WEBVTT - Special Bonus Episode: Sade

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<v Speaker 1>No need to bust. Smooth Operata, Smooth Operata, smooth operator.

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<v Speaker 1>Hello there, friend, I'm Ron Burgundy, and once again I

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<v Speaker 1>am podcasting. Welcome, Welcome, one and all, old and young,

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<v Speaker 1>blind and sighted, Welcome all of you. We discriminate against

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<v Speaker 1>no listener. You're probably noticed I started this episode by

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<v Speaker 1>singing a little bit of Sades single Smooth Operator. On

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<v Speaker 1>today's podcast, I Ron Burgundy have many, many thoughts to

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<v Speaker 1>share with you about the incomparable songstress Chardy, and I'll

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<v Speaker 1>be speaking about it in great detail. But first, let's

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<v Speaker 1>check in with the Burgundy pod Copter for a quick

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<v Speaker 1>traffic update. Jacob, he's up there, he's got his cans on.

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<v Speaker 1>What do you see up there? Do you mean our

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<v Speaker 1>p a, Jacob, because he's in the hall. We don't

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<v Speaker 1>what's it's a traffic helicopter, but since we're doing a podcast,

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<v Speaker 1>it's a podcapter. You just come up with this, because no, okay,

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<v Speaker 1>I didn't come up with this. This was part of

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<v Speaker 1>the package when I agreed to do a podcast, that

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<v Speaker 1>we would have a traffic helicopter. We'd call it the

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<v Speaker 1>pod Copter. We'd get up to the minute, real time

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<v Speaker 1>traffic updates. For listeners to be informed. So where is it?

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<v Speaker 1>Was it stolen? Did someone steal it? I don't think so.

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<v Speaker 1>You know what, good, I'm glad someone stole it. Do

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<v Speaker 1>you ever have one of those mornings when you just

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<v Speaker 1>wake up ready for street vengeance? Gasip your Sonata Carolina,

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<v Speaker 1>We've got a helicopter thief to catch listen. I told

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<v Speaker 1>you when we're planning this podcast, it just wouldn't makes

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<v Speaker 1>sense to do local traffic reports. It's really outdated. I mean,

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<v Speaker 1>people use the phones for that, and we don't even

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<v Speaker 1>know when people are listening to But when I turn

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<v Speaker 1>on AM radio, there's a traffic report, right, I mean

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<v Speaker 1>it's just so different, um than AM radio? Are you

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<v Speaker 1>talking about ways? Ways? Google Maps? Give me a break.

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<v Speaker 1>We just don't know when people are even listening to

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<v Speaker 1>this episode or where they might be listening to this. Um,

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<v Speaker 1>you know ways is out, it's on its ways out,

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<v Speaker 1>trust me, all right. I put all my money in

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<v Speaker 1>Thomas Maps, the Thomas Guide. It's a it's a thick

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<v Speaker 1>book of maps. Yeah, you just pull it out and

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<v Speaker 1>you know exactly where you're going. Really inconven well, you

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<v Speaker 1>have to drive with it on the dash. That's why

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<v Speaker 1>I have an easel, have a painter's easel in the

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<v Speaker 1>passenger seat in my of my car. So I put

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<v Speaker 1>my Thomas Guide and I just flipped through it. Oh

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<v Speaker 1>six or five freeway to the seven ten, No big deal,

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<v Speaker 1>Page G four. It's a grid system and then you

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<v Speaker 1>just find it. Boom. You don't have to mess with

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<v Speaker 1>your phone and ways and updates and all this stuff

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<v Speaker 1>like that. How many fender benders have you gotten in

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<v Speaker 1>the past year? This year was a great year. Very few,

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<v Speaker 1>less than twenty. Wow. My insurance team even called me.

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<v Speaker 1>That's where they sit that congratulatory basket, the Dean and

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<v Speaker 1>de Luca basket with the fine artists and coffees, coffees

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<v Speaker 1>from around the world. They are really proud of you,

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<v Speaker 1>I guess they said, I lord my rates by five

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<v Speaker 1>dollars this year. That's great that I've gone down from

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<v Speaker 1>twelve tho dollars a year. It's so much, so much

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<v Speaker 1>because I've been in a lot of fenderman as I

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<v Speaker 1>got it when when I've got to go where I

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<v Speaker 1>need to go out of my way. But yeah, people

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<v Speaker 1>could be listening to this anywhere. I mean, so we

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<v Speaker 1>don't have a helicopter. Can we can we just buy

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<v Speaker 1>a helicopter and just have it on standby on the

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<v Speaker 1>roof of the building. So out of our budget, let's

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<v Speaker 1>let's look into it. Let's crunch the numbers. We can

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<v Speaker 1>look into it. Great. Thank that's all I ask. Yeah,

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<v Speaker 1>but you know you've got me thinking, though, we really

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<v Speaker 1>have no idea how people listen to this podcast. I mean,

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<v Speaker 1>think about that. Perhaps they're driving, they're they're stuck in traffic,

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<v Speaker 1>looking for a little light entertainment on their morning commuter.

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<v Speaker 1>Maybe maybe it's the middle of the night and you

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<v Speaker 1>just had a drag out fight with your spouse and

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<v Speaker 1>words were exchanged that can never be on set, So

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<v Speaker 1>you just tore us out of your drive away in

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<v Speaker 1>a blind rage. The car stereo turned on automatically, and

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<v Speaker 1>here I am Ron Burgundy teasing a great monologue I

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<v Speaker 1>have coming up about shard Day. Meanwhile, your life is

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<v Speaker 1>crumbling sific word. Maybe you're listening on the treadmill getting

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<v Speaker 1>some exercise, feel that burn. Well, let me just say,

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<v Speaker 1>if that's what you're doing, you need to stop it.

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<v Speaker 1>Just knock it off. I'm sorry, I'm just trying to

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<v Speaker 1>do a professional podcast. Asked and now you've got all

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<v Speaker 1>these images of people listening to the show under what

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<v Speaker 1>I consider unacceptable circumstances. You know, you know what I'm

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<v Speaker 1>talking about, sweating at the gem like some kind of

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<v Speaker 1>filthy animal as I talk about chardon no thanks. Okay,

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<v Speaker 1>then should people be listening? You want to listen with

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<v Speaker 1>the lights dimmed in your den or study, and my soothing,

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<v Speaker 1>professional broadcasting voice coming out of expensive high fidelity audio equipment.

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<v Speaker 1>I'm talking huge six foot wooden cabinet speakers that cost

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<v Speaker 1>forty eight grand each, bare minimum audio equipment that's just

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<v Speaker 1>irresponsibly expensive, exactly the way I listened to four time

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<v Speaker 1>Grammy Award winning recording artist Chardy. I've written a poem

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<v Speaker 1>about her that I will be sharing later on the

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<v Speaker 1>podcast Necessary And I mean a lot of people just

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<v Speaker 1>listen on their computer, and frankly, I find that disrespectful

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<v Speaker 1>because think about it, we put a lot of effort

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<v Speaker 1>into this program, right, and it should be a first

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<v Speaker 1>class audio file experience. Last night, I was on my

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<v Speaker 1>house boat listening to Sads Diamond Life album right on

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<v Speaker 1>a turntable that costs more than your entire college education.

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<v Speaker 1>I just found myself mesmerized by the by the sound

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<v Speaker 1>bath that is shudd and I want our listeners to

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<v Speaker 1>have that same extremely relatable experience. I'm a listener and

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<v Speaker 1>I've never even been on a houseboat. Oh there are

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<v Speaker 1>a lot of fun and I'm not even that familiar

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<v Speaker 1>with I mean, you're kidding me, right, No, you don't

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<v Speaker 1>know this song. Smooth up the song we were saying

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<v Speaker 1>at the top of the really nothing boy. If there's

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<v Speaker 1>anyone who could benefit from a little more chard in

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<v Speaker 1>their life, it's you. Girlfriend. Hey, I will check out.

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<v Speaker 1>Thank you. That's all I'm asking. That's all I'm asking.

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<v Speaker 1>And I am I am slack jawed. I am gobsmacked

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<v Speaker 1>that you've never been on a houseboad. You don't need

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<v Speaker 1>to hang your mouth open like that, but that's the

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<v Speaker 1>physical effect that looks insane. I don't you're just opening

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<v Speaker 1>your mouth like you're about to eat it. I'm slack jawed.

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<v Speaker 1>I mean, just close your mouth. It's I get it.

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<v Speaker 1>You're surprised, you can say, Sam surprised my mouth is

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<v Speaker 1>open like this. I want to I want to finally

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<v Speaker 1>see if I can fit my whole fist into my mouth.

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<v Speaker 1>Oh all all, no, it's not just take it out please,

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<v Speaker 1>it's three all. Oh, that was so close. If I

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<v Speaker 1>work on that, that's going to happen. Maybe not the

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<v Speaker 1>most useful thing to work on with your time. You've

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<v Speaker 1>got to come down own to my house boat. That's it.

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<v Speaker 1>You've got to. Maybe we can have a holiday party,

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<v Speaker 1>even though it would just be me and you and

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<v Speaker 1>Nick on that would be great. That's all I'm asking

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<v Speaker 1>holiday party. Nick can come? No, it sounds like a

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<v Speaker 1>good time. I mean we would have to put it

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<v Speaker 1>in the books. We would have to come up with me.

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<v Speaker 1>Christmas night holiday party. Oh, I think Nick and I

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<v Speaker 1>are spending it with our respected family. So not not

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<v Speaker 1>actually on Christmas? Okay, how about Christmas Eve? Yeah, no,

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<v Speaker 1>that's like a special time that New Year's Eve, New

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<v Speaker 1>Year's Eve Day. I'll be spending that. We can watch football.

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<v Speaker 1>Oh I know I can't. I mean, I'm with my

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<v Speaker 1>my parents and my boyfriend. And do you have anyone

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<v Speaker 1>to spend these holidays? Of course I do. So many people.

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<v Speaker 1>Who are you spending it with? This year? It's still

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<v Speaker 1>in flux. Yes, the list is long. It's so long.

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<v Speaker 1>There's so many people. In fact, you know what I

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<v Speaker 1>forgot there's so many people coming. I I kind of

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<v Speaker 1>don't have room for you guys. So oh well, some

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<v Speaker 1>people drop out, then you guys can come to my

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<v Speaker 1>holiday party. Okay, thank you for the invite. Before we

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<v Speaker 1>dive into this, showed a song smooth operator. I just

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<v Speaker 1>want to think our sponsor, Kin Fernalds Audio Emporium, San

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<v Speaker 1>Diego's premier high end audio file dealership, mentioned offer code

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<v Speaker 1>ron capital o r in when you visit his store

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<v Speaker 1>for off waterproof speaker cables perfect for any house. Book.

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<v Speaker 1>That's kin Fernalds Auto Emporium located by the freeway, in fact,

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<v Speaker 1>under the freeway. It's just located under the freeway. Listen,

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<v Speaker 1>what we have advertisers that pay to be on the show.

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<v Speaker 1>We can't so we can't do I know. But it's

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<v Speaker 1>just like an under the table. It's not under the table.

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<v Speaker 1>But I can't tell you how much he gave me.

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<v Speaker 1>Well that sounds exactly what under the table means. I

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<v Speaker 1>told him I wouldn't announce it on the air. Okay,

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<v Speaker 1>he's paying me a pretty penny. Are you having money problems? No,

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<v Speaker 1>not not anymore. I mean, well, one checking account is overdrawn,

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<v Speaker 1>but the other one is fine now I just stopped

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<v Speaker 1>using it. But one is a little overdrawn, which is

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<v Speaker 1>why when do we get paid for this? We get

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<v Speaker 1>paid on the first Tuesday, not for at least a

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<v Speaker 1>couple of months. I did not need to hear that. Okay,

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<v Speaker 1>top Raman, it is for the holidays. By the way,

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<v Speaker 1>my party will be a top Raman party. Bring your

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<v Speaker 1>own top Ramen. We should get back to the right. No,

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<v Speaker 1>I know, but I just want to. I just want

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<v Speaker 1>to show you one thing. Look look what I got

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<v Speaker 1>from my house. About cool. It's a Google Assistant device.

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<v Speaker 1>It looks like a donut, but it's not. Trust me,

0:11:06.600 --> 0:11:13.520
<v Speaker 1>it's amazing. Asking anything, go ahead, Okay, don't be shy.

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<v Speaker 1>Hey Google, what's eight hundred and four times seven hundred

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<v Speaker 1>and twelve? The answer is five? Really a math problem, Carolina,

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<v Speaker 1>you're a nerd. Try something cooler here. Let me try something.

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<v Speaker 1>Hey Google, where do I find find cigars? I found

0:11:36.920 --> 0:11:41.080
<v Speaker 1>a few stores near you. You've been told repeatedly you

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<v Speaker 1>cannot smoke cigars in the studio. Hold on, hold on.

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<v Speaker 1>What does it say on my lapel pin that I

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<v Speaker 1>had personally customized? Um? It says I played by own rules.

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<v Speaker 1>It does Yeah. Oh, I played by own rules. I meant, well,

0:12:04.720 --> 0:12:07.360
<v Speaker 1>you know what I meant. I played by my own rules.

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<v Speaker 1>I'm supposed to put a B in the charge. Gosh,

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<v Speaker 1>I gotta take this back down to Danny at the

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<v Speaker 1>lapel pin kiosk ye. My point is I played by

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<v Speaker 1>my own rules, so you legally you can't tell me

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<v Speaker 1>what to do, right okay, And with that in mind,

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<v Speaker 1>you can't tell me to not take a commercial right here.

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<v Speaker 1>Let's go to a commercial intro for the commercial because

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<v Speaker 1>I played by own rules. Wait, it still works. I

0:12:40.880 --> 0:12:43.400
<v Speaker 1>played by own rules. You know what, I'm not gonna

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<v Speaker 1>take it to Danny. I'm gonna keep it. Let's go

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<v Speaker 1>to commercial. Welcome back to the Ron Burgundy Podcast. I'm

0:12:58.960 --> 0:13:05.040
<v Speaker 1>Ron Burgundy. I'm here with Carolina and you have downloaded?

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<v Speaker 1>Is that the right term selected? I just printed these

0:13:10.240 --> 0:13:12.600
<v Speaker 1>lyrics for you know, if you're listening to this podcast,

0:13:14.800 --> 0:13:20.480
<v Speaker 1>you have downloaded it a very special episode. Um, then

0:13:20.520 --> 0:13:22.520
<v Speaker 1>you have if you happen to just speed to the

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<v Speaker 1>middle of it and didn't start at the beginning. I

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<v Speaker 1>just want to remind the listener that we are going

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<v Speaker 1>to analyze my deep deep love for But before we

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<v Speaker 1>get going. There's just something I really need to tell you.

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<v Speaker 1>And this is delicate. I want to put this as

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<v Speaker 1>gently as possible, but Carolina, you are a terrible assistant.

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<v Speaker 1>Run I'm not your assistant. Whatever you are, you're awful

0:13:51.040 --> 0:13:54.280
<v Speaker 1>and replaceable. I don't think that's true. Listen, I'm not

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<v Speaker 1>going to replace you, but I want to show you something.

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<v Speaker 1>Hold on here, hey, Google, how many records? Has Chard

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<v Speaker 1>sold million albums? According to the Independent, the sixth highest

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<v Speaker 1>earner in the list, the name of the singer and

0:14:10.440 --> 0:14:12.960
<v Speaker 1>songwriter behind the four piece band of the same name.

0:14:13.120 --> 0:14:16.560
<v Speaker 1>Their career has spanned more than during which time they

0:14:16.559 --> 0:14:19.400
<v Speaker 1>have sold more than million. To argue with me said

0:14:19.440 --> 0:14:21.000
<v Speaker 1>it was a seven piece band, but some four people,

0:14:21.680 --> 0:14:25.720
<v Speaker 1>my Google assistant knows more about R and B songstress

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<v Speaker 1>Chard than you do. And that and that's got to

0:14:28.080 --> 0:14:31.360
<v Speaker 1>do something to your self esteem. I'm a human being,

0:14:31.600 --> 0:14:34.600
<v Speaker 1>not a small digital device that's connected to the entire

0:14:34.640 --> 0:14:37.840
<v Speaker 1>knowledge of the Internet. So well, that's your problem, that's

0:14:37.880 --> 0:14:40.920
<v Speaker 1>not mine. Okay, Roun, I'm excited you got a new toy.

0:14:41.080 --> 0:14:46.040
<v Speaker 1>It's not a toy. Google Assistant is a technological marvel.

0:14:46.360 --> 0:14:49.920
<v Speaker 1>I mean whatever. You just shouldn't be so rude. Hey Google,

0:14:50.120 --> 0:14:53.840
<v Speaker 1>I'm mad? Oh no, how can I help? Well, perhaps

0:14:53.840 --> 0:14:56.920
<v Speaker 1>you could explain to Carolina that she's overreacting a bit.

0:14:57.000 --> 0:15:00.120
<v Speaker 1>Maybe she feels a little threatened. Google, I am I'm

0:15:00.160 --> 0:15:05.160
<v Speaker 1>not threatened by you. Carolina watched this. Hey Google, I

0:15:05.280 --> 0:15:09.880
<v Speaker 1>love you. That's high praise coming from you. Finally someone

0:15:10.000 --> 0:15:13.600
<v Speaker 1>is giving me some respect around here. All right, all right,

0:15:14.440 --> 0:15:19.200
<v Speaker 1>let's get back to our our analysis of Smooth Operator. Yes,

0:15:20.280 --> 0:15:24.240
<v Speaker 1>we're going to go through lyric by lyric, and as

0:15:24.240 --> 0:15:29.280
<v Speaker 1>you said, crack the code of Smooth Operator, one of

0:15:29.320 --> 0:15:34.840
<v Speaker 1>the greatest songs ever written. Now, I just it's such

0:15:34.840 --> 0:15:38.119
<v Speaker 1>a it's a deep, it's a it's an interesting, interesting

0:15:38.520 --> 0:15:43.800
<v Speaker 1>analysis into what was going through her mind. I mean,

0:15:43.840 --> 0:15:45.480
<v Speaker 1>I think that she might have just been thinking of

0:15:45.640 --> 0:15:49.640
<v Speaker 1>how to write a hit pop song. Chard whose original

0:15:49.760 --> 0:15:55.920
<v Speaker 1>name was Florence Henderson. Oh, I think you're thinking of

0:15:56.960 --> 0:16:00.200
<v Speaker 1>up the Brady Bunch. Moom. Sorry, Okay, take a back

0:16:01.280 --> 0:16:07.320
<v Speaker 1>strict that from the record, your honor. Okay, we don't know,

0:16:07.400 --> 0:16:09.680
<v Speaker 1>one knows what her original name is. It might just

0:16:09.760 --> 0:16:13.720
<v Speaker 1>be her name. It could be it could be that

0:16:13.720 --> 0:16:16.840
<v Speaker 1>seems most likely. So I think what we'll do is

0:16:16.880 --> 0:16:19.360
<v Speaker 1>we'll just have Nick play this song line by line,

0:16:19.360 --> 0:16:21.000
<v Speaker 1>and we're just gonna stop it, and we're going to

0:16:21.120 --> 0:16:25.080
<v Speaker 1>really take a deep dive into analyzing the meaning of

0:16:25.120 --> 0:16:34.200
<v Speaker 1>what's going on with Smooth Operator. Great, let's begin Diamond

0:16:34.360 --> 0:16:43.840
<v Speaker 1>Love right here. You gotta love that beginning, very sultry. Yeah,

0:16:45.720 --> 0:17:06.000
<v Speaker 1>Diamond Love, Diamond Live another with oh this is oh,

0:17:01.680 --> 0:17:11.320
<v Speaker 1>this is spoken words. Okay, stop it right there? In

0:17:11.560 --> 0:17:15.640
<v Speaker 1>seven languages, No, in one in English. But that's where

0:17:15.680 --> 0:17:18.679
<v Speaker 1>she talked about seven languages there, so maybe she speaks

0:17:18.680 --> 0:17:23.360
<v Speaker 1>seven languages. She's trying to show off. It's maybe it's

0:17:23.400 --> 0:17:26.040
<v Speaker 1>just a lyric. Here's the thing. The language of love

0:17:26.520 --> 0:17:33.600
<v Speaker 1>can be spoken in any language. That sweet thank you, continue,

0:17:35.000 --> 0:17:43.800
<v Speaker 1>high sky, Heaven help him stop? Heaven help him? Help him? Okay,

0:17:44.160 --> 0:17:46.520
<v Speaker 1>what's going on with him? And who is him? We're

0:17:46.520 --> 0:17:50.800
<v Speaker 1>about to find out. I believe him as the Smooth Operator,

0:17:50.880 --> 0:17:54.159
<v Speaker 1>but I'm not sure, but Heaven help him. He's a

0:17:54.160 --> 0:17:57.919
<v Speaker 1>troubled soul. He's in trouble. Who's coming to the rescue? Heaven,

0:18:00.040 --> 0:18:15.920
<v Speaker 1>go ahead? Who stop? Diamond Life love her boy? Okay,

0:18:16.600 --> 0:18:20.280
<v Speaker 1>so Diamond Life. So he's a fluent he's a fluent

0:18:20.480 --> 0:18:23.800
<v Speaker 1>or he's used to the good. He's used to del

0:18:23.880 --> 0:18:26.879
<v Speaker 1>j vida, the good life, the good life. Yes, he

0:18:27.000 --> 0:18:31.040
<v Speaker 1>sounds like someone who has money to spend. He has

0:18:31.080 --> 0:18:35.160
<v Speaker 1>a diamond life. He's a lover boy, so not virginal,

0:18:35.280 --> 0:18:39.640
<v Speaker 1>but he's troubled. Heaven helped him, Heaven help him. This

0:18:40.520 --> 0:18:46.000
<v Speaker 1>it's so intriguing, getting a little complicated. It is as

0:18:46.119 --> 0:18:48.480
<v Speaker 1>dark a song as you'll ever listen to. Oh, I

0:18:48.520 --> 0:18:51.960
<v Speaker 1>don't know about that. I mean there's songs about diamond life.

0:18:52.600 --> 0:18:54.959
<v Speaker 1>Now this, this is is I'll put those up against

0:18:54.960 --> 0:19:07.480
<v Speaker 1>any of those songs. Okay, keep going, stays with maximum okay, stopping.

0:19:07.880 --> 0:19:11.080
<v Speaker 1>He moves in space with minimum waste and maximum joy.

0:19:13.320 --> 0:19:16.240
<v Speaker 1>Is he a ghost? I think we need to listen

0:19:16.280 --> 0:19:18.080
<v Speaker 1>to more. I don't know if it's that much. I'm

0:19:18.119 --> 0:19:19.879
<v Speaker 1>just I'm just taking it. I'm just going out on

0:19:19.920 --> 0:19:23.400
<v Speaker 1>a flyer. Here, I'm taking a flyer. Um. He could

0:19:23.480 --> 0:19:27.480
<v Speaker 1>be a ghost. Minimum waste could mean that maximum joy.

0:19:27.720 --> 0:19:30.400
<v Speaker 1>He moves in space. He moves in space. He doesn't

0:19:30.480 --> 0:19:34.800
<v Speaker 1>use his legs. He could be a rich little loverboy

0:19:34.840 --> 0:19:39.880
<v Speaker 1>who bought a hovercraft and it's just moving around very Yeah,

0:19:40.080 --> 0:19:41.760
<v Speaker 1>there could be a sci fi element, like in the

0:19:41.760 --> 0:19:45.800
<v Speaker 1>episode of Baby he's he's one of the Jetsons. Okay,

0:19:46.200 --> 0:20:05.840
<v Speaker 1>all right, Nick Hidden God Design. Okay, car Desire, I

0:20:06.320 --> 0:20:10.080
<v Speaker 1>study clay writing at Sarah Lawrence and we street car desires. Obviously,

0:20:10.080 --> 0:20:13.720
<v Speaker 1>Tennessee Williams play the street car name desire. Wait, there's

0:20:13.760 --> 0:20:16.960
<v Speaker 1>a guy named Tennessee. Yeah, that's his real name. Oh

0:20:17.040 --> 0:20:22.600
<v Speaker 1>my gosh, a stupid name. Exactly. So that's a reference

0:20:22.600 --> 0:20:26.560
<v Speaker 1>to him. When you require street car desire for higher heights,

0:20:27.560 --> 0:20:31.840
<v Speaker 1>street cars can't I'm so lost. Now, maybe she's talking

0:20:31.840 --> 0:20:35.280
<v Speaker 1>about San Francisco. Okay, maybe that's it. Maybe takes place

0:20:35.280 --> 0:20:37.960
<v Speaker 1>in San Francisco. Okay, you know what we'll commit to

0:20:38.000 --> 0:20:57.200
<v Speaker 1>that is left. Okay, yeah. Um. No place for beginners

0:20:57.240 --> 0:20:59.560
<v Speaker 1>or sensitive hearts. That's one of the first things you

0:20:59.640 --> 0:21:02.439
<v Speaker 1>told me when you hired me. Well, that's one of

0:21:02.440 --> 0:21:05.360
<v Speaker 1>my mantras. No place for the beginnings or sensitive hearts, Carolina,

0:21:05.400 --> 0:21:08.159
<v Speaker 1>if you're gonna work in the big time, I just

0:21:08.200 --> 0:21:11.960
<v Speaker 1>didn't know you got it from the song. Okay, let's

0:21:12.000 --> 0:21:26.320
<v Speaker 1>keep going. No need to ask, let's stop it there.

0:21:26.640 --> 0:21:29.960
<v Speaker 1>So he's a smooth operator a business because you have

0:21:30.000 --> 0:21:32.960
<v Speaker 1>any patent that right, no need to ask. There's no

0:21:33.040 --> 0:21:35.120
<v Speaker 1>need to ask because everyone knows he's a smooth operator

0:21:35.119 --> 0:21:37.400
<v Speaker 1>on it. Now, that could either mean a lover right,

0:21:38.000 --> 0:21:41.800
<v Speaker 1>or he operates heavy machinery like he could he could

0:21:41.840 --> 0:21:45.240
<v Speaker 1>be operating a back hoe or one of those um

0:21:45.359 --> 0:21:48.600
<v Speaker 1>those construction towers with the guys sit up in the box,

0:21:49.200 --> 0:21:53.119
<v Speaker 1>a big crane, a construction crane. But he's a smooth operator.

0:21:53.800 --> 0:21:55.520
<v Speaker 1>So whatever he does, he does it, he does it

0:21:55.640 --> 0:22:06.440
<v Speaker 1>very smoothly. All right, let's keep going. Yeah, we get it.

0:22:06.520 --> 0:22:14.800
<v Speaker 1>Smooth operator. Yet Okay, stop right there. Coast to coast

0:22:14.960 --> 0:22:17.719
<v Speaker 1>l A to Chicago. That's not the coast to coast,

0:22:18.000 --> 0:22:22.000
<v Speaker 1>not factual unless you're talking about Lake Michigan. Well maybe

0:22:22.040 --> 0:22:25.840
<v Speaker 1>she's you know, you can't get everything right. Maybe Chard

0:22:26.280 --> 0:22:30.840
<v Speaker 1>never went past the Mississippi, so she thinks, you know,

0:22:31.840 --> 0:22:34.720
<v Speaker 1>like early explorers, she thinks the world is flat. Or

0:22:34.800 --> 0:22:37.159
<v Speaker 1>you know that the United States ends right at the

0:22:37.160 --> 0:22:40.439
<v Speaker 1>Mississippi and that's the one coast and the other coast

0:22:40.480 --> 0:22:43.400
<v Speaker 1>is the Pacific coast. Yeah, she could just have it confused.

0:22:44.160 --> 0:23:01.040
<v Speaker 1>M Drinky. Okay, okay, stop right there. So across the

0:23:01.080 --> 0:23:04.760
<v Speaker 1>north and south Taki Larga. So we're talking, we're triangulating

0:23:04.880 --> 0:23:09.359
<v Speaker 1>between l A, Chicago, then down to Key Largo. So

0:23:09.520 --> 0:23:14.160
<v Speaker 1>this could be sort of a love for sale, love

0:23:14.200 --> 0:23:17.720
<v Speaker 1>for sale. This could be a Western mail spelled M

0:23:17.760 --> 0:23:23.200
<v Speaker 1>a l E, not as in the mail service. Maybe

0:23:23.200 --> 0:23:25.400
<v Speaker 1>she's dealing in horses, because a Western mail that could

0:23:25.440 --> 0:23:30.159
<v Speaker 1>be like a golden palomino, a pony or you know

0:23:30.200 --> 0:23:32.520
<v Speaker 1>what they do a lot down in Florida. They do

0:23:32.520 --> 0:23:38.280
<v Speaker 1>dog races. That's true. So maybe she's selling greyhounds. Well,

0:23:38.320 --> 0:23:40.439
<v Speaker 1>now I feel like we're getting somewhere. So maybe this

0:23:40.520 --> 0:23:43.919
<v Speaker 1>guy she met who's a smooth operator is the world's

0:23:43.920 --> 0:23:49.400
<v Speaker 1>best greyhound dealer, dealing in illegal greyhound trade. Smooth operator,

0:23:49.520 --> 0:24:00.400
<v Speaker 1>smooth operator. Okay, let's keep goying classic riff right here. Yeah,

0:24:00.440 --> 0:24:04.720
<v Speaker 1>that's good. Oh that's hard to play right there. That's

0:24:05.680 --> 0:24:13.480
<v Speaker 1>I've never gotten this slick down dusty sacks. If that

0:24:13.520 --> 0:24:16.879
<v Speaker 1>doesn't make you want to take your clothes off, I

0:24:16.880 --> 0:24:22.520
<v Speaker 1>don't know what does a play that saxophone? Or is

0:24:22.520 --> 0:24:27.320
<v Speaker 1>that a harmonica? I think that's a saxa face to

0:24:27.359 --> 0:24:41.360
<v Speaker 1>face okay, each classic case right, oh stop stop, this

0:24:41.400 --> 0:24:45.760
<v Speaker 1>is gobbling group right here that I would cut this

0:24:45.840 --> 0:24:50.080
<v Speaker 1>chunk face to face. Well, maybe maybe they're gathering all

0:24:50.080 --> 0:24:54.920
<v Speaker 1>the greyhounds and making them do face to face, shadow

0:24:54.920 --> 0:24:57.560
<v Speaker 1>box and double cross. God, maybe they're teaching the greyhounds

0:24:57.600 --> 0:25:02.960
<v Speaker 1>to box each other. M h, all right, keep going

0:25:13.680 --> 0:25:19.520
<v Speaker 1>memories into gold? What is going on now? I think

0:25:19.520 --> 0:25:24.960
<v Speaker 1>this is sort of she's taking a poetic license because

0:25:24.960 --> 0:25:26.560
<v Speaker 1>she can say stuff like that doesn't have to all

0:25:26.640 --> 0:25:30.359
<v Speaker 1>be factual. I guess so, ma't all your memories and

0:25:30.480 --> 0:25:33.960
<v Speaker 1>changed them to go down. All right, all right, let's

0:25:34.000 --> 0:25:44.320
<v Speaker 1>keep going. Okay, okay, that has to be. His eyes

0:25:44.320 --> 0:25:47.719
<v Speaker 1>are like angels, but his heart is cold. Cost Us,

0:25:48.600 --> 0:25:54.240
<v Speaker 1>That's who it is, legendary sportscaster Bob cost Us. His

0:25:54.359 --> 0:25:57.560
<v Speaker 1>eyes are like angels. They are, but he'll tell you

0:25:57.600 --> 0:26:00.560
<v Speaker 1>like it is always. Yeah, he gives it to you.

0:26:00.680 --> 0:26:03.119
<v Speaker 1>I'm impressed with your knowledge of Bob Costas. Thank you.

0:26:04.640 --> 0:26:06.199
<v Speaker 1>It's one of the things you said you wanted me

0:26:06.240 --> 0:26:10.960
<v Speaker 1>to concentrate on. Is read every piece of literature you

0:26:10.960 --> 0:26:14.119
<v Speaker 1>convide on an announcer Bob Costas, which there isn't a

0:26:14.160 --> 0:26:16.720
<v Speaker 1>lot of. There's not a ton, but what there is,

0:26:16.840 --> 0:26:20.359
<v Speaker 1>it's excellent. And he is a beautiful man. Well, his

0:26:20.440 --> 0:26:24.800
<v Speaker 1>eyes are like angels and his heart is cold, except

0:26:24.840 --> 0:26:28.520
<v Speaker 1>he's been nothing but nice to me. But I have

0:26:28.680 --> 0:26:35.160
<v Speaker 1>seen him lay some people out peppery. So this song

0:26:35.320 --> 0:26:38.760
<v Speaker 1>is about Bob Costas. It's starting to look that way, Carolina,

0:26:38.880 --> 0:26:43.000
<v Speaker 1>good on you. He cracked the code. We finally cracked

0:26:43.040 --> 0:26:45.280
<v Speaker 1>the code. This time. It just sort of spelled out

0:26:45.320 --> 0:26:47.240
<v Speaker 1>to me because now listen to this next line. It

0:26:47.280 --> 0:26:49.320
<v Speaker 1>all makes it when you picture Bob Costas. Listen to

0:26:49.400 --> 0:27:05.040
<v Speaker 1>this next line. Go ahead, no need to ask scooth operating. Ye, well,

0:27:06.040 --> 0:27:13.040
<v Speaker 1>I think, look what I'm doing with my shoulders. You're

0:27:13.080 --> 0:27:16.160
<v Speaker 1>just bouncing them. You like that move? It's good. Yeah,

0:27:17.359 --> 0:27:20.320
<v Speaker 1>So this this totally makes sense if we can stop

0:27:20.400 --> 0:27:22.320
<v Speaker 1>it here for a second. Coast to coast, l A

0:27:22.400 --> 0:27:25.639
<v Speaker 1>to Chicago. I know for a fact Bob Costas doesn't

0:27:25.720 --> 0:27:28.840
<v Speaker 1>travel east of the Mississippi. He only goes from l

0:27:28.880 --> 0:27:31.240
<v Speaker 1>A to Chicago. She sent us on a red herring

0:27:31.320 --> 0:27:33.560
<v Speaker 1>for a second with that Greyhound runs the Great and

0:27:33.640 --> 0:27:36.200
<v Speaker 1>the Diamond Life and the lover boy. She's not really

0:27:36.240 --> 0:27:39.760
<v Speaker 1>in love with him, but then she finally gives us

0:27:41.000 --> 0:27:43.800
<v Speaker 1>his eyes are like angels, but as hard as god.

0:27:44.560 --> 0:27:48.840
<v Speaker 1>It's very much like Carly Simon's You're So Vain, which

0:27:48.920 --> 0:27:53.800
<v Speaker 1>is about vain thrombosis. No, I think it's about Mick Jagger,

0:27:54.560 --> 0:27:57.480
<v Speaker 1>bring Betty or one of those guys. Well, I know

0:27:57.600 --> 0:28:00.280
<v Speaker 1>her song Anticipation is about the Hinz ketchup getting it

0:28:00.280 --> 0:28:02.080
<v Speaker 1>out of the bottle. Oh I don't think so either.

0:28:02.160 --> 0:28:06.280
<v Speaker 1>I think it's just more of a fun pop song. Yeah,

0:28:06.359 --> 0:28:09.719
<v Speaker 1>because Bob Cases also has a lovely Villa and Key

0:28:09.800 --> 0:28:14.239
<v Speaker 1>Largo and it's called Love and it's for sale. It's

0:28:14.280 --> 0:28:17.080
<v Speaker 1>a Love for sale because his his villain, Key Largo,

0:28:17.200 --> 0:28:20.000
<v Speaker 1>is called Love. He's trying to get it off the market.

0:28:20.040 --> 0:28:22.560
<v Speaker 1>He's been trying for but there's too much water damage

0:28:23.359 --> 0:28:26.320
<v Speaker 1>because he flooded the basement. He threw a party. Were

0:28:26.359 --> 0:28:29.320
<v Speaker 1>actually floated boats in the basement. Oh my god, were

0:28:29.359 --> 0:28:34.240
<v Speaker 1>you invited? Uh no, I heard about it. Sounds fun

0:28:34.440 --> 0:28:38.760
<v Speaker 1>from my other newscaster friends who were all invited except

0:28:38.840 --> 0:28:41.640
<v Speaker 1>for me. What happens? Maybe you can invite him to

0:28:41.680 --> 0:28:44.280
<v Speaker 1>your Christmas party this year. He's not invited to my houseboat.

0:28:46.720 --> 0:29:01.680
<v Speaker 1>Let's just finish out the song here, smooth up aator? Sorry, Nick?

0:29:01.720 --> 0:29:04.800
<v Speaker 1>Can we stop it? This is also reminds me of

0:29:04.960 --> 0:29:09.440
<v Speaker 1>a laxative tea I've been promoting called Smooth Operator. And

0:29:11.120 --> 0:29:14.080
<v Speaker 1>we talked about advertisements. I know I'm not reading an

0:29:14.120 --> 0:29:16.760
<v Speaker 1>ad for it, but it's just funny. How I know

0:29:16.960 --> 0:29:21.000
<v Speaker 1>of a laxative tea called smooth Operator. Yeah, I mean

0:29:21.440 --> 0:29:24.920
<v Speaker 1>I think you and boy does it work. You shouldn't

0:29:24.960 --> 0:29:26.960
<v Speaker 1>take those unless you are you can only have about

0:29:26.960 --> 0:29:28.720
<v Speaker 1>a half a cup. Yeah, you got to be careful

0:29:28.800 --> 0:29:33.520
<v Speaker 1>because it will you will be on four days. It

0:29:33.800 --> 0:29:38.239
<v Speaker 1>gets it, gets the job done. Smooth operator. All right,

0:29:38.640 --> 0:29:58.400
<v Speaker 1>continue laxative ta operator. Stubborn bells, go away the smoother operator.

0:30:00.640 --> 0:30:09.360
<v Speaker 1>You're going to punish that toilet with smooth Operator. Located

0:30:09.400 --> 0:30:13.240
<v Speaker 1>at Jensen's Market, available to any Jensen's Markets chain. That's

0:30:13.280 --> 0:30:16.200
<v Speaker 1>a plug. There was a mini plug. It doesn't count

0:30:16.200 --> 0:30:31.680
<v Speaker 1>as a full plug. Welcome back to the Ron Burgundy Podcast, Carolina.

0:30:31.720 --> 0:30:34.920
<v Speaker 1>We really broke this song down. We cracked the code.

0:30:36.360 --> 0:30:38.080
<v Speaker 1>I feel like we were in the Da Vinci code

0:30:38.080 --> 0:30:40.720
<v Speaker 1>there a little bit. Yeah, I was mysterious and I

0:30:40.840 --> 0:30:43.760
<v Speaker 1>was lost at points. I want to read you this poem,

0:30:43.840 --> 0:30:48.640
<v Speaker 1>I wrote, Ford, Okay, yeah, go for it. Yeah, this

0:30:48.760 --> 0:30:51.200
<v Speaker 1>one is well, this is what this one I think

0:30:51.320 --> 0:30:56.080
<v Speaker 1>is on par with with the lyrics of her song

0:30:58.000 --> 0:31:02.320
<v Speaker 1>Chard You are my friend, I will love you till

0:31:02.360 --> 0:31:13.720
<v Speaker 1>the end. Every day I think of you, whether it's Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,

0:31:14.200 --> 0:31:24.680
<v Speaker 1>or shad day. You are my light, keep going, my age,

0:31:27.160 --> 0:31:38.760
<v Speaker 1>my everything, no blood day around my Saturday. I had

0:31:38.800 --> 0:31:47.360
<v Speaker 1>no idea this meant this much to you. Oh gosh, no,

0:31:47.720 --> 0:31:51.840
<v Speaker 1>my god, do you want a tissue? Is my mascarat running?

0:31:52.720 --> 0:31:58.600
<v Speaker 1>Are you wearing mascarat? No, that's not mascaratta. By the way,

0:32:00.040 --> 0:32:04.320
<v Speaker 1>black stuff is not mess. Your eyebrows are bleeding a

0:32:04.360 --> 0:32:10.360
<v Speaker 1>little too. That's that stuff that NFL football players the

0:32:10.400 --> 0:32:13.920
<v Speaker 1>spirit under their eyes. That's what that is. I put

0:32:14.000 --> 0:32:17.480
<v Speaker 1>some on because there's such a glare off the window

0:32:17.840 --> 0:32:21.960
<v Speaker 1>to talk any more about it. I think that was

0:32:22.000 --> 0:32:24.360
<v Speaker 1>a really fruitful episode. I had no idea that she

0:32:24.440 --> 0:32:29.800
<v Speaker 1>meant that much to you. I think whenever we cry,

0:32:31.200 --> 0:32:37.360
<v Speaker 1>it's okay. Pain is weakness leaving the body. Sure, right,

0:32:38.240 --> 0:32:40.720
<v Speaker 1>that's a little bit of a hard interpretation of it.

0:32:40.960 --> 0:32:44.640
<v Speaker 1>But when you analyze something that means so much to you,

0:32:44.680 --> 0:32:47.520
<v Speaker 1>when you analyze the work of art, you don't know

0:32:47.560 --> 0:32:51.000
<v Speaker 1>where you're gonna go. And not only the fact that

0:32:51.400 --> 0:32:55.760
<v Speaker 1>we unlocked that this song is about Bob Costas, I

0:32:55.840 --> 0:32:58.240
<v Speaker 1>can't wait to listen to it over and over again

0:32:59.000 --> 0:33:01.880
<v Speaker 1>in my house boat. Oh yeah, that's nice. During my

0:33:01.920 --> 0:33:06.760
<v Speaker 1>holiday party, well, which is already booked right because Nick

0:33:06.800 --> 0:33:09.880
<v Speaker 1>and I can't come, but if there's availability, I'll let

0:33:09.880 --> 0:33:11.400
<v Speaker 1>you guys do no, I mean we can't come. We

0:33:11.760 --> 0:33:13.560
<v Speaker 1>know not right now. It's all booked, but there could

0:33:13.560 --> 0:33:18.400
<v Speaker 1>be some cancelations. We have some family commitments. All right. Well,

0:33:19.840 --> 0:33:25.280
<v Speaker 1>if you'll excuse me, going to run to the loo.

0:33:25.880 --> 0:33:28.280
<v Speaker 1>Smooth Operator. I had a little too much smooth Operator

0:33:28.440 --> 0:33:31.640
<v Speaker 1>before I came into the booth today. Okay, we'll see

0:33:31.640 --> 0:33:35.560
<v Speaker 1>you later. Let me know you're okay. I will always

0:33:35.640 --> 0:33:40.360
<v Speaker 1>let you know if I'm okay. Thank you once again,

0:33:40.400 --> 0:33:43.640
<v Speaker 1>thank you for listening. For those of you just tuning in,

0:33:43.760 --> 0:33:46.080
<v Speaker 1>this is the end of the Ron Burgundy Podcast. You've

0:33:46.160 --> 0:33:48.920
<v Speaker 1>missed it, you'd have to rewind it all the way

0:33:48.920 --> 0:33:51.800
<v Speaker 1>to the beginning. For those of you who start at

0:33:51.840 --> 0:33:54.480
<v Speaker 1>the beginning, we're now at the end of our journey.

0:33:56.160 --> 0:34:03.800
<v Speaker 1>Thank you for coming along. And remember, don't do you

0:34:03.920 --> 0:34:06.680
<v Speaker 1>have something? No, I don't. I was going to think

0:34:06.720 --> 0:34:09.920
<v Speaker 1>of something prophetic, but no, I don't have anything. So

0:34:09.960 --> 0:34:12.239
<v Speaker 1>I'm just gonna say goodbye, goodbye everyone. Thank you for

0:34:12.320 --> 0:34:14.000
<v Speaker 1>listening to Ron Burgundy Podcast. Bye,