WEBVTT - INTERVIEW: IDK Talks New Album 'BRAVADO  INTiMO,' Getting Into Music, Virgil Abloh, DMX, Billie Eilish + More

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club Morning.

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<v Speaker 2>Everybody is stevej Envy, Jess, Hilarious, Charlamage, the guy we

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<v Speaker 2>are the Breakfast Club. We got Lola Rosa feeling in

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<v Speaker 2>for Jess and also our nephew was gonna our nephew.

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<v Speaker 1>With us today.

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<v Speaker 3>Wow, shut up? You always gotta fight Dominicans? Why why

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<v Speaker 3>do you always gotta fight with a Dominican? That's wow. Wow.

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<v Speaker 4>We got a special guest in the building. We got

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<v Speaker 4>I d K. Welcome brother. How you feeling man.

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<v Speaker 1>I'm feeling good man. It's good to be here.

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<v Speaker 5>The first time I came here, I came a little

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<v Speaker 5>too late and I wasn't able to do the interview.

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<v Speaker 1>So everything happens for a reason.

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<v Speaker 3>Happy to have you, brother, that's right, hearing your name

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<v Speaker 3>for a long, long, long time.

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<v Speaker 6>How was the show with g easy?

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<v Speaker 3>How's the tour going so far?

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<v Speaker 5>So good Man been real cool And he actually brought

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<v Speaker 5>me on my first run ever in my life, like

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<v Speaker 5>in like twenty fifteen or something like that.

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<v Speaker 1>So it's like full circle, you know.

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<v Speaker 2>So for people that don't know who I DK is,

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<v Speaker 2>where you from, this is the first time some people

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<v Speaker 2>are hearing you give them a breakdown where you're from,

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<v Speaker 2>what your name stands for.

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<v Speaker 4>And all that.

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<v Speaker 5>Oh, yeah, so it's I d K from the d

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<v Speaker 5>m v PG county in Maryland. Specifically, you just said you.

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<v Speaker 4>Were from Queens the other day.

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<v Speaker 7>Now and Germany, y'a not going to do this.

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<v Speaker 3>I'm an army.

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<v Speaker 6>My family from Florida.

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<v Speaker 8>I grew up in Maryland. I went to me high school.

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<v Speaker 8>I'm from Severn, Maryland, so don't I went to move.

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<v Speaker 8>I moved to New York for college. I've been here

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<v Speaker 8>eleven years.

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<v Speaker 5>That kind of sounded like me, like I was born

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<v Speaker 5>in London, but I came to America when I was

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<v Speaker 5>like two years old, so I grew up in the

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<v Speaker 5>dmv PG county. I DK stands for ignorantly delivering knowledge.

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<v Speaker 7>I've always liked that acronym because I totally understand what

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<v Speaker 7>you mean when you say that, because I always say,

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<v Speaker 7>you got to be the perfect balance of ratchetess and

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<v Speaker 7>righteously delivering knowledge is like saying I got to put

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<v Speaker 7>the medicine in the right.

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<v Speaker 1>Right kind of like that. Yeah, it was.

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<v Speaker 5>I was actually in prison when I came up with

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<v Speaker 5>that acronym, and so I was in the state prison

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<v Speaker 5>when I was younger, and I came up with the

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<v Speaker 5>acronym ignorantly Delivering Knowledge because I wanted people to be like,

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<v Speaker 5>what does I d K stand for?

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<v Speaker 1>Like does that mean? I don't know?

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<v Speaker 5>And I always feel like if I prompt somebody to

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<v Speaker 5>ask a question and I answer it, you're more likely

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<v Speaker 5>to remember it than me just telling you you feel me?

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<v Speaker 4>Why did you get into rap?

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<v Speaker 9>I'm sorry, I was going to say, you went to

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<v Speaker 9>you mentioned prison? Yeah there, you went to prison the

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<v Speaker 9>same year that you went to college.

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<v Speaker 5>Yeah, yeah, yeah, one of the times I went, because

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<v Speaker 5>it was yeah.

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<v Speaker 6>Yeah, So let's talk about the first time.

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<v Speaker 9>And then I want to know how the whole I'm

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<v Speaker 9>going to college but then I end up in prison,

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<v Speaker 9>Like what's that story?

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<v Speaker 6>How does that try?

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<v Speaker 1>Man?

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<v Speaker 5>First of all, I come from like a West African background,

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<v Speaker 5>so my mom, sincerely all, my dad from Ghana. I'm

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<v Speaker 5>literally the first person in my family to get locked up.

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<v Speaker 4>But that's not a good thing.

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<v Speaker 5>Yeah, I mean, but also first person prison is not

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<v Speaker 5>a good thing. Fair, But you know, I turned it around,

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<v Speaker 5>so at the same time, that's true. But yeah, that

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<v Speaker 5>kind of was like something like you know, when I

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<v Speaker 5>was seventeen, I got jammed up, had some charges, you know,

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<v Speaker 5>stuff to do with you know, you know, robberies and

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<v Speaker 5>guns and things like that, and then pretty much I

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<v Speaker 5>went to prison of jail. But the thing was I

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<v Speaker 5>was on I got sentenced to fifteen years suspended the

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<v Speaker 5>three and they allowed me to do it on home detention,

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<v Speaker 5>but getting in trouble on violations and technical things.

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<v Speaker 1>But you made me, Yeah that's how I When did

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<v Speaker 1>you start rapping?

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<v Speaker 4>What made you say?

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<v Speaker 2>You know what, I want to lead the streets alone

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<v Speaker 2>and focus on this rap career.

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<v Speaker 5>I mean the first time I got locked up, I

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<v Speaker 5>realized it wasn't for me, like right away, like I

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<v Speaker 5>was like, no, no, I can't do this.

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<v Speaker 3>So you know you went back through more times.

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<v Speaker 5>Yeah, but it was like violation technical stuff. It was

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<v Speaker 5>like I'm not judging coming no, no, no, no, no times

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<v Speaker 5>judging technical though. It wasn't like I kept doing things.

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<v Speaker 5>It was just violations and stuff like that. But basically

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<v Speaker 5>the last time I was in before I went in,

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<v Speaker 5>I was listening to like Kendrick Lamar and like Jay Cole,

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<v Speaker 5>and you know where I'm from, people don't really listen

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<v Speaker 5>to that. But I had a friend that went to

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<v Speaker 5>like fam you and he would come back with like

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<v Speaker 5>more I would say eclectic rap, and I was like,

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<v Speaker 5>oh man, people rap like this, That's that's interesting. So

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<v Speaker 5>I remember being in prison. I was a tutor, so

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<v Speaker 5>I helped people get their GEDs, and also it was

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<v Speaker 5>a barber, and I just remember I would just write

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<v Speaker 5>music and everybody would listen, like see me like bobbing

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<v Speaker 5>my head right, and they'd be like, yo, spit rap,

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<v Speaker 5>like like I ain't know you rapped like and so

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<v Speaker 5>one day I just did it, and I was like, man,

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<v Speaker 5>if I could make people that's pissed off in prison

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<v Speaker 5>like music, maybe maybe it'll work for me when I

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<v Speaker 5>get out.

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<v Speaker 3>What lifestyle changes did you make?

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<v Speaker 7>Though, because you know, my dad used to always tell me,

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<v Speaker 7>if you don't change your lifestyle, you gonna end up

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<v Speaker 7>in jail, dead or.

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<v Speaker 3>Broke, sitting on the tree. What lifestyle changes did you mean?

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<v Speaker 5>I just started feeling like I needed to actually get

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<v Speaker 5>a job, So when I first got out, I didn't

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<v Speaker 5>care what it was. Actually my first job was McDonald's.

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<v Speaker 5>I was proud to go to McDonald's and word up

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<v Speaker 5>to be honest, like because I was like, man, I

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<v Speaker 5>got a job, I got like, you know, some type

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<v Speaker 5>of purpose, like let me try to just turn this around.

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<v Speaker 1>So that was like probably the first big one.

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<v Speaker 5>And then trying to go to school, like I was

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<v Speaker 5>going to PG Community College, So getting back in school

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<v Speaker 5>was another thing.

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<v Speaker 8>But for the first time that you went to jail,

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<v Speaker 8>what would you attribute like the why to Would you

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<v Speaker 8>say it was like the internet? Would you say it

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<v Speaker 8>was just your environment?

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<v Speaker 1>So it was the want for love.

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<v Speaker 5>Like my parents loved me, but I didn't know how

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<v Speaker 5>to comprehend the way they gave me love. Right, So

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<v Speaker 5>I never got great grades. I grew up middle class,

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<v Speaker 5>but I was surrounded by the hood and I went

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<v Speaker 5>to school in the hood, so I identified more with

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<v Speaker 5>the people that also didn't get good grades, and that

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<v Speaker 5>that comes with a lot of stuff because they coming

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<v Speaker 5>from different backgrounds and they doing different things. So I

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<v Speaker 5>felt like whenever I would do something bad, they would

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<v Speaker 5>show me respect, and that was the love that I wanted.

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<v Speaker 7>I'm glad you got had the explanation quick, because saying

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<v Speaker 7>you want to go to jail for love is crazy.

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<v Speaker 5>No, right, I'm glad. I'm glad that like you understand

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<v Speaker 5>like this nuance.

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<v Speaker 1>That you know what I mean?

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<v Speaker 2>So I was going to ask, you know, when you

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<v Speaker 2>started rapping, what did your family say at first?

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<v Speaker 1>Right?

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<v Speaker 4>Were they behind you the whole way? They was like here, you.

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<v Speaker 1>Know what, No, it wasn't as bad as you would think.

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<v Speaker 1>Yeah right, it was like how much worse could this be?

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<v Speaker 1>They couldn't get no worse than what I already did.

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<v Speaker 5>So my mom was just happy I was doing something positive,

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<v Speaker 5>got you, you know. But she she passed away. She

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<v Speaker 5>never she never got to listen. Well, she's got to

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<v Speaker 5>listen to my music. She heard it once and she

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<v Speaker 5>was like, but she would brag about it, but she

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<v Speaker 5>would never listen to like to Like, my mom till

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<v Speaker 5>she passed never heard me curse, Like I never said

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<v Speaker 5>a curse word around her, But in my music.

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<v Speaker 8>What does it sound sound like at the time, because

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<v Speaker 8>you really dibble and dabble in all different genres, all

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<v Speaker 8>different sounds.

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<v Speaker 3>So what did she hear?

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<v Speaker 5>A lot of cursing, a lot of bad words, like

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<v Speaker 5>a lot of rap like I was just you know,

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<v Speaker 5>just rap.

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<v Speaker 1>Yeah for sure.

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<v Speaker 5>Yeah, it depends on how you because like again, the

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<v Speaker 5>whole ignorantly delivering all this thing. Depending on how you

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<v Speaker 5>first hear me, You'll think I'm one thing and it

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<v Speaker 5>might not be that.

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<v Speaker 7>You know, and you're growing in real time, right, cause's

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<v Speaker 7>like it's your fifth studio.

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<v Speaker 1>Yeah, this would be my fifth one. Yeah, what's the what's.

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<v Speaker 7>The evolution of id K Ben from that first project

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<v Speaker 7>to know?

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<v Speaker 5>It's like just this this idea of like finding like

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<v Speaker 5>what I actually want to express sonically. So I feel

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<v Speaker 5>like I've always been dibbling, dabbling, dibbling and dabbling in

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<v Speaker 5>different types of music, but this now is more like

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<v Speaker 5>I'm creating a sound, like a feeling.

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<v Speaker 1>You know.

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<v Speaker 5>It's like taking like a certain melodic like element and

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<v Speaker 5>then trying to put like different drums around it, maybe

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<v Speaker 5>to switch the genre up, but the feeling is constant, consistent.

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<v Speaker 5>That's probably the biggest thing that I've grown into now.

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<v Speaker 4>On is He Here? Is He Real?

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<v Speaker 1>Album?

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<v Speaker 2>Yeah, I'm looking at some of the features on it

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<v Speaker 2>that people don't know. You had DMX on that album.

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<v Speaker 5>Yeah, well that was Actually it's so funny because I

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<v Speaker 5>have something with him that we're getting ready to put together.

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<v Speaker 5>But on that album specifically, it was something that I

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<v Speaker 5>sampled a prayer he did but I had to chase

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<v Speaker 5>him down like at south By Southwest and pull up

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<v Speaker 5>on him to get it clear, like yo, yo, I'm

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<v Speaker 5>alrighty K. So I had to find him.

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<v Speaker 4>How was that conversation?

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<v Speaker 1>He know who I was at that time?

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<v Speaker 3>Are you on the Prayer album that they got drop?

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<v Speaker 5>No, I'm not on that? The feature for him after those,

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<v Speaker 5>so he got to know who I was after that.

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<v Speaker 5>I did a feature for him prior to him passing.

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<v Speaker 4>Did you have a relationship at all?

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<v Speaker 5>Like small, like just kind of through like you know,

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<v Speaker 5>people that we knew and things like that.

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<v Speaker 1>But yeah, it was.

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<v Speaker 9>A conversation like when you ran up on him and

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<v Speaker 9>it was like, hey, I'm trying to get this cleared.

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<v Speaker 1>He was like it's done, literally just like that, like

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<v Speaker 1>you go to the bullshit. He was like, all right,

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<v Speaker 1>who I gotta go? Yeah, basically pretty much and he

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<v Speaker 1>got it done.

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<v Speaker 7>On the coolest What is I know that I knew?

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<v Speaker 7>I was called bravado and in timo, what does timo me?

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<v Speaker 5>It's like, uh, the Italian word for intimate, So bravado

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<v Speaker 5>is like kind of like bragged oshs, you know, talking

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<v Speaker 5>about stuff. But the intimo part is where it comes

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<v Speaker 5>from like like a lot of like why I care,

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<v Speaker 5>Like I like, you know, wearing certain things, and I like,

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<v Speaker 5>you know, style things like that, And it comes from

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<v Speaker 5>the like being made fun of when I was like

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<v Speaker 5>in the sixth grade but not having certain things. And

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<v Speaker 5>I just remember being like a kid going to school

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<v Speaker 5>depressed because I know they're gonna make fun of me.

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<v Speaker 5>So I remember ninth grade. That's before I started getting

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<v Speaker 5>into trouble and you know, and getting money. I literally

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<v Speaker 5>said to myself, I will never be made fun of

0:10:12.720 --> 0:10:15.920
<v Speaker 5>for dressing that ever again, for the rest of my life.

0:10:16.520 --> 0:10:21.640
<v Speaker 5>And that's that's explains the bravado side, because the bravado

0:10:21.679 --> 0:10:23.240
<v Speaker 5>side is you just see it. You just see the

0:10:23.280 --> 0:10:25.560
<v Speaker 5>floss and all that. But the intimo side is where

0:10:25.559 --> 0:10:26.280
<v Speaker 5>it comes from.

0:10:26.640 --> 0:10:28.360
<v Speaker 3>So and then you get money and realize you don't

0:10:28.360 --> 0:10:29.520
<v Speaker 3>even care about clothes.

0:10:29.240 --> 0:10:32.880
<v Speaker 5>Like that, right, that also starts to happen too, you

0:10:32.920 --> 0:10:35.000
<v Speaker 5>know what I mean, Like it's like you like stuff,

0:10:35.000 --> 0:10:37.720
<v Speaker 5>but like people put me in a fashion world because

0:10:37.720 --> 0:10:39.840
<v Speaker 5>I do a lot of stuff in that world, but

0:10:39.960 --> 0:10:42.319
<v Speaker 5>it's not by choice, Like I just know people they

0:10:42.440 --> 0:10:44.480
<v Speaker 5>like what I do, and you know, and then they

0:10:44.600 --> 0:10:46.480
<v Speaker 5>just asked me to do things, but I don't try

0:10:46.559 --> 0:10:49.360
<v Speaker 5>to do that get you could just do it, yeah, exactly.

0:10:49.920 --> 0:10:53.040
<v Speaker 6>Now another feature, you had Kanye West on the song

0:10:53.400 --> 0:10:54.280
<v Speaker 6>Celena and TRAPPI.

0:10:54.720 --> 0:11:00.000
<v Speaker 5>Well, no, that was another sample situation where pretty much

0:11:01.280 --> 0:11:03.760
<v Speaker 5>we got that was a crazy one because it was

0:11:03.760 --> 0:11:07.080
<v Speaker 5>a jay Z song initially, so it was everybody had

0:11:07.120 --> 0:11:07.640
<v Speaker 5>to kind.

0:11:07.440 --> 0:11:09.880
<v Speaker 9>Of that process, like because Kanye is kind of hard

0:11:09.880 --> 0:11:12.000
<v Speaker 9>to it wasn't as fast as the DMX.

0:11:12.800 --> 0:11:16.320
<v Speaker 5>Well maybe, yeah, it took a little while actually, but

0:11:16.679 --> 0:11:19.720
<v Speaker 5>I'll be real, like, Yay has reached out to me

0:11:19.840 --> 0:11:22.400
<v Speaker 5>and I've I've hung out with him multiple times, like,

0:11:22.880 --> 0:11:25.319
<v Speaker 5>so you know, it's not that that one is a

0:11:25.360 --> 0:11:29.400
<v Speaker 5>little different that I remember when I dropped is he real?

0:11:30.240 --> 0:11:32.199
<v Speaker 1>I was with eighty eight Keys.

0:11:32.120 --> 0:11:35.040
<v Speaker 5>And uh and and and and eighty eight comes up

0:11:35.080 --> 0:11:37.360
<v Speaker 5>to me and passes me the phone from my unknown

0:11:37.480 --> 0:11:40.640
<v Speaker 5>number and I answered and it's like Yo, it's Yay

0:11:40.880 --> 0:11:44.199
<v Speaker 5>And I'm like oh, and he was just like I've

0:11:44.200 --> 0:11:46.760
<v Speaker 5>been hearing about your album. It wasn't out at the time.

0:11:47.200 --> 0:11:49.320
<v Speaker 5>He's like, man, at some point today, I'd love to

0:11:49.320 --> 0:11:51.000
<v Speaker 5>connect with you. And next thing you know, I was

0:11:51.000 --> 0:11:54.200
<v Speaker 5>in Calabasas, uh, just hanging out at the crib you know,

0:11:54.440 --> 0:11:58.480
<v Speaker 5>so yeah, yay yay had had shown love and I've

0:11:58.520 --> 0:12:00.320
<v Speaker 5>actually like linked up him a.

0:12:00.280 --> 0:12:03.240
<v Speaker 8>Couple of times on a new project. What would you

0:12:03.240 --> 0:12:04.320
<v Speaker 8>say is your favorite record?

0:12:06.679 --> 0:12:07.640
<v Speaker 1>Miles Trumpet?

0:12:08.320 --> 0:12:10.760
<v Speaker 5>I like that one a lot because I'm singing, you know,

0:12:10.840 --> 0:12:13.439
<v Speaker 5>and I'm like kind of like that's a beat where

0:12:13.480 --> 0:12:15.320
<v Speaker 5>I listened to it. I'm like, I hear Griselda on

0:12:15.320 --> 0:12:17.400
<v Speaker 5>this beat, so instead of doing what they would do,

0:12:17.600 --> 0:12:18.280
<v Speaker 5>let me just sing.

0:12:18.440 --> 0:12:21.600
<v Speaker 6>It seems like a fan favorite too. I really like Check.

0:12:21.760 --> 0:12:23.080
<v Speaker 6>I feel like Check.

0:12:23.160 --> 0:12:28.760
<v Speaker 8>It's braggadocious, it's swaggy. Yeah, but on it well, first

0:12:28.800 --> 0:12:31.480
<v Speaker 8>of all, actually the music video who came up with

0:12:31.520 --> 0:12:33.160
<v Speaker 8>the concept for that? Like why is it just a

0:12:33.160 --> 0:12:35.559
<v Speaker 8>girl shaking her ass the whole time? I'm really trying

0:12:35.559 --> 0:12:36.840
<v Speaker 8>to like what are you giving?

0:12:37.240 --> 0:12:37.440
<v Speaker 1>Well?

0:12:37.720 --> 0:12:40.680
<v Speaker 5>The great part about that one is like ignorantly delivering.

0:12:40.720 --> 0:12:43.920
<v Speaker 5>Now it's just a juxtaposition, like when I hear that

0:12:44.040 --> 0:12:46.680
<v Speaker 5>beat in that song, I'm really rapping, so you don't

0:12:46.720 --> 0:12:50.640
<v Speaker 5>really see that happening, but there has the I think

0:12:50.679 --> 0:12:54.000
<v Speaker 5>the rhythm is what I wanted to articulate by having

0:12:54.000 --> 0:12:57.080
<v Speaker 5>her do that. You know, because you listen to it,

0:12:57.120 --> 0:12:58.720
<v Speaker 5>you don't think you could do that to that song,

0:12:59.120 --> 0:13:01.160
<v Speaker 5>but then when you see it do it, you realize

0:13:01.200 --> 0:13:04.120
<v Speaker 5>you can, you know. So that was what that was about.

0:13:04.160 --> 0:13:06.559
<v Speaker 3>Were you a fan of out Davis all your parents.

0:13:06.240 --> 0:13:08.240
<v Speaker 1>Were, Well? Yeah, I mean, like I have, you know,

0:13:08.280 --> 0:13:09.199
<v Speaker 1>records from him.

0:13:09.240 --> 0:13:14.000
<v Speaker 5>But I'll say this, I've heard a few different things,

0:13:14.400 --> 0:13:17.840
<v Speaker 5>and everything that I've heard from him has made me

0:13:17.920 --> 0:13:20.880
<v Speaker 5>feel a certain way. But I do need to dig

0:13:20.960 --> 0:13:23.240
<v Speaker 5>more into what he's got going on, because I did

0:13:23.280 --> 0:13:25.880
<v Speaker 5>see some stuff from like the documentary and stuff how

0:13:25.920 --> 0:13:28.320
<v Speaker 5>he would switch his bands around and all these things that,

0:13:28.400 --> 0:13:31.360
<v Speaker 5>you know, I thought that was inspiring. But yeah, I

0:13:31.400 --> 0:13:34.240
<v Speaker 5>want to talk about the No Label Academy, Yeah, that

0:13:34.280 --> 0:13:37.439
<v Speaker 5>you did at Harvard. Yeah, so Charlamagne loved this too

0:13:37.480 --> 0:13:39.520
<v Speaker 5>because you did two lectures on mental health.

0:13:39.960 --> 0:13:40.480
<v Speaker 1>Yeah.

0:13:40.559 --> 0:13:42.120
<v Speaker 4>Why did you feel like that was so.

0:13:42.040 --> 0:13:43.079
<v Speaker 1>Important to do? Well?

0:13:43.120 --> 0:13:47.640
<v Speaker 5>So the class is ten day experience that people from

0:13:47.640 --> 0:13:51.880
<v Speaker 5>all around the world. Students apply and then we pick

0:13:51.920 --> 0:13:54.200
<v Speaker 5>about twenty to twenty five of them, and then I

0:13:54.240 --> 0:13:58.960
<v Speaker 5>teach the class and it goes from branding, which I

0:13:59.040 --> 0:14:03.960
<v Speaker 5>call story in vision, to financial literacy to team building

0:14:04.679 --> 0:14:06.680
<v Speaker 5>and mental health is the last day. And we taught

0:14:06.720 --> 0:14:10.439
<v Speaker 5>that at the Medical School at Harvard. I think mental

0:14:10.440 --> 0:14:14.320
<v Speaker 5>health is really important because I always say this, like,

0:14:15.080 --> 0:14:20.000
<v Speaker 5>as human beings, we've evolved socially a lot of so

0:14:20.080 --> 0:14:22.680
<v Speaker 5>many different times since like you know, they say we're

0:14:22.680 --> 0:14:26.400
<v Speaker 5>about three hundred thousand seventy five to three hundred thousand

0:14:26.440 --> 0:14:30.280
<v Speaker 5>years old, like what we are biologically, we've evolved I

0:14:30.280 --> 0:14:33.960
<v Speaker 5>think way too much socially to keep up with where

0:14:34.000 --> 0:14:37.640
<v Speaker 5>we are biologically. So when you fame is something we created.

0:14:37.760 --> 0:14:40.000
<v Speaker 5>That's not something we were built for or made for.

0:14:40.440 --> 0:14:43.640
<v Speaker 5>So like a lot of times people deal with fame

0:14:44.400 --> 0:14:47.040
<v Speaker 5>in a way that could be detrimental. And I think

0:14:47.120 --> 0:14:50.440
<v Speaker 5>that people don't teach the aspect and the importance of

0:14:50.760 --> 0:14:55.560
<v Speaker 5>mental health when they're actually pushing them to be famous,

0:14:56.040 --> 0:14:58.400
<v Speaker 5>you know. So for me, this class was supposed to

0:14:58.480 --> 0:15:02.240
<v Speaker 5>prepare you from a bi business perspective for what you

0:15:02.400 --> 0:15:04.920
<v Speaker 5>or the artist you're working with could be dealing with

0:15:05.400 --> 0:15:07.080
<v Speaker 5>once they get in the game. And I think a

0:15:07.080 --> 0:15:09.120
<v Speaker 5>lot of the times labels will see like, oh, this

0:15:09.160 --> 0:15:11.520
<v Speaker 5>person's hot, they come from this neighborhood and all that.

0:15:11.600 --> 0:15:13.520
<v Speaker 5>Yeah that's cool and all that, but like and then

0:15:13.560 --> 0:15:17.920
<v Speaker 5>they not ready for corporate the corporate like they're not

0:15:18.120 --> 0:15:22.480
<v Speaker 5>understanding what that is. So now you're expecting somebody who's

0:15:22.640 --> 0:15:26.520
<v Speaker 5>manager might be like just homeinge to know how to

0:15:26.560 --> 0:15:29.680
<v Speaker 5>move within a corporate setting and be successful and then

0:15:29.800 --> 0:15:33.840
<v Speaker 5>sustaining that sustain that success. I think that creates a

0:15:33.880 --> 0:15:35.640
<v Speaker 5>lot of problems for a lot of different people.

0:15:35.760 --> 0:15:38.000
<v Speaker 2>You know, how has your mental been you know, because

0:15:38.000 --> 0:15:39.560
<v Speaker 2>you talked about kids making fun of you back in

0:15:39.600 --> 0:15:41.920
<v Speaker 2>the day. Yeah, and now being on social media is

0:15:43.240 --> 0:15:46.520
<v Speaker 2>times a thousand is as far as the amount of commons.

0:15:46.520 --> 0:15:48.760
<v Speaker 2>Sometimes people just say negative stuff just to try to

0:15:48.760 --> 0:15:51.360
<v Speaker 2>get a reaction. So how you deal with social media now?

0:15:51.560 --> 0:15:54.440
<v Speaker 5>I mean, look, I lost my mom. She died from

0:15:54.640 --> 0:15:59.520
<v Speaker 5>you know, HIV complications from that, and I didn't know

0:15:59.560 --> 0:16:02.840
<v Speaker 5>that until after she passed, so I never had that

0:16:02.920 --> 0:16:05.560
<v Speaker 5>closure of being able to talk to her about it.

0:16:05.640 --> 0:16:05.920
<v Speaker 1>Right.

0:16:06.240 --> 0:16:08.760
<v Speaker 5>So when you look at that kind of stuff, and

0:16:08.800 --> 0:16:11.240
<v Speaker 5>then you look at like what I've been through with

0:16:11.360 --> 0:16:13.000
<v Speaker 5>prison and all this stuff.

0:16:12.680 --> 0:16:16.400
<v Speaker 1>Man, like I'm kind of primed for It's like it

0:16:16.440 --> 0:16:17.800
<v Speaker 1>doesn't really get much worse.

0:16:17.920 --> 0:16:18.960
<v Speaker 3>You've been through real shit.

0:16:19.200 --> 0:16:23.640
<v Speaker 5>Yeah, So for me, it's like second nature almost dealing

0:16:23.680 --> 0:16:25.800
<v Speaker 5>with some of the stuff that's nothing to me. When

0:16:25.800 --> 0:16:29.720
<v Speaker 5>they like COVID, I'm like I was just I was

0:16:29.720 --> 0:16:32.400
<v Speaker 5>actually on twenty three lock twenty three hour lockdown at

0:16:32.400 --> 0:16:35.680
<v Speaker 5>one point, like this is nothing to me with a book,

0:16:36.080 --> 0:16:36.680
<v Speaker 5>you know what I mean?

0:16:37.320 --> 0:16:39.240
<v Speaker 1>So for me, like I love a.

0:16:39.240 --> 0:16:49.440
<v Speaker 10>Good quarantine, yeah right, yeah, so to me, it don't

0:16:49.480 --> 0:16:50.400
<v Speaker 10>really get much worse.

0:16:50.440 --> 0:16:53.560
<v Speaker 5>So so you know, I just try to like figure

0:16:53.600 --> 0:16:56.160
<v Speaker 5>out how to express that to people who haven't gone

0:16:56.160 --> 0:16:59.040
<v Speaker 5>through those things. That's what my class is mainly for

0:16:59.160 --> 0:17:00.440
<v Speaker 5>when it comes to that aspect.

0:17:00.680 --> 0:17:02.960
<v Speaker 3>I like what you said too, because I never thought

0:17:02.960 --> 0:17:03.760
<v Speaker 3>about it. But it's true.

0:17:03.760 --> 0:17:07.800
<v Speaker 7>Fame is a social construct, and nowadays everybody thinks they're famous.

0:17:08.000 --> 0:17:10.960
<v Speaker 5>Not on need that everybody kind of is because you

0:17:11.000 --> 0:17:12.800
<v Speaker 5>got to think about it. If you have social media,

0:17:13.320 --> 0:17:16.240
<v Speaker 5>when you post something, even if it's just the local before.

0:17:15.920 --> 0:17:17.560
<v Speaker 1>You, they had to see you do it.

0:17:18.160 --> 0:17:19.720
<v Speaker 5>Right now, you can just be like, yeah, I was,

0:17:19.760 --> 0:17:21.719
<v Speaker 5>I went and ate this ice cream at so and so,

0:17:21.800 --> 0:17:24.680
<v Speaker 5>and then people comment like, ah, why'd you get that flavor?

0:17:25.359 --> 0:17:27.320
<v Speaker 1>Like that's what everybody.

0:17:26.800 --> 0:17:29.800
<v Speaker 5>Has, some form of fame if you have social media,

0:17:29.880 --> 0:17:32.359
<v Speaker 5>And then you think about high schools, like the popular

0:17:32.440 --> 0:17:34.200
<v Speaker 5>kid in the high school would be popular when they

0:17:34.240 --> 0:17:37.199
<v Speaker 5>walk in school, or maybe certain things happen after school.

0:17:37.320 --> 0:17:40.600
<v Speaker 5>But now it's like, oh yeah, he got fifteen hundred

0:17:40.600 --> 0:17:43.480
<v Speaker 5>followers and the school was like three thousand people, so

0:17:43.520 --> 0:17:45.720
<v Speaker 5>that after school, you know what I mean. Like it's

0:17:45.800 --> 0:17:48.200
<v Speaker 5>just like, so everyone's dealing with some form of fame

0:17:48.320 --> 0:17:50.760
<v Speaker 5>right now, and I think that that's an issue.

0:17:50.560 --> 0:17:52.200
<v Speaker 7>And I feel sorry for these kids because it makes

0:17:52.240 --> 0:17:55.480
<v Speaker 7>them overthink everything. Example you gave is like you shouldn't

0:17:55.480 --> 0:17:57.360
<v Speaker 7>be having a question. Nobody should be questioning you about

0:17:57.359 --> 0:18:00.399
<v Speaker 7>the flavory ice cream you want, right, you don't want

0:18:00.400 --> 0:18:04.720
<v Speaker 7>to get, but every single thing you do is question.

0:18:04.840 --> 0:18:06.960
<v Speaker 7>So therefore you're questioning every single thing you do in

0:18:06.960 --> 0:18:09.399
<v Speaker 7>your mind, every little mundane thing you do.

0:18:09.440 --> 0:18:10.240
<v Speaker 3>You're overthinking it.

0:18:10.920 --> 0:18:11.720
<v Speaker 1>That's what I mean.

0:18:11.880 --> 0:18:17.119
<v Speaker 5>Like, biologically we haven't evolved, but socially we're constantly evolving,

0:18:17.160 --> 0:18:20.000
<v Speaker 5>and we're dealing with AI and all these things starting

0:18:20.000 --> 0:18:22.639
<v Speaker 5>to happen. It's just it's only going to get faster

0:18:22.720 --> 0:18:23.240
<v Speaker 5>and faster.

0:18:24.480 --> 0:18:26.440
<v Speaker 6>And that class at Harvard, that's the class that Virgil

0:18:26.480 --> 0:18:26.760
<v Speaker 6>came to.

0:18:27.359 --> 0:18:30.879
<v Speaker 5>Yes, Virgil before he passed, He's supposed to speak for

0:18:30.880 --> 0:18:31.480
<v Speaker 5>thirty minutes.

0:18:31.480 --> 0:18:34.160
<v Speaker 1>He spoke for an hour thirty minutes. Yeah, shut out.

0:18:35.200 --> 0:18:38.160
<v Speaker 9>So you saw the that this happened, like a few

0:18:38.160 --> 0:18:40.760
<v Speaker 9>months ago, almost a few months ago, when the Blue

0:18:40.760 --> 0:18:45.880
<v Speaker 9>Star Alliance acquire Off Whitey. Yeah, yeah, and so people,

0:18:45.920 --> 0:18:47.480
<v Speaker 9>I know you said you don't like being put in

0:18:47.480 --> 0:18:49.040
<v Speaker 9>a fashion lane, but I just will love to get

0:18:49.040 --> 0:18:51.159
<v Speaker 9>your opinion on that, because people were upset about that

0:18:51.240 --> 0:18:53.080
<v Speaker 9>because they felt like it was going to devalue the

0:18:53.080 --> 0:18:54.280
<v Speaker 9>brain and what Virgil that worked for.

0:18:54.480 --> 0:18:56.600
<v Speaker 5>How you think about that, Well, you know, whenever, whenever

0:18:56.800 --> 0:18:59.960
<v Speaker 5>art meets commerce, it's always going to get watered down.

0:19:01.200 --> 0:19:03.919
<v Speaker 5>If I signed to a record label, there's songs that

0:19:04.000 --> 0:19:06.520
<v Speaker 5>are better singles than the song that I might believe

0:19:06.920 --> 0:19:11.560
<v Speaker 5>because of the range of entry points people could have

0:19:11.600 --> 0:19:15.720
<v Speaker 5>to that song. You make that decision once you decide

0:19:15.720 --> 0:19:18.280
<v Speaker 5>to do art, because we could do whatever art we

0:19:18.320 --> 0:19:20.400
<v Speaker 5>want and be homeless if we okay with that, that's

0:19:20.440 --> 0:19:23.920
<v Speaker 5>cool too. I say that to say with that particular

0:19:23.960 --> 0:19:26.480
<v Speaker 5>situation one, I don't know the details to it. I

0:19:26.520 --> 0:19:29.040
<v Speaker 5>don't know too much of it, but the idea that

0:19:29.160 --> 0:19:32.760
<v Speaker 5>something could be watered down, it depends on the details

0:19:32.800 --> 0:19:34.919
<v Speaker 5>of the deal and what they got going on and

0:19:34.960 --> 0:19:38.520
<v Speaker 5>who controls what. I think that that came from Virgil's

0:19:38.560 --> 0:19:40.520
<v Speaker 5>brain at the end of the day, and Virgil is

0:19:40.560 --> 0:19:43.160
<v Speaker 5>not here, So there's always going to be some type

0:19:43.200 --> 0:19:47.719
<v Speaker 5>of difference, right, But yeah, when art mes commerce, that's

0:19:47.760 --> 0:19:50.560
<v Speaker 5>what happens. You know, it's a battles t when I

0:19:50.640 --> 0:19:52.919
<v Speaker 5>always look at everything is don't look at it as

0:19:52.960 --> 0:19:55.080
<v Speaker 5>an on and off switch, look at it as a percentage.

0:19:55.560 --> 0:19:57.480
<v Speaker 9>Knowing him personally, do you think that Virgil will be

0:19:57.480 --> 0:19:59.879
<v Speaker 9>happy with like just where off White is right now today?

0:20:00.160 --> 0:20:03.080
<v Speaker 9>That's also been a conversation too. They've had like different

0:20:03.119 --> 0:20:04.720
<v Speaker 9>leadership in and out and stuff like that.

0:20:04.840 --> 0:20:08.159
<v Speaker 5>You know, there's people that are friends of mine who

0:20:08.240 --> 0:20:11.480
<v Speaker 5>could answer that question far better than I could, because

0:20:11.520 --> 0:20:13.480
<v Speaker 5>I don't have enough of it. I didn't have that

0:20:13.560 --> 0:20:17.439
<v Speaker 5>relationship with him where I would know what happiness is

0:20:17.520 --> 0:20:19.560
<v Speaker 5>actually to him when it comes to that brand.

0:20:19.560 --> 0:20:22.919
<v Speaker 1>How did you meet that? He followed me.

0:20:23.160 --> 0:20:27.199
<v Speaker 5>I did the cover GQ's uh British GQ and it

0:20:27.200 --> 0:20:31.080
<v Speaker 5>was a Louis Vuitton exclusive, and so I debuted the

0:20:31.200 --> 0:20:35.480
<v Speaker 5>NBA collab that they have and from there he followed me.

0:20:35.520 --> 0:20:40.520
<v Speaker 5>And then I got a made back and brought it Virgil. No,

0:20:40.560 --> 0:20:43.239
<v Speaker 5>I got one, just regular one, and then he was like,

0:20:43.840 --> 0:20:44.800
<v Speaker 5>welcome to the club.

0:20:45.000 --> 0:20:46.480
<v Speaker 1>And then that we started talking.

0:20:46.520 --> 0:20:49.680
<v Speaker 3>From I got to slide out with it was a

0:20:49.680 --> 0:20:50.280
<v Speaker 3>pleasure meeting.

0:20:50.280 --> 0:20:56.160
<v Speaker 5>Of course your headlines and maccolate, I appreciate it.

0:20:53.960 --> 0:21:00.600
<v Speaker 1>You to you, to you too a lot of that.

0:21:00.680 --> 0:21:03.959
<v Speaker 2>Man, Now has the industry changed since you first came

0:21:04.000 --> 0:21:05.120
<v Speaker 2>out and did your first mixtape?

0:21:05.280 --> 0:21:07.119
<v Speaker 4>How have you seen how things change? Because you know,

0:21:07.480 --> 0:21:08.200
<v Speaker 4>usually when.

0:21:08.200 --> 0:21:10.360
<v Speaker 2>Artist first do the mixtape is their core. They only

0:21:10.400 --> 0:21:12.760
<v Speaker 2>care about their core. But now it's something different. Now

0:21:12.800 --> 0:21:14.439
<v Speaker 2>you're looking for a radio record. Now you're looking for

0:21:14.480 --> 0:21:15.919
<v Speaker 2>something that's gonna go on the charts. Now you look

0:21:15.960 --> 0:21:17.720
<v Speaker 2>for those things. So how has things changed for you?

0:21:18.040 --> 0:21:21.880
<v Speaker 5>I mean, look that when I first started, like streaming

0:21:21.960 --> 0:21:24.520
<v Speaker 5>wasn't really a thing like that, Like it was still

0:21:24.600 --> 0:21:28.280
<v Speaker 5>kind of iTunes and people reviewing the song or album

0:21:28.359 --> 0:21:33.560
<v Speaker 5>or whatever. Things have changed a lot because people and

0:21:33.640 --> 0:21:38.880
<v Speaker 5>the algorithm dictates a lot of what what a lot

0:21:38.880 --> 0:21:41.680
<v Speaker 5>of the decisions you could potentially make. So now we're

0:21:41.720 --> 0:21:43.600
<v Speaker 5>in a place where we could, like think a song

0:21:43.680 --> 0:21:46.040
<v Speaker 5>sounds like a single, but that doesn't matter anymore. Like

0:21:46.480 --> 0:21:48.920
<v Speaker 5>you know, I can't rely on like DJs to break

0:21:48.920 --> 0:21:50.720
<v Speaker 5>the record the same way as before.

0:21:50.720 --> 0:21:52.280
<v Speaker 1>It's kind of like this is.

0:21:52.240 --> 0:21:55.359
<v Speaker 5>The record based off of the algorithm and streaming and

0:21:55.400 --> 0:21:59.399
<v Speaker 5>the fans. So now we push it. You know, I

0:21:59.400 --> 0:22:01.040
<v Speaker 5>think in a lot of it's good. In a lot

0:22:01.080 --> 0:22:02.040
<v Speaker 5>of ways it's not good.

0:22:02.359 --> 0:22:03.280
<v Speaker 4>That makes it difficult.

0:22:03.320 --> 0:22:05.920
<v Speaker 2>But you know, the DJ now he follows an algorithm,

0:22:05.920 --> 0:22:09.639
<v Speaker 2>He follows what people are listening to, what's streaming, instead

0:22:09.640 --> 0:22:13.040
<v Speaker 2>of just you know, what somebody's feeling, which makes it difficult.

0:22:13.320 --> 0:22:16.000
<v Speaker 2>And being from the DMV area, how difficult is it

0:22:16.000 --> 0:22:18.440
<v Speaker 2>for that, especially being a rapper. You don't really see

0:22:18.480 --> 0:22:21.119
<v Speaker 2>too many from the DMV rap that a huge, but

0:22:21.560 --> 0:22:23.280
<v Speaker 2>there's a lot of talent in the DMV area.

0:22:23.359 --> 0:22:24.080
<v Speaker 1>Yeah, it's funny.

0:22:24.160 --> 0:22:27.399
<v Speaker 5>I think I was just talking to Jaha and No

0:22:27.560 --> 0:22:30.960
<v Speaker 5>Idea about this, like they were like, Yo, you know

0:22:31.280 --> 0:22:31.960
<v Speaker 5>what's crazy?

0:22:32.080 --> 0:22:32.960
<v Speaker 1>What's your situation?

0:22:33.480 --> 0:22:36.040
<v Speaker 5>One you don't have If you look at rap, there's

0:22:36.040 --> 0:22:37.879
<v Speaker 5>a lot of people who have some kind of co

0:22:38.119 --> 0:22:42.000
<v Speaker 5>sign by somebody that they're aligned with, especially when you

0:22:42.040 --> 0:22:44.280
<v Speaker 5>make the type of rap that I make. And then

0:22:44.320 --> 0:22:47.000
<v Speaker 5>another thing is if not that at least they have

0:22:47.200 --> 0:22:50.160
<v Speaker 5>like a really big city that they're coming from. That's

0:22:50.320 --> 0:22:54.119
<v Speaker 5>huge in music. And right now we're growing obviously in

0:22:54.160 --> 0:22:57.920
<v Speaker 5>the DMV, but it isn't like New York or Atlanta

0:22:58.440 --> 0:23:02.040
<v Speaker 5>or La Right, So it's like they basically, it's like, yo,

0:23:02.080 --> 0:23:04.960
<v Speaker 5>you kind of have to make your own way in

0:23:05.000 --> 0:23:07.720
<v Speaker 5>a way that a lot of people don't. Not saying

0:23:07.720 --> 0:23:09.520
<v Speaker 5>that people don't make their own way, I'm saying like,

0:23:09.640 --> 0:23:12.359
<v Speaker 5>in a way that most people don't. And I thought

0:23:12.359 --> 0:23:14.919
<v Speaker 5>about that and I was like, wow, actually there is

0:23:15.320 --> 0:23:17.800
<v Speaker 5>you have a point. The good thing I'll say about

0:23:17.800 --> 0:23:20.959
<v Speaker 5>where I'm from, though, is when it comes to originality,

0:23:21.080 --> 0:23:23.080
<v Speaker 5>there is a lot to pull from.

0:23:23.400 --> 0:23:24.720
<v Speaker 1>There's a huge culture.

0:23:25.240 --> 0:23:27.639
<v Speaker 5>I come from, Go go That's why I started doing music,

0:23:27.920 --> 0:23:28.720
<v Speaker 5>Go go bands and.

0:23:28.720 --> 0:23:29.320
<v Speaker 1>Stuff like that.

0:23:29.520 --> 0:23:32.920
<v Speaker 5>So you got a lot to pull from. And when

0:23:32.920 --> 0:23:35.240
<v Speaker 5>it does work and when it does break, it's going

0:23:35.359 --> 0:23:38.800
<v Speaker 5>to be beautiful. However, you know, you know, you got

0:23:38.800 --> 0:23:40.600
<v Speaker 5>to roll up your sleeves. You know, you got to

0:23:40.720 --> 0:23:41.560
<v Speaker 5>remain poised.

0:23:41.640 --> 0:23:44.760
<v Speaker 2>Yeah, I feel like the DMV area doesn't get heard

0:23:44.840 --> 0:23:47.840
<v Speaker 2>like it should, you know, And I honestly, if I

0:23:47.840 --> 0:23:50.040
<v Speaker 2>didn't go to Hampton, I would have never understood the

0:23:50.119 --> 0:23:51.040
<v Speaker 2>DMV area.

0:23:50.880 --> 0:23:52.000
<v Speaker 4>Yeah, you know, you.

0:23:51.920 --> 0:23:53.960
<v Speaker 2>See all this like wile that took a long time

0:23:54.000 --> 0:23:55.960
<v Speaker 2>to break through, or even push it that took a

0:23:55.960 --> 0:23:58.280
<v Speaker 2>long time to break through. It's like it comes so

0:23:58.520 --> 0:24:01.320
<v Speaker 2>last with the respect and I think because it's such

0:24:01.320 --> 0:24:02.840
<v Speaker 2>a small area but a big area.

0:24:03.080 --> 0:24:03.520
<v Speaker 1>Yeah.

0:24:04.400 --> 0:24:07.280
<v Speaker 5>Man, it's a melting pot of a lot of beautiful things,

0:24:07.720 --> 0:24:11.359
<v Speaker 5>you know. And I think that like there is a

0:24:11.400 --> 0:24:15.800
<v Speaker 5>certain level of i say, like segregation within the type

0:24:15.800 --> 0:24:17.919
<v Speaker 5>of thing that you may do versus the type of

0:24:17.920 --> 0:24:21.400
<v Speaker 5>thing this person might do. But I think when we

0:24:21.480 --> 0:24:23.600
<v Speaker 5>find when we figure out how to kind of bring

0:24:23.640 --> 0:24:27.159
<v Speaker 5>it all together, that is going to also I always

0:24:27.200 --> 0:24:32.399
<v Speaker 5>I have this theory we when the Commanders start winning,

0:24:32.840 --> 0:24:35.360
<v Speaker 5>we'll start to see our industry.

0:24:34.440 --> 0:24:37.800
<v Speaker 1>Yeah, that's so. I think. I think it's, you know,

0:24:37.840 --> 0:24:38.880
<v Speaker 1>around the corner.

0:24:38.640 --> 0:24:42.440
<v Speaker 9>Like that's la like la. Everything is so celebrity. They're

0:24:42.520 --> 0:24:45.400
<v Speaker 9>the team, so they celebrity lifestyle.

0:24:45.480 --> 0:24:47.040
<v Speaker 8>So the only reason why I don't think that's going

0:24:47.080 --> 0:24:49.080
<v Speaker 8>to be a thing is just because the DMV just

0:24:49.119 --> 0:24:51.880
<v Speaker 8>doesn't have the structure for it. Like we don't have

0:24:52.119 --> 0:24:53.959
<v Speaker 8>home base for media. I had to go to New

0:24:54.040 --> 0:24:55.920
<v Speaker 8>York to do media. We don't have a home base

0:24:55.960 --> 0:24:59.480
<v Speaker 8>for artists, like we have recording studios, but industries you

0:24:59.520 --> 0:25:02.760
<v Speaker 8>want to make get La Atlanta New York like to

0:25:02.920 --> 0:25:06.439
<v Speaker 8>actually be a part of an industry algorithm.

0:25:06.560 --> 0:25:09.320
<v Speaker 5>So I agree with you from that perspective. But the

0:25:09.359 --> 0:25:12.440
<v Speaker 5>one thing I will say is that's the industry part

0:25:12.480 --> 0:25:16.440
<v Speaker 5>of it, but artistically sound wise, right, that's the first

0:25:16.480 --> 0:25:19.200
<v Speaker 5>thing that has to happen regardless, right, And I think

0:25:19.240 --> 0:25:21.919
<v Speaker 5>that there are people that are willing to travel to

0:25:22.080 --> 0:25:24.040
<v Speaker 5>kind of get those other things done.

0:25:24.480 --> 0:25:26.720
<v Speaker 1>I think that, like, like just.

0:25:26.680 --> 0:25:29.679
<v Speaker 5>Even recently, like they got like El Cousto with the

0:25:29.720 --> 0:25:32.720
<v Speaker 5>song and then Earl Sweatshirt was on it and then

0:25:32.720 --> 0:25:35.560
<v Speaker 5>it started blowing up and I remember I saw the

0:25:35.600 --> 0:25:37.720
<v Speaker 5>Earl part of it and I was like, this sounds

0:25:37.760 --> 0:25:40.200
<v Speaker 5>like he like rapping, like he's from the city.

0:25:40.320 --> 0:25:41.600
<v Speaker 1>Like this really sounded like.

0:25:41.680 --> 0:25:44.399
<v Speaker 5>I didn't know that the dude whose song he was

0:25:44.440 --> 0:25:46.960
<v Speaker 5>on was from you get what I'm saying. So I

0:25:47.000 --> 0:25:51.280
<v Speaker 5>think like that opens people's eyes to the sound. And

0:25:51.320 --> 0:25:54.240
<v Speaker 5>I think that or ears and I think.

0:25:54.080 --> 0:25:54.720
<v Speaker 6>It's a good thing.

0:25:54.880 --> 0:25:56.639
<v Speaker 8>Like I think the lack of the industry is a

0:25:56.680 --> 0:25:59.320
<v Speaker 8>good thing because it keeps us having a regional sound

0:25:59.480 --> 0:26:03.280
<v Speaker 8>or a regional flavor and a lot of cities like

0:26:03.359 --> 0:26:05.119
<v Speaker 8>that because they have those outlets.

0:26:05.200 --> 0:26:05.960
<v Speaker 1>Yeah yeah.

0:26:06.000 --> 0:26:08.840
<v Speaker 5>And also look man rappers they saying right now, rapp

0:26:09.000 --> 0:26:12.399
<v Speaker 5>is very regional like base, like they've got people in

0:26:12.440 --> 0:26:16.200
<v Speaker 5>France that's the superstars now and they ain't looking at

0:26:16.560 --> 0:26:18.959
<v Speaker 5>what's happening in New York to see who the superstar

0:26:19.240 --> 0:26:22.240
<v Speaker 5>is now, you know, So I think building on that

0:26:22.400 --> 0:26:25.520
<v Speaker 5>is probably one of the most important things now.

0:26:25.359 --> 0:26:27.520
<v Speaker 2>Coming up in the d n V area, where those

0:26:27.680 --> 0:26:30.520
<v Speaker 2>artists having open arms for you, like like a Wile

0:26:30.880 --> 0:26:31.480
<v Speaker 2>or Push.

0:26:31.720 --> 0:26:32.520
<v Speaker 1>Ready to push.

0:26:32.600 --> 0:26:36.240
<v Speaker 5>Yeah, I got like two of Yle brought me out,

0:26:36.480 --> 0:26:38.439
<v Speaker 5>Like the first year I started popping, he brought me

0:26:38.480 --> 0:26:42.200
<v Speaker 5>out to do his Wile and Friends show. I remember

0:26:42.200 --> 0:26:46.200
<v Speaker 5>that he's one of the first to embrace me Push.

0:26:46.600 --> 0:26:47.800
<v Speaker 1>I had to push Push.

0:26:48.160 --> 0:26:50.040
<v Speaker 5>I feel like follow me on a gram and we

0:26:50.160 --> 0:26:52.560
<v Speaker 5>just kind of was chopping it up and asked him

0:26:52.560 --> 0:26:54.080
<v Speaker 5>for a record and he's like, I got you and

0:26:54.119 --> 0:26:59.080
<v Speaker 5>he sent it through. I got definitely got embraced. I

0:26:59.119 --> 0:27:01.919
<v Speaker 5>think that the thing is that, like again, it's kind

0:27:01.960 --> 0:27:05.359
<v Speaker 5>of segregated in the sounds, so certain people only listen

0:27:05.400 --> 0:27:07.600
<v Speaker 5>to this sound and then certain people are more open

0:27:07.640 --> 0:27:10.800
<v Speaker 5>to other sounds. I think as we start to progress

0:27:10.960 --> 0:27:14.720
<v Speaker 5>that that'll change, hopefully, But that's that's what i'd say.

0:27:14.800 --> 0:27:18.919
<v Speaker 8>Yeah, absolutely, you sit on this project. Once you turn forty,

0:27:18.960 --> 0:27:22.840
<v Speaker 8>you retire, and you disappearing Like is that really the angle?

0:27:23.040 --> 0:27:24.600
<v Speaker 1>I don't know. If I'll disappear.

0:27:24.760 --> 0:27:27.720
<v Speaker 5>But I think that while I retire, people think I

0:27:27.760 --> 0:27:29.560
<v Speaker 5>mean like stop rapping, and I don't know if I

0:27:29.600 --> 0:27:34.320
<v Speaker 5>mean that. I mean right now, I'm constantly competing with

0:27:34.359 --> 0:27:38.119
<v Speaker 5>myself to do better every time, like to the point where, like,

0:27:38.240 --> 0:27:40.520
<v Speaker 5>you know, family may get neglected.

0:27:40.560 --> 0:27:42.200
<v Speaker 1>I don't, you know. I talk to my family on.

0:27:42.200 --> 0:27:45.919
<v Speaker 5>Like like like the holidays and stuff I don't like

0:27:45.960 --> 0:27:48.000
<v Speaker 5>my Grandma wants to hear from me more and things

0:27:48.000 --> 0:27:48.480
<v Speaker 5>like that.

0:27:48.359 --> 0:27:51.560
<v Speaker 6>Oh my god, every day, Nah, not every day.

0:27:52.119 --> 0:27:54.880
<v Speaker 5>Like I'm not even in the mental space with how

0:27:54.960 --> 0:27:58.760
<v Speaker 5>I view success to be able to tap into that

0:27:59.359 --> 0:28:02.679
<v Speaker 5>every day every day? Is what can I do to

0:28:02.720 --> 0:28:05.600
<v Speaker 5>make sure that when I'm forty my family. I don't

0:28:05.600 --> 0:28:08.359
<v Speaker 5>have kids or anything yet, and I'm not in a relationship.

0:28:08.400 --> 0:28:12.560
<v Speaker 8>But in Billy, everybody thinks, y'all dating?

0:28:12.760 --> 0:28:18.160
<v Speaker 1>What dating Billy? No people. I did see something one

0:28:18.200 --> 0:28:19.879
<v Speaker 1>time about that, but I don't that was like a

0:28:19.880 --> 0:28:20.400
<v Speaker 1>while back.

0:28:20.520 --> 0:28:27.480
<v Speaker 5>Okay, nah, yeah, she's an amazing, amazing artist. But yeah,

0:28:27.600 --> 0:28:32.040
<v Speaker 5>like when I get.

0:28:30.720 --> 0:28:35.240
<v Speaker 6>Uh, you already talked about this, so you knew people thought.

0:28:35.040 --> 0:28:37.480
<v Speaker 1>That I said that said people said it.

0:28:37.480 --> 0:28:40.440
<v Speaker 9>Yeah, sure, But I guess it's because they were trying

0:28:40.440 --> 0:28:42.200
<v Speaker 9>to piece together like photos and I guess the way,

0:28:42.360 --> 0:28:43.280
<v Speaker 9>which was crazy.

0:28:43.360 --> 0:28:47.160
<v Speaker 5>I'm like, it's not my house, girl in my house.

0:28:47.520 --> 0:28:50.680
<v Speaker 5>I don't know what they talk about. Yeah, I think

0:28:50.720 --> 0:28:53.239
<v Speaker 5>she posted stuff you know me and things like that,

0:28:53.320 --> 0:28:57.080
<v Speaker 5>and I'm just one relationships to that's interesting too, like

0:28:57.440 --> 0:29:00.200
<v Speaker 5>but no, I'm just trying to make sure that when

0:29:00.240 --> 0:29:03.160
<v Speaker 5>I am forty and I decided to it's like everything

0:29:03.280 --> 0:29:05.280
<v Speaker 5>is structured and laid out for me in a way

0:29:05.320 --> 0:29:07.240
<v Speaker 5>where I can actually do that comfortably.

0:29:07.880 --> 0:29:11.960
<v Speaker 4>So until then, you know, I mean Billy Alice's single though.

0:29:11.840 --> 0:29:13.520
<v Speaker 6>Imouna say now I'm going down this rabo is she?

0:29:14.000 --> 0:29:16.000
<v Speaker 8>I will say time waits for no man when it

0:29:16.040 --> 0:29:19.480
<v Speaker 8>comes to like, yes, your career, but also your famiily

0:29:19.960 --> 0:29:22.040
<v Speaker 8>so definitely caught your grandma.

0:29:21.800 --> 0:29:24.000
<v Speaker 5>No for sure, No, I know I'm not saying I

0:29:24.120 --> 0:29:26.080
<v Speaker 5>just set the picture in the west sapp like right

0:29:26.120 --> 0:29:26.640
<v Speaker 5>before we go.

0:29:28.240 --> 0:29:33.440
<v Speaker 6>Contacts. Yeah, like not talking to your Grand'm like, dang.

0:29:33.360 --> 0:29:36.160
<v Speaker 5>I don't talk to my grandmother. I probably talked to

0:29:36.200 --> 0:29:38.680
<v Speaker 5>her like a week ago, two weeks ago or something

0:29:38.720 --> 0:29:41.280
<v Speaker 5>like that, Like I talked to her every so often.

0:29:41.360 --> 0:29:43.000
<v Speaker 5>I have a big family too, so when I talk

0:29:43.040 --> 0:29:44.960
<v Speaker 5>to my Grandma. Now everybody, I.

0:29:45.000 --> 0:29:48.840
<v Speaker 1>Gotta last on, so it'd be like a three hour thing,

0:29:48.960 --> 0:29:49.200
<v Speaker 1>you know what.

0:29:49.200 --> 0:29:51.280
<v Speaker 8>I mean, Like I understand.

0:29:51.520 --> 0:29:53.840
<v Speaker 2>Yeah, we appreciate you for joining us today. The new

0:29:53.880 --> 0:29:55.680
<v Speaker 2>album Bravado is out right now.

0:29:56.120 --> 0:29:58.280
<v Speaker 4>Thank you so much. And I know last time, I

0:29:58.280 --> 0:29:59.840
<v Speaker 4>know you came late, but we were glad you.

0:29:59.760 --> 0:30:01.160
<v Speaker 1>Came so much.

0:30:01.200 --> 0:30:02.160
<v Speaker 4>We can talk to your brother.

0:30:02.240 --> 0:30:06.040
<v Speaker 1>We came early this time around.

0:30:06.960 --> 0:30:08.600
<v Speaker 6>How do you carry down this rabbit hole of the

0:30:08.640 --> 0:30:09.560
<v Speaker 6>photos and all that?

0:30:10.600 --> 0:30:10.920
<v Speaker 1>She said?

0:30:10.960 --> 0:30:13.480
<v Speaker 4>You over Billy honis right now, it's just like a press.

0:30:13.280 --> 0:30:14.600
<v Speaker 1>Outlet, is what's going on?

0:30:14.800 --> 0:30:15.440
<v Speaker 6>What am I reading?

0:30:15.840 --> 0:30:19.000
<v Speaker 9>Propty x? But if you just google you and herds,

0:30:19.000 --> 0:30:22.760
<v Speaker 9>it's a few outlets. But really, yeah, you thought I

0:30:22.800 --> 0:30:27.280
<v Speaker 9>made that. He's like nobody, No, but really offensively because

0:30:27.320 --> 0:30:28.960
<v Speaker 9>of the age thing, because you has said, like yo,

0:30:29.040 --> 0:30:29.880
<v Speaker 9>she was like seventeen.

0:30:29.920 --> 0:30:30.360
<v Speaker 6>I was.

0:30:30.400 --> 0:30:33.000
<v Speaker 1>It was like I have a lot to do with it,

0:30:33.160 --> 0:30:33.800
<v Speaker 1>you know what I'm saying.

0:30:35.880 --> 0:30:38.440
<v Speaker 9>I mean, yeah, I mean because the way you responded

0:30:38.560 --> 0:30:40.680
<v Speaker 9>was like her, but I mean the aging of course.

0:30:40.760 --> 0:30:42.840
<v Speaker 9>But then it's like y'all just really homies in real life?

0:30:42.840 --> 0:30:43.360
<v Speaker 6>Like is it really not?

0:30:43.560 --> 0:30:43.760
<v Speaker 4>Yeah?

0:30:43.880 --> 0:30:46.200
<v Speaker 5>Like she you know, she she pressed me out about

0:30:46.240 --> 0:30:48.960
<v Speaker 5>something the other day was being funny about you. I

0:30:48.960 --> 0:30:51.920
<v Speaker 5>didn't do nothing. She thought something happened, but like a

0:30:51.920 --> 0:30:54.680
<v Speaker 5>song leak or something like that, and she's like, who

0:30:54.760 --> 0:30:56.560
<v Speaker 5>did that? But it was a funny press. It wasn't

0:30:56.560 --> 0:30:59.880
<v Speaker 5>a real press. It ain't like not full crowd half.

0:31:00.840 --> 0:31:02.840
<v Speaker 9>So you're gonna retire at forty, right, And this is

0:31:02.840 --> 0:31:04.960
<v Speaker 9>nothing to do with BILLI olish. Okay, you're going to

0:31:05.000 --> 0:31:07.080
<v Speaker 9>retire at forty. At forty, then you're going to start

0:31:07.200 --> 0:31:09.080
<v Speaker 9>reconnecting more with your family for sure.

0:31:09.120 --> 0:31:10.400
<v Speaker 6>Then you're going to have it. You want to you

0:31:10.400 --> 0:31:11.520
<v Speaker 6>want to have a family as well.

0:31:11.800 --> 0:31:14.120
<v Speaker 1>Yeah, I would love to know how old are you now?

0:31:14.680 --> 0:31:15.560
<v Speaker 1>Thirty thirty two?

0:31:15.680 --> 0:31:16.160
<v Speaker 6>Thirty two?

0:31:16.280 --> 0:31:19.320
<v Speaker 9>So are you like taking are you dating somebody? Are

0:31:19.320 --> 0:31:20.160
<v Speaker 9>you in a relationship?

0:31:20.200 --> 0:31:21.320
<v Speaker 1>Right? Not in a relationship?

0:31:21.360 --> 0:31:23.000
<v Speaker 6>But what age is that coming?

0:31:23.240 --> 0:31:24.720
<v Speaker 1>That's not an age, it's a feeling thing.

0:31:25.080 --> 0:31:27.000
<v Speaker 9>It can happen, right, because you got to age for

0:31:27.040 --> 0:31:28.680
<v Speaker 9>your retirement. You got to age for when you plan

0:31:28.760 --> 0:31:30.600
<v Speaker 9>on like doing more. Did you drop in the photos?

0:31:30.600 --> 0:31:31.840
<v Speaker 9>And what's that Tanana?

0:31:32.040 --> 0:31:32.360
<v Speaker 1>Okay?

0:31:32.440 --> 0:31:33.760
<v Speaker 6>So I'm just trying to see if there's like a

0:31:33.760 --> 0:31:34.280
<v Speaker 6>timeline here.

0:31:34.320 --> 0:31:37.880
<v Speaker 5>Definitely not a timeline on something like love and connecting

0:31:37.960 --> 0:31:39.400
<v Speaker 5>with the right person. It could happen right now.

0:31:40.240 --> 0:31:42.920
<v Speaker 4>Asking the same question now, okay, yeah, question.

0:31:42.840 --> 0:31:45.840
<v Speaker 6>Right back at you, which was I actually coming stage?

0:31:46.240 --> 0:31:48.720
<v Speaker 6>Oh it's my age. I'm actively, you know, trying to

0:31:48.760 --> 0:31:49.440
<v Speaker 6>figure it out right now?

0:31:49.680 --> 0:31:51.640
<v Speaker 2>Okay, So you don't have nobody, Like, just like you

0:31:51.720 --> 0:31:53.720
<v Speaker 2>asked them, what age? Are you looking to find somebody

0:31:53.720 --> 0:31:54.200
<v Speaker 2>to settle down?

0:31:54.200 --> 0:31:56.040
<v Speaker 6>I ain't got no BILLI elish on my line.

0:31:58.000 --> 0:31:58.120
<v Speaker 1>Now.

0:32:00.400 --> 0:32:02.160
<v Speaker 9>I mean, I got no name where it's nothing worth

0:32:02.240 --> 0:32:04.440
<v Speaker 9>bringing up. I'm asking you because you know that's a name.

0:32:04.640 --> 0:32:07.000
<v Speaker 1>You know, man, you can get me in trouble, man,

0:32:07.520 --> 0:32:07.760
<v Speaker 1>I do.

0:32:08.080 --> 0:32:09.800
<v Speaker 8>Before we wrap, I kind of want to talk about

0:32:09.800 --> 0:32:11.160
<v Speaker 8>super Nova with the artist.

0:32:11.360 --> 0:32:11.640
<v Speaker 1>Okay.

0:32:12.000 --> 0:32:13.360
<v Speaker 6>The artist is so fire.

0:32:13.640 --> 0:32:15.600
<v Speaker 8>I'm glad that you guys collapse because you guys both

0:32:15.640 --> 0:32:18.240
<v Speaker 8>are like very talented.

0:32:18.280 --> 0:32:20.040
<v Speaker 6>Talk to me about just shooting super nova.

0:32:20.600 --> 0:32:24.160
<v Speaker 5>What's so so funny with her? A friend of mine

0:32:24.280 --> 0:32:25.840
<v Speaker 5>was like, I was like, I want a girl on

0:32:25.920 --> 0:32:27.480
<v Speaker 5>this song. I just feel like he was like, yeah,

0:32:27.480 --> 0:32:28.600
<v Speaker 5>you should check this person out.

0:32:29.120 --> 0:32:32.280
<v Speaker 1>And I checked her on and she was fire, buddy, Yeah,

0:32:32.360 --> 0:32:32.760
<v Speaker 1>she's new.

0:32:33.040 --> 0:32:35.280
<v Speaker 5>Yeah, And I was like, y'all hit her up. She's

0:32:35.400 --> 0:32:38.560
<v Speaker 5>like excited. She sent me the verse like probably in

0:32:38.640 --> 0:32:41.400
<v Speaker 5>three days. And then I was just like, Wow, she

0:32:41.680 --> 0:32:44.560
<v Speaker 5>like really killed this. So for me, that was like

0:32:44.640 --> 0:32:47.200
<v Speaker 5>a risky song because I don't really go all the way.

0:32:48.000 --> 0:32:49.040
<v Speaker 5>I don't know if that's R and B.

0:32:49.160 --> 0:32:50.160
<v Speaker 4>I guess it is R and B.

0:32:50.680 --> 0:32:52.160
<v Speaker 8>And I was going to say, like, do you see

0:32:52.160 --> 0:32:54.560
<v Speaker 8>yourself leaning more into that now?

0:32:54.760 --> 0:32:55.760
<v Speaker 1>I like stuff like that.

0:32:55.960 --> 0:32:58.560
<v Speaker 5>Man, I like stuff I could play with, like a

0:32:58.640 --> 0:33:00.760
<v Speaker 5>woman that i'm with for something like that, And it's

0:33:00.840 --> 0:33:03.400
<v Speaker 5>not it doesn't have to be negative because I think

0:33:03.480 --> 0:33:05.440
<v Speaker 5>like I would always do this thing where I would

0:33:05.480 --> 0:33:09.520
<v Speaker 5>start saying nice things and then be like but and

0:33:09.640 --> 0:33:10.680
<v Speaker 5>I was like, nah, I'm not doing it.

0:33:10.920 --> 0:33:13.880
<v Speaker 1>I'm going all the way. Like I'm going all the way. Like,

0:33:14.120 --> 0:33:15.440
<v Speaker 1>So that was what that was about.

0:33:15.720 --> 0:33:17.240
<v Speaker 6>Nice. I think you should lean into that.

0:33:17.600 --> 0:33:19.120
<v Speaker 1>Okay, Yeah, I'll take your advice.

0:33:19.480 --> 0:33:23.600
<v Speaker 4>Well, thank you brother for joining us this morning. Breakfast Club.

0:33:25.440 --> 0:33:28.600
<v Speaker 1>Wake that answer up in the morning. The Breakfast Club