Speaker 2: was good, was like.

619
00:33:46,840 --> 00:33:49,640
Speaker 1: This performance is fine, right.

620
00:33:50,000 --> 00:33:54,200
Speaker 2: But watching it now, like also I would have died

621
00:33:54,280 --> 00:33:57,160
Speaker 2: if I was a viewer. I tried to consume as

622
00:33:57,240 --> 00:34:00,800
Speaker 2: much gay media as possible, there was not a lot

623
00:34:00,840 --> 00:34:03,440
Speaker 2: of it, and watching them run through the halls in

624
00:34:03,480 --> 00:34:06,680
Speaker 2: slow motion holding hands, I know I would have been

625
00:34:06,720 --> 00:34:07,600
Speaker 2: obsessed with this.

626
00:34:08,520 --> 00:34:10,359
Speaker 3: I was, really I was really obsessed with it. When

627
00:34:10,400 --> 00:34:12,319
Speaker 3: I watched it last night, I was like, this could

628
00:34:12,320 --> 00:34:16,640
Speaker 3: have seemed so cheesy or corny in some viewers, like

629
00:34:16,719 --> 00:34:20,160
Speaker 3: in in one point in time, but like I get it.

630
00:34:20,080 --> 00:34:23,960
Speaker 2: Now, but also like that's great. Let it be cheesy,

631
00:34:24,080 --> 00:34:26,400
Speaker 2: like this was on Fox at eight PM. And to

632
00:34:26,520 --> 00:34:31,239
Speaker 2: have even if two thousand and nine or corny romantic

633
00:34:31,480 --> 00:34:34,960
Speaker 2: gay storyline of high schoolers, I love that. Like whether

634
00:34:35,040 --> 00:34:39,480
Speaker 2: it's good or bad or everything in between, right, like

635
00:34:40,239 --> 00:34:44,440
Speaker 2: letting the whole group of people have that shown on

636
00:34:44,520 --> 00:34:48,200
Speaker 2: the show that was watched by families was really special.

637
00:34:48,719 --> 00:34:52,799
Speaker 1: I also will say like the blame storyline in this

638
00:34:52,920 --> 00:34:56,719
Speaker 1: episode had so much substance to it with Kurt, or

639
00:34:56,840 --> 00:35:01,880
Speaker 1: rather the Kurt storyline in this episode with meeting him

640
00:35:02,520 --> 00:35:06,960
Speaker 1: was like, I don't know, I just I really appreciative

641
00:35:07,040 --> 00:35:13,080
Speaker 1: of it. And having Kurt have somebody else in his

642
00:35:13,160 --> 00:35:15,799
Speaker 1: corner other than his dad and like the semi the

643
00:35:15,800 --> 00:35:18,160
Speaker 1: glee club, but not really like another gay man like

644
00:35:18,280 --> 00:35:22,360
Speaker 1: in his corner, Yeah, encouraging him and supporting him, Like

645
00:35:22,400 --> 00:35:25,880
Speaker 1: I can't imagine what that would have been like for

646
00:35:26,000 --> 00:35:29,320
Speaker 1: somebody who was either closeted or the only gay person

647
00:35:29,600 --> 00:35:32,279
Speaker 1: out in their school or feeling like hurt in any way,

648
00:35:32,320 --> 00:35:35,480
Speaker 1: shape or form, to have like a Blaine or a

649
00:35:35,520 --> 00:35:41,480
Speaker 1: hero in their life, like I you know, you imagine people. Yeah, Yeah,

650
00:35:41,480 --> 00:35:44,560
Speaker 1: it was really I just thought it was like really

651
00:35:44,560 --> 00:35:47,160
Speaker 1: well done and important to have.

652
00:35:47,520 --> 00:35:51,160
Speaker 2: And it was nice to see them. They're pretty opposite

653
00:35:51,200 --> 00:35:55,880
Speaker 2: in their characters as well. Yeah, And so Krosky's abusing

654
00:35:55,960 --> 00:36:01,200
Speaker 2: Kurt continuously this episode, and then when Blaine comes around,

655
00:36:01,760 --> 00:36:03,640
Speaker 2: Blaine's like, you know, you just got to stand up

656
00:36:03,640 --> 00:36:08,920
Speaker 2: to him, courage, and so after getting shoved for the

657
00:36:09,000 --> 00:36:13,759
Speaker 2: eight billionth time, Kurt follows Krossky into the boy's locker

658
00:36:13,840 --> 00:36:16,440
Speaker 2: room and calls him out and is like, what the

659
00:36:16,440 --> 00:36:21,480
Speaker 2: hell is your problem? In this really powerful, serious scene, right,

660
00:36:21,840 --> 00:36:24,080
Speaker 2: and it's really going at it and just like punch me.

661
00:36:24,280 --> 00:36:25,640
Speaker 2: You're not going to punch the gay out of me?

662
00:36:25,760 --> 00:36:29,520
Speaker 1: Like ooh wow, yeah, some writing, yeah.

663
00:36:29,360 --> 00:36:35,359
Speaker 2: And then Kroofski grabs Kurt's face and kisses him, and

664
00:36:35,600 --> 00:36:36,239
Speaker 2: Kurt is.

665
00:36:36,480 --> 00:36:39,959
Speaker 1: Stunned, as I think all the viewers probably.

666
00:36:39,840 --> 00:36:45,560
Speaker 2: Yes, and we find out one that that was Kurt's

667
00:36:45,960 --> 00:36:46,800
Speaker 2: first kiss.

668
00:36:47,440 --> 00:36:48,040
Speaker 1: Yeah.

669
00:36:48,080 --> 00:36:50,560
Speaker 2: But he also immediately goes to tell Blaine about this

670
00:36:50,600 --> 00:36:55,040
Speaker 2: whole experience, and Blaine shows up at McKinley to confront

671
00:36:55,080 --> 00:36:59,200
Speaker 2: Kroski with him, right, And it's very like sort of

672
00:36:59,280 --> 00:37:03,120
Speaker 2: Darren in this where it's like low key about it. Yeah,

673
00:37:03,239 --> 00:37:06,279
Speaker 2: like I completely see through you, Like it's not that

674
00:37:06,320 --> 00:37:09,000
Speaker 2: big of a deal, Like this is who you are.

675
00:37:09,560 --> 00:37:12,000
Speaker 2: There's a lot of us, You're not alone, and that

676
00:37:12,120 --> 00:37:14,000
Speaker 2: you're acting out because you don't know what to do

677
00:37:14,040 --> 00:37:18,160
Speaker 2: with it, all right, and Karowski is stunned, silent, and

678
00:37:18,200 --> 00:37:21,160
Speaker 2: you have this really beautiful scene that sets up their

679
00:37:21,160 --> 00:37:24,560
Speaker 2: relationship and that stairwell where they are so different, and

680
00:37:24,760 --> 00:37:27,520
Speaker 2: Kurt's sitting there in the midst he's never been kissed before,

681
00:37:29,080 --> 00:37:33,160
Speaker 2: and Blaine is just like, a right, let's get a lunch.

682
00:37:33,960 --> 00:37:36,839
Speaker 2: He doesn't play into it at all, but is there

683
00:37:36,880 --> 00:37:39,479
Speaker 2: for him. He doesn't have to say all the other

684
00:37:39,520 --> 00:37:43,080
Speaker 2: things because he's been through it before and we haven't

685
00:37:43,080 --> 00:37:46,640
Speaker 2: seen that yet, which it's nice to be able to

686
00:37:46,960 --> 00:37:50,920
Speaker 2: see that, but it also you know, it's now shown

687
00:37:51,040 --> 00:37:54,319
Speaker 2: Kurt another world and going back to McKinley to the

688
00:37:54,320 --> 00:37:55,960
Speaker 2: same old is going to be difficult.

689
00:37:56,840 --> 00:37:59,960
Speaker 1: Yeah, stay two, stay tune.

690
00:38:00,480 --> 00:38:04,240
Speaker 3: Okay, So before we get in, before we end this episode,

691
00:38:04,320 --> 00:38:08,400
Speaker 3: my god, there's a huge storyline we haven't all right.

692
00:38:08,480 --> 00:38:13,400
Speaker 3: So Puck comes back from his his time off on

693
00:38:13,440 --> 00:38:17,640
Speaker 3: the show, and Ju went to Jubi and he comes

694
00:38:17,719 --> 00:38:20,160
Speaker 3: out and he's got this whole facade on that like,

695
00:38:20,280 --> 00:38:22,839
Speaker 3: you know whatever, they're scared of me. But we've come

696
00:38:22,880 --> 00:38:25,520
Speaker 3: to find out that he hates that place and is

697
00:38:25,560 --> 00:38:29,400
Speaker 3: never going back. So he makes already his community service

698
00:38:29,440 --> 00:38:32,600
Speaker 3: so he doesn't have to go back, and says that

699
00:38:32,640 --> 00:38:33,600
Speaker 3: there's a crip or.

700
00:38:33,560 --> 00:38:36,040
Speaker 1: Something, which I was like, okay, now, let's not But.

701
00:38:36,600 --> 00:38:40,400
Speaker 2: Later the probation officers that that Puck said he was

702
00:38:40,440 --> 00:38:44,840
Speaker 2: hanging with the crip, but he meant cripple and.

703
00:38:45,400 --> 00:38:50,680
Speaker 1: A gang member, like a reformed gang. Yeah. Yeah, so.

704
00:38:52,120 --> 00:38:56,799
Speaker 3: He takes he takes already on and and he's going

705
00:38:56,840 --> 00:38:59,360
Speaker 3: to help you. I don't know he's going to treat

706
00:38:59,400 --> 00:39:03,279
Speaker 3: you like can unity service, which is an issue, but okay, I.

707
00:39:03,200 --> 00:39:06,720
Speaker 2: Mean it seems grateful because I already needs some social

708
00:39:06,760 --> 00:39:10,520
Speaker 2: help and Puck seems to be able to do anything

709
00:39:10,520 --> 00:39:13,920
Speaker 2: he wants. Right. Yes, I don't know how this busking

710
00:39:13,960 --> 00:39:14,760
Speaker 2: scene happened.

711
00:39:17,600 --> 00:39:21,720
Speaker 3: Okay, first, I don't know where the idea came from.

712
00:39:21,760 --> 00:39:23,920
Speaker 3: But I was like, okay, now we're in the courtyard

713
00:39:23,960 --> 00:39:27,440
Speaker 3: of Bernstein and they're doing a number. Now, remind me

714
00:39:27,520 --> 00:39:30,880
Speaker 3: about this day, Kevin, because I do remember that it

715
00:39:30,960 --> 00:39:33,239
Speaker 3: was raining, and I think I saw you after this

716
00:39:33,360 --> 00:39:34,680
Speaker 3: scene was shot and you.

717
00:39:34,600 --> 00:39:37,000
Speaker 1: Were like, it was raining all day. Yeah, and we

718
00:39:37,040 --> 00:39:37,760
Speaker 1: did it anyway.

719
00:39:37,840 --> 00:39:40,840
Speaker 3: Now, normally on the show, if it's raining outside, we

720
00:39:40,920 --> 00:39:43,200
Speaker 3: will cancel the day, or we will change a scene

721
00:39:43,239 --> 00:39:47,960
Speaker 3: and do something in interior and do it another day.

722
00:39:48,320 --> 00:39:49,480
Speaker 1: Tell me about this day.

723
00:39:50,280 --> 00:39:53,600
Speaker 2: No, we were not canceling. And also you know it

724
00:39:53,680 --> 00:39:55,520
Speaker 2: was one of the seven days that it rains of

725
00:39:55,520 --> 00:39:59,640
Speaker 2: the year, and I think one of those days you

726
00:39:59,680 --> 00:40:04,080
Speaker 2: have a huge location, you have all of these background actors.

727
00:40:05,000 --> 00:40:08,640
Speaker 2: And also that day was if you notice by the

728
00:40:08,680 --> 00:40:11,560
Speaker 2: weather the curtain Blaine scene in the stairwell with Korowski

729
00:40:12,000 --> 00:40:14,920
Speaker 2: because it's everything is all wet still, and so I

730
00:40:14,920 --> 00:40:18,480
Speaker 2: think it was just a light drizzle. So we shot

731
00:40:18,600 --> 00:40:21,840
Speaker 2: when we could really quickly. It's a really simple number.

732
00:40:22,320 --> 00:40:27,439
Speaker 2: And also Brad Beeker is pretty expeditious and like, there's

733
00:40:27,520 --> 00:40:32,040
Speaker 2: rain on my glasses and a lot of oh yeah,

734
00:40:32,320 --> 00:40:34,319
Speaker 2: which is like not a great look when you have

735
00:40:34,400 --> 00:40:38,600
Speaker 2: thin hair, and we just did it. I mean, I

736
00:40:38,680 --> 00:40:41,120
Speaker 2: love this song. I love this version of the song.

737
00:40:41,880 --> 00:40:44,000
Speaker 2: Watching it in the episode of Lotokle confused as to

738
00:40:44,040 --> 00:40:46,080
Speaker 2: why it was happening, and Artie can just look at

739
00:40:46,080 --> 00:40:47,880
Speaker 2: a bunch of ones and no, it's three hundred dollars.

740
00:40:47,960 --> 00:40:52,000
Speaker 2: But you know, I either here nor there. But my

741
00:40:52,080 --> 00:40:55,840
Speaker 2: favorite part of this whole storyline is already admits the

742
00:40:55,880 --> 00:40:59,400
Speaker 2: Puck that he was dating Brittany and he wants to

743
00:40:59,400 --> 00:41:02,440
Speaker 2: get her back, and he's like, great, we'll go on

744
00:41:03,600 --> 00:41:07,920
Speaker 2: double date with Santana and Brittany and myself and you

745
00:41:08,880 --> 00:41:10,640
Speaker 2: and you just had to follow my lead, do the

746
00:41:10,680 --> 00:41:13,600
Speaker 2: opposite of your instincts. And so there's that scene where

747
00:41:13,600 --> 00:41:18,600
Speaker 2: we go in and we're really terrible to Brittany and Santana,

748
00:41:19,200 --> 00:41:24,680
Speaker 2: but Heather and Nyo were so funny, so funny.

749
00:41:25,920 --> 00:41:27,800
Speaker 1: And so funny.

750
00:41:27,840 --> 00:41:30,799
Speaker 2: They ate it up and we could to do this

751
00:41:30,920 --> 00:41:35,560
Speaker 2: really fun scene at Breadsticks, which I never got to

752
00:41:35,560 --> 00:41:37,400
Speaker 2: spend that much time in. So I was very excited.

753
00:41:38,160 --> 00:41:38,839
Speaker 1: Where are you now?

754
00:41:39,239 --> 00:41:41,720
Speaker 2: Oh yeah, I didn't know. I didn't know the Nightmare

755
00:41:41,719 --> 00:41:43,960
Speaker 2: of bread Sticks. Okay, this is my introduction to the

756
00:41:44,040 --> 00:41:47,000
Speaker 2: Nightmare of bread Sticks. And we got do the scene

757
00:41:47,000 --> 00:41:49,680
Speaker 2: and it was insane and also already doesn't have a

758
00:41:49,719 --> 00:41:52,600
Speaker 2: lot of redeeming moments, but him paying the bill not

759
00:41:52,680 --> 00:41:57,840
Speaker 2: running out, I was thankful for. And then basically it

760
00:41:57,880 --> 00:42:01,319
Speaker 2: all comes crumbling down because Puck is pitching to the

761
00:42:01,320 --> 00:42:05,000
Speaker 2: girls into already that he was this macho man and

762
00:42:05,040 --> 00:42:06,759
Speaker 2: nobody messed with him in Juvie and it was so

763
00:42:06,840 --> 00:42:09,360
Speaker 2: easy he could go back anytime. But then he gets

764
00:42:09,719 --> 00:42:12,960
Speaker 2: called out by the probation officer and is given an

765
00:42:13,000 --> 00:42:15,800
Speaker 2: ultimatum of twenty four hours to actually find community service

766
00:42:16,120 --> 00:42:18,840
Speaker 2: or you're going back to Juvie and then AARTI confronts

767
00:42:18,880 --> 00:42:26,520
Speaker 2: him and says you you're acting insane, basically that you

768
00:42:26,600 --> 00:42:29,800
Speaker 2: just have to go do like community service. That's fine

769
00:42:30,719 --> 00:42:34,759
Speaker 2: and already then you know, pitches, I'll help you in geometry,

770
00:42:34,800 --> 00:42:37,920
Speaker 2: past geometry, whatever it is. You go to the community

771
00:42:37,920 --> 00:42:41,400
Speaker 2: service and then no harm, no foul if this doesn't

772
00:42:41,440 --> 00:42:46,280
Speaker 2: work out, and that seems that they have a little

773
00:42:46,320 --> 00:42:49,719
Speaker 2: inappropriate handshake, and that's basically it. I thought it was

774
00:42:49,719 --> 00:42:54,560
Speaker 2: like the sweet little insight into puck a moment into

775
00:42:55,840 --> 00:42:59,600
Speaker 2: already desperately trying to be something else but actually getting

776
00:42:59,600 --> 00:43:02,879
Speaker 2: the upper and being able to help somebody else. But yeah,

777
00:43:02,960 --> 00:43:04,600
Speaker 2: it was fun. I had a really fun time doing it,

778
00:43:04,640 --> 00:43:08,359
Speaker 2: and it felt light and fun, and Mark was fun

779
00:43:08,360 --> 00:43:08,799
Speaker 2: to work with.

780
00:43:09,800 --> 00:43:13,400
Speaker 3: It's a very unlikely pairing that I really liked a lot,

781
00:43:14,320 --> 00:43:18,000
Speaker 3: and you guys were very good together and Mark's Your

782
00:43:18,040 --> 00:43:22,640
Speaker 3: performance was great always, but Mark's performance was also very good. Yeah,

783
00:43:23,280 --> 00:43:25,560
Speaker 3: not that I'm surprised that his performance was very good,

784
00:43:25,600 --> 00:43:27,279
Speaker 3: but like, you don't see a lot of pug and

785
00:43:27,920 --> 00:43:31,400
Speaker 3: to give a bad boy some layers like that, yeah,

786
00:43:31,480 --> 00:43:33,880
Speaker 3: it's actually kind of difficult to do. And he's still

787
00:43:33,920 --> 00:43:38,480
Speaker 3: so it was very likable and I just relatable and

788
00:43:38,680 --> 00:43:42,160
Speaker 3: very very cute. It was very very cute pairing.

789
00:43:42,320 --> 00:43:44,880
Speaker 2: I think it was also Mark in real life was

790
00:43:45,000 --> 00:43:48,839
Speaker 2: the bad boy like comparatively to the rest of our group. Sure,

791
00:43:48,880 --> 00:43:52,959
Speaker 2: and so I think he was putting in the work.

792
00:43:53,120 --> 00:43:57,160
Speaker 2: He wasn't necessarily like a big actor before this or

793
00:43:57,200 --> 00:44:00,759
Speaker 2: acting a bunch before this, and so right, you know,

794
00:44:00,920 --> 00:44:04,200
Speaker 2: I think we never knew what we were going to get,

795
00:44:04,239 --> 00:44:07,880
Speaker 2: and he was always rising to the challenge of you know,

796
00:44:08,480 --> 00:44:12,040
Speaker 2: the storyline, and yeah, I think you're right. This episode showed.

797
00:44:11,680 --> 00:44:15,000
Speaker 1: That that's that has never been kissed.

798
00:44:15,080 --> 00:44:17,080
Speaker 2: What an interesting episode.

799
00:44:17,239 --> 00:44:20,080
Speaker 1: I really enjoyed it, though, really you were dreading it.

800
00:44:20,760 --> 00:44:22,560
Speaker 3: I was dreading it because I think I thought it

801
00:44:22,600 --> 00:44:24,640
Speaker 3: was a different episode, which we'll talk about when we

802
00:44:24,760 --> 00:44:25,480
Speaker 3: get to that episode.

803
00:44:25,520 --> 00:44:26,839
Speaker 2: Wait, which episode do you think it was?

804
00:44:26,960 --> 00:44:28,680
Speaker 3: I can't remember the title of it, but I'll tell

805
00:44:28,680 --> 00:44:29,759
Speaker 3: you when I get there.

806
00:44:30,080 --> 00:44:31,640
Speaker 2: Was it a Night to Forget or whatever?

807
00:44:31,840 --> 00:44:34,520
Speaker 1: No? No, no, not that one. I mean not too but.

808
00:44:44,080 --> 00:44:45,759
Speaker 3: All right, you want to do some tarty tapes, let's

809
00:44:45,800 --> 00:44:49,560
Speaker 3: do some tarty takes. Okay, So the cringe moments aka oucheez.

810
00:44:50,719 --> 00:44:54,520
Speaker 3: I feel like mine is probably Puck taking you on

811
00:44:54,600 --> 00:44:56,160
Speaker 3: his community service and calling you.

812
00:44:56,120 --> 00:44:56,680
Speaker 1: A crypt.

813
00:44:58,320 --> 00:45:05,080
Speaker 2: I mean, there's a couple. I think, I think us

814
00:45:05,080 --> 00:45:12,320
Speaker 2: maybe doing that handshake in the hallway was probably not great. Also,

815
00:45:12,480 --> 00:45:18,040
Speaker 2: like all the things with Beast, maybe we're auchies a

816
00:45:18,080 --> 00:45:19,920
Speaker 2: bit right.

817
00:45:20,120 --> 00:45:21,480
Speaker 1: It was redeemed, but it wasn't right.

818
00:45:21,719 --> 00:45:24,000
Speaker 2: Yeah it's not, but it's okay.

819
00:45:24,160 --> 00:45:27,200
Speaker 3: So we switched this this category to best dance move,

820
00:45:27,239 --> 00:45:28,399
Speaker 3: but I have a worst dance.

821
00:45:30,440 --> 00:45:31,319
Speaker 2: Okay, go for it.

822
00:45:32,719 --> 00:45:33,759
Speaker 1: I'm not going to point out.

823
00:45:33,840 --> 00:45:36,400
Speaker 3: I'm not gonna point fingers, but you got to go

824
00:45:36,440 --> 00:45:39,799
Speaker 3: back and watch Teenage Dream some of those some of

825
00:45:39,840 --> 00:45:44,799
Speaker 3: those dances were definitely trying to get some camera time

826
00:45:45,480 --> 00:45:47,840
Speaker 3: it in.

827
00:45:48,880 --> 00:45:49,680
Speaker 1: That's all I'm saying.

828
00:45:51,040 --> 00:45:54,839
Speaker 3: The best number though, my best dance moves were obviously

829
00:45:54,880 --> 00:45:55,400
Speaker 3: the boys.

830
00:45:56,640 --> 00:46:00,360
Speaker 2: I disagree. No, the girls were crushed it and you

831
00:46:00,400 --> 00:46:02,960
Speaker 2: got those cool little editing effects you know we.

832
00:46:03,320 --> 00:46:04,719
Speaker 1: Used before first time we had.

833
00:46:06,640 --> 00:46:14,200
Speaker 2: Okay, best song, I think just because Teenage Dream is

834
00:46:14,200 --> 00:46:17,879
Speaker 2: so popular, I'm gonna go with the girls mashup. Oh wow, yeah,

835
00:46:18,040 --> 00:46:20,760
Speaker 2: I love it. I really love it.

836
00:46:20,760 --> 00:46:22,960
Speaker 1: It's funny. I really love your guys in this mashup.

837
00:46:23,239 --> 00:46:24,160
Speaker 2: That's not always fuss.

838
00:46:24,239 --> 00:46:29,400
Speaker 1: You know each other, fair fair fair, uh pressed for

839
00:46:29,680 --> 00:46:31,839
Speaker 1: performance by a.

840
00:46:31,800 --> 00:46:37,719
Speaker 2: Prop Oh maybe I mean the microphone stands in the

841
00:46:37,760 --> 00:46:43,000
Speaker 2: girls number you guys really things.

842
00:46:43,280 --> 00:46:47,080
Speaker 3: I think the cleaver in Dot's hand, in Coach B's

843
00:46:47,120 --> 00:46:50,759
Speaker 3: hand in the meat, the meat cutting. Anything of those

844
00:46:50,840 --> 00:46:54,560
Speaker 3: dream sequences where where Dot was doing that was I

845
00:46:54,600 --> 00:46:56,080
Speaker 3: thought were excellent.

846
00:46:56,280 --> 00:46:57,319
Speaker 2: Yeah, I think you're right.

847
00:46:57,560 --> 00:46:59,640
Speaker 1: And the best line.

848
00:47:00,000 --> 00:47:02,840
Speaker 2: So I think my favorite line honestly anytime Santana and

849
00:47:02,840 --> 00:47:05,640
Speaker 2: Britney spoke in this episode. But I think Santana is saying,

850
00:47:05,920 --> 00:47:07,600
Speaker 2: can I just say, this is what happens when people

851
00:47:07,640 --> 00:47:09,480
Speaker 2: don't put out? Everyone just put out, we would have

852
00:47:09,480 --> 00:47:15,320
Speaker 2: a winning football team. Wild wild.

853
00:47:18,040 --> 00:47:23,360
Speaker 3: I I also really liked. I don't know it's my

854
00:47:23,520 --> 00:47:27,719
Speaker 3: favorite quote. But when we were talking about our competitors

855
00:47:27,840 --> 00:47:35,080
Speaker 3: for our next sectionals, Mercedes is like, wait, how are

856
00:47:35,080 --> 00:47:37,920
Speaker 3: we going to compete against a bunch of adorable people?

857
00:47:39,880 --> 00:47:43,360
Speaker 2: It is very good? So should we found in TikTok?

858
00:47:44,160 --> 00:47:50,160
Speaker 2: Are you watching it? Yeah? So Juli and Ernesto on

859
00:47:50,800 --> 00:47:53,759
Speaker 2: TikTok made this video and they said there are two

860
00:47:53,760 --> 00:47:57,080
Speaker 2: types of people on vacation. One of them is reading

861
00:47:57,080 --> 00:48:03,080
Speaker 2: a book about slavery and holocaust. After explaining in depth

862
00:48:03,120 --> 00:48:06,240
Speaker 2: about the book, turns and says what are you reading,

863
00:48:06,680 --> 00:48:10,000
Speaker 2: and the guy is reading sorry not sorry by one

864
00:48:10,080 --> 00:48:12,879
Speaker 2: Naya Rivera and says, I'm reading about how much fun

865
00:48:13,000 --> 00:48:18,080
Speaker 2: Nya Rivera had on Glee. It's cute. Go buy the

866
00:48:18,120 --> 00:48:19,840
Speaker 2: book if you haven't read it. It's great.

867
00:48:19,960 --> 00:48:21,840
Speaker 1: Yeah, oh my goodness.

868
00:48:23,400 --> 00:48:27,920
Speaker 2: Thank you Yuli and Arnesto for making that. It's very good,

869
00:48:29,080 --> 00:48:32,040
Speaker 2: a great, great video and also like makes me want

870
00:48:32,080 --> 00:48:35,640
Speaker 2: to be on vacation well permanently.

871
00:48:36,360 --> 00:48:39,040
Speaker 1: Just yeah, teleport me there, tet me.

872
00:48:39,520 --> 00:48:43,680
Speaker 2: Thank you for joining us. Everyone, what an episode. This

873
00:48:43,840 --> 00:48:46,879
Speaker 2: was a big, big epis history and her.

874
00:48:46,800 --> 00:48:51,359
Speaker 3: Story, her story. Thanks for joining us. Come back next

875
00:48:51,400 --> 00:48:53,800
Speaker 3: week for another recap and.

876
00:48:53,800 --> 00:48:55,720
Speaker 2: That's what you really missed.

877
00:48:57,280 --> 00:48:58,080
Speaker 1: See you next week.

878
00:48:59,480 --> 00:49:02,520
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