WEBVTT - Selects: Did Shakespeare really write all that stuff?

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<v Speaker 1>Hey guys, it's me Josh, and for this week's select,

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<v Speaker 1>I've chosen our twenty twenty two episode on Shakespeare and

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<v Speaker 1>whether he actually wrote all that stuff or if there

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<v Speaker 1>even was a Shakespeare. This episode is actually possibly my

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<v Speaker 1>favorite episode of all time because I knew nothing about

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<v Speaker 1>this and I learned a bunch of stuff, and I

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<v Speaker 1>found it really interesting and it was fun, really fun

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<v Speaker 1>to kind of turn around and explain.

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<v Speaker 2>It to all of you.

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<v Speaker 1>So I hope you enjoy this episode as much as

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<v Speaker 1>I always have every time I hear it about Shakespeare.

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<v Speaker 3>Welcome to Stuff you should know, a production of iHeartRadio.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh, and Chuck's

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<v Speaker 1>on the line. Jerry's here too, and we're about to

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<v Speaker 1>get jiggy with it about Shakespeare.

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<v Speaker 4>Can I have this out of the gate? I guess.

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<v Speaker 2>So.

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<v Speaker 3>The more we dug into this, you know, I was

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<v Speaker 3>an English major. We talked very briefly when I was

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<v Speaker 3>in college about Shakespeare's authorship, right, and I thought, Hey,

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<v Speaker 3>this would be a fun, little, semi easy episode. And

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<v Speaker 3>the more we dug into it, the more this onion unfolded.

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<v Speaker 3>It's onion, this bloomin Onion Unfolded Layer by Crispy Delicious Layer.

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<v Speaker 1>For all of our Australian listeners, that's what we think

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<v Speaker 1>you guys eat every night every night.

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<v Speaker 3>To the point where I was almost like, you know,

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<v Speaker 3>is this a two parters I mean, you could probably

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<v Speaker 3>do a ten part episode on this.

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<v Speaker 4>Oh yeah, it's so dense.

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<v Speaker 3>So I just want to caveat this for people that

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<v Speaker 3>know a lot about shakespeare authorship and saying this is

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<v Speaker 3>a pretty broad overview of the high points of his

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<v Speaker 3>authorship being questioned, because it is dense.

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<v Speaker 4>Baby.

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<v Speaker 1>It's the kind of thing that like extremely intelligent people

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<v Speaker 1>take on as their like lifelong hobby.

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<v Speaker 2>It's like that we're.

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<v Speaker 4>Like, we'll just bust it out in a few days,

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<v Speaker 4>it'll be fine.

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<v Speaker 1>Yeah, you know, like how some people are, like they

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<v Speaker 1>research World War II submarine warfare and know everything about it.

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<v Speaker 1>It's along the same lines, but it's even bigger. There's

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<v Speaker 1>so many people involved, and each side is like, you're

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<v Speaker 1>so naive to the other. And yes, it's true, like

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<v Speaker 1>we could turn this into a ten part series, but

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<v Speaker 1>I think we've got a handle on it enough to

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<v Speaker 1>present it. I feel in okay about it. And then

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<v Speaker 1>the other thing that sticks out for me, Chuck, is

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<v Speaker 1>this is one of the few things I've ever come

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<v Speaker 1>across like this that I am like truly agnostic about.

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<v Speaker 1>I do not have an opinion one way or the other.

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<v Speaker 4>I don't know if I do either.

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<v Speaker 1>Actually, Like, it's not like I don't care, that's not

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<v Speaker 1>what I'm saying. Like, I genuinely can see both sides.

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<v Speaker 1>And the other thing about it is, the more you

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<v Speaker 1>dig into it, the more you realize, oh, neither side

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<v Speaker 1>actually has really good evidence to support their claim. It's

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<v Speaker 1>all just they have to get so granular that it

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<v Speaker 1>really quickly goes into the world of conspiracy theories pretty quickly.

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<v Speaker 4>Yeah.

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<v Speaker 3>I saw this video of a guy, this wonderful gentleman

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<v Speaker 3>who knows a lot about it, that said like, and

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<v Speaker 3>here's the golden bullet, which proves once and for all,

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<v Speaker 3>and he made his case, and I was like, no, No,

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<v Speaker 3>that didn't really prove it once and for all in

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<v Speaker 3>my opinion.

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<v Speaker 1>Yeah, for sure, because both sides do things like they

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<v Speaker 1>get into biographical readings where they're trying to find clues

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<v Speaker 1>within the text or you know, parallels to his life

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<v Speaker 1>for that kind of thing. And once that starts, it's like, okay,

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<v Speaker 1>you guys, you've just completely left the world of objectivity.

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<v Speaker 4>Yeah.

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<v Speaker 3>So what we're talking about, if you haven't guessed by now,

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<v Speaker 3>is this idea that has been around since at least

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<v Speaker 3>the mid eighteen hundreds, maybe before, about the question of

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<v Speaker 3>whether or not William Shakespeare was the sole author of

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<v Speaker 3>all of his works.

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<v Speaker 4>And this is Shakespeare.

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<v Speaker 3>From Stratford on the Avon, like that gentleman that we know,

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<v Speaker 3>became an actor and you know, writer, whether or not

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<v Speaker 3>he was the sole author, whether or not he was

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<v Speaker 3>affront for some other authors for some of the works.

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<v Speaker 3>Some people say he didn't write any of them. Some

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<v Speaker 3>people said it was various women who weren't allowed to

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<v Speaker 3>write things at the time. I saw sixty six candidates

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<v Speaker 3>over the years have been put forward.

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<v Speaker 2>I saw eighty.

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<v Speaker 3>Oh really, so there you have it, somewhere between sixty

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<v Speaker 3>six and eighty something of I know, we haven't.

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<v Speaker 4>Been accused of writing any of Shakespeare's work.

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<v Speaker 1>Don't think so. I didn't come across that in my research.

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<v Speaker 3>But it's an interesting literary I don't even know if

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<v Speaker 3>I want to call it a mystery, because some people

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<v Speaker 3>just say, like, no, I mean of course you wrote it,

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<v Speaker 3>and he was these outsized personal the most famous of

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<v Speaker 3>the famous are conspiracies are drawn to them. Elvis is

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<v Speaker 3>still alive, Marilyn Monroe was murdered. Like that happens when

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<v Speaker 3>you are, you know, one of the biggest icons in

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<v Speaker 3>your field quite often. So some people say this just

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<v Speaker 3>that's all that it is.

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<v Speaker 1>In addition to that, there's a lack of biographical documentation

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<v Speaker 1>that he actually did write those plays. And I think

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<v Speaker 1>that that's also what allows for people to say, you know,

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<v Speaker 1>well do we really.

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<v Speaker 3>Know or that he didn't write them, Like there's just

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<v Speaker 3>it was a time, you know, in the fifteen hundreds

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<v Speaker 3>where there were in sixteen hundreds where there just wasn't

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<v Speaker 3>a ton of great preserved information.

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<v Speaker 4>And we're going to talk about a lot of that.

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<v Speaker 1>So we do know that William Shakespeare did live. He

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<v Speaker 1>was from, like you said, Stratford on Avon. It was

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<v Speaker 1>at the time, about a two to three day journey

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<v Speaker 1>from London, about one hundred something miles I think. And

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<v Speaker 1>he definitely did live. He definitely did exist. That's not

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<v Speaker 1>a question because we do have documentary evidence that this

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<v Speaker 1>person live from fifteen sixty four to sixteen sixteen, about

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<v Speaker 1>fifty two years and depending on when you place his birthday,

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<v Speaker 1>maybe fifty two years on the nose, so we know

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<v Speaker 1>he existed. Again, what's that issue. What's being questioned whether

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<v Speaker 1>that man William Shakespeare from Stratford on Avon, who went

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<v Speaker 1>on to become an actor, who went on to become

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<v Speaker 1>a producer, who worked with in the Globe theater, whether

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<v Speaker 1>he was the author of the plays we consider written

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<v Speaker 1>by Shakespeare. That's what's that question.

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<v Speaker 3>Yeah, So, like you said, he was a real dude.

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<v Speaker 3>He came from a family that was I mean I

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<v Speaker 3>kind of read it as a little bit middle class.

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<v Speaker 3>They certainly were not like upper class nobility types.

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<v Speaker 4>His father was a glover. He wore well, I guess

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<v Speaker 4>he wore gloves too, but he made gloves.

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<v Speaker 2>Allow me to demonstrate, it'd be.

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<v Speaker 3>Pretty weird if he didn't. That guy won't even wear

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<v Speaker 3>his own gloves. But he produced these very very fine

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<v Speaker 3>gloves for well to do people.

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<v Speaker 4>But he did achieve some.

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<v Speaker 3>I guess, worked his way up the social chain a

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<v Speaker 3>little bit because eventually he would serve as sort of

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<v Speaker 3>like a mayor in Stratford. And again, while not nobility

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<v Speaker 3>like they were fairly well regarded as people.

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<v Speaker 1>Right, So we don't know for certain, but there's a

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<v Speaker 1>pretty good there's a much better chance than not that

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<v Speaker 1>because of his father's position in town, because they had

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<v Speaker 1>some money, Like you said, they were middle class, he

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<v Speaker 1>almost certainly would have been educated at the grammar school

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<v Speaker 1>at Stratford. So what most people think is that William

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<v Speaker 1>Shakespeare was educated until about the age of thirteen, and

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<v Speaker 1>he would have learned things like Latin, he would have

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<v Speaker 1>learned history, he would have learned some classic literature. He

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<v Speaker 1>definitely would have been exposed to stuff that whoever wrote

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<v Speaker 1>Shakespeare's plays would go on to expound on. So he

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<v Speaker 1>definitely was I can't say that. That's the thing, Like,

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<v Speaker 1>you really have to be careful what you say about this.

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<v Speaker 1>I know I was about to say, so he definitely

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<v Speaker 1>was educated. We don't know that he was. This is

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<v Speaker 1>all just a supposition, but it's a pretty good bat.

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<v Speaker 1>It's a good supposition that he actually was educated.

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<v Speaker 4>Yeah, and all this, you know.

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<v Speaker 3>The reason that's important is all of this kind of

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<v Speaker 3>comes back later, as some people say proof that he

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<v Speaker 3>may not have written this stuff, because like, how could

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<v Speaker 3>One of the main arguments used many times is how

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<v Speaker 3>could a kid who came from here have known about

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<v Speaker 3>these military exploits and the Elizabethan Court and all these

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<v Speaker 3>different languages and all this hyphalutin stuff that he wrote about.

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<v Speaker 3>So it's important to, you know, talk about his education.

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<v Speaker 3>And it seems like he was likely educated pretty well

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<v Speaker 3>until thirteen, which you know, I'm not even sure if

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<v Speaker 3>that's earlier or late as far as the time period

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<v Speaker 3>goes that. Do you know if that was like kind

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<v Speaker 3>of generally it for kids.

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<v Speaker 1>It was it was in the middle because he could

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<v Speaker 1>have just as easily not.

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<v Speaker 2>Been educated at all, right, of course, but he.

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<v Speaker 1>Also didn't go on to Cambridge or Oxford to extend

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<v Speaker 1>his studies, so he was in there in the middle.

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<v Speaker 1>They think he was probably educated, not highly educated, but

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<v Speaker 1>also not you know, uneducated.

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<v Speaker 2>That's that's the.

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<v Speaker 1>Key, and that if there was evidence he had not

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<v Speaker 1>gone to school, I think that the anti Shakespeare people

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<v Speaker 1>would have a real like mark in their favor. But

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<v Speaker 1>he has just enough education that you can make the

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<v Speaker 1>case like, no, like this guy, this guy learned about

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<v Speaker 1>this stuff already, and he could have known about it.

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<v Speaker 1>And you know, when you add imagination and natural talent

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<v Speaker 1>you come up with Shakespeare conceivably.

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<v Speaker 3>Yeah, he got married to Anne Hathaway. You know, go

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<v Speaker 3>ahead and insert an Hathaway joke there. You know she's

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<v Speaker 3>a real actor, right, sure.

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<v Speaker 1>Yeah, devil Waar's pro Princess Diaries. Yeah, big, I think

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<v Speaker 1>she was in Inception? No? No, was she Interstellar? Yes,

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<v Speaker 1>she did a stellar job in Interstellar.

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<v Speaker 2>Come on.

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<v Speaker 3>They got married when he was quite a bit younger.

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<v Speaker 3>She was twenty six, he was eighteen. She was pregnant,

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<v Speaker 3>which is probably a little unusual for the time. They

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<v Speaker 3>had a daughter named Susannah, and then had twins, a

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<v Speaker 3>boy and a girl twin, and the boy named Hamnet,

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<v Speaker 3>not Hamlet but Hamnett.

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<v Speaker 1>Yeah, which apparently they've never turned up another use of

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<v Speaker 1>that name in at the time.

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<v Speaker 3>Proof he was eleven years old when he died, And

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<v Speaker 3>that kind of comes into play later on as well.

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<v Speaker 3>And then there's about a you know, from fifteen eighty

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<v Speaker 3>five to about fifteen ninety two, there's about a seven

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<v Speaker 3>year gap where we don't know a lot about what

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<v Speaker 3>was going on with Shakespeare, and then he pops up,

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<v Speaker 3>which a lot can happen in seven years. Again, not

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<v Speaker 3>trying to sway people, one way or the other. But

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<v Speaker 3>you can certainly learn a lot in seven years if

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<v Speaker 3>you have some big life experiences. But he pops up

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<v Speaker 3>in London in fifteen ninety two, again as far as

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<v Speaker 3>the record go goes, and you know, keep in mind,

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<v Speaker 3>a lot of this record before he was known in

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<v Speaker 3>his lifetime as an author, was you know, just kind

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<v Speaker 3>of not flimsy, but just not a lot of stuff

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<v Speaker 3>like various little lawsuits and mortgages and sort of banking

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<v Speaker 3>records and stuff like that, right.

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<v Speaker 1>Yeah, yeah, And also I mean, like that's about as

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<v Speaker 1>much documentation as you would be able to come up

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<v Speaker 1>with on most people. And you can make a case

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<v Speaker 1>that there's more documentation on Shakespeare than most other people

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<v Speaker 1>who weren't nobility right of his era. That's because there's

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<v Speaker 1>been so much scholarship and study and research into his

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<v Speaker 1>life that they've turned up as much as they can.

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<v Speaker 1>But what they've turned up only amounts to about five

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<v Speaker 1>hundred different pieces of documentation of one form or another.

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<v Speaker 4>Right.

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<v Speaker 3>So one of those pieces of documentation in early on

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<v Speaker 3>in London is a pamphlet written by generally believed to

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<v Speaker 3>be written by this guy named Robert Green. There were

0:12:21.920 --> 0:12:24.520
<v Speaker 3>some other people that could have possibly written it. But

0:12:24.600 --> 0:12:28.840
<v Speaker 3>it's called Green's groatsworth of wit. And there's a line

0:12:28.880 --> 0:12:33.720
<v Speaker 3>where he references Shakespeare in it in a contemporaneous fashion.

0:12:34.080 --> 0:12:34.720
<v Speaker 2>Is that right.

0:12:38.800 --> 0:12:40.200
<v Speaker 4>Where he kind of takes a shot out of him.

0:12:40.200 --> 0:12:43.480
<v Speaker 3>He says it talks about Shakespeare, says there's an upstart

0:12:43.559 --> 0:12:48.080
<v Speaker 3>crow in his own conceit the only shake scene in

0:12:48.280 --> 0:12:51.880
<v Speaker 3>a country, which kind of translates into he kind of

0:12:51.880 --> 0:12:55.400
<v Speaker 3>thinks he's the only Shakespeare like he thinks he's all that,

0:12:55.720 --> 0:12:59.120
<v Speaker 3>and it should be noted also as far as the

0:12:59.120 --> 0:13:03.240
<v Speaker 3>thievery that in Aesop's Fables, crows I would steal the

0:13:03.240 --> 0:13:07.120
<v Speaker 3>feathers of others. So the people in the I don't

0:13:07.120 --> 0:13:08.840
<v Speaker 3>want to say anti Shakespeare, but the people say that

0:13:08.880 --> 0:13:11.560
<v Speaker 3>he might not have written these things. Says this is

0:13:11.600 --> 0:13:14.400
<v Speaker 3>a big clue and saying that he might have stolen

0:13:14.480 --> 0:13:16.640
<v Speaker 3>some of these things. That's why he's referred to as

0:13:16.640 --> 0:13:17.800
<v Speaker 3>a crow by this other guy.

0:13:18.240 --> 0:13:24.360
<v Speaker 1>Yeah, but in that that quote, he says, the upstart

0:13:24.400 --> 0:13:27.920
<v Speaker 1>crow is beautified with our feathers, and he's a playwright.

0:13:28.240 --> 0:13:31.760
<v Speaker 1>So the pro Shakespeare people, you call them the pro

0:13:31.880 --> 0:13:36.839
<v Speaker 1>Stratford group, they suggest that what he's what Green is

0:13:36.880 --> 0:13:39.800
<v Speaker 1>talking about, is he's he's poking fun at a common

0:13:39.920 --> 0:13:43.960
<v Speaker 1>actor who is deigning to even attempt to write plays,

0:13:44.040 --> 0:13:48.160
<v Speaker 1>which you know, among playwrights is far more important than acting.

0:13:48.200 --> 0:13:50.880
<v Speaker 1>Anybody can act, but it really takes something to write

0:13:50.920 --> 0:13:53.000
<v Speaker 1>a play, at least that's what they thought at the time,

0:13:53.320 --> 0:13:56.160
<v Speaker 1>and that he's taking a shot at him for that.

0:13:56.920 --> 0:13:59.240
<v Speaker 3>Yeah, and we should point out that being an actor

0:13:59.280 --> 0:14:01.000
<v Speaker 3>back then and being a part of the theater was

0:14:01.040 --> 0:14:02.040
<v Speaker 3>not like it is today.

0:14:02.679 --> 0:14:06.160
<v Speaker 4>It wasn't some revered position.

0:14:06.280 --> 0:14:09.840
<v Speaker 3>It was sort of you know, body plays and common

0:14:09.880 --> 0:14:11.920
<v Speaker 3>people were into this kind of thing, so it wasn't

0:14:12.720 --> 0:14:14.480
<v Speaker 3>when he says he was just an actor.

0:14:14.520 --> 0:14:16.400
<v Speaker 4>That's a pretty big diss right.

0:14:17.040 --> 0:14:18.959
<v Speaker 1>So the last thing that we have, I guess the

0:14:19.040 --> 0:14:22.040
<v Speaker 1>last documentation, although there's other stuff that's been turned up.

0:14:22.080 --> 0:14:27.840
<v Speaker 1>They did archaeological expeditions on his house. I think his

0:14:27.920 --> 0:14:32.280
<v Speaker 1>house has been under ownership of a public trust since

0:14:32.320 --> 0:14:38.760
<v Speaker 1>like the nineteenth century, and they've carried out archaeological examinations

0:14:38.760 --> 0:14:40.760
<v Speaker 1>of it, and they found that he went back and

0:14:40.800 --> 0:14:45.680
<v Speaker 1>forth between London and Stratford, so they know stuff about

0:14:45.720 --> 0:14:48.040
<v Speaker 1>him like that. But as far as like documentation goes,

0:14:48.240 --> 0:14:52.160
<v Speaker 1>the last piece of documentation we have comes in sixteen sixteen,

0:14:52.800 --> 0:14:55.760
<v Speaker 1>which is his will that he wrote, and then a

0:14:55.760 --> 0:14:59.280
<v Speaker 1>few months later he died, and I guess the last

0:14:59.360 --> 0:15:02.120
<v Speaker 1>last piece of doc documentation is his tombstone, which in

0:15:02.160 --> 0:15:05.200
<v Speaker 1>and of itself is curious because his tombstone contains a

0:15:05.240 --> 0:15:07.080
<v Speaker 1>curse on it, but not his name.

0:15:08.720 --> 0:15:12.320
<v Speaker 4>Yeah, is that the one with the quote.

0:15:12.400 --> 0:15:15.200
<v Speaker 1>Yeah, it's a curse. He's saying like, don't dig me

0:15:15.280 --> 0:15:16.520
<v Speaker 1>up or you're gonna be cursed.

0:15:16.640 --> 0:15:19.760
<v Speaker 3>Yeah, it's his good friend for Jesus sake, forbear to

0:15:19.800 --> 0:15:22.320
<v Speaker 3>dig the dust and closed here. Blessed be the man

0:15:22.360 --> 0:15:25.520
<v Speaker 3>who spares these stones, and cursed be he who moves

0:15:25.560 --> 0:15:30.120
<v Speaker 3>my bones. Some people point to that as a poor

0:15:30.200 --> 0:15:33.240
<v Speaker 3>writing and saying, well, Shakespeare was a great writer, would

0:15:33.280 --> 0:15:37.480
<v Speaker 3>have written this kind of shabby curse, And other people say, like,

0:15:37.840 --> 0:15:39.920
<v Speaker 3>who said Shakespeare even wrote that?

0:15:40.000 --> 0:15:41.760
<v Speaker 4>Necessarily this is.

0:15:41.720 --> 0:15:44.240
<v Speaker 1>A good instructive example of like kind of the back

0:15:44.280 --> 0:15:47.280
<v Speaker 1>and forth between those people, Right, this is terrible writing.

0:15:47.360 --> 0:15:50.440
<v Speaker 1>Who said Shakespeare wrote it? And then the anti Shakespeare

0:15:50.800 --> 0:15:53.080
<v Speaker 1>crew says, well, of course he wrote it, because who

0:15:53.080 --> 0:15:56.120
<v Speaker 1>else would just not think to put his name on

0:15:56.160 --> 0:15:58.960
<v Speaker 1>his own tombstone? And the other ones just put their

0:15:58.960 --> 0:16:01.760
<v Speaker 1>head in their hands, just start crying, and it just

0:16:01.800 --> 0:16:04.200
<v Speaker 1>goes downhill from there. But that's a really good example

0:16:04.200 --> 0:16:08.160
<v Speaker 1>of like the just kind of like people will jump

0:16:08.200 --> 0:16:11.480
<v Speaker 1>on any single thing that they possibly can and often

0:16:11.520 --> 0:16:14.040
<v Speaker 1>interpret it one way or the other. So one thing,

0:16:14.320 --> 0:16:16.880
<v Speaker 1>one single thing, provides evidence for both sides.

0:16:16.880 --> 0:16:17.640
<v Speaker 2>It's that kind of thing.

0:16:17.800 --> 0:16:19.040
<v Speaker 4>Yeah, yeah, totally.

0:16:19.800 --> 0:16:23.560
<v Speaker 3>Another thing that people point to is the fact that

0:16:23.840 --> 0:16:26.840
<v Speaker 3>of you know, we don't have a lot of like

0:16:27.040 --> 0:16:31.400
<v Speaker 3>letters and papers and things like that because his family

0:16:31.480 --> 0:16:36.359
<v Speaker 3>line ended in sixteen seventy. I think he had a granddaughter,

0:16:36.480 --> 0:16:41.440
<v Speaker 3>Elizabeth Barnard, that died without that bearing children, so most

0:16:41.440 --> 0:16:44.440
<v Speaker 3>of his stuff basically lost as far as family possessions

0:16:44.440 --> 0:16:47.840
<v Speaker 3>and things like that. People do point to the will

0:16:47.960 --> 0:16:51.160
<v Speaker 3>at times and say, well, in his will, you know,

0:16:51.240 --> 0:16:54.600
<v Speaker 3>he leaves certain things, but like there's never any mention

0:16:54.960 --> 0:16:59.280
<v Speaker 3>of any manuscripts. And again this is all like it's

0:16:59.320 --> 0:17:01.880
<v Speaker 3>a little weird, maybe, but none of this is proof.

0:17:03.000 --> 0:17:06.160
<v Speaker 3>And you know, through the personal records that we do

0:17:06.240 --> 0:17:09.199
<v Speaker 3>have in those five hundred references, like none of them

0:17:09.240 --> 0:17:13.240
<v Speaker 3>really reference him like manuscripts in him writing things.

0:17:14.080 --> 0:17:16.960
<v Speaker 1>Right, That's what's most compelling to me is that when

0:17:16.960 --> 0:17:21.480
<v Speaker 1>you put together the documentation about his life that we know.

0:17:22.200 --> 0:17:24.520
<v Speaker 1>It's clear he's involved in the theater, he's an actor.

0:17:24.560 --> 0:17:26.800
<v Speaker 1>We get that. That's that comes through loud and clear.

0:17:27.119 --> 0:17:30.640
<v Speaker 1>What doesn't come through isn't documented at all is him

0:17:30.720 --> 0:17:33.960
<v Speaker 1>as a writer. And that that thing about the will,

0:17:34.040 --> 0:17:36.399
<v Speaker 1>the fact that if you look at the wills and

0:17:37.480 --> 0:17:42.639
<v Speaker 1>bequeathments of other writers of the time, you can find

0:17:42.720 --> 0:17:43.560
<v Speaker 1>evidence that.

0:17:43.480 --> 0:17:44.440
<v Speaker 2>They were writers.

0:17:44.480 --> 0:17:48.800
<v Speaker 1>They like leave books to other people that there they

0:17:48.920 --> 0:17:53.720
<v Speaker 1>leave unfinished manuscripts that stay in the family for generations,

0:17:54.200 --> 0:17:58.920
<v Speaker 1>and it is very curious. His will is very curious.

0:17:59.240 --> 0:18:02.280
<v Speaker 1>But the fact that his personal stuff was just lost

0:18:02.280 --> 0:18:04.679
<v Speaker 1>to history because his granddaughter was the end of the

0:18:04.680 --> 0:18:09.400
<v Speaker 1>family line, that actually holds up because other great authors

0:18:09.720 --> 0:18:12.160
<v Speaker 1>of say the same major of any age. A lot

0:18:12.200 --> 0:18:15.120
<v Speaker 1>of the reason that their personal effects and papers are

0:18:16.520 --> 0:18:20.400
<v Speaker 1>still around is because their family home was passed down

0:18:20.400 --> 0:18:23.960
<v Speaker 1>from generation to generation to generation, and there was a

0:18:24.000 --> 0:18:27.320
<v Speaker 1>long enough period of time for the importance of that

0:18:27.440 --> 0:18:31.000
<v Speaker 1>writer to become clear. And so other people came in

0:18:31.040 --> 0:18:33.840
<v Speaker 1>and said, can we have your great great great grandfather's

0:18:33.880 --> 0:18:37.680
<v Speaker 1>personal effects. We want to put them in this museum.

0:18:37.840 --> 0:18:40.360
<v Speaker 1>There's enough time. There wasn't enough time. There was only

0:18:40.400 --> 0:18:43.040
<v Speaker 1>seventy years between the death of Shakespeare and the end

0:18:43.040 --> 0:18:46.200
<v Speaker 1>of his family line, and he didn't become widely popular

0:18:46.560 --> 0:18:49.679
<v Speaker 1>until the I think middle of the eighteenth century, so

0:18:50.400 --> 0:18:53.160
<v Speaker 1>he was kind of a victim of that. And both

0:18:53.200 --> 0:18:56.960
<v Speaker 1>of those to me provide really good evidence for why

0:18:57.280 --> 0:18:59.640
<v Speaker 1>there is a documentation of his writing.

0:19:00.240 --> 0:19:02.520
<v Speaker 4>Yeah, absolutely in the will.

0:19:02.560 --> 0:19:05.840
<v Speaker 3>And by the way, The Atlantic has a great, great,

0:19:06.119 --> 0:19:09.480
<v Speaker 3>pretty deep dive article as they do on this, which

0:19:09.520 --> 0:19:12.080
<v Speaker 3>provided a lot of the supplementary information that we got

0:19:13.400 --> 0:19:14.920
<v Speaker 3>by Elizabeth Winkler.

0:19:15.080 --> 0:19:17.440
<v Speaker 4>Yeah, betweenty nineteen great read.

0:19:18.880 --> 0:19:20.920
<v Speaker 3>One of the things that Winkler points out and other

0:19:20.920 --> 0:19:23.159
<v Speaker 3>people to point out on the will as well, is

0:19:23.200 --> 0:19:27.840
<v Speaker 3>like Shakespeare wrote a lot about music, and I think

0:19:27.880 --> 0:19:30.439
<v Speaker 3>there were three hundred musical terms, and all of his

0:19:30.560 --> 0:19:34.760
<v Speaker 3>plays mentioned of twenty six musical instruments. And like in

0:19:34.800 --> 0:19:37.160
<v Speaker 3>his will he didn't he didn't even have a loot

0:19:37.320 --> 0:19:40.280
<v Speaker 3>to pass down to anybody, and like you said, didn't

0:19:40.280 --> 0:19:43.280
<v Speaker 3>have books even like a library that he wanted to give.

0:19:43.840 --> 0:19:47.080
<v Speaker 3>And you know, again this is not proof necessary necessarily

0:19:47.080 --> 0:19:50.000
<v Speaker 3>of anything, but it's all of this stuff has added

0:19:50.080 --> 0:19:53.640
<v Speaker 3>up over the years too enough for people to arise

0:19:53.840 --> 0:19:56.040
<v Speaker 3>to like get suspicious about it.

0:19:56.080 --> 0:19:59.480
<v Speaker 1>I think exactly, you want to take a break, a breather.

0:19:59.600 --> 0:20:00.679
<v Speaker 2>I guess you could call.

0:20:00.560 --> 0:20:03.240
<v Speaker 3>It, Yeah, let's take a let's take a breather, let's

0:20:03.240 --> 0:20:36.160
<v Speaker 3>take five. One thing that Ed who helped us put

0:20:36.160 --> 0:20:38.680
<v Speaker 3>this together mentions that I wanted to get your take

0:20:38.720 --> 0:20:42.000
<v Speaker 3>on it. I didn't really think it had a whole

0:20:42.080 --> 0:20:43.440
<v Speaker 3>lot to do with it. One way or the other

0:20:43.640 --> 0:20:47.240
<v Speaker 3>was all of the various misspellings of Shakespeare's name over

0:20:47.280 --> 0:20:50.760
<v Speaker 3>the years. He would sign it in different ways, he

0:20:50.800 --> 0:20:54.840
<v Speaker 3>would abbreviate it in different ways. There are documents with

0:20:55.560 --> 0:20:58.920
<v Speaker 3>I mean, it looks like fifteen different ways of spelling Shakespeare,

0:20:59.359 --> 0:21:03.879
<v Speaker 3>everything from shacks with an ex peer to spears and

0:21:04.000 --> 0:21:07.880
<v Speaker 3>something you would jab somebody with. It's misspelled all over

0:21:07.920 --> 0:21:10.040
<v Speaker 3>the place. And I just kind of took that, as

0:21:10.640 --> 0:21:12.400
<v Speaker 3>you know, people misspelled things a.

0:21:12.320 --> 0:21:12.879
<v Speaker 4>Lot back then.

0:21:13.000 --> 0:21:15.560
<v Speaker 3>There weren't you know, there weren't necessarily records that you

0:21:15.560 --> 0:21:17.960
<v Speaker 3>could go look at very easily, so you might just

0:21:18.000 --> 0:21:20.480
<v Speaker 3>take a guess at how to spell a name, and

0:21:20.520 --> 0:21:22.760
<v Speaker 3>then it was on the record. And so I didn't

0:21:22.800 --> 0:21:24.960
<v Speaker 3>really think that factored in much, did you.

0:21:25.960 --> 0:21:26.479
<v Speaker 2>I didn't.

0:21:26.560 --> 0:21:29.040
<v Speaker 1>And the impression I have is that all the different

0:21:29.320 --> 0:21:33.239
<v Speaker 1>spellings are easily explained away from just the era, like

0:21:33.280 --> 0:21:36.000
<v Speaker 1>you just said, and that the people who clamp onto

0:21:36.000 --> 0:21:39.480
<v Speaker 1>that are actually looking into them just to find like hidden.

0:21:39.160 --> 0:21:40.360
<v Speaker 2>Writing and codes too.

0:21:40.560 --> 0:21:42.639
<v Speaker 1>Right, So I think like the different spellings of the

0:21:42.760 --> 0:21:45.560
<v Speaker 1>names is it's about Yeah, it's about as big a

0:21:45.560 --> 0:21:48.200
<v Speaker 1>boondoggle as you're gonna find in the in the Shakespeare

0:21:48.240 --> 0:21:49.720
<v Speaker 1>authorship argument, I think.

0:21:49.840 --> 0:21:51.520
<v Speaker 4>All right, so we'll cast that aside.

0:21:51.680 --> 0:21:53.360
<v Speaker 1>Well, hold on, before we do, I want to point

0:21:53.359 --> 0:21:55.479
<v Speaker 1>out my favorite abbreviation.

0:21:55.119 --> 0:21:57.840
<v Speaker 3>Which one I think I let me look, I bet

0:21:57.880 --> 0:21:58.800
<v Speaker 3>you I know which one, But.

0:21:58.800 --> 0:22:01.320
<v Speaker 2>Go, okay, put it, put it back in the deck.

0:22:01.480 --> 0:22:02.440
<v Speaker 4>Yeah, it's back in the deck.

0:22:02.560 --> 0:22:05.480
<v Speaker 2>Okay, it is Wilm shack p.

0:22:06.000 --> 0:22:06.800
<v Speaker 4>Yeah, that's a lot.

0:22:07.240 --> 0:22:07.760
<v Speaker 2>That's the one.

0:22:08.040 --> 0:22:10.680
<v Speaker 4>It stands out pretty blatantly. Sahakp.

0:22:11.400 --> 0:22:11.960
<v Speaker 2>I love it.

0:22:12.400 --> 0:22:15.320
<v Speaker 4>Sheck, Hello, Wilm sheck.

0:22:15.840 --> 0:22:17.960
<v Speaker 1>It's not a really good hotel check in name, but

0:22:18.040 --> 0:22:19.240
<v Speaker 1>it's still worth mentioning.

0:22:19.320 --> 0:22:20.600
<v Speaker 4>I think that's pretty good.

0:22:21.480 --> 0:22:23.440
<v Speaker 3>So, like we mentioned, sort of what's at the root

0:22:23.480 --> 0:22:27.399
<v Speaker 3>of a lot of these theories is what ed I

0:22:27.400 --> 0:22:32.200
<v Speaker 3>think rightly calls elitism, which is, how could this guy

0:22:33.440 --> 0:22:36.639
<v Speaker 3>even you know, educated up to thirteen, how could he

0:22:36.680 --> 0:22:39.199
<v Speaker 3>have known about all this stuff? How could he have

0:22:39.280 --> 0:22:42.120
<v Speaker 3>known about military exploits? And you know, if you read

0:22:42.160 --> 0:22:45.320
<v Speaker 3>Shakespeare's plays, which if you're an English major, you have

0:22:45.359 --> 0:22:48.600
<v Speaker 3>to read a lot of them, there's a lot going

0:22:48.680 --> 0:22:51.639
<v Speaker 3>on in these plays about a lot of different stuff.

0:22:51.640 --> 0:22:53.640
<v Speaker 3>He didn't write about just kind of one kind of thing.

0:22:54.240 --> 0:22:57.840
<v Speaker 3>So it implies like a really deep breadth of knowledge

0:22:57.840 --> 0:22:59.400
<v Speaker 3>about a lot of things.

0:22:59.520 --> 0:23:02.560
<v Speaker 1>And not just different things as it relates to England,

0:23:02.600 --> 0:23:06.000
<v Speaker 1>different things, as it relates to entirely different lands. Like

0:23:06.080 --> 0:23:08.560
<v Speaker 1>think about where a lot of his stuff takes places

0:23:08.600 --> 0:23:13.040
<v Speaker 1>in Italy, and as far as anyone knows, Shakespeare didn't

0:23:13.040 --> 0:23:15.840
<v Speaker 1>go to Italy. Although remember there's that lost year eight

0:23:15.920 --> 0:23:18.760
<v Speaker 1>year period they call him the Lost Years. It's entirely

0:23:18.800 --> 0:23:21.560
<v Speaker 1>possible he went to Italy during that time. It's also

0:23:21.920 --> 0:23:24.040
<v Speaker 1>just as possible that he didn't go to Italy during

0:23:24.080 --> 0:23:26.399
<v Speaker 1>that time. We just don't know. But that is something

0:23:26.400 --> 0:23:30.080
<v Speaker 1>that really stands out. And yes, there is a tremendous

0:23:30.119 --> 0:23:34.760
<v Speaker 1>amount of elitism and classicism among some of the anti

0:23:34.800 --> 0:23:38.560
<v Speaker 1>Shakespeare group, but I think that that is I think

0:23:38.600 --> 0:23:41.040
<v Speaker 1>that dismisses a lot of their points out of hand.

0:23:41.119 --> 0:23:43.840
<v Speaker 1>And they do have some really good points. They're not

0:23:43.960 --> 0:23:47.160
<v Speaker 1>just cranks and crack pots, Like they have some pretty

0:23:47.200 --> 0:23:49.879
<v Speaker 1>good evidence. You can make a case at least as

0:23:49.920 --> 0:23:55.399
<v Speaker 1>good to evidence that as the pro Shakespeare people. But

0:23:55.800 --> 0:23:58.480
<v Speaker 1>the upshot of it is really kind of a compliment.

0:23:58.480 --> 0:24:02.480
<v Speaker 1>They're saying, these plays are so good. Yeah, that Shakespeare's

0:24:02.960 --> 0:24:07.120
<v Speaker 1>arguably the greatest writer who ever lived. He has such

0:24:07.160 --> 0:24:09.840
<v Speaker 1>a crazy imagination, he's so funny, he has such an

0:24:09.880 --> 0:24:13.760
<v Speaker 1>extensive vocabulary, such an amazing grasp of the human condition.

0:24:14.240 --> 0:24:18.040
<v Speaker 1>Could it really all have been written by this man

0:24:18.119 --> 0:24:21.320
<v Speaker 1>from at the time the country, who was educated up

0:24:21.359 --> 0:24:24.280
<v Speaker 1>to thirteen, who came from the middle class, who may

0:24:24.400 --> 0:24:27.000
<v Speaker 1>or may not have ever traveled out of England? How

0:24:27.119 --> 0:24:31.040
<v Speaker 1>is that even possible? Are people born that gifted? That's

0:24:31.160 --> 0:24:33.399
<v Speaker 1>ultimately if you want to go beyond the classicism in

0:24:33.440 --> 0:24:36.840
<v Speaker 1>the elite totally. That's really what their argument boils down to.

0:24:37.240 --> 0:24:39.639
<v Speaker 3>Yeah, I agree, And if you don't know a lot

0:24:39.680 --> 0:24:42.520
<v Speaker 3>of Shakespeare, have never really read a lot yourself, and

0:24:42.600 --> 0:24:45.399
<v Speaker 3>you think like you're sort of in that camp, like

0:24:45.840 --> 0:24:49.520
<v Speaker 3>I mean, this is kind of overrated, like this guy, No,

0:24:49.720 --> 0:24:54.400
<v Speaker 3>these plays are brilliant and there's a reason why they

0:24:54.520 --> 0:25:00.520
<v Speaker 3>still make contemporary movies based on Shakespeare's plays or inspired

0:25:00.560 --> 0:25:05.080
<v Speaker 3>by Shakespeare's plays. It's because they were all genuinely brilliant.

0:25:05.119 --> 0:25:08.240
<v Speaker 3>It was great, great stuff. And what you need is

0:25:08.240 --> 0:25:11.080
<v Speaker 3>a really good teacher to kind of walk you through

0:25:11.119 --> 0:25:13.399
<v Speaker 3>it because it's it's tough to read. And we had

0:25:14.200 --> 0:25:16.240
<v Speaker 3>we had some good ones at Georgia, at University of Georgia.

0:25:16.280 --> 0:25:16.640
<v Speaker 4>I had one.

0:25:16.680 --> 0:25:19.080
<v Speaker 3>I can't remember his name. God, I can picture him

0:25:19.080 --> 0:25:24.320
<v Speaker 3>in my head. He was so great. Probably yeah someone No,

0:25:24.440 --> 0:25:29.160
<v Speaker 3>it was Wilmi shack Be shack Bee.

0:25:29.560 --> 0:25:30.800
<v Speaker 4>Oh, I wish I could remember his name.

0:25:30.800 --> 0:25:33.600
<v Speaker 3>I bet you someone will write in in the mid

0:25:33.760 --> 0:25:35.720
<v Speaker 3>nineties through the great play Harpsichord.

0:25:37.119 --> 0:25:40.720
<v Speaker 1>Oh well, no, I had a classics professor who played

0:25:40.720 --> 0:25:41.440
<v Speaker 1>a harpsichord.

0:25:41.520 --> 0:25:44.200
<v Speaker 3>Yeah, this was you know, you had to take Shakespeare

0:25:44.240 --> 0:25:46.800
<v Speaker 3>one and two. Those were the only required English classes

0:25:46.840 --> 0:25:49.280
<v Speaker 3>as a as an English major, so that kind of

0:25:49.280 --> 0:25:52.320
<v Speaker 3>shows the importance. But what he did was he saddus

0:25:52.440 --> 0:25:55.959
<v Speaker 3>down and we read the plays out loud in class,

0:25:56.000 --> 0:26:00.159
<v Speaker 3>and after every you know, short bit, he would say, well,

0:26:00.160 --> 0:26:01.760
<v Speaker 3>here's what's going on, and here's what he's saying.

0:26:01.920 --> 0:26:03.720
<v Speaker 2>Yes, man, you were very lucky.

0:26:03.920 --> 0:26:06.040
<v Speaker 3>Yeah, and once once you hear that and you're like, oh,

0:26:06.160 --> 0:26:09.480
<v Speaker 3>these are very contemporary stories, and that's why they still

0:26:10.320 --> 0:26:13.280
<v Speaker 3>carry such weight today is because they were brilliant stories,

0:26:13.320 --> 0:26:16.280
<v Speaker 3>but stories that were very relatable even now. It's not

0:26:16.359 --> 0:26:18.919
<v Speaker 3>high falutin stuff, it's just it was written at a

0:26:18.920 --> 0:26:19.960
<v Speaker 3>time where it seems that way.

0:26:20.440 --> 0:26:23.719
<v Speaker 1>Yeah, yeah, exactly, because we don't really speak in you know,

0:26:23.880 --> 0:26:26.600
<v Speaker 1>Renaissance English anymore, so it seems it might as well

0:26:26.640 --> 0:26:31.119
<v Speaker 1>be Greek to us. But yeah, it was intended for

0:26:31.240 --> 0:26:34.600
<v Speaker 1>common audiences, like the average person would laugh or cry

0:26:34.680 --> 0:26:37.439
<v Speaker 1>at those at those plays. And I think also it

0:26:37.560 --> 0:26:40.119
<v Speaker 1>like really kind of supports your point that four hundred

0:26:40.200 --> 0:26:44.040
<v Speaker 1>years later, those plays can still make people today laugh

0:26:44.359 --> 0:26:46.960
<v Speaker 1>and cry like they still hold up. I guess what

0:26:47.000 --> 0:26:51.399
<v Speaker 1>you're saying. And have you ever heard of Sister Wendy. No,

0:26:52.200 --> 0:26:55.160
<v Speaker 1>she is, she's a nun. I don't believe she's still

0:26:55.200 --> 0:26:57.240
<v Speaker 1>with us. And I think in the nineties she made

0:26:57.280 --> 0:26:59.639
<v Speaker 1>this series of videos where she just went around to

0:26:59.720 --> 0:27:04.080
<v Speaker 1>music around the world and explained paintings to you in

0:27:04.560 --> 0:27:06.800
<v Speaker 1>a way that I would love to find a sister

0:27:06.880 --> 0:27:09.800
<v Speaker 1>Wendy of Shakespeare. I'm sure there's somebody out there, but

0:27:09.960 --> 0:27:12.879
<v Speaker 1>you could do a lot worse of killing several hours

0:27:12.920 --> 0:27:16.200
<v Speaker 1>watching Sister Wendy explain paintings because she was she had

0:27:16.440 --> 0:27:19.639
<v Speaker 1>like a natural gift at just not only understanding what

0:27:19.720 --> 0:27:23.440
<v Speaker 1>she was looking at, but explaining it really understandably.

0:27:23.840 --> 0:27:26.000
<v Speaker 3>I love that, and I think in Sister Wendy's case

0:27:26.040 --> 0:27:29.720
<v Speaker 3>and my professor Shackby, it's it.

0:27:30.040 --> 0:27:31.359
<v Speaker 4>It comes from a place of.

0:27:33.480 --> 0:27:36.320
<v Speaker 3>They have such great admiration and they want us, They

0:27:36.400 --> 0:27:39.680
<v Speaker 3>really want people to understand this stuff. You might ordinarily

0:27:39.680 --> 0:27:40.960
<v Speaker 3>go like, well, I don't get it. I don't get

0:27:40.960 --> 0:27:42.480
<v Speaker 3>paintings like this, or I don't get plays like this.

0:27:42.720 --> 0:27:43.400
<v Speaker 2>I art.

0:27:45.040 --> 0:27:46.680
<v Speaker 4>So should we get in speaking of art?

0:27:47.200 --> 0:27:51.320
<v Speaker 3>Great segue, should we get into this mess of the

0:27:51.720 --> 0:27:52.880
<v Speaker 3>bust of Shakespeare?

0:27:53.480 --> 0:27:53.680
<v Speaker 2>Yeah?

0:27:53.720 --> 0:27:56.199
<v Speaker 1>I mean it's another It's very much like his tombstone,

0:27:56.200 --> 0:27:58.479
<v Speaker 1>where people are like it means this, No, it means that,

0:27:58.880 --> 0:27:59.119
<v Speaker 1>you know.

0:28:00.119 --> 0:28:00.320
<v Speaker 4>Yeah.

0:28:00.359 --> 0:28:04.520
<v Speaker 3>So there's a bust an effigy of Shakespeare inside the

0:28:04.600 --> 0:28:08.720
<v Speaker 3>church there in Stratford. And there's been a lot of

0:28:08.760 --> 0:28:11.760
<v Speaker 3>controversy over this thing because part of it is not

0:28:11.800 --> 0:28:14.960
<v Speaker 3>necessarily like was he the author, although it does play

0:28:15.000 --> 0:28:17.800
<v Speaker 3>into that, but sort of like what did he look like?

0:28:17.880 --> 0:28:19.520
<v Speaker 3>And how do we know that's what he looked like?

0:28:19.520 --> 0:28:22.919
<v Speaker 3>Like we've all seen the picture and there's like this

0:28:22.960 --> 0:28:25.600
<v Speaker 3>one painting and this one bust, and that's kind of

0:28:25.600 --> 0:28:28.760
<v Speaker 3>where everything comes from. And some people say this was

0:28:28.800 --> 0:28:31.680
<v Speaker 3>done after he was dead, like, we really don't know

0:28:31.800 --> 0:28:35.080
<v Speaker 3>that that's what he looked like. I think just a

0:28:35.119 --> 0:28:39.800
<v Speaker 3>couple of years ago, this professor and expert made a

0:28:39.800 --> 0:28:44.040
<v Speaker 3>pretty good case that beyond most reasonable doubt that it

0:28:44.080 --> 0:28:46.480
<v Speaker 3>was actually done. I think she said it was highly likely.

0:28:47.480 --> 0:28:50.920
<v Speaker 3>Professor Orlan said it's highly likely that it was done

0:28:51.000 --> 0:28:54.440
<v Speaker 3>while he was alive, and that he commissioned it because

0:28:54.960 --> 0:28:57.040
<v Speaker 3>she thinks she knows who did the bust, and that

0:28:57.040 --> 0:29:01.280
<v Speaker 3>that person lived near him and was irregular at the

0:29:01.280 --> 0:29:01.960
<v Speaker 3>globe and.

0:29:02.120 --> 0:29:03.560
<v Speaker 4>Kind of put all these clues together.

0:29:04.160 --> 0:29:06.120
<v Speaker 3>But other people, some people say it was his dad

0:29:06.880 --> 0:29:10.560
<v Speaker 3>and not him because of this whole sack of grain argument.

0:29:11.760 --> 0:29:15.760
<v Speaker 1>Yeah, so there there was an etching that was made

0:29:15.920 --> 0:29:19.240
<v Speaker 1>of the bust within some period of time after the

0:29:19.280 --> 0:29:22.240
<v Speaker 1>bust was erected, but before it was altered. So the

0:29:22.240 --> 0:29:25.680
<v Speaker 1>bus has definitely been altered. And it looks like one

0:29:25.720 --> 0:29:28.720
<v Speaker 1>way you can interpret this, this thing at the bottom,

0:29:28.720 --> 0:29:32.400
<v Speaker 1>this puffy things that's at the hands of the bust,

0:29:32.560 --> 0:29:36.200
<v Speaker 1>the effigy as a sack of grain. I don't know

0:29:36.280 --> 0:29:38.520
<v Speaker 1>if it were a sack of green, why anyone would

0:29:38.520 --> 0:29:40.440
<v Speaker 1>ever present it in that position.

0:29:41.720 --> 0:29:42.880
<v Speaker 2>It doesn't make any sense.

0:29:43.000 --> 0:29:47.160
<v Speaker 1>And so right, so what the anti Shakespeare, anti Stratford

0:29:47.160 --> 0:29:49.040
<v Speaker 1>people are saying is like, yeah, it's his dad, it's

0:29:49.160 --> 0:29:53.040
<v Speaker 1>it's not him, or if it is Shakespeare, he was

0:29:53.120 --> 0:29:56.240
<v Speaker 1>known for his grain carrying skills, not his writing skills.

0:29:57.560 --> 0:30:00.000
<v Speaker 1>And the pro strap for people are like, don't be ridiculou.

0:30:00.040 --> 0:30:03.400
<v Speaker 1>This is obviously a pillow, and at some point somebody

0:30:03.440 --> 0:30:07.479
<v Speaker 1>did revise the bus, so it is unequivocally a pillow,

0:30:07.560 --> 0:30:10.120
<v Speaker 1>like there's just no way to mistake it. And it's

0:30:10.160 --> 0:30:11.480
<v Speaker 1>not so much a pillow as it is like a

0:30:11.520 --> 0:30:13.640
<v Speaker 1>handrest for him to write on, because he's got a

0:30:13.640 --> 0:30:15.600
<v Speaker 1>piece of paper on it and a quill in his

0:30:15.680 --> 0:30:19.720
<v Speaker 1>other hand. But the anti Shakespeare people jump on that

0:30:19.840 --> 0:30:22.920
<v Speaker 1>and say, like, see it was altered to fit this

0:30:23.560 --> 0:30:26.000
<v Speaker 1>to cover up this conspiracy later.

0:30:25.800 --> 0:30:29.560
<v Speaker 3>On, Yeah, exactly, And that quill has been stolen and

0:30:29.600 --> 0:30:31.640
<v Speaker 3>replaced I think so many times over the years that

0:30:32.480 --> 0:30:35.240
<v Speaker 3>now I don't know if it currently has the quill

0:30:36.080 --> 0:30:38.440
<v Speaker 3>or if it has the quill, and it's now behind glass.

0:30:38.680 --> 0:30:40.760
<v Speaker 2>Oh, that could that's a good way to get around

0:30:40.760 --> 0:30:41.080
<v Speaker 2>as sure.

0:30:41.240 --> 0:30:44.160
<v Speaker 3>I'm not really sure, but you know, that became a

0:30:44.280 --> 0:30:47.200
<v Speaker 3>you know, obviously it's something you could just snatch of

0:30:47.320 --> 0:30:50.320
<v Speaker 3>his hand, and you've got Shakespeare's quill on your on

0:30:50.360 --> 0:30:50.800
<v Speaker 3>your door.

0:30:51.640 --> 0:30:54.240
<v Speaker 2>Speaking of being snatched.

0:30:54.720 --> 0:30:57.320
<v Speaker 1>Apparently that curse on his tombston didn't work because they

0:30:57.320 --> 0:30:59.840
<v Speaker 1>did a scan of it on the four hundred thing

0:31:00.120 --> 0:31:02.480
<v Speaker 1>versary of his death and found that at least his

0:31:02.560 --> 0:31:05.600
<v Speaker 1>skull was missing, if not all of his remains. Oh

0:31:05.680 --> 0:31:09.320
<v Speaker 1>really yeah, and that interesting. So somebody out there has

0:31:09.440 --> 0:31:11.720
<v Speaker 1>Shakespeare's skull in their personal collection.

0:31:12.200 --> 0:31:17.280
<v Speaker 3>It's probably Rosenkrantz or Guildenstern. I like, great Shakespeare joke.

0:31:17.560 --> 0:31:18.080
<v Speaker 2>That's good.

0:31:20.720 --> 0:31:22.800
<v Speaker 4>There's some people out there that were, like, nailed it.

0:31:23.640 --> 0:31:23.920
<v Speaker 2>Good.

0:31:24.680 --> 0:31:28.040
<v Speaker 3>Another thing, as far as evidence goes, is the first folio,

0:31:28.120 --> 0:31:32.400
<v Speaker 3>which is I think it was the first collection that

0:31:32.440 --> 0:31:35.840
<v Speaker 3>they put in print of all of Shakespeare's plays, including

0:31:37.000 --> 0:31:39.000
<v Speaker 3>eighteen that had never been in print before.

0:31:40.000 --> 0:31:42.680
<v Speaker 4>And there was a I guess was it?

0:31:42.720 --> 0:31:45.800
<v Speaker 3>A forward written by a guy named Ben Johnson who

0:31:45.920 --> 0:31:49.040
<v Speaker 3>was a rival of Shakespeare's. He was kind of known

0:31:49.120 --> 0:31:54.600
<v Speaker 3>as a jealous, sort of argumentative guy. But he calls

0:31:55.080 --> 0:31:58.880
<v Speaker 3>Shakespeare the Swan of Avon and is sort of very

0:31:59.000 --> 0:32:02.120
<v Speaker 3>laudatory in this forward, but I think you found stuff

0:32:02.720 --> 0:32:06.200
<v Speaker 3>later on where he was kind of like, m I

0:32:06.240 --> 0:32:07.640
<v Speaker 3>had my fingers cross the whole.

0:32:07.480 --> 0:32:09.080
<v Speaker 2>Time kind of yeah.

0:32:09.120 --> 0:32:13.560
<v Speaker 1>So the pro Stratford people who believe Shakespeare or Shakespeare say, look, man,

0:32:13.720 --> 0:32:17.040
<v Speaker 1>this guy was known as a rival, a friendly rival,

0:32:17.040 --> 0:32:21.800
<v Speaker 1>but a real rival, really critical, like, had biting criticism

0:32:21.840 --> 0:32:25.040
<v Speaker 1>and sense of humor, and also was not one to

0:32:25.080 --> 0:32:25.640
<v Speaker 1>just be like.

0:32:27.320 --> 0:32:32.040
<v Speaker 2>To just bow to nobility or privilege or wealth or status.

0:32:32.120 --> 0:32:36.080
<v Speaker 1>Right, So if this guy is saying that Shakespeare the

0:32:36.080 --> 0:32:39.400
<v Speaker 1>Swan of Avon, which places this man at Stratford on Avon,

0:32:39.600 --> 0:32:43.160
<v Speaker 1>because Ben Johnson is calling him that, that proves that

0:32:43.200 --> 0:32:48.200
<v Speaker 1>Shakespeare was Shakespeare. The anti Shakespeare camp says, like you said,

0:32:48.200 --> 0:32:50.560
<v Speaker 1>Ben Johnson at his fingers crossed the whole time, and

0:32:50.600 --> 0:32:53.960
<v Speaker 1>that really what he was doing was providing cover for

0:32:54.040 --> 0:32:59.600
<v Speaker 1>this larger, essentially conspiracy of people who actually were Shakespeare,

0:33:00.120 --> 0:33:02.960
<v Speaker 1>was blending his renown to it.

0:33:05.280 --> 0:33:06.920
<v Speaker 2>Neither one really makes sense.

0:33:07.000 --> 0:33:09.840
<v Speaker 1>I mean, unless Ben Johnson had like a complete change

0:33:09.840 --> 0:33:13.640
<v Speaker 1>of heart, it just doesn't quite add up. But then

0:33:13.680 --> 0:33:17.800
<v Speaker 1>also the idea that he would provide that cover for

0:33:17.840 --> 0:33:22.000
<v Speaker 1>a group of noble people and seems unlikely as well too.

0:33:22.400 --> 0:33:23.440
<v Speaker 4>Yeah, I agree.

0:33:24.200 --> 0:33:28.480
<v Speaker 3>One of the first public doubters in the eighteen hundreds

0:33:28.640 --> 0:33:33.840
<v Speaker 3>was a woman named Delia Bacon, no relation to Francis Bacon,

0:33:35.080 --> 0:33:39.560
<v Speaker 3>although you may think so, because one person that Delia

0:33:39.600 --> 0:33:44.120
<v Speaker 3>Bacon put forward as one of the authors was Francis Bacon.

0:33:44.960 --> 0:33:50.000
<v Speaker 3>Delia Bacon was an American, was a writer, had a

0:33:50.120 --> 0:33:53.560
<v Speaker 3>sort of a long life before she got into kind

0:33:53.560 --> 0:33:57.400
<v Speaker 3>of hating Shakespeare, Yeah, hating him, like really didn't like

0:33:57.440 --> 0:34:00.200
<v Speaker 3>Shakespeare and really wanted to prove that he was not

0:34:00.360 --> 0:34:06.240
<v Speaker 3>the author. And her idea was that it was Francis Bacon,

0:34:06.960 --> 0:34:10.520
<v Speaker 3>Walter Raleigh, and I think maybe some other people too,

0:34:10.600 --> 0:34:14.279
<v Speaker 3>who were these very well regarded people of you know,

0:34:14.360 --> 0:34:18.080
<v Speaker 3>philosophy and politics and science, who would not have been

0:34:18.120 --> 0:34:21.640
<v Speaker 3>allowed to put forth these plays. And what these plays,

0:34:21.760 --> 0:34:24.480
<v Speaker 3>what they really were, were not even meant for entertainment

0:34:24.560 --> 0:34:27.040
<v Speaker 3>or for the stage. They were meant to be sort

0:34:27.040 --> 0:34:31.880
<v Speaker 3>of biting criticisms of all kinds of various things that

0:34:31.920 --> 0:34:33.600
<v Speaker 3>these gentlemen could not put their name on.

0:34:34.280 --> 0:34:36.759
<v Speaker 1>Yeah, so there's yeah, either they couldn't put their name

0:34:36.840 --> 0:34:39.440
<v Speaker 1>on it because they would be executed as basically treason

0:34:39.520 --> 0:34:42.480
<v Speaker 1>as to the crown, because they were, you know, putting

0:34:42.520 --> 0:34:46.760
<v Speaker 1>forth the idea of social reform and you know, women's

0:34:46.840 --> 0:34:50.480
<v Speaker 1>rights and all sorts of stuff, taking potshots at the nobility.

0:34:51.600 --> 0:34:55.040
<v Speaker 1>Or there's another theory called the stigma of print that

0:34:55.160 --> 0:34:57.480
<v Speaker 1>was introduced in I think the eighteen seventies, and that

0:34:57.680 --> 0:35:04.799
<v Speaker 1>was that they just just out of noble nobility nobless,

0:35:04.840 --> 0:35:08.440
<v Speaker 1>I guess they wouldn't deign to have their stuff published.

0:35:09.320 --> 0:35:13.440
<v Speaker 1>It would erode their social reputation, even accepting the idea

0:35:13.480 --> 0:35:16.200
<v Speaker 1>that they would be beheaded for treason. So there are

0:35:16.200 --> 0:35:20.560
<v Speaker 1>a couple of reasons that somebody like Francis Bacon would

0:35:20.600 --> 0:35:24.319
<v Speaker 1>have to cover up his identity if he were actually Shakespeare.

0:35:24.480 --> 0:35:29.720
<v Speaker 1>And that same stigma of print and political cover argument

0:35:29.880 --> 0:35:32.120
<v Speaker 1>gets extended to other people beyond Bacon too.

0:35:32.600 --> 0:35:34.960
<v Speaker 3>Yeah, and that, you know, it makes a little bit

0:35:35.000 --> 0:35:38.840
<v Speaker 3>of sense. As far as Delia Bacon, she was able

0:35:38.840 --> 0:35:42.600
<v Speaker 3>to talk Ralph Waldo Emerson into basically kind of buying

0:35:42.600 --> 0:35:47.920
<v Speaker 3>her story and he arranged for her sponsorship basically to

0:35:48.000 --> 0:35:51.000
<v Speaker 3>go to England to kind of research this. Apparently in

0:35:51.040 --> 0:35:54.319
<v Speaker 3>England she was kind of on record saying that she

0:35:54.400 --> 0:35:58.520
<v Speaker 3>didn't research history books or records and things like that.

0:35:58.840 --> 0:36:01.719
<v Speaker 3>She believed that the the proof was sort of in

0:36:01.760 --> 0:36:05.680
<v Speaker 3>the plays themselves, yeah, and in the in the text basically,

0:36:05.840 --> 0:36:08.680
<v Speaker 3>like with these clues. Apparently, she used to go to

0:36:08.719 --> 0:36:12.279
<v Speaker 3>Shakespeare's tomb a lot and and kind of just you know,

0:36:12.480 --> 0:36:15.040
<v Speaker 3>hang out there and like try to convince the I

0:36:15.040 --> 0:36:17.319
<v Speaker 3>guess the tomb keeper or whoever you know takes care

0:36:17.360 --> 0:36:18.920
<v Speaker 3>of the cemetery, the crypt keeper.

0:36:19.000 --> 0:36:19.880
<v Speaker 4>Yeah, the crypt keeper.

0:36:20.040 --> 0:36:22.160
<v Speaker 3>I didn't want to say it to be let in,

0:36:22.840 --> 0:36:25.960
<v Speaker 3>and like almost got in at one point apparently, but

0:36:26.040 --> 0:36:28.640
<v Speaker 3>I think she got sick and couldn't. And but she

0:36:28.760 --> 0:36:31.239
<v Speaker 3>thought that the you know, the deep secret was within

0:36:31.320 --> 0:36:31.800
<v Speaker 3>that tomb.

0:36:32.239 --> 0:36:39.000
<v Speaker 1>Yeah, she kind of kicked off the nuttier camp of

0:36:39.160 --> 0:36:44.080
<v Speaker 1>the questioning of of Shakespeare. In addition to kicking off

0:36:44.120 --> 0:36:46.120
<v Speaker 1>the whole thing. She she put like kind of a

0:36:46.200 --> 0:36:48.600
<v Speaker 1>nutty sheen to it, like the idea that you could

0:36:48.600 --> 0:36:51.480
<v Speaker 1>get your answers just from reading the plays, right, the

0:36:51.560 --> 0:36:54.080
<v Speaker 1>clues were in there. The thing is is Francis Bacon

0:36:54.239 --> 0:36:58.120
<v Speaker 1>was known to amuse himself by including you know, hidden

0:36:58.239 --> 0:37:02.319
<v Speaker 1>codes and messages in his writings. So if it was

0:37:02.400 --> 0:37:05.200
<v Speaker 1>Francis Bacon, that's not that much of a stretch, and

0:37:05.239 --> 0:37:09.680
<v Speaker 1>supposedly Mark Twain and some friends did actually turn up.

0:37:09.800 --> 0:37:13.200
<v Speaker 1>If you read the first folio, there is I guess

0:37:13.280 --> 0:37:17.959
<v Speaker 1>some series of lines that spell out Francisco BACONO.

0:37:20.760 --> 0:37:21.520
<v Speaker 4>It's pretty good.

0:37:21.560 --> 0:37:24.840
<v Speaker 3>I mean, here's the thing, though, Francis Bacon wrote a

0:37:24.920 --> 0:37:27.560
<v Speaker 3>lot about a lot of stuff, but not a lot

0:37:27.600 --> 0:37:32.760
<v Speaker 3>of fiction and pros or didn't he write no evidence

0:37:32.800 --> 0:37:35.239
<v Speaker 3>that he ever wrote any kind of plays, did he?

0:37:35.840 --> 0:37:36.000
<v Speaker 4>Right?

0:37:36.920 --> 0:37:39.160
<v Speaker 2>There was this other thing that kind of came along.

0:37:39.239 --> 0:37:42.279
<v Speaker 1>So Delia Bacon is widely regarded as the person who

0:37:42.360 --> 0:37:47.680
<v Speaker 1>kicked off that it was Shakespeare Shakespeare idea, But supposedly

0:37:47.719 --> 0:37:50.800
<v Speaker 1>there was a person who came before her, James Wilmot,

0:37:50.880 --> 0:37:54.040
<v Speaker 1>who in seventeen eighty one sat down to write a

0:37:54.080 --> 0:37:58.880
<v Speaker 1>biography of Shakespeare and did all the research in London

0:37:58.920 --> 0:38:04.600
<v Speaker 1>and Stratford, on ava on and was astonished by the

0:38:04.800 --> 0:38:08.880
<v Speaker 1>lack of documentation that Shakespeare had written those plays and

0:38:08.920 --> 0:38:11.319
<v Speaker 1>started to suspect it and that he kicked it off.

0:38:11.400 --> 0:38:13.120
<v Speaker 2>The thing is, the.

0:38:14.640 --> 0:38:20.000
<v Speaker 1>Anti Shakespeare side has been accused of making those documents up,

0:38:20.040 --> 0:38:24.600
<v Speaker 1>of forging those documents to support Delia Bacon's Francis Bacon theory.

0:38:24.960 --> 0:38:29.080
<v Speaker 1>Oh interesting, Yeah, so they weren't discovered until nineteen thirty one,

0:38:29.120 --> 0:38:32.359
<v Speaker 1>which is pretty convenient, and it's entirely possible that they

0:38:32.719 --> 0:38:33.680
<v Speaker 1>were just forged.

0:38:34.440 --> 0:38:37.600
<v Speaker 3>All right, should we take another break here? Yeah's all right,

0:38:37.640 --> 0:38:39.960
<v Speaker 3>we'll take another break. We'll talk a little bit more

0:38:40.320 --> 0:38:42.000
<v Speaker 3>about whether Shakespeare wrote that stuff.

0:39:11.719 --> 0:39:13.960
<v Speaker 1>So one more thing about Delia Bacon before we wrap

0:39:14.040 --> 0:39:16.680
<v Speaker 1>it up. Like you said, she was a good writer,

0:39:17.800 --> 0:39:23.280
<v Speaker 1>and her exhaustive examination of the texts of Shakespeare's plays

0:39:23.320 --> 0:39:26.839
<v Speaker 1>resulted in a six hundred and twenty page book, The

0:39:26.840 --> 0:39:32.480
<v Speaker 1>Philosophy of the Plays of Shakespeare Unfolded, and she's often

0:39:32.520 --> 0:39:36.800
<v Speaker 1>credited with basically prefiguring, if not kicking off, the idea

0:39:36.800 --> 0:39:40.360
<v Speaker 1>of literary criticism of close readings of stuff to find

0:39:40.400 --> 0:39:43.640
<v Speaker 1>other meanings. And she was doing it to expose noble

0:39:43.680 --> 0:39:45.480
<v Speaker 1>people as Shakespeare.

0:39:45.480 --> 0:39:47.320
<v Speaker 2>But she was really good at.

0:39:47.200 --> 0:39:49.400
<v Speaker 1>It, and people said, well, hey, maybe we should do

0:39:49.440 --> 0:39:50.359
<v Speaker 1>this for other stuff too.

0:39:50.840 --> 0:39:55.040
<v Speaker 3>Yeah, and like ironically, because she kind of I mean,

0:39:55.080 --> 0:39:57.640
<v Speaker 3>you know, the various tawdry accounts say she was driven

0:39:57.640 --> 0:40:02.560
<v Speaker 3>to madness. I'm not sure how accurate that is, but

0:40:02.600 --> 0:40:05.480
<v Speaker 3>it did seem like it pretty much consumed her in

0:40:05.560 --> 0:40:07.800
<v Speaker 3>the latter stages of her life and that her family

0:40:07.880 --> 0:40:09.600
<v Speaker 3>was kind of embarrassed and stuff like that.

0:40:09.880 --> 0:40:14.279
<v Speaker 1>Right, So Francis Bacon was not the only person put

0:40:14.320 --> 0:40:18.880
<v Speaker 1>forth and there's probably, as far as like believers go,

0:40:19.440 --> 0:40:22.160
<v Speaker 1>somebody who at least rivals, if not eclipses him, and

0:40:22.200 --> 0:40:26.200
<v Speaker 1>that would be the seventeenth Earl of Oxford, Edward de

0:40:26.280 --> 0:40:26.839
<v Speaker 1>Vere Right.

0:40:27.800 --> 0:40:32.520
<v Speaker 3>Yeah, I mean there's a whole there's a whole camp

0:40:32.920 --> 0:40:35.719
<v Speaker 3>and a whole other and you know, we can't get

0:40:35.719 --> 0:40:39.480
<v Speaker 3>into this too too much in detail, but there's a

0:40:39.520 --> 0:40:43.120
<v Speaker 3>whole movement that says out of the eighty people like

0:40:43.239 --> 0:40:45.920
<v Speaker 3>we really think it was the seventeenth Earl of Oxford.

0:40:46.200 --> 0:40:51.040
<v Speaker 1>Yeah, it's called the Oxfordian theory of Shakespearean authorship, and

0:40:51.239 --> 0:40:52.239
<v Speaker 1>there is, you.

0:40:52.160 --> 0:40:54.000
<v Speaker 2>Know, some stuff to it.

0:40:54.040 --> 0:40:57.840
<v Speaker 1>He was a poet, which Ed points out that's so

0:40:57.960 --> 0:41:02.799
<v Speaker 1>much for the stigma of print, and that also you

0:41:02.840 --> 0:41:06.680
<v Speaker 1>can compare his poetry and in like some specific works

0:41:06.680 --> 0:41:10.680
<v Speaker 1>of poetry to some of Shakespeare's poetry and see some

0:41:10.760 --> 0:41:14.880
<v Speaker 1>real comparisons. But as far as I can tell that

0:41:15.680 --> 0:41:21.800
<v Speaker 1>the questions are the similarities and there, if I'm not mistaken,

0:41:21.880 --> 0:41:25.040
<v Speaker 1>like and that to me, it was the sixth Earl

0:41:25.080 --> 0:41:28.839
<v Speaker 1>of Derby who has a little more, a little more

0:41:28.880 --> 0:41:29.400
<v Speaker 1>to offer.

0:41:30.000 --> 0:41:33.080
<v Speaker 4>Oh really, Oh no, it was about Derby.

0:41:33.239 --> 0:41:35.479
<v Speaker 2>There was one other thing. So Derby has his own group,

0:41:35.560 --> 0:41:36.399
<v Speaker 2>the Derbyites.

0:41:36.520 --> 0:41:39.799
<v Speaker 4>Right, this is what I mean. It's an onion. It's

0:41:39.800 --> 0:41:40.520
<v Speaker 4>a bloomin onion.

0:41:40.800 --> 0:41:42.840
<v Speaker 1>So there was one other thing about Devere that is

0:41:42.880 --> 0:41:47.799
<v Speaker 1>pretty suspicious. There were two narrative poems that Shakespeare dedicated

0:41:48.160 --> 0:41:51.480
<v Speaker 1>to a man who was raised in the same household

0:41:51.840 --> 0:41:55.440
<v Speaker 1>as Devere. And from what anybody could tell, there's no

0:41:55.520 --> 0:41:58.680
<v Speaker 1>reason Shakespeare would know this person, and why would Shakespeare

0:41:58.680 --> 0:42:00.000
<v Speaker 1>dedicate to poems.

0:42:00.120 --> 0:42:00.880
<v Speaker 2>So this this.

0:42:01.120 --> 0:42:05.840
<v Speaker 1>Nobleman he didn't know, but Devere certainly knew him. He

0:42:05.880 --> 0:42:08.320
<v Speaker 1>was he was basically raised alongside him like a brother.

0:42:08.960 --> 0:42:12.240
<v Speaker 1>So that, along with the biographical reading, the close reading

0:42:12.320 --> 0:42:16.879
<v Speaker 1>looking for parallels between Devere's life and Shakespeare's plays, are

0:42:16.920 --> 0:42:19.640
<v Speaker 1>what kind of back up the Oxfordian.

0:42:19.080 --> 0:42:23.719
<v Speaker 3>Theories interesting because Christopher Marlowe is another one who was

0:42:23.760 --> 0:42:28.239
<v Speaker 3>a contemporary and friend of Shakespeare's, and they collaborated and

0:42:28.280 --> 0:42:33.560
<v Speaker 3>they influenced one another, and this the details around Marlowe's

0:42:33.560 --> 0:42:38.000
<v Speaker 3>death are hinky enough to where some people thought or

0:42:38.000 --> 0:42:40.920
<v Speaker 3>at least that you know, the conspiracy is that is

0:42:41.000 --> 0:42:44.840
<v Speaker 3>that he faked his death because he was going to

0:42:45.000 --> 0:42:48.520
<v Speaker 3>going to be executed by the crown and continued to

0:42:48.560 --> 0:42:53.040
<v Speaker 3>write and then used his friend Billy Shakespeare as affront

0:42:53.520 --> 0:42:57.960
<v Speaker 3>to continue to get those plays out. I'm not really

0:42:58.120 --> 0:43:01.520
<v Speaker 3>sure about this because I don't know that's that's just

0:43:01.520 --> 0:43:02.320
<v Speaker 3>a little far fetched.

0:43:02.320 --> 0:43:04.640
<v Speaker 1>If you ask me, well, yeah, if and if you're

0:43:04.719 --> 0:43:07.719
<v Speaker 1>if you're supposing that Marlow faked his death in order

0:43:07.800 --> 0:43:12.240
<v Speaker 1>to continue writing, you've now got a conspiracy theory wrapped

0:43:12.239 --> 0:43:13.440
<v Speaker 1>in a conspiracy theory.

0:43:14.040 --> 0:43:14.800
<v Speaker 4>Yeah, maybe that's what.

0:43:15.520 --> 0:43:17.759
<v Speaker 1>Yeah, but it's interesting because you know, Marlow is a

0:43:17.760 --> 0:43:20.759
<v Speaker 1>pretty interesting dude in himself. Supposedly he may have been

0:43:20.800 --> 0:43:22.760
<v Speaker 1>a secret agent for the crown.

0:43:23.960 --> 0:43:24.560
<v Speaker 2>He was an.

0:43:24.440 --> 0:43:28.920
<v Speaker 1>Atheist, he was his own playwright. People loved him as

0:43:28.920 --> 0:43:32.319
<v Speaker 1>a playwright at the time, but he was no Shakespeare.

0:43:32.880 --> 0:43:37.000
<v Speaker 1>Like literally, he's probably the flimsiest person you could attribute

0:43:38.000 --> 0:43:42.320
<v Speaker 1>Shakespeare's writings to because Marlow was gloomy and super atheist

0:43:42.440 --> 0:43:47.239
<v Speaker 1>and he was. His plays just didn't have that same

0:43:47.320 --> 0:43:53.040
<v Speaker 1>kind of humanism and funniness that Shakespeare's plays had. And also,

0:43:53.160 --> 0:43:55.920
<v Speaker 1>why wouldn't Marlow just write these plays under his own name?

0:43:56.000 --> 0:43:58.640
<v Speaker 1>He had no reason to write these plays under different names.

0:43:58.960 --> 0:43:59.680
<v Speaker 4>Yeah, agreed.

0:44:00.960 --> 0:44:03.600
<v Speaker 3>There have been people that put forth the idea that

0:44:04.200 --> 0:44:07.560
<v Speaker 3>there were several different women that might have been the

0:44:07.600 --> 0:44:11.120
<v Speaker 3>real authors, because women were not allowed to write plays

0:44:11.120 --> 0:44:14.959
<v Speaker 3>at the time. Eighty percent of the plays written during

0:44:15.000 --> 0:44:18.400
<v Speaker 3>this time were anonymous and no author was listed, and

0:44:18.440 --> 0:44:20.319
<v Speaker 3>a lot of people said, hey, a lot of these

0:44:20.400 --> 0:44:22.480
<v Speaker 3>were written by women and they just couldn't put their

0:44:22.560 --> 0:44:26.279
<v Speaker 3>name on it. Many of Shakespeare's plays and ideas are

0:44:26.360 --> 0:44:34.239
<v Speaker 3>very progressive. It's kind of a kind of a I

0:44:34.239 --> 0:44:37.000
<v Speaker 3>don't know about flimsy, but it kind of demeans Shakespeare

0:44:37.000 --> 0:44:38.920
<v Speaker 3>a bit to say that, like, well, it had to

0:44:38.920 --> 0:44:42.000
<v Speaker 3>be a woman because they were so progressive about women

0:44:42.160 --> 0:44:46.560
<v Speaker 3>like taking a stand, when in fact Shakespeare seemingly very

0:44:46.600 --> 0:44:48.880
<v Speaker 3>much thought that way himself, right, Like, how.

0:44:48.719 --> 0:44:50.400
<v Speaker 2>Could a man write women like this?

0:44:50.600 --> 0:44:54.880
<v Speaker 3>Come on, Yeah, there's a woman named Mary Sidmund Herbert

0:44:55.120 --> 0:44:57.640
<v Speaker 3>who has a whole foundation that's trying to prove that

0:44:57.680 --> 0:45:01.440
<v Speaker 3>she wrote. Kind of the word of the Internet happened

0:45:02.000 --> 0:45:05.359
<v Speaker 3>about seven years ago. When you get these memes that

0:45:05.400 --> 0:45:09.480
<v Speaker 3>are just full of false stuff and then everyone starts

0:45:09.480 --> 0:45:12.160
<v Speaker 3>spreading them around. Oh yeah, there was a meme in

0:45:12.200 --> 0:45:15.319
<v Speaker 3>twenty fifteen went all over social media that just had

0:45:15.360 --> 0:45:17.799
<v Speaker 3>the picture of this black woman and said, this is

0:45:17.880 --> 0:45:22.480
<v Speaker 3>Amelia Bassano. She really wrote Shakespeare's stuff. She was not

0:45:22.600 --> 0:45:25.759
<v Speaker 3>allowed to be a published author because she was a

0:45:25.760 --> 0:45:28.239
<v Speaker 3>black woman at a time where she was suppressed and

0:45:28.280 --> 0:45:32.560
<v Speaker 3>all this stuff. None of this stuff was true. First

0:45:32.640 --> 0:45:36.040
<v Speaker 3>of all, she was maybe Moroccan. She was definitely not

0:45:36.200 --> 0:45:37.280
<v Speaker 3>of African descent.

0:45:37.640 --> 0:45:39.400
<v Speaker 2>Oh. I saw she was Venetian.

0:45:40.400 --> 0:45:43.080
<v Speaker 3>I saw that she was Moroccan and had some Italian

0:45:43.080 --> 0:45:45.080
<v Speaker 3>in her, so that okay, yeah, it makes a little sense.

0:45:45.120 --> 0:45:49.680
<v Speaker 3>But she was definitely not of African descent. She was

0:45:49.719 --> 0:45:52.919
<v Speaker 3>a published author, so the whole notion that she wasn't

0:45:52.920 --> 0:45:55.719
<v Speaker 3>allowed to publish things wasn't right. She was kind of

0:45:55.760 --> 0:45:57.719
<v Speaker 3>a well known poet.

0:45:57.440 --> 0:45:58.280
<v Speaker 4>I think at the time.

0:45:59.040 --> 0:46:01.040
<v Speaker 3>So this kind of I think gets passed along the

0:46:01.040 --> 0:46:03.120
<v Speaker 3>internet and then you know, half the people that see

0:46:03.120 --> 0:46:05.719
<v Speaker 3>had to say, oh, well, look at that Shakespeare was

0:46:06.719 --> 0:46:08.120
<v Speaker 3>all written by this lady back then.

0:46:09.600 --> 0:46:12.000
<v Speaker 4>Yeah, problem solved, And that's just not how it works.

0:46:12.280 --> 0:46:14.440
<v Speaker 1>One of the other things I saw that, and I

0:46:14.480 --> 0:46:17.240
<v Speaker 1>think the people who are like Shakespeare is a woman

0:46:17.719 --> 0:46:20.920
<v Speaker 1>are like, well, okay, if we're starting to question Shakespeare's authorship,

0:46:20.960 --> 0:46:24.040
<v Speaker 1>we can't ignore this whole group of people who had

0:46:24.160 --> 0:46:27.960
<v Speaker 1>every reason to hide their identity as authors of these

0:46:28.000 --> 0:46:30.080
<v Speaker 1>plays because they were women and they weren't for sure

0:46:30.080 --> 0:46:33.680
<v Speaker 1>to do this kind of stuff. So there was a

0:46:33.719 --> 0:46:37.200
<v Speaker 1>critic who in fifteen ninety three wrote of a who

0:46:37.280 --> 0:46:40.840
<v Speaker 1>praised a gentle woman who was writing some amazing plays

0:46:40.880 --> 0:46:44.360
<v Speaker 1>and sonnets. And this was the year after Shakespeare pops

0:46:44.400 --> 0:46:48.279
<v Speaker 1>back up after his lost years and when he was

0:46:48.320 --> 0:46:51.319
<v Speaker 1>starting to write. But that the critics said he didn't

0:46:51.320 --> 0:46:53.080
<v Speaker 1>want to reveal who it was because he didn't want

0:46:53.120 --> 0:46:55.520
<v Speaker 1>to basically get her in trouble. So that's what some

0:46:55.560 --> 0:46:58.759
<v Speaker 1>other people kind of look at and say, See, Shakespeare.

0:46:58.320 --> 0:46:58.760
<v Speaker 2>Was a woman.

0:46:59.320 --> 0:47:01.600
<v Speaker 3>Well, I mean, I think think, I think this theory

0:47:01.800 --> 0:47:03.560
<v Speaker 3>makes a lot more sense than a lot of the others.

0:47:05.080 --> 0:47:07.680
<v Speaker 3>You know, just by this year fact that women would

0:47:07.719 --> 0:47:11.600
<v Speaker 3>not have been allowed to So maybe Shakespeare was progressive

0:47:11.600 --> 0:47:14.640
<v Speaker 3>and decided to be affront for these great works.

0:47:14.880 --> 0:47:20.600
<v Speaker 1>But it reveals a point about being an anti Shakespeare

0:47:20.640 --> 0:47:25.200
<v Speaker 1>anti I guess Stratford person is you have to part

0:47:25.200 --> 0:47:27.959
<v Speaker 1>of is you have to explain why somebody would want

0:47:28.000 --> 0:47:31.640
<v Speaker 1>to fake authorship, would want to hide behind Shakespeare's name.

0:47:31.920 --> 0:47:34.800
<v Speaker 4>Yeah, what do you call that a motive.

0:47:36.000 --> 0:47:39.960
<v Speaker 1>Yeah, you got means, motive, and opportunity. You put those

0:47:39.960 --> 0:47:41.799
<v Speaker 1>three together, you got your Shakespeare.

0:47:42.600 --> 0:47:45.759
<v Speaker 4>Well that's what I mean about the maybe women wrote them.

0:47:45.760 --> 0:47:47.160
<v Speaker 4>I mean there was definite motive.

0:47:46.920 --> 0:47:51.000
<v Speaker 1>There, right exactly. So there was one other thing that happened.

0:47:51.160 --> 0:47:52.919
<v Speaker 1>I mean a lot of stuff happened over the course

0:47:52.960 --> 0:47:56.760
<v Speaker 1>of this hundred almost two hundred years now of questioning

0:47:56.840 --> 0:48:01.480
<v Speaker 1>Shakespeare's authorship. Back in nineteen eighty seven, Ox forty and

0:48:02.360 --> 0:48:07.360
<v Speaker 1>Charlton Augburn got the at least three sitting Supreme Court

0:48:07.480 --> 0:48:10.960
<v Speaker 1>justices John Paul Stevens, William Brennan and Harry Blackman to

0:48:11.080 --> 0:48:14.960
<v Speaker 1>hold a mock trial to determine if Shakespeare actually was

0:48:15.000 --> 0:48:18.720
<v Speaker 1>the author of Shakespeare's plays, and they did on Sea Span.

0:48:18.760 --> 0:48:21.600
<v Speaker 1>They had they held like a trial and heard the evidence,

0:48:21.640 --> 0:48:24.640
<v Speaker 1>and Shakespeare had his own attorney arguing for him, and

0:48:25.800 --> 0:48:30.440
<v Speaker 1>it was pretty interesting. But they it went two to one,

0:48:30.600 --> 0:48:34.440
<v Speaker 1>I think, in favor of Shakespeare from Stratford as the author.

0:48:34.760 --> 0:48:37.400
<v Speaker 3>But they did like real research and stuff. It wasn't

0:48:37.440 --> 0:48:40.120
<v Speaker 3>just like a you know, yeah stunt.

0:48:40.440 --> 0:48:43.400
<v Speaker 1>No, so the Supreme Court justices were kind of taking

0:48:43.440 --> 0:48:46.160
<v Speaker 1>its tongue in cheek. But I got the impression that

0:48:46.239 --> 0:48:49.239
<v Speaker 1>Charlton Augburn was like, yes, finally going to prove it

0:48:49.239 --> 0:48:52.399
<v Speaker 1>definitively one way or another, and it didn't even fall

0:48:52.440 --> 0:48:56.440
<v Speaker 1>in his favor. Interesting, Yeah, it is interesting what people

0:48:56.440 --> 0:48:57.840
<v Speaker 1>did in the eighties on Sea Span.

0:49:00.160 --> 0:49:02.120
<v Speaker 3>I got a few more little things here from that

0:49:02.160 --> 0:49:07.440
<v Speaker 3>Atlantic article that point to his authorship as being genuine.

0:49:08.280 --> 0:49:10.600
<v Speaker 3>One is that he had a narrative poem called Venus

0:49:10.600 --> 0:49:13.480
<v Speaker 3>and Adonis that was a very popular poem at the

0:49:13.520 --> 0:49:17.160
<v Speaker 3>time that was put in print, and it was printed

0:49:17.160 --> 0:49:20.520
<v Speaker 3>by a gentleman named Richard Field, who apparently went to

0:49:20.560 --> 0:49:22.080
<v Speaker 3>school with him at Stratford.

0:49:22.880 --> 0:49:24.720
<v Speaker 4>So that's a pretty good little hint.

0:49:26.120 --> 0:49:28.759
<v Speaker 3>He was written about at the time, so it's not

0:49:28.840 --> 0:49:31.920
<v Speaker 3>like he was never known until his death and then

0:49:31.960 --> 0:49:35.120
<v Speaker 3>all of a sudden became super popular, Like he died

0:49:35.160 --> 0:49:39.719
<v Speaker 3>a rich man and was written about by literary critics

0:49:40.719 --> 0:49:44.520
<v Speaker 3>at the time and entertainment and play critics. So there

0:49:44.520 --> 0:49:49.320
<v Speaker 3>were contemporaneous criticisms of his writing while he was still living,

0:49:50.000 --> 0:49:52.920
<v Speaker 3>which is a pretty, you know, pretty big clue that

0:49:53.000 --> 0:49:55.759
<v Speaker 3>he probably wrote this stuff, although it is not proof.

0:49:55.880 --> 0:49:59.120
<v Speaker 1>No, because those people could be they went and saw

0:49:59.160 --> 0:50:01.600
<v Speaker 1>a play by Shakes, They doesn't mean that they met

0:50:01.640 --> 0:50:05.200
<v Speaker 1>Shakespeare and talked to Shakespeare about the authorship of the place.

0:50:05.040 --> 0:50:08.520
<v Speaker 4>And leaned over his shoulder while he wrote it proof.

0:50:09.640 --> 0:50:11.640
<v Speaker 3>The other last thing that I saw in that Atlantic

0:50:11.719 --> 0:50:13.279
<v Speaker 3>article this is the one or actually this.

0:50:13.239 --> 0:50:17.080
<v Speaker 4>Was a this was the golden bullet from that video?

0:50:17.320 --> 0:50:17.839
<v Speaker 4>Was it okay?

0:50:18.880 --> 0:50:18.960
<v Speaker 1>Was?

0:50:19.160 --> 0:50:24.759
<v Speaker 3>Shakespeare was apparently concerned that his dad's reputation sort of

0:50:24.800 --> 0:50:27.880
<v Speaker 3>in the family's reputation, suffered later in life because of

0:50:27.920 --> 0:50:31.080
<v Speaker 3>financial problems that his dad had, and he really wanted

0:50:31.120 --> 0:50:33.560
<v Speaker 3>to kind of restore their name and get a coat

0:50:33.600 --> 0:50:36.760
<v Speaker 3>of arms made, which is you could you know, it's

0:50:36.800 --> 0:50:38.440
<v Speaker 3>like you could be a true gentleman if you had

0:50:38.440 --> 0:50:41.280
<v Speaker 3>a coat of arms. And apparently it's a really long process.

0:50:41.280 --> 0:50:42.919
<v Speaker 3>They don't just hand him out to anybody. You got

0:50:42.920 --> 0:50:45.319
<v Speaker 3>to have a certain level of achievement to get a

0:50:45.360 --> 0:50:48.319
<v Speaker 3>coat of arms. So he went through this big, long

0:50:48.360 --> 0:50:51.399
<v Speaker 3>process and had he went on Barry Linden on there,

0:50:52.000 --> 0:50:55.000
<v Speaker 3>Oh man, what a movie. He had a couple of

0:50:55.040 --> 0:50:59.600
<v Speaker 3>different men in the Harold's office who defended Shakespeare's right

0:50:59.680 --> 0:51:01.720
<v Speaker 3>to have a coat of arms because other people were saying,

0:51:02.200 --> 0:51:04.239
<v Speaker 3>who is this guy? Even like he came from not

0:51:04.440 --> 0:51:06.960
<v Speaker 3>much and he shouldn't have a coat of arms. And

0:51:07.120 --> 0:51:09.040
<v Speaker 3>one of the guys who defended him was a man

0:51:09.120 --> 0:51:13.000
<v Speaker 3>named William Camden, who this guy in the video referred

0:51:13.000 --> 0:51:13.520
<v Speaker 3>to as.

0:51:13.360 --> 0:51:15.600
<v Speaker 4>One of the most learned men in all of England.

0:51:15.920 --> 0:51:16.359
<v Speaker 2>Oh wow.

0:51:17.040 --> 0:51:21.399
<v Speaker 3>He was actually Ben Johnson's schoolmaster and apparently just knew

0:51:21.400 --> 0:51:25.719
<v Speaker 3>everything happening on the literary scene inside and out. And

0:51:25.800 --> 0:51:29.680
<v Speaker 3>in one of his books he was called the Remains

0:51:29.680 --> 0:51:31.560
<v Speaker 3>of a Greater History. He talks about all the great

0:51:31.560 --> 0:51:35.680
<v Speaker 3>writers of the time and he lists William Shakespeare of

0:51:35.760 --> 0:51:37.760
<v Speaker 3>Avon in that book.

0:51:37.880 --> 0:51:42.839
<v Speaker 4>So he said, that's the golden bullet again. If it's

0:51:42.920 --> 0:51:45.640
<v Speaker 4>just a front, it's still no real proof of authorship.

0:51:46.760 --> 0:51:48.440
<v Speaker 2>No it's not. I mean like this guy could just

0:51:48.480 --> 0:51:49.719
<v Speaker 2>be playing along, lending his.

0:51:50.680 --> 0:51:51.839
<v Speaker 4>Or didn't notable weight.

0:51:52.040 --> 0:51:53.399
<v Speaker 2>Yeah, that's another one too.

0:51:53.520 --> 0:51:59.120
<v Speaker 1>Like that's the thing, like the anti Stratfordians have caused

0:51:59.160 --> 0:52:03.120
<v Speaker 1>the pros at Fordian's to actually defend their position, and

0:52:03.160 --> 0:52:05.880
<v Speaker 1>in doing so it's kind of revealed that both of

0:52:05.920 --> 0:52:09.160
<v Speaker 1>them are kind of on shaky ground. It's almost just

0:52:09.239 --> 0:52:11.279
<v Speaker 1>a matter of belief. Do you want to believe that

0:52:11.440 --> 0:52:15.320
<v Speaker 1>one man was that brilliant and that talented and gifted,

0:52:16.160 --> 0:52:18.520
<v Speaker 1>or do you can. You just not believe that. It

0:52:18.600 --> 0:52:20.520
<v Speaker 1>just doesn't make any sense to you. So it was

0:52:20.719 --> 0:52:24.320
<v Speaker 1>a cabal of noble people who were trying to advance

0:52:24.400 --> 0:52:28.200
<v Speaker 1>political reform and hiding behind William Shakespeare, paying them off

0:52:28.239 --> 0:52:33.560
<v Speaker 1>with maybe family crests and money and fame right to

0:52:34.320 --> 0:52:36.920
<v Speaker 1>let them use his name as their you know, the playwright.

0:52:37.440 --> 0:52:40.640
<v Speaker 3>Yeah. They also say, like where he was from. There

0:52:40.680 --> 0:52:43.319
<v Speaker 3>was some regional slang that was very specific to where

0:52:43.320 --> 0:52:46.680
<v Speaker 3>he was from that was used. There was in Taming

0:52:46.719 --> 0:52:50.239
<v Speaker 3>of the Shrew he mentions these Latin phrases that are

0:52:50.280 --> 0:52:56.080
<v Speaker 3>in specifically from a Latin book that apparently was known

0:52:56.120 --> 0:52:58.240
<v Speaker 3>to have been used at his school, at his grammar

0:52:58.280 --> 0:53:01.880
<v Speaker 3>school in Stratford. So again there's all these little hints

0:53:01.880 --> 0:53:06.479
<v Speaker 3>and clues. All of it kind of gave me a headache, right,

0:53:06.840 --> 0:53:08.920
<v Speaker 3>and I was like, can we just like love these plays?

0:53:09.520 --> 0:53:09.680
<v Speaker 2>Right?

0:53:09.800 --> 0:53:13.520
<v Speaker 1>Exactly? That's exactly right. It's the ultimate point. Let's just

0:53:13.680 --> 0:53:14.320
<v Speaker 1>love the plays.

0:53:15.440 --> 0:53:19.000
<v Speaker 4>People take it serious about this though, Yeah, they definitely do.

0:53:19.080 --> 0:53:20.799
<v Speaker 1>I mean it's pretty interesting and I mean I get

0:53:20.800 --> 0:53:24.440
<v Speaker 1>it kind of fun to watch from the outside too. Yeah,

0:53:24.480 --> 0:53:25.279
<v Speaker 1>you got anything else?

0:53:25.960 --> 0:53:28.879
<v Speaker 4>No, we could go on all day, but totally we'd

0:53:28.920 --> 0:53:29.680
<v Speaker 4>never get anywhere.

0:53:29.760 --> 0:53:31.799
<v Speaker 1>There's like ten things I'm leaving on the table, so

0:53:31.840 --> 0:53:33.920
<v Speaker 1>we just got to keep moving on, right, all right,

0:53:34.040 --> 0:53:36.759
<v Speaker 1>Let's keep on keeping on, Chuck. If you want to

0:53:36.800 --> 0:53:39.840
<v Speaker 1>know more about Shakespeare and authorship, there is a giant,

0:53:40.040 --> 0:53:43.040
<v Speaker 1>gaping rabbit hole. You can jump down on the internet

0:53:43.440 --> 0:53:45.239
<v Speaker 1>and say cionara to.

0:53:45.320 --> 0:53:46.560
<v Speaker 2>All of your other pursuits.

0:53:46.840 --> 0:53:49.600
<v Speaker 1>And since I said cyonara, it's time for listener mail.

0:53:52.080 --> 0:53:54.120
<v Speaker 3>I'm gonna call this just came in over the wire.

0:53:54.120 --> 0:53:57.280
<v Speaker 3>I thought it was kind of funny from our friends.

0:53:57.320 --> 0:54:02.840
<v Speaker 3>Steven in Kagoshima, Japan, in about eating about eating squid,

0:54:03.520 --> 0:54:06.319
<v Speaker 3>says love the show fellas reason not to be so

0:54:06.480 --> 0:54:11.760
<v Speaker 3>touchy though about eating squid, they are child murdering sea vermin,

0:54:13.160 --> 0:54:16.319
<v Speaker 3>he said. The reason squid die after they mate is

0:54:16.320 --> 0:54:19.719
<v Speaker 3>a survival adaptation, because if not, they would eat the

0:54:19.800 --> 0:54:24.600
<v Speaker 3>eggs and newly hatched squid from themselves and other squid

0:54:24.680 --> 0:54:31.759
<v Speaker 3>in the spawning areas. Squidly diddley is an infanticidal maniac

0:54:31.960 --> 0:54:36.440
<v Speaker 3>and should be cooked and eaten, albeit sustainably, of course.

0:54:37.960 --> 0:54:39.480
<v Speaker 4>So that's the argument, is that.

0:54:39.320 --> 0:54:41.960
<v Speaker 3>These squids deserve to be eaten because they would be

0:54:41.960 --> 0:54:46.879
<v Speaker 3>eating themselves if not for this adaptation. So he also says,

0:54:46.920 --> 0:54:48.920
<v Speaker 3>tell Josh not to eat uncooked squid.

0:54:49.560 --> 0:54:50.440
<v Speaker 4>That is not great.

0:54:50.760 --> 0:54:54.960
<v Speaker 3>All right, and kind regards from Stephen in Kagoshima, Japan,

0:54:55.080 --> 0:54:58.799
<v Speaker 3>a squid haven and a squid ink pasta destination.

0:54:59.320 --> 0:55:03.080
<v Speaker 1>Stephen, that was a really great eye opening email. I

0:55:03.160 --> 0:55:05.200
<v Speaker 1>may have seen the light. I'm not sure yet. I'll

0:55:05.239 --> 0:55:10.960
<v Speaker 1>have to get back to you. Okay, okay, thank you

0:55:11.000 --> 0:55:13.719
<v Speaker 1>for responding to that, Stephen. Sure, if you want to

0:55:13.760 --> 0:55:15.759
<v Speaker 1>be like Steven and get in touch with us and

0:55:15.880 --> 0:55:19.160
<v Speaker 1>send us a potentially eye opening email, you.

0:55:19.280 --> 0:55:19.759
<v Speaker 2>Can do that.

0:55:20.000 --> 0:55:25.280
<v Speaker 1>Send it off to stuff podcast at iHeartRadio dot com.

0:55:26.400 --> 0:55:29.279
<v Speaker 4>Stuff you Should Know is a production of iHeartRadio. For

0:55:29.400 --> 0:55:33.560
<v Speaker 4>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:55:33.680 --> 0:55:35.520
<v Speaker 4>or wherever you listen to your favorite shows.