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Speaker 1: All right, welcome back to One Bad Movie.

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Speaker 2: Steven. How you doing. I'm doing okay, there, JJ, how

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Speaker 2: about yourself?

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Speaker 1: Great, I'm great.

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Speaker 2: Okay, So where's the scripture? I don't have my email here.

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Speaker 2: We don't need scripts on really seriously, all right, are

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Speaker 2: you kidding? No, we don't, especially about Bonnie. I know

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Speaker 2: Bonnie is so off script I.

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Speaker 1: Wasn't This is another one I wasn't there for so

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Speaker 1: I got to watch this.

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Speaker 2: Bonnie was fabulous, she was just y. Yeah it was weird, right, yeah,

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Speaker 2: it was kind of cool. We had a similar kind

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Speaker 2: of thespianistic.

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Speaker 1: Trademark, One Bad Movie espianistic. Thank you for our audience.

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Speaker 1: For those who don't know, you may remember Bonnie from

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Speaker 1: The OC friends NYPD Blue.

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Speaker 2: She was listen to me, this is gonna sound so bad.

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Speaker 2: But that's why I'm the host of One Bad Movie.

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Speaker 2: Most people know already that I have a very interesting

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Speaker 2: perspective and opinion on entertainment and talent. I won't say

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Speaker 2: I hated the OC, but I just didn't watch it.

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Speaker 2: It's just was kind of you know, it was not

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Speaker 2: my thing. It was not in my algorithm of what

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Speaker 2: entertained me. Right, But Bonnie was awesome. Yea. So whenever

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Speaker 2: there's a talent level that elevates a project, I think

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Speaker 2: that's pretty interesting.

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Speaker 1: She elevated the room when she came in for the pod.

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Speaker 2: Yeah, she was.

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Speaker 1: And you guys, you guys talked all things New York.

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Speaker 2: I just connected with Bonnie being kind of old school

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Speaker 2: in her mentality, very family h just that thing.

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Speaker 1: Well, my favorite part of the conversation is when you

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Speaker 1: guys got into working with the same director Andrew.

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Speaker 2: Yeah. And it's so weird because I just did a

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Speaker 2: Steel City Con. I went and signed to autographs that's right,

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Speaker 2: comic con thing, and so it was fabulous nice. The

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Speaker 2: coolest part the people that not only worked there, but

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Speaker 2: in the lines. The fans themselves were really sweet and fun.

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Speaker 2: But the photos they could sign of mine. One of

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Speaker 2: them was threesome nice. Andy Fleming's a picture yeah, so

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Speaker 2: which he wrote and directed. Not an easy thing to do.

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Speaker 2: And I was just pleasantly surprised at the number of

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Speaker 2: people that as a comedy genuinely think that title is

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Speaker 2: a lot of fun. As a Christian now, a lot

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Speaker 2: of people are like ew Steady Stevie. But that's the

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Speaker 2: kind of stories I don't mind telling as a Christian.

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Speaker 1: Nice Well, I told you my whole story about a

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Speaker 1: good friend of mine just out of the blue, didn't

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Speaker 1: even know that you and I were working together, said

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Speaker 1: have you ever seen Threesome? I said no, and he said, oh,

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Speaker 1: that is peaked Stephen Balding Man, that is like a

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Speaker 1: nineties you have to see. He gave me for not

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Speaker 1: seeing the movie.

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Speaker 2: So Steve baldwins Threesomes peeked in the nineties. Thank goodness, No, no, no,

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Speaker 2: no peaks Stephen Goodness, that's all over.

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Speaker 1: No, No, that's not meaning you peaked in the nineties.

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Speaker 1: Oh that means like that is like the Krem de

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Speaker 1: la crem of your repertence. Right, Well, enough about that

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Speaker 1: without further ado, Let's let's get into Bonnie. What a

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Speaker 1: great episode. And one little tidbit that I learned. I

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Speaker 1: didn't know that she sang on the Garden State soundtrack,

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Speaker 1: which they just had a twentieth anniversary concert. She's uber

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Speaker 1: suber talented.

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Speaker 2: Bonnie's kind of like smoking retro, you know what I mean,

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Speaker 2: from a retro perspective. She is who she is, the

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Speaker 2: real deal. So nice.

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Speaker 1: Welcome to one bad movie, all right, without further ado.

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Speaker 1: This is Bonnie Somerville.

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Speaker 2: That's an adult.

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Speaker 3: Bonnie Crag, fat lips. It's so bad, it's good.

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Speaker 4: We see damn.

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Speaker 3: Place sound guilty, Blesssmas Sunderson. It's so bad, it's good.

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Speaker 3: One bad.

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Speaker 4: Twenty years ago, as an actress, my therapist was like,

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Speaker 4: you do not look at anyone else because I will

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Speaker 4: You know, I'll short circuit.

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Speaker 5: So I don't read that because I'll be like crazy.

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Speaker 5: You can put that on the air.

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Speaker 4: I don't get literally if I if I look at

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Speaker 4: what anyone else is doing, I will kill myself, like

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Speaker 4: I just it will set comments, no, just like well

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Speaker 4: why are you doing this? Why is she doing this?

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Speaker 4: Why am I not doing this? Why did my sugar

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Speaker 4: cancel it? So I never do that. So I have

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Speaker 4: a friend who is she's one of those actors. I'm

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Speaker 4: sure you know they read everything. They're like they know everybody,

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Speaker 4: they know every producer, they know every.

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Speaker 5: I don't want to if you know, just let me work.

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Speaker 5: I don't want to hear about the other blonde. You

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Speaker 5: know my no, don't tell me.

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Speaker 2: If you knew how much I don't know, you'd be amassed.

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Speaker 4: We're the same because no, no, no, I'm I had to

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Speaker 4: find this out from a friend that the agency went under.

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Speaker 5: And even my husband is like, have you heard this?

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Speaker 4: And he's not even an actor, and I'm like, I what, no,

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Speaker 4: because I just can't do it drives me nuts if

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Speaker 4: I if you know, I learned not to compare myself

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Speaker 4: because that's the.

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Speaker 2: Well I have to kind of just keep my ear

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Speaker 2: to the ground because of family members, right, I just

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Speaker 2: have to make sure what the children are behaving, so

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Speaker 2: to speak. You know, it's it's just a weird genetics thing. Move,

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Speaker 2: move my drink.

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Speaker 5: Oh okay, sorry, how's that? HELLU?

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Speaker 2: Then, Jim, I'm gonna hell at you the rest of

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Speaker 2: this conversation. It's because it's she knows how to hit

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Speaker 2: the ball back over the net, so to speak. John,

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Speaker 2: what do you mean?

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Speaker 5: Hell?

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Speaker 2: Who's telling I'm going to be me?

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Speaker 1: Me me?

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Speaker 2: Because we haven't even started formally with the interview and

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Speaker 2: already we're having.

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Speaker 5: A lovely chanch lovely cha.

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Speaker 2: Yes, yes, well, Bonnie Somerville, welcome to One Bad Movie.

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Speaker 5: Thank you for having me.

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Speaker 2: And you're here. I think you're here kind of because

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Speaker 2: you heard about it. Yes, through the grape vine.

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Speaker 5: Yes, which is growing.

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Speaker 2: Rapidly. Hear about one bad movie. Yeah, and I was

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Speaker 2: sharing this with you before off camera, before this beginning

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Speaker 2: of the interview. Uh, that one bad movie is this

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Speaker 2: happy accident that was kind of birthed out of something unique.

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Speaker 2: But then before you know the whole backstory, which I'm

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Speaker 2: gonna get into it in one second. You saw a promo,

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Speaker 2: a teaser. Yes, what'd you think?

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Speaker 4: I thought it was hilarious. I loved it. I thought

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Speaker 4: it was hysterically funny.

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Speaker 2: It's one of my favorite words, hilarious, powerful word, hilarious,

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Speaker 2: use it lightly.

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Speaker 5: But I'm not. I'm not. I'm a funny snob.

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Speaker 4: So I wouldn't say hilarious if it wasn't hilarious because

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Speaker 4: I'm a funny snob.

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Speaker 5: Trust me, if it's not, it's not funny.

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Speaker 2: Yeah, funny snobbery is is greatly needed.

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Speaker 5: Yes.

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Speaker 2: So I was listening to an interview driving in a car,

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Speaker 2: talking to myself, which I I do quite often, and

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Speaker 2: there was this actor talking promoting a film and it

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Speaker 2: was lovely and I kind of was listening, listening and listening.

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Speaker 2: I hear the off stuff. I hear the like kind

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Speaker 2: of the nail scratch on the chalkboard, so to speak,

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Speaker 2: a little bit, and I just was listening to it

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Speaker 2: just brought me back to when I did a lot

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Speaker 2: of that circuit stuff, you know, right we're radio round

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Speaker 2: tables and everything, digital magic carpet, which is fabulous. But

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Speaker 2: I was listening and I went, boy, forgive me. I

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Speaker 2: don't mean to be mean when I say this, but

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Speaker 2: because I haven't.

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Speaker 5: Worked in a long time me neither me either. I'm

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Speaker 5: about it neither.

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Speaker 2: I'm driving in the car, I'm listening to this radio program,

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Speaker 2: lovely actor. Everything sounds great, and I went, just like this,

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Speaker 2: I'm so glad I don't have to do this. I

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Speaker 2: didn't mean it like mean, I just meant it like

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Speaker 2: I remember that, and I generally go, wouldn't it just

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Speaker 2: be a blast for this guy to talk about that

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Speaker 2: one crap movie he made? This just however, in the

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Speaker 2: psychology of my you know.

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Speaker 5: Like they were being honest and not foolish.

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Speaker 2: Just just it was a knee jerk thing. I thought,

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Speaker 2: you know, in the opposite way of thinking. And I went,

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Speaker 2: you know what I mean because everybody, to myself, I went,

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Speaker 2: because everybody has, every actor has at least one bad movie,

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Speaker 2: and then I walked around with one bad movie for

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Speaker 2: like a day, going could you ask people if they

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Speaker 2: wanted to talk about their one bad movie? And I

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Speaker 2: went like, like literally, kind of like a psycho. I

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Speaker 2: was like, walking around, This is how I process creatively.

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Speaker 2: Then I called John, who's the worst. He's the meanest,

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Speaker 2: most horrible critic ever, but he's super smart. So I

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Speaker 2: said to him, Hey, man, you know every actor has

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Speaker 2: one bad movie, and you know, bad movies are kind

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Speaker 2: of like an opinion, and you know, could I could

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Speaker 2: you put that in a format that's the truth? Could

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Speaker 2: you put that in a format for me? And does

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Speaker 2: that work? And I went because I don't think it works.

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Speaker 2: I think it's kind of too stupid, it's too upside now,

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Speaker 2: and it's too if it takes too long to get it.

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Speaker 2: But then you saw the trailer and you got it.

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Speaker 2: Welcome to one.

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Speaker 5: Bad movie, Thank you, happy to be here.

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Speaker 2: That's the way I like to approach the comprehension.

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Speaker 5: I just like the honesty of it.

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Speaker 4: It's like everybody talks about all their success but nobody, well, A,

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Speaker 4: you can't. You're not allowed to say things that you

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Speaker 4: really see on sets, because then you'll be you know Blacklist,

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Speaker 4: You know, we all know all the stuff that, all

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Speaker 4: the stuff that goes on. Nobody talks about the badge.

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Speaker 4: They only talk about the success. But it's like I

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Speaker 4: love I love the bad I love the like the

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Speaker 4: backstory and like what did you go through?

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Speaker 5: And this this guy was an asshole? And I got

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Speaker 5: get to.

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Speaker 2: That, bunny. Do you have a bad movie?

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Speaker 5: Which one of mine?

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Speaker 2: Sure?

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Speaker 5: Oh God, is that where should I start?

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Speaker 2: Was there kind of a voyage a voyage you entered

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Speaker 2: into that was a production? Is that you know? Uh?

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Speaker 2: Remember that thought? Yes, I digressed just for a second.

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Speaker 2: But my brother tells a funny story. My brother Alex

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Speaker 2: says to me, like, oh yeah, no, it's it's kind

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Speaker 2: of commonplace. You know, you're do an indie thing. They

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Speaker 2: promise you this, she signed the contract. You know, it's

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Speaker 2: you know, it's love Boat to Fiji is the picture

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Speaker 2: and your you know, Captain Stewart whatever his name is,

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Speaker 2: and yes, let's love boat.

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Speaker 5: That's how That's how I know. I remember love. I

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Speaker 5: remember love. I'm not too I'm not too far mind right.

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Speaker 2: So Alix says he has had the experience many times

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Speaker 2: in indie Land where he gets on the love boat.

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Speaker 2: They come off that, you know, they leave Manhattan, they

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Speaker 2: get out into the ocean and like all of a sudden,

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Speaker 2: they start to turn and they're heading towards Staten Island,

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Speaker 2: you know what I mean. And he's like, but the

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Speaker 2: script cover says Fiji, and they're like, well, you know,

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Speaker 2: some things went down and we lost an investor. Yeah,

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Speaker 2: Staten Island. But I'm fum so is there any void?

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Speaker 2: Is there any production? You think that? And it doesn't

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Speaker 2: have to be you know, psycho crazy, someone's dark. I

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Speaker 2: have so many we're here for a while.

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Speaker 5: I have I have a movie. I don't want to

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Speaker 5: say what it was.

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Speaker 4: I have a movie where it was my very first

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Speaker 4: Indie and it was the lead. It was the star,

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Speaker 4: and it's shot and I'm you're from Long Island. I'm

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Speaker 4: from Brooklyn. Most of my mom's one of nine, they

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Speaker 4: all live on Long Island. So having any job in

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Speaker 4: New York is obviously was always a big deal for me,

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Speaker 4: you know what I mean, just because the family could

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Speaker 4: come in the grandparents cub and it was this India

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Speaker 4: I did.

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Speaker 5: It was a first offer.

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Speaker 4: I got to be the lead, it was the star,

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Speaker 4: and I was there for three weeks by myself, shooting

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Speaker 4: in Philly and New York City.

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Speaker 5: My grandma was on set. This was grandmother was on

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Speaker 5: she passed away, but she was an extra.

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Speaker 4: She actually was in the background. We walked down Fifth

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Speaker 4: Avenue and she was in the background and I was there,

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Speaker 4: and I was so excited. This was like fifteen years ago.

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Speaker 4: And the producers, lovely guys, came up to me after

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Speaker 4: I was there and said, we have to talk to you.

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Speaker 5: And I was like, oh shit, I'm fired. I'm fired.

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Speaker 4: I'm already fired. And they were like, we feel really bad.

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Speaker 4: And I was like sweating thinking, and they said, the

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Speaker 4: lead actor, who was more famous than me, who was

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Speaker 4: on a very successful hit show, he's coming and he

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Speaker 4: wants to bump you down. He doesn't want you to

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Speaker 4: be number one. He wants to be number one. On

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Speaker 4: the call sheet. You got to be number two. And

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Speaker 4: I was like, it was my first time ever just

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Speaker 4: having that moment, and you know, being alone for three

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Speaker 4: weeks on a set and being.

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Speaker 5: And you were how old, thirty.

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Speaker 4: Five, thirty four to thirty five, but still it was

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Speaker 4: like my first number one on a movie, and just

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Speaker 4: the feeling of that happening adjustment. But just even though

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Speaker 4: I know, look, we're actors, we have ego, I get

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Speaker 4: you know, you know, you say it doesn't matter, but

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Speaker 4: when you finally get it kind of matters.

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Speaker 5: You know, you tell your family you're.

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Speaker 4: Like, I made number one, like and so he shows

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Speaker 4: up and I was completely immediately bumped down to number two,

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Speaker 4: and the entire energy changed.

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Speaker 5: For the next six weeks.

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Speaker 4: It was like a it was a completely different job,

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Speaker 4: do you know what I mean?

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Speaker 2: So those three weeks, no you even said the name

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Speaker 2: of the movie yet. No, okay, you haven't said the

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Speaker 2: name of the actor. Now, so is there another one?

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Speaker 2: Because that's just incredibly intriguing. Yes, let's just leave that that. Yeah.

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Speaker 4: Yeah, it was just it was it was just like

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Speaker 4: a it was just just just.

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Speaker 5: Having that moment like I'm number one. No, I think

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Speaker 5: I was, No, I was younger than thirty.

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Speaker 4: But then when he shows it, just the whole movie,

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Speaker 4: the whole experience went like.

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Speaker 2: Deep, you know what I mean, most definitely.

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Speaker 5: Taking the boat to you think.

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Speaker 2: You're going to and then different different situations where.

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Speaker 5: It's like, but who does that though?

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Speaker 4: If you're really successful and this one young younger actor

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Speaker 4: gets a change.

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Speaker 5: Who shows up.

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Speaker 4: I just I'll never forget. I would never do that

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Speaker 4: to somebody. I would never I would be like, yeah,

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Speaker 4: let them take the let them take the win. It's

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Speaker 4: a little stupid movie, you know, thirty grand forty whatever

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Speaker 4: it was.

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Speaker 5: Why would you why would you go, hey, listen, I

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Speaker 5: want to change the call sheet?

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Speaker 4: Like do you not have like like like like a

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Speaker 4: like like a life. I mean, it was just like

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Speaker 4: the guy has a multi millionaire and I'm like, it's

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Speaker 4: just like, wait a second, you know, I just think

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Speaker 4: like those those kind of things to me are like

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Speaker 4: a bad movie experience, you know, yes, absolutely emotionally whole thing.

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Speaker 2: So I've had you've had that, well, you know, I've

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Speaker 2: been number two on the call sheet many times, h

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Speaker 2: and kind of in that hierarchy.

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Speaker 4: Yeah, but it's that I've been number two, three, four, ten.

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Speaker 4: It's it's starting off as one and you're.

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Speaker 5: Just like, oh my.

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Speaker 4: God, you know, just actress, think actress, think I'm one,

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Speaker 4: you know that stupid thing, which we learned later on

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Speaker 4: it really doesn't matter who cares.

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Speaker 5: But when I have it for the first time, you're

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Speaker 5: like yes, and then someone shows up and they're.

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Speaker 2: Like yeah, not so much, right, It's just like, yeah,

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Speaker 2: that was just like then the vibration for six weeks

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Speaker 2: after that was the same kind of vacuum.

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Speaker 6: Yeah.

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Speaker 4: Just it's just kind of the whole because everybody felt

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Speaker 4: I can't everybody felt it.

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Speaker 5: The producers felt it just kind of ruined this like

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Speaker 5: really like buzzworthy thing, you know what I mean?

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Speaker 2: Okay, beyond that one, Yeah, I'm curious about it. Similar

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Speaker 2: because I've had method actors who want to mess with

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Speaker 2: me because they're method actors.

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Speaker 5: Oh yeah, I'm bad.

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Speaker 2: I can't tell you a lot of the stories.

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Speaker 5: No, I want to hear them. I want to hear them.

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Speaker 2: Because they because I say stuff and everybody is like,

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Speaker 2: he thinks he's cool, you know what I mean. I

327
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Speaker 2: grew up a certain way. Yeah, my dad was from Brooklyn.

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Speaker 2: My dad's dad was from Brooklyn.

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Speaker 5: Where what part I don't know. Doesn't forgive me Brooklyn.

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Speaker 2: But that's because I I don't like to talk about

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Speaker 2: Oh yeah, right with this, with that, you know.

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Speaker 5: Yeah, me too, me too, forget about it. Irish Catholics.

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Speaker 2: What was I talking about?

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Speaker 4: You've had experiences like right with method actors, but they

335
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Speaker 4: all ended the same way.

336
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Speaker 5: Wow.

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Speaker 2: So one guy, I was working on a movie and uh,

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Speaker 2: we finished filming and we were in Israel and we

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Speaker 2: were standing at like one of those all inclusive hotels

340
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Speaker 2: because we weren't one or two on the cautionumes. So

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Speaker 2: this guy, he just just was socializing and now we're

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Speaker 2: not on the set and he just decides to kind of,

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Speaker 2: in a very abstract way, kind of rage on me

344
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Speaker 2: about something totally insignificant. But in the moment of this

345
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Speaker 2: reality we're in now, it'd be like if I went like,

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Speaker 2: you know, and I think, you know, and it was

347
00:17:42,400 --> 00:17:47,400
Speaker 2: just something stupid and offensive, right, But suddenly and when

348
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Speaker 2: it happened, I was like, you know, wow, that was

349
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Speaker 2: some kind of a mood swing. Yeah, you know, because

350
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Speaker 2: this person got up and went to their hotel room.

351
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Speaker 2: It took me years to understand really was having he

352
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Speaker 2: was that person in the retropectause. Then it happened to

353
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Speaker 2: me a couple more times, and I went, oh, that's

354
00:18:10,520 --> 00:18:16,200
Speaker 2: kind of some methodology of some Thespians where they feel

355
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Speaker 2: like they got.

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Speaker 5: To right, like rally you up, well, spook you a little.

357
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Speaker 2: Bit whatever, so that when you're back on set you're

358
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Speaker 2: a little off balance, right, that's my guests. Yeah, that's

359
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Speaker 2: my guest. You know, some sometimes that would happen with

360
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Speaker 2: people who and I can't I won't say who either.

361
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Speaker 2: I did a movie called Last Exit to Brooklyn. One

362
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Speaker 2: of the actors.

363
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Speaker 5: Amen, love the movie.

364
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Speaker 4: Love the movie so much, meaning good, Yes, love the

365
00:18:44,840 --> 00:18:47,440
Speaker 4: movie though, but one of the actors from love that movie.

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Speaker 5: I just want to say, we all do. Amen.

367
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Speaker 2: But there was a lot of macho people running around,

368
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Speaker 2: and you know in the real world of of of macho. Yeah,

369
00:19:00,480 --> 00:19:03,639
Speaker 2: John's a big guy. He's a martial artist, and you know,

370
00:19:03,760 --> 00:19:06,479
Speaker 2: he talks more about how he has to talk himself

371
00:19:06,520 --> 00:19:10,159
Speaker 2: out of hurting someone. He's we're talking to himself, than

372
00:19:10,200 --> 00:19:13,000
Speaker 2: about what he needs to do to somebody else. So haha,

373
00:19:13,240 --> 00:19:16,320
Speaker 2: when you really know how to, you know, diffuse the situation,

374
00:19:18,160 --> 00:19:19,359
Speaker 2: you don't have to be big, you don't have to

375
00:19:19,359 --> 00:19:20,800
Speaker 2: be that strong. You just have to know how to

376
00:19:20,840 --> 00:19:24,480
Speaker 2: diffuse the situation. So I would do that, Like verbally,

377
00:19:25,200 --> 00:19:27,520
Speaker 2: I just go, look, I kind of feel like you're

378
00:19:27,520 --> 00:19:29,520
Speaker 2: getting ready to do something weird or be weird, and

379
00:19:29,560 --> 00:19:31,080
Speaker 2: we're just trying to make a movie, and like we're

380
00:19:31,080 --> 00:19:32,640
Speaker 2: on a set and you're number four on the call

381
00:19:32,680 --> 00:19:33,560
Speaker 2: sheet and I'm number.

382
00:19:33,400 --> 00:19:36,040
Speaker 5: Eight, Like it's just a movie.

383
00:19:36,640 --> 00:19:39,920
Speaker 2: I kind of would go to that speech to try

384
00:19:39,920 --> 00:19:45,600
Speaker 2: to avoid further drama. Didn't always work, didn't always work.

385
00:19:45,640 --> 00:19:48,560
Speaker 2: So but that kind of cookiness. I don't know how

386
00:19:48,600 --> 00:19:50,280
Speaker 2: many women have done that to you. I don't have

387
00:19:50,320 --> 00:19:52,320
Speaker 2: many method women. You've dealt with.

388
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Speaker 5: A couple, right, women.

389
00:19:57,560 --> 00:20:02,600
Speaker 4: Yes, more women than men, girl, Women are harder, I mean, yeah,

390
00:20:02,600 --> 00:20:04,719
Speaker 4: I've had more more caddy.

391
00:20:04,920 --> 00:20:05,120
Speaker 2: Yeah.

392
00:20:05,160 --> 00:20:07,040
Speaker 4: I mean I grew up, like I said, like, you know,

393
00:20:07,119 --> 00:20:10,000
Speaker 4: I've you know, grew up in Brooklyn, like Irish Catholic,

394
00:20:10,080 --> 00:20:12,600
Speaker 4: working class, like always like a guy's girl, you know

395
00:20:12,640 --> 00:20:16,000
Speaker 4: what I mean, Like just grew up. I didn't grow

396
00:20:16,080 --> 00:20:20,280
Speaker 4: up with any sort of pomp or nobody was an artist,

397
00:20:20,400 --> 00:20:21,840
Speaker 4: you know what I mean. My family are cops and

398
00:20:21,880 --> 00:20:25,120
Speaker 4: firemen and fucking garbagemen and and so I never had

399
00:20:25,119 --> 00:20:28,919
Speaker 4: that attitude ever, so so coming coming to getting in

400
00:20:28,960 --> 00:20:32,600
Speaker 4: this business. When I came to LA, was was kind

401
00:20:32,640 --> 00:20:35,960
Speaker 4: of a shock with with all the like you know, all.

402
00:20:35,800 --> 00:20:38,919
Speaker 5: Just all the all the all the way variety. Yeah,

403
00:20:39,000 --> 00:20:42,000
Speaker 5: and and you know, I modeled for a minute.

404
00:20:42,000 --> 00:20:44,800
Speaker 4: I was not nowhere near as successful as your you know,

405
00:20:44,840 --> 00:20:46,240
Speaker 4: but I was always kind of like, all right, I

406
00:20:46,280 --> 00:20:48,359
Speaker 4: don't know, Okay, I know, you know they're gonna pay me.

407
00:20:48,400 --> 00:20:51,040
Speaker 4: But I always wanted to act, and but I was

408
00:20:51,119 --> 00:20:53,680
Speaker 4: never like a girly girl. So so when you get

409
00:20:53,680 --> 00:20:56,000
Speaker 4: into the business and then you meet all these women

410
00:20:56,040 --> 00:21:01,200
Speaker 4: that are so aggressively caddy and aggressively, I just didn't

411
00:21:01,200 --> 00:21:03,359
Speaker 4: grow up like that. I just grew up with normal,

412
00:21:03,400 --> 00:21:06,840
Speaker 4: regular people in flat Bush. So I wasn't prepared. I

413
00:21:06,880 --> 00:21:07,680
Speaker 4: wasn't prepared.

414
00:21:07,800 --> 00:21:10,520
Speaker 2: I can only imagine behind the scenes a few times

415
00:21:10,520 --> 00:21:12,879
Speaker 2: with this one no where she just looked at her

416
00:21:12,920 --> 00:21:16,000
Speaker 2: confused seriously because they're trying to instigate her, and it's

417
00:21:16,040 --> 00:21:17,800
Speaker 2: like it's not until like you put your hands on

418
00:21:17,800 --> 00:21:19,280
Speaker 2: her that that person's going to figure out.

419
00:21:19,320 --> 00:21:21,960
Speaker 4: Like what I've had some I've had some bad argument.

420
00:21:22,000 --> 00:21:23,840
Speaker 4: I've had some like what the are you doing? What

421
00:21:23,880 --> 00:21:26,040
Speaker 4: the you're talking about with girl? And like been talked

422
00:21:26,040 --> 00:21:28,080
Speaker 4: to and been like you know you got you can't

423
00:21:28,119 --> 00:21:30,199
Speaker 4: talk like that, and I'm like why not, Like you know,

424
00:21:30,200 --> 00:21:33,119
Speaker 4: I had to learn, oh, you can't talk like this,

425
00:21:33,240 --> 00:21:35,080
Speaker 4: And because I just grew up in a family probably

426
00:21:35,080 --> 00:21:36,920
Speaker 4: like yours, where it was like it was like.

427
00:21:36,960 --> 00:21:39,320
Speaker 2: I'm still learning Bonnie.

428
00:21:38,720 --> 00:21:39,919
Speaker 5: To talk to my husband.

429
00:21:39,960 --> 00:21:42,439
Speaker 4: Oh my god, he'll tell you, like I'm still learning,

430
00:21:42,520 --> 00:21:44,639
Speaker 4: Like you can't just say whatever you want, you can't

431
00:21:44,680 --> 00:21:47,199
Speaker 4: just pop off. But my mother, who was here two

432
00:21:47,240 --> 00:21:50,439
Speaker 4: ways ago, you know, we pop off together, you know

433
00:21:50,480 --> 00:21:52,439
Speaker 4: what I mean, like we just you know, it's like

434
00:21:52,480 --> 00:21:55,160
Speaker 4: we we just do. And my husband's like, oh god,

435
00:21:55,280 --> 00:21:57,800
Speaker 4: you can't say that. You just can't say that out

436
00:21:57,840 --> 00:22:01,000
Speaker 4: loud in front of my and so I am still.

437
00:22:00,800 --> 00:22:02,800
Speaker 2: Where were your canters? What was going on?

438
00:22:03,440 --> 00:22:07,440
Speaker 5: Just at home? Jerry's Jerry's Delli? No, just at home,

439
00:22:07,880 --> 00:22:08,760
Speaker 5: I mean the whole Yeah.

440
00:22:08,960 --> 00:22:13,200
Speaker 2: Would she make? Who your mom?

441
00:22:13,280 --> 00:22:13,920
Speaker 5: What'd she make?

442
00:22:14,200 --> 00:22:15,520
Speaker 2: What does she cook while she was here?

443
00:22:15,600 --> 00:22:18,200
Speaker 5: My mom? Oh god, no, she's never cooked life. No,

444
00:22:18,359 --> 00:22:19,520
Speaker 5: never never cooked for me.

445
00:22:20,359 --> 00:22:20,560
Speaker 4: Never.

446
00:22:20,840 --> 00:22:22,040
Speaker 5: My dad left when I was a kid.

447
00:22:22,040 --> 00:22:24,560
Speaker 4: We moved in with my grandmother, my grandparents, who had

448
00:22:24,600 --> 00:22:25,359
Speaker 4: seven at home.

449
00:22:25,680 --> 00:22:27,879
Speaker 5: My mom worked. My mom doesn't even know how to

450
00:22:27,880 --> 00:22:30,440
Speaker 5: boil an egg. Seriously, she cooks for the dog. I'm

451
00:22:30,440 --> 00:22:30,959
Speaker 5: not joking.

452
00:22:31,400 --> 00:22:35,640
Speaker 4: She makes her dog homemade dinner every night, not herself.

453
00:22:36,000 --> 00:22:37,320
Speaker 5: No, never cook for me a dinner.

454
00:22:37,320 --> 00:22:39,760
Speaker 4: Life. Love her to death, mom, But you know my

455
00:22:39,800 --> 00:22:42,000
Speaker 4: mom's she always says, my version of cooking is.

456
00:22:42,200 --> 00:22:44,120
Speaker 5: Hello, what do you want?

457
00:22:44,520 --> 00:22:45,280
Speaker 2: Does she really?

458
00:22:46,040 --> 00:22:48,240
Speaker 5: She doesn't go every night, but she'll pay.

459
00:22:48,480 --> 00:22:50,280
Speaker 2: She'll so. Now she is a supposed to man.

460
00:22:50,359 --> 00:22:53,639
Speaker 4: She's very generous and she will order you whatever you like.

461
00:22:53,920 --> 00:22:55,080
Speaker 2: Does she like grub Hub?

462
00:22:55,240 --> 00:22:57,879
Speaker 4: Oh yeah, well everything she has everything, she does everything,

463
00:22:58,040 --> 00:23:00,720
Speaker 4: she has the meals. I mean, she's amazing. But no,

464
00:23:00,840 --> 00:23:02,800
Speaker 4: she never cooked. But my grandmother cooked.

465
00:23:02,920 --> 00:23:04,800
Speaker 2: So your mother's mother cooks.

466
00:23:04,560 --> 00:23:05,680
Speaker 5: Yes, well she did?

467
00:23:05,840 --> 00:23:10,280
Speaker 2: She passing away. That's the onion. I want appeal for

468
00:23:10,320 --> 00:23:14,400
Speaker 2: a second here on one bad movie. The entree into

469
00:23:14,440 --> 00:23:17,480
Speaker 2: the conversation is bad movies. What is great? What is

470
00:23:17,520 --> 00:23:19,000
Speaker 2: grandmother like to cook?

471
00:23:19,040 --> 00:23:19,880
Speaker 5: I'm curious dead?

472
00:23:20,359 --> 00:23:21,320
Speaker 2: What did she like to cook?

473
00:23:21,720 --> 00:23:22,359
Speaker 5: From the grave?

474
00:23:22,880 --> 00:23:24,080
Speaker 2: You never chased the food?

475
00:23:24,480 --> 00:23:27,800
Speaker 5: You know she's she cooked horribly. She was irish. She

476
00:23:27,960 --> 00:23:29,800
Speaker 5: was a horrible cook. I love you, Grandma.

477
00:23:30,160 --> 00:23:33,240
Speaker 4: She would cook meat and potatoes, maybe a boiled broccoli

478
00:23:33,240 --> 00:23:35,440
Speaker 4: that you couldn't even eat every night.

479
00:23:35,560 --> 00:23:36,399
Speaker 5: It was not good.

480
00:23:36,480 --> 00:23:39,120
Speaker 4: And she's had seven kids living at home when we

481
00:23:39,160 --> 00:23:41,959
Speaker 4: moved in. I loved her, but she was the worst

482
00:23:41,960 --> 00:23:43,040
Speaker 4: cook on the planet.

483
00:23:45,040 --> 00:23:47,879
Speaker 2: Can I give you an amazing idea? You should do

484
00:23:47,920 --> 00:23:52,480
Speaker 2: a cookbook about your family? Horrible the cooks were that's

485
00:23:52,520 --> 00:23:57,200
Speaker 2: a great idea idea great grandma. Would you know not

486
00:23:57,280 --> 00:23:57,680
Speaker 2: a cook?

487
00:23:58,080 --> 00:24:00,760
Speaker 5: Don't I I cook? I'm a great cook.

488
00:24:00,800 --> 00:24:03,960
Speaker 4: I make a great chicken parmagan all right, I do

489
00:24:04,080 --> 00:24:07,639
Speaker 4: some good Italian food. I'm a very good cook. I

490
00:24:07,800 --> 00:24:09,760
Speaker 4: like to cook because nobody cooks for me.

491
00:24:09,800 --> 00:24:14,960
Speaker 2: Well, here's the funny thing. John is chefy. He's gonna.

492
00:24:15,160 --> 00:24:19,119
Speaker 2: He's not a chef, but he's chefy. James is a chef.

493
00:24:19,680 --> 00:24:21,960
Speaker 2: Are you did you know James is a chef? Oh,

494
00:24:22,040 --> 00:24:27,960
Speaker 2: James is a chef. James makes desserts. You would stab

495
00:24:28,080 --> 00:24:28,760
Speaker 2: people see that.

496
00:24:28,840 --> 00:24:30,040
Speaker 5: I don't do I don't know how to do.

497
00:24:30,280 --> 00:24:33,840
Speaker 2: No, no, no, he's if you you know his Instagram pages

498
00:24:34,359 --> 00:24:41,159
Speaker 2: cook like James the food. No no, no, I'm getting hungry.

499
00:24:41,720 --> 00:24:43,440
Speaker 5: When am I getting invited over.

500
00:24:50,320 --> 00:24:53,000
Speaker 2: A p e q u a bro? Forget about it.

501
00:24:53,119 --> 00:24:57,320
Speaker 4: I love that we're both like Irish, but because because

502
00:24:57,320 --> 00:24:59,600
Speaker 4: we're from Long Island and Brooklyn, we still think.

503
00:24:59,440 --> 00:25:01,080
Speaker 2: We get one of my sisters.

504
00:25:01,119 --> 00:25:04,000
Speaker 5: We get the past to do this, we always do completely.

505
00:25:04,600 --> 00:25:05,800
Speaker 5: We get a pass of question.

506
00:25:05,920 --> 00:25:08,679
Speaker 4: Yeah. My Italian friends would always bust my balls and go,

507
00:25:09,040 --> 00:25:10,560
Speaker 4: you're not even Italian to be like, yeah, but I've

508
00:25:10,600 --> 00:25:11,160
Speaker 4: a flappish.

509
00:25:11,240 --> 00:25:13,119
Speaker 5: I could do what I want, you know what I mean.

510
00:25:14,960 --> 00:25:17,960
Speaker 4: Like, I could talk like this if I want what

511
00:25:18,000 --> 00:25:18,360
Speaker 4: part of.

512
00:25:18,280 --> 00:25:21,080
Speaker 5: Long Island by the way, mass Peak, massive Peak.

513
00:25:21,200 --> 00:25:24,080
Speaker 4: Oh, then you really get the pass and you really

514
00:25:24,119 --> 00:25:25,040
Speaker 4: get the pass.

515
00:25:25,280 --> 00:25:25,480
Speaker 2: Well.

516
00:25:25,880 --> 00:25:27,840
Speaker 5: One of my first boyfriends was from mass Peak.

517
00:25:27,840 --> 00:25:31,000
Speaker 2: By the way, Oh adorable. A lot of honkey and

518
00:25:31,119 --> 00:25:36,000
Speaker 2: ice came out of mass Speak. Jerry. Sorry, I shouldn't

519
00:25:36,040 --> 00:25:38,119
Speaker 2: have said that. Yeah, but like you know, that's my

520
00:25:38,240 --> 00:25:41,440
Speaker 2: sense of humor. Get it. I'll call Jerry honky.

521
00:25:42,880 --> 00:25:43,680
Speaker 5: Mass a Pequa.

522
00:25:44,960 --> 00:25:49,800
Speaker 2: That's amazing, I mean, but that's where I'm from. They

523
00:25:49,920 --> 00:25:53,160
Speaker 2: used to call. I might get corrected for this later,

524
00:25:53,240 --> 00:25:59,919
Speaker 2: we'll see from the pilant gallery. Uh. But Massapequa was

525
00:26:00,119 --> 00:26:04,199
Speaker 2: mostly Jewish folks and Italians. So a nickname when you

526
00:26:04,200 --> 00:26:06,160
Speaker 2: were in the hood was Matza.

527
00:26:05,920 --> 00:26:07,320
Speaker 5: Pizza, Matza Pizza.

528
00:26:07,359 --> 00:26:12,000
Speaker 4: I've heard that, Like, actually, I haven't heard that in forever.

529
00:26:12,880 --> 00:26:17,760
Speaker 2: Right, And and when you describe some of that Brooklyn

530
00:26:17,840 --> 00:26:21,120
Speaker 2: Y kind of stuff, especially if you say cops and firemen.

531
00:26:21,560 --> 00:26:26,960
Speaker 2: One of my sister's ex husbands, the whole family was

532
00:26:27,000 --> 00:26:31,000
Speaker 2: fireman's on uh, on the massapeakle park side, on the

533
00:26:31,000 --> 00:26:33,439
Speaker 2: other side of the tracks. So I was in the

534
00:26:33,440 --> 00:26:36,200
Speaker 2: Massapeaker that it was down by Maspeka High School, which

535
00:26:36,200 --> 00:26:39,800
Speaker 2: was near the Great South Bay, the south shore of

536
00:26:39,880 --> 00:26:44,840
Speaker 2: Long Island. Uh and uh just one of the most

537
00:26:44,880 --> 00:26:45,920
Speaker 2: coolest places.

538
00:26:45,600 --> 00:26:46,040
Speaker 1: To grow up.

539
00:26:46,520 --> 00:26:53,600
Speaker 2: Very very rural, rural, forgive me very uh just Friday

540
00:26:53,680 --> 00:26:54,480
Speaker 2: night lights as.

541
00:26:54,359 --> 00:26:57,159
Speaker 4: Well, just down to earth real. That's how I grew up.

542
00:26:57,200 --> 00:26:58,680
Speaker 4: I wouldn't trade it, honestly.

543
00:26:58,880 --> 00:27:00,199
Speaker 2: Well, I just grew up with a lot of uh

544
00:27:00,600 --> 00:27:04,399
Speaker 2: folks like you, bunny. That's the truth. That's the not

545
00:27:04,720 --> 00:27:04,960
Speaker 2: like me.

546
00:27:05,160 --> 00:27:08,000
Speaker 5: There's nothing like me. First of all. No, there's nobody

547
00:27:08,119 --> 00:27:09,520
Speaker 5: like me. I'm kidding.

548
00:27:11,400 --> 00:27:20,760
Speaker 2: Same attitude, Well, same attitude. You haven't. You haven't stamped

549
00:27:20,800 --> 00:27:21,520
Speaker 2: one thing here?

550
00:27:21,840 --> 00:27:26,800
Speaker 5: Which one worst movie? Bad movie? Another bad movie?

551
00:27:27,440 --> 00:27:28,920
Speaker 2: Oh god, I didn't say it word.

552
00:27:29,000 --> 00:27:29,840
Speaker 5: I've had so many.

553
00:27:31,320 --> 00:27:35,800
Speaker 2: Give me one you can talk about. Then nobody got whacked. Okay,

554
00:27:36,400 --> 00:27:37,040
Speaker 2: I'm scared.

555
00:27:37,480 --> 00:27:39,640
Speaker 5: My husband said, don't name any names.

556
00:27:40,119 --> 00:27:43,280
Speaker 2: No, he's right. You can name a movie that was.

557
00:27:43,280 --> 00:27:44,040
Speaker 5: Oh yeah, I did.

558
00:27:44,240 --> 00:27:46,520
Speaker 4: Okay, I did a horror movie, my only horror movie

559
00:27:46,560 --> 00:27:50,960
Speaker 4: I ever did called it was called seven Below. Don't

560
00:27:50,960 --> 00:27:53,159
Speaker 4: tell me you don't know what that movie is. No,

561
00:27:53,240 --> 00:27:55,359
Speaker 4: you don't, No, you don't stop.

562
00:27:55,119 --> 00:28:00,240
Speaker 2: It John, you know seven below, what's it about? What's

563
00:28:00,240 --> 00:28:00,639
Speaker 2: it about?

564
00:28:01,600 --> 00:28:02,639
Speaker 5: I can't even tell you.

565
00:28:02,680 --> 00:28:03,280
Speaker 2: I was.

566
00:28:03,600 --> 00:28:05,960
Speaker 5: I still don't even know, I swear to God. Even

567
00:28:06,000 --> 00:28:08,280
Speaker 5: when I was there, I didn't. We're after a group

568
00:28:08,359 --> 00:28:09,960
Speaker 5: start a ghost.

569
00:28:09,760 --> 00:28:14,960
Speaker 4: Story, seven people that get pulled over, getting an accident,

570
00:28:15,640 --> 00:28:18,159
Speaker 4: and we ended up going to this house that was

571
00:28:18,240 --> 00:28:19,800
Speaker 4: haunted and.

572
00:28:19,840 --> 00:28:21,040
Speaker 5: We're all strangers.

573
00:28:21,040 --> 00:28:24,120
Speaker 4: Everybody gets an accident and you get there and it's

574
00:28:24,280 --> 00:28:26,679
Speaker 4: a house that was haunted for two hundred years.

575
00:28:27,480 --> 00:28:31,439
Speaker 5: It was so bad. Even when you turn the zombies,

576
00:28:32,119 --> 00:28:33,160
Speaker 5: you know, we all get killed.

577
00:28:33,440 --> 00:28:36,399
Speaker 4: But but but but but it was so bad reading it.

578
00:28:36,440 --> 00:28:38,320
Speaker 4: But I wasn't working at the time. And again it

579
00:28:38,400 --> 00:28:40,320
Speaker 4: was like, oh, I want to do a horror movie.

580
00:28:40,400 --> 00:28:42,880
Speaker 5: Always wanted to do a horror movie, right, you know what? Okay,

581
00:28:42,920 --> 00:28:43,320
Speaker 5: fine one?

582
00:28:43,360 --> 00:28:47,160
Speaker 2: So then what happened? You got there? The makeup artist was,

583
00:28:47,240 --> 00:28:50,040
Speaker 2: oh it was. The director was a mook.

584
00:28:51,040 --> 00:28:55,760
Speaker 5: Look, it was an absolute it was it was. It

585
00:28:55,800 --> 00:28:56,440
Speaker 5: was a good show.

586
00:28:56,880 --> 00:28:59,840
Speaker 4: I mean, I mean one of the actors was welcome

587
00:28:59,880 --> 00:29:01,600
Speaker 4: to seven blow show.

588
00:29:01,720 --> 00:29:02,440
Speaker 5: One of the actors.

589
00:29:02,480 --> 00:29:03,160
Speaker 2: Ladies and Gentlemen.

590
00:29:03,320 --> 00:29:03,760
Speaker 5: One of the.

591
00:29:03,680 --> 00:29:06,440
Speaker 4: Actors was drunk most of the time while we were

592
00:29:06,440 --> 00:29:09,880
Speaker 4: shooting to the point where it was so obvious that

593
00:29:09,920 --> 00:29:14,080
Speaker 4: we couldn't even you couldn't even like continue a conversation,

594
00:29:14,120 --> 00:29:16,120
Speaker 4: which I'm not you know.

595
00:29:16,280 --> 00:29:18,560
Speaker 2: I've had it. I have a story about that I'll

596
00:29:18,600 --> 00:29:21,800
Speaker 2: never be able to tell. That's mind blowing. Please, I'm

597
00:29:21,800 --> 00:29:23,680
Speaker 2: sure yours, though somebody showed up waste.

598
00:29:23,800 --> 00:29:26,280
Speaker 4: I'm sure your stories, though, are people of like a

599
00:29:26,320 --> 00:29:28,640
Speaker 4: super higher caliber. I mean, I'm talking about somebody who

600
00:29:28,680 --> 00:29:31,760
Speaker 4: never even Like if you think you never worked before

601
00:29:31,760 --> 00:29:33,920
Speaker 4: and you have the balls to do that, it's like

602
00:29:34,120 --> 00:29:36,600
Speaker 4: if you're like I always say, like my acting coach

603
00:29:36,680 --> 00:29:39,480
Speaker 4: used to say years ago, like if you're a denier,

604
00:29:39,560 --> 00:29:42,000
Speaker 4: if you're like an you know, unbelievable actor, all right,

605
00:29:42,040 --> 00:29:43,400
Speaker 4: maybe you can get away weaving asshole.

606
00:29:43,800 --> 00:29:45,960
Speaker 5: But if you're like literally like a no way, it

607
00:29:46,080 --> 00:29:49,440
Speaker 5: never works. Like who what are you doing? What are

608
00:29:49,480 --> 00:29:51,120
Speaker 5: you doing? Look at me again with the hands? I

609
00:29:51,120 --> 00:29:53,680
Speaker 5: don't know. I'm massive pequent now. But there was that.

610
00:29:53,960 --> 00:29:56,040
Speaker 5: Then there was somebody else that didn't show up to set.

611
00:29:56,240 --> 00:29:57,680
Speaker 5: Then there was and these.

612
00:29:57,480 --> 00:30:00,800
Speaker 2: Were just again in your you know, sphere of of psyche.

613
00:30:01,280 --> 00:30:05,680
Speaker 2: It was just a low budget. These were very low budget.

614
00:30:06,240 --> 00:30:08,520
Speaker 4: And then there was one very famous person who had

615
00:30:08,520 --> 00:30:13,160
Speaker 4: a very small part. I don't that that that that

616
00:30:13,720 --> 00:30:16,040
Speaker 4: The reason why I did the movie was because I

617
00:30:16,080 --> 00:30:17,840
Speaker 4: found out that he was going to be in it.

618
00:30:18,320 --> 00:30:20,960
Speaker 6: And I was like, holy, you don't say he don't

619
00:30:20,960 --> 00:30:22,800
Speaker 6: say he no more clues.

620
00:30:23,920 --> 00:30:26,960
Speaker 2: You already said something blood, It doesn't matter. It's it's

621
00:30:27,000 --> 00:30:27,840
Speaker 2: a poo poo movie.

622
00:30:27,960 --> 00:30:31,880
Speaker 5: Person wouldn't right here. The person showed up and would

623
00:30:31,880 --> 00:30:34,000
Speaker 5: only I did.

624
00:30:33,880 --> 00:30:38,760
Speaker 4: All of my uh my scenes I read with a

625
00:30:38,800 --> 00:30:42,600
Speaker 4: stand in or somebody else and that, and that person

626
00:30:42,600 --> 00:30:44,440
Speaker 4: showed up and only worked for a couple of days

627
00:30:44,480 --> 00:30:48,560
Speaker 4: and then and then uh and then left. So all

628
00:30:48,600 --> 00:30:51,560
Speaker 4: of my stuff was like me reading to like you.

629
00:30:51,520 --> 00:30:55,120
Speaker 2: Know, because the most number one on the call sheet

630
00:30:55,600 --> 00:30:57,800
Speaker 2: right only there for.

631
00:30:57,760 --> 00:31:01,360
Speaker 4: A day, right by the way, I have to say,

632
00:31:01,560 --> 00:31:04,680
Speaker 4: but so powerful, I have to say though, was actually

633
00:31:05,040 --> 00:31:08,600
Speaker 4: as far as like off the set was such a

634
00:31:09,000 --> 00:31:15,320
Speaker 4: lovely nice, actually like surprisingly cool nice person that it

635
00:31:15,400 --> 00:31:17,360
Speaker 4: was so surprising, you know what I mean when when

636
00:31:17,400 --> 00:31:18,960
Speaker 4: they said, like, you know, he's kind of fly in,

637
00:31:19,080 --> 00:31:20,840
Speaker 4: fly out, but he's not going to do this, you

638
00:31:20,880 --> 00:31:23,440
Speaker 4: know you So when it was like cut and he

639
00:31:23,520 --> 00:31:25,760
Speaker 4: was like actually having tea and being cool, I was like,

640
00:31:25,800 --> 00:31:27,040
Speaker 4: well this it just didn't.

641
00:31:27,320 --> 00:31:27,960
Speaker 5: It just didn't.

642
00:31:28,560 --> 00:31:30,720
Speaker 4: It was like, wait, but you're really you're really being

643
00:31:30,800 --> 00:31:33,000
Speaker 4: nice and lovely and like you know what I mean,

644
00:31:33,080 --> 00:31:35,400
Speaker 4: Like it was just bizarre. Again, these are things that

645
00:31:35,440 --> 00:31:38,760
Speaker 4: are like it just ruins the experience when you're.

646
00:31:39,000 --> 00:31:42,080
Speaker 2: Like it was design or nice. Yeah, yeah, I was

647
00:31:42,160 --> 00:31:44,360
Speaker 2: kind of here I'm doing this and because this is

648
00:31:44,400 --> 00:31:46,520
Speaker 2: my time, but over here I was doing this because

649
00:31:47,000 --> 00:31:49,400
Speaker 2: this is my time. Yeah, it was kind Did anybody

650
00:31:49,520 --> 00:31:54,160
Speaker 2: warn you? Did anybody go yeah, yeah, before this request

651
00:31:54,280 --> 00:31:57,160
Speaker 2: was made, did they say, hey, yeah, this dude won't

652
00:31:57,160 --> 00:31:58,640
Speaker 2: be there for your off camera.

653
00:31:58,640 --> 00:32:01,040
Speaker 5: No, no, no, no, oh no before that right now,

654
00:32:01,160 --> 00:32:01,440
Speaker 5: I just.

655
00:32:01,400 --> 00:32:04,840
Speaker 2: Did his coverage, right, and they turned to you and said,

656
00:32:04,880 --> 00:32:06,000
Speaker 2: look at this broomstick.

657
00:32:06,080 --> 00:32:07,959
Speaker 4: And that never happened to me before. And I know

658
00:32:08,080 --> 00:32:10,800
Speaker 4: I wrote a few you've probably had this.

659
00:32:10,800 --> 00:32:12,760
Speaker 2: Though rough out there, Barney, very rough.

660
00:32:13,000 --> 00:32:14,920
Speaker 5: It's very rough, the rough rough seas.

661
00:32:15,600 --> 00:32:17,800
Speaker 4: But you've probably had this. You know, some people won't

662
00:32:18,080 --> 00:32:20,680
Speaker 4: stay for their coverage. And like I've done a lot

663
00:32:20,760 --> 00:32:24,320
Speaker 4: of television and that's so common that some people they

664
00:32:24,480 --> 00:32:27,560
Speaker 4: they like they want to hard out and I've just

665
00:32:27,680 --> 00:32:29,640
Speaker 4: never been able to do that, Like, you know, even

666
00:32:29,640 --> 00:32:31,800
Speaker 4: when I've been the leader I just can't do that

667
00:32:31,840 --> 00:32:32,680
Speaker 4: to a young actor.

668
00:32:32,800 --> 00:32:37,000
Speaker 2: Was that a long time ago, not so long, within

669
00:32:37,040 --> 00:32:44,520
Speaker 2: the last fifteen years, yes, yes, right, so that's said. Yeah,

670
00:32:45,320 --> 00:32:48,200
Speaker 2: I think the industry has changed a lot. A lot

671
00:32:48,240 --> 00:32:50,440
Speaker 2: of that crap is because of production. A lot of

672
00:32:50,440 --> 00:32:54,440
Speaker 2: that is, oh, here's this above the line amount we

673
00:32:54,520 --> 00:32:56,840
Speaker 2: have to bring this guy in for one or two days. Yeah,

674
00:32:57,680 --> 00:33:02,600
Speaker 2: and how that gets cheaped production wise, you know, and

675
00:33:02,920 --> 00:33:04,960
Speaker 2: how they save the money in locations and move it

676
00:33:05,000 --> 00:33:08,680
Speaker 2: around and pay everybody. But la, It's just it's a

677
00:33:08,680 --> 00:33:13,480
Speaker 2: weird kind of necessary evil in that world. But it

678
00:33:13,520 --> 00:33:15,720
Speaker 2: doesn't change that it makes some people feel like crack.

679
00:33:16,280 --> 00:33:19,560
Speaker 4: Yes, it's I've had so many people on shows they

680
00:33:19,600 --> 00:33:22,040
Speaker 4: don't do they want to leave, and I just have

681
00:33:22,160 --> 00:33:25,120
Speaker 4: never had, you know, producers have been like, do you

682
00:33:25,200 --> 00:33:26,720
Speaker 4: want to go? You know you can go, and I've

683
00:33:26,760 --> 00:33:29,080
Speaker 4: just never unless it's like look, but of course, if

684
00:33:29,120 --> 00:33:31,400
Speaker 4: it's like you know, on a series, sometimes you're like

685
00:33:31,440 --> 00:33:34,480
Speaker 4: fourteen hours in, you know, you're exhausted. But I always

686
00:33:34,960 --> 00:33:38,280
Speaker 4: try to just be there because I just remember those

687
00:33:38,320 --> 00:33:41,400
Speaker 4: feelings of like you're not even gonna stay.

688
00:33:41,800 --> 00:33:44,160
Speaker 5: No, no, I mean, oh yeah, you know, if you

689
00:33:44,240 --> 00:33:46,040
Speaker 5: really got to go, I get it, but just to

690
00:33:46,080 --> 00:33:48,280
Speaker 5: be like, no, I'm out, I got to dinner, like

691
00:33:48,320 --> 00:33:48,760
Speaker 5: I gotta go.

692
00:33:48,960 --> 00:33:51,480
Speaker 2: And then there was the occasional they sat in their

693
00:33:51,560 --> 00:33:54,720
Speaker 2: chair in video village. Yeah, you yelled their line.

694
00:33:54,840 --> 00:33:59,520
Speaker 5: Yes, that's the worst weird, right, that's so weird.

695
00:33:59,640 --> 00:34:04,640
Speaker 2: Well yeah, yeah, that's why we're brilliant, Bonnie.

696
00:34:04,880 --> 00:34:09,920
Speaker 5: We are, right, Riant. I want to know your worst.

697
00:34:10,440 --> 00:34:15,360
Speaker 2: Oh gosh, oh see the kids met.

698
00:34:15,360 --> 00:34:16,640
Speaker 5: I want to know your absolutely.

699
00:34:16,760 --> 00:34:20,360
Speaker 2: I think my worst is uh uh, I think my

700
00:34:20,480 --> 00:34:24,920
Speaker 2: worst is uh that Hearty's thing? What is it called

701
00:34:26,640 --> 00:34:31,719
Speaker 2: Bonnie stan Lee's harp See how it started? Just like

702
00:34:31,800 --> 00:34:34,719
Speaker 2: see what he said, stan Lee? Right, stan Lee, you're

703
00:34:34,760 --> 00:34:39,400
Speaker 2: thinking stan Lee, they got like a comic con is

704
00:34:39,440 --> 00:34:41,960
Speaker 2: after this guy. Right, it would have happened if it

705
00:34:42,000 --> 00:34:44,440
Speaker 2: wasn't for stan Lee. Right, it's it's got to be

706
00:34:44,560 --> 00:34:48,600
Speaker 2: a decent picture. I think we shot in Bulgaria, which

707
00:34:48,760 --> 00:34:52,319
Speaker 2: was another kind of red flag. It was called Harpy's

708
00:34:52,400 --> 00:34:57,000
Speaker 2: shooting in Bulgaria two strikes, right, And then there was

709
00:34:57,120 --> 00:34:58,440
Speaker 2: how much are they going to pay me? And I

710
00:34:58,480 --> 00:35:02,880
Speaker 2: went when do we leave? Right? Which is terrible? That's terrible.

711
00:35:02,960 --> 00:35:05,719
Speaker 2: So some for some actors, bad movies come out of

712
00:35:05,800 --> 00:35:10,880
Speaker 2: just you know, money, financial horedom, of course, because my

713
00:35:11,000 --> 00:35:14,440
Speaker 2: dad made twenty six grand and raised six kids. So

714
00:35:15,360 --> 00:35:18,000
Speaker 2: dilio is, you want to bring me over to Bulgaria

715
00:35:18,000 --> 00:35:19,640
Speaker 2: at a certain point in my career and give me

716
00:35:20,120 --> 00:35:26,239
Speaker 2: X which was twenty five thousand is three zeros? So

717
00:35:26,280 --> 00:35:30,000
Speaker 2: do you add one zero to two fifty ahead? Can

718
00:35:30,040 --> 00:35:32,800
Speaker 2: I ask your husband? So one more zero makes two fifty.

719
00:35:32,840 --> 00:35:36,080
Speaker 2: So imagine being offered two to fifty thousand dollars, holy shit,

720
00:35:36,320 --> 00:35:37,480
Speaker 2: to go shoot in Bulgaria.

721
00:35:38,080 --> 00:35:38,839
Speaker 5: What year was this.

722
00:35:40,440 --> 00:35:41,160
Speaker 2: In the nineties?

723
00:35:41,200 --> 00:35:44,200
Speaker 5: That's a lot that then, sure it was. That's a lot.

724
00:35:44,280 --> 00:35:49,759
Speaker 2: Now I'll take it, yeah, and and and right two

725
00:35:49,800 --> 00:35:53,480
Speaker 2: thousand and seven. Sometimes back then, I'll take.

726
00:35:53,360 --> 00:35:56,040
Speaker 5: Two hundred thousand dollars right now.

727
00:35:56,200 --> 00:36:01,799
Speaker 2: Praise amen, Amen. So blessings, blessings, blessings. My point, My

728
00:36:01,880 --> 00:36:05,160
Speaker 2: point is I did a lot of that sort of

729
00:36:05,200 --> 00:36:09,200
Speaker 2: I did one hundred movies. When we were starting this,

730
00:36:11,280 --> 00:36:15,560
Speaker 2: literally in a conversation with the guys, I was like, yeah, man,

731
00:36:15,600 --> 00:36:17,600
Speaker 2: I did one hundred movies. And you know that's a

732
00:36:18,600 --> 00:36:22,759
Speaker 2: that one with Amos Poe bad movie. Uh, that one

733
00:36:22,800 --> 00:36:25,920
Speaker 2: about the shark that's swimming around in the canals of

734
00:36:25,960 --> 00:36:29,400
Speaker 2: Venice said Italy, that was a bad one. You know what,

735
00:36:29,440 --> 00:36:33,799
Speaker 2: It's called Sharks in Venice. See how easy it is

736
00:36:33,840 --> 00:36:36,560
Speaker 2: to have a bad movie. That is not my fault.

737
00:36:36,560 --> 00:36:40,480
Speaker 2: It's not that also shot in Bulgaria, so I've been

738
00:36:40,520 --> 00:36:45,120
Speaker 2: to Bulgaria. But I'm but I thought in my one

739
00:36:45,200 --> 00:36:51,680
Speaker 2: hundred films, ish ness whatever, I had like seven eight

740
00:36:51,920 --> 00:36:57,279
Speaker 2: nine seventy nine quote unquote heart Sharks in Venice, which

741
00:36:57,280 --> 00:36:59,399
Speaker 2: Sharks and Venice is actually a lovely film. There's another

742
00:36:59,440 --> 00:37:02,920
Speaker 2: one another called earth Storm, and I think they're both

743
00:37:03,000 --> 00:37:05,520
Speaker 2: kind of cute if you're into that creepy sci fi,

744
00:37:06,040 --> 00:37:08,520
Speaker 2: you know. I mean, I I what's my line, John,

745
00:37:08,560 --> 00:37:11,760
Speaker 2: I say, I'm just a construction worker. I'm not a scientist.

746
00:37:11,880 --> 00:37:14,400
Speaker 2: Damn it, Like what do I say this?

747
00:37:14,560 --> 00:37:17,600
Speaker 5: It's not like what is that they.

748
00:37:17,440 --> 00:37:22,560
Speaker 2: Bring me in because I'm like, I'm a demolition expert

749
00:37:23,280 --> 00:37:26,680
Speaker 2: that knows how to blow up large objects. And there's

750
00:37:26,719 --> 00:37:32,600
Speaker 2: a meteorite coming towards Earth or the Moon's no, so

751
00:37:32,680 --> 00:37:36,719
Speaker 2: the moons? What is is the Moon's cracking? And can

752
00:37:36,760 --> 00:37:40,160
Speaker 2: I send a like some kind of fireballed you CAUs

753
00:37:40,200 --> 00:37:41,960
Speaker 2: you tell I didn't read the script. I'm just kidding,

754
00:37:42,160 --> 00:37:44,319
Speaker 2: but I'm supposed to do some demolition work on a

755
00:37:44,360 --> 00:37:47,400
Speaker 2: planet that's cracking in order to save the planet. And

756
00:37:47,440 --> 00:37:52,080
Speaker 2: it's called earth Storm, And my hair looked a lot

757
00:37:52,280 --> 00:38:00,480
Speaker 2: like this just because I'm not scared. Okay, So now

758
00:38:00,520 --> 00:38:04,680
Speaker 2: we're reflecting on those point being is literally it turned

759
00:38:04,680 --> 00:38:09,800
Speaker 2: out that my my bad movie count internally was twenty.

760
00:38:10,760 --> 00:38:13,319
Speaker 2: I had like I had to stop there, like they

761
00:38:13,320 --> 00:38:17,200
Speaker 2: were like no Dud's eighteen bad Races nineteen. Well, think

762
00:38:17,239 --> 00:38:21,400
Speaker 2: about your manager producing partner like going being honest with

763
00:38:21,440 --> 00:38:23,480
Speaker 2: you and going, no, no, dude, you forgot all these

764
00:38:23,480 --> 00:38:26,800
Speaker 2: other ones. You forgot, You forgot all the ones. You forgot,

765
00:38:26,800 --> 00:38:29,319
Speaker 2: all the ones outside both listen if you.

766
00:38:29,320 --> 00:38:33,920
Speaker 4: Have like usual suspects, Amen, and then sharks and Venice,

767
00:38:33,960 --> 00:38:34,319
Speaker 4: you win.

768
00:38:34,640 --> 00:38:37,439
Speaker 5: You know what I mean, you fucking win? Wow, right,

769
00:38:38,320 --> 00:38:43,839
Speaker 5: you win? I mean, come on, like you get to

770
00:38:43,840 --> 00:38:44,160
Speaker 5: do that.

771
00:38:44,200 --> 00:38:46,080
Speaker 4: I mean I would take that and then do all

772
00:38:46,160 --> 00:38:48,480
Speaker 4: the freaking seven below as possible just to be a

773
00:38:48,520 --> 00:38:51,040
Speaker 4: part of something like that, honestly, And you were brilliant

774
00:38:51,040 --> 00:38:54,240
Speaker 4: in that. So it's like you gotta also walk away

775
00:38:54,239 --> 00:38:59,200
Speaker 4: and go, well take the l for these. But hey,

776
00:38:59,239 --> 00:39:00,839
Speaker 4: I was in one of the greatst films ever made.

777
00:39:00,840 --> 00:39:01,359
Speaker 5: Of all time.

778
00:39:06,400 --> 00:39:08,920
Speaker 2: Okay, so below seven.

779
00:39:09,080 --> 00:39:13,080
Speaker 5: Yeah, seven below, seven below doesn't matter.

780
00:39:13,680 --> 00:39:18,520
Speaker 2: Seven, I have to watch it. I gotta watch it. No,

781
00:39:19,600 --> 00:39:22,680
Speaker 2: I gotta watch it now, come on, Spike.

782
00:39:22,760 --> 00:39:24,399
Speaker 5: And it's my only horror movie.

783
00:39:24,480 --> 00:39:28,320
Speaker 4: And I've always I always wanted to do a really

784
00:39:28,440 --> 00:39:29,560
Speaker 4: good harror move.

785
00:39:29,440 --> 00:39:32,239
Speaker 5: You know, like a like a classic. So I did

786
00:39:32,280 --> 00:39:34,520
Speaker 5: get to die a really good death though I got

787
00:39:34,920 --> 00:39:38,399
Speaker 5: in below seven ye yes, but below.

788
00:39:38,239 --> 00:39:42,640
Speaker 4: Tell me seven well as you as you seven below,

789
00:39:42,920 --> 00:39:44,759
Speaker 4: I got it as you've done, like you know, when

790
00:39:44,840 --> 00:39:47,520
Speaker 4: the when it's like you know, the sun sunrise, like

791
00:39:47,560 --> 00:39:49,479
Speaker 4: we have we have, we have, you know, twenty minutes

792
00:39:49,520 --> 00:39:51,319
Speaker 4: to get the shop, twenty minutes to get.

793
00:39:51,239 --> 00:39:52,240
Speaker 5: The shot, twenty minutes.

794
00:39:52,440 --> 00:39:55,200
Speaker 4: Sometimes that's the best, right, Sometimes that's like the best

795
00:39:55,200 --> 00:39:56,959
Speaker 4: when that's when they got you. I do the best

796
00:39:56,960 --> 00:40:00,279
Speaker 4: work when it's like hurry up, hurry up like that

797
00:40:00,360 --> 00:40:01,000
Speaker 4: I always do.

798
00:40:01,120 --> 00:40:02,880
Speaker 5: You know, it makes my husband, see what happened?

799
00:40:03,320 --> 00:40:05,040
Speaker 2: They cut your head off? What they do? Yeah?

800
00:40:05,080 --> 00:40:06,440
Speaker 4: They cut my head up? And I got to be like,

801
00:40:06,719 --> 00:40:09,040
Speaker 4: I did they really cut your head off?

802
00:40:09,080 --> 00:40:10,359
Speaker 5: No? I got stabbed to death.

803
00:40:10,600 --> 00:40:13,640
Speaker 4: But it was like that that that you know, feverish,

804
00:40:13,680 --> 00:40:15,440
Speaker 4: like the sun's coming up. We gotta go, we gotta go,

805
00:40:15,440 --> 00:40:17,839
Speaker 4: we gotta go, and that like, sometimes those are even

806
00:40:17,840 --> 00:40:20,080
Speaker 4: though it was a terrible scene and I was awful

807
00:40:20,080 --> 00:40:23,480
Speaker 4: in it and it's awful bad and I look ridiculous.

808
00:40:23,080 --> 00:40:25,600
Speaker 5: But sometimes that adrenaline kicks in and.

809
00:40:25,520 --> 00:40:28,120
Speaker 4: You're just like we you know, we've got five minutes,

810
00:40:28,120 --> 00:40:29,719
Speaker 4: we've got ten minutes, we've got you know, and like

811
00:40:30,440 --> 00:40:32,360
Speaker 4: you've had those experiences, right, like we gotta go, we

812
00:40:32,360 --> 00:40:34,240
Speaker 4: gotta go, like we gotta get this shot, and sometimes

813
00:40:34,320 --> 00:40:37,960
Speaker 4: those are the best moments that you have ever.

814
00:40:38,280 --> 00:40:41,640
Speaker 2: Yes, working even on bad movies, even.

815
00:40:42,239 --> 00:40:44,320
Speaker 4: Because when you're sitting around for twelve you know, sometimes

816
00:40:44,320 --> 00:40:46,359
Speaker 4: that's kind of like you get lazy. But when it's like,

817
00:40:46,600 --> 00:40:48,319
Speaker 4: let's go, we gotta get this shot, it's like that

818
00:40:48,360 --> 00:40:52,400
Speaker 4: feeling of like let's get adrenaline. The adrenaline, right, So

819
00:40:52,440 --> 00:40:54,640
Speaker 4: I got that experience. But yeah, it was miserable and

820
00:40:54,760 --> 00:40:56,880
Speaker 4: I was I looked it was it was.

821
00:40:56,920 --> 00:40:59,200
Speaker 2: Just your first feature, Harror.

822
00:40:59,400 --> 00:41:01,040
Speaker 5: It wasn't my first feature.

823
00:41:01,280 --> 00:41:03,440
Speaker 2: You almost said that earlier. When I started to ask

824
00:41:03,480 --> 00:41:06,680
Speaker 2: you about this, I literally said, you know, when, when

825
00:41:06,719 --> 00:41:08,080
Speaker 2: when can you think of something? You went, I think,

826
00:41:08,080 --> 00:41:11,160
Speaker 2: you know my first movie. You didn't.

827
00:41:12,160 --> 00:41:12,439
Speaker 5: I don't.

828
00:41:12,520 --> 00:41:13,840
Speaker 4: It was my first feature, but I think it was

829
00:41:13,880 --> 00:41:16,560
Speaker 4: my one of my first like real roles.

830
00:41:16,560 --> 00:41:18,600
Speaker 2: I did a lot of another first lead.

831
00:41:18,800 --> 00:41:21,840
Speaker 4: I did a lot of works, dude, Like a lot

832
00:41:21,880 --> 00:41:25,440
Speaker 4: of like Spider Man two, Like I'm screaming woman and

833
00:41:25,520 --> 00:41:26,279
Speaker 4: Spider Man two.

834
00:41:26,320 --> 00:41:27,080
Speaker 5: That's my credit.

835
00:41:27,239 --> 00:41:30,520
Speaker 4: Like I did a lot of like you know, one

836
00:41:30,600 --> 00:41:31,959
Speaker 4: liners like bedazzled.

837
00:41:32,000 --> 00:41:35,359
Speaker 5: Oh that's a bad one. Oh that's a bad God

838
00:41:35,400 --> 00:41:37,480
Speaker 5: rest hold Raams. I could say this. I loved him

839
00:41:37,480 --> 00:41:40,440
Speaker 5: so much, but God rest his soul. He's amazing. But

840
00:41:40,600 --> 00:41:42,680
Speaker 5: be dazzled. That was a w.

841
00:41:45,239 --> 00:41:48,640
Speaker 4: Elizabeth Hurley and Brendan Frasier. It was a it was

842
00:41:48,640 --> 00:41:51,040
Speaker 4: a that was bad. It was that was a bad movie.

843
00:41:51,160 --> 00:41:53,400
Speaker 4: But it was my first speaking role. And I was

844
00:41:53,760 --> 00:41:57,400
Speaker 4: girl in Beer Garden Number two and I had a

845
00:41:57,440 --> 00:41:58,200
Speaker 4: speaking role.

846
00:41:58,840 --> 00:42:01,680
Speaker 5: Could you talk to I talked to Elizabeth Hurley?

847
00:42:03,000 --> 00:42:03,640
Speaker 2: What'd you say?

848
00:42:05,400 --> 00:42:08,319
Speaker 4: Don't remember? This was in ninety five. That was my

849
00:42:08,360 --> 00:42:10,759
Speaker 4: first speaking role, right, that was bad?

850
00:42:10,840 --> 00:42:13,600
Speaker 2: Your first line ever on film was to Liz Early.

851
00:42:13,760 --> 00:42:17,720
Speaker 4: Yeah, and she was so I just remember thinking because

852
00:42:17,719 --> 00:42:19,960
Speaker 4: in ninety five, you know, I mean she was like really,

853
00:42:20,040 --> 00:42:22,320
Speaker 4: you know, I just remember thinking, she's so beautiful.

854
00:42:22,440 --> 00:42:25,960
Speaker 5: My god, No, she's so ugly, she's so gorgeous. Oh

855
00:42:26,000 --> 00:42:27,600
Speaker 5: my god, she was so beautiful.

856
00:42:27,680 --> 00:42:30,000
Speaker 4: But I had like three lines and I got you know,

857
00:42:30,080 --> 00:42:32,800
Speaker 4: that was that was three or four lines, three or

858
00:42:32,800 --> 00:42:35,680
Speaker 4: four lines, and I just remember Harold Raymis was so

859
00:42:35,880 --> 00:42:37,840
Speaker 4: sweet and so kind and I was just on a

860
00:42:37,880 --> 00:42:38,839
Speaker 4: set for the first time.

861
00:42:38,880 --> 00:42:42,160
Speaker 5: My mind was blown But yeah, that way, it was bad. Yeah,

862
00:42:42,239 --> 00:42:44,160
Speaker 5: I don't feel bad saying, well, I.

863
00:42:43,920 --> 00:42:48,399
Speaker 2: Have never communicated with Liz Hurley on film, but I've

864
00:42:48,440 --> 00:42:53,480
Speaker 2: been to several parties. Thirty thirty five years ago. No,

865
00:42:53,600 --> 00:42:57,279
Speaker 2: so I went thirty thirty five years ago. Yeah, that

866
00:42:58,040 --> 00:42:59,239
Speaker 2: she spoke to me, but I.

867
00:42:59,200 --> 00:43:03,000
Speaker 4: Just don't remember because you were so like blown away.

868
00:43:03,080 --> 00:43:06,000
Speaker 6: You were just like two in the morning and it

869
00:43:06,120 --> 00:43:08,120
Speaker 6: was a party at someone's house and the you know,

870
00:43:08,680 --> 00:43:13,120
Speaker 6: in the Hollywood Hills, and you know, Lizurley was cleaning

871
00:43:13,120 --> 00:43:14,440
Speaker 6: the kitchen at her friend's house.

872
00:43:14,480 --> 00:43:17,080
Speaker 2: And I was like, you know, like, hey, dude, what's up.

873
00:43:17,200 --> 00:43:21,000
Speaker 2: She's like, right, mate, there's the front tier. That was

874
00:43:21,040 --> 00:43:25,200
Speaker 2: my brush with greatness with Liz Hurley. Which one are

875
00:43:25,200 --> 00:43:28,239
Speaker 2: you Steven? Right? All right, right, there's the front two.

876
00:43:28,480 --> 00:43:31,800
Speaker 2: Good luck. Now drive careful, don't let the tool hit you.

877
00:43:31,920 --> 00:43:35,040
Speaker 2: On a bam, you know that sort of thing. But

878
00:43:35,200 --> 00:43:39,719
Speaker 2: now she looks fabulous. Now still still her son is

879
00:43:40,480 --> 00:43:43,960
Speaker 2: like some fancy director, is he and he's like handsome,

880
00:43:44,000 --> 00:43:44,720
Speaker 2: beyond handsome.

881
00:43:45,440 --> 00:43:47,440
Speaker 5: She's still I mean, you won't be as.

882
00:43:47,320 --> 00:43:57,799
Speaker 2: Handsome as my next grandchild. Anyway. That was comedy on

883
00:43:57,840 --> 00:44:00,600
Speaker 2: an intergalactic level. Here at one bad.

884
00:44:00,400 --> 00:44:07,880
Speaker 5: Movie people, So you're bad movie? Well, earth Storm, first storm,

885
00:44:08,040 --> 00:44:13,040
Speaker 5: sharks in Venice? Sure do you remembers she has to

886
00:44:13,040 --> 00:44:13,399
Speaker 5: come back?

887
00:44:13,760 --> 00:44:15,920
Speaker 2: Jim? Can she already co host and help me co

888
00:44:16,000 --> 00:44:18,200
Speaker 2: host stuff like when we blow up? Because the shows

889
00:44:18,280 --> 00:44:21,440
Speaker 2: we already know it's going to blow up. Everyone's talking

890
00:44:21,440 --> 00:44:22,720
Speaker 2: about one bad movie?

891
00:44:22,880 --> 00:44:23,560
Speaker 5: What's yours?

892
00:44:23,719 --> 00:44:24,440
Speaker 2: Isn't that weird?

893
00:44:25,040 --> 00:44:25,480
Speaker 5: No, it's not.

894
00:44:26,080 --> 00:44:27,680
Speaker 2: Nobody I thought it was a stupid idea.

895
00:44:27,719 --> 00:44:30,920
Speaker 5: Everyone's going, it's a great idea. It's a great idea.

896
00:44:31,640 --> 00:44:33,919
Speaker 5: But what's your personal not that.

897
00:44:33,840 --> 00:44:39,160
Speaker 4: You've been in the Harpy's one was bad Velvet threesome?

898
00:44:40,320 --> 00:44:48,440
Speaker 2: Yeah, oh my gosh, we wanted to talk about, Well,

899
00:44:48,520 --> 00:44:50,520
Speaker 2: that's been so great. If you knock the whole shelf over,

900
00:44:51,360 --> 00:44:52,080
Speaker 2: you got it.

901
00:44:52,760 --> 00:44:53,439
Speaker 5: Look at you.

902
00:44:54,160 --> 00:44:58,880
Speaker 2: I know I was good. That's the guy my wife married. Boy,

903
00:44:59,280 --> 00:45:03,279
Speaker 2: that little right eye to this.

904
00:45:03,440 --> 00:45:06,799
Speaker 4: I told Jane's my very first pilot I ever did.

905
00:45:06,960 --> 00:45:12,040
Speaker 4: Andy Fleming hired me. This is a good story, Amy Adam.

906
00:45:12,440 --> 00:45:14,000
Speaker 4: It was a show called gross Point. It was on

907
00:45:14,040 --> 00:45:14,560
Speaker 4: the WB.

908
00:45:14,680 --> 00:45:17,160
Speaker 5: It was a spoof of like nine O two one oh,

909
00:45:17,640 --> 00:45:19,359
Speaker 5: and it was. It was way ahead of its time.

910
00:45:19,400 --> 00:45:20,120
Speaker 5: It should have been on.

911
00:45:21,120 --> 00:45:23,640
Speaker 4: Darren Starr, who created nine two and oh, wrote this

912
00:45:23,719 --> 00:45:26,920
Speaker 4: as a as a spoof and we were all adults.

913
00:45:26,480 --> 00:45:27,400
Speaker 5: Playing tea.

914
00:45:28,960 --> 00:45:32,960
Speaker 4: And Andy Fleming was the director of the pilot. Amy

915
00:45:33,000 --> 00:45:37,239
Speaker 4: Adams worked for four days, got fired. They didn't think

916
00:45:37,280 --> 00:45:40,160
Speaker 4: she was funny. My manager calls me and goes, listen,

917
00:45:40,800 --> 00:45:43,319
Speaker 4: you gotta be there. I got you an audition. They

918
00:45:43,320 --> 00:45:46,360
Speaker 4: need a blonde, you know, because I was playing the blonde,

919
00:45:46,920 --> 00:45:48,880
Speaker 4: the Kelly character nine on two and oh whatever, the

920
00:45:49,239 --> 00:45:52,360
Speaker 4: blonde role. She's like, you gotta be there seven o'clock.

921
00:45:52,400 --> 00:45:55,440
Speaker 4: You're gonna meet Darren. You can audition. If you get it,

922
00:45:55,440 --> 00:45:58,719
Speaker 4: it shoots tomorrow. So I went, wow, that was my

923
00:45:58,920 --> 00:46:02,040
Speaker 4: very first pilot I auditioned for like they made I

924
00:46:02,040 --> 00:46:07,280
Speaker 4: remember Andy. I did it so many times and Andy

925
00:46:07,480 --> 00:46:08,239
Speaker 4: came outside and.

926
00:46:08,200 --> 00:46:09,800
Speaker 2: Was it was for Andy's show.

927
00:46:10,200 --> 00:46:13,400
Speaker 5: It was for Darren Starr's show. For the WB. Remember

928
00:46:13,400 --> 00:46:16,040
Speaker 5: the WB. It doesn't exist anymore now I c W.

929
00:46:16,320 --> 00:46:16,520
Speaker 2: I don't.

930
00:46:17,520 --> 00:46:20,319
Speaker 4: But Andy Fleming was directing the pilot and he came out.

931
00:46:20,360 --> 00:46:22,919
Speaker 4: He kept show of that show, and he kept coming

932
00:46:22,920 --> 00:46:24,600
Speaker 4: out and helping me and going listen, I want you

933
00:46:24,680 --> 00:46:26,360
Speaker 4: to get this job. And he was like, this is

934
00:46:26,360 --> 00:46:28,160
Speaker 4: what they want, this is what they want. And I

935
00:46:28,239 --> 00:46:30,640
Speaker 4: got the show and I had to be on set

936
00:46:30,680 --> 00:46:32,759
Speaker 4: at four in the morning the next day to get

937
00:46:32,760 --> 00:46:36,719
Speaker 4: my hair dyed platinum, and I replaced Amy Adams.

938
00:46:38,400 --> 00:46:40,400
Speaker 5: Funny story is running into.

939
00:46:40,160 --> 00:46:42,719
Speaker 4: Amy Adams years later, who we had a mutual friend,

940
00:46:42,719 --> 00:46:44,480
Speaker 4: and she was like, oh, yeah, I know you.

941
00:46:44,480 --> 00:46:47,400
Speaker 5: You replaced me. I wanted to be like, you've I

942
00:46:47,480 --> 00:46:48,120
Speaker 5: replaced you.

943
00:46:48,120 --> 00:46:50,799
Speaker 4: You're an Oscar winner man, and now on my show

944
00:46:50,880 --> 00:46:51,600
Speaker 4: got canceled?

945
00:46:52,120 --> 00:46:55,120
Speaker 5: What what how did that happen? And She's like, oh, yeah,

946
00:46:55,160 --> 00:46:56,840
Speaker 5: I got fired and you replaced me.

947
00:46:56,880 --> 00:46:59,080
Speaker 4: And I was like, now you're Amy Adams and I

948
00:46:59,120 --> 00:47:01,719
Speaker 4: was on a canceled shop. But Andy Fleming directed it,

949
00:47:02,840 --> 00:47:05,359
Speaker 4: and he talked about this movie, how much he loved

950
00:47:05,360 --> 00:47:07,000
Speaker 4: it and how he had the best time.

951
00:47:07,680 --> 00:47:15,480
Speaker 2: Well, let me tell you my Andy Fleming story. So like, uh,

952
00:47:15,560 --> 00:47:18,960
Speaker 2: quite opposite to what I shared with you earlier. You know,

953
00:47:19,640 --> 00:47:23,200
Speaker 2: some journeys are fabulous, right. You get on the cruise

954
00:47:23,200 --> 00:47:26,000
Speaker 2: ship and you know they said, this cruise ship is

955
00:47:26,040 --> 00:47:28,560
Speaker 2: going to lead you and take you all warm and

956
00:47:28,600 --> 00:47:33,280
Speaker 2: fuzzy into a threesome. And sure enough, that's exactly what happened. Sorry,

957
00:47:33,480 --> 00:47:36,960
Speaker 2: can I say that, I'm sorry, but that's what happened

958
00:47:37,040 --> 00:47:42,120
Speaker 2: because Larslyn Boyle, who if I can just make out

959
00:47:42,200 --> 00:47:46,600
Speaker 2: with this VHS cover for a second, But I'm going

960
00:47:46,640 --> 00:47:49,600
Speaker 2: to say the same thing about Josh Charles. But Larslyn

961
00:47:49,600 --> 00:47:52,320
Speaker 2: Boyle is is probably one of the funniest, one of

962
00:47:52,400 --> 00:47:57,839
Speaker 2: the most natural actresses I've ever worked with. Natural, which

963
00:47:57,880 --> 00:48:03,160
Speaker 2: is that's the one you can't teach. Josh Charles is

964
00:48:03,760 --> 00:48:07,400
Speaker 2: Josh Charles. He's gone on to being super great stuff

965
00:48:07,520 --> 00:48:14,040
Speaker 2: and a very unique special actor. Steve Baldwin, Oh, a

966
00:48:14,080 --> 00:48:21,440
Speaker 2: little whitfer snapper. Now Grandpa Grandpa? Where is he Grandpa? No,

967
00:48:21,719 --> 00:48:26,320
Speaker 2: I don't think he's a grandpa yet, Grandma, No, baby Baldwin.

968
00:48:26,960 --> 00:48:31,680
Speaker 2: Maybe Grandpa number two coming down like a fastball. So

969
00:48:33,120 --> 00:48:38,920
Speaker 2: Andy who When I met him, like some directors, he

970
00:48:39,000 --> 00:48:40,520
Speaker 2: was quirky and he was this, and he was smart

971
00:48:40,560 --> 00:48:43,000
Speaker 2: and hit but he had the vision, right, he knew

972
00:48:43,000 --> 00:48:45,120
Speaker 2: what he wanted. That's why he was cool to.

973
00:48:45,560 --> 00:48:48,000
Speaker 5: Yeah, he's very clear about Yeah, what do you wanted.

974
00:48:47,840 --> 00:48:53,160
Speaker 2: To get you in a panicked situation to focus and

975
00:48:53,200 --> 00:48:56,640
Speaker 2: deliver it was cool. Yeah, he's that kind of equality

976
00:48:56,719 --> 00:49:01,480
Speaker 2: writer director. But with me on Threesome, it was I

977
00:49:01,560 --> 00:49:04,440
Speaker 2: was playing a bit of a more Fantasma Gore character,

978
00:49:04,640 --> 00:49:06,520
Speaker 2: you know what I mean. So I was playing this

979
00:49:06,560 --> 00:49:14,880
Speaker 2: guy that was like proverbiably perpetually horny. That's basically my

980
00:49:14,960 --> 00:49:19,319
Speaker 2: character in Threesome. So well, it's kind of true, but

981
00:49:19,360 --> 00:49:24,080
Speaker 2: it speaks to many other young men out there globally. Sorry,

982
00:49:24,480 --> 00:49:25,719
Speaker 2: it's college life, you know.

983
00:49:26,840 --> 00:49:29,719
Speaker 5: Is that Andy's first film? Was that his first film?

984
00:49:29,760 --> 00:49:30,120
Speaker 5: I forgot.

985
00:49:30,120 --> 00:49:32,000
Speaker 2: I think it might be his first kind of like

986
00:49:32,040 --> 00:49:32,480
Speaker 2: big film.

987
00:49:33,080 --> 00:49:35,880
Speaker 4: Yeah, he did, like feature and I think yeah he

988
00:49:35,880 --> 00:49:37,600
Speaker 4: did film school first.

989
00:49:37,960 --> 00:49:44,840
Speaker 2: I think he didn't. You may have done another student film.

990
00:49:40,880 --> 00:49:43,280
Speaker 5: Yeah.

991
00:49:45,160 --> 00:49:50,839
Speaker 2: But the best part of Threesome wasn't the threesome. I

992
00:49:50,920 --> 00:49:52,600
Speaker 2: just have to say stupid stuff so it becomes like

993
00:49:52,640 --> 00:49:56,200
Speaker 2: sound bites for one bad movie on social media. So

994
00:49:56,320 --> 00:50:00,840
Speaker 2: the best part of Threesome was cut. That's that's a

995
00:50:00,840 --> 00:50:04,240
Speaker 2: promo for the show now, right, I'd be foolish. Sorry,

996
00:50:05,800 --> 00:50:08,480
Speaker 2: this is how my show goes. Just welcome.

997
00:50:08,520 --> 00:50:11,799
Speaker 5: The best part of the threesome was the threesome.

998
00:50:12,200 --> 00:50:15,280
Speaker 2: There you see now now you've landed the plane, Bonnie,

999
00:50:15,320 --> 00:50:18,000
Speaker 2: thank you in the movie. The threesome in the.

1000
00:50:17,920 --> 00:50:21,080
Speaker 5: Movie only in the movie, right, and only in the

1001
00:50:21,120 --> 00:50:22,400
Speaker 5: movie correct.

1002
00:50:23,200 --> 00:50:28,400
Speaker 2: And Andy Fleming when I met him was fun because

1003
00:50:29,800 --> 00:50:32,200
Speaker 2: if you kind of set a foundation for a character

1004
00:50:32,520 --> 00:50:36,680
Speaker 2: and then you let the actor have fun. So it

1005
00:50:36,760 --> 00:50:38,680
Speaker 2: was weird because I would come to him with some ideas,

1006
00:50:38,760 --> 00:50:42,640
Speaker 2: like the physiology of what I was Like, I'm like, oh, hey,

1007
00:50:42,640 --> 00:50:44,520
Speaker 2: in the blocking, I was here, but what if I

1008
00:50:44,560 --> 00:50:46,160
Speaker 2: cross over? Because he gives me a room to like

1009
00:50:46,280 --> 00:50:48,640
Speaker 2: kind of thrust my hips, and like, you know, he's

1010
00:50:48,719 --> 00:50:50,200
Speaker 2: like Andy's cheer going.

1011
00:50:50,760 --> 00:50:52,640
Speaker 5: Yeah, he's very face.

1012
00:50:54,320 --> 00:50:55,759
Speaker 2: Yeah, let's do a rehearsal.

1013
00:50:57,520 --> 00:51:01,600
Speaker 5: Yeah that's very like He's like, hmm, okay, let's.

1014
00:51:02,080 --> 00:51:05,239
Speaker 2: And sure enough a lot of my improvs made it

1015
00:51:05,320 --> 00:51:08,560
Speaker 2: up into the film on that level. But then when

1016
00:51:08,600 --> 00:51:12,600
Speaker 2: you put into the mix Lara Flynn and Josh two

1017
00:51:13,000 --> 00:51:17,920
Speaker 2: very very funny people, the rest is kind of history.

1018
00:51:17,960 --> 00:51:21,560
Speaker 2: This movie touched many people. Yeah, it was huge with

1019
00:51:21,719 --> 00:51:26,640
Speaker 2: comedy and a brilliant story by Andy Fleming. I was

1020
00:51:27,040 --> 00:51:27,839
Speaker 2: blessed to be in it.

1021
00:51:27,960 --> 00:51:28,680
Speaker 5: I'm a big fan.

1022
00:51:28,760 --> 00:51:30,680
Speaker 4: He's a great guy, and yeah, this was like one

1023
00:51:30,680 --> 00:51:32,759
Speaker 4: of those indies you know back in the day that

1024
00:51:32,920 --> 00:51:36,080
Speaker 4: just blew up that everybody you know, like it was

1025
00:51:36,160 --> 00:51:40,879
Speaker 4: just those great movies that just kind of blow blow up.

1026
00:51:42,040 --> 00:51:45,520
Speaker 2: All right, Well, we'll we'll find Andy somewhere out there

1027
00:51:45,560 --> 00:51:48,920
Speaker 2: and TV land in the future, and we'll see if

1028
00:51:48,960 --> 00:51:50,080
Speaker 2: we can get him on this program.

1029
00:51:50,120 --> 00:51:50,759
Speaker 5: It probably could.

1030
00:51:51,080 --> 00:51:53,440
Speaker 2: I think we can. I think we can. I ran

1031
00:51:53,480 --> 00:51:55,600
Speaker 2: into another friend of his recently at a coffee shop,

1032
00:51:56,280 --> 00:52:01,080
Speaker 2: and yeah, the vibes are out there for threesome, you

1033
00:52:01,160 --> 00:52:01,560
Speaker 2: know what I mean?

1034
00:52:01,640 --> 00:52:07,480
Speaker 4: Threesome part two point zero, threesome two point oh.

1035
00:52:07,960 --> 00:52:11,080
Speaker 5: I think it would be called thurple. Now, what is

1036
00:52:11,120 --> 00:52:16,360
Speaker 5: it a thurple? What throttle? Now it would be a thropple.

1037
00:52:17,320 --> 00:52:18,240
Speaker 2: What's a throutle?

1038
00:52:19,160 --> 00:52:23,080
Speaker 5: It's a couple that are three people, that's the thing, apparently.

1039
00:52:23,200 --> 00:52:27,560
Speaker 2: Together as just friends now like a couple, like a

1040
00:52:27,719 --> 00:52:31,080
Speaker 2: married like so they live together. Yeah, and they're all

1041
00:52:31,160 --> 00:52:33,520
Speaker 2: kind of washing each other's backs in the shower.

1042
00:52:34,560 --> 00:52:40,279
Speaker 4: Right, it's a thing, right, James, very much. So they

1043
00:52:40,280 --> 00:52:44,200
Speaker 4: live together, they're married. They consider themselves a family, not

1044
00:52:44,360 --> 00:52:44,640
Speaker 4: for me.

1045
00:52:47,280 --> 00:52:56,640
Speaker 2: Can you take a nap? I feel exhausted. No, but

1046
00:52:56,719 --> 00:52:59,520
Speaker 2: I'm fifty eight. I mean, you know, listen, I you know, listen.

1047
00:52:59,360 --> 00:53:02,279
Speaker 5: I'd be exaust don't get any ideas over there.

1048
00:53:04,080 --> 00:53:12,000
Speaker 2: Sure, oh sure, Bonnie blame it on him. So let

1049
00:53:12,040 --> 00:53:13,560
Speaker 2: me ask you another question. I don't care if the

1050
00:53:13,560 --> 00:53:20,160
Speaker 2: cameras are ru Yes. I made a lot of movies

1051
00:53:20,719 --> 00:53:22,960
Speaker 2: because the hundred movies I made I stopped doing like

1052
00:53:24,320 --> 00:53:28,120
Speaker 2: ten fifteen years ago, even kind of towards the tail

1053
00:53:28,200 --> 00:53:32,440
Speaker 2: end of my filmmaking career, I did mostly faith based, mostly,

1054
00:53:33,520 --> 00:53:35,359
Speaker 2: but before that, I you know, I did pretty good

1055
00:53:35,400 --> 00:53:38,560
Speaker 2: making some pretty cool movies, the regular ones like we're

1056
00:53:38,560 --> 00:53:41,279
Speaker 2: talking about. So now I'm gonna make some more because

1057
00:53:41,280 --> 00:53:44,400
Speaker 2: I've been out of the game for a whiles. But

1058
00:53:45,000 --> 00:53:49,600
Speaker 2: I'm entering back into the matrix now with the wisdom

1059
00:53:49,640 --> 00:53:53,479
Speaker 2: and knowledge of Oh, I don't know. You could almost

1060
00:53:53,560 --> 00:53:57,200
Speaker 2: call me like a Hollywood shaman at this point, more

1061
00:53:57,320 --> 00:54:00,799
Speaker 2: like a no mad so to speak. And that's right

1062
00:54:00,880 --> 00:54:03,879
Speaker 2: where I want to be, Bonnie. So I think I'm

1063
00:54:03,920 --> 00:54:08,479
Speaker 2: going to develop I don't know how, and I gotta

1064
00:54:08,480 --> 00:54:10,440
Speaker 2: be watching careful because there's a lot of devils like

1065
00:54:10,440 --> 00:54:12,319
Speaker 2: I just met some guy who said, hey, come do

1066
00:54:12,440 --> 00:54:14,000
Speaker 2: this over here with me and my boys. And they

1067
00:54:14,000 --> 00:54:17,000
Speaker 2: were doing a show, it's ev series, and they said, hey,

1068
00:54:17,400 --> 00:54:20,240
Speaker 2: because you know you'd be great guys, like an Irish

1069
00:54:20,320 --> 00:54:27,080
Speaker 2: mafia guy. It's on. I'm already developing my own Irish

1070
00:54:27,120 --> 00:54:36,239
Speaker 2: mafia kind of Bordwalk empire. And I'm fifty eight. And

1071
00:54:36,560 --> 00:54:39,840
Speaker 2: here's how it works. Now you're ready. Yes, I'm not asking,

1072
00:54:41,920 --> 00:54:46,000
Speaker 2: I'm just gonna do it. Yes, and this town will

1073
00:54:46,080 --> 00:54:47,960
Speaker 2: never fing be the same.

1074
00:54:48,719 --> 00:54:49,080
Speaker 5: Nice.

1075
00:54:49,360 --> 00:54:55,160
Speaker 2: In the name of Stephen Baldwin, You've been one motherfus.

1076
00:54:55,520 --> 00:54:56,160
Speaker 2: I'm coming.

1077
00:54:57,800 --> 00:54:59,440
Speaker 5: I love that guns.

1078
00:54:59,160 --> 00:55:01,799
Speaker 2: Ablaze sing Miss Summerville.

1079
00:55:03,120 --> 00:55:06,319
Speaker 5: Okay, So anyway, I don't want to break.

1080
00:55:06,719 --> 00:55:08,919
Speaker 2: Yeah, that's cool, Irish.

1081
00:55:09,000 --> 00:55:14,680
Speaker 5: I'm available. I'm Irish. You know. Listen, listen saying.

1082
00:55:15,000 --> 00:55:19,200
Speaker 2: D and D D and D Bonnie, we don't got

1083
00:55:19,320 --> 00:55:19,880
Speaker 2: to worry.

1084
00:55:21,480 --> 00:55:22,360
Speaker 5: I love that idea.

1085
00:55:22,400 --> 00:55:24,160
Speaker 2: Okay, we don't got to worry. We got we had

1086
00:55:24,200 --> 00:55:26,160
Speaker 2: all the stuff, we had all the bullets in the ground.

1087
00:55:26,280 --> 00:55:26,719
Speaker 2: We're good.

1088
00:55:27,120 --> 00:55:27,719
Speaker 5: Good for you.

1089
00:55:28,560 --> 00:55:31,560
Speaker 2: You're ready to go to our bullets are the Bible?

1090
00:55:31,800 --> 00:55:38,359
Speaker 2: Forget about it. Okay, God is our witness. Anyway, I'm

1091
00:55:38,360 --> 00:55:40,200
Speaker 2: writing something I'm developing my own.

1092
00:55:41,160 --> 00:55:41,680
Speaker 5: That's awesome.

1093
00:55:41,840 --> 00:55:49,080
Speaker 2: Uh if you remember another what's the Sean penn Irish

1094
00:55:49,120 --> 00:55:52,720
Speaker 2: Mafia thing with uh State of Grace?

1095
00:55:53,160 --> 00:55:55,880
Speaker 5: Oh my god, I love it. No, no, no, it's

1096
00:55:56,360 --> 00:55:57,440
Speaker 5: oh State of Grace.

1097
00:55:58,120 --> 00:56:03,160
Speaker 2: Grace with Gary Oldman and Sean pet No. But that's

1098
00:56:03,560 --> 00:56:06,560
Speaker 2: that movie made by a terrific eighties nineties director and

1099
00:56:06,600 --> 00:56:08,880
Speaker 2: that was a studio picture that was brilliant acting, that

1100
00:56:09,000 --> 00:56:14,040
Speaker 2: was done right. Yeah, and I won't talk about John Pennymore.

1101
00:56:14,040 --> 00:56:16,600
Speaker 2: I've kind of said a little too much lately, John

1102
00:56:16,719 --> 00:56:22,239
Speaker 2: man O, my god. So I have kind of an

1103
00:56:22,280 --> 00:56:28,399
Speaker 2: idea for that, but more David Mammott more more kind

1104
00:56:28,400 --> 00:56:32,279
Speaker 2: of dialogue. Ye, there won't be as much violence, and

1105
00:56:32,400 --> 00:56:35,719
Speaker 2: you know, car chases and screaming and blood and you

1106
00:56:35,760 --> 00:56:37,960
Speaker 2: know it doesn't have to be guts. You can leave

1107
00:56:38,000 --> 00:56:39,279
Speaker 2: that to the imagination.

1108
00:56:40,120 --> 00:56:44,839
Speaker 4: But that last scene in State of Grace, the last out,

1109
00:56:45,520 --> 00:56:49,480
Speaker 4: the shootout with no with no dialogue for like twenty minutes,

1110
00:56:49,600 --> 00:56:53,880
Speaker 4: is I think one of the best yeah and ending

1111
00:56:53,960 --> 00:56:58,120
Speaker 4: shootouts ever made. And there's no dialogue, there's literally no.

1112
00:56:58,280 --> 00:56:59,680
Speaker 2: Oh you know how blessed you are? You got to

1113
00:56:59,760 --> 00:57:01,720
Speaker 2: chick knows how to talk about shootouts.

1114
00:57:03,400 --> 00:57:06,000
Speaker 5: You have any idea, that's right.

1115
00:57:07,600 --> 00:57:10,239
Speaker 2: As you as you were a soldier, stay on the

1116
00:57:10,280 --> 00:57:14,880
Speaker 2: wing over here. Wow, so you get the state of grace.

1117
00:57:14,920 --> 00:57:20,480
Speaker 2: So so again just we'll circle, will circle back because

1118
00:57:20,680 --> 00:57:25,400
Speaker 2: because the truth is the guys, I guess I can

1119
00:57:25,480 --> 00:57:26,840
Speaker 2: say it, I can talk about I can save whatever

1120
00:57:26,880 --> 00:57:33,080
Speaker 2: I want, right John, and we can edit right. Well,

1121
00:57:33,080 --> 00:57:37,480
Speaker 2: what I was gonna say is there's that show that

1122
00:57:37,560 --> 00:57:40,600
Speaker 2: saa God. You may have already been on this, but

1123
00:57:40,640 --> 00:57:44,920
Speaker 2: I think it's called have Not is a mafia show

1124
00:57:45,600 --> 00:57:48,520
Speaker 2: that streams on the web right now. If you go

1125
00:57:48,560 --> 00:57:54,600
Speaker 2: to IMDb and you look at grave, uh, it's either

1126
00:57:54,680 --> 00:57:58,240
Speaker 2: Graves Send or Graves, and I think it's Graves and

1127
00:57:58,280 --> 00:58:02,840
Speaker 2: it's all one word and many actors. He's been on it,

1128
00:58:02,880 --> 00:58:07,200
Speaker 2: many credible actors. But it's mostly like an indie low budget.

1129
00:58:08,680 --> 00:58:13,840
Speaker 2: So those guys, uh uh true, someome people they know

1130
00:58:14,200 --> 00:58:17,600
Speaker 2: you know what I'm saying, Bonnie. You know they did

1131
00:58:17,600 --> 00:58:22,200
Speaker 2: a little back channel of Massapequa. They came up over here,

1132
00:58:22,360 --> 00:58:26,760
Speaker 2: they said, hey, YO, wants to talk. I said, as

1133
00:58:26,800 --> 00:58:31,680
Speaker 2: long as your business doesn't conflict with my business, inevitably

1134
00:58:31,720 --> 00:58:35,400
Speaker 2: you will learn how to spell Massapequa. You know what

1135
00:58:35,400 --> 00:58:38,240
Speaker 2: I'm saying, on the day of my daughter's wedding, you

1136
00:58:38,400 --> 00:58:42,000
Speaker 2: come to me on the day my daughters, so you

1137
00:58:42,080 --> 00:58:44,880
Speaker 2: pop up up. But I think there's an Irish version

1138
00:58:44,960 --> 00:58:47,640
Speaker 2: of that, of course. I think there's like a really

1139
00:58:47,840 --> 00:58:48,520
Speaker 2: sit down.

1140
00:58:48,600 --> 00:58:53,480
Speaker 6: Of course, medium nobody's done nobody's done it.

1141
00:58:56,640 --> 00:59:00,760
Speaker 2: And all these macho people, God bless them, all these

1142
00:59:00,760 --> 00:59:05,360
Speaker 2: people that you know, that the Oppenheimer Oppenheimer gang, they

1143
00:59:05,440 --> 00:59:09,000
Speaker 2: got all the tools at their disposal. Yeah, God bless them. Listen.

1144
00:59:09,200 --> 00:59:13,320
Speaker 5: The departed. That's the other only one, I think, the Depretty.

1145
00:59:14,320 --> 00:59:18,000
Speaker 5: But yeah, the Irish, the Irish. Nobody touches that.

1146
00:59:18,200 --> 00:59:23,680
Speaker 2: Was Leo in that Leo Dicaprios and departed, right, I'm saying,

1147
00:59:23,880 --> 00:59:28,280
Speaker 2: except him. It was a great trick. I'm just kidding.

1148
00:59:28,400 --> 00:59:30,520
Speaker 2: I'm just kidding, just kidding.

1149
00:59:30,600 --> 00:59:32,840
Speaker 5: Leo's had enough. Let's let's let's spread the wealth.

1150
00:59:32,960 --> 00:59:35,480
Speaker 2: He flirted with my wife once at a charity event.

1151
00:59:36,800 --> 00:59:42,120
Speaker 2: He's a terrific actor. Sorry, just being smarty.

1152
00:59:43,200 --> 00:59:44,840
Speaker 5: Finish up, finish up.

1153
00:59:44,760 --> 00:59:47,040
Speaker 2: All right, Bonnie, Wait, you can't leave yet? Do you

1154
00:59:47,080 --> 00:59:50,640
Speaker 2: have somewhere to be? I'm just kidding. I'm just trying

1155
00:59:50,640 --> 00:59:53,200
Speaker 2: to cause trouble again. How would you like to finish

1156
00:59:53,280 --> 00:59:53,880
Speaker 2: this interview.

1157
00:59:54,120 --> 00:59:56,160
Speaker 5: I don't know you come back again. I would love

1158
00:59:56,200 --> 00:59:57,440
Speaker 5: to come back. This is awesome.

1159
00:59:57,560 --> 00:59:58,080
Speaker 2: Will you?

1160
00:59:58,880 --> 00:59:59,600
Speaker 5: This is such.

1161
00:59:59,400 --> 01:00:05,160
Speaker 2: A role in Uh. What I want to bring back

1162
01:00:05,440 --> 01:00:08,560
Speaker 2: is like the TV movie. Remember when they did TV

1163
01:00:08,640 --> 01:00:10,000
Speaker 2: movies like the three parts here.

1164
01:00:10,040 --> 01:00:11,760
Speaker 5: I did them back in the day.

1165
01:00:11,760 --> 01:00:14,919
Speaker 2: I'm going to sell in this town or just raise

1166
01:00:14,960 --> 01:00:18,800
Speaker 2: the money. A three part kind of TV movie idea.

1167
01:00:18,880 --> 01:00:25,320
Speaker 2: That's this. That's my version of like a Irish Godfather,

1168
01:00:26,400 --> 01:00:30,200
Speaker 2: but done by kid who only looks stupid. You know

1169
01:00:30,200 --> 01:00:31,720
Speaker 2: what I'm saying right now.

1170
01:00:31,680 --> 01:00:34,040
Speaker 5: You're smarter than you look. You're smarter than you look. Steve.

1171
01:00:34,200 --> 01:00:35,000
Speaker 5: You gotta say.

1172
01:00:37,920 --> 01:00:38,959
Speaker 2: Thank you so much for coming.

1173
01:00:38,960 --> 01:00:42,200
Speaker 5: Oh my god, this was so fun. Thank you, thank you,

1174
01:00:42,240 --> 01:00:43,040
Speaker 5: thank you for having me.

1175
01:00:46,200 --> 01:00:59,200
Speaker 3: Tread Lips so Bad, Guilty Madnesses, unders so fat. A

1176
01:01:00,360 --> 01:01:02,320
Speaker 3: back of the old shir