1 00:00:00,200 --> 00:00:11,120 Speaker 1: It's with Jenny Garth and Tori Spelling. Oh my gosh, 2 00:00:11,119 --> 00:00:14,520 Speaker 1: we're back. It's another episode of OMG. Well, now that's 3 00:00:14,520 --> 00:00:18,800 Speaker 1: not the title of it nine two. I mean basically 4 00:00:18,960 --> 00:00:21,239 Speaker 1: they know the nine O two one oh part. We 5 00:00:21,280 --> 00:00:27,000 Speaker 1: could just call it OMG. Then right season are to 6 00:00:27,080 --> 00:00:29,800 Speaker 1: the points in the program where we're so popular that 7 00:00:29,880 --> 00:00:33,239 Speaker 1: we were like, it's just OMG. Now I feel like 8 00:00:33,280 --> 00:00:40,680 Speaker 1: we are. Can I ask you guys a really weird thing. Okay, 9 00:00:40,720 --> 00:00:44,840 Speaker 1: So there's this show, another podcast called the Rewatchables, and 10 00:00:45,000 --> 00:00:46,879 Speaker 1: I love it. It's very it's kind of like what 11 00:00:46,920 --> 00:00:50,360 Speaker 1: we're doing for nine. They do for popular movies. So 12 00:00:50,640 --> 00:00:53,240 Speaker 1: they were rewatching a couple of weeks ago. This movie 13 00:00:53,280 --> 00:00:56,240 Speaker 1: Can't Buy Me Love? Remember it with passimc of course, 14 00:00:56,560 --> 00:00:59,840 Speaker 1: and it's Bill Simmons and Juliette Littman were hosting, and 15 00:01:00,040 --> 00:01:05,520 Speaker 1: they both felt that either I can't remember nine one 16 00:01:05,560 --> 00:01:07,920 Speaker 1: oh came first or Can't Buy Me Love, but that 17 00:01:08,120 --> 00:01:12,280 Speaker 1: they see a lot of similarities between the two, And 18 00:01:12,319 --> 00:01:16,120 Speaker 1: I was like, really, why, that's what I thought the 19 00:01:16,280 --> 00:01:19,840 Speaker 1: movie came first. That movie was in the eighties for sure. Yes, 20 00:01:19,880 --> 00:01:22,680 Speaker 1: you're right when we were young, So I think they 21 00:01:22,720 --> 00:01:25,560 Speaker 1: were saying like maybe nine O two one oh drew 22 00:01:25,720 --> 00:01:28,120 Speaker 1: inspiration from Can't Buy Me Love? And I wanted to 23 00:01:28,160 --> 00:01:32,000 Speaker 1: see what you guys thought, because I'm like, I'm gonna 24 00:01:32,040 --> 00:01:34,120 Speaker 1: do a hard pass on that. Yeah, we didn't. I 25 00:01:34,200 --> 00:01:37,720 Speaker 1: don't know what you're talking about. That's how I felt 26 00:01:38,319 --> 00:01:41,480 Speaker 1: we were too young to like. I mean, the only 27 00:01:41,520 --> 00:01:45,640 Speaker 1: similarity is he went from totally geek to totally chic, 28 00:01:45,760 --> 00:01:47,760 Speaker 1: and I guess that would be David Silver. But other 29 00:01:47,800 --> 00:01:51,560 Speaker 1: than that, come on and that fashion with the Swede, 30 00:01:51,600 --> 00:01:55,639 Speaker 1: remember the skurchy spilled on. I don't remember that movie 31 00:01:55,760 --> 00:01:59,720 Speaker 1: enough that I'm gonna have to rewatch it. So did 32 00:01:59,720 --> 00:02:01,919 Speaker 1: you know Bill Simmons is a huge So Bill Simmons 33 00:02:02,000 --> 00:02:05,120 Speaker 1: is this like sports guy, but he's very cool and 34 00:02:05,200 --> 00:02:10,880 Speaker 1: kind of hot and he loves nine two one oh. Well, 35 00:02:10,919 --> 00:02:12,400 Speaker 1: I think you caught. But I don't want to be 36 00:02:12,440 --> 00:02:15,520 Speaker 1: weird because what if he's hears this, Because if he 37 00:02:15,680 --> 00:02:17,400 Speaker 1: might hear this, and now I feel embarrassed because he 38 00:02:17,400 --> 00:02:20,519 Speaker 1: has a wife, but he loves nine o two And 39 00:02:20,840 --> 00:02:23,359 Speaker 1: I think that's so interesting a man on our age 40 00:02:23,800 --> 00:02:28,280 Speaker 1: that also there are a few there's more than just 41 00:02:28,639 --> 00:02:31,160 Speaker 1: one guy named Bill that loves it. I feel like 42 00:02:31,160 --> 00:02:33,240 Speaker 1: there's a lot of guys. This is so for sure. 43 00:02:33,320 --> 00:02:36,160 Speaker 1: And by the way, I think if you say respectfully hot, 44 00:02:36,280 --> 00:02:39,400 Speaker 1: then um, partners can't get upset. I just said that 45 00:02:40,560 --> 00:02:43,919 Speaker 1: so many people lately have been men coming up to me. 46 00:02:44,760 --> 00:02:46,680 Speaker 1: That's what I was going to ask you, what's like 47 00:02:46,919 --> 00:02:51,960 Speaker 1: the percentage of men that are fans. Two men have 48 00:02:52,080 --> 00:02:54,840 Speaker 1: come up to me with their kids, because usually it's women. 49 00:02:54,880 --> 00:02:56,920 Speaker 1: They're like, we take a picture, like this is the show. 50 00:02:57,040 --> 00:03:00,120 Speaker 1: I grew up on the kids who're like whatever. It 51 00:03:00,200 --> 00:03:03,480 Speaker 1: was two men. One had three boys, one had four kids, 52 00:03:03,840 --> 00:03:05,600 Speaker 1: and they were like and the kids were just like 53 00:03:05,720 --> 00:03:07,799 Speaker 1: sitting there like we don't know who this is, why 54 00:03:07,800 --> 00:03:10,240 Speaker 1: are you doing this? And they were like this was 55 00:03:10,320 --> 00:03:13,720 Speaker 1: my showy men straight or or they'll come up and 56 00:03:13,760 --> 00:03:15,800 Speaker 1: they'll say, can I take a picture with you? My 57 00:03:15,840 --> 00:03:18,600 Speaker 1: wife is such a fan and you can tell it's 58 00:03:18,639 --> 00:03:21,120 Speaker 1: not the wife. I mean, maybe it is the wife, 59 00:03:21,160 --> 00:03:25,880 Speaker 1: but you can always tell, right, yeah, because in the 60 00:03:25,919 --> 00:03:30,080 Speaker 1: eyes and the eyes so interesting, how close they hold you. 61 00:03:31,440 --> 00:03:34,720 Speaker 1: I you, Hannah, dudes watch nine O two one. No, 62 00:03:37,200 --> 00:03:41,000 Speaker 1: it was like it was the Billions or the yellow 63 00:03:41,040 --> 00:03:44,000 Speaker 1: Stone of its day. Because even though those are like 64 00:03:44,880 --> 00:03:47,200 Speaker 1: not comparable. Do you know what I'm saying? This feel 65 00:03:47,280 --> 00:03:51,600 Speaker 1: more like gritty. Yeah, but it was then glimpse into 66 00:03:51,840 --> 00:03:55,160 Speaker 1: a life that you wanted, like yeah, and that you 67 00:03:55,320 --> 00:03:58,160 Speaker 1: didn't know anything about because there was no internet, so 68 00:03:58,240 --> 00:04:03,480 Speaker 1: we we know you watched it. Guys. Come on and 69 00:04:03,560 --> 00:04:06,240 Speaker 1: this this guy the other day he was like, oh, yeah, 70 00:04:06,320 --> 00:04:09,839 Speaker 1: my friends and I in college, we all were one 71 00:04:09,880 --> 00:04:12,080 Speaker 1: of you. And I was like, I knew what he 72 00:04:12,120 --> 00:04:13,760 Speaker 1: was gonna say, but I was like, oh, who are you? 73 00:04:13,800 --> 00:04:17,280 Speaker 1: And he was like, I was Brandon, and I was like, oh, 74 00:04:17,480 --> 00:04:21,120 Speaker 1: that's so interesting. Yeah, yeah, because you did it. They 75 00:04:21,120 --> 00:04:23,440 Speaker 1: did it just like us girls. I've never heard a 76 00:04:23,440 --> 00:04:25,960 Speaker 1: guy come up to me and say, oh, yeah, we 77 00:04:26,080 --> 00:04:28,320 Speaker 1: we were all one of you in high school. I 78 00:04:28,360 --> 00:04:34,120 Speaker 1: was Steve, or I was I was David, Like they 79 00:04:34,120 --> 00:04:37,800 Speaker 1: all want to be Brandon. Yeah. I was gonna say, 80 00:04:37,839 --> 00:04:42,719 Speaker 1: you get a like a large majority of Dylan's. Yeah. 81 00:04:42,839 --> 00:04:47,599 Speaker 1: And then women are always like it's usually Kelly or Brenda. 82 00:04:47,920 --> 00:04:51,120 Speaker 1: Once in a blue moon, it'll be a Donna. And 83 00:04:51,160 --> 00:04:55,360 Speaker 1: then sadly you always have the girls that like I 84 00:04:55,400 --> 00:05:00,919 Speaker 1: was Andrea. Andrea's the best, smart, she's cute, like what 85 00:05:00,960 --> 00:05:03,240 Speaker 1: do you mean? But they always like my friend said, 86 00:05:03,279 --> 00:05:05,200 Speaker 1: I was Andrea. It's just like sex in the City. 87 00:05:05,240 --> 00:05:08,360 Speaker 1: My friend said, I was Miranda. You know, Season three 88 00:05:08,400 --> 00:05:13,240 Speaker 1: episode she came in through the bathroom window aired April nine. 89 00:05:15,640 --> 00:05:18,920 Speaker 1: Synopsis Did Jake goes awry when Kelly ends up being 90 00:05:18,960 --> 00:05:23,000 Speaker 1: a victim of theft at Magic Mountain? Meanwhile, Brandon, Dylan, 91 00:05:23,040 --> 00:05:25,320 Speaker 1: and Steve get mixed up with a beautiful but troublesome 92 00:05:25,400 --> 00:05:29,120 Speaker 1: con artist named Ginger. Donna puts her self defense skills 93 00:05:29,160 --> 00:05:33,040 Speaker 1: to good use, and the real Reynolds saves the day. 94 00:05:33,200 --> 00:05:39,080 Speaker 1: Directed by Jason Priestley, written by Ken Stringer. En Ken 95 00:05:39,240 --> 00:05:44,400 Speaker 1: Stringer wrote this, you know who Ken Stringer is? Okay, 96 00:05:44,440 --> 00:05:46,560 Speaker 1: now I just get panicked. I got it wrong. Came 97 00:05:47,000 --> 00:05:52,200 Speaker 1: such confidence her first a d one of hers wasn't Yes, 98 00:05:52,800 --> 00:05:58,160 Speaker 1: I feel like my movie. I don't know that sounds familiar, Ken. Sorry. 99 00:05:58,200 --> 00:06:02,120 Speaker 1: It was written very unique you guys talk about it. 100 00:06:02,120 --> 00:06:05,800 Speaker 1: It was written very uniquely, and it was directed very uniquely. 101 00:06:06,279 --> 00:06:09,080 Speaker 1: So it makes sense because I watched this show had 102 00:06:09,160 --> 00:06:13,120 Speaker 1: no idea that Jason was This was his directorial debut 103 00:06:13,240 --> 00:06:16,320 Speaker 1: for the show. And now that I know that, if 104 00:06:16,480 --> 00:06:19,080 Speaker 1: everything makes sense, like, I get it all so much 105 00:06:19,120 --> 00:06:23,880 Speaker 1: better because his Shenanigans, like all the cinematic, Yeah, tell 106 00:06:23,920 --> 00:06:26,400 Speaker 1: me what that means. Tell me everything about that, like 107 00:06:26,480 --> 00:06:30,960 Speaker 1: well specifically, like most specifically with the peach pit stuff, 108 00:06:31,000 --> 00:06:33,440 Speaker 1: with that storyline, because there were basically two storylines in 109 00:06:33,480 --> 00:06:36,120 Speaker 1: this episode. One was the ditch day everybody goes to 110 00:06:36,120 --> 00:06:38,520 Speaker 1: Magic Mountain, and then the other one was settled into 111 00:06:38,680 --> 00:06:40,360 Speaker 1: the peach Pit with the girl coming in through the 112 00:06:40,360 --> 00:06:43,640 Speaker 1: bathroom window. But I really felt like all a lot 113 00:06:43,680 --> 00:06:47,119 Speaker 1: of the stuff with the three guys Iron, Jason, and Luke. 114 00:06:48,080 --> 00:06:51,200 Speaker 1: I could see so much of Jason in all of 115 00:06:51,279 --> 00:06:54,240 Speaker 1: their like the comedy that they did and the like 116 00:06:54,520 --> 00:06:57,480 Speaker 1: silly shots that they did. It was very and like 117 00:06:57,839 --> 00:06:59,960 Speaker 1: just the goof nous of it. I felt like everybody 118 00:07:00,120 --> 00:07:02,440 Speaker 1: was having a really good time. And I don't know, 119 00:07:02,480 --> 00:07:07,000 Speaker 1: it just made sense. Yes, I think you're you're nailing hands. 120 00:07:07,080 --> 00:07:09,279 Speaker 1: He would do like he would start on a close 121 00:07:09,360 --> 00:07:12,680 Speaker 1: up of something and then the shift to the background. 122 00:07:13,200 --> 00:07:15,440 Speaker 1: He would always do those cinematic He loves his like 123 00:07:16,480 --> 00:07:19,440 Speaker 1: he just loves going like that when he's directed. Yeah, 124 00:07:19,480 --> 00:07:22,080 Speaker 1: we're gonna start here and we're gonna pay over here. 125 00:07:22,440 --> 00:07:26,320 Speaker 1: Basically did he actually do that? Yes, So in b 126 00:07:26,760 --> 00:07:28,960 Speaker 1: In Beach and I know to one. Oh, he did 127 00:07:29,040 --> 00:07:35,480 Speaker 1: direct in Bho, but um in the story on camera. 128 00:07:35,560 --> 00:07:39,080 Speaker 1: We also made him the director because we put in 129 00:07:39,160 --> 00:07:43,200 Speaker 1: all his like quirks and like he played kind of 130 00:07:43,760 --> 00:07:46,640 Speaker 1: not making fun of himself, but very self deprecating, like 131 00:07:46,840 --> 00:07:49,480 Speaker 1: he'd be like this and like ding king and he 132 00:07:49,600 --> 00:07:51,800 Speaker 1: always does that when he gets the shot, dingking or 133 00:07:52,360 --> 00:07:56,680 Speaker 1: that's right. But I gotta say, what does ding ding mean? 134 00:07:56,880 --> 00:07:59,720 Speaker 1: What does ding ding mean? I forgot it was it 135 00:07:59,800 --> 00:08:04,200 Speaker 1: was just like his catchphrase when he was like, yeah, 136 00:08:04,240 --> 00:08:06,320 Speaker 1: we got it, like ding ding, let's move on. It's 137 00:08:06,360 --> 00:08:11,760 Speaker 1: so annoying. But he gets super animated. He's really as 138 00:08:11,840 --> 00:08:15,640 Speaker 1: like as like cool and slick, as like Brandon's just 139 00:08:15,720 --> 00:08:20,000 Speaker 1: like yeah, like when he's directing, Jason is like super 140 00:08:20,080 --> 00:08:23,400 Speaker 1: animated and it's like guys, here's what we're gonna do. 141 00:08:23,440 --> 00:08:27,720 Speaker 1: And it's just very forceful and it's a really adorable character. Actually, 142 00:08:27,840 --> 00:08:30,080 Speaker 1: you though it's him like as the director and he's 143 00:08:30,080 --> 00:08:32,719 Speaker 1: a really great director. What do we Oh my god? 144 00:08:32,720 --> 00:08:34,400 Speaker 1: I was like, Amy, what is that we're seeing? It 145 00:08:34,480 --> 00:08:36,679 Speaker 1: was your fingers? Okay, it was I couldn't tell. And 146 00:08:36,720 --> 00:08:40,640 Speaker 1: then but the same way I started rewatching this show 147 00:08:40,679 --> 00:08:43,319 Speaker 1: and first season, I was like, oh my gosh, I'm 148 00:08:43,360 --> 00:08:47,120 Speaker 1: like crushing on Brandon. I felt that crushed this episode 149 00:08:47,120 --> 00:08:50,240 Speaker 1: watching You're gonna hate this Jock, Like watching Jason direct, 150 00:08:50,280 --> 00:08:53,400 Speaker 1: I was like, Oh, it's so good, and like I 151 00:08:53,440 --> 00:08:56,720 Speaker 1: love him as a director. That's good. I'm glad you 152 00:08:56,760 --> 00:09:00,320 Speaker 1: loved him as a director. Wait what you mean? What 153 00:09:00,360 --> 00:09:02,800 Speaker 1: do you mean you were crushing on him? That's different 154 00:09:02,880 --> 00:09:10,040 Speaker 1: than liking him as a director. Respectfully, Um, No, like 155 00:09:10,120 --> 00:09:12,800 Speaker 1: crushing like, oh my gosh, I forgot like how much 156 00:09:12,880 --> 00:09:15,680 Speaker 1: I adore him directing, and I got that like feeling 157 00:09:15,679 --> 00:09:18,720 Speaker 1: of like, oh Brandon and those dreamy eyes that took 158 00:09:18,760 --> 00:09:21,199 Speaker 1: me back to season one and like he's so amazing. 159 00:09:21,640 --> 00:09:24,679 Speaker 1: But anyway, wait, can I ask a question about that? 160 00:09:25,240 --> 00:09:27,800 Speaker 1: Is it a little okay? And I mean this professionally 161 00:09:27,800 --> 00:09:29,880 Speaker 1: because I don't want to be inappropriate, but like, is 162 00:09:29,920 --> 00:09:33,000 Speaker 1: there a little something sexy about him in this episode? 163 00:09:33,200 --> 00:09:37,599 Speaker 1: And then maybe that he's also like the director the boss, 164 00:09:37,640 --> 00:09:40,000 Speaker 1: Like I feel like I know what you're talking about. 165 00:09:40,000 --> 00:09:43,439 Speaker 1: Like his confidence, Like he felt like super confident because 166 00:09:43,480 --> 00:09:45,160 Speaker 1: he was the director that week and he was the 167 00:09:45,200 --> 00:09:48,200 Speaker 1: first of any of us to direct, so he felt 168 00:09:48,240 --> 00:09:52,760 Speaker 1: like special and it probably transferred into Brandon a little 169 00:09:52,760 --> 00:09:55,840 Speaker 1: bit because there's a lot more energy like when you 170 00:09:55,880 --> 00:10:01,600 Speaker 1: are the director. Yes, yes, yeah, okay, so that's what 171 00:10:01,679 --> 00:10:04,960 Speaker 1: I'm trying to say. And I said crushing. I didn't 172 00:10:05,000 --> 00:10:07,000 Speaker 1: mean crushing, but you know what I mean. Yes, there 173 00:10:07,080 --> 00:10:11,760 Speaker 1: is that. He's more Jason than Brandon, definitely, And the 174 00:10:11,800 --> 00:10:15,920 Speaker 1: whole thing was great. He's just I love his energy 175 00:10:15,920 --> 00:10:17,920 Speaker 1: when he's directing. I think he's a great director. And 176 00:10:17,960 --> 00:10:20,640 Speaker 1: this was the first one that it truly we always 177 00:10:20,679 --> 00:10:23,120 Speaker 1: talked about a storyline, B storyline. It really had to 178 00:10:23,280 --> 00:10:27,600 Speaker 1: a storyline. Yeah, such an important point. So do you 179 00:10:27,600 --> 00:10:31,200 Speaker 1: guys remember like at all that someone telling you, hey, 180 00:10:31,480 --> 00:10:34,760 Speaker 1: Jason is going to direct this. Do you remember him 181 00:10:34,880 --> 00:10:38,240 Speaker 1: vying for that job? Like, can you remember any of it? 182 00:10:38,320 --> 00:10:41,440 Speaker 1: And were you guys extra like because it was Jason, like, 183 00:10:41,600 --> 00:10:43,240 Speaker 1: we're gonna do what he says, We're gonna be on 184 00:10:43,240 --> 00:10:50,760 Speaker 1: our game. No, no, like you can't remember. I just 185 00:10:50,880 --> 00:10:55,960 Speaker 1: remember being told like and then being like Hallason Jason 186 00:10:56,040 --> 00:10:59,520 Speaker 1: starrety Oh okay, well I didn't know he wanted to 187 00:10:59,559 --> 00:11:01,600 Speaker 1: be a director. Cool, all right, and then just like 188 00:11:01,800 --> 00:11:05,600 Speaker 1: adjusting to it. But yeah, we didn't try any harder. 189 00:11:05,960 --> 00:11:08,640 Speaker 1: We did we didn't. I did you, did you try 190 00:11:08,679 --> 00:11:13,439 Speaker 1: to be a bit more professional? Not? No, not my professional. 191 00:11:13,760 --> 00:11:19,839 Speaker 1: I was really I was really nervous, really like I 192 00:11:20,600 --> 00:11:24,320 Speaker 1: was more nervous being directed by Jason than being directed 193 00:11:24,360 --> 00:11:28,080 Speaker 1: by any other director the first time. After that, we 194 00:11:28,160 --> 00:11:30,640 Speaker 1: got used to it, but the first time it was 195 00:11:30,720 --> 00:11:35,160 Speaker 1: still like, oh my god, like yeah at that point, 196 00:11:35,240 --> 00:11:37,640 Speaker 1: like Jason, I don't think Jason and I were super 197 00:11:37,720 --> 00:11:39,920 Speaker 1: close yet I was still feeling like I was like 198 00:11:40,200 --> 00:11:42,679 Speaker 1: it was him and the guys, like I don't know, 199 00:11:43,520 --> 00:11:46,040 Speaker 1: So it was nerve racking. Especially that scene at Magic 200 00:11:46,080 --> 00:11:50,280 Speaker 1: Mountain with me and Andrea. I felt really nervous. Okay, 201 00:11:50,280 --> 00:11:52,160 Speaker 1: we're not going to jump ahead like that addic scene 202 00:11:52,280 --> 00:11:54,840 Speaker 1: that seems so good, but we got to talk about it, yeah, 203 00:11:55,160 --> 00:11:57,840 Speaker 1: really fast. One more sort of one more behind the 204 00:11:57,880 --> 00:12:01,440 Speaker 1: scenes question. Would he have had to go to your dad, 205 00:12:01,640 --> 00:12:04,600 Speaker 1: Tory or does he go to the showrunner? Like who 206 00:12:04,640 --> 00:12:07,200 Speaker 1: would he have gone to to say I want to 207 00:12:07,240 --> 00:12:11,960 Speaker 1: direct and then be selected to direct. I feel like 208 00:12:12,080 --> 00:12:16,360 Speaker 1: I remember him talking about that he I talked to 209 00:12:16,400 --> 00:12:22,000 Speaker 1: Aaron And also it was season three, so maybe it 210 00:12:22,040 --> 00:12:26,480 Speaker 1: was built into his deal, like to direct maybe one 211 00:12:26,559 --> 00:12:29,600 Speaker 1: to one episode, two episodes three episodes whatever it is 212 00:12:29,640 --> 00:12:32,679 Speaker 1: for the season. How many this season did he do? 213 00:12:32,800 --> 00:12:35,800 Speaker 1: I wonder well at the end of the season almost 214 00:12:35,800 --> 00:12:38,400 Speaker 1: so just one, I guess, and one more behind the 215 00:12:38,400 --> 00:12:41,400 Speaker 1: scenes questions. Did either or both of you ever direct? 216 00:12:41,960 --> 00:12:46,840 Speaker 1: We both did? Yes? No way, wait so that comes 217 00:12:46,920 --> 00:12:51,640 Speaker 1: later in the seasons. Yes, yes, every single person on 218 00:12:51,679 --> 00:12:59,560 Speaker 1: the show directed? Right? Wait? Chen, I am? Did Luke direct? Mm? Hmm? 219 00:13:00,040 --> 00:13:06,520 Speaker 1: He did? I am? Wait because if I feel like, no, wait, wait, 220 00:13:06,559 --> 00:13:13,920 Speaker 1: this is weird. I only have memory you directing, you 221 00:13:13,960 --> 00:13:17,880 Speaker 1: and me. I don't remember Shannon directing because I think 222 00:13:17,920 --> 00:13:21,240 Speaker 1: she was already gone. But then I don't remember I 223 00:13:21,320 --> 00:13:26,680 Speaker 1: and I don't remember uh No, I don't remember Andrea 224 00:13:27,120 --> 00:13:32,400 Speaker 1: Andrea Gabrielle directing. No, because she was. I mean, Jason 225 00:13:34,120 --> 00:13:38,600 Speaker 1: definitely went in because that's something he knew he wanted 226 00:13:38,640 --> 00:13:44,040 Speaker 1: to do. I assume that's you know. And then at 227 00:13:44,080 --> 00:13:46,480 Speaker 1: some point I feel like we were all like, okay, 228 00:13:46,520 --> 00:13:50,160 Speaker 1: we all can get one shot at this. But that's bizarre. Jen, 229 00:13:50,240 --> 00:13:52,840 Speaker 1: I only remember you and then me. I don't know. 230 00:13:53,360 --> 00:13:57,439 Speaker 1: He did direct one thing, Luke Perry, and it was 231 00:13:57,480 --> 00:14:00,240 Speaker 1: an episode of Beverly Hills nine O two one oh. 232 00:14:00,480 --> 00:14:04,960 Speaker 1: It says in. He directed two episodes, so it must 233 00:14:04,960 --> 00:14:07,840 Speaker 1: have been when he came back. That was part of 234 00:14:07,880 --> 00:14:10,360 Speaker 1: his deal for coming back, like I'll come back, but 235 00:14:10,400 --> 00:14:18,120 Speaker 1: I want to direct. Wow, um about Iron and well 236 00:14:18,200 --> 00:14:21,920 Speaker 1: keep talking then I'll keep It was so fun, didn't 237 00:14:21,920 --> 00:14:24,000 Speaker 1: you think, like opening the episode on the roller coaster 238 00:14:24,040 --> 00:14:26,480 Speaker 1: and seeing Magic Mountain like I felt it was must 239 00:14:26,480 --> 00:14:29,840 Speaker 1: have been so exciting for the viewers all across the 240 00:14:29,840 --> 00:14:32,920 Speaker 1: world to see Magic Mountain and to see those crazy 241 00:14:33,000 --> 00:14:37,080 Speaker 1: roller coasters that they have. There was like an energy 242 00:14:37,120 --> 00:14:42,680 Speaker 1: about it. Do you guys remember going vaguely? And do 243 00:14:42,720 --> 00:14:46,440 Speaker 1: you think they shut the park down completely? Okay? Here? 244 00:14:47,960 --> 00:14:50,240 Speaker 1: You know, gen what did you feel a little bit 245 00:14:50,400 --> 00:14:56,000 Speaker 1: like some of the roller coasters were just stock footage? Um? Maybe, 246 00:14:56,040 --> 00:14:59,239 Speaker 1: but no, because then there was that coverage of Andrea 247 00:14:59,320 --> 00:15:01,120 Speaker 1: on the roller coaster, so they had to have been 248 00:15:01,160 --> 00:15:03,240 Speaker 1: on a roller coaster at some point. Why they probably 249 00:15:03,280 --> 00:15:05,520 Speaker 1: just turned the camera and pop off the I know 250 00:15:05,600 --> 00:15:07,720 Speaker 1: the angle you're talking about. I bet, I bet that 251 00:15:07,760 --> 00:15:09,840 Speaker 1: was all. It was like darker and gray near So 252 00:15:09,880 --> 00:15:13,280 Speaker 1: I thought it was maybe I directed one episode. Oh 253 00:15:13,320 --> 00:15:18,680 Speaker 1: my god, I must have directed once. This is terrible, 254 00:15:18,720 --> 00:15:21,720 Speaker 1: I can Oh my god, you must have blocked it 255 00:15:21,800 --> 00:15:40,520 Speaker 1: from your memory. Now, do both of you enjoy roller coasters? Wait, 256 00:15:40,560 --> 00:15:44,240 Speaker 1: when you were younger, you didn't like roller coasters then too? 257 00:15:45,760 --> 00:15:50,240 Speaker 1: Never never, never been on Oh okay, I went on 258 00:15:50,240 --> 00:15:54,840 Speaker 1: one roller coaster and it was in like Tunetown or 259 00:15:54,920 --> 00:15:59,480 Speaker 1: wherever it is that goof Goofy's roller coaster and you 260 00:15:59,560 --> 00:16:02,760 Speaker 1: have to be certain height ticket on it. Like that's 261 00:16:02,800 --> 00:16:06,200 Speaker 1: a little kid, like five year old. I was on 262 00:16:06,240 --> 00:16:08,600 Speaker 1: it once, you guys, I'm talking a full adult, and 263 00:16:08,640 --> 00:16:11,000 Speaker 1: I screamed so loud they had to stop it. I 264 00:16:11,080 --> 00:16:16,520 Speaker 1: was hysterical. What's her problem? I went on Tired to 265 00:16:16,560 --> 00:16:19,520 Speaker 1: the Caribbean for the first time at forty years old 266 00:16:20,200 --> 00:16:22,320 Speaker 1: because I heard there was a drop and I cried 267 00:16:22,320 --> 00:16:26,080 Speaker 1: the entire time and screen Brian Brian Direction, episode two, 268 00:16:26,360 --> 00:16:30,760 Speaker 1: I'm terribly embarrassed. Well, it was later on in the series, 269 00:16:30,800 --> 00:16:33,520 Speaker 1: so you haven't jarred your memories of that yet. You're 270 00:16:33,520 --> 00:16:36,960 Speaker 1: still in season three. When you get to it, you'll 271 00:16:37,000 --> 00:16:39,800 Speaker 1: recall because it sounds like when you watch this Jason 272 00:16:39,880 --> 00:16:43,720 Speaker 1: Directing flooded back memories. I hated roller coasters, like if 273 00:16:43,720 --> 00:16:45,880 Speaker 1: they couldn't I wouldn't have done it. If they had 274 00:16:45,920 --> 00:16:49,720 Speaker 1: written like me, into a roller coaster. Wait, gent do 275 00:16:49,840 --> 00:16:52,560 Speaker 1: you like roller coasters at that age? When I was 276 00:16:52,600 --> 00:16:56,640 Speaker 1: that age, I loved roller coasters. But now I have 277 00:16:56,840 --> 00:16:59,240 Speaker 1: want to have nothing to do with them, Like something's 278 00:16:59,360 --> 00:17:04,800 Speaker 1: changed chemically inside my body and it's not good. I 279 00:17:04,840 --> 00:17:09,120 Speaker 1: will I will take people to Disneyland or anywhere and 280 00:17:09,240 --> 00:17:12,560 Speaker 1: sit patiently, go get you snacks, do whatever I have to. 281 00:17:12,680 --> 00:17:16,000 Speaker 1: I will not go on a roller coaster all hit. 282 00:17:16,080 --> 00:17:20,520 Speaker 1: It's a small world or something like that, same small world. 283 00:17:20,960 --> 00:17:23,639 Speaker 1: Do you guys feel with this episode? For me, this 284 00:17:23,720 --> 00:17:28,080 Speaker 1: episode was like all comedy, Like it was just so funny, 285 00:17:28,359 --> 00:17:31,920 Speaker 1: and it's like a standalone episode, like it really just 286 00:17:32,200 --> 00:17:39,120 Speaker 1: is so unique and different to the series. I was just, yeah, 287 00:17:39,160 --> 00:17:44,959 Speaker 1: I don't know. I think the the ginger storyline and 288 00:17:45,000 --> 00:17:48,000 Speaker 1: the boys is all comedy. I think the part that 289 00:17:48,080 --> 00:17:51,280 Speaker 1: should be fun and like exciting and put you into 290 00:17:51,320 --> 00:17:54,960 Speaker 1: that world at Magic Mountain was not comedy. And I 291 00:17:55,000 --> 00:17:57,000 Speaker 1: gotta be honest, that's the only part of the episode 292 00:17:57,000 --> 00:17:59,280 Speaker 1: I didn't like. I felt like as if you were 293 00:17:59,400 --> 00:18:01,520 Speaker 1: we were at Mad Mountain, but we didn't really see magic. 294 00:18:01,560 --> 00:18:04,720 Speaker 1: We don't. Yeah, let's see more of it. We saw 295 00:18:05,000 --> 00:18:08,120 Speaker 1: the security office, we saw us coming in off the bus. 296 00:18:08,680 --> 00:18:12,040 Speaker 1: We saw us getting snacks and then Andrea on the 297 00:18:12,160 --> 00:18:14,320 Speaker 1: ride and the bench out front. That's it it was. 298 00:18:14,400 --> 00:18:16,959 Speaker 1: But it was about the guy stealing the wallet, Like 299 00:18:17,040 --> 00:18:21,960 Speaker 1: what why? What was the purpose of that? To let 300 00:18:22,040 --> 00:18:30,240 Speaker 1: Tori kick some serious asks? Oh yeah, oh man, I 301 00:18:30,400 --> 00:18:33,440 Speaker 1: just I wanted to see them like having fun and 302 00:18:33,520 --> 00:18:37,879 Speaker 1: like being teens doing ditch day at Magic Mountain. I 303 00:18:37,920 --> 00:18:40,120 Speaker 1: just felt like we didn't get enough. And it almost 304 00:18:40,160 --> 00:18:42,640 Speaker 1: made me feel like, because Jen, do you remember even 305 00:18:42,720 --> 00:18:44,800 Speaker 1: really being in the park, Like I felt like we 306 00:18:44,920 --> 00:18:47,320 Speaker 1: just shot certain areas we didn't really get to go 307 00:18:47,400 --> 00:18:49,840 Speaker 1: in and like maybe just the front. Did I bet 308 00:18:49,880 --> 00:18:52,199 Speaker 1: you they didn't take over the whole park? Yeah, it 309 00:18:52,280 --> 00:18:54,639 Speaker 1: was probably just the front. You were so funny at 310 00:18:54,680 --> 00:18:57,280 Speaker 1: Magic Mountain. I was like Donna's hilarious at Magic Mountain 311 00:18:57,280 --> 00:18:59,439 Speaker 1: because when you jump off the bus and you're like, 312 00:19:03,480 --> 00:19:07,879 Speaker 1: that was Terry, that was I was Terry there. I 313 00:19:07,920 --> 00:19:11,200 Speaker 1: don't know that was Terry before I drank, Like, so okay, 314 00:19:11,400 --> 00:19:13,200 Speaker 1: the part when I get the bus, I'm like, yeah, 315 00:19:13,720 --> 00:19:16,560 Speaker 1: that's my alter ego. When I get drunk, we call 316 00:19:16,640 --> 00:19:19,879 Speaker 1: her Terry. But that was that was me. That was 317 00:19:19,920 --> 00:19:22,720 Speaker 1: like the real me, slipping in into Donna, Oh my god, 318 00:19:22,920 --> 00:19:25,199 Speaker 1: and then to find out you hate roller coasters. So 319 00:19:25,240 --> 00:19:27,119 Speaker 1: that was really good acting because I was convinced that 320 00:19:27,160 --> 00:19:31,399 Speaker 1: you were really excited to be there. I was wondering, 321 00:19:31,520 --> 00:19:35,159 Speaker 1: and this is me being like, goofy, but did Magic 322 00:19:35,200 --> 00:19:38,399 Speaker 1: Mountain pay because it was really like an ad for 323 00:19:38,480 --> 00:19:44,320 Speaker 1: that Viper roller coaster talk And the opening date of 324 00:19:44,600 --> 00:19:48,119 Speaker 1: the Viper roller coaster was April seven, so it's been 325 00:19:48,160 --> 00:19:53,240 Speaker 1: open for a little bit. But I thought it seems 326 00:19:53,280 --> 00:19:56,000 Speaker 1: like kind of like, now we would call it product placement. 327 00:19:57,359 --> 00:20:00,119 Speaker 1: That's a big product to place. They would have had 328 00:20:00,200 --> 00:20:03,240 Speaker 1: us all over the theme park and they didn't. Yeah, 329 00:20:03,240 --> 00:20:05,720 Speaker 1: so maybe they just thought it makes sense for a 330 00:20:05,760 --> 00:20:08,359 Speaker 1: ditch day. Well, I feel like we did not close 331 00:20:08,400 --> 00:20:10,040 Speaker 1: it down. I feel like we were just in the front. 332 00:20:10,320 --> 00:20:12,280 Speaker 1: I don't know. But that scene with you and Andrea 333 00:20:12,480 --> 00:20:17,639 Speaker 1: talking about how the feeling of being on the roller coaster. 334 00:20:19,440 --> 00:20:21,560 Speaker 1: Dave walked in while you were just let while that 335 00:20:21,560 --> 00:20:25,840 Speaker 1: scene was on, and he's like, is she talking about sex? 336 00:20:27,880 --> 00:20:32,159 Speaker 1: You're like ding ding dinging, You're right, which is maybe 337 00:20:32,440 --> 00:20:37,000 Speaker 1: leading us to things to come. Yeah, poor Donna is wondering, wondering, 338 00:20:37,119 --> 00:20:40,119 Speaker 1: what is it like trying she's grappling with the decision 339 00:20:40,200 --> 00:20:43,680 Speaker 1: of I think it's already starting, yeah, do it or 340 00:20:43,760 --> 00:20:48,520 Speaker 1: don't do it, but then you think itself, Sorry, go ahead, Jenny. 341 00:20:48,600 --> 00:20:50,159 Speaker 1: I was going to say that, but then the but 342 00:20:50,320 --> 00:20:52,840 Speaker 1: the best part of the whole thing was when you 343 00:20:53,040 --> 00:20:57,160 Speaker 1: used yourself defense skills and you're like, no, no, no, 344 00:20:57,440 --> 00:21:02,920 Speaker 1: to Amy, do it. You did really good. It's such 345 00:21:02,920 --> 00:21:05,439 Speaker 1: a genius called up because it's like, oh my god, 346 00:21:05,840 --> 00:21:08,679 Speaker 1: that was a full fault. And there was another episode. 347 00:21:08,720 --> 00:21:11,840 Speaker 1: We rarely do that, and I've never in my life 348 00:21:12,359 --> 00:21:19,000 Speaker 1: a scene with two people fighting, both wearing all denim 349 00:21:19,160 --> 00:21:23,399 Speaker 1: and I didn't know where to look. I was so 350 00:21:23,480 --> 00:21:27,360 Speaker 1: mad wearing that full denim suit. And the reason was 351 00:21:27,600 --> 00:21:32,160 Speaker 1: because they had to put arm pads on me, made 352 00:21:32,160 --> 00:21:35,440 Speaker 1: me where like yeah. So I was like, uh, did 353 00:21:35,480 --> 00:21:39,320 Speaker 1: you have a stunt? Double two? No, I did all 354 00:21:39,359 --> 00:21:41,800 Speaker 1: of that. Why did they make you put arm pads on? 355 00:21:41,840 --> 00:21:45,560 Speaker 1: You didn't fall down, did you nothing? Nothing? That was 356 00:21:45,600 --> 00:21:47,800 Speaker 1: just part of it they said to have. Like that's 357 00:21:47,840 --> 00:21:51,800 Speaker 1: why I had jeans on and jean jacket because I 358 00:21:51,800 --> 00:21:53,840 Speaker 1: had to be covered because I did my own stunt. 359 00:21:53,880 --> 00:21:57,439 Speaker 1: But it was like nothing, and I was just like 360 00:21:57,600 --> 00:21:59,800 Speaker 1: sweating balls. Because I was like, oh my god, and 361 00:22:00,040 --> 00:22:02,040 Speaker 1: Jason would be he always says this to me, so 362 00:22:02,080 --> 00:22:04,920 Speaker 1: this is like, this is like I'm having PTSD from 363 00:22:04,960 --> 00:22:07,240 Speaker 1: that and from when we did b h N O 364 00:22:07,359 --> 00:22:10,000 Speaker 1: two one oh and I was in Peru getting Shammon 365 00:22:10,119 --> 00:22:12,080 Speaker 1: and he made me go up and down a mountain 366 00:22:12,080 --> 00:22:14,040 Speaker 1: and slide down and do all my own stunts, and 367 00:22:14,080 --> 00:22:16,320 Speaker 1: I was like, I can't do this. You think you 368 00:22:16,400 --> 00:22:19,320 Speaker 1: got this that day? He was kept making me do 369 00:22:19,359 --> 00:22:22,040 Speaker 1: it over and over again from every angle, and I 370 00:22:22,080 --> 00:22:25,920 Speaker 1: was like, I can't do this. You did it though 371 00:22:26,160 --> 00:22:30,600 Speaker 1: both times. You brought it home. You're so much more 372 00:22:30,680 --> 00:22:35,000 Speaker 1: capable than you you've let on. There's two things that 373 00:22:35,080 --> 00:22:37,080 Speaker 1: stand out for me in this episode, and I want 374 00:22:37,119 --> 00:22:43,280 Speaker 1: your thoughts. First. Number one, did this Steve Dylan feud? Yeah? 375 00:22:43,560 --> 00:22:47,240 Speaker 1: My note was, um, why does Stephen Dylan have beef 376 00:22:47,240 --> 00:22:50,760 Speaker 1: all of a sudden? Like I thought they were weird. Yeah. 377 00:22:50,800 --> 00:22:54,280 Speaker 1: I didn't understand it either because they were really cutting 378 00:22:54,280 --> 00:22:58,199 Speaker 1: each other in the very beginning. Yes, And maybe was 379 00:22:58,240 --> 00:23:01,960 Speaker 1: it to have some sort of conflict but have to 380 00:23:02,000 --> 00:23:07,040 Speaker 1: be helping Jason or Brandon sorry or Ginger Like I 381 00:23:07,080 --> 00:23:10,880 Speaker 1: was so fuddled by that, and it was very cost, 382 00:23:10,920 --> 00:23:13,760 Speaker 1: and it was for no reason, like there was no payoff. 383 00:23:13,840 --> 00:23:16,160 Speaker 1: I feel like it was super Nino to know. They 384 00:23:16,240 --> 00:23:18,720 Speaker 1: only put it in so that later on in the 385 00:23:18,800 --> 00:23:22,439 Speaker 1: episode where she steals Brandon's car, they could be like, 386 00:23:22,680 --> 00:23:26,000 Speaker 1: get in my car. No, no, oh you got this, like, oh, 387 00:23:26,160 --> 00:23:28,440 Speaker 1: Steve's the big guy, he knows Burt Reynolds, just so 388 00:23:28,560 --> 00:23:30,639 Speaker 1: they could still have that conflict carriage. I mean, I 389 00:23:30,640 --> 00:23:33,000 Speaker 1: gotta be honest. I kind of enjoyed it, Like I 390 00:23:33,119 --> 00:23:36,160 Speaker 1: kind of liked seeing them at all. It was interesting 391 00:23:36,200 --> 00:23:38,200 Speaker 1: and I was like intrigued by it, and they did 392 00:23:38,200 --> 00:23:42,960 Speaker 1: it really well. But yeah, it was Bazar. They did 393 00:23:43,000 --> 00:23:45,280 Speaker 1: do it well, but it was so weird. I just 394 00:23:45,359 --> 00:23:47,480 Speaker 1: all my notes say, why is Steve being a jerk? 395 00:23:47,680 --> 00:23:49,920 Speaker 1: Why is Steve so weird this week? Here's my note. 396 00:23:51,359 --> 00:23:54,360 Speaker 1: I was like, Okay, when Ginger walks into the peach pit, 397 00:23:55,960 --> 00:24:01,200 Speaker 1: I felt like the boys were equally cute, horny teenage 398 00:24:01,200 --> 00:24:07,399 Speaker 1: boys and misogynistic pigs, because it was like, how do 399 00:24:07,440 --> 00:24:09,439 Speaker 1: you be both of those things? Is it? Was it 400 00:24:09,520 --> 00:24:13,240 Speaker 1: flattering to Ginger or was she being sexualized? Like I 401 00:24:13,280 --> 00:24:18,400 Speaker 1: guess that wasn't a thing. Then, God, that's so accurate. 402 00:24:19,800 --> 00:24:22,359 Speaker 1: I don't know, it's just I'm super sensitive to that stuff, 403 00:24:22,400 --> 00:24:27,040 Speaker 1: I guess, but uh, it made me feel weird, as 404 00:24:27,080 --> 00:24:30,000 Speaker 1: if you're watching them talk about her like she was 405 00:24:30,920 --> 00:24:34,280 Speaker 1: a piece of me, like something to talk. I don't know, 406 00:24:34,320 --> 00:24:37,879 Speaker 1: it's just it's so doesn't happen in my world in 407 00:24:38,000 --> 00:24:41,920 Speaker 1: it but no, but her being a con artist, that's 408 00:24:41,920 --> 00:24:46,280 Speaker 1: her whole play, right, she used it. Yeah, she comes 409 00:24:46,320 --> 00:24:49,120 Speaker 1: in and uses men to get what she wants. I mean, 410 00:24:49,200 --> 00:24:52,439 Speaker 1: she was playing everybody, all of the guys, so that 411 00:24:52,520 --> 00:24:55,399 Speaker 1: must be her jam. It's so hard for me to 412 00:24:55,480 --> 00:24:59,639 Speaker 1: know things make me cringe now because of life in 413 00:24:59,680 --> 00:25:03,360 Speaker 1: the world. Old would I have even noticed it then 414 00:25:03,560 --> 00:25:05,480 Speaker 1: or what I have just thought, Oh, these three boys 415 00:25:05,520 --> 00:25:09,479 Speaker 1: like this hot new girl. It was our lives daily 416 00:25:09,520 --> 00:25:12,280 Speaker 1: and we didn't that's what we thought, like was we 417 00:25:12,320 --> 00:25:14,239 Speaker 1: thought we were there to be like looked at and 418 00:25:14,280 --> 00:25:19,520 Speaker 1: commented on and touched and admired. Yeah, I mean, and 419 00:25:19,720 --> 00:25:22,720 Speaker 1: it's a whole interesting conversation that's a little bit sideways, 420 00:25:22,760 --> 00:25:25,280 Speaker 1: but like I like, if people think I'm cute or 421 00:25:25,359 --> 00:25:27,399 Speaker 1: don't you guys, But then at the same time, it 422 00:25:27,440 --> 00:25:33,400 Speaker 1: was a little aggressive. We wanted both ways, right, we 423 00:25:33,560 --> 00:25:36,320 Speaker 1: want them to think we're cute, but we don't want 424 00:25:36,359 --> 00:25:41,640 Speaker 1: them to outwardly be like, oh, too aggressive. I feel 425 00:25:41,680 --> 00:25:44,919 Speaker 1: differently about it because I don't know. It's just me. Uh, 426 00:25:45,280 --> 00:25:47,439 Speaker 1: maybe it's the areas in me. I know I'm cute, 427 00:25:47,480 --> 00:25:49,720 Speaker 1: like when I walk in, like if I'm looking good 428 00:25:49,720 --> 00:25:52,280 Speaker 1: and feeling good about myself, I have confidence. I don't 429 00:25:52,359 --> 00:25:55,760 Speaker 1: need anybody to tell me I look cute. And when 430 00:25:55,840 --> 00:25:58,360 Speaker 1: somebody does tell me to look cute, that I look 431 00:25:58,400 --> 00:26:01,679 Speaker 1: cute or or sexy, here, I'm like, you know what, 432 00:26:01,800 --> 00:26:06,080 Speaker 1: I don't. I don't need to hear that from you, Like, wow, God, 433 00:26:08,240 --> 00:26:12,200 Speaker 1: that's so fascinating to me because I do not feel 434 00:26:12,240 --> 00:26:18,840 Speaker 1: the same. Wait, Amy, what side are you? I don't 435 00:26:18,840 --> 00:26:23,720 Speaker 1: need you to it's fun, but I think it's kind 436 00:26:23,720 --> 00:26:26,119 Speaker 1: of an interesting thing because what first came to my 437 00:26:26,200 --> 00:26:29,800 Speaker 1: mind is that Kelly was named most beautiful, and Kelly 438 00:26:29,880 --> 00:26:33,800 Speaker 1: didn't really it didn't do anything for her, and she 439 00:26:33,920 --> 00:26:36,879 Speaker 1: still didn't feel beautiful. So I find it fascinating that, 440 00:26:36,960 --> 00:26:41,560 Speaker 1: like for Jenny, that's not necessarily something that you need. 441 00:26:41,680 --> 00:26:44,880 Speaker 1: But i'd love to hear tori from you who's admitted 442 00:26:44,920 --> 00:26:47,840 Speaker 1: to being like, you know, maybe a hint more insecure, 443 00:26:48,600 --> 00:26:51,200 Speaker 1: because I know I if somebody wants to tell me 444 00:26:51,240 --> 00:26:53,560 Speaker 1: I'm pretty, I'll take that all day long. What sign 445 00:26:53,600 --> 00:26:59,280 Speaker 1: are you? Aquarius? Oh? What are you? I'm a Taurus? 446 00:27:00,440 --> 00:27:02,320 Speaker 1: And wait, Jenny, so when you said it's the aries 447 00:27:02,359 --> 00:27:05,240 Speaker 1: and you are aries, like confident or do they want like, 448 00:27:05,280 --> 00:27:10,400 Speaker 1: would you rather I tell you you're you're really smart? Yeah? Probably? 449 00:27:10,480 --> 00:27:13,840 Speaker 1: But also I would rather you tell me that I 450 00:27:13,880 --> 00:27:16,240 Speaker 1: look beautiful or pretty? Are you like my outfit or whatever? 451 00:27:16,440 --> 00:27:20,439 Speaker 1: Give me a compliment than some rando guy. Like I 452 00:27:20,440 --> 00:27:25,359 Speaker 1: feel like I I get more from hearing my other 453 00:27:25,440 --> 00:27:29,000 Speaker 1: women appreciate me, and I always makes, like, always make 454 00:27:29,080 --> 00:27:31,440 Speaker 1: such an effort to be like, oh I love your hair, 455 00:27:31,680 --> 00:27:34,080 Speaker 1: you look so beautiful today, or your skin is bluid. 456 00:27:34,160 --> 00:27:39,240 Speaker 1: You know, like to compliment other women, because women complimenting 457 00:27:39,240 --> 00:27:43,119 Speaker 1: each other is a whole different thing. I agree, I 458 00:27:43,160 --> 00:27:49,520 Speaker 1: agree with that, but rando, Yeah, I don't want a 459 00:27:49,640 --> 00:27:52,760 Speaker 1: rando guy to think of I don't know, No, it 460 00:27:52,800 --> 00:27:55,560 Speaker 1: matters to me more. I know it's for some reason. 461 00:27:55,600 --> 00:27:59,600 Speaker 1: I'm really I'm insecure, So I don't want to outwardly 462 00:27:59,680 --> 00:28:02,920 Speaker 1: hear in a gross way, but I want to know 463 00:28:03,080 --> 00:28:07,720 Speaker 1: that people are like, she's still sexy, She's still cute. Yeah, 464 00:28:08,400 --> 00:28:10,000 Speaker 1: I don't know. I just feel like because that we 465 00:28:10,280 --> 00:28:15,800 Speaker 1: I personally just spent so many years being objectified like that, 466 00:28:15,600 --> 00:28:18,600 Speaker 1: That's what I have a repulsion to it. But not 467 00:28:18,640 --> 00:28:20,840 Speaker 1: like I'm going to be rude to somebody that's like, oh, 468 00:28:20,920 --> 00:28:24,879 Speaker 1: you're whatever. I'm not gonna like flip them off or anything. 469 00:28:24,920 --> 00:28:29,159 Speaker 1: But I just don't need it if it's it's being famous, 470 00:28:29,240 --> 00:28:32,280 Speaker 1: because I'm wondering, like I'm not famous. I'll take it 471 00:28:32,359 --> 00:28:35,040 Speaker 1: from someone I know. I'll take it from the dude 472 00:28:35,080 --> 00:28:37,960 Speaker 1: on the corner. I'll take it from I don't. I 473 00:28:38,000 --> 00:28:40,920 Speaker 1: think I'm like thank you, Like even if it's like 474 00:28:41,160 --> 00:28:44,160 Speaker 1: I do not care, do you like, like when they're like, oh, 475 00:28:44,200 --> 00:28:47,640 Speaker 1: like a cat call, I would totally love it. I'm 476 00:28:47,680 --> 00:28:52,720 Speaker 1: not gonna lie. I'm sure that's not very like twenty 477 00:28:52,800 --> 00:28:58,719 Speaker 1: of me, but like me too. Here's the thing, Like 478 00:28:58,760 --> 00:29:02,040 Speaker 1: you're asking if it's a out being famous, Like I've 479 00:29:02,040 --> 00:29:05,400 Speaker 1: been objectified my whole life too, and I would be 480 00:29:05,760 --> 00:29:10,040 Speaker 1: terrified if I was no longer objectified. Like that's when 481 00:29:10,080 --> 00:29:14,560 Speaker 1: I'm like, uh like, because it's all it's sadly like 482 00:29:14,720 --> 00:29:18,840 Speaker 1: part of it was. Yeah, I mean there's a reason, 483 00:29:18,920 --> 00:29:21,400 Speaker 1: like I always say this like Donna war like you know, 484 00:29:21,680 --> 00:29:25,080 Speaker 1: prop tops and stuff like. For me, I was like, Okay, 485 00:29:25,160 --> 00:29:27,920 Speaker 1: I'm not the prettiest. I'm not the best actress in 486 00:29:27,960 --> 00:29:32,320 Speaker 1: my opinion, and your girls in my opinion. So I 487 00:29:32,360 --> 00:29:35,720 Speaker 1: wore outfits because one thing I did feel good about 488 00:29:35,880 --> 00:29:37,560 Speaker 1: was my body. I felt like I had a really 489 00:29:37,600 --> 00:29:41,200 Speaker 1: great body. So all I know is if you know, 490 00:29:41,280 --> 00:29:46,200 Speaker 1: suddenly losing that would be scary. Like, you know, I'm 491 00:29:46,200 --> 00:29:49,040 Speaker 1: definitely not the same weight. I was then, like I'm 492 00:29:49,080 --> 00:29:52,520 Speaker 1: a good thirty pounds more and people can tell me 493 00:29:52,600 --> 00:29:55,120 Speaker 1: all day long, like you have a great body, look sexy. 494 00:29:55,280 --> 00:29:57,080 Speaker 1: I don't feel that way because I'm like, it's not 495 00:29:57,120 --> 00:30:01,440 Speaker 1: the body I knew that I was famous sport. Well, 496 00:30:01,480 --> 00:30:03,720 Speaker 1: it's like we talked about, it's not the body that's 497 00:30:03,720 --> 00:30:08,640 Speaker 1: frozen in time. Yeah, and and it's unfortunately frozen in 498 00:30:08,760 --> 00:30:13,320 Speaker 1: our you know, brains too. So that's made aging and 499 00:30:13,400 --> 00:30:18,440 Speaker 1: just changing so much harder I think for people. I mean, 500 00:30:18,560 --> 00:30:21,160 Speaker 1: I I just was listening to a podcast about this, 501 00:30:21,200 --> 00:30:23,840 Speaker 1: about aging and about and it was they were talking 502 00:30:23,880 --> 00:30:28,920 Speaker 1: to Oprah was talking to, uh, that moonlighting woman what's 503 00:30:28,920 --> 00:30:32,600 Speaker 1: her name? What's her name? Civil Shepherd, And she was 504 00:30:32,640 --> 00:30:36,760 Speaker 1: talking about um, the whole aging and being in front 505 00:30:36,800 --> 00:30:39,960 Speaker 1: of the camera and and what how horrible that has 506 00:30:40,000 --> 00:30:42,840 Speaker 1: been for her, and I could relate so much. Oh 507 00:30:42,880 --> 00:30:49,840 Speaker 1: my gosh, wow. Yeah, I mean, I think it's so 508 00:30:49,920 --> 00:30:52,840 Speaker 1: interesting that just this scene, which was a little jarring 509 00:30:52,840 --> 00:30:55,640 Speaker 1: to everybody, You're like, whoa, they are really aggressive with 510 00:30:55,680 --> 00:30:59,920 Speaker 1: this poor random stranger coming in, who at the time 511 00:31:00,000 --> 00:31:02,280 Speaker 1: we took at face value was just a girl trying 512 00:31:02,320 --> 00:31:06,400 Speaker 1: to do her job. But but it does really spur 513 00:31:06,520 --> 00:31:10,760 Speaker 1: such an interesting conversation. And she is very cute. Um 514 00:31:10,840 --> 00:31:15,240 Speaker 1: Kathy Poe Dwell Ginger or her twenty other names. She's 515 00:31:15,280 --> 00:31:20,680 Speaker 1: a very cute actor, and she's some super confident You 516 00:31:20,720 --> 00:31:27,480 Speaker 1: can call me Ginger called me right, yeah, do it? No, 517 00:31:27,600 --> 00:31:31,200 Speaker 1: I can't do you know, she can call how does 518 00:31:31,240 --> 00:31:34,959 Speaker 1: the song go? They call me? Oh, they call me, 519 00:31:36,000 --> 00:31:42,440 Speaker 1: call me yeah, they call me Tina, they call me Adrian, 520 00:31:42,960 --> 00:31:46,120 Speaker 1: they called me Marla. Yeah. Sorry, Oh my god, thank 521 00:31:46,160 --> 00:31:49,240 Speaker 1: you for that. That was really great problem. But you guys, 522 00:31:49,240 --> 00:31:52,000 Speaker 1: she was also really famous when she did the show 523 00:31:52,240 --> 00:31:55,720 Speaker 1: she was on. She was J R. Ewing's second wife. 524 00:31:55,720 --> 00:31:58,920 Speaker 1: I think let's bring her on. Let's get let's get 525 00:31:58,920 --> 00:32:01,720 Speaker 1: a nine oh to one one on one with her, 526 00:32:03,360 --> 00:32:07,480 Speaker 1: how she felt about it. I thought, for a guest star, 527 00:32:08,200 --> 00:32:15,680 Speaker 1: she played a extraordinarily prominent role, I mean any of us. Yeah, 528 00:32:16,000 --> 00:32:20,680 Speaker 1: but I wasn't mad about it. No, she was clearly riveting, 529 00:32:20,720 --> 00:32:23,200 Speaker 1: Like I could have kept watching her. She was funny. 530 00:32:23,800 --> 00:32:25,960 Speaker 1: I loved her. Yeah, at the end where you're like, 531 00:32:26,160 --> 00:32:28,640 Speaker 1: where'd she go? Did she left through the window? I 532 00:32:28,720 --> 00:32:31,240 Speaker 1: want to know where she went? She coming back next 533 00:32:31,280 --> 00:32:46,120 Speaker 1: episode in the cars she's still now. Yeah, I have 534 00:32:46,200 --> 00:32:52,280 Speaker 1: a plot hole though, you have a like, we're all 535 00:32:52,360 --> 00:32:56,760 Speaker 1: those people staying at the peach pit all day long 536 00:32:56,800 --> 00:32:59,200 Speaker 1: because I live in l A. And it would not 537 00:32:59,320 --> 00:33:03,360 Speaker 1: be quick all the places they went and drove around too, 538 00:33:03,720 --> 00:33:07,880 Speaker 1: and then shot a bacteria commercial and all those randoms 539 00:33:07,960 --> 00:33:13,040 Speaker 1: just sitting there waiting a lot of money and there 540 00:33:13,040 --> 00:33:15,600 Speaker 1: all day. Jason, Yeah, but he's taking care of He's 541 00:33:15,640 --> 00:33:17,840 Speaker 1: holding down the foret all by himself with all those people. 542 00:33:18,600 --> 00:33:25,200 Speaker 1: Brandon and another little note, Nat played sick quite well. 543 00:33:25,200 --> 00:33:28,480 Speaker 1: Oh my gosh, he had COVID. I was like his knees. 544 00:33:28,480 --> 00:33:31,160 Speaker 1: I was like, oh no, Nat has COVID. I thought 545 00:33:31,160 --> 00:33:34,320 Speaker 1: he was Hugh Heffner in that scene. Wait. I loved 546 00:33:34,400 --> 00:33:37,680 Speaker 1: seeing inside NAT's bedroom, seeing him in his little Jamie's 547 00:33:38,600 --> 00:33:42,760 Speaker 1: and and wait, the grand wood headboard. It didn't remind 548 00:33:42,800 --> 00:33:45,440 Speaker 1: you of like what was a night book commercial? And 549 00:33:45,440 --> 00:33:49,200 Speaker 1: then like Hugh Hefner, he and they panned out and 550 00:33:49,240 --> 00:33:51,600 Speaker 1: he had all these like was that a night gown 551 00:33:51,760 --> 00:33:54,720 Speaker 1: he was sleeping in? He sleeps in his Sunday best 552 00:33:54,880 --> 00:33:58,640 Speaker 1: because he literally sleeps in a button down shirt. I 553 00:33:58,680 --> 00:34:01,040 Speaker 1: felt like it was one of those old timy night shirts. 554 00:34:02,560 --> 00:34:08,160 Speaker 1: St nicky. So the pajamas, like the cotton button up pajamas, 555 00:34:08,280 --> 00:34:11,839 Speaker 1: like my dad slept in those. It was like it's 556 00:34:12,120 --> 00:34:17,920 Speaker 1: total Aaron spelling, like in bed move Um. I love 557 00:34:18,040 --> 00:34:20,360 Speaker 1: the bacteria commercial. I wanted Jen and I to be 558 00:34:21,280 --> 00:34:24,640 Speaker 1: that was dream for us to dress up in those 559 00:34:24,800 --> 00:34:29,960 Speaker 1: giant costumes and get sprayed down with water. Been so 560 00:34:30,120 --> 00:34:35,640 Speaker 1: happy that stuff episode that I I. I'm so glad 561 00:34:35,640 --> 00:34:40,239 Speaker 1: you talked about the writer because it was the most 562 00:34:41,120 --> 00:34:44,800 Speaker 1: quirkiest writing. I mean, each thing was a singer. Don't 563 00:34:44,840 --> 00:34:47,440 Speaker 1: do the crime if you can't do the time, and 564 00:34:47,480 --> 00:34:50,400 Speaker 1: then do you guys remember this. I'm gonna jump in 565 00:34:50,680 --> 00:34:54,840 Speaker 1: my sting and cruise up to Magic Mountain myself, or 566 00:34:55,280 --> 00:35:00,840 Speaker 1: you could hop in my vet like who writing this, 567 00:35:01,200 --> 00:35:04,320 Speaker 1: they say that kind I'm just gonna jump in my 568 00:35:04,480 --> 00:35:09,640 Speaker 1: stay like the lines are just hystericle. It's definitely dude writing. 569 00:35:11,560 --> 00:35:14,600 Speaker 1: And one Stringer if I remember him right, he was like, 570 00:35:15,600 --> 00:35:17,920 Speaker 1: am I remembering the right guy? Like he was tall, 571 00:35:17,960 --> 00:35:22,880 Speaker 1: he had glasses. I remember a tall conservative conservative and 572 00:35:22,960 --> 00:35:25,680 Speaker 1: we would like we would give like give him a 573 00:35:25,719 --> 00:35:29,480 Speaker 1: hard time whenever possible, just to get him, get him 574 00:35:29,520 --> 00:35:34,840 Speaker 1: riled up. And he's like unslappable lappable Stringer, is it? 575 00:35:34,920 --> 00:35:37,680 Speaker 1: You're right? Though? It felt like a mad capper, Like 576 00:35:37,760 --> 00:35:39,319 Speaker 1: is that the right word? Like it's when it's like 577 00:35:39,360 --> 00:35:42,520 Speaker 1: a mad capper and there's like the B B B 578 00:35:43,000 --> 00:35:46,840 Speaker 1: like remember they did the whole uh three stooges stacked 579 00:35:46,840 --> 00:35:51,799 Speaker 1: heads thing right? Nice really did? What about when they 580 00:35:51,840 --> 00:35:55,919 Speaker 1: get in the car all dukes of hazard style and 581 00:35:57,080 --> 00:36:00,640 Speaker 1: don't use the doors? Well, thank you, hop up and 582 00:36:00,760 --> 00:36:05,480 Speaker 1: the reference they love that, you know it. I'm wondering 583 00:36:05,560 --> 00:36:08,719 Speaker 1: if if Iron did that all that driving, because he 584 00:36:09,200 --> 00:36:12,680 Speaker 1: that he was really comfortable behind the way we got vet. 585 00:36:12,840 --> 00:36:15,839 Speaker 1: So yeah, I think that he had did all of that, 586 00:36:15,920 --> 00:36:19,320 Speaker 1: and I would be terrified to look look really genuinely 587 00:36:19,440 --> 00:36:23,279 Speaker 1: frightened for his life. All of that stuff was right 588 00:36:24,040 --> 00:36:27,279 Speaker 1: either in like that was our set, that was our 589 00:36:27,320 --> 00:36:30,640 Speaker 1: parking lot, that streets around like Calvert like it was 590 00:36:30,719 --> 00:36:35,040 Speaker 1: all in our area, by our stages, the whole, like 591 00:36:35,480 --> 00:36:40,399 Speaker 1: outside Parneil's office, the whole everything. It did not look 592 00:36:40,480 --> 00:36:43,839 Speaker 1: very glamorous. They called it. They call it Calvert Studios 593 00:36:44,840 --> 00:36:49,040 Speaker 1: because they made that it was and now it is Calverts. 594 00:36:49,280 --> 00:36:53,520 Speaker 1: There is an actual studio there called Calvert Studios. Calvert 595 00:36:53,560 --> 00:36:59,840 Speaker 1: Street Studios was on Calvert Street, and the Bacteria commercial 596 00:37:00,040 --> 00:37:02,520 Speaker 1: was probably shot just like right there too. It was 597 00:37:02,640 --> 00:37:06,520 Speaker 1: right on the under set where he also did you 598 00:37:06,600 --> 00:37:09,879 Speaker 1: notice in all of that that was our crew that 599 00:37:09,880 --> 00:37:13,240 Speaker 1: those were our cameraman Like when you could see behind 600 00:37:13,280 --> 00:37:16,640 Speaker 1: the kid like what the production people were, those were 601 00:37:16,800 --> 00:37:19,360 Speaker 1: actual that was our camp. That was our first a 602 00:37:19,520 --> 00:37:23,400 Speaker 1: cur camera operator. Oh the I could see our medic 603 00:37:23,440 --> 00:37:25,919 Speaker 1: in the background. I saw him note and it made 604 00:37:25,960 --> 00:37:28,359 Speaker 1: me laugh so hard because he's so he was so 605 00:37:28,680 --> 00:37:33,160 Speaker 1: odd and he just looked odd there too. And then 606 00:37:33,200 --> 00:37:36,400 Speaker 1: in detention, did you notice this, jen Amy, You wouldn't 607 00:37:36,400 --> 00:37:38,600 Speaker 1: know this, but when they were calling the class names 608 00:37:38,640 --> 00:37:42,280 Speaker 1: and and Luke pretends to be Steve Sanders, I said 609 00:37:42,520 --> 00:37:50,120 Speaker 1: David Semmal so David some will wait. He was our 610 00:37:50,960 --> 00:37:52,759 Speaker 1: he ended up directing a lot, but he was one 611 00:37:52,760 --> 00:37:58,240 Speaker 1: of our producers, Like was it sound saw post production? 612 00:37:58,680 --> 00:38:03,760 Speaker 1: Post production? I do feel though that the detention teacher 613 00:38:04,560 --> 00:38:08,000 Speaker 1: was Jimmy Olsen from the original Superman movie. Okay, I 614 00:38:08,080 --> 00:38:09,759 Speaker 1: was like, I know this guy? How do I know 615 00:38:09,840 --> 00:38:14,279 Speaker 1: this guy? Him? Was it? And I think he was 616 00:38:14,320 --> 00:38:17,239 Speaker 1: like uncredited in this because I couldn't find it, But 617 00:38:17,280 --> 00:38:19,520 Speaker 1: I do think he might come back and do another 618 00:38:20,280 --> 00:38:24,640 Speaker 1: nine O two one. Oh, I don't know. Jimmy Olsen 619 00:38:24,920 --> 00:38:30,960 Speaker 1: from the original Christopher Reeves Superman iconic. Not only was 620 00:38:31,000 --> 00:38:36,239 Speaker 1: the writing in this episode weird, but the music in 621 00:38:36,280 --> 00:38:42,200 Speaker 1: this episode was um incredible, like just from beginning to end, 622 00:38:42,239 --> 00:38:45,360 Speaker 1: Like the guitar riffs that like electric guitar riffs, that 623 00:38:46,120 --> 00:38:48,640 Speaker 1: something was happening with the music, I'm telling you, and 624 00:38:48,800 --> 00:38:51,200 Speaker 1: like when it whenever it was like at the peach 625 00:38:51,239 --> 00:38:53,919 Speaker 1: Pit with on the you know, the fun story line 626 00:38:53,920 --> 00:38:56,440 Speaker 1: of the guys, it would be like do do do? 627 00:38:58,040 --> 00:39:03,360 Speaker 1: Like it was so cheesy Jason and all of that. 628 00:39:03,520 --> 00:39:06,400 Speaker 1: Probably No, at this point, I don't think the music 629 00:39:06,760 --> 00:39:09,719 Speaker 1: they that was composed like that was stuff that they 630 00:39:09,920 --> 00:39:12,919 Speaker 1: you know, they put in somebody thought that would really 631 00:39:12,920 --> 00:39:16,799 Speaker 1: be good? Right there? Does anybody think that Ginger and her? 632 00:39:17,000 --> 00:39:20,440 Speaker 1: Then her next bake, named Being Tina was an homage 633 00:39:20,480 --> 00:39:24,000 Speaker 1: to Gilligan's Island, And then I tried to make the connection. 634 00:39:24,360 --> 00:39:27,080 Speaker 1: What is Adrian and Marla? Because that was clear they 635 00:39:27,080 --> 00:39:30,680 Speaker 1: were like Ginger Tina totally? And then Adrian and Marla 636 00:39:31,719 --> 00:39:37,320 Speaker 1: I can't get I mean, and then you wait, wait, 637 00:39:37,440 --> 00:39:41,719 Speaker 1: Bert freaking Reynolds was on our show. We didn't talk 638 00:39:41,760 --> 00:39:46,799 Speaker 1: about that. The boots, like the boots, the hair, the 639 00:39:46,840 --> 00:39:49,839 Speaker 1: boots though the you remember the boots they had. I'm 640 00:39:49,880 --> 00:39:52,640 Speaker 1: telling you a little secret right now. There was a 641 00:39:52,680 --> 00:39:58,520 Speaker 1: little lift. Those were special Burt Reynolds boots. And I 642 00:39:59,200 --> 00:40:03,160 Speaker 1: might know this from another experience of someone working with 643 00:40:03,280 --> 00:40:06,200 Speaker 1: Burt Reynolds. I can't go on. But Burton not was 644 00:40:06,239 --> 00:40:10,000 Speaker 1: Burton not a tall man and not tall enough I 645 00:40:10,040 --> 00:40:14,600 Speaker 1: don't think for what he was. I mean, Burt Reynolds 646 00:40:14,600 --> 00:40:23,040 Speaker 1: was a legend that that playgirl picture of him with Rug, 647 00:40:23,320 --> 00:40:27,960 Speaker 1: wasn't it. So When I was a kid, Chasens the 648 00:40:28,040 --> 00:40:31,920 Speaker 1: famous like Hollywood restaurant which is bond now. But Jen 649 00:40:32,040 --> 00:40:34,359 Speaker 1: and I have stories there because we said like rap 650 00:40:34,440 --> 00:40:37,359 Speaker 1: parties there and they were famous for their chili. But 651 00:40:37,400 --> 00:40:40,160 Speaker 1: when I was little, um, they would let me go 652 00:40:40,200 --> 00:40:42,440 Speaker 1: into the men's room and because it was fascinating for 653 00:40:42,480 --> 00:40:44,719 Speaker 1: me to see like a urinal with ice cubes in it. 654 00:40:45,120 --> 00:40:48,839 Speaker 1: But Burt Reynolds picture was in there. Wait, go back, 655 00:40:49,360 --> 00:40:52,680 Speaker 1: when you were little, they would let you go into 656 00:40:52,719 --> 00:40:58,600 Speaker 1: the bathroom to look at the urinals. Yes, not they 657 00:40:58,640 --> 00:41:00,400 Speaker 1: my dad. You know, when you're little, you can go 658 00:41:00,440 --> 00:41:02,920 Speaker 1: with the parents. Sorry I said that wrong. They my 659 00:41:03,000 --> 00:41:04,799 Speaker 1: dad and my parents, Like, you would go to the 660 00:41:04,800 --> 00:41:06,400 Speaker 1: bathroom with your parents. They would take you to the 661 00:41:06,440 --> 00:41:11,120 Speaker 1: bathroom and if like I could take my yeah, yeah, yeah, okay, okay, boy, 662 00:41:11,200 --> 00:41:13,120 Speaker 1: Like when I was five, got it. So I'd go 663 00:41:13,200 --> 00:41:15,560 Speaker 1: into the bathroom with my dad and I'd be like 664 00:41:15,760 --> 00:41:18,160 Speaker 1: fascinated about the year. But there was I That's when 665 00:41:18,160 --> 00:41:20,720 Speaker 1: I remember Burt Reynolds. That was my first experience seeing 666 00:41:20,719 --> 00:41:25,120 Speaker 1: that man him. Oh my god, no, him like that 667 00:41:25,239 --> 00:41:34,200 Speaker 1: playgirl photos crazy in the man's bathroom. Yes, that's just weird. 668 00:41:35,440 --> 00:41:38,480 Speaker 1: Why would you have a noody picture of a famous 669 00:41:38,520 --> 00:41:40,279 Speaker 1: man in the Why would you put that in the 670 00:41:40,280 --> 00:41:46,000 Speaker 1: women's member. Probably like, oh he's so cool, so pretty picture. 671 00:41:46,200 --> 00:41:51,200 Speaker 1: She just like puts like James Eckhouse's face on because 672 00:41:51,239 --> 00:41:55,040 Speaker 1: he was furried. He was furried, but it was pretty cool. 673 00:41:55,160 --> 00:41:57,640 Speaker 1: I remember the day that he shot that scene and 674 00:41:57,680 --> 00:41:59,839 Speaker 1: we weren't even in that and I remember I wasn't 675 00:41:59,840 --> 00:42:02,000 Speaker 1: in the scene, but I remember going just to see 676 00:42:02,440 --> 00:42:05,080 Speaker 1: what it was. I wanted to see Burt Reynolds, and 677 00:42:05,680 --> 00:42:09,399 Speaker 1: it was the boots, the tight ass pants, the hair 678 00:42:09,560 --> 00:42:12,440 Speaker 1: do like not a hair out of place like quofft. 679 00:42:13,600 --> 00:42:16,800 Speaker 1: This picture is insane. You know what this is making 680 00:42:16,800 --> 00:42:18,840 Speaker 1: me think of? Though? Can we put that up on 681 00:42:18,880 --> 00:42:23,480 Speaker 1: our social this week? Please? I want to see that longer. 682 00:42:24,040 --> 00:42:26,319 Speaker 1: I wonder who took that iconic image? You know what 683 00:42:26,360 --> 00:42:29,840 Speaker 1: this is making me think of? This is so off topic. 684 00:42:29,920 --> 00:42:33,759 Speaker 1: But did you guys hear about Tommy Lee? No? Did 685 00:42:33,800 --> 00:42:40,680 Speaker 1: I hear about it? I saw it? Wait I think, wait, wait, wait, sorry, 686 00:42:40,719 --> 00:42:43,600 Speaker 1: what are you talking about? So? I'm not talking about 687 00:42:43,680 --> 00:42:46,920 Speaker 1: the Pam and Tommy boat thing? But picture he put 688 00:42:46,960 --> 00:42:51,480 Speaker 1: on Instagram and put oops yes, and of course they 689 00:42:53,400 --> 00:42:57,080 Speaker 1: yes eventually, but like then you get it's so human nature. 690 00:42:57,120 --> 00:42:59,560 Speaker 1: You're like, what picture? And then you have to just 691 00:42:59,600 --> 00:43:02,560 Speaker 1: start googling and clicking and trying to find it because 692 00:43:02,600 --> 00:43:07,720 Speaker 1: at that point. So basically, Jenny, Tommy Lee unclear intentionally 693 00:43:07,840 --> 00:43:14,360 Speaker 1: or accidentally put a full naked selfie on Instagram and 694 00:43:15,080 --> 00:43:19,080 Speaker 1: his penis is hanging down into the water and it's 695 00:43:20,000 --> 00:43:22,680 Speaker 1: it was artsy. Oh my god, Amy, you pulled up. 696 00:43:23,280 --> 00:43:24,759 Speaker 1: Just pull up that picture right now. I need to 697 00:43:24,760 --> 00:43:31,160 Speaker 1: see it. This is literally like, it's just reminding me 698 00:43:31,200 --> 00:43:33,960 Speaker 1: of the Tommy Lee thing. Although she wants to see 699 00:43:34,000 --> 00:43:38,520 Speaker 1: Tommy Lee pull it up. Oh, I don't find it. 700 00:43:38,920 --> 00:43:43,000 Speaker 1: And in the subject anyway, he wrote oops, like it 701 00:43:43,120 --> 00:43:47,000 Speaker 1: wasn't an accident. What do you miss on an accident? No? No, 702 00:43:48,680 --> 00:43:51,239 Speaker 1: And even his wife wrote something funny. So I'm not 703 00:43:51,400 --> 00:43:53,719 Speaker 1: mad at it, but like, of course I did the 704 00:43:53,800 --> 00:43:56,160 Speaker 1: full deep dive to find it. I was like, now 705 00:43:56,239 --> 00:43:59,879 Speaker 1: I have to see it. It's like, what is that where? 706 00:43:59,880 --> 00:44:02,920 Speaker 1: I I feel like men talk way more about Tommy 707 00:44:03,000 --> 00:44:06,560 Speaker 1: Lee's penis than women do, because men are like, oh, 708 00:44:06,640 --> 00:44:10,080 Speaker 1: it's so big, like and women are like, we don't care. 709 00:44:10,920 --> 00:44:13,759 Speaker 1: I just simply now I have to find it. I 710 00:44:13,760 --> 00:44:20,759 Speaker 1: don't care. I don't care about Oh wait, wait to 711 00:44:20,760 --> 00:44:25,480 Speaker 1: the left and down you need to without the black box. 712 00:44:28,360 --> 00:44:34,880 Speaker 1: The long it is flaccid flasid. Can you stop it 713 00:44:35,000 --> 00:44:42,000 Speaker 1: can't just become sir. So I don't remember just been 714 00:44:42,080 --> 00:44:44,680 Speaker 1: like and then it did spark this whole debate about 715 00:44:45,440 --> 00:44:48,920 Speaker 1: um double standards on Instagram, which we can which is 716 00:44:48,960 --> 00:44:53,399 Speaker 1: all another show. We've already done one hot topic this 717 00:44:53,440 --> 00:44:58,080 Speaker 1: episode we can't. People will get mad at us act. 718 00:44:59,480 --> 00:45:02,520 Speaker 1: Did you her think you would know N S f 719 00:45:02,920 --> 00:45:05,680 Speaker 1: W as well as you do not safe for work? 720 00:45:06,760 --> 00:45:08,520 Speaker 1: I had no idea. What I was like, is that 721 00:45:08,560 --> 00:45:10,200 Speaker 1: a band? I thought it was a boy band? Yeah, 722 00:45:10,840 --> 00:45:14,839 Speaker 1: and S and S f W. So how do you 723 00:45:14,960 --> 00:45:20,000 Speaker 1: overall rate this episode? You guys loved it? Yeah? I 724 00:45:20,160 --> 00:45:24,800 Speaker 1: really like, very, very enjoyable. I felt I felt nothing 725 00:45:24,840 --> 00:45:29,080 Speaker 1: about it, Like it didn't tug it my any of 726 00:45:29,120 --> 00:45:33,480 Speaker 1: my strings. It was just fun. Yeah, yeah, that's fine. 727 00:45:33,520 --> 00:45:36,880 Speaker 1: It was fun. Oh my god. By the way, wait, 728 00:45:36,960 --> 00:45:39,560 Speaker 1: this is where Andrea reminds us that she almost did 729 00:45:39,560 --> 00:45:42,440 Speaker 1: it with Brandon I know, and I was like, wait, 730 00:45:42,520 --> 00:45:45,480 Speaker 1: well I don't remember that, but then I did? I remember. 731 00:45:46,840 --> 00:45:51,440 Speaker 1: We I have a question only because Jordan Bonner was 732 00:45:52,000 --> 00:45:54,040 Speaker 1: really was telling us this is when he found out 733 00:45:54,560 --> 00:45:58,200 Speaker 1: recently that she was pregnant. She was holding in front 734 00:45:58,200 --> 00:46:06,200 Speaker 1: of her like that administration envelope for like the the 735 00:46:06,239 --> 00:46:08,440 Speaker 1: whole time. Was she hiding a pregnancy at that time 736 00:46:08,520 --> 00:46:11,640 Speaker 1: or not yet? I wonder that's going to be Frank, 737 00:46:13,680 --> 00:46:17,680 Speaker 1: I'm wondering when it feels too soon, because it does, 738 00:46:17,880 --> 00:46:20,040 Speaker 1: But I don't know. In that envelope, she was just 739 00:46:20,080 --> 00:46:22,440 Speaker 1: holding it right there the whole time, and we typically 740 00:46:22,480 --> 00:46:26,400 Speaker 1: know what that means. Yeah, but she's just so tiny. 741 00:46:26,440 --> 00:46:28,120 Speaker 1: Maybe it's just that she had nowhere else to hold 742 00:46:28,160 --> 00:46:31,440 Speaker 1: it well. But she did go on that roller coaster, 743 00:46:31,520 --> 00:46:35,840 Speaker 1: which I definitely wouldn't feel if oh, yeah, no, no, 744 00:46:35,920 --> 00:46:39,440 Speaker 1: you're right, you're right now. We would be remiss if 745 00:46:39,480 --> 00:46:42,279 Speaker 1: we did not acknowledge that Magic Mountain is also where 746 00:46:42,280 --> 00:46:53,200 Speaker 1: they filmed Vacation, the movie the original coaster. Wait, I 747 00:46:53,200 --> 00:46:59,719 Speaker 1: thought not Wally World. I didn't see any moves out 748 00:46:59,800 --> 00:47:08,200 Speaker 1: for punches. Then Holly World and Magic Mountain are one 749 00:47:08,239 --> 00:47:15,120 Speaker 1: and the same. WHOA, I don't know about that now. 750 00:47:15,200 --> 00:47:21,399 Speaker 1: After watching Vacation, What was the date of this episode? Three, 751 00:47:21,719 --> 00:47:29,000 Speaker 1: wasn't it? We must be like, what was April? April? April? 752 00:47:29,120 --> 00:47:36,359 Speaker 1: So Gabrielle's daughter, first daughter, Kelsey, was born May eleven four. Yeah, 753 00:47:36,400 --> 00:47:39,080 Speaker 1: so she's not pregnant yet, that'd be that'd be kind 754 00:47:39,080 --> 00:47:43,040 Speaker 1: of crazy be a long long pregnancy. Oh my gosh, 755 00:47:43,560 --> 00:47:47,040 Speaker 1: barently absolutely well no, no, no, no, because think about 756 00:47:47,080 --> 00:47:50,280 Speaker 1: if it aired April. You shot it in Oh you're right, okay, okay, 757 00:47:50,480 --> 00:47:55,080 Speaker 1: March for a year and a half or something. This 758 00:47:55,200 --> 00:47:57,759 Speaker 1: was a rivening episode. I've got a year in a 759 00:47:57,760 --> 00:48:00,239 Speaker 1: couple of months. It would be long. What what's next week? 760 00:48:00,360 --> 00:48:02,880 Speaker 1: Because I loved it? I loved it. What do we 761 00:48:02,880 --> 00:48:05,560 Speaker 1: have next week? We've got Here's what we have to do, though. 762 00:48:05,600 --> 00:48:11,040 Speaker 1: We must prepare because we're going to the prom. We're 763 00:48:11,040 --> 00:48:15,080 Speaker 1: going to a prom next week, Will Donna Martin graduate? 764 00:48:16,719 --> 00:48:19,960 Speaker 1: Don't don't tell me, don't tell me, don't tell me, 765 00:48:20,000 --> 00:48:24,600 Speaker 1: don't tell me. It's called everybody watch it. It's called 766 00:48:24,600 --> 00:48:37,960 Speaker 1: a night to remember, and hopefully I'll remember it. Oh good, good, good, 767 00:48:38,239 --> 00:48:41,240 Speaker 1: that was good. Wait, just give me a sneak preview 768 00:48:41,239 --> 00:48:43,399 Speaker 1: of your real life prom dates. Who are your real 769 00:48:43,440 --> 00:48:47,120 Speaker 1: life prom dates? There's no sneak preview. You have to wait. 770 00:48:48,239 --> 00:48:50,799 Speaker 1: Oh oh yeah, we're talking all about prom. We'll talking 771 00:48:50,800 --> 00:48:57,239 Speaker 1: about real proms. Yeah, next week, it's it's prom night, God, Prom. 772 00:48:57,280 --> 00:49:00,239 Speaker 1: I can't wait. Um, you guys are the best us. 773 00:49:00,920 --> 00:49:04,800 Speaker 1: All right, that's it. The most serious conversation about life 774 00:49:05,320 --> 00:49:10,520 Speaker 1: to Wally World in the same podcast, Welcome to our brains, 775 00:49:10,640 --> 00:49:12,799 Speaker 1: because that's how it is twenty four seven up in 776 00:49:12,920 --> 00:49:19,080 Speaker 1: here like ding ding ding? Seriously? Yeah, what is Jason Crank? 777 00:49:19,600 --> 00:49:24,279 Speaker 1: What is dinging? When you nail it? Ding ding ding 778 00:49:24,360 --> 00:49:27,560 Speaker 1: ding ding ding? Everybody all right, have a great week. 779 00:49:27,600 --> 00:49:29,840 Speaker 1: We love you, Love you.