WEBVTT - Ruthie's Table 4: Nick Allott

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adami's Studios.

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<v Speaker 2>For years, I've wanted to sit at his table and

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<v Speaker 2>talk to Nick Allett, one of our most favorite regulars

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<v Speaker 2>at the River Cafe, who when he walks in, absolutely

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<v Speaker 2>lights up the restaurant with his deep voice and his

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<v Speaker 2>deep warmth. I imagine we would talk about the musicals

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<v Speaker 2>he's produced, Lay Miss Katz, Carousel, Hamilton, but he's doing now,

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<v Speaker 2>his political battle to save theaters during the pandemic, and

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<v Speaker 2>the great love he had for his best friend, the

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<v Speaker 2>late brilliant restaurant critic Adrian gil and of course about

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<v Speaker 2>the food he's going to order. But then I remember

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<v Speaker 2>the line in the classic movie Casablanca when Ingrid Bergmann

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<v Speaker 2>asked the manager of the Cafe American for Rick, her

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<v Speaker 2>long ago lover Humphrey Bogart, to join her. Madam. He responds,

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<v Speaker 2>Rick never sits with the customers, never the same with me.

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<v Speaker 2>So I say hello and then leave to have whoever

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<v Speaker 2>it is, be with the person they're dining with. But

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<v Speaker 2>today Nick all it is not a guest in the

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<v Speaker 2>River Cafe, but a guest on Ruthie's Table four. And

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<v Speaker 2>we are here to talk. He's just come from the

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<v Speaker 2>kitchen where he baked a lemon tart with the pastry chefs.

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<v Speaker 2>He'll tell us how he made it, and then we

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<v Speaker 2>will discuss the food he grew up with when he

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<v Speaker 2>cooks at home, theater and food, food and friendship. I

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<v Speaker 2>think even Rick would approve and appreciate how lucky I

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<v Speaker 2>am to have Nick with me a man I adore

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<v Speaker 2>and for a while online.

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<v Speaker 3>Ruthie, what a joy to be here, thank you. So

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<v Speaker 3>I've just come from making the River Cafe lemon tart.

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<v Speaker 3>So this is how you do it. You take one

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<v Speaker 3>quantity of sweet pastry baked, then for the filling you

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<v Speaker 3>take a finely grated zest and juice of seven lemons.

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<v Speaker 3>And that is quite a sure in itself. If you've

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<v Speaker 3>got a soux chef in your kitchen, you can do

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<v Speaker 3>that work for you. That makes life much much better.

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<v Speaker 3>And indeed I once had Adrian Anthony Gill as my

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<v Speaker 3>shoe chef grating the lemons for me. Not very well.

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<v Speaker 3>I hastened to adding three fifty grams of caster sugar,

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<v Speaker 3>six whole eggs, nine egg yolks, three hundred grams of

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<v Speaker 3>unsalted butter, which are softened. You preheat the grill to high,

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<v Speaker 3>and then you make your filling. Put all of the

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<v Speaker 3>ingredients except the eggs in a large salcepan over a

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<v Speaker 3>very low heat, stirring until dissolved. Combine the mixture with

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<v Speaker 3>the eggs, return to the salcepan, and cook on a

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<v Speaker 3>low heat until thick. That getting it together so it

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<v Speaker 3>doesn't curdle is a real, real school. You have to

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<v Speaker 3>do it very, very slowly.

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<v Speaker 4>My name's got a tubs on the head, Pastry Chepherd

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<v Speaker 4>there of a cafe, so we're nearly there. So if

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<v Speaker 4>I had a spoon, it would definitely be coating the

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<v Speaker 4>back of a spoon. Right now, you can kind of

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<v Speaker 4>see it round the edge starting to tick again.

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<v Speaker 3>When it says that and you draw a line through it,

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<v Speaker 3>should it hold completely.

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<v Speaker 4>Orders well with this in particular, because we're about to

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<v Speaker 4>put it under the grill. If you think about it,

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<v Speaker 4>the grill's going to add a whole another layer of heat,

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<v Speaker 4>so you don't What you really want to do with

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<v Speaker 4>the lemon curd before it goes into the tart filling

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<v Speaker 4>is actually do it slightly under have it quite a

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<v Speaker 4>have be quite a thin curd, so that again we're

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<v Speaker 4>very particular about the spots that we get under the grill. Well,

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<v Speaker 4>you can really tell when something's been overcooked. The spots

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<v Speaker 4>are absolutely tiny. As with something that's been perfectly cooked.

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<v Speaker 4>It looks much more like a sort of giraffe print,

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<v Speaker 4>and you want that kind of beautiful mouffling over the

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<v Speaker 4>whole thing. We grate the pastry into the tartshell and

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<v Speaker 4>then we press it around the edges, and then we

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<v Speaker 4>go around with a knife, and then our trick is

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<v Speaker 4>we freeze.

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<v Speaker 2>The top shells.

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<v Speaker 4>We have a whole stack once it's made, and then

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<v Speaker 4>we can throw it in the oven without bacon beans

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<v Speaker 4>and it doesn't side stone shrink, so very much like

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<v Speaker 4>a pizza. We're just going to slowly rotate. It doesn't

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<v Speaker 4>matter if there's a slight wobble to it at this point,

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<v Speaker 4>because it will will eventually settle.

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<v Speaker 3>What ideally is the temperature you serve.

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<v Speaker 2>Then if you.

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<v Speaker 4>Put it in the fridge, the pastry goes sob You

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<v Speaker 4>want it to be lovely and Chris.

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<v Speaker 3>How beautiful will there? You go?

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<v Speaker 2>Choose to eat it for lunch, might be.

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<v Speaker 3>Or just in one slice. Yeah, I know, It's definitely

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<v Speaker 3>one of my favorite puddings. Here.

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<v Speaker 2>As you say that you choose a dessert, do you like.

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<v Speaker 3>I love cooking. I came to cooking quite late.

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<v Speaker 2>Well.

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<v Speaker 3>Growing up, food was never a big part of my life.

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<v Speaker 3>I come from an army background. My mother was a

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<v Speaker 3>very competent cook, but when living on army bases all

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<v Speaker 3>over the world, in Germany, in Hong Kong and Australia.

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<v Speaker 3>We didn't live in England until I was in my teens,

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<v Speaker 3>and really the ingredients that she had available to her

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<v Speaker 3>were those available from the NAFI, you know, the army store.

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<v Speaker 2>She wouldn't go into the local Germany.

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<v Speaker 3>No, you were discouraged basically from leaving the base. This

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<v Speaker 3>was sort of late fifties, early sixties, so post war

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<v Speaker 3>there wasn't that much integration still in the NATO bases,

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<v Speaker 3>more so when we moved to Australia. But again, we

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<v Speaker 3>had a year or two in Hong Kong when I

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<v Speaker 3>was quite young, and it tended to be what you

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<v Speaker 3>could get from the shop that was available. I mean,

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<v Speaker 3>we never left the bases. I went to school, went

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<v Speaker 3>to army schools or my friends were local. When I

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<v Speaker 3>told my friends I'd lived in Germany for I think

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<v Speaker 3>ten out of the first fifteen years of my life.

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<v Speaker 3>They said, do you speak fluent German? Not one word.

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<v Speaker 3>You just didn't integrate. So for her with a bit.

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<v Speaker 2>Of mature had she had a career at all.

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<v Speaker 3>She married quite young. She married my father quite young,

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<v Speaker 3>and actually being an army officer's wife is a career

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<v Speaker 3>because you're responsible for so much hr and looking after

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<v Speaker 3>the army officers wives and organizing charity drives and things

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<v Speaker 3>like that. That was pretty full on.

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<v Speaker 2>Was your father on the base he.

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<v Speaker 3>Was, No. He was away a lot of the time.

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<v Speaker 3>He was away on maneuvers. He was a cavalry officer,

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<v Speaker 3>which didn't mean he read a halls. It meant he

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<v Speaker 3>drove tanks and things like that, and he was away

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<v Speaker 3>a lot for exercises.

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<v Speaker 2>So did Jim, who cooked in the house.

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<v Speaker 3>My mother cooked. It never occurred to me to actually

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<v Speaker 3>offer to help. I wasn't that interested that family. Myself

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<v Speaker 3>and two sisters, and you are the I'm the eldest,

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<v Speaker 3>So our relationship with food was not one of It

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<v Speaker 3>was not indifference, but it wasn't a key part of

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<v Speaker 3>my life. I used to years and years and years later,

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<v Speaker 3>more recently, up until she died, I used to take

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<v Speaker 3>my mother to really lovely restaurants and she's going down

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<v Speaker 3>and it's really lovely, but I mean it's awful lot

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<v Speaker 3>of money. We could be doing better things like going

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<v Speaker 3>to the theater, and well we can do that as well.

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<v Speaker 2>Yeah, So would you sit down for family meals every

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<v Speaker 2>we did after school? You'd come home and sit down

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<v Speaker 2>to the family suffer.

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<v Speaker 3>We did by your mother and I would watch I'd

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<v Speaker 3>watch her, you know, prepare you have to do a

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<v Speaker 3>lot of entertaining as an army I do. You have

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<v Speaker 3>to do the other officers wives and visiting offices and

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<v Speaker 3>things like that. As you move up through the ranks,

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<v Speaker 3>you then start to get staff. And by the time

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<v Speaker 3>that my father died in ninety sixty nine, he was

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<v Speaker 3>a commanding officer at a large base in Dorset and

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<v Speaker 3>we had I think a permanent chef and two or

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<v Speaker 3>three other staff.

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<v Speaker 2>So and then what did that change the food in

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<v Speaker 2>the house?

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<v Speaker 3>Not really, it was sort of pretty simple. Staff. The

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<v Speaker 3>army didn't necessarily engage in Courdunbleau Andtyle sixties. This was

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<v Speaker 3>late sixties, mid to late sixties on my relationship with food,

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<v Speaker 3>As I say, it was one of not particular interest.

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<v Speaker 3>Unfortunately it changed quite radically because my father tragically died

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<v Speaker 3>in a helicopter crash when I was fifteen, and my

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<v Speaker 3>younger sister abroad. No he was He was killed in

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<v Speaker 3>a helicopter, was a passenger being flown to a conference

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<v Speaker 3>on the other side of England, and to this day

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<v Speaker 3>no one really knows what happens there was it was

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<v Speaker 3>raised in the house and there was an investigation, but

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<v Speaker 3>essentially a lot of helicopters were coming in and the

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<v Speaker 3>helicopter flying in in front of his when it took off,

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<v Speaker 3>instead of going out at an angle of forty five degrees,

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<v Speaker 3>went straight up into the air, straight into his helicopter

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<v Speaker 3>coming down.

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<v Speaker 2>And both helicopters were everybody, All.

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<v Speaker 3>Three, the two pilots and my father were both killed

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<v Speaker 3>and there was an extraordinary There were two young soldiers

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<v Speaker 3>watching from a canteen and they saw these I saw

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<v Speaker 3>the helicopters come down. I was reading about it recently,

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<v Speaker 3>and they ran. They jumped through the windows of the

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<v Speaker 3>canteen and ran and tried to pull the bodies out

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<v Speaker 3>of the helicopters, and they both got very badly burned,

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<v Speaker 3>and they both got decorations for doing it, but sadly

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<v Speaker 3>it was too late.

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<v Speaker 2>It was too late, and you were fifteen. And that

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<v Speaker 2>did you then leave the military?

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<v Speaker 3>Well, yes, the army are the army a wonderful family

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<v Speaker 3>to be part of. It's rather like the theater. Actually

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<v Speaker 3>is a very close community. But they're also very very practical,

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<v Speaker 3>and if you lose the commanding officer of a base,

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<v Speaker 3>of a big base, then you have to replace him

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<v Speaker 3>quite quickly. So within a couple of weeks of his death,

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<v Speaker 3>we were dispatched as it were, and picked up and

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<v Speaker 3>my mother had to find somewhere else to live. They

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<v Speaker 3>didn't range alternative accommodation. We end up living in a

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<v Speaker 3>little cottage on a friend's farm nearby.

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<v Speaker 2>And also did you go to boarding school?

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<v Speaker 3>I did. I went to boarding school from a quite

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<v Speaker 3>a young age, and it was traditional to send boys

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<v Speaker 3>away at eight. But then I had a wonderful break

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<v Speaker 3>and that we were shipped to Australia. This is obviously

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<v Speaker 3>while he was still alive, and they gave me the

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<v Speaker 3>choice of staying in English boarding school or going to Australia.

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<v Speaker 3>Not our choice to make everything. So I had a

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<v Speaker 3>wonderful time.

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<v Speaker 2>In Australia to explore. Were you allowed?

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<v Speaker 3>Oh yeah, I was at a weekly boarding place where

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<v Speaker 3>you could either go home at weekends or stay. But

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<v Speaker 3>if you stayed, the boys that stayed and I chose

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<v Speaker 3>to would go on these incredible expeditions up into the

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<v Speaker 3>mountains and camping in the bush and learning to surf

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<v Speaker 3>and things like that. It was everything you would expect

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<v Speaker 3>the Australian outdoor life for a young person to be.

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<v Speaker 2>I wonder if the Australian boarding schools was any different

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<v Speaker 2>from British.

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<v Speaker 3>It was very neat, as you can imagine. We've made

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<v Speaker 3>a lot of friends there and one of our closest

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<v Speaker 3>friends was a sheep farmer. So my mother insisted on

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<v Speaker 3>rescuing a lamb that had lost its mother that they

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<v Speaker 3>were going to kill, and she said, no, you can't

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<v Speaker 3>do that. Let me take it home. And we lived

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<v Speaker 3>in the middle of a little town called Queenscliffe. And

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<v Speaker 3>the farmer said you can't, you can't die actually if

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<v Speaker 3>I'm with you. But she did, and we reared it

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<v Speaker 3>in our garden and it would and it behaved like

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<v Speaker 3>a dog. My mother would take it shopping with her

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<v Speaker 3>on the end of a lead and you could hear

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<v Speaker 3>the local star. Here she comes, here's Mary. He's marry

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<v Speaker 3>with a little lamb, even though he name is Shirley.

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<v Speaker 3>So no, no, that was a very joyful, very joyful

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<v Speaker 3>part of my life.

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<v Speaker 2>Did you were you fussy about food?

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<v Speaker 3>I wasn't. Later in life, after my father died, unfortunately,

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<v Speaker 3>both my sisters contracted anorexianaboza, which was an illness in

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<v Speaker 3>nineteen sixty nine that nobody.

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<v Speaker 2>Understood in nineteen ninety nine.

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<v Speaker 3>But then two girls, twelve and nine, they both they boasted.

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<v Speaker 3>They never they didn't know people that young who had

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<v Speaker 3>had it, and they didn't know any two people in

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<v Speaker 3>the same family. So that was really the only time

0:11:56.679 --> 0:12:01.400
<v Speaker 3>in my life where food became a threat. Yeah, meal

0:12:01.480 --> 0:12:06.480
<v Speaker 3>times were a challenge, and I can't imagine it because

0:12:06.480 --> 0:12:08.559
<v Speaker 3>I'm very greedy and I love food. But my trying

0:12:08.600 --> 0:12:10.559
<v Speaker 3>to get my sisters to explain, they said, if you

0:12:10.600 --> 0:12:12.839
<v Speaker 3>imagine putting a bucket of slugs in front of you,

0:12:13.240 --> 0:12:15.440
<v Speaker 3>that's what it's like. It doesn't matter what it is,

0:12:15.440 --> 0:12:18.160
<v Speaker 3>whether it's sweet or savory. And of course they've become

0:12:18.200 --> 0:12:21.480
<v Speaker 3>incredibly cunning and they hide things and they drink lots

0:12:21.520 --> 0:12:25.240
<v Speaker 3>of water. And I mean how my mother coped. I

0:12:25.280 --> 0:12:25.640
<v Speaker 3>don't know.

0:12:25.800 --> 0:12:29.120
<v Speaker 2>That is a food trauma in our life with your

0:12:29.160 --> 0:12:32.119
<v Speaker 2>father's death, and then reacting with further, well.

0:12:32.160 --> 0:12:35.600
<v Speaker 3>She dealt with it. She eventually she was told we

0:12:35.679 --> 0:12:38.480
<v Speaker 3>eventually we find somebody who who had an idea about

0:12:38.520 --> 0:12:40.439
<v Speaker 3>how to cure it, because we tried everything from faith

0:12:40.480 --> 0:12:43.920
<v Speaker 3>healers to things called the box, and eventually she found

0:12:44.280 --> 0:12:46.400
<v Speaker 3>a man in Westminster who said, look, I think I

0:12:46.440 --> 0:12:48.640
<v Speaker 3>know how to do this, but you cannot have them together.

0:12:49.400 --> 0:12:52.240
<v Speaker 3>So one child was in one hospital and one was

0:12:52.280 --> 0:12:55.040
<v Speaker 3>in another, and my mother sort of drove between the two.

0:12:55.559 --> 0:12:57.960
<v Speaker 3>And her response to try and get me out of

0:12:58.000 --> 0:13:01.080
<v Speaker 3>that rather toxic atmosphere was basically to send me away

0:13:01.120 --> 0:13:03.640
<v Speaker 3>back to Australia, which is what I did by yourself.

0:13:03.840 --> 0:13:07.760
<v Speaker 3>Yeah wow, Oh I was seventeen, you know, I was

0:13:07.760 --> 0:13:10.560
<v Speaker 3>old enough. I just was just leaving school. I was

0:13:10.559 --> 0:13:12.240
<v Speaker 3>going on a gap here, but I'd never been away

0:13:12.280 --> 0:13:15.880
<v Speaker 3>on my own. And the lovely thing about Australia then,

0:13:15.960 --> 0:13:19.559
<v Speaker 3>and this is sixty nine seventy seventy one, they were

0:13:19.559 --> 0:13:23.640
<v Speaker 3>getting this sort of hippie genre. Two or three years

0:13:23.679 --> 0:13:27.079
<v Speaker 3>after the England so I was too young to really

0:13:27.120 --> 0:13:30.280
<v Speaker 3>book a hippie in the UK, but I was perfectly

0:13:31.200 --> 0:13:34.040
<v Speaker 3>so I hit the hippie trail Ruthie and I lived well.

0:13:34.040 --> 0:13:36.640
<v Speaker 3>I lived, I traveled all over, I went to I

0:13:36.720 --> 0:13:39.280
<v Speaker 3>was there at the creation of this extraordinary center in

0:13:39.320 --> 0:13:42.079
<v Speaker 3>Australia which is still there. It was a festival that's

0:13:42.080 --> 0:13:44.040
<v Speaker 3>supposed to start last a week and it's still there

0:13:44.080 --> 0:13:47.560
<v Speaker 3>forty years later. It's called Nimbin and it's the center

0:13:47.600 --> 0:13:50.400
<v Speaker 3>of Australia counterculture. It's quite near Barren Bay, which is

0:13:50.480 --> 0:13:53.640
<v Speaker 3>much more famous. And it was a beautiful, beautiful experience.

0:13:53.640 --> 0:13:56.280
<v Speaker 3>They painted the whole town in rainbow colors and the

0:13:56.360 --> 0:14:00.079
<v Speaker 3>locals integrated, and an invasion of Australian hippies, and in

0:14:00.280 --> 0:14:02.079
<v Speaker 3>fact people from all over the world came.

0:14:01.920 --> 0:14:03.480
<v Speaker 2>And was music.

0:14:04.120 --> 0:14:07.439
<v Speaker 3>There was some music, people like Donovan turned up and

0:14:07.559 --> 0:14:10.600
<v Speaker 3>Dollar Brand, but it was more kind of gathering together

0:14:10.640 --> 0:14:13.640
<v Speaker 3>of faith. And I joined the Radha Krishna temple for

0:14:13.679 --> 0:14:16.000
<v Speaker 3>a while. Did you well, only because if you chanted

0:14:16.040 --> 0:14:17.559
<v Speaker 3>for them, they'd feed you at the end of the day.

0:14:17.800 --> 0:14:19.240
<v Speaker 2>What did they feed you back of food?

0:14:20.520 --> 0:14:23.600
<v Speaker 3>No, exactly. It was beautiful sort of sweet rice with

0:14:23.680 --> 0:14:28.280
<v Speaker 3>coconuts and sweet vegetables, all serving a banana leaf. Then

0:14:28.320 --> 0:14:31.560
<v Speaker 3>I temporarily joined the Divine Light Mission, which gets for

0:14:31.600 --> 0:14:35.000
<v Speaker 3>the food, No, not for the food that one, mainly

0:14:35.000 --> 0:14:38.280
<v Speaker 3>for the girls who were very very girls. But so

0:14:38.360 --> 0:14:41.480
<v Speaker 3>I tried those different things, and very sadly eventually moved on.

0:14:41.800 --> 0:14:44.600
<v Speaker 3>You know, I could have stayed there probably and remained

0:14:45.160 --> 0:14:45.880
<v Speaker 3>the rest of my life.

0:14:45.960 --> 0:14:48.520
<v Speaker 2>Yeah, so that was what was.

0:14:48.520 --> 0:14:51.520
<v Speaker 3>That was by now I sort of seventy one. But

0:14:51.600 --> 0:14:55.400
<v Speaker 3>then for a year I lived almost exclusively on brown

0:14:55.480 --> 0:14:59.560
<v Speaker 3>rice and vegetables because I was hitchhiking all over the

0:14:59.560 --> 0:15:02.400
<v Speaker 3>country and through the desert in particular. You had to

0:15:02.680 --> 0:15:04.560
<v Speaker 3>eat what you could carry because they weren't shops and

0:15:04.560 --> 0:15:07.800
<v Speaker 3>cafes along the way. And a hippie doctor told me

0:15:07.880 --> 0:15:09.880
<v Speaker 3>that brown rice was a cure all for everything.

0:15:09.960 --> 0:15:13.720
<v Speaker 2>Yeah, I remember the macrobiotics. Mac there was a place

0:15:13.760 --> 0:15:14.600
<v Speaker 2>in London when I came.

0:15:14.720 --> 0:15:17.520
<v Speaker 3>Yes, that's right, there's something in it. Because I cut

0:15:17.560 --> 0:15:20.160
<v Speaker 3>my foot on a coral reef, and coral, as you know,

0:15:20.280 --> 0:15:23.240
<v Speaker 3>is organic and it's very very toxic, and my foot

0:15:23.280 --> 0:15:25.080
<v Speaker 3>sold up like a balloon and it started to climb

0:15:25.160 --> 0:15:27.400
<v Speaker 3>up my leg and again we were miles.

0:15:27.080 --> 0:15:28.840
<v Speaker 2>From a proper doctor that's very dangerous.

0:15:28.960 --> 0:15:32.560
<v Speaker 3>Yeah, and he said, look live on brown rice for

0:15:32.600 --> 0:15:35.080
<v Speaker 3>a couple of weeks, which I mean didn't cure me,

0:15:35.200 --> 0:15:38.200
<v Speaker 3>but it seemed to stop spreading anyway. I then found

0:15:38.200 --> 0:15:39.960
<v Speaker 3>a doctor who gave me a large shot of penicillin

0:15:40.880 --> 0:15:43.800
<v Speaker 3>the regular food. But now I didn't really eat regularly

0:15:43.800 --> 0:15:48.600
<v Speaker 3>into a regular food as we would know it until

0:15:48.640 --> 0:15:50.320
<v Speaker 3>I came back, until I came back to England and

0:15:50.560 --> 0:15:51.440
<v Speaker 3>went to university.

0:15:52.320 --> 0:15:55.400
<v Speaker 2>And so you never did you become a vegetarian?

0:15:55.840 --> 0:15:59.880
<v Speaker 3>Well, I was vegetarian, not out of a choice, certainess,

0:16:01.360 --> 0:16:04.840
<v Speaker 3>and it didn't really bother me. Again, I wasn't really

0:16:04.880 --> 0:16:10.080
<v Speaker 3>focused on food, and it wasn't until I dropped out

0:16:10.080 --> 0:16:12.280
<v Speaker 3>of university with a loud report I shouldn't I shouldn't

0:16:12.280 --> 0:16:14.240
<v Speaker 3>have gone there in the first place. I went to

0:16:14.280 --> 0:16:18.720
<v Speaker 3>Exeter left after well, I left after it. I like

0:16:18.800 --> 0:16:22.640
<v Speaker 3>to say my letter to them resigning cross for theirs

0:16:22.640 --> 0:16:25.520
<v Speaker 3>in the post, saying I think you're better off elsewhere.

0:16:25.640 --> 0:16:27.640
<v Speaker 3>I think mine hopefully got there a beat before. But

0:16:28.920 --> 0:16:30.520
<v Speaker 3>they had a theatre on the campus there called the

0:16:30.560 --> 0:16:33.480
<v Speaker 3>North Theater, and we did a lot of very good

0:16:33.520 --> 0:16:36.560
<v Speaker 3>work there. I just knocked on the door. No, I

0:16:36.600 --> 0:16:39.840
<v Speaker 3>never did I acted a lot at school. I went

0:16:39.880 --> 0:16:44.040
<v Speaker 3>to Charterhouse in English standard public school, and I had

0:16:44.040 --> 0:16:47.600
<v Speaker 3>a very very inspirational teacher who I remember to this

0:16:47.720 --> 0:16:51.680
<v Speaker 3>day called David Summerscale, who loved the theater and he

0:16:51.720 --> 0:16:53.960
<v Speaker 3>directed plays. And I stopped doing anything else. I stopped

0:16:53.960 --> 0:16:56.560
<v Speaker 3>doing sport, I stopped playing musical instruments. I just wanted

0:16:56.560 --> 0:17:02.040
<v Speaker 3>to thirteen to eighteen to say. And when I was leaving,

0:17:02.920 --> 0:17:04.960
<v Speaker 3>and to this day I can picture the conversation, he

0:17:04.960 --> 0:17:07.199
<v Speaker 3>said to me. Look, just before you go, I'm going

0:17:07.240 --> 0:17:10.359
<v Speaker 3>to ask you something. He said, you want to act,

0:17:10.440 --> 0:17:12.560
<v Speaker 3>don't you? And I said, yes, I do, and he said,

0:17:12.960 --> 0:17:17.040
<v Speaker 3>forgive me, but you're not good enough. Oh wow, bang

0:17:17.240 --> 0:17:20.560
<v Speaker 3>arrow to the heart. But he said, look, you're quite bright,

0:17:20.880 --> 0:17:23.200
<v Speaker 3>you get on with people. There are many other jobs

0:17:23.240 --> 0:17:25.280
<v Speaker 3>in the theater that you could probably do quite well,

0:17:26.000 --> 0:17:28.679
<v Speaker 3>and why don't you give it a go? And it

0:17:28.760 --> 0:17:31.600
<v Speaker 3>was the best piece of advice probably I've ever had.

0:17:32.000 --> 0:17:35.000
<v Speaker 3>I've got lots and lots and lots of actor friends.

0:17:35.119 --> 0:17:36.960
<v Speaker 3>And of course, no matter how good you are, it's

0:17:36.960 --> 0:17:40.280
<v Speaker 3>an insecure profession. And I've been very lucky in the

0:17:40.600 --> 0:17:42.960
<v Speaker 3>almost fifty years I've worked in the theater, never had

0:17:42.960 --> 0:17:46.000
<v Speaker 3>a day out of work and worked with the most

0:17:46.080 --> 0:17:49.400
<v Speaker 3>extraordinary people, had the most wonderful time. So it was good.

0:17:49.440 --> 0:17:50.600
<v Speaker 3>It was good and sound advice.

0:18:01.200 --> 0:18:03.760
<v Speaker 2>How do you see the parallel of restaurants in the theater.

0:18:04.119 --> 0:18:08.800
<v Speaker 3>First and foremost, I love restaurants because it's an extraordinary

0:18:08.960 --> 0:18:12.439
<v Speaker 3>convivial experience. It's about being in large groups of people.

0:18:13.800 --> 0:18:16.240
<v Speaker 3>I would be hopeless on my own on a desert island.

0:18:16.359 --> 0:18:18.879
<v Speaker 3>I love being in crowds I get at Glastonbury. I

0:18:19.000 --> 0:18:22.000
<v Speaker 3>love football, I love sitting in a theater more than anything,

0:18:22.040 --> 0:18:24.320
<v Speaker 3>and I love being in a big, crowded restaurant. There's

0:18:24.359 --> 0:18:27.480
<v Speaker 3>something chilling about going into a restaurant finding you're the

0:18:27.480 --> 0:18:29.880
<v Speaker 3>only person there. And it's the same in the theater.

0:18:30.440 --> 0:18:32.600
<v Speaker 3>You know, if you have anything less than the full house,

0:18:32.680 --> 0:18:36.080
<v Speaker 3>you feel that you haven't really succeeded. And the other

0:18:36.200 --> 0:18:39.439
<v Speaker 3>I would say the big similarity is that by and large,

0:18:40.119 --> 0:18:44.360
<v Speaker 3>with small variations, you're serving the same thing every night,

0:18:44.520 --> 0:18:46.280
<v Speaker 3>and we are doing the same thing in terms of

0:18:46.280 --> 0:18:49.240
<v Speaker 3>presenting a play or a musical, but the audience react

0:18:49.280 --> 0:18:51.880
<v Speaker 3>in different ways, and you'll get a night when it's

0:18:52.000 --> 0:18:55.680
<v Speaker 3>absolutely buzzing and jumping, and then for some reason you'll

0:18:55.680 --> 0:18:57.760
<v Speaker 3>get another night were you think they're not getting this,

0:18:58.040 --> 0:18:59.920
<v Speaker 3>they're not. And it may be the same with the

0:19:00.000 --> 0:19:02.119
<v Speaker 3>crowd of people where you've got someone who's tired or

0:19:02.160 --> 0:19:05.119
<v Speaker 3>picky or didn't like this, or you know, was dragged

0:19:05.160 --> 0:19:07.800
<v Speaker 3>out to a restaurant by their other half who they

0:19:07.800 --> 0:19:10.240
<v Speaker 3>didn't really want to go, and you can sense the vibe,

0:19:10.280 --> 0:19:13.600
<v Speaker 3>which is why you know the difference between what you

0:19:13.680 --> 0:19:17.000
<v Speaker 3>do and what I do is you're there nearly every

0:19:17.080 --> 0:19:19.879
<v Speaker 3>night and you're working in the room. I mean, you know,

0:19:19.960 --> 0:19:22.919
<v Speaker 3>we are our great mutual friend Jeremy King. You know,

0:19:23.000 --> 0:19:25.959
<v Speaker 3>watching him work in his restaurants is an art, and

0:19:26.000 --> 0:19:28.800
<v Speaker 3>watching you, as you say, you can't spend too long

0:19:28.800 --> 0:19:30.960
<v Speaker 3>at each table, but you spend just enough time to

0:19:31.000 --> 0:19:33.720
<v Speaker 3>sprinkle a little bit of fairy dust. Whereas we can't

0:19:33.760 --> 0:19:36.480
<v Speaker 3>actually do that. I can't walk through my audience going

0:19:36.520 --> 0:19:39.120
<v Speaker 3>come on, cheer up, this is a really good bit

0:19:39.240 --> 0:19:42.680
<v Speaker 3>coming up. But what you can do is you can

0:19:42.760 --> 0:19:45.639
<v Speaker 3>go backstage at the mental and go, hey, guys, you

0:19:45.640 --> 0:19:47.320
<v Speaker 3>know you need some kick some butt here. You've got

0:19:47.359 --> 0:19:48.680
<v Speaker 3>to raise your game a little bit.

0:19:48.640 --> 0:19:50.200
<v Speaker 2>And you can and you do that.

0:19:50.680 --> 0:19:52.760
<v Speaker 3>All you have to do because I mean the very

0:19:52.840 --> 0:19:56.439
<v Speaker 3>very big difference between now and when I start in

0:19:56.440 --> 0:19:59.200
<v Speaker 3>the theater is the length of run for successful shows.

0:19:59.320 --> 0:20:02.879
<v Speaker 3>I mean I came into London. That's really when my

0:20:03.000 --> 0:20:06.080
<v Speaker 3>career properly started. I'd run small regional theaters in the

0:20:06.119 --> 0:20:10.560
<v Speaker 3>seventies in Liverpool and Northampton and places, but I happened

0:20:10.640 --> 0:20:13.040
<v Speaker 3>luckily enough to come to London in nineteen eighty one

0:20:13.119 --> 0:20:15.840
<v Speaker 3>when Kat started, and that was the beginning of the

0:20:15.880 --> 0:20:20.480
<v Speaker 3>extraordinary eighties decade where so much change was enacted. It was,

0:20:20.560 --> 0:20:23.760
<v Speaker 3>you know, love or hate Margaret Thatcher. There was massive

0:20:23.840 --> 0:20:27.080
<v Speaker 3>change that came out of that, and culturally it was

0:20:27.119 --> 0:20:28.520
<v Speaker 3>a really exciting time, you.

0:20:28.440 --> 0:20:30.960
<v Speaker 2>Know it was. And for restaurants, yeah, yeah, no, exact

0:20:31.000 --> 0:20:34.239
<v Speaker 2>same time exactly. This is going on. Jereby started the

0:20:34.320 --> 0:20:35.040
<v Speaker 2>IVY and.

0:20:35.880 --> 0:20:38.879
<v Speaker 3>My first real experience of being a regular anywhere was

0:20:38.920 --> 0:20:41.359
<v Speaker 3>when Jeremy was matred at Joe Allen.

0:20:41.480 --> 0:20:43.520
<v Speaker 2>Actually he said that to me this morning, that he

0:20:43.600 --> 0:20:45.960
<v Speaker 2>met you at Joel What year was that that?

0:20:45.960 --> 0:20:47.080
<v Speaker 3>There was nineteen eighty one.

0:20:47.240 --> 0:20:49.200
<v Speaker 2>And did you when you say regularly were.

0:20:49.119 --> 0:20:52.119
<v Speaker 3>Well, we would go. Well, the thing is, you know,

0:20:52.200 --> 0:20:54.920
<v Speaker 3>you're working in the theater. Your social life doesn't really

0:20:54.920 --> 0:20:57.879
<v Speaker 3>start until the end of the curtain. So at about

0:20:57.920 --> 0:21:01.280
<v Speaker 3>ten thirty, every single life a trot down to Joe Allen's.

0:21:01.560 --> 0:21:03.560
<v Speaker 2>I asked that the actors. I asked that a very

0:21:03.720 --> 0:21:07.359
<v Speaker 2>You know, the actors, when do they before the theater,

0:21:07.760 --> 0:21:10.560
<v Speaker 2>during the theater, after the theater? And of course some

0:21:10.600 --> 0:21:14.119
<v Speaker 2>people Emily blunt ate the whole time. Yeah, she was

0:21:14.200 --> 0:21:17.160
<v Speaker 2>really adorable. She would say that she'd have a hamburger before,

0:21:17.320 --> 0:21:19.520
<v Speaker 2>then something in the intermission, and something at the end.

0:21:19.920 --> 0:21:23.560
<v Speaker 2>Judy Dench, everybody had a different way. She'd have a snack.

0:21:23.800 --> 0:21:26.320
<v Speaker 2>But most of the people that I know in theater

0:21:26.400 --> 0:21:28.040
<v Speaker 2>are friends of mine who in a place. They meet

0:21:28.080 --> 0:21:30.440
<v Speaker 2>me after the play and we'll go out and need

0:21:30.600 --> 0:21:31.840
<v Speaker 2>Is that right? Why is that?

0:21:32.359 --> 0:21:35.359
<v Speaker 3>It's? I think really because they are then suddenly off duty,

0:21:35.400 --> 0:21:38.560
<v Speaker 3>they can relax. You can't help but keep your performance

0:21:38.600 --> 0:21:41.080
<v Speaker 3>in the back of your head beforehand. You know what's

0:21:41.080 --> 0:21:42.240
<v Speaker 3>going to happen to night. Am I going to be

0:21:42.280 --> 0:21:44.399
<v Speaker 3>all right? Looking after yourself? You know, you need to

0:21:44.440 --> 0:21:48.119
<v Speaker 3>really look after yourself. I always remember Jonathan Price is

0:21:48.160 --> 0:21:51.439
<v Speaker 3>a very good friend. When he stopped temporarily being a

0:21:51.440 --> 0:21:53.720
<v Speaker 3>great classical actor and became a musical actor when he

0:21:53.760 --> 0:21:56.560
<v Speaker 3>did Miss Sagon for US, and he did Desert Island

0:21:56.560 --> 0:21:58.520
<v Speaker 3>discs and he talked to Sue Lawley and she said,

0:21:58.960 --> 0:22:01.359
<v Speaker 3>tell me, what's the difference between being a classical actor

0:22:01.400 --> 0:22:05.520
<v Speaker 3>and a musical actor. And he said, rashly, being a

0:22:05.600 --> 0:22:08.480
<v Speaker 3>musical actor is a doddle compared to being a classical actor.

0:22:08.520 --> 0:22:10.879
<v Speaker 3>And the following week he lost his voice, and he

0:22:10.960 --> 0:22:13.919
<v Speaker 3>lost his voice for quite a long time, and he

0:22:14.000 --> 0:22:16.159
<v Speaker 3>said it was the most incredible lesson to learn that

0:22:16.280 --> 0:22:19.040
<v Speaker 3>as a singer, you really have to look after yourself.

0:22:19.480 --> 0:22:21.240
<v Speaker 3>And I watched him because he's done a lot of

0:22:21.240 --> 0:22:24.480
<v Speaker 3>shows for us and talking to people like Martine McCutcheon

0:22:24.520 --> 0:22:26.000
<v Speaker 3>and things like that, and he said, look, you have

0:22:26.080 --> 0:22:31.399
<v Speaker 3>to learn that your voice is you know, it's responsible

0:22:31.440 --> 0:22:33.840
<v Speaker 3>for everything as far as the audience is concerned. And

0:22:33.880 --> 0:22:36.159
<v Speaker 3>therefore you don't talk. You know, you wake up in

0:22:36.200 --> 0:22:38.640
<v Speaker 3>the morning, you do not talk to anyone until lunchtime.

0:22:38.880 --> 0:22:41.200
<v Speaker 2>And so that goes back to eating and about food,

0:22:41.480 --> 0:22:43.320
<v Speaker 2>about how you take care of your body. Is that

0:22:43.359 --> 0:22:45.880
<v Speaker 2>what you're saying an actor.

0:22:45.680 --> 0:22:48.320
<v Speaker 3>So well, the thing is acting, by and large, is

0:22:48.320 --> 0:22:52.200
<v Speaker 3>a very physical thing. I mean, we've talked about singers

0:22:52.200 --> 0:22:54.520
<v Speaker 3>looking after their voices, dancers looking out for their bodies.

0:22:54.640 --> 0:22:56.840
<v Speaker 3>I mean I noticed through the year that I was

0:22:57.359 --> 0:22:59.680
<v Speaker 3>the theater manager at the New London where Cats was on,

0:23:00.200 --> 0:23:03.840
<v Speaker 3>be in there every night watching And there were three

0:23:03.960 --> 0:23:07.920
<v Speaker 3>artists in that one year who worked out for an

0:23:07.960 --> 0:23:12.159
<v Speaker 3>hour before every single performance an hour. One was Wayne Sleep,

0:23:12.800 --> 0:23:15.439
<v Speaker 3>the other was Bonnie Langford, and the third was a

0:23:15.680 --> 0:23:17.800
<v Speaker 3>very very beautiful girl who went to America and became

0:23:17.800 --> 0:23:20.640
<v Speaker 3>a big star call for Nola Hughes. And they were

0:23:20.640 --> 0:23:23.520
<v Speaker 3>the only three who rigorously worked out. They were the

0:23:23.560 --> 0:23:28.000
<v Speaker 3>only three who did not miss a performance. It's a real,

0:23:28.240 --> 0:23:34.520
<v Speaker 3>real responsibility. But going back to Joe Allenson afterwards, of course,

0:23:34.600 --> 0:23:37.159
<v Speaker 3>Jeremy then went on and you know, as we all

0:23:37.160 --> 0:23:38.080
<v Speaker 3>started to do a bit better, you.

0:23:38.040 --> 0:23:40.680
<v Speaker 2>Would go there, what would be your day?

0:23:41.720 --> 0:23:45.680
<v Speaker 3>I would well, until I really settled into London, because

0:23:45.680 --> 0:23:47.760
<v Speaker 3>I in the Provinces, you tend to do everything and

0:23:48.040 --> 0:23:50.639
<v Speaker 3>you're responsible for everything. I would never do less than

0:23:50.640 --> 0:23:53.199
<v Speaker 3>a twelve or fourteen hour day in the Provinces. So

0:23:53.240 --> 0:23:55.680
<v Speaker 3>I started to do this in London until people said, look,

0:23:55.680 --> 0:23:58.320
<v Speaker 3>this is crazy. You need to actually start coming in

0:23:58.359 --> 0:24:02.159
<v Speaker 3>a bit later. So I had a nice little flat

0:24:02.240 --> 0:24:06.240
<v Speaker 3>in Kensington and I'd walk in and my day would

0:24:06.280 --> 0:24:10.080
<v Speaker 3>be talking to the theater staff, getting to know, you know,

0:24:10.080 --> 0:24:12.440
<v Speaker 3>looking at the theater bookings. This was the early days

0:24:12.440 --> 0:24:14.840
<v Speaker 3>of theater bookings where everything was manual. You know, we

0:24:14.880 --> 0:24:17.280
<v Speaker 3>didn't take credit cards, we didn't do phone bookings. It

0:24:17.359 --> 0:24:21.160
<v Speaker 3>was all checks or cash, and you know, you talk

0:24:21.240 --> 0:24:23.280
<v Speaker 3>to the box office. Cues for these big hits would

0:24:23.280 --> 0:24:25.800
<v Speaker 3>go to snake around the block for hours. People would

0:24:26.280 --> 0:24:29.199
<v Speaker 3>would queue. It was an extraordinary time and we were

0:24:29.200 --> 0:24:31.840
<v Speaker 3>all learning on our feet then. And then, of course

0:24:32.240 --> 0:24:35.720
<v Speaker 3>there was a lot of corruption in ticket selling because

0:24:35.760 --> 0:24:38.720
<v Speaker 3>ticket tabs would buy tickets and resell them at huge

0:24:38.720 --> 0:24:41.800
<v Speaker 3>prices and double cell so you'd have the very difficult

0:24:41.840 --> 0:24:44.679
<v Speaker 3>task every night of actually facing up to people and going, look,

0:24:44.680 --> 0:24:47.480
<v Speaker 3>I'm terribly sorry, but your tickets are either forgeries or

0:24:47.520 --> 0:24:49.560
<v Speaker 3>they've been double booked, you know, and this is for

0:24:49.560 --> 0:24:51.720
<v Speaker 3>a show that they may have waited a year to see.

0:24:52.119 --> 0:24:54.960
<v Speaker 3>But I mean, that time was incredible because you know,

0:24:55.000 --> 0:24:57.520
<v Speaker 3>I was a boyfriend the Provinces, nearly in the army,

0:24:57.560 --> 0:25:00.159
<v Speaker 3>and every single person I'd ever wanted to meet my

0:25:00.200 --> 0:25:03.000
<v Speaker 3>life was coming through Cats, whether it be the entire

0:25:03.080 --> 0:25:05.719
<v Speaker 3>orld family. I mean, I watched Charles and Diana dancing

0:25:05.720 --> 0:25:08.600
<v Speaker 3>around my office just after they were married, you know,

0:25:08.600 --> 0:25:11.920
<v Speaker 3>and watching her drop into this perfect split. He said,

0:25:12.240 --> 0:25:14.199
<v Speaker 3>you know, how do these dancers do that? She'd let

0:25:14.240 --> 0:25:17.040
<v Speaker 3>me share you, darling, literally dropped into a perfect split.

0:25:17.600 --> 0:25:22.080
<v Speaker 2>But the thing about the restaurants and the theater food

0:25:22.200 --> 0:25:26.400
<v Speaker 2>there is that they're both extreme. Think it's extremely collaborative jobs.

0:25:26.800 --> 0:25:28.640
<v Speaker 2>So if you don't chop the par so, you can't

0:25:28.680 --> 0:25:31.879
<v Speaker 2>make the sauce, And if you don't probably paint the set,

0:25:32.160 --> 0:25:34.359
<v Speaker 2>you can't you know, put on the play. If you

0:25:34.359 --> 0:25:37.919
<v Speaker 2>don't remember your lines, your fellow actors, you know, have

0:25:37.960 --> 0:25:39.800
<v Speaker 2>a problem. Do you think there is a collaboration.

0:25:39.960 --> 0:25:43.040
<v Speaker 3>I think there's a very, very relarity. It's absolutely right.

0:25:43.480 --> 0:25:46.320
<v Speaker 3>I mean, theater is an enormously collaborative venture. And the

0:25:46.359 --> 0:25:48.520
<v Speaker 3>great thing is, you know, you go and see a

0:25:48.520 --> 0:25:51.800
<v Speaker 3>big musical at say the theater Aldery Lane. When we

0:25:51.840 --> 0:25:54.720
<v Speaker 3>did Miss Saigon, there were two hundred people involved in

0:25:54.760 --> 0:25:57.480
<v Speaker 3>getting that show on, whether it be the lady selling

0:25:57.520 --> 0:25:59.800
<v Speaker 3>the ice creams, the backstage us share, the person pulling

0:25:59.800 --> 0:26:03.680
<v Speaker 3>the ropes, the actors, the lighting technicians are SIGND technicians,

0:26:03.680 --> 0:26:05.560
<v Speaker 3>and then you know, going all the way back to

0:26:05.600 --> 0:26:08.520
<v Speaker 3>the creators of the show be the authors. And in

0:26:08.680 --> 0:26:10.919
<v Speaker 3>musicals it's even more so because you have an added

0:26:11.000 --> 0:26:13.840
<v Speaker 3>layer of responsibility. You have orchestrators, you have members of

0:26:13.880 --> 0:26:18.320
<v Speaker 3>the band, you have choreographers, you have assistant choreographers, armies

0:26:18.320 --> 0:26:21.200
<v Speaker 3>and people who look after it, all of whom are

0:26:21.240 --> 0:26:23.840
<v Speaker 3>working to that specific moment, which is curtain up at

0:26:23.840 --> 0:26:24.399
<v Speaker 3>seven thirty.

0:26:24.480 --> 0:26:26.520
<v Speaker 2>Yeah, curtain up at seven thirty. That's we have a

0:26:26.560 --> 0:26:29.439
<v Speaker 2>curtain up at seventh. Theory and the flooras and you

0:26:29.480 --> 0:26:32.280
<v Speaker 2>know Hoover and the as I said, the chef's aprins and.

0:26:32.480 --> 0:26:35.159
<v Speaker 3>You get into a huddle beforehand, get into the huddle.

0:26:35.240 --> 0:26:37.880
<v Speaker 2>Then we go through and then and then the same

0:26:38.000 --> 0:26:40.720
<v Speaker 2>and then nobody eats before you know, you just don't

0:26:40.720 --> 0:26:42.399
<v Speaker 2>really want to eat. If you're about to cook, you

0:26:42.400 --> 0:26:45.400
<v Speaker 2>have a drink. But then, did you do work in restaurants,

0:26:45.440 --> 0:26:47.199
<v Speaker 2>would it always be kind of at the end of

0:26:47.200 --> 0:26:49.680
<v Speaker 2>the meal you'd just go and relax, or would you

0:26:50.160 --> 0:26:52.960
<v Speaker 2>with Cameron or your other colleagues.

0:26:52.400 --> 0:26:55.639
<v Speaker 3>And it was very well, you were always you were

0:26:55.680 --> 0:26:57.520
<v Speaker 3>sort of always on the job. As you know, I mean,

0:26:57.560 --> 0:26:59.920
<v Speaker 3>theater is the theater is full of gossip when exchanging

0:27:00.040 --> 0:27:02.520
<v Speaker 3>information and stuff, and you know, in the days before

0:27:02.560 --> 0:27:05.919
<v Speaker 3>social media, happy days before social media. That's how you

0:27:05.960 --> 0:27:08.400
<v Speaker 3>got your information. And you walk into someone like Joe

0:27:08.440 --> 0:27:11.280
<v Speaker 3>Allen's and there'd be you know, Wayne Sleep on a

0:27:11.280 --> 0:27:13.080
<v Speaker 3>table over there, and there'd be Trevor Nunn with the

0:27:13.119 --> 0:27:15.159
<v Speaker 3>Royal Shakespeare Company, and there would be someone from the

0:27:15.240 --> 0:27:19.160
<v Speaker 3>National Theater, and there would be as always Princess Margaret

0:27:19.200 --> 0:27:22.840
<v Speaker 3>in the corner, and so you'd move from the table

0:27:22.840 --> 0:27:25.200
<v Speaker 3>hopping that went on. It was sort of became rather

0:27:25.240 --> 0:27:28.040
<v Speaker 3>a joke. And Jeremy had that wonderful pianist. He'd sit

0:27:28.119 --> 0:27:31.560
<v Speaker 3>there and you know, you would suddenly notice seamlessly as

0:27:31.600 --> 0:27:33.680
<v Speaker 3>you walked in, you walked in down those steps into

0:27:33.680 --> 0:27:36.120
<v Speaker 3>that famous seller and he'd see you coming and very

0:27:36.160 --> 0:27:38.680
<v Speaker 3>sudden he realized he's playing someone from Cats or The

0:27:38.840 --> 0:27:41.720
<v Speaker 3>Miss or one of those teens that that you did.

0:27:42.200 --> 0:27:45.679
<v Speaker 3>So yes, I mean restaurants were always the good button.

0:27:45.840 --> 0:27:48.760
<v Speaker 2>What what about another cities? When you were on Broadway?

0:27:48.800 --> 0:27:51.199
<v Speaker 2>Would you go to Sardis? I grew up thinking that

0:27:51.640 --> 0:27:55.159
<v Speaker 2>the theater district, wass wasn't it was?

0:27:55.240 --> 0:27:58.640
<v Speaker 3>And that's where you traditionally had your first night parties.

0:27:59.000 --> 0:28:02.400
<v Speaker 3>So our first that I opened over there was Cats

0:28:02.680 --> 0:28:05.800
<v Speaker 3>and we had a massive first night party in I

0:28:05.800 --> 0:28:08.520
<v Speaker 3>can't remember the hotel, but I always remember they had

0:28:08.520 --> 0:28:11.360
<v Speaker 3>police forces in the foyer of the theater and they

0:28:11.359 --> 0:28:14.200
<v Speaker 3>had trucks outside with ice full of champagne, and everyone

0:28:14.200 --> 0:28:16.280
<v Speaker 3>who came out. It was the most extraordinary thing. We

0:28:16.359 --> 0:28:18.640
<v Speaker 3>then did Oliver on a slightly smaller scale and went

0:28:18.680 --> 0:28:23.119
<v Speaker 3>to Sardi's and had a traditional Broadway opening at Sardi's,

0:28:23.160 --> 0:28:27.240
<v Speaker 3>and I took the director across the room to meet

0:28:27.240 --> 0:28:32.040
<v Speaker 3>our producer and wonderful uncle James Niedlando recently died, and

0:28:32.119 --> 0:28:34.119
<v Speaker 3>I said, come on, we should go and chat to Jimmy,

0:28:34.160 --> 0:28:37.520
<v Speaker 3>our producer. And as we got there, an aid of

0:28:37.600 --> 0:28:40.360
<v Speaker 3>Jimmy's came over, leaned over and said, the New York

0:28:40.360 --> 0:28:41.760
<v Speaker 3>Times is out. It's a load of shit.

0:28:42.200 --> 0:28:44.720
<v Speaker 2>Yeah, And that's.

0:28:44.200 --> 0:28:47.200
<v Speaker 3>Like everyone got up and left. Apart from the Brits.

0:28:47.520 --> 0:28:50.440
<v Speaker 3>We were all sitting there going what just happened? What

0:28:50.680 --> 0:28:53.040
<v Speaker 3>just happened? And indeed The New York Times was out

0:28:53.040 --> 0:28:54.360
<v Speaker 3>and it was a terrible review.

0:28:55.640 --> 0:28:57.479
<v Speaker 2>It's about to say, you must have known it's going

0:28:57.520 --> 0:28:57.960
<v Speaker 2>to be a hit.

0:28:58.200 --> 0:29:02.080
<v Speaker 3>Well, the audiences were, but at that time the New

0:29:02.160 --> 0:29:04.280
<v Speaker 3>York Times had that they could close the show, close

0:29:04.320 --> 0:29:06.480
<v Speaker 3>the show, and they did. We battled on, we spent

0:29:06.520 --> 0:29:08.400
<v Speaker 3>money on television. Four weeks later we were gone.

0:29:08.720 --> 0:29:13.200
<v Speaker 2>Somebody else told me that story about that if you

0:29:13.280 --> 0:29:15.480
<v Speaker 2>were at a party, the after party of a play,

0:29:15.520 --> 0:29:18.600
<v Speaker 2>waiting for the review, then everybody would just go. It

0:29:18.680 --> 0:29:21.080
<v Speaker 2>was it was just they would just you just leap.

0:29:21.240 --> 0:29:24.800
<v Speaker 3>It was very very strong. Yeah, because the papers would

0:29:24.840 --> 0:29:28.680
<v Speaker 3>hit the streets about halpus leven midnight, you might might

0:29:28.920 --> 0:29:31.400
<v Speaker 3>might get a tip off if the critic was friends

0:29:31.400 --> 0:29:34.960
<v Speaker 3>with the publicist. So occasionally, you know, led whispering Cameron's ear,

0:29:35.600 --> 0:29:39.400
<v Speaker 3>Lemmy's is going to be okay nowadays that you don't

0:29:39.440 --> 0:29:41.960
<v Speaker 3>have that kind of romantic The first night is more

0:29:41.960 --> 0:29:45.040
<v Speaker 3>about social media and TV and stuff, and the critics

0:29:45.040 --> 0:29:48.320
<v Speaker 3>have all been in the week before. They don't come

0:29:48.400 --> 0:29:51.120
<v Speaker 3>on the first night anymore, And I think, to be honest,

0:29:51.280 --> 0:29:53.240
<v Speaker 3>that's the reflection of the fact their role is not

0:29:53.280 --> 0:29:55.880
<v Speaker 3>as important as it once. Yeah, you know, I fear

0:29:56.000 --> 0:29:59.200
<v Speaker 3>for theater criticism just like I fear for food criticism.

0:30:00.240 --> 0:30:03.880
<v Speaker 3>You see, the great restaurant critics are sort of slipping.

0:30:03.560 --> 0:30:07.560
<v Speaker 2>Away talking about a restaurant critic talking about a restaurant,

0:30:07.640 --> 0:30:10.240
<v Speaker 2>talk about the restaurant critic when we had the dinner

0:30:10.640 --> 0:30:15.719
<v Speaker 2>at the River Cafe to celebrate Adrian girl to launch

0:30:15.880 --> 0:30:16.560
<v Speaker 2>the bursary.

0:30:17.000 --> 0:30:22.160
<v Speaker 3>It was the Sunday Times Prize for an aspiring food

0:30:22.320 --> 0:30:25.160
<v Speaker 3>writer and they could write about food or a restaurant

0:30:25.160 --> 0:30:27.120
<v Speaker 3>they've had, and it was for someone who never been

0:30:27.160 --> 0:30:27.840
<v Speaker 3>published before.

0:30:28.240 --> 0:30:31.920
<v Speaker 2>I in my opening little speech, I read the review

0:30:32.000 --> 0:30:35.520
<v Speaker 2>that he wrote about the River Cafe, which was pretty

0:30:35.600 --> 0:30:40.840
<v Speaker 2>damn very combating first, but then he focused on the Nemesis.

0:30:41.200 --> 0:30:44.200
<v Speaker 2>Do you remember that? And how difficult it was to make?

0:30:44.360 --> 0:30:47.240
<v Speaker 2>It was so Adrian and we just, you know, we

0:30:47.360 --> 0:30:50.959
<v Speaker 2>loved mister and when he came into the restaurant with Nikola,

0:30:51.040 --> 0:30:53.880
<v Speaker 2>it was just he was one of a kind and

0:30:53.920 --> 0:30:55.120
<v Speaker 2>he was your closest friend.

0:30:55.160 --> 0:30:58.240
<v Speaker 3>He was, I think generally was my closest male friend.

0:30:58.000 --> 0:31:01.800
<v Speaker 3>We had a pretty difficult beginn because I met him

0:31:01.800 --> 0:31:05.360
<v Speaker 3>at a very very smart party and the girl I

0:31:05.440 --> 0:31:07.320
<v Speaker 3>was with at the time, who remains a very dear friend,

0:31:07.360 --> 0:31:10.840
<v Speaker 3>had misread the invitation and I turned up in full

0:31:11.240 --> 0:31:15.920
<v Speaker 3>Venetian puff trousers, puff sleeves, great comedian at lastin.

0:31:15.720 --> 0:31:17.440
<v Speaker 2>Mile costume party.

0:31:17.800 --> 0:31:21.960
<v Speaker 3>It was for Viennese, not Venetians. Everyone else was entails

0:31:22.480 --> 0:31:26.000
<v Speaker 3>and I was on the same table as Adrian, and

0:31:26.480 --> 0:31:28.080
<v Speaker 3>I hadn't met him before I knew who he was.

0:31:28.320 --> 0:31:30.320
<v Speaker 3>He was going through that rather affected stage of wearing

0:31:30.360 --> 0:31:32.440
<v Speaker 3>a monocle, and he looked at me and said, one

0:31:32.480 --> 0:31:34.480
<v Speaker 3>of us has got a strange idea of geography, dear,

0:31:34.520 --> 0:31:38.600
<v Speaker 3>and I don't think it's meat anyway. I rang him

0:31:38.600 --> 0:31:41.040
<v Speaker 3>the next day and said, you're a bastard for making

0:31:41.080 --> 0:31:42.800
<v Speaker 3>me feel so uncomfortable. Said let me take it out

0:31:42.800 --> 0:31:45.440
<v Speaker 3>to lunch, and we did, and we became very very

0:31:45.440 --> 0:31:49.960
<v Speaker 3>good friends, and I loved going out to eat with him.

0:31:50.440 --> 0:31:54.200
<v Speaker 2>Like with a food critic, quite daunting.

0:31:53.760 --> 0:31:55.520
<v Speaker 3>In the case of Aid. Well, first of all, there

0:31:55.560 --> 0:31:57.000
<v Speaker 3>was that thing, of course, he could never go as

0:31:57.120 --> 0:31:59.400
<v Speaker 3>a girl. The bookings were always in the name of

0:31:59.480 --> 0:32:03.480
<v Speaker 3>mister Ox, mister Cambridge. Yeah, so you'd arrive and you

0:32:03.560 --> 0:32:05.600
<v Speaker 3>say table for for mister Cambridge, and you see the

0:32:05.640 --> 0:32:09.440
<v Speaker 3>colored rain from the matre d's cheeks. We'd sit down

0:32:09.480 --> 0:32:12.040
<v Speaker 3>and look. He knew enormous. He was, as you know,

0:32:12.120 --> 0:32:14.560
<v Speaker 3>a very good cook himself. I mean I used to

0:32:14.560 --> 0:32:17.200
<v Speaker 3>read his cookery column in Tatler and it was hysterical.

0:32:17.280 --> 0:32:19.760
<v Speaker 3>He'd go for ham and peace suit, get some ham,

0:32:20.000 --> 0:32:22.240
<v Speaker 3>get some peace, cook it, you know, that sort of thing.

0:32:22.680 --> 0:32:24.120
<v Speaker 3>But he was a very good He was a very

0:32:24.120 --> 0:32:28.200
<v Speaker 3>good cook, and he had enormous respect for restaurants, restauranteurs,

0:32:28.880 --> 0:32:31.720
<v Speaker 3>and for particularly for front of house staff. He was

0:32:31.920 --> 0:32:36.120
<v Speaker 3>very He admired waiters a lot, but they had to

0:32:36.120 --> 0:32:38.600
<v Speaker 3>know their stuff. And why it was daunting was he

0:32:38.640 --> 0:32:40.680
<v Speaker 3>would challenge you just to see how much you knew

0:32:40.960 --> 0:32:43.560
<v Speaker 3>if you had been charged a lot of money. So

0:32:43.640 --> 0:32:47.960
<v Speaker 3>he'd go, so, tell me about the venison and they'd go, well,

0:32:48.000 --> 0:32:51.760
<v Speaker 3>it's from a deer, sir, yes, yes, I knew that

0:32:52.560 --> 0:32:56.000
<v Speaker 3>what part of the deer? And he'd go either way.

0:32:56.000 --> 0:32:57.959
<v Speaker 3>It would either go, well, you know, it's a haunch

0:32:58.040 --> 0:33:00.080
<v Speaker 3>or bank whatever it is, or they'd go I'll just

0:33:00.120 --> 0:33:02.080
<v Speaker 3>go and find out then come back and say, okay,

0:33:02.160 --> 0:33:06.680
<v Speaker 3>so tell me where's the deer from and they go, well, Highlands,

0:33:06.760 --> 0:33:09.080
<v Speaker 3>new forest. And he was testing them.

0:33:09.400 --> 0:33:14.800
<v Speaker 2>I mean, he's really testing testing the restaurant because that's

0:33:14.880 --> 0:33:17.560
<v Speaker 2>the job of the exactly. That's one of the things

0:33:17.560 --> 0:33:20.680
<v Speaker 2>we do with the River Cafe, the ideas that everyone

0:33:20.880 --> 0:33:25.000
<v Speaker 2>participates in the prepping of the food and so if

0:33:25.040 --> 0:33:27.400
<v Speaker 2>you are serving not everything, but if you're serving a

0:33:27.480 --> 0:33:30.000
<v Speaker 2>sal severity you know, because you chopped the parson, and

0:33:30.040 --> 0:33:32.960
<v Speaker 2>you wash the capers and you clean the anchovies. There's

0:33:32.960 --> 0:33:35.959
<v Speaker 2>a kind of involvement and then the importance of knowing

0:33:37.280 --> 0:33:40.480
<v Speaker 2>how something has cooked. So he tested the restaurant.

0:33:40.360 --> 0:33:43.720
<v Speaker 3>He tested them, and then, as you know, he could

0:33:43.720 --> 0:33:46.600
<v Speaker 3>be absolutely excoriating if he didn't like the food. And

0:33:46.600 --> 0:33:49.520
<v Speaker 3>I've met a number of restauranteurs since who knew. I

0:33:49.600 --> 0:33:52.360
<v Speaker 3>knew him and said, did you know your friend? You know,

0:33:52.480 --> 0:33:54.600
<v Speaker 3>bankrupted me. And because I think he was one of

0:33:54.640 --> 0:33:58.520
<v Speaker 3>the very very few critics who could still had that power.

0:33:58.560 --> 0:34:02.120
<v Speaker 3>He was rather like the New York Times, and it's fair, Yeah,

0:34:02.240 --> 0:34:03.640
<v Speaker 3>I think so. If you're going to be paying a

0:34:03.640 --> 0:34:06.720
<v Speaker 3>lot of money, then you know your standards should be exacting.

0:34:07.200 --> 0:34:10.200
<v Speaker 3>But when he loved you as he loved you, and

0:34:10.239 --> 0:34:14.200
<v Speaker 3>he loved Jeremy, and he loved Andrea at Reva, you know,

0:34:14.280 --> 0:34:16.480
<v Speaker 3>he had his favorites, the places he would always go

0:34:16.560 --> 0:34:16.759
<v Speaker 3>back to.

0:34:16.880 --> 0:34:18.399
<v Speaker 2>Did he tell you what to order?

0:34:18.600 --> 0:34:20.640
<v Speaker 3>He would try and make sure we all had something different.

0:34:21.000 --> 0:34:22.799
<v Speaker 3>He'd go, well, that's a bit boring if we do that,

0:34:22.880 --> 0:34:25.120
<v Speaker 3>And then if we did, he then eat off each

0:34:25.120 --> 0:34:27.840
<v Speaker 3>of our places. Yeah, yeah, And what was interesting he

0:34:27.840 --> 0:34:31.680
<v Speaker 3>would take notes. No, he didn't. He'd never take notes because,

0:34:31.719 --> 0:34:34.160
<v Speaker 3>as you knew, he was chronically dyslexic and he couldn't

0:34:34.160 --> 0:34:36.640
<v Speaker 3>spell anything anyway. He would always at the end of

0:34:36.680 --> 0:34:38.600
<v Speaker 3>the evening ask for a copy of the menu to

0:34:38.600 --> 0:34:42.040
<v Speaker 3>take away, and that was his aide memoir. But we

0:34:42.080 --> 0:34:44.279
<v Speaker 3>went to incredible places. I mean, you know, at the

0:34:44.320 --> 0:34:48.359
<v Speaker 3>time of the great gastronomic explosion we had, we went

0:34:48.400 --> 0:34:50.759
<v Speaker 3>to Heston Rumentals for the first time together and he

0:34:50.840 --> 0:34:53.400
<v Speaker 3>and Heston became very good friends. And we went to

0:34:53.400 --> 0:34:56.799
<v Speaker 3>Favigan in Sweden, and we went to all bullies, oh

0:34:56.840 --> 0:34:58.799
<v Speaker 3>we did, and Noma pop ups and things, and when

0:34:58.840 --> 0:35:02.000
<v Speaker 3>it was a real it was exciting going to the

0:35:02.000 --> 0:35:07.080
<v Speaker 3>theater internationally, sorry, into a restaurants the same thing, to

0:35:07.160 --> 0:35:10.399
<v Speaker 3>the Oh yeah. He was my regular first night date,

0:35:10.719 --> 0:35:12.920
<v Speaker 3>and in fact, quite more often than not he would

0:35:13.040 --> 0:35:16.600
<v Speaker 3>either bring Flora, his wonderful daughter, and I'd bring one

0:35:16.600 --> 0:35:19.080
<v Speaker 3>of my sons and they too sit together an aide

0:35:19.120 --> 0:35:22.000
<v Speaker 3>and I sit together. No, he was exactly he was asked.

0:35:22.320 --> 0:35:24.040
<v Speaker 3>In fact, I don't know if anyone knows this. He

0:35:24.120 --> 0:35:27.759
<v Speaker 3>was asked to be the Sunday Times theater critic, and

0:35:27.800 --> 0:35:29.600
<v Speaker 3>he said no, I can't possibly because I've got far

0:35:29.600 --> 0:35:31.960
<v Speaker 3>too many good friends in the theater, and I wouldn't

0:35:32.000 --> 0:35:35.160
<v Speaker 3>have any if because I did read a couple a

0:35:35.200 --> 0:35:39.520
<v Speaker 3>couple of his theater reviews in The Boy they were singers. No,

0:35:39.600 --> 0:35:41.759
<v Speaker 3>I miss him. I miss him every day. He was

0:35:41.920 --> 0:35:44.600
<v Speaker 3>literally someone I spoke to every day. And what was

0:35:44.600 --> 0:35:47.000
<v Speaker 3>extraordinary about him, and you probably know this again, is

0:35:47.000 --> 0:35:50.800
<v Speaker 3>is it was only after he died that I realized

0:35:50.880 --> 0:35:53.920
<v Speaker 3>how many people he spoke to and where did he

0:35:53.960 --> 0:35:55.920
<v Speaker 3>get the time to do, you know, to do that

0:35:56.040 --> 0:36:00.720
<v Speaker 3>He never ever hung up on me. I've had, let's

0:36:00.719 --> 0:36:02.239
<v Speaker 3>just say, I've had a lot of drama in my

0:36:02.239 --> 0:36:04.520
<v Speaker 3>life over the years, in terms of losing close friends

0:36:04.560 --> 0:36:07.960
<v Speaker 3>and losing members of my family and various problems and

0:36:08.000 --> 0:36:10.360
<v Speaker 3>things like that. And I find it really difficult to cry.

0:36:10.840 --> 0:36:13.480
<v Speaker 3>But the only thing that I cry like a drain

0:36:13.600 --> 0:36:16.920
<v Speaker 3>is music. Music is my kind of go to emotional release.

0:36:17.440 --> 0:36:20.480
<v Speaker 3>It's a wonderfully cathartic thing and it can be a

0:36:20.520 --> 0:36:23.320
<v Speaker 3>beautiful piece of classical music or it can be a

0:36:23.400 --> 0:36:26.520
<v Speaker 3>great bit of rock and roll. And I told Bono,

0:36:26.560 --> 0:36:30.359
<v Speaker 3>who's a regular clan of yours, I know that for

0:36:30.440 --> 0:36:32.120
<v Speaker 3>one reason or another, I don't know why. When my

0:36:32.160 --> 0:36:34.360
<v Speaker 3>first son Tom was born thirty five years ago, I

0:36:34.400 --> 0:36:36.920
<v Speaker 3>came back at four o'clock in the morning from the hospital,

0:36:37.120 --> 0:36:40.360
<v Speaker 3>dizzy and confused, and I pulled myself a large class

0:36:40.360 --> 0:36:44.600
<v Speaker 3>of Scotch and danced to his song bad. So after

0:36:44.680 --> 0:36:47.560
<v Speaker 3>that that became a tradition. So I got four sons

0:36:47.880 --> 0:37:00.919
<v Speaker 3>and I danced so bad for every one of them.

0:37:01.080 --> 0:37:03.239
<v Speaker 2>When do you go to Glastonbury? Do you eat?

0:37:04.800 --> 0:37:07.040
<v Speaker 3>Yeah, but you don't eat well. It's very hard to

0:37:07.040 --> 0:37:10.560
<v Speaker 3>eat well. I mean interestingly, there's a lovely local restaurant

0:37:10.960 --> 0:37:12.520
<v Speaker 3>close to us because I live in the West Country

0:37:12.520 --> 0:37:15.480
<v Speaker 3>most of the time in Bruton, called Out the Chapel,

0:37:16.000 --> 0:37:18.360
<v Speaker 3>and Bruton has become a sort of new color in

0:37:18.400 --> 0:37:22.960
<v Speaker 3>the West. Sip At the Chapel was the first and

0:37:23.000 --> 0:37:25.239
<v Speaker 3>they had it's just changed hands and they have a

0:37:25.239 --> 0:37:28.440
<v Speaker 3>pop up restaurant Glastonbury now and they came close to

0:37:28.480 --> 0:37:31.040
<v Speaker 3>getting the sort of chapel experience. But when you're catering

0:37:31.120 --> 0:37:34.120
<v Speaker 3>for many hundreds of people, so no, it's not really

0:37:34.160 --> 0:37:34.680
<v Speaker 3>about the food.

0:37:34.719 --> 0:37:35.799
<v Speaker 2>What about cooking at home?

0:37:36.080 --> 0:37:38.240
<v Speaker 3>Cooking at home? I love doing it, Yeah, because.

0:37:38.200 --> 0:37:41.680
<v Speaker 2>You described to me about cooking for your family and

0:37:41.719 --> 0:37:42.919
<v Speaker 2>taking a lot of Asian food.

0:37:43.000 --> 0:37:46.960
<v Speaker 3>Well, yes, I love I mean both the very very

0:37:46.960 --> 0:37:48.839
<v Speaker 3>important partners in my life. Neither of them could cook.

0:37:48.840 --> 0:37:51.640
<v Speaker 3>So I sort of cooked to survive and I taught

0:37:51.680 --> 0:37:55.200
<v Speaker 3>myself and then rather wonderfully, all four of my children

0:37:55.880 --> 0:37:58.719
<v Speaker 3>have loved cooking. And in fact, my elder son Tom

0:37:58.800 --> 0:38:05.000
<v Speaker 3>has just opened his first restaurant. Yeah, it's called Outcrops Social.

0:38:05.719 --> 0:38:08.240
<v Speaker 3>It's a pop up restaurant in one eighty the strand,

0:38:08.520 --> 0:38:11.759
<v Speaker 3>is it and it's Thai food, and they're giving him

0:38:11.800 --> 0:38:14.879
<v Speaker 3>three months to see if it goes. And I can

0:38:14.920 --> 0:38:19.000
<v Speaker 3>say totally objectively, he'said the most incredible reviews and it's delicious.

0:38:19.120 --> 0:38:20.399
<v Speaker 2>Let's go. What's it called?

0:38:20.440 --> 0:38:26.200
<v Speaker 3>Then, out Crop Social? Yeah, I'll take you down in

0:38:26.239 --> 0:38:27.520
<v Speaker 3>September do.

0:38:27.440 --> 0:38:29.239
<v Speaker 2>That, And so what do you cook it? Out?

0:38:29.320 --> 0:38:31.840
<v Speaker 3>So at home? Well, if we're there and it's Sunday

0:38:32.560 --> 0:38:34.840
<v Speaker 3>and it's a great sort of traditional Sunday lunch, and

0:38:34.840 --> 0:38:37.080
<v Speaker 3>then we will all do our bits and we all

0:38:37.080 --> 0:38:40.680
<v Speaker 3>love quite spicy food. I love cooking Asian food. I

0:38:40.719 --> 0:38:43.720
<v Speaker 3>love cooking Indian food in particular. I love grinding spices

0:38:43.760 --> 0:38:48.560
<v Speaker 3>and preparing things like that. But it is a lot

0:38:48.560 --> 0:38:50.200
<v Speaker 3>of work. But that's why it's good to have all

0:38:50.239 --> 0:38:52.200
<v Speaker 3>your family around you so you can say to someone

0:38:52.239 --> 0:38:53.080
<v Speaker 3>that you do.

0:38:53.000 --> 0:38:56.200
<v Speaker 2>This the collaboration. Yeah, and do you go out to restaurants?

0:38:56.280 --> 0:38:59.480
<v Speaker 3>Now I don't go out nearly as well. I tend

0:38:59.560 --> 0:39:01.640
<v Speaker 3>to go out probably mill down in the West Country.

0:39:01.880 --> 0:39:05.960
<v Speaker 3>And also because as I've sort of moved away from

0:39:06.239 --> 0:39:08.760
<v Speaker 3>actively being involved in the West End on a daily basis,

0:39:08.760 --> 0:39:11.000
<v Speaker 3>I'm not there as much. In the evening, still go

0:39:11.040 --> 0:39:12.600
<v Speaker 3>and see the theater quite a lot. So I'll go

0:39:12.840 --> 0:39:14.440
<v Speaker 3>out to places and.

0:39:14.960 --> 0:39:18.240
<v Speaker 2>You still go after yes, yeah, yeah.

0:39:18.120 --> 0:39:20.680
<v Speaker 3>I can't bring myself to really have a big, big

0:39:21.239 --> 0:39:24.160
<v Speaker 3>nursery teas we call it at five or stays. But

0:39:24.960 --> 0:39:28.440
<v Speaker 3>you know, again I've got the go to places like

0:39:28.600 --> 0:39:30.239
<v Speaker 3>you know, the Ivy Club and things and that will

0:39:30.239 --> 0:39:33.880
<v Speaker 3>stay open and again are very convivial. But I worked

0:39:33.920 --> 0:39:36.680
<v Speaker 3>for many, many years with Camera Macintosh, who was an

0:39:36.719 --> 0:39:38.880
<v Speaker 3>absolute food and a brilliant cook as well. He was

0:39:38.920 --> 0:39:41.680
<v Speaker 3>someone else who really inspired me to cook, because we

0:39:42.080 --> 0:39:44.120
<v Speaker 3>all would shut the office down in the early days.

0:39:44.120 --> 0:39:46.480
<v Speaker 3>You know, cats can run itself and they can run itself.

0:39:46.480 --> 0:39:48.400
<v Speaker 3>And we go off to his place in Scotland and

0:39:48.560 --> 0:39:51.520
<v Speaker 3>where you have the most incredible produce of seafood and things,

0:39:51.600 --> 0:39:53.839
<v Speaker 3>and we'd all be given a job. And as far

0:39:53.880 --> 0:39:55.799
<v Speaker 3>as he's say, it wasn't cooking unless or at least

0:39:55.800 --> 0:39:58.400
<v Speaker 3>twenty people around their lunch table. So people come out

0:39:58.440 --> 0:40:00.880
<v Speaker 3>of the hills and so that was fun learned. I

0:40:00.960 --> 0:40:02.719
<v Speaker 3>learned a lot at his knee, as it were. So

0:40:02.760 --> 0:40:05.879
<v Speaker 3>we'll always go together. But I mean, no, I mean

0:40:05.920 --> 0:40:09.399
<v Speaker 3>the days of the high the high high high end

0:40:09.440 --> 0:40:12.120
<v Speaker 3>dining with Adrian, and it'd been fun. I think probably

0:40:12.160 --> 0:40:13.120
<v Speaker 3>behind and.

0:40:13.239 --> 0:40:15.760
<v Speaker 2>Working in restaurant. Will you meet people from meetings?

0:40:16.719 --> 0:40:21.560
<v Speaker 3>Yeah, the business lunch is sort of past. Yeah, I

0:40:21.560 --> 0:40:23.200
<v Speaker 3>mean in the early days, you know, I'd go off

0:40:23.200 --> 0:40:25.279
<v Speaker 3>and meet our advertising agents and it would be you know,

0:40:25.719 --> 0:40:27.279
<v Speaker 3>and he'd sit down and he goes this a two

0:40:27.320 --> 0:40:30.160
<v Speaker 3>bottle lunch or one bottle lunch. And now it's I'll

0:40:30.200 --> 0:40:33.520
<v Speaker 3>have a glass lunch, which is a shame in a way,

0:40:33.560 --> 0:40:37.480
<v Speaker 3>but probably we get we get more done. I honestly

0:40:37.560 --> 0:40:41.160
<v Speaker 3>think it was more fun in the eighties and nineties

0:40:41.680 --> 0:40:45.600
<v Speaker 3>for us than it is now because it's much more pressure,

0:40:45.960 --> 0:40:48.600
<v Speaker 3>the challenges are much more, the margins are much lower.

0:40:49.120 --> 0:40:51.280
<v Speaker 3>The good thing is the way we look after people

0:40:51.719 --> 0:40:54.359
<v Speaker 3>has changed a lot, and you have to do that now,

0:40:54.440 --> 0:40:57.399
<v Speaker 3>and as you should, and as we know, the actor

0:40:57.440 --> 0:41:00.759
<v Speaker 3>strikes on at the moment about getting proper regging and

0:41:00.800 --> 0:41:03.720
<v Speaker 3>that's going right through society. So the way we behave

0:41:04.000 --> 0:41:06.960
<v Speaker 3>has changed. But in terms of that feeling of real

0:41:07.040 --> 0:41:09.920
<v Speaker 3>excitement of you know, I can't tell you what it

0:41:09.960 --> 0:41:13.280
<v Speaker 3>was like opening they met it on Broadway, or Phantom

0:41:13.320 --> 0:41:17.000
<v Speaker 3>on Broadway, and you know Psychone, which was a massively

0:41:17.040 --> 0:41:19.080
<v Speaker 3>controversial production because of the casting.

0:41:19.120 --> 0:41:22.440
<v Speaker 2>And so I have a letter from you, but I

0:41:22.440 --> 0:41:26.120
<v Speaker 2>don't remember where the correspondence, but it says I'll read it.

0:41:26.360 --> 0:41:28.400
<v Speaker 2>I'm going to read your letter that you wrote me,

0:41:29.120 --> 0:41:32.080
<v Speaker 2>Ah Darling. I had an emotional evening last night, the

0:41:32.080 --> 0:41:35.279
<v Speaker 2>first night of Carousel. Adrian was one of my few

0:41:35.360 --> 0:41:38.839
<v Speaker 2>friends who really enjoyed musicals, and even though we used

0:41:38.840 --> 0:41:41.200
<v Speaker 2>to warble if I loved you from it, he never

0:41:41.280 --> 0:41:44.560
<v Speaker 2>actually seen the show. They announced a revival just as

0:41:44.600 --> 0:41:46.720
<v Speaker 2>he got sick, and I made him promise to stay

0:41:46.719 --> 0:41:48.680
<v Speaker 2>well enough to come to the first night with me.

0:41:49.280 --> 0:41:51.920
<v Speaker 2>Of course that didn't happen, so I kept an empty

0:41:51.960 --> 0:41:54.640
<v Speaker 2>seat next to me. I miss him badly, and we'll

0:41:54.680 --> 0:41:57.759
<v Speaker 2>definitely know when I'm next seeing you. Much loved Nick,

0:41:58.320 --> 0:42:01.400
<v Speaker 2>so I was wondering because I thought, you do have

0:42:01.440 --> 0:42:03.920
<v Speaker 2>one of the most beautiful speaking voices that I know,

0:42:04.600 --> 0:42:07.400
<v Speaker 2>and I was wondering if you might sing if I

0:42:07.440 --> 0:42:11.400
<v Speaker 2>Loved You, And here's the lyrics. I'll he should we

0:42:11.440 --> 0:42:13.880
<v Speaker 2>have a go and I'll sing it with you a

0:42:13.880 --> 0:42:17.359
<v Speaker 2>little bit. You know. I grew up on musical so fa.

0:42:17.520 --> 0:42:20.279
<v Speaker 2>I lived in upstate New York. We'd go in the

0:42:20.320 --> 0:42:23.080
<v Speaker 2>car and we'd drive down the throughway to New York

0:42:23.440 --> 0:42:25.919
<v Speaker 2>and we would see the big ships, and then we'd

0:42:25.920 --> 0:42:29.280
<v Speaker 2>see the SS France, and we'd see in the United States.

0:42:29.520 --> 0:42:32.160
<v Speaker 2>Then we would go and have lunch, and then we

0:42:32.200 --> 0:42:35.720
<v Speaker 2>would go to musical We'd go to by Fair Lady,

0:42:35.880 --> 0:42:38.400
<v Speaker 2>West Side Story. This is I guess I was, you know,

0:42:38.600 --> 0:42:41.719
<v Speaker 2>sort of twelve, and so it was late early sixties,

0:42:41.960 --> 0:42:45.759
<v Speaker 2>a late yea early sixties. And then we would go

0:42:45.800 --> 0:42:48.360
<v Speaker 2>to Sam Goodie, a record storage, you know, Sam City,

0:42:48.640 --> 0:42:51.799
<v Speaker 2>and we would buy the record and then we would

0:42:51.880 --> 0:42:54.880
<v Speaker 2>drive up back to the country and we'd play the

0:42:54.920 --> 0:42:57.080
<v Speaker 2>record over and over and over again. So I know

0:42:57.160 --> 0:43:01.680
<v Speaker 2>the words basically every musical of that era, and so

0:43:01.840 --> 0:43:04.600
<v Speaker 2>I know this song if I Loved You, So shall

0:43:04.640 --> 0:43:05.560
<v Speaker 2>we try? It?

0:43:05.920 --> 0:43:08.040
<v Speaker 3>Is one of my favorites. I know the first two

0:43:08.120 --> 0:43:12.440
<v Speaker 3>lines to more songs until then, so I'm going to

0:43:12.480 --> 0:43:19.720
<v Speaker 3>cheat and read yeah, absolutely, I love you time and again.

0:43:20.200 --> 0:43:33.840
<v Speaker 5>I will try to say, oh, Ruthie, well, I'm gone

0:43:34.280 --> 0:43:41.560
<v Speaker 5>wow to Adrian, to.

0:43:38.440 --> 0:43:43.280
<v Speaker 2>Bet, to carousel you and to love. So the singing

0:43:43.360 --> 0:43:48.399
<v Speaker 2>gives you. Singing can give you comfort, and food can

0:43:48.440 --> 0:43:51.400
<v Speaker 2>give you comfort. So my very very last question of

0:43:51.480 --> 0:43:55.480
<v Speaker 2>talking and listening and singing is to ask you, if

0:43:55.520 --> 0:43:59.600
<v Speaker 2>you have a food that you need not to eat

0:43:59.640 --> 0:44:02.640
<v Speaker 2>when you're hungry, but to eat when you need comfort.

0:44:03.160 --> 0:44:04.520
<v Speaker 2>What would that be in the gallat?

0:44:04.760 --> 0:44:07.279
<v Speaker 3>If I tell you, you'll be so appalled. No I won't,

0:44:07.280 --> 0:44:10.239
<v Speaker 3>because it was the most delicious thing I've everything. I'm

0:44:10.280 --> 0:44:12.879
<v Speaker 3>going to be down or depressed or hungry or wanna

0:44:13.320 --> 0:44:16.399
<v Speaker 3>And it was actually a concocted recipe by a friend

0:44:16.440 --> 0:44:18.719
<v Speaker 3>of mine who wrote it in a play and I

0:44:18.800 --> 0:44:21.040
<v Speaker 3>read it I thought, I can't believe he's actually done this,

0:44:21.120 --> 0:44:23.120
<v Speaker 3>but I'm going to try and put it together. And

0:44:23.160 --> 0:44:29.520
<v Speaker 3>it's basically toast with peanut butter, very crispy bacon and

0:44:29.600 --> 0:44:30.759
<v Speaker 3>cheese melted on top.

0:44:30.960 --> 0:44:34.720
<v Speaker 2>I'm that disgusted, I'm interested. It was I think food

0:44:34.719 --> 0:44:38.799
<v Speaker 2>because the food that comforts has a story. Well, the

0:44:38.800 --> 0:44:40.160
<v Speaker 2>next time you have one, call me.

0:44:40.560 --> 0:44:43.320
<v Speaker 3>Okay, well there when we go to my son's restaurant,

0:44:43.360 --> 0:44:48.920
<v Speaker 3>was sneak home. Thank you very much, Thank you, Ruthie,

0:44:48.960 --> 0:44:49.759
<v Speaker 3>thank you so much.

0:44:49.760 --> 0:44:50.200
<v Speaker 2>Thank you.

0:44:55.480 --> 0:44:58.200
<v Speaker 1>The River Cafe Look Book is now available in bookshops

0:44:58.200 --> 0:45:01.720
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0:45:01.760 --> 0:45:06.640
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<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

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<v Speaker 1>to your favorite shows.