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Speaker 1: I remember so clearly the first time I told this story.

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Speaker 1: It was to my good friend Johnny at a bar

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Speaker 1: in Atlanta during the summer of two thousand and three.

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Speaker 1: After a few bourbon on the rocks, the details were

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Speaker 1: just flowing out of me. Muhammad Ali was back to

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Speaker 1: boxing in the fall of nineteen seventy after a three

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Speaker 1: year suspension for refusing to enter the military draft. There

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Speaker 1: were celebrities, politician, journalists, and hustlers from all over the

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Speaker 1: country that converged into Atlanta to celebrate his return. I

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Speaker 1: told him about a hustler named Gordon Williams, a k a.

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Speaker 1: Chicken Man, who was throwing the biggest party of his life.

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Speaker 1: But when his guests walked inside, they were greeted by

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Speaker 1: seven mask gunmen. Was sawed off shotguns who escorted them

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Speaker 1: down to the basement, stripped them out of their clothes,

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Speaker 1: and robbed them of a million dollars in cash and jewelry.

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Speaker 1: When I was done, Johnny looked at me with a

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Speaker 1: shocked expression on his face. Slowly, he turned to the

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Speaker 1: stranger sitting at the barn is left and said, you've

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Speaker 1: got to hear this story. Then he looked back at

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Speaker 1: me and demanded, tell it again, Jeff Okay, Johnny here

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Speaker 1: it is. Why did the press keep following this story?

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Speaker 1: Mamma Ali, Cassius Clay, there's not one number two. It

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Speaker 1: was a big robber. You're ready to worry Blackmark. Yeah,

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Speaker 1: I said they had robbed the blackmark. This fight represented

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Speaker 1: the brace Muhammad Ali. All the hotels were so loud,

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Speaker 1: guys had their rolls royces flown to a Maxi beautiful people.

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Speaker 1: Little bit star Ali was in exile in the boxing community.

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Speaker 1: He was stripped of his heavyweight title and the big

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Speaker 1: fight commissions. No one would touch him. They wasn't diving

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Speaker 1: and they were serious dropped because they hadn't known when

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Speaker 1: they were robbing. Then they were robbed. So when did

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Speaker 1: the investigation end? You wanted from my Heart radio and

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Speaker 1: doghouse Pictures. This is fight Night. I'm Jeff Keithing. Ever

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Speaker 1: since I was a kid, I've had a passion for

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Speaker 1: true crime. It all started forty years ago with my

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Speaker 1: dad in a hotel room in New York City. He

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Speaker 1: showed me a very r rated film, The French Connection

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Speaker 1: Behind My Mom's Back. This nine seventies true crime thriller

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Speaker 1: star Gene Hackman as the fearless detective pop by Doyle

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Speaker 1: and Fernando Ray as the cunning French heroine smuggler known

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Speaker 1: as Frog One. It was a classic depiction of cop

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Speaker 1: versus criminal, cat versus mouse, but also showed the incredibly

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Speaker 1: thin line between police and the criminals they chase. Needless

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Speaker 1: to say, I was hooked. Fast forward twenty years later,

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Speaker 1: my dad told me a true prime story that had

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Speaker 1: all the same things I loved about that movie. This

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Speaker 1: one was based in my hometown of Atlanta, Georgia. Another

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Speaker 1: classic case of cop versus criminal, but this time the

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Speaker 1: cat protects the mouse. Good morning, Good morning, sir. How

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Speaker 1: are you doing. I think I'm okay. This is my dad,

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Speaker 1: Tom Keating. He was in Atlanta the night of the fight.

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Speaker 1: In fact, he was at the hotel where Muhammad Ali

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Speaker 1: was staying, and I called him to ask him a

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Speaker 1: few questions about what it was like, and I would

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Speaker 1: have been out of my element. And it was just

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Speaker 1: an overwhelming array of glitter and clothing and colors and

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Speaker 1: festivities and pomp and circumstance, which later was called the

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Speaker 1: you know, the most unusual collection of black power and

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Speaker 1: black money, uh and sports and in history coming together

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Speaker 1: in a city, in our city, in the city that

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Speaker 1: I've been in since, so it would have been just

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Speaker 1: over years later. When I was an aspiring screenwriter in

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Speaker 1: my early thirties, my dad told me this incredible story

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Speaker 1: for the very first time. He remembered the headline from

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Speaker 1: the morning he left on his honeymoon with my mom,

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Speaker 1: so I dragged him down to the Decatur Library to

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Speaker 1: find out more. After hours searching through microfilm, we finally

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Speaker 1: got it. This is from the Atlanta Journal Evening edition,

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Speaker 1: October ninety. It was written by Orville Gaines and Larry Woods.

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Speaker 1: The headline reads like this, after fight partygoers robbed of

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Speaker 1: a hundred thousand in cash jewelry. My dad grinned when

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Speaker 1: he saw my reaction, and I said to him, this

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Speaker 1: is going to be my next film. This set me

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Speaker 1: on a path that led to the podcast you're listening

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Speaker 1: to right now. The interviews in this show spent is

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Speaker 1: to four decades and were sourced from all kinds of

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Speaker 1: things like VHS tapes, microcossette camp orders, phone calls, anything

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Speaker 1: I could get my hands on. Some of these tapes

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Speaker 1: were never meant to be heard by anyone but me,

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Speaker 1: so bear with me because some of the recordings are

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Speaker 1: higher quality than others. But now many of the people

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Speaker 1: involved in this story are no longer alive, and I

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Speaker 1: need you to hear from them, the ones who lived it,

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Speaker 1: in their own words, so you can truly believe what happened.

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Speaker 1: After researching several more articles from newspapers around the country,

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Speaker 1: I was able to zero in on one of the

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Speaker 1: top cops on the case, J D. Hudson, and with

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Speaker 1: the help that the Public Affairs Division of the Atlanta

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Speaker 1: Police Department, I tracked him down and got an interview.

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Speaker 1: On July one, two thousand two, I parked my STUV

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Speaker 1: on a street in southwest Atlanta and walked to the

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Speaker 1: front of J. D. Hudson's house. I knocked lightly on

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Speaker 1: the door and waited. When he finally came out, j

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Speaker 1: D immediately reminded me of the character Shaft played by

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Speaker 1: Richard Rowntree in the nineteen seventies crime films Shit, Chef's

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Speaker 1: his name, Chef's his game. He blocked the entrance while

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Speaker 1: puffing on a white out miniature cigar and blew a

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Speaker 1: big smoke ring that engulfed my head. He said, I

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Speaker 1: don't have to talk to you. I don't have to

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Speaker 1: talk to anybody, now get inside. While I was grateful

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Speaker 1: to escape the heat, j D was not particularly welcoming.

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Speaker 1: He didn't say a word as he led me back

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Speaker 1: to his living room and plopped down into his worn recliner.

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Speaker 1: Turned his attention back to the Williams sisters playing at

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Speaker 1: Wimbledon on TV. J D made it clear he would

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Speaker 1: not be turning off the game, though we did lower

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Speaker 1: the volume and notch is kind of a throwaway courtesy.

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Speaker 1: I pressed the record button and I asked my first quest,

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Speaker 1: gen what happened the night of the robbery? All right,

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Speaker 1: take me back to this party, because I'm so confused

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Speaker 1: about the point I think. Let me try to get

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Speaker 1: that you thankless birthday. J D told me about a

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Speaker 1: hustler named Fireball who asked his friend Chicken Man, toast

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Speaker 1: a big party in Atlanta after the Ali Corey fight.

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Speaker 1: Who's who of hustlers and gangsters from New York, Philly,

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Speaker 1: Miami and other big cities around the country were all invited.

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Speaker 1: Chicken Man wanted this to be like New Year's Eve,

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Speaker 1: the Super Bowl and Marty Grawl all rolled into one

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Speaker 1: big party and matter after the frightenes. Okay, when you

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Speaker 1: talk about a hustles party, rich very rich people, heaven,

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Speaker 1: the food you can eat right out of you can

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Speaker 1: drink Okay, Okay, that the big chatter they depend the

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Speaker 1: girls man. Okay, movie kind of stuff and expects him

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Speaker 1: and how about a day you know? Right? J D

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Speaker 1: had risen through the ranks of the Atlanta Police Department

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Speaker 1: to become the first black man in charge of internal affairs.

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Speaker 1: He also knew the world of these hustlers, and he

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Speaker 1: personally knew several of the people directly involved in the

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Speaker 1: party and the robbery. In fact, he grew up with

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Speaker 1: some of them in a predominantly black neighborhood in Atlanta

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Speaker 1: known as Buttermilk Bottom. I grew at an Atlanta the

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Speaker 1: neighborhood known as the Whole foot Water but that was

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Speaker 1: baptized at age twelve and the Butt Street Baptist Stretch

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Speaker 1: from Butler Street. I looked at the Salmon School. There

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Speaker 1: was some check Jackson and d l being on a Wednesday.

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Speaker 1: J D knew the world of hustlers and low level

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Speaker 1: criminals from an early age, but he was also front

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Speaker 1: and center in the earliest days of the civil rights movement.

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Speaker 1: Also that I had contact with Andy. I'm starting to

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Speaker 1: cooking and King and I were friends. And yeah, most

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Speaker 1: people in the movement Lenne King then Brown as we

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Speaker 1: grew up together, griping in my MC together. The Butler

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Speaker 1: Street y m c A was a very important institution

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Speaker 1: located uh in the Sweet Arban district of the Old

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Speaker 1: Fourth Ward. This is Dr Maurice Hobson, Atlanta historian, scholar

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Speaker 1: and author of the award winning book The Legend of

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Speaker 1: the Black Mecca, Politics and Class and the Making of

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Speaker 1: Modern Atlanta. Though it served, as you know, a venue

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Speaker 1: for the young Man's Christian Association, it also served as

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Speaker 1: the venue for the Hungry Club, which was the black

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Speaker 1: political sphere in Atlanta. So any political figure that was

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Speaker 1: interested in courting the black vote had to come to

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Speaker 1: the Butler Street y m c A. As with most

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Speaker 1: places in the United States, African Americans were designated it

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Speaker 1: two low lying areas that oftentimes with flood it was

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Speaker 1: undesirable land because standing water or stagnant water that made

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Speaker 1: it more accessible for yellow fever malaria across the American South.

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Speaker 1: If you lived in that area, that was called the bottom.

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Speaker 1: So every black community across the American South, there's always

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Speaker 1: the bottoms, and it usually floods. That particular area becomes

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Speaker 1: very much a haven. As to how Black America really

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Speaker 1: begins to congregate, j D never intended to be a cop,

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Speaker 1: but when he decided to take the officers exam, he

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Speaker 1: aced it. He was destined for a life enforcing the

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Speaker 1: law as one of Atlanta's first black policeman. And I

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Speaker 1: sat down and picks in and made the highes bo

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Speaker 1: that side. It came up faces. I was one in

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Speaker 1: the chief praade with Herbert Jenkins, and he sware me

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Speaker 1: in as a Niga Polies, sware me in as a Nigatholies.

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Speaker 1: J D dealt with the same struggles that many black

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Speaker 1: men and women faced in Atlanta during the Civil Rights movement,

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Speaker 1: and the chief of Police, Herberty Jenkins, who swore j

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Speaker 1: D n using a racial slur, would develop into a

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Speaker 1: progressive leader defending the black citizens in the city. You

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Speaker 1: noticed I I didn't notice it. I just thought about

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Speaker 1: a respect because I'm used later when he evolved and

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Speaker 1: founded being one of the most liberal police chiefs in

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Speaker 1: the country. There's no accident that the headquarters of all

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Speaker 1: the civil rights movements located in the Atlantic because the

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Speaker 1: protection the lad Abo Atlanta said the government through her

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Speaker 1: Virginia's he would not allow whites to attack rights in Amata,

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Speaker 1: and he demanded were not have arresting. Atlanta was not

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Speaker 1: gonna be torn about our rights. Now. We were restrictive.

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Speaker 1: We could not arrest right people. We could not arrest

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Speaker 1: white people in Atlanta. When the first black cops were

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Speaker 1: commissioned by the City of Atlanta, it was seen as

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Speaker 1: purely ceremonial and symbolic. However, the power bestowed upon them

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Speaker 1: as police officers had little to no effect. They had

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Speaker 1: no real policing powers. They could not arrest white people.

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Speaker 1: They were not even allowed to use the locker rooms

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Speaker 1: at the Atlanta Police station, and so they had to

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Speaker 1: get dressed at the Butler Street Y m c A.

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Speaker 1: And we worked uh all of the Avenue Van City

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Speaker 1: far as the avenue whatever. That was gradually expanded, but

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Speaker 1: we started it was very restrictive. Things eight hours. We

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Speaker 1: were not allowed to drive through his uniform through the

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Speaker 1: white community. We were not allowed to well our uniforms

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Speaker 1: home made defense on white prison. It was fascinating. You know,

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Speaker 1: you're a guy who had unprecedented authority in the back community,

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Speaker 1: no black man and whield the authority and in latter

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Speaker 1: in the city. As a matter of fact, that a

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Speaker 1: black policeman did, people did what you told him to do.

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Speaker 1: People ask you for information, that you were the webserviction there.

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Speaker 1: People smiled and waved at you. As a matter of fact,

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Speaker 1: people who followed us around us that we want as

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Speaker 1: every one on. Black people were very proud about. Yes

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Speaker 1: they were. Black communities of Atlanta were extremely proud of

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Speaker 1: these black police officers. And one of the things that

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Speaker 1: was characteristic of these police officers is that many of

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Speaker 1: them were from the community in which they were police,

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Speaker 1: and so there was a trust between black communities and

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Speaker 1: the black police officers. And the rules and laws changed,

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Speaker 1: you still had hostility, had resentment. Ah ask a couple

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Speaker 1: of guys who didn't want to work from me, who

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Speaker 1: were white. Once they wake from me, they want to

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Speaker 1: leave men. I was hin the top of the hill,

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Speaker 1: I was hot, stunned, I was police celebrity. That was

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Speaker 1: the vie White brothers on the police department. He's a

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Speaker 1: big to write with me. So it makes some cases.

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Speaker 1: J D had been dealing with inequality and racial tension

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Speaker 1: on the Atlanta police force for years. In fact, early

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Speaker 1: on he wasn't allowed to arrest white people, but he

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Speaker 1: would eventually be faced with an even more complicated dilemma

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Speaker 1: having to arrest black people who were out fighting for

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Speaker 1: his rights as a black man. This tension came to

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Speaker 1: a head at a place called Lebs Diner. Here's Dr

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Speaker 1: Hobson so. Lebs Diner was a New York delicatessen that

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Speaker 1: was located across from what is now the rialto Unlucky

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Speaker 1: and Forsyth in the early nineties sixties. It was a

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Speaker 1: whites only restaurant with the students of the Atlanta Student movement.

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Speaker 1: It was one of the restaurants where black students would

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Speaker 1: come and promote non violent direct action. And so this

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Speaker 1: was one of the lunch counters that they would go

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Speaker 1: to and to be seated in a respectful manner, and

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Speaker 1: usually the police would show up, had to arrest people.

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Speaker 1: Uh done. It's a rights movement who were fighting for

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Speaker 1: my freedom, half of my right to vote, my right

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Speaker 1: to be a citizen at the resting. You know, so,

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Speaker 1: I guess I should be a very bitter man. Some

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Speaker 1: of the challenges of a black police officer was how

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Speaker 1: to earned the respect of their constituency, but at the

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Speaker 1: same time, how to enforce the laws which sometimes are

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Speaker 1: created to marginalize this franchise, criminalized and demonized the same communities,

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Speaker 1: and which the from Oftentimes, black police officers may have

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Speaker 1: been harder on black communities then white police officers, because

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Speaker 1: what the black police officers were trying to do was

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Speaker 1: trying to show the white establishment that they were not

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Speaker 1: like some of these criminals in the black community. Being

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Speaker 1: one of the first black police officers in the country

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Speaker 1: was very empowering for j D. But it also presented

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Speaker 1: a constant dream of moral dilemmas. As he rose through

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Speaker 1: the ranks of the Atlanta p D, his job became

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Speaker 1: increasingly complicated, a delicate balancing act between his responsibilities and

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Speaker 1: limitations as a black cop. By seventy j D. Hudson

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Speaker 1: had been promoted to the head of internal affairs for

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Speaker 1: the Atlanta Police Department, having risen through the ranks more slowly,

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Speaker 1: he says, because he was never one to suck up

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Speaker 1: to his superiors. It was the same year that j

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Speaker 1: D was given an incredible assignment to guard Muhammad Ali,

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Speaker 1: a k A. Cassius Clay. In the days leading up

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Speaker 1: to his triumphant return to boxing, I had the responsibility

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Speaker 1: of Goden Cassius Clay, because that in about five thousand

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Speaker 1: threats against the Slight. So I had been with him

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Speaker 1: all day, and I cared him to the fight and

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Speaker 1: led him into the range. Matter of fact, I got

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Speaker 1: beat up. See his head is on around me and

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Speaker 1: I was walking in front of it. God was practically

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Speaker 1: only hid and so I was a debate that stayed

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Speaker 1: with him for twenty whiles a day, seven days a week.

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Speaker 1: The time he got into and he left, I ran

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Speaker 1: into all kinds of people rich and the famous and

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Speaker 1: all that stuff. But j D had no idea about

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Speaker 1: the million dollar heist which was brewing behind the scenes

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Speaker 1: of Ali's comeback fight, or that less than twenty four

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Speaker 1: hours later the chief of police would assign him the

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Speaker 1: case of his life. J D's assignment made perfect sense.

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Speaker 1: He was the best man for the job and one

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Speaker 1: of the only men on the force who was able

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Speaker 1: to navigate the world of both cops and criminals, and

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Speaker 1: he understood the relationship between the two. Were there any

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Speaker 1: police than they were in love to, you know, illegal

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Speaker 1: activities back in the seventies of that time, policeman involved,

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Speaker 1: and every hustle and every city in this country. Okay,

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Speaker 1: money is exchanging hands, always had, always as well, okay,

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Speaker 1: and the press is trying to clean us up, right,

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Speaker 1: And I'm being a trader to the policeman because they

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Speaker 1: don't like me, because this ain't supposed to say it.

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Speaker 1: Everybody loves the cooking cops get red boded those and

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Speaker 1: everybody encourages the proper to be cooking. They won't admitted.

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Speaker 1: Oh hell, I don't care. Two manion policemen m two

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Speaker 1: many hustles paroh right. See, that's a world if you

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Speaker 1: don't know about it. That's what I'm trying to reach

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Speaker 1: as the world girl't know about. Chief of Police Herberty

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Speaker 1: Jenkins needed j D for two reasons, to navigate racial tensions,

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Speaker 1: and because he was an honest cop. But j D

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Speaker 1: said that jenkins confidence in him was isolated. He felt

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Speaker 1: that others on the force, the press, and even the

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Speaker 1: FBI seemed to judge him based on racial stereotypes, which

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Speaker 1: had been advanced by pop culture for decades. So yeah,

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Speaker 1: I understand black books to the second, and you state

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Speaker 1: them so step and fetch it was more or less

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Speaker 1: kind of a black face caricature. When we begin to

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Speaker 1: talk about caricatures, particularly black caricatures, what we're talking about

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Speaker 1: our aspects of minstrel shows. This is not for a candidate.

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Speaker 1: This happens to be a cod And so there's a

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Speaker 1: longstanding history in the United States dating back to the

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Speaker 1: eighteen twenties that deals with minstrel shows and what minstrel

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Speaker 1: shows are where these exaggerated characters of who black people

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Speaker 1: were supposed to be that were often performed by white ethnics.

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Speaker 1: And so they took a fictitious narrative of who black

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Speaker 1: people were as dumb and ignorant and promiscuous and and

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Speaker 1: you know, self loathing and slower the uptake. They took

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Speaker 1: that to be real. And so when we think about

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Speaker 1: the embodiment of you know, and ain't Jemima Uncle ben

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Speaker 1: uh step and fetch it, the notion was to promote

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Speaker 1: a white supremacy that showed that the most unintelligent white

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Speaker 1: person was smarter than the smartest black person. This was

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Speaker 1: a real conversation around white supremacy. You don't know, that's

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Speaker 1: for nothing. They're dumb as white man it's black man. Okay.

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Speaker 1: At the end of Southern you'll tell you that. Okay,

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Speaker 1: right now, I had to take off from guys who

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Speaker 1: couldn't chat max usely, right, my boss. Right, I'm a lawyer.

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Speaker 1: I think about it. I knew what happened, I knew

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Speaker 1: about the party, I knew about the people. I understood

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Speaker 1: the culture of the night in question of the culture

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Speaker 1: the people there. So now JD is heading up the

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Speaker 1: investigation into the heist that stole the spotlight and the

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Speaker 1: headlines from Muhammad Ali's epic comeback fight, and in those

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Speaker 1: headlines you start to see a very interesting narrative emerge.

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Speaker 1: Fight fans are invited by engraved invitation two hundred thousand

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Speaker 1: dollar hold up. Police say, hold up conceived in New

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Speaker 1: York lottery figure and girlfriends saw it in two hundred

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Speaker 1: thousand dollar fight. Party plucked by robbers to Chicken Man,

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Speaker 1: says chicken Man. Who was this Chicken Man? I had

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Speaker 1: to find out, So I kept digging into more and

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Speaker 1: more headlines and saw this name Chicken Man pop up

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Speaker 1: over and over again as the prime suspect who organized

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Speaker 1: the heist. I asked j D about it, and he

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Speaker 1: said that his boss, the FBI, and other policemen were

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Speaker 1: pushing this hustler. Street named Chicken Man as the prime suspect,

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Speaker 1: but j D wasn't so sure. Chief Chaplains, who at

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Speaker 1: that time was super detective, believe ah. He said that

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Speaker 1: he had the most relivable meation in the world. Uh,

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Speaker 1: that was Chicken Man in his group. That he set

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Speaker 1: the whole thing up. That was just a buncha boo.

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Speaker 1: I couldn't tell my boss that, but I told the

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Speaker 1: chief that. So the Chief said, it's your decision, you

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Speaker 1: make it, and I did. Chicken Man had been a

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Speaker 1: person of interest to the Atlanta p D for years

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Speaker 1: for crimes ranging from bootlegging and drugs to running illegal lotteries.

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Speaker 1: J d's boss, Chief of Detectives, Charles Chaffin, believed Chicken

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Speaker 1: Man had organized the after hours party so he had

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Speaker 1: all the side information he needed to also organize the heist.

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Speaker 1: But j D didn't believe the heightst originated in Atlanta

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Speaker 1: at all. In fact, he thought Chicken Man had nothing

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Speaker 1: to do with it. J D would turn out to

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Speaker 1: be onto something with that New York connection, and we'll

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Speaker 1: explore that in more depths throughout the story. But for now.

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Speaker 1: What's important to remember is that Chicken man, whose real

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Speaker 1: name was Gordon Williams, was already a big time hustler

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Speaker 1: making a lot of money in Atlanta. J D believed

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Speaker 1: it just didn't make sense for him to put all

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Speaker 1: of that on the line by robbing his own party,

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Speaker 1: let alone the types of high level gangsters that could

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Speaker 1: have and would have had him killed. J D had

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Speaker 1: a moral code. While he was absolutely toughest nails as

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Speaker 1: a cop and wanting to put away criminals, he would

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Speaker 1: never even consider penning a crime on someone that didn't

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Speaker 1: do it, and he resented those above and around him

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Speaker 1: who would have done just that. I always called myself

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Speaker 1: a cold, better professional. Now I didn't care who you are.

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Speaker 1: I love the hated You had nothing to do. Mean

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Speaker 1: folks in the law. You know my best friend, and

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Speaker 1: I caught your body. No, I locked you up. You

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Speaker 1: might waste any man person. I hate it with all

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Speaker 1: kinds of passion. If you didn't do anything wrong, I

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Speaker 1: wasn't gonna bother you, and it bothered me the policeman

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Speaker 1: when in fact trying to get this man killed. I

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Speaker 1: knew they were gonna kill it, and the police were

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Speaker 1: going to be responsible because they kept on bless his

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Speaker 1: name out of the police say an FBI. They thought

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Speaker 1: he had robbed a black mafia. The figures black hustlers

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Speaker 1: in this country, some of the toughest men in this country,

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Speaker 1: some of the dead list men in this country, Guys

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Speaker 1: who would not hesitate to blow your head off because

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Speaker 1: you stepped on that shoe. They would have killed it.

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Speaker 1: And according to the New York Times, that's exactly what

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Speaker 1: they did Wednesday, October, informed sources associate created with the

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Speaker 1: police department suggested today that the police believe Williams planned

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Speaker 1: the robbery to raise funds to repay a large debt.

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Speaker 1: The sources also said that the Atlanta police now believe

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Speaker 1: Williams is dead as the result of a contract released

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Speaker 1: on him Gangland Terminology for an arrangement of his murder,

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Speaker 1: and over the next six months, more bodies would be

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Speaker 1: discovered from Atlanta to New York. As I read this

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Speaker 1: article on microfilm at the Decatur Library, my mind was

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Speaker 1: racing my main source for this story. The lead investigator

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Speaker 1: into the heist, Detective J. D. Hudson, didn't believe Chicken

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Speaker 1: Man had anything to do with the robbery, but now

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Speaker 1: I find out he's dead. So if Chicken Man didn't

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Speaker 1: do it, who did? And who killed Chicken Man fighting?

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Speaker 1: And it's a joint production from My Heart Radio, Will

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Speaker 1: Packer Media and Doghouse Pictures in association with Psychopia Pictures.

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Speaker 1: Produced and hosted by Jeff Keating. Executive producers are Will Packer,

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Speaker 1: James Lopez, Kenny Burns, Dan Bush, Lars Jacobson, and Noel Brown.

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Speaker 1: Supervising producer is Taylor Shicoyne. Story editors are Noel Brown

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Speaker 1: and Dan Bush. Written by Jeff Keating and Jim Roberts.

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Speaker 1: Edited by Matt Owen. Mixing and sound designed by Jeremiah

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Speaker 1: Kolonnie Prescott. Music written and performed by The Diamond Street Players.

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Speaker 1: Additional music by Ben Lovett. Audio archives courtesy of WSB

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Speaker 1: News Film and Videotape Collection, Brown Media Archives, University of

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Speaker 1: Georgia Libraries. Special thanks to Dr Maurice Hobson and David

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Speaker 1: Davis