1 00:00:00,200 --> 00:00:11,440 Speaker 1: No need to bust. Smooth Operata, Smooth Operata, smooth operator. 2 00:00:11,480 --> 00:00:15,600 Speaker 1: Hello there, friend, I'm Ron Burgundy, and once again I 3 00:00:15,640 --> 00:00:20,760 Speaker 1: am podcasting. Welcome, Welcome, one and all, old and young, 4 00:00:21,840 --> 00:00:26,760 Speaker 1: blind and sighted, Welcome all of you. We discriminate against 5 00:00:26,760 --> 00:00:30,840 Speaker 1: no listener. You're probably noticed I started this episode by 6 00:00:30,960 --> 00:00:38,239 Speaker 1: singing a little bit of Sades single Smooth Operator. On 7 00:00:38,280 --> 00:00:43,040 Speaker 1: today's podcast, I Ron Burgundy have many, many thoughts to 8 00:00:43,120 --> 00:00:48,320 Speaker 1: share with you about the incomparable songstress Chardy, and I'll 9 00:00:48,320 --> 00:00:51,520 Speaker 1: be speaking about it in great detail. But first, let's 10 00:00:51,640 --> 00:00:55,320 Speaker 1: check in with the Burgundy pod Copter for a quick 11 00:00:55,400 --> 00:01:01,400 Speaker 1: traffic update. Jacob, he's up there, he's got his cans on. 12 00:01:02,400 --> 00:01:04,280 Speaker 1: What do you see up there? Do you mean our 13 00:01:04,480 --> 00:01:07,000 Speaker 1: p a, Jacob, because he's in the hall. We don't 14 00:01:07,440 --> 00:01:11,240 Speaker 1: what's it's a traffic helicopter, but since we're doing a podcast, 15 00:01:11,319 --> 00:01:15,920 Speaker 1: it's a podcapter. You just come up with this, because no, okay, 16 00:01:16,080 --> 00:01:19,680 Speaker 1: I didn't come up with this. This was part of 17 00:01:19,720 --> 00:01:21,440 Speaker 1: the package when I agreed to do a podcast, that 18 00:01:21,480 --> 00:01:24,640 Speaker 1: we would have a traffic helicopter. We'd call it the 19 00:01:24,640 --> 00:01:29,120 Speaker 1: pod Copter. We'd get up to the minute, real time 20 00:01:29,240 --> 00:01:33,600 Speaker 1: traffic updates. For listeners to be informed. So where is it? 21 00:01:33,640 --> 00:01:38,200 Speaker 1: Was it stolen? Did someone steal it? I don't think so. 22 00:01:39,080 --> 00:01:42,160 Speaker 1: You know what, good, I'm glad someone stole it. Do 23 00:01:42,240 --> 00:01:43,800 Speaker 1: you ever have one of those mornings when you just 24 00:01:43,880 --> 00:01:49,360 Speaker 1: wake up ready for street vengeance? Gasip your Sonata Carolina, 25 00:01:49,880 --> 00:01:52,840 Speaker 1: We've got a helicopter thief to catch listen. I told 26 00:01:52,840 --> 00:01:56,120 Speaker 1: you when we're planning this podcast, it just wouldn't makes 27 00:01:56,120 --> 00:01:59,240 Speaker 1: sense to do local traffic reports. It's really outdated. I mean, 28 00:01:59,280 --> 00:02:02,000 Speaker 1: people use the phones for that, and we don't even 29 00:02:02,080 --> 00:02:04,160 Speaker 1: know when people are listening to But when I turn 30 00:02:04,200 --> 00:02:07,280 Speaker 1: on AM radio, there's a traffic report, right, I mean 31 00:02:07,360 --> 00:02:11,280 Speaker 1: it's just so different, um than AM radio? Are you 32 00:02:11,360 --> 00:02:15,120 Speaker 1: talking about ways? Ways? Google Maps? Give me a break. 33 00:02:15,600 --> 00:02:17,680 Speaker 1: We just don't know when people are even listening to 34 00:02:17,680 --> 00:02:20,360 Speaker 1: this episode or where they might be listening to this. Um, 35 00:02:20,400 --> 00:02:24,120 Speaker 1: you know ways is out, it's on its ways out, 36 00:02:24,480 --> 00:02:27,680 Speaker 1: trust me, all right. I put all my money in 37 00:02:27,720 --> 00:02:33,400 Speaker 1: Thomas Maps, the Thomas Guide. It's a it's a thick 38 00:02:33,520 --> 00:02:35,919 Speaker 1: book of maps. Yeah, you just pull it out and 39 00:02:35,960 --> 00:02:39,280 Speaker 1: you know exactly where you're going. Really inconven well, you 40 00:02:39,320 --> 00:02:41,160 Speaker 1: have to drive with it on the dash. That's why 41 00:02:41,160 --> 00:02:43,920 Speaker 1: I have an easel, have a painter's easel in the 42 00:02:43,960 --> 00:02:46,480 Speaker 1: passenger seat in my of my car. So I put 43 00:02:46,480 --> 00:02:49,519 Speaker 1: my Thomas Guide and I just flipped through it. Oh 44 00:02:49,720 --> 00:02:52,120 Speaker 1: six or five freeway to the seven ten, No big deal, 45 00:02:53,200 --> 00:02:56,480 Speaker 1: Page G four. It's a grid system and then you 46 00:02:56,560 --> 00:02:58,720 Speaker 1: just find it. Boom. You don't have to mess with 47 00:02:59,240 --> 00:03:02,359 Speaker 1: your phone and ways and updates and all this stuff 48 00:03:02,360 --> 00:03:04,560 Speaker 1: like that. How many fender benders have you gotten in 49 00:03:04,560 --> 00:03:08,400 Speaker 1: the past year? This year was a great year. Very few, 50 00:03:09,000 --> 00:03:14,920 Speaker 1: less than twenty. Wow. My insurance team even called me. 51 00:03:15,280 --> 00:03:19,240 Speaker 1: That's where they sit that congratulatory basket, the Dean and 52 00:03:19,240 --> 00:03:23,600 Speaker 1: de Luca basket with the fine artists and coffees, coffees 53 00:03:23,600 --> 00:03:26,080 Speaker 1: from around the world. They are really proud of you, 54 00:03:26,160 --> 00:03:28,519 Speaker 1: I guess they said, I lord my rates by five 55 00:03:28,560 --> 00:03:34,440 Speaker 1: dollars this year. That's great that I've gone down from 56 00:03:34,440 --> 00:03:38,520 Speaker 1: twelve tho dollars a year. It's so much, so much 57 00:03:38,600 --> 00:03:40,400 Speaker 1: because I've been in a lot of fenderman as I 58 00:03:40,440 --> 00:03:42,640 Speaker 1: got it when when I've got to go where I 59 00:03:42,680 --> 00:03:47,000 Speaker 1: need to go out of my way. But yeah, people 60 00:03:47,040 --> 00:03:51,200 Speaker 1: could be listening to this anywhere. I mean, so we 61 00:03:51,240 --> 00:03:53,640 Speaker 1: don't have a helicopter. Can we can we just buy 62 00:03:53,680 --> 00:03:55,880 Speaker 1: a helicopter and just have it on standby on the 63 00:03:55,960 --> 00:03:59,040 Speaker 1: roof of the building. So out of our budget, let's 64 00:03:59,200 --> 00:04:01,240 Speaker 1: let's look into it. Let's crunch the numbers. We can 65 00:04:01,280 --> 00:04:04,880 Speaker 1: look into it. Great. Thank that's all I ask. Yeah, 66 00:04:05,040 --> 00:04:08,320 Speaker 1: but you know you've got me thinking, though, we really 67 00:04:08,400 --> 00:04:11,880 Speaker 1: have no idea how people listen to this podcast. I mean, 68 00:04:11,920 --> 00:04:15,920 Speaker 1: think about that. Perhaps they're driving, they're they're stuck in traffic, 69 00:04:15,960 --> 00:04:18,320 Speaker 1: looking for a little light entertainment on their morning commuter. 70 00:04:18,440 --> 00:04:21,000 Speaker 1: Maybe maybe it's the middle of the night and you 71 00:04:21,120 --> 00:04:23,839 Speaker 1: just had a drag out fight with your spouse and 72 00:04:23,920 --> 00:04:28,040 Speaker 1: words were exchanged that can never be on set, So 73 00:04:28,120 --> 00:04:30,120 Speaker 1: you just tore us out of your drive away in 74 00:04:30,160 --> 00:04:33,920 Speaker 1: a blind rage. The car stereo turned on automatically, and 75 00:04:33,960 --> 00:04:37,520 Speaker 1: here I am Ron Burgundy teasing a great monologue I 76 00:04:37,560 --> 00:04:41,159 Speaker 1: have coming up about shard Day. Meanwhile, your life is 77 00:04:41,279 --> 00:04:45,880 Speaker 1: crumbling sific word. Maybe you're listening on the treadmill getting 78 00:04:45,920 --> 00:04:49,800 Speaker 1: some exercise, feel that burn. Well, let me just say, 79 00:04:49,839 --> 00:04:53,400 Speaker 1: if that's what you're doing, you need to stop it. 80 00:04:54,160 --> 00:04:58,640 Speaker 1: Just knock it off. I'm sorry, I'm just trying to 81 00:04:58,680 --> 00:05:01,599 Speaker 1: do a professional podcast. Asked and now you've got all 82 00:05:01,640 --> 00:05:03,920 Speaker 1: these images of people listening to the show under what 83 00:05:03,960 --> 00:05:08,040 Speaker 1: I consider unacceptable circumstances. You know, you know what I'm 84 00:05:08,040 --> 00:05:12,240 Speaker 1: talking about, sweating at the gem like some kind of 85 00:05:12,279 --> 00:05:16,839 Speaker 1: filthy animal as I talk about chardon no thanks. Okay, 86 00:05:17,080 --> 00:05:20,440 Speaker 1: then should people be listening? You want to listen with 87 00:05:20,480 --> 00:05:26,080 Speaker 1: the lights dimmed in your den or study, and my soothing, 88 00:05:26,240 --> 00:05:32,760 Speaker 1: professional broadcasting voice coming out of expensive high fidelity audio equipment. 89 00:05:33,440 --> 00:05:39,560 Speaker 1: I'm talking huge six foot wooden cabinet speakers that cost 90 00:05:39,880 --> 00:05:45,960 Speaker 1: forty eight grand each, bare minimum audio equipment that's just 91 00:05:46,160 --> 00:05:51,039 Speaker 1: irresponsibly expensive, exactly the way I listened to four time 92 00:05:51,160 --> 00:05:56,039 Speaker 1: Grammy Award winning recording artist Chardy. I've written a poem 93 00:05:56,080 --> 00:05:58,640 Speaker 1: about her that I will be sharing later on the 94 00:05:58,680 --> 00:06:01,560 Speaker 1: podcast Necessary And I mean a lot of people just 95 00:06:01,600 --> 00:06:04,480 Speaker 1: listen on their computer, and frankly, I find that disrespectful 96 00:06:05,279 --> 00:06:06,920 Speaker 1: because think about it, we put a lot of effort 97 00:06:06,920 --> 00:06:10,000 Speaker 1: into this program, right, and it should be a first 98 00:06:10,320 --> 00:06:14,360 Speaker 1: class audio file experience. Last night, I was on my 99 00:06:14,440 --> 00:06:19,560 Speaker 1: house boat listening to Sads Diamond Life album right on 100 00:06:19,600 --> 00:06:22,919 Speaker 1: a turntable that costs more than your entire college education. 101 00:06:24,200 --> 00:06:27,280 Speaker 1: I just found myself mesmerized by the by the sound 102 00:06:27,360 --> 00:06:31,120 Speaker 1: bath that is shudd and I want our listeners to 103 00:06:31,160 --> 00:06:37,240 Speaker 1: have that same extremely relatable experience. I'm a listener and 104 00:06:37,279 --> 00:06:40,039 Speaker 1: I've never even been on a houseboat. Oh there are 105 00:06:40,040 --> 00:06:42,560 Speaker 1: a lot of fun and I'm not even that familiar 106 00:06:42,600 --> 00:06:48,600 Speaker 1: with I mean, you're kidding me, right, No, you don't 107 00:06:48,600 --> 00:06:51,599 Speaker 1: know this song. Smooth up the song we were saying 108 00:06:51,640 --> 00:06:56,120 Speaker 1: at the top of the really nothing boy. If there's 109 00:06:56,160 --> 00:06:58,360 Speaker 1: anyone who could benefit from a little more chard in 110 00:06:58,440 --> 00:07:01,360 Speaker 1: their life, it's you. Girlfriend. Hey, I will check out. 111 00:07:01,400 --> 00:07:03,720 Speaker 1: Thank you. That's all I'm asking. That's all I'm asking. 112 00:07:03,960 --> 00:07:10,080 Speaker 1: And I am I am slack jawed. I am gobsmacked 113 00:07:10,200 --> 00:07:12,680 Speaker 1: that you've never been on a houseboad. You don't need 114 00:07:12,720 --> 00:07:15,560 Speaker 1: to hang your mouth open like that, but that's the 115 00:07:15,760 --> 00:07:20,760 Speaker 1: physical effect that looks insane. I don't you're just opening 116 00:07:20,760 --> 00:07:23,720 Speaker 1: your mouth like you're about to eat it. I'm slack jawed. 117 00:07:25,080 --> 00:07:27,480 Speaker 1: I mean, just close your mouth. It's I get it. 118 00:07:27,480 --> 00:07:29,800 Speaker 1: You're surprised, you can say, Sam surprised my mouth is 119 00:07:29,840 --> 00:07:31,400 Speaker 1: open like this. I want to I want to finally 120 00:07:31,400 --> 00:07:33,680 Speaker 1: see if I can fit my whole fist into my mouth. 121 00:07:35,520 --> 00:07:42,840 Speaker 1: Oh all all, no, it's not just take it out please, 122 00:07:42,960 --> 00:07:51,280 Speaker 1: it's three all. Oh, that was so close. If I 123 00:07:51,320 --> 00:07:54,200 Speaker 1: work on that, that's going to happen. Maybe not the 124 00:07:54,240 --> 00:07:59,080 Speaker 1: most useful thing to work on with your time. You've 125 00:07:59,120 --> 00:08:06,520 Speaker 1: got to come down own to my house boat. That's it. 126 00:08:09,920 --> 00:08:12,880 Speaker 1: You've got to. Maybe we can have a holiday party, 127 00:08:12,960 --> 00:08:14,360 Speaker 1: even though it would just be me and you and 128 00:08:14,440 --> 00:08:16,600 Speaker 1: Nick on that would be great. That's all I'm asking 129 00:08:16,920 --> 00:08:20,600 Speaker 1: holiday party. Nick can come? No, it sounds like a 130 00:08:20,640 --> 00:08:23,320 Speaker 1: good time. I mean we would have to put it 131 00:08:23,320 --> 00:08:25,920 Speaker 1: in the books. We would have to come up with me. 132 00:08:26,200 --> 00:08:29,360 Speaker 1: Christmas night holiday party. Oh, I think Nick and I 133 00:08:29,400 --> 00:08:31,880 Speaker 1: are spending it with our respected family. So not not 134 00:08:32,000 --> 00:08:35,720 Speaker 1: actually on Christmas? Okay, how about Christmas Eve? Yeah, no, 135 00:08:35,800 --> 00:08:39,480 Speaker 1: that's like a special time that New Year's Eve, New 136 00:08:39,559 --> 00:08:42,440 Speaker 1: Year's Eve Day. I'll be spending that. We can watch football. 137 00:08:42,880 --> 00:08:46,000 Speaker 1: Oh I know I can't. I mean, I'm with my 138 00:08:46,000 --> 00:08:50,280 Speaker 1: my parents and my boyfriend. And do you have anyone 139 00:08:50,320 --> 00:08:54,440 Speaker 1: to spend these holidays? Of course I do. So many people. 140 00:08:55,640 --> 00:08:57,960 Speaker 1: Who are you spending it with? This year? It's still 141 00:08:57,960 --> 00:09:03,280 Speaker 1: in flux. Yes, the list is long. It's so long. 142 00:09:03,320 --> 00:09:05,680 Speaker 1: There's so many people. In fact, you know what I 143 00:09:05,800 --> 00:09:08,320 Speaker 1: forgot there's so many people coming. I I kind of 144 00:09:08,320 --> 00:09:13,000 Speaker 1: don't have room for you guys. So oh well, some 145 00:09:13,040 --> 00:09:15,080 Speaker 1: people drop out, then you guys can come to my 146 00:09:15,120 --> 00:09:20,600 Speaker 1: holiday party. Okay, thank you for the invite. Before we 147 00:09:20,640 --> 00:09:23,200 Speaker 1: dive into this, showed a song smooth operator. I just 148 00:09:23,240 --> 00:09:27,959 Speaker 1: want to think our sponsor, Kin Fernalds Audio Emporium, San 149 00:09:28,000 --> 00:09:32,400 Speaker 1: Diego's premier high end audio file dealership, mentioned offer code 150 00:09:32,679 --> 00:09:36,640 Speaker 1: ron capital o r in when you visit his store 151 00:09:36,679 --> 00:09:41,320 Speaker 1: for off waterproof speaker cables perfect for any house. Book. 152 00:09:42,120 --> 00:09:47,120 Speaker 1: That's kin Fernalds Auto Emporium located by the freeway, in fact, 153 00:09:47,280 --> 00:09:51,960 Speaker 1: under the freeway. It's just located under the freeway. Listen, 154 00:09:52,640 --> 00:09:55,840 Speaker 1: what we have advertisers that pay to be on the show. 155 00:09:55,840 --> 00:09:59,000 Speaker 1: We can't so we can't do I know. But it's 156 00:09:59,040 --> 00:10:01,360 Speaker 1: just like an under the table. It's not under the table. 157 00:10:02,320 --> 00:10:03,880 Speaker 1: But I can't tell you how much he gave me. 158 00:10:04,120 --> 00:10:07,400 Speaker 1: Well that sounds exactly what under the table means. I 159 00:10:07,480 --> 00:10:12,280 Speaker 1: told him I wouldn't announce it on the air. Okay, 160 00:10:12,480 --> 00:10:16,720 Speaker 1: he's paying me a pretty penny. Are you having money problems? No, 161 00:10:17,559 --> 00:10:23,640 Speaker 1: not not anymore. I mean, well, one checking account is overdrawn, 162 00:10:24,640 --> 00:10:28,960 Speaker 1: but the other one is fine now I just stopped 163 00:10:29,000 --> 00:10:32,760 Speaker 1: using it. But one is a little overdrawn, which is 164 00:10:32,800 --> 00:10:34,559 Speaker 1: why when do we get paid for this? We get 165 00:10:34,559 --> 00:10:37,319 Speaker 1: paid on the first Tuesday, not for at least a 166 00:10:37,360 --> 00:10:42,720 Speaker 1: couple of months. I did not need to hear that. Okay, 167 00:10:43,160 --> 00:10:46,920 Speaker 1: top Raman, it is for the holidays. By the way, 168 00:10:46,960 --> 00:10:49,080 Speaker 1: my party will be a top Raman party. Bring your 169 00:10:49,080 --> 00:10:53,880 Speaker 1: own top Ramen. We should get back to the right. No, 170 00:10:54,000 --> 00:10:56,120 Speaker 1: I know, but I just want to. I just want 171 00:10:56,120 --> 00:10:58,520 Speaker 1: to show you one thing. Look look what I got 172 00:10:58,559 --> 00:11:02,880 Speaker 1: from my house. About cool. It's a Google Assistant device. 173 00:11:03,200 --> 00:11:06,120 Speaker 1: It looks like a donut, but it's not. Trust me, 174 00:11:06,600 --> 00:11:13,520 Speaker 1: it's amazing. Asking anything, go ahead, Okay, don't be shy. 175 00:11:13,520 --> 00:11:17,720 Speaker 1: Hey Google, what's eight hundred and four times seven hundred 176 00:11:17,800 --> 00:11:26,640 Speaker 1: and twelve? The answer is five? Really a math problem, Carolina, 177 00:11:26,720 --> 00:11:31,080 Speaker 1: you're a nerd. Try something cooler here. Let me try something. 178 00:11:31,679 --> 00:11:36,920 Speaker 1: Hey Google, where do I find find cigars? I found 179 00:11:36,920 --> 00:11:41,080 Speaker 1: a few stores near you. You've been told repeatedly you 180 00:11:41,200 --> 00:11:44,840 Speaker 1: cannot smoke cigars in the studio. Hold on, hold on. 181 00:11:45,080 --> 00:11:47,840 Speaker 1: What does it say on my lapel pin that I 182 00:11:47,880 --> 00:11:56,560 Speaker 1: had personally customized? Um? It says I played by own rules. 183 00:11:57,960 --> 00:12:03,320 Speaker 1: It does Yeah. Oh, I played by own rules. I meant, well, 184 00:12:04,720 --> 00:12:07,360 Speaker 1: you know what I meant. I played by my own rules. 185 00:12:07,520 --> 00:12:11,840 Speaker 1: I'm supposed to put a B in the charge. Gosh, 186 00:12:12,520 --> 00:12:15,679 Speaker 1: I gotta take this back down to Danny at the 187 00:12:15,760 --> 00:12:21,760 Speaker 1: lapel pin kiosk ye. My point is I played by 188 00:12:21,800 --> 00:12:24,280 Speaker 1: my own rules, so you legally you can't tell me 189 00:12:24,320 --> 00:12:28,600 Speaker 1: what to do, right okay, And with that in mind, 190 00:12:29,840 --> 00:12:33,600 Speaker 1: you can't tell me to not take a commercial right here. 191 00:12:33,679 --> 00:12:37,320 Speaker 1: Let's go to a commercial intro for the commercial because 192 00:12:37,720 --> 00:12:40,840 Speaker 1: I played by own rules. Wait, it still works. I 193 00:12:40,880 --> 00:12:43,400 Speaker 1: played by own rules. You know what, I'm not gonna 194 00:12:43,440 --> 00:12:45,800 Speaker 1: take it to Danny. I'm gonna keep it. Let's go 195 00:12:45,840 --> 00:12:58,840 Speaker 1: to commercial. Welcome back to the Ron Burgundy Podcast. I'm 196 00:12:58,960 --> 00:13:05,040 Speaker 1: Ron Burgundy. I'm here with Carolina and you have downloaded? 197 00:13:05,080 --> 00:13:10,160 Speaker 1: Is that the right term selected? I just printed these 198 00:13:10,240 --> 00:13:12,600 Speaker 1: lyrics for you know, if you're listening to this podcast, 199 00:13:14,800 --> 00:13:20,480 Speaker 1: you have downloaded it a very special episode. Um, then 200 00:13:20,520 --> 00:13:22,520 Speaker 1: you have if you happen to just speed to the 201 00:13:22,559 --> 00:13:26,800 Speaker 1: middle of it and didn't start at the beginning. I 202 00:13:26,800 --> 00:13:28,640 Speaker 1: just want to remind the listener that we are going 203 00:13:28,679 --> 00:13:35,600 Speaker 1: to analyze my deep deep love for But before we 204 00:13:35,640 --> 00:13:38,680 Speaker 1: get going. There's just something I really need to tell you. 205 00:13:38,760 --> 00:13:41,680 Speaker 1: And this is delicate. I want to put this as 206 00:13:41,760 --> 00:13:46,679 Speaker 1: gently as possible, but Carolina, you are a terrible assistant. 207 00:13:47,520 --> 00:13:50,640 Speaker 1: Run I'm not your assistant. Whatever you are, you're awful 208 00:13:51,040 --> 00:13:54,280 Speaker 1: and replaceable. I don't think that's true. Listen, I'm not 209 00:13:54,320 --> 00:13:57,240 Speaker 1: going to replace you, but I want to show you something. 210 00:13:58,160 --> 00:14:01,800 Speaker 1: Hold on here, hey, Google, how many records? Has Chard 211 00:14:02,120 --> 00:14:08,280 Speaker 1: sold million albums? According to the Independent, the sixth highest 212 00:14:08,320 --> 00:14:10,400 Speaker 1: earner in the list, the name of the singer and 213 00:14:10,440 --> 00:14:12,960 Speaker 1: songwriter behind the four piece band of the same name. 214 00:14:13,120 --> 00:14:16,560 Speaker 1: Their career has spanned more than during which time they 215 00:14:16,559 --> 00:14:19,400 Speaker 1: have sold more than million. To argue with me said 216 00:14:19,440 --> 00:14:21,000 Speaker 1: it was a seven piece band, but some four people, 217 00:14:21,680 --> 00:14:25,720 Speaker 1: my Google assistant knows more about R and B songstress 218 00:14:25,800 --> 00:14:28,080 Speaker 1: Chard than you do. And that and that's got to 219 00:14:28,080 --> 00:14:31,360 Speaker 1: do something to your self esteem. I'm a human being, 220 00:14:31,600 --> 00:14:34,600 Speaker 1: not a small digital device that's connected to the entire 221 00:14:34,640 --> 00:14:37,840 Speaker 1: knowledge of the Internet. So well, that's your problem, that's 222 00:14:37,880 --> 00:14:40,920 Speaker 1: not mine. Okay, Roun, I'm excited you got a new toy. 223 00:14:41,080 --> 00:14:46,040 Speaker 1: It's not a toy. Google Assistant is a technological marvel. 224 00:14:46,360 --> 00:14:49,920 Speaker 1: I mean whatever. You just shouldn't be so rude. Hey Google, 225 00:14:50,120 --> 00:14:53,840 Speaker 1: I'm mad? Oh no, how can I help? Well, perhaps 226 00:14:53,840 --> 00:14:56,920 Speaker 1: you could explain to Carolina that she's overreacting a bit. 227 00:14:57,000 --> 00:15:00,120 Speaker 1: Maybe she feels a little threatened. Google, I am I'm 228 00:15:00,160 --> 00:15:05,160 Speaker 1: not threatened by you. Carolina watched this. Hey Google, I 229 00:15:05,280 --> 00:15:09,880 Speaker 1: love you. That's high praise coming from you. Finally someone 230 00:15:10,000 --> 00:15:13,600 Speaker 1: is giving me some respect around here. All right, all right, 231 00:15:14,440 --> 00:15:19,200 Speaker 1: let's get back to our our analysis of Smooth Operator. Yes, 232 00:15:20,280 --> 00:15:24,240 Speaker 1: we're going to go through lyric by lyric, and as 233 00:15:24,240 --> 00:15:29,280 Speaker 1: you said, crack the code of Smooth Operator, one of 234 00:15:29,320 --> 00:15:34,840 Speaker 1: the greatest songs ever written. Now, I just it's such 235 00:15:34,840 --> 00:15:38,119 Speaker 1: a it's a deep, it's a it's an interesting, interesting 236 00:15:38,520 --> 00:15:43,800 Speaker 1: analysis into what was going through her mind. I mean, 237 00:15:43,840 --> 00:15:45,480 Speaker 1: I think that she might have just been thinking of 238 00:15:45,640 --> 00:15:49,640 Speaker 1: how to write a hit pop song. Chard whose original 239 00:15:49,760 --> 00:15:55,920 Speaker 1: name was Florence Henderson. Oh, I think you're thinking of 240 00:15:56,960 --> 00:16:00,200 Speaker 1: up the Brady Bunch. Moom. Sorry, Okay, take a back 241 00:16:01,280 --> 00:16:07,320 Speaker 1: strict that from the record, your honor. Okay, we don't know, 242 00:16:07,400 --> 00:16:09,680 Speaker 1: one knows what her original name is. It might just 243 00:16:09,760 --> 00:16:13,720 Speaker 1: be her name. It could be it could be that 244 00:16:13,720 --> 00:16:16,840 Speaker 1: seems most likely. So I think what we'll do is 245 00:16:16,880 --> 00:16:19,360 Speaker 1: we'll just have Nick play this song line by line, 246 00:16:19,360 --> 00:16:21,000 Speaker 1: and we're just gonna stop it, and we're going to 247 00:16:21,120 --> 00:16:25,080 Speaker 1: really take a deep dive into analyzing the meaning of 248 00:16:25,120 --> 00:16:34,200 Speaker 1: what's going on with Smooth Operator. Great, let's begin Diamond 249 00:16:34,360 --> 00:16:43,840 Speaker 1: Love right here. You gotta love that beginning, very sultry. Yeah, 250 00:16:45,720 --> 00:17:06,000 Speaker 1: Diamond Love, Diamond Live another with oh this is oh, 251 00:17:01,680 --> 00:17:11,320 Speaker 1: this is spoken words. Okay, stop it right there? In 252 00:17:11,560 --> 00:17:15,640 Speaker 1: seven languages, No, in one in English. But that's where 253 00:17:15,680 --> 00:17:18,679 Speaker 1: she talked about seven languages there, so maybe she speaks 254 00:17:18,680 --> 00:17:23,360 Speaker 1: seven languages. She's trying to show off. It's maybe it's 255 00:17:23,400 --> 00:17:26,040 Speaker 1: just a lyric. Here's the thing. The language of love 256 00:17:26,520 --> 00:17:33,600 Speaker 1: can be spoken in any language. That sweet thank you, continue, 257 00:17:35,000 --> 00:17:43,800 Speaker 1: high sky, Heaven help him stop? Heaven help him? Help him? Okay, 258 00:17:44,160 --> 00:17:46,520 Speaker 1: what's going on with him? And who is him? We're 259 00:17:46,520 --> 00:17:50,800 Speaker 1: about to find out. I believe him as the Smooth Operator, 260 00:17:50,880 --> 00:17:54,159 Speaker 1: but I'm not sure, but Heaven help him. He's a 261 00:17:54,160 --> 00:17:57,919 Speaker 1: troubled soul. He's in trouble. Who's coming to the rescue? Heaven, 262 00:18:00,040 --> 00:18:15,920 Speaker 1: go ahead? Who stop? Diamond Life love her boy? Okay, 263 00:18:16,600 --> 00:18:20,280 Speaker 1: so Diamond Life. So he's a fluent he's a fluent 264 00:18:20,480 --> 00:18:23,800 Speaker 1: or he's used to the good. He's used to del 265 00:18:23,880 --> 00:18:26,879 Speaker 1: j vida, the good life, the good life. Yes, he 266 00:18:27,000 --> 00:18:31,040 Speaker 1: sounds like someone who has money to spend. He has 267 00:18:31,080 --> 00:18:35,160 Speaker 1: a diamond life. He's a lover boy, so not virginal, 268 00:18:35,280 --> 00:18:39,640 Speaker 1: but he's troubled. Heaven helped him, Heaven help him. This 269 00:18:40,520 --> 00:18:46,000 Speaker 1: it's so intriguing, getting a little complicated. It is as 270 00:18:46,119 --> 00:18:48,480 Speaker 1: dark a song as you'll ever listen to. Oh, I 271 00:18:48,520 --> 00:18:51,960 Speaker 1: don't know about that. I mean there's songs about diamond life. 272 00:18:52,600 --> 00:18:54,959 Speaker 1: Now this, this is is I'll put those up against 273 00:18:54,960 --> 00:19:07,480 Speaker 1: any of those songs. Okay, keep going, stays with maximum okay, stopping. 274 00:19:07,880 --> 00:19:11,080 Speaker 1: He moves in space with minimum waste and maximum joy. 275 00:19:13,320 --> 00:19:16,240 Speaker 1: Is he a ghost? I think we need to listen 276 00:19:16,280 --> 00:19:18,080 Speaker 1: to more. I don't know if it's that much. I'm 277 00:19:18,119 --> 00:19:19,879 Speaker 1: just I'm just taking it. I'm just going out on 278 00:19:19,920 --> 00:19:23,400 Speaker 1: a flyer. Here, I'm taking a flyer. Um. He could 279 00:19:23,480 --> 00:19:27,480 Speaker 1: be a ghost. Minimum waste could mean that maximum joy. 280 00:19:27,720 --> 00:19:30,400 Speaker 1: He moves in space. He moves in space. He doesn't 281 00:19:30,480 --> 00:19:34,800 Speaker 1: use his legs. He could be a rich little loverboy 282 00:19:34,840 --> 00:19:39,880 Speaker 1: who bought a hovercraft and it's just moving around very Yeah, 283 00:19:40,080 --> 00:19:41,760 Speaker 1: there could be a sci fi element, like in the 284 00:19:41,760 --> 00:19:45,800 Speaker 1: episode of Baby he's he's one of the Jetsons. Okay, 285 00:19:46,200 --> 00:20:05,840 Speaker 1: all right, Nick Hidden God Design. Okay, car Desire, I 286 00:20:06,320 --> 00:20:10,080 Speaker 1: study clay writing at Sarah Lawrence and we street car desires. Obviously, 287 00:20:10,080 --> 00:20:13,720 Speaker 1: Tennessee Williams play the street car name desire. Wait, there's 288 00:20:13,760 --> 00:20:16,960 Speaker 1: a guy named Tennessee. Yeah, that's his real name. Oh 289 00:20:17,040 --> 00:20:22,600 Speaker 1: my gosh, a stupid name. Exactly. So that's a reference 290 00:20:22,600 --> 00:20:26,560 Speaker 1: to him. When you require street car desire for higher heights, 291 00:20:27,560 --> 00:20:31,840 Speaker 1: street cars can't I'm so lost. Now, maybe she's talking 292 00:20:31,840 --> 00:20:35,280 Speaker 1: about San Francisco. Okay, maybe that's it. Maybe takes place 293 00:20:35,280 --> 00:20:37,960 Speaker 1: in San Francisco. Okay, you know what we'll commit to 294 00:20:38,000 --> 00:20:57,200 Speaker 1: that is left. Okay, yeah. Um. No place for beginners 295 00:20:57,240 --> 00:20:59,560 Speaker 1: or sensitive hearts. That's one of the first things you 296 00:20:59,640 --> 00:21:02,439 Speaker 1: told me when you hired me. Well, that's one of 297 00:21:02,440 --> 00:21:05,360 Speaker 1: my mantras. No place for the beginnings or sensitive hearts, Carolina, 298 00:21:05,400 --> 00:21:08,159 Speaker 1: if you're gonna work in the big time, I just 299 00:21:08,200 --> 00:21:11,960 Speaker 1: didn't know you got it from the song. Okay, let's 300 00:21:12,000 --> 00:21:26,320 Speaker 1: keep going. No need to ask, let's stop it there. 301 00:21:26,640 --> 00:21:29,960 Speaker 1: So he's a smooth operator a business because you have 302 00:21:30,000 --> 00:21:32,960 Speaker 1: any patent that right, no need to ask. There's no 303 00:21:33,040 --> 00:21:35,120 Speaker 1: need to ask because everyone knows he's a smooth operator 304 00:21:35,119 --> 00:21:37,400 Speaker 1: on it. Now, that could either mean a lover right, 305 00:21:38,000 --> 00:21:41,800 Speaker 1: or he operates heavy machinery like he could he could 306 00:21:41,840 --> 00:21:45,240 Speaker 1: be operating a back hoe or one of those um 307 00:21:45,359 --> 00:21:48,600 Speaker 1: those construction towers with the guys sit up in the box, 308 00:21:49,200 --> 00:21:53,119 Speaker 1: a big crane, a construction crane. But he's a smooth operator. 309 00:21:53,800 --> 00:21:55,520 Speaker 1: So whatever he does, he does it, he does it 310 00:21:55,640 --> 00:22:06,440 Speaker 1: very smoothly. All right, let's keep going. Yeah, we get it. 311 00:22:06,520 --> 00:22:14,800 Speaker 1: Smooth operator. Yet Okay, stop right there. Coast to coast 312 00:22:14,960 --> 00:22:17,719 Speaker 1: l A to Chicago. That's not the coast to coast, 313 00:22:18,000 --> 00:22:22,000 Speaker 1: not factual unless you're talking about Lake Michigan. Well maybe 314 00:22:22,040 --> 00:22:25,840 Speaker 1: she's you know, you can't get everything right. Maybe Chard 315 00:22:26,280 --> 00:22:30,840 Speaker 1: never went past the Mississippi, so she thinks, you know, 316 00:22:31,840 --> 00:22:34,720 Speaker 1: like early explorers, she thinks the world is flat. Or 317 00:22:34,800 --> 00:22:37,159 Speaker 1: you know that the United States ends right at the 318 00:22:37,160 --> 00:22:40,439 Speaker 1: Mississippi and that's the one coast and the other coast 319 00:22:40,480 --> 00:22:43,400 Speaker 1: is the Pacific coast. Yeah, she could just have it confused. 320 00:22:44,160 --> 00:23:01,040 Speaker 1: M Drinky. Okay, okay, stop right there. So across the 321 00:23:01,080 --> 00:23:04,760 Speaker 1: north and south Taki Larga. So we're talking, we're triangulating 322 00:23:04,880 --> 00:23:09,359 Speaker 1: between l A, Chicago, then down to Key Largo. So 323 00:23:09,520 --> 00:23:14,160 Speaker 1: this could be sort of a love for sale, love 324 00:23:14,200 --> 00:23:17,720 Speaker 1: for sale. This could be a Western mail spelled M 325 00:23:17,760 --> 00:23:23,200 Speaker 1: a l E, not as in the mail service. Maybe 326 00:23:23,200 --> 00:23:25,400 Speaker 1: she's dealing in horses, because a Western mail that could 327 00:23:25,440 --> 00:23:30,159 Speaker 1: be like a golden palomino, a pony or you know 328 00:23:30,200 --> 00:23:32,520 Speaker 1: what they do a lot down in Florida. They do 329 00:23:32,520 --> 00:23:38,280 Speaker 1: dog races. That's true. So maybe she's selling greyhounds. Well, 330 00:23:38,320 --> 00:23:40,439 Speaker 1: now I feel like we're getting somewhere. So maybe this 331 00:23:40,520 --> 00:23:43,919 Speaker 1: guy she met who's a smooth operator is the world's 332 00:23:43,920 --> 00:23:49,400 Speaker 1: best greyhound dealer, dealing in illegal greyhound trade. Smooth operator, 333 00:23:49,520 --> 00:24:00,400 Speaker 1: smooth operator. Okay, let's keep goying classic riff right here. Yeah, 334 00:24:00,440 --> 00:24:04,720 Speaker 1: that's good. Oh that's hard to play right there. That's 335 00:24:05,680 --> 00:24:13,480 Speaker 1: I've never gotten this slick down dusty sacks. If that 336 00:24:13,520 --> 00:24:16,879 Speaker 1: doesn't make you want to take your clothes off, I 337 00:24:16,880 --> 00:24:22,520 Speaker 1: don't know what does a play that saxophone? Or is 338 00:24:22,520 --> 00:24:27,320 Speaker 1: that a harmonica? I think that's a saxa face to 339 00:24:27,359 --> 00:24:41,360 Speaker 1: face okay, each classic case right, oh stop stop, this 340 00:24:41,400 --> 00:24:45,760 Speaker 1: is gobbling group right here that I would cut this 341 00:24:45,840 --> 00:24:50,080 Speaker 1: chunk face to face. Well, maybe maybe they're gathering all 342 00:24:50,080 --> 00:24:54,920 Speaker 1: the greyhounds and making them do face to face, shadow 343 00:24:54,920 --> 00:24:57,560 Speaker 1: box and double cross. God, maybe they're teaching the greyhounds 344 00:24:57,600 --> 00:25:02,960 Speaker 1: to box each other. M h, all right, keep going 345 00:25:13,680 --> 00:25:19,520 Speaker 1: memories into gold? What is going on now? I think 346 00:25:19,520 --> 00:25:24,960 Speaker 1: this is sort of she's taking a poetic license because 347 00:25:24,960 --> 00:25:26,560 Speaker 1: she can say stuff like that doesn't have to all 348 00:25:26,640 --> 00:25:30,359 Speaker 1: be factual. I guess so, ma't all your memories and 349 00:25:30,480 --> 00:25:33,960 Speaker 1: changed them to go down. All right, all right, let's 350 00:25:34,000 --> 00:25:44,320 Speaker 1: keep going. Okay, okay, that has to be. His eyes 351 00:25:44,320 --> 00:25:47,719 Speaker 1: are like angels, but his heart is cold. Cost Us, 352 00:25:48,600 --> 00:25:54,240 Speaker 1: That's who it is, legendary sportscaster Bob cost Us. His 353 00:25:54,359 --> 00:25:57,560 Speaker 1: eyes are like angels. They are, but he'll tell you 354 00:25:57,600 --> 00:26:00,560 Speaker 1: like it is always. Yeah, he gives it to you. 355 00:26:00,680 --> 00:26:03,119 Speaker 1: I'm impressed with your knowledge of Bob Costas. Thank you. 356 00:26:04,640 --> 00:26:06,199 Speaker 1: It's one of the things you said you wanted me 357 00:26:06,240 --> 00:26:10,960 Speaker 1: to concentrate on. Is read every piece of literature you 358 00:26:10,960 --> 00:26:14,119 Speaker 1: convide on an announcer Bob Costas, which there isn't a 359 00:26:14,160 --> 00:26:16,720 Speaker 1: lot of. There's not a ton, but what there is, 360 00:26:16,840 --> 00:26:20,359 Speaker 1: it's excellent. And he is a beautiful man. Well, his 361 00:26:20,440 --> 00:26:24,800 Speaker 1: eyes are like angels and his heart is cold, except 362 00:26:24,840 --> 00:26:28,520 Speaker 1: he's been nothing but nice to me. But I have 363 00:26:28,680 --> 00:26:35,160 Speaker 1: seen him lay some people out peppery. So this song 364 00:26:35,320 --> 00:26:38,760 Speaker 1: is about Bob Costas. It's starting to look that way, Carolina, 365 00:26:38,880 --> 00:26:43,000 Speaker 1: good on you. He cracked the code. We finally cracked 366 00:26:43,040 --> 00:26:45,280 Speaker 1: the code. This time. It just sort of spelled out 367 00:26:45,320 --> 00:26:47,240 Speaker 1: to me because now listen to this next line. It 368 00:26:47,280 --> 00:26:49,320 Speaker 1: all makes it when you picture Bob Costas. Listen to 369 00:26:49,400 --> 00:27:05,040 Speaker 1: this next line. Go ahead, no need to ask scooth operating. Ye, well, 370 00:27:06,040 --> 00:27:13,040 Speaker 1: I think, look what I'm doing with my shoulders. You're 371 00:27:13,080 --> 00:27:16,160 Speaker 1: just bouncing them. You like that move? It's good. Yeah, 372 00:27:17,359 --> 00:27:20,320 Speaker 1: So this this totally makes sense if we can stop 373 00:27:20,400 --> 00:27:22,320 Speaker 1: it here for a second. Coast to coast, l A 374 00:27:22,400 --> 00:27:25,639 Speaker 1: to Chicago. I know for a fact Bob Costas doesn't 375 00:27:25,720 --> 00:27:28,840 Speaker 1: travel east of the Mississippi. He only goes from l 376 00:27:28,880 --> 00:27:31,240 Speaker 1: A to Chicago. She sent us on a red herring 377 00:27:31,320 --> 00:27:33,560 Speaker 1: for a second with that Greyhound runs the Great and 378 00:27:33,640 --> 00:27:36,200 Speaker 1: the Diamond Life and the lover boy. She's not really 379 00:27:36,240 --> 00:27:39,760 Speaker 1: in love with him, but then she finally gives us 380 00:27:41,000 --> 00:27:43,800 Speaker 1: his eyes are like angels, but as hard as god. 381 00:27:44,560 --> 00:27:48,840 Speaker 1: It's very much like Carly Simon's You're So Vain, which 382 00:27:48,920 --> 00:27:53,800 Speaker 1: is about vain thrombosis. No, I think it's about Mick Jagger, 383 00:27:54,560 --> 00:27:57,480 Speaker 1: bring Betty or one of those guys. Well, I know 384 00:27:57,600 --> 00:28:00,280 Speaker 1: her song Anticipation is about the Hinz ketchup getting it 385 00:28:00,280 --> 00:28:02,080 Speaker 1: out of the bottle. Oh I don't think so either. 386 00:28:02,160 --> 00:28:06,280 Speaker 1: I think it's just more of a fun pop song. Yeah, 387 00:28:06,359 --> 00:28:09,719 Speaker 1: because Bob Cases also has a lovely Villa and Key 388 00:28:09,800 --> 00:28:14,239 Speaker 1: Largo and it's called Love and it's for sale. It's 389 00:28:14,280 --> 00:28:17,080 Speaker 1: a Love for sale because his his villain, Key Largo, 390 00:28:17,200 --> 00:28:20,000 Speaker 1: is called Love. He's trying to get it off the market. 391 00:28:20,040 --> 00:28:22,560 Speaker 1: He's been trying for but there's too much water damage 392 00:28:23,359 --> 00:28:26,320 Speaker 1: because he flooded the basement. He threw a party. Were 393 00:28:26,359 --> 00:28:29,320 Speaker 1: actually floated boats in the basement. Oh my god, were 394 00:28:29,359 --> 00:28:34,240 Speaker 1: you invited? Uh no, I heard about it. Sounds fun 395 00:28:34,440 --> 00:28:38,760 Speaker 1: from my other newscaster friends who were all invited except 396 00:28:38,840 --> 00:28:41,640 Speaker 1: for me. What happens? Maybe you can invite him to 397 00:28:41,680 --> 00:28:44,280 Speaker 1: your Christmas party this year. He's not invited to my houseboat. 398 00:28:46,720 --> 00:29:01,680 Speaker 1: Let's just finish out the song here, smooth up aator? Sorry, Nick? 399 00:29:01,720 --> 00:29:04,800 Speaker 1: Can we stop it? This is also reminds me of 400 00:29:04,960 --> 00:29:09,440 Speaker 1: a laxative tea I've been promoting called Smooth Operator. And 401 00:29:11,120 --> 00:29:14,080 Speaker 1: we talked about advertisements. I know I'm not reading an 402 00:29:14,120 --> 00:29:16,760 Speaker 1: ad for it, but it's just funny. How I know 403 00:29:16,960 --> 00:29:21,000 Speaker 1: of a laxative tea called smooth Operator. Yeah, I mean 404 00:29:21,440 --> 00:29:24,920 Speaker 1: I think you and boy does it work. You shouldn't 405 00:29:24,960 --> 00:29:26,960 Speaker 1: take those unless you are you can only have about 406 00:29:26,960 --> 00:29:28,720 Speaker 1: a half a cup. Yeah, you got to be careful 407 00:29:28,800 --> 00:29:33,520 Speaker 1: because it will you will be on four days. It 408 00:29:33,800 --> 00:29:38,239 Speaker 1: gets it, gets the job done. Smooth operator. All right, 409 00:29:38,640 --> 00:29:58,400 Speaker 1: continue laxative ta operator. Stubborn bells, go away the smoother operator. 410 00:30:00,640 --> 00:30:09,360 Speaker 1: You're going to punish that toilet with smooth Operator. Located 411 00:30:09,400 --> 00:30:13,240 Speaker 1: at Jensen's Market, available to any Jensen's Markets chain. That's 412 00:30:13,280 --> 00:30:16,200 Speaker 1: a plug. There was a mini plug. It doesn't count 413 00:30:16,200 --> 00:30:31,680 Speaker 1: as a full plug. Welcome back to the Ron Burgundy Podcast, Carolina. 414 00:30:31,720 --> 00:30:34,920 Speaker 1: We really broke this song down. We cracked the code. 415 00:30:36,360 --> 00:30:38,080 Speaker 1: I feel like we were in the Da Vinci code 416 00:30:38,080 --> 00:30:40,720 Speaker 1: there a little bit. Yeah, I was mysterious and I 417 00:30:40,840 --> 00:30:43,760 Speaker 1: was lost at points. I want to read you this poem, 418 00:30:43,840 --> 00:30:48,640 Speaker 1: I wrote, Ford, Okay, yeah, go for it. Yeah, this 419 00:30:48,760 --> 00:30:51,200 Speaker 1: one is well, this is what this one I think 420 00:30:51,320 --> 00:30:56,080 Speaker 1: is on par with with the lyrics of her song 421 00:30:58,000 --> 00:31:02,320 Speaker 1: Chard You are my friend, I will love you till 422 00:31:02,360 --> 00:31:13,720 Speaker 1: the end. Every day I think of you, whether it's Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, 423 00:31:14,200 --> 00:31:24,680 Speaker 1: or shad day. You are my light, keep going, my age, 424 00:31:27,160 --> 00:31:38,760 Speaker 1: my everything, no blood day around my Saturday. I had 425 00:31:38,800 --> 00:31:47,360 Speaker 1: no idea this meant this much to you. Oh gosh, no, 426 00:31:47,720 --> 00:31:51,840 Speaker 1: my god, do you want a tissue? Is my mascarat running? 427 00:31:52,720 --> 00:31:58,600 Speaker 1: Are you wearing mascarat? No, that's not mascaratta. By the way, 428 00:32:00,040 --> 00:32:04,320 Speaker 1: black stuff is not mess. Your eyebrows are bleeding a 429 00:32:04,360 --> 00:32:10,360 Speaker 1: little too. That's that stuff that NFL football players the 430 00:32:10,400 --> 00:32:13,920 Speaker 1: spirit under their eyes. That's what that is. I put 431 00:32:14,000 --> 00:32:17,480 Speaker 1: some on because there's such a glare off the window 432 00:32:17,840 --> 00:32:21,960 Speaker 1: to talk any more about it. I think that was 433 00:32:22,000 --> 00:32:24,360 Speaker 1: a really fruitful episode. I had no idea that she 434 00:32:24,440 --> 00:32:29,800 Speaker 1: meant that much to you. I think whenever we cry, 435 00:32:31,200 --> 00:32:37,360 Speaker 1: it's okay. Pain is weakness leaving the body. Sure, right, 436 00:32:38,240 --> 00:32:40,720 Speaker 1: that's a little bit of a hard interpretation of it. 437 00:32:40,960 --> 00:32:44,640 Speaker 1: But when you analyze something that means so much to you, 438 00:32:44,680 --> 00:32:47,520 Speaker 1: when you analyze the work of art, you don't know 439 00:32:47,560 --> 00:32:51,000 Speaker 1: where you're gonna go. And not only the fact that 440 00:32:51,400 --> 00:32:55,760 Speaker 1: we unlocked that this song is about Bob Costas, I 441 00:32:55,840 --> 00:32:58,240 Speaker 1: can't wait to listen to it over and over again 442 00:32:59,000 --> 00:33:01,880 Speaker 1: in my house boat. Oh yeah, that's nice. During my 443 00:33:01,920 --> 00:33:06,760 Speaker 1: holiday party, well, which is already booked right because Nick 444 00:33:06,800 --> 00:33:09,880 Speaker 1: and I can't come, but if there's availability, I'll let 445 00:33:09,880 --> 00:33:11,400 Speaker 1: you guys do no, I mean we can't come. We 446 00:33:11,760 --> 00:33:13,560 Speaker 1: know not right now. It's all booked, but there could 447 00:33:13,560 --> 00:33:18,400 Speaker 1: be some cancelations. We have some family commitments. All right. Well, 448 00:33:19,840 --> 00:33:25,280 Speaker 1: if you'll excuse me, going to run to the loo. 449 00:33:25,880 --> 00:33:28,280 Speaker 1: Smooth Operator. I had a little too much smooth Operator 450 00:33:28,440 --> 00:33:31,640 Speaker 1: before I came into the booth today. Okay, we'll see 451 00:33:31,640 --> 00:33:35,560 Speaker 1: you later. Let me know you're okay. I will always 452 00:33:35,640 --> 00:33:40,360 Speaker 1: let you know if I'm okay. Thank you once again, 453 00:33:40,400 --> 00:33:43,640 Speaker 1: thank you for listening. For those of you just tuning in, 454 00:33:43,760 --> 00:33:46,080 Speaker 1: this is the end of the Ron Burgundy Podcast. You've 455 00:33:46,160 --> 00:33:48,920 Speaker 1: missed it, you'd have to rewind it all the way 456 00:33:48,920 --> 00:33:51,800 Speaker 1: to the beginning. For those of you who start at 457 00:33:51,840 --> 00:33:54,480 Speaker 1: the beginning, we're now at the end of our journey. 458 00:33:56,160 --> 00:34:03,800 Speaker 1: Thank you for coming along. And remember, don't do you 459 00:34:03,920 --> 00:34:06,680 Speaker 1: have something? No, I don't. I was going to think 460 00:34:06,720 --> 00:34:09,920 Speaker 1: of something prophetic, but no, I don't have anything. So 461 00:34:09,960 --> 00:34:12,239 Speaker 1: I'm just gonna say goodbye, goodbye everyone. Thank you for 462 00:34:12,320 --> 00:34:14,000 Speaker 1: listening to Ron Burgundy Podcast. Bye,