WEBVTT - Yeah, well, things change (S7 E16 “Will You Be My Lorelai Gilmore?”)

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<v Speaker 1>I am all in.

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<v Speaker 2>Oh that's you.

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<v Speaker 3>I am all in with Scott Patterson and iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcast one,

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<v Speaker 1>a lot of productions. iHeartMedia, iHeart Radio. I Heart Podcast seven,

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<v Speaker 1>Episode sixteen. Will you be my lorel I Gilmour, I

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<v Speaker 1>am here with my own Trapid Crewe, Terror Suit, Danielle Romo,

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<v Speaker 1>Susanne Franche. I missed you, Yeah, I missed you. Guys?

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<v Speaker 2>How was she seeing you? And you were in my dream?

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<v Speaker 1>Weird? Who was in the dream?

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<v Speaker 4>Who?

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<v Speaker 2>Who were super weird?

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<v Speaker 1>Did I get into your dream? Yes?

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<v Speaker 2>Sometimes I sneak you away in there. I don't know.

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<v Speaker 2>Sometimes it happens when I watch the show. It's just

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<v Speaker 2>like I can't help it.

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<v Speaker 5>What was he doing in your dream?

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<v Speaker 2>I can't totally remember. Oh you can't actually reveal what

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<v Speaker 2>I'm like, Oh, I.

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<v Speaker 1>Tell you this, then it wasn't me.

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<v Speaker 2>I don't remember what I remember. I don't remember one

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<v Speaker 2>part that I'm like too embarrassed to say. It wasn't

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<v Speaker 2>like a dirty dream, but there was one part that's

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<v Speaker 2>like making me feel embarrassed.

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<v Speaker 5>We must move on from this conversation. I'm literally so uncomfortable.

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<v Speaker 2>I know, Scott. I'm so sorry. I'm so sorry.

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<v Speaker 1>It's okay, it's okay. Keep sharing, keep sharing everybody. At

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<v Speaker 1>least you're the courage to be honest, you know. Thank you.

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<v Speaker 2>It's like control my dreams, Danielle like, I can't help it.

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<v Speaker 2>I can't help it.

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<v Speaker 1>It's the subconscious mind is a wonderful slash.

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<v Speaker 2>Luke ends up in there.

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<v Speaker 1>Well, how does it happen? How does it happen?

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<v Speaker 2>Sometimes I don't know if you're Luke or Scott in

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<v Speaker 2>the dream, which is also kind of weird, right.

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<v Speaker 6>I feel like for me, I knew Scott before I

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<v Speaker 6>knew Luke, So I'm like, it's it's Scott.

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<v Speaker 2>What do you mean I knew Luke Scott.

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<v Speaker 1>That's our friend, daniel Danielle. If I hadn't end up

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<v Speaker 1>in Danielle's dream, it would be in a totally different reaction.

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<v Speaker 1>Get out of here? What are you doing?

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<v Speaker 2>I should be like, I told you what time we're recording.

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<v Speaker 1>Up? No, I can't upgrade your room in Vegas? Will

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<v Speaker 1>you leave me alone?

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<v Speaker 2>We're not getting you a jet.

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<v Speaker 5>iHeart Podcasts listen on the iHeartRadio app.

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<v Speaker 1>Who wants to synopsize this episode, Who's Gonna take it off?

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<v Speaker 6>Good moments, but like, all right, I put us through

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<v Speaker 6>our misery, although I would argue this is not miserable

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<v Speaker 6>for me. So this is season seven, episode sixteen, Will

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<v Speaker 6>You Be My Lorlike Gilmour? Air date February twenty seventh,

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<v Speaker 6>two thousand and seven. Rory is planning a baby shower

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<v Speaker 6>for Lane, but then gets an interview with The New

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<v Speaker 6>York Times. Loralai plays mediator between Lane and missus Kim,

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<v Speaker 6>who are fighting about how the twin should be raised,

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<v Speaker 6>and Logan tells Rory about his investment failure. Plus, Luke

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<v Speaker 6>makes a big decision about his father's boat, which prompts

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<v Speaker 6>him to make some changes in his life.

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<v Speaker 2>Also, hmm, there there's that boat was worth so much

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<v Speaker 2>more than six hundred dollars.

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<v Speaker 7>Yeah, I had to rewind it. I was like, did

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<v Speaker 7>I hear six hundred?

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<v Speaker 1>It was worth more? It was worth more than six

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<v Speaker 1>thousand dollars, six hundred dollars.

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<v Speaker 2>Kirk should have taken that in a run.

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<v Speaker 1>That is absolutely absolutely.

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<v Speaker 2>Wonder what you paid for your other new boat?

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<v Speaker 1>Yeah, right, sounded pretty ritzy, Right, You're gonna take it,

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<v Speaker 1>gonna take a three hour cruise on it, like go

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<v Speaker 1>against Island.

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<v Speaker 2>Anyway, did we do the synopsis?

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<v Speaker 6>Yeah, thanks for listening to my very very informant part

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<v Speaker 6>of each episode.

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<v Speaker 2>Was like really good parts and just really boring parts.

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<v Speaker 1>What were the good parts? Described them to me. Baby

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<v Speaker 1>shower you thought that was good?

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<v Speaker 2>Yeah, I enjoy the baby shower.

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<v Speaker 8>At the moment between Lane and Rory, I like that

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<v Speaker 8>part too.

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<v Speaker 4>Yeah, And but like Leane and Missus, Kim Luke and Laurelai.

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<v Speaker 2>Yeah, Logan was.

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<v Speaker 8>Yeah, I feel like I feel like this is the

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<v Speaker 8>part where I start to dislike Logan a little bit more.

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<v Speaker 7>I was like, when does this come in?

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<v Speaker 8>I think it's around here, because up until here he

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<v Speaker 8>I don't mind him, like I think he's charming.

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<v Speaker 5>But now I was waiting for the shoe to drop

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<v Speaker 5>and the shoes dropping.

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<v Speaker 1>Yeah, but it was the only time in the whole

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<v Speaker 1>episode I laughed and laughed out loud when he said,

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<v Speaker 1>by the way, I'm heading to Vegas. You know, Tinn's

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<v Speaker 1>dad's plane's gassed up at Tita Borough. I'm gone. I

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<v Speaker 1>roared with laughter because it was like his timing was

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<v Speaker 1>so impeccable, and it was the last thing you expected

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<v Speaker 1>him to say, but of course it was the first

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<v Speaker 1>thing you should have expected him to say, and off

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<v Speaker 1>he goes. I really enjoyed that moment that was that

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<v Speaker 1>was funny to me, very funny.

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<v Speaker 2>That that was fine. But I laughed very hard when

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<v Speaker 2>I saw on Instagram the person that commented, uh, Logan

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<v Speaker 2>Huntsburger hates.

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<v Speaker 1>Walls, hates walls because he always lives in a studio.

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<v Speaker 2>Waves because anyway, Sorry, I got excited about that.

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<v Speaker 1>Now I think the production of the show hates walls

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<v Speaker 1>because then, you know what I mean, better, just have

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<v Speaker 1>a studio. You can shoot in all areas right without

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<v Speaker 1>having to worry about walls.

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<v Speaker 2>Yeah, I mean, I don't mind that Logan's going off

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<v Speaker 2>with Finn And why why is the other guy's name

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<v Speaker 2>out of my Finn to Vegas? That actually tracks. I

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<v Speaker 2>thought it was kind of mean he didn't go to

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<v Speaker 2>the baby shower. Frankly, yeah, I.

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<v Speaker 1>Thought it really showed. I mean, for me, anyway, my

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<v Speaker 1>gut is like, Wow, these two are not well suited

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<v Speaker 1>for one another. This is the beginning of the end

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<v Speaker 1>of this relationship. It seems to me that his he

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<v Speaker 1>prioritizes his life over their life, anything that happened to him.

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<v Speaker 1>I just I felt him looking down his nose on

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<v Speaker 1>her friends and Lane in the baby shower and the

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<v Speaker 1>importance of that and what that meant to Rory, and

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<v Speaker 1>he just couldn't handle it. He couldn't, you know. Admittedly,

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<v Speaker 1>you know, losing millions of dollars of your father's money

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<v Speaker 1>and investor money and maybe ruining your career is a

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<v Speaker 1>big deal. But I mean, suck it up, dude, and

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<v Speaker 1>go support your woman. She would have done the same.

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<v Speaker 2>For you, right, Yeah, Well she did do the same

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<v Speaker 2>to per world and and.

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<v Speaker 1>Hang with her friends and all that. Maybe feel a

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<v Speaker 1>little better. And I thought it was a selfish move

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<v Speaker 1>on his part. He's going to Vegas. He's reverting back

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<v Speaker 1>to his old behavior.

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<v Speaker 8>I think we're used to him, like how he you know,

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<v Speaker 8>I think we're used to how he just like showed

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<v Speaker 8>up to the hospital for Richard, and we're kind of

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<v Speaker 8>like it's one extreme to the other.

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<v Speaker 7>It's like he was so there and now he's so

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<v Speaker 7>not right.

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<v Speaker 2>That's a really good point.

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<v Speaker 1>Yeah, I mean, that's that's that's Rory's best friend, and

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<v Speaker 1>it's a big event. You know, it's maybe just a

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<v Speaker 1>baby shower and guys don't want to go to a

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<v Speaker 1>baby shower, but it's a big event to support.

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<v Speaker 2>Land And yeah, I mean, and I get why he's

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<v Speaker 2>sort of miserable. I get that he's lost millions of

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<v Speaker 2>dollars and it's a total fail and it's his fault

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<v Speaker 2>and YadA YadA. But also I've said YadA YadA way

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<v Speaker 2>too much. I don't know why YadA YadA is stuck

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<v Speaker 2>in my head. I keep saying YadA YadA.

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<v Speaker 1>Speaking of YadA YadA, I just got a nice check

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<v Speaker 1>from Seinfeld.

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<v Speaker 2>You got one not that long ago.

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<v Speaker 1>I know, it's crazy.

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<v Speaker 2>Whoa, I like four numbers, five numbers, numbers. Let's just

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<v Speaker 2>go through it, Suzanne, you give us the gist of

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<v Speaker 2>the scene.

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<v Speaker 4>All right, So the opening, the opening, Did you notice

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<v Speaker 4>how long it was? It was almost four minutes.

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<v Speaker 1>That was forever it got long.

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<v Speaker 4>They walked almost all the way around the square.

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<v Speaker 2>Oh yeah, And I was very distracted by like extras,

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<v Speaker 2>and then I got very distracted by the prices that

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<v Speaker 2>docies like. I don't know if I was that engaged

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<v Speaker 2>because my eyes were just so like looking around. Yeah,

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<v Speaker 2>was this. They go to the baby store and it's

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<v Speaker 2>literally called the baby store out.

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<v Speaker 4>They come out of the baby store and they're talking

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<v Speaker 4>about the first pancake thing. Now, I had never heard

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<v Speaker 4>of that first pancake thing until I watched this show,

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<v Speaker 4>But now I see it in other places, Like, was

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<v Speaker 4>that something you guys knew about?

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<v Speaker 2>Yeah, the first pancakes always like the third pancake.

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<v Speaker 4>I never had.

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<v Speaker 7>I didn't know that, not in my experience.

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<v Speaker 2>The skillet that the skillet isn't quite right yet. Yeah,

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<v Speaker 2>and so the first one kind of kind of comes

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<v Speaker 2>out like that.

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<v Speaker 4>I liked what Laura said. Did it apply to Wobbles too?

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<v Speaker 4>Has a point specific? Yeah? That was just that was

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<v Speaker 4>a new one for me. So really, the whole point

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<v Speaker 4>of that opening was that Rory gets the call from

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<v Speaker 4>the New York Times. So the friend, her friend Hugo

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<v Speaker 4>that she's been writing for, gave her a connection. So

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<v Speaker 4>that was that was the exciting thing that.

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<v Speaker 2>She met, right, It was the dude she met at

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<v Speaker 2>Logan's part.

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<v Speaker 4>Yes, yeah, and this is what sets up that Laureli

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<v Speaker 4>is going to end up being the one that pulls

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<v Speaker 4>off the baby shower instead of Rory. So then we

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<v Speaker 4>go to Lorelized house where they're decorating well lorealized decorating,

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<v Speaker 4>and Sukie's just sitting on the chair.

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<v Speaker 2>Sings sort of annoying, Like it was like, yeah, Suki

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<v Speaker 2>was a little annoying that Phil was sitting on the phone,

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<v Speaker 2>like why did we need to spend a lot of time? Well,

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<v Speaker 2>and how hard is it to just reach back?

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<v Speaker 9>Like it was just kind of like okay, yeah, so

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<v Speaker 9>well like filler and just but this I noticed the signs,

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<v Speaker 9>like the signs were cute for the onesie painting and

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<v Speaker 9>all that.

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<v Speaker 4>I'm thinking, Wow, the art department had probably had fun

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<v Speaker 4>with this episode.

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<v Speaker 7>Yeah, I did laugh at it's a boys, yes.

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<v Speaker 2>Oh yeah. And also later when we talk about the onesies,

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<v Speaker 2>the onesies are phenomenal, but we'll get to them.

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<v Speaker 4>Yeah. So then we go to the scene in Logan's apartment,

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<v Speaker 4>so it's the middle of the night and he comes

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<v Speaker 4>home drug.

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<v Speaker 2>Sandwich.

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<v Speaker 4>The sandwich. Did you see the lettus acting? There was

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<v Speaker 4>some good lettuce acting there. There was like a random

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<v Speaker 4>piece of lettuce that was stuck to the bag of

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<v Speaker 4>bread and you can if you watch the lettuce, Matt

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<v Speaker 4>like tries to hide it in his hand and Alexis

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<v Speaker 4>just grabbed it out of his hand and slaps it

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<v Speaker 4>down on the countertop.

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<v Speaker 2>It was pretty We talk about the one bang acting,

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<v Speaker 2>so we'll talk about that, but the Lettuce acting is great.

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<v Speaker 1>Acting drunk like that, it's the hardest thing to do.

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<v Speaker 1>I thought he did a great job.

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<v Speaker 2>Yeah, he's see now.

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<v Speaker 4>I was going to say the opposite.

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<v Speaker 1>No, I thought it had done.

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<v Speaker 7>I agree with Susan.

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<v Speaker 1>It's such a fine line, though. It's really hard to

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<v Speaker 1>pull off. Yeah, because you know, he's just coming back

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<v Speaker 1>from a bender. It's just like he's still drunk, you

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<v Speaker 1>know what I mean. So it's hard. It's so hard

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<v Speaker 1>to do.

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<v Speaker 4>I did laugh when he was talking about his phone

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<v Speaker 4>and how it was on off and he's like, it

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<v Speaker 4>sounds like it's on, but it's off. It was on off.

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<v Speaker 4>That part, that little snippet of dialogue made me laugh.

0:12:01.400 --> 0:12:05.839
<v Speaker 4>But overall, I know he just was. It just seemed

0:12:05.840 --> 0:12:07.959
<v Speaker 4>a little overdone. And I was actually thinking about what

0:12:08.080 --> 0:12:10.000
<v Speaker 4>you had said before, Scott, about how hard it is

0:12:10.120 --> 0:12:13.040
<v Speaker 4>to be convincingly drunk and not be too drunk, and

0:12:13.320 --> 0:12:15.319
<v Speaker 4>that was it was just a little over the line

0:12:15.760 --> 0:12:16.000
<v Speaker 4>for me.

0:12:19.520 --> 0:12:22.320
<v Speaker 2>So we still want her too. It was just messy.

0:12:22.880 --> 0:12:25.880
<v Speaker 4>Yeah, and she doesn't know why, Like, she doesn't know

0:12:25.920 --> 0:12:28.320
<v Speaker 4>about the company yet, so she doesn't know why he's

0:12:28.360 --> 0:12:30.520
<v Speaker 4>behaving this way or why he's you know, felt the

0:12:30.640 --> 0:12:34.480
<v Speaker 4>need to to work late and then get drunk or whatever.

0:12:34.640 --> 0:12:37.480
<v Speaker 4>So from her perspective, she's like, what what the heck

0:12:37.600 --> 0:12:42.040
<v Speaker 4>is going on? Okay, and then we go to Luke

0:12:42.080 --> 0:12:47.800
<v Speaker 4>Steiner and this is where Okay. So funny, I did

0:12:47.840 --> 0:12:50.559
<v Speaker 4>a little research last night, and I found out that

0:12:50.679 --> 0:12:56.000
<v Speaker 4>the guy that was this is like super minute detail,

0:12:56.120 --> 0:12:59.240
<v Speaker 4>but the guy that was asking about the steel cut oatmeal.

0:13:00.400 --> 0:13:04.200
<v Speaker 4>So the show is famous for like reusing actors.

0:13:04.280 --> 0:13:10.599
<v Speaker 1>Oh that's Lauren's assistant. Really, yeah, he's that used to

0:13:10.640 --> 0:13:12.480
<v Speaker 1>be Lauren's assistant. I don't know if he's still in

0:13:12.559 --> 0:13:16.000
<v Speaker 1>her life. But that guy, the customer that Zach was

0:13:16.080 --> 0:13:21.599
<v Speaker 1>waiting on, yeah, actually Lauren's assistant. And funny story is

0:13:21.920 --> 0:13:27.120
<v Speaker 1>I was house hunting back in the day, back you know,

0:13:27.400 --> 0:13:32.360
<v Speaker 1>during the shooting of this. It was either two thousand

0:13:32.400 --> 0:13:33.960
<v Speaker 1>and five. I bought a house in two thousand and three,

0:13:33.960 --> 0:13:36.360
<v Speaker 1>so I was house hunting because I was gonna sell

0:13:36.400 --> 0:13:38.240
<v Speaker 1>it and get another house. And I went into this

0:13:38.360 --> 0:13:41.559
<v Speaker 1>house and there's and I'm looking around and I'm like

0:13:41.679 --> 0:13:45.800
<v Speaker 1>there's Lauren's assistant was sitting there in the living room,

0:13:45.840 --> 0:13:47.680
<v Speaker 1>and I just stopped and go, what the heck are

0:13:47.720 --> 0:13:52.160
<v Speaker 1>you doing here? And he goes, well, this is Lauren's house.

0:13:52.880 --> 0:13:57.520
<v Speaker 7>Oh funny, and you had no idea.

0:13:58.440 --> 0:14:01.280
<v Speaker 1>So he showed me into the bedroom. And the one

0:14:01.360 --> 0:14:07.360
<v Speaker 1>time I got into Lauren Graham's bedroom I had I

0:14:07.440 --> 0:14:09.040
<v Speaker 1>had to get there via assistant.

0:14:11.240 --> 0:14:14.239
<v Speaker 4>But I found out he was also in the episode

0:14:14.520 --> 0:14:17.800
<v Speaker 4>where Lorelei and Emily go to the day Spot. He

0:14:18.040 --> 0:14:25.400
<v Speaker 4>was Lorelei's messuse. Funny, yeah, and he also had a

0:14:25.480 --> 0:14:29.040
<v Speaker 4>quick thing in the in the revival, but of course

0:14:29.120 --> 0:14:33.000
<v Speaker 4>we can't talk about that yet. Anyways, So steel cut oatmeal.

0:14:32.720 --> 0:14:37.840
<v Speaker 2>Guy, and then between steel Cut and like what what?

0:14:38.120 --> 0:14:38.560
<v Speaker 1>What was.

0:14:41.440 --> 0:14:44.480
<v Speaker 2>Taker? First of all, I can't eat oatmeal diarrhea, But.

0:14:49.240 --> 0:14:50.920
<v Speaker 1>Throughout throughout the day I.

0:14:53.160 --> 0:14:55.600
<v Speaker 2>Think, so, yeah, something does something bad to me. But

0:14:56.760 --> 0:14:58.720
<v Speaker 2>what is the difference and which is better?

0:14:59.600 --> 0:15:01.360
<v Speaker 7>I like, I make overnight oats.

0:15:01.840 --> 0:15:04.000
<v Speaker 2>So so what's overnight oats.

0:15:04.800 --> 0:15:07.840
<v Speaker 5>Where you just like saturate them in liquid overnight.

0:15:09.480 --> 0:15:12.560
<v Speaker 8>Yeah, basically I put like coconut milk or almond milk

0:15:12.920 --> 0:15:14.560
<v Speaker 8>in the oats and then it kind of I put

0:15:14.640 --> 0:15:16.440
<v Speaker 8>chia seeds and then put food on top.

0:15:17.920 --> 0:15:18.920
<v Speaker 1>Yeah that's actually.

0:15:20.360 --> 0:15:24.480
<v Speaker 5>Wait, what's the difference between rolled and Yeah, that's a difference.

0:15:25.280 --> 0:15:27.960
<v Speaker 4>I can't The steel cut is like more of the

0:15:28.080 --> 0:15:31.840
<v Speaker 4>natural fiber. That's why it takes forever to cook, Like

0:15:31.920 --> 0:15:34.400
<v Speaker 4>it literally takes like forty five minutes to cook. So

0:15:34.560 --> 0:15:35.920
<v Speaker 4>Luke was not wrong when he said that.

0:15:36.480 --> 0:15:39.360
<v Speaker 2>I think it's too much fiber for my body, just saying,

0:15:39.960 --> 0:15:43.680
<v Speaker 2>listening a lot of fiber, Text me if you've got

0:15:43.760 --> 0:15:44.200
<v Speaker 2>a problem.

0:15:44.240 --> 0:15:48.080
<v Speaker 8>Also, yeah, steel cut oats are slow to say you start,

0:15:49.320 --> 0:15:49.920
<v Speaker 8>which means.

0:15:49.960 --> 0:15:51.840
<v Speaker 2>Trying to have a self help group for people that

0:15:51.960 --> 0:15:55.960
<v Speaker 2>cannot have so much fiber. The other thing I can eat, Yeah,

0:15:56.440 --> 0:15:59.440
<v Speaker 2>we could have our own podcast. I can't have any

0:15:59.480 --> 0:16:02.080
<v Speaker 2>of the butter, the nut butters, the peanut butters, the

0:16:02.200 --> 0:16:06.000
<v Speaker 2>sun butters makes my stomach feel weird. I'm gonna have

0:16:06.000 --> 0:16:08.760
<v Speaker 2>the occasional Justin's peanut butter cup, but not like I

0:16:08.880 --> 0:16:15.000
<v Speaker 2>cannot have a spoonful of any nut butter anyway. Anyway,

0:16:15.760 --> 0:16:18.320
<v Speaker 2>send your cards and letters and how much you hate

0:16:18.400 --> 0:16:20.160
<v Speaker 2>my sidebars to our.

0:16:20.120 --> 0:16:28.880
<v Speaker 1>Instagram man, what's handing?

0:16:29.000 --> 0:16:29.120
<v Speaker 8>Man?

0:16:29.160 --> 0:16:29.440
<v Speaker 1>You got?

0:16:29.560 --> 0:16:31.440
<v Speaker 10>Marshaw besmld Lynch.

0:16:31.320 --> 0:16:34.640
<v Speaker 1>Doug Hendrickson and Gavin Newsome and you're listening to politicking.

0:16:34.920 --> 0:16:36.200
<v Speaker 1>What does politicket even mean?

0:16:36.360 --> 0:16:39.720
<v Speaker 10>So this is how politicking work out, right, there's bridging gaps.

0:16:40.200 --> 0:16:42.200
<v Speaker 10>You sit down, you come to the round table. We

0:16:42.320 --> 0:16:44.360
<v Speaker 10>need to figure it out. I need to figure out

0:16:44.400 --> 0:16:46.560
<v Speaker 10>where you're coming from, right, but you need to figure

0:16:46.560 --> 0:16:49.000
<v Speaker 10>out where he coming from. Your politicking might be a

0:16:49.040 --> 0:16:51.720
<v Speaker 10>little bit different. You feel me, you handle yours a

0:16:51.760 --> 0:16:55.400
<v Speaker 10>different way. We bring each side all walks of life,

0:16:55.720 --> 0:16:57.960
<v Speaker 10>like how we're doing right now, and we figure out

0:16:57.960 --> 0:16:59.880
<v Speaker 10>what we got going on and what I'm gonna call it.

0:17:00.120 --> 0:17:03.640
<v Speaker 10>It's politicking, not because he's a politician, but because that's

0:17:03.720 --> 0:17:07.360
<v Speaker 10>just what we do. Yeah, with no politics, with no politics,

0:17:07.440 --> 0:17:09.760
<v Speaker 10>politics with no politics, that's it I'm talking about.

0:17:09.920 --> 0:17:12.680
<v Speaker 1>I love it. And we can change the world podcast

0:17:12.760 --> 0:17:18.600
<v Speaker 1>by podcast, and we will change the world podcast by

0:17:18.640 --> 0:17:21.159
<v Speaker 1>the gust you did to be saved.

0:17:21.280 --> 0:17:22.439
<v Speaker 10>But we're gonna figure it out though.

0:17:22.720 --> 0:17:24.680
<v Speaker 1>That's the thing we had a lot to do together

0:17:24.800 --> 0:17:29.400
<v Speaker 1>right now. Yeah, that's why you're listening to politiicing on iHeartRadio.

0:17:28.920 --> 0:17:32.160
<v Speaker 10>Apple podcasts or wherever you listen to podcasts.

0:17:32.359 --> 0:17:36.640
<v Speaker 1>Open your free iHeart app and search politicking. Coming July fifteenth,

0:17:38.840 --> 0:17:39.600
<v Speaker 1>this is where.

0:17:39.680 --> 0:17:42.359
<v Speaker 4>We have the newspaper ad and it made me laugh

0:17:42.440 --> 0:17:45.680
<v Speaker 4>when Kirk said, I've been published and it's just the

0:17:46.680 --> 0:17:50.359
<v Speaker 4>like and so listen to the pros this guy writes

0:17:50.560 --> 0:17:55.760
<v Speaker 4>and it's like yeah, and then Luke realizes that's his boat.

0:17:57.440 --> 0:17:58.200
<v Speaker 4>Blah blah blah.

0:17:58.359 --> 0:18:01.679
<v Speaker 2>Okay in total like d move of TJ.

0:18:01.960 --> 0:18:06.880
<v Speaker 7>And Liz's like, you don't see, Yeah, that was shady. Yeah,

0:18:08.119 --> 0:18:10.600
<v Speaker 7>not to jump ahead, but to be like, oh, we

0:18:10.640 --> 0:18:12.160
<v Speaker 7>would have given you the money, but if you want

0:18:12.240 --> 0:18:14.040
<v Speaker 7>to contribute to our garage.

0:18:15.720 --> 0:18:18.639
<v Speaker 1>But first of all, how he found out about it

0:18:18.840 --> 0:18:23.199
<v Speaker 1>was yeah, I mean really, yeah, it just so happened.

0:18:23.280 --> 0:18:26.480
<v Speaker 5>Kirk, like, I feel like Luke should be more upset

0:18:26.520 --> 0:18:26.840
<v Speaker 5>about that.

0:18:27.240 --> 0:18:31.399
<v Speaker 2>That's abused about and someone can correct me. The boat

0:18:31.560 --> 0:18:34.120
<v Speaker 2>was over at Lorealized for like a long time, right,

0:18:34.800 --> 0:18:37.359
<v Speaker 2>and then remember the boat moved and Luke was going

0:18:37.440 --> 0:18:41.320
<v Speaker 2>to store the boat somewhere. I don't recall him storing

0:18:41.440 --> 0:18:45.359
<v Speaker 2>it in a space that lives in TJ. Have I

0:18:45.440 --> 0:18:49.200
<v Speaker 2>thought Lizen TJ bought their house, like that's what somebody.

0:18:49.000 --> 0:18:51.719
<v Speaker 8>Can I was also confused by the location of their

0:18:51.720 --> 0:18:53.440
<v Speaker 8>house because it looks like they're right in the middle

0:18:53.480 --> 0:18:58.760
<v Speaker 8>of stars Hollow and it takes them like foized.

0:18:57.400 --> 0:19:03.480
<v Speaker 1>Garage, like Laurelized garage, but it's not supposed to beg Yeah.

0:19:03.560 --> 0:19:07.560
<v Speaker 4>No, okay, I had a John and I went over

0:19:07.640 --> 0:19:10.560
<v Speaker 4>this a great went great length last night, rewinding it

0:19:10.680 --> 0:19:12.800
<v Speaker 4>and going forward trying to figure it out. So I

0:19:12.880 --> 0:19:18.080
<v Speaker 4>think that the garage. So story wise, Luke moved the

0:19:18.160 --> 0:19:20.320
<v Speaker 4>boat out of Laurelized Garage when they had the fight,

0:19:20.400 --> 0:19:22.399
<v Speaker 4>and it was on the street in front of the diner.

0:19:23.040 --> 0:19:25.200
<v Speaker 1>But didn't they move it? But didn't he move didn't

0:19:25.240 --> 0:19:26.400
<v Speaker 1>she move it back in? Or something?

0:19:26.720 --> 0:19:29.680
<v Speaker 4>Well we never they never said what happened to it

0:19:29.800 --> 0:19:33.920
<v Speaker 4>after that? Oh really, they didn't explicitly say, but there

0:19:34.040 --> 0:19:37.359
<v Speaker 4>was there was that other fight where the boat was

0:19:37.400 --> 0:19:39.600
<v Speaker 4>in another location and he was arguing with the old

0:19:39.680 --> 0:19:41.600
<v Speaker 4>lady when she told him to move it out, and

0:19:41.760 --> 0:19:46.080
<v Speaker 4>that's how it wound up in Laurelized Garage. So, but

0:19:46.280 --> 0:19:48.640
<v Speaker 4>this garage that it was in physically, if you look

0:19:48.680 --> 0:19:53.800
<v Speaker 4>across the street, that was Suk's house. Yeah, and the

0:19:53.920 --> 0:19:57.560
<v Speaker 4>garage next to Suki's house is the one that on

0:19:57.640 --> 0:19:59.640
<v Speaker 4>the other side is Laurelized Garage.

0:20:00.920 --> 0:20:03.120
<v Speaker 1>Because those houses are right next to each other, right.

0:20:03.040 --> 0:20:05.840
<v Speaker 4>They're like back to back, so it's like Suki's garage

0:20:06.000 --> 0:20:07.880
<v Speaker 4>on this street and if you go around the back,

0:20:08.000 --> 0:20:10.440
<v Speaker 4>now it's like got two fronts. One front is Suki's in,

0:20:10.520 --> 0:20:11.560
<v Speaker 4>one front is lorealized.

0:20:11.600 --> 0:20:13.560
<v Speaker 1>So it's just it's very confusing.

0:20:14.040 --> 0:20:17.159
<v Speaker 8>It is very I was also just confused where do

0:20:17.280 --> 0:20:21.440
<v Speaker 8>they live because when they came to stay with Luke,

0:20:21.680 --> 0:20:24.960
<v Speaker 8>they like came into town, right, so they're.

0:20:24.840 --> 0:20:27.359
<v Speaker 2>Not the outskirts of town, but they don't live in

0:20:27.400 --> 0:20:28.120
<v Speaker 2>the heart of town.

0:20:28.560 --> 0:20:31.959
<v Speaker 4>Yeah, they never really specified, but like when they were

0:20:32.000 --> 0:20:34.080
<v Speaker 4>the house hunting, they said we're we're going to move

0:20:34.160 --> 0:20:36.760
<v Speaker 4>back to Stars Hollow, So whether that meant Stars Hollow

0:20:36.800 --> 0:20:40.640
<v Speaker 4>proper or just the Star Hall area, yeah, they never

0:20:40.760 --> 0:20:41.800
<v Speaker 4>really clarified.

0:20:42.080 --> 0:20:44.640
<v Speaker 5>They live by the superstore. Rouse.

0:20:47.680 --> 0:20:53.840
<v Speaker 1>Here's why he wasn't that agitated by it, right because

0:20:53.840 --> 0:20:55.399
<v Speaker 1>he let it go. He sold it. Now, if he

0:20:55.600 --> 0:20:58.040
<v Speaker 1>was really agitated, did a typical Luke ramp and then

0:20:58.480 --> 0:21:00.400
<v Speaker 1>Luke rant and then he turned around, so it would

0:21:00.400 --> 0:21:01.560
<v Speaker 1>have made him look kind of crazy.

0:21:02.119 --> 0:21:05.240
<v Speaker 5>So I just gonna be mad at my sister like

0:21:05.800 --> 0:21:06.280
<v Speaker 5>he was.

0:21:06.680 --> 0:21:10.760
<v Speaker 1>He was, he was, he was, but she's a young

0:21:10.880 --> 0:21:13.399
<v Speaker 1>mother and you don't want to tear into your sister

0:21:13.560 --> 0:21:16.639
<v Speaker 1>and you know, you know what I'm saying, And he.

0:21:17.040 --> 0:21:18.760
<v Speaker 4>Knew it wouldn't do any good to be mad at

0:21:18.800 --> 0:21:20.520
<v Speaker 4>her anyways, because she's just the way.

0:21:20.440 --> 0:21:25.480
<v Speaker 1>She is, right right, So I think it was more resignation. Yeah,

0:21:25.800 --> 0:21:28.560
<v Speaker 1>it's like, well, gosh, but I think he was he

0:21:28.640 --> 0:21:29.080
<v Speaker 1>was annoying.

0:21:29.800 --> 0:21:32.440
<v Speaker 4>So then there was a quick little scene at missus

0:21:32.560 --> 0:21:36.000
<v Speaker 4>Kim's where Laura goes to pick up pictures of Wayne,

0:21:36.080 --> 0:21:39.520
<v Speaker 4>and this is where missus Kin says she's not going

0:21:39.600 --> 0:21:47.639
<v Speaker 4>to the wedding shower. I mean, yes, baby shower, baby shower.

0:21:47.760 --> 0:21:50.840
<v Speaker 2>Yeah, this was a whole like I sort of enjoyed

0:21:50.960 --> 0:21:53.520
<v Speaker 2>this storyline of Lurai kind of going back and forth

0:21:53.600 --> 0:21:56.240
<v Speaker 2>and brokring it and the touching, but I also was

0:21:56.359 --> 0:21:58.439
<v Speaker 2>like this again, I thought it was just.

0:21:58.440 --> 0:22:02.399
<v Speaker 7>A little too dragged down. Yeah I did too.

0:22:02.640 --> 0:22:07.719
<v Speaker 1>I thought it was very redundant of this storyline between

0:22:07.920 --> 0:22:12.000
<v Speaker 1>mother and daughter. It's like she's about to give birth

0:22:12.080 --> 0:22:14.919
<v Speaker 1>to twins. I mean, does this really need It seems

0:22:15.000 --> 0:22:20.119
<v Speaker 1>sophomoric to me that these two women at this point

0:22:20.320 --> 0:22:24.159
<v Speaker 1>are still, you know, struggling.

0:22:25.200 --> 0:22:25.840
<v Speaker 2>I can't see that.

0:22:26.119 --> 0:22:29.520
<v Speaker 1>I think the end was one in bio for me,

0:22:30.040 --> 0:22:32.680
<v Speaker 1>the end of the end of what the end.

0:22:32.640 --> 0:22:34.720
<v Speaker 4>Of the episode, like where they got to the point

0:22:34.760 --> 0:22:37.119
<v Speaker 4>where they had reached kind of a shared understanding, like

0:22:37.240 --> 0:22:38.960
<v Speaker 4>we'll get I'll comment.

0:22:39.200 --> 0:22:41.240
<v Speaker 1>I mean it didn't have any impact because there was

0:22:41.359 --> 0:22:44.159
<v Speaker 1>no real tension to begin. It just seemed very forced.

0:22:44.400 --> 0:22:46.399
<v Speaker 1>Here's that word, a get. It seemed forced.

0:22:47.320 --> 0:22:49.840
<v Speaker 2>Yes, it is forced until you get to the bedroom

0:22:50.000 --> 0:22:54.600
<v Speaker 2>scene and Lane sort of acknowledges like I'm going to

0:22:54.640 --> 0:22:57.000
<v Speaker 2>be all about my kid just like my mom was,

0:22:57.560 --> 0:23:00.840
<v Speaker 2>and then you kind of go, that's cute. Okay, we

0:23:01.040 --> 0:23:04.080
<v Speaker 2>so yeah, sort of cute, right, But like getting there.

0:23:04.119 --> 0:23:06.280
<v Speaker 8>Was a little I feel like that was the best

0:23:06.359 --> 0:23:09.439
<v Speaker 8>part though, like that moment between Lorelei and and Lane.

0:23:10.160 --> 0:23:13.800
<v Speaker 7>But yeah, getting there was I don't know if we needed.

0:23:13.560 --> 0:23:13.879
<v Speaker 8>All of it.

0:23:14.760 --> 0:23:18.440
<v Speaker 4>Yeah, And I I liked the moment too between Lorelai

0:23:18.640 --> 0:23:22.280
<v Speaker 4>and missus Kim where Laura I was saying, like she said,

0:23:22.400 --> 0:23:24.800
<v Speaker 4>my mom missed so much and I don't want that

0:23:24.920 --> 0:23:26.960
<v Speaker 4>to happen to you. Like Larela I was acknowledging in

0:23:27.040 --> 0:23:31.120
<v Speaker 4>her own life how her actions had impacted Emily, which

0:23:31.240 --> 0:23:35.320
<v Speaker 4>I thought was a nice point that we don't often

0:23:35.400 --> 0:23:37.200
<v Speaker 4>see lorel making that realization.

0:23:37.680 --> 0:23:39.840
<v Speaker 2>Is sort of like that where it's like there's some

0:23:40.000 --> 0:23:42.320
<v Speaker 2>good points and some filler. Yeah.

0:23:42.600 --> 0:23:44.200
<v Speaker 1>I just thought it was I just thought it was

0:23:44.240 --> 0:23:48.920
<v Speaker 1>poorly presented. It's like ever ever try to make a

0:23:49.040 --> 0:23:52.040
<v Speaker 1>Western omelet and you just really screw it up, and

0:23:52.160 --> 0:23:56.359
<v Speaker 1>it's right, and it's better getmbled eggs, sit all and

0:23:56.440 --> 0:24:00.240
<v Speaker 1>start over, you know, and rebuild it, you know. And

0:24:00.320 --> 0:24:03.800
<v Speaker 1>I thought that way about this episode. It's like, maybe what's.

0:24:03.640 --> 0:24:05.320
<v Speaker 2>A Western omelet versus an omelet?

0:24:06.000 --> 0:24:07.600
<v Speaker 5>Is the one with ham and bell peppers.

0:24:07.800 --> 0:24:12.320
<v Speaker 1>Yeah, it's a lot of ingredients, yeah, bacon and Okay,

0:24:12.600 --> 0:24:17.760
<v Speaker 1>So then we go to Lane and Zach's and can

0:24:17.800 --> 0:24:20.880
<v Speaker 1>you eat the Western omelets? Are you okay with those? Can?

0:24:21.000 --> 0:24:22.639
<v Speaker 2>Yeah? And I can kind of dabble in cheese from

0:24:22.680 --> 0:24:25.000
<v Speaker 2>time to time. I can definitely do eggs. I wouldn't

0:24:25.000 --> 0:24:28.520
<v Speaker 2>do the peppers, though I have a limited.

0:24:30.720 --> 0:24:34.639
<v Speaker 4>Solareley goes to Lane's to find out like what the

0:24:34.760 --> 0:24:39.000
<v Speaker 4>source of this disagreement was, and then that's when Lane says,

0:24:39.040 --> 0:24:41.280
<v Speaker 4>you know, Mom's trying to control everything with my kids,

0:24:41.320 --> 0:24:43.480
<v Speaker 4>which I mean that is kind of an overstep on

0:24:43.560 --> 0:24:45.760
<v Speaker 4>missus Kim's part, Like you don't really get to tell,

0:24:47.119 --> 0:24:50.600
<v Speaker 4>you don't get to dictate what your grandchildren's would.

0:24:50.480 --> 0:24:52.719
<v Speaker 2>And look at her mom when her mom came. I mean,

0:24:52.760 --> 0:24:53.600
<v Speaker 2>it all tracks.

0:24:53.720 --> 0:24:59.760
<v Speaker 4>It's like, yeah, yeah, that's true. But Laurelai did have

0:24:59.840 --> 0:25:02.600
<v Speaker 4>a good point to to Lane. Lane doesn't know what

0:25:02.720 --> 0:25:04.240
<v Speaker 4>her kids are gonna like. And then there was the

0:25:04.280 --> 0:25:06.840
<v Speaker 4>funny analogy of you know, maybe she's gonna hide bibles

0:25:06.920 --> 0:25:07.800
<v Speaker 4>under the floorboards.

0:25:08.000 --> 0:25:11.680
<v Speaker 7>Yeah, that's the part I liked. Yeah, she had a point.

0:25:11.840 --> 0:25:14.639
<v Speaker 7>It's like, what if your kid does want to it

0:25:14.800 --> 0:25:16.480
<v Speaker 7>is religious and you.

0:25:16.520 --> 0:25:20.880
<v Speaker 4>Can't assume what your kid is gonna want. That's kind

0:25:20.920 --> 0:25:27.600
<v Speaker 4>of the point of the whole. Yeah, the show. And

0:25:28.200 --> 0:25:32.800
<v Speaker 4>then we go back to Logan's apartment. This this is

0:25:32.840 --> 0:25:33.440
<v Speaker 4>the next morning.

0:25:33.520 --> 0:25:36.879
<v Speaker 2>So Logan is hungover and the assistant keeps calling, and

0:25:37.480 --> 0:25:40.080
<v Speaker 2>right the assistant keeps calling, Rory's trying to get out

0:25:40.119 --> 0:25:43.320
<v Speaker 2>the door to meet the New York interject to something

0:25:43.320 --> 0:25:50.600
<v Speaker 2>about Logan's apartment though the fire pit slash fireplace that's

0:25:50.640 --> 0:25:55.840
<v Speaker 2>always going like they sleep, they sleep with it on.

0:25:56.000 --> 0:25:58.399
<v Speaker 2>I think it's not safe, Like do you know what

0:25:58.400 --> 0:26:00.720
<v Speaker 2>I'm did you notice he's got a fire pit?

0:26:01.560 --> 0:26:02.240
<v Speaker 7>I didn't notice.

0:26:03.640 --> 0:26:06.040
<v Speaker 2>Everybody needs to go back and it's like always on,

0:26:06.520 --> 0:26:09.200
<v Speaker 2>and I'm like are they not literally burning hot and

0:26:09.320 --> 0:26:12.520
<v Speaker 2>also sucking out so much of the oxygen in this studio?

0:26:12.600 --> 0:26:14.760
<v Speaker 2>I mean, it just was so unsafe. I was like,

0:26:15.200 --> 0:26:17.800
<v Speaker 2>it's one of those rocks kind of fire pits, like

0:26:17.880 --> 0:26:19.920
<v Speaker 2>literally a fire, an open fire going.

0:26:21.000 --> 0:26:23.000
<v Speaker 4>Now there's like all kinds of evidence that like those

0:26:23.160 --> 0:26:25.639
<v Speaker 4>those gas burning stoves and fireplaces and stuff are like

0:26:25.640 --> 0:26:26.880
<v Speaker 4>a really bad for It's.

0:26:26.680 --> 0:26:29.160
<v Speaker 1>A very poor example for the young people watching the show.

0:26:29.560 --> 0:26:32.440
<v Speaker 7>Not yeah, it's very It seems like a fire hazard

0:26:32.480 --> 0:26:33.280
<v Speaker 7>if they're sleeping with that.

0:26:34.200 --> 0:26:37.760
<v Speaker 1>So if you're watching at home, Yeah, who has.

0:26:37.680 --> 0:26:40.240
<v Speaker 2>A fire pit in the middle of their studio? And

0:26:40.280 --> 0:26:42.680
<v Speaker 2>I know it's supposed to be like a very fancy fireplace.

0:26:42.760 --> 0:26:44.159
<v Speaker 2>It's like crazy people.

0:26:43.960 --> 0:26:46.479
<v Speaker 1>That have planes gassed up at Teterborough ready to take off.

0:26:47.320 --> 0:26:49.320
<v Speaker 7>He couldn't afford another wall, but he can afford.

0:26:51.640 --> 0:26:54.240
<v Speaker 2>I'm sorry. Just the fireplace needed to be acknowledged.

0:26:54.800 --> 0:26:56.520
<v Speaker 4>I do want to give a shout out. They did

0:26:56.640 --> 0:27:00.800
<v Speaker 4>mention dirty dancing in this scene, which of course Bishop.

0:27:00.600 --> 0:27:01.280
<v Speaker 7>Was in that movie.

0:27:01.520 --> 0:27:02.560
<v Speaker 2>Yes, that's what did they say.

0:27:04.000 --> 0:27:06.159
<v Speaker 4>She made a comment about having to change clothes in

0:27:06.240 --> 0:27:08.880
<v Speaker 4>the call like in dirty dancing, like baby does.

0:27:09.119 --> 0:27:10.600
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah.

0:27:12.760 --> 0:27:16.080
<v Speaker 4>All right, So she leaves for her interview, the phone ringing,

0:27:16.359 --> 0:27:18.800
<v Speaker 4>blah blah blah. Then we cut to the scene with

0:27:19.000 --> 0:27:20.600
<v Speaker 4>Liz and TJ and Luke.

0:27:22.440 --> 0:27:22.760
<v Speaker 2>The Girl.

0:27:22.800 --> 0:27:26.359
<v Speaker 4>I liked this scene, actually, I liked I kind of

0:27:26.640 --> 0:27:31.120
<v Speaker 4>liked seeing Luke be uncomfortable. I like that Liz kind

0:27:31.119 --> 0:27:34.400
<v Speaker 4>of gave him that kick in the pants. I think

0:27:34.520 --> 0:27:39.800
<v Speaker 4>because Luke has always kind of held he's always kind

0:27:39.840 --> 0:27:43.040
<v Speaker 4>of held his dad up as a hero, which I'm

0:27:43.080 --> 0:27:45.720
<v Speaker 4>sure he was, but at the same time, he didn't

0:27:45.800 --> 0:27:48.280
<v Speaker 4>even think that maybe he wasn't happy.

0:27:48.440 --> 0:27:50.520
<v Speaker 2>He was just in a rus That was interesting that

0:27:50.600 --> 0:27:54.840
<v Speaker 2>we got sort of some backstory there. Yeah, I thought

0:27:56.160 --> 0:28:00.720
<v Speaker 2>Liz told that, well, she was kind, she loved him,

0:28:01.359 --> 0:28:03.879
<v Speaker 2>but she was saying he was very routine and that

0:28:04.040 --> 0:28:07.320
<v Speaker 2>Luke needs to kind of, you know, yeah, try to

0:28:07.400 --> 0:28:11.720
<v Speaker 2>live a little differently. And I thought, yeah, you can tell.

0:28:11.640 --> 0:28:14.639
<v Speaker 4>Luke had never even considered that perspective until she said it,

0:28:15.080 --> 0:28:17.920
<v Speaker 4>so kind of her words to heart.

0:28:18.600 --> 0:28:23.560
<v Speaker 2>Yeah, you can comment. I mean, I thought, I trajectory

0:28:23.600 --> 0:28:26.280
<v Speaker 2>in this episode is pretty kind of interesting and cool.

0:28:28.600 --> 0:28:29.080
<v Speaker 1>I agree.

0:28:30.400 --> 0:28:31.919
<v Speaker 4>Scott does not look like he agrees.

0:28:33.560 --> 0:28:39.320
<v Speaker 1>It's hard for me to opine. Unfortunately, on an episode

0:28:39.360 --> 0:28:43.120
<v Speaker 1>that I never bought into at any point. I just

0:28:43.200 --> 0:28:46.240
<v Speaker 1>didn't get on for the ride on this one. And

0:28:46.360 --> 0:28:49.120
<v Speaker 1>I was trying to. I'm standing there, I had my

0:28:49.240 --> 0:28:52.600
<v Speaker 1>ticket in my hand, I was ready to go, I

0:28:52.680 --> 0:28:56.720
<v Speaker 1>had my cotton candy, I had my coke ready ready

0:28:56.720 --> 0:29:00.120
<v Speaker 1>to get on, and I just the ticket TECH take this.

0:29:00.800 --> 0:29:02.400
<v Speaker 1>I couldn't get on. I couldn't find a way to

0:29:02.400 --> 0:29:04.200
<v Speaker 1>get on the ride. And that's just kind of how

0:29:04.240 --> 0:29:07.080
<v Speaker 1>I felt about the whole thing. So everything that came

0:29:07.160 --> 0:29:09.080
<v Speaker 1>out of it and came out of the screen toward me,

0:29:09.160 --> 0:29:12.960
<v Speaker 1>I was just oh no, oh no, oh no, And

0:29:13.080 --> 0:29:16.160
<v Speaker 1>I just I didn't it was I'm going to be

0:29:16.440 --> 0:29:19.240
<v Speaker 1>real honest with you, I just wasn't an enjoyable episode

0:29:19.280 --> 0:29:21.000
<v Speaker 1>for me at all at any.

0:29:20.960 --> 0:29:24.040
<v Speaker 2>Point, different situation and that, I see what you're saying.

0:29:24.640 --> 0:29:26.520
<v Speaker 2>I watched it, and I watched it a bit ago,

0:29:27.440 --> 0:29:29.000
<v Speaker 2>and I kind of, you know, like a few days ago.

0:29:29.680 --> 0:29:31.720
<v Speaker 1>But you know why, I'm sorry to interrupt, because I

0:29:31.760 --> 0:29:34.280
<v Speaker 1>didn't believe that. I didn't believe any of it because

0:29:34.320 --> 0:29:38.080
<v Speaker 1>nobody was acting like themselves. The situations were forced, the

0:29:38.200 --> 0:29:41.560
<v Speaker 1>dialogue was forced, and I didn't believe that this was

0:29:42.120 --> 0:29:44.280
<v Speaker 1>Gilmore girls. I didn't believe that this was the show.

0:29:44.640 --> 0:29:52.280
<v Speaker 1>I really felt that. I felt the vacuum left by

0:29:52.400 --> 0:29:53.040
<v Speaker 1>Amy and Dan.

0:29:54.280 --> 0:29:54.840
<v Speaker 2>Yeah, I mean.

0:29:56.480 --> 0:29:59.880
<v Speaker 1>To any of this there was. It wasn't really that clever.

0:30:00.360 --> 0:30:04.440
<v Speaker 1>It wasn't fast and funny, it wasn't popping for me,

0:30:04.680 --> 0:30:07.040
<v Speaker 1>and I just laid back and it was the longest

0:30:07.400 --> 0:30:08.600
<v Speaker 1>forty minutes in my life.

0:30:09.160 --> 0:30:11.720
<v Speaker 2>My problem was I sort of enjoyed it while I

0:30:11.800 --> 0:30:13.600
<v Speaker 2>was watching it, and I kept being like, Oh, I

0:30:13.640 --> 0:30:15.200
<v Speaker 2>wish I had my notepad because there were a few

0:30:15.200 --> 0:30:17.520
<v Speaker 2>little funny things I wanted to remember to talk about

0:30:18.400 --> 0:30:21.560
<v Speaker 2>the next day or two days later. I could not

0:30:21.680 --> 0:30:24.520
<v Speaker 2>remember anything from the episode. I actually was like, what

0:30:24.640 --> 0:30:27.240
<v Speaker 2>happened in the episode? And then I thought, oh, okay,

0:30:27.320 --> 0:30:29.760
<v Speaker 2>this is the one where Richard and Emily are like

0:30:29.920 --> 0:30:33.360
<v Speaker 2>really being mean to the staff, and Emily and Laura

0:30:33.440 --> 0:30:35.680
<v Speaker 2>I have that heart to heart and I'm like, nope,

0:30:35.800 --> 0:30:38.920
<v Speaker 2>that was I heard an episode i'd seen two weeks

0:30:39.000 --> 0:30:42.920
<v Speaker 2>earlier better than the one I'd seen two days ago.

0:30:43.040 --> 0:30:45.800
<v Speaker 2>So there there's something about it that just isn't memorable.

0:30:45.840 --> 0:30:47.720
<v Speaker 1>I was gonna say it's memorable, you know, you know

0:30:47.800 --> 0:30:50.840
<v Speaker 1>what I remembered about I just saw the episode too

0:30:50.880 --> 0:30:52.440
<v Speaker 1>before I came on. You know, I remember about it.

0:30:52.440 --> 0:30:55.080
<v Speaker 1>I remember that I looked outside. My shrubs looked pretty

0:30:55.080 --> 0:30:56.680
<v Speaker 1>good because I just had some new shrubs put it,

0:30:57.680 --> 0:30:59.560
<v Speaker 1>and I saw there was a little piece of cheese

0:30:59.600 --> 0:31:01.680
<v Speaker 1>in the in the media room, and I went and

0:31:01.760 --> 0:31:04.520
<v Speaker 1>picked it up. That's what I remember about the episode.

0:31:04.880 --> 0:31:08.440
<v Speaker 2>Yeah, you just don't get really and I started.

0:31:08.160 --> 0:31:11.680
<v Speaker 1>Opening my mail. There was a residual check from Seinfeld.

0:31:11.680 --> 0:31:13.000
<v Speaker 1>I opened it up, and that was the best thing

0:31:13.040 --> 0:31:14.680
<v Speaker 1>about the episode is getting the Seinfeld.

0:31:15.120 --> 0:31:17.600
<v Speaker 2>It's not a bad it's not bad. It's just not

0:31:18.080 --> 0:31:22.000
<v Speaker 2>anything for me. Although I enjoyed the baby shit. You know,

0:31:22.040 --> 0:31:24.320
<v Speaker 2>there's parts that I enjoyed, but it was for the

0:31:24.640 --> 0:31:29.560
<v Speaker 2>most part it's kind of yeah, I'm in ground noise

0:31:29.840 --> 0:31:30.880
<v Speaker 2>kind of an episode.

0:31:31.240 --> 0:31:36.560
<v Speaker 4>Like the individual scenes didn't seem like they really added

0:31:36.680 --> 0:31:38.800
<v Speaker 4>up to much. But then at the end of the episode,

0:31:38.840 --> 0:31:40.800
<v Speaker 4>I was like, Okay, well we made some progress on

0:31:41.680 --> 0:31:45.520
<v Speaker 4>the Lane and missus Kim relationship, and Luke had a

0:31:45.560 --> 0:31:46.640
<v Speaker 4>little bit of growth.

0:31:46.600 --> 0:31:49.800
<v Speaker 1>So to me, beating a dead horse. In my opinion,

0:31:50.680 --> 0:31:54.960
<v Speaker 1>it's like they're trying to rehash something that is well worn,

0:31:55.840 --> 0:31:57.720
<v Speaker 1>and if we're going to do that, can we do

0:31:57.880 --> 0:32:00.720
<v Speaker 1>it in a really interesting spectacu killer way that we

0:32:00.840 --> 0:32:01.520
<v Speaker 1>don't expect.

0:32:03.920 --> 0:32:06.720
<v Speaker 5>Yeah, I mean rehashing the same same.

0:32:06.760 --> 0:32:08.360
<v Speaker 1>Okay, so there you go, there you go.

0:32:08.840 --> 0:32:10.240
<v Speaker 2>You know, I guess I.

0:32:10.360 --> 0:32:13.520
<v Speaker 4>Didn't feel like it was rehashing it so much as

0:32:13.600 --> 0:32:15.960
<v Speaker 4>it was resolving it. Like I feel like we got

0:32:16.120 --> 0:32:19.320
<v Speaker 4>to an endpoint with them that they now both can

0:32:19.400 --> 0:32:21.440
<v Speaker 4>kind of see the other person's perspective.

0:32:21.640 --> 0:32:24.240
<v Speaker 1>I don't know, there's there's better, there's better, there's more

0:32:25.040 --> 0:32:28.840
<v Speaker 1>between them than going back to old tropes, you know.

0:32:29.080 --> 0:32:31.200
<v Speaker 2>Yeah, and even the suky stuff is boring to us

0:32:31.240 --> 0:32:34.040
<v Speaker 2>because it's like, okay, we've seeing this kind of you're pregnant,

0:32:34.200 --> 0:32:35.920
<v Speaker 2>Like I don't know exactly.

0:32:35.800 --> 0:32:38.000
<v Speaker 1>But I mean, let's take a poll. What did you

0:32:38.040 --> 0:32:39.920
<v Speaker 1>really want to see develop in this episode? And what

0:32:40.040 --> 0:32:42.000
<v Speaker 1>I was expecting and what we were set up for

0:32:42.240 --> 0:32:44.360
<v Speaker 1>is a little more heat between Luke and Laurela, and

0:32:44.440 --> 0:32:49.000
<v Speaker 1>we didn't really get it. Yeah, it was ignored. And

0:32:49.160 --> 0:32:52.000
<v Speaker 1>I thought this would be the episode because that's what

0:32:52.120 --> 0:32:54.960
<v Speaker 1>I was anticipating because I haven't seen any of these episodes.

0:32:55.000 --> 0:32:58.000
<v Speaker 1>I thought, oh, now we're set up. They really teed

0:32:58.080 --> 0:33:00.960
<v Speaker 1>it up now for those two to come back together

0:33:01.080 --> 0:33:03.480
<v Speaker 1>in some way and it was just like anything but.

0:33:04.040 --> 0:33:06.760
<v Speaker 11>Taking their sweet That's such a good point because when

0:33:06.800 --> 0:33:09.680
<v Speaker 11>I was watching it and all that stuff about you know,

0:33:10.440 --> 0:33:13.720
<v Speaker 11>Liz saying, oh, you gotta do things different, you know whatever,

0:33:13.760 --> 0:33:15.560
<v Speaker 11>you just gotta spice things up kind of I was

0:33:15.640 --> 0:33:17.680
<v Speaker 11>expecting Luke at the end of this episode to be

0:33:17.800 --> 0:33:20.479
<v Speaker 11>knocking on moralized or and being like, babe, I am

0:33:20.640 --> 0:33:24.680
<v Speaker 11>home and I am here, any.

0:33:24.400 --> 0:33:27.640
<v Speaker 1>Of that something give me something, right, except for this

0:33:27.800 --> 0:33:30.640
<v Speaker 1>sort of like long face at the end, like well,

0:33:30.720 --> 0:33:33.800
<v Speaker 1>you know, well, things change, people move on. And then

0:33:34.080 --> 0:33:35.360
<v Speaker 1>I mean, I don't want to feel that way.

0:33:35.840 --> 0:33:38.240
<v Speaker 5>Yeah, I want to this show.

0:33:38.840 --> 0:33:41.800
<v Speaker 1>I'm used to this show making me feel so good

0:33:41.920 --> 0:33:45.720
<v Speaker 1>and laugh so much and have so much hope. This

0:33:46.040 --> 0:33:48.760
<v Speaker 1>this was a show without hope, and I think they

0:33:48.800 --> 0:33:52.080
<v Speaker 1>were maybe trying to transfer that onto another narrative that

0:33:52.120 --> 0:33:56.000
<v Speaker 1>we've already seen uh time and time again that had

0:33:56.080 --> 0:33:57.720
<v Speaker 1>sort of run its course, and now they're kind of

0:33:57.760 --> 0:34:00.400
<v Speaker 1>rehashing it again for us for some reason. I don't know.

0:34:00.880 --> 0:34:03.520
<v Speaker 8>I know we talked about Sweep Sweep, and this aired

0:34:03.560 --> 0:34:05.720
<v Speaker 8>the end of February, that kind of a time end

0:34:05.760 --> 0:34:09.320
<v Speaker 8>of February where it's kind of not the big hitting episodes.

0:34:08.960 --> 0:34:11.319
<v Speaker 2>Depends the date, but like, if you get too far

0:34:11.400 --> 0:34:12.719
<v Speaker 2>into February.

0:34:12.360 --> 0:34:17.000
<v Speaker 8>It's February twenty seventh, two thousand and seven, it.

0:34:17.000 --> 0:34:18.600
<v Speaker 2>Could be the end of sweeps, or it could be

0:34:18.680 --> 0:34:19.200
<v Speaker 2>into March.

0:34:19.320 --> 0:34:20.600
<v Speaker 7>Because I was like, I wonder if it was just

0:34:20.680 --> 0:34:21.800
<v Speaker 7>a filler episode.

0:34:22.360 --> 0:34:23.279
<v Speaker 4>It feels like it.

0:34:23.560 --> 0:34:23.640
<v Speaker 1>Ye.

0:34:31.320 --> 0:34:34.640
<v Speaker 3>Hey everyone, this is Courtney Thorn Smith, Laura Layton, and

0:34:34.760 --> 0:34:39.720
<v Speaker 3>Daphne Zuniga on July eighth, nineteen ninety two. Apartment buildings

0:34:39.760 --> 0:34:43.280
<v Speaker 3>with pools were never quite the same as Melrose Place

0:34:43.680 --> 0:34:47.400
<v Speaker 3>was introduced to the world. It took drama and mayhem

0:34:47.640 --> 0:34:49.200
<v Speaker 3>to an entirely new level.

0:34:49.600 --> 0:34:53.320
<v Speaker 6>We are going to be reliving every hookup, every scandal,

0:34:53.480 --> 0:34:56.360
<v Speaker 6>every backstap, blackmail and explosion.

0:34:56.360 --> 0:34:58.880
<v Speaker 4>And every single wig removal together.

0:34:59.360 --> 0:35:03.960
<v Speaker 3>Secrets are revealed as we rewatch every moment with you.

0:35:04.280 --> 0:35:07.120
<v Speaker 7>Special guests from back in the day we'll be dropping by.

0:35:07.440 --> 0:35:09.680
<v Speaker 5>You know who they are, Sydney, Allison and.

0:35:09.800 --> 0:35:12.200
<v Speaker 8>Joe are back together on Still the Place with a

0:35:12.239 --> 0:35:13.680
<v Speaker 8>trip down memory Lane.

0:35:13.520 --> 0:35:15.479
<v Speaker 7>And back to Melrose Place.

0:35:16.040 --> 0:35:18.640
<v Speaker 8>So listen to Still the Place on the iHeartRadio app,

0:35:18.880 --> 0:35:21.360
<v Speaker 8>Apple Podcasts or wherever you listen to podcasts.

0:35:22.280 --> 0:35:24.440
<v Speaker 7>Mondays are still a bit.

0:35:26.400 --> 0:35:29.400
<v Speaker 4>So then we go to the coffee shop in New

0:35:29.520 --> 0:35:32.239
<v Speaker 4>York where Rory's waiting for the bald guy. Really not

0:35:32.600 --> 0:35:33.400
<v Speaker 4>much to say about that.

0:35:33.560 --> 0:35:37.240
<v Speaker 2>Stuff that was so boring. I wanted that to be funny,

0:35:37.320 --> 0:35:40.600
<v Speaker 2>and yet it wasn't. Just every bald guy. Yeah, Like

0:35:40.840 --> 0:35:42.799
<v Speaker 2>I don't want that to be funny, and it wasn't.

0:35:43.160 --> 0:35:45.080
<v Speaker 2>I feel like we didn't need to see that, Like

0:35:45.160 --> 0:35:46.839
<v Speaker 2>we don't need to see her waiting in a coffee shop.

0:35:47.000 --> 0:35:50.480
<v Speaker 2>I feel like I don't even remember this, just a

0:35:50.560 --> 0:35:52.759
<v Speaker 2>lot of bald guys walking by and she awkwardly kind

0:35:52.800 --> 0:35:53.600
<v Speaker 2>of smiles at him.

0:35:53.680 --> 0:35:56.520
<v Speaker 1>Now that's the time for like a Bruce Willis cameo right.

0:35:56.400 --> 0:35:59.880
<v Speaker 5>There ordering coffee in the background.

0:36:01.040 --> 0:36:03.360
<v Speaker 1>I mean, give me something that would have been awesome.

0:36:04.600 --> 0:36:06.840
<v Speaker 4>And then so then we go back to the Missus

0:36:06.920 --> 0:36:10.160
<v Speaker 4>Kim and Laurel I situation where Laurel is now negotiating

0:36:10.200 --> 0:36:10.919
<v Speaker 4>with missus Kim.

0:36:12.120 --> 0:36:14.520
<v Speaker 2>Is this the scene where the bang happens? No, I

0:36:14.560 --> 0:36:17.000
<v Speaker 2>think that's when they get back to Lane's. Did you

0:36:17.040 --> 0:36:21.200
<v Speaker 2>guys notice so basically Lauren's hair looks perfect right, except

0:36:21.239 --> 0:36:24.479
<v Speaker 2>in one scene. I'm going to try and show you guys,

0:36:25.440 --> 0:36:29.440
<v Speaker 2>she's got one strand of hair hold on like trying

0:36:30.239 --> 0:36:36.120
<v Speaker 2>that's basically stuck on her forehead like this, so like

0:36:36.280 --> 0:36:39.759
<v Speaker 2>there's like a gap. It's kind of stuck like this

0:36:40.760 --> 0:36:43.000
<v Speaker 2>with a gap, Like you guys have to rewatch it

0:36:43.080 --> 0:36:43.560
<v Speaker 2>with a gap.

0:36:44.600 --> 0:36:48.319
<v Speaker 5>Amy. I feel that I noticed this in every single

0:36:48.400 --> 0:36:50.960
<v Speaker 5>episode with Rory. Every episode.

0:36:51.239 --> 0:36:54.359
<v Speaker 2>It was so distracting and then you can tell they

0:36:54.440 --> 0:36:54.719
<v Speaker 2>kind of.

0:36:56.760 --> 0:36:59.960
<v Speaker 4>Brush through it, and Jackie, I hope you're getting screen

0:37:00.040 --> 0:37:02.680
<v Speaker 4>shots of this, so it's.

0:37:02.560 --> 0:37:06.880
<v Speaker 2>Like blocking my eye right so she can't see it.

0:37:07.320 --> 0:37:09.080
<v Speaker 2>So maybe it's better if I do it like this.

0:37:10.960 --> 0:37:13.960
<v Speaker 2>I don't know how to do it. Basically, That's what

0:37:14.120 --> 0:37:16.840
<v Speaker 2>I saw, and it was so much.

0:37:17.239 --> 0:37:20.480
<v Speaker 4>I'm gonna have to rewatch that. I totally didn't everybody should.

0:37:20.600 --> 0:37:23.279
<v Speaker 2>It was pretty good. I have those little things through

0:37:23.320 --> 0:37:25.479
<v Speaker 2>the whole episode, which I think is what Scott's saying

0:37:26.120 --> 0:37:30.880
<v Speaker 2>he's opening his mail, was like her, how much of

0:37:31.040 --> 0:37:32.320
<v Speaker 2>the peach is a dosing?

0:37:32.520 --> 0:37:32.560
<v Speaker 10>Is?

0:37:32.680 --> 0:37:32.840
<v Speaker 1>You know?

0:37:32.960 --> 0:37:35.239
<v Speaker 2>Like I was just so what is wrong with me?

0:37:35.880 --> 0:37:38.120
<v Speaker 2>The fireplace? I mean, I was doing it the whole episode.

0:37:39.000 --> 0:37:42.560
<v Speaker 2>The lettuce Suzanne, Yes, that's true.

0:37:42.719 --> 0:37:48.000
<v Speaker 4>I was watching Lettuce in but so this is this

0:37:48.200 --> 0:37:50.280
<v Speaker 4>is where I mean, I didn't have a huge problem

0:37:50.320 --> 0:37:52.279
<v Speaker 4>with this scene. This is where Laurel I said that

0:37:52.440 --> 0:37:55.400
<v Speaker 4>she didn't want what happened to her to turn Emily

0:37:55.520 --> 0:37:57.480
<v Speaker 4>to happen to Lane and missus Kim. So I thought

0:37:57.520 --> 0:37:59.880
<v Speaker 4>that was a nice moment of realization.

0:38:01.400 --> 0:38:03.200
<v Speaker 1>Yeah, but too bad it had to come in this

0:38:03.360 --> 0:38:06.680
<v Speaker 1>episode in that way, because it's really a great line,

0:38:06.880 --> 0:38:10.759
<v Speaker 1>and it's a great sort of.

0:38:13.480 --> 0:38:13.960
<v Speaker 2>Sentiment.

0:38:14.600 --> 0:38:20.720
<v Speaker 1>It's it's it's it's an interesting moment in Laurelized life

0:38:20.960 --> 0:38:23.960
<v Speaker 1>to come to that realization and have that kind of

0:38:24.000 --> 0:38:27.680
<v Speaker 1>wisdom to impart to somebody else, you know, based on

0:38:27.800 --> 0:38:30.759
<v Speaker 1>her experience with with Emily. So, but I just wish

0:38:30.840 --> 0:38:33.520
<v Speaker 1>you had come in a better episode, in a better situation.

0:38:33.600 --> 0:38:36.440
<v Speaker 4>I agree, I can understand that. So then Luke and

0:38:36.480 --> 0:38:40.799
<v Speaker 4>April are on the phone, and Luke, this is where

0:38:40.840 --> 0:38:44.000
<v Speaker 4>he's starting to manifest his desire to get out of

0:38:44.080 --> 0:38:46.760
<v Speaker 4>this rut that he is now realized that he's stuck

0:38:46.840 --> 0:38:49.360
<v Speaker 4>in because he has this plan. They're going to go

0:38:49.440 --> 0:38:54.080
<v Speaker 4>to Miami Beach and Disney World. Yeah, and even April

0:38:54.239 --> 0:38:55.000
<v Speaker 4>was like, what.

0:38:57.000 --> 0:38:58.840
<v Speaker 2>I get it, Dad, We're good just hanging at the

0:38:58.880 --> 0:39:01.480
<v Speaker 2>diner kind of telling him like, like you like to do,

0:39:02.239 --> 0:39:04.640
<v Speaker 2>I'm good with that. So she's sort of acknowledging how

0:39:04.719 --> 0:39:08.080
<v Speaker 2>he's stuck in his ways. My only problem is they

0:39:08.320 --> 0:39:13.000
<v Speaker 2>you two are really good in person together. The phone

0:39:13.040 --> 0:39:16.480
<v Speaker 2>calls are okay, but it's just I prefer the scenes

0:39:16.520 --> 0:39:18.319
<v Speaker 2>with you guys together. I'm kind of ready to get

0:39:18.360 --> 0:39:23.880
<v Speaker 2>her back to Stars Hollow. Yeah, which I know what

0:39:23.960 --> 0:39:26.000
<v Speaker 2>that made me think of. Is there ever, because I know,

0:39:26.080 --> 0:39:30.120
<v Speaker 2>Scott you sort of explained last week, like these scenes,

0:39:30.600 --> 0:39:32.640
<v Speaker 2>you know you're not there when they're doing these phone calls.

0:39:32.719 --> 0:39:35.160
<v Speaker 2>Is there ever a time when you do do the

0:39:35.280 --> 0:39:36.560
<v Speaker 2>other side for the person?

0:39:37.239 --> 0:39:37.520
<v Speaker 1>Nope?

0:39:37.800 --> 0:39:39.719
<v Speaker 2>No, I mean it just would be like it would

0:39:39.719 --> 0:39:40.839
<v Speaker 2>be like a big waste of money.

0:39:41.120 --> 0:39:43.640
<v Speaker 1>They usually, Yeah, it would because they usually schedule those

0:39:43.680 --> 0:39:46.680
<v Speaker 1>for the end of the day, you know, or if

0:39:46.719 --> 0:39:49.040
<v Speaker 1>they're in that location, and let's just let's just grab

0:39:49.120 --> 0:39:51.399
<v Speaker 1>this phone call. And you know, Vanessa's not here today,

0:39:51.440 --> 0:39:52.560
<v Speaker 1>but let's just grab the phone.

0:39:52.480 --> 0:39:56.400
<v Speaker 2>Almost like you can tell. Okay, everybody can criticize this,

0:39:56.480 --> 0:39:58.760
<v Speaker 2>but it's almost like you can tell she's not actually

0:39:58.920 --> 0:40:03.560
<v Speaker 2>talking to you, Like the chemistry is just a hint off.

0:40:03.680 --> 0:40:06.719
<v Speaker 1>Right, Yeah. If you can't if you can't actually hear

0:40:06.920 --> 0:40:11.400
<v Speaker 1>the inflections in the voice, you can't respond in a

0:40:12.800 --> 0:40:13.359
<v Speaker 1>real way.

0:40:13.480 --> 0:40:15.640
<v Speaker 2>I think that's what bummed me out about that scene,

0:40:15.640 --> 0:40:21.560
<v Speaker 2>because the conversation is so major. Actually she's really calling

0:40:21.640 --> 0:40:23.360
<v Speaker 2>him out, and you know, blah blah blah. I just

0:40:23.360 --> 0:40:25.560
<v Speaker 2>would have preferred it together because I think the chemistry

0:40:25.560 --> 0:40:28.360
<v Speaker 2>would have been better. But that's just my dumb two cents.

0:40:29.239 --> 0:40:33.080
<v Speaker 4>So then then the negotiation continues. Missus Kim and Laura

0:40:33.239 --> 0:40:36.319
<v Speaker 4>I show up at Lane's apartment. I noticed there were

0:40:36.440 --> 0:40:38.600
<v Speaker 4>red drapes in the apartment. I don't know if those

0:40:38.640 --> 0:40:39.120
<v Speaker 4>are there are some.

0:40:39.440 --> 0:40:41.040
<v Speaker 2>I think some of this is new for the baby.

0:40:41.480 --> 0:40:43.960
<v Speaker 4>Yeah, I don't remember having noticed those before, but they

0:40:44.000 --> 0:40:45.600
<v Speaker 4>look good. They were like a deep bread I thought

0:40:45.600 --> 0:40:50.399
<v Speaker 4>they were pretty. And so Laane stands up to hug

0:40:50.440 --> 0:40:53.120
<v Speaker 4>missus Kim and has a contraction or some sort of

0:40:53.200 --> 0:40:56.840
<v Speaker 4>something happens, and they rush her off to the hospital.

0:40:57.160 --> 0:40:59.840
<v Speaker 4>I did notice that Lauren seemed like she was a

0:41:00.040 --> 0:41:05.840
<v Speaker 4>flop taller than missus Klan, like the way the angle was,

0:41:05.960 --> 0:41:08.480
<v Speaker 4>it was like she just was like way taller than

0:41:08.520 --> 0:41:13.799
<v Speaker 4>both of them or something. Yeah, because she's I think

0:41:14.200 --> 0:41:19.360
<v Speaker 4>she is. Yeah, let's see, all right. So then we

0:41:21.040 --> 0:41:23.359
<v Speaker 4>then we go we're still at the apartment, but now

0:41:23.440 --> 0:41:27.279
<v Speaker 4>it's later because they've come back from the hospital and

0:41:28.160 --> 0:41:29.879
<v Speaker 4>Lane is on bed rest and she thinks that they're

0:41:29.960 --> 0:41:31.480
<v Speaker 4>not going to be able to have the party now.

0:41:31.560 --> 0:41:33.960
<v Speaker 4>And this is where they had that nice moment about

0:41:34.120 --> 0:41:37.560
<v Speaker 4>you know, Laane saying, moms do like she did everything

0:41:37.600 --> 0:41:39.200
<v Speaker 4>for me, I'm going to do everything for my kid.

0:41:39.239 --> 0:41:41.520
<v Speaker 4>And you can see like the way the way she

0:41:41.560 --> 0:41:43.400
<v Speaker 4>said it, like she kind of had that realization like, well,

0:41:43.400 --> 0:41:45.879
<v Speaker 4>wait a minute, she really did give up a lot

0:41:45.960 --> 0:41:49.640
<v Speaker 4>for me, kind of realize the sacrifices that her mom made.

0:41:50.200 --> 0:41:53.719
<v Speaker 4>And then I did get a laugh when she asked

0:41:53.719 --> 0:41:55.960
<v Speaker 4>about the party and missus Kim was like, Laurel I

0:41:56.000 --> 0:41:56.560
<v Speaker 4>will figure out.

0:41:56.640 --> 0:41:58.800
<v Speaker 7>Yea, I'm not gonna do it, Laura, I will do it.

0:41:59.280 --> 0:42:01.160
<v Speaker 2>And then when the bed I know we're not there.

0:42:01.200 --> 0:42:04.120
<v Speaker 2>But when the bed's going through town, Like what is

0:42:04.239 --> 0:42:06.480
<v Speaker 2>the movie that that reminds me of? Is it like bed?

0:42:07.040 --> 0:42:10.080
<v Speaker 2>Remember that movie bed Knobs and Broomsticks?

0:42:10.160 --> 0:42:11.040
<v Speaker 4>Oh yeah, yeah yeah?

0:42:11.360 --> 0:42:13.759
<v Speaker 2>Do they take a bed through town? Like for some reason,

0:42:13.840 --> 0:42:15.279
<v Speaker 2>I was like, I've seen this.

0:42:17.480 --> 0:42:19.399
<v Speaker 4>Monkeys and they talk.

0:42:20.719 --> 0:42:23.080
<v Speaker 1>It's been it's been in the movies. I've seen that.

0:42:23.239 --> 0:42:26.480
<v Speaker 8>Yeah, But that scene from Gilmore like It's like that

0:42:26.680 --> 0:42:28.640
<v Speaker 8>clip of just the still of the bed going through

0:42:28.719 --> 0:42:31.160
<v Speaker 8>town is pretty like famous.

0:42:31.239 --> 0:42:33.320
<v Speaker 7>I feel like I just didn't realize it was this episode.

0:42:34.080 --> 0:42:36.200
<v Speaker 2>Yeah, funny, Sorry I jumped ahead.

0:42:37.120 --> 0:42:39.359
<v Speaker 1>Well, I thought it was absurd. Why would you take

0:42:39.440 --> 0:42:39.879
<v Speaker 1>your daughter?

0:42:40.600 --> 0:42:44.879
<v Speaker 4>I know, doesn't literally mean you you can't get out

0:42:44.880 --> 0:42:45.200
<v Speaker 4>of bed?

0:42:45.560 --> 0:42:48.800
<v Speaker 1>I mean it was just absurd. Yeah, it was so absurd.

0:42:49.960 --> 0:42:51.520
<v Speaker 1>It would have been better if there were sort of

0:42:51.640 --> 0:42:54.680
<v Speaker 1>dancers around doing like this, like turn that's a moment

0:42:54.760 --> 0:42:57.400
<v Speaker 1>you turn into a musical. Because it's still freaking absurd.

0:42:58.000 --> 0:43:01.000
<v Speaker 1>You've got to like just go with it, right, I mean,

0:43:01.040 --> 0:43:04.959
<v Speaker 1>missus Kim stopping cars and no, I'll turn your lights,

0:43:05.320 --> 0:43:05.759
<v Speaker 1>the whole thing.

0:43:06.080 --> 0:43:09.239
<v Speaker 4>Yeah, it's kind of classic Stars Hollow though. I mean, yeah,

0:43:12.640 --> 0:43:14.640
<v Speaker 4>all we needed was Taylor out there, but it wasn't.

0:43:15.000 --> 0:43:18.720
<v Speaker 1>But it wasn't grounded in any kind of reality, classic

0:43:18.800 --> 0:43:22.440
<v Speaker 1>Stars Hollow stuff. We were very fond of the festivals

0:43:22.480 --> 0:43:24.399
<v Speaker 1>and the fairs and all that stuff, and it's real.

0:43:25.719 --> 0:43:28.279
<v Speaker 1>I just had a hard time buying into that. I mean,

0:43:28.360 --> 0:43:31.960
<v Speaker 1>that's somebody who's about to give birth and they're like

0:43:32.400 --> 0:43:36.400
<v Speaker 1>wheeling her through the streets. It's like what you're putting

0:43:36.440 --> 0:43:40.520
<v Speaker 1>her in close proximity with vehicles that weigh six thousand pounds. Okay,

0:43:41.320 --> 0:43:44.680
<v Speaker 1>I just didn't buy it. I I mean, yeah, I

0:43:44.719 --> 0:43:47.520
<v Speaker 1>don't know what was Zach there too, like having a

0:43:47.560 --> 0:43:50.560
<v Speaker 1>good old time pushing his I mean, if that's my wife,

0:43:50.600 --> 0:43:54.000
<v Speaker 1>I'm not letting her like get rolled down the street.

0:43:56.640 --> 0:43:58.239
<v Speaker 2>Miss Patterns. I'm like, oh my god.

0:43:59.360 --> 0:44:01.800
<v Speaker 4>And do you know a ramp was like supported with books,

0:44:01.840 --> 0:44:02.719
<v Speaker 4>like it was probably.

0:44:02.520 --> 0:44:03.040
<v Speaker 1>Like all the.

0:44:04.840 --> 0:44:07.040
<v Speaker 2>Books under it from what's his doozy store?

0:44:07.600 --> 0:44:09.080
<v Speaker 1>Should have been a steering wheel on her.

0:44:09.360 --> 0:44:12.960
<v Speaker 2>Put a sale, possibly, get the bed out of the apartment.

0:44:12.840 --> 0:44:17.719
<v Speaker 1>Right exactly it exactly that door right right, just put

0:44:17.760 --> 0:44:21.160
<v Speaker 1>a sale on it. And yeah, they all should have

0:44:21.160 --> 0:44:25.000
<v Speaker 1>had sailors hats and well and strength.

0:44:24.719 --> 0:44:27.400
<v Speaker 4>Because the way they were coming to like that, that

0:44:27.600 --> 0:44:30.480
<v Speaker 4>wasn't the direction where their apartment was, Like their apartment

0:44:30.640 --> 0:44:33.759
<v Speaker 4>was down the street, like they wouldn't have had to

0:44:33.840 --> 0:44:35.200
<v Speaker 4>really cross that intersection.

0:44:35.320 --> 0:44:37.959
<v Speaker 7>But anyways, the map this episode did not make sense.

0:44:38.160 --> 0:44:40.680
<v Speaker 1>We take the bet apart, we'll get it outside, we'll

0:44:40.719 --> 0:44:43.840
<v Speaker 1>get you just see. Now that's the scene. I wanted

0:44:43.880 --> 0:44:46.440
<v Speaker 1>to say, those scenes, I wish i'd have seen them

0:44:46.480 --> 0:44:47.520
<v Speaker 1>breaking the bed down.

0:44:49.360 --> 0:44:51.520
<v Speaker 4>Okay, so this is then we go to the part

0:44:51.560 --> 0:44:54.600
<v Speaker 4>where Logan tells Rory what happened with the company. So

0:44:55.960 --> 0:44:58.239
<v Speaker 4>we kind of already knew because we saw it at that.

0:44:58.960 --> 0:45:01.080
<v Speaker 7>At the end of his inner Yeah, when they came

0:45:01.120 --> 0:45:01.840
<v Speaker 7>home to.

0:45:01.880 --> 0:45:03.879
<v Speaker 2>That phone conversation that she was right.

0:45:04.160 --> 0:45:07.840
<v Speaker 8>I just didn't realize that was weeks ago because he

0:45:08.360 --> 0:45:11.960
<v Speaker 8>said that he's known for weeks, and that was like

0:45:12.040 --> 0:45:12.960
<v Speaker 8>two episodes ago.

0:45:13.960 --> 0:45:18.080
<v Speaker 4>That's weeks. Yeah, I guess technically that could that's.

0:45:17.960 --> 0:45:20.800
<v Speaker 1>A couple's weeks when we don't know.

0:45:23.680 --> 0:45:26.200
<v Speaker 4>I'm trying to like look back here at my old things.

0:45:26.280 --> 0:45:28.760
<v Speaker 4>I think it was. Yeah, maybe it was weeks.

0:45:28.800 --> 0:45:31.600
<v Speaker 1>I don't know. Oh, look the neighbors going down the street.

0:45:31.640 --> 0:45:37.520
<v Speaker 1>Here in her bed. It happens all the time.

0:45:38.920 --> 0:45:42.120
<v Speaker 4>And then Rory was her usual kind of like, oh,

0:45:42.200 --> 0:45:45.080
<v Speaker 4>I can help, and it's like, how would you help,

0:45:45.120 --> 0:45:45.800
<v Speaker 4>Like you can't.

0:45:45.600 --> 0:45:49.360
<v Speaker 2>Help Pollyanna about it? Yeah, she was right, like she.

0:45:50.360 --> 0:45:52.520
<v Speaker 4>Kind of tends to try to get involved in things

0:45:52.640 --> 0:45:54.560
<v Speaker 4>and she wasn't going to be able to help. But

0:45:56.120 --> 0:45:58.640
<v Speaker 4>and then this is the whole Vegas conversation. You know,

0:45:58.760 --> 0:46:02.120
<v Speaker 4>he needs a break and okay, whatever, I would have

0:46:02.160 --> 0:46:02.720
<v Speaker 4>been more annoys.

0:46:02.840 --> 0:46:05.160
<v Speaker 7>He lost all his money, so let's go to Vegas.

0:46:06.080 --> 0:46:10.759
<v Speaker 4>Right exactly this episode, he did kind of come off

0:46:10.800 --> 0:46:13.000
<v Speaker 4>as like the spoiled rich kid in.

0:46:13.040 --> 0:46:13.960
<v Speaker 1>This I mean he made it.

0:46:14.719 --> 0:46:17.600
<v Speaker 8>He made it sound like him and his dad and

0:46:17.760 --> 0:46:19.520
<v Speaker 8>everyone involved are completely broke.

0:46:19.600 --> 0:46:21.160
<v Speaker 7>And then he's like, well, we're going to Vegas.

0:46:21.960 --> 0:46:26.759
<v Speaker 1>Everything, we get the private jet, We're gone. I need

0:46:26.800 --> 0:46:29.600
<v Speaker 1>a break, Roy, can't you understand it's about me? It's

0:46:29.640 --> 0:46:30.080
<v Speaker 1>about me?

0:46:31.760 --> 0:46:35.680
<v Speaker 4>And then then comes the scene where Luke and Kirk

0:46:35.800 --> 0:46:40.560
<v Speaker 4>and the boat. He sells it for the wopping sum

0:46:40.640 --> 0:46:42.080
<v Speaker 4>of six hundred dollars.

0:46:43.800 --> 0:46:46.799
<v Speaker 8>And the hat including the trailer that included the trailer, right,

0:46:47.200 --> 0:46:48.759
<v Speaker 8>oh yeah, there he goes.

0:46:49.000 --> 0:46:50.719
<v Speaker 1>Luke's a career as an appraiser.

0:46:52.120 --> 0:46:55.319
<v Speaker 2>The ss Lurk was a deal. He basically like got

0:46:55.360 --> 0:46:58.120
<v Speaker 2>that for one dollar, Like it was so crazy and

0:46:58.320 --> 0:47:00.759
<v Speaker 2>I was just so shocked by that that I couldn't come.

0:47:02.520 --> 0:47:05.120
<v Speaker 4>Then Rory shows up at Miss Patty's and wants to

0:47:05.200 --> 0:47:05.640
<v Speaker 4>know why.

0:47:05.800 --> 0:47:08.360
<v Speaker 1>Wait a minute, So, so Kirk's line sucker at the

0:47:08.480 --> 0:47:14.120
<v Speaker 1>end was was actually accurate. Yeah, there's no irony to

0:47:14.239 --> 0:47:15.600
<v Speaker 1>itad on.

0:47:19.480 --> 0:47:21.560
<v Speaker 4>True, it's happening.

0:47:21.920 --> 0:47:24.800
<v Speaker 2>When he said six hundred dollars ago, that's like what

0:47:24.880 --> 0:47:27.759
<v Speaker 2>you would pay for. I literally bought an inner to

0:47:28.200 --> 0:47:29.840
<v Speaker 2>and cost three hundred dollars.

0:47:33.200 --> 0:47:35.920
<v Speaker 1>And that didn't have a motor on its at I.

0:47:35.920 --> 0:47:41.600
<v Speaker 2>Was like, I mean the trailer a fun Boy floaty

0:47:41.760 --> 0:47:45.840
<v Speaker 2>raft caused like fun Boy is expense the barbie the

0:47:45.960 --> 0:47:48.800
<v Speaker 2>barbie the car is what like three hundred dollars.

0:47:49.000 --> 0:47:49.200
<v Speaker 8>Yeah.

0:47:49.200 --> 0:47:50.719
<v Speaker 7>I looked into it and I was like, it's a

0:47:50.840 --> 0:47:51.400
<v Speaker 7>blow up.

0:47:51.560 --> 0:47:53.560
<v Speaker 2>My brother bought it. It's a blow up.

0:47:54.600 --> 0:47:58.240
<v Speaker 1>Avoid episodes that have beds and birds, boats in the street,

0:47:58.840 --> 0:48:01.719
<v Speaker 1>ed birds and birds so unrealistic.

0:48:01.840 --> 0:48:16.080
<v Speaker 4>Anyway, Sorry, Okay, So Rory comes into his patties and

0:48:16.400 --> 0:48:18.800
<v Speaker 4>Laurela has to explain why they moved the baby shower,

0:48:19.080 --> 0:48:22.000
<v Speaker 4>and then that's then they all go to get the

0:48:22.080 --> 0:48:27.200
<v Speaker 4>bed and rolling around the city and all that monkey's reference.

0:48:27.239 --> 0:48:28.360
<v Speaker 4>I had to of course note that.

0:48:28.400 --> 0:48:29.640
<v Speaker 2>Because yeah, that was funny.

0:48:32.160 --> 0:48:34.840
<v Speaker 4>And then so then we get to the actual shower

0:48:35.520 --> 0:48:38.480
<v Speaker 4>and I liked the sign that called it a baby's shower.

0:48:38.600 --> 0:48:40.680
<v Speaker 2>I thought that was I was in the house that

0:48:40.800 --> 0:48:44.920
<v Speaker 2>Tara called that out earlier. Wait, not the boys. It

0:48:45.080 --> 0:48:46.800
<v Speaker 2>also said a baby's shower.

0:48:47.239 --> 0:48:49.880
<v Speaker 4>Yeah, there was a sign out front that said welcome

0:48:49.960 --> 0:48:51.080
<v Speaker 4>to the baby's shower.

0:48:51.239 --> 0:48:53.200
<v Speaker 2>So that's funny because it's the same as the like

0:48:53.520 --> 0:48:57.759
<v Speaker 2>it's a boy boys, Yeah, that's so clever.

0:48:57.880 --> 0:48:59.759
<v Speaker 8>The one thing that bothered me about this scene is

0:49:00.320 --> 0:49:04.480
<v Speaker 8>Rory has the worst speeches, Like they're always so cringey. Yeah,

0:49:04.920 --> 0:49:08.880
<v Speaker 8>like between the wedding, yeah true, between the wedding and this,

0:49:09.080 --> 0:49:09.600
<v Speaker 8>I was like, I.

0:49:09.600 --> 0:49:11.040
<v Speaker 7>Don't want to hear her speak.

0:49:12.320 --> 0:49:14.360
<v Speaker 4>For someone who's supposed to have this great command of

0:49:14.400 --> 0:49:16.919
<v Speaker 4>the English language because she's a writer or whatever, she's

0:49:17.040 --> 0:49:18.160
<v Speaker 4>not really a good poem.

0:49:18.239 --> 0:49:20.439
<v Speaker 7>Like her Victorian's speech was good.

0:49:20.960 --> 0:49:24.279
<v Speaker 4>Oh yeah, that's true, but then after that it went Yeah.

0:49:25.280 --> 0:49:27.560
<v Speaker 4>So I kind of liked the baby shower because I

0:49:27.719 --> 0:49:28.520
<v Speaker 4>liked all the people.

0:49:29.480 --> 0:49:33.560
<v Speaker 2>All the people and the art on the onesies is amazing.

0:49:34.400 --> 0:49:39.680
<v Speaker 2>It actually looked like a pretty good time randoms. Bunch

0:49:39.760 --> 0:49:42.279
<v Speaker 2>of randoms in there we've never seen before, like a

0:49:42.480 --> 0:49:43.440
<v Speaker 2>bunch of guessed at this.

0:49:43.520 --> 0:49:46.359
<v Speaker 4>Shower that I'm like, are all these people and they

0:49:46.440 --> 0:49:51.200
<v Speaker 4>had that creepy face morphing thing with the babies, like

0:49:51.960 --> 0:49:54.640
<v Speaker 4>like kind of big at the years and glasses and

0:49:55.640 --> 0:49:57.520
<v Speaker 4>creep But the rest of it I thought was cute.

0:49:58.800 --> 0:50:01.840
<v Speaker 4>And then catches Rory up on the fight and how

0:50:01.920 --> 0:50:05.120
<v Speaker 4>Laurel I fixed everything, and then that's when Lane says,

0:50:05.320 --> 0:50:07.800
<v Speaker 4>you know, my kids are gonna need a laurel I

0:50:07.880 --> 0:50:10.719
<v Speaker 4>Gilmore like I had, and she asked Rory to do that.

0:50:10.880 --> 0:50:15.479
<v Speaker 4>I'm thinking, Rory can never be Laura I. I'm sorry, true,

0:50:18.960 --> 0:50:20.720
<v Speaker 4>and then they're John Adams doorknob.

0:50:21.120 --> 0:50:23.440
<v Speaker 1>As if the scenes themselves weren't bad enough, we had

0:50:23.480 --> 0:50:25.000
<v Speaker 1>to relive them through dialogue later.

0:50:29.080 --> 0:50:31.120
<v Speaker 4>Yeah, we had to recap everything.

0:50:30.840 --> 0:50:34.360
<v Speaker 1>Because Rory was I'm going to get some emails.

0:50:36.800 --> 0:50:39.800
<v Speaker 4>Okay, and then Kirk is in his snazzy jacket and

0:50:39.880 --> 0:50:44.680
<v Speaker 4>his captain's hat, and that's when we hear the name S. S. Lurk.

0:50:47.160 --> 0:50:51.520
<v Speaker 4>And then then there's they go outside and Rory's talking

0:50:51.560 --> 0:50:53.719
<v Speaker 4>about the rest and Fellowship. We find out there's only

0:50:53.760 --> 0:50:55.640
<v Speaker 4>four people in the country that are going to get

0:50:55.800 --> 0:50:56.560
<v Speaker 4>accepted to this.

0:50:56.920 --> 0:50:57.000
<v Speaker 10>So.

0:50:58.800 --> 0:51:03.200
<v Speaker 4>That's an important point. And then to your point, Scott,

0:51:03.320 --> 0:51:07.399
<v Speaker 4>now Rory's retelling the story about Logan to Laura Lai

0:51:08.080 --> 0:51:12.960
<v Speaker 4>and how they're all flying off to Vegas. But then, okay,

0:51:13.040 --> 0:51:15.520
<v Speaker 4>so this part was good. When Luke showed up and

0:51:15.600 --> 0:51:17.640
<v Speaker 4>he was talking to Laurali and he was telling her

0:51:17.640 --> 0:51:22.520
<v Speaker 4>about the boat and he says things change. Yeah, that

0:51:22.680 --> 0:51:27.400
<v Speaker 4>was very significant and then they had a moment like

0:51:27.480 --> 0:51:29.759
<v Speaker 4>they had a look for just a split second, and

0:51:29.840 --> 0:51:32.879
<v Speaker 4>then they go back inside and then this is where

0:51:33.120 --> 0:51:36.560
<v Speaker 4>they're singing the song, like everybody's gathered around singing the song,

0:51:36.600 --> 0:51:40.240
<v Speaker 4>and this is where we have our celebrity guest spot

0:51:42.040 --> 0:51:42.920
<v Speaker 4>in the background.

0:51:43.160 --> 0:51:45.279
<v Speaker 2>So I had to have my.

0:51:45.400 --> 0:51:46.960
<v Speaker 4>Husband help me with this one because I didn't know

0:51:47.000 --> 0:51:52.200
<v Speaker 4>what this guy looked like. But at the January podcast event,

0:51:52.360 --> 0:51:54.640
<v Speaker 4>like our live event that we had, and Sebastian was

0:51:54.680 --> 0:51:59.080
<v Speaker 4>talking about how Geddy Lee from Rush was in one

0:51:59.120 --> 0:52:03.040
<v Speaker 4>of the scenes, and this was the scene. So those

0:52:03.080 --> 0:52:05.400
<v Speaker 4>of you that are Rush fans and know what Geddy

0:52:05.480 --> 0:52:06.680
<v Speaker 4>Lee looks like. I didn't know.

0:52:06.800 --> 0:52:08.879
<v Speaker 2>My husband had a shot or was a huge fan.

0:52:09.239 --> 0:52:13.680
<v Speaker 2>That's how that's right, That's right, Yeah, so that's why

0:52:13.760 --> 0:52:14.200
<v Speaker 2>he was there.

0:52:14.239 --> 0:52:15.480
<v Speaker 4>So I don't know if his daughter was in the

0:52:15.520 --> 0:52:17.919
<v Speaker 4>scene too. But if you look at the back where

0:52:17.920 --> 0:52:21.560
<v Speaker 4>it's it's showing everyone, and he's in the back, like

0:52:21.640 --> 0:52:23.759
<v Speaker 4>to the left, there's a big white tree and he's

0:52:23.920 --> 0:52:26.320
<v Speaker 4>just to the right of the tree behind Sally Struthers,

0:52:26.440 --> 0:52:29.480
<v Speaker 4>So if you want to look for him, there he is.

0:52:31.360 --> 0:52:33.400
<v Speaker 4>And then that was it. We end with a little story,

0:52:33.440 --> 0:52:37.080
<v Speaker 4>I'd look on lorelized face, and then we went to

0:52:37.120 --> 0:52:37.600
<v Speaker 4>the credits.

0:52:38.960 --> 0:52:41.520
<v Speaker 1>I thought the credits were really good. They rolled by

0:52:42.400 --> 0:52:45.279
<v Speaker 1>at a nice pace. I thought there was lots of

0:52:45.400 --> 0:52:47.880
<v Speaker 1>tension because they kept wanting to get to the next credit,

0:52:47.960 --> 0:52:51.840
<v Speaker 1>but they just they kept, you know, spoon feeding me,

0:52:51.920 --> 0:52:52.719
<v Speaker 1>little spoonfed.

0:52:54.040 --> 0:52:56.719
<v Speaker 2>It's fine. It just wasn't memorable. It's like I keep

0:52:56.840 --> 0:52:59.920
<v Speaker 2>forgetting it even now. I'm like, that's in this episode.

0:53:00.160 --> 0:53:02.400
<v Speaker 1>All right, I'll tell you what we'll do. Let's uh,

0:53:03.239 --> 0:53:09.560
<v Speaker 1>let's stick a fork in this turkey and what kind

0:53:09.800 --> 0:53:13.880
<v Speaker 1>of rating, Tara are you going to give us? And

0:53:13.960 --> 0:53:15.480
<v Speaker 1>what is your measuring stick?

0:53:16.920 --> 0:53:18.359
<v Speaker 7>I feel like talking it out.

0:53:18.520 --> 0:53:22.719
<v Speaker 8>I liked it less, and then I was like, I

0:53:22.800 --> 0:53:26.880
<v Speaker 8>guess it wasn't that agree. I'm going to give it

0:53:28.040 --> 0:53:34.880
<v Speaker 8>five Captain's hats, five Danielle.

0:53:35.040 --> 0:53:38.760
<v Speaker 5>I was gonna say five point two five ride shrimps.

0:53:40.080 --> 0:53:42.160
<v Speaker 2>Weirds, And I'm giving it way more than you guys,

0:53:42.200 --> 0:53:43.359
<v Speaker 2>And I feel like I liked it less.

0:53:43.400 --> 0:53:44.719
<v Speaker 1>I haven't called on you yet.

0:53:44.800 --> 0:53:49.160
<v Speaker 2>Sorry, Sorry, I I thought it.

0:53:49.200 --> 0:53:52.160
<v Speaker 4>Was better than a five. I'm gonna say six and

0:53:52.239 --> 0:53:54.680
<v Speaker 4>a half beds rolling through the.

0:53:54.680 --> 0:54:00.840
<v Speaker 2>Street, six and a half indoor fire, pits. That logan's

0:54:01.040 --> 0:54:02.880
<v Speaker 2>very unsafe and.

0:54:03.040 --> 0:54:10.040
<v Speaker 1>Let us I'm gonna go. I mean this, for me,

0:54:10.160 --> 0:54:13.440
<v Speaker 1>this is like a sub to oh wow, this is

0:54:13.560 --> 0:54:16.239
<v Speaker 1>one of your worst ever. I just yeah, I just

0:54:16.320 --> 0:54:16.680
<v Speaker 1>thought this.

0:54:16.840 --> 0:54:20.000
<v Speaker 2>Was waste of that sandwich too. I could just hear

0:54:20.040 --> 0:54:21.440
<v Speaker 2>my one of my nieces just get so.

0:54:21.719 --> 0:54:22.360
<v Speaker 7>You didn't even.

0:54:24.600 --> 0:54:29.319
<v Speaker 1>Of this entire If we don't eat the sandwich never

0:54:29.400 --> 0:54:34.640
<v Speaker 1>got made, yea, and it got tossed. I'm going to

0:54:34.680 --> 0:54:41.239
<v Speaker 1>give it one uh unmade sandwiches that got thrown away.

0:54:42.000 --> 0:54:43.239
<v Speaker 1>That's what I'm going to give it.

0:54:45.520 --> 0:54:48.640
<v Speaker 2>Somewhere in Suzanne's words, the sandwich was the true victim,

0:54:48.680 --> 0:54:49.440
<v Speaker 2>and I must.

0:54:52.320 --> 0:54:55.240
<v Speaker 1>All right. That's going to wrap it up. Kids. Uh sorry,

0:54:55.239 --> 0:54:58.120
<v Speaker 1>it wasn't a better episode. It wasn't our fault. Uh,

0:54:59.280 --> 0:55:01.640
<v Speaker 1>although it was probably partially my fault because I was

0:55:01.680 --> 0:55:07.320
<v Speaker 1>in it. You can play me somewhat.

0:55:07.760 --> 0:55:09.400
<v Speaker 7>We got some good boat talk out of it.

0:55:10.000 --> 0:55:12.800
<v Speaker 2>Yeah, the phone scene wasn't your strongest, but that's not

0:55:12.880 --> 0:55:13.640
<v Speaker 2>totally your fault too.

0:55:14.800 --> 0:55:17.279
<v Speaker 1>I don't know, I don't know you're gonna take it.

0:55:17.320 --> 0:55:18.640
<v Speaker 1>And if I'm gonna take some credit, I got to

0:55:18.640 --> 0:55:19.279
<v Speaker 1>take the heat too.

0:55:19.480 --> 0:55:21.680
<v Speaker 2>So still Campbell, I'm still not admitting what was in

0:55:21.760 --> 0:55:24.719
<v Speaker 2>my dream. Those that want to know, if you pressure me,

0:55:24.840 --> 0:55:26.000
<v Speaker 2>I might tell next week.

0:55:26.400 --> 0:55:28.399
<v Speaker 1>We're going to do a whole episode about it next week,

0:55:28.480 --> 0:55:28.759
<v Speaker 1>aren't we.

0:55:28.880 --> 0:55:32.080
<v Speaker 2>I know, I know dream talk is really boring. Everybody

0:55:32.360 --> 0:55:34.600
<v Speaker 2>was like, I want to have this dream Expert on

0:55:34.800 --> 0:55:37.319
<v Speaker 2>and I'm like, no, no one ever wants to hear

0:55:37.320 --> 0:55:39.680
<v Speaker 2>about someone else's dream. And then I did it.

0:55:39.960 --> 0:55:46.120
<v Speaker 7>But so the dream Expert next week.

0:55:46.840 --> 0:55:50.000
<v Speaker 2>Next week, tune in for I Am All dream Talk.

0:55:50.239 --> 0:55:53.360
<v Speaker 1>Thank you, ladies, much appreciated, and thanks for tolerating me

0:55:53.480 --> 0:55:59.960
<v Speaker 1>all through this experience, this episode, and that's going to

0:56:00.040 --> 0:56:04.160
<v Speaker 1>wrap it up. Listen, guys, thanks for all of your comments,

0:56:04.160 --> 0:56:07.000
<v Speaker 1>Thanks for being patient with us. We were on hiatus,

0:56:07.040 --> 0:56:09.680
<v Speaker 1>but we really needed a break and I think we're

0:56:09.719 --> 0:56:13.600
<v Speaker 1>really gonna need a break after watching this, so in

0:56:13.680 --> 0:56:18.040
<v Speaker 1>a couple of years, wait till the next one. All right, kids,

0:56:18.600 --> 0:56:22.680
<v Speaker 1>all the best. Thanks a lot for the cards and letters.

0:56:22.719 --> 0:56:27.600
<v Speaker 1>We love them, keep them coming. We read everything. Thank you, ladies, Danielle, Suzanne,

0:56:28.320 --> 0:56:31.280
<v Speaker 1>Tara Amy. We will see you next time. And remember

0:56:31.360 --> 0:57:03.560
<v Speaker 1>we and I am all In stay safe. Everybody'll forget

0:57:03.680 --> 0:57:07.680
<v Speaker 1>Follow us on Instagram at I Am All In podcast

0:57:07.840 --> 0:57:12.200
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com