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Speaker 1: I am all in.

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Speaker 2: Oh that's you.

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Speaker 3: I am all in with Scott Patterson and iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one,

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Speaker 1: a lot of productions. iHeartMedia, iHeart Radio. I Heart Podcast seven,

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Speaker 1: Episode sixteen. Will you be my lorel I Gilmour, I

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Speaker 1: am here with my own Trapid Crewe, Terror Suit, Danielle Romo,

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Speaker 1: Susanne Franche. I missed you, Yeah, I missed you. Guys?

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Speaker 2: How was she seeing you? And you were in my dream?

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Speaker 1: Weird? Who was in the dream?

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Speaker 4: Who?

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Speaker 2: Who were super weird?

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Speaker 1: Did I get into your dream? Yes?

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Speaker 2: Sometimes I sneak you away in there. I don't know.

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Speaker 2: Sometimes it happens when I watch the show. It's just

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Speaker 2: like I can't help it.

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Speaker 5: What was he doing in your dream?

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Speaker 2: I can't totally remember. Oh you can't actually reveal what

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Speaker 2: I'm like, Oh, I.

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Speaker 1: Tell you this, then it wasn't me.

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Speaker 2: I don't remember what I remember. I don't remember one

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Speaker 2: part that I'm like too embarrassed to say. It wasn't

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Speaker 2: like a dirty dream, but there was one part that's

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Speaker 2: like making me feel embarrassed.

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Speaker 5: We must move on from this conversation. I'm literally so uncomfortable.

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Speaker 2: I know, Scott. I'm so sorry. I'm so sorry.

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Speaker 1: It's okay, it's okay. Keep sharing, keep sharing everybody. At

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Speaker 1: least you're the courage to be honest, you know. Thank you.

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Speaker 2: It's like control my dreams, Danielle like, I can't help it.

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Speaker 2: I can't help it.

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Speaker 1: It's the subconscious mind is a wonderful slash.

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Speaker 2: Luke ends up in there.

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Speaker 1: Well, how does it happen? How does it happen?

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Speaker 2: Sometimes I don't know if you're Luke or Scott in

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Speaker 2: the dream, which is also kind of weird, right.

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Speaker 6: I feel like for me, I knew Scott before I

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Speaker 6: knew Luke, So I'm like, it's it's Scott.

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Speaker 2: What do you mean I knew Luke Scott.

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Speaker 1: That's our friend, daniel Danielle. If I hadn't end up

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Speaker 1: in Danielle's dream, it would be in a totally different reaction.

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Speaker 1: Get out of here? What are you doing?

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Speaker 2: I should be like, I told you what time we're recording.

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Speaker 1: Up? No, I can't upgrade your room in Vegas? Will

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Speaker 1: you leave me alone?

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Speaker 2: We're not getting you a jet.

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Speaker 5: iHeart Podcasts listen on the iHeartRadio app.

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Speaker 1: Who wants to synopsize this episode, Who's Gonna take it off?

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Speaker 6: Good moments, but like, all right, I put us through

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Speaker 6: our misery, although I would argue this is not miserable

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Speaker 6: for me. So this is season seven, episode sixteen, Will

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Speaker 6: You Be My Lorlike Gilmour? Air date February twenty seventh,

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Speaker 6: two thousand and seven. Rory is planning a baby shower

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Speaker 6: for Lane, but then gets an interview with The New

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Speaker 6: York Times. Loralai plays mediator between Lane and missus Kim,

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Speaker 6: who are fighting about how the twin should be raised,

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Speaker 6: and Logan tells Rory about his investment failure. Plus, Luke

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Speaker 6: makes a big decision about his father's boat, which prompts

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Speaker 6: him to make some changes in his life.

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Speaker 2: Also, hmm, there there's that boat was worth so much

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Speaker 2: more than six hundred dollars.

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Speaker 7: Yeah, I had to rewind it. I was like, did

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Speaker 7: I hear six hundred?

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Speaker 1: It was worth more? It was worth more than six

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Speaker 1: thousand dollars, six hundred dollars.

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Speaker 2: Kirk should have taken that in a run.

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Speaker 1: That is absolutely absolutely.

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Speaker 2: Wonder what you paid for your other new boat?

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Speaker 1: Yeah, right, sounded pretty ritzy, Right, You're gonna take it,

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Speaker 1: gonna take a three hour cruise on it, like go

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Speaker 1: against Island.

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Speaker 2: Anyway, did we do the synopsis?

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Speaker 6: Yeah, thanks for listening to my very very informant part

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Speaker 6: of each episode.

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Speaker 2: Was like really good parts and just really boring parts.

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Speaker 1: What were the good parts? Described them to me. Baby

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Speaker 1: shower you thought that was good?

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Speaker 2: Yeah, I enjoy the baby shower.

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Speaker 8: At the moment between Lane and Rory, I like that

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Speaker 8: part too.

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Speaker 4: Yeah, And but like Leane and Missus, Kim Luke and Laurelai.

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Speaker 2: Yeah, Logan was.

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Speaker 8: Yeah, I feel like I feel like this is the

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Speaker 8: part where I start to dislike Logan a little bit more.

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Speaker 7: I was like, when does this come in?

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Speaker 8: I think it's around here, because up until here he

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Speaker 8: I don't mind him, like I think he's charming.

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Speaker 5: But now I was waiting for the shoe to drop

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Speaker 5: and the shoes dropping.

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Speaker 1: Yeah, but it was the only time in the whole

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Speaker 1: episode I laughed and laughed out loud when he said,

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Speaker 1: by the way, I'm heading to Vegas. You know, Tinn's

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Speaker 1: dad's plane's gassed up at Tita Borough. I'm gone. I

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Speaker 1: roared with laughter because it was like his timing was

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Speaker 1: so impeccable, and it was the last thing you expected

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Speaker 1: him to say, but of course it was the first

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Speaker 1: thing you should have expected him to say, and off

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Speaker 1: he goes. I really enjoyed that moment that was that

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Speaker 1: was funny to me, very funny.

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Speaker 2: That that was fine. But I laughed very hard when

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Speaker 2: I saw on Instagram the person that commented, uh, Logan

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Speaker 2: Huntsburger hates.

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Speaker 1: Walls, hates walls because he always lives in a studio.

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Speaker 2: Waves because anyway, Sorry, I got excited about that.

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Speaker 1: Now I think the production of the show hates walls

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Speaker 1: because then, you know what I mean, better, just have

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Speaker 1: a studio. You can shoot in all areas right without

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Speaker 1: having to worry about walls.

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Speaker 2: Yeah, I mean, I don't mind that Logan's going off

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Speaker 2: with Finn And why why is the other guy's name

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Speaker 2: out of my Finn to Vegas? That actually tracks. I

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Speaker 2: thought it was kind of mean he didn't go to

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Speaker 2: the baby shower. Frankly, yeah, I.

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Speaker 1: Thought it really showed. I mean, for me, anyway, my

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Speaker 1: gut is like, Wow, these two are not well suited

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Speaker 1: for one another. This is the beginning of the end

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Speaker 1: of this relationship. It seems to me that his he

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Speaker 1: prioritizes his life over their life, anything that happened to him.

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Speaker 1: I just I felt him looking down his nose on

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Speaker 1: her friends and Lane in the baby shower and the

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Speaker 1: importance of that and what that meant to Rory, and

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Speaker 1: he just couldn't handle it. He couldn't, you know. Admittedly,

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Speaker 1: you know, losing millions of dollars of your father's money

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Speaker 1: and investor money and maybe ruining your career is a

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Speaker 1: big deal. But I mean, suck it up, dude, and

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Speaker 1: go support your woman. She would have done the same.

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Speaker 2: For you, right, Yeah, Well she did do the same

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Speaker 2: to per world and and.

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Speaker 1: Hang with her friends and all that. Maybe feel a

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Speaker 1: little better. And I thought it was a selfish move

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Speaker 1: on his part. He's going to Vegas. He's reverting back

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Speaker 1: to his old behavior.

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Speaker 8: I think we're used to him, like how he you know,

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Speaker 8: I think we're used to how he just like showed

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Speaker 8: up to the hospital for Richard, and we're kind of

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Speaker 8: like it's one extreme to the other.

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Speaker 7: It's like he was so there and now he's so

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Speaker 7: not right.

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Speaker 2: That's a really good point.

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Speaker 1: Yeah, I mean, that's that's that's Rory's best friend, and

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Speaker 1: it's a big event. You know, it's maybe just a

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Speaker 1: baby shower and guys don't want to go to a

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Speaker 1: baby shower, but it's a big event to support.

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Speaker 2: Land And yeah, I mean, and I get why he's

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Speaker 2: sort of miserable. I get that he's lost millions of

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Speaker 2: dollars and it's a total fail and it's his fault

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Speaker 2: and YadA YadA. But also I've said YadA YadA way

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Speaker 2: too much. I don't know why YadA YadA is stuck

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Speaker 2: in my head. I keep saying YadA YadA.

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Speaker 1: Speaking of YadA YadA, I just got a nice check

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Speaker 1: from Seinfeld.

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Speaker 2: You got one not that long ago.

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Speaker 1: I know, it's crazy.

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Speaker 2: Whoa, I like four numbers, five numbers, numbers. Let's just

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Speaker 2: go through it, Suzanne, you give us the gist of

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Speaker 2: the scene.

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Speaker 4: All right, So the opening, the opening, Did you notice

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Speaker 4: how long it was? It was almost four minutes.

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Speaker 1: That was forever it got long.

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Speaker 4: They walked almost all the way around the square.

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Speaker 2: Oh yeah, And I was very distracted by like extras,

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Speaker 2: and then I got very distracted by the prices that

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Speaker 2: docies like. I don't know if I was that engaged

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Speaker 2: because my eyes were just so like looking around. Yeah,

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Speaker 2: was this. They go to the baby store and it's

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Speaker 2: literally called the baby store out.

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Speaker 4: They come out of the baby store and they're talking

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Speaker 4: about the first pancake thing. Now, I had never heard

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Speaker 4: of that first pancake thing until I watched this show,

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Speaker 4: But now I see it in other places, Like, was

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Speaker 4: that something you guys knew about?

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Speaker 2: Yeah, the first pancakes always like the third pancake.

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Speaker 4: I never had.

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Speaker 7: I didn't know that, not in my experience.

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Speaker 2: The skillet that the skillet isn't quite right yet. Yeah,

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Speaker 2: and so the first one kind of kind of comes

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Speaker 2: out like that.

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Speaker 4: I liked what Laura said. Did it apply to Wobbles too?

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Speaker 4: Has a point specific? Yeah? That was just that was

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Speaker 4: a new one for me. So really, the whole point

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Speaker 4: of that opening was that Rory gets the call from

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Speaker 4: the New York Times. So the friend, her friend Hugo

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Speaker 4: that she's been writing for, gave her a connection. So

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Speaker 4: that was that was the exciting thing that.

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Speaker 2: She met, right, It was the dude she met at

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Speaker 2: Logan's part.

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Speaker 4: Yes, yeah, and this is what sets up that Laureli

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Speaker 4: is going to end up being the one that pulls

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Speaker 4: off the baby shower instead of Rory. So then we

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Speaker 4: go to Lorelized house where they're decorating well lorealized decorating,

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Speaker 4: and Sukie's just sitting on the chair.

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Speaker 2: Sings sort of annoying, Like it was like, yeah, Suki

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Speaker 2: was a little annoying that Phil was sitting on the phone,

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Speaker 2: like why did we need to spend a lot of time? Well,

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Speaker 2: and how hard is it to just reach back?

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Speaker 9: Like it was just kind of like okay, yeah, so

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Speaker 9: well like filler and just but this I noticed the signs,

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Speaker 9: like the signs were cute for the onesie painting and

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Speaker 9: all that.

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Speaker 4: I'm thinking, Wow, the art department had probably had fun

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Speaker 4: with this episode.

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Speaker 7: Yeah, I did laugh at it's a boys, yes.

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Speaker 2: Oh yeah. And also later when we talk about the onesies,

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Speaker 2: the onesies are phenomenal, but we'll get to them.

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Speaker 4: Yeah. So then we go to the scene in Logan's apartment,

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Speaker 4: so it's the middle of the night and he comes

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Speaker 4: home drug.

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Speaker 2: Sandwich.

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Speaker 4: The sandwich. Did you see the lettus acting? There was

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Speaker 4: some good lettuce acting there. There was like a random

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Speaker 4: piece of lettuce that was stuck to the bag of

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Speaker 4: bread and you can if you watch the lettuce, Matt

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Speaker 4: like tries to hide it in his hand and Alexis

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Speaker 4: just grabbed it out of his hand and slaps it

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Speaker 4: down on the countertop.

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Speaker 2: It was pretty We talk about the one bang acting,

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Speaker 2: so we'll talk about that, but the Lettuce acting is great.

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Speaker 1: Acting drunk like that, it's the hardest thing to do.

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Speaker 1: I thought he did a great job.

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Speaker 2: Yeah, he's see now.

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Speaker 4: I was going to say the opposite.

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Speaker 1: No, I thought it had done.

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Speaker 7: I agree with Susan.

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Speaker 1: It's such a fine line, though. It's really hard to

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Speaker 1: pull off. Yeah, because you know, he's just coming back

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Speaker 1: from a bender. It's just like he's still drunk, you

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Speaker 1: know what I mean. So it's hard. It's so hard

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Speaker 1: to do.

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Speaker 4: I did laugh when he was talking about his phone

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Speaker 4: and how it was on off and he's like, it

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Speaker 4: sounds like it's on, but it's off. It was on off.

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Speaker 4: That part, that little snippet of dialogue made me laugh.

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Speaker 4: But overall, I know he just was. It just seemed

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Speaker 4: a little overdone. And I was actually thinking about what

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Speaker 4: you had said before, Scott, about how hard it is

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Speaker 4: to be convincingly drunk and not be too drunk, and

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Speaker 4: that was it was just a little over the line

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Speaker 4: for me.

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Speaker 2: So we still want her too. It was just messy.

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Speaker 4: Yeah, and she doesn't know why, Like, she doesn't know

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Speaker 4: about the company yet, so she doesn't know why he's

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Speaker 4: behaving this way or why he's you know, felt the

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Speaker 4: need to to work late and then get drunk or whatever.

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Speaker 4: So from her perspective, she's like, what what the heck

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Speaker 4: is going on? Okay, and then we go to Luke

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Speaker 4: Steiner and this is where Okay. So funny, I did

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Speaker 4: a little research last night, and I found out that

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Speaker 4: the guy that was this is like super minute detail,

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Speaker 4: but the guy that was asking about the steel cut oatmeal.

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Speaker 4: So the show is famous for like reusing actors.

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Speaker 1: Oh that's Lauren's assistant. Really, yeah, he's that used to

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Speaker 1: be Lauren's assistant. I don't know if he's still in

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Speaker 1: her life. But that guy, the customer that Zach was

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Speaker 1: waiting on, yeah, actually Lauren's assistant. And funny story is

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Speaker 1: I was house hunting back in the day, back you know,

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Speaker 1: during the shooting of this. It was either two thousand

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Speaker 1: and five. I bought a house in two thousand and three,

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Speaker 1: so I was house hunting because I was gonna sell

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Speaker 1: it and get another house. And I went into this

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Speaker 1: house and there's and I'm looking around and I'm like

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Speaker 1: there's Lauren's assistant was sitting there in the living room,

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Speaker 1: and I just stopped and go, what the heck are

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Speaker 1: you doing here? And he goes, well, this is Lauren's house.

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Speaker 7: Oh funny, and you had no idea.

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Speaker 1: So he showed me into the bedroom. And the one

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Speaker 1: time I got into Lauren Graham's bedroom I had I

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Speaker 1: had to get there via assistant.

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Speaker 4: But I found out he was also in the episode

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Speaker 4: where Lorelei and Emily go to the day Spot. He

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Speaker 4: was Lorelei's messuse. Funny, yeah, and he also had a

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Speaker 4: quick thing in the in the revival, but of course

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Speaker 4: we can't talk about that yet. Anyways, So steel cut oatmeal.

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Speaker 2: Guy, and then between steel Cut and like what what?

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Speaker 1: What was.

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Speaker 2: Taker? First of all, I can't eat oatmeal diarrhea, But.

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Speaker 1: Throughout throughout the day I.

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Speaker 2: Think, so, yeah, something does something bad to me. But

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Speaker 2: what is the difference and which is better?

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Speaker 7: I like, I make overnight oats.

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Speaker 2: So so what's overnight oats.

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Speaker 5: Where you just like saturate them in liquid overnight.

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Speaker 8: Yeah, basically I put like coconut milk or almond milk

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Speaker 8: in the oats and then it kind of I put

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Speaker 8: chia seeds and then put food on top.

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Speaker 1: Yeah that's actually.

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Speaker 5: Wait, what's the difference between rolled and Yeah, that's a difference.

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Speaker 4: I can't The steel cut is like more of the

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Speaker 4: natural fiber. That's why it takes forever to cook, Like

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Speaker 4: it literally takes like forty five minutes to cook. So

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Speaker 4: Luke was not wrong when he said that.

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Speaker 2: I think it's too much fiber for my body, just saying,

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Speaker 2: listening a lot of fiber, Text me if you've got

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Speaker 2: a problem.

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Speaker 8: Also, yeah, steel cut oats are slow to say you start,

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Speaker 8: which means.

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Speaker 2: Trying to have a self help group for people that

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Speaker 2: cannot have so much fiber. The other thing I can eat, Yeah,

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Speaker 2: we could have our own podcast. I can't have any

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Speaker 2: of the butter, the nut butters, the peanut butters, the

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Speaker 2: sun butters makes my stomach feel weird. I'm gonna have

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Speaker 2: the occasional Justin's peanut butter cup, but not like I

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Speaker 2: cannot have a spoonful of any nut butter anyway. Anyway,

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Speaker 2: send your cards and letters and how much you hate

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Speaker 2: my sidebars to our.

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Speaker 1: Instagram man, what's handing?

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Speaker 8: Man?

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Speaker 1: You got?

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Speaker 10: Marshaw besmld Lynch.

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Speaker 1: Doug Hendrickson and Gavin Newsome and you're listening to politicking.

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Speaker 1: What does politicket even mean?

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Speaker 10: So this is how politicking work out, right, there's bridging gaps.

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Speaker 10: You sit down, you come to the round table. We

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Speaker 10: need to figure it out. I need to figure out

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Speaker 10: where you're coming from, right, but you need to figure

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Speaker 10: out where he coming from. Your politicking might be a

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Speaker 10: little bit different. You feel me, you handle yours a

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Speaker 10: different way. We bring each side all walks of life,

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Speaker 10: like how we're doing right now, and we figure out

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Speaker 10: what we got going on and what I'm gonna call it.

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Speaker 10: It's politicking, not because he's a politician, but because that's

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Speaker 10: just what we do. Yeah, with no politics, with no politics,

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Speaker 10: politics with no politics, that's it I'm talking about.

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Speaker 1: I love it. And we can change the world podcast

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Speaker 1: by podcast, and we will change the world podcast by

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Speaker 1: the gust you did to be saved.

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Speaker 10: But we're gonna figure it out though.

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Speaker 1: That's the thing we had a lot to do together

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Speaker 1: right now. Yeah, that's why you're listening to politiicing on iHeartRadio.

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Speaker 10: Apple podcasts or wherever you listen to podcasts.

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Speaker 1: Open your free iHeart app and search politicking. Coming July fifteenth,

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Speaker 1: this is where.

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Speaker 4: We have the newspaper ad and it made me laugh

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Speaker 4: when Kirk said, I've been published and it's just the

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Speaker 4: like and so listen to the pros this guy writes

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Speaker 4: and it's like yeah, and then Luke realizes that's his boat.

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Speaker 4: Blah blah blah.

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Speaker 2: Okay in total like d move of TJ.

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Speaker 7: And Liz's like, you don't see, Yeah, that was shady. Yeah,

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Speaker 7: not to jump ahead, but to be like, oh, we

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Speaker 7: would have given you the money, but if you want

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Speaker 7: to contribute to our garage.

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Speaker 1: But first of all, how he found out about it

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Speaker 1: was yeah, I mean really, yeah, it just so happened.

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Speaker 5: Kirk, like, I feel like Luke should be more upset

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Speaker 5: about that.

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Speaker 2: That's abused about and someone can correct me. The boat

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Speaker 2: was over at Lorealized for like a long time, right,

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Speaker 2: and then remember the boat moved and Luke was going

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Speaker 2: to store the boat somewhere. I don't recall him storing

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Speaker 2: it in a space that lives in TJ. Have I

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Speaker 2: thought Lizen TJ bought their house, like that's what somebody.

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Speaker 8: Can I was also confused by the location of their

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Speaker 8: house because it looks like they're right in the middle

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Speaker 8: of stars Hollow and it takes them like foized.

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Speaker 1: Garage, like Laurelized garage, but it's not supposed to beg Yeah.

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Speaker 4: No, okay, I had a John and I went over

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Speaker 4: this a great went great length last night, rewinding it

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Speaker 4: and going forward trying to figure it out. So I

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Speaker 4: think that the garage. So story wise, Luke moved the

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Speaker 4: boat out of Laurelized Garage when they had the fight,

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Speaker 4: and it was on the street in front of the diner.

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Speaker 1: But didn't they move it? But didn't he move didn't

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Speaker 1: she move it back in? Or something?

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Speaker 4: Well we never they never said what happened to it

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Speaker 4: after that? Oh really, they didn't explicitly say, but there

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Speaker 4: was there was that other fight where the boat was

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Speaker 4: in another location and he was arguing with the old

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Speaker 4: lady when she told him to move it out, and

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Speaker 4: that's how it wound up in Laurelized Garage. So, but

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Speaker 4: this garage that it was in physically, if you look

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Speaker 4: across the street, that was Suk's house. Yeah, and the

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Speaker 4: garage next to Suki's house is the one that on

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Speaker 4: the other side is Laurelized Garage.

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Speaker 1: Because those houses are right next to each other, right.

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Speaker 4: They're like back to back, so it's like Suki's garage

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Speaker 4: on this street and if you go around the back,

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Speaker 4: now it's like got two fronts. One front is Suki's in,

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Speaker 4: one front is lorealized.

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Speaker 1: So it's just it's very confusing.

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Speaker 8: It is very I was also just confused where do

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Speaker 8: they live because when they came to stay with Luke,

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Speaker 8: they like came into town, right, so they're.

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Speaker 2: Not the outskirts of town, but they don't live in

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Speaker 2: the heart of town.

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Speaker 4: Yeah, they never really specified, but like when they were

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Speaker 4: the house hunting, they said we're we're going to move

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Speaker 4: back to Stars Hollow, So whether that meant Stars Hollow

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Speaker 4: proper or just the Star Hall area, yeah, they never

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Speaker 4: really clarified.

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Speaker 5: They live by the superstore. Rouse.

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Speaker 1: Here's why he wasn't that agitated by it, right because

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Speaker 1: he let it go. He sold it. Now, if he

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Speaker 1: was really agitated, did a typical Luke ramp and then

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Speaker 1: Luke rant and then he turned around, so it would

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Speaker 1: have made him look kind of crazy.

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Speaker 5: So I just gonna be mad at my sister like

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Speaker 5: he was.

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Speaker 1: He was, he was, he was, but she's a young

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Speaker 1: mother and you don't want to tear into your sister

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Speaker 1: and you know, you know what I'm saying, And he.

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Speaker 4: Knew it wouldn't do any good to be mad at

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Speaker 4: her anyways, because she's just the way.

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Speaker 1: She is, right right, So I think it was more resignation. Yeah,

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Speaker 1: it's like, well, gosh, but I think he was he

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Speaker 1: was annoying.

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Speaker 4: So then there was a quick little scene at missus

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Speaker 4: Kim's where Laura goes to pick up pictures of Wayne,

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Speaker 4: and this is where missus Kin says she's not going

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Speaker 4: to the wedding shower. I mean, yes, baby shower, baby shower.

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Speaker 2: Yeah, this was a whole like I sort of enjoyed

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Speaker 2: this storyline of Lurai kind of going back and forth

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Speaker 2: and brokring it and the touching, but I also was

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Speaker 2: like this again, I thought it was just.

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Speaker 7: A little too dragged down. Yeah I did too.

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Speaker 1: I thought it was very redundant of this storyline between

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00:22:07,920 --> 00:22:12,000
Speaker 1: mother and daughter. It's like she's about to give birth

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00:22:12,080 --> 00:22:14,919
Speaker 1: to twins. I mean, does this really need It seems

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Speaker 1: sophomoric to me that these two women at this point

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Speaker 1: are still, you know, struggling.

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Speaker 2: I can't see that.

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Speaker 1: I think the end was one in bio for me,

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Speaker 1: the end of the end of what the end.

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Speaker 4: Of the episode, like where they got to the point

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Speaker 4: where they had reached kind of a shared understanding, like

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Speaker 4: we'll get I'll comment.

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Speaker 1: I mean it didn't have any impact because there was

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Speaker 1: no real tension to begin. It just seemed very forced.

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Speaker 1: Here's that word, a get. It seemed forced.

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Speaker 2: Yes, it is forced until you get to the bedroom

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Speaker 2: scene and Lane sort of acknowledges like I'm going to

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Speaker 2: be all about my kid just like my mom was,

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Speaker 2: and then you kind of go, that's cute. Okay, we

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00:23:01,040 --> 00:23:04,080
Speaker 2: so yeah, sort of cute, right, But like getting there.

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Speaker 8: Was a little I feel like that was the best

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Speaker 8: part though, like that moment between Lorelei and and Lane.

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Speaker 7: But yeah, getting there was I don't know if we needed.

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00:23:13,560 --> 00:23:13,879
Speaker 8: All of it.

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00:23:14,760 --> 00:23:18,440
Speaker 4: Yeah, And I I liked the moment too between Lorelai

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Speaker 4: and missus Kim where Laura I was saying, like she said,

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00:23:22,400 --> 00:23:24,800
Speaker 4: my mom missed so much and I don't want that

440
00:23:24,920 --> 00:23:26,960
Speaker 4: to happen to you. Like Larela I was acknowledging in

441
00:23:27,040 --> 00:23:31,120
Speaker 4: her own life how her actions had impacted Emily, which

442
00:23:31,240 --> 00:23:35,320
Speaker 4: I thought was a nice point that we don't often

443
00:23:35,400 --> 00:23:37,200
Speaker 4: see lorel making that realization.

444
00:23:37,680 --> 00:23:39,840
Speaker 2: Is sort of like that where it's like there's some

445
00:23:40,000 --> 00:23:42,320
Speaker 2: good points and some filler. Yeah.

446
00:23:42,600 --> 00:23:44,200
Speaker 1: I just thought it was I just thought it was

447
00:23:44,240 --> 00:23:48,920
Speaker 1: poorly presented. It's like ever ever try to make a

448
00:23:49,040 --> 00:23:52,040
Speaker 1: Western omelet and you just really screw it up, and

449
00:23:52,160 --> 00:23:56,359
Speaker 1: it's right, and it's better getmbled eggs, sit all and

450
00:23:56,440 --> 00:24:00,240
Speaker 1: start over, you know, and rebuild it, you know. And

451
00:24:00,320 --> 00:24:03,800
Speaker 1: I thought that way about this episode. It's like, maybe what's.

452
00:24:03,640 --> 00:24:05,320
Speaker 2: A Western omelet versus an omelet?

453
00:24:06,000 --> 00:24:07,600
Speaker 5: Is the one with ham and bell peppers.

454
00:24:07,800 --> 00:24:12,320
Speaker 1: Yeah, it's a lot of ingredients, yeah, bacon and Okay,

455
00:24:12,600 --> 00:24:17,760
Speaker 1: So then we go to Lane and Zach's and can

456
00:24:17,800 --> 00:24:20,880
Speaker 1: you eat the Western omelets? Are you okay with those? Can?

457
00:24:21,000 --> 00:24:22,639
Speaker 2: Yeah? And I can kind of dabble in cheese from

458
00:24:22,680 --> 00:24:25,000
Speaker 2: time to time. I can definitely do eggs. I wouldn't

459
00:24:25,000 --> 00:24:28,520
Speaker 2: do the peppers, though I have a limited.

460
00:24:30,720 --> 00:24:34,639
Speaker 4: Solareley goes to Lane's to find out like what the

461
00:24:34,760 --> 00:24:39,000
Speaker 4: source of this disagreement was, and then that's when Lane says,

462
00:24:39,040 --> 00:24:41,280
Speaker 4: you know, Mom's trying to control everything with my kids,

463
00:24:41,320 --> 00:24:43,480
Speaker 4: which I mean that is kind of an overstep on

464
00:24:43,560 --> 00:24:45,760
Speaker 4: missus Kim's part, Like you don't really get to tell,

465
00:24:47,119 --> 00:24:50,600
Speaker 4: you don't get to dictate what your grandchildren's would.

466
00:24:50,480 --> 00:24:52,719
Speaker 2: And look at her mom when her mom came. I mean,

467
00:24:52,760 --> 00:24:53,600
Speaker 2: it all tracks.

468
00:24:53,720 --> 00:24:59,760
Speaker 4: It's like, yeah, yeah, that's true. But Laurelai did have

469
00:24:59,840 --> 00:25:02,600
Speaker 4: a good point to to Lane. Lane doesn't know what

470
00:25:02,720 --> 00:25:04,240
Speaker 4: her kids are gonna like. And then there was the

471
00:25:04,280 --> 00:25:06,840
Speaker 4: funny analogy of you know, maybe she's gonna hide bibles

472
00:25:06,920 --> 00:25:07,800
Speaker 4: under the floorboards.

473
00:25:08,000 --> 00:25:11,680
Speaker 7: Yeah, that's the part I liked. Yeah, she had a point.

474
00:25:11,840 --> 00:25:14,639
Speaker 7: It's like, what if your kid does want to it

475
00:25:14,800 --> 00:25:16,480
Speaker 7: is religious and you.

476
00:25:16,520 --> 00:25:20,880
Speaker 4: Can't assume what your kid is gonna want. That's kind

477
00:25:20,920 --> 00:25:27,600
Speaker 4: of the point of the whole. Yeah, the show. And

478
00:25:28,200 --> 00:25:32,800
Speaker 4: then we go back to Logan's apartment. This this is

479
00:25:32,840 --> 00:25:33,440
Speaker 4: the next morning.

480
00:25:33,520 --> 00:25:36,879
Speaker 2: So Logan is hungover and the assistant keeps calling, and

481
00:25:37,480 --> 00:25:40,080
Speaker 2: right the assistant keeps calling, Rory's trying to get out

482
00:25:40,119 --> 00:25:43,320
Speaker 2: the door to meet the New York interject to something

483
00:25:43,320 --> 00:25:50,600
Speaker 2: about Logan's apartment though the fire pit slash fireplace that's

484
00:25:50,640 --> 00:25:55,840
Speaker 2: always going like they sleep, they sleep with it on.

485
00:25:56,000 --> 00:25:58,399
Speaker 2: I think it's not safe, Like do you know what

486
00:25:58,400 --> 00:26:00,720
Speaker 2: I'm did you notice he's got a fire pit?

487
00:26:01,560 --> 00:26:02,240
Speaker 7: I didn't notice.

488
00:26:03,640 --> 00:26:06,040
Speaker 2: Everybody needs to go back and it's like always on,

489
00:26:06,520 --> 00:26:09,200
Speaker 2: and I'm like are they not literally burning hot and

490
00:26:09,320 --> 00:26:12,520
Speaker 2: also sucking out so much of the oxygen in this studio?

491
00:26:12,600 --> 00:26:14,760
Speaker 2: I mean, it just was so unsafe. I was like,

492
00:26:15,200 --> 00:26:17,800
Speaker 2: it's one of those rocks kind of fire pits, like

493
00:26:17,880 --> 00:26:19,920
Speaker 2: literally a fire, an open fire going.

494
00:26:21,000 --> 00:26:23,000
Speaker 4: Now there's like all kinds of evidence that like those

495
00:26:23,160 --> 00:26:25,639
Speaker 4: those gas burning stoves and fireplaces and stuff are like

496
00:26:25,640 --> 00:26:26,880
Speaker 4: a really bad for It's.

497
00:26:26,680 --> 00:26:29,160
Speaker 1: A very poor example for the young people watching the show.

498
00:26:29,560 --> 00:26:32,440
Speaker 7: Not yeah, it's very It seems like a fire hazard

499
00:26:32,480 --> 00:26:33,280
Speaker 7: if they're sleeping with that.

500
00:26:34,200 --> 00:26:37,760
Speaker 1: So if you're watching at home, Yeah, who has.

501
00:26:37,680 --> 00:26:40,240
Speaker 2: A fire pit in the middle of their studio? And

502
00:26:40,280 --> 00:26:42,680
Speaker 2: I know it's supposed to be like a very fancy fireplace.

503
00:26:42,760 --> 00:26:44,159
Speaker 2: It's like crazy people.

504
00:26:43,960 --> 00:26:46,479
Speaker 1: That have planes gassed up at Teterborough ready to take off.

505
00:26:47,320 --> 00:26:49,320
Speaker 7: He couldn't afford another wall, but he can afford.

506
00:26:51,640 --> 00:26:54,240
Speaker 2: I'm sorry. Just the fireplace needed to be acknowledged.

507
00:26:54,800 --> 00:26:56,520
Speaker 4: I do want to give a shout out. They did

508
00:26:56,640 --> 00:27:00,800
Speaker 4: mention dirty dancing in this scene, which of course Bishop.

509
00:27:00,600 --> 00:27:01,280
Speaker 7: Was in that movie.

510
00:27:01,520 --> 00:27:02,560
Speaker 2: Yes, that's what did they say.

511
00:27:04,000 --> 00:27:06,159
Speaker 4: She made a comment about having to change clothes in

512
00:27:06,240 --> 00:27:08,880
Speaker 4: the call like in dirty dancing, like baby does.

513
00:27:09,119 --> 00:27:10,600
Speaker 2: Yeah, yeah, yeah, yeah, yeah.

514
00:27:12,760 --> 00:27:16,080
Speaker 4: All right, So she leaves for her interview, the phone ringing,

515
00:27:16,359 --> 00:27:18,800
Speaker 4: blah blah blah. Then we cut to the scene with

516
00:27:19,000 --> 00:27:20,600
Speaker 4: Liz and TJ and Luke.

517
00:27:22,440 --> 00:27:22,760
Speaker 2: The Girl.

518
00:27:22,800 --> 00:27:26,359
Speaker 4: I liked this scene, actually, I liked I kind of

519
00:27:26,640 --> 00:27:31,120
Speaker 4: liked seeing Luke be uncomfortable. I like that Liz kind

520
00:27:31,119 --> 00:27:34,400
Speaker 4: of gave him that kick in the pants. I think

521
00:27:34,520 --> 00:27:39,800
Speaker 4: because Luke has always kind of held he's always kind

522
00:27:39,840 --> 00:27:43,040
Speaker 4: of held his dad up as a hero, which I'm

523
00:27:43,080 --> 00:27:45,720
Speaker 4: sure he was, but at the same time, he didn't

524
00:27:45,800 --> 00:27:48,280
Speaker 4: even think that maybe he wasn't happy.

525
00:27:48,440 --> 00:27:50,520
Speaker 2: He was just in a rus That was interesting that

526
00:27:50,600 --> 00:27:54,840
Speaker 2: we got sort of some backstory there. Yeah, I thought

527
00:27:56,160 --> 00:28:00,720
Speaker 2: Liz told that, well, she was kind, she loved him,

528
00:28:01,359 --> 00:28:03,879
Speaker 2: but she was saying he was very routine and that

529
00:28:04,040 --> 00:28:07,320
Speaker 2: Luke needs to kind of, you know, yeah, try to

530
00:28:07,400 --> 00:28:11,720
Speaker 2: live a little differently. And I thought, yeah, you can tell.

531
00:28:11,640 --> 00:28:14,639
Speaker 4: Luke had never even considered that perspective until she said it,

532
00:28:15,080 --> 00:28:17,920
Speaker 4: so kind of her words to heart.

533
00:28:18,600 --> 00:28:23,560
Speaker 2: Yeah, you can comment. I mean, I thought, I trajectory

534
00:28:23,600 --> 00:28:26,280
Speaker 2: in this episode is pretty kind of interesting and cool.

535
00:28:28,600 --> 00:28:29,080
Speaker 1: I agree.

536
00:28:30,400 --> 00:28:31,919
Speaker 4: Scott does not look like he agrees.

537
00:28:33,560 --> 00:28:39,320
Speaker 1: It's hard for me to opine. Unfortunately, on an episode

538
00:28:39,360 --> 00:28:43,120
Speaker 1: that I never bought into at any point. I just

539
00:28:43,200 --> 00:28:46,240
Speaker 1: didn't get on for the ride on this one. And

540
00:28:46,360 --> 00:28:49,120
Speaker 1: I was trying to. I'm standing there, I had my

541
00:28:49,240 --> 00:28:52,600
Speaker 1: ticket in my hand, I was ready to go, I

542
00:28:52,680 --> 00:28:56,720
Speaker 1: had my cotton candy, I had my coke ready ready

543
00:28:56,720 --> 00:29:00,120
Speaker 1: to get on, and I just the ticket TECH take this.

544
00:29:00,800 --> 00:29:02,400
Speaker 1: I couldn't get on. I couldn't find a way to

545
00:29:02,400 --> 00:29:04,200
Speaker 1: get on the ride. And that's just kind of how

546
00:29:04,240 --> 00:29:07,080
Speaker 1: I felt about the whole thing. So everything that came

547
00:29:07,160 --> 00:29:09,080
Speaker 1: out of it and came out of the screen toward me,

548
00:29:09,160 --> 00:29:12,960
Speaker 1: I was just oh no, oh no, oh no, And

549
00:29:13,080 --> 00:29:16,160
Speaker 1: I just I didn't it was I'm going to be

550
00:29:16,440 --> 00:29:19,240
Speaker 1: real honest with you, I just wasn't an enjoyable episode

551
00:29:19,280 --> 00:29:21,000
Speaker 1: for me at all at any.

552
00:29:20,960 --> 00:29:24,040
Speaker 2: Point, different situation and that, I see what you're saying.

553
00:29:24,640 --> 00:29:26,520
Speaker 2: I watched it, and I watched it a bit ago,

554
00:29:27,440 --> 00:29:29,000
Speaker 2: and I kind of, you know, like a few days ago.

555
00:29:29,680 --> 00:29:31,720
Speaker 1: But you know why, I'm sorry to interrupt, because I

556
00:29:31,760 --> 00:29:34,280
Speaker 1: didn't believe that. I didn't believe any of it because

557
00:29:34,320 --> 00:29:38,080
Speaker 1: nobody was acting like themselves. The situations were forced, the

558
00:29:38,200 --> 00:29:41,560
Speaker 1: dialogue was forced, and I didn't believe that this was

559
00:29:42,120 --> 00:29:44,280
Speaker 1: Gilmore girls. I didn't believe that this was the show.

560
00:29:44,640 --> 00:29:52,280
Speaker 1: I really felt that. I felt the vacuum left by

561
00:29:52,400 --> 00:29:53,040
Speaker 1: Amy and Dan.

562
00:29:54,280 --> 00:29:54,840
Speaker 2: Yeah, I mean.

563
00:29:56,480 --> 00:29:59,880
Speaker 1: To any of this there was. It wasn't really that clever.

564
00:30:00,360 --> 00:30:04,440
Speaker 1: It wasn't fast and funny, it wasn't popping for me,

565
00:30:04,680 --> 00:30:07,040
Speaker 1: and I just laid back and it was the longest

566
00:30:07,400 --> 00:30:08,600
Speaker 1: forty minutes in my life.

567
00:30:09,160 --> 00:30:11,720
Speaker 2: My problem was I sort of enjoyed it while I

568
00:30:11,800 --> 00:30:13,600
Speaker 2: was watching it, and I kept being like, Oh, I

569
00:30:13,640 --> 00:30:15,200
Speaker 2: wish I had my notepad because there were a few

570
00:30:15,200 --> 00:30:17,520
Speaker 2: little funny things I wanted to remember to talk about

571
00:30:18,400 --> 00:30:21,560
Speaker 2: the next day or two days later. I could not

572
00:30:21,680 --> 00:30:24,520
Speaker 2: remember anything from the episode. I actually was like, what

573
00:30:24,640 --> 00:30:27,240
Speaker 2: happened in the episode? And then I thought, oh, okay,

574
00:30:27,320 --> 00:30:29,760
Speaker 2: this is the one where Richard and Emily are like

575
00:30:29,920 --> 00:30:33,360
Speaker 2: really being mean to the staff, and Emily and Laura

576
00:30:33,440 --> 00:30:35,680
Speaker 2: I have that heart to heart and I'm like, nope,

577
00:30:35,800 --> 00:30:38,920
Speaker 2: that was I heard an episode i'd seen two weeks

578
00:30:39,000 --> 00:30:42,920
Speaker 2: earlier better than the one I'd seen two days ago.

579
00:30:43,040 --> 00:30:45,800
Speaker 2: So there there's something about it that just isn't memorable.

580
00:30:45,840 --> 00:30:47,720
Speaker 1: I was gonna say it's memorable, you know, you know

581
00:30:47,800 --> 00:30:50,840
Speaker 1: what I remembered about I just saw the episode too

582
00:30:50,880 --> 00:30:52,440
Speaker 1: before I came on. You know, I remember about it.

583
00:30:52,440 --> 00:30:55,080
Speaker 1: I remember that I looked outside. My shrubs looked pretty

584
00:30:55,080 --> 00:30:56,680
Speaker 1: good because I just had some new shrubs put it,

585
00:30:57,680 --> 00:30:59,560
Speaker 1: and I saw there was a little piece of cheese

586
00:30:59,600 --> 00:31:01,680
Speaker 1: in the in the media room, and I went and

587
00:31:01,760 --> 00:31:04,520
Speaker 1: picked it up. That's what I remember about the episode.

588
00:31:04,880 --> 00:31:08,440
Speaker 2: Yeah, you just don't get really and I started.

589
00:31:08,160 --> 00:31:11,680
Speaker 1: Opening my mail. There was a residual check from Seinfeld.

590
00:31:11,680 --> 00:31:13,000
Speaker 1: I opened it up, and that was the best thing

591
00:31:13,040 --> 00:31:14,680
Speaker 1: about the episode is getting the Seinfeld.

592
00:31:15,120 --> 00:31:17,600
Speaker 2: It's not a bad it's not bad. It's just not

593
00:31:18,080 --> 00:31:22,000
Speaker 2: anything for me. Although I enjoyed the baby shit. You know,

594
00:31:22,040 --> 00:31:24,320
Speaker 2: there's parts that I enjoyed, but it was for the

595
00:31:24,640 --> 00:31:29,560
Speaker 2: most part it's kind of yeah, I'm in ground noise

596
00:31:29,840 --> 00:31:30,880
Speaker 2: kind of an episode.

597
00:31:31,240 --> 00:31:36,560
Speaker 4: Like the individual scenes didn't seem like they really added

598
00:31:36,680 --> 00:31:38,800
Speaker 4: up to much. But then at the end of the episode,

599
00:31:38,840 --> 00:31:40,800
Speaker 4: I was like, Okay, well we made some progress on

600
00:31:41,680 --> 00:31:45,520
Speaker 4: the Lane and missus Kim relationship, and Luke had a

601
00:31:45,560 --> 00:31:46,640
Speaker 4: little bit of growth.

602
00:31:46,600 --> 00:31:49,800
Speaker 1: So to me, beating a dead horse. In my opinion,

603
00:31:50,680 --> 00:31:54,960
Speaker 1: it's like they're trying to rehash something that is well worn,

604
00:31:55,840 --> 00:31:57,720
Speaker 1: and if we're going to do that, can we do

605
00:31:57,880 --> 00:32:00,720
Speaker 1: it in a really interesting spectacu killer way that we

606
00:32:00,840 --> 00:32:01,520
Speaker 1: don't expect.

607
00:32:03,920 --> 00:32:06,720
Speaker 5: Yeah, I mean rehashing the same same.

608
00:32:06,760 --> 00:32:08,360
Speaker 1: Okay, so there you go, there you go.

609
00:32:08,840 --> 00:32:10,240
Speaker 2: You know, I guess I.

610
00:32:10,360 --> 00:32:13,520
Speaker 4: Didn't feel like it was rehashing it so much as

611
00:32:13,600 --> 00:32:15,960
Speaker 4: it was resolving it. Like I feel like we got

612
00:32:16,120 --> 00:32:19,320
Speaker 4: to an endpoint with them that they now both can

613
00:32:19,400 --> 00:32:21,440
Speaker 4: kind of see the other person's perspective.

614
00:32:21,640 --> 00:32:24,240
Speaker 1: I don't know, there's there's better, there's better, there's more

615
00:32:25,040 --> 00:32:28,840
Speaker 1: between them than going back to old tropes, you know.

616
00:32:29,080 --> 00:32:31,200
Speaker 2: Yeah, and even the suky stuff is boring to us

617
00:32:31,240 --> 00:32:34,040
Speaker 2: because it's like, okay, we've seeing this kind of you're pregnant,

618
00:32:34,200 --> 00:32:35,920
Speaker 2: Like I don't know exactly.

619
00:32:35,800 --> 00:32:38,000
Speaker 1: But I mean, let's take a poll. What did you

620
00:32:38,040 --> 00:32:39,920
Speaker 1: really want to see develop in this episode? And what

621
00:32:40,040 --> 00:32:42,000
Speaker 1: I was expecting and what we were set up for

622
00:32:42,240 --> 00:32:44,360
Speaker 1: is a little more heat between Luke and Laurela, and

623
00:32:44,440 --> 00:32:49,000
Speaker 1: we didn't really get it. Yeah, it was ignored. And

624
00:32:49,160 --> 00:32:52,000
Speaker 1: I thought this would be the episode because that's what

625
00:32:52,120 --> 00:32:54,960
Speaker 1: I was anticipating because I haven't seen any of these episodes.

626
00:32:55,000 --> 00:32:58,000
Speaker 1: I thought, oh, now we're set up. They really teed

627
00:32:58,080 --> 00:33:00,960
Speaker 1: it up now for those two to come back together

628
00:33:01,080 --> 00:33:03,480
Speaker 1: in some way and it was just like anything but.

629
00:33:04,040 --> 00:33:06,760
Speaker 11: Taking their sweet That's such a good point because when

630
00:33:06,800 --> 00:33:09,680
Speaker 11: I was watching it and all that stuff about you know,

631
00:33:10,440 --> 00:33:13,720
Speaker 11: Liz saying, oh, you gotta do things different, you know whatever,

632
00:33:13,760 --> 00:33:15,560
Speaker 11: you just gotta spice things up kind of I was

633
00:33:15,640 --> 00:33:17,680
Speaker 11: expecting Luke at the end of this episode to be

634
00:33:17,800 --> 00:33:20,479
Speaker 11: knocking on moralized or and being like, babe, I am

635
00:33:20,640 --> 00:33:24,680
Speaker 11: home and I am here, any.

636
00:33:24,400 --> 00:33:27,640
Speaker 1: Of that something give me something, right, except for this

637
00:33:27,800 --> 00:33:30,640
Speaker 1: sort of like long face at the end, like well,

638
00:33:30,720 --> 00:33:33,800
Speaker 1: you know, well, things change, people move on. And then

639
00:33:34,080 --> 00:33:35,360
Speaker 1: I mean, I don't want to feel that way.

640
00:33:35,840 --> 00:33:38,240
Speaker 5: Yeah, I want to this show.

641
00:33:38,840 --> 00:33:41,800
Speaker 1: I'm used to this show making me feel so good

642
00:33:41,920 --> 00:33:45,720
Speaker 1: and laugh so much and have so much hope. This

643
00:33:46,040 --> 00:33:48,760
Speaker 1: this was a show without hope, and I think they

644
00:33:48,800 --> 00:33:52,080
Speaker 1: were maybe trying to transfer that onto another narrative that

645
00:33:52,120 --> 00:33:56,000
Speaker 1: we've already seen uh time and time again that had

646
00:33:56,080 --> 00:33:57,720
Speaker 1: sort of run its course, and now they're kind of

647
00:33:57,760 --> 00:34:00,400
Speaker 1: rehashing it again for us for some reason. I don't know.

648
00:34:00,880 --> 00:34:03,520
Speaker 8: I know we talked about Sweep Sweep, and this aired

649
00:34:03,560 --> 00:34:05,720
Speaker 8: the end of February, that kind of a time end

650
00:34:05,760 --> 00:34:09,320
Speaker 8: of February where it's kind of not the big hitting episodes.

651
00:34:08,960 --> 00:34:11,319
Speaker 2: Depends the date, but like, if you get too far

652
00:34:11,400 --> 00:34:12,719
Speaker 2: into February.

653
00:34:12,360 --> 00:34:17,000
Speaker 8: It's February twenty seventh, two thousand and seven, it.

654
00:34:17,000 --> 00:34:18,600
Speaker 2: Could be the end of sweeps, or it could be

655
00:34:18,680 --> 00:34:19,200
Speaker 2: into March.

656
00:34:19,320 --> 00:34:20,600
Speaker 7: Because I was like, I wonder if it was just

657
00:34:20,680 --> 00:34:21,800
Speaker 7: a filler episode.

658
00:34:22,360 --> 00:34:23,279
Speaker 4: It feels like it.

659
00:34:23,560 --> 00:34:23,640
Speaker 1: Ye.

660
00:34:31,320 --> 00:34:34,640
Speaker 3: Hey everyone, this is Courtney Thorn Smith, Laura Layton, and

661
00:34:34,760 --> 00:34:39,720
Speaker 3: Daphne Zuniga on July eighth, nineteen ninety two. Apartment buildings

662
00:34:39,760 --> 00:34:43,280
Speaker 3: with pools were never quite the same as Melrose Place

663
00:34:43,680 --> 00:34:47,400
Speaker 3: was introduced to the world. It took drama and mayhem

664
00:34:47,640 --> 00:34:49,200
Speaker 3: to an entirely new level.

665
00:34:49,600 --> 00:34:53,320
Speaker 6: We are going to be reliving every hookup, every scandal,

666
00:34:53,480 --> 00:34:56,360
Speaker 6: every backstap, blackmail and explosion.

667
00:34:56,360 --> 00:34:58,880
Speaker 4: And every single wig removal together.

668
00:34:59,360 --> 00:35:03,960
Speaker 3: Secrets are revealed as we rewatch every moment with you.

669
00:35:04,280 --> 00:35:07,120
Speaker 7: Special guests from back in the day we'll be dropping by.

670
00:35:07,440 --> 00:35:09,680
Speaker 5: You know who they are, Sydney, Allison and.

671
00:35:09,800 --> 00:35:12,200
Speaker 8: Joe are back together on Still the Place with a

672
00:35:12,239 --> 00:35:13,680
Speaker 8: trip down memory Lane.

673
00:35:13,520 --> 00:35:15,479
Speaker 7: And back to Melrose Place.

674
00:35:16,040 --> 00:35:18,640
Speaker 8: So listen to Still the Place on the iHeartRadio app,

675
00:35:18,880 --> 00:35:21,360
Speaker 8: Apple Podcasts or wherever you listen to podcasts.

676
00:35:22,280 --> 00:35:24,440
Speaker 7: Mondays are still a bit.

677
00:35:26,400 --> 00:35:29,400
Speaker 4: So then we go to the coffee shop in New

678
00:35:29,520 --> 00:35:32,239
Speaker 4: York where Rory's waiting for the bald guy. Really not

679
00:35:32,600 --> 00:35:33,400
Speaker 4: much to say about that.

680
00:35:33,560 --> 00:35:37,240
Speaker 2: Stuff that was so boring. I wanted that to be funny,

681
00:35:37,320 --> 00:35:40,600
Speaker 2: and yet it wasn't. Just every bald guy. Yeah, Like

682
00:35:40,840 --> 00:35:42,799
Speaker 2: I don't want that to be funny, and it wasn't.

683
00:35:43,160 --> 00:35:45,080
Speaker 2: I feel like we didn't need to see that, Like

684
00:35:45,160 --> 00:35:46,839
Speaker 2: we don't need to see her waiting in a coffee shop.

685
00:35:47,000 --> 00:35:50,480
Speaker 2: I feel like I don't even remember this, just a

686
00:35:50,560 --> 00:35:52,759
Speaker 2: lot of bald guys walking by and she awkwardly kind

687
00:35:52,800 --> 00:35:53,600
Speaker 2: of smiles at him.

688
00:35:53,680 --> 00:35:56,520
Speaker 1: Now that's the time for like a Bruce Willis cameo right.

689
00:35:56,400 --> 00:35:59,880
Speaker 5: There ordering coffee in the background.

690
00:36:01,040 --> 00:36:03,360
Speaker 1: I mean, give me something that would have been awesome.

691
00:36:04,600 --> 00:36:06,840
Speaker 4: And then so then we go back to the Missus

692
00:36:06,920 --> 00:36:10,160
Speaker 4: Kim and Laurel I situation where Laurel is now negotiating

693
00:36:10,200 --> 00:36:10,919
Speaker 4: with missus Kim.

694
00:36:12,120 --> 00:36:14,520
Speaker 2: Is this the scene where the bang happens? No, I

695
00:36:14,560 --> 00:36:17,000
Speaker 2: think that's when they get back to Lane's. Did you

696
00:36:17,040 --> 00:36:21,200
Speaker 2: guys notice so basically Lauren's hair looks perfect right, except

697
00:36:21,239 --> 00:36:24,479
Speaker 2: in one scene. I'm going to try and show you guys,

698
00:36:25,440 --> 00:36:29,440
Speaker 2: she's got one strand of hair hold on like trying

699
00:36:30,239 --> 00:36:36,120
Speaker 2: that's basically stuck on her forehead like this, so like

700
00:36:36,280 --> 00:36:39,759
Speaker 2: there's like a gap. It's kind of stuck like this

701
00:36:40,760 --> 00:36:43,000
Speaker 2: with a gap, Like you guys have to rewatch it

702
00:36:43,080 --> 00:36:43,560
Speaker 2: with a gap.

703
00:36:44,600 --> 00:36:48,319
Speaker 5: Amy. I feel that I noticed this in every single

704
00:36:48,400 --> 00:36:50,960
Speaker 5: episode with Rory. Every episode.

705
00:36:51,239 --> 00:36:54,359
Speaker 2: It was so distracting and then you can tell they

706
00:36:54,440 --> 00:36:54,719
Speaker 2: kind of.

707
00:36:56,760 --> 00:36:59,960
Speaker 4: Brush through it, and Jackie, I hope you're getting screen

708
00:37:00,040 --> 00:37:02,680
Speaker 4: shots of this, so it's.

709
00:37:02,560 --> 00:37:06,880
Speaker 2: Like blocking my eye right so she can't see it.

710
00:37:07,320 --> 00:37:09,080
Speaker 2: So maybe it's better if I do it like this.

711
00:37:10,960 --> 00:37:13,960
Speaker 2: I don't know how to do it. Basically, That's what

712
00:37:14,120 --> 00:37:16,840
Speaker 2: I saw, and it was so much.

713
00:37:17,239 --> 00:37:20,480
Speaker 4: I'm gonna have to rewatch that. I totally didn't everybody should.

714
00:37:20,600 --> 00:37:23,279
Speaker 2: It was pretty good. I have those little things through

715
00:37:23,320 --> 00:37:25,479
Speaker 2: the whole episode, which I think is what Scott's saying

716
00:37:26,120 --> 00:37:30,880
Speaker 2: he's opening his mail, was like her, how much of

717
00:37:31,040 --> 00:37:32,320
Speaker 2: the peach is a dosing?

718
00:37:32,520 --> 00:37:32,560
Speaker 10: Is?

719
00:37:32,680 --> 00:37:32,840
Speaker 1: You know?

720
00:37:32,960 --> 00:37:35,239
Speaker 2: Like I was just so what is wrong with me?

721
00:37:35,880 --> 00:37:38,120
Speaker 2: The fireplace? I mean, I was doing it the whole episode.

722
00:37:39,000 --> 00:37:42,560
Speaker 2: The lettuce Suzanne, Yes, that's true.

723
00:37:42,719 --> 00:37:48,000
Speaker 4: I was watching Lettuce in but so this is this

724
00:37:48,200 --> 00:37:50,280
Speaker 4: is where I mean, I didn't have a huge problem

725
00:37:50,320 --> 00:37:52,279
Speaker 4: with this scene. This is where Laurel I said that

726
00:37:52,440 --> 00:37:55,400
Speaker 4: she didn't want what happened to her to turn Emily

727
00:37:55,520 --> 00:37:57,480
Speaker 4: to happen to Lane and missus Kim. So I thought

728
00:37:57,520 --> 00:37:59,880
Speaker 4: that was a nice moment of realization.

729
00:38:01,400 --> 00:38:03,200
Speaker 1: Yeah, but too bad it had to come in this

730
00:38:03,360 --> 00:38:06,680
Speaker 1: episode in that way, because it's really a great line,

731
00:38:06,880 --> 00:38:10,759
Speaker 1: and it's a great sort of.

732
00:38:13,480 --> 00:38:13,960
Speaker 2: Sentiment.

733
00:38:14,600 --> 00:38:20,720
Speaker 1: It's it's it's it's an interesting moment in Laurelized life

734
00:38:20,960 --> 00:38:23,960
Speaker 1: to come to that realization and have that kind of

735
00:38:24,000 --> 00:38:27,680
Speaker 1: wisdom to impart to somebody else, you know, based on

736
00:38:27,800 --> 00:38:30,759
Speaker 1: her experience with with Emily. So, but I just wish

737
00:38:30,840 --> 00:38:33,520
Speaker 1: you had come in a better episode, in a better situation.

738
00:38:33,600 --> 00:38:36,440
Speaker 4: I agree, I can understand that. So then Luke and

739
00:38:36,480 --> 00:38:40,799
Speaker 4: April are on the phone, and Luke, this is where

740
00:38:40,840 --> 00:38:44,000
Speaker 4: he's starting to manifest his desire to get out of

741
00:38:44,080 --> 00:38:46,760
Speaker 4: this rut that he is now realized that he's stuck

742
00:38:46,840 --> 00:38:49,360
Speaker 4: in because he has this plan. They're going to go

743
00:38:49,440 --> 00:38:54,080
Speaker 4: to Miami Beach and Disney World. Yeah, and even April

744
00:38:54,239 --> 00:38:55,000
Speaker 4: was like, what.

745
00:38:57,000 --> 00:38:58,840
Speaker 2: I get it, Dad, We're good just hanging at the

746
00:38:58,880 --> 00:39:01,480
Speaker 2: diner kind of telling him like, like you like to do,

747
00:39:02,239 --> 00:39:04,640
Speaker 2: I'm good with that. So she's sort of acknowledging how

748
00:39:04,719 --> 00:39:08,080
Speaker 2: he's stuck in his ways. My only problem is they

749
00:39:08,320 --> 00:39:13,000
Speaker 2: you two are really good in person together. The phone

750
00:39:13,040 --> 00:39:16,480
Speaker 2: calls are okay, but it's just I prefer the scenes

751
00:39:16,520 --> 00:39:18,319
Speaker 2: with you guys together. I'm kind of ready to get

752
00:39:18,360 --> 00:39:23,880
Speaker 2: her back to Stars Hollow. Yeah, which I know what

753
00:39:23,960 --> 00:39:26,000
Speaker 2: that made me think of. Is there ever, because I know,

754
00:39:26,080 --> 00:39:30,120
Speaker 2: Scott you sort of explained last week, like these scenes,

755
00:39:30,600 --> 00:39:32,640
Speaker 2: you know you're not there when they're doing these phone calls.

756
00:39:32,719 --> 00:39:35,160
Speaker 2: Is there ever a time when you do do the

757
00:39:35,280 --> 00:39:36,560
Speaker 2: other side for the person?

758
00:39:37,239 --> 00:39:37,520
Speaker 1: Nope?

759
00:39:37,800 --> 00:39:39,719
Speaker 2: No, I mean it just would be like it would

760
00:39:39,719 --> 00:39:40,839
Speaker 2: be like a big waste of money.

761
00:39:41,120 --> 00:39:43,640
Speaker 1: They usually, Yeah, it would because they usually schedule those

762
00:39:43,680 --> 00:39:46,680
Speaker 1: for the end of the day, you know, or if

763
00:39:46,719 --> 00:39:49,040
Speaker 1: they're in that location, and let's just let's just grab

764
00:39:49,120 --> 00:39:51,399
Speaker 1: this phone call. And you know, Vanessa's not here today,

765
00:39:51,440 --> 00:39:52,560
Speaker 1: but let's just grab the phone.

766
00:39:52,480 --> 00:39:56,400
Speaker 2: Almost like you can tell. Okay, everybody can criticize this,

767
00:39:56,480 --> 00:39:58,760
Speaker 2: but it's almost like you can tell she's not actually

768
00:39:58,920 --> 00:40:03,560
Speaker 2: talking to you, Like the chemistry is just a hint off.

769
00:40:03,680 --> 00:40:06,719
Speaker 1: Right, Yeah. If you can't if you can't actually hear

770
00:40:06,920 --> 00:40:11,400
Speaker 1: the inflections in the voice, you can't respond in a

771
00:40:12,800 --> 00:40:13,359
Speaker 1: real way.

772
00:40:13,480 --> 00:40:15,640
Speaker 2: I think that's what bummed me out about that scene,

773
00:40:15,640 --> 00:40:21,560
Speaker 2: because the conversation is so major. Actually she's really calling

774
00:40:21,640 --> 00:40:23,360
Speaker 2: him out, and you know, blah blah blah. I just

775
00:40:23,360 --> 00:40:25,560
Speaker 2: would have preferred it together because I think the chemistry

776
00:40:25,560 --> 00:40:28,360
Speaker 2: would have been better. But that's just my dumb two cents.

777
00:40:29,239 --> 00:40:33,080
Speaker 4: So then then the negotiation continues. Missus Kim and Laura

778
00:40:33,239 --> 00:40:36,319
Speaker 4: I show up at Lane's apartment. I noticed there were

779
00:40:36,440 --> 00:40:38,600
Speaker 4: red drapes in the apartment. I don't know if those

780
00:40:38,640 --> 00:40:39,120
Speaker 4: are there are some.

781
00:40:39,440 --> 00:40:41,040
Speaker 2: I think some of this is new for the baby.

782
00:40:41,480 --> 00:40:43,960
Speaker 4: Yeah, I don't remember having noticed those before, but they

783
00:40:44,000 --> 00:40:45,600
Speaker 4: look good. They were like a deep bread I thought

784
00:40:45,600 --> 00:40:50,399
Speaker 4: they were pretty. And so Laane stands up to hug

785
00:40:50,440 --> 00:40:53,120
Speaker 4: missus Kim and has a contraction or some sort of

786
00:40:53,200 --> 00:40:56,840
Speaker 4: something happens, and they rush her off to the hospital.

787
00:40:57,160 --> 00:40:59,840
Speaker 4: I did notice that Lauren seemed like she was a

788
00:41:00,040 --> 00:41:05,840
Speaker 4: flop taller than missus Klan, like the way the angle was,

789
00:41:05,960 --> 00:41:08,480
Speaker 4: it was like she just was like way taller than

790
00:41:08,520 --> 00:41:13,799
Speaker 4: both of them or something. Yeah, because she's I think

791
00:41:14,200 --> 00:41:19,360
Speaker 4: she is. Yeah, let's see, all right. So then we

792
00:41:21,040 --> 00:41:23,359
Speaker 4: then we go we're still at the apartment, but now

793
00:41:23,440 --> 00:41:27,279
Speaker 4: it's later because they've come back from the hospital and

794
00:41:28,160 --> 00:41:29,879
Speaker 4: Lane is on bed rest and she thinks that they're

795
00:41:29,960 --> 00:41:31,480
Speaker 4: not going to be able to have the party now.

796
00:41:31,560 --> 00:41:33,960
Speaker 4: And this is where they had that nice moment about

797
00:41:34,120 --> 00:41:37,560
Speaker 4: you know, Laane saying, moms do like she did everything

798
00:41:37,600 --> 00:41:39,200
Speaker 4: for me, I'm going to do everything for my kid.

799
00:41:39,239 --> 00:41:41,520
Speaker 4: And you can see like the way the way she

800
00:41:41,560 --> 00:41:43,400
Speaker 4: said it, like she kind of had that realization like, well,

801
00:41:43,400 --> 00:41:45,879
Speaker 4: wait a minute, she really did give up a lot

802
00:41:45,960 --> 00:41:49,640
Speaker 4: for me, kind of realize the sacrifices that her mom made.

803
00:41:50,200 --> 00:41:53,719
Speaker 4: And then I did get a laugh when she asked

804
00:41:53,719 --> 00:41:55,960
Speaker 4: about the party and missus Kim was like, Laurel I

805
00:41:56,000 --> 00:41:56,560
Speaker 4: will figure out.

806
00:41:56,640 --> 00:41:58,800
Speaker 7: Yea, I'm not gonna do it, Laura, I will do it.

807
00:41:59,280 --> 00:42:01,160
Speaker 2: And then when the bed I know we're not there.

808
00:42:01,200 --> 00:42:04,120
Speaker 2: But when the bed's going through town, Like what is

809
00:42:04,239 --> 00:42:06,480
Speaker 2: the movie that that reminds me of? Is it like bed?

810
00:42:07,040 --> 00:42:10,080
Speaker 2: Remember that movie bed Knobs and Broomsticks?

811
00:42:10,160 --> 00:42:11,040
Speaker 4: Oh yeah, yeah yeah?

812
00:42:11,360 --> 00:42:13,759
Speaker 2: Do they take a bed through town? Like for some reason,

813
00:42:13,840 --> 00:42:15,279
Speaker 2: I was like, I've seen this.

814
00:42:17,480 --> 00:42:19,399
Speaker 4: Monkeys and they talk.

815
00:42:20,719 --> 00:42:23,080
Speaker 1: It's been it's been in the movies. I've seen that.

816
00:42:23,239 --> 00:42:26,480
Speaker 8: Yeah, But that scene from Gilmore like It's like that

817
00:42:26,680 --> 00:42:28,640
Speaker 8: clip of just the still of the bed going through

818
00:42:28,719 --> 00:42:31,160
Speaker 8: town is pretty like famous.

819
00:42:31,239 --> 00:42:33,320
Speaker 7: I feel like I just didn't realize it was this episode.

820
00:42:34,080 --> 00:42:36,200
Speaker 2: Yeah, funny, Sorry I jumped ahead.

821
00:42:37,120 --> 00:42:39,359
Speaker 1: Well, I thought it was absurd. Why would you take

822
00:42:39,440 --> 00:42:39,879
Speaker 1: your daughter?

823
00:42:40,600 --> 00:42:44,879
Speaker 4: I know, doesn't literally mean you you can't get out

824
00:42:44,880 --> 00:42:45,200
Speaker 4: of bed?

825
00:42:45,560 --> 00:42:48,800
Speaker 1: I mean it was just absurd. Yeah, it was so absurd.

826
00:42:49,960 --> 00:42:51,520
Speaker 1: It would have been better if there were sort of

827
00:42:51,640 --> 00:42:54,680
Speaker 1: dancers around doing like this, like turn that's a moment

828
00:42:54,760 --> 00:42:57,400
Speaker 1: you turn into a musical. Because it's still freaking absurd.

829
00:42:58,000 --> 00:43:01,000
Speaker 1: You've got to like just go with it, right, I mean,

830
00:43:01,040 --> 00:43:04,959
Speaker 1: missus Kim stopping cars and no, I'll turn your lights,

831
00:43:05,320 --> 00:43:05,759
Speaker 1: the whole thing.

832
00:43:06,080 --> 00:43:09,239
Speaker 4: Yeah, it's kind of classic Stars Hollow though. I mean, yeah,

833
00:43:12,640 --> 00:43:14,640
Speaker 4: all we needed was Taylor out there, but it wasn't.

834
00:43:15,000 --> 00:43:18,720
Speaker 1: But it wasn't grounded in any kind of reality, classic

835
00:43:18,800 --> 00:43:22,440
Speaker 1: Stars Hollow stuff. We were very fond of the festivals

836
00:43:22,480 --> 00:43:24,399
Speaker 1: and the fairs and all that stuff, and it's real.

837
00:43:25,719 --> 00:43:28,279
Speaker 1: I just had a hard time buying into that. I mean,

838
00:43:28,360 --> 00:43:31,960
Speaker 1: that's somebody who's about to give birth and they're like

839
00:43:32,400 --> 00:43:36,400
Speaker 1: wheeling her through the streets. It's like what you're putting

840
00:43:36,440 --> 00:43:40,520
Speaker 1: her in close proximity with vehicles that weigh six thousand pounds. Okay,

841
00:43:41,320 --> 00:43:44,680
Speaker 1: I just didn't buy it. I I mean, yeah, I

842
00:43:44,719 --> 00:43:47,520
Speaker 1: don't know what was Zach there too, like having a

843
00:43:47,560 --> 00:43:50,560
Speaker 1: good old time pushing his I mean, if that's my wife,

844
00:43:50,600 --> 00:43:54,000
Speaker 1: I'm not letting her like get rolled down the street.

845
00:43:56,640 --> 00:43:58,239
Speaker 2: Miss Patterns. I'm like, oh my god.

846
00:43:59,360 --> 00:44:01,800
Speaker 4: And do you know a ramp was like supported with books,

847
00:44:01,840 --> 00:44:02,719
Speaker 4: like it was probably.

848
00:44:02,520 --> 00:44:03,040
Speaker 1: Like all the.

849
00:44:04,840 --> 00:44:07,040
Speaker 2: Books under it from what's his doozy store?

850
00:44:07,600 --> 00:44:09,080
Speaker 1: Should have been a steering wheel on her.

851
00:44:09,360 --> 00:44:12,960
Speaker 2: Put a sale, possibly, get the bed out of the apartment.

852
00:44:12,840 --> 00:44:17,719
Speaker 1: Right exactly it exactly that door right right, just put

853
00:44:17,760 --> 00:44:21,160
Speaker 1: a sale on it. And yeah, they all should have

854
00:44:21,160 --> 00:44:25,000
Speaker 1: had sailors hats and well and strength.

855
00:44:24,719 --> 00:44:27,400
Speaker 4: Because the way they were coming to like that, that

856
00:44:27,600 --> 00:44:30,480
Speaker 4: wasn't the direction where their apartment was, Like their apartment

857
00:44:30,640 --> 00:44:33,759
Speaker 4: was down the street, like they wouldn't have had to

858
00:44:33,840 --> 00:44:35,200
Speaker 4: really cross that intersection.

859
00:44:35,320 --> 00:44:37,959
Speaker 7: But anyways, the map this episode did not make sense.

860
00:44:38,160 --> 00:44:40,680
Speaker 1: We take the bet apart, we'll get it outside, we'll

861
00:44:40,719 --> 00:44:43,840
Speaker 1: get you just see. Now that's the scene. I wanted

862
00:44:43,880 --> 00:44:46,440
Speaker 1: to say, those scenes, I wish i'd have seen them

863
00:44:46,480 --> 00:44:47,520
Speaker 1: breaking the bed down.

864
00:44:49,360 --> 00:44:51,520
Speaker 4: Okay, so this is then we go to the part

865
00:44:51,560 --> 00:44:54,600
Speaker 4: where Logan tells Rory what happened with the company. So

866
00:44:55,960 --> 00:44:58,239
Speaker 4: we kind of already knew because we saw it at that.

867
00:44:58,960 --> 00:45:01,080
Speaker 7: At the end of his inner Yeah, when they came

868
00:45:01,120 --> 00:45:01,840
Speaker 7: home to.

869
00:45:01,880 --> 00:45:03,879
Speaker 2: That phone conversation that she was right.

870
00:45:04,160 --> 00:45:07,840
Speaker 8: I just didn't realize that was weeks ago because he

871
00:45:08,360 --> 00:45:11,960
Speaker 8: said that he's known for weeks, and that was like

872
00:45:12,040 --> 00:45:12,960
Speaker 8: two episodes ago.

873
00:45:13,960 --> 00:45:18,080
Speaker 4: That's weeks. Yeah, I guess technically that could that's.

874
00:45:17,960 --> 00:45:20,800
Speaker 1: A couple's weeks when we don't know.

875
00:45:23,680 --> 00:45:26,200
Speaker 4: I'm trying to like look back here at my old things.

876
00:45:26,280 --> 00:45:28,760
Speaker 4: I think it was. Yeah, maybe it was weeks.

877
00:45:28,800 --> 00:45:31,600
Speaker 1: I don't know. Oh, look the neighbors going down the street.

878
00:45:31,640 --> 00:45:37,520
Speaker 1: Here in her bed. It happens all the time.

879
00:45:38,920 --> 00:45:42,120
Speaker 4: And then Rory was her usual kind of like, oh,

880
00:45:42,200 --> 00:45:45,080
Speaker 4: I can help, and it's like, how would you help,

881
00:45:45,120 --> 00:45:45,800
Speaker 4: Like you can't.

882
00:45:45,600 --> 00:45:49,360
Speaker 2: Help Pollyanna about it? Yeah, she was right, like she.

883
00:45:50,360 --> 00:45:52,520
Speaker 4: Kind of tends to try to get involved in things

884
00:45:52,640 --> 00:45:54,560
Speaker 4: and she wasn't going to be able to help. But

885
00:45:56,120 --> 00:45:58,640
Speaker 4: and then this is the whole Vegas conversation. You know,

886
00:45:58,760 --> 00:46:02,120
Speaker 4: he needs a break and okay, whatever, I would have

887
00:46:02,160 --> 00:46:02,720
Speaker 4: been more annoys.

888
00:46:02,840 --> 00:46:05,160
Speaker 7: He lost all his money, so let's go to Vegas.

889
00:46:06,080 --> 00:46:10,759
Speaker 4: Right exactly this episode, he did kind of come off

890
00:46:10,800 --> 00:46:13,000
Speaker 4: as like the spoiled rich kid in.

891
00:46:13,040 --> 00:46:13,960
Speaker 1: This I mean he made it.

892
00:46:14,719 --> 00:46:17,600
Speaker 8: He made it sound like him and his dad and

893
00:46:17,760 --> 00:46:19,520
Speaker 8: everyone involved are completely broke.

894
00:46:19,600 --> 00:46:21,160
Speaker 7: And then he's like, well, we're going to Vegas.

895
00:46:21,960 --> 00:46:26,759
Speaker 1: Everything, we get the private jet, We're gone. I need

896
00:46:26,800 --> 00:46:29,600
Speaker 1: a break, Roy, can't you understand it's about me? It's

897
00:46:29,640 --> 00:46:30,080
Speaker 1: about me?

898
00:46:31,760 --> 00:46:35,680
Speaker 4: And then then comes the scene where Luke and Kirk

899
00:46:35,800 --> 00:46:40,560
Speaker 4: and the boat. He sells it for the wopping sum

900
00:46:40,640 --> 00:46:42,080
Speaker 4: of six hundred dollars.

901
00:46:43,800 --> 00:46:46,799
Speaker 8: And the hat including the trailer that included the trailer, right,

902
00:46:47,200 --> 00:46:48,759
Speaker 8: oh yeah, there he goes.

903
00:46:49,000 --> 00:46:50,719
Speaker 1: Luke's a career as an appraiser.

904
00:46:52,120 --> 00:46:55,319
Speaker 2: The ss Lurk was a deal. He basically like got

905
00:46:55,360 --> 00:46:58,120
Speaker 2: that for one dollar, Like it was so crazy and

906
00:46:58,320 --> 00:47:00,759
Speaker 2: I was just so shocked by that that I couldn't come.

907
00:47:02,520 --> 00:47:05,120
Speaker 4: Then Rory shows up at Miss Patty's and wants to

908
00:47:05,200 --> 00:47:05,640
Speaker 4: know why.

909
00:47:05,800 --> 00:47:08,360
Speaker 1: Wait a minute, So, so Kirk's line sucker at the

910
00:47:08,480 --> 00:47:14,120
Speaker 1: end was was actually accurate. Yeah, there's no irony to

911
00:47:14,239 --> 00:47:15,600
Speaker 1: itad on.

912
00:47:19,480 --> 00:47:21,560
Speaker 4: True, it's happening.

913
00:47:21,920 --> 00:47:24,800
Speaker 2: When he said six hundred dollars ago, that's like what

914
00:47:24,880 --> 00:47:27,759
Speaker 2: you would pay for. I literally bought an inner to

915
00:47:28,200 --> 00:47:29,840
Speaker 2: and cost three hundred dollars.

916
00:47:33,200 --> 00:47:35,920
Speaker 1: And that didn't have a motor on its at I.

917
00:47:35,920 --> 00:47:41,600
Speaker 2: Was like, I mean the trailer a fun Boy floaty

918
00:47:41,760 --> 00:47:45,840
Speaker 2: raft caused like fun Boy is expense the barbie the

919
00:47:45,960 --> 00:47:48,800
Speaker 2: barbie the car is what like three hundred dollars.

920
00:47:49,000 --> 00:47:49,200
Speaker 8: Yeah.

921
00:47:49,200 --> 00:47:50,719
Speaker 7: I looked into it and I was like, it's a

922
00:47:50,840 --> 00:47:51,400
Speaker 7: blow up.

923
00:47:51,560 --> 00:47:53,560
Speaker 2: My brother bought it. It's a blow up.

924
00:47:54,600 --> 00:47:58,240
Speaker 1: Avoid episodes that have beds and birds, boats in the street,

925
00:47:58,840 --> 00:48:01,719
Speaker 1: ed birds and birds so unrealistic.

926
00:48:01,840 --> 00:48:16,080
Speaker 4: Anyway, Sorry, Okay, So Rory comes into his patties and

927
00:48:16,400 --> 00:48:18,800
Speaker 4: Laurela has to explain why they moved the baby shower,

928
00:48:19,080 --> 00:48:22,000
Speaker 4: and then that's then they all go to get the

929
00:48:22,080 --> 00:48:27,200
Speaker 4: bed and rolling around the city and all that monkey's reference.

930
00:48:27,239 --> 00:48:28,360
Speaker 4: I had to of course note that.

931
00:48:28,400 --> 00:48:29,640
Speaker 2: Because yeah, that was funny.

932
00:48:32,160 --> 00:48:34,840
Speaker 4: And then so then we get to the actual shower

933
00:48:35,520 --> 00:48:38,480
Speaker 4: and I liked the sign that called it a baby's shower.

934
00:48:38,600 --> 00:48:40,680
Speaker 2: I thought that was I was in the house that

935
00:48:40,800 --> 00:48:44,920
Speaker 2: Tara called that out earlier. Wait, not the boys. It

936
00:48:45,080 --> 00:48:46,800
Speaker 2: also said a baby's shower.

937
00:48:47,239 --> 00:48:49,880
Speaker 4: Yeah, there was a sign out front that said welcome

938
00:48:49,960 --> 00:48:51,080
Speaker 4: to the baby's shower.

939
00:48:51,239 --> 00:48:53,200
Speaker 2: So that's funny because it's the same as the like

940
00:48:53,520 --> 00:48:57,759
Speaker 2: it's a boy boys, Yeah, that's so clever.

941
00:48:57,880 --> 00:48:59,759
Speaker 8: The one thing that bothered me about this scene is

942
00:49:00,320 --> 00:49:04,480
Speaker 8: Rory has the worst speeches, Like they're always so cringey. Yeah,

943
00:49:04,920 --> 00:49:08,880
Speaker 8: like between the wedding, yeah true, between the wedding and this,

944
00:49:09,080 --> 00:49:09,600
Speaker 8: I was like, I.

945
00:49:09,600 --> 00:49:11,040
Speaker 7: Don't want to hear her speak.

946
00:49:12,320 --> 00:49:14,360
Speaker 4: For someone who's supposed to have this great command of

947
00:49:14,400 --> 00:49:16,919
Speaker 4: the English language because she's a writer or whatever, she's

948
00:49:17,040 --> 00:49:18,160
Speaker 4: not really a good poem.

949
00:49:18,239 --> 00:49:20,439
Speaker 7: Like her Victorian's speech was good.

950
00:49:20,960 --> 00:49:24,279
Speaker 4: Oh yeah, that's true, but then after that it went Yeah.

951
00:49:25,280 --> 00:49:27,560
Speaker 4: So I kind of liked the baby shower because I

952
00:49:27,719 --> 00:49:28,520
Speaker 4: liked all the people.

953
00:49:29,480 --> 00:49:33,560
Speaker 2: All the people and the art on the onesies is amazing.

954
00:49:34,400 --> 00:49:39,680
Speaker 2: It actually looked like a pretty good time randoms. Bunch

955
00:49:39,760 --> 00:49:42,279
Speaker 2: of randoms in there we've never seen before, like a

956
00:49:42,480 --> 00:49:43,440
Speaker 2: bunch of guessed at this.

957
00:49:43,520 --> 00:49:46,359
Speaker 4: Shower that I'm like, are all these people and they

958
00:49:46,440 --> 00:49:51,200
Speaker 4: had that creepy face morphing thing with the babies, like

959
00:49:51,960 --> 00:49:54,640
Speaker 4: like kind of big at the years and glasses and

960
00:49:55,640 --> 00:49:57,520
Speaker 4: creep But the rest of it I thought was cute.

961
00:49:58,800 --> 00:50:01,840
Speaker 4: And then catches Rory up on the fight and how

962
00:50:01,920 --> 00:50:05,120
Speaker 4: Laurel I fixed everything, and then that's when Lane says,

963
00:50:05,320 --> 00:50:07,800
Speaker 4: you know, my kids are gonna need a laurel I

964
00:50:07,880 --> 00:50:10,719
Speaker 4: Gilmore like I had, and she asked Rory to do that.

965
00:50:10,880 --> 00:50:15,479
Speaker 4: I'm thinking, Rory can never be Laura I. I'm sorry, true,

966
00:50:18,960 --> 00:50:20,720
Speaker 4: and then they're John Adams doorknob.

967
00:50:21,120 --> 00:50:23,440
Speaker 1: As if the scenes themselves weren't bad enough, we had

968
00:50:23,480 --> 00:50:25,000
Speaker 1: to relive them through dialogue later.

969
00:50:29,080 --> 00:50:31,120
Speaker 4: Yeah, we had to recap everything.

970
00:50:30,840 --> 00:50:34,360
Speaker 1: Because Rory was I'm going to get some emails.

971
00:50:36,800 --> 00:50:39,800
Speaker 4: Okay, and then Kirk is in his snazzy jacket and

972
00:50:39,880 --> 00:50:44,680
Speaker 4: his captain's hat, and that's when we hear the name S. S. Lurk.

973
00:50:47,160 --> 00:50:51,520
Speaker 4: And then then there's they go outside and Rory's talking

974
00:50:51,560 --> 00:50:53,719
Speaker 4: about the rest and Fellowship. We find out there's only

975
00:50:53,760 --> 00:50:55,640
Speaker 4: four people in the country that are going to get

976
00:50:55,800 --> 00:50:56,560
Speaker 4: accepted to this.

977
00:50:56,920 --> 00:50:57,000
Speaker 10: So.

978
00:50:58,800 --> 00:51:03,200
Speaker 4: That's an important point. And then to your point, Scott,

979
00:51:03,320 --> 00:51:07,399
Speaker 4: now Rory's retelling the story about Logan to Laura Lai

980
00:51:08,080 --> 00:51:12,960
Speaker 4: and how they're all flying off to Vegas. But then, okay,

981
00:51:13,040 --> 00:51:15,520
Speaker 4: so this part was good. When Luke showed up and

982
00:51:15,600 --> 00:51:17,640
Speaker 4: he was talking to Laurali and he was telling her

983
00:51:17,640 --> 00:51:22,520
Speaker 4: about the boat and he says things change. Yeah, that

984
00:51:22,680 --> 00:51:27,400
Speaker 4: was very significant and then they had a moment like

985
00:51:27,480 --> 00:51:29,759
Speaker 4: they had a look for just a split second, and

986
00:51:29,840 --> 00:51:32,879
Speaker 4: then they go back inside and then this is where

987
00:51:33,120 --> 00:51:36,560
Speaker 4: they're singing the song, like everybody's gathered around singing the song,

988
00:51:36,600 --> 00:51:40,240
Speaker 4: and this is where we have our celebrity guest spot

989
00:51:42,040 --> 00:51:42,920
Speaker 4: in the background.

990
00:51:43,160 --> 00:51:45,279
Speaker 2: So I had to have my.

991
00:51:45,400 --> 00:51:46,960
Speaker 4: Husband help me with this one because I didn't know

992
00:51:47,000 --> 00:51:52,200
Speaker 4: what this guy looked like. But at the January podcast event,

993
00:51:52,360 --> 00:51:54,640
Speaker 4: like our live event that we had, and Sebastian was

994
00:51:54,680 --> 00:51:59,080
Speaker 4: talking about how Geddy Lee from Rush was in one

995
00:51:59,120 --> 00:52:03,040
Speaker 4: of the scenes, and this was the scene. So those

996
00:52:03,080 --> 00:52:05,400
Speaker 4: of you that are Rush fans and know what Geddy

997
00:52:05,480 --> 00:52:06,680
Speaker 4: Lee looks like. I didn't know.

998
00:52:06,800 --> 00:52:08,879
Speaker 2: My husband had a shot or was a huge fan.

999
00:52:09,239 --> 00:52:13,680
Speaker 2: That's how that's right, That's right, Yeah, so that's why

1000
00:52:13,760 --> 00:52:14,200
Speaker 2: he was there.

1001
00:52:14,239 --> 00:52:15,480
Speaker 4: So I don't know if his daughter was in the

1002
00:52:15,520 --> 00:52:17,919
Speaker 4: scene too. But if you look at the back where

1003
00:52:17,920 --> 00:52:21,560
Speaker 4: it's it's showing everyone, and he's in the back, like

1004
00:52:21,640 --> 00:52:23,759
Speaker 4: to the left, there's a big white tree and he's

1005
00:52:23,920 --> 00:52:26,320
Speaker 4: just to the right of the tree behind Sally Struthers,

1006
00:52:26,440 --> 00:52:29,480
Speaker 4: So if you want to look for him, there he is.

1007
00:52:31,360 --> 00:52:33,400
Speaker 4: And then that was it. We end with a little story,

1008
00:52:33,440 --> 00:52:37,080
Speaker 4: I'd look on lorelized face, and then we went to

1009
00:52:37,120 --> 00:52:37,600
Speaker 4: the credits.

1010
00:52:38,960 --> 00:52:41,520
Speaker 1: I thought the credits were really good. They rolled by

1011
00:52:42,400 --> 00:52:45,279
Speaker 1: at a nice pace. I thought there was lots of

1012
00:52:45,400 --> 00:52:47,880
Speaker 1: tension because they kept wanting to get to the next credit,

1013
00:52:47,960 --> 00:52:51,840
Speaker 1: but they just they kept, you know, spoon feeding me,

1014
00:52:51,920 --> 00:52:52,719
Speaker 1: little spoonfed.

1015
00:52:54,040 --> 00:52:56,719
Speaker 2: It's fine. It just wasn't memorable. It's like I keep

1016
00:52:56,840 --> 00:52:59,920
Speaker 2: forgetting it even now. I'm like, that's in this episode.

1017
00:53:00,160 --> 00:53:02,400
Speaker 1: All right, I'll tell you what we'll do. Let's uh,

1018
00:53:03,239 --> 00:53:09,560
Speaker 1: let's stick a fork in this turkey and what kind

1019
00:53:09,800 --> 00:53:13,880
Speaker 1: of rating, Tara are you going to give us? And

1020
00:53:13,960 --> 00:53:15,480
Speaker 1: what is your measuring stick?

1021
00:53:16,920 --> 00:53:18,359
Speaker 7: I feel like talking it out.

1022
00:53:18,520 --> 00:53:22,719
Speaker 8: I liked it less, and then I was like, I

1023
00:53:22,800 --> 00:53:26,880
Speaker 8: guess it wasn't that agree. I'm going to give it

1024
00:53:28,040 --> 00:53:34,880
Speaker 8: five Captain's hats, five Danielle.

1025
00:53:35,040 --> 00:53:38,760
Speaker 5: I was gonna say five point two five ride shrimps.

1026
00:53:40,080 --> 00:53:42,160
Speaker 2: Weirds, And I'm giving it way more than you guys,

1027
00:53:42,200 --> 00:53:43,359
Speaker 2: And I feel like I liked it less.

1028
00:53:43,400 --> 00:53:44,719
Speaker 1: I haven't called on you yet.

1029
00:53:44,800 --> 00:53:49,160
Speaker 2: Sorry, Sorry, I I thought it.

1030
00:53:49,200 --> 00:53:52,160
Speaker 4: Was better than a five. I'm gonna say six and

1031
00:53:52,239 --> 00:53:54,680
Speaker 4: a half beds rolling through the.

1032
00:53:54,680 --> 00:54:00,840
Speaker 2: Street, six and a half indoor fire, pits. That logan's

1033
00:54:01,040 --> 00:54:02,880
Speaker 2: very unsafe and.

1034
00:54:03,040 --> 00:54:10,040
Speaker 1: Let us I'm gonna go. I mean this, for me,

1035
00:54:10,160 --> 00:54:13,440
Speaker 1: this is like a sub to oh wow, this is

1036
00:54:13,560 --> 00:54:16,239
Speaker 1: one of your worst ever. I just yeah, I just

1037
00:54:16,320 --> 00:54:16,680
Speaker 1: thought this.

1038
00:54:16,840 --> 00:54:20,000
Speaker 2: Was waste of that sandwich too. I could just hear

1039
00:54:20,040 --> 00:54:21,440
Speaker 2: my one of my nieces just get so.

1040
00:54:21,719 --> 00:54:22,360
Speaker 7: You didn't even.

1041
00:54:24,600 --> 00:54:29,319
Speaker 1: Of this entire If we don't eat the sandwich never

1042
00:54:29,400 --> 00:54:34,640
Speaker 1: got made, yea, and it got tossed. I'm going to

1043
00:54:34,680 --> 00:54:41,239
Speaker 1: give it one uh unmade sandwiches that got thrown away.

1044
00:54:42,000 --> 00:54:43,239
Speaker 1: That's what I'm going to give it.

1045
00:54:45,520 --> 00:54:48,640
Speaker 2: Somewhere in Suzanne's words, the sandwich was the true victim,

1046
00:54:48,680 --> 00:54:49,440
Speaker 2: and I must.

1047
00:54:52,320 --> 00:54:55,240
Speaker 1: All right. That's going to wrap it up. Kids. Uh sorry,

1048
00:54:55,239 --> 00:54:58,120
Speaker 1: it wasn't a better episode. It wasn't our fault. Uh,

1049
00:54:59,280 --> 00:55:01,640
Speaker 1: although it was probably partially my fault because I was

1050
00:55:01,680 --> 00:55:07,320
Speaker 1: in it. You can play me somewhat.

1051
00:55:07,760 --> 00:55:09,400
Speaker 7: We got some good boat talk out of it.

1052
00:55:10,000 --> 00:55:12,800
Speaker 2: Yeah, the phone scene wasn't your strongest, but that's not

1053
00:55:12,880 --> 00:55:13,640
Speaker 2: totally your fault too.

1054
00:55:14,800 --> 00:55:17,279
Speaker 1: I don't know, I don't know you're gonna take it.

1055
00:55:17,320 --> 00:55:18,640
Speaker 1: And if I'm gonna take some credit, I got to

1056
00:55:18,640 --> 00:55:19,279
Speaker 1: take the heat too.

1057
00:55:19,480 --> 00:55:21,680
Speaker 2: So still Campbell, I'm still not admitting what was in

1058
00:55:21,760 --> 00:55:24,719
Speaker 2: my dream. Those that want to know, if you pressure me,

1059
00:55:24,840 --> 00:55:26,000
Speaker 2: I might tell next week.

1060
00:55:26,400 --> 00:55:28,399
Speaker 1: We're going to do a whole episode about it next week,

1061
00:55:28,480 --> 00:55:28,759
Speaker 1: aren't we.

1062
00:55:28,880 --> 00:55:32,080
Speaker 2: I know, I know dream talk is really boring. Everybody

1063
00:55:32,360 --> 00:55:34,600
Speaker 2: was like, I want to have this dream Expert on

1064
00:55:34,800 --> 00:55:37,319
Speaker 2: and I'm like, no, no one ever wants to hear

1065
00:55:37,320 --> 00:55:39,680
Speaker 2: about someone else's dream. And then I did it.

1066
00:55:39,960 --> 00:55:46,120
Speaker 7: But so the dream Expert next week.

1067
00:55:46,840 --> 00:55:50,000
Speaker 2: Next week, tune in for I Am All dream Talk.

1068
00:55:50,239 --> 00:55:53,360
Speaker 1: Thank you, ladies, much appreciated, and thanks for tolerating me

1069
00:55:53,480 --> 00:55:59,960
Speaker 1: all through this experience, this episode, and that's going to

1070
00:56:00,040 --> 00:56:04,160
Speaker 1: wrap it up. Listen, guys, thanks for all of your comments,

1071
00:56:04,160 --> 00:56:07,000
Speaker 1: Thanks for being patient with us. We were on hiatus,

1072
00:56:07,040 --> 00:56:09,680
Speaker 1: but we really needed a break and I think we're

1073
00:56:09,719 --> 00:56:13,600
Speaker 1: really gonna need a break after watching this, so in

1074
00:56:13,680 --> 00:56:18,040
Speaker 1: a couple of years, wait till the next one. All right, kids,

1075
00:56:18,600 --> 00:56:22,680
Speaker 1: all the best. Thanks a lot for the cards and letters.

1076
00:56:22,719 --> 00:56:27,600
Speaker 1: We love them, keep them coming. We read everything. Thank you, ladies, Danielle, Suzanne,

1077
00:56:28,320 --> 00:56:31,280
Speaker 1: Tara Amy. We will see you next time. And remember

1078
00:56:31,360 --> 00:57:03,560
Speaker 1: we and I am all In stay safe. Everybody'll forget

1079
00:57:03,680 --> 00:57:07,680
Speaker 1: Follow us on Instagram at I Am All In podcast

1080
00:57:07,840 --> 00:57:12,200
Speaker 1: and email us at Gilmore at iHeartRadio dot com