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Speaker 1: Bridgewater is a production of iHeartRadio three D Audio and

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Speaker 1: Grim and Mild from Aaron Mankey. For a full exposure,

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Speaker 1: listen with headphones. Listener discretion advised. Shelley. I uh, nope,

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Speaker 1: not ready to talk to you yet. So I look,

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Speaker 1: I understand that you guys need a place to stay

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Speaker 1: for god knows what reason, But I Nanna's house is haunted.

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Speaker 1: Uh wow, just because we're under one roof, it does

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Speaker 1: not mean we're a family. Jeremy, You're welcome here. He

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Speaker 1: always have been unless um, did you know that that

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Speaker 1: you know he was my father? No, I'm I'm I

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Speaker 1: found out last week. I guess I guess I sort

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Speaker 1: of figured it out. You would have told me, though,

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Speaker 1: right like if live had, because god knows, my own

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Speaker 1: mother didn't seem to be in a hurry. I M.

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Speaker 1: I don't know. I was still trying to adjust to

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Speaker 1: the idea of having a family that I didn't know

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Speaker 1: all about, and then my dead father came back and

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Speaker 1: right right, I'm sorry. It's just this is probably very

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Speaker 1: weird for you too. Yeah, I know it's going to

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Speaker 1: take some time to not talking to you. Remember, jee, godmother,

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Speaker 1: how could you have never told me. It wasn't just

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Speaker 1: my decision, Nancy, Bradshawn, I agreed that we didn't want

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Speaker 1: to cause more chaos in your Bradshaw. Okay, you both

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Speaker 1: knew that we were going to know each other. We

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Speaker 1: were going to the same school. Honey, How was I

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Speaker 1: supposed to know that you were going to skip a

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Speaker 1: grade by the time you were in the same high school?

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Speaker 1: It was too late? Oh it's my fault. Great, But

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Speaker 1: now when I am forty with two kids who have

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Speaker 1: grown up without their uncle, now is just the perfect time.

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Speaker 1: I think that we can all agree that this situation

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Speaker 1: is less than ideal, but it's a situation that we have,

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Speaker 1: and I think we're pretty goddamn lucky to be in

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Speaker 1: this situation at all. Dad, I think you're right. I mean,

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Speaker 1: there really is nothing we can do about the past. Dad. Well,

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Speaker 1: Jeremy had you as a father at least for a

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Speaker 1: little bit. And so what is it I'm supposed to

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Speaker 1: call you? You can call me whatever you want. I

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Speaker 1: know I don't get to ask for more, all right?

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Speaker 1: Anyone want to order a pizza? Ah? Yeah? Can you

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Speaker 1: just be honest with me? Was that the worst lecture

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Speaker 1: I've ever given? No? I thought it was fine, Pip,

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Speaker 1: And why are you sugarcoating it for me? Can you

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Speaker 1: have to remember your worst is still better than half

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Speaker 1: of the professors here, so you just admitted it it

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Speaker 1: was my worst, Jeremy ha. This all just feels so futile,

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Speaker 1: to say the least. Well, I think you can be

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Speaker 1: forgiven for having a hard time focusing on telling a

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Speaker 1: bunch of teenagers about the cultural reasoning behind the creation

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Speaker 1: of the Dover Demon myth when you now know there's

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Speaker 1: a pretty good chance that the Dover Demon isn't a

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Speaker 1: myth at all, but an actual demon who might actually

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Speaker 1: be out there attacking people. Oh my god, I don't

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Speaker 1: think the Dover Demon is actually big enough though, to

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Speaker 1: have left a handprint on that camp for the Yes,

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Speaker 1: I know, I know. How are you feeling about everything?

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Speaker 1: We haven't really I had a chance to talk about

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Speaker 1: anything since I'm okay, I guess the only thing is

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Speaker 1: getting my degree now suddenly feels way less important, but

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Speaker 1: not unimportant enough to just stop doing my work. Well,

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Speaker 1: for what it's worth, I'm really grateful for that, because

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Speaker 1: I am barely keeping the curriculum together as it is.

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Speaker 1: I definitely would not be able to do this without you.

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Speaker 1: Right now, I just feel like if each of us

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Speaker 1: is giving half of our all that adds up to

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Speaker 1: something like a right it's very inspiring. I guess I

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Speaker 1: should I should feel lucky that at least my work

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Speaker 1: is related. I can pretend the grading papers is going

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Speaker 1: to give some sort of clue about what kind of

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Speaker 1: monsters we're dealing with. Well, any luck, so far, between

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Speaker 1: everything we've encountered and the sightings I've been tracking from

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Speaker 1: the seekers, activity is dea definitely kicking up. Are the

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Speaker 1: seeker sightings? Are? Are they the same kind that we've

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Speaker 1: been encountering. Well, there's some overlap. So we know for

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Speaker 1: certain that there's a giant black dog and a giant

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Speaker 1: ape like bear man, your hawkmock howler hold for applause.

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Speaker 1: That might be the same something with large claws and

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Speaker 1: a single row of teeth that eats cow lungs and

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Speaker 1: attacks campers, and that thing might also have small front paws,

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Speaker 1: or you know, there's just some foxes and hawk amok. Right,

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Speaker 1: and the seekers have heard reports of voices in both

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Speaker 1: the swamp and free down more than usual, and a

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Speaker 1: bunch of alleged encounters with everything from werewolves to aliens

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Speaker 1: to Mothman and Goatman. Okay, so it's basically the greatest hits. Yeah,

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Speaker 1: are you getting any sense of how many of them

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Speaker 1: might actually be reliable? Well, the Mothman and alien ones

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Speaker 1: intrigue me the most, although there's also something to be

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Speaker 1: said for the werewolf sightings. We don't get a ton

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Speaker 1: of those. Is it weird that despite everything all of this,

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Speaker 1: like the legends like werewolves and vampires, those just still

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Speaker 1: seem far fetched to me for some reason? No, No,

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Speaker 1: I think I get that. I mean, we don't really

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Speaker 1: know the bounds of all of this yet, right, but

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Speaker 1: both werewolves and vampires are so tied into the human world,

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Speaker 1: actual people being transformed into something else, and we haven't

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Speaker 1: seen any evidence of that yet, So right, right, right, right?

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Speaker 1: You know, I think it's eminently possible that those those

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Speaker 1: legends they're coming from some actual supernatural sources, but there's

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Speaker 1: a misunderstanding of them, like creatures from the Faye realm

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Speaker 1: that are human enough, and then it seems like they're

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Speaker 1: from our world or something like. I don't know, it's

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Speaker 1: like that's what I was thinking about the werewolves. We

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Speaker 1: know there's some kind of canine creature and something by petal, right,

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Speaker 1: and the mothman and the alien sightings. The alien sightings

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Speaker 1: are almost certainly puckweggies or willow whisps or something like that, right, right,

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Speaker 1: And and then the mothman, I mean he's large, me

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Speaker 1: his wings, which is like the thunderbird. Right. But I

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Speaker 1: was also thinking what about this? What if maybe it's

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Speaker 1: the Jersey Devil? Right, thunderbirds have wings and claws, but

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Speaker 1: the Jersey Devil has wings, claws, and teeth. You think

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Speaker 1: that that might be the thing that killed the camper,

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Speaker 1: but it would have smaller arms or something like it.

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Speaker 1: I know this is in New Jersey, but nothing to say.

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Speaker 1: The monsters don't move around though, right, and and maybe

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Speaker 1: the gates due too. I was thinking about the legend

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Speaker 1: of the Jersey Devil. How supposedly Jane Leeds had twelve

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Speaker 1: children and then pooh, right right right right, and then

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Speaker 1: our thirteenth transformed into a monster. We think that the

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Speaker 1: Leeds family actually did have twelve children, and I always

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Speaker 1: thought that maybe they did have a thirteenth, but they

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Speaker 1: died or were still born, and that's where the legend

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Speaker 1: comes from. But what if the thirteenth child was given

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Speaker 1: over to the fay Realm. Oh my God, like a

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Speaker 1: sacrifice after the fay Realm sent a creature to terrorize

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Speaker 1: the town, a y verne or a griffin or some

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Speaker 1: kind of winged creature that then God transformed into a

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Speaker 1: local myth that cast Mother leads as a witch. That's

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Speaker 1: a very interesting thought, right, I've realized that really this

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Speaker 1: doesn't help us now, But no, no, no, no, it's good.

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Speaker 1: It's good to be thinking about this stuff from every angle.

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Speaker 1: I was going to say it helps to be as

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Speaker 1: prepared as possible in case we run into whatever is

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Speaker 1: out there. But the problem is, there's really there's no

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Speaker 1: way to be prepared for any of this, is there, Truly?

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Speaker 1: I got breakfast with Peyton this morning. What Yeah, I

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Speaker 1: wanted to follow up with her on the room. You

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Speaker 1: saw her carve, try to understand exactly how they work.

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Speaker 1: And it's magic, obviously, right, obviously, but it doesn't seem

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Speaker 1: like complicated magic, or at least the complicated bit was

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Speaker 1: already been done by the Gathering through the years. Apparently

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Speaker 1: there's all kinds of runs throughout the Bridgewater Triangle that

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Speaker 1: have been keeping things fenced in I don't know how

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Speaker 1: well they're working. Well, it seems like the gate doesn't

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Speaker 1: actually have a fixed point, So you are actually serious

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Speaker 1: about the gates moving around? Well, I don't know if

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Speaker 1: one could hop from New Jersey to Massachusetts, but I

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Speaker 1: guess it's shuffled around different spots in the triangle, which

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Speaker 1: is why the ruins haven't been all that effective. And

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Speaker 1: then Peyton said that she can keep things out, but

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Speaker 1: she can't keep things in right exactly. So I was thinking,

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Speaker 1: what if we created a kind of border around Freetown Forest.

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Speaker 1: I know the gate might not still be over the lake,

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Speaker 1: but if we can make the whole area around the

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Speaker 1: lake impossible to pass through, then and for all intents

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Speaker 1: and purposes, the creatures would be kept in, yes, at

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Speaker 1: least until the gate moves. Well, I think that's worth

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Speaker 1: of a shot. At least it could buy us some time.

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Speaker 1: Did Peyton seem up with that idea? Yeah, she drew

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Speaker 1: out the ruins for me. I was actually hoping you'd

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Speaker 1: go to the forest with me and start carving them in. Please,

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Speaker 1: Why doesn't she want to do it herself? She said

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Speaker 1: she's needed in the swamp today. Okay, okay, so you

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Speaker 1: and me going back into the woods to do magic

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Speaker 1: and with the room my friend taught me the other day.

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Speaker 1: Hopefully we'll we'll be covered if we actually run in

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Speaker 1: there anything. I have a feeling this isn't what you

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Speaker 1: expected when you signed up to be a ta. Actually,

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Speaker 1: this was exactly what I expected from this job. Shelly,

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Speaker 1: you're home. Have you just been sitting in the kitchen

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Speaker 1: waiting for me? I thought maybe we could talk. I

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Speaker 1: had such a terrible night's sleep last night that I

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Speaker 1: had to skip out on work early. In fact, I've

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Speaker 1: had a series of terrible night's sleep, so I would

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Speaker 1: like to sit down and just not think for a

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Speaker 1: little bit. Well, then sit down here at least and

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Speaker 1: let me do all the talking. Mom stop, Look, baby,

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Speaker 1: I don't know how long we're going to be staying here,

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Speaker 1: but I think we should figure out how to live

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Speaker 1: together peacefully while we're here. I'm fine, haven't you guys

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Speaker 1: stay as long as you need to. But that doesn't

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Speaker 1: mean that we need to interact at all. Shelley, it's

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Speaker 1: three pm. It's three pm. The day after my line

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Speaker 1: mother showed up on my doorstep with the father and brother.

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Speaker 1: I never knew about in toe. So I think that

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Speaker 1: I have earned a glass of wine? Do you mind

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Speaker 1: poor me a glass? Then? Yes? I do. Mind you

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Speaker 1: haven't really yelled at me yet. You know, if you

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Speaker 1: want to yell at me, go right ahead. I don't

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Speaker 1: want to yell at you, Mom, I'm not. I'm not

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Speaker 1: even sure that I'm angry, not anymore. I just I'm

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Speaker 1: I'm more sad. I know you robbed me oh so

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Speaker 1: much of knowing who my father was, the chance to

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Speaker 1: ask questions about him, to keep him with me as

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Speaker 1: I grew up, of having a brother. I know, I know.

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Speaker 1: Do you want to know what hurts the most? Mom?

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Speaker 1: You robbed me of you? I mean you never there

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Speaker 1: was always this canyon between us. I'm so sorry. No, no, stop,

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Speaker 1: I'm not saying that you were a bad mother. It's not.

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Speaker 1: I always knew that you loved me and that you

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Speaker 1: would do anything to protect me. And you raised me

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Speaker 1: to be strong and thoughtful and to take no ship

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Speaker 1: from anyone, and I am I'm really grateful for that.

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Speaker 1: But but you kept yourself like at this distance always.

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Speaker 1: And that's the thing that I kept thinking about as

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Speaker 1: I lay in bed last night, because it's just it's

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Speaker 1: too much. Mom. There's too many changes to my reality

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Speaker 1: that you brought to my door, and so the only

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Speaker 1: thing that I could focus on after seeing you was

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Speaker 1: how all of it answered a question I've been asking

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Speaker 1: my whole life. Who your father was. No, No, not

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Speaker 1: that question, the question of why you are the way

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Speaker 1: that you are. No makes sense. No, you didn't know

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Speaker 1: how to connect with me because when you looked at me,

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Speaker 1: you were reminded of him, of what you lost. Shelley, Shelley, No,

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Speaker 1: it's okay, No, it's not, Shelley. That's not at all

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Speaker 1: why you are right, there was a distance between us,

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Speaker 1: and I could feel it growing bigger and deeper with

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Speaker 1: each passing year, and I, you know, I never knew

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Speaker 1: how to fix it, but it never had anything to

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Speaker 1: do with you. I love you. I love you more

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Speaker 1: than anything in the world. You and Live and Ethan

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Speaker 1: are the most important people to me, and I would

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Speaker 1: do anything, anything for you. I know that, and all

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Speaker 1: the failings I had as a mother keeping you at

225
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Speaker 1: arms of length that never ever had anything to do

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Speaker 1: with you. You would do things sometimes that reminded me

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Speaker 1: of Thomas, you know, like those expressions that you would

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Speaker 1: get or the way that you were always so practical.

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Speaker 1: But those, Honey, only ever made me happy that he

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Speaker 1: lived in you. You know, you never made me sad

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Speaker 1: that I could see your dad in you. But why, oh,

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Speaker 1: just something broke in me. At the time when Thomas

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Speaker 1: first disappeared, there was hope, you know, hope that he

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Speaker 1: would turn up, we'd find him, And then that hope

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Speaker 1: kind of just turned into waiting for answers, and by

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Speaker 1: the time I realized neither were coming, I was nine

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Speaker 1: months pregnant and terrified. We were so excited when we

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Speaker 1: found out about you. Thomas had already been planning on

239
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Speaker 1: leaving Nancy, he had told her as much, and then

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Speaker 1: this amazing thing was happening, and Jeremy was really warming

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Speaker 1: up to me, and it felt it felt like, you know,

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Speaker 1: we were gonna be a real family. I never expected

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Speaker 1: to do it all alone, and kind of felt like

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Speaker 1: it happened all at once. You know, you were born

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Speaker 1: and Thomas was gone. And on top of all that,

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Speaker 1: I lost Jeremy. I lost this sweet little boy who

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Speaker 1: I'd start to think of as my own son. But

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Speaker 1: I had you. I had lost the most important people

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Speaker 1: to me, and one feel swooping at the same time

250
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Speaker 1: I began the best part of my life, the part

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Speaker 1: where I get to be your mom, and it was

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Speaker 1: it was just too much, you know, it was it

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Speaker 1: was like my heart was so overwhelmed with feeling and

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Speaker 1: grief and joy and anger and fear. I just I

255
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Speaker 1: just shut down and then I I never really started

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Speaker 1: back up again. I think I think that's the most

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Speaker 1: I've ever hurt you talking about your feelings. Yeah, well,

258
00:17:52,440 --> 00:17:56,119
Speaker 1: oh they've been a little hard access for the past

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Speaker 1: forty years, and I'm really sorry for that. I wanted

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Speaker 1: to give you so much. And if I could go

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Speaker 1: back and do it all over again, even if that

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Speaker 1: meant losing Thomas and Jeremy again, I would do it.

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Speaker 1: I would do it a thousand times if it meant

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Speaker 1: I could get it right for what it's worth. I'm sorry.

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Speaker 1: I'm so sorry. You lost so much. I gained more.

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Speaker 1: And look, you know, now here we are and we're

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Speaker 1: all together again, and it's weird. That's prettying it mildly. Yeah, yeah,

268
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Speaker 1: but it could be good. We could have the family

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Speaker 1: we were always supposed to, or at least something close

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Speaker 1: to it. Maybe, yeah, maybe. Wow, you've got a lot

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Speaker 1: of posters I wonder if Jeremy's fall was like this

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Speaker 1: when he was young, if here's anything like my mom

273
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Speaker 1: my doubt right. I don't recognize any of these bands.

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Speaker 1: I guess that shouldn't be too surprising. Yeah, I guess not.

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Speaker 1: You know, I think maybe I should set you up

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Speaker 1: on some sort of Google play date because you still

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Speaker 1: haven't been on the internet, right Google. Yeah, I'll be honest,

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Speaker 1: I'm still a little intimidated by it. But you're pretty

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Speaker 1: good at all of this stuff, right, all this technology stuff. Yeah,

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Speaker 1: I always been really into it. But this, um, this radio,

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Speaker 1: it's a bit out of my skill set. But that

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00:19:49,320 --> 00:19:53,239
Speaker 1: but that that that program is helping. YouTube tutorials are

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Speaker 1: the answer to every question. YouTube. Okay, all right, I

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Speaker 1: should work now. Do you know what was wrong with it?

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00:20:03,840 --> 00:20:09,520
Speaker 1: It's just a short and here we go. Well done.

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Speaker 1: Well that was the easy part. Right now, we've got

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Speaker 1: to figure out how to tap into the liminal. Do

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00:20:14,720 --> 00:20:16,960
Speaker 1: you remember what it was like to try and call

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00:20:17,000 --> 00:20:20,240
Speaker 1: out to Nana when you were over there? There wasn't

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00:20:20,960 --> 00:20:24,680
Speaker 1: you know, any strategy to it. I just I was

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00:20:24,760 --> 00:20:28,159
Speaker 1: just trying to get through. Man. That must have been scary.

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Speaker 1: Come on, let's get this thing going right? Um? Okay,

293
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Speaker 1: So what station do we think Harry's Ghost broadcasts, because

294
00:20:37,160 --> 00:20:39,320
Speaker 1: we could just scan through a bunch of different frequencies

295
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Speaker 1: see if anything pops up. Okay, um, I am both. Yeah,

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Speaker 1: this might take a while. There are a lot more

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Speaker 1: stations now than there were nineteen forty. Yeah, I bet

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Speaker 1: maybe I can hear some of the new music. Who

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Speaker 1: are you? Okay? Yeah? Yeah, yeah, I'm fine. I'm just

300
00:21:00,080 --> 00:21:02,000
Speaker 1: get No, No, I'm fine. I'm fine. It's just my

301
00:21:02,160 --> 00:21:05,119
Speaker 1: just as a little type for some reason. Do you

302
00:21:05,160 --> 00:21:07,520
Speaker 1: want me to get you some water or something? No,

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00:21:09,400 --> 00:21:13,040
Speaker 1: I'm fine. Let's let's go ahead. Let's communicate with the

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00:21:13,080 --> 00:21:26,760
Speaker 1: other side. Olive, I'm fine. Oh it's a beautiful day. Huh. Okay.

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Speaker 1: So she said to be sure to carve the rooms

306
00:21:29,040 --> 00:21:33,920
Speaker 1: in birch, beach or pine, but not Hickory. Okay, cool.

307
00:21:33,960 --> 00:21:36,439
Speaker 1: Do you even know what those trees look like? Oh?

308
00:21:36,520 --> 00:21:39,960
Speaker 1: Yes I do. Birch and pine are both pretty distinctive. Great,

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00:21:40,200 --> 00:21:42,879
Speaker 1: so let's stick to those and just say fuck beach,

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Speaker 1: fuck beach. She didn't say we had to use all

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00:21:45,440 --> 00:21:47,800
Speaker 1: three types, did she No, just that there are best

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00:21:47,840 --> 00:21:54,320
Speaker 1: woods for channeling the magic. So how are you doing?

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Speaker 1: What do you mean? I mean, I know you've known

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00:22:00,720 --> 00:22:07,920
Speaker 1: Shelley for a while, but oh yeah, that H'm I'm okay.

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00:22:08,040 --> 00:22:11,560
Speaker 1: I feel like I've I've had time to adjust, not fully,

316
00:22:11,640 --> 00:22:14,720
Speaker 1: but at least I was hit with the revelation that

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00:22:14,800 --> 00:22:18,480
Speaker 1: I have a half sister before my dad reappeared. Shelley

318
00:22:18,560 --> 00:22:22,920
Speaker 1: was given that one two punch. Yeah, Olivia was too

319
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Speaker 1: Oh god right, you're right. I didn't even think about that.

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Speaker 1: We haven't really had the uncle niece talk yet. I

321
00:22:30,760 --> 00:22:34,880
Speaker 1: guess is that is that a talk that people have

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00:22:35,720 --> 00:22:41,160
Speaker 1: seems like a talk we're gonna need that. I don't know. God,

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Speaker 1: I can't believe Joseph Hoskins is my brother in law. No,

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00:22:46,200 --> 00:22:48,760
Speaker 1: I mean, there really is no way to exaggerate just

325
00:22:48,840 --> 00:22:52,760
Speaker 1: how small this town is. Huh, there really isn't. I

326
00:22:52,800 --> 00:22:58,600
Speaker 1: really don't like that guy. Well, things seem pretty calm today.

327
00:22:59,520 --> 00:23:02,960
Speaker 1: Maybe what ever Peyton's done so far as working? I

328
00:23:03,000 --> 00:23:06,119
Speaker 1: hope so. I really don't want to run into that

329
00:23:06,200 --> 00:23:08,800
Speaker 1: dog again. Speaking of which, have you checked in with

330
00:23:08,840 --> 00:23:11,480
Speaker 1: a doctor about that? No, it was just a scratch.

331
00:23:11,480 --> 00:23:15,720
Speaker 1: I'm fine. How do you how do you know? I mean, okay,

332
00:23:16,600 --> 00:23:20,119
Speaker 1: I guess magical dogs probably aren't at risk of transmitting rabies.

333
00:23:20,800 --> 00:23:24,360
Speaker 1: Oh god, I didn't even think about that. What if

334
00:23:24,359 --> 00:23:27,640
Speaker 1: I have some kind of magical rabies? I definitely don't

335
00:23:27,640 --> 00:23:31,000
Speaker 1: think you have magical rabies. Oh hey you're here. Hey

336
00:23:31,480 --> 00:23:36,240
Speaker 1: you say carved magic rounds, and I say, show me where, Hippin.

337
00:23:36,440 --> 00:23:38,280
Speaker 1: This is the legend tripper I was telling you about,

338
00:23:38,280 --> 00:23:41,000
Speaker 1: the one who I kept running into taught me that round.

339
00:23:41,560 --> 00:23:45,280
Speaker 1: Oh hi, and this is my friend Nippin. Nice to

340
00:23:45,280 --> 00:23:48,480
Speaker 1: meet you, Vippin. So why do you say I definitely

341
00:23:48,520 --> 00:23:51,520
Speaker 1: don't have magical rabies? Couldn't the dog be carrying some

342
00:23:51,600 --> 00:23:55,640
Speaker 1: kind of I don't know, curse maybe, but it's unlikely

343
00:23:55,640 --> 00:23:58,639
Speaker 1: it'd be transferred through its claws. You didn't get bitten,

344
00:23:58,640 --> 00:24:02,720
Speaker 1: did you? No, then you're probably okay. Bites are really

345
00:24:02,760 --> 00:24:05,440
Speaker 1: what you have to worry about with synanthropes. If you'd

346
00:24:05,480 --> 00:24:08,960
Speaker 1: gotten scratched by a manticore or fad felon, it'd be

347
00:24:08,960 --> 00:24:13,760
Speaker 1: a different story. But it seems like you got lucky lucky, right.

348
00:24:14,960 --> 00:24:17,840
Speaker 1: You sound pretty confident about all this. I told you

349
00:24:17,920 --> 00:24:22,680
Speaker 1: she was pretty knowledgeable. Yeah, I've been around the block. Oh,

350
00:24:22,480 --> 00:24:26,600
Speaker 1: you've had encounters. I know, it's all real, if that's

351
00:24:26,600 --> 00:24:30,520
Speaker 1: what you mean, right, But to be clear without proof,

352
00:24:31,160 --> 00:24:34,480
Speaker 1: well you believe before you had proof, right, No, I

353
00:24:34,560 --> 00:24:37,920
Speaker 1: wanted to believe. That's different from claiming to know exactly

354
00:24:37,960 --> 00:24:40,840
Speaker 1: what kinds of dangerous monster. Suppose when you haven't actually

355
00:24:40,880 --> 00:24:45,719
Speaker 1: seen one. WHOA, I didn't mean to offend. No, No, no,

356
00:24:45,760 --> 00:24:50,680
Speaker 1: you didn't. I just think it's a little weird, that's all. Yeah,

357
00:24:50,680 --> 00:24:54,920
Speaker 1: this is all a bit weird. That's kind of the point, right. No.

358
00:24:55,320 --> 00:24:57,080
Speaker 1: I mean the fact that you seem to just be

359
00:24:57,119 --> 00:24:59,760
Speaker 1: going around the wilderness waiting to run into people so

360
00:24:59,800 --> 00:25:02,080
Speaker 1: you and lecture them on what you think you know

361
00:25:02,119 --> 00:25:06,480
Speaker 1: about the supernatural. Um, I feel like we got off

362
00:25:06,480 --> 00:25:10,359
Speaker 1: on the wrong foot. Can you excuse us for just

363
00:25:10,400 --> 00:25:15,399
Speaker 1: a second. Hey, man, are you okay? What's going on?

364
00:25:15,840 --> 00:25:19,040
Speaker 1: Don't you find this suspicious? The woman she just showed

365
00:25:19,119 --> 00:25:22,199
Speaker 1: up vi I texted her? Yeah, but I mean before,

366
00:25:22,880 --> 00:25:26,320
Speaker 1: where did she come from? What is this really about? Vimen?

367
00:25:26,359 --> 00:25:29,440
Speaker 1: Are you worried that she's wrong, that the dog claws

368
00:25:29,560 --> 00:25:32,360
Speaker 1: really could have done something to you? No? No, no,

369
00:25:32,480 --> 00:25:37,000
Speaker 1: it's not that it's I just don't have a bad feeling, Jeremy.

370
00:25:37,680 --> 00:25:40,040
Speaker 1: You met the rest of the legend trippers. Some of

371
00:25:40,080 --> 00:25:42,600
Speaker 1: them might be a little too fanatical, but they're good

372
00:25:42,680 --> 00:25:45,119
Speaker 1: allies for us to have. Okay, and she's been super

373
00:25:45,160 --> 00:25:48,560
Speaker 1: helpful to me. Just give her a chance. I actually

374
00:25:48,640 --> 00:25:52,440
Speaker 1: think you'll you'll come to like her, maybe you'll maybe

375
00:25:52,440 --> 00:25:57,240
Speaker 1: you'll even become friends. Okay, Okay, yeah, I'm sorry. I

376
00:25:57,280 --> 00:26:01,119
Speaker 1: don't know why I got so, I'm I'm good. Okay,

377
00:26:01,160 --> 00:26:05,640
Speaker 1: all right, good, let's go everything. Okay, Yes, we're good.

378
00:26:06,280 --> 00:26:10,720
Speaker 1: So I guess Peyton was deemed trustworthy after all. Oh yeah, yeah,

379
00:26:10,720 --> 00:26:13,159
Speaker 1: she's actually been surprisingly helpful. She gave up in a

380
00:26:13,160 --> 00:26:18,359
Speaker 1: bunch of information and then these rounds. Right, yeah, she

381
00:26:18,440 --> 00:26:20,920
Speaker 1: made the snake disappear with a protection room. So we

382
00:26:21,040 --> 00:26:24,720
Speaker 1: thought we'd contribute to the cause by by carving more runs. Yep,

383
00:26:24,960 --> 00:26:28,720
Speaker 1: I'm all aboard. So what is it birch and beech

384
00:26:28,760 --> 00:26:32,639
Speaker 1: trees or what we're aiming for? Right? And pine? Sure? Sure, pine,

385
00:26:33,240 --> 00:26:38,120
Speaker 1: as long as it's not hickory. Yeah, impressive. This isn't

386
00:26:38,200 --> 00:26:40,920
Speaker 1: my first time carving protective runs, if you can believe it,

387
00:26:41,680 --> 00:26:43,359
Speaker 1: But this might be the first time that I'll be

388
00:26:43,440 --> 00:26:47,960
Speaker 1: doing so with complete confidence that they actually work. Because

389
00:26:48,000 --> 00:26:50,720
Speaker 1: you still haven't tested the one I taught you have

390
00:26:50,920 --> 00:26:54,320
Speaker 1: you Well, we hope this will work. Just because Peyton

391
00:26:54,320 --> 00:26:56,520
Speaker 1: did it right doesn't mean we'll be able to can

392
00:26:56,600 --> 00:27:07,600
Speaker 1: I see? Sure? Thanks? Uh? Huh m. These look good, though,

393
00:27:07,800 --> 00:27:11,280
Speaker 1: I think maybe she didn't finish this one. See here,

394
00:27:12,119 --> 00:27:17,160
Speaker 1: these lines are supposed to connect. Do you have a pen? Yeah? Yeah,

395
00:27:17,200 --> 00:27:22,160
Speaker 1: here you go? Oh thank you? See like that? Without

396
00:27:22,200 --> 00:27:26,760
Speaker 1: those lines, I think this would be the room for separation,

397
00:27:27,359 --> 00:27:29,400
Speaker 1: which I have been feeling is not our aim. Here.

398
00:27:29,520 --> 00:27:33,960
Speaker 1: Oh good catch? Then, yeah, I guess I'm cheating a bit.

399
00:27:34,680 --> 00:27:38,720
Speaker 1: I actually have a tattoo of this room. No shit, Wow, wow,

400
00:27:38,960 --> 00:27:42,119
Speaker 1: you really are committed figure. It can't hurt to be

401
00:27:42,119 --> 00:27:45,520
Speaker 1: protected at all times. So this works on individuals as well,

402
00:27:45,640 --> 00:27:48,919
Speaker 1: that's the hope. Another room from that conference friend, But

403
00:27:49,280 --> 00:27:53,560
Speaker 1: like the hand sign, it has gone untested. Oh oh,

404
00:27:54,400 --> 00:27:57,640
Speaker 1: now I'm realizing maybe the tattoo is why I've never

405
00:27:57,680 --> 00:28:00,879
Speaker 1: had an encounter before. Well, I hate to take away

406
00:28:00,920 --> 00:28:03,080
Speaker 1: your hope of seeing a monster even more, but we

407
00:28:03,080 --> 00:28:06,119
Speaker 1: should probably get to carving these rooms. Now. You're right,

408
00:28:06,800 --> 00:28:10,040
Speaker 1: no more dead campers is the most important thing. Oh,

409
00:28:10,119 --> 00:28:13,520
Speaker 1: I can go first. Huh, this birch tree should work? Wait,

410
00:28:13,560 --> 00:28:16,200
Speaker 1: are you sure Oh, she's just gonna go for it. Okay,

411
00:28:16,480 --> 00:28:19,000
Speaker 1: Now I should just say we probably shouldn't expect anything

412
00:28:19,040 --> 00:28:22,199
Speaker 1: to happen right away. We're not actually banishing anything to

413
00:28:22,280 --> 00:28:24,960
Speaker 1: the other realm, and I imagine that we need a

414
00:28:24,960 --> 00:28:29,959
Speaker 1: bunch of these before anything actually starts. What was that?

415
00:28:31,160 --> 00:28:33,760
Speaker 1: Maybe something sealing up or maybe there was something here

416
00:28:33,760 --> 00:28:36,119
Speaker 1: and it just does you feel this? What? What? Holy

417
00:28:36,280 --> 00:28:40,000
Speaker 1: shith my god? Ron ron ron? What he is that?

418
00:28:41,040 --> 00:28:43,480
Speaker 1: H yeah, I think we found your jersey, teb. I

419
00:28:43,480 --> 00:28:46,240
Speaker 1: think get both more like it's poor fuck? What is that?

420
00:28:47,240 --> 00:28:52,720
Speaker 1: Oh my god, it's definitely a thunder. I can't see

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00:28:52,760 --> 00:28:56,960
Speaker 1: any take it the fuck away? Many way to many?

422
00:28:58,280 --> 00:28:59,440
Speaker 1: What is it? What is it? What is it? Be?

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00:29:00,600 --> 00:29:05,720
Speaker 1: Center down? Shit? Whoa at the Jeremy's well, I think

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00:29:05,760 --> 00:29:10,920
Speaker 1: it's working. I feel oh my god, oh my god,

425
00:29:11,200 --> 00:29:14,880
Speaker 1: I worked her. Shit, shit it sort of worked. Oh

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00:29:15,040 --> 00:29:17,120
Speaker 1: hold on, come on, let's get away while the cab wait,

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00:29:17,160 --> 00:29:19,440
Speaker 1: wait this way, this way. I have a friend's house

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00:29:19,440 --> 00:29:21,160
Speaker 1: over here. It's just past the ones where we can

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00:29:21,240 --> 00:29:26,840
Speaker 1: hide that. Come on after faster there stop, that's our house.

430
00:29:28,360 --> 00:29:35,680
Speaker 1: Let's go. Oh shit, fuck, I forgot she's a she's

431
00:29:35,680 --> 00:29:39,160
Speaker 1: a Shelly's which she's not. It's okay. There's a key

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00:29:39,160 --> 00:29:40,600
Speaker 1: somewhere here, this is here, it is I got it,

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00:29:40,680 --> 00:29:46,640
Speaker 1: I got it, I got it. Shit. Hold on a second. Okay, god,

434
00:29:46,680 --> 00:29:53,840
Speaker 1: there in in in okay? Oh my god? Fuck? Shit?

435
00:29:54,840 --> 00:30:01,080
Speaker 1: Is everyone okay? Yeah? I think so? You okay? Oh

436
00:30:01,160 --> 00:30:14,200
Speaker 1: my god, I think we're safe. Oh my god. This

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00:30:14,240 --> 00:30:17,600
Speaker 1: episode of Bridgewater was written by Lauren Shippin and directed

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00:30:17,640 --> 00:30:22,200
Speaker 1: by Brendan Patrick Hughes assistant director Sarah Klein. Sound designed

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00:30:22,240 --> 00:30:26,840
Speaker 1: by Vincent de Johnny Rima Ilkali, Josh Thane, and Trevor Young,

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00:30:27,120 --> 00:30:32,160
Speaker 1: with music by Chad Lawson, starring Misha Collins as Jeremy Bradshaw,

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00:30:32,440 --> 00:30:37,160
Speaker 1: Melissa Ponzio as Anne Becker, Alan Tudik as Thomas Bradshaw,

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00:30:37,720 --> 00:30:43,280
Speaker 1: Karen Sony as Vipen Krana, Sabra May as Olivia Haskins,

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00:30:43,360 --> 00:30:48,400
Speaker 1: Cheryl Umania as Officer Bautista, Will Wheaton as Captain Haddock,

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00:30:48,880 --> 00:30:53,800
Speaker 1: Trisha Helper as the Legend Tripper, Stephen Guarino as Doctor

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00:30:53,920 --> 00:30:59,280
Speaker 1: Edwards Nandamisu Dembe as Peyton Blake, Hilary Burton Morgan as

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00:30:59,280 --> 00:31:04,560
Speaker 1: Shelley Haskins, Nicki McCauley as Celeste than Victoria Grace as

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00:31:04,640 --> 00:31:09,480
Speaker 1: Katie Franks, with additional voice acting by Greta Gould, Shelby Young,

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00:31:09,720 --> 00:31:15,240
Speaker 1: Adam O'Byrne, Monty Markham, Charlie Bergman, and Teren Westbrook. Executive

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00:31:15,240 --> 00:31:19,800
Speaker 1: producers Aaron Manky, Misha Collins, Lauren Shippin, Matt Frederick and

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00:31:19,960 --> 00:31:25,440
Speaker 1: Alexander Williams. Supervising producers Josh Thane and Trevor Young. Bridgewater

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00:31:25,600 --> 00:31:28,600
Speaker 1: was created by me Aaron Mankey and is a production

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00:31:28,640 --> 00:31:31,720
Speaker 1: of Grim and Mild and iHeart three D Audio. Learn

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00:31:31,760 --> 00:31:34,719
Speaker 1: more about the show over at Grimm Andmild dot com,

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00:31:34,720 --> 00:31:38,240
Speaker 1: slash Bridgewater and find more podcasts from iHeartRadio on the

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00:31:38,280 --> 00:31:42,120
Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your

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00:31:42,160 --> 00:31:46,080
Speaker 1: favorite shows, and as always, thanks for listening.