WEBVTT - TechStuff Classic:  TechStuff Tackles Typewriters

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<v Speaker 1>Welcome to tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with iHeart Radio and

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<v Speaker 1>a lot of all things tech. It is time for

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<v Speaker 1>a tech Stuff plastic episode. This episode originally published on

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<v Speaker 1>December twenty second, two thousand fourteen, and it's very alliterative.

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<v Speaker 1>The title is text Stuff Tackles Typewriters. So this time

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<v Speaker 1>we're going to talk again sort of a historical look,

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<v Speaker 1>but now we're going to look at typewriters, which actually

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<v Speaker 1>have a slight connection to sewing machines as it turns out.

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<v Speaker 1>But in order to look at this, I thought we'd

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<v Speaker 1>look at sort of the history of type setting. And

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<v Speaker 1>to do that you got to go back to the

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<v Speaker 1>fifteenth century. Yeah, we're all the way back, and it's

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<v Speaker 1>one of those things, uh, and we'll talk about it.

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<v Speaker 1>But I have often heard people ask like, why didn't

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<v Speaker 1>the typewriter happen sooner? Yeah, we're going to touch on that. Yeah,

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<v Speaker 1>so way back in the fifteenth century, that's when uh,

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<v Speaker 1>John Gutenberg, when Johann Gutenberg began to experiment with printing techniques,

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<v Speaker 1>and by the fourteen fifties, he had actually developed the

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<v Speaker 1>famous printing press produced the Gutenberg Bible, probably the most

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<v Speaker 1>famous book from the medieval era, simply because it was

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<v Speaker 1>well medieval Renaissance era, simply because it was the first

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<v Speaker 1>one to be mass produced in a rapid particularly compared

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<v Speaker 1>to the other round. Rappid with air quotes is definitely

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<v Speaker 1>the way to go. But you didn't have to have

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<v Speaker 1>a school of monks hand illuminating scripts in order to

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<v Speaker 1>come out with copies of something, and we wouldn't really

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<v Speaker 1>need a typewriter. However, this was, you know, meant to

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<v Speaker 1>produce things on a mass scale, like a single document

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<v Speaker 1>on a mass scale. It wasn't meant to be uh,

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<v Speaker 1>for one off, right, you weren't going to to type

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<v Speaker 1>set a letter to your wife, dearest wife. How romantic

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<v Speaker 1>would that be? Though? Right? H I employed three clerks

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<v Speaker 1>in the efforts I make too right to you to

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<v Speaker 1>tell you my tub regulosis as settled. And no, that

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<v Speaker 1>was not the way things worked. But one of the

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<v Speaker 1>reasons why we didn't see a need for this sort

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<v Speaker 1>of thing to to creep into other areas, like the

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<v Speaker 1>idea of can we make a device like a printing press.

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<v Speaker 1>But for a personal use is that? Uh, Well, First,

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<v Speaker 1>until the Industrial Revolution, there was no way to create

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<v Speaker 1>that kind of thing on a mass scale, right, And

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<v Speaker 1>you couldn't really go out and churn out a dozen

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<v Speaker 1>typewriters in a day back in the technology of the

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<v Speaker 1>mid century yet. But even if there were. The other

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<v Speaker 1>part was that late particularly in Europe, was really cheap

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<v Speaker 1>and there was not really a need to go and

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<v Speaker 1>find a labor saving device for a person because there

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<v Speaker 1>were plenty of people. There were plenty of people who

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<v Speaker 1>were starving, and you could pay them a haypenny for

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<v Speaker 1>them to write down what you assuming they could write that,

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<v Speaker 1>they could write down what you wanted them to say. So, um,

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<v Speaker 1>but it would it wouldn't be too much longer. I mean,

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<v Speaker 1>still pretty early when you look at the first patent

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<v Speaker 1>or patent as the case may be, for a typewriter,

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<v Speaker 1>which dates all the way back to seventeen fourteen. Yes,

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<v Speaker 1>so we jumped forward like three hundred years, but again

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<v Speaker 1>nothing still an abundance of people very happy to do

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<v Speaker 1>things in that time when they were not you know,

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<v Speaker 1>stumbling around dying or or or making one another die. Yeah.

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<v Speaker 1>And then in seventeen fourteen. H there was, as you said,

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<v Speaker 1>the first patent for Henry Mill, and that was issued

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<v Speaker 1>by Queen Nan of Great Britain, of course, and that

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<v Speaker 1>patent uh described an artificial machine or method for the

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<v Speaker 1>impressing or transcribing of letters singly or progressively, one after another,

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<v Speaker 1>as in writing, whereby all writings whatsoever may be engrossed

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<v Speaker 1>in paper or parchment, so that the said machine or

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<v Speaker 1>method maybe of great use in settlements and public records,

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<v Speaker 1>the impression being deeper and more lasting than any other writing,

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<v Speaker 1>and not to be erased or counterfeited without manifest discovery. Yep,

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<v Speaker 1>that's uh. That's patent language, guys. You can tell that

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<v Speaker 1>that dates from seventeen fourteen, and patents have become no

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<v Speaker 1>less obtuse in that time. That's downright clear and brief

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<v Speaker 1>compared to a lot of modernor's. And as is often

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<v Speaker 1>the case, the more words there are, the less we

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<v Speaker 1>know about what actually happened in historical patents. Yeah, in

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<v Speaker 1>this case, we have no surviving illustrations or model. As

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<v Speaker 1>far as we know. Mill never built one of these things.

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<v Speaker 1>Perhaps he did, but if he did, there's no record

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<v Speaker 1>of it. So most of the sources I've read have

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<v Speaker 1>essentially said there's there. It was never probably never in so,

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<v Speaker 1>but still it shows that people as far back as

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<v Speaker 1>the early eighteenth century we're thinking about creating a machine

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<v Speaker 1>that would allow for the writing of words in a

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<v Speaker 1>in a mechanized fashion. Then we moved to forward another

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<v Speaker 1>century to eight and we have an Italian inventor, Pellegrin

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<v Speaker 1>no Turi, and he creates a typing machine for the

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<v Speaker 1>Countess Carolina Fantoni. D Well, sorry not daz vivizan o man.

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<v Speaker 1>My Italian is terrible. My Germans only slightly worse. Um,

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<v Speaker 1>at least I didn't try and throw in one of

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<v Speaker 1>those terrible like like over the top stereotypical Italian accents,

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<v Speaker 1>as I am wont to do. But it was interesting.

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<v Speaker 1>You know. He made this for the countess for a

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<v Speaker 1>specific reason. Yeah, she could not handwrite because she had

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<v Speaker 1>lost her vision. Yeah, so he created this device for her.

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<v Speaker 1>We don't know what this particular device looked like. No

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<v Speaker 1>model survives. However, unlike the case with mill we know

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<v Speaker 1>that it existed because there are still uh examples of

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<v Speaker 1>the letters that the countess wrote on this device. Yeah,

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<v Speaker 1>I would give anything to see how it worked and

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<v Speaker 1>how it particularly addressed her lack of vision, like if

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<v Speaker 1>it was a sort of a variant almost Braille type

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<v Speaker 1>situation going on, because there had to be feel elements

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<v Speaker 1>to the keys or should to memorize placement. Right, we

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<v Speaker 1>don't even know if there were keys on this device, right,

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<v Speaker 1>We don't know what the mechanism was for it. We

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<v Speaker 1>just know that it was a thing that would allow

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<v Speaker 1>her to write, and it's pretty phenomenal. Again, it's it's

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<v Speaker 1>sad that that's lost to history because I also would

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<v Speaker 1>love to hear about, you know, what actually happened. But

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<v Speaker 1>then we get to the point where the Americans get involved. Yeah,

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<v Speaker 1>as we moved deeper into the eighteen hundreds, things really

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<v Speaker 1>start cooking. The first one of note is William Austin Burt,

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<v Speaker 1>and he was an American engineer, and he was issued

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<v Speaker 1>a patent for what he called a typographer. And this

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<v Speaker 1>basically resembled a large chunk of wood and it had

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<v Speaker 1>sort of a clock like face on one side of it.

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<v Speaker 1>And according to this pattern, it was twelve by twelve,

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<v Speaker 1>so twelve inches wide, twelve inches tall, and then eighteen

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<v Speaker 1>inches long, so a little bit bigger than an actual

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<v Speaker 1>cube in terms of dimension. And then it was a

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<v Speaker 1>little bit clunky in its actual function because to type

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<v Speaker 1>a single letter, you'd have to rotate this lever and

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<v Speaker 1>then you would press down on it and make that

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<v Speaker 1>letter press against the paper, So you're kind of just

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<v Speaker 1>turning this dial to I try to imagine what it

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<v Speaker 1>would be like to like type an email that way,

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<v Speaker 1>and it makes me both laughing cringe at the same time.

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<v Speaker 1>There were a couple of things. I actually watched the

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<v Speaker 1>video of one of these being used, but it was

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<v Speaker 1>without any helpful narration to explain what was going on,

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<v Speaker 1>and I, honestly I could not tell how you could

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<v Speaker 1>make sure you were putting the right letter on the

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<v Speaker 1>right spot on a page. It almost looked like the

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<v Speaker 1>impressions on the page we're going willy nilly. But I've

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<v Speaker 1>seen actual letters that were written using the typographer, and

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<v Speaker 1>they look like a fairly not the not the neatest

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<v Speaker 1>type letter you've ever seen. But it is obviously a

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<v Speaker 1>typed letter, but neater than handwriting. Yeah, But however, it

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<v Speaker 1>was not faster than handwriting, so this particular device never

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<v Speaker 1>really took off. Also, there was a big setback we

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<v Speaker 1>talked about this, I think in our Sewing Machine episode

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<v Speaker 1>two we did, and it's actually come up in other

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<v Speaker 1>episodes we've done and stuff you missed in history class

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<v Speaker 1>that in UH six there was a huge fire at

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<v Speaker 1>the U. S. Patent Office which destroyed a lot of

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<v Speaker 1>historical records, including the only existing model of this device. Now,

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<v Speaker 1>there was a replica that was bilt and displayed for

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<v Speaker 1>the eighteen ninete Colombian Exposition in Chicago, So if you

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<v Speaker 1>weren't busy getting murdered by HH. Holmes, you could have

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<v Speaker 1>checked out the typographer. I believe that was the same

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<v Speaker 1>one as H. H. Holmes being active. I could be

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<v Speaker 1>wrong about that, but it seems correct, but I would

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<v Speaker 1>want to well at any rate. It just makes me

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<v Speaker 1>think of the Devil in the White City and a

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<v Speaker 1>fantastic book that everyone should check out about the the

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<v Speaker 1>exposition and also about H. H. Holmes. But yeah, so

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<v Speaker 1>at least there was this replica built, and I think

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<v Speaker 1>it was the replica of the Smithsonian I believe holds

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<v Speaker 1>the actual replica today and um I saw the video

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<v Speaker 1>of it being used in action, and again it didn't

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<v Speaker 1>have any helpful narration. The patent itself describes how it works,

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<v Speaker 1>but again it's using such obtunsee language that I could

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<v Speaker 1>not get the meaning from the description. Yeah, it's kind

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<v Speaker 1>of one of those things where if you had the

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<v Speaker 1>machine in the patent in hand and you could like

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<v Speaker 1>step through the steps and look it out, it would

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<v Speaker 1>probably become click crystal clear, right, I could be like

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<v Speaker 1>two elements of the key together. You cannot crack the

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<v Speaker 1>code exactly my it was. It was completely obscured from me. Now,

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<v Speaker 1>in eighteen forty three, we have another inventor, Charles Thurber,

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<v Speaker 1>who incorporates two things that become very important in later

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<v Speaker 1>h implementations of typewriters. He incorporates a movable carriage, that's

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<v Speaker 1>the part that holds the paper, and the carriage itself

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<v Speaker 1>moves as opposed to having to move the device around

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<v Speaker 1>the paper in order to print the next letter. So

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<v Speaker 1>you type a letter, the carriage moves a space so

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<v Speaker 1>that you can type the next letter, and then eventually

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<v Speaker 1>you have to do a carriage return so that you

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<v Speaker 1>can start typing again. Any of you guys out there

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<v Speaker 1>who never used a typewriter, and I assume there's probably

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<v Speaker 1>more of you than there than otherwise, since typewriters are

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<v Speaker 1>rarely used at all these days. You might not appreciate that,

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<v Speaker 1>but of course, you get to the end of a

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<v Speaker 1>line in a piece of paper and you have to

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<v Speaker 1>move down and across to the to get to the

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<v Speaker 1>next line, and that's what the character turn was all about.

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<v Speaker 1>Also implemented metal levers that stamped the letters or numbers

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<v Speaker 1>onto paper into his typing apparatus, and it was also

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<v Speaker 1>considered to be really slow and clunky and cumbersome, so

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<v Speaker 1>it never took off in the market, but those metal

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<v Speaker 1>levers would become important. The mechanical action of moving a

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<v Speaker 1>lever up to press against some sort of inked piece

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<v Speaker 1>of paper or maybe carbon paper, to then make an

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<v Speaker 1>impression against a blank sheet of papers that you stamp

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<v Speaker 1>whatever letter it is onto the sheet. Yeah, those carried

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<v Speaker 1>on for many, many, many many moons after that. Yeah,

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<v Speaker 1>it was. And this seems like a good time to

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<v Speaker 1>just mention we're really looking at the early years of

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<v Speaker 1>the typewriter and we're talking specifically about mechanical ones. We

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<v Speaker 1>could continue that discussion and get into things like, uh,

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<v Speaker 1>you know, electro mechanical and electric typewriter. That's that's an

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<v Speaker 1>entirely there like that would that would make a two

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<v Speaker 1>hour podcast. So we're really focusing on the mechanical ones here.

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<v Speaker 1>But uh, eighteen sixty seven is when we meet a

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<v Speaker 1>very important person and the way typewriters turned out. Yeah,

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<v Speaker 1>and we're going to give a little bit of backstory

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<v Speaker 1>on him because he is such a pivotal figure. So

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<v Speaker 1>Christopher Latham Shoals was a US inventor. He was actually

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<v Speaker 1>born in eighteen nineteen, so by the time he was

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<v Speaker 1>really kind of becoming a figure on the scene of typewriters,

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<v Speaker 1>he was pretty mature. He had apprenticed for a printer

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<v Speaker 1>for several years before he eventually became an editor at

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<v Speaker 1>the Wisconsin Inquirer, which was based out of Madison, Wisconsin.

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<v Speaker 1>And then he went on to work at other newspapers

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<v Speaker 1>as well and had them out and he even had

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<v Speaker 1>a little bit of a for a into a political career.

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<v Speaker 1>He served in the state legislature, and then he left

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<v Speaker 1>his newspaper time because someone very important sort of came

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<v Speaker 1>into his life, and that was President Lincoln who appointed

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<v Speaker 1>him as collector at the Port of Milwaukee. And so

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<v Speaker 1>in case anyone does not know what a collector at

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<v Speaker 1>a port. Is that's the person who is responsible for

0:12:59.520 --> 0:13:02.720
<v Speaker 1>collected import duties and taxes on goods that are entering

0:13:02.720 --> 0:13:05.280
<v Speaker 1>the port, and they oversee all those people that go

0:13:05.360 --> 0:13:07.680
<v Speaker 1>and do those things. I thought he was like a Somalia,

0:13:08.679 --> 0:13:13.200
<v Speaker 1>that kind of port collector, if only yeah, okay, Well

0:13:14.000 --> 0:13:16.920
<v Speaker 1>he ended up making friends with a fellow, Samuel soul

0:13:17.640 --> 0:13:19.880
<v Speaker 1>uh In. In eighteen sixty four, they were issued a

0:13:19.920 --> 0:13:24.080
<v Speaker 1>patent for a machine that would number pages. So it

0:13:24.160 --> 0:13:26.959
<v Speaker 1>was an idea. The idea was that would sequentially number

0:13:27.000 --> 0:13:29.920
<v Speaker 1>pages for like a book, So you would press this

0:13:29.960 --> 0:13:32.319
<v Speaker 1>button and you get three and then four and then five,

0:13:32.800 --> 0:13:36.040
<v Speaker 1>and it was considered to be a labor saving device.

0:13:36.960 --> 0:13:41.360
<v Speaker 1>But then another fellow, Carlos Carlos Glidden, who was also

0:13:41.720 --> 0:13:44.600
<v Speaker 1>a fellow inventor, you know, someone who liked to work

0:13:44.600 --> 0:13:47.960
<v Speaker 1>with this kind of stuff, looked at this and said, huh,

0:13:48.200 --> 0:13:50.840
<v Speaker 1>what if you were to, I don't know, take the

0:13:51.000 --> 0:13:54.000
<v Speaker 1>same principle that you created, but make it so that

0:13:54.040 --> 0:13:56.880
<v Speaker 1>you could type, you know, letters onto a piece of paper.

0:13:56.960 --> 0:13:59.760
<v Speaker 1>So you're using essentially the same approach that you're using here,

0:13:59.800 --> 0:14:02.400
<v Speaker 1>but now you can actually type in words and make

0:14:02.960 --> 0:14:09.360
<v Speaker 1>a mechanical typewriter yeah, and that suggestion pretty much change

0:14:09.440 --> 0:14:13.839
<v Speaker 1>shoals life forever. Was He then focused almost exclusively on

0:14:13.880 --> 0:14:16.160
<v Speaker 1>the typewriter for the rest of his career. And so

0:14:16.280 --> 0:14:19.560
<v Speaker 1>he produced a prototype this is around eighteen sixty eight,

0:14:19.600 --> 0:14:22.960
<v Speaker 1>but it could only print the letter W. It was

0:14:23.080 --> 0:14:26.320
<v Speaker 1>just really to show a proof of concept, and not

0:14:26.400 --> 0:14:31.080
<v Speaker 1>to my dearest woo. It wasn't like that, um, but

0:14:31.240 --> 0:14:33.400
<v Speaker 1>it was to see if he could actually do it.

0:14:33.480 --> 0:14:35.080
<v Speaker 1>And he did. And then they said, all right, let's

0:14:35.160 --> 0:14:40.360
<v Speaker 1>let's devote more effort into creating this, uh, this typewriter

0:14:40.440 --> 0:14:43.080
<v Speaker 1>and to try and make one that we can end

0:14:43.200 --> 0:14:46.760
<v Speaker 1>up marketing and patenting. Um. So in eighteen sixty eight

0:14:46.880 --> 0:14:50.440
<v Speaker 1>they had a typewriter patent issue to them two Shoals,

0:14:50.440 --> 0:14:54.760
<v Speaker 1>Glidden and Soul collectively, and Shoals was the primary person

0:14:54.840 --> 0:14:58.560
<v Speaker 1>on that patent. And uh, yeah, I love that the

0:14:58.600 --> 0:15:00.200
<v Speaker 1>note you have here that the first protes it was

0:15:00.240 --> 0:15:02.840
<v Speaker 1>similar to a telegraph key. That exactly is what it

0:15:02.920 --> 0:15:04.720
<v Speaker 1>was like. You pressed down, you get that little W

0:15:05.040 --> 0:15:08.280
<v Speaker 1>and you're like, just send all the ws you want now. Granted,

0:15:08.320 --> 0:15:10.040
<v Speaker 1>if you if you get the letter upside down, you

0:15:10.040 --> 0:15:12.160
<v Speaker 1>think it's just there. You go like, we had a

0:15:12.200 --> 0:15:15.160
<v Speaker 1>really good if you flipped your page a lot, it's

0:15:15.160 --> 0:15:17.200
<v Speaker 1>about it. And they did end up getting two more

0:15:17.280 --> 0:15:20.960
<v Speaker 1>patents issued in the following years because you know, they

0:15:20.960 --> 0:15:23.600
<v Speaker 1>were all inventors and tin careers, as we've said, so

0:15:23.640 --> 0:15:26.720
<v Speaker 1>they were constantly trying to improve upon it. We're gonna

0:15:26.720 --> 0:15:29.080
<v Speaker 1>take a quick break, but we'll be right back with

0:15:29.200 --> 0:15:41.400
<v Speaker 1>more about typewriters after these messages. So in eighteen seventy

0:15:41.520 --> 0:15:48.440
<v Speaker 1>we get one of the coolest, weirdest typewriters ever, Rasmus

0:15:48.560 --> 0:15:53.040
<v Speaker 1>molly Hanson invented what is called the writing ball. And

0:15:53.160 --> 0:15:55.080
<v Speaker 1>you guys, you need to if you don't know what

0:15:55.160 --> 0:15:57.880
<v Speaker 1>this looks like, you've got to go on a on

0:15:57.920 --> 0:16:00.640
<v Speaker 1>a Google image search or something pull up picture of

0:16:00.680 --> 0:16:04.600
<v Speaker 1>the Rasmus Mulling Henson writing ball or typewriter ball. If

0:16:04.800 --> 0:16:07.160
<v Speaker 1>that that will probably bring it up to It looks

0:16:07.200 --> 0:16:09.640
<v Speaker 1>like it could come right out of like a Clive

0:16:09.680 --> 0:16:18.240
<v Speaker 1>Barker hell razor Kin. Yeah, it's like Pinhead's cousin, you know, Keyhead. Yeah,

0:16:18.320 --> 0:16:21.760
<v Speaker 1>maybe that could be it. Uh So, Yeah, you look

0:16:21.800 --> 0:16:24.040
<v Speaker 1>at this thing. It looks like it's it's a sphere

0:16:24.080 --> 0:16:25.600
<v Speaker 1>that's been cut in half and it's got all the

0:16:25.600 --> 0:16:29.760
<v Speaker 1>little keys that stick out of it um and the

0:16:30.040 --> 0:16:34.440
<v Speaker 1>Malling Hanson Society, which by the way, is more than

0:16:34.480 --> 0:16:40.120
<v Speaker 1>a little biased, they call it the world's first commercially

0:16:40.240 --> 0:16:45.000
<v Speaker 1>produced typewriter, and Mulling Hanson received lots of different prizes

0:16:45.040 --> 0:16:47.560
<v Speaker 1>and recognition at various events around the world, mainly in

0:16:47.600 --> 0:16:50.560
<v Speaker 1>Europe but also in the United States were producing this

0:16:50.560 --> 0:16:55.640
<v Speaker 1>this particular piece of technology, and his version would evolve

0:16:55.840 --> 0:16:59.120
<v Speaker 1>over time. It wasn't just you know, it wasn't one

0:16:59.200 --> 0:17:01.040
<v Speaker 1>set and then it stay that way, but it always

0:17:01.080 --> 0:17:05.480
<v Speaker 1>retained that strange kind of ball shape. And the society

0:17:05.560 --> 0:17:08.600
<v Speaker 1>also claims that the key layout on the writing ball

0:17:08.880 --> 0:17:12.400
<v Speaker 1>allowed for much faster typing than the Quarty based keyboards

0:17:12.400 --> 0:17:14.720
<v Speaker 1>that would soon follow. So we still haven't gotten to

0:17:14.760 --> 0:17:17.920
<v Speaker 1>the point where the Quarty keyboard is a thing that's

0:17:17.920 --> 0:17:21.920
<v Speaker 1>coming pretty soon. But the society is like, well, that

0:17:22.040 --> 0:17:25.480
<v Speaker 1>keyboard was slow and and and laborious. This thing you

0:17:25.520 --> 0:17:29.440
<v Speaker 1>could type really really quickly. Now, each key was connected

0:17:29.480 --> 0:17:32.040
<v Speaker 1>to a piston, and the piston would stamp a piece

0:17:32.080 --> 0:17:35.320
<v Speaker 1>of paper, either through a carbon paper or InCD ribbon.

0:17:35.560 --> 0:17:38.840
<v Speaker 1>The paper itself was on kind of this curved um

0:17:39.440 --> 0:17:42.040
<v Speaker 1>uh setting like you would you would put it there

0:17:42.080 --> 0:17:44.359
<v Speaker 1>was these long sheets of paper and they fit on

0:17:44.400 --> 0:17:49.600
<v Speaker 1>this little curve platform that would ratchet up by by

0:17:49.680 --> 0:17:54.800
<v Speaker 1>piece by piece. So if you're typing, like facing the object, uh,

0:17:54.840 --> 0:17:57.159
<v Speaker 1>it's almost like it's at a ninety degree angle the

0:17:57.200 --> 0:18:00.520
<v Speaker 1>way that the paper is being typed. So you wouldn't

0:18:00.560 --> 0:18:02.920
<v Speaker 1>type this like you would on a typewriter where you could,

0:18:03.400 --> 0:18:05.800
<v Speaker 1>especially a modern typewriter where you can actually see what

0:18:05.960 --> 0:18:09.280
<v Speaker 1>you've just typed. You type out a line and it

0:18:09.280 --> 0:18:11.480
<v Speaker 1>would it would be like it would look like it's

0:18:11.520 --> 0:18:14.119
<v Speaker 1>going vertically across the page to you, but it's because

0:18:14.119 --> 0:18:17.080
<v Speaker 1>the entire page is ninety degrees from you. So it's

0:18:17.119 --> 0:18:22.280
<v Speaker 1>a really odd thing. And Terry Gilliam like, that's it's

0:18:22.320 --> 0:18:25.240
<v Speaker 1>a very Terry Gilliam historical film kind of piece you

0:18:25.240 --> 0:18:28.040
<v Speaker 1>would see. I would completely expect to see this in

0:18:28.080 --> 0:18:31.680
<v Speaker 1>the background during Brazil, for example. It would fit in exact.

0:18:31.720 --> 0:18:33.160
<v Speaker 1>In fact, when I saw it, I thought, this looks

0:18:33.200 --> 0:18:37.080
<v Speaker 1>like something from Brazil, or maybe twelve Monkeys. But Molly

0:18:37.200 --> 0:18:40.320
<v Speaker 1>Hanson died when he was only fifty five years old

0:18:40.480 --> 0:18:44.480
<v Speaker 1>in eight and he had an outstanding order for one

0:18:44.920 --> 0:18:48.199
<v Speaker 1>writing balls from a manufacturer, and the manufacturer, you know,

0:18:48.280 --> 0:18:51.680
<v Speaker 1>canceled it because the guy died and since that point

0:18:52.080 --> 0:18:54.399
<v Speaker 1>no one ever made any more of them. They are

0:18:54.960 --> 0:18:57.600
<v Speaker 1>collector's items. I think one sold for like a hundred

0:18:57.600 --> 0:19:00.399
<v Speaker 1>thousand euros at an auction not too long ago. There

0:19:00.440 --> 0:19:03.600
<v Speaker 1>are a few in museums. They are considered to be uh,

0:19:04.480 --> 0:19:08.600
<v Speaker 1>really lovely pieces for people who have lots and lots

0:19:08.600 --> 0:19:12.119
<v Speaker 1>of money, so not highly coveted in the typewriter aficion

0:19:12.160 --> 0:19:16.400
<v Speaker 1>auto herd. Yeah, and who knew there is one? Oh? Yeah,

0:19:16.480 --> 0:19:20.040
<v Speaker 1>I actually I own a good old uh. I think

0:19:20.080 --> 0:19:23.600
<v Speaker 1>it's a owned a Rimington's and an Underwood and old.

0:19:23.920 --> 0:19:26.600
<v Speaker 1>Both of them are pretty old um that I just

0:19:26.680 --> 0:19:29.439
<v Speaker 1>happened to find it like a h an old uh

0:19:29.960 --> 0:19:32.560
<v Speaker 1>secondhand shop, and I was very proud of them. They are,

0:19:32.600 --> 0:19:35.080
<v Speaker 1>by the way, some of the heaviest pieces of technology

0:19:35.080 --> 0:19:37.120
<v Speaker 1>I've ever had to carry. Yeah, we have an Underwood

0:19:37.200 --> 0:19:39.679
<v Speaker 1>number five that has been in my husband's family forever

0:19:40.240 --> 0:19:43.160
<v Speaker 1>and it needs some work, but it's that's a backbreaker

0:19:43.160 --> 0:19:46.160
<v Speaker 1>to hook it around there. Well. One interesting thing about

0:19:46.200 --> 0:19:49.520
<v Speaker 1>the writing ball, apart from its strange shape and the

0:19:49.520 --> 0:19:52.480
<v Speaker 1>fact that it's supposedly was much more easy to type

0:19:52.480 --> 0:19:55.879
<v Speaker 1>on than the quirty keyboards, was that a famous person

0:19:56.440 --> 0:20:00.359
<v Speaker 1>owned one Friedrich Nietici. Did I hear the it was

0:20:00.400 --> 0:20:03.879
<v Speaker 1>a gift from his sister and his mother. That's what

0:20:04.119 --> 0:20:08.119
<v Speaker 1>I had originally read, although I never substantiated it. I

0:20:08.119 --> 0:20:11.600
<v Speaker 1>couldn't find a actual sources that said that was true.

0:20:11.880 --> 0:20:13.680
<v Speaker 1>That's what I heard, But I also heard that Molly

0:20:13.760 --> 0:20:17.080
<v Speaker 1>Hanson delivered it in person to Nietici, so it may

0:20:17.119 --> 0:20:19.440
<v Speaker 1>be that it was arranged by his mother and sister.

0:20:19.880 --> 0:20:24.040
<v Speaker 1>Is we enter the realm of myth occasionally, and I

0:20:24.040 --> 0:20:26.439
<v Speaker 1>think this is one of those times. So Nietzie his

0:20:26.560 --> 0:20:29.119
<v Speaker 1>vision was failing, so he needed to have something to

0:20:29.160 --> 0:20:31.640
<v Speaker 1>help him right. He wanted to continue writing, but he

0:20:31.720 --> 0:20:35.400
<v Speaker 1>could not really see to write out things Longhand. And

0:20:35.440 --> 0:20:38.000
<v Speaker 1>what's really cool to me is that there are scholars

0:20:38.080 --> 0:20:41.320
<v Speaker 1>who talk about how Nietchie's writing. The style of Nizi's

0:20:41.359 --> 0:20:45.560
<v Speaker 1>writing changed when he switched over to typing on the

0:20:45.600 --> 0:20:48.000
<v Speaker 1>writing ball as opposed to trying to write in Longhand.

0:20:48.600 --> 0:20:51.000
<v Speaker 1>And you might argue that that style could have been

0:20:51.000 --> 0:20:53.280
<v Speaker 1>affected by the fact that he could no longer really see,

0:20:53.720 --> 0:20:56.320
<v Speaker 1>but most people said that it was the actual mechanical

0:20:56.400 --> 0:21:00.240
<v Speaker 1>process of typing on the keys that changed the tone

0:21:00.280 --> 0:21:03.879
<v Speaker 1>of his writing, and Niechee's response to this was actually

0:21:03.880 --> 0:21:07.240
<v Speaker 1>that he agreed. He said, our writing equipment takes part

0:21:07.600 --> 0:21:10.520
<v Speaker 1>in the forming of our thoughts. So the way that

0:21:10.560 --> 0:21:14.400
<v Speaker 1>we are expressing ourselves, the medium through which we do it,

0:21:14.440 --> 0:21:18.440
<v Speaker 1>impacts the way we we expressed that thought. And if

0:21:18.480 --> 0:21:20.480
<v Speaker 1>we're writing, longhand, we're going to do it in a

0:21:20.480 --> 0:21:22.520
<v Speaker 1>different way than if we're typing. I think a lot

0:21:22.560 --> 0:21:25.160
<v Speaker 1>of people would actually agree with that. But it's kind

0:21:25.160 --> 0:21:28.800
<v Speaker 1>of fascinating those this early on in the birth of

0:21:28.840 --> 0:21:32.840
<v Speaker 1>the typewriter that we see someone make that observation. Wouldn't

0:21:32.880 --> 0:21:39.439
<v Speaker 1>he be fascinated by texting? Probably? Omg uh. And I

0:21:39.440 --> 0:21:42.400
<v Speaker 1>mean I completely subscribed to that mode of thought because

0:21:42.440 --> 0:21:45.640
<v Speaker 1>I know even if I change pens, my handwriting changes,

0:21:46.560 --> 0:21:50.120
<v Speaker 1>and the tone of my writing will change based on that.

0:21:50.280 --> 0:21:52.840
<v Speaker 1>If I have to write and pen, the tone changes

0:21:52.920 --> 0:21:55.280
<v Speaker 1>so that I write as brief message as I possibly

0:21:55.280 --> 0:21:58.160
<v Speaker 1>can because I'm left handed, so I smudge a lot.

0:21:58.480 --> 0:22:02.200
<v Speaker 1>But at any rate, getting back to in eighteen seventy three,

0:22:02.240 --> 0:22:07.600
<v Speaker 1>back to shoals And and his fully functional typewriter. Now, uh,

0:22:07.640 --> 0:22:11.560
<v Speaker 1>it was finally a real improvement here in the United

0:22:11.600 --> 0:22:14.639
<v Speaker 1>States over just writing things out with a pen. It was,

0:22:14.800 --> 0:22:17.760
<v Speaker 1>it was faster, it was easier. And that's where we

0:22:17.840 --> 0:22:21.800
<v Speaker 1>get to the Shoals and Glitten typewriter. Yeah, as we

0:22:21.840 --> 0:22:24.000
<v Speaker 1>mentioned sort of where we left off with these guys

0:22:24.119 --> 0:22:28.240
<v Speaker 1>before we went to the ball, they were they had

0:22:28.480 --> 0:22:32.119
<v Speaker 1>additional patents. They had really sort of started to refine

0:22:32.160 --> 0:22:34.280
<v Speaker 1>and develop this thing, but they were having some very

0:22:34.320 --> 0:22:37.680
<v Speaker 1>serious money problems. They just did not have the capital

0:22:37.840 --> 0:22:40.320
<v Speaker 1>to start churning these things out on their own. So

0:22:40.440 --> 0:22:43.639
<v Speaker 1>they sold the patent rights for twelve thousand dollars in

0:22:43.720 --> 0:22:47.119
<v Speaker 1>eighteen seventy three, some serious money in eighteen Yeah, that

0:22:47.240 --> 0:22:50.000
<v Speaker 1>is not jump change. And the company that bought those

0:22:50.080 --> 0:22:54.280
<v Speaker 1>rights was the Remington's Arms Company. Wait like like like

0:22:54.320 --> 0:22:57.280
<v Speaker 1>the gun. Uh, Well they did a lot of they

0:22:57.280 --> 0:22:59.800
<v Speaker 1>had their hands in many many pies. Uh. And so

0:23:00.160 --> 0:23:04.080
<v Speaker 1>Shoals continue to work with Remington's on this on the

0:23:04.119 --> 0:23:07.320
<v Speaker 1>development of the typewriter, and the company had resources and

0:23:07.359 --> 0:23:10.440
<v Speaker 1>machinery where they could develop and manufacture things and it

0:23:10.480 --> 0:23:14.280
<v Speaker 1>would eventually become the Remington typewriter, although the initially the

0:23:14.359 --> 0:23:16.520
<v Speaker 1>very first model that came out was still called the

0:23:16.560 --> 0:23:20.520
<v Speaker 1>Shoals in Glitten, right, And you know Remington make the

0:23:20.600 --> 0:23:24.400
<v Speaker 1>joke about the company that makes guns. Uh. We talked

0:23:24.400 --> 0:23:26.480
<v Speaker 1>about them, I think in our sewing machine episode, because

0:23:26.480 --> 0:23:29.320
<v Speaker 1>they also made sewing machines. Uh. It was one of

0:23:29.400 --> 0:23:32.480
<v Speaker 1>the things that allowed them to say like, well, we've

0:23:32.520 --> 0:23:34.760
<v Speaker 1>got a lot of the we've got a lot of

0:23:34.760 --> 0:23:39.440
<v Speaker 1>of expertise in making these machine parts, these fiddly bits

0:23:39.480 --> 0:23:42.960
<v Speaker 1>that need to all work together, so I think that

0:23:43.040 --> 0:23:46.000
<v Speaker 1>we can take this on and uh, yeah, it was

0:23:46.880 --> 0:23:48.600
<v Speaker 1>if we If you were to look at the shoals

0:23:48.600 --> 0:23:53.080
<v Speaker 1>and glitten typewriter, the first match to come out, you'd

0:23:53.119 --> 0:23:57.119
<v Speaker 1>see all the basic parts of typewriters that would follow

0:23:57.160 --> 0:24:01.080
<v Speaker 1>for many years afterwards, decades afterwards. So they it had

0:24:01.119 --> 0:24:03.000
<v Speaker 1>the keys that were linked to leavers. These were the

0:24:03.040 --> 0:24:06.200
<v Speaker 1>mechanical so you pressed down on a key would cause

0:24:06.240 --> 0:24:09.480
<v Speaker 1>the lever to pivot uh and hit a sheet of

0:24:09.520 --> 0:24:13.800
<v Speaker 1>paper first of course, striking an inked ribbon. So that's

0:24:13.840 --> 0:24:17.200
<v Speaker 1>what actually would stamp the letter onto the sheet of paper.

0:24:17.960 --> 0:24:21.879
<v Speaker 1>And uh. And however, you were had some limitations here,

0:24:21.880 --> 0:24:25.280
<v Speaker 1>like you could type any letter you wanted only if

0:24:25.280 --> 0:24:27.800
<v Speaker 1>you love capitals the right this is this is like

0:24:28.320 --> 0:24:33.720
<v Speaker 1>the constant. The first typewriters were like YouTube commenters who

0:24:33.760 --> 0:24:36.199
<v Speaker 1>haven't figured out that the caps lock is not really

0:24:36.240 --> 0:24:39.520
<v Speaker 1>an effective means of trying to get your point across. Um, yeah,

0:24:39.560 --> 0:24:41.560
<v Speaker 1>there there were There were no lower case letters. Is

0:24:41.600 --> 0:24:47.400
<v Speaker 1>all upper case. And it also introduced the now standard

0:24:47.840 --> 0:24:52.480
<v Speaker 1>Corty keyboard. And you might ask, why the heck is

0:24:52.560 --> 0:24:55.760
<v Speaker 1>the keyboard like that? Why do we have this weird layout?

0:24:56.240 --> 0:24:58.240
<v Speaker 1>You know, if you were to look at a keyboard,

0:24:58.400 --> 0:25:00.360
<v Speaker 1>just take a look at a keyboard, and we're near

0:25:00.400 --> 0:25:02.840
<v Speaker 1>you at the moment, you'll see. Yeah, you're right. The

0:25:03.200 --> 0:25:06.359
<v Speaker 1>letters are not in any kind of order that I

0:25:06.400 --> 0:25:10.080
<v Speaker 1>would normally consider. So why is that? And there are

0:25:10.080 --> 0:25:12.000
<v Speaker 1>a couple of reasons, or at least a couple of

0:25:12.280 --> 0:25:15.160
<v Speaker 1>reasons that we tend to think of today. The real

0:25:15.280 --> 0:25:18.560
<v Speaker 1>reason is possibly lost to antiquity, but we can make

0:25:18.600 --> 0:25:21.600
<v Speaker 1>some guesses. I think it's a combo burrito of these reasons.

0:25:21.640 --> 0:25:24.640
<v Speaker 1>I think so too. The first one is that one

0:25:24.640 --> 0:25:28.199
<v Speaker 1>of the problems was that if a user type too quickly, uh,

0:25:28.240 --> 0:25:32.320
<v Speaker 1>the letters would jam up. Yeah, the levers would cross

0:25:32.400 --> 0:25:35.240
<v Speaker 1>one another, they get stuck. Then you'd have to unstick

0:25:35.320 --> 0:25:37.760
<v Speaker 1>the levers, get them all back in place, and start again.

0:25:37.760 --> 0:25:41.080
<v Speaker 1>Because keep in mind, this is purely mechanical yeah, So

0:25:41.200 --> 0:25:43.920
<v Speaker 1>there is the the story that it was designed. This

0:25:44.000 --> 0:25:46.400
<v Speaker 1>keyboard layout is designed to kind of slow you down

0:25:46.440 --> 0:25:49.440
<v Speaker 1>and not necessarily be intuitive, where one letter follows another

0:25:49.440 --> 0:25:52.159
<v Speaker 1>the way you would anticipate. So it's still faster than writing,

0:25:52.359 --> 0:25:54.200
<v Speaker 1>but not as fast as you would like it to be,

0:25:54.200 --> 0:25:55.959
<v Speaker 1>because if it were as fast as you like it

0:25:56.000 --> 0:25:58.800
<v Speaker 1>to be, it would all jam up. That's that's one story.

0:25:59.359 --> 0:26:03.919
<v Speaker 1>Another one is just that the printing bars themselves, they

0:26:04.000 --> 0:26:08.280
<v Speaker 1>wanted to separate out letters that would be uh common

0:26:08.800 --> 0:26:13.879
<v Speaker 1>combinations so together. You wouldn't want the T, N H

0:26:14.080 --> 0:26:17.480
<v Speaker 1>to to be placed so that the two bars would

0:26:17.480 --> 0:26:19.280
<v Speaker 1>be right next to each other, because they'd be more

0:26:19.359 --> 0:26:22.199
<v Speaker 1>likely to jam one another. So you wanted to spread

0:26:22.200 --> 0:26:25.119
<v Speaker 1>it out so that any letters that would be a

0:26:25.160 --> 0:26:29.600
<v Speaker 1>good combination would normally come from different parts of the machine,

0:26:29.960 --> 0:26:32.640
<v Speaker 1>which meant that the keys themselves had to be placed

0:26:32.960 --> 0:26:35.040
<v Speaker 1>in specific parts. So I'm guessing there was a lot

0:26:35.119 --> 0:26:37.960
<v Speaker 1>of R and D that they did to figure out, like, well,

0:26:38.400 --> 0:26:40.160
<v Speaker 1>if we put the T here, where do we put

0:26:40.160 --> 0:26:41.800
<v Speaker 1>the H? Because the if the H is right here,

0:26:41.800 --> 0:26:43.760
<v Speaker 1>it's gonna mess everything up. I was gonna say, I

0:26:43.800 --> 0:26:46.320
<v Speaker 1>bet there is a notebook somewhere of like the most

0:26:46.440 --> 0:26:51.040
<v Speaker 1>wonderfully bizarre series of tests and notes on how they

0:26:51.080 --> 0:26:54.440
<v Speaker 1>could and couldn't arrange these. I can just imagine notes

0:26:54.480 --> 0:26:59.000
<v Speaker 1>like glidden tried, uh tried keyboard number seven and caught

0:26:59.000 --> 0:27:03.280
<v Speaker 1>fire today toss that one out. Uh yeah, So it's

0:27:03.280 --> 0:27:07.919
<v Speaker 1>probably a combination of these two things. I personally it

0:27:08.040 --> 0:27:11.200
<v Speaker 1>maybe that they wanted to physically slow people down so

0:27:11.240 --> 0:27:14.679
<v Speaker 1>that they made the keyboard awkward as a result, But

0:27:14.760 --> 0:27:17.040
<v Speaker 1>I think it's probably more likely they wanted to just

0:27:17.119 --> 0:27:19.959
<v Speaker 1>get these letters as far apart the levers as far

0:27:20.000 --> 0:27:22.760
<v Speaker 1>apart from the most common letters as possible, and as

0:27:22.800 --> 0:27:26.440
<v Speaker 1>a result, the keyboard is awkward and thus were slowed down.

0:27:26.480 --> 0:27:29.399
<v Speaker 1>But that that was not necessarily the intent, however, I

0:27:29.440 --> 0:27:33.640
<v Speaker 1>don't know for sure. Here's my favorite fact about the

0:27:33.680 --> 0:27:37.359
<v Speaker 1>shoals in Gluten typewriter. Okay, it was made by Remington's

0:27:37.400 --> 0:27:40.840
<v Speaker 1>sewing machine division, And if you have ever seen an

0:27:40.840 --> 0:27:43.920
<v Speaker 1>older like treadle sewing machine, they often have these beautifully

0:27:43.920 --> 0:27:47.200
<v Speaker 1>embellished little flowers and stuff on them. So did the typewriter.

0:27:47.720 --> 0:27:51.480
<v Speaker 1>And not only that, but the earliest typewriters they had

0:27:51.880 --> 0:27:54.000
<v Speaker 1>they were on top of a of a of a

0:27:54.080 --> 0:27:56.520
<v Speaker 1>pedestal like a sewing machine. It was like part of

0:27:56.520 --> 0:27:59.679
<v Speaker 1>a of a table almost, and they even had the

0:28:00.040 --> 0:28:03.200
<v Speaker 1>least ones had foot pedals for the carriage return. Yeah,

0:28:03.400 --> 0:28:06.280
<v Speaker 1>and so you would make sense if that's your manufacturing equipment,

0:28:06.720 --> 0:28:08.960
<v Speaker 1>you have an engineer that goes, we can adapt that well. Yeah,

0:28:09.080 --> 0:28:11.639
<v Speaker 1>especially if they're saying, look how effective this is on

0:28:11.680 --> 0:28:14.280
<v Speaker 1>sewing machines, It only makes sense that we should have

0:28:14.320 --> 0:28:16.399
<v Speaker 1>it where the same sort of thing works here. The

0:28:16.480 --> 0:28:19.520
<v Speaker 1>only problem was that they discovered that putting the pedal

0:28:19.680 --> 0:28:23.240
<v Speaker 1>it wasn't always reliable. The carriage would catch, it would

0:28:23.280 --> 0:28:26.160
<v Speaker 1>be problems that would get jammed up, and so it

0:28:26.240 --> 0:28:29.320
<v Speaker 1>wasn't It wasn't long after that. I think it might

0:28:29.359 --> 0:28:32.479
<v Speaker 1>have even been their second model where they introduced the

0:28:32.680 --> 0:28:35.240
<v Speaker 1>hand powered carriage return, where that would be a little

0:28:35.320 --> 0:28:38.120
<v Speaker 1>lever on one side. When you depressed the lever, it

0:28:38.120 --> 0:28:40.560
<v Speaker 1>allows you to push the carriage back to a starting

0:28:40.560 --> 0:28:44.959
<v Speaker 1>position and start over again. So whenever you hear old

0:28:45.200 --> 0:28:47.920
<v Speaker 1>movies where you hear the typewriting sound and you hear thing,

0:28:48.280 --> 0:28:49.920
<v Speaker 1>that was the indicator that you were getting toward the

0:28:50.000 --> 0:28:51.520
<v Speaker 1>end of the line. You needed to hit a character

0:28:51.560 --> 0:28:54.240
<v Speaker 1>turn start the next next page. Did you ever type

0:28:54.240 --> 0:28:57.800
<v Speaker 1>on a regular typewriter. Yeah, because I remember I would

0:28:57.840 --> 0:29:00.240
<v Speaker 1>hear the ding and I would try to keep going

0:29:00.240 --> 0:29:02.760
<v Speaker 1>as long as I could because I was an obstinate.

0:29:03.040 --> 0:29:05.160
<v Speaker 1>It was just you were playing chicken with the end

0:29:05.200 --> 0:29:07.320
<v Speaker 1>of that piece of paper. I was also young enough

0:29:07.320 --> 0:29:09.600
<v Speaker 1>that it wasn't really life and death kind of situation

0:29:10.080 --> 0:29:15.160
<v Speaker 1>I had. I had the typewriter I was using as

0:29:15.160 --> 0:29:20.840
<v Speaker 1>a kid was not It wasn't a hand powered carriage return.

0:29:21.120 --> 0:29:23.760
<v Speaker 1>It was an electric typewriter. But it still would do

0:29:23.840 --> 0:29:26.320
<v Speaker 1>the ding. It wouldn't automatically go to the next line.

0:29:26.560 --> 0:29:29.400
<v Speaker 1>You had to hit a hard return to do it.

0:29:29.440 --> 0:29:31.880
<v Speaker 1>But I did type on that kind of typewriter as

0:29:31.880 --> 0:29:36.360
<v Speaker 1>a kid. So there's a no here about this being

0:29:36.720 --> 0:29:40.080
<v Speaker 1>an understroke machine. Holly, can you explain to me what

0:29:40.200 --> 0:29:43.040
<v Speaker 1>that means. Yeah, So this is what's also referred to

0:29:43.120 --> 0:29:46.160
<v Speaker 1>as a blind machine. And the way that the keys

0:29:46.240 --> 0:29:51.080
<v Speaker 1>were arranged and where they struck meant that the space

0:29:51.120 --> 0:29:54.600
<v Speaker 1>on which they typed was actually covered. It sat in

0:29:54.640 --> 0:29:57.640
<v Speaker 1>like this little basket underneath the keys, so that the

0:29:57.680 --> 0:30:01.040
<v Speaker 1>type is could not actually see what they typing. They

0:30:01.040 --> 0:30:03.760
<v Speaker 1>had to lift up the carriage to check things out.

0:30:03.920 --> 0:30:06.680
<v Speaker 1>And you've probably seen that happen in movies sometimes, like

0:30:07.160 --> 0:30:10.000
<v Speaker 1>older movies, where you'll see the secretary typing away and

0:30:10.040 --> 0:30:12.040
<v Speaker 1>then she'll pause and lift up the carriage and check.

0:30:12.120 --> 0:30:14.800
<v Speaker 1>And that's what's going on, is that she simply could

0:30:14.840 --> 0:30:17.320
<v Speaker 1>not see what she was typing. Right. You would didn't

0:30:17.360 --> 0:30:19.520
<v Speaker 1>have any field of view of that at all. So

0:30:19.840 --> 0:30:22.080
<v Speaker 1>once you started typing several lines, you could see the

0:30:22.080 --> 0:30:24.719
<v Speaker 1>things that you type ten minutes ago, but you couldn't

0:30:24.720 --> 0:30:27.719
<v Speaker 1>see the actual line that you're typing at that moment, right,

0:30:27.760 --> 0:30:29.560
<v Speaker 1>which I would think would be maddening, But I guess

0:30:29.680 --> 0:30:32.800
<v Speaker 1>people adapt to anything. Well, yeah, I think I've finally

0:30:32.840 --> 0:30:35.480
<v Speaker 1>gotten to a point now where I can type without

0:30:35.520 --> 0:30:38.040
<v Speaker 1>looking at the screen and I can be fairly confident

0:30:38.080 --> 0:30:41.240
<v Speaker 1>that I'm doing it properly. But when I was learning,

0:30:41.240 --> 0:30:45.840
<v Speaker 1>it certainly would have been a detriment seeing not knowing

0:30:46.120 --> 0:30:48.480
<v Speaker 1>if I typed, you know, something that was intelligible or

0:30:48.480 --> 0:30:53.160
<v Speaker 1>just gobbledegook um. An interesting little little point here. We

0:30:53.200 --> 0:30:56.200
<v Speaker 1>talked about Nietzsche previously with the typing ball. Well, the

0:30:56.240 --> 0:31:01.360
<v Speaker 1>original Remington typewriter also had a celebrity uh consumer, Mark Twain.

0:31:02.000 --> 0:31:05.400
<v Speaker 1>He purchased an early Remington typewriter for the princely sum

0:31:05.680 --> 0:31:10.280
<v Speaker 1>of dollars back in eighteen seventy four, and then later

0:31:10.360 --> 0:31:13.200
<v Speaker 1>on wrote a letter to the Remington Company using the

0:31:13.280 --> 0:31:16.560
<v Speaker 1>typewriter that said he would stop using the typewriter because

0:31:16.600 --> 0:31:18.120
<v Speaker 1>he said it was a bad influence. I think he

0:31:18.160 --> 0:31:21.400
<v Speaker 1>said it was specifically it was corrupting his morals because

0:31:21.400 --> 0:31:25.959
<v Speaker 1>it was causing him to swear so much. However, in

0:31:26.000 --> 0:31:29.440
<v Speaker 1>his nineteen oh four autobiography, Twain said that his first

0:31:29.520 --> 0:31:34.000
<v Speaker 1>novel was written on a typewriter, which isn't actually true,

0:31:34.360 --> 0:31:36.640
<v Speaker 1>because his first novel was Tom Sawyer and that was

0:31:36.800 --> 0:31:40.520
<v Speaker 1>on a handwritten manuscript. His book was not a novel,

0:31:40.600 --> 0:31:44.360
<v Speaker 1>but his book Life on the Mississippi, was typed, although

0:31:44.400 --> 0:31:47.400
<v Speaker 1>some suspect that by then he had employed a type

0:31:47.520 --> 0:31:51.600
<v Speaker 1>ist and that he essentially dictated the book to the typeist,

0:31:51.640 --> 0:31:55.240
<v Speaker 1>and that he maintained his distance from the infernal device

0:31:55.920 --> 0:31:58.800
<v Speaker 1>his moral high ground. Yes, he was, he was, his

0:31:58.800 --> 0:32:04.040
<v Speaker 1>his morality was reserved. Not long after the Shoals and

0:32:04.040 --> 0:32:08.000
<v Speaker 1>Glynn typewriter came out, another one called the calligraph branded

0:32:08.000 --> 0:32:11.479
<v Speaker 1>typewriter appeared on the market, and this machine made another

0:32:11.560 --> 0:32:14.520
<v Speaker 1>little step forward in terms of technology, and that now

0:32:14.640 --> 0:32:17.520
<v Speaker 1>you could have upper or lower case. It was your choice.

0:32:17.560 --> 0:32:19.440
<v Speaker 1>You could use them both, but they had a separate

0:32:19.480 --> 0:32:21.880
<v Speaker 1>set of keys for each instead of like the shift key.

0:32:21.920 --> 0:32:25.360
<v Speaker 1>That was so twice as many keys. Yeah, wow, I

0:32:25.720 --> 0:32:29.840
<v Speaker 1>can't imagine what that must have looked like, dizziness, I would, Yeah,

0:32:30.000 --> 0:32:33.320
<v Speaker 1>it would have to be. So those two were clunking

0:32:33.320 --> 0:32:36.560
<v Speaker 1>around and giving people opportunities to type like the wind

0:32:36.640 --> 0:32:39.800
<v Speaker 1>for a while before in the Smith Premier came onto

0:32:39.840 --> 0:32:43.440
<v Speaker 1>the market, it to use the Corty keyboard, and at

0:32:43.440 --> 0:32:48.080
<v Speaker 1>that point that was becoming really standard in terms of, uh,

0:32:48.600 --> 0:32:51.040
<v Speaker 1>how typing machines were going to work, and so a

0:32:51.080 --> 0:32:54.200
<v Speaker 1>lot of typewriters at this point we're starting to adopt

0:32:54.320 --> 0:32:57.040
<v Speaker 1>this basic form factor, the one that we associate with

0:32:57.080 --> 0:33:00.600
<v Speaker 1>old typewriters, but not everyone. No, we're going to talk

0:33:00.600 --> 0:33:03.360
<v Speaker 1>about a really cool one. Yeah, and this really is

0:33:03.560 --> 0:33:05.240
<v Speaker 1>awesome if you take a look at some of the

0:33:05.280 --> 0:33:07.760
<v Speaker 1>ones we're about to talk about. Yeah, we're going to

0:33:07.800 --> 0:33:10.120
<v Speaker 1>take a quick pause on the episode for a break,

0:33:10.160 --> 0:33:20.760
<v Speaker 1>but we will be right back. So we're going back

0:33:20.840 --> 0:33:22.600
<v Speaker 1>a few years to kind of the middle of that

0:33:22.720 --> 0:33:25.920
<v Speaker 1>between eighteen eight and eight nine, where things were mostly

0:33:25.920 --> 0:33:29.640
<v Speaker 1>pretty much Smith Glitten Remington and then the Smith's premiere

0:33:30.160 --> 0:33:33.760
<v Speaker 1>uh to talk about the Hammond. And this did not

0:33:33.960 --> 0:33:37.560
<v Speaker 1>follow the similar design to the Shoals and Glinten typewriter

0:33:37.600 --> 0:33:40.480
<v Speaker 1>at all. It had this really unique looking curved keyboard.

0:33:40.760 --> 0:33:44.680
<v Speaker 1>It kind of made like a U shape, which was

0:33:44.720 --> 0:33:48.720
<v Speaker 1>supposed to be much more ergonomically natural for people. The

0:33:48.720 --> 0:33:52.120
<v Speaker 1>whole typewriter was like a giant circle. Yeah, and it

0:33:52.720 --> 0:33:55.920
<v Speaker 1>also used this type shuttle made a vulcanized rubber. It

0:33:55.960 --> 0:33:57.719
<v Speaker 1>almost looked like a puck when you saw it, just

0:33:58.120 --> 0:34:00.680
<v Speaker 1>inserted into the middle of the machine, and it used

0:34:00.680 --> 0:34:03.000
<v Speaker 1>that to imprint the paper. And you can actually remove

0:34:03.040 --> 0:34:05.640
<v Speaker 1>the shottle and put in new shuttles if you wanted

0:34:05.680 --> 0:34:10.279
<v Speaker 1>different typefaces, and you could also do different languages, which

0:34:10.320 --> 0:34:13.000
<v Speaker 1>is pretty cool. Yeah, you could do. It's like, for example,

0:34:13.000 --> 0:34:15.840
<v Speaker 1>if you wanted to do something in a European language,

0:34:16.280 --> 0:34:20.760
<v Speaker 1>for example, German has letters that have boomblouts, or perhaps

0:34:21.040 --> 0:34:24.280
<v Speaker 1>French which has accents over certain letters, which you couldn't

0:34:24.280 --> 0:34:27.200
<v Speaker 1>do with a standard American typewriter. But this would allow

0:34:27.239 --> 0:34:30.840
<v Speaker 1>you to have that flexibility where by switching out that shuttle,

0:34:30.920 --> 0:34:34.400
<v Speaker 1>you could have a brand new typeface, whether it's a

0:34:34.400 --> 0:34:37.600
<v Speaker 1>different font or even different letters that normally wouldn't be

0:34:37.600 --> 0:34:41.560
<v Speaker 1>accessible to you. That's really forward thinking idea. Yeah, and

0:34:41.600 --> 0:34:45.360
<v Speaker 1>I sort of liken the Hammond as the typing equivalent

0:34:45.400 --> 0:34:48.120
<v Speaker 1>to the Apple Newton. This may seem weird, but come

0:34:48.160 --> 0:34:50.799
<v Speaker 1>along with me. It had a really devoted following. There

0:34:50.800 --> 0:34:53.120
<v Speaker 1>were a lot of people that were like, alright, that

0:34:53.200 --> 0:34:57.399
<v Speaker 1>typewriter seemed cool, but this is perfect, uh, And they

0:34:57.680 --> 0:35:00.200
<v Speaker 1>just loved it. It really seemed like the best ranch

0:35:00.239 --> 0:35:02.799
<v Speaker 1>of the technology treat to them at the time, and

0:35:02.840 --> 0:35:04.200
<v Speaker 1>there were a lot of people that use them for

0:35:04.360 --> 0:35:06.719
<v Speaker 1>way longer than you might have expected. Those things were

0:35:06.719 --> 0:35:10.280
<v Speaker 1>built really well. They lasted forever, well into the nineteen hundreds.

0:35:10.280 --> 0:35:13.400
<v Speaker 1>People were still using them, and I it makes me

0:35:13.440 --> 0:35:15.759
<v Speaker 1>think of my friends that had Newton's that just insisted

0:35:15.760 --> 0:35:18.719
<v Speaker 1>on carrying them forever when other people were like, really,

0:35:18.760 --> 0:35:20.640
<v Speaker 1>what is that thing? It looks huge and clunky. You

0:35:20.680 --> 0:35:22.480
<v Speaker 1>shut up, it's my Newton. It just makes me think

0:35:22.480 --> 0:35:26.080
<v Speaker 1>of the Simpsons. Write it down in your Newton. Beat

0:35:26.160 --> 0:35:32.879
<v Speaker 1>up Martin, beat up Martha. Uh. Yeah, And I love

0:35:32.960 --> 0:35:36.120
<v Speaker 1>that you have here that you know that his ideas,

0:35:36.200 --> 0:35:39.879
<v Speaker 1>James B. Hammond's ideas were preserved his patents. He left

0:35:40.000 --> 0:35:43.560
<v Speaker 1>them upon his death to the Metropolitan Museum of Art.

0:35:43.920 --> 0:35:47.000
<v Speaker 1>So that that says a lot too. This wasn't just

0:35:47.160 --> 0:35:50.400
<v Speaker 1>a utilitarian device. It was a work of art. And

0:35:50.400 --> 0:35:52.840
<v Speaker 1>if you look at one of these things, it really does. Yeah.

0:35:52.880 --> 0:35:56.319
<v Speaker 1>I mean, anyone who has that that they love, like

0:35:56.400 --> 0:36:00.399
<v Speaker 1>that steampunk aesthetic, something that that just looks differ has

0:36:00.400 --> 0:36:03.120
<v Speaker 1>a has real character to it. Yes, I think has

0:36:03.160 --> 0:36:06.399
<v Speaker 1>a lot of appeal. Oh yeah, they're gorgeous, and part

0:36:06.440 --> 0:36:08.440
<v Speaker 1>of it is just like the curvy lines are just

0:36:08.600 --> 0:36:11.320
<v Speaker 1>very sort of appealing to a lot of people, especially

0:36:11.520 --> 0:36:14.560
<v Speaker 1>curvy lines in technology. If you look at it from above,

0:36:15.440 --> 0:36:17.800
<v Speaker 1>based upon just the different elements, it kind of is

0:36:17.840 --> 0:36:21.200
<v Speaker 1>like a smiley face. The keys are the are the mouth,

0:36:21.960 --> 0:36:24.080
<v Speaker 1>and then there's a couple of round elements that look

0:36:24.160 --> 0:36:26.480
<v Speaker 1>like eyes. Yeah, I could see that. And they did

0:36:26.560 --> 0:36:30.360
<v Speaker 1>keep making those even after James Hammond died, um but

0:36:30.400 --> 0:36:33.080
<v Speaker 1>in the nineteen twenties, so those were being made for

0:36:33.120 --> 0:36:35.600
<v Speaker 1>quite a while. At that point, almost forty years. The

0:36:35.600 --> 0:36:38.960
<v Speaker 1>company was purchased by Frederick Hepburn Company, and the Hammond

0:36:39.000 --> 0:36:42.719
<v Speaker 1>was eventually rebranded under the name Vera Typer uh And

0:36:42.960 --> 0:36:46.359
<v Speaker 1>which is sort of much less romantic sounding. I think

0:36:46.360 --> 0:36:50.200
<v Speaker 1>of Hammond Organs When I when Vera Typer, I think

0:36:50.200 --> 0:36:52.759
<v Speaker 1>of some sort of AlSi reptor. Yeah. And while it

0:36:52.840 --> 0:36:56.400
<v Speaker 1>was still the Hammond Company, they had also been producing

0:36:56.800 --> 0:36:59.520
<v Speaker 1>producing a design that was more of a rectangular keyboard,

0:36:59.560 --> 0:37:01.279
<v Speaker 1>similar of the shoals in glind and they were kind

0:37:01.280 --> 0:37:03.839
<v Speaker 1>of like, we'll cover the whole market, uh, And that

0:37:03.920 --> 0:37:07.200
<v Speaker 1>was called the Hammond Universal, and the Vera Typer once

0:37:07.239 --> 0:37:09.440
<v Speaker 1>they had rebranded it pretty much went along with that

0:37:09.520 --> 0:37:12.640
<v Speaker 1>model and they abandoned that beautiful career design. And this

0:37:12.800 --> 0:37:17.799
<v Speaker 1>also eventually introduced electricity into typing. I think that was

0:37:17.840 --> 0:37:21.439
<v Speaker 1>the first one that had an electric typing function, right.

0:37:21.680 --> 0:37:25.640
<v Speaker 1>So I liked also that you have detailed out the

0:37:25.760 --> 0:37:30.080
<v Speaker 1>first time we finally get away from that understroke approach,

0:37:30.200 --> 0:37:33.239
<v Speaker 1>the one that didn't allow type as to actually see

0:37:33.320 --> 0:37:36.640
<v Speaker 1>what was going on. Yeah. Yeah, that was the first

0:37:36.680 --> 0:37:40.040
<v Speaker 1>one that allowed you to actually see was the Doherty

0:37:40.640 --> 0:37:45.439
<v Speaker 1>Visible in eight, which had front stroke and type bars

0:37:45.480 --> 0:37:49.640
<v Speaker 1>that set below the Was it Clayton Platin, I don't know.

0:37:49.840 --> 0:37:55.759
<v Speaker 1>I don't know typewriter lingo. I have heard it both ways. Wow, okay,

0:37:55.800 --> 0:37:58.680
<v Speaker 1>but I don't know how much of that was regional dialect.

0:37:58.239 --> 0:38:00.600
<v Speaker 1>But I'll just cite Layton because I'm from the cup

0:38:01.440 --> 0:38:03.880
<v Speaker 1>It was just anyway it hits the front of the

0:38:04.239 --> 0:38:06.160
<v Speaker 1>paper that way, and you could actually see where you

0:38:06.200 --> 0:38:10.400
<v Speaker 1>could what you were typing. And uh, I think that

0:38:10.800 --> 0:38:18.040
<v Speaker 1>is probably the biggest advance before you get to electric typewriters, uh,

0:38:18.080 --> 0:38:21.799
<v Speaker 1>that the basic system had. You know, it's it's one

0:38:21.800 --> 0:38:25.719
<v Speaker 1>of those things where the the basic design of the

0:38:25.800 --> 0:38:31.360
<v Speaker 1>mechanical typewriter there were important developments, but it remained largely

0:38:31.440 --> 0:38:34.720
<v Speaker 1>the same for a really long time. Yeah, and really

0:38:34.760 --> 0:38:38.120
<v Speaker 1>like the dirty Visible is probably one of those that

0:38:38.200 --> 0:38:41.719
<v Speaker 1>anyone listening that has ever seen a typewriter would look

0:38:41.719 --> 0:38:43.480
<v Speaker 1>at and go, oh, that's a typewriter, and I wouldn't

0:38:43.480 --> 0:38:45.120
<v Speaker 1>really think a whole lot other than oh, it's old

0:38:45.120 --> 0:38:47.840
<v Speaker 1>and interesting, whereas any of these previous models, you'd be like,

0:38:47.920 --> 0:38:50.160
<v Speaker 1>that's a typewriter, but there's something really weird about it,

0:38:50.480 --> 0:38:52.040
<v Speaker 1>and it would be one of these other things that

0:38:52.080 --> 0:38:54.440
<v Speaker 1>had not advanced yet. Does this is the typewriter have

0:38:54.520 --> 0:38:59.919
<v Speaker 1>an accelerated Yeah, well, I mean that it's it's great

0:39:00.400 --> 0:39:04.400
<v Speaker 1>to think of, uh, these tiny little things that we

0:39:04.440 --> 0:39:06.640
<v Speaker 1>would you know, in retrospect, we see it being a

0:39:06.719 --> 0:39:10.160
<v Speaker 1>huge benefit. But It's interesting just seeing people sit there

0:39:10.160 --> 0:39:11.880
<v Speaker 1>and say, you know, what would be make this device

0:39:11.960 --> 0:39:14.160
<v Speaker 1>really useful if I could see what the heck I

0:39:14.239 --> 0:39:18.200
<v Speaker 1>was typing. Uh. And there were other models that did

0:39:18.280 --> 0:39:21.879
<v Speaker 1>the same thing, Like once the Visible came out. There

0:39:21.880 --> 0:39:25.440
<v Speaker 1>were of course many many other tin carews and companies

0:39:25.440 --> 0:39:26.880
<v Speaker 1>that were like, oh, of course we should have been

0:39:26.920 --> 0:39:30.480
<v Speaker 1>doing this all along. So a brand called the Williams

0:39:30.480 --> 0:39:33.080
<v Speaker 1>came out, and then a machine called the Oliver. But

0:39:33.120 --> 0:39:35.160
<v Speaker 1>then this is also when I feel like the most

0:39:35.160 --> 0:39:38.040
<v Speaker 1>famous of the old old typewriters, I say with air

0:39:38.080 --> 0:39:40.839
<v Speaker 1>quotes came out, which is the Underwood, And that came

0:39:40.840 --> 0:39:44.640
<v Speaker 1>out in I Love, I love the Underwood I have.

0:39:44.880 --> 0:39:47.520
<v Speaker 1>It is, like I said, incredibly heavy. It's one of

0:39:47.560 --> 0:39:51.600
<v Speaker 1>the earlier models. Probably not not. I'm pretty sure it's

0:39:51.640 --> 0:39:54.560
<v Speaker 1>from early twentieth century, so not one of the first

0:39:54.600 --> 0:39:57.960
<v Speaker 1>models that were released, but they definitely have a lot

0:39:57.960 --> 0:40:03.080
<v Speaker 1>of character to them. Um and uh, I love that

0:40:03.160 --> 0:40:06.960
<v Speaker 1>you have the origin story. It's like a superhero tale. Well,

0:40:07.000 --> 0:40:09.080
<v Speaker 1>you know, I always like when there's a little intrigue.

0:40:09.160 --> 0:40:12.480
<v Speaker 1>So the Underwood allegedly was born out of what I

0:40:12.480 --> 0:40:15.600
<v Speaker 1>like to call a business burn, um, which is the

0:40:15.600 --> 0:40:19.080
<v Speaker 1>the company that produced Underwood was originally a company that

0:40:19.120 --> 0:40:23.200
<v Speaker 1>just produced ribbons and carbon paper for other typewriters and

0:40:23.280 --> 0:40:26.440
<v Speaker 1>type machines. But then Remington's, which was of course the

0:40:26.480 --> 0:40:29.200
<v Speaker 1>big player at that point in terms of the market,

0:40:29.560 --> 0:40:31.680
<v Speaker 1>decided that they were going to do their own accessories

0:40:31.680 --> 0:40:35.879
<v Speaker 1>and they didn't need Remington's products anymore, or they didn't

0:40:35.880 --> 0:40:38.960
<v Speaker 1>need Underwoods products anymore. Underwood leadership was like, well them, fine,

0:40:39.280 --> 0:40:42.800
<v Speaker 1>we're gonna make our own typewriter. We'll use our own stuff.

0:40:43.320 --> 0:40:46.040
<v Speaker 1>I just kind of love that once again we see

0:40:46.080 --> 0:40:51.040
<v Speaker 1>businesses entering into ecosystems that, uh that you get trapped in.

0:40:51.239 --> 0:40:53.040
<v Speaker 1>You know, Oh, I've got a ribbon, but it's only

0:40:53.080 --> 0:40:54.680
<v Speaker 1>for an Underwood guests, I better go out and buy

0:40:54.680 --> 0:40:59.080
<v Speaker 1>an Underwood typewriter. Um yeah, I wonder. I wonder if

0:40:59.080 --> 0:41:01.120
<v Speaker 1>they ever got to the where it was just cheaper

0:41:01.160 --> 0:41:03.280
<v Speaker 1>to buy a new machine than a new ribbon, because

0:41:03.280 --> 0:41:06.239
<v Speaker 1>that's kind of how we are with printers. I don't

0:41:06.360 --> 0:41:09.480
<v Speaker 1>think so. Yeah, No, that's that's a relatively new development.

0:41:10.160 --> 0:41:12.800
<v Speaker 1>Uh yeah, I mean between sort of from the eighteen

0:41:13.360 --> 0:41:17.719
<v Speaker 1>nine time frame up through the twenties, typewriters evolved a

0:41:17.760 --> 0:41:20.200
<v Speaker 1>little bit, but by the time we reached the twenties,

0:41:20.239 --> 0:41:24.080
<v Speaker 1>they had really completely homogenized, like they were almost all quirty.

0:41:24.120 --> 0:41:25.880
<v Speaker 1>They were all using a ribbon, They all had the

0:41:25.880 --> 0:41:28.920
<v Speaker 1>four rows or banks of keys and one shift key

0:41:28.960 --> 0:41:30.960
<v Speaker 1>like some of the previous ones that had multiple shift

0:41:31.040 --> 0:41:34.280
<v Speaker 1>keys depending on which keys you were trying to switch

0:41:34.320 --> 0:41:37.120
<v Speaker 1>over to the capital or a lower case. This is

0:41:37.120 --> 0:41:39.880
<v Speaker 1>where it kind of really all just smoothed out. And

0:41:39.920 --> 0:41:42.719
<v Speaker 1>then from that point forward we kind of stuck with

0:41:42.760 --> 0:41:46.160
<v Speaker 1>that form factor until we got to the electro mechanical

0:41:46.200 --> 0:41:49.560
<v Speaker 1>on electrical typewriters and then started looking at different ways

0:41:49.600 --> 0:41:54.000
<v Speaker 1>to imprint letters onto paper. But as I said, to

0:41:54.040 --> 0:41:56.879
<v Speaker 1>cover all that would take another podcast, I did want

0:41:56.880 --> 0:42:00.080
<v Speaker 1>to spend a little more time to talk about the

0:42:00.440 --> 0:42:03.840
<v Speaker 1>quirty issue because a lot of people pointed out that

0:42:03.920 --> 0:42:07.600
<v Speaker 1>once you got away from the metal levers coming up

0:42:07.600 --> 0:42:10.359
<v Speaker 1>and hitting the paper, because that that that held sway

0:42:10.400 --> 0:42:12.319
<v Speaker 1>for a long time and typewriters, But eventually we got

0:42:12.320 --> 0:42:15.040
<v Speaker 1>away from that, then there wasn't as much of a

0:42:15.120 --> 0:42:18.319
<v Speaker 1>reason to keep the quirty keyboard. The only reason was

0:42:18.360 --> 0:42:21.319
<v Speaker 1>that we were entrenched in that form factor. You know,

0:42:21.360 --> 0:42:23.239
<v Speaker 1>It wasn't that this is what we're all used to

0:42:23.719 --> 0:42:25.759
<v Speaker 1>we'll just keep going. This is the way we've done

0:42:25.760 --> 0:42:28.279
<v Speaker 1>it forever, so we're going to keep doing it this way.

0:42:28.320 --> 0:42:30.319
<v Speaker 1>But people were pointing out they said, well, if in

0:42:30.440 --> 0:42:34.280
<v Speaker 1>fact the Corty keyboard was designed to either slow people

0:42:34.320 --> 0:42:39.800
<v Speaker 1>down or to put common letters far apart, so that um,

0:42:39.920 --> 0:42:43.279
<v Speaker 1>so that they you avoid this this jamming issue. And

0:42:43.320 --> 0:42:45.720
<v Speaker 1>we now no longer have to worry about the jamming issue,

0:42:46.239 --> 0:42:50.960
<v Speaker 1>why don't we revisit the type the typewriter's keyboard layout

0:42:51.040 --> 0:42:53.399
<v Speaker 1>and see if we can create a better one. No

0:42:53.520 --> 0:42:57.760
<v Speaker 1>change is scary. Yeah, Well, early in the twentieth century

0:42:57.920 --> 0:43:01.759
<v Speaker 1>we had Dr Auguste Devora who was looking into this,

0:43:01.840 --> 0:43:04.680
<v Speaker 1>and he came up with the Divorat keyboard. You've probably

0:43:04.719 --> 0:43:07.480
<v Speaker 1>heard about that, and in fact you may use one.

0:43:07.520 --> 0:43:10.840
<v Speaker 1>There are people who use the Vorat keyboards. And the

0:43:10.880 --> 0:43:13.760
<v Speaker 1>idea was to reduce the amount of movement that fingers

0:43:13.760 --> 0:43:17.080
<v Speaker 1>would typically need to make when typing. The idea being

0:43:17.120 --> 0:43:18.839
<v Speaker 1>that if you have to type a lot, let's say

0:43:18.840 --> 0:43:21.440
<v Speaker 1>that your job is a typist, that after a while

0:43:21.480 --> 0:43:24.120
<v Speaker 1>you could really you know, end up straining your your

0:43:24.120 --> 0:43:28.000
<v Speaker 1>hands and hurting your fingers trying to use this antiquated,

0:43:28.200 --> 0:43:32.480
<v Speaker 1>ridiculous system. That is inefficient on purpose. At least that

0:43:32.840 --> 0:43:36.680
<v Speaker 1>was what the popular belief was, and so he laid

0:43:36.719 --> 0:43:39.399
<v Speaker 1>out the keyboard in a totally different way to put

0:43:39.600 --> 0:43:42.000
<v Speaker 1>the most common letters in the home row. That's the

0:43:42.080 --> 0:43:45.440
<v Speaker 1>row where your fingers rest, so all the vowels except

0:43:45.440 --> 0:43:48.520
<v Speaker 1>for why we're in the home row for the left hand. Oh,

0:43:48.560 --> 0:43:52.800
<v Speaker 1>this was another interesting thing. So the quirty keyboard, according

0:43:52.800 --> 0:43:57.799
<v Speaker 1>to Divorax extensive studies, favors the left hand over the right.

0:43:57.880 --> 0:44:01.200
<v Speaker 1>That the most popular letters in the English language are

0:44:01.360 --> 0:44:03.719
<v Speaker 1>located on the left side of the keyboard and the

0:44:03.840 --> 0:44:07.279
<v Speaker 1>less popular ones on the right. So right handers, which

0:44:07.680 --> 0:44:12.000
<v Speaker 1>that's most of the population, we're having to work harder

0:44:12.080 --> 0:44:15.000
<v Speaker 1>to try and type. Well, we left handers finally caught

0:44:15.040 --> 0:44:19.760
<v Speaker 1>a darn break. Although once you get in the computer age,

0:44:19.800 --> 0:44:22.160
<v Speaker 1>if we're mousing a lot with the right, then your

0:44:22.239 --> 0:44:24.160
<v Speaker 1>left is freed up to do that typing a little

0:44:24.160 --> 0:44:25.759
<v Speaker 1>bit more. Yeah, but that just means that I can't

0:44:25.800 --> 0:44:29.320
<v Speaker 1>click on field for us right. Yeah, yeah, when you

0:44:29.400 --> 0:44:30.640
<v Speaker 1>get to when you get to the point where the

0:44:30.680 --> 0:44:33.760
<v Speaker 1>mouse is involved, and then you get into first person shooters,

0:44:33.840 --> 0:44:38.439
<v Speaker 1>I am left way behind. But the Devora keyboard tried

0:44:38.480 --> 0:44:41.560
<v Speaker 1>to put those common letter combinations closer together to make

0:44:41.560 --> 0:44:44.520
<v Speaker 1>it much easier to type, and DeVore did some really

0:44:44.560 --> 0:44:47.640
<v Speaker 1>extensive studies. He said that if you look at a

0:44:47.680 --> 0:44:49.920
<v Speaker 1>typical typing, you know, like you're to type out a

0:44:49.920 --> 0:44:53.879
<v Speaker 1>typical amount of words on a piece of paper. Of all,

0:44:53.880 --> 0:44:57.480
<v Speaker 1>typing would require keys on the top row, so the

0:44:57.560 --> 0:45:00.480
<v Speaker 1>row above where your fingers are resting, thirty two percent

0:45:00.600 --> 0:45:03.239
<v Speaker 1>would be on the home row, and six percent would

0:45:03.239 --> 0:45:05.160
<v Speaker 1>be on the bottom row. Now, he thought of the

0:45:05.160 --> 0:45:07.359
<v Speaker 1>bottom row as being the most difficult to reach because

0:45:07.360 --> 0:45:09.640
<v Speaker 1>you have to curl your fingers in a little bit, right,

0:45:09.920 --> 0:45:11.600
<v Speaker 1>So he thought the best thing to do would be

0:45:11.680 --> 0:45:13.920
<v Speaker 1>to concentrate the letters that are most common in the

0:45:13.920 --> 0:45:16.920
<v Speaker 1>home row, um slightly fewer on the top row, and

0:45:16.920 --> 0:45:19.520
<v Speaker 1>then the fewest on the bottom row. So his approach,

0:45:19.719 --> 0:45:22.439
<v Speaker 1>he claims, or claimed, I should say, he passed away

0:45:22.440 --> 0:45:26.640
<v Speaker 1>several years ago. He claimed that his approach meant that

0:45:26.680 --> 0:45:30.120
<v Speaker 1>you would type two on the top row, seventy percent

0:45:30.200 --> 0:45:32.120
<v Speaker 1>on the home row, and only eight percent on the

0:45:32.120 --> 0:45:36.040
<v Speaker 1>bottom row, and that these would then favorite right handers

0:45:36.280 --> 0:45:39.480
<v Speaker 1>instead of left handers, because why should I want to

0:45:39.480 --> 0:45:44.239
<v Speaker 1>type anything? Uh? Now, now, you can't really find a

0:45:44.280 --> 0:45:47.240
<v Speaker 1>whole divorate keyboards out there, although a lot of operating

0:45:47.280 --> 0:45:51.000
<v Speaker 1>systems support Divorat keyboards and then and they have for years.

0:45:51.040 --> 0:45:53.800
<v Speaker 1>I mean there were you know, the old Apple operating

0:45:53.800 --> 0:45:56.640
<v Speaker 1>system not even Mac, but the old Apple operating systems

0:45:56.640 --> 0:45:59.879
<v Speaker 1>supported Dvorat keyboards. So you might be able to find

0:46:00.200 --> 0:46:03.200
<v Speaker 1>setting on your computer and depending what operating system you use,

0:46:03.680 --> 0:46:06.160
<v Speaker 1>you could switch it to a divorat keyboard and uh,

0:46:06.239 --> 0:46:08.600
<v Speaker 1>if you really wanted. You know, you don't necessarily have

0:46:08.640 --> 0:46:10.680
<v Speaker 1>to go out and buy a new keyboard, but you

0:46:10.760 --> 0:46:13.359
<v Speaker 1>might want to buy some stickers so that you can

0:46:13.360 --> 0:46:15.759
<v Speaker 1>write the new letters and stick them on top of

0:46:15.800 --> 0:46:18.479
<v Speaker 1>the letters that exist, and then give it a try,

0:46:18.760 --> 0:46:22.920
<v Speaker 1>supposedly after a few you know, it takes several hours

0:46:22.920 --> 0:46:25.040
<v Speaker 1>of practice for you to get used to the new layout,

0:46:25.080 --> 0:46:29.799
<v Speaker 1>but once you do. I've heard, and this is truly anecdotal,

0:46:30.440 --> 0:46:33.760
<v Speaker 1>that people have doubled their typing speed as a result.

0:46:33.840 --> 0:46:36.760
<v Speaker 1>Someone claimed to have been to have gone from fifty

0:46:36.800 --> 0:46:39.600
<v Speaker 1>words per minute to a hundred words per minute. Um,

0:46:39.640 --> 0:46:42.400
<v Speaker 1>just because it was so much easier and more efficient

0:46:42.440 --> 0:46:45.600
<v Speaker 1>to type this way. UM. I have never mucked around

0:46:45.600 --> 0:46:48.120
<v Speaker 1>with one. Neither have I. I have never used a

0:46:48.200 --> 0:46:52.000
<v Speaker 1>divorate keyboard. I type pretty quickly. I think I'm right

0:46:52.040 --> 0:46:55.279
<v Speaker 1>around a hundred words per minute, So I, for the

0:46:55.280 --> 0:46:57.680
<v Speaker 1>sake of humanity, I don't want to type faster. The

0:46:57.960 --> 0:47:00.360
<v Speaker 1>smoke and stuff. Yeah, you don't car You never know.

0:47:00.440 --> 0:47:04.680
<v Speaker 1>I could summon Cathulu. It's one of those things. So

0:47:05.080 --> 0:47:07.440
<v Speaker 1>this was a fun topic to look at. I mean,

0:47:07.480 --> 0:47:09.920
<v Speaker 1>it's really interesting to look back at the development of

0:47:09.920 --> 0:47:13.320
<v Speaker 1>the typewriter. Less less controversial, I would say than the

0:47:13.360 --> 0:47:15.399
<v Speaker 1>sewing machine. Yeah, you don't get a lot of good

0:47:15.400 --> 0:47:17.840
<v Speaker 1>stories about people getting punched in the face. No, there's

0:47:17.880 --> 0:47:20.520
<v Speaker 1>there's that one competition thing with Underwood, but it seems

0:47:20.520 --> 0:47:23.040
<v Speaker 1>like it was all handled in a fairly gentlemanly kind

0:47:23.080 --> 0:47:25.520
<v Speaker 1>of way. Yeah. Yeah, there were no pistols at dawn.

0:47:25.960 --> 0:47:28.040
<v Speaker 1>There's no throwing anyone down the steps like there was,

0:47:29.239 --> 0:47:33.560
<v Speaker 1>right right, and also the uh I remember reading some

0:47:33.680 --> 0:47:38.279
<v Speaker 1>of these where. Don't get me wrong, typewriter enthusiasts can

0:47:38.400 --> 0:47:41.920
<v Speaker 1>also get a little a little raucous, because there was

0:47:42.480 --> 0:47:44.120
<v Speaker 1>there was one I was reading that was talking about

0:47:44.160 --> 0:47:47.800
<v Speaker 1>how the Brits like to talk about how they developed

0:47:47.800 --> 0:47:51.200
<v Speaker 1>typewritera typewriters. Because you look at this patent from seventeen fourteen,

0:47:51.239 --> 0:47:53.239
<v Speaker 1>but no one ever made one of those. Typewriters are

0:47:53.239 --> 0:47:56.279
<v Speaker 1>an American thing because in America we didn't have enough

0:47:56.320 --> 0:47:59.439
<v Speaker 1>people to have cheap labor. We were forced to work

0:47:59.440 --> 0:48:02.400
<v Speaker 1>for ourselves, which is why we've built labor saving devices.

0:48:03.080 --> 0:48:06.000
<v Speaker 1>And uh, as to the the truth of that, I

0:48:06.080 --> 0:48:09.240
<v Speaker 1>cannot say, but this was a fun one to look at. Holly,

0:48:09.360 --> 0:48:12.680
<v Speaker 1>thank you so much for joining me again for this episode.

0:48:12.719 --> 0:48:16.240
<v Speaker 1>Appreciate it. My pleasure, My pleasure. Where can folks find

0:48:16.440 --> 0:48:19.240
<v Speaker 1>your stuff? They can visit us at mist in history

0:48:19.280 --> 0:48:22.600
<v Speaker 1>dot com or on Facebook dot com slash mist in history,

0:48:22.640 --> 0:48:26.880
<v Speaker 1>on Twitter at most in history. Uh, we're at pinterest

0:48:26.920 --> 0:48:30.040
<v Speaker 1>dot com slash mist in history pretty much any iteration

0:48:30.120 --> 0:48:32.200
<v Speaker 1>of social media. If you magically put in mist in

0:48:32.320 --> 0:48:35.640
<v Speaker 1>history will somehow pop up. I hope you enjoyed that

0:48:35.760 --> 0:48:38.719
<v Speaker 1>classic episode of tech Stuff as we talked about typewriters,

0:48:39.360 --> 0:48:41.200
<v Speaker 1>a story that I've covered a couple of times in

0:48:41.239 --> 0:48:43.160
<v Speaker 1>a couple of different ways, so it was interesting to

0:48:43.200 --> 0:48:46.120
<v Speaker 1>go back to this one. Obviously, the show of alls

0:48:46.160 --> 0:48:51.239
<v Speaker 1>over time and occasionally revisit topics and that partly it's

0:48:51.280 --> 0:48:53.520
<v Speaker 1>because I think I can do a better job now

0:48:53.640 --> 0:48:55.839
<v Speaker 1>than I did back then, and part of the time

0:48:55.880 --> 0:49:00.480
<v Speaker 1>it's because I've done, according to our publishing for them.

0:49:00.560 --> 0:49:04.400
<v Speaker 1>There are more than six d episodes of tech Stuff total,

0:49:05.600 --> 0:49:10.400
<v Speaker 1>so sometimes I repeat myself. Hey, did you know sinister

0:49:10.520 --> 0:49:14.640
<v Speaker 1>means left handed? Anyway, Uh, we're going to wrap up

0:49:14.640 --> 0:49:17.960
<v Speaker 1>this classic episode. If you have suggestions for future topics

0:49:18.000 --> 0:49:20.279
<v Speaker 1>of tech Stuff, let me know. Reach out to me

0:49:20.320 --> 0:49:22.560
<v Speaker 1>on Twitter. The handle for the show is tech Stuff

0:49:22.800 --> 0:49:28.480
<v Speaker 1>hs W and I'll talk to you again really soon. Y.

0:49:32.760 --> 0:49:35.799
<v Speaker 1>Text Stuff is an I Heart Radio production. For more

0:49:35.880 --> 0:49:39.280
<v Speaker 1>podcasts from I Heart Radio, visit the I Heart Radio app,

0:49:39.400 --> 0:49:42.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.