WEBVTT - Mulan (1998) with Ceda Xiong

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<v Speaker 1>Hello, back to the heads. This is Jamie Loftis, this

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<v Speaker 1>is Caitlyn Durante. So this is an episode that we

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<v Speaker 1>recorded shortly before the lockdown began. So we didn't put

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<v Speaker 1>anyone in danger. No, we didn't, just so you know,

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<v Speaker 1>it was still allowed. Back then two weeks ago, UM

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<v Speaker 1>with the wonderful returning guest Sita Geng about Mulan because

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<v Speaker 1>originally Mulan was going to be coming out right, uh

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<v Speaker 1>that obviously it is no longer the case, or if

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<v Speaker 1>it's released, it won't be in theaters because what our

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<v Speaker 1>theaters really anymore? Um, But we just wanted to say hello, yes,

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<v Speaker 1>and that we hope you're doing well. I hope you're

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<v Speaker 1>feeling well and staying inside if you can, and if

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<v Speaker 1>you do have to be out working, we are with

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<v Speaker 1>you and we hope we could be a nice part

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<v Speaker 1>of your day and that we love you all. So

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<v Speaker 1>as to be expected, I'm sure this will come as

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<v Speaker 1>a surprise to no one, but the upcoming live shows

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<v Speaker 1>that we had scheduled, um at least the ones in

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<v Speaker 1>Austin and Boston. The Austin one we had announced and

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<v Speaker 1>sold tickets for sold out. We unfortunately had to cancel

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<v Speaker 1>that and everyone will be refunded. M We are still

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<v Speaker 1>waiting to hear about l a On, so we'll see.

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<v Speaker 1>Stay tuned. UM. In the meantime, if you need extra

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<v Speaker 1>Bechtel in your life, our Matreon is there for you

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<v Speaker 1>with extra episodes. We know a lot of people have

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<v Speaker 1>been burning through a lot of episodes quickly, UM, and

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<v Speaker 1>we have plans in April to do some commentary tracks

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<v Speaker 1>for you to watch while you're at home. Audio commentary

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<v Speaker 1>April baby. Uh. In the meantime, please enjoy this episode

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<v Speaker 1>and Moulan enjoy. On the dodcast, the questions asked if

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<v Speaker 1>movies have women and are all their discussions boyfriends and

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<v Speaker 1>husbands or do they have individualism the patriarchy and best

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<v Speaker 1>start changing it with the beck del Cast. Hi, everybody,

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<v Speaker 1>I was like, I was like, where do what? I

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<v Speaker 1>was trying to think of a fun in Oh. I

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<v Speaker 1>don't know. I'm just excited for this episode. Hi everyone,

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<v Speaker 1>Welcome to the Backdel Cast. My name is Jamie Loftus,

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<v Speaker 1>my name is Caitlin drown Today, and this is our

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<v Speaker 1>podcast about the portrayal of women in movies. Uh where

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<v Speaker 1>we use the beck Dol test. I've heard of it

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<v Speaker 1>to jump off, have a jumping off point, and then

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<v Speaker 1>we you know, just do it deeper dive, not the

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<v Speaker 1>whole podcast common misconception. I love when someone's like, oh,

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<v Speaker 1>I've listened to your podcast, which, first of all, there's

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<v Speaker 1>never a need to lie about that. I've never been

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<v Speaker 1>less hurt like when someone's like, I haven't listened to

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<v Speaker 1>your podcast and makes sense, you know, like why would

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<v Speaker 1>you listen to a podcast to shame our audience? Use

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<v Speaker 1>silly sods. But like when someone's kind of faking it

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<v Speaker 1>and then they're they're like, oh, that's the one where

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<v Speaker 1>you spend an hour and a half figuring out if

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<v Speaker 1>it passes the backtel, I'm like, do you think we

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<v Speaker 1>just print out the script? And I like, M, I

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<v Speaker 1>don't know. It looks like that's a male character, so

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<v Speaker 1>is not going to pass on to the next live

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<v Speaker 1>we should do in April Fool's episode, that is just that,

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<v Speaker 1>like us going through the script of the Shawshank Redemption

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<v Speaker 1>and just doing what like people who are lying about

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<v Speaker 1>listening to the show, I think it is. Anyways, this

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<v Speaker 1>is the bet. We use the Bechdel test, which is

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<v Speaker 1>a metric invented by cartoonist Alison Bechdel, sometimes called the

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<v Speaker 1>back Doel Wallace test that requires that a piece of

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<v Speaker 1>media have an exchange between two female identifying characters with

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<v Speaker 1>names that is about something other than a man. Should

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<v Speaker 1>be easy enough, especially for this movie. Right, Well, well,

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<v Speaker 1>I don't know topic. It's kind of the no, well,

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<v Speaker 1>it's complicated sometimes that's the thing, not a perfect metric.

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<v Speaker 1>But also we just have a lot to talk about today.

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<v Speaker 1>I'm so excited for today. This episode has benny long

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<v Speaker 1>time coming. We were going to do it a while ago,

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<v Speaker 1>and then we found out that there was a live

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<v Speaker 1>action reboot of this movie coming out, and then we

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<v Speaker 1>had to postpone doing this episode by like a year,

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<v Speaker 1>which has been a painful way but the way here

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<v Speaker 1>we are. We were talking about Mulan finally finally, Yes,

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<v Speaker 1>the day has come Um and yeah we have we

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<v Speaker 1>there's so much ground to cover. So without much further ado,

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<v Speaker 1>let's introduce our guest. Um. She is a writer, a comedian. Um.

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<v Speaker 1>She's been a guest of ours previously on the Crazy

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<v Speaker 1>Rich Asians episode, and she's also made a contribution on

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<v Speaker 1>our Gremlins episode, which we were all very grateful for

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<v Speaker 1>and She's amazing. It's Seedi seng Hi. Thank you for

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<v Speaker 1>having me back, coming back so excited to talk about Mula,

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<v Speaker 1>which was one of the first jokes I ever wrote.

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<v Speaker 1>We actually about Mulan, really was. I had this bit

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<v Speaker 1>that I was, you know, I recently booked the job.

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<v Speaker 1>I got a role in the live action rem a Mulan,

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<v Speaker 1>And people in the audience would clap, because sometimes you

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<v Speaker 1>go to an audience that actually doesn't know you're joking,

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<v Speaker 1>so it's very sweet when they do. They're like lapping,

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<v Speaker 1>And then I would say, well, I'm going to be

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<v Speaker 1>playing Mushu because it's always been my dream to play

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<v Speaker 1>Eddie Murphy. So yeah, I guess they're they've brought back

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<v Speaker 1>Mushu for the live action remake, but not not Eddie.

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<v Speaker 1>Eddie Murphy is not voicing it. But I just saw

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<v Speaker 1>an IMDb thing where Mushu, but I don't know if

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<v Speaker 1>Mushoe talks, I don't know. Well, maybe my information is wrong,

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<v Speaker 1>but I just today watched uh one of those like

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<v Speaker 1>IMDb dot com originals where they like do a little

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<v Speaker 1>they're all all all bangers, but they're like people were

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<v Speaker 1>wondering would Mulan's Animal Friends return for the live action reboot,

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<v Speaker 1>and no one knew for sure, but it seems like

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<v Speaker 1>Mush at least Mush. I don't know about the cricket.

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<v Speaker 1>What does he what does he look like? Is it

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<v Speaker 1>like one of those like scary like lion king, like

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<v Speaker 1>photo realistic, Like I mean, he's a real Komodo dragon.

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<v Speaker 1>You're like, that's not why I come to the movie,

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<v Speaker 1>but it would be so weird based on what I've

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<v Speaker 1>seen in the trailers, which seems like a like for

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<v Speaker 1>a Disney movie. It's like a gritty action the first PG. Thirteen,

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<v Speaker 1>the yeah of the first because I guess that they're

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<v Speaker 1>they're like they're doing some real warship in there. Huh.

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<v Speaker 1>So again, Mulan is making some like serious like I

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<v Speaker 1>guess it's called bushoo ushoo fantasy kind of moves, so

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<v Speaker 1>lots of wire work that's really like body intensive. It

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<v Speaker 1>should be incredible to see. I'm really excited about it.

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<v Speaker 1>I'm like, I mean, is Mulan the first Disney princess

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<v Speaker 1>who presumably kills people? We don't see her rack up

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<v Speaker 1>a body count in the cartoon, but I feel like

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<v Speaker 1>it's implied that she would have killed the main bag guy, right,

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<v Speaker 1>she lit him out somewhe she kills some well also,

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<v Speaker 1>I mean she crushes a lot of people with that

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<v Speaker 1>avalanche at A lot of people are in the aval

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<v Speaker 1>but they also seen to mostly come back and survive that.

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<v Speaker 1>I have a lot of thoughts about how the how

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<v Speaker 1>the enemies on this in this war are portrayed, which

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<v Speaker 1>is like super racist, yes, like I mean we have

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<v Speaker 1>so so much because there they're like, oh, like people

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<v Speaker 1>who are on the opposite side of the war evil.

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<v Speaker 1>We're going to draw them darker than the rest of

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<v Speaker 1>the cast and their zombies and they have like animal eyes, yeah,

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<v Speaker 1>like the dark Like it's the way that it looks

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<v Speaker 1>like the beast in Beauty and like they yeah, it's

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<v Speaker 1>a crazy way to regard like the Humes, which is

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<v Speaker 1>like the stand in for the the invaders of China

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<v Speaker 1>at this time. But it's it's so funny because he's

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<v Speaker 1>got like fanes too, literally from the dead, and you're like,

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<v Speaker 1>this is not human And this was the first time

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<v Speaker 1>watching this movie that I love, but like there are

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<v Speaker 1>some things where you're like, wait a second, I don't

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<v Speaker 1>know what this war is about. What if Mulan is

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<v Speaker 1>on the wrong side of the war, like, we don't

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<v Speaker 1>know what if they're fighting over don't don't trying to

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<v Speaker 1>like uprise against like a very like totalitarian empire. We

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<v Speaker 1>don't know, they don't and they don't tell us. They're

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<v Speaker 1>just like, well, we love Mulan, so she probably on

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<v Speaker 1>the right side of the work. But you're like, we don't,

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<v Speaker 1>we don't. That's actually guarantee war is fucked up? Did

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<v Speaker 1>you in this official stadium perhaps glorifies war a bit. Yes,

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<v Speaker 1>that said, it's also a cartoon. Does that make it better?

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<v Speaker 1>I don't know, right, I don't know. I don't know

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<v Speaker 1>if there's another Disney movie that deals with war, like

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<v Speaker 1>I mean, I guess Lion King in a sense, like

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<v Speaker 1>the skirmishes with Uncle Scar kind of warl that is

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<v Speaker 1>because it's like different, but it's so isolated, such a

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<v Speaker 1>small battle. No, this is like, this is historical. There's

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<v Speaker 1>an actual war that happens. There's people that are divided politically,

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<v Speaker 1>and then there's the sort of the duty to the country,

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<v Speaker 1>which is like what Mulan really stand for, right, Like,

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<v Speaker 1>there are some like nationalism undertime duty to the I mean,

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<v Speaker 1>which I don't know. I'm like I don't even know

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<v Speaker 1>how to feel about that, but but it ended up

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<v Speaker 1>the military stuff in this You're just like, whoa there,

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<v Speaker 1>it's just very And I was thinking about that because

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<v Speaker 1>there's been a lot of writing about the reboot and

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<v Speaker 1>about their like, well, is this movie like being to

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<v Speaker 1>you know, over the top with like funded by military

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<v Speaker 1>stuff and like nationalism stuff, And it's like that may

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<v Speaker 1>be true in some ways, but it's like most Like,

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<v Speaker 1>I mean, so many popular American movies are funded by

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<v Speaker 1>the military that I feel like it's disingenuous to be

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<v Speaker 1>like the entire Transformers is funded by the fucking Marines.

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<v Speaker 1>Like it's so true. We talked about this in Independence

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<v Speaker 1>Day with Lindsay Ellis, But like there's this like such

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<v Speaker 1>a well documented history of like people who have a

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<v Speaker 1>good relationship with the military get tanks to use in

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<v Speaker 1>their movies, and their movies make a billion dollars and

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<v Speaker 1>you're just like, I don't military industrial complexes is Oh boy,

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<v Speaker 1>is it not good? Quote me on that, so let

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<v Speaker 1>me get the full camouflage military industrial complex. I know

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<v Speaker 1>we went into this being like maybe it's good, but

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<v Speaker 1>I'm here to tell you it's actually very bad. I mean,

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<v Speaker 1>the part of the military sequence I found interesting was

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<v Speaker 1>like how whimsical the army training was. That was like,

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<v Speaker 1>that's definitely like a place in a Disney movie where

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<v Speaker 1>that should happen, because in most war movies the training

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<v Speaker 1>is definitely not whimsical. This is just like a giant

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<v Speaker 1>pole which belts around your way. And then also question,

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<v Speaker 1>is Leshan like the only male love interest that takes

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<v Speaker 1>off his shirt and a Disney movie, Well, Aladdin is

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<v Speaker 1>pretty shirt like is pretty, but but he's his nipples

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<v Speaker 1>are covered. That's true. S his body is very Suddenly

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<v Speaker 1>You're like it's right there, right. And then I went

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<v Speaker 1>back to my like I was like five when this

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<v Speaker 1>movie came out. I was just like, oh wow, like

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<v Speaker 1>just like your weird little like baby brain being like

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<v Speaker 1>this is different like this yeah, I I mean I

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<v Speaker 1>remembered when that scene happened. I mean, um, well, let's

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<v Speaker 1>dive in officially with we're gonna talk about the military

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<v Speaker 1>industrial complex, but we've hardly begun. Um, ste what's your

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<v Speaker 1>relationship history with this movie? So I was talking to

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<v Speaker 1>Caitlin a little bit earlier, and I kind of missed

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<v Speaker 1>the boat on this movie. When I was growing up

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<v Speaker 1>because I got a little too old for Milan when

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<v Speaker 1>it first came out, so I actually didn't watch it

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<v Speaker 1>until I turned like thirty, and so I came to

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<v Speaker 1>its super late wash it when I was thirty so

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<v Speaker 1>moved by it totally cried after like a first viewing

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<v Speaker 1>as an adult, I was like, oh, wow, the you know,

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<v Speaker 1>a story about the headstrown only daughter of a Chinese family,

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<v Speaker 1>I can't possibly relate to that. It was very It

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<v Speaker 1>was very like I should have known that this was coming,

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<v Speaker 1>and I still was not prepared for how much it

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<v Speaker 1>moved me. Um, and I watched this again just like

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<v Speaker 1>right before the podcast is to refresh my brain and

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<v Speaker 1>the details. And it's still a very, very action packed

0:12:23.280 --> 0:12:26.920
<v Speaker 1>story that has a lot to do with how the

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<v Speaker 1>protagonist is self motivated, and I think that is something

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<v Speaker 1>that like we love to see in female characters. And

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<v Speaker 1>she's just so she's so smart and has her own

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<v Speaker 1>morality and she has such conviction and that's really like

0:12:41.200 --> 0:12:44.560
<v Speaker 1>what gets her through all of the movie, really, and

0:12:44.600 --> 0:12:47.160
<v Speaker 1>I love that turn at the end where she has

0:12:47.200 --> 0:12:50.400
<v Speaker 1>to dress as a concubine so she successfully passes as

0:12:50.440 --> 0:12:54.160
<v Speaker 1>a woman. There's a lot of like drag king stuff

0:12:54.160 --> 0:12:56.760
<v Speaker 1>in the beginning, which I really love, and there's like

0:12:56.840 --> 0:12:58.760
<v Speaker 1>kind of drag queen stuff towards me, and I was like,

0:12:58.840 --> 0:13:01.000
<v Speaker 1>this is such kind of a drag eccentric movie. There's

0:13:01.040 --> 0:13:05.800
<v Speaker 1>a lot like yeah, I mean the gender performance, like

0:13:05.880 --> 0:13:08.600
<v Speaker 1>the female gender performance in this movie, it's like it's

0:13:08.679 --> 0:13:12.840
<v Speaker 1>kind of fucking incredible, Like it is really yeah, yeah,

0:13:13.240 --> 0:13:15.880
<v Speaker 1>talking more about it, there's well, we will, we definitely will.

0:13:15.920 --> 0:13:17.560
<v Speaker 1>I mean, there's so much to talk. I mean, I

0:13:17.880 --> 0:13:20.120
<v Speaker 1>because there are certain elements. I just have never watched

0:13:20.160 --> 0:13:24.080
<v Speaker 1>this movie in not uh like I love Mulan lens.

0:13:24.120 --> 0:13:26.600
<v Speaker 1>That's the only way I've ever watched this movie is like,

0:13:26.840 --> 0:13:29.200
<v Speaker 1>this is one of my favorite movies ever. This movie

0:13:29.240 --> 0:13:31.600
<v Speaker 1>came out when I was five years old, and I

0:13:31.640 --> 0:13:33.640
<v Speaker 1>don't remember seeing it for the first time, but I

0:13:33.679 --> 0:13:36.920
<v Speaker 1>know that I saw it like five hundred times. We

0:13:37.080 --> 0:13:42.200
<v Speaker 1>did a whole Mulan Halloween and my family that, Um,

0:13:42.280 --> 0:13:45.360
<v Speaker 1>I checked the pictures. I'm like, Okay, we were not racist,

0:13:45.720 --> 0:13:48.240
<v Speaker 1>because you have to check when you're a white kid,

0:13:48.240 --> 0:13:49.959
<v Speaker 1>you have to be like, did my parents do a

0:13:49.960 --> 0:13:51.560
<v Speaker 1>good job. I think that they're a pretty good job.

0:13:51.840 --> 0:13:54.600
<v Speaker 1>I'll show you the picture, but but I should be

0:13:54.640 --> 0:13:57.920
<v Speaker 1>the front page of the podcast this week for the record,

0:13:58.640 --> 0:14:01.560
<v Speaker 1>because you gotta be careful. But yeah, like I was,

0:14:01.679 --> 0:14:04.640
<v Speaker 1>I loved it so much. I love just everything about it.

0:14:04.920 --> 0:14:08.880
<v Speaker 1>The Stevie one of the most cursed Disney musical collaborations

0:14:08.880 --> 0:14:14.200
<v Speaker 1>in history, between Stevie Wonder and ninety eight degrees Credits.

0:14:14.320 --> 0:14:17.320
<v Speaker 1>I was like, what is happening? I was ranking. I

0:14:17.320 --> 0:14:19.520
<v Speaker 1>was like, I think it's the second most cursed collab.

0:14:19.840 --> 0:14:22.520
<v Speaker 1>I love it, but it's the only more cursed collab

0:14:22.680 --> 0:14:26.160
<v Speaker 1>of the Disney Renaissance is in Sync and Phil Collins.

0:14:26.240 --> 0:14:29.360
<v Speaker 1>That's the worst one. True to your heart kind of slaps.

0:14:29.560 --> 0:14:33.320
<v Speaker 1>It's good, but you're just like, how did these don

0:14:33.400 --> 0:14:36.280
<v Speaker 1>did these people meet each other? It was that like Tarzan. Yeah,

0:14:38.280 --> 0:14:40.480
<v Speaker 1>I think I've mentioned this before, but in my favorite

0:14:40.520 --> 0:14:43.240
<v Speaker 1>press junket of all time, which is in Sync with

0:14:43.280 --> 0:14:47.480
<v Speaker 1>Phil Collins, and and it's like peak in Sync, it's

0:14:47.600 --> 0:14:52.000
<v Speaker 1>nine in Sync, Like Lance Bass is like, yeah, Phil

0:14:52.080 --> 0:14:54.880
<v Speaker 1>Collins is pretty much the sixth member of in Sync.

0:14:57.080 --> 0:15:00.560
<v Speaker 1>I wonder how Genesis feels about that. College is just

0:15:00.600 --> 0:15:03.520
<v Speaker 1>grimacing or you're just like, this is the greatest thing

0:15:03.560 --> 0:15:06.880
<v Speaker 1>I've ever seen. All I have to say I loved

0:15:06.960 --> 0:15:10.520
<v Speaker 1>Mulan at the time. I feel like it was the

0:15:10.600 --> 0:15:16.440
<v Speaker 1>first genuinely empowered Disney princess I had ever seen. It

0:15:16.520 --> 0:15:19.280
<v Speaker 1>was because there is like some nineties girl power elements

0:15:19.320 --> 0:15:22.280
<v Speaker 1>to this, but it really hit for me. Um. My

0:15:22.360 --> 0:15:25.880
<v Speaker 1>cousin was Warrior Mulan. I was Reflection Mulan, and my

0:15:25.920 --> 0:15:30.480
<v Speaker 1>brother was Shi. You were super deep. We were. It

0:15:30.560 --> 0:15:32.520
<v Speaker 1>was a whole family like we were just like we're

0:15:32.520 --> 0:15:38.080
<v Speaker 1>a Mulan, We're Mulan heads. So I love it. Yeah,

0:15:38.120 --> 0:15:40.440
<v Speaker 1>what's your history with it, um Cita. I'm like you

0:15:40.480 --> 0:15:43.880
<v Speaker 1>where I had aged out of kind of Disney movies

0:15:43.960 --> 0:15:46.960
<v Speaker 1>and I joke about having aged back into them because

0:15:47.200 --> 0:15:51.280
<v Speaker 1>I'm going to see Onward tomorrow. Um. But yeah, I

0:15:51.360 --> 0:15:53.640
<v Speaker 1>was twelve in this movie came out, so I was like,

0:15:54.440 --> 0:15:58.400
<v Speaker 1>I'm too cool for cartoons. So it just like came

0:15:58.440 --> 0:16:00.120
<v Speaker 1>out at the wrong time for me, I guess, and

0:16:00.240 --> 0:16:01.760
<v Speaker 1>I and so I didn't grow up with it, and

0:16:01.800 --> 0:16:05.360
<v Speaker 1>I think I only saw it maybe once or twice,

0:16:05.440 --> 0:16:07.640
<v Speaker 1>just sort of in passing, not paying that much attention

0:16:07.680 --> 0:16:11.240
<v Speaker 1>to it in my like kind of more adolescent or

0:16:11.240 --> 0:16:14.560
<v Speaker 1>early adult years. And then I've watched it three times

0:16:14.560 --> 0:16:17.120
<v Speaker 1>now to prep for the episode because I'm like, shit,

0:16:17.360 --> 0:16:20.080
<v Speaker 1>like I hate that I missed this when I was younger,

0:16:20.160 --> 0:16:24.720
<v Speaker 1>because like it's so good, like it's I yeah, I

0:16:25.000 --> 0:16:27.560
<v Speaker 1>mean there's there's plenty to talk about, but I love

0:16:27.560 --> 0:16:29.560
<v Speaker 1>so much about it. I love the songs, I love

0:16:29.640 --> 0:16:31.680
<v Speaker 1>the music, and I love there's like these all these

0:16:31.720 --> 0:16:36.120
<v Speaker 1>great montages. This is the first viewing that I I

0:16:36.120 --> 0:16:38.440
<v Speaker 1>think because I haven't seen this movie in like six

0:16:38.520 --> 0:16:40.200
<v Speaker 1>or seven years. I think this is the first time

0:16:40.200 --> 0:16:43.360
<v Speaker 1>I've seen it since I have become a beady once

0:16:43.720 --> 0:16:46.040
<v Speaker 1>Wong stand I didn't realize he was. I didn't. I

0:16:46.040 --> 0:16:47.760
<v Speaker 1>don't think I knew who he was the last time

0:16:47.760 --> 0:16:50.200
<v Speaker 1>I saw this movie like in high school, and like

0:16:50.440 --> 0:16:54.720
<v Speaker 1>I was like, wait, what, like so much good stuff.

0:16:54.720 --> 0:16:56.760
<v Speaker 1>There's so much and yeah, I mean you were touching

0:16:56.800 --> 0:16:59.240
<v Speaker 1>on just the character of Mulan, just like being so

0:16:59.280 --> 0:17:03.000
<v Speaker 1>smart and rustful and outspoken, and like, yeah, it gives

0:17:03.040 --> 0:17:05.600
<v Speaker 1>us a lot to talk about. It's also I think

0:17:05.720 --> 0:17:09.320
<v Speaker 1>for for girls that weren't like kind of girly girls,

0:17:09.760 --> 0:17:13.399
<v Speaker 1>like it has that rezomie like um the reflection Mulan

0:17:13.560 --> 0:17:16.680
<v Speaker 1>song that's very much about like trying to figure out

0:17:16.720 --> 0:17:18.800
<v Speaker 1>who you're supposed to be in this world that tells

0:17:18.800 --> 0:17:20.320
<v Speaker 1>you that you're supposed to be one way, but you

0:17:20.359 --> 0:17:23.040
<v Speaker 1>feel a totally different way, and that kind of plays

0:17:23.040 --> 0:17:26.280
<v Speaker 1>into the gender performance of it. But but that's soon

0:17:26.359 --> 0:17:29.080
<v Speaker 1>also probably, Like I was thinking about Mulan as a

0:17:29.119 --> 0:17:31.280
<v Speaker 1>whole for for young women. I was like, this is

0:17:31.320 --> 0:17:33.600
<v Speaker 1>a very good movie to also watch if you're like

0:17:34.000 --> 0:17:37.080
<v Speaker 1>a female comic amongst a lot of male comics where

0:17:37.080 --> 0:17:38.960
<v Speaker 1>you're like or is she's trying to fit into the army?

0:17:39.000 --> 0:17:41.800
<v Speaker 1>I was like, oh yeah, I felt that we're like

0:17:42.200 --> 0:17:44.560
<v Speaker 1>everything is disgusting, but you just have to like go

0:17:44.600 --> 0:17:48.440
<v Speaker 1>along to be like, yeah, this is great and people

0:17:48.440 --> 0:17:52.600
<v Speaker 1>are still like we hate you. Like cool. Yeah. I

0:17:52.640 --> 0:17:54.280
<v Speaker 1>was just talking about how we were getting ready for

0:17:54.280 --> 0:17:57.600
<v Speaker 1>this episode today in a room with um two gay

0:17:57.640 --> 0:18:00.600
<v Speaker 1>men and they were both like reflection and like spoke

0:18:00.640 --> 0:18:03.400
<v Speaker 1>to me so much when I was a kid, of Yeah,

0:18:03.480 --> 0:18:05.680
<v Speaker 1>I mean, because it is such like a general theme

0:18:05.760 --> 0:18:07.560
<v Speaker 1>for people who feel like they don't fit into what

0:18:07.640 --> 0:18:12.040
<v Speaker 1>the prescribed norm is, where like it's it's And then

0:18:12.040 --> 0:18:13.359
<v Speaker 1>I did some research of I was like, oh, I

0:18:13.359 --> 0:18:15.119
<v Speaker 1>wonder if this is a common read and it seems

0:18:15.119 --> 0:18:17.800
<v Speaker 1>like there's like a fair amount of writing from queer

0:18:17.880 --> 0:18:20.720
<v Speaker 1>and trans writers who are like Reflection was like it

0:18:22.040 --> 0:18:24.680
<v Speaker 1>I easily see that. There's that line where she says, like,

0:18:24.960 --> 0:18:28.320
<v Speaker 1>when will my reflection show who I am inside? I mean,

0:18:28.480 --> 0:18:30.920
<v Speaker 1>And I think we've heard a similar read in The

0:18:30.960 --> 0:18:36.119
<v Speaker 1>Little Mermaid where like arials, transformation, Um, yeah, like feeling

0:18:36.160 --> 0:18:38.480
<v Speaker 1>like you're in the wrong skin, and a friend of

0:18:38.480 --> 0:18:41.679
<v Speaker 1>the cast, John Ford, spoke to that a bit, yes,

0:18:43.200 --> 0:18:45.840
<v Speaker 1>So I mean, I feel like that's always a cool

0:18:46.800 --> 0:18:50.800
<v Speaker 1>There's plenty of criticism of like huge pop culture Disney movies,

0:18:50.840 --> 0:18:53.679
<v Speaker 1>but the fact that like there are those big themes

0:18:53.720 --> 0:18:57.000
<v Speaker 1>that they can speak to that make kids who feel

0:18:57.080 --> 0:19:00.000
<v Speaker 1>out of place feel heard is really cool. And there

0:18:59.840 --> 0:19:05.280
<v Speaker 1>are such massive movies too, basically everyone sees them. So

0:19:05.880 --> 0:19:08.840
<v Speaker 1>it's not just like, oh, this is a message that

0:19:08.920 --> 0:19:10.919
<v Speaker 1>like a few people see. It's like, this is a

0:19:10.960 --> 0:19:16.520
<v Speaker 1>message like across a generation can see that. That does difference.

0:19:16.760 --> 0:19:19.600
<v Speaker 1>That really does. IM one of my closest friends from

0:19:19.760 --> 0:19:23.560
<v Speaker 1>high school. She immigrated from Haiti around the time this

0:19:23.600 --> 0:19:25.760
<v Speaker 1>movie came out, and it was one of the first

0:19:25.800 --> 0:19:29.040
<v Speaker 1>movies she saw in America, and she was like so

0:19:29.280 --> 0:19:33.560
<v Speaker 1>impacted by it that she majored in Chinese in college,

0:19:33.960 --> 0:19:37.240
<v Speaker 1>she's a fluent and she works in international relationship. Now

0:19:38.359 --> 0:19:42.560
<v Speaker 1>she I'm like Mulan, Like, people love Mulan. It changed

0:19:42.600 --> 0:19:46.880
<v Speaker 1>a lot um, all right, So I'll do the recap

0:19:46.920 --> 0:19:51.160
<v Speaker 1>and then we'll get into the discussion. We open we're

0:19:51.160 --> 0:19:56.439
<v Speaker 1>in ancient China. There's an attack un invasion led by

0:19:56.600 --> 0:20:00.800
<v Speaker 1>the big scary chan you, and the emperor is like,

0:20:01.119 --> 0:20:03.680
<v Speaker 1>this will not stand. We got to recruit people from

0:20:03.680 --> 0:20:07.560
<v Speaker 1>my army to fight these invaders. Then we meet Mulan.

0:20:07.840 --> 0:20:14.480
<v Speaker 1>She is prepared, kind of cheer good. She is preparing

0:20:14.520 --> 0:20:17.520
<v Speaker 1>to go to the village matchmaker because her family wants

0:20:17.520 --> 0:20:19.879
<v Speaker 1>her to be matched with a good husband so that

0:20:20.000 --> 0:20:23.399
<v Speaker 1>Mulan can bring honor to the family, because that's how

0:20:23.440 --> 0:20:26.320
<v Speaker 1>a woman in the world of this movie brings honor

0:20:26.359 --> 0:20:28.520
<v Speaker 1>to her family. We meet the mom, we meet her mom,

0:20:28.560 --> 0:20:30.400
<v Speaker 1>and we're like, oh, I wonder if this relationship will

0:20:30.440 --> 0:20:35.639
<v Speaker 1>be explored, and then it's like no, and they're like, funny,

0:20:35.640 --> 0:20:42.080
<v Speaker 1>Grandma Trope. I'm like, okay, it's kind of funny. And

0:20:42.119 --> 0:20:46.679
<v Speaker 1>then her meeting with the matchmaker goes disastrously and she

0:20:46.840 --> 0:20:50.080
<v Speaker 1>tells Mulan that you will never bring honor to your family,

0:20:50.320 --> 0:20:53.840
<v Speaker 1>and that's when Mulan sings reflection about how you know,

0:20:53.920 --> 0:20:56.600
<v Speaker 1>maybe being a bride is not the part she's supposed

0:20:56.600 --> 0:20:59.600
<v Speaker 1>to play. Then the army recruiters show up, and one

0:20:59.640 --> 0:21:03.080
<v Speaker 1>of them is this guy, Chief Wu, and he's like, hey,

0:21:03.160 --> 0:21:06.480
<v Speaker 1>the Emperor is ordering one man from every family to

0:21:06.720 --> 0:21:10.440
<v Speaker 1>serve in the Imperial Army. And Mulan's father is prepared

0:21:10.480 --> 0:21:13.800
<v Speaker 1>to serve. But Mulan thinks that he should not have

0:21:13.840 --> 0:21:16.480
<v Speaker 1>to fight. I think it's implied that he was already

0:21:16.760 --> 0:21:20.600
<v Speaker 1>um a warrior in a previous and he and he

0:21:20.680 --> 0:21:22.840
<v Speaker 1>was injured and he like walks with a cane and

0:21:22.840 --> 0:21:25.199
<v Speaker 1>stuff like that. So she's like, he should not have

0:21:25.240 --> 0:21:29.159
<v Speaker 1>to fight, so she decides to take his place. Um.

0:21:29.200 --> 0:21:31.639
<v Speaker 1>She cuts off her hair, she dons her father's armor

0:21:31.960 --> 0:21:34.880
<v Speaker 1>to disguise herself as a man, and then rides off

0:21:34.920 --> 0:21:38.560
<v Speaker 1>into the night. And her family discovers that she has left,

0:21:39.160 --> 0:21:41.760
<v Speaker 1>but they realize that if they reveal what she's done,

0:21:42.280 --> 0:21:45.439
<v Speaker 1>she will be killed. Um, so they can't go to

0:21:45.520 --> 0:21:56.560
<v Speaker 1>stop her. Meanwhile, and then Eddie Murphy, Eddie Murphy shuts up. Um.

0:21:56.600 --> 0:21:58.760
<v Speaker 1>There's a lot of high jinks and mishaps here, but

0:21:58.840 --> 0:22:01.800
<v Speaker 1>basically he's like, all right, I'm gonna go watch over

0:22:01.880 --> 0:22:04.639
<v Speaker 1>and help Mulan. I feel like he's just kind of

0:22:04.680 --> 0:22:08.400
<v Speaker 1>warming up for Shrek this whole movie. Like he literally

0:22:08.440 --> 0:22:11.920
<v Speaker 1>is just like maybe I could make a billion dollars

0:22:11.920 --> 0:22:14.560
<v Speaker 1>off of doing this. He's just warming up for Donkey

0:22:16.119 --> 0:22:22.320
<v Speaker 1>and never forget Shrek. Never forget Shrek, never forget Okay. So,

0:22:22.640 --> 0:22:25.879
<v Speaker 1>with the help of Mushu and Mulan's lucky cricket, she

0:22:25.960 --> 0:22:29.480
<v Speaker 1>goes off to join the army. And meanwhile, a young

0:22:29.560 --> 0:22:33.080
<v Speaker 1>soldier named Shang voiced by Beati Wong and the singing

0:22:33.160 --> 0:22:36.199
<v Speaker 1>voice is Donny Osmond. By the way, I know the

0:22:36.280 --> 0:22:41.600
<v Speaker 1>masked singer himself. He came in second place the first season.

0:22:42.160 --> 0:22:45.919
<v Speaker 1>Um uh. He is made captain of this army. And

0:22:45.920 --> 0:22:47.840
<v Speaker 1>I didn't catch this at first, but it's like a

0:22:47.880 --> 0:22:51.440
<v Speaker 1>nepotism thing higher basically where his father is the general.

0:22:51.720 --> 0:22:54.080
<v Speaker 1>I didn't either. I don't know why. When I was

0:22:54.119 --> 0:22:56.280
<v Speaker 1>a kid, I'm like, I don't know if I was

0:22:56.359 --> 0:22:59.480
<v Speaker 1>just I was so hyper focused on, like I love Mulan,

0:23:00.400 --> 0:23:04.640
<v Speaker 1>but I never realized that Lee Seng was nepotism and

0:23:04.720 --> 0:23:08.359
<v Speaker 1>that he was grieving for like half because his father

0:23:08.640 --> 0:23:12.720
<v Speaker 1>dies I totally forgot that. I thought that scene where

0:23:12.840 --> 0:23:16.400
<v Speaker 1>he sticks the sword down, puts his dad's helmet on top,

0:23:16.440 --> 0:23:19.240
<v Speaker 1>and Mulan sees him grief. I was like, that's a moment.

0:23:19.400 --> 0:23:26.160
<v Speaker 1>She was like, panties are wet a man didn't exactly

0:23:26.200 --> 0:23:29.080
<v Speaker 1>on the battlefield right after his father's deaths were just

0:23:29.119 --> 0:23:32.080
<v Speaker 1>like we're all there. She's seen him his shirtless and

0:23:32.080 --> 0:23:36.960
<v Speaker 1>then you're like, you're like, yeah, yeah, inappropriate, but you

0:23:36.960 --> 0:23:39.480
<v Speaker 1>you get the sentiment. And then that's like, I think,

0:23:39.480 --> 0:23:42.399
<v Speaker 1>a great moment in terms of like showing how like

0:23:42.760 --> 0:23:45.680
<v Speaker 1>I mean, they don't go all the way with masculinity

0:23:45.720 --> 0:23:47.840
<v Speaker 1>in this movie and kind of examining it, but the

0:23:47.840 --> 0:23:50.399
<v Speaker 1>way that you know, he has to to maintain his

0:23:50.480 --> 0:23:55.080
<v Speaker 1>role of authority compartmentalized like enormous grief totally. And then

0:23:55.119 --> 0:23:57.200
<v Speaker 1>he gets on his horse and he's like it's fine,

0:23:57.560 --> 0:24:00.119
<v Speaker 1>and everyone's like, oh, it isn't. And then they have

0:24:00.200 --> 0:24:06.720
<v Speaker 1>to you know, war war indeed today in addition to

0:24:06.760 --> 0:24:10.080
<v Speaker 1>other things. Yes, um okay. So he has made captain

0:24:10.160 --> 0:24:13.080
<v Speaker 1>and he begins training this group of recruits that Mulan

0:24:13.160 --> 0:24:18.440
<v Speaker 1>has joined, and she says, hey, guys, yes, I'm definitely

0:24:18.600 --> 0:24:22.440
<v Speaker 1>a man and my name is Ping, but Mulan as

0:24:22.560 --> 0:24:25.560
<v Speaker 1>Ping kind of gets off on the wrong foot accidentally

0:24:25.680 --> 0:24:29.040
<v Speaker 1>with a lot of the other soldiers um but eventually

0:24:29.480 --> 0:24:32.199
<v Speaker 1>she wins them over and they become friends, and the

0:24:32.240 --> 0:24:35.560
<v Speaker 1>training begins and Mulan is not good at anything. She

0:24:35.640 --> 0:24:38.919
<v Speaker 1>almost gets sent home, but then there's that fun training

0:24:38.920 --> 0:24:41.520
<v Speaker 1>montage and we see her get really good at everything

0:24:41.680 --> 0:24:46.480
<v Speaker 1>and one of the greatest songs in Disney history. It's

0:24:46.520 --> 0:24:50.920
<v Speaker 1>so and I didn't like in that long Slapper montage

0:24:51.600 --> 0:24:56.720
<v Speaker 1>you see the Mary Jane trope entirely like done away

0:24:56.760 --> 0:24:58.960
<v Speaker 1>with because it was it would be like, I feel

0:24:58.960 --> 0:25:01.240
<v Speaker 1>like a classic Disney steak to be like, and she

0:25:01.320 --> 0:25:04.240
<v Speaker 1>got to war and she just was good at war.

0:25:05.359 --> 0:25:08.960
<v Speaker 1>But it's like you see that she learns it and

0:25:09.080 --> 0:25:11.600
<v Speaker 1>really like commits to it, and so do the men

0:25:11.640 --> 0:25:14.720
<v Speaker 1>around her, and it's like it's a struggle for everyone

0:25:14.800 --> 0:25:17.720
<v Speaker 1>and it's like goofy, but at least you're like, okay,

0:25:17.760 --> 0:25:20.320
<v Speaker 1>at least they're showing like it's not it's not that

0:25:20.400 --> 0:25:23.479
<v Speaker 1>Mary Sue like chosen one kind of narrative, like she

0:25:23.680 --> 0:25:27.000
<v Speaker 1>really rested her asked to be a great soldier. We

0:25:27.080 --> 0:25:30.000
<v Speaker 1>see that in Aladdin with Jasmine where she's like awesome

0:25:30.000 --> 0:25:33.040
<v Speaker 1>at like flipping over across buildings and she's like, I'm

0:25:33.040 --> 0:25:35.000
<v Speaker 1>a fast learner and she's like yeah, it's like you've

0:25:35.040 --> 0:25:37.760
<v Speaker 1>never left your palace, Like how are you right? You're

0:25:37.800 --> 0:25:40.200
<v Speaker 1>just like you've never left any Yeah there, when would

0:25:40.200 --> 0:25:43.640
<v Speaker 1>you have practiced that? That's a really good point because

0:25:43.680 --> 0:25:46.919
<v Speaker 1>I was reading about the legend, and in the Chinese

0:25:47.040 --> 0:25:50.240
<v Speaker 1>legend she actually learned martial arts and sword fighting and

0:25:50.240 --> 0:25:53.600
<v Speaker 1>everything from her dad. But if you had gone that

0:25:53.680 --> 0:25:56.200
<v Speaker 1>route with the story, you would have been not able

0:25:56.200 --> 0:25:59.200
<v Speaker 1>to have the training montage because I think what's what's

0:25:59.240 --> 0:26:01.159
<v Speaker 1>so great about the trade being montage, in addition to

0:26:01.200 --> 0:26:04.280
<v Speaker 1>the sun and everything, is that it's the camaraderie with

0:26:04.320 --> 0:26:07.280
<v Speaker 1>her friends. That's that's what builds like an army, right,

0:26:07.320 --> 0:26:10.320
<v Speaker 1>Like speaking of the military industrial commers, one of the

0:26:10.320 --> 0:26:12.480
<v Speaker 1>many reasons that so many men are so what it

0:26:12.560 --> 0:26:15.520
<v Speaker 1>imponded to it is the commonality of experience of going

0:26:15.560 --> 0:26:20.000
<v Speaker 1>through war training. Yeah. Yeah, and like seeing that, I

0:26:20.000 --> 0:26:22.879
<v Speaker 1>don't know. I like that they not only managed to

0:26:22.920 --> 0:26:24.320
<v Speaker 1>show that, but they may as you show it, and

0:26:24.359 --> 0:26:28.720
<v Speaker 1>maybe the most entertaining way history of war movies, I know,

0:26:29.160 --> 0:26:32.440
<v Speaker 1>because like compared this training montage to like the boot

0:26:32.480 --> 0:26:35.720
<v Speaker 1>camp sequence in Full Metal Jacket, and you're just like, oh,

0:26:35.760 --> 0:26:39.040
<v Speaker 1>these are totally very different, like we know which one

0:26:39.119 --> 0:26:46.080
<v Speaker 1>is more realistic, but which one has fun um Okay.

0:26:46.119 --> 0:26:48.920
<v Speaker 1>So then she goes through the montage. She gets really

0:26:48.920 --> 0:26:51.040
<v Speaker 1>good at everything. She's the only one who can figure

0:26:51.040 --> 0:26:52.360
<v Speaker 1>out how to get to the top of the poll

0:26:52.400 --> 0:26:56.399
<v Speaker 1>to retrieve the arrow that Shang had fired. She's st

0:26:56.560 --> 0:26:59.520
<v Speaker 1>smart um and by the end she's at the top

0:26:59.560 --> 0:27:02.600
<v Speaker 1>of her class, so to speak. Um. Meanwhile, the Hun

0:27:02.840 --> 0:27:06.760
<v Speaker 1>army is advancing and Mulan and her fellow soldiers are

0:27:06.800 --> 0:27:10.639
<v Speaker 1>sent to fight. They come upon Shan You and his

0:27:10.720 --> 0:27:13.520
<v Speaker 1>giant army of Hans who start to advance on them,

0:27:13.680 --> 0:27:17.320
<v Speaker 1>and they're about to aim a canon at Shan You,

0:27:17.600 --> 0:27:20.080
<v Speaker 1>but Mulan is like, no, I have a better idea,

0:27:20.119 --> 0:27:22.240
<v Speaker 1>and she aims it at the mountain, which causes that

0:27:22.320 --> 0:27:28.040
<v Speaker 1>huge avalanche that berries Shanu's army, and everyone's like hip hip,

0:27:28.080 --> 0:27:32.720
<v Speaker 1>hooray for Ping. But Mulan as Ping has been wounded,

0:27:33.200 --> 0:27:37.280
<v Speaker 1>and when her wound is tended to, that's when everyone

0:27:37.320 --> 0:27:41.439
<v Speaker 1>discovers that she is a woman. And in one of

0:27:41.480 --> 0:27:46.240
<v Speaker 1>the rewatching it goofy ist music stings I've ever heard of,

0:27:46.320 --> 0:27:50.159
<v Speaker 1>Like when comes in Oh, when Lesian comes into the

0:27:50.200 --> 0:27:54.520
<v Speaker 1>tent and Mulan is revealed to have titties, there's a

0:27:54.560 --> 0:27:59.080
<v Speaker 1>sinister titty sting where it goes like it goes like Dune, Dune,

0:28:00.320 --> 0:28:05.679
<v Speaker 1>and it's like she has t and then everyone's like, like,

0:28:05.840 --> 0:28:09.080
<v Speaker 1>it's so weird at least soapy in the middle of

0:28:09.119 --> 0:28:11.639
<v Speaker 1>this great movie. But I like rewound. I was like,

0:28:11.640 --> 0:28:15.360
<v Speaker 1>wait a second, they did that. There is a sinister

0:28:18.440 --> 0:28:22.439
<v Speaker 1>like I guess that that like if you're but you're like,

0:28:22.640 --> 0:28:24.960
<v Speaker 1>that's a little on the nose, but yeah, it's like

0:28:25.040 --> 0:28:29.760
<v Speaker 1>she has t. Well, when it's revealed that she is

0:28:29.800 --> 0:28:33.320
<v Speaker 1>a woman, um, they're like, this is treason and the

0:28:33.400 --> 0:28:37.119
<v Speaker 1>penalty was supposed to be death, but because she saved Shang,

0:28:37.400 --> 0:28:41.200
<v Speaker 1>he spares her life. Because of that awarding male mediocrity,

0:28:41.560 --> 0:28:44.040
<v Speaker 1>I have to date this man because he didn't murder me.

0:28:45.440 --> 0:28:49.680
<v Speaker 1>It doesn't seem fair. So instead they just abandoned her

0:28:49.960 --> 0:28:52.680
<v Speaker 1>and she feels as though she's a failure and she's

0:28:52.680 --> 0:28:55.840
<v Speaker 1>about to turn and go back home. But this is

0:28:55.880 --> 0:29:00.000
<v Speaker 1>also when she sees Chanyu's army rise up from the avalanche,

0:29:00.640 --> 0:29:03.800
<v Speaker 1>like the snow and she realizes she has to go

0:29:04.080 --> 0:29:07.280
<v Speaker 1>worn the army, so she does this. She arrives in

0:29:07.440 --> 0:29:09.960
<v Speaker 1>the city. No one will listen to her because she's

0:29:09.960 --> 0:29:12.600
<v Speaker 1>a woman and these men do not, and they view

0:29:12.640 --> 0:29:17.000
<v Speaker 1>her as a trader. They're having a parade for her work,

0:29:17.200 --> 0:29:22.360
<v Speaker 1>but yes, they're they're taking credit for It's in fury.

0:29:24.480 --> 0:29:27.880
<v Speaker 1>She's like, She's like, the Huns are about to kill you,

0:29:27.920 --> 0:29:30.440
<v Speaker 1>and they're like, go away, shut up. Yeah, while they're

0:29:30.480 --> 0:29:34.800
<v Speaker 1>like spending however much money, literally taking credit for her work,

0:29:34.920 --> 0:29:37.480
<v Speaker 1>and it's like, what a beautiful parade that she cannot

0:29:37.520 --> 0:29:41.480
<v Speaker 1>get through and then she gets no credit for It's

0:29:41.520 --> 0:29:44.840
<v Speaker 1>like it's a celebration of her accomplishment that she has

0:29:44.880 --> 0:29:49.720
<v Speaker 1>to overcome because yeah, so so rude, um so. And

0:29:49.760 --> 0:29:53.640
<v Speaker 1>then during this victory celebration, the Huns attack and kidnaped

0:29:53.640 --> 0:29:57.680
<v Speaker 1>the emperor, but Milan and her friends fight back and

0:29:58.000 --> 0:30:02.320
<v Speaker 1>dressed in drag while doing it um to trick the Huns. Yes,

0:30:02.800 --> 0:30:05.880
<v Speaker 1>they saved the emperor and Mulan kills Shan you and

0:30:05.920 --> 0:30:10.320
<v Speaker 1>the emperor is like, wow, Mulan, you're so cool. Here's

0:30:10.320 --> 0:30:13.720
<v Speaker 1>a spot on my council and she's like, no, I'm good.

0:30:13.760 --> 0:30:17.640
<v Speaker 1>Actually I'm gonna go home to my family. She returns home,

0:30:18.000 --> 0:30:21.480
<v Speaker 1>her family realizes, oh, you have brought us great honor,

0:30:22.040 --> 0:30:25.680
<v Speaker 1>um for being a war hero. And then Shang shows

0:30:25.760 --> 0:30:30.040
<v Speaker 1>up and he's like, oh, you're cute. I just realized.

0:30:30.920 --> 0:30:35.400
<v Speaker 1>This is where like in retrospect you're just like, yeah,

0:30:35.440 --> 0:30:38.120
<v Speaker 1>I'm not crazy, and I'm not I'm not happy about

0:30:38.960 --> 0:30:45.560
<v Speaker 1>the ending, but and that's so let's take a quick

0:30:45.560 --> 0:30:53.040
<v Speaker 1>break and then we'll come right back to discuss. And

0:30:53.120 --> 0:30:57.360
<v Speaker 1>we're back. Yes, um so, because we just finished Caitlin's

0:30:57.400 --> 0:31:03.360
<v Speaker 1>famous recap, I think that on rewatch Um, the ending

0:31:03.560 --> 0:31:06.320
<v Speaker 1>is one of the parts of the movie that holds

0:31:06.400 --> 0:31:11.280
<v Speaker 1>up the least well for me, Um because I feel like,

0:31:11.560 --> 0:31:13.920
<v Speaker 1>you know, at the climax of the movie, the whole

0:31:13.960 --> 0:31:19.160
<v Speaker 1>country bows to her. I'm like weeping. It's the most cathartic, amazing,

0:31:19.320 --> 0:31:23.800
<v Speaker 1>Like this woman who has been through this intense sacrifice

0:31:23.920 --> 0:31:27.719
<v Speaker 1>and like she's done so much and she's finally like

0:31:27.800 --> 0:31:32.400
<v Speaker 1>just getting credit for what she did. It's so just

0:31:32.560 --> 0:31:34.760
<v Speaker 1>like you don't get to see that a lot, especially

0:31:34.800 --> 0:31:37.760
<v Speaker 1>in the kids movie, and and then to see what

0:31:37.800 --> 0:31:41.200
<v Speaker 1>the like where that leads to is I feel like

0:31:41.240 --> 0:31:44.440
<v Speaker 1>you see this whole movie of Mulan kicking open this

0:31:44.480 --> 0:31:47.240
<v Speaker 1>door that was not open for women, and then the

0:31:47.240 --> 0:31:49.760
<v Speaker 1>movie ends with that door just kind of shutting behind

0:31:49.840 --> 0:31:53.960
<v Speaker 1>her because the and and especially bothers me and the

0:31:53.960 --> 0:31:56.880
<v Speaker 1>way that they wrote that scene between her and the emperor,

0:31:56.920 --> 0:31:58.880
<v Speaker 1>and then how the Emperor talks to Lei Shang about

0:31:58.880 --> 0:32:02.120
<v Speaker 1>her after she leaves, which he basically is just saying

0:32:02.280 --> 0:32:04.400
<v Speaker 1>she's not like the other girls. It doesn't make him

0:32:04.400 --> 0:32:09.160
<v Speaker 1>reconsider should women be given more opportunities? Should women be

0:32:09.280 --> 0:32:11.360
<v Speaker 1>allowed to be in the military. He's like, you don't

0:32:11.400 --> 0:32:14.520
<v Speaker 1>mean a girl like that every dynasty wink wink, And

0:32:14.600 --> 0:32:17.200
<v Speaker 1>it's just like totally missing the point of what the

0:32:17.240 --> 0:32:20.000
<v Speaker 1>movie seem to have such a great understanding of. And

0:32:20.040 --> 0:32:23.400
<v Speaker 1>they're just like, oh, like, yeah, women can do stuff

0:32:23.440 --> 0:32:27.320
<v Speaker 1>as long as they're like this woman. And even even

0:32:27.400 --> 0:32:31.000
<v Speaker 1>she is just sent back home to domesticity and a

0:32:31.040 --> 0:32:33.320
<v Speaker 1>boyfriend and she has to be okay with that, right,

0:32:33.640 --> 0:32:36.640
<v Speaker 1>like to be fair. That is how the legend also

0:32:36.760 --> 0:32:40.120
<v Speaker 1>kind of ends, and legend ends so much worse. Yeah,

0:32:40.400 --> 0:32:45.840
<v Speaker 1>Like but it's like it's and I feel like a

0:32:45.920 --> 0:32:48.920
<v Speaker 1>movie that does so much more than most movies made

0:32:48.920 --> 0:32:52.440
<v Speaker 1>for young girls do, Like they could have taken some

0:32:52.560 --> 0:32:55.440
<v Speaker 1>artistic license there and could have given her a life

0:32:56.080 --> 0:32:57.959
<v Speaker 1>that didn't have to just do it. And she has

0:32:58.000 --> 0:33:00.560
<v Speaker 1>a boyfriend now and that and the end right, and

0:33:00.600 --> 0:33:04.200
<v Speaker 1>I have complicated feelings about this because like the Emperor

0:33:04.280 --> 0:33:07.480
<v Speaker 1>is like, hey, you're so great that I want to

0:33:07.480 --> 0:33:10.520
<v Speaker 1>offer you a position on my counsel. He's like giving

0:33:10.520 --> 0:33:15.000
<v Speaker 1>her this, this position of power, and she refuses to

0:33:15.360 --> 0:33:17.040
<v Speaker 1>do that. She's like, I'd rather go home and be

0:33:17.080 --> 0:33:19.920
<v Speaker 1>with my family, and that's her choice. But also the

0:33:19.960 --> 0:33:23.280
<v Speaker 1>movie makes her make that choice, and like they don't

0:33:23.320 --> 0:33:25.600
<v Speaker 1>need to do that. I don't know, it just felt weird,

0:33:25.800 --> 0:33:28.600
<v Speaker 1>and I was glad that at least it's like, oh,

0:33:28.680 --> 0:33:31.000
<v Speaker 1>she was offered an opportunity, but that almost makes it

0:33:31.040 --> 0:33:34.680
<v Speaker 1>feel weirder to me. Of like her whole like the

0:33:34.760 --> 0:33:38.000
<v Speaker 1>Disney Renaissance model, of like the heroine at the beginning

0:33:38.080 --> 0:33:40.360
<v Speaker 1>sings about what she wants and it's to be like

0:33:41.040 --> 0:33:43.520
<v Speaker 1>seen for being different and that's okay, and then at

0:33:43.560 --> 0:33:45.280
<v Speaker 1>the end she just decides to be the same. Like

0:33:45.320 --> 0:33:48.600
<v Speaker 1>that that doesn't even feel consistent with the character. All

0:33:48.640 --> 0:33:50.880
<v Speaker 1>of those two those two points are really good consistent

0:33:50.960 --> 0:33:54.040
<v Speaker 1>with the way that this movie portrays Mulan. I think

0:33:54.120 --> 0:33:57.080
<v Speaker 1>maybe what they were trying to do is hard come

0:33:57.120 --> 0:34:00.200
<v Speaker 1>back to the myth, which has Mula and being like,

0:34:00.280 --> 0:34:02.840
<v Speaker 1>I love my family so much and war is going

0:34:02.880 --> 0:34:05.040
<v Speaker 1>to come between my family, and I have to stop

0:34:05.040 --> 0:34:07.080
<v Speaker 1>the war so that I can be with my family,

0:34:07.520 --> 0:34:09.520
<v Speaker 1>And I don't think the movie does that very well.

0:34:09.560 --> 0:34:13.000
<v Speaker 1>I think the movie focuses more on her individuating herself,

0:34:13.480 --> 0:34:17.360
<v Speaker 1>improving herself, and so it is distinctly disappointing at the

0:34:17.480 --> 0:34:20.759
<v Speaker 1>end when she reverts when she gets I mean Lesha

0:34:20.800 --> 0:34:22.879
<v Speaker 1>and is a boyfriend, which is great, but like, that's

0:34:22.880 --> 0:34:26.160
<v Speaker 1>not that doesn't feel like where we've been led. Yeah,

0:34:26.160 --> 0:34:29.040
<v Speaker 1>and that also was never her goal, Like it didn't

0:34:29.080 --> 0:34:31.759
<v Speaker 1>we weren't led to believe that she she The movie

0:34:31.800 --> 0:34:35.879
<v Speaker 1>starts with her outright not wanting a relationship in any way,

0:34:35.960 --> 0:34:38.160
<v Speaker 1>to the point where she's like really frustrated that it's

0:34:38.200 --> 0:34:41.960
<v Speaker 1>being forced a p and so I mean, it's it's

0:34:42.200 --> 0:34:44.759
<v Speaker 1>I feel like, at least it's like, you know, she's

0:34:44.840 --> 0:34:48.400
<v Speaker 1>choosing her partner, and that is different from what is

0:34:48.400 --> 0:34:50.040
<v Speaker 1>being presented to her at the beginning. But it just

0:34:50.080 --> 0:34:54.000
<v Speaker 1>feels like a not a fair compromise for the character

0:34:54.080 --> 0:34:57.000
<v Speaker 1>that we've I don't know. And it's weird because it's

0:34:57.000 --> 0:34:58.320
<v Speaker 1>like when I was a kid and when I was

0:34:58.320 --> 0:35:00.520
<v Speaker 1>watching this movie growing up, I never really thought of

0:35:00.560 --> 0:35:03.200
<v Speaker 1>it that way, but watching it now, I was it

0:35:03.320 --> 0:35:05.879
<v Speaker 1>was It's not like I mean, it's still an incredible movie,

0:35:05.920 --> 0:35:08.560
<v Speaker 1>but I was kind of like, I feel like Mulan

0:35:08.600 --> 0:35:11.040
<v Speaker 1>would want more. I don't know, and well, what's your

0:35:11.239 --> 0:35:13.799
<v Speaker 1>ideal ending? How would you want to see her end up?

0:35:13.960 --> 0:35:16.480
<v Speaker 1>My ending? Okay, I was trying. I was trying to

0:35:16.480 --> 0:35:20.280
<v Speaker 1>think about this. I if she ends up with Leashing, great,

0:35:20.680 --> 0:35:23.879
<v Speaker 1>but I feel like if her and Lea Shang they

0:35:24.000 --> 0:35:27.560
<v Speaker 1>worked together maybe and like she's proven herself to be

0:35:27.560 --> 0:35:30.480
<v Speaker 1>this incredible soldier and maybe they could work alongside each

0:35:30.520 --> 0:35:35.040
<v Speaker 1>other as and which I mean that's probably not historically feasible,

0:35:35.120 --> 0:35:37.319
<v Speaker 1>but it's a Disney movie. Like I'd like to see

0:35:37.360 --> 0:35:39.799
<v Speaker 1>her go on and like in my head, I'm like

0:35:40.000 --> 0:35:44.880
<v Speaker 1>flash forward to Mulan training young girls in like physical combat,

0:35:45.080 --> 0:35:47.719
<v Speaker 1>Like that's badass, even if it's in her hometown and

0:35:47.760 --> 0:35:49.640
<v Speaker 1>her dad's there and he's like, I'm so proud, and

0:35:49.719 --> 0:35:51.400
<v Speaker 1>her mom is like I wish I was a character

0:35:52.040 --> 0:35:55.680
<v Speaker 1>and I wi had in her life, right, but it's

0:35:55.680 --> 0:35:58.080
<v Speaker 1>like Mulan training young girls and maybe she's home with

0:35:58.120 --> 0:36:00.800
<v Speaker 1>her family, but it's like something of like has something

0:36:00.840 --> 0:36:04.680
<v Speaker 1>that's more than what she was rebelling against at the beginning,

0:36:04.880 --> 0:36:07.040
<v Speaker 1>right mind, when my version of the ending would be

0:36:07.520 --> 0:36:11.200
<v Speaker 1>if she accepts that position on the Emperor's Council. Again,

0:36:11.239 --> 0:36:14.880
<v Speaker 1>assuming it's he's not like, you know, an evil dictator.

0:36:15.120 --> 0:36:18.480
<v Speaker 1>We don't know of this dynasty, but we're not sure,

0:36:18.480 --> 0:36:20.719
<v Speaker 1>so hopefully, you know, he's very progressive. He's you know

0:36:20.760 --> 0:36:25.719
<v Speaker 1>that he like more women on the council and right exactly,

0:36:25.760 --> 0:36:28.879
<v Speaker 1>I mean hopefully that's why he offers on the job.

0:36:29.120 --> 0:36:31.279
<v Speaker 1>But she accepts the position, she moves her family to

0:36:31.480 --> 0:36:33.440
<v Speaker 1>like the Imperial City so she can still be with

0:36:33.480 --> 0:36:36.400
<v Speaker 1>her family. But you know, she's got this powerful position

0:36:36.440 --> 0:36:39.239
<v Speaker 1>in politics and stuff like that. And you know, if

0:36:39.280 --> 0:36:42.719
<v Speaker 1>she ends up with Shang, fine, but for the movie

0:36:42.760 --> 0:36:44.360
<v Speaker 1>to end that way where like he shows up and

0:36:44.400 --> 0:36:48.040
<v Speaker 1>he's like, hey, I just realize you're hot. That just

0:36:48.040 --> 0:36:50.480
<v Speaker 1>feels so tacked on, especially because like what you were

0:36:50.520 --> 0:36:54.120
<v Speaker 1>saying where right around the low point of the movie

0:36:54.360 --> 0:36:58.279
<v Speaker 1>screenwriting degree, I had to mention it. But um, she

0:36:58.800 --> 0:37:03.279
<v Speaker 1>has this whole in realization where she's like, oh, I, UM,

0:37:03.280 --> 0:37:05.640
<v Speaker 1>maybe I didn't do this for my father, because that's

0:37:05.640 --> 0:37:07.880
<v Speaker 1>what seems like her motivation is initially where she's like,

0:37:07.880 --> 0:37:10.160
<v Speaker 1>I'm going to save my father's life, and I think

0:37:10.160 --> 0:37:12.040
<v Speaker 1>that's probably still part of why she makes that choice,

0:37:12.080 --> 0:37:14.400
<v Speaker 1>but she realizes like, maybe I didn't do this for

0:37:14.480 --> 0:37:17.319
<v Speaker 1>my father. Maybe I what I really wanted was to

0:37:17.400 --> 0:37:20.440
<v Speaker 1>prove that I could do things right, like, because we

0:37:20.560 --> 0:37:24.200
<v Speaker 1>see her failing so miserably at like being what's expected

0:37:24.320 --> 0:37:27.240
<v Speaker 1>of her as like a traditional woman and a bride.

0:37:27.800 --> 0:37:29.479
<v Speaker 1>So she's like, but here's something I think I could

0:37:29.480 --> 0:37:32.040
<v Speaker 1>be good at, and it turns out she is, and

0:37:32.080 --> 0:37:33.960
<v Speaker 1>it ends up I feel like those themes end up

0:37:34.040 --> 0:37:36.520
<v Speaker 1>kind of fighting with each other a little bit, where

0:37:36.560 --> 0:37:40.680
<v Speaker 1>they just like by subscribing kind of strictly to the

0:37:41.560 --> 0:37:45.640
<v Speaker 1>like mythic mulan that has existed in culture for thousands

0:37:45.680 --> 0:37:49.080
<v Speaker 1>of years and then also adding in these nineties themes,

0:37:49.080 --> 0:37:51.239
<v Speaker 1>but the nineties themes don't really pay off in the

0:37:51.239 --> 0:37:53.839
<v Speaker 1>way that it's written, um, and they kind of just

0:37:53.920 --> 0:37:57.200
<v Speaker 1>they're like, well it we have basically this ending, so

0:37:57.280 --> 0:37:59.759
<v Speaker 1>let's just keep it. But it is like she has

0:37:59.800 --> 0:38:02.200
<v Speaker 1>that line where she literally like maybe I wanted to

0:38:02.239 --> 0:38:03.960
<v Speaker 1>do things right, maybe I wanted to look in the

0:38:04.000 --> 0:38:08.200
<v Speaker 1>mirror and see someone worthwhile. And that's like, I mean,

0:38:08.280 --> 0:38:12.879
<v Speaker 1>she articulates that herself, and I feel like that desire

0:38:13.520 --> 0:38:15.440
<v Speaker 1>is maybe paid off a little bit in the fact that,

0:38:15.719 --> 0:38:18.520
<v Speaker 1>you know, trying to bowse to her, she gets credit

0:38:18.719 --> 0:38:22.280
<v Speaker 1>and she gets validation. But to think that that is like, Okay,

0:38:22.320 --> 0:38:24.920
<v Speaker 1>well I'm done, I'm self actualized, and now I can

0:38:24.960 --> 0:38:28.680
<v Speaker 1>just be a wife just doesn't It feels like it

0:38:28.800 --> 0:38:31.600
<v Speaker 1>undoes a lot of what had been set up. I

0:38:31.640 --> 0:38:33.719
<v Speaker 1>like that they try to add these modern themes, but

0:38:33.760 --> 0:38:35.440
<v Speaker 1>I just feel like they're not fully paid off on

0:38:36.560 --> 0:38:39.600
<v Speaker 1>It's like the themes are modern, but the actions are

0:38:39.719 --> 0:38:45.359
<v Speaker 1>historic but not, but then the historical actions undermine the themes. Yeah,

0:38:45.480 --> 0:38:48.520
<v Speaker 1>it ends up kind of like being like, yeah, in

0:38:48.560 --> 0:38:51.040
<v Speaker 1>a little bit of conflict with each other. Yeah. I

0:38:51.080 --> 0:38:53.400
<v Speaker 1>just think maybe in history two women have always found

0:38:53.400 --> 0:38:57.719
<v Speaker 1>ways to to enact rebellion in ways that you just

0:38:58.000 --> 0:39:01.480
<v Speaker 1>just not obvious. And and an historical record is so

0:39:01.680 --> 0:39:05.560
<v Speaker 1>shitty at keeping record about women in general. Who knows

0:39:05.600 --> 0:39:08.760
<v Speaker 1>if if Mulan didn't. Okay, so in my version, Mulan

0:39:09.920 --> 0:39:14.200
<v Speaker 1>besides that living as a man is pretty awesome. So

0:39:14.280 --> 0:39:18.240
<v Speaker 1>she goes back to her hometown, tells her parents maybe

0:39:18.239 --> 0:39:21.280
<v Speaker 1>like assuages them or does something where she like assuages

0:39:21.320 --> 0:39:24.000
<v Speaker 1>their fears because there's going to be news all over

0:39:24.040 --> 0:39:25.960
<v Speaker 1>about her, and she just goes on and lives as

0:39:25.960 --> 0:39:29.120
<v Speaker 1>a man and like figures out like how because she's

0:39:29.160 --> 0:39:36.120
<v Speaker 1>so successful. As I love this reason, listeners, please share

0:39:36.200 --> 0:39:39.560
<v Speaker 1>your ideal ending of Mulana. We all agree the one

0:39:39.560 --> 0:39:42.439
<v Speaker 1>that we get isn't the perfect one, and I mean,

0:39:42.440 --> 0:39:44.279
<v Speaker 1>there's just seems like there's three better ideas in the

0:39:44.320 --> 0:39:46.600
<v Speaker 1>room right now, I think, so maybe the live action

0:39:46.880 --> 0:39:49.359
<v Speaker 1>one will you know, it'll be closer to one of these.

0:39:49.600 --> 0:39:52.799
<v Speaker 1>Could I really quickly share just the the sourcement, just

0:39:52.840 --> 0:39:56.480
<v Speaker 1>a quick summary of what the kind of legend um

0:39:56.520 --> 0:39:59.200
<v Speaker 1>and how it goes, because I wasn't totally I knew

0:39:59.239 --> 0:40:01.000
<v Speaker 1>that it was based on something, but I didn't know

0:40:01.040 --> 0:40:02.640
<v Speaker 1>if it had something to do with history or for

0:40:02.680 --> 0:40:06.120
<v Speaker 1>a strictly legend. It seems like it's legend um, but

0:40:06.440 --> 0:40:11.680
<v Speaker 1>so here's a quick wiki summary. It is officially based

0:40:11.800 --> 0:40:15.840
<v Speaker 1>on the Ballad of Mulan that goes a little something

0:40:16.200 --> 0:40:20.040
<v Speaker 1>like this. It's set in the Northern Way era, which

0:40:20.080 --> 0:40:23.919
<v Speaker 1>is between three eight six and five thirty six, which

0:40:23.960 --> 0:40:25.960
<v Speaker 1>is like somewhere in the time that the movie is

0:40:26.000 --> 0:40:28.279
<v Speaker 1>also supposed to take place. Is a D or BC

0:40:28.600 --> 0:40:31.279
<v Speaker 1>a D but you know, a long time ago. We

0:40:31.320 --> 0:40:33.640
<v Speaker 1>don't know what the politics are at this time. We

0:40:33.680 --> 0:40:35.839
<v Speaker 1>still don't know who's right. I try, I was really

0:40:35.880 --> 0:40:39.000
<v Speaker 1>trying to do research of like is this a real war? Yes?

0:40:39.120 --> 0:40:42.040
<v Speaker 1>Who is right? I couldn't figure it out. I've got confused.

0:40:42.080 --> 0:40:45.520
<v Speaker 1>I'm sorry. Uh. The poem starts with Mulan sitting worriedly

0:40:45.600 --> 0:40:47.920
<v Speaker 1>at her loom as one male from each family is

0:40:47.960 --> 0:40:50.560
<v Speaker 1>called to serve in the army to defend the Tuoba

0:40:50.600 --> 0:40:54.040
<v Speaker 1>Realm from the Ruin invaders. Her father is old and weak,

0:40:54.120 --> 0:40:56.680
<v Speaker 1>and her younger brother, which I'm like, oh, we cut

0:40:56.719 --> 0:40:59.160
<v Speaker 1>him in. Well here's a dog. When she's like little brother,

0:40:59.280 --> 0:41:03.400
<v Speaker 1>little brother, yea the dog. Well, her younger brother is

0:41:03.480 --> 0:41:06.080
<v Speaker 1>just a child or a dog. So she decides to

0:41:06.080 --> 0:41:08.520
<v Speaker 1>take her father's place and bids farewell to her parents,

0:41:08.520 --> 0:41:10.960
<v Speaker 1>who support her, which I think is an interesting difference.

0:41:10.960 --> 0:41:13.480
<v Speaker 1>And she tells her parents I'm doing this. I kind

0:41:13.480 --> 0:41:16.240
<v Speaker 1>of like that about her away. She's already skilled in fighting,

0:41:16.480 --> 0:41:19.000
<v Speaker 1>having been taught martial arts, sword fighting, in archery by

0:41:19.000 --> 0:41:21.080
<v Speaker 1>the time she lists in the army, which I think

0:41:21.120 --> 0:41:23.360
<v Speaker 1>is what you were saying to about her dad. And

0:41:23.400 --> 0:41:26.279
<v Speaker 1>the interesting thing about Chinese women is that like kind

0:41:26.280 --> 0:41:29.319
<v Speaker 1>of feminism went through different waves. I mean, the kind

0:41:29.360 --> 0:41:32.600
<v Speaker 1>of feminism that we know about ancient Chinese women during

0:41:32.600 --> 0:41:37.120
<v Speaker 1>the Confusion periods are like very like subservient and like

0:41:37.120 --> 0:41:40.279
<v Speaker 1>like supposed to obey the patriarchy. But Chinese women also

0:41:40.320 --> 0:41:42.239
<v Speaker 1>went through periods of time where they were the head

0:41:42.239 --> 0:41:45.200
<v Speaker 1>of the household and they were like more pushed to

0:41:45.239 --> 0:41:49.200
<v Speaker 1>the forefront, and those records are lost in history. Of course,

0:41:49.840 --> 0:41:53.520
<v Speaker 1>it's comforting to be like, maybe it happened there, It

0:41:53.840 --> 0:41:57.279
<v Speaker 1>seems like Mulan, especially because like for a story to

0:41:57.320 --> 0:42:00.160
<v Speaker 1>persist for this long and like it seems like this

0:42:00.200 --> 0:42:03.040
<v Speaker 1>story was written in a period where women had more

0:42:03.120 --> 0:42:07.720
<v Speaker 1>agency than possibly we do right now. Um, So after

0:42:07.719 --> 0:42:09.960
<v Speaker 1>twelve years of fighting the army, so she's in the

0:42:10.000 --> 0:42:13.080
<v Speaker 1>military for twelve years, and after twelve years the army

0:42:13.120 --> 0:42:16.200
<v Speaker 1>returns and the warriors are rewarded. Mulan turns down an

0:42:16.200 --> 0:42:19.120
<v Speaker 1>official post and asked only for a camel to carry

0:42:19.160 --> 0:42:21.279
<v Speaker 1>her home. Wouldn't it be great if she left on

0:42:21.280 --> 0:42:25.480
<v Speaker 1>a camel. She's gretably joyed by her family. Mulan donned

0:42:25.480 --> 0:42:27.840
<v Speaker 1>her old clothes and meets her comrades, who are shocked

0:42:27.920 --> 0:42:30.520
<v Speaker 1>that in the twelve years of their enlistment together, they

0:42:30.520 --> 0:42:35.440
<v Speaker 1>did not realize she was a woman. So that's the story.

0:42:35.600 --> 0:42:38.960
<v Speaker 1>So I feel like that element the ending is kind

0:42:38.960 --> 0:42:42.680
<v Speaker 1>of pulled from the legend in but then like some

0:42:42.760 --> 0:42:44.520
<v Speaker 1>of the parts I think about the legend that are

0:42:44.520 --> 0:42:48.000
<v Speaker 1>really cool are left out, Like what if Mulan left

0:42:48.080 --> 0:42:50.920
<v Speaker 1>with her parents blessing? That's kind of wild, And like

0:42:51.000 --> 0:42:54.560
<v Speaker 1>what if her father had actively trained her that would

0:42:54.560 --> 0:42:57.000
<v Speaker 1>have been I don't know. There's like parts of this

0:42:57.200 --> 0:43:00.319
<v Speaker 1>ancient story that feel more progressive than the story where right.

0:43:01.080 --> 0:43:06.120
<v Speaker 1>I wonder if, like the this adaptation was like, well,

0:43:06.440 --> 0:43:11.080
<v Speaker 1>let's really heighten the patriarchy here, but then also like

0:43:11.360 --> 0:43:13.759
<v Speaker 1>bowed down to it by the very like in the

0:43:13.840 --> 0:43:16.560
<v Speaker 1>very final scene of So did y'all check out the

0:43:16.600 --> 0:43:20.600
<v Speaker 1>credit the writing credits for this movie. So the story

0:43:20.680 --> 0:43:24.200
<v Speaker 1>is adapted by Robert C. Somebody somebody, and then the

0:43:24.239 --> 0:43:27.840
<v Speaker 1>actual screenplays written by like five different people, one person

0:43:27.880 --> 0:43:30.759
<v Speaker 1>being I think Chinese. I think there's one person of

0:43:30.800 --> 0:43:36.000
<v Speaker 1>the fighters, Yeah, is Chinese who her other writing credits

0:43:36.040 --> 0:43:38.640
<v Speaker 1>I found were Toy Story two and My Little Pony Movie.

0:43:38.840 --> 0:43:43.200
<v Speaker 1>So she's solid, solid record, solid. Yeah. I was reading

0:43:43.239 --> 0:43:46.840
<v Speaker 1>on Cora. I just got curious about what the Chinese

0:43:46.840 --> 0:43:49.600
<v Speaker 1>think about Mulan, and I just love Cora and all

0:43:49.640 --> 0:43:54.000
<v Speaker 1>it's freaky people the right like ten pages for every answer.

0:43:54.800 --> 0:43:58.520
<v Speaker 1>And one of the commenters said that Kung Fu Panda

0:43:58.600 --> 0:44:04.840
<v Speaker 1>was a better depiction of Chinese culture. Cannot disagree because

0:44:04.920 --> 0:44:09.439
<v Speaker 1>comul Panic got a lot of things right. Well, let's

0:44:09.440 --> 0:44:12.000
<v Speaker 1>talk about I mean, the depiction of Chinese culture in

0:44:12.400 --> 0:44:14.399
<v Speaker 1>this movie, because a lot of the criticism I've seen

0:44:14.400 --> 0:44:17.319
<v Speaker 1>around this and again I'm like a dumb white lady

0:44:17.320 --> 0:44:21.719
<v Speaker 1>from Massachusetts, so my knowledge is limited, but reading just

0:44:21.760 --> 0:44:24.680
<v Speaker 1>a little a little bit about the criticism surrounding it,

0:44:24.680 --> 0:44:27.160
<v Speaker 1>it seems like there there is this like disconnect in

0:44:27.680 --> 0:44:33.839
<v Speaker 1>adapting Eastern legend to Western pop culture, Like there is

0:44:33.880 --> 0:44:37.280
<v Speaker 1>like some disconnect there that like it works for Western

0:44:37.320 --> 0:44:39.920
<v Speaker 1>audiences in some ways in a way that like doesn't

0:44:40.000 --> 0:44:44.640
<v Speaker 1>it doesn't. I think so. Some of the reading that

0:44:44.680 --> 0:44:47.959
<v Speaker 1>I did was that Mulan as a like the four

0:44:48.080 --> 0:44:51.000
<v Speaker 1>Thousand Lines poem that it is, like, you know, a

0:44:51.000 --> 0:44:53.200
<v Speaker 1>lot of Chinese students have to take the entrance exams

0:44:53.200 --> 0:44:56.400
<v Speaker 1>that allow them to qualify for university. A Mulan is

0:44:56.480 --> 0:45:00.440
<v Speaker 1>part of that curriculum. So so it's essentially like the

0:45:00.480 --> 0:45:02.279
<v Speaker 1>hardest test you have to take. It you have to

0:45:02.320 --> 0:45:05.360
<v Speaker 1>know like four thousand lines of a poem like Mulan

0:45:05.440 --> 0:45:08.400
<v Speaker 1>has a totally different kind of place in the Chinese

0:45:08.480 --> 0:45:12.200
<v Speaker 1>like psyche, it's gonna like it's like like if you

0:45:12.200 --> 0:45:14.759
<v Speaker 1>had to read you know, like Katalas or something like

0:45:15.040 --> 0:45:17.440
<v Speaker 1>Latin geeks would know what Catalas is. But that's the

0:45:17.520 --> 0:45:20.120
<v Speaker 1>kind of test that it is, you know, So that

0:45:20.320 --> 0:45:22.560
<v Speaker 1>that's that places it in a different like it's very

0:45:22.600 --> 0:45:26.160
<v Speaker 1>reverential but also very scholarly. So there's that part of it.

0:45:26.719 --> 0:45:29.320
<v Speaker 1>But I think what I noticed in just the production

0:45:29.360 --> 0:45:32.040
<v Speaker 1>design of the movie is that they just mashed up

0:45:32.080 --> 0:45:37.879
<v Speaker 1>Asia in the movie. So like the soldiers uniforms look Japanese,

0:45:38.080 --> 0:45:41.359
<v Speaker 1>they look like a very Samurai influence, and then there

0:45:41.360 --> 0:45:44.040
<v Speaker 1>were a ton of drums, which are very Korean, and

0:45:44.239 --> 0:45:46.760
<v Speaker 1>so I think when they when this movie went to China,

0:45:47.000 --> 0:45:50.000
<v Speaker 1>I think Chinese people were just like what the actual fuck,

0:45:51.200 --> 0:45:53.399
<v Speaker 1>Like what the funk am I looking at on screen

0:45:53.480 --> 0:45:56.160
<v Speaker 1>right now, and there's this tiny dragon that's voiced by

0:45:56.200 --> 0:45:59.919
<v Speaker 1>Eddie Murphy, you know, and also named like mushi, which

0:46:00.040 --> 0:46:02.919
<v Speaker 1>was like offensive in itself. Yeah, it's it's named after

0:46:03.000 --> 0:46:07.840
<v Speaker 1>an Americanized Chinese dish, even that in itself, like I

0:46:07.880 --> 0:46:11.319
<v Speaker 1>read some because I I didn't realize that Musho is

0:46:11.480 --> 0:46:13.239
<v Speaker 1>in the new movie. I thought he was cut out

0:46:13.280 --> 0:46:16.239
<v Speaker 1>because there was a lot of criticism. It might be

0:46:16.360 --> 0:46:19.000
<v Speaker 1>very wrong. It might just be a dragon who is

0:46:19.000 --> 0:46:22.120
<v Speaker 1>probably like photo realistic, but like to look at it,

0:46:22.400 --> 0:46:25.880
<v Speaker 1>I can't say, but I I when the first because

0:46:25.880 --> 0:46:27.759
<v Speaker 1>a lot of the analysis I was reading was when

0:46:27.760 --> 0:46:29.400
<v Speaker 1>the first trailers were coming out and people were just

0:46:29.480 --> 0:46:32.480
<v Speaker 1>kind of reacting to it. But um, you know, some

0:46:32.520 --> 0:46:35.560
<v Speaker 1>American audiences were like, where is Eddie Murphy? And then

0:46:36.080 --> 0:46:39.680
<v Speaker 1>the response was like that character was offensive in a

0:46:39.719 --> 0:46:41.960
<v Speaker 1>lot of ways and kind of like and like just

0:46:42.880 --> 0:46:46.759
<v Speaker 1>and also like, I mean, at least was meaningless and

0:46:46.840 --> 0:46:50.759
<v Speaker 1>had no grounding and anything that was realistic and then

0:46:50.920 --> 0:46:53.920
<v Speaker 1>at worst was like yeah, kind of like offensive and

0:46:54.000 --> 0:46:58.120
<v Speaker 1>like you just named something after like americanized Chinese dish

0:46:58.120 --> 0:47:02.200
<v Speaker 1>that you've had white male writer, um, of which there

0:47:02.200 --> 0:47:04.880
<v Speaker 1>are three on this movie. Yes, there's a lot of them,

0:47:04.960 --> 0:47:07.440
<v Speaker 1>there is, uh. For from what I could tell, it

0:47:07.520 --> 0:47:12.160
<v Speaker 1>was for writer for white writers, two women and one

0:47:12.520 --> 0:47:16.320
<v Speaker 1>person of Chinese heritage, who is a woman who you

0:47:16.360 --> 0:47:20.319
<v Speaker 1>would think, couldn't she just write the movie, you would think,

0:47:20.960 --> 0:47:23.160
<v Speaker 1>But no, you need the backup of some people such

0:47:23.200 --> 0:47:25.680
<v Speaker 1>as and it's kind of I mean, it seems a

0:47:25.719 --> 0:47:30.040
<v Speaker 1>little sinister to me that there are some writers here

0:47:30.040 --> 0:47:34.760
<v Speaker 1>who uh there's two writers in particular who are sis

0:47:34.800 --> 0:47:38.279
<v Speaker 1>had white male writers who went literally went to Harvard Um.

0:47:38.360 --> 0:47:43.759
<v Speaker 1>So just a person we've encountered, but especially this writer,

0:47:44.040 --> 0:47:48.400
<v Speaker 1>m Philip Lizebnik, who is a writer who seems to

0:47:48.520 --> 0:47:53.600
<v Speaker 1>have specialized in animated children movies with non white protagonists,

0:47:54.960 --> 0:47:57.080
<v Speaker 1>in spite of the fact that he is a sis

0:47:57.080 --> 0:48:00.800
<v Speaker 1>had white male who went to Harvard UM. It's very

0:48:01.000 --> 0:48:04.319
<v Speaker 1>sinister to me that you could trace a whole generation

0:48:04.640 --> 0:48:10.360
<v Speaker 1>of kids worth of like held misinformation, if not racism,

0:48:10.400 --> 0:48:14.200
<v Speaker 1>to like particular writers. But Philip lizette Nick has credits

0:48:14.200 --> 0:48:19.440
<v Speaker 1>such as Pocahontas, uh, probably the worst one of all, Mulan,

0:48:19.920 --> 0:48:22.600
<v Speaker 1>the Prince of Egypt, The Road to El Dorado, The

0:48:22.640 --> 0:48:24.960
<v Speaker 1>Lost Treasure of the Knights Templar, like just movie after

0:48:25.000 --> 0:48:30.200
<v Speaker 1>movie after movie that mischaracterizes non white protagonists. Um and

0:48:30.440 --> 0:48:36.920
<v Speaker 1>kind of creates these very Western narratives around cultures that

0:48:37.000 --> 0:48:40.800
<v Speaker 1>they couldn't possibly understand. I mean, those were hits too,

0:48:41.040 --> 0:48:43.799
<v Speaker 1>and they were all hits. And I think that's the

0:48:43.840 --> 0:48:50.480
<v Speaker 1>only color Disney release Ease right, Diseasesees Switch and the

0:48:50.640 --> 0:48:52.400
<v Speaker 1>other writer who kind of has the same thing as

0:48:52.680 --> 0:48:55.960
<v Speaker 1>Chris Sanders, whose other biggest hit was Lilo and Stitch

0:48:56.600 --> 0:49:01.280
<v Speaker 1>Um which Hawaiian is a Hawaiian culture. Chris Sanders as

0:49:01.800 --> 0:49:07.200
<v Speaker 1>from Colorado, and he also fun fact this is is

0:49:07.200 --> 0:49:09.719
<v Speaker 1>it fun? I don't know. He directed that new Call

0:49:09.840 --> 0:49:13.040
<v Speaker 1>the Wild movie with Harrison Ford in a Pilo tennis balls,

0:49:13.160 --> 0:49:18.440
<v Speaker 1>So you know, he's fine. He's never been. He's finally

0:49:18.480 --> 0:49:23.240
<v Speaker 1>back in his old white man genre telling stories. I guess.

0:49:23.400 --> 0:49:26.960
<v Speaker 1>I don't know, Um and a Dog, but it is.

0:49:27.000 --> 0:49:29.560
<v Speaker 1>I mean, it's like the two writers with the most

0:49:29.600 --> 0:49:33.759
<v Speaker 1>credits are two white men who have been telling non

0:49:33.760 --> 0:49:37.240
<v Speaker 1>white stories from a place of ignorance for their entire careers,

0:49:37.680 --> 0:49:41.680
<v Speaker 1>to the tune of millions of dollars. For your consideration,

0:49:43.120 --> 0:49:44.960
<v Speaker 1>Let's take another quick break and then we will come

0:49:45.040 --> 0:49:53.680
<v Speaker 1>right back and we're back. We're back. Um. I have

0:49:53.960 --> 0:49:57.759
<v Speaker 1>a list of ways in which this movie subverts a

0:49:57.840 --> 0:50:00.520
<v Speaker 1>lot of Disney movie troops that would like to share,

0:50:00.600 --> 0:50:03.880
<v Speaker 1>especially of this renaissance era, because this is one of

0:50:03.920 --> 0:50:09.040
<v Speaker 1>the later Disney Renaissance movies us all the way. I

0:50:09.080 --> 0:50:11.560
<v Speaker 1>think people might disagree with me, but I do not

0:50:11.640 --> 0:50:16.719
<v Speaker 1>think this is a princess movie. You could disagree, but

0:50:16.760 --> 0:50:19.600
<v Speaker 1>I think that's also a good thing, not positive, um

0:50:19.840 --> 0:50:22.520
<v Speaker 1>to me. Unlike a lot of other Disney movies which

0:50:22.520 --> 0:50:25.520
<v Speaker 1>are like the ones that are geared towards girls, they

0:50:25.520 --> 0:50:28.399
<v Speaker 1>are princess fairytale narratives. And even even though this one

0:50:28.520 --> 0:50:30.920
<v Speaker 1>is kind of based in ancient legend, and you know

0:50:31.000 --> 0:50:34.440
<v Speaker 1>it does feature a female lead, it's not like a princess,

0:50:34.960 --> 0:50:37.200
<v Speaker 1>you know, getting locked in a tower needing to be

0:50:37.280 --> 0:50:40.120
<v Speaker 1>saved by a man, her prince charming any like. None

0:50:40.120 --> 0:50:45.399
<v Speaker 1>of that. Yeah, so, you know, just the message that rich,

0:50:45.480 --> 0:50:50.520
<v Speaker 1>conventionally beautiful, usually white, young stiss women who are princesses

0:50:50.520 --> 0:50:52.520
<v Speaker 1>looking for prince are the only type of women who

0:50:52.840 --> 0:50:57.200
<v Speaker 1>whose stories are worth telling. Um. But Mulan subverts that

0:50:57.280 --> 0:51:00.279
<v Speaker 1>whole thing. Um. I think she is the are of

0:51:00.320 --> 0:51:07.320
<v Speaker 1>a wealthy family though, just judging from property like her own,

0:51:07.480 --> 0:51:11.160
<v Speaker 1>like Zi, Yeah, it was, it was like very large.

0:51:11.280 --> 0:51:14.680
<v Speaker 1>And usually in China you can tell how fancy people

0:51:14.719 --> 0:51:17.759
<v Speaker 1>are by how high their doorsteps are. Interesting, the higher

0:51:17.760 --> 0:51:20.480
<v Speaker 1>to doorsteps, the wealthier they are. You have to cross

0:51:20.600 --> 0:51:23.680
<v Speaker 1>with like massive threshold. Well by that metric, Geah, they're chilling,

0:51:23.719 --> 0:51:29.759
<v Speaker 1>they're good, keep the rats out nice. Next one is

0:51:29.840 --> 0:51:32.439
<v Speaker 1>that kind of like piggybacking off of it not being

0:51:32.480 --> 0:51:35.480
<v Speaker 1>like a princess fairy tale movie. Um, Mulan's Gold does

0:51:35.480 --> 0:51:37.920
<v Speaker 1>not have anything to do with finding a man or

0:51:37.960 --> 0:51:41.720
<v Speaker 1>like having a romantic interest. And you know, while Shang

0:51:41.800 --> 0:51:45.000
<v Speaker 1>does show up at her house at the end and

0:51:45.040 --> 0:51:48.959
<v Speaker 1>it's implied that she ends up with him romantically, it's

0:51:49.000 --> 0:51:51.960
<v Speaker 1>like not the focal point of the story in anyway.

0:51:52.000 --> 0:51:54.600
<v Speaker 1>It's it feels like more of like an afterthought, like

0:51:54.920 --> 0:51:58.840
<v Speaker 1>danu mall thing than any major part of the plot.

0:51:58.960 --> 0:52:03.920
<v Speaker 1>Thank you for saying any time. Yeah, um, And I

0:52:03.920 --> 0:52:07.000
<v Speaker 1>would also argue, well, here's something that I am not

0:52:07.160 --> 0:52:09.480
<v Speaker 1>too happy with, but I think Shang is like not

0:52:09.840 --> 0:52:18.160
<v Speaker 1>the best love interest. Agree, he's hot, he's hot, nipples.

0:52:18.200 --> 0:52:20.440
<v Speaker 1>I was trying Okay, I pause, I couldn't talk. Does

0:52:20.480 --> 0:52:22.359
<v Speaker 1>he have nipples? Because Disney has this weird thing where

0:52:22.400 --> 0:52:24.920
<v Speaker 1>they're like men can be shirtless, but they can't have nipples.

0:52:25.560 --> 0:52:28.040
<v Speaker 1>He does have kiples, he didn't, okay, thank you, because

0:52:28.080 --> 0:52:30.600
<v Speaker 1>I was like King Triton didn't have nipples, and that

0:52:30.600 --> 0:52:34.920
<v Speaker 1>that kN Tritton does does have there just dominent nipples.

0:52:36.440 --> 0:52:38.200
<v Speaker 1>Back the nipples because there was a time where they

0:52:38.239 --> 0:52:40.560
<v Speaker 1>were shirtless men but they didn't have nipple because maybe

0:52:41.000 --> 0:52:44.520
<v Speaker 1>King Triton's nipples scared them off. Maybe, but like Aladdin

0:52:44.640 --> 0:52:50.120
<v Speaker 1>does not have nipples. Aladdin was just so sexual. They

0:52:50.160 --> 0:52:52.760
<v Speaker 1>were like, we got a total back because the genie

0:52:52.760 --> 0:52:55.880
<v Speaker 1>also doesn't have nipples. Both male protagonists are shirtless the

0:52:55.880 --> 0:52:58.680
<v Speaker 1>whole time. They don't have nipples, and then you're just like,

0:52:59.280 --> 0:53:05.640
<v Speaker 1>who is this or got anatomically correct Asian male nipples

0:53:05.640 --> 0:53:09.680
<v Speaker 1>for the audience Another point for the movie. The next

0:53:09.719 --> 0:53:13.320
<v Speaker 1>thing on my list is that Mulan's mother is not dead.

0:53:13.680 --> 0:53:17.440
<v Speaker 1>She does not have a dead mom the character wise, characterwise,

0:53:18.040 --> 0:53:21.280
<v Speaker 1>she is not alive. She could just be the grandma.

0:53:21.320 --> 0:53:23.560
<v Speaker 1>They could have just folded that into one character, which

0:53:23.600 --> 0:53:27.200
<v Speaker 1>is like, yeah, there to this day, shamefully, one of

0:53:27.200 --> 0:53:31.680
<v Speaker 1>my mom's favorite Disney exchanges in the Whole Cannon is

0:53:31.719 --> 0:53:35.120
<v Speaker 1>towards the end where the where Mulan says would you

0:53:35.160 --> 0:53:37.319
<v Speaker 1>like to stay for dinner? And the grandma says would

0:53:37.320 --> 0:53:41.600
<v Speaker 1>you like to stay forever? My mom howls, She's like

0:53:41.719 --> 0:53:44.719
<v Speaker 1>the funniest joke ever written, Like that's my mom's bar

0:53:44.840 --> 0:53:50.280
<v Speaker 1>for comedy that exchange. But Grandma, Yeah, So her mom

0:53:50.360 --> 0:53:52.200
<v Speaker 1>is a lot, her mother isn't alive, and we also

0:53:52.239 --> 0:53:55.719
<v Speaker 1>see her grandmother. Both of those characters really just want

0:53:55.880 --> 0:53:59.040
<v Speaker 1>Mulan to be a bride, And the movie does frame

0:53:59.120 --> 0:54:03.400
<v Speaker 1>Mulan's relationship with her father as the more important relationship

0:54:03.440 --> 0:54:06.239
<v Speaker 1>in the story, and I think a little more like

0:54:06.280 --> 0:54:09.239
<v Speaker 1>even more frustrating. On top of that, is like her

0:54:09.239 --> 0:54:12.080
<v Speaker 1>father seems to be the only person in her family

0:54:12.120 --> 0:54:15.760
<v Speaker 1>who believes that she is capable of more than being

0:54:16.040 --> 0:54:23.000
<v Speaker 1>a you know, like very conscribed feminine person, which is

0:54:23.600 --> 0:54:26.920
<v Speaker 1>frustrating and like doesn't I don't know like that, Like

0:54:27.520 --> 0:54:30.440
<v Speaker 1>her father is the one who believes in her, and

0:54:30.480 --> 0:54:33.440
<v Speaker 1>her mother and her grandmother, who are both seemed to

0:54:33.480 --> 0:54:36.960
<v Speaker 1>be pretty strong female characters, don't believe that she's capable

0:54:37.000 --> 0:54:38.640
<v Speaker 1>of more. It's like, well then they might as well

0:54:38.719 --> 0:54:40.960
<v Speaker 1>be dead, you know what I mean. I don't want

0:54:41.000 --> 0:54:42.680
<v Speaker 1>them to, but but you know what, like the fact

0:54:42.680 --> 0:54:44.840
<v Speaker 1>that her father is the one who is presented is

0:54:44.840 --> 0:54:48.319
<v Speaker 1>by far the more most sympathetic character, where Like he's

0:54:48.320 --> 0:54:49.759
<v Speaker 1>the one that believes in her and he gets the

0:54:49.800 --> 0:54:51.680
<v Speaker 1>big moment at the end of the greatest honor of

0:54:51.680 --> 0:54:54.040
<v Speaker 1>all is having he as my daughter. And I'm like weeping,

0:54:54.640 --> 0:55:02.120
<v Speaker 1>but I'm also critical. Next thing is, from what I

0:55:02.160 --> 0:55:06.520
<v Speaker 1>could tell, the villain is not queer quoted like the

0:55:06.600 --> 0:55:11.560
<v Speaker 1>villains are. It's just racist. It's just racist that way better.

0:55:12.920 --> 0:55:16.800
<v Speaker 1>They don't even have human skin tones, that's like they're

0:55:17.239 --> 0:55:19.880
<v Speaker 1>and he has yellow eyes. That is I mean, that

0:55:20.040 --> 0:55:22.319
<v Speaker 1>is like something that is like a major issue I

0:55:22.360 --> 0:55:26.480
<v Speaker 1>had on a rewatch of Like they are drawn to

0:55:26.520 --> 0:55:29.720
<v Speaker 1>not be people, the people who we are not given

0:55:30.000 --> 0:55:32.920
<v Speaker 1>any perspective on why are they fighting? What are they

0:55:32.920 --> 0:55:34.800
<v Speaker 1>fighting for? It? They're like they're on the opposite side

0:55:34.880 --> 0:55:37.280
<v Speaker 1>of our protagonists, and so we're going to draw them

0:55:37.320 --> 0:55:41.879
<v Speaker 1>as gray, immortal animals. What if they're fighting for like

0:55:42.320 --> 0:55:47.880
<v Speaker 1>universal health care is just like fuck you girl. More likely,

0:55:48.160 --> 0:55:51.840
<v Speaker 1>what if they're literally canvassing for Bernie? I mean, that

0:55:51.920 --> 0:55:55.920
<v Speaker 1>is how Bernie grows up, but then it's like but

0:55:56.040 --> 0:56:01.799
<v Speaker 1>ultimately they have some good ideas. I don't know. My

0:56:01.920 --> 0:56:04.719
<v Speaker 1>guess is that in the context of this kind of

0:56:04.760 --> 0:56:07.600
<v Speaker 1>time period in China, there's a bunch of warring tribes.

0:56:07.719 --> 0:56:11.680
<v Speaker 1>There's like there's no real China like per se. You know,

0:56:11.800 --> 0:56:15.520
<v Speaker 1>China's in its four thousand years of history has had

0:56:15.760 --> 0:56:20.600
<v Speaker 1>so many different iterations of its kingdom. So the sort

0:56:20.640 --> 0:56:23.600
<v Speaker 1>of fancy side, the fancy Chinese in this movie are

0:56:23.680 --> 0:56:26.120
<v Speaker 1>like the ones that have cities and stuff. Most likely

0:56:26.160 --> 0:56:29.480
<v Speaker 1>there were the people that were leving taxes against the

0:56:29.520 --> 0:56:33.360
<v Speaker 1>people that were more nomadic because they're because they have

0:56:33.520 --> 0:56:37.320
<v Speaker 1>the infrastructure to do it and to collect taxes, and

0:56:37.680 --> 0:56:41.760
<v Speaker 1>the invaders, usually nomadic invaders don't want to pay taxes.

0:56:41.800 --> 0:56:46.600
<v Speaker 1>That's why they're nomadic. And maybe that's that might be

0:56:46.680 --> 0:56:50.279
<v Speaker 1>what the invasions about. But the timeline is also super distorted,

0:56:50.640 --> 0:56:54.240
<v Speaker 1>so I in in the movie it says it takes

0:56:54.280 --> 0:57:01.440
<v Speaker 1>place during dynasty, which ended like a hundred years before.

0:57:01.840 --> 0:57:05.600
<v Speaker 1>Like the Huns, the legend and the movie don't take

0:57:05.640 --> 0:57:10.440
<v Speaker 1>place in the same I don't even know how intentionally

0:57:10.480 --> 0:57:13.080
<v Speaker 1>that's done or if that was just like scattershot White

0:57:13.120 --> 0:57:17.240
<v Speaker 1>writer being like here because the Han dynasty, from what

0:57:17.360 --> 0:57:19.240
<v Speaker 1>research I've done, seems to be kind of like a

0:57:19.320 --> 0:57:22.960
<v Speaker 1>Golden age of Chinese history. So I don't know if

0:57:22.960 --> 0:57:25.400
<v Speaker 1>a white writer did a light google almost like sure,

0:57:26.080 --> 0:57:29.680
<v Speaker 1>let's put it here, um, But that's not It seems

0:57:29.680 --> 0:57:33.200
<v Speaker 1>like the Ballad of Muan takes place after where we're

0:57:33.200 --> 0:57:36.480
<v Speaker 1>being told the movie takes place, which would be in BC.

0:57:37.320 --> 0:57:44.320
<v Speaker 1>Not so confusing. Ancient history is wild in any case,

0:57:44.520 --> 0:57:47.120
<v Speaker 1>the villain is not queer coded the way that many

0:57:47.240 --> 0:57:50.560
<v Speaker 1>villains of this you know, Disney Renaissance era are. I

0:57:50.560 --> 0:57:52.680
<v Speaker 1>wouldn't give that a point though, because it's just racist

0:57:52.680 --> 0:57:57.120
<v Speaker 1>instead of it's like a racist and making it to

0:57:57.200 --> 0:58:01.600
<v Speaker 1>seem like it's a zombie animal. That's true, okay, so withdraw,

0:58:01.680 --> 0:58:06.840
<v Speaker 1>but speaking is just worse worse. Well, and I don't

0:58:06.840 --> 0:58:08.520
<v Speaker 1>mean to sound like I'm defending anything here, but the

0:58:08.920 --> 0:58:12.240
<v Speaker 1>queer coded villains are also racist in these in you know,

0:58:12.320 --> 0:58:16.040
<v Speaker 1>Lion King and because they always have darker skin and

0:58:16.080 --> 0:58:18.280
<v Speaker 1>things like that. Yes, I mean, and this is the

0:58:18.400 --> 0:58:21.280
<v Speaker 1>very least, but like at least in some cases the

0:58:21.360 --> 0:58:24.439
<v Speaker 1>queer coded villains have been reclaimed. I do not see

0:58:24.480 --> 0:58:31.440
<v Speaker 1>anyone reclaiming like like, like, fuck you, Disney, I'm reclaiming

0:58:31.600 --> 0:58:36.520
<v Speaker 1>Sean You like no one has reclaimed Sean You. Plenty

0:58:36.680 --> 0:58:39.800
<v Speaker 1>have reclaimed Ursula in a very powerful way. That is

0:58:39.800 --> 0:58:42.520
<v Speaker 1>like a middle finger to the Disney Corporation. That's also

0:58:42.560 --> 0:58:44.440
<v Speaker 1>given him a lot of my She's a businesswoman and

0:58:44.520 --> 0:58:46.680
<v Speaker 1>a lawyer. Of course, Shan You has made zero dollars

0:58:46.760 --> 0:58:51.960
<v Speaker 1>in the past ten years. If the color we're talking

0:58:51.960 --> 0:58:57.160
<v Speaker 1>about is green, shaw You is negative. Another one. Mulan

0:58:57.280 --> 0:59:00.240
<v Speaker 1>never has to be saved. I don't think me if

0:59:00.240 --> 0:59:01.960
<v Speaker 1>I'm wrong, but I didn't. I don't notice any moment

0:59:01.960 --> 0:59:05.360
<v Speaker 1>where she had But she does save. She saves Shang

0:59:05.840 --> 0:59:09.240
<v Speaker 1>during the avalanche, and then again towards the end when

0:59:09.800 --> 0:59:12.400
<v Speaker 1>um Shan You is about to kill Shang and Mulan

0:59:12.600 --> 0:59:14.800
<v Speaker 1>like throws a shoe at him, and she's like, it

0:59:14.840 --> 0:59:17.680
<v Speaker 1>was me who took your victory away. And then Mulan

0:59:17.800 --> 0:59:20.280
<v Speaker 1>and Shan You battle each other, which leads me to

0:59:20.440 --> 0:59:24.040
<v Speaker 1>the next kind of trope being subverted, which is Mulan

0:59:24.160 --> 0:59:27.200
<v Speaker 1>gets to defeat the villain during the climax of the movie,

0:59:27.400 --> 0:59:32.360
<v Speaker 1>and she fights with weapons and pots, pans domestic items,

0:59:32.360 --> 0:59:34.840
<v Speaker 1>which is how we normally see if a woman is

0:59:34.880 --> 0:59:38.760
<v Speaker 1>allowed to fight and defend herself. It is with traditionally

0:59:38.800 --> 0:59:44.200
<v Speaker 1>feminine objects, right, Like Mulan is using like real weapons,

0:59:44.800 --> 0:59:48.560
<v Speaker 1>whereas her friends, her army buddies, who are dressed in

0:59:48.640 --> 0:59:52.600
<v Speaker 1>dragged by the way and this and this climactic sequence. Um,

0:59:52.720 --> 0:59:59.120
<v Speaker 1>they are using like fruit to fight the bad guys.

0:59:59.160 --> 1:00:01.240
<v Speaker 1>So it's like, guess, I mean, I don't know what

1:00:01.280 --> 1:00:05.560
<v Speaker 1>that suggests exactly inversion that you're like, it's like, it's

1:00:05.600 --> 1:00:09.800
<v Speaker 1>like men who are presenting as women still using domestic

1:00:10.000 --> 1:00:15.240
<v Speaker 1>items to fight with. I think, yeah, it didn't bother me. Well,

1:00:15.360 --> 1:00:17.800
<v Speaker 1>the fun part of that scene on the roof with

1:00:17.920 --> 1:00:20.720
<v Speaker 1>Shang You is that she's fighting him with like the

1:00:20.920 --> 1:00:24.160
<v Speaker 1>sort of the board identity items, like a random stick

1:00:24.240 --> 1:00:27.080
<v Speaker 1>or something. Right, But then she takes shang you sword

1:00:27.160 --> 1:00:30.080
<v Speaker 1>from him, And that's the bad ass of where you're like, oh,

1:00:30.120 --> 1:00:33.840
<v Speaker 1>ship's about the guest real you got your sword taken away? Stereotype.

1:00:34.640 --> 1:00:37.360
<v Speaker 1>You're like, listen, raises villain, she got to the top

1:00:37.360 --> 1:00:40.960
<v Speaker 1>of the pole. You don't understand, Like it's exciting, um,

1:00:41.080 --> 1:00:43.520
<v Speaker 1>And I well, I was worried that this wouldn't be

1:00:43.560 --> 1:00:46.120
<v Speaker 1>the case because you know, we see in a little

1:00:46.120 --> 1:00:48.080
<v Speaker 1>Mermaid and Beauty and the Beast, where even though the

1:00:48.080 --> 1:00:51.040
<v Speaker 1>protagonists of those movies are women, it's always the male

1:00:51.120 --> 1:00:53.600
<v Speaker 1>love interest who steps in and like defeats the villain.

1:00:54.040 --> 1:00:55.440
<v Speaker 1>But so I was like, oh, no, is this going

1:00:55.480 --> 1:00:57.600
<v Speaker 1>to happen again, especially when I don't even know where

1:00:57.640 --> 1:01:01.000
<v Speaker 1>Shaning is for the majority of the Yeah, he's like

1:01:01.040 --> 1:01:04.240
<v Speaker 1>I'm honestly, he doesn't kind of burst in and fight

1:01:04.400 --> 1:01:07.480
<v Speaker 1>Shan you for like a minute, but then then he

1:01:07.520 --> 1:01:11.400
<v Speaker 1>gets knocked away. And then Mulan takes over and right

1:01:11.560 --> 1:01:14.960
<v Speaker 1>fights with weapons. She uses cannon, she uses swords and

1:01:15.000 --> 1:01:18.120
<v Speaker 1>both narrows and like all this stuff, and Shane gets

1:01:18.120 --> 1:01:22.040
<v Speaker 1>pretty much sidelined from that, you know, final climactic battle sequence,

1:01:22.120 --> 1:01:24.680
<v Speaker 1>he breaks her fall. That's how important to the fight

1:01:25.040 --> 1:01:28.200
<v Speaker 1>is he breaks her fall. He doesn't want a well

1:01:28.240 --> 1:01:33.120
<v Speaker 1>placed poll could do. Um. So yeah, those are the

1:01:33.120 --> 1:01:37.840
<v Speaker 1>main things I clocked in terms of this movie, um subverting,

1:01:37.880 --> 1:01:40.360
<v Speaker 1>And I just think that like Mulan is a character overall,

1:01:40.560 --> 1:01:45.520
<v Speaker 1>is just better characterized and like someone the Little Girls

1:01:45.560 --> 1:01:48.840
<v Speaker 1>and anyone who's watching this movie can look up to

1:01:49.080 --> 1:01:54.360
<v Speaker 1>far more than the main stree is Mulan, Like she

1:01:55.280 --> 1:01:58.160
<v Speaker 1>fucking rules like no one will ever talk me out

1:01:58.200 --> 1:02:02.720
<v Speaker 1>of mulan rules. She's amazed and and she's also from

1:02:03.040 --> 1:02:06.680
<v Speaker 1>what I was able to track, the first non white person,

1:02:07.000 --> 1:02:11.000
<v Speaker 1>whether justified or not, included in Disney Princess Cannon, who

1:02:11.160 --> 1:02:14.040
<v Speaker 1>isn't sexualized within an inch of her life, because that

1:02:14.200 --> 1:02:21.240
<v Speaker 1>was a huge I mean with Jasmine Esmeralda and Coca Hantas.

1:02:21.520 --> 1:02:25.439
<v Speaker 1>They were three brown women of different ethnicities who were

1:02:26.000 --> 1:02:28.240
<v Speaker 1>over sexualized, and it was a big problem. And this

1:02:28.320 --> 1:02:30.280
<v Speaker 1>was like one of the first things where you're, like,

1:02:30.320 --> 1:02:36.560
<v Speaker 1>did Disney take a note because Mulan is not sexualized,

1:02:36.640 --> 1:02:40.880
<v Speaker 1>she like her body is mostly hidden, right and and

1:02:41.000 --> 1:02:44.720
<v Speaker 1>and that kind of lines up with like, her character

1:02:45.160 --> 1:02:49.479
<v Speaker 1>has no vested interest in appearing in a sexualized way.

1:02:49.560 --> 1:02:51.960
<v Speaker 1>And it's like, it's one thing if like a female

1:02:52.040 --> 1:02:55.440
<v Speaker 1>character is like I want to present a certain way,

1:02:55.480 --> 1:02:58.800
<v Speaker 1>but that is not her stated intent and the movie

1:02:58.800 --> 1:03:02.160
<v Speaker 1>doesn't subject her to anything that doesn't make sense, and

1:03:02.680 --> 1:03:07.440
<v Speaker 1>that like that that is like, unfortunately a huge step

1:03:07.520 --> 1:03:11.680
<v Speaker 1>forward for Disney Renaissance movies, especially as not like I

1:03:11.680 --> 1:03:15.240
<v Speaker 1>mean not they sexualize all women, but they especially over

1:03:15.360 --> 1:03:18.720
<v Speaker 1>sexualized non white women. So in that way, you're like,

1:03:19.680 --> 1:03:22.600
<v Speaker 1>and there would have been an opportunity because there's that

1:03:22.640 --> 1:03:25.960
<v Speaker 1>scene where she takes a bath and like the pond,

1:03:26.520 --> 1:03:31.000
<v Speaker 1>she gets naked, and there's right but like all of

1:03:31.000 --> 1:03:36.280
<v Speaker 1>that is handled like very responsibly as far as is handled. Yes,

1:03:37.040 --> 1:03:39.800
<v Speaker 1>But then like that reminds me of the moment in

1:03:39.880 --> 1:03:42.920
<v Speaker 1>Little Mermaid when Ariel has just gotten her legs for

1:03:42.960 --> 1:03:44.800
<v Speaker 1>the first time and she's swimming to the surface and

1:03:44.800 --> 1:03:48.080
<v Speaker 1>then she bursts through the surface and there's this shot

1:03:48.160 --> 1:03:50.720
<v Speaker 1>she's like silhouetted by the sunlight, but it's like really

1:03:50.760 --> 1:03:55.960
<v Speaker 1>sexualized where like wet hair whips around her whole body

1:03:56.080 --> 1:04:00.440
<v Speaker 1>is rising. Yeah, I mean, god, I don't want to

1:04:00.480 --> 1:04:04.080
<v Speaker 1>I mean, how can like all of my various eating

1:04:04.120 --> 1:04:06.480
<v Speaker 1>disorders be traspect to dizny movies? Don't want to think

1:04:06.520 --> 1:04:08.959
<v Speaker 1>about it. But I don't think Mulan was a contributor.

1:04:09.000 --> 1:04:14.560
<v Speaker 1>So um well, that's a good transition into talking about

1:04:14.680 --> 1:04:19.040
<v Speaker 1>how masculinity is portrayed in this movie. I think that

1:04:19.080 --> 1:04:22.680
<v Speaker 1>it's mostly good points that are brought up, but I

1:04:22.720 --> 1:04:26.120
<v Speaker 1>do have some thoughts on it where I feel like

1:04:26.360 --> 1:04:30.600
<v Speaker 1>Mulan's character in many ways is presented as a direct

1:04:30.840 --> 1:04:34.720
<v Speaker 1>challenge to like Musho, who is a character that I'm like,

1:04:35.040 --> 1:04:38.400
<v Speaker 1>I honestly am like on the rewatch, I'm like not

1:04:38.480 --> 1:04:42.800
<v Speaker 1>very attached to because he is, like the joke is

1:04:42.880 --> 1:04:46.480
<v Speaker 1>that he's very fixated on his own size, and the

1:04:46.560 --> 1:04:49.400
<v Speaker 1>joke is that he's kind of misogynist. But we like

1:04:49.600 --> 1:04:52.960
<v Speaker 1>him and like I kind of had it with that,

1:04:53.040 --> 1:04:56.360
<v Speaker 1>and like whatever, Eddie Murphy's warming up for Donkey and

1:04:56.360 --> 1:05:00.080
<v Speaker 1>we salute him. But in general, I mean, I like

1:05:00.200 --> 1:05:05.880
<v Speaker 1>those scenes where Mulan is presented with traditional masculinity, which

1:05:05.920 --> 1:05:09.800
<v Speaker 1>is like sweaty and aggressive and mean, and she's kind

1:05:09.800 --> 1:05:12.800
<v Speaker 1>of like you, I hate that I have to she

1:05:12.880 --> 1:05:15.360
<v Speaker 1>resents that she has to participate in it. Uh. There's

1:05:15.400 --> 1:05:18.560
<v Speaker 1>that scene where Musha is talking her through her first

1:05:18.600 --> 1:05:23.040
<v Speaker 1>interaction as a man with a man, and it's like

1:05:23.160 --> 1:05:25.360
<v Speaker 1>she punches him in the face and she slaps his

1:05:25.400 --> 1:05:28.440
<v Speaker 1>ass and that's the whole interaction and it like sort

1:05:28.480 --> 1:05:31.880
<v Speaker 1>of works and you're just like okay. But and then

1:05:31.920 --> 1:05:35.280
<v Speaker 1>there's that other um. The other interaction that Mulan has

1:05:35.280 --> 1:05:39.080
<v Speaker 1>that I feel like is in complete challenge to the

1:05:39.120 --> 1:05:42.040
<v Speaker 1>masculinity presented by the soldiers is when they're singing a

1:05:42.080 --> 1:05:44.560
<v Speaker 1>girl We're fighting for a song that I have problems

1:05:44.560 --> 1:05:48.320
<v Speaker 1>with but where Mulan's only line in that song and

1:05:48.400 --> 1:05:51.280
<v Speaker 1>she's like, how about a girl that has a brain

1:05:51.640 --> 1:05:56.320
<v Speaker 1>that always speaks her mind? And everyone's like like fuck you.

1:05:56.920 --> 1:05:58.640
<v Speaker 1>Like that was the moment where I was like female

1:05:58.680 --> 1:06:04.360
<v Speaker 1>comic where it's like she's almost fit again, but then

1:06:04.440 --> 1:06:06.959
<v Speaker 1>she almost stands up for women and everyone's like, get

1:06:06.960 --> 1:06:10.360
<v Speaker 1>out of because the lines before that, they're like, we

1:06:10.400 --> 1:06:13.520
<v Speaker 1>want a woman who's really hot, who will you know,

1:06:13.840 --> 1:06:17.440
<v Speaker 1>really congratulate me on my masculinity, my battle scars, I

1:06:17.440 --> 1:06:19.000
<v Speaker 1>don't know, and then the one guy is like, I

1:06:19.040 --> 1:06:20.800
<v Speaker 1>don't care what she looks like, but she has to

1:06:20.920 --> 1:06:23.439
<v Speaker 1>cook me meals all the time, which is a fat joke.

1:06:23.520 --> 1:06:26.960
<v Speaker 1>Also on top of that, it's just that I've kind

1:06:27.000 --> 1:06:31.200
<v Speaker 1>of conflicted with how the soldiers that aren't Lee Shane

1:06:31.200 --> 1:06:34.040
<v Speaker 1>because I feel like he's in like romantic interest category.

1:06:34.080 --> 1:06:37.120
<v Speaker 1>But the three soldiers that she becomes friends with, there's

1:06:37.160 --> 1:06:39.240
<v Speaker 1>good things and there's bad things because by the end

1:06:39.400 --> 1:06:45.200
<v Speaker 1>they realized they should never have underestimated paying Mulan and

1:06:45.520 --> 1:06:48.240
<v Speaker 1>that a woman is capable of so much more than

1:06:48.400 --> 1:06:52.120
<v Speaker 1>what they were singing about. But ultimately it's kind of

1:06:52.200 --> 1:06:54.320
<v Speaker 1>I feel like, kind of falls into like the friendly

1:06:54.400 --> 1:06:58.480
<v Speaker 1>misogynist trope where we hear them there's a lot of

1:06:58.520 --> 1:07:01.680
<v Speaker 1>like constantly they're like, I want to woman, I am

1:07:01.800 --> 1:07:05.680
<v Speaker 1>very like committed to this style of soldier misogyny that

1:07:05.760 --> 1:07:11.360
<v Speaker 1>also feels very Western too. It's like very Western culture,

1:07:11.840 --> 1:07:13.760
<v Speaker 1>but we also love them and it's so it's like

1:07:14.080 --> 1:07:15.760
<v Speaker 1>they sort of learn a lesson at the end, but

1:07:15.800 --> 1:07:17.600
<v Speaker 1>I feel like it doesn't go far enough because they

1:07:17.640 --> 1:07:22.240
<v Speaker 1>are just like lovable misogynists. Ultimately, I think they're They're

1:07:22.360 --> 1:07:26.880
<v Speaker 1>supposed redeeming scene is at the end in the that

1:07:26.920 --> 1:07:30.400
<v Speaker 1>battle where Sheng You comes out and he's fighting Le

1:07:30.560 --> 1:07:34.040
<v Speaker 1>Shang and then the emperor's gone and they actively decide

1:07:34.040 --> 1:07:37.320
<v Speaker 1>to group around Mulan. And when they make that choice,

1:07:37.400 --> 1:07:39.800
<v Speaker 1>that's the that's the that's the choice that's supposed to

1:07:39.840 --> 1:07:43.600
<v Speaker 1>justify all the misogyny I think. And I it's like

1:07:43.840 --> 1:07:47.760
<v Speaker 1>and I like that it it laid lands somewhere, but

1:07:47.840 --> 1:07:51.200
<v Speaker 1>there's still a whole song about misogyny that thinking that

1:07:51.320 --> 1:07:55.760
<v Speaker 1>we know by heart. Yeah, And it's like somebody so

1:07:55.880 --> 1:07:59.920
<v Speaker 1>everything in a movie is intentional, nothing's accidental. Somebody was

1:08:00.000 --> 1:08:03.240
<v Speaker 1>It's paid hundreds of thousands of dollars for that song.

1:08:03.800 --> 1:08:07.840
<v Speaker 1>And then singers were also booked time separately to sing

1:08:07.920 --> 1:08:10.960
<v Speaker 1>that song, and then sound engineers were also paid to

1:08:11.080 --> 1:08:13.280
<v Speaker 1>miss that song. So when you think about how much

1:08:13.280 --> 1:08:16.160
<v Speaker 1>work it takes to put us on into the movie,

1:08:17.120 --> 1:08:20.320
<v Speaker 1>the question like does this misogyny the anthem have to

1:08:20.360 --> 1:08:23.679
<v Speaker 1>be in this movie about like empowering a young girl

1:08:23.760 --> 1:08:26.519
<v Speaker 1>who get three songs in this movie, and this is

1:08:26.560 --> 1:08:31.479
<v Speaker 1>one of the reflection make a man out of you

1:08:31.920 --> 1:08:35.880
<v Speaker 1>and girl they're trying at the beginning when there's the match.

1:08:37.360 --> 1:08:42.000
<v Speaker 1>I mean, twenty of the songs are aggressively misogynists the

1:08:42.040 --> 1:08:44.240
<v Speaker 1>first song, in the last song. So once again, I

1:08:44.280 --> 1:08:46.720
<v Speaker 1>don't want to sound like I'm defending anything that's bad,

1:08:46.920 --> 1:08:50.080
<v Speaker 1>but like I read that is one of the obstacles

1:08:50.120 --> 1:08:54.640
<v Speaker 1>that like Mulan has to overcome, is like misogyny, and

1:08:54.720 --> 1:08:57.840
<v Speaker 1>like that's why that song is there. Do we need

1:08:57.880 --> 1:09:02.559
<v Speaker 1>it there? Do those lyrics so doesn't doesn't have to

1:09:02.600 --> 1:09:06.240
<v Speaker 1>slap like to laugh. It's like they did too good

1:09:06.240 --> 1:09:08.400
<v Speaker 1>of a job with the misogyny anthem, And I feel

1:09:08.400 --> 1:09:11.160
<v Speaker 1>the same. I feel this. I feel the same way

1:09:11.160 --> 1:09:13.360
<v Speaker 1>about like I used to tell a joke about this

1:09:13.400 --> 1:09:16.120
<v Speaker 1>then and I was like I gotta grow up but

1:09:16.160 --> 1:09:18.120
<v Speaker 1>one of the best songs in Hunchback of Notre Dame

1:09:18.280 --> 1:09:22.080
<v Speaker 1>is the priest singing about how he wants to murder

1:09:22.200 --> 1:09:26.040
<v Speaker 1>a woman if she won't fuck him, and it slaps.

1:09:26.160 --> 1:09:28.800
<v Speaker 1>It's so it's such a good song and I know

1:09:28.880 --> 1:09:33.120
<v Speaker 1>every word, and you're like, this can't Like the villain

1:09:33.200 --> 1:09:35.839
<v Speaker 1>songs are always the best songs. Maybe we could interpret

1:09:35.880 --> 1:09:40.200
<v Speaker 1>this as the villain song. Maybe I feel the single song.

1:09:40.280 --> 1:09:42.400
<v Speaker 1>I mean, it's like, I feel like that is kind

1:09:42.400 --> 1:09:45.000
<v Speaker 1>of a great area. But like I feel like the

1:09:45.040 --> 1:09:48.479
<v Speaker 1>song with the worst message shouldn't slap the hardest. I

1:09:48.800 --> 1:09:52.840
<v Speaker 1>see your pointing. Yes, that's a new rule, putting it down.

1:09:52.920 --> 1:09:55.639
<v Speaker 1>I do has to be like not the best song. Yeah,

1:09:55.800 --> 1:09:59.280
<v Speaker 1>it should be like the collaboration between Phil Collins and Insane,

1:09:59.360 --> 1:10:03.360
<v Speaker 1>you know, like that should be the writing team behind this.

1:10:04.000 --> 1:10:06.400
<v Speaker 1>Is that it has to be there. It has to

1:10:06.439 --> 1:10:10.920
<v Speaker 1>be like mediocre and not memorable, because if it's good,

1:10:11.040 --> 1:10:13.639
<v Speaker 1>then you'll know all the words and you'll, like, whether

1:10:13.720 --> 1:10:17.360
<v Speaker 1>intentionally or not, sort of internalize it, you know. I do,

1:10:17.439 --> 1:10:20.960
<v Speaker 1>like though, where like Mulan's relationship with those like three

1:10:20.960 --> 1:10:25.240
<v Speaker 1>soldier friends of hers like lands, where they once they realize,

1:10:25.240 --> 1:10:29.160
<v Speaker 1>oh she is worth trusting. They get on her side again.

1:10:29.439 --> 1:10:32.519
<v Speaker 1>They dress and drag and then they like use the

1:10:32.560 --> 1:10:35.800
<v Speaker 1>method that she used to um like shimmy up the

1:10:35.840 --> 1:10:38.559
<v Speaker 1>poll during their training, so that gets called back to

1:10:39.120 --> 1:10:42.120
<v Speaker 1>that's how they like get into like the emperor's like

1:10:42.240 --> 1:10:44.479
<v Speaker 1>chambers so they can save him, like all that stuff.

1:10:44.520 --> 1:10:49.040
<v Speaker 1>So I at least like how Mulan has allies by

1:10:49.080 --> 1:10:51.439
<v Speaker 1>the end um, of course, none of them are women.

1:10:51.520 --> 1:10:54.040
<v Speaker 1>She has no female friends in this story. That's that's

1:10:54.080 --> 1:10:56.760
<v Speaker 1>the big failing of Well, no, I wouldn't call it

1:10:56.800 --> 1:10:59.639
<v Speaker 1>a failing because the story wasn't sort of meant for this,

1:11:00.400 --> 1:11:03.599
<v Speaker 1>that the myths and Mulan doesn't spread amongst young women

1:11:03.640 --> 1:11:06.000
<v Speaker 1>and make young women want to like take places for

1:11:06.080 --> 1:11:11.040
<v Speaker 1>their fathers and rewards, and that she Mulan remains an

1:11:11.080 --> 1:11:14.200
<v Speaker 1>exceptional woman. And that's like, that's always like the thing

1:11:14.280 --> 1:11:16.640
<v Speaker 1>that the pick me trope, you know, like where you

1:11:16.800 --> 1:11:19.960
<v Speaker 1>like pick me, I'm special, I'm not like these other girls,

1:11:20.280 --> 1:11:22.960
<v Speaker 1>And unfortunately Mulan does fall into I'm not like other

1:11:23.000 --> 1:11:27.439
<v Speaker 1>girl's territory. That's so that I mean, just you're saying that,

1:11:27.520 --> 1:11:29.960
<v Speaker 1>it's just like because we've been making fun of the

1:11:30.080 --> 1:11:32.320
<v Speaker 1>not like the other girl's trope for so long, but

1:11:32.360 --> 1:11:34.360
<v Speaker 1>the way you just for I mean, like it does

1:11:34.840 --> 1:11:37.040
<v Speaker 1>I feel like they're not like the other girl's trope.

1:11:37.160 --> 1:11:39.960
<v Speaker 1>There isn't really a not like the other guy's trope.

1:11:40.280 --> 1:11:42.240
<v Speaker 1>And I feel like that is a way to tell

1:11:42.360 --> 1:11:45.800
<v Speaker 1>women that you have to believe that you are the

1:11:45.840 --> 1:11:48.120
<v Speaker 1>only person who can do this as a way to

1:11:48.760 --> 1:11:51.360
<v Speaker 1>discourage you from encouraging other women to do the same

1:11:51.360 --> 1:11:54.040
<v Speaker 1>thing that you're doing. Like it it does feel like

1:11:54.479 --> 1:11:58.000
<v Speaker 1>I mean even in in our common experience of comedy,

1:11:58.200 --> 1:12:01.320
<v Speaker 1>like I was always fresh rated by like why are

1:12:01.360 --> 1:12:03.320
<v Speaker 1>all the like it's so easy for male comics to

1:12:03.320 --> 1:12:05.760
<v Speaker 1>make friends with each other. There's there seems to be

1:12:05.840 --> 1:12:08.840
<v Speaker 1>really not a lot of intense competition among them, where

1:12:08.840 --> 1:12:11.960
<v Speaker 1>when I was starting, I felt like female comics were

1:12:12.040 --> 1:12:14.479
<v Speaker 1>felt to be in competition because there were just less

1:12:14.520 --> 1:12:17.880
<v Speaker 1>spots for them, and so a defense tactic would be

1:12:17.920 --> 1:12:20.439
<v Speaker 1>and not like the other girls, like well what I

1:12:20.479 --> 1:12:23.479
<v Speaker 1>do is and what the other people do and it is.

1:12:23.520 --> 1:12:28.439
<v Speaker 1>I feel like it's like a patriarchal thing to be told,

1:12:28.479 --> 1:12:31.360
<v Speaker 1>like you have to be so confident in yourself that

1:12:31.479 --> 1:12:34.920
<v Speaker 1>you want to actively discourage other women women from doing

1:12:34.920 --> 1:12:38.920
<v Speaker 1>the same thing I mean, And I've been thinking about

1:12:38.920 --> 1:12:41.080
<v Speaker 1>this a lot lately, the idea of like not like

1:12:41.120 --> 1:12:43.519
<v Speaker 1>the other girls, and and what does that mean? Because

1:12:43.520 --> 1:12:48.320
<v Speaker 1>on one hand, like the way this movie partly frames

1:12:48.439 --> 1:12:54.599
<v Speaker 1>that idea, is Mulan kind of rejecting femininity in a

1:12:54.640 --> 1:12:57.479
<v Speaker 1>certain way, or at least the type of femininity that

1:12:57.680 --> 1:13:01.520
<v Speaker 1>is often forced on women by men in or by

1:13:01.720 --> 1:13:06.559
<v Speaker 1>patriarchal standards in that might make her seem like not

1:13:06.680 --> 1:13:08.799
<v Speaker 1>one of the other girls, but that's in a way

1:13:08.920 --> 1:13:13.839
<v Speaker 1>that like, that's her choice. She's expressing her authentic self,

1:13:13.880 --> 1:13:17.519
<v Speaker 1>you know, she's she might not be as feminine as

1:13:17.560 --> 1:13:21.599
<v Speaker 1>other women or you know whatever. But to me, I

1:13:21.640 --> 1:13:24.360
<v Speaker 1>didn't really have any problem with that the way it's

1:13:25.160 --> 1:13:28.479
<v Speaker 1>at least that specific aspect of it is depicted in

1:13:28.520 --> 1:13:31.160
<v Speaker 1>this movie, because um, the whole setup, like the whole

1:13:31.200 --> 1:13:35.040
<v Speaker 1>first act of this movie is us being shown Mulan

1:13:35.200 --> 1:13:38.559
<v Speaker 1>not fitting the mold of what's expected of a woman

1:13:39.000 --> 1:13:42.640
<v Speaker 1>and a bride in her community and culture, like you

1:13:42.680 --> 1:13:45.599
<v Speaker 1>know the world of this movie, Um, because what's expected

1:13:45.640 --> 1:13:49.120
<v Speaker 1>of a woman is to be quiet and delicate and obedient,

1:13:49.240 --> 1:13:52.759
<v Speaker 1>and you know, these porcelain doll wives who will bear

1:13:52.880 --> 1:13:57.920
<v Speaker 1>children and you know Mulan doesn't really want to participate

1:13:58.000 --> 1:14:01.760
<v Speaker 1>in that. Um. There's whole song, the you know, the

1:14:01.760 --> 1:14:04.000
<v Speaker 1>one that we forgot about, the You'll bring honor to us?

1:14:04.040 --> 1:14:06.599
<v Speaker 1>All I think is the name of it. But you know,

1:14:06.760 --> 1:14:10.599
<v Speaker 1>the lyrics are things like a girl can bring honor

1:14:10.680 --> 1:14:14.160
<v Speaker 1>to her family in one way by striking a good match.

1:14:14.360 --> 1:14:19.200
<v Speaker 1>This could be the day men want girls with good taste, calm, obedient,

1:14:19.360 --> 1:14:24.120
<v Speaker 1>who work fast paced, with good breeding in a tiny waist,

1:14:24.120 --> 1:14:28.679
<v Speaker 1>sing a Cain. I can't. I don't know that they're there,

1:14:29.200 --> 1:14:31.479
<v Speaker 1>I know, but I think that that song. I just

1:14:31.520 --> 1:14:33.519
<v Speaker 1>have such conflicted feelings about it because I feel like

1:14:33.600 --> 1:14:35.760
<v Speaker 1>that song is used to make every woman in the

1:14:35.760 --> 1:14:39.920
<v Speaker 1>movie to look bad. Yes, Like why is that? I know?

1:14:40.120 --> 1:14:43.639
<v Speaker 1>I feel like it comes from the same place. Yes,

1:14:43.800 --> 1:14:46.280
<v Speaker 1>the only ally to move on in her life even

1:14:46.320 --> 1:14:50.360
<v Speaker 1>remotely as her father. Right, Okay, yes, I agree with that.

1:14:52.160 --> 1:14:54.439
<v Speaker 1>I guess what I'm saying is just the idea of like,

1:14:55.320 --> 1:14:58.000
<v Speaker 1>you know, being yourself and if yourself is a little like,

1:14:58.320 --> 1:15:00.920
<v Speaker 1>you know, tomboyish, Sure, if you don't want to be

1:15:01.040 --> 1:15:04.400
<v Speaker 1>a wife, um, and like that's just like who you

1:15:04.439 --> 1:15:06.559
<v Speaker 1>are and what you want and like as long as

1:15:06.560 --> 1:15:10.040
<v Speaker 1>you're like not dismissing or judging other people who do

1:15:10.120 --> 1:15:13.599
<v Speaker 1>want that, which I don't think isn't is Yeah, so

1:15:14.000 --> 1:15:17.360
<v Speaker 1>I agree, there is like a conflicting message to be

1:15:17.400 --> 1:15:21.639
<v Speaker 1>had here because that whole setup serves to show like, yeah, Mulan,

1:15:21.720 --> 1:15:25.720
<v Speaker 1>isn't this like obedient, submissive woman. She's strong, she's outspoken,

1:15:25.840 --> 1:15:28.280
<v Speaker 1>she's smart, all that stuff. But it does end up

1:15:28.280 --> 1:15:30.400
<v Speaker 1>painting all those women who do like want to go

1:15:30.479 --> 1:15:32.880
<v Speaker 1>to the matchmaker and be matched with a husband. It

1:15:32.920 --> 1:15:36.320
<v Speaker 1>makes them seem like, oh, what fools. It paints them

1:15:36.439 --> 1:15:41.120
<v Speaker 1>very broadly. Yes, and to think about everything economically, because

1:15:41.320 --> 1:15:45.360
<v Speaker 1>every decision that these characters make in life is tied

1:15:45.400 --> 1:15:47.200
<v Speaker 1>to like how they're able to live. Is that the

1:15:47.240 --> 1:15:50.439
<v Speaker 1>women are making these choices because they have to marry

1:15:50.439 --> 1:15:52.479
<v Speaker 1>out of the family because the family can no longer

1:15:52.520 --> 1:15:54.840
<v Speaker 1>support them, you know. So it's like they literally are

1:15:54.880 --> 1:15:58.200
<v Speaker 1>getting married to live. That is that That's something that's

1:15:58.240 --> 1:16:00.400
<v Speaker 1>like in the first brush of this movie feels like

1:16:00.400 --> 1:16:02.880
<v Speaker 1>a choice. What's really not a choice? If it's frustrating

1:16:02.920 --> 1:16:05.559
<v Speaker 1>to see a movie of any I mean, and Mulan

1:16:05.720 --> 1:16:07.320
<v Speaker 1>is not the only movie to do this, and it's

1:16:07.360 --> 1:16:09.599
<v Speaker 1>not the worst offender of this, but to make it

1:16:09.640 --> 1:16:12.479
<v Speaker 1>seems like this is what women truly deeply want because

1:16:12.520 --> 1:16:15.839
<v Speaker 1>they are petty and vapid as opposed to like literally

1:16:15.880 --> 1:16:18.799
<v Speaker 1>this is the only way in this historical context to survive,

1:16:19.160 --> 1:16:22.639
<v Speaker 1>and there are complicated feelings that come with that. There

1:16:22.680 --> 1:16:24.920
<v Speaker 1>is an opportunity to show that with her mother and

1:16:24.920 --> 1:16:28.040
<v Speaker 1>her grandmother, but it just kind of ends up seeming

1:16:28.120 --> 1:16:32.840
<v Speaker 1>like they're not exactly shrewish, but like rigid in that

1:16:32.880 --> 1:16:36.080
<v Speaker 1>way of like. And I feel like, as a kid especially,

1:16:36.120 --> 1:16:39.280
<v Speaker 1>you don't fully understand where that's coming from, and the

1:16:39.320 --> 1:16:40.920
<v Speaker 1>movie doesn't really attempt to explain it to you know,

1:16:41.479 --> 1:16:44.840
<v Speaker 1>I think it's it's almost too complicated for the movie

1:16:45.360 --> 1:16:48.920
<v Speaker 1>to explain. But the place that comes from is does

1:16:48.960 --> 1:16:51.840
<v Speaker 1>feel shallow. I agree, Yeah, I don't know. I mean,

1:16:51.880 --> 1:16:54.920
<v Speaker 1>it's like it's but ultimately Mulan is the like the

1:16:54.960 --> 1:16:58.960
<v Speaker 1>best heroine in Disney Cannon up to this point, so

1:16:59.040 --> 1:17:01.720
<v Speaker 1>it's like you have to give it its due and

1:17:01.840 --> 1:17:05.719
<v Speaker 1>you know what else, she is the baldest woman in charge.

1:17:05.920 --> 1:17:08.799
<v Speaker 1>I even though she doesn't like shaver head or anything,

1:17:08.840 --> 1:17:11.400
<v Speaker 1>but she does cut her hair. That is like such

1:17:11.439 --> 1:17:14.320
<v Speaker 1>a great afe that montage. I'm like I'm like, it

1:17:14.439 --> 1:17:21.040
<v Speaker 1>does so much to like from it, And I'm like, oh,

1:17:21.080 --> 1:17:23.320
<v Speaker 1>this like glorifies going to war. But I'm like, but

1:17:23.400 --> 1:17:25.120
<v Speaker 1>I'm crying, so I don't know what I feel. It's

1:17:25.120 --> 1:17:27.439
<v Speaker 1>like Ultimately we do see her like making a gigantic

1:17:27.479 --> 1:17:30.240
<v Speaker 1>sacrifice for the patriarchal figure in her life to go

1:17:30.320 --> 1:17:32.600
<v Speaker 1>to war for them. But but you're also like, but

1:17:32.640 --> 1:17:35.679
<v Speaker 1>then she realizes, like, I did this for myself, So

1:17:35.880 --> 1:17:39.960
<v Speaker 1>I don't I love it? I mean, and the idea

1:17:40.000 --> 1:17:42.719
<v Speaker 1>of I've read a number of things that are about

1:17:43.160 --> 1:17:46.760
<v Speaker 1>gender performativity theory as it pertains to this movie. One

1:17:47.080 --> 1:17:50.760
<v Speaker 1>great analysis I read was independently published by writer named

1:17:50.840 --> 1:17:55.280
<v Speaker 1>Julianne Fung, who generally praises and argues that the main

1:17:55.360 --> 1:17:59.440
<v Speaker 1>theme of Mulan is a film is about gender performance.

1:17:59.520 --> 1:18:02.599
<v Speaker 1>She's she's using the hit She's using Judith Butler, you know,

1:18:02.800 --> 1:18:06.280
<v Speaker 1>like she's but but saying that basically, one of the

1:18:06.280 --> 1:18:09.719
<v Speaker 1>things that makes remarkable is that she recognizes that gender

1:18:10.320 --> 1:18:14.280
<v Speaker 1>is in many ways a performance, and she learns to

1:18:14.360 --> 1:18:17.040
<v Speaker 1>perform it too, and and then by the end of

1:18:17.040 --> 1:18:22.439
<v Speaker 1>the movie has like effectively convinced hyper masculine soldiers that

1:18:22.520 --> 1:18:24.559
<v Speaker 1>gender is a performance to the point where they're willing

1:18:24.600 --> 1:18:28.120
<v Speaker 1>to experiment with it themselves at the climax where they

1:18:28.200 --> 1:18:32.400
<v Speaker 1>dressed and drag very confidently and are successful, and you

1:18:32.439 --> 1:18:34.760
<v Speaker 1>can make an argument of like is a mockery being

1:18:34.760 --> 1:18:36.719
<v Speaker 1>made of them? Is it kind of played for laughs?

1:18:36.760 --> 1:18:39.559
<v Speaker 1>I think in if some ways it is in the

1:18:39.600 --> 1:18:42.599
<v Speaker 1>same way that the climax of the Lion King Toman

1:18:42.800 --> 1:18:46.400
<v Speaker 1>is wearing this little like grass skirt and he's like,

1:18:47.320 --> 1:18:49.920
<v Speaker 1>it's not totally great because it's a little bit of joke,

1:18:50.040 --> 1:18:53.320
<v Speaker 1>but it also like on paper, it's like these hyper

1:18:53.360 --> 1:18:56.840
<v Speaker 1>masculine soldiers are willing to play around with gender performativity

1:18:56.880 --> 1:18:59.679
<v Speaker 1>theory and like that doesn't happen a lot of that's

1:18:59.720 --> 1:19:02.519
<v Speaker 1>cool and they're not punished for it. They're successful. Yeah,

1:19:02.520 --> 1:19:08.280
<v Speaker 1>they they defeat the villain who's just advocating for socialized medicine. Um,

1:19:08.320 --> 1:19:17.320
<v Speaker 1>that's because because he's sick, he's jaundice. Why is medicare

1:19:17.360 --> 1:19:21.479
<v Speaker 1>for all? The villain? But I don't understand. Um. One

1:19:21.520 --> 1:19:23.400
<v Speaker 1>of my favorite lines in the movie is when um

1:19:23.560 --> 1:19:25.800
<v Speaker 1>Mulan like first shows up to like the boot camp

1:19:25.840 --> 1:19:28.479
<v Speaker 1>and she's something happens where she like punches one of

1:19:28.520 --> 1:19:30.200
<v Speaker 1>the guys to like try to fit in and like

1:19:30.240 --> 1:19:34.320
<v Speaker 1>be you know man. But um, she says, you know

1:19:34.360 --> 1:19:36.519
<v Speaker 1>how it is when you get those manly urges and

1:19:36.560 --> 1:19:39.080
<v Speaker 1>you just got to kill something because like she is,

1:19:39.280 --> 1:19:41.840
<v Speaker 1>it's like just you know, gender performance. The last thing

1:19:41.880 --> 1:19:44.400
<v Speaker 1>I wanted to say, just like something that I because

1:19:44.400 --> 1:19:47.400
<v Speaker 1>I've been trying to sort of keep up on as

1:19:47.400 --> 1:19:49.639
<v Speaker 1>it is recording. None of us have seen the new

1:19:49.760 --> 1:19:53.479
<v Speaker 1>Mulan movie. It's not out. I really hope that it's good.

1:19:54.200 --> 1:19:57.760
<v Speaker 1>They're the other ones have not been, I mean, but

1:19:57.800 --> 1:20:01.240
<v Speaker 1>it's also like they've all made money. They it's very

1:20:01.240 --> 1:20:03.759
<v Speaker 1>possible that it will be fine and make a billion dollars,

1:20:03.760 --> 1:20:06.600
<v Speaker 1>which is also like whatever I'll see it. I have

1:20:06.720 --> 1:20:10.240
<v Speaker 1>yet to see a live action adaptation in theaters. Um,

1:20:11.040 --> 1:20:17.320
<v Speaker 1>I've seen most of them and I have them, but

1:20:17.439 --> 1:20:20.880
<v Speaker 1>like this one, I will see because Mulan means I

1:20:20.920 --> 1:20:22.760
<v Speaker 1>think of this era the most to be out of

1:20:22.800 --> 1:20:25.320
<v Speaker 1>any of them, but it is there is still it

1:20:25.360 --> 1:20:28.759
<v Speaker 1>seems like that persistent problem of this movie is trying

1:20:28.800 --> 1:20:33.040
<v Speaker 1>to be a negotiation between the American and Chinese film industry.

1:20:33.080 --> 1:20:35.559
<v Speaker 1>Is the two most powerful film industries on the planet,

1:20:36.200 --> 1:20:39.080
<v Speaker 1>and from what I have read, about the plot of

1:20:39.120 --> 1:20:42.120
<v Speaker 1>this movie. There have been narrative changes, but all of

1:20:42.120 --> 1:20:44.599
<v Speaker 1>them that I've read about, you're just kind of like,

1:20:44.880 --> 1:20:48.120
<v Speaker 1>is that better or is it just different? Where in

1:20:48.160 --> 1:20:52.120
<v Speaker 1>this adaptation the idea of arranged marriage is really really

1:20:52.200 --> 1:20:55.479
<v Speaker 1>pushed when it's like this was never even a part

1:20:55.479 --> 1:20:59.519
<v Speaker 1>of the source material, Like it's really frustrating, and it

1:20:59.600 --> 1:21:04.120
<v Speaker 1>seems like what the live action adaptation is referring to

1:21:04.280 --> 1:21:08.480
<v Speaker 1>instead of the source material, which is more progressive than adaptation,

1:21:09.320 --> 1:21:14.840
<v Speaker 1>as it's referring to an earlier draft of adaptation that

1:21:14.920 --> 1:21:18.640
<v Speaker 1>was scrapped. Because what I found in my research was

1:21:18.680 --> 1:21:21.760
<v Speaker 1>the first pitch of this movie is that she that

1:21:21.960 --> 1:21:29.520
<v Speaker 1>Mulan is betrothed to Lee Shang, and that through resentment

1:21:29.840 --> 1:21:34.400
<v Speaker 1>of the person she's betrothed to, she's motivated to pose

1:21:34.479 --> 1:21:36.799
<v Speaker 1>as a man to get out of an arranged marriage,

1:21:37.000 --> 1:21:39.960
<v Speaker 1>which is, however, you feel about it, very different from

1:21:40.000 --> 1:21:43.080
<v Speaker 1>the source material, and that seems to be and I

1:21:43.120 --> 1:21:45.960
<v Speaker 1>don't know what the exact but it seems like it's

1:21:46.080 --> 1:21:50.040
<v Speaker 1>instead of it's just like, man, something written in ancient

1:21:50.080 --> 1:21:51.960
<v Speaker 1>times is more progressive than what we're doing now. Just

1:21:52.280 --> 1:21:57.600
<v Speaker 1>fucking Christ. There's an alternative version of her love interests,

1:21:57.600 --> 1:22:01.400
<v Speaker 1>which is that she was. It's actually a really progressive

1:22:01.439 --> 1:22:03.519
<v Speaker 1>vision of love, which is something I don't think about

1:22:03.560 --> 1:22:07.720
<v Speaker 1>with ancient Chinese stories. But she's engaged. She's one of

1:22:07.760 --> 1:22:10.639
<v Speaker 1>the most beautiful women, most accomplished women in the village,

1:22:10.680 --> 1:22:15.080
<v Speaker 1>and she's engaged to a man who appreciates her unconditionally,

1:22:15.600 --> 1:22:19.040
<v Speaker 1>and even though they're absolutely in love with each other

1:22:19.160 --> 1:22:22.680
<v Speaker 1>and he's like literally Mr Perfect, she breaks the engagement

1:22:22.680 --> 1:22:27.360
<v Speaker 1>to save her dad. It's like fully like seeded choices

1:22:27.760 --> 1:22:31.040
<v Speaker 1>as an individual, So she breaks her perfect engagement with

1:22:31.080 --> 1:22:34.040
<v Speaker 1>her perfect man to go save her dad. And then

1:22:34.120 --> 1:22:38.360
<v Speaker 1>during the course of the battle, she meets her fiance again.

1:22:39.040 --> 1:22:41.200
<v Speaker 1>And by this time, because her fiance is such an

1:22:41.200 --> 1:22:45.400
<v Speaker 1>amazing man, he's the military strategist in this war, so

1:22:45.479 --> 1:22:48.880
<v Speaker 1>she has to hide from him because she's like in

1:22:48.960 --> 1:22:52.080
<v Speaker 1>full drag as a man. So in her sort of

1:22:52.439 --> 1:22:55.040
<v Speaker 1>hidden agenda where she's on a different side of the

1:22:55.080 --> 1:22:57.840
<v Speaker 1>mountain from him so that he can't out her. That's

1:22:57.840 --> 1:23:00.960
<v Speaker 1>how she defeats the enemies, because she's in the right

1:23:01.000 --> 1:23:04.920
<v Speaker 1>place at the right time, which is also like, how

1:23:05.000 --> 1:23:08.400
<v Speaker 1>do I feel it's more interesting than this idea that

1:23:08.479 --> 1:23:12.160
<v Speaker 1>I just read. Wow, I'm like, I need to take

1:23:12.200 --> 1:23:14.800
<v Speaker 1>a second on that one. The last thing that I

1:23:14.880 --> 1:23:17.760
<v Speaker 1>had to say was just a funny uh anecdote that

1:23:18.000 --> 1:23:21.840
<v Speaker 1>just I think just like speaks to how rigid the

1:23:22.320 --> 1:23:25.640
<v Speaker 1>Disney formula was, especially at this time, where it's like

1:23:25.880 --> 1:23:28.720
<v Speaker 1>female protagonist has to sing a song about what she

1:23:28.800 --> 1:23:31.680
<v Speaker 1>wants at the beginning. She has an animal sidekick and

1:23:31.760 --> 1:23:34.960
<v Speaker 1>a secondary animal sidekick. This is like well documented in

1:23:35.040 --> 1:23:37.480
<v Speaker 1>all of them. I think it's most clearly taken from Bocahunas,

1:23:37.520 --> 1:23:40.400
<v Speaker 1>where you have Miko the Raccoon and Flit the bird.

1:23:41.040 --> 1:23:43.519
<v Speaker 1>There's two and Mulan is a copy paste of that,

1:23:43.600 --> 1:23:47.080
<v Speaker 1>where I guess that like like executives were pushing the

1:23:47.120 --> 1:23:49.600
<v Speaker 1>cricket so much. No one wanted the cricket. Everyone was like,

1:23:49.600 --> 1:23:51.840
<v Speaker 1>the cricket doesn't do anything, cricket can't talk. Why is

1:23:51.880 --> 1:23:55.280
<v Speaker 1>the cricket here? Everyone, including the two sis had white

1:23:55.280 --> 1:23:58.040
<v Speaker 1>male directors, were like, we don't want the cricket. Uh.

1:23:58.280 --> 1:24:00.960
<v Speaker 1>Director Barry Temple said quote the directors didn't want the

1:24:01.000 --> 1:24:02.760
<v Speaker 1>cricket in the movie. A story department didn't want the

1:24:02.800 --> 1:24:04.599
<v Speaker 1>cricket in the movie. The only people who wanted him

1:24:04.600 --> 1:24:09.720
<v Speaker 1>in the movie were Michael Eisner had to cricket when

1:24:09.760 --> 1:24:14.200
<v Speaker 1>I was a chod. Then Harry Tumble says, I was

1:24:14.240 --> 1:24:16.559
<v Speaker 1>sitting meetings and they'd say, well, where's the cricket during

1:24:16.600 --> 1:24:22.280
<v Speaker 1>all this, and someone would say, fuck the cricket. So

1:24:22.439 --> 1:24:25.400
<v Speaker 1>just if you're wondering why the cricket is very spark

1:24:25.880 --> 1:24:27.400
<v Speaker 1>because everyone was just like, we don't know what to

1:24:27.439 --> 1:24:29.720
<v Speaker 1>do with the cricket. You have Eddie Murphy, what more

1:24:29.720 --> 1:24:32.559
<v Speaker 1>do you want from us? I mean the cricket is

1:24:33.000 --> 1:24:38.519
<v Speaker 1>lu shue sidekick, was your psychick. He's like a forced

1:24:38.560 --> 1:24:42.320
<v Speaker 1>to your sidekick. Justice for the Cricket. He knows how

1:24:42.320 --> 1:24:44.360
<v Speaker 1>to right. We see him like writing something on the

1:24:44.479 --> 1:24:47.360
<v Speaker 1>lead can read. He can read and write. He's very educated. Yeah,

1:24:47.439 --> 1:24:49.840
<v Speaker 1>why can't we in Justice for the Cricket? No one

1:24:49.920 --> 1:24:53.040
<v Speaker 1>wanted going back to the live action thing. Um the

1:24:53.160 --> 1:24:56.080
<v Speaker 1>live action Milan seems to have eliminated the villain of

1:24:56.320 --> 1:25:01.160
<v Speaker 1>Sean you uh and added instead a witch. Um, the

1:25:01.200 --> 1:25:03.680
<v Speaker 1>hawk or the falcon or whatever type of bird that

1:25:03.800 --> 1:25:06.559
<v Speaker 1>is that we see in the animated version is now

1:25:06.600 --> 1:25:11.040
<v Speaker 1>a witch who can anamorphe into this bird. It needs

1:25:11.080 --> 1:25:13.680
<v Speaker 1>to be seen whether this is a good idea. I mean,

1:25:13.720 --> 1:25:18.919
<v Speaker 1>it adds another female character, but I could be violence exactly.

1:25:19.600 --> 1:25:24.000
<v Speaker 1>Goldie is amazing, so I'm here for it, good good um.

1:25:24.080 --> 1:25:27.320
<v Speaker 1>And then Mulan seems to have a sister now, as

1:25:27.400 --> 1:25:30.519
<v Speaker 1>referenced in one of the trailers, so I don't know

1:25:30.920 --> 1:25:33.280
<v Speaker 1>hard to say how important that character will be, but

1:25:33.320 --> 1:25:35.880
<v Speaker 1>they seem to be doing what all these live action

1:25:35.920 --> 1:25:39.439
<v Speaker 1>Disney movies are doing, which is like add some female characters,

1:25:39.479 --> 1:25:43.479
<v Speaker 1>some female friends for you know, the women the female

1:25:43.479 --> 1:25:47.960
<v Speaker 1>protagonist in the movie to like appease fans. Probably um well,

1:25:48.000 --> 1:25:52.439
<v Speaker 1>and I'm glad that we are seeing. And it's also

1:25:52.640 --> 1:25:57.760
<v Speaker 1>a female director of the new Mulan movie, although there's

1:25:57.800 --> 1:26:00.320
<v Speaker 1>still she is a white lady from New zeal And.

1:26:00.760 --> 1:26:02.640
<v Speaker 1>So I feel like it kind of remains to be

1:26:02.680 --> 1:26:06.960
<v Speaker 1>seen to how effective this adaptation will be. I feel

1:26:06.960 --> 1:26:11.400
<v Speaker 1>like there is a lot of and Lyndsay once again,

1:26:11.520 --> 1:26:15.519
<v Speaker 1>Queen Lindsay Ellis has done and excellent if kind of

1:26:15.560 --> 1:26:21.000
<v Speaker 1>like oh no to watch video essays about the kind

1:26:21.000 --> 1:26:24.640
<v Speaker 1>of woke ifying of these Disney reboots and how meaningful

1:26:24.760 --> 1:26:26.840
<v Speaker 1>is it and how much of it is motivated by

1:26:26.920 --> 1:26:31.040
<v Speaker 1>money and just saying things that modern audience is wanting

1:26:31.120 --> 1:26:35.479
<v Speaker 1>to hear, while still not ultimately like updating what their

1:26:35.560 --> 1:26:38.680
<v Speaker 1>values are. So we'll see, we'll see. I want to

1:26:38.680 --> 1:26:42.320
<v Speaker 1>be I'm I'm cautiously optimistic. But we've but five of

1:26:42.360 --> 1:26:44.120
<v Speaker 1>these movies have come out and none of them have

1:26:44.240 --> 1:26:49.599
<v Speaker 1>been good. I hope it's good. Um does a movie

1:26:49.600 --> 1:26:52.280
<v Speaker 1>pass the Bechtel test? I don't think so. I actually

1:26:52.400 --> 1:26:55.000
<v Speaker 1>forgot to pay attention once again. I think, yeah, the

1:26:55.400 --> 1:26:58.880
<v Speaker 1>grandma and the mom might have had a conversation about Mulan,

1:26:59.120 --> 1:27:03.320
<v Speaker 1>which technically passes the Bechdel test, right, I think it depends.

1:27:03.320 --> 1:27:07.160
<v Speaker 1>I think on this on not like strictly like it

1:27:07.280 --> 1:27:10.559
<v Speaker 1>may pass once, but the context of what they're talking

1:27:10.560 --> 1:27:14.080
<v Speaker 1>about is always marriage and marriage. I feel like it

1:27:14.080 --> 1:27:16.080
<v Speaker 1>doesn't pass. I don't know. I was reading in the

1:27:16.120 --> 1:27:20.040
<v Speaker 1>forums of like there's been more so than almost any

1:27:20.040 --> 1:27:22.360
<v Speaker 1>other movie I've ever checked on this because I thought

1:27:22.520 --> 1:27:23.920
<v Speaker 1>at the end, I was like, I don't really know,

1:27:24.400 --> 1:27:26.439
<v Speaker 1>and then I checked in the forums and people are

1:27:27.160 --> 1:27:29.920
<v Speaker 1>back and forth. A lot of people are like, technically yes,

1:27:30.400 --> 1:27:33.000
<v Speaker 1>some people say that the female ancestors talk to each other,

1:27:33.000 --> 1:27:34.479
<v Speaker 1>but we don't know whe their names are, so for

1:27:34.600 --> 1:27:38.439
<v Speaker 1>us doesn't pass. I'm going to say that it for me,

1:27:38.560 --> 1:27:41.160
<v Speaker 1>it doesn't pass. And I think that that's a testament

1:27:41.240 --> 1:27:43.360
<v Speaker 1>to mentor the fact that this is a movie where

1:27:43.560 --> 1:27:45.880
<v Speaker 1>we have a very strong female protagonist who has no

1:27:45.960 --> 1:27:49.479
<v Speaker 1>women to talk to. Right because even the conversations between women,

1:27:49.520 --> 1:27:52.120
<v Speaker 1>either whether it's you know, Milan and her mother or

1:27:52.240 --> 1:27:56.640
<v Speaker 1>grandmother or the matchmaker, the context, like we said, of

1:27:56.680 --> 1:27:58.960
<v Speaker 1>almost every one of those conversations, even though there might

1:27:58.960 --> 1:28:02.280
<v Speaker 1>be like two line in exchanges where a man's name

1:28:02.360 --> 1:28:05.639
<v Speaker 1>isn't mentioned, the context of the entire conversation will still

1:28:05.680 --> 1:28:09.240
<v Speaker 1>be like are you primped enough to be a bride?

1:28:09.600 --> 1:28:11.760
<v Speaker 1>Kind of thing to a man. I think that this

1:28:11.880 --> 1:28:14.880
<v Speaker 1>is kind of a movie ultimately that I to my

1:28:15.040 --> 1:28:20.240
<v Speaker 1>grave will defend Mulan. I love Mulan the person, but

1:28:20.360 --> 1:28:22.839
<v Speaker 1>I think in terms of how this movie portrays women,

1:28:22.920 --> 1:28:25.960
<v Speaker 1>it ultimately is like the exceptional woman and not that

1:28:26.080 --> 1:28:30.160
<v Speaker 1>women are exceptional. Yes, yes, indeed, that's always way of

1:28:30.160 --> 1:28:36.479
<v Speaker 1>putting it. That's my pull quote. Also, that is that

1:28:36.680 --> 1:28:38.840
<v Speaker 1>is what I'd like for you to put on a

1:28:38.880 --> 1:28:42.040
<v Speaker 1>T shirt. Um, bye bye. Well, that brings us to

1:28:42.040 --> 1:28:45.799
<v Speaker 1>our nipple scale, serified nipples, basiness representation of women. Um.

1:28:45.840 --> 1:28:49.160
<v Speaker 1>I mean, all things considered, it does a pretty good job,

1:28:49.200 --> 1:28:53.640
<v Speaker 1>at least compared to other comparable Disney Renaissance movies, it is,

1:28:54.360 --> 1:28:57.960
<v Speaker 1>you know, the most empowering one to date. And then

1:28:58.120 --> 1:29:00.600
<v Speaker 1>you know, then Molanna came up along where well, but

1:29:00.640 --> 1:29:04.200
<v Speaker 1>Molanna came along almost twenty years later, and Molana isn't perfect,

1:29:04.760 --> 1:29:10.360
<v Speaker 1>which contrary to our critique. Um, But like I said,

1:29:10.360 --> 1:29:12.639
<v Speaker 1>I wish I had had this movie to grow up with.

1:29:12.960 --> 1:29:15.559
<v Speaker 1>Um Instead, I like latched onto a Little Mermaid and

1:29:15.560 --> 1:29:18.960
<v Speaker 1>we already talked about how many problems that movie has. Um,

1:29:19.040 --> 1:29:21.640
<v Speaker 1>I think I'll give it a three. Um, I'm that

1:29:21.760 --> 1:29:24.439
<v Speaker 1>might be a little too generous or maybe not generous enough.

1:29:24.520 --> 1:29:28.280
<v Speaker 1>Sometimes I really miss fire on the new Nipple rating.

1:29:28.360 --> 1:29:31.439
<v Speaker 1>And you know, it's a hard metric, but you know,

1:29:31.560 --> 1:29:33.479
<v Speaker 1>I think the way that it subverts a lot of

1:29:33.479 --> 1:29:37.559
<v Speaker 1>the tropes, specifically of Disney movies, while it also adheres

1:29:37.640 --> 1:29:40.680
<v Speaker 1>to a lot of kind of the you know, problematic

1:29:40.720 --> 1:29:43.599
<v Speaker 1>things that we've already discussed. Yeah, I think I'll stick

1:29:43.640 --> 1:29:46.880
<v Speaker 1>with a three. Ummulan is a character is terrific. I

1:29:46.920 --> 1:29:50.320
<v Speaker 1>hope this live action reboot does her even more justice.

1:29:50.880 --> 1:29:54.519
<v Speaker 1>Um remains to be seen, But three nipples, Um, I

1:29:54.560 --> 1:29:59.400
<v Speaker 1>will give one of them to shang Um and his

1:29:59.760 --> 1:30:04.160
<v Speaker 1>visit bowl nipples. Um, I will give well and then

1:30:04.200 --> 1:30:07.360
<v Speaker 1>I'll just give the other two to Milan. I'm gonna

1:30:07.360 --> 1:30:11.040
<v Speaker 1>know three and a half on this. I'm also very

1:30:11.200 --> 1:30:13.960
<v Speaker 1>biased towards this movie because it's like one of those

1:30:13.960 --> 1:30:16.080
<v Speaker 1>movies that I have seen a million times and it

1:30:16.160 --> 1:30:18.479
<v Speaker 1>feels very like in my DNA of just how much

1:30:18.520 --> 1:30:21.439
<v Speaker 1>I love it. But I feel like for its time,

1:30:21.640 --> 1:30:25.800
<v Speaker 1>this is as progressive as children's media was getting on

1:30:25.840 --> 1:30:29.840
<v Speaker 1>a mass scale. I think that like young just young

1:30:29.880 --> 1:30:34.000
<v Speaker 1>people in general seeing this movie like got a view

1:30:34.080 --> 1:30:36.839
<v Speaker 1>of a female protagonist that they really had never gotten

1:30:37.280 --> 1:30:39.840
<v Speaker 1>on a mass scale prior to this point. She is

1:30:39.960 --> 1:30:43.960
<v Speaker 1>never a damsel in distress. She is very motivated. She

1:30:44.360 --> 1:30:47.120
<v Speaker 1>is amazing. I feel like the main fault of this

1:30:47.160 --> 1:30:50.920
<v Speaker 1>movie is not letting that inspire the women around her

1:30:51.520 --> 1:30:53.840
<v Speaker 1>and making her. I feel like it almost is kind

1:30:53.880 --> 1:30:56.439
<v Speaker 1>of oppressive to isolate her as the exception to the

1:30:56.520 --> 1:31:01.080
<v Speaker 1>rule rather than someone who could inspire the women around her. Um.

1:31:01.360 --> 1:31:03.240
<v Speaker 1>And plus the other thing I mean, I think the

1:31:03.240 --> 1:31:08.360
<v Speaker 1>way that the Huns are portrayed is like flat out racist. Um,

1:31:08.400 --> 1:31:11.439
<v Speaker 1>the fact that this movie was directed biasis at white

1:31:11.439 --> 1:31:13.960
<v Speaker 1>men and majority written by them, and the more you

1:31:14.040 --> 1:31:17.599
<v Speaker 1>learn about them, the less good it gets. Um, there's

1:31:17.600 --> 1:31:19.960
<v Speaker 1>a lot of classic Disney faults going on here, but

1:31:20.040 --> 1:31:24.160
<v Speaker 1>I think that they, in spite of a lot of stuff,

1:31:24.479 --> 1:31:27.200
<v Speaker 1>they managed to pull up. I think maybe they're most

1:31:27.400 --> 1:31:34.240
<v Speaker 1>progressive movie to date at this time, and at least

1:31:34.280 --> 1:31:36.960
<v Speaker 1>a lot of them. A lot of the cast are

1:31:37.160 --> 1:31:41.360
<v Speaker 1>voiced by Asian actors, a lot, but not all of them.

1:31:41.400 --> 1:31:44.400
<v Speaker 1>Not all of them, but more than I expected, honestly

1:31:44.439 --> 1:31:52.040
<v Speaker 1>when I went through The Soldiers, right, yes, so you're like, uh,

1:31:52.479 --> 1:31:55.880
<v Speaker 1>you know, you know, Eddie Murphy's warming up for Donkey whatever. Like,

1:31:56.120 --> 1:31:58.360
<v Speaker 1>there's a lot of stuff in this movie that's of

1:31:58.400 --> 1:32:01.200
<v Speaker 1>its time, such as the Steve You Wonder ninety degrees

1:32:01.240 --> 1:32:05.360
<v Speaker 1>collapse couldn't have happened in any year. But ultimately I

1:32:05.360 --> 1:32:08.880
<v Speaker 1>think it's net positive. I would happily show this movie

1:32:08.920 --> 1:32:11.799
<v Speaker 1>to a young person today. Um, I think it super

1:32:11.840 --> 1:32:15.679
<v Speaker 1>holds up and it's kind of I don't know it.

1:32:15.680 --> 1:32:20.559
<v Speaker 1>It definitely changed my perspectives at the time, and it's great.

1:32:21.280 --> 1:32:23.880
<v Speaker 1>I love it. Three and a half nips to Go

1:32:24.080 --> 1:32:28.280
<v Speaker 1>to Mulan one and a half ago photo realistically to

1:32:28.920 --> 1:32:33.840
<v Speaker 1>Lei Shang so I think I will do three nips

1:32:34.160 --> 1:32:38.760
<v Speaker 1>Mulan to to Mulan one to Lei Shang being portrayed

1:32:38.960 --> 1:32:43.080
<v Speaker 1>as a leading man Asian love interest, which is pretty

1:32:43.160 --> 1:32:49.920
<v Speaker 1>rare in all movies across all American like filmmaking history. Um,

1:32:50.040 --> 1:32:53.760
<v Speaker 1>nipple really taken away for just a weird mash up

1:32:53.800 --> 1:32:56.840
<v Speaker 1>of Asia they presented. Sure, I feel like they could

1:32:56.840 --> 1:32:59.000
<v Speaker 1>have definitely done more research, just been a little bit

1:32:59.000 --> 1:33:02.559
<v Speaker 1>more specific. Just um, I don't know, asked one Chinese

1:33:02.600 --> 1:33:08.000
<v Speaker 1>person other than the one Chinese like woman of Chinese

1:33:08.040 --> 1:33:11.240
<v Speaker 1>descent who worked on this movie. Yeah, or in the

1:33:11.400 --> 1:33:14.960
<v Speaker 1>on the writing to well otherwise thoroughly enjoyable, really love

1:33:15.040 --> 1:33:18.559
<v Speaker 1>this movie. Yeah, sure, well seta thank you so much

1:33:18.600 --> 1:33:22.639
<v Speaker 1>for being here, having me, having you. Um, what would

1:33:22.680 --> 1:33:26.479
<v Speaker 1>you like to plug? Where can people follow you? I am?

1:33:26.520 --> 1:33:28.400
<v Speaker 1>I am working on a lot of things, but none

1:33:28.439 --> 1:33:31.519
<v Speaker 1>of them are pluggable, So you just follow me on

1:33:31.640 --> 1:33:36.240
<v Speaker 1>my Twitter at Slowbear s l O B E A R. Nice, amazing,