WEBVTT - The Case of a Lifetime

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<v Speaker 1>I remember so clearly the first time I told this story.

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<v Speaker 1>It was to my good friend Johnny at a bar

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<v Speaker 1>in Atlanta during the summer of two thousand and three.

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<v Speaker 1>After a few bourbon on the rocks, the details were

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<v Speaker 1>just flowing out of me. Muhammad Ali was back to

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<v Speaker 1>boxing in the fall of nineteen seventy after a three

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<v Speaker 1>year suspension for refusing to enter the military draft. There

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<v Speaker 1>were celebrities, politician, journalists, and hustlers from all over the

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<v Speaker 1>country that converged into Atlanta to celebrate his return. I

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<v Speaker 1>told him about a hustler named Gordon Williams, a k a.

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<v Speaker 1>Chicken Man, who was throwing the biggest party of his life.

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<v Speaker 1>But when his guests walked inside, they were greeted by

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<v Speaker 1>seven mask gunmen. Was sawed off shotguns who escorted them

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<v Speaker 1>down to the basement, stripped them out of their clothes,

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<v Speaker 1>and robbed them of a million dollars in cash and jewelry.

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<v Speaker 1>When I was done, Johnny looked at me with a

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<v Speaker 1>shocked expression on his face. Slowly, he turned to the

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<v Speaker 1>stranger sitting at the barn is left and said, you've

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<v Speaker 1>got to hear this story. Then he looked back at

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<v Speaker 1>me and demanded, tell it again, Jeff Okay, Johnny here

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<v Speaker 1>it is. Why did the press keep following this story?

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<v Speaker 1>Mamma Ali, Cassius Clay, there's not one number two. It

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<v Speaker 1>was a big robber. You're ready to worry Blackmark. Yeah,

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<v Speaker 1>I said they had robbed the blackmark. This fight represented

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<v Speaker 1>the brace Muhammad Ali. All the hotels were so loud,

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<v Speaker 1>guys had their rolls royces flown to a Maxi beautiful people.

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<v Speaker 1>Little bit star Ali was in exile in the boxing community.

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<v Speaker 1>He was stripped of his heavyweight title and the big

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<v Speaker 1>fight commissions. No one would touch him. They wasn't diving

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<v Speaker 1>and they were serious dropped because they hadn't known when

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<v Speaker 1>they were robbing. Then they were robbed. So when did

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<v Speaker 1>the investigation end? You wanted from my Heart radio and

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<v Speaker 1>doghouse Pictures. This is fight Night. I'm Jeff Keithing. Ever

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<v Speaker 1>since I was a kid, I've had a passion for

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<v Speaker 1>true crime. It all started forty years ago with my

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<v Speaker 1>dad in a hotel room in New York City. He

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<v Speaker 1>showed me a very r rated film, The French Connection

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<v Speaker 1>Behind My Mom's Back. This nine seventies true crime thriller

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<v Speaker 1>star Gene Hackman as the fearless detective pop by Doyle

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<v Speaker 1>and Fernando Ray as the cunning French heroine smuggler known

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<v Speaker 1>as Frog One. It was a classic depiction of cop

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<v Speaker 1>versus criminal, cat versus mouse, but also showed the incredibly

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<v Speaker 1>thin line between police and the criminals they chase. Needless

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<v Speaker 1>to say, I was hooked. Fast forward twenty years later,

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<v Speaker 1>my dad told me a true prime story that had

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<v Speaker 1>all the same things I loved about that movie. This

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<v Speaker 1>one was based in my hometown of Atlanta, Georgia. Another

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<v Speaker 1>classic case of cop versus criminal, but this time the

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<v Speaker 1>cat protects the mouse. Good morning, Good morning, sir. How

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<v Speaker 1>are you doing. I think I'm okay. This is my dad,

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<v Speaker 1>Tom Keating. He was in Atlanta the night of the fight.

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<v Speaker 1>In fact, he was at the hotel where Muhammad Ali

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<v Speaker 1>was staying, and I called him to ask him a

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<v Speaker 1>few questions about what it was like, and I would

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<v Speaker 1>have been out of my element. And it was just

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<v Speaker 1>an overwhelming array of glitter and clothing and colors and

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<v Speaker 1>festivities and pomp and circumstance, which later was called the

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<v Speaker 1>you know, the most unusual collection of black power and

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<v Speaker 1>black money, uh and sports and in history coming together

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<v Speaker 1>in a city, in our city, in the city that

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<v Speaker 1>I've been in since, so it would have been just

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<v Speaker 1>over years later. When I was an aspiring screenwriter in

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<v Speaker 1>my early thirties, my dad told me this incredible story

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<v Speaker 1>for the very first time. He remembered the headline from

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<v Speaker 1>the morning he left on his honeymoon with my mom,

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<v Speaker 1>so I dragged him down to the Decatur Library to

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<v Speaker 1>find out more. After hours searching through microfilm, we finally

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<v Speaker 1>got it. This is from the Atlanta Journal Evening edition,

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<v Speaker 1>October ninety. It was written by Orville Gaines and Larry Woods.

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<v Speaker 1>The headline reads like this, after fight partygoers robbed of

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<v Speaker 1>a hundred thousand in cash jewelry. My dad grinned when

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<v Speaker 1>he saw my reaction, and I said to him, this

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<v Speaker 1>is going to be my next film. This set me

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<v Speaker 1>on a path that led to the podcast you're listening

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<v Speaker 1>to right now. The interviews in this show spent is

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<v Speaker 1>to four decades and were sourced from all kinds of

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<v Speaker 1>things like VHS tapes, microcossette camp orders, phone calls, anything

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<v Speaker 1>I could get my hands on. Some of these tapes

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<v Speaker 1>were never meant to be heard by anyone but me,

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<v Speaker 1>so bear with me because some of the recordings are

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<v Speaker 1>higher quality than others. But now many of the people

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<v Speaker 1>involved in this story are no longer alive, and I

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<v Speaker 1>need you to hear from them, the ones who lived it,

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<v Speaker 1>in their own words, so you can truly believe what happened.

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<v Speaker 1>After researching several more articles from newspapers around the country,

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<v Speaker 1>I was able to zero in on one of the

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<v Speaker 1>top cops on the case, J D. Hudson, and with

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<v Speaker 1>the help that the Public Affairs Division of the Atlanta

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<v Speaker 1>Police Department, I tracked him down and got an interview.

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<v Speaker 1>On July one, two thousand two, I parked my STUV

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<v Speaker 1>on a street in southwest Atlanta and walked to the

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<v Speaker 1>front of J. D. Hudson's house. I knocked lightly on

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<v Speaker 1>the door and waited. When he finally came out, j

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<v Speaker 1>D immediately reminded me of the character Shaft played by

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<v Speaker 1>Richard Rowntree in the nineteen seventies crime films Shit, Chef's

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<v Speaker 1>his name, Chef's his game. He blocked the entrance while

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<v Speaker 1>puffing on a white out miniature cigar and blew a

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<v Speaker 1>big smoke ring that engulfed my head. He said, I

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<v Speaker 1>don't have to talk to you. I don't have to

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<v Speaker 1>talk to anybody, now get inside. While I was grateful

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<v Speaker 1>to escape the heat, j D was not particularly welcoming.

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<v Speaker 1>He didn't say a word as he led me back

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<v Speaker 1>to his living room and plopped down into his worn recliner.

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<v Speaker 1>Turned his attention back to the Williams sisters playing at

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<v Speaker 1>Wimbledon on TV. J D made it clear he would

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<v Speaker 1>not be turning off the game, though we did lower

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<v Speaker 1>the volume and notch is kind of a throwaway courtesy.

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<v Speaker 1>I pressed the record button and I asked my first quest,

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<v Speaker 1>gen what happened the night of the robbery? All right,

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<v Speaker 1>take me back to this party, because I'm so confused

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<v Speaker 1>about the point I think. Let me try to get

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<v Speaker 1>that you thankless birthday. J D told me about a

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<v Speaker 1>hustler named Fireball who asked his friend Chicken Man, toast

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<v Speaker 1>a big party in Atlanta after the Ali Corey fight.

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<v Speaker 1>Who's who of hustlers and gangsters from New York, Philly,

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<v Speaker 1>Miami and other big cities around the country were all invited.

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<v Speaker 1>Chicken Man wanted this to be like New Year's Eve,

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<v Speaker 1>the Super Bowl and Marty Grawl all rolled into one

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<v Speaker 1>big party and matter after the frightenes. Okay, when you

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<v Speaker 1>talk about a hustles party, rich very rich people, heaven,

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<v Speaker 1>the food you can eat right out of you can

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<v Speaker 1>drink Okay, Okay, that the big chatter they depend the

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<v Speaker 1>girls man. Okay, movie kind of stuff and expects him

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<v Speaker 1>and how about a day you know? Right? J D

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<v Speaker 1>had risen through the ranks of the Atlanta Police Department

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<v Speaker 1>to become the first black man in charge of internal affairs.

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<v Speaker 1>He also knew the world of these hustlers, and he

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<v Speaker 1>personally knew several of the people directly involved in the

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<v Speaker 1>party and the robbery. In fact, he grew up with

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<v Speaker 1>some of them in a predominantly black neighborhood in Atlanta

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<v Speaker 1>known as Buttermilk Bottom. I grew at an Atlanta the

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<v Speaker 1>neighborhood known as the Whole foot Water but that was

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<v Speaker 1>baptized at age twelve and the Butt Street Baptist Stretch

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<v Speaker 1>from Butler Street. I looked at the Salmon School. There

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<v Speaker 1>was some check Jackson and d l being on a Wednesday.

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<v Speaker 1>J D knew the world of hustlers and low level

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<v Speaker 1>criminals from an early age, but he was also front

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<v Speaker 1>and center in the earliest days of the civil rights movement.

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<v Speaker 1>Also that I had contact with Andy. I'm starting to

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<v Speaker 1>cooking and King and I were friends. And yeah, most

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<v Speaker 1>people in the movement Lenne King then Brown as we

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<v Speaker 1>grew up together, griping in my MC together. The Butler

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<v Speaker 1>Street y m c A was a very important institution

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<v Speaker 1>located uh in the Sweet Arban district of the Old

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<v Speaker 1>Fourth Ward. This is Dr Maurice Hobson, Atlanta historian, scholar

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<v Speaker 1>and author of the award winning book The Legend of

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<v Speaker 1>the Black Mecca, Politics and Class and the Making of

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<v Speaker 1>Modern Atlanta. Though it served, as you know, a venue

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<v Speaker 1>for the young Man's Christian Association, it also served as

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<v Speaker 1>the venue for the Hungry Club, which was the black

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<v Speaker 1>political sphere in Atlanta. So any political figure that was

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<v Speaker 1>interested in courting the black vote had to come to

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<v Speaker 1>the Butler Street y m c A. As with most

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<v Speaker 1>places in the United States, African Americans were designated it

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<v Speaker 1>two low lying areas that oftentimes with flood it was

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<v Speaker 1>undesirable land because standing water or stagnant water that made

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<v Speaker 1>it more accessible for yellow fever malaria across the American South.

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<v Speaker 1>If you lived in that area, that was called the bottom.

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<v Speaker 1>So every black community across the American South, there's always

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<v Speaker 1>the bottoms, and it usually floods. That particular area becomes

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<v Speaker 1>very much a haven. As to how Black America really

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<v Speaker 1>begins to congregate, j D never intended to be a cop,

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<v Speaker 1>but when he decided to take the officers exam, he

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<v Speaker 1>aced it. He was destined for a life enforcing the

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<v Speaker 1>law as one of Atlanta's first black policeman. And I

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<v Speaker 1>sat down and picks in and made the highes bo

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<v Speaker 1>that side. It came up faces. I was one in

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<v Speaker 1>the chief praade with Herbert Jenkins, and he sware me

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<v Speaker 1>in as a Niga Polies, sware me in as a Nigatholies.

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<v Speaker 1>J D dealt with the same struggles that many black

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<v Speaker 1>men and women faced in Atlanta during the Civil Rights movement,

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<v Speaker 1>and the chief of Police, Herberty Jenkins, who swore j

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<v Speaker 1>D n using a racial slur, would develop into a

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<v Speaker 1>progressive leader defending the black citizens in the city. You

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<v Speaker 1>noticed I I didn't notice it. I just thought about

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<v Speaker 1>a respect because I'm used later when he evolved and

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<v Speaker 1>founded being one of the most liberal police chiefs in

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<v Speaker 1>the country. There's no accident that the headquarters of all

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<v Speaker 1>the civil rights movements located in the Atlantic because the

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<v Speaker 1>protection the lad Abo Atlanta said the government through her

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<v Speaker 1>Virginia's he would not allow whites to attack rights in Amata,

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<v Speaker 1>and he demanded were not have arresting. Atlanta was not

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<v Speaker 1>gonna be torn about our rights. Now. We were restrictive.

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<v Speaker 1>We could not arrest right people. We could not arrest

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<v Speaker 1>white people in Atlanta. When the first black cops were

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<v Speaker 1>commissioned by the City of Atlanta, it was seen as

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<v Speaker 1>purely ceremonial and symbolic. However, the power bestowed upon them

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<v Speaker 1>as police officers had little to no effect. They had

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<v Speaker 1>no real policing powers. They could not arrest white people.

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<v Speaker 1>They were not even allowed to use the locker rooms

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<v Speaker 1>at the Atlanta Police station, and so they had to

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<v Speaker 1>get dressed at the Butler Street Y m c A.

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<v Speaker 1>And we worked uh all of the Avenue Van City

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<v Speaker 1>far as the avenue whatever. That was gradually expanded, but

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<v Speaker 1>we started it was very restrictive. Things eight hours. We

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<v Speaker 1>were not allowed to drive through his uniform through the

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<v Speaker 1>white community. We were not allowed to well our uniforms

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<v Speaker 1>home made defense on white prison. It was fascinating. You know,

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<v Speaker 1>you're a guy who had unprecedented authority in the back community,

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<v Speaker 1>no black man and whield the authority and in latter

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<v Speaker 1>in the city. As a matter of fact, that a

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<v Speaker 1>black policeman did, people did what you told him to do.

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<v Speaker 1>People ask you for information, that you were the webserviction there.

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<v Speaker 1>People smiled and waved at you. As a matter of fact,

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<v Speaker 1>people who followed us around us that we want as

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<v Speaker 1>every one on. Black people were very proud about. Yes

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<v Speaker 1>they were. Black communities of Atlanta were extremely proud of

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<v Speaker 1>these black police officers. And one of the things that

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<v Speaker 1>was characteristic of these police officers is that many of

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<v Speaker 1>them were from the community in which they were police,

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<v Speaker 1>and so there was a trust between black communities and

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<v Speaker 1>the black police officers. And the rules and laws changed,

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<v Speaker 1>you still had hostility, had resentment. Ah ask a couple

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<v Speaker 1>of guys who didn't want to work from me, who

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<v Speaker 1>were white. Once they wake from me, they want to

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<v Speaker 1>leave men. I was hin the top of the hill,

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<v Speaker 1>I was hot, stunned, I was police celebrity. That was

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<v Speaker 1>the vie White brothers on the police department. He's a

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<v Speaker 1>big to write with me. So it makes some cases.

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<v Speaker 1>J D had been dealing with inequality and racial tension

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<v Speaker 1>on the Atlanta police force for years. In fact, early

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<v Speaker 1>on he wasn't allowed to arrest white people, but he

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<v Speaker 1>would eventually be faced with an even more complicated dilemma

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<v Speaker 1>having to arrest black people who were out fighting for

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<v Speaker 1>his rights as a black man. This tension came to

0:14:33.600 --> 0:14:36.840
<v Speaker 1>a head at a place called Lebs Diner. Here's Dr

0:14:36.920 --> 0:14:40.440
<v Speaker 1>Hobson so. Lebs Diner was a New York delicatessen that

0:14:40.560 --> 0:14:43.200
<v Speaker 1>was located across from what is now the rialto Unlucky

0:14:43.240 --> 0:14:46.040
<v Speaker 1>and Forsyth in the early nineties sixties. It was a

0:14:46.160 --> 0:14:50.240
<v Speaker 1>whites only restaurant with the students of the Atlanta Student movement.

0:14:50.600 --> 0:14:53.080
<v Speaker 1>It was one of the restaurants where black students would

0:14:53.120 --> 0:14:56.840
<v Speaker 1>come and promote non violent direct action. And so this

0:14:57.080 --> 0:14:58.600
<v Speaker 1>was one of the lunch counters that they would go

0:14:58.720 --> 0:15:02.400
<v Speaker 1>to and to be seated in a respectful manner, and

0:15:02.960 --> 0:15:05.640
<v Speaker 1>usually the police would show up, had to arrest people.

0:15:05.920 --> 0:15:10.640
<v Speaker 1>Uh done. It's a rights movement who were fighting for

0:15:10.760 --> 0:15:13.120
<v Speaker 1>my freedom, half of my right to vote, my right

0:15:13.160 --> 0:15:16.760
<v Speaker 1>to be a citizen at the resting. You know, so,

0:15:18.960 --> 0:15:21.360
<v Speaker 1>I guess I should be a very bitter man. Some

0:15:21.480 --> 0:15:24.600
<v Speaker 1>of the challenges of a black police officer was how

0:15:24.800 --> 0:15:29.320
<v Speaker 1>to earned the respect of their constituency, but at the

0:15:29.400 --> 0:15:32.200
<v Speaker 1>same time, how to enforce the laws which sometimes are

0:15:32.240 --> 0:15:36.440
<v Speaker 1>created to marginalize this franchise, criminalized and demonized the same communities,

0:15:36.440 --> 0:15:39.480
<v Speaker 1>and which the from Oftentimes, black police officers may have

0:15:39.600 --> 0:15:43.440
<v Speaker 1>been harder on black communities then white police officers, because

0:15:43.520 --> 0:15:46.120
<v Speaker 1>what the black police officers were trying to do was

0:15:46.200 --> 0:15:48.480
<v Speaker 1>trying to show the white establishment that they were not

0:15:48.720 --> 0:15:53.160
<v Speaker 1>like some of these criminals in the black community. Being

0:15:53.240 --> 0:15:55.560
<v Speaker 1>one of the first black police officers in the country

0:15:55.720 --> 0:15:59.160
<v Speaker 1>was very empowering for j D. But it also presented

0:15:59.200 --> 0:16:02.720
<v Speaker 1>a constant dream of moral dilemmas. As he rose through

0:16:02.760 --> 0:16:05.480
<v Speaker 1>the ranks of the Atlanta p D, his job became

0:16:05.560 --> 0:16:10.920
<v Speaker 1>increasingly complicated, a delicate balancing act between his responsibilities and

0:16:11.080 --> 0:16:22.920
<v Speaker 1>limitations as a black cop. By seventy j D. Hudson

0:16:23.000 --> 0:16:25.440
<v Speaker 1>had been promoted to the head of internal affairs for

0:16:25.520 --> 0:16:29.520
<v Speaker 1>the Atlanta Police Department, having risen through the ranks more slowly,

0:16:29.720 --> 0:16:32.400
<v Speaker 1>he says, because he was never one to suck up

0:16:32.440 --> 0:16:35.520
<v Speaker 1>to his superiors. It was the same year that j

0:16:35.680 --> 0:16:39.920
<v Speaker 1>D was given an incredible assignment to guard Muhammad Ali,

0:16:40.200 --> 0:16:43.200
<v Speaker 1>a k A. Cassius Clay. In the days leading up

0:16:43.240 --> 0:16:48.640
<v Speaker 1>to his triumphant return to boxing, I had the responsibility

0:16:48.720 --> 0:16:55.040
<v Speaker 1>of Goden Cassius Clay, because that in about five thousand

0:16:55.880 --> 0:16:58.800
<v Speaker 1>threats against the Slight. So I had been with him

0:16:58.840 --> 0:17:02.600
<v Speaker 1>all day, and I cared him to the fight and

0:17:03.200 --> 0:17:05.919
<v Speaker 1>led him into the range. Matter of fact, I got

0:17:06.000 --> 0:17:08.320
<v Speaker 1>beat up. See his head is on around me and

0:17:08.400 --> 0:17:12.040
<v Speaker 1>I was walking in front of it. God was practically

0:17:12.320 --> 0:17:18.800
<v Speaker 1>only hid and so I was a debate that stayed

0:17:18.840 --> 0:17:21.600
<v Speaker 1>with him for twenty whiles a day, seven days a week.

0:17:23.160 --> 0:17:26.439
<v Speaker 1>The time he got into and he left, I ran

0:17:26.440 --> 0:17:29.800
<v Speaker 1>into all kinds of people rich and the famous and

0:17:30.080 --> 0:17:33.399
<v Speaker 1>all that stuff. But j D had no idea about

0:17:33.400 --> 0:17:36.399
<v Speaker 1>the million dollar heist which was brewing behind the scenes

0:17:36.480 --> 0:17:40.359
<v Speaker 1>of Ali's comeback fight, or that less than twenty four

0:17:40.440 --> 0:17:43.639
<v Speaker 1>hours later the chief of police would assign him the

0:17:43.760 --> 0:17:46.879
<v Speaker 1>case of his life. J D's assignment made perfect sense.

0:17:47.320 --> 0:17:49.760
<v Speaker 1>He was the best man for the job and one

0:17:49.800 --> 0:17:52.000
<v Speaker 1>of the only men on the force who was able

0:17:52.040 --> 0:17:55.080
<v Speaker 1>to navigate the world of both cops and criminals, and

0:17:55.200 --> 0:17:58.440
<v Speaker 1>he understood the relationship between the two. Were there any

0:17:58.480 --> 0:18:01.480
<v Speaker 1>police than they were in love to, you know, illegal

0:18:01.520 --> 0:18:05.280
<v Speaker 1>activities back in the seventies of that time, policeman involved,

0:18:06.720 --> 0:18:11.600
<v Speaker 1>and every hustle and every city in this country. Okay,

0:18:11.680 --> 0:18:16.080
<v Speaker 1>money is exchanging hands, always had, always as well, okay,

0:18:16.480 --> 0:18:19.920
<v Speaker 1>and the press is trying to clean us up, right,

0:18:21.080 --> 0:18:23.639
<v Speaker 1>And I'm being a trader to the policeman because they

0:18:23.680 --> 0:18:26.639
<v Speaker 1>don't like me, because this ain't supposed to say it.

0:18:27.119 --> 0:18:32.960
<v Speaker 1>Everybody loves the cooking cops get red boded those and

0:18:33.440 --> 0:18:36.560
<v Speaker 1>everybody encourages the proper to be cooking. They won't admitted.

0:18:37.840 --> 0:18:42.120
<v Speaker 1>Oh hell, I don't care. Two manion policemen m two

0:18:42.160 --> 0:18:46.119
<v Speaker 1>many hustles paroh right. See, that's a world if you

0:18:46.200 --> 0:18:48.720
<v Speaker 1>don't know about it. That's what I'm trying to reach

0:18:49.119 --> 0:18:51.840
<v Speaker 1>as the world girl't know about. Chief of Police Herberty

0:18:51.920 --> 0:18:55.800
<v Speaker 1>Jenkins needed j D for two reasons, to navigate racial tensions,

0:18:56.200 --> 0:18:58.920
<v Speaker 1>and because he was an honest cop. But j D

0:18:59.119 --> 0:19:02.560
<v Speaker 1>said that jenkins confidence in him was isolated. He felt

0:19:02.640 --> 0:19:05.560
<v Speaker 1>that others on the force, the press, and even the

0:19:05.720 --> 0:19:09.920
<v Speaker 1>FBI seemed to judge him based on racial stereotypes, which

0:19:09.960 --> 0:19:14.080
<v Speaker 1>had been advanced by pop culture for decades. So yeah,

0:19:14.080 --> 0:19:21.240
<v Speaker 1>I understand black books to the second, and you state

0:19:21.320 --> 0:19:25.440
<v Speaker 1>them so step and fetch it was more or less

0:19:25.680 --> 0:19:28.639
<v Speaker 1>kind of a black face caricature. When we begin to

0:19:28.720 --> 0:19:33.240
<v Speaker 1>talk about caricatures, particularly black caricatures, what we're talking about

0:19:33.480 --> 0:19:40.200
<v Speaker 1>our aspects of minstrel shows. This is not for a candidate.

0:19:40.640 --> 0:19:43.920
<v Speaker 1>This happens to be a cod And so there's a

0:19:44.000 --> 0:19:47.080
<v Speaker 1>longstanding history in the United States dating back to the

0:19:47.160 --> 0:19:51.840
<v Speaker 1>eighteen twenties that deals with minstrel shows and what minstrel

0:19:51.880 --> 0:19:55.760
<v Speaker 1>shows are where these exaggerated characters of who black people

0:19:55.800 --> 0:20:00.400
<v Speaker 1>were supposed to be that were often performed by white ethnics.

0:20:00.960 --> 0:20:03.880
<v Speaker 1>And so they took a fictitious narrative of who black

0:20:03.920 --> 0:20:07.480
<v Speaker 1>people were as dumb and ignorant and promiscuous and and

0:20:07.800 --> 0:20:10.960
<v Speaker 1>you know, self loathing and slower the uptake. They took

0:20:11.040 --> 0:20:14.200
<v Speaker 1>that to be real. And so when we think about

0:20:14.240 --> 0:20:17.840
<v Speaker 1>the embodiment of you know, and ain't Jemima Uncle ben

0:20:18.880 --> 0:20:22.040
<v Speaker 1>uh step and fetch it, the notion was to promote

0:20:22.880 --> 0:20:28.520
<v Speaker 1>a white supremacy that showed that the most unintelligent white

0:20:28.600 --> 0:20:33.200
<v Speaker 1>person was smarter than the smartest black person. This was

0:20:33.400 --> 0:20:37.840
<v Speaker 1>a real conversation around white supremacy. You don't know, that's

0:20:37.840 --> 0:20:42.200
<v Speaker 1>for nothing. They're dumb as white man it's black man. Okay.

0:20:42.680 --> 0:20:45.960
<v Speaker 1>At the end of Southern you'll tell you that. Okay,

0:20:46.200 --> 0:20:48.880
<v Speaker 1>right now, I had to take off from guys who

0:20:48.880 --> 0:20:52.800
<v Speaker 1>couldn't chat max usely, right, my boss. Right, I'm a lawyer.

0:20:52.920 --> 0:20:57.880
<v Speaker 1>I think about it. I knew what happened, I knew

0:20:57.880 --> 0:21:00.960
<v Speaker 1>about the party, I knew about the people. I understood

0:21:01.040 --> 0:21:05.280
<v Speaker 1>the culture of the night in question of the culture

0:21:05.400 --> 0:21:08.560
<v Speaker 1>the people there. So now JD is heading up the

0:21:08.680 --> 0:21:12.560
<v Speaker 1>investigation into the heist that stole the spotlight and the

0:21:12.680 --> 0:21:16.960
<v Speaker 1>headlines from Muhammad Ali's epic comeback fight, and in those

0:21:17.040 --> 0:21:20.760
<v Speaker 1>headlines you start to see a very interesting narrative emerge.

0:21:22.040 --> 0:21:25.719
<v Speaker 1>Fight fans are invited by engraved invitation two hundred thousand

0:21:25.760 --> 0:21:29.679
<v Speaker 1>dollar hold up. Police say, hold up conceived in New

0:21:29.760 --> 0:21:34.159
<v Speaker 1>York lottery figure and girlfriends saw it in two hundred

0:21:34.200 --> 0:21:39.040
<v Speaker 1>thousand dollar fight. Party plucked by robbers to Chicken Man,

0:21:39.160 --> 0:21:44.920
<v Speaker 1>says chicken Man. Who was this Chicken Man? I had

0:21:45.000 --> 0:21:48.119
<v Speaker 1>to find out, So I kept digging into more and

0:21:48.240 --> 0:21:52.080
<v Speaker 1>more headlines and saw this name Chicken Man pop up

0:21:52.240 --> 0:21:56.040
<v Speaker 1>over and over again as the prime suspect who organized

0:21:56.080 --> 0:21:59.200
<v Speaker 1>the heist. I asked j D about it, and he

0:21:59.320 --> 0:22:03.560
<v Speaker 1>said that his boss, the FBI, and other policemen were

0:22:03.640 --> 0:22:07.960
<v Speaker 1>pushing this hustler. Street named Chicken Man as the prime suspect,

0:22:08.560 --> 0:22:12.560
<v Speaker 1>but j D wasn't so sure. Chief Chaplains, who at

0:22:12.640 --> 0:22:17.760
<v Speaker 1>that time was super detective, believe ah. He said that

0:22:18.000 --> 0:22:22.159
<v Speaker 1>he had the most relivable meation in the world. Uh,

0:22:23.440 --> 0:22:27.200
<v Speaker 1>that was Chicken Man in his group. That he set

0:22:27.320 --> 0:22:30.680
<v Speaker 1>the whole thing up. That was just a buncha boo.

0:22:30.840 --> 0:22:33.200
<v Speaker 1>I couldn't tell my boss that, but I told the

0:22:33.280 --> 0:22:36.720
<v Speaker 1>chief that. So the Chief said, it's your decision, you

0:22:36.840 --> 0:22:43.600
<v Speaker 1>make it, and I did. Chicken Man had been a

0:22:43.680 --> 0:22:46.240
<v Speaker 1>person of interest to the Atlanta p D for years

0:22:46.800 --> 0:22:51.119
<v Speaker 1>for crimes ranging from bootlegging and drugs to running illegal lotteries.

0:22:51.800 --> 0:22:56.160
<v Speaker 1>J d's boss, Chief of Detectives, Charles Chaffin, believed Chicken

0:22:56.240 --> 0:22:59.480
<v Speaker 1>Man had organized the after hours party so he had

0:22:59.520 --> 0:23:03.520
<v Speaker 1>all the side information he needed to also organize the heist.

0:23:04.240 --> 0:23:07.200
<v Speaker 1>But j D didn't believe the heightst originated in Atlanta

0:23:07.240 --> 0:23:10.520
<v Speaker 1>at all. In fact, he thought Chicken Man had nothing

0:23:10.600 --> 0:23:13.080
<v Speaker 1>to do with it. J D would turn out to

0:23:13.160 --> 0:23:16.360
<v Speaker 1>be onto something with that New York connection, and we'll

0:23:16.400 --> 0:23:19.760
<v Speaker 1>explore that in more depths throughout the story. But for now.

0:23:20.240 --> 0:23:23.280
<v Speaker 1>What's important to remember is that Chicken man, whose real

0:23:23.440 --> 0:23:26.720
<v Speaker 1>name was Gordon Williams, was already a big time hustler

0:23:26.840 --> 0:23:29.879
<v Speaker 1>making a lot of money in Atlanta. J D believed

0:23:29.920 --> 0:23:32.000
<v Speaker 1>it just didn't make sense for him to put all

0:23:32.080 --> 0:23:34.560
<v Speaker 1>of that on the line by robbing his own party,

0:23:35.280 --> 0:23:38.840
<v Speaker 1>let alone the types of high level gangsters that could

0:23:38.920 --> 0:23:42.800
<v Speaker 1>have and would have had him killed. J D had

0:23:42.800 --> 0:23:46.879
<v Speaker 1>a moral code. While he was absolutely toughest nails as

0:23:46.920 --> 0:23:50.359
<v Speaker 1>a cop and wanting to put away criminals, he would

0:23:50.400 --> 0:23:53.359
<v Speaker 1>never even consider penning a crime on someone that didn't

0:23:53.400 --> 0:23:57.240
<v Speaker 1>do it, and he resented those above and around him

0:23:57.520 --> 0:24:00.880
<v Speaker 1>who would have done just that. I always called myself

0:24:00.960 --> 0:24:03.520
<v Speaker 1>a cold, better professional. Now I didn't care who you are.

0:24:04.280 --> 0:24:06.840
<v Speaker 1>I love the hated You had nothing to do. Mean

0:24:06.960 --> 0:24:08.920
<v Speaker 1>folks in the law. You know my best friend, and

0:24:08.960 --> 0:24:10.520
<v Speaker 1>I caught your body. No, I locked you up. You

0:24:10.640 --> 0:24:13.639
<v Speaker 1>might waste any man person. I hate it with all

0:24:13.760 --> 0:24:16.560
<v Speaker 1>kinds of passion. If you didn't do anything wrong, I

0:24:16.680 --> 0:24:20.720
<v Speaker 1>wasn't gonna bother you, and it bothered me the policeman

0:24:21.359 --> 0:24:24.440
<v Speaker 1>when in fact trying to get this man killed. I

0:24:24.560 --> 0:24:26.879
<v Speaker 1>knew they were gonna kill it, and the police were

0:24:27.040 --> 0:24:29.399
<v Speaker 1>going to be responsible because they kept on bless his

0:24:29.560 --> 0:24:31.720
<v Speaker 1>name out of the police say an FBI. They thought

0:24:31.760 --> 0:24:36.440
<v Speaker 1>he had robbed a black mafia. The figures black hustlers

0:24:37.280 --> 0:24:40.040
<v Speaker 1>in this country, some of the toughest men in this country,

0:24:40.800 --> 0:24:43.120
<v Speaker 1>some of the dead list men in this country, Guys

0:24:43.119 --> 0:24:45.560
<v Speaker 1>who would not hesitate to blow your head off because

0:24:45.640 --> 0:24:49.119
<v Speaker 1>you stepped on that shoe. They would have killed it.

0:24:50.560 --> 0:24:53.440
<v Speaker 1>And according to the New York Times, that's exactly what

0:24:53.640 --> 0:25:00.520
<v Speaker 1>they did Wednesday, October, informed sources associate created with the

0:25:00.560 --> 0:25:05.359
<v Speaker 1>police department suggested today that the police believe Williams planned

0:25:05.359 --> 0:25:08.280
<v Speaker 1>the robbery to raise funds to repay a large debt.

0:25:08.720 --> 0:25:12.280
<v Speaker 1>The sources also said that the Atlanta police now believe

0:25:12.720 --> 0:25:16.280
<v Speaker 1>Williams is dead as the result of a contract released

0:25:16.320 --> 0:25:20.600
<v Speaker 1>on him Gangland Terminology for an arrangement of his murder,

0:25:21.960 --> 0:25:24.520
<v Speaker 1>and over the next six months, more bodies would be

0:25:24.600 --> 0:25:28.320
<v Speaker 1>discovered from Atlanta to New York. As I read this

0:25:28.560 --> 0:25:31.680
<v Speaker 1>article on microfilm at the Decatur Library, my mind was

0:25:31.880 --> 0:25:35.760
<v Speaker 1>racing my main source for this story. The lead investigator

0:25:35.800 --> 0:25:39.520
<v Speaker 1>into the heist, Detective J. D. Hudson, didn't believe Chicken

0:25:39.560 --> 0:25:42.840
<v Speaker 1>Man had anything to do with the robbery, but now

0:25:42.920 --> 0:25:46.119
<v Speaker 1>I find out he's dead. So if Chicken Man didn't

0:25:46.160 --> 0:25:59.920
<v Speaker 1>do it, who did? And who killed Chicken Man fighting?

0:26:00.000 --> 0:26:02.280
<v Speaker 1>And it's a joint production from My Heart Radio, Will

0:26:02.359 --> 0:26:06.440
<v Speaker 1>Packer Media and Doghouse Pictures in association with Psychopia Pictures.

0:26:06.800 --> 0:26:10.639
<v Speaker 1>Produced and hosted by Jeff Keating. Executive producers are Will Packer,

0:26:11.000 --> 0:26:15.760
<v Speaker 1>James Lopez, Kenny Burns, Dan Bush, Lars Jacobson, and Noel Brown.

0:26:16.400 --> 0:26:20.560
<v Speaker 1>Supervising producer is Taylor Shicoyne. Story editors are Noel Brown

0:26:20.600 --> 0:26:23.960
<v Speaker 1>and Dan Bush. Written by Jeff Keating and Jim Roberts.

0:26:24.600 --> 0:26:27.960
<v Speaker 1>Edited by Matt Owen. Mixing and sound designed by Jeremiah

0:26:28.040 --> 0:26:32.080
<v Speaker 1>Kolonnie Prescott. Music written and performed by The Diamond Street Players.

0:26:32.280 --> 0:26:37.080
<v Speaker 1>Additional music by Ben Lovett. Audio archives courtesy of WSB

0:26:37.320 --> 0:26:41.080
<v Speaker 1>News Film and Videotape Collection, Brown Media Archives, University of

0:26:41.119 --> 0:26:45.160
<v Speaker 1>Georgia Libraries. Special thanks to Dr Maurice Hobson and David

0:26:45.240 --> 0:26:45.600
<v Speaker 1>Davis