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Speaker 1: Good morning us say.

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Speaker 2: Yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo.

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Speaker 3: Yo yo good morning.

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Speaker 4: How are you feeling this morning?

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Speaker 1: I'm feeling good, sho man, how are you?

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Speaker 5: I am blessed black and Holly favorite, happy to be

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Speaker 5: here another day to serve our beautiful listeners.

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Speaker 4: Yes, I don't even know what the hell I was

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Speaker 4: supposed to say.

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Speaker 5: Just then, and when one person out had throws the

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Speaker 5: whole river off a name, it's Monday.

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Speaker 3: Yes, there you go.

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Speaker 4: How was your weekend, Jess?

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Speaker 1: It was good.

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Speaker 6: I was out in Cincinnati. Shout out to j Sligh.

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Speaker 6: She recurled my hair. Shout out to the last tech,

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Speaker 6: Eugenia at last Chanal. Look, go to curls, Ohio. Yeah,

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Speaker 6: these are curls. They little curls. But the curls they

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Speaker 6: little swoops. It's kind of like a pixie.

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Speaker 4: I don't even know what the hell you're talking.

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Speaker 1: Exactly, So don't ask about no body hair.

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Speaker 4: You're right, You're right, absolutely, So you know what I

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Speaker 4: just know it is?

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Speaker 6: Dor So you you wear a lot of bonedocks merch,

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Speaker 6: Yes I do. Did you know that the show was

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Speaker 6: based in Baltimore, Maryland.

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Speaker 4: With Long Maryland. I ain't never heard that of it

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Speaker 4: in my life.

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Speaker 5: Well, it is true, and don't nobody on the true.

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Speaker 4: Nobody.

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Speaker 6: They didn't hire none of the voices, the actors to

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Speaker 6: be I mean, they're not from Baltimore.

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Speaker 1: You sure it takes place in Woodlawn, Maryland?

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Speaker 4: Yes?

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Speaker 5: I thought it was just a fictional place called wood Crest.

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Speaker 1: Was it Woodlawn? Woodlawn, Maryland?

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Speaker 6: They probably had to name it wood Crest, Yeah, because

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Speaker 6: you know Woodlaw would probably ain't.

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Speaker 4: Nothing about the Boone Docks. It seemed like Baltimore.

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Speaker 1: Are you looking at it?

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Speaker 4: I'm not saying you lying, I'm just saying I don't believe.

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Speaker 6: It, but I just I noticed it because you wear

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Speaker 6: a lot of Boone Docks.

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Speaker 5: That's one of my favorite shows. And Aaron grud is

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Speaker 5: the homie, so you know, we do a lot. I mean,

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Speaker 5: that's my that's my friend. But we do a lot

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Speaker 5: of creative stuff together as well. He was the executive

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Speaker 5: producer on My last TV show. Confirmed that that didn't

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Speaker 5: work on Comedy Central.

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Speaker 4: Huh damn. It happened sometime to try in the fail.

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Speaker 5: I rather you know, I'd rather get the opportunity.

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Speaker 4: What's going on?

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Speaker 5: Oh, you got the fresh hairline in you went back

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Speaker 5: to the doctor.

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Speaker 4: You got the tattoo. What happened? Don't they looked fresher today?

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Speaker 1: If it don't look like a tattooed hairline.

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Speaker 4: It looks like you to it. No, I don't.

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Speaker 5: But it looked like you got like the thing refurbished

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Speaker 5: to something. Don't you got to get it refurbished every

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Speaker 5: couple of years.

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Speaker 4: No, it's called a haircut.

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Speaker 7: I got a haircut, all right, whatever, But you don't

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Speaker 7: how my wife looks at me when I get a haircut.

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Speaker 4: That's how you just looked at me. No, yes, that

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Speaker 4: is not. I hope that it will. Yes, whoa? All right?

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Speaker 4: Did you do the womework? You said it was gonna

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Speaker 4: be here and all that. No, he did not.

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Speaker 7: Beating man will be joining us this morning, the King

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Speaker 7: of don Tall he'll be here this morning. And also

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Speaker 7: an elite chopper will be joining us this morning.

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Speaker 4: Oh okay, beanie man ain't been in America and what

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Speaker 4: ten years? Thirteen?

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Speaker 7: God dang, thirteen years he wasn't able to get his uh,

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Speaker 7: I guess his working card or whatever. They call his

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Speaker 7: working permit, so he wasn't here for thirteen years. So

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Speaker 7: beating Man's gonna be joining us this morning. And I

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Speaker 7: want to salute to everybody out in Detroit.

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Speaker 3: What up?

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Speaker 4: Though I didn't know Mike had his own club in Detroit,

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Speaker 4: you know, yes.

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Speaker 1: Comedy club.

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Speaker 7: Comedy club, Yeah, One Mic, One Mic huge too, so

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Speaker 7: it's not even like a small but it's a huge.

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Speaker 7: And we had a huge party. Who was like, we

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Speaker 7: had about a thousand people in there.

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Speaker 4: Two thousand people in there. This weekend we'll.

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Speaker 5: Drop of the clue boss with my guess, Mike EPs

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Speaker 5: is one of them sneaky hustlers, you know what I'm saying,

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Speaker 5: because he don't really like brag about everything that he's doing.

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Speaker 5: But then when you see his portfolio, you'd be like, damn.

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Speaker 7: The name of the club is one Mic, and I

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Speaker 7: was like, dang, he really owns it. Yeah, So salute

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Speaker 7: to Mike epsod. And I was in the bc i

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Speaker 7: C tournament out in Charlotte, North Carolina, So salute to

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Speaker 7: West Bellamy who put that on and everybody else that

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Speaker 7: did that tournament. I'm not sure how the tournament was

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Speaker 7: because I didn't go to the game like you said, Oh.

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Speaker 4: You're right.

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Speaker 1: They definitely said that's the problem that nobody goes to

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Speaker 1: the game.

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Speaker 8: Yeah.

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Speaker 7: I didn't make it to the game, but the parties

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Speaker 7: were popping, so shout everybody in Charlotte, North Carolina.

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Speaker 5: The Boondogs was based on a family who moved from

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Speaker 5: the West side of Chicago to a white suburb of Baltimore,

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Speaker 5: Maryland press.

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Speaker 1: I don't be.

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Speaker 6: Lying, but it's wood lawn. But they had to change it.

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Speaker 6: I guess you know production purposes. No, I know things

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Speaker 6: about my CITYO.

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Speaker 4: And they ain't had no no few, no nothing, no damn.

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Speaker 1: But it's all right, it's all good, all right.

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Speaker 7: Well, let's get the show crack and get it off

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Speaker 7: your chest. Eight on drenk five eight five one oh

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Speaker 7: five one. Call us up right now.

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Speaker 4: It's the Breakfast logan morning.

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Speaker 8: I'm telling what.

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Speaker 9: You doing.

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Speaker 10: Of you if this is your time to get it

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Speaker 10: off your chest, whether you're mad or blessed, eight hundred

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Speaker 10: five eight five one, we want to hear from you

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Speaker 10: on the Breakfast Club.

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Speaker 4: Hello.

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Speaker 11: Who's this, Hey, guys, it's son a Haitian therapist.

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Speaker 4: What's up, Sondra? Get it off your chest?

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Speaker 11: Talima you got to stop saying that.

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Speaker 8: DJ of the Dominican thank you, som.

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Speaker 5: You got to stop being Dominican. How you want me

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Speaker 5: to stop saying that somebody is something they are?

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Speaker 11: No Dominican would give as much shot off to Haitians ever,

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Speaker 11: the one you'll know, you know, Dominicans favorite line is

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Speaker 11: I'm no black, I'm no black. And as many times

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Speaker 11: as MV says he's black, can't be Dominican.

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Speaker 5: Dominicans and Haitian still got that little petty thing going on.

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Speaker 8: Haitian. Oh you already know they do.

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Speaker 4: Haitians ain't nothing but doctor the Dominican A number.

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Speaker 8: That's very true, very true.

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Speaker 11: And Jess, I need more. Just with the mess on

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Speaker 11: your Instagram?

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Speaker 1: Please, yes, ma'am, I got.

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Speaker 11: You, Yes, I guess me through my work day.

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Speaker 1: I got you, well my work night.

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Speaker 9: Since that work nights?

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Speaker 4: What about Jess with the mess on the radio? You

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Speaker 4: think we can have that? Yes?

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Speaker 11: Please?

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Speaker 9: Please?

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Speaker 8: Very can we extend?

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Speaker 4: I need that, Jess.

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Speaker 1: It's very raw. I don't know. We'll get fined a

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Speaker 1: lot do it until we can't.

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Speaker 11: Okay, that's true, that's true.

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Speaker 8: I am supportive of that.

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Speaker 4: Well, thank you, well, thank you Sondra, No, have a

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Speaker 4: good one. Hello.

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Speaker 3: Who's this?

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Speaker 9: Yeah?

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Speaker 4: Good morning, sir, Oh Peece some blessing DJ.

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Speaker 9: What's going on?

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Speaker 8: Man?

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Speaker 9: Lord? You pick up the board man?

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Speaker 4: What's up? Brother? How you feeling show on Stone? What's up?

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Speaker 9: Good many? Hey, Jess, how you doing this?

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Speaker 4: I'm good.

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Speaker 1: Good morning, Sean.

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Speaker 9: That's good man, Jess.

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Speaker 12: I was.

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Speaker 9: I was so happy to hear that you clear up

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Speaker 9: that narrative. I don't like the fact that a lot

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Speaker 9: of people be trying to pick on you online. Just

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Speaker 9: I'll be sett enough for you, Jess.

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Speaker 1: I appreciate Shine. Thank you for your.

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Speaker 4: Voice for sure.

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Speaker 9: Yeah, definitely. And you just made a mistake. You said

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Speaker 9: that being mine is the king at downside.

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Speaker 4: That's he's yourself for claim cling.

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Speaker 9: No, no, no, he's not the king of downside anymore.

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Speaker 9: By card tail is the king a downside okay, being

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Speaker 9: the money being him money used to be the king

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Speaker 9: a downside, but he's not anymore one by scot Tailors.

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Speaker 5: I just want you to know that you've never sounded

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Speaker 5: this Jamaican ever. When you called your beanie man here

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Speaker 5: this morning, you got your paths on extra hard.

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Speaker 9: Well, Jamaica. You know what I mean, so I'm always

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Speaker 9: represent Jamaica. I want to say, can ask another question?

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Speaker 9: Because you cannot ask you a question?

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Speaker 4: You no, I want to ask a Jamaican questions.

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Speaker 3: What what?

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Speaker 4: What made? Who dethroned Beanie? So with Beanie the Beanie,

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Speaker 4: Beanie is the king, right.

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Speaker 9: The one thrown Beanie Man, it's by scar tailor the

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Speaker 9: one that just came out at jail.

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Speaker 5: But why why can't it be more than one king? Like,

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Speaker 5: why can't it be more than one kingdom?

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Speaker 9: Beanhi Min is the one that's saying that you can't

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Speaker 9: be more than one king. I know, more than one king.

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Speaker 9: But because being the money thing, he's the king of Dansad.

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Speaker 9: He's not the king a downside anymore. The kids, the

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Speaker 9: kids now are saying Vices Cartail is the king of Dowanstads,

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Speaker 9: you know what I mean. So we have to listen

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Speaker 9: to the culture. We have to listen to the people.

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Speaker 9: When the people are saying Vice Cartel is the king

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Speaker 9: of Dowanstad. Being one is the one that's acts him selfish.

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Speaker 9: I feel like they cannot be more than one king,

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Speaker 9: you know what I mean?

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Speaker 7: Who talked to Beanie about that? When he comes up

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Speaker 7: here in the.

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Speaker 9: Question, Yes, sir, say you're here to serve the listeners, right,

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Speaker 9: yes sir and envy. I want to know these people

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Speaker 9: that's on YouTube are the listeners that listen to the show,

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Speaker 9: so a lot of time when they trying to keep

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Speaker 9: their own point of view, they're not botched, bro, you

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Speaker 9: know what I mean. One of the biggest things that

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Speaker 9: we asked was why was Tezlan's speaker role let go?

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Speaker 9: And none of you guys even give a clarification on

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Speaker 9: why she was less go. So stop saying you're here

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Speaker 9: to serve the listeners to that man, because when we

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Speaker 9: ask questions, you don't want to handsop.

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Speaker 5: Ain't nobody ever asked me that? But salute the test.

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Speaker 5: You can listen to you can listen to Tatlin's podcast.

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Speaker 5: It's great Shot No Chase the podcast on the Black Effect.

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Speaker 5: iHeartRadio podcast Network.

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Speaker 9: You're funny, all right?

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Speaker 4: I just told him where to go.

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Speaker 7: Check for Tesla Get it off your Chest eight hundred

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Speaker 7: five eight five one five one.

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Speaker 4: If you need to vent, hit us up now. It's

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Speaker 4: the Breakfast Club. Good morning.

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Speaker 3: The Breakfast Club.

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Speaker 10: Is your time to get it off your chest.

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Speaker 3: Whether you're man or.

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Speaker 4: Black time to get up and get something.

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Speaker 10: Call up now eight hundred five eight five one o

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Speaker 10: five one. We want to hear from you on the

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Speaker 10: breakfast club. Hello, who's this?

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Speaker 8: Good morning? This is James called from North Carolina.

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Speaker 4: What's up? Jeans report of North Carolina?

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Speaker 8: Hey, right now, I resigning in Lumberjack.

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Speaker 4: Okay, get it off your chest, brother.

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Speaker 9: Yeah.

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Speaker 8: I had seen this news report like a little over

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Speaker 8: a week ago saying that people are being apprehended coming

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Speaker 8: across the Canadian and Mexican borders smuggling eggs. Y'all, y'all

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Speaker 8: heard this?

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Speaker 4: I haven't heard that one.

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Speaker 8: Yeah, Charloman, I did the same thing when I found

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Speaker 8: out a better I laughed my on my behind though.

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Speaker 4: Man, But where'd you see the news report?

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Speaker 8: I saw it on this show called Have I Got

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Speaker 8: News for You? With Amber Russian and Roy Wood Jr.

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Speaker 4: Now I am looking. I'm looking at this. I watched it.

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Speaker 5: I haven't watched that show yet, but I've seen the

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Speaker 5: commercials for it. But I am looking at this, this

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Speaker 5: news report from USA today, and it says Texas customs

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Speaker 5: officers scrambled playing stop at least ninety from smuggling eggs

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Speaker 5: into the US.

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Speaker 9: YO.

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Speaker 8: I would saying, man, how do you I don't know

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Speaker 8: if they're locking these people up, but if you get

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Speaker 8: locked up for smuggling eggs, I mean you mad to

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Speaker 8: being in the cell like Yeah, they caught me with

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Speaker 8: a couple of dozen.

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Speaker 5: Man, you gotta go with a hustle at you know

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Speaker 5: what I'm saying. People need looking for cheaper eggs. You

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Speaker 5: got to supply the folks.

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Speaker 8: Yeah, man, y'all have a good day.

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Speaker 4: Yeah, this is Trump.

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Speaker 5: Look at Wall Street Journal article eggs is so expensive?

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Speaker 5: Hold on the headline said, hey, eggs are so expensive.

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Speaker 5: People are smuggling them in from Mexico. The contraband is

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Speaker 5: yet another sign of how far consumers will go to

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Speaker 5: battle soaring prices.

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Speaker 4: Wow, this is March fifteen, twenty twenty five. I missed

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Speaker 4: this one. Hello.

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Speaker 3: Who's this?

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Speaker 8: Hello?

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Speaker 4: Hey? What's your name?

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Speaker 13: Bro?

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Speaker 4: Hey?

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Speaker 14: Good morning d J Hamvy.

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Speaker 9: I met a guy.

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Speaker 8: Uh this is call or the autist. You got a memory?

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Speaker 4: No, say what up to jests? Just here too? He said, good.

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Speaker 1: Morning, Jeff, good morning, good morning.

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Speaker 5: Hey.

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Speaker 14: I'm older from Congo Africa. I don't know you tell

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Speaker 14: them to be playing with me sometimes. A couple of

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Speaker 14: years back, I'm collected from up my music. I gotta

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Speaker 14: your album coming out this Friday. It's from Congo to

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Speaker 14: the world, and I wanted to take for y'all just

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Speaker 14: a little bit.

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Speaker 8: So you got to heal me.

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Speaker 4: Do we have to go ahead?

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Speaker 3: Brother?

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Speaker 8: Go first?

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Speaker 14: I was saying, my name is kell Or the autist.

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Speaker 14: Okay e l O s faith e A E S

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Speaker 14: face artist, Hello the artist, and here you go.

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Speaker 9: Consider myself.

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Speaker 11: Relax man, what's your mind to take my time?

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Speaker 9: And that my.

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Speaker 15: Oh have you my left at all?

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Speaker 8: A wong shorty?

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Speaker 15: You did two definition?

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Speaker 11: Oh not your beauty.

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Speaker 2: I'm minding my business.

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Speaker 16: But is that you, dear girl.

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Speaker 11: I'm chessy delight.

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Speaker 14: Oh yes, sir, to nail me bro. I got some

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Speaker 14: fire going on.

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Speaker 8: Thank you, thank you. Don't mind.

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Speaker 14: If you don't mind, peace, take me out.

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Speaker 8: You won't be great.

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Speaker 14: I got some fire, apple bit and anything unique.

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Speaker 5: I got it, yes, sir, thank you, blessing, blessing.

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Speaker 4: All right, get it off some more.

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Speaker 5: It's always funny when the person boys go down low

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Speaker 5: so fast.

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Speaker 4: He would just be ready boy on the floor.

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Speaker 7: Eight hundred and five eight five one oh five one.

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Speaker 4: If you need to vent, you can hit this up.

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Speaker 4: Now we got the latest with Lauren coming up.

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Speaker 17: Yes we do so.

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Speaker 18: Heavyweight boxing champion George Foreman has passed away at the

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Speaker 18: age of seventy six, so we're gonna take some time

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Speaker 18: to show him some love this morning.

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Speaker 4: I will get to that next. It's the Breakfast Club.

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Speaker 3: Good morning, the Breakfast Club.

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Speaker 4: Warning everybody in steege.

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Speaker 5: Somebody walking TV off a no damn reason, but they

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Speaker 5: got a remote control standing outside.

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Speaker 6: He turns cool TVs do that like you can ride

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Speaker 6: around and just like turn people TVs up.

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Speaker 1: It worked with every TV. What the rocal remote works for?

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Speaker 17: Every vocal tething about me wants to try that exactly.

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Speaker 4: Anybody for the Instagram is right around nab yes.

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Speaker 1: Yes, ticktok people do it.

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Speaker 7: Oh okay, all right, well let's get to the latest

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Speaker 7: with Lauren long Be coming straight fast.

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Speaker 4: She gets them. Somebody that knows somebody detail.

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Speaker 17: I'm a long girl that knows a little bit about everything,

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Speaker 17: and she'd.

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Speaker 4: Be having the latest on you the law. The latest

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Speaker 4: with Lauren La Rosa.

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Speaker 5: Sometimes you have fact, sometimes you have details, sometimes.

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Speaker 4: You have a little bit of everything.

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Speaker 3: It's the latest on the Breakfast Club. Talk to me.

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Speaker 18: I want to take some time to send a resting

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Speaker 18: peace to George Foreman, two time heavyweight champion and Hall

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Speaker 18: of Fame boxer, who passed away over the weekend at

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Speaker 18: age seventy six. His family released a statement via his

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Speaker 18: Instagram that says, our hearts are broken with profound sorrow,

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Speaker 18: we announced the passing over beloved George Edward Foreman, Senior,

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Speaker 18: who peacefully departed on March twenty first, surrounded by loved ones.

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Speaker 18: A devout preacher, husband, a loving father, and a proud

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Speaker 18: grand and great grandfather. He lived a He lived a

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Speaker 18: life mark by unwavering faith, humility and purpose. They mentioned

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Speaker 18: that he was a humanitarian and olympian, a two time

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Speaker 18: heavyweight champion of the world.

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Speaker 17: He was deeply respected, a force.

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Speaker 18: For good, a man of discipline, conviction, and a protector

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Speaker 18: of his legacy, fighting tirelessly to preserve his good name.

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Speaker 18: For his family, they say, we are grateful for the

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Speaker 18: outpoint of loving prayers and act for privacy and honor

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Speaker 18: of the extraordinary life of a man that we are

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Speaker 18: blessed to call our.

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Speaker 17: Own at this time.

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Speaker 5: And he made one of the greatest business moves of

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Speaker 5: all time just by simply deciding that he was going

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Speaker 5: to endorse the Foreman grill.

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Speaker 4: That's right, simbol, that.

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Speaker 6: You didn't You didn't grow up black if you didn't

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Speaker 6: have a George Forman girly in the house.

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Speaker 1: Did you have one?

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Speaker 4: Yes?

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Speaker 1: I did, yes, and didn't name all his sons George.

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Speaker 4: Yes.

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Speaker 7: Yes, all the sons named George like he calls them,

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Speaker 7: like how he was called by numbers.

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Speaker 17: Say or they got like family nicknames like boo boo.

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Speaker 5: They got family nicknames seen like one one, G two,

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Speaker 5: G three, G four, G five.

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Speaker 7: No, they got like nicknames, but they all George, George,

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Speaker 7: George two, George three, George live. I think one of

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Speaker 7: daughters George Georgietta, Yes, Georgetta.

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Speaker 4: Did the Foreman grill get replaced by the air fry, Yes.

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Speaker 17: They said that George Forman grill uh walked so the

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Speaker 17: air fire could run.

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Speaker 5: However that did George Forman girl was way easier to

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Speaker 5: use an air My mom still, yeah, probably takes too

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Speaker 5: long for me. And I actually believed Jadakiss when he

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Speaker 5: said he cooked crack on the former girl.

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Speaker 7: I believe you remember that. I'm believing to this day.

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Speaker 7: And you know, George Foreman passed it. You know, networks

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Speaker 7: mean nothing. But they said that he was worth about

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Speaker 7: three hundred million dollars.

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Speaker 4: He was able to leave.

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Speaker 5: At one point they said George was making eight million

401
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Speaker 5: dollars a month from the former girl.

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Speaker 4: Yes, just in the royalties. You know that supposed to be.

403
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Speaker 5: Hawk hogans really but the girl, Yeah, I can't remember

404
00:15:30,520 --> 00:15:32,760
Speaker 5: the story, but they they got both off of two

405
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Speaker 5: different things, and the Hawk chose one thing and Foreman

406
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Speaker 5: Chols the other Hulk chose like a meat meatball making machine.

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Speaker 5: But then there's another story at Hawkogan said he just

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Speaker 5: missed the phone call.

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Speaker 4: Wow, yeah, what a phone call?

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Speaker 18: Yes, well, yes, one did take some time to send

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Speaker 18: his family love and prayers. Now other you were still

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Speaker 18: over in Texas with this news this first hour this morning.

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Speaker 18: U Sauce Waka, friend of the Room rapper, was shot

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Speaker 18: in Memphis on Saturday afternoon. When the news first came down,

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Speaker 18: there was a report of two people shot, but we

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Speaker 18: did not know the identity of the two people. One

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Speaker 18: person was listed in critic critical condition. The other person

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Speaker 18: it was reported that that person had passed away on

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Speaker 18: the scene, and then it was later identified that Sarawaka

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Speaker 18: was the person that was in critical condition, and then

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Speaker 18: he was stable and then released from the hospital. Over

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Speaker 18: the weekend, he was shot in his leg and then

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Speaker 18: his artists say so p was actually the person that

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Speaker 18: was confirmed as deceased. Now we do have because people

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Speaker 18: were trying to figure out what happened, we do have

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Speaker 18: police audio. I received a press conference where police and

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Speaker 18: Memphis talk about what they believe happened on the scene.

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Speaker 17: Let's take a listen.

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Speaker 19: From what they learned in the investigation, this appears to

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Speaker 19: be a targeted shooting incident.

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Speaker 4: The victims were outside by a vehicle. The suspect vehicle

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Speaker 4: pulled up. Multiple people got out of.

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Speaker 19: That vehicle, fired shots without engaging in any conversation.

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Speaker 4: They got back into the white vehicle and fled.

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Speaker 18: That was broad daylight, right, Yes, it was broadaylight. So

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00:17:00,160 --> 00:17:02,320
Speaker 18: this happened during the day. They were outside of a

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00:17:02,360 --> 00:17:08,760
Speaker 18: hotel near the FedEx Forum in Memphis. Yes, the police,

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Speaker 18: it went along in this press conference to say this

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Speaker 18: is a safe area, we are here. This is targeted

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Speaker 18: basically like this normally doesn't happen in this areas.

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Speaker 17: But the police were trying to convey in that press conference.

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Speaker 7: Very sad I heard I don't know if his his

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Speaker 7: alleged manager spoke out and said what happened?

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Speaker 4: Was that true?

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Speaker 17: So that that is out there.

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00:17:27,359 --> 00:17:29,640
Speaker 18: I have not confirmed who the person is, but there

447
00:17:29,680 --> 00:17:32,080
Speaker 18: is audio right now circulating of someone talking about the

448
00:17:32,119 --> 00:17:35,360
Speaker 18: fact that just giving more information about it being targeted.

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Speaker 18: And according to this report, basically they did not they

450
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Speaker 18: did and didn't do certain things to Saucewalker because they

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Speaker 18: realized who they were shooting at the time that it happened,

452
00:17:45,720 --> 00:17:47,600
Speaker 18: like they said, over them and noticed it was him,

453
00:17:47,600 --> 00:17:49,800
Speaker 18: and then decided to, you know not, I guess continue

454
00:17:49,800 --> 00:17:51,440
Speaker 18: the job. This sounds so crazy to even be talking

455
00:17:51,440 --> 00:17:53,240
Speaker 18: about the fact that this is something that is being

456
00:17:53,920 --> 00:17:54,560
Speaker 18: said online.

457
00:17:54,560 --> 00:17:58,800
Speaker 7: But well, stepped over sauce Walker, was about to shoot

458
00:17:58,800 --> 00:18:01,840
Speaker 7: sauce Walker, realized it was him, I decided not to,

459
00:18:01,960 --> 00:18:03,720
Speaker 7: said it's not about you, and it ran off.

460
00:18:03,920 --> 00:18:06,639
Speaker 18: Yes, but that has not been confirmed by authority yet.

461
00:18:06,680 --> 00:18:08,159
Speaker 18: But that is something out there by a person that

462
00:18:08,200 --> 00:18:09,880
Speaker 18: people are pointing to as a manager on a team.

463
00:18:10,040 --> 00:18:11,920
Speaker 5: But everybody who losens to us on K ninety seven

464
00:18:11,960 --> 00:18:14,520
Speaker 5: and Memphis, I encourage you to snitch, Okay, I encourage

465
00:18:14,560 --> 00:18:16,760
Speaker 5: you to tell because anybody that'll do something like that

466
00:18:16,840 --> 00:18:19,119
Speaker 5: in broad daylight in an area like that will do

467
00:18:19,160 --> 00:18:20,560
Speaker 5: that to anybody, and that.

468
00:18:20,520 --> 00:18:21,800
Speaker 4: Could be you or somebody you love.

469
00:18:22,200 --> 00:18:24,680
Speaker 5: So don't be afraid if you see something to say something,

470
00:18:24,920 --> 00:18:27,400
Speaker 5: or if you know something, call somebody.

471
00:18:27,600 --> 00:18:30,160
Speaker 18: Yeah, police are asking for people to cooperate, they say

472
00:18:30,160 --> 00:18:32,200
Speaker 18: in the press conference. We know that people know things.

473
00:18:32,520 --> 00:18:34,399
Speaker 18: Please talk to us with trying to figure out what happened.

474
00:18:34,440 --> 00:18:35,720
Speaker 4: What's the reward their reward.

475
00:18:36,560 --> 00:18:38,480
Speaker 17: I don't remember the number of reward.

476
00:18:38,720 --> 00:18:40,560
Speaker 4: They gotta start doing stuff like this. If you police

477
00:18:40,560 --> 00:18:41,760
Speaker 4: got to put the right money up.

478
00:18:41,920 --> 00:18:44,840
Speaker 5: You know, people be risking their lives telling these stories,

479
00:18:45,320 --> 00:18:46,440
Speaker 5: telling them people.

480
00:18:46,320 --> 00:18:47,520
Speaker 17: Well, we do have audio.

481
00:18:47,680 --> 00:18:50,680
Speaker 18: So Saucewaker I was told on Saturday that Saucewalker had

482
00:18:50,760 --> 00:18:53,440
Speaker 18: was okay. He had been released from the hospital after

483
00:18:53,480 --> 00:18:57,359
Speaker 18: being questioned by Memphis police, and then late Saturday early

484
00:18:57,440 --> 00:19:01,440
Speaker 18: Sunday video of Saucewaka from outside of the hospital. He's

485
00:19:01,720 --> 00:19:04,120
Speaker 18: home or in the house in the trap. It looks

486
00:19:04,160 --> 00:19:08,200
Speaker 18: like in somewhere talking about what happened. Let's say, listen

487
00:19:08,200 --> 00:19:08,840
Speaker 18: to Saltwaker.

488
00:19:09,240 --> 00:19:10,159
Speaker 4: I'm glad you're okay.

489
00:19:10,440 --> 00:19:11,119
Speaker 3: RP say so.

490
00:19:11,200 --> 00:19:16,080
Speaker 6: P Man, please say so, Pete Man, brother.

491
00:19:17,119 --> 00:19:18,080
Speaker 9: I love y'all.

492
00:19:18,440 --> 00:19:19,320
Speaker 8: I have no hard.

493
00:19:22,320 --> 00:19:23,480
Speaker 4: You understand you.

494
00:19:23,640 --> 00:19:24,960
Speaker 3: I can't stand up, ain't.

495
00:19:24,760 --> 00:19:28,000
Speaker 4: Man, my daddy on the phone, ain't no hopes. How

496
00:19:28,040 --> 00:19:32,639
Speaker 4: many times your house got shot up? Tell him shot

497
00:19:32,680 --> 00:19:33,560
Speaker 4: fifteen years old?

498
00:19:35,160 --> 00:19:38,199
Speaker 1: That's crazy because you lost you lost your artists, your

499
00:19:38,240 --> 00:19:38,920
Speaker 1: homeboy died.

500
00:19:39,440 --> 00:19:41,919
Speaker 5: So it's like, yeah, none of that has nothing to

501
00:19:41,920 --> 00:19:43,960
Speaker 5: be proud about. My brother, So you know what I mean?

502
00:19:44,000 --> 00:19:46,159
Speaker 5: Like all I he is a generational trauma daddy. How

503
00:19:46,160 --> 00:19:47,639
Speaker 5: many times your house got shot up and then you

504
00:19:47,720 --> 00:19:50,040
Speaker 5: just got shot at? No, none of that is nothing

505
00:19:50,040 --> 00:19:50,640
Speaker 5: to be proud about.

506
00:19:51,560 --> 00:19:54,280
Speaker 1: I said he was dodging bullets his whole life. That's

507
00:19:54,520 --> 00:19:55,560
Speaker 1: that's crazy.

508
00:19:56,000 --> 00:19:59,360
Speaker 17: Yeah, well I don't. I don't.

509
00:19:59,600 --> 00:20:02,679
Speaker 7: Yeah, and rest in peace and condolens sister. That man's

510
00:20:02,680 --> 00:20:04,760
Speaker 7: family man. All right, Well that is the latest with

511
00:20:04,800 --> 00:20:05,240
Speaker 7: Lauren Thanking.

512
00:20:05,320 --> 00:20:06,720
Speaker 5: That was all Houston, by the way, I think I

513
00:20:06,720 --> 00:20:08,840
Speaker 5: think George Forman is Houston and a saucewaalker suit.

514
00:20:08,840 --> 00:20:10,639
Speaker 4: Everbody who's his dust on ninety three point seven to

515
00:20:10,640 --> 00:20:12,720
Speaker 4: beat in Houston? That's right? All right?

516
00:20:12,800 --> 00:20:14,639
Speaker 7: When we come back, we got front page News with

517
00:20:14,680 --> 00:20:16,520
Speaker 7: Morgan and then Beanie Man will be joining us.

518
00:20:16,560 --> 00:20:18,879
Speaker 4: Don't go anywhere. It's the Breakfast Club. Good morning.

519
00:20:19,280 --> 00:20:21,960
Speaker 3: You're checking out the breakfast Club Tourny.

520
00:20:22,000 --> 00:20:25,880
Speaker 7: Everybody is j n V Jess Hilarius Chlamaine the God.

521
00:20:25,920 --> 00:20:28,800
Speaker 7: We are the breakfast Club. Let's getting some front page news.

522
00:20:29,320 --> 00:20:30,159
Speaker 4: What's up Morgan?

523
00:20:30,720 --> 00:20:31,680
Speaker 1: Good morning everybody.

524
00:20:31,720 --> 00:20:33,080
Speaker 20: Hey, y'all do only happy Monday?

525
00:20:33,640 --> 00:20:34,080
Speaker 4: Morgan?

526
00:20:34,480 --> 00:20:36,400
Speaker 6: All right, let's get into it first on the front page.

527
00:20:36,400 --> 00:20:37,520
Speaker 6: It's unfortunate news.

528
00:20:37,600 --> 00:20:41,760
Speaker 21: Unfortunately, former Utah Congresswoman Mia Love is dead at forty nine.

529
00:20:42,160 --> 00:20:45,000
Speaker 21: Love is a daughter of Haitian immigrants. She made history

530
00:20:45,000 --> 00:20:48,560
Speaker 21: in twenty fourteen as the first black Republican woman elected

531
00:20:48,600 --> 00:20:51,879
Speaker 21: to Congress. She died at her home on Sunday following

532
00:20:51,880 --> 00:20:54,520
Speaker 21: a battle with brain cancer. Her daughter recently announced that

533
00:20:55,000 --> 00:20:58,080
Speaker 21: the treatment was not going well for her. So just

534
00:20:58,160 --> 00:21:02,720
Speaker 21: prayers for those families, you know, and canlenses absolutely which

535
00:21:02,720 --> 00:21:05,000
Speaker 21: in gears. Remember last week when President Trump signed an

536
00:21:05,000 --> 00:21:09,000
Speaker 21: executive order to dismantle the Department of Education. Well, he's

537
00:21:09,040 --> 00:21:12,600
Speaker 21: elaborating on what departments will pick up services following the closure. Now,

538
00:21:12,640 --> 00:21:15,480
Speaker 21: speaking from the Oval Office, Trump said, the Small Business

539
00:21:15,520 --> 00:21:18,399
Speaker 21: Administration will handle those student loans, y'all. That Small Business

540
00:21:18,400 --> 00:21:21,359
Speaker 21: Administration go and handle those loans, and Health and Human

541
00:21:21,400 --> 00:21:24,840
Speaker 21: Services will take care of special needs and nutritional programs.

542
00:21:24,960 --> 00:21:25,120
Speaker 4: Now.

543
00:21:25,200 --> 00:21:28,240
Speaker 21: Education Secretary Linda McMahon also weighed in, speaking to CNN

544
00:21:28,280 --> 00:21:31,040
Speaker 21: State of the Union, saying federal funding will continue for

545
00:21:31,240 --> 00:21:34,040
Speaker 21: essential education programs. Now, let's take a listen to those

546
00:21:34,080 --> 00:21:37,920
Speaker 21: comments from President Trump and Education Secretary Linda McMahon.

547
00:21:38,280 --> 00:21:40,160
Speaker 8: I don't think it's even risky a little bit.

548
00:21:40,200 --> 00:21:42,159
Speaker 4: I think it's going to be amazing.

549
00:21:42,520 --> 00:21:45,040
Speaker 2: The outward facing programs that are going to be affecting

550
00:21:45,080 --> 00:21:48,480
Speaker 2: students are there's not going to be any defunding for

551
00:21:48,520 --> 00:21:51,680
Speaker 2: those programs, and so we want to make sure that

552
00:21:51,680 --> 00:21:55,280
Speaker 2: that funding continues in departments where it needs to be,

553
00:21:55,520 --> 00:21:58,679
Speaker 2: but at the same time gives states the opportunities to

554
00:21:58,760 --> 00:22:00,879
Speaker 2: be innovative and creative with their teaching.

555
00:22:01,160 --> 00:22:03,440
Speaker 21: So this is a part of the Trump administration's larger

556
00:22:03,440 --> 00:22:07,040
Speaker 21: goal of strengthening state control over education. Meanwhile, the SBA

557
00:22:07,160 --> 00:22:09,679
Speaker 21: also recently announced it's cutting about forty three percent of

558
00:22:09,680 --> 00:22:13,920
Speaker 21: its workforce to quote focus on ending social policy agendas

559
00:22:13,960 --> 00:22:17,120
Speaker 21: of the prior administration, eliminating non essential roles, and returning

560
00:22:17,359 --> 00:22:20,720
Speaker 21: to pre pandemic staffing levels. Here's a fun fact, twenty

561
00:22:20,720 --> 00:22:24,000
Speaker 21: five percent of the SBA workforce is black, so Yeah.

562
00:22:25,520 --> 00:22:27,679
Speaker 20: In other news, CTG, you've.

563
00:22:27,520 --> 00:22:30,800
Speaker 21: Been calling for newer and fresher leadership in the Democratic Party.

564
00:22:30,800 --> 00:22:32,440
Speaker 20: We'll Senate minority leader Chuck Schumer.

565
00:22:32,680 --> 00:22:36,240
Speaker 21: He says he's not stepping down, okay, and in fact,

566
00:22:36,280 --> 00:22:39,880
Speaker 21: he's standing ten toes on in defending why he voted

567
00:22:39,960 --> 00:22:42,600
Speaker 21: in favor of the Republican funding bill, or, as he

568
00:22:42,640 --> 00:22:46,200
Speaker 21: puts it, voting against a government shut down. He made

569
00:22:46,240 --> 00:22:49,160
Speaker 21: the comments on NBC's Meet the Press, let's hear from

570
00:22:49,280 --> 00:22:49,920
Speaker 21: Chuck Schumer.

571
00:22:50,200 --> 00:22:53,880
Speaker 22: Look, I'm not stepping down, And let me just say this, Kristen.

572
00:22:54,000 --> 00:22:58,720
Speaker 22: I knew when I cast my vote against the sea,

573
00:22:59,160 --> 00:23:02,359
Speaker 22: against the government shutdown, that it would be that there'd

574
00:23:02,400 --> 00:23:05,359
Speaker 22: be a lot of controversy. The CR was certainly bad,

575
00:23:05,840 --> 00:23:08,919
Speaker 22: you know, the continuing Resolution, but a shutdown would be

576
00:23:09,000 --> 00:23:13,000
Speaker 22: fifteen or twenty times worse. Under a shutdown, the executive

577
00:23:13,000 --> 00:23:16,600
Speaker 22: branch has sole power to determine what is quote essential.

578
00:23:17,160 --> 00:23:19,440
Speaker 5: Once again, if you keep telling me that a bill

579
00:23:19,520 --> 00:23:21,679
Speaker 5: is terrible, you keep telling me that a bill was bad,

580
00:23:21,960 --> 00:23:24,920
Speaker 5: but you signed it anyway without negotiating anything.

581
00:23:25,200 --> 00:23:27,199
Speaker 4: To me, that's just not a good situation. That's just

582
00:23:27,240 --> 00:23:27,760
Speaker 4: not a good deal.

583
00:23:27,760 --> 00:23:30,080
Speaker 5: I understand Democrats don't have much power, but you can

584
00:23:30,119 --> 00:23:32,960
Speaker 5: negotiate something. And if he did negotiate something something, he

585
00:23:33,040 --> 00:23:35,400
Speaker 5: needs to let people know. R On the flip side,

586
00:23:35,520 --> 00:23:37,679
Speaker 5: if he actually did like the bill, but he's just

587
00:23:37,720 --> 00:23:40,520
Speaker 5: saying it's terrible to save face, you know with his base,

588
00:23:40,800 --> 00:23:43,000
Speaker 5: that's whack too. I would rather him say, you know what,

589
00:23:43,280 --> 00:23:44,800
Speaker 5: there's a lot of things in the bill I did

590
00:23:44,880 --> 00:23:47,119
Speaker 5: like and I've.

591
00:23:47,040 --> 00:23:47,679
Speaker 4: Voted for it.

592
00:23:47,920 --> 00:23:50,600
Speaker 21: He's saying the shutdown would have been way worse, ten

593
00:23:50,680 --> 00:23:51,320
Speaker 21: times worse.

594
00:23:51,400 --> 00:23:52,320
Speaker 4: Explain that the people.

595
00:23:52,359 --> 00:23:52,479
Speaker 23: Then.

596
00:23:53,040 --> 00:23:55,680
Speaker 21: That's essentially what he said in the audio. So Schumer's vote,

597
00:23:55,720 --> 00:23:57,800
Speaker 21: of course, like you mentioned, has drawn criticism from some

598
00:23:57,840 --> 00:24:00,640
Speaker 21: of his own party, who say Schumer should be opposing

599
00:24:00,640 --> 00:24:02,280
Speaker 21: Trump's agenda at every turn.

600
00:24:03,000 --> 00:24:03,880
Speaker 20: He went on to say the.

601
00:24:03,880 --> 00:24:07,480
Speaker 21: US is in a constitutional crisis following the ongoing fight

602
00:24:07,560 --> 00:24:11,000
Speaker 21: between Trump and the courts regarding deportation flights.

603
00:24:11,119 --> 00:24:13,520
Speaker 20: So any extra thoughts on that before I get into

604
00:24:13,560 --> 00:24:13,879
Speaker 20: the next door.

605
00:24:13,920 --> 00:24:15,600
Speaker 5: I don't think that you should, you know, push back

606
00:24:15,600 --> 00:24:17,720
Speaker 5: against the agenda just because you don't like a person.

607
00:24:17,840 --> 00:24:19,760
Speaker 7: That's what it seemed like that she just said. She

608
00:24:19,840 --> 00:24:21,639
Speaker 7: just basically said, anything that Trump does, you got to

609
00:24:21,640 --> 00:24:22,040
Speaker 7: push up.

610
00:24:23,040 --> 00:24:24,399
Speaker 5: If people feel like that because that's what they did

611
00:24:24,400 --> 00:24:25,840
Speaker 5: to President Obama, you know what I mean. But I

612
00:24:25,880 --> 00:24:27,679
Speaker 5: think that's what benefits the people. You got to go

613
00:24:27,720 --> 00:24:30,399
Speaker 5: with benefits to people exactly because this is a bipartisan government.

614
00:24:30,400 --> 00:24:32,679
Speaker 5: You have Republicans the Democrats, and you need Republicans and

615
00:24:32,720 --> 00:24:34,520
Speaker 5: Democrats to get things done. So I don't think I

616
00:24:34,520 --> 00:24:37,000
Speaker 5: don't agree with the logic of just pushing back because

617
00:24:37,000 --> 00:24:39,240
Speaker 5: you don't agree, you know, because you don't like a person,

618
00:24:39,320 --> 00:24:40,160
Speaker 5: or because you don't.

619
00:24:40,000 --> 00:24:42,160
Speaker 4: Like a party because he's republic But I'm still.

620
00:24:41,960 --> 00:24:46,000
Speaker 5: Saying, negotiate, bruh, like I get something for yourself before

621
00:24:46,040 --> 00:24:47,879
Speaker 5: you just lay down and say I'm going to do

622
00:24:47,920 --> 00:24:49,840
Speaker 5: it just because the alternative is worse.

623
00:24:49,760 --> 00:24:50,760
Speaker 24: Right, got you?

624
00:24:50,920 --> 00:24:51,040
Speaker 8: So?

625
00:24:51,080 --> 00:24:54,280
Speaker 21: Speaking of which the deportation flights, US Attorney General with

626
00:24:54,320 --> 00:24:57,399
Speaker 21: Pam Bondi says the Supreme Court will get involved in

627
00:24:57,440 --> 00:25:01,080
Speaker 21: the ongoing court battle over the Trump administration's deportation flights.

628
00:25:01,720 --> 00:25:04,960
Speaker 21: Bondi told Fox News Sunday Morning Futures, the federal judge

629
00:25:04,960 --> 00:25:09,680
Speaker 21: who ordered the deportation flights stopped is overstepping his authority.

630
00:25:09,800 --> 00:25:11,200
Speaker 20: Let's hear more from Pambondi.

631
00:25:11,640 --> 00:25:16,720
Speaker 25: A federal judge trying to control our entire foreign policy,

632
00:25:16,840 --> 00:25:19,760
Speaker 25: and he cannot do it. He's trying to ask us

633
00:25:19,800 --> 00:25:25,439
Speaker 25: about national security information, which he is absolutely not entitled to.

634
00:25:26,440 --> 00:25:28,000
Speaker 20: She might raise a good point there now.

635
00:25:28,000 --> 00:25:31,320
Speaker 21: Bondi accused the judge of trying to set back US

636
00:25:31,359 --> 00:25:34,080
Speaker 21: foreign policy and vow that the Trump administration would continue

637
00:25:34,119 --> 00:25:36,639
Speaker 21: to fight the judges order in court. Of course, this

638
00:25:36,680 --> 00:25:40,879
Speaker 21: battle stems from the Trump Administration's decision to deport illegal immigrants.

639
00:25:41,240 --> 00:25:45,280
Speaker 21: It claims that our gang members even after a ruling

640
00:25:45,359 --> 00:25:50,280
Speaker 21: by US District Judge Jane Bosberg blocked the deportation, saying that's.

641
00:25:50,080 --> 00:25:50,960
Speaker 17: Your front page news.

642
00:25:51,160 --> 00:25:53,640
Speaker 21: Follow me on social at Morgan Media, and for more

643
00:25:53,880 --> 00:25:56,600
Speaker 21: news coverage, follow app Black Information Network, download the free

644
00:25:56,920 --> 00:26:01,000
Speaker 21: iHeartRadio app, and visit us at bi in news dot com.

645
00:26:01,000 --> 00:26:02,640
Speaker 21: Thank y'all making it a great week, all.

646
00:26:02,600 --> 00:26:03,960
Speaker 4: Right, thank you Morgan.

647
00:26:04,280 --> 00:26:06,960
Speaker 7: Now, when we come back, Beatie Man will be joining us.

648
00:26:06,960 --> 00:26:09,120
Speaker 7: We're gonna kick it with Beanie Man. And also if

649
00:26:09,119 --> 00:26:11,080
Speaker 7: you want to hear a Beamie Man joint, we're gonna

650
00:26:11,080 --> 00:26:13,040
Speaker 7: do a Beanie Man a Beatie Man Mini mixed.

651
00:26:13,040 --> 00:26:15,080
Speaker 4: This morning, so don't go anywhere. It's the Breakfast Club.

652
00:26:15,119 --> 00:26:17,720
Speaker 4: Good Morning, The Breakfast Club.

653
00:26:20,040 --> 00:26:24,000
Speaker 7: Morning everybody is DJ Envy, Jess Hilarious, Charlamage the guy.

654
00:26:24,040 --> 00:26:26,560
Speaker 7: We are the breakfast Club Lona Rosa filling in for Jess,

655
00:26:26,760 --> 00:26:29,400
Speaker 7: and we got a special guest in the building. Yes, indeed,

656
00:26:29,440 --> 00:26:33,720
Speaker 7: the King of Dean told my brother Beatie Man, welcome Zaga.

657
00:26:34,359 --> 00:26:37,960
Speaker 4: How you feeling man, I'm feeling good guy, goodness see you.

658
00:26:39,040 --> 00:26:39,240
Speaker 26: Well.

659
00:26:39,280 --> 00:26:43,080
Speaker 5: How important is it to have access to America again, Well,

660
00:26:43,200 --> 00:26:46,359
Speaker 5: it's a very important, I think, because when do I

661
00:26:46,400 --> 00:26:47,320
Speaker 5: have access to America?

662
00:26:47,359 --> 00:26:48,840
Speaker 27: You have access to the rest of the world. But

663
00:26:49,160 --> 00:26:51,359
Speaker 27: America is a place how you can work every week.

664
00:26:52,080 --> 00:26:55,600
Speaker 4: Yes, so real. That nice. You gotta get that money, Yes.

665
00:26:55,400 --> 00:26:56,480
Speaker 24: You gotta get them money.

666
00:26:57,800 --> 00:27:01,320
Speaker 7: Thirteen years, yes, thirteen years for people that don't know

667
00:27:01,480 --> 00:27:03,440
Speaker 7: what happened because you were always here.

668
00:27:03,720 --> 00:27:04,800
Speaker 4: I thought you even at a house here.

669
00:27:05,000 --> 00:27:08,160
Speaker 27: You me myself don't know what happened, but things happened.

670
00:27:08,240 --> 00:27:11,800
Speaker 27: You know, we're Jamaican, so we're getting the privilege to

671
00:27:11,800 --> 00:27:15,639
Speaker 27: come to him. I think something happened and they just

672
00:27:15,760 --> 00:27:18,879
Speaker 27: beat everybody for it. But it's loosen up now. Everybody's

673
00:27:18,920 --> 00:27:22,320
Speaker 27: being releasing and everybody's getting their visa box.

674
00:27:22,800 --> 00:27:23,600
Speaker 4: Yeah, he's a good thing.

675
00:27:23,640 --> 00:27:24,400
Speaker 3: People would think.

676
00:27:24,320 --> 00:27:26,080
Speaker 7: That it was it would be different because Trump's in

677
00:27:26,160 --> 00:27:28,000
Speaker 7: office and he's actually trying to get people out, so

678
00:27:28,040 --> 00:27:29,639
Speaker 7: people think it would be more difficult, but it was.

679
00:27:29,680 --> 00:27:30,520
Speaker 9: It was.

680
00:27:31,000 --> 00:27:31,760
Speaker 4: It was nice.

681
00:27:31,800 --> 00:27:33,760
Speaker 27: It was a nice thing because it just give me

682
00:27:33,800 --> 00:27:35,720
Speaker 27: a chance to toward the rest of the world. I've

683
00:27:35,760 --> 00:27:37,880
Speaker 27: been to Africa a few times then, but now I've

684
00:27:37,960 --> 00:27:40,480
Speaker 27: been to Africa like I lived here. I'm going to

685
00:27:40,560 --> 00:27:42,639
Speaker 27: England like I lived here, going to Europe like I

686
00:27:42,720 --> 00:27:44,879
Speaker 27: lived there. So we would get a chance to visit

687
00:27:44,880 --> 00:27:45,680
Speaker 27: the rest of the world.

688
00:27:46,400 --> 00:27:48,919
Speaker 18: Saw you bring up Maya on the stage and that

689
00:27:49,040 --> 00:27:51,520
Speaker 18: was like the first summon. Yeah ten years Yeah, right

690
00:27:52,040 --> 00:27:54,280
Speaker 18: for that moment for you, How does that feel?

691
00:27:54,600 --> 00:27:57,000
Speaker 27: Well, it's always a great feelings to work with my

692
00:27:57,119 --> 00:27:59,320
Speaker 27: anstis because she's a great performer and a great thing

693
00:27:59,320 --> 00:28:01,879
Speaker 27: Taitina and a person you have a nice personality and

694
00:28:01,920 --> 00:28:04,439
Speaker 27: people do love her. So she brings a different energy

695
00:28:04,560 --> 00:28:06,679
Speaker 27: to the show. You know, ready to cut up in

696
00:28:07,240 --> 00:28:10,560
Speaker 27: a club show or outdoor event. She always do good

697
00:28:10,640 --> 00:28:14,000
Speaker 27: And you know, as an artist, that's the type of artists.

698
00:28:13,760 --> 00:28:14,439
Speaker 4: That you need with you.

699
00:28:15,080 --> 00:28:16,919
Speaker 18: Are the other artists now that you've done collapse with

700
00:28:16,960 --> 00:28:18,440
Speaker 18: in the past that are hitting you like Hey, since

701
00:28:18,440 --> 00:28:20,359
Speaker 18: you're able to perform in the US now, like we

702
00:28:20,400 --> 00:28:21,920
Speaker 18: need to have that maya moment too.

703
00:28:22,200 --> 00:28:25,000
Speaker 27: Yeah, yeah, yeah, yeah, that's true. But you know you

704
00:28:25,080 --> 00:28:27,040
Speaker 27: have to just have the right time on the right place,

705
00:28:27,520 --> 00:28:27,720
Speaker 27: you know.

706
00:28:27,880 --> 00:28:30,600
Speaker 4: Yeah. Are you surprised about how timeless your music still is.

707
00:28:33,119 --> 00:28:34,520
Speaker 17: To this day?

708
00:28:34,640 --> 00:28:37,840
Speaker 27: Well, you cannot surprise when you make good music. When

709
00:28:37,880 --> 00:28:41,280
Speaker 27: you make good music's lifetime music. As people always say,

710
00:28:41,720 --> 00:28:44,800
Speaker 27: only players and singers instruments will be there when the

711
00:28:44,880 --> 00:28:47,200
Speaker 27: gate of Zion is open. So all you have to

712
00:28:47,240 --> 00:28:49,120
Speaker 27: do is make sure that your music is there. From

713
00:28:49,160 --> 00:28:53,640
Speaker 27: your music is there, you are represented, yes, when.

714
00:28:53,440 --> 00:28:56,400
Speaker 4: The gate design is open. So it's a spiritual process.

715
00:28:56,600 --> 00:29:00,680
Speaker 27: Yeah, well everything is spiritual process, you know, because life

716
00:29:00,720 --> 00:29:02,239
Speaker 27: is a gambler of the money and you wake up

717
00:29:02,280 --> 00:29:03,160
Speaker 27: you have for gifts.

718
00:29:03,680 --> 00:29:03,920
Speaker 3: Yeah.

719
00:29:04,520 --> 00:29:07,200
Speaker 7: Do you feel it feels like they people have been

720
00:29:07,240 --> 00:29:10,440
Speaker 7: embracing dance all music and reggae music more in the

721
00:29:10,520 --> 00:29:12,600
Speaker 7: last couple of years. Right, We've seen them with bouju,

722
00:29:12,640 --> 00:29:15,200
Speaker 7: We seen it with yourself, we see it with vibes.

723
00:29:15,560 --> 00:29:18,400
Speaker 7: Does it feel different now than it was, let's say,

724
00:29:18,440 --> 00:29:21,800
Speaker 7: ten years ago. No, it's especially here all right.

725
00:29:21,880 --> 00:29:25,760
Speaker 27: The difference is the original formation of the music is

726
00:29:25,800 --> 00:29:29,840
Speaker 27: always there, so it's different because we are here now.

727
00:29:29,920 --> 00:29:32,320
Speaker 27: It's not like the younger generation and low and is

728
00:29:32,360 --> 00:29:34,800
Speaker 27: out they're trying to push the music. We from the

729
00:29:34,880 --> 00:29:38,360
Speaker 27: nineties are here right now, so we're still here doing

730
00:29:38,400 --> 00:29:40,560
Speaker 27: the music as oh we know the music to be.

731
00:29:41,120 --> 00:29:44,720
Speaker 27: So that's the different feelings between the music three years

732
00:29:44,760 --> 00:29:47,960
Speaker 27: ago from the music today because we're back.

733
00:29:48,040 --> 00:29:49,960
Speaker 7: Why do you feel like the music from a couple

734
00:29:50,000 --> 00:29:53,080
Speaker 7: of years ago doesn't transcend like those that music from

735
00:29:53,160 --> 00:29:55,920
Speaker 7: the nineties. I feel like they come and go, but

736
00:29:56,000 --> 00:29:58,480
Speaker 7: now it's people are going back to that era of.

737
00:29:58,480 --> 00:30:01,600
Speaker 4: Music, all right. You see, music always have a phase.

738
00:30:01,720 --> 00:30:04,320
Speaker 27: Ever, music, hip hop, R and B each and other

739
00:30:04,480 --> 00:30:06,920
Speaker 27: music in the world of a face. Sometimes them mix

740
00:30:06,960 --> 00:30:09,480
Speaker 27: the music with the adapt genre of music and at

741
00:30:09,520 --> 00:30:12,280
Speaker 27: a beat mix up with it. What they call it fusion. Yeah,

742
00:30:12,320 --> 00:30:15,120
Speaker 27: sometimes infuse the music. That's what happened to dance a

743
00:30:15,280 --> 00:30:18,440
Speaker 27: dance out of infused. But don't get it confused because

744
00:30:18,560 --> 00:30:21,520
Speaker 27: the artists them them really are split lyrics and they're

745
00:30:21,560 --> 00:30:24,400
Speaker 27: really chatting the same way. But I don't think they're

746
00:30:24,400 --> 00:30:26,760
Speaker 27: getting across to the audience like or we get across

747
00:30:26,760 --> 00:30:30,240
Speaker 27: to the audience. So I feel like sometimes when you're

748
00:30:30,480 --> 00:30:32,480
Speaker 27: chatting some lyrics you're straight like an eighway.

749
00:30:32,600 --> 00:30:34,960
Speaker 24: Sometimes you have some curves, so sometimes you got to

750
00:30:35,000 --> 00:30:35,560
Speaker 24: learn to sing.

751
00:30:35,880 --> 00:30:38,640
Speaker 27: Take a note. Do something make a difference to the music.

752
00:30:38,720 --> 00:30:41,560
Speaker 27: So I think that's the difference between us, like really

753
00:30:41,640 --> 00:30:45,000
Speaker 27: come and say memories only like people do then with

754
00:30:45,080 --> 00:30:47,880
Speaker 27: a comedy boice the past.

755
00:30:47,720 --> 00:30:51,000
Speaker 24: Is it's a whole different genre music. So now I'm

756
00:30:51,000 --> 00:30:51,520
Speaker 24: on just commeman.

757
00:30:55,320 --> 00:30:56,480
Speaker 4: You see that's the difference.

758
00:30:56,840 --> 00:30:58,720
Speaker 27: So when you have the music with a melody and

759
00:30:58,880 --> 00:31:01,800
Speaker 27: more understanding and people we can dance to and play

760
00:31:02,000 --> 00:31:05,440
Speaker 27: for their kids and pay for their grandma. Because the

761
00:31:05,480 --> 00:31:07,800
Speaker 27: girl old woman come out at ninety eight and said

762
00:31:07,800 --> 00:31:10,120
Speaker 27: being the money on my DJs. It's feeling good to

763
00:31:10,200 --> 00:31:12,960
Speaker 27: know that people like in those age and those category

764
00:31:13,040 --> 00:31:15,800
Speaker 27: can look at you and said you sing my favorite song.

765
00:31:15,920 --> 00:31:18,760
Speaker 5: So yeah, I always wonder what that line. Man, You said,

766
00:31:18,760 --> 00:31:21,600
Speaker 5: memories don't live like people do. Yeah, what do you

767
00:31:21,680 --> 00:31:24,200
Speaker 5: mean by that? Memories don't live black people? I feel

768
00:31:24,240 --> 00:31:30,800
Speaker 5: like memory long, That's what I'm saying.

769
00:31:32,200 --> 00:31:36,560
Speaker 18: That was a moment been lightning for you exactly.

770
00:31:37,200 --> 00:31:39,520
Speaker 7: Do you feel like afro Beats took some of the

771
00:31:39,640 --> 00:31:43,959
Speaker 7: dance holes thunder because it's not all the time because

772
00:31:44,000 --> 00:31:46,920
Speaker 7: you see the drum is from Africa anyway, so we

773
00:31:47,000 --> 00:31:48,040
Speaker 7: took their jumps.

774
00:31:48,960 --> 00:31:53,800
Speaker 27: So that's our music is that come from congo drums

775
00:31:53,800 --> 00:31:57,040
Speaker 27: and all these jumps that any drums years from Africa.

776
00:31:57,280 --> 00:31:59,920
Speaker 24: But we put in a different manner because.

777
00:31:59,560 --> 00:32:01,840
Speaker 27: We come from reggae music, because reggae music is the

778
00:32:01,840 --> 00:32:02,760
Speaker 27: original one job.

779
00:32:03,080 --> 00:32:05,240
Speaker 4: But we just add tree dropped to the beat.

780
00:32:05,080 --> 00:32:07,480
Speaker 24: So we can dance to rock to more, we can

781
00:32:07,560 --> 00:32:08,880
Speaker 24: do more styling.

782
00:32:09,200 --> 00:32:13,200
Speaker 27: But what after music? Did it wake up Africa? Because

783
00:32:13,240 --> 00:32:16,120
Speaker 27: there's a lot of people that live in Africa that

784
00:32:16,400 --> 00:32:19,000
Speaker 27: live from dance, all music and reggae music all their life.

785
00:32:19,360 --> 00:32:22,760
Speaker 27: So if them come now with the original sound, which

786
00:32:22,880 --> 00:32:25,640
Speaker 27: is not an original sound, they have a pizza and

787
00:32:25,640 --> 00:32:28,960
Speaker 27: steel but either he's dear drums, so you carry argue

788
00:32:29,000 --> 00:32:31,200
Speaker 27: with it. But if they come with the music that

789
00:32:31,280 --> 00:32:34,320
Speaker 27: the country, the old entire continent to Africa can follow,

790
00:32:34,720 --> 00:32:36,800
Speaker 27: is a great move. Because you have one city, you

791
00:32:36,840 --> 00:32:38,840
Speaker 27: have twenty million people. You have one city, have the

792
00:32:38,840 --> 00:32:41,680
Speaker 27: next twenty six million people. So if them can get

793
00:32:41,680 --> 00:32:43,520
Speaker 27: all of them people that to follow their music, the

794
00:32:43,520 --> 00:32:44,480
Speaker 27: world is gonna follow.

795
00:32:44,960 --> 00:32:47,640
Speaker 4: Yeah. So it was a good move and a great

796
00:32:47,840 --> 00:32:48,920
Speaker 4: just and there beat.

797
00:32:49,440 --> 00:32:52,120
Speaker 5: I had that person on America few you came back,

798
00:32:52,440 --> 00:32:54,160
Speaker 5: did you have that those butterflies or.

799
00:32:54,320 --> 00:32:55,160
Speaker 4: What you have?

800
00:32:55,200 --> 00:32:58,360
Speaker 27: N't performing place thirteen years and now you're performing for

801
00:32:58,400 --> 00:33:00,880
Speaker 27: different type of people. You're performing for the working class.

802
00:33:00,880 --> 00:33:03,959
Speaker 27: We put that left work, go home, left home, go

803
00:33:04,080 --> 00:33:06,520
Speaker 27: to work. This is their time to go to a party.

804
00:33:07,120 --> 00:33:09,640
Speaker 27: So the only time them listen to a bet the man,

805
00:33:09,680 --> 00:33:13,800
Speaker 27: it's either under radio or watching TV or under youtubear,

806
00:33:14,000 --> 00:33:17,160
Speaker 27: you know, anywhere else you know. But then they'll really

807
00:33:17,160 --> 00:33:18,840
Speaker 27: go to a be in them on show. So these

808
00:33:18,840 --> 00:33:21,600
Speaker 27: are the type of audience that we have. This does

809
00:33:21,640 --> 00:33:23,760
Speaker 27: in the Garden show. But when when you go on

810
00:33:23,800 --> 00:33:29,719
Speaker 27: stage and you do the first who hear the reaction

811
00:33:29,880 --> 00:33:31,520
Speaker 27: from the audience, then you know you got there.

812
00:33:32,080 --> 00:33:33,800
Speaker 5: If you ever been on stage with the artists and

813
00:33:34,200 --> 00:33:36,280
Speaker 5: didn't like how they was performing and snatched the mic

814
00:33:36,280 --> 00:33:37,480
Speaker 5: from him like this.

815
00:33:38,280 --> 00:33:45,640
Speaker 27: Sometimes you got yeah, I'm not gonna be like yeah, no,

816
00:33:45,720 --> 00:33:48,760
Speaker 27: I didn't do that. I've done that because sometimes you

817
00:33:49,120 --> 00:33:51,640
Speaker 27: cut up, you have artists jump on the snake and

818
00:33:51,680 --> 00:33:54,600
Speaker 27: snatch the mic from you. Yeah, snatch it back. Don't

819
00:33:54,640 --> 00:33:56,720
Speaker 27: want to disrespecking, say bring them out to the front.

820
00:33:56,840 --> 00:33:58,320
Speaker 27: And make the people them know that this is a

821
00:33:58,360 --> 00:33:59,400
Speaker 27: young artist. He's trying.

822
00:33:59,680 --> 00:33:59,880
Speaker 4: You know.

823
00:34:00,280 --> 00:34:02,440
Speaker 17: Somebody came and snatched the mic from you.

824
00:34:04,240 --> 00:34:06,640
Speaker 5: It was was last year. I was in the stage

825
00:34:06,800 --> 00:34:10,200
Speaker 5: do my thing to show what's in fire. The mic

826
00:34:10,320 --> 00:34:15,640
Speaker 5: is gone. What some young kid?

827
00:34:16,120 --> 00:34:16,319
Speaker 8: You know?

828
00:34:16,440 --> 00:34:18,080
Speaker 4: So I have to oh, I see it.

829
00:34:18,200 --> 00:34:20,000
Speaker 24: Yeah, I have to make him knowing stage right here.

830
00:34:20,239 --> 00:34:22,239
Speaker 4: This is not how you do it, you know.

831
00:34:22,560 --> 00:34:24,520
Speaker 27: Yeah, And people wanted to tack him up the stage,

832
00:34:24,520 --> 00:34:26,560
Speaker 27: but I said, that's leave him alone, give him my chimes,

833
00:34:26,600 --> 00:34:29,160
Speaker 27: all right, boom, do what you gotta do. He never

834
00:34:29,239 --> 00:34:31,960
Speaker 27: did well it, so I'll make it back for him

835
00:34:32,800 --> 00:34:35,400
Speaker 27: because the people was getting really revetu. So I have

836
00:34:35,480 --> 00:34:37,760
Speaker 27: to get about the crowd to get in Wooman shows

837
00:34:37,920 --> 00:34:38,239
Speaker 27: up here.

838
00:34:38,280 --> 00:34:41,759
Speaker 7: I'll we got more with Beanie Man when we come back.

839
00:34:41,840 --> 00:34:44,480
Speaker 4: Don't go anywhere. It's the Breakfast Club, Good morning morning.

840
00:34:44,520 --> 00:34:48,120
Speaker 7: Everybody is dj NV, just Hilarie and Charlamagne and the

841
00:34:48,160 --> 00:34:48,719
Speaker 7: god we are.

842
00:34:48,800 --> 00:34:51,000
Speaker 4: The Breakfast Club is still kicking it with Beanie Man.

843
00:34:51,120 --> 00:34:53,680
Speaker 7: Now, do you ever have to prove yourself because like

844
00:34:53,719 --> 00:34:56,319
Speaker 7: you got hard music, you got gangsty music, but you

845
00:34:56,360 --> 00:34:57,640
Speaker 7: got a lot of music for the women.

846
00:34:57,880 --> 00:34:59,840
Speaker 4: Yeah, I'm regards of sugar. That's right.

847
00:35:01,560 --> 00:35:03,239
Speaker 7: If people ever think you were sweet for that, and

848
00:35:03,239 --> 00:35:04,960
Speaker 7: you have to prove yourself like play if you want.

849
00:35:05,120 --> 00:35:05,920
Speaker 4: Did that ever happen?

850
00:35:07,760 --> 00:35:10,200
Speaker 27: I think every time I go on the stage without

851
00:35:10,200 --> 00:35:12,480
Speaker 27: the artists, I have to end up proving myself.

852
00:35:12,600 --> 00:35:15,000
Speaker 4: Really not Beatie Man the king of dance. Holl No.

853
00:35:15,200 --> 00:35:18,480
Speaker 27: But trust me, because you see, all right, when I'm

854
00:35:18,520 --> 00:35:21,359
Speaker 27: on a stage show with everybody else, like say, I'm

855
00:35:21,360 --> 00:35:24,480
Speaker 27: on a sum festibility you know, not a being in

856
00:35:24,560 --> 00:35:25,280
Speaker 27: money concert.

857
00:35:25,440 --> 00:35:27,240
Speaker 24: So I'm on a sum festival.

858
00:35:27,440 --> 00:35:29,239
Speaker 4: It tept me to walk box stage enough.

859
00:35:29,560 --> 00:35:32,759
Speaker 27: After you just walk box stage and every artist is

860
00:35:32,800 --> 00:35:35,080
Speaker 27: box stage, because I might not wonder if MEGA work no,

861
00:35:35,480 --> 00:35:38,799
Speaker 27: I work before him. I aller that that was never

862
00:35:38,840 --> 00:35:41,880
Speaker 27: my problem, whether I work first, in the middle, I

863
00:35:41,920 --> 00:35:42,600
Speaker 27: closed the show.

864
00:35:42,880 --> 00:35:43,960
Speaker 24: My time is my time.

865
00:35:44,560 --> 00:35:46,880
Speaker 27: But what I like to do is watch the artists

866
00:35:46,880 --> 00:35:49,320
Speaker 27: working before me, to see the vibes out there pushing

867
00:35:49,600 --> 00:35:52,080
Speaker 27: to know exactly what I have to do, because if

868
00:35:52,080 --> 00:35:54,640
Speaker 27: you stay back there are staying at your truck under them,

869
00:35:54,680 --> 00:35:56,839
Speaker 27: and you don't know what vibes go on. The man

870
00:35:56,920 --> 00:35:59,279
Speaker 27: that worked the very first could took the show and

871
00:35:59,320 --> 00:36:02,080
Speaker 27: you don't know. So this is why I build my vice.

872
00:36:02,120 --> 00:36:05,040
Speaker 27: I build my vibes from your energy, no negativity, but

873
00:36:05,200 --> 00:36:07,560
Speaker 27: your energy. So if I don't have to change the

874
00:36:07,640 --> 00:36:10,000
Speaker 27: starting up the show, if I don't have to change

875
00:36:10,000 --> 00:36:12,279
Speaker 27: your middle after show, I don't have to. But you

876
00:36:12,400 --> 00:36:14,640
Speaker 27: watch the artists and see that artists bring the crowd.

877
00:36:14,680 --> 00:36:17,400
Speaker 27: You need to keep the crowd either that level or

878
00:36:17,480 --> 00:36:20,360
Speaker 27: higher than that. So you always start I get a

879
00:36:20,440 --> 00:36:22,480
Speaker 27: mirror of keep the people them up and hand with

880
00:36:22,560 --> 00:36:25,239
Speaker 27: that energy that you need to end with. Because you

881
00:36:25,400 --> 00:36:27,719
Speaker 27: ended with the energy that you need, we call it

882
00:36:27,920 --> 00:36:30,600
Speaker 27: an ancre. But you can't do no inncore because your

883
00:36:30,600 --> 00:36:32,840
Speaker 27: time is up. So you end with that energy people

884
00:36:33,080 --> 00:36:36,239
Speaker 27: shouting for more. So this is the reason why I

885
00:36:36,280 --> 00:36:39,000
Speaker 27: said you have a competition every night when you're going

886
00:36:39,040 --> 00:36:41,120
Speaker 27: to stage, but when it's you in concert, the only

887
00:36:41,160 --> 00:36:43,240
Speaker 27: competition you have is the energy from the people.

888
00:36:43,520 --> 00:36:46,080
Speaker 18: Now, speaking of your concert and your tours, the name

889
00:36:46,160 --> 00:36:48,040
Speaker 18: of this tour is the King of the Dance Hall Tour.

890
00:36:48,200 --> 00:36:48,439
Speaker 3: Yeah.

891
00:36:48,480 --> 00:36:50,920
Speaker 18: I know there's back and forth with Vibes, Cartel and

892
00:36:50,960 --> 00:36:53,160
Speaker 18: the fans trying to figure out King of the Dance Hall.

893
00:36:53,640 --> 00:36:57,279
Speaker 17: But this is the the throning this tour right here.

894
00:36:59,040 --> 00:37:02,279
Speaker 27: Well, I not the turning no one. I don't come

895
00:37:02,280 --> 00:37:05,080
Speaker 27: to talk about people. I'm a king besarts of my

896
00:37:05,239 --> 00:37:08,439
Speaker 27: music and my longevity in the music and still being here.

897
00:37:08,640 --> 00:37:11,880
Speaker 27: I've been here since the eighties through the nineties and

898
00:37:11,920 --> 00:37:15,440
Speaker 27: I'm still here doing the same thing. So yeah, I

899
00:37:15,440 --> 00:37:18,000
Speaker 27: don't have to compare myself with people. People try to

900
00:37:18,000 --> 00:37:21,359
Speaker 27: compare theirself with me. It's a good thing because every

901
00:37:21,480 --> 00:37:24,359
Speaker 27: artist that bust in this music business since me buss

902
00:37:24,440 --> 00:37:26,520
Speaker 27: them compare me to them. So it's a great thing

903
00:37:26,600 --> 00:37:29,040
Speaker 27: to your name caught up with the young, fresh artists.

904
00:37:29,080 --> 00:37:31,520
Speaker 27: So it's a great thing. I'm not fighting it, not

905
00:37:31,680 --> 00:37:33,920
Speaker 27: dispooting it, but that's what it is.

906
00:37:33,920 --> 00:37:35,640
Speaker 5: What it is, you think. That's why I wanted to

907
00:37:35,640 --> 00:37:37,520
Speaker 5: read his artists always want to challenge. You don't because

908
00:37:37,520 --> 00:37:38,399
Speaker 5: you call yourself the king.

909
00:37:38,400 --> 00:37:39,000
Speaker 4: The king. I don't.

910
00:37:39,520 --> 00:37:41,600
Speaker 24: Did not call myself the king. I was crowned king.

911
00:37:41,800 --> 00:37:44,400
Speaker 24: Oh oh, big difference.

912
00:37:44,960 --> 00:37:47,880
Speaker 4: Yeah. Now, I also wanted to ask new music. Are

913
00:37:47,880 --> 00:37:48,680
Speaker 4: you working on new music?

914
00:37:48,800 --> 00:37:49,080
Speaker 8: Yeah?

915
00:37:49,520 --> 00:37:51,399
Speaker 24: Right, I'm working on an album right now.

916
00:37:52,080 --> 00:37:55,920
Speaker 27: Yeah, I got a new music out with me and Etana.

917
00:37:56,400 --> 00:37:57,920
Speaker 4: It's called Guide over Us.

918
00:37:58,120 --> 00:38:02,320
Speaker 27: Yeah, It's produced by came Oga and the majority of

919
00:38:02,440 --> 00:38:05,240
Speaker 27: this album would be producing by me and Kemel Magrega.

920
00:38:05,280 --> 00:38:08,720
Speaker 27: We're going to have other producers. So yeah, we're working

921
00:38:08,719 --> 00:38:10,840
Speaker 27: on a new album right now. But this is the

922
00:38:11,200 --> 00:38:12,839
Speaker 27: new singers called Guide of Us.

923
00:38:12,960 --> 00:38:14,840
Speaker 7: Do you have to change any of your lyrics from

924
00:38:14,880 --> 00:38:18,400
Speaker 7: back then, because back then, in the nineties and two thousand,

925
00:38:18,719 --> 00:38:20,239
Speaker 7: there was words that we use.

926
00:38:20,600 --> 00:38:24,319
Speaker 4: They can't be used now. You know which ones.

927
00:38:26,200 --> 00:38:31,080
Speaker 27: It's the music is adapt and adjust, So if that's

928
00:38:31,120 --> 00:38:33,279
Speaker 27: what going on, you got to adapt and adjust to

929
00:38:33,320 --> 00:38:36,240
Speaker 27: the to the vibe that's going on. Because in Jamaica,

930
00:38:36,480 --> 00:38:39,080
Speaker 27: we were just singing for Jamaica. We didn't know that

931
00:38:39,120 --> 00:38:42,640
Speaker 27: the music music gonna go worldwide international? When's the music

932
00:38:42,640 --> 00:38:44,799
Speaker 27: go world right international? You have to sing for the

933
00:38:44,840 --> 00:38:47,640
Speaker 27: word to understand where you're coming from. So you have

934
00:38:47,719 --> 00:38:50,440
Speaker 27: to make some adjustment back like damn.

935
00:38:50,640 --> 00:38:53,480
Speaker 4: That's that's the words back the times.

936
00:38:54,000 --> 00:38:55,120
Speaker 24: Yeah, those was the times.

937
00:38:55,200 --> 00:38:56,920
Speaker 27: There was a time when we used to do the

938
00:38:57,000 --> 00:38:59,719
Speaker 27: music that the way like we love it. But now

939
00:38:59,760 --> 00:39:01,920
Speaker 27: the keeper is into the music. You ever do music

940
00:39:01,920 --> 00:39:04,880
Speaker 27: for people, so you're not doing we music, my music,

941
00:39:04,960 --> 00:39:07,839
Speaker 27: my music for me. You're doing the world music. So

942
00:39:07,960 --> 00:39:10,000
Speaker 27: do the world a favor, play what they want to hear.

943
00:39:10,280 --> 00:39:12,279
Speaker 5: I love what you said earlier too about artists just

944
00:39:12,320 --> 00:39:14,480
Speaker 5: doing the music, and they were doing it just, you know,

945
00:39:14,560 --> 00:39:16,319
Speaker 5: just to get the cars and just to get the look.

946
00:39:16,640 --> 00:39:19,000
Speaker 5: I feel like, you know, the reason people have always

947
00:39:19,040 --> 00:39:22,400
Speaker 5: loved reggae music is because they have intention. Yeah, so

948
00:39:22,840 --> 00:39:24,919
Speaker 5: what is your intention? When you all right?

949
00:39:25,320 --> 00:39:26,440
Speaker 3: Just to put it like this?

950
00:39:27,280 --> 00:39:29,319
Speaker 27: When I just started out when I was like five

951
00:39:29,400 --> 00:39:32,760
Speaker 27: years of face and I started doing stage at age seven,

952
00:39:33,040 --> 00:39:35,719
Speaker 27: I never know that money come with music. I never

953
00:39:35,800 --> 00:39:39,360
Speaker 27: know that for love, yeah, doing it because I was

954
00:39:39,400 --> 00:39:41,799
Speaker 27: born as Tima kid, and music is what made me

955
00:39:41,920 --> 00:39:45,480
Speaker 27: talk today. So we can have a conversation because I

956
00:39:45,520 --> 00:39:46,880
Speaker 27: sing all the time. I sing everything.

957
00:39:46,920 --> 00:39:48,920
Speaker 24: I used to sing the reading book in the school.

958
00:39:48,960 --> 00:39:51,799
Speaker 27: I used to sing the list to shop everything, so

959
00:39:51,880 --> 00:39:54,800
Speaker 27: I can really talk. So what I did the music

960
00:39:54,840 --> 00:39:57,960
Speaker 27: for is to get my speech up. Today I can

961
00:39:58,040 --> 00:40:01,040
Speaker 27: speak to people straight. But when I start to make

962
00:40:01,080 --> 00:40:02,759
Speaker 27: money for music is when I used to go in

963
00:40:02,840 --> 00:40:04,560
Speaker 27: DJ competition, DJ contest.

964
00:40:04,880 --> 00:40:06,799
Speaker 4: You got far the artists there, but.

965
00:40:06,840 --> 00:40:09,720
Speaker 27: I could do three things. I could sing, I could chart,

966
00:40:09,800 --> 00:40:13,840
Speaker 27: and I could dance. So I entered the dancing competition Breeze.

967
00:40:13,920 --> 00:40:16,640
Speaker 27: I entered the singing competition Breeze. When I entered the

968
00:40:16,719 --> 00:40:20,880
Speaker 27: DJ competition. Now is a difference because DJ chow world

969
00:40:21,040 --> 00:40:23,640
Speaker 27: and each other. So if you good enough you can

970
00:40:23,719 --> 00:40:24,360
Speaker 27: build a lyrics.

971
00:40:24,360 --> 00:40:26,840
Speaker 4: Backstage you have the lyrics.

972
00:40:26,440 --> 00:40:30,479
Speaker 27: That already built, but incorporating the next guy name into

973
00:40:30,520 --> 00:40:34,120
Speaker 27: it is This is how the DJ business goes. So

974
00:40:34,160 --> 00:40:37,040
Speaker 27: sometime when I said I started out age five was

975
00:40:37,080 --> 00:40:39,719
Speaker 27: the DJ. People think I used to play music. I

976
00:40:40,080 --> 00:40:43,560
Speaker 27: play music. Yeah, I play records, I play CDs. I

977
00:40:43,640 --> 00:40:47,360
Speaker 27: play music because without you knowing music, you're no weird

978
00:40:47,400 --> 00:40:50,880
Speaker 27: in music. So the DJ and the competition and the

979
00:40:50,960 --> 00:40:53,800
Speaker 27: interest in music, it just came from loving the music.

980
00:40:53,840 --> 00:40:56,560
Speaker 27: It's not really you know, you get up and said

981
00:40:56,560 --> 00:40:59,200
Speaker 27: I'm going to be rich because you never know that money.

982
00:40:59,239 --> 00:41:01,720
Speaker 27: I never know that when it was into it until

983
00:41:01,760 --> 00:41:04,440
Speaker 27: I saw King Yellow Money come out and buy a.

984
00:41:04,440 --> 00:41:07,839
Speaker 5: Car and walk in Julia ram. I'm like, what, that's

985
00:41:07,840 --> 00:41:09,520
Speaker 5: why you becomes when he becomes this tark.

986
00:41:09,760 --> 00:41:12,560
Speaker 4: So yeah, I try to fight to be a stuff.

987
00:41:12,800 --> 00:41:14,880
Speaker 5: I love what you said about you said you had

988
00:41:14,880 --> 00:41:17,560
Speaker 5: a speech impediment? Yeah you who taught you that?

989
00:41:17,640 --> 00:41:17,680
Speaker 8: Like?

990
00:41:17,719 --> 00:41:18,160
Speaker 4: Who said?

991
00:41:18,440 --> 00:41:18,799
Speaker 3: You know what?

992
00:41:18,840 --> 00:41:21,800
Speaker 4: If you sing everything, it'll teach you. How nobody taught me.

993
00:41:22,040 --> 00:41:25,000
Speaker 4: I really do talk myself. So God, you said, hey

994
00:41:25,040 --> 00:41:25,760
Speaker 4: there I got.

995
00:41:25,960 --> 00:41:27,800
Speaker 24: I think that just come in my head and it's

996
00:41:27,920 --> 00:41:29,440
Speaker 24: just bomb wow.

997
00:41:29,760 --> 00:41:29,960
Speaker 4: Yeah.

998
00:41:30,000 --> 00:41:32,520
Speaker 27: Because every time I'm in school and the teacher called

999
00:41:32,520 --> 00:41:34,480
Speaker 27: me up and give them the reading book, everybody know

1000
00:41:34,520 --> 00:41:36,920
Speaker 27: they're going to get something. So the old classroom is

1001
00:41:37,000 --> 00:41:41,480
Speaker 27: like this, yeacause I didn't know I'm not going to

1002
00:41:41,560 --> 00:41:46,000
Speaker 27: read that. Everybody know I'm a Stemach kid, so they

1003
00:41:46,120 --> 00:41:47,840
Speaker 27: know there's no reading going on me.

1004
00:41:48,040 --> 00:41:49,920
Speaker 5: So you had when you had a bad experience, like

1005
00:41:49,960 --> 00:41:51,600
Speaker 5: the first time you had to read all loud or something,

1006
00:41:51,600 --> 00:41:51,920
Speaker 5: that's what.

1007
00:41:51,920 --> 00:41:53,160
Speaker 24: You No, it's not really that.

1008
00:41:53,960 --> 00:41:58,520
Speaker 27: I couldn't form a full sentence in less than ten minutes,

1009
00:41:59,320 --> 00:42:02,440
Speaker 27: trust me, it was odd. You have to stamp your feet,

1010
00:42:02,520 --> 00:42:05,799
Speaker 27: beat your chest to all different that. Yes, sir, I

1011
00:42:05,880 --> 00:42:08,600
Speaker 27: realized that when I started singing, I don't stop because

1012
00:42:08,640 --> 00:42:10,239
Speaker 27: there's a kid you have to sing near got of

1013
00:42:10,920 --> 00:42:14,080
Speaker 27: my dona. Ye yeah, you sing all that, but you

1014
00:42:14,160 --> 00:42:16,719
Speaker 27: turn out of that into lyrics. So you just moved there,

1015
00:42:16,760 --> 00:42:18,279
Speaker 27: and move from here, and move from there, move from

1016
00:42:18,320 --> 00:42:20,440
Speaker 27: there till you start to figure out that when you

1017
00:42:20,520 --> 00:42:22,960
Speaker 27: do this thing, it makes you speak better.

1018
00:42:23,120 --> 00:42:24,920
Speaker 4: You never thought about doing the children's out and just

1019
00:42:24,960 --> 00:42:25,840
Speaker 4: singing all them songs.

1020
00:42:25,920 --> 00:42:30,040
Speaker 27: Yeah, I thought about it all the time, but it's

1021
00:42:30,080 --> 00:42:33,239
Speaker 27: not really my thing. But yeah, he's some music team

1022
00:42:33,320 --> 00:42:35,279
Speaker 27: said sorry, if I can get some reggae and some

1023
00:42:35,440 --> 00:42:38,400
Speaker 27: danceall together and put some children some together, but that

1024
00:42:38,520 --> 00:42:41,799
Speaker 27: writer might write my original children song more than go

1025
00:42:41,840 --> 00:42:42,839
Speaker 27: from Oh My Dinna Love.

1026
00:42:43,280 --> 00:42:44,720
Speaker 4: It's just incredible how God works.

1027
00:42:45,000 --> 00:42:46,759
Speaker 5: Like you know something that some people would look at

1028
00:42:46,760 --> 00:42:48,440
Speaker 5: it and say, oh, this is an impediment, this might

1029
00:42:48,480 --> 00:42:49,520
Speaker 5: hold me back in life.

1030
00:42:49,640 --> 00:42:51,759
Speaker 4: It actually propelled you to be who you are.

1031
00:42:51,920 --> 00:42:54,480
Speaker 7: Yeah, we got more with Beatie Man. When we come back.

1032
00:42:54,480 --> 00:42:56,880
Speaker 7: It's the Breakfast Club. Good morning morning everybody. It's the

1033
00:42:57,200 --> 00:43:00,200
Speaker 7: j Envy jes Hilaris Charlamane, the god we all the

1034
00:43:00,200 --> 00:43:02,520
Speaker 7: Breakfast Club was still kicking it with Beanie Lauren.

1035
00:43:03,239 --> 00:43:05,200
Speaker 18: I was sitting here thinking, I remember you guys at

1036
00:43:05,200 --> 00:43:08,279
Speaker 18: the verses, and I was wondering because during that time,

1037
00:43:08,320 --> 00:43:10,080
Speaker 18: you couldn't You're talking about how much money you make

1038
00:43:10,080 --> 00:43:11,600
Speaker 18: here in the US, you couldn't come here.

1039
00:43:11,880 --> 00:43:12,880
Speaker 17: I hear a lot of US.

1040
00:43:12,840 --> 00:43:15,640
Speaker 18: Artists talk about how the verses that Swiss that they

1041
00:43:15,680 --> 00:43:17,880
Speaker 18: do help them make so much money and the catalog

1042
00:43:17,920 --> 00:43:19,440
Speaker 18: numbers go up. What did it do for you at

1043
00:43:19,440 --> 00:43:21,160
Speaker 18: that time? And how did it help? Because you couldn't

1044
00:43:21,160 --> 00:43:22,480
Speaker 18: come here and towards.

1045
00:43:22,000 --> 00:43:26,400
Speaker 27: Trust me, my Cadillact numbers go up figiously like that,

1046
00:43:26,920 --> 00:43:34,680
Speaker 27: My cadidact is just my Cadillac becomes a Cadillac. It's

1047
00:43:34,760 --> 00:43:38,080
Speaker 27: just and just move off, like seriously, you get more

1048
00:43:38,200 --> 00:43:40,719
Speaker 27: listeners who never used to listen to you. You know,

1049
00:43:40,800 --> 00:43:43,400
Speaker 27: you got most streamers who never used to stream.

1050
00:43:43,440 --> 00:43:46,839
Speaker 4: So yeah, and what happened that police officer just walked

1051
00:43:46,840 --> 00:43:47,640
Speaker 4: in your house? Walked through?

1052
00:43:47,680 --> 00:43:49,600
Speaker 24: They just walk in tag that's boom?

1053
00:43:49,920 --> 00:43:50,560
Speaker 4: Is that how it works?

1054
00:43:50,600 --> 00:43:51,040
Speaker 3: Did you make it?

1055
00:43:51,000 --> 00:43:51,040
Speaker 9: It?

1056
00:43:51,120 --> 00:43:52,360
Speaker 4: Just just open the door and just come on in.

1057
00:43:52,680 --> 00:43:56,080
Speaker 27: Well all right, everybody was focusing on what was going on,

1058
00:43:56,239 --> 00:43:57,680
Speaker 27: so nobody was focusing on.

1059
00:43:57,840 --> 00:44:00,239
Speaker 7: So for people that don't know during the versus cop

1060
00:44:00,400 --> 00:44:03,279
Speaker 7: just walk right into the rooms like hey, what's going

1061
00:44:03,320 --> 00:44:04,160
Speaker 7: on here?

1062
00:44:04,200 --> 00:44:04,480
Speaker 4: Like what?

1063
00:44:05,000 --> 00:44:07,880
Speaker 27: We got millions of people in the live now, So

1064
00:44:08,160 --> 00:44:11,240
Speaker 27: why you want to do he started to talking about COVID.

1065
00:44:12,080 --> 00:44:13,400
Speaker 4: Oh this like we're.

1066
00:44:13,280 --> 00:44:15,840
Speaker 27: Home, so you're talking like you want to get see herself?

1067
00:44:16,239 --> 00:44:18,680
Speaker 27: Do you want to be that guy you looking to himself?

1068
00:44:21,360 --> 00:44:21,560
Speaker 12: Yeah?

1069
00:44:21,680 --> 00:44:25,160
Speaker 27: So yeah, cop do that because if they have a

1070
00:44:25,280 --> 00:44:28,120
Speaker 27: right anyway, they see like cars gotta even though the

1071
00:44:28,200 --> 00:44:31,400
Speaker 27: door the gate is closed and there's the indoor area

1072
00:44:31,440 --> 00:44:33,600
Speaker 27: that if she liked the other police, so they have

1073
00:44:33,640 --> 00:44:35,880
Speaker 27: to come find out what's going on. It's not like

1074
00:44:35,960 --> 00:44:38,440
Speaker 27: they didn't know what's going on. They just want to

1075
00:44:38,440 --> 00:44:39,319
Speaker 27: come show their face.

1076
00:44:39,400 --> 00:44:39,640
Speaker 4: You know.

1077
00:44:39,960 --> 00:44:42,759
Speaker 27: I see with them by the time, by the time

1078
00:44:42,800 --> 00:44:45,080
Speaker 27: we were taking a break. That's why he could say,

1079
00:44:45,200 --> 00:44:45,960
Speaker 27: what's going on?

1080
00:44:46,280 --> 00:44:48,480
Speaker 5: Yeah, why was trending down to Dibago so mad? Just

1081
00:44:48,480 --> 00:44:50,280
Speaker 5: because you say you ain't like you don't like doubles?

1082
00:44:50,280 --> 00:44:50,440
Speaker 4: Man?

1083
00:44:50,960 --> 00:44:54,840
Speaker 27: You see people get mad at things. Yeah, it wasn't

1084
00:44:54,880 --> 00:44:57,520
Speaker 27: even not necessary for them to get mad. So you know,

1085
00:44:57,800 --> 00:45:00,080
Speaker 27: that's where it goes. And I don't think trin that

1086
00:45:00,160 --> 00:45:02,360
Speaker 27: and tobag I get mad and some people just trying

1087
00:45:02,400 --> 00:45:03,080
Speaker 27: to say that.

1088
00:45:03,440 --> 00:45:05,359
Speaker 4: That was the headline. It makes it like the whole

1089
00:45:05,680 --> 00:45:07,840
Speaker 4: that was mad. That's crazy.

1090
00:45:08,480 --> 00:45:11,120
Speaker 27: I watched the airports and I take picture with Tinnidadians

1091
00:45:11,120 --> 00:45:14,759
Speaker 27: every day. I go to Jamaica, take picture with Tinidadians

1092
00:45:14,800 --> 00:45:17,279
Speaker 27: and Tobacos every day. So if they were mad at me,

1093
00:45:17,320 --> 00:45:19,800
Speaker 27: they were to tell me personally, and yeah.

1094
00:45:19,880 --> 00:45:25,440
Speaker 4: They probably whispered you. I don't like doubles either. I

1095
00:45:25,480 --> 00:45:27,000
Speaker 4: was gonna say, how are you dealing with with with

1096
00:45:27,080 --> 00:45:28,719
Speaker 4: social media? Because you know when we came up in

1097
00:45:28,760 --> 00:45:30,520
Speaker 4: the era where there was no social media. But yeah,

1098
00:45:30,920 --> 00:45:32,680
Speaker 4: I mean you walk down the street, people take a picture.

1099
00:45:32,719 --> 00:45:34,760
Speaker 7: How are you dealing with social media and people picking

1100
00:45:34,760 --> 00:45:35,600
Speaker 7: apart your life?

1101
00:45:35,600 --> 00:45:37,800
Speaker 27: And well, I d with it because I don't have

1102
00:45:37,840 --> 00:45:39,920
Speaker 27: a phone. I don't have to look at it every day.

1103
00:45:39,960 --> 00:45:40,879
Speaker 27: So you don't have a phone.

1104
00:45:40,920 --> 00:45:44,319
Speaker 17: No, wow, I don't know what I would do.

1105
00:45:44,600 --> 00:45:47,439
Speaker 4: Oh, I got peeping around the go. It was very difficult,

1106
00:45:48,400 --> 00:45:49,719
Speaker 4: very different O.

1107
00:45:50,000 --> 00:45:51,919
Speaker 17: Instagram, quick little.

1108
00:45:53,360 --> 00:45:54,040
Speaker 4: I don't do that.

1109
00:45:54,080 --> 00:45:56,400
Speaker 27: I don't do that because I got too much problems

1110
00:45:56,480 --> 00:45:58,000
Speaker 27: in my life, my read life.

1111
00:45:58,239 --> 00:45:59,719
Speaker 4: I got too much problems like that.

1112
00:45:59,880 --> 00:46:03,560
Speaker 27: You know, not problem, problem, problem, but you got mouths

1113
00:46:03,600 --> 00:46:06,399
Speaker 27: to feed. And you know when when when you sit

1114
00:46:06,440 --> 00:46:08,799
Speaker 27: down and look on certain things, it brings you back,

1115
00:46:08,920 --> 00:46:13,560
Speaker 27: make you get mad and crazy over nothing, because anything.

1116
00:46:13,200 --> 00:46:15,440
Speaker 24: People say about you is publicity.

1117
00:46:16,239 --> 00:46:19,400
Speaker 27: So when they come with all this technology and everything,

1118
00:46:19,520 --> 00:46:22,319
Speaker 27: regardless of you is a part, are a part of

1119
00:46:22,400 --> 00:46:24,400
Speaker 27: what This is a part of the world, and this

1120
00:46:24,480 --> 00:46:27,319
Speaker 27: is what's happening with the world today. So you can

1121
00:46:27,480 --> 00:46:29,760
Speaker 27: just adjust and adapt or just leave it alone.

1122
00:46:29,920 --> 00:46:31,879
Speaker 5: That's how I know you an original and you don't

1123
00:46:31,920 --> 00:46:34,239
Speaker 5: care about what other people think. A lot of times

1124
00:46:34,239 --> 00:46:36,040
Speaker 5: people have social media just because they have a fear

1125
00:46:36,040 --> 00:46:36,640
Speaker 5: of missing out.

1126
00:46:36,960 --> 00:46:39,680
Speaker 24: Yeah I'm not into that. I don't have a fear

1127
00:46:39,719 --> 00:46:42,920
Speaker 24: of missing out because I will always be here. I

1128
00:46:43,000 --> 00:46:43,920
Speaker 24: sing same similar.

1129
00:46:43,920 --> 00:46:44,239
Speaker 4: Come on.

1130
00:46:49,719 --> 00:46:51,680
Speaker 18: So, because you're such a positive person and like your

1131
00:46:51,800 --> 00:46:53,600
Speaker 18: spirit is so common, how do you deal with stuff

1132
00:46:53,600 --> 00:46:56,080
Speaker 18: like I saw when your daughter, you guys are going

1133
00:46:56,120 --> 00:46:57,880
Speaker 18: back and forth. Shit made those statements and then you

1134
00:46:57,880 --> 00:46:59,279
Speaker 18: guys had to come up with a statement. And I

1135
00:46:59,320 --> 00:47:02,000
Speaker 18: was like I've ever seen I was.

1136
00:47:02,000 --> 00:47:04,040
Speaker 27: Not going back and forth, and the people were trying

1137
00:47:04,040 --> 00:47:06,680
Speaker 27: to react to her because I always have this thing

1138
00:47:06,680 --> 00:47:09,399
Speaker 27: as I am father, she's that I think, yeah, if

1139
00:47:09,440 --> 00:47:11,319
Speaker 27: she have a problem, she come to me. See But

1140
00:47:11,440 --> 00:47:14,719
Speaker 27: you see sometimes people that you think not going to

1141
00:47:14,800 --> 00:47:17,360
Speaker 27: do certain things, they're the one that surprised you.

1142
00:47:18,440 --> 00:47:22,719
Speaker 18: Surprised your statement, you've seemed hurt by publicly to her.

1143
00:47:22,880 --> 00:47:25,919
Speaker 27: Trust me, because you see the problem is he's only

1144
00:47:25,960 --> 00:47:28,480
Speaker 27: your own kid can make you feel a certain way.

1145
00:47:29,160 --> 00:47:31,480
Speaker 27: You see, when you dedicate your life to take care

1146
00:47:31,480 --> 00:47:34,080
Speaker 27: of a person, and a person dedicate their life to

1147
00:47:34,120 --> 00:47:35,320
Speaker 27: bring your life down.

1148
00:47:35,320 --> 00:47:37,120
Speaker 4: He's going to be her regardless of what.

1149
00:47:37,520 --> 00:47:40,680
Speaker 27: Yeah, so, yes, she did hurt some feelings, but I

1150
00:47:40,800 --> 00:47:43,960
Speaker 27: move on and I get over there. Yeah now, but

1151
00:47:44,160 --> 00:47:47,080
Speaker 27: she's good. She's she's a thirty other old woman, so

1152
00:47:47,239 --> 00:47:49,640
Speaker 27: she knows the balance of herself and she's all.

1153
00:47:49,600 --> 00:47:52,160
Speaker 4: Right, question yourself, like what did I do wrong?

1154
00:47:52,440 --> 00:47:52,640
Speaker 12: Yeah?

1155
00:47:52,800 --> 00:47:54,680
Speaker 4: I always do that because.

1156
00:47:54,640 --> 00:47:58,560
Speaker 27: When you know, it's always be one thing already other

1157
00:47:59,080 --> 00:48:00,920
Speaker 27: that somebody asks us something and then to get it

1158
00:48:00,960 --> 00:48:03,279
Speaker 27: at the time when they wanted and.

1159
00:48:03,320 --> 00:48:05,800
Speaker 4: Just take it out in you. But yours is yours.

1160
00:48:05,840 --> 00:48:08,160
Speaker 27: You work for yours, you know, So all they have

1161
00:48:08,239 --> 00:48:10,799
Speaker 27: to do is just be on the Miley down and

1162
00:48:10,880 --> 00:48:12,080
Speaker 27: know that that's your daughter.

1163
00:48:12,800 --> 00:48:13,440
Speaker 4: You know, she.

1164
00:48:13,480 --> 00:48:17,280
Speaker 27: Speak foulting and things that she's not supposed to speak

1165
00:48:17,320 --> 00:48:20,240
Speaker 27: about me, and it was our lives. So it's not true.

1166
00:48:20,400 --> 00:48:22,480
Speaker 27: So it's not like she burst in the secret. The

1167
00:48:22,520 --> 00:48:25,279
Speaker 27: only secret she burst was talking about my maserati And

1168
00:48:25,360 --> 00:48:27,080
Speaker 27: I never want nobody to know that I'm going to

1169
00:48:27,080 --> 00:48:35,360
Speaker 27: bring it to Jamaica.

1170
00:48:32,200 --> 00:48:34,960
Speaker 4: Was it? Do you have to have to deal with

1171
00:48:35,000 --> 00:48:36,280
Speaker 4: that with people? Like do people?

1172
00:48:36,600 --> 00:48:38,799
Speaker 5: You know sometimes like you might do something for a

1173
00:48:38,800 --> 00:48:41,200
Speaker 5: person ten times that one time you don't want it.

1174
00:48:41,400 --> 00:48:43,719
Speaker 27: That's the Caribbean way. I don't think that is the

1175
00:48:43,800 --> 00:48:45,879
Speaker 27: Jamaican way, that's the Caribbean way.

1176
00:48:46,480 --> 00:48:48,359
Speaker 4: Yeah. You do a lot of good, a lot of good,

1177
00:48:48,360 --> 00:48:48,919
Speaker 4: a lot of good.

1178
00:48:49,080 --> 00:48:51,719
Speaker 27: And then do you ever notice that a guy got

1179
00:48:51,719 --> 00:48:54,279
Speaker 27: a two hundred dollar problem while you got a two

1180
00:48:54,320 --> 00:48:57,120
Speaker 27: million dollar problem? And this problem is more important than yours.

1181
00:48:57,840 --> 00:49:00,960
Speaker 27: That's why we face every day. Yeah, so people in

1182
00:49:01,000 --> 00:49:02,880
Speaker 27: life just have to face life for what it is.

1183
00:49:03,520 --> 00:49:05,520
Speaker 27: You know, it's either you're just her at that part,

1184
00:49:05,920 --> 00:49:09,439
Speaker 27: just leave life alone. I'm not going nowhere. I'm still here.

1185
00:49:10,080 --> 00:49:12,440
Speaker 4: Yeah. Did you ever want to leave Jamaica and live

1186
00:49:12,480 --> 00:49:13,000
Speaker 4: somewhere else?

1187
00:49:14,000 --> 00:49:17,120
Speaker 27: This is not my thing, but I spend time in firing.

1188
00:49:17,200 --> 00:49:20,479
Speaker 27: But I have to go back home because first of all,

1189
00:49:20,520 --> 00:49:22,799
Speaker 27: my kids are there. So if I plan to leave

1190
00:49:22,840 --> 00:49:26,279
Speaker 27: Jamaica have to pack up everybody. I'm not planning that

1191
00:49:26,360 --> 00:49:26,560
Speaker 27: for that.

1192
00:49:29,360 --> 00:49:31,040
Speaker 5: You know, we all get older, and you know, the

1193
00:49:31,080 --> 00:49:32,919
Speaker 5: older we get, you know, we have to change things

1194
00:49:32,960 --> 00:49:35,399
Speaker 5: about our lifestyle. Did the doctor tell you to slow

1195
00:49:35,400 --> 00:49:36,560
Speaker 5: down on the rum in Red Bull?

1196
00:49:36,680 --> 00:49:39,000
Speaker 27: Well, doctor, I always say is slowing and everything I

1197
00:49:39,040 --> 00:49:41,640
Speaker 27: can tell you to slow them, and I gray they

1198
00:49:41,719 --> 00:49:43,160
Speaker 27: tell you to slow them and the rum.

1199
00:49:43,080 --> 00:49:45,640
Speaker 4: And Red Bull they always say that, but you are.

1200
00:49:45,600 --> 00:49:47,640
Speaker 27: The one that feeling it, so you're supposed to know

1201
00:49:47,719 --> 00:49:50,520
Speaker 27: you feel doctoul give you advice sometimes you have to

1202
00:49:50,560 --> 00:49:53,960
Speaker 27: take it when them say critically it is critical, you know,

1203
00:49:54,320 --> 00:49:56,959
Speaker 27: but if they give you time over time, you would

1204
00:49:56,960 --> 00:49:59,480
Speaker 27: get to balance it. So if you drink a baclay

1205
00:49:59,520 --> 00:50:02,399
Speaker 27: rum today, drink off back tomorrow, you start to drink

1206
00:50:02,440 --> 00:50:05,080
Speaker 27: quarter about it, then you know you stole down. I

1207
00:50:05,160 --> 00:50:08,640
Speaker 27: like it, so you don't just stop rapping boom and

1208
00:50:08,680 --> 00:50:12,319
Speaker 27: then you get into I don't know, because I don't

1209
00:50:12,320 --> 00:50:13,880
Speaker 27: think ray I work for people.

1210
00:50:14,160 --> 00:50:18,719
Speaker 24: I think you have to rehabilitate yourself. Yeah, excusely, Well,

1211
00:50:18,760 --> 00:50:19,440
Speaker 24: you can do that.

1212
00:50:19,480 --> 00:50:21,440
Speaker 27: You can jump back. It's still the same run. You're

1213
00:50:21,480 --> 00:50:24,399
Speaker 27: just not drinking a bottle. You're drinking our botty. When

1214
00:50:24,440 --> 00:50:26,600
Speaker 27: you reach the our body, then you just force it

1215
00:50:26,640 --> 00:50:29,080
Speaker 27: down to a quarter about it and then you can

1216
00:50:29,160 --> 00:50:31,279
Speaker 27: go one drink a day and you can do that.

1217
00:50:31,480 --> 00:50:33,680
Speaker 27: You believe in your head, so you believe in your life,

1218
00:50:33,800 --> 00:50:35,320
Speaker 27: you can last a little bit longer.

1219
00:50:35,960 --> 00:50:36,160
Speaker 4: Yeah.

1220
00:50:36,239 --> 00:50:37,560
Speaker 24: So doctor non defic.

1221
00:50:37,640 --> 00:50:42,719
Speaker 7: That is gonna be performing May twenty fourth at the

1222
00:50:42,800 --> 00:50:45,160
Speaker 7: UBS Arena on that's a Saturday.

1223
00:50:45,160 --> 00:50:47,319
Speaker 4: The King of Dan tour tour, you'll be hitting the city.

1224
00:50:47,600 --> 00:50:48,800
Speaker 4: What other cities you're hitting.

1225
00:50:49,640 --> 00:50:53,120
Speaker 27: A lot of places we eat in Philly. Yeah, it's there.

1226
00:50:53,480 --> 00:50:55,920
Speaker 27: You can find it, but right now I can't tell you.

1227
00:50:55,960 --> 00:50:58,040
Speaker 7: On top of my well, New York is made twenty

1228
00:50:58,080 --> 00:50:59,560
Speaker 7: fourth I'm coming to you know, the White Show.

1229
00:50:59,600 --> 00:51:02,799
Speaker 27: You can go ticket back the ticket master. Yeah, just

1230
00:51:02,960 --> 00:51:05,240
Speaker 27: check out ticket monster and they will tell you everything.

1231
00:51:05,680 --> 00:51:07,759
Speaker 27: I was supposed to come with an old thing and

1232
00:51:07,800 --> 00:51:09,959
Speaker 27: for list and where we're going and what we're doing.

1233
00:51:10,640 --> 00:51:12,319
Speaker 27: But I didn't know what I was going to be

1234
00:51:12,360 --> 00:51:14,400
Speaker 27: here today. I have to cancel everything I know.

1235
00:51:14,440 --> 00:51:16,480
Speaker 4: I called him, I said, you called being here. I said,

1236
00:51:16,480 --> 00:51:17,839
Speaker 4: you're beating how you come to New York and don't

1237
00:51:17,880 --> 00:51:18,359
Speaker 4: come by us?

1238
00:51:18,680 --> 00:51:22,560
Speaker 7: He goes, hold on, I changed my flight, Bridget, he

1239
00:51:22,680 --> 00:51:24,480
Speaker 7: changed his flight together. So I appreciate you, but I

1240
00:51:24,560 --> 00:51:26,000
Speaker 7: knew that you in New York City. You had to

1241
00:51:26,040 --> 00:51:26,359
Speaker 7: come through.

1242
00:51:26,480 --> 00:51:29,440
Speaker 4: Yes, ma'am, and we appreciate you beating man. It's the

1243
00:51:29,440 --> 00:51:31,480
Speaker 4: breakfast Club. Good morning, now the latest? Will Lauren is

1244
00:51:31,560 --> 00:51:36,040
Speaker 4: up next? Laren be coming straight fast man. She gets

1245
00:51:36,040 --> 00:51:38,600
Speaker 4: them from somebody that knows somebody to detail.

1246
00:51:38,960 --> 00:51:41,000
Speaker 17: I'm the long guard that knows a little bit about everything.

1247
00:51:41,960 --> 00:51:46,000
Speaker 4: She'd be having the latest on you, the latest with

1248
00:51:46,120 --> 00:51:46,880
Speaker 4: Lauren la Rosa.

1249
00:51:46,960 --> 00:51:49,440
Speaker 5: Sometimes you have fact, sometimes you have details, sometimes you

1250
00:51:49,480 --> 00:51:50,400
Speaker 5: have a little bit of everything.

1251
00:51:50,560 --> 00:51:52,439
Speaker 3: It's the latest on the breakfast Club.

1252
00:51:54,320 --> 00:51:56,760
Speaker 4: Calm down, Charlamagne. This place around like a high school.

1253
00:51:56,960 --> 00:52:02,400
Speaker 4: Shut up, now down, yo. Good morning, Laurence, Good morning.

1254
00:52:03,360 --> 00:52:04,160
Speaker 17: Are we in homeroom?

1255
00:52:04,680 --> 00:52:04,879
Speaker 4: Hey?

1256
00:52:05,000 --> 00:52:05,120
Speaker 21: Yo?

1257
00:52:05,320 --> 00:52:08,880
Speaker 6: I guess all right, Jim all that?

1258
00:52:09,360 --> 00:52:11,279
Speaker 1: Okay, know what class we had?

1259
00:52:11,360 --> 00:52:17,319
Speaker 18: Damn that's really bad, low budget. Okay, all right. So

1260
00:52:17,480 --> 00:52:21,440
Speaker 18: Attorney Buzzby, remember I told you guys that he was

1261
00:52:21,480 --> 00:52:24,640
Speaker 18: having to withdraw from over fifteen cases in said the

1262
00:52:24,680 --> 00:52:27,839
Speaker 18: district of New York with Diddy because he messed up.

1263
00:52:27,880 --> 00:52:30,680
Speaker 18: He didn't ask for permission to operate within the jurisdiction

1264
00:52:30,760 --> 00:52:34,200
Speaker 18: the right way. There was one case in pertaining to

1265
00:52:34,440 --> 00:52:38,400
Speaker 18: Diddy that Tony Busby wanted to stay on. He had

1266
00:52:38,960 --> 00:52:41,960
Speaker 18: putting this request to stay on this case. It's a

1267
00:52:42,000 --> 00:52:44,960
Speaker 18: woman accusing Diddy of sexual assault back in two thousand

1268
00:52:45,000 --> 00:52:48,120
Speaker 18: and four, and he said, look, let me stay on

1269
00:52:48,160 --> 00:52:52,960
Speaker 18: this case as pro heck vice, meaning you'll have local

1270
00:52:53,000 --> 00:52:55,479
Speaker 18: attorneys who actually be doing like the you know, the work.

1271
00:52:55,480 --> 00:52:57,000
Speaker 18: But he's kind of just there as an overseer, but

1272
00:52:57,040 --> 00:52:59,040
Speaker 18: he's asking to be able to work with these local attorneys.

1273
00:52:59,200 --> 00:53:01,080
Speaker 18: I don't know what it is this one case and why,

1274
00:53:01,760 --> 00:53:03,719
Speaker 18: but he did access say on that one and over

1275
00:53:03,760 --> 00:53:07,640
Speaker 18: the weekend the judge said, no, we are not even

1276
00:53:07,680 --> 00:53:10,000
Speaker 18: going to look at your request to do so.

1277
00:53:10,440 --> 00:53:12,840
Speaker 17: And more so, the local attorney.

1278
00:53:12,880 --> 00:53:14,680
Speaker 18: There's a local attorney that he's been working with who's

1279
00:53:14,960 --> 00:53:17,840
Speaker 18: he's been using that attorney's credentials to do the different

1280
00:53:17,840 --> 00:53:20,680
Speaker 18: filings and different things that they were using. That attorney

1281
00:53:20,719 --> 00:53:22,839
Speaker 18: may be in trouble now because the judge said, not

1282
00:53:22,880 --> 00:53:25,600
Speaker 18: only are we denying you know what you're asking to

1283
00:53:25,600 --> 00:53:27,440
Speaker 18: be able to do in this one specific case, but

1284
00:53:27,480 --> 00:53:30,239
Speaker 18: that local attorney that you've been working with knowingly was

1285
00:53:30,239 --> 00:53:32,680
Speaker 18: complicit in all your bs. So now we need to

1286
00:53:32,719 --> 00:53:34,759
Speaker 18: have a conversation potentially about what sanctions are going to

1287
00:53:34,760 --> 00:53:35,880
Speaker 18: look like for this local attorney.

1288
00:53:36,080 --> 00:53:36,160
Speaker 9: Now.

1289
00:53:36,200 --> 00:53:37,800
Speaker 18: I wanted to make sure I mentioned this because the

1290
00:53:37,880 --> 00:53:39,880
Speaker 18: last time we talked about this, I said, those local

1291
00:53:39,880 --> 00:53:42,800
Speaker 18: attorneys who take this on, it may be bad business

1292
00:53:42,800 --> 00:53:45,600
Speaker 18: for them. And the way that this judge has responded,

1293
00:53:45,680 --> 00:53:46,960
Speaker 18: I think that that's what we're going to see a

1294
00:53:47,000 --> 00:53:48,680
Speaker 18: lot of any of those cases that move forward with

1295
00:53:48,719 --> 00:53:49,280
Speaker 18: out busby.

1296
00:53:49,640 --> 00:53:52,520
Speaker 17: A judge is going to now look and say how.

1297
00:53:52,360 --> 00:53:54,439
Speaker 18: Much did y'all know about him not following the rules,

1298
00:53:54,480 --> 00:53:55,640
Speaker 18: because now all they are crazy.

1299
00:53:55,680 --> 00:53:56,640
Speaker 4: What was that one case though?

1300
00:53:56,680 --> 00:53:59,400
Speaker 7: What was that one case specifically out of hundreds of

1301
00:53:59,440 --> 00:54:01,920
Speaker 7: cases that he wanted us?

1302
00:54:02,120 --> 00:54:03,120
Speaker 17: Yeah, so it's a woman.

1303
00:54:03,239 --> 00:54:07,520
Speaker 18: Her name is Candace fit in my phone, her name

1304
00:54:07,560 --> 00:54:10,400
Speaker 18: is like Candace uh mccrarry or something like that.

1305
00:54:10,400 --> 00:54:12,200
Speaker 7: I'm just curious to why he just wanted that one case.

1306
00:54:12,280 --> 00:54:13,799
Speaker 7: Was it something that you know that he had proof

1307
00:54:13,880 --> 00:54:14,160
Speaker 7: or whatever.

1308
00:54:14,400 --> 00:54:14,920
Speaker 4: I'm just curious.

1309
00:54:15,280 --> 00:54:16,280
Speaker 17: I don't know exactly.

1310
00:54:16,320 --> 00:54:17,920
Speaker 18: I don't know if it was like a technicality thing

1311
00:54:18,000 --> 00:54:20,640
Speaker 18: where like maybe he did something on the background differently

1312
00:54:20,640 --> 00:54:22,560
Speaker 18: and he thought that he could like whatever. I don't

1313
00:54:22,560 --> 00:54:24,000
Speaker 18: know the exact answer to that yet, but I will

1314
00:54:24,000 --> 00:54:24,600
Speaker 18: get that for you.

1315
00:54:25,400 --> 00:54:27,000
Speaker 4: This guy's credibility ruined at this point.

1316
00:54:27,480 --> 00:54:31,000
Speaker 5: It is I've heard of the guy before the before

1317
00:54:31,000 --> 00:54:32,960
Speaker 5: the jay Z did his stuff, but it seems like

1318
00:54:32,960 --> 00:54:34,919
Speaker 5: his credibility is just growing at this point.

1319
00:54:35,160 --> 00:54:37,080
Speaker 4: He really seems like a one eight hundred, you know,

1320
00:54:37,400 --> 00:54:38,200
Speaker 4: joke of a lawyer.

1321
00:54:38,920 --> 00:54:41,400
Speaker 18: Yeah, I'm a little confused, because again, this stuff is

1322
00:54:41,560 --> 00:54:44,239
Speaker 18: very he didn't even make it very east I high.

1323
00:54:44,239 --> 00:54:47,920
Speaker 18: It's very elementary of it, so very elementary of him

1324
00:54:47,960 --> 00:54:51,160
Speaker 18: to do this. Well, moving on, Mball will get the

1325
00:54:51,200 --> 00:54:54,240
Speaker 18: answer for you though, But moving on real quick, uh, Lizzo,

1326
00:54:54,800 --> 00:54:57,960
Speaker 18: Young Miami, club chash there are some things happening.

1327
00:54:58,680 --> 00:55:00,200
Speaker 17: So Young Miami would.

1328
00:55:00,080 --> 00:55:02,520
Speaker 18: On Club Sha Shade with Shannon Sharp being asked a

1329
00:55:02,520 --> 00:55:05,680
Speaker 18: series of questions and they got onto the topic of

1330
00:55:05,719 --> 00:55:07,239
Speaker 18: women getting their bodies done.

1331
00:55:07,280 --> 00:55:09,399
Speaker 17: Let's take a listen to Young Miami on Club Sha Sha.

1332
00:55:09,880 --> 00:55:13,200
Speaker 4: Feel like society push women to get cognetic surgery, be

1333
00:55:13,280 --> 00:55:15,600
Speaker 4: it BBL fillers, things of that nature.

1334
00:55:16,120 --> 00:55:17,920
Speaker 28: When you got an at your body, you like a

1335
00:55:17,960 --> 00:55:19,800
Speaker 28: little boy. You don't got no sex appeal.

1336
00:55:19,920 --> 00:55:20,640
Speaker 8: You did do that.

1337
00:55:20,920 --> 00:55:22,359
Speaker 17: When you do get the BBL.

1338
00:55:22,080 --> 00:55:24,120
Speaker 28: It's like, oh my god, your body face, it's like

1339
00:55:24,520 --> 00:55:26,280
Speaker 28: if you're natural to hite you, If you got to BBL,

1340
00:55:26,320 --> 00:55:26,680
Speaker 28: they hate you?

1341
00:55:26,719 --> 00:55:27,839
Speaker 4: What what? What what do you want?

1342
00:55:28,239 --> 00:55:30,440
Speaker 17: Like people, I'm gonna just use this like lizo.

1343
00:55:30,160 --> 00:55:30,600
Speaker 4: For is it.

1344
00:55:30,680 --> 00:55:31,040
Speaker 3: Yeah.

1345
00:55:31,200 --> 00:55:33,160
Speaker 28: Everybody was like, oh my gosh, she's so bad. She

1346
00:55:33,200 --> 00:55:38,719
Speaker 28: looks so got Like yeah, like, oh my god, she

1347
00:55:38,719 --> 00:55:41,799
Speaker 28: need to stop. Like like pick aside, I.

1348
00:55:41,760 --> 00:55:42,600
Speaker 4: Understand what she's saying.

1349
00:55:42,600 --> 00:55:43,919
Speaker 5: You damned if you do your damned if you don't,

1350
00:55:43,920 --> 00:55:45,160
Speaker 5: people gonna always have something to say.

1351
00:55:45,200 --> 00:55:46,280
Speaker 4: That's all she's saying.

1352
00:55:46,440 --> 00:55:48,640
Speaker 17: Right, that's exactly what she meant. But Lizzo did not

1353
00:55:48,760 --> 00:55:48,960
Speaker 17: like that.

1354
00:55:49,080 --> 00:55:50,200
Speaker 1: She took that a little different.

1355
00:55:50,239 --> 00:55:52,000
Speaker 18: She ain't like that little she ain't like that little

1356
00:55:52,040 --> 00:55:54,800
Speaker 18: ill you you didn't peep it because of Young Miami's accent.

1357
00:55:54,840 --> 00:55:56,800
Speaker 17: But she says and people like, l yeah.

1358
00:55:56,680 --> 00:55:58,919
Speaker 5: But she's not Young Miami didn't say ll. She's saying

1359
00:55:58,920 --> 00:55:59,560
Speaker 5: what people are saying.

1360
00:55:59,640 --> 00:56:01,319
Speaker 6: Yeah, she saying what people are saying. And I don't

1361
00:56:01,360 --> 00:56:04,200
Speaker 6: know how Lizzo like didn't take it that way, but

1362
00:56:04,520 --> 00:56:05,399
Speaker 6: you know you did.

1363
00:56:05,520 --> 00:56:08,439
Speaker 18: Well, let's take a listen to because Lizzo called Young

1364
00:56:08,480 --> 00:56:11,240
Speaker 18: Miami on a stream and you know, wanted to adjust

1365
00:56:11,280 --> 00:56:11,880
Speaker 18: the issue.

1366
00:56:12,200 --> 00:56:14,400
Speaker 20: Well, she's so fat, right, I remember that. But then

1367
00:56:14,440 --> 00:56:16,879
Speaker 20: they were like, ill, what is the ill?

1368
00:56:17,120 --> 00:56:20,279
Speaker 28: I have to know when you before, like your weight loss,

1369
00:56:20,320 --> 00:56:22,960
Speaker 28: people used to be like, oh my god, she ain't

1370
00:56:22,960 --> 00:56:23,560
Speaker 28: even lose weight.

1371
00:56:23,719 --> 00:56:24,479
Speaker 17: She too fat.

1372
00:56:24,600 --> 00:56:25,560
Speaker 3: That're not cute.

1373
00:56:25,680 --> 00:56:26,879
Speaker 17: That's what I was pertaining to.

1374
00:56:26,880 --> 00:56:29,680
Speaker 28: Their part, Oh got you because you were like and

1375
00:56:29,760 --> 00:56:33,640
Speaker 28: then she looks so good and people are like ill.

1376
00:56:33,760 --> 00:56:37,120
Speaker 17: Because Shay Shay was like, oh, because what she.

1377
00:56:37,160 --> 00:56:39,359
Speaker 18: Did surgery or she did you know what I mean,

1378
00:56:39,400 --> 00:56:41,920
Speaker 18: she's on ozembic or whatever was that.

1379
00:56:42,040 --> 00:56:43,560
Speaker 1: I thought that you were kind of referring to.

1380
00:56:43,680 --> 00:56:45,280
Speaker 17: Actually, I thought you were saying, I got too little.

1381
00:56:46,360 --> 00:56:49,400
Speaker 28: It's like, you don't get surgery, and it's like you

1382
00:56:49,440 --> 00:56:50,839
Speaker 28: got a little boy body thing.

1383
00:56:51,120 --> 00:56:53,120
Speaker 17: You do get a bbl We don't like vbls.

1384
00:56:53,120 --> 00:56:54,040
Speaker 1: We like natural bodies.

1385
00:56:54,040 --> 00:56:55,560
Speaker 17: So why would you get surged to get.

1386
00:56:55,440 --> 00:56:58,799
Speaker 1: Like yep, it's never enough them if.

1387
00:56:58,760 --> 00:57:02,400
Speaker 6: You don't, that's understand that's crazy. And did she know

1388
00:57:02,520 --> 00:57:05,200
Speaker 6: she was that young Miami know that she was streaming.

1389
00:57:05,440 --> 00:57:07,919
Speaker 18: I haven't seen anything that doesn't show that she does

1390
00:57:08,000 --> 00:57:10,239
Speaker 18: that she didn't know, But I also wasn't tuned into

1391
00:57:10,239 --> 00:57:12,520
Speaker 18: the beginning to the beginning of the stream, so I'm

1392
00:57:12,520 --> 00:57:15,080
Speaker 18: assuming that she knew that she was being recorded.

1393
00:57:15,080 --> 00:57:18,840
Speaker 17: But I just I was confused how Lizzo didn't.

1394
00:57:18,600 --> 00:57:20,440
Speaker 18: Catch that, or even if she did catch it and

1395
00:57:20,520 --> 00:57:22,160
Speaker 18: just wanted to use this as content for her stream,

1396
00:57:22,160 --> 00:57:24,880
Speaker 18: because she can't do that right. I don't know if

1397
00:57:24,920 --> 00:57:27,800
Speaker 18: it fared well for her, because people are like, Lizzo,

1398
00:57:27,920 --> 00:57:30,760
Speaker 18: you've gotta relax, like you're taking this way too serious.

1399
00:57:31,080 --> 00:57:32,920
Speaker 18: If you are good with where you're at. Now, why

1400
00:57:33,000 --> 00:57:35,040
Speaker 18: even bring this into your stream? Why even bring the conversation?

1401
00:57:35,120 --> 00:57:37,800
Speaker 6: Yeah, and she was in her favor, like Young Miami

1402
00:57:37,920 --> 00:57:40,400
Speaker 6: was referring to what other people were saying, like you know,

1403
00:57:40,480 --> 00:57:43,840
Speaker 6: because yeah, that's the comments like ill. And by the way,

1404
00:57:43,920 --> 00:57:45,880
Speaker 6: she don't look ill at all. She looks great, now

1405
00:57:45,880 --> 00:57:49,360
Speaker 6: I do. She don't get you skinny, but she looks great.

1406
00:57:49,480 --> 00:57:50,360
Speaker 4: She was amazing, you.

1407
00:57:50,360 --> 00:57:50,880
Speaker 1: Know what I'm saying.

1408
00:57:50,960 --> 00:57:53,040
Speaker 17: And her looks, her weight loss looks amazing.

1409
00:57:53,120 --> 00:57:55,080
Speaker 5: Yeah, Young Miami should have just sent her five or

1410
00:57:55,080 --> 00:57:56,120
Speaker 5: ten ill comments.

1411
00:57:56,280 --> 00:57:56,680
Speaker 4: That's all.

1412
00:57:56,760 --> 00:57:58,520
Speaker 5: This is what I was talking about, little bit, because

1413
00:57:58,520 --> 00:58:00,480
Speaker 5: she's probably trying to stay out the comments. Right, So

1414
00:58:00,720 --> 00:58:03,840
Speaker 5: young Young Miami, she said, just here, look at read this.

1415
00:58:03,840 --> 00:58:06,480
Speaker 5: This is what I was referring to. Well, but she

1416
00:58:06,480 --> 00:58:08,880
Speaker 5: don't look at it. But I get what Young Miami

1417
00:58:08,920 --> 00:58:10,800
Speaker 5: was saying. She was just simply saying that you damned

1418
00:58:10,800 --> 00:58:12,000
Speaker 5: if you do, if you damn if you don't, pop

1419
00:58:12,040 --> 00:58:14,200
Speaker 5: gonna always have something to say regardless.

1420
00:58:14,800 --> 00:58:18,760
Speaker 18: Yes, well another club, sha, she news real quick. I

1421
00:58:18,760 --> 00:58:20,080
Speaker 18: didn't want to mention this because I think we're going

1422
00:58:20,120 --> 00:58:23,360
Speaker 18: to bring it in right as a topic. Young Miami

1423
00:58:23,440 --> 00:58:26,240
Speaker 18: is getting dragged online right now because she said she's

1424
00:58:26,240 --> 00:58:28,320
Speaker 18: not leaving her man after he cheats a couple of times,

1425
00:58:28,520 --> 00:58:30,040
Speaker 18: like she's won't stick it out.

1426
00:58:30,280 --> 00:58:32,720
Speaker 5: Dropple on clue Bump for Young Miami's listen Young Miami

1427
00:58:32,840 --> 00:58:34,920
Speaker 5: is on She on fire.

1428
00:58:35,360 --> 00:58:35,800
Speaker 4: Let's listen.

1429
00:58:36,240 --> 00:58:38,000
Speaker 17: You got the audio all we don't have it yet.

1430
00:58:38,000 --> 00:58:38,680
Speaker 17: We will have it.

1431
00:58:38,760 --> 00:58:41,320
Speaker 18: But basically she said, I think she said it takes

1432
00:58:41,320 --> 00:58:43,080
Speaker 18: her the first two to three.

1433
00:58:42,880 --> 00:58:43,600
Speaker 17: Times she's.

1434
00:58:45,040 --> 00:58:47,600
Speaker 18: Gonna leave, but at the three bless her. The first

1435
00:58:47,640 --> 00:58:49,800
Speaker 18: three times she's not gonna leave. But she said black.

1436
00:58:49,640 --> 00:58:51,200
Speaker 4: Men don't cheat. Black men don't cheat.

1437
00:58:51,200 --> 00:58:53,520
Speaker 5: But I'm just saying when the black boys do make

1438
00:58:53,560 --> 00:58:55,840
Speaker 5: mistakes out, they're growing to evolve intimate.

1439
00:58:56,280 --> 00:59:00,160
Speaker 4: Okay, man, you can't just be up and leaving work.

1440
00:59:00,440 --> 00:59:01,400
Speaker 4: Let's take the audio.

1441
00:59:02,000 --> 00:59:05,120
Speaker 28: In reality, we all got cheated on the state. Like

1442
00:59:05,400 --> 00:59:07,320
Speaker 28: if you're really in love with your you locked in,

1443
00:59:07,400 --> 00:59:09,440
Speaker 28: y'all been together. It's not easy to walk away. You

1444
00:59:09,560 --> 00:59:11,800
Speaker 28: got some women that's going to get the phone, some

1445
00:59:11,880 --> 00:59:14,280
Speaker 28: women that you got, some women that's going to the

1446
00:59:14,360 --> 00:59:16,080
Speaker 28: first time the man cheat, they're out.

1447
00:59:16,240 --> 00:59:17,280
Speaker 4: It's not easy to walk away.

1448
00:59:17,360 --> 00:59:19,480
Speaker 28: Like if you don't build something with somebody, I don't

1449
00:59:19,480 --> 00:59:21,720
Speaker 28: been together for so long it hurts. Of course you

1450
00:59:21,760 --> 00:59:23,480
Speaker 28: want to leave, but you're not just want to leave,

1451
00:59:23,520 --> 00:59:26,200
Speaker 28: like y'all love to get on in there somewhere, you said,

1452
00:59:26,280 --> 00:59:29,600
Speaker 28: fourth time. Yes, I know in relationships they getting cheated

1453
00:59:29,600 --> 00:59:31,240
Speaker 28: on right now or being hitting on it ain't they

1454
00:59:31,440 --> 00:59:33,840
Speaker 28: cheating Some women's just not even the men.

1455
00:59:34,280 --> 00:59:36,640
Speaker 17: My first time is like, do you hurting me?

1456
00:59:36,720 --> 00:59:39,560
Speaker 28: I can't believe you do this to me? Okay, cool, right,

1457
00:59:39,600 --> 00:59:41,400
Speaker 28: we probably gonna get back together, but the alreationship will

1458
00:59:41,640 --> 00:59:44,200
Speaker 28: be the same. Second time it's like, oh, okay, so

1459
00:59:44,240 --> 00:59:48,120
Speaker 28: you're a cheetah. The third time that fourth time you

1460
00:59:48,160 --> 00:59:48,680
Speaker 28: got to go.

1461
00:59:49,080 --> 00:59:52,440
Speaker 18: Yeah, third time already, because sometimes you let them hang

1462
00:59:52,480 --> 00:59:54,520
Speaker 18: around because you need to feel it, like okay, hurt,

1463
00:59:54,600 --> 00:59:56,040
Speaker 18: I'm gonna do what you did to me, and then

1464
00:59:56,080 --> 00:59:58,959
Speaker 18: if you walk this and then I'm out.

1465
01:00:00,040 --> 01:00:00,920
Speaker 17: You always got to be better.

1466
01:00:00,960 --> 01:00:03,280
Speaker 18: We can be better and are better, but since we're

1467
01:00:03,320 --> 01:00:05,440
Speaker 18: better at doing it, it hurts you worse, and sometimes

1468
01:00:05,440 --> 01:00:06,880
Speaker 18: we just need you all to fill it a little bit.

1469
01:00:07,080 --> 01:00:09,080
Speaker 4: Like make that take that.

1470
01:00:08,680 --> 01:00:12,040
Speaker 18: Is the latest we're talking about, young Miami.

1471
01:00:12,240 --> 01:00:15,200
Speaker 4: We take that shut up all right?

1472
01:00:15,280 --> 01:00:19,800
Speaker 7: That is the latest with Lord after Charlemage's Dog up

1473
01:00:19,840 --> 01:00:24,640
Speaker 7: the phone lineout you I know, five and five one

1474
01:00:24,640 --> 01:00:27,280
Speaker 7: o five one, ladies. How many cheats does your man get?

1475
01:00:27,320 --> 01:00:30,240
Speaker 7: It sounds like live cheap videos. That's what she says.

1476
01:00:30,360 --> 01:00:33,680
Speaker 7: You get three cheats with her. I'm just gonna sit

1477
01:00:33,720 --> 01:00:35,440
Speaker 7: back and watch this on me too. I'm not I'm

1478
01:00:35,440 --> 01:00:38,920
Speaker 7: not doing eight hundred five eight five one o five one, ladies.

1479
01:00:39,200 --> 01:00:42,240
Speaker 7: How many cheats do you do you let your man have?

1480
01:00:42,680 --> 01:00:45,400
Speaker 7: Sound like a video game. We'll do that after Charlomage's dog.

1481
01:00:45,440 --> 01:00:46,000
Speaker 7: Who're giving your dog?

1482
01:00:46,080 --> 01:00:46,200
Speaker 8: At?

1483
01:00:46,200 --> 01:00:46,240
Speaker 21: You?

1484
01:00:46,640 --> 01:00:52,920
Speaker 5: A coach named Jim Jim Zulo Jim. That's not funny.

1485
01:00:52,960 --> 01:00:54,240
Speaker 4: It is funny. He needs to come in front of

1486
01:00:54,280 --> 01:00:55,400
Speaker 4: kind of games we like to have a world with.

1487
01:00:55,480 --> 01:00:57,160
Speaker 4: All right, we'll get to that. Next to the breakfast club,

1488
01:00:57,200 --> 01:00:58,720
Speaker 4: Good morning, wake up.

1489
01:00:59,240 --> 01:01:03,400
Speaker 3: You're like into the breakfast club, Soler, Maine.

1490
01:01:03,200 --> 01:01:05,640
Speaker 4: Say the gang. Don't get other shame Maine.

1491
01:01:05,920 --> 01:01:10,560
Speaker 3: You are a don't It's time for Donkeys to day.

1492
01:01:11,240 --> 01:01:13,840
Speaker 4: Donkey of Today does not discriminated. I might not have

1493
01:01:13,880 --> 01:01:15,880
Speaker 4: the song today, but I got the donkey day class.

1494
01:01:16,040 --> 01:01:20,720
Speaker 9: So you ever feel I needed to be a dunky man.

1495
01:01:20,640 --> 01:01:23,200
Speaker 4: Breakfast club bitch, please don't keep to day today.

1496
01:01:25,160 --> 01:01:27,600
Speaker 5: It is my Mike Onnwell that yearing Donkey of today

1497
01:01:27,600 --> 01:01:28,880
Speaker 5: for Monday, March twenty fourth.

1498
01:01:28,960 --> 01:01:30,400
Speaker 4: It's to day the twenty fourth. Let me make sure,

1499
01:01:30,440 --> 01:01:30,760
Speaker 4: yes it.

1500
01:01:30,760 --> 01:01:33,800
Speaker 5: Is goes to a former high school girls basketball coach

1501
01:01:34,000 --> 01:01:37,600
Speaker 5: named Jim Zulo. I say former so happily and proudly

1502
01:01:37,640 --> 01:01:40,280
Speaker 5: because this man was so deserving of a firing. This

1503
01:01:40,400 --> 01:01:42,640
Speaker 5: is one of those mornings where I'm encouraging you to

1504
01:01:42,640 --> 01:01:46,280
Speaker 5: go watch Breakfast Club on tuby our YouTube. Yes, you

1505
01:01:46,320 --> 01:01:49,160
Speaker 5: can watch Breakfast Club on Tube. But Jim Zulo was

1506
01:01:49,160 --> 01:01:52,880
Speaker 5: the coach of the Northville Central School District girls basketball team,

1507
01:01:53,080 --> 01:01:56,040
Speaker 5: and there was an incident that occurred following Northfield's loss

1508
01:01:56,200 --> 01:01:59,520
Speaker 5: in the Class D state championship game. See on an

1509
01:01:59,560 --> 01:02:03,080
Speaker 5: online scream of Northfield's games, Zulo was seen pulling the

1510
01:02:03,240 --> 01:02:06,400
Speaker 5: hair of a senior named Haley Monroe, dropping a clothes

1511
01:02:06,440 --> 01:02:09,720
Speaker 5: bombs with Hailey Monroe as the team was waiting for

1512
01:02:09,760 --> 01:02:13,400
Speaker 5: the metal presentation to coach yanked her ponytail.

1513
01:02:13,440 --> 01:02:15,280
Speaker 4: Let's go to ABC News ten for the report. Please.

1514
01:02:15,720 --> 01:02:19,320
Speaker 29: Northfield girls basketball head coach Jim Zulo, a New York

1515
01:02:19,360 --> 01:02:22,720
Speaker 29: State Basketball Hall of Famer, was fired late last night

1516
01:02:22,800 --> 01:02:25,840
Speaker 29: following a postgame incident with one of his own players.

1517
01:02:26,160 --> 01:02:29,920
Speaker 29: After Northfield's loss in the Class D championship game, Zulo

1518
01:02:30,080 --> 01:02:33,880
Speaker 29: was seen on the NFHS Network broadcast pulling the hair

1519
01:02:33,920 --> 01:02:36,800
Speaker 29: of senior Hailey Monroe as the team waited for the

1520
01:02:36,840 --> 01:02:40,240
Speaker 29: metal presentation. The video has garnered a lot of social

1521
01:02:40,440 --> 01:02:45,040
Speaker 29: media outrage. Zulo told Newsten ABC that Monroe directed an

1522
01:02:45,080 --> 01:02:48,840
Speaker 29: expletive toward him after he instructed her to shake hands

1523
01:02:48,960 --> 01:02:52,200
Speaker 29: with the opposing team, which is what he says led

1524
01:02:52,240 --> 01:02:55,280
Speaker 29: to the incident. In a statement, the school district said,

1525
01:02:55,320 --> 01:02:58,760
Speaker 29: in part quote, the Northfield Central School Districts is aware

1526
01:02:58,800 --> 01:03:02,200
Speaker 29: of and deeply disturbed by the conducts of the coach

1527
01:03:02,240 --> 01:03:05,640
Speaker 29: of the girls varsity basketball team, adding that the district

1528
01:03:05,680 --> 01:03:08,280
Speaker 29: will be following up or with the affected players and

1529
01:03:08,320 --> 01:03:11,960
Speaker 29: their families to provide support and outline the actions we

1530
01:03:12,040 --> 01:03:14,520
Speaker 29: are taking in response to this incident.

1531
01:03:14,640 --> 01:03:16,440
Speaker 5: I see stories like this and I believe in the

1532
01:03:16,480 --> 01:03:19,480
Speaker 5: stark because there is no way that somebody carried this

1533
01:03:19,520 --> 01:03:21,520
Speaker 5: young woman for nine months, pushed her out, went through

1534
01:03:21,720 --> 01:03:24,800
Speaker 5: this excruciating pain called label, and this guy, Jim Zulo,

1535
01:03:25,120 --> 01:03:27,760
Speaker 5: isn't walking around with his jaw wired shut today. Okay,

1536
01:03:27,760 --> 01:03:29,640
Speaker 5: It's just impossible for me to believe that this dude

1537
01:03:29,640 --> 01:03:32,400
Speaker 5: would have the audacity to unmitigate a gall to do

1538
01:03:32,440 --> 01:03:35,080
Speaker 5: something like this to someone else's child. Okay, Now, I'm

1539
01:03:35,120 --> 01:03:37,439
Speaker 5: all for the village. It takes the village to raise

1540
01:03:37,480 --> 01:03:39,800
Speaker 5: a child, but everybody in the village shouldn't have the

1541
01:03:39,800 --> 01:03:40,520
Speaker 5: same authority.

1542
01:03:40,640 --> 01:03:40,920
Speaker 4: Okay.

1543
01:03:40,960 --> 01:03:42,920
Speaker 5: Now, I grew up in the era where anyone in

1544
01:03:42,920 --> 01:03:44,880
Speaker 5: the circle could put hands on you all right, from

1545
01:03:44,920 --> 01:03:47,840
Speaker 5: parents to grandparents, aunts, uncles, principles. If you was in

1546
01:03:47,840 --> 01:03:50,560
Speaker 5: the cab an adult, that adult had permission to put

1547
01:03:50,600 --> 01:03:52,640
Speaker 5: hands on you. I don't agree with that philosophy, and

1548
01:03:52,680 --> 01:03:54,760
Speaker 5: I damn sure wouldn't agree with that philosophy in twenty

1549
01:03:54,880 --> 01:03:57,120
Speaker 5: twenty five. So the adults got all types of trauma

1550
01:03:57,200 --> 01:03:59,480
Speaker 5: they haven't worked through and they be projecting it on

1551
01:03:59,760 --> 01:04:02,320
Speaker 5: to Okay, won't do that to mind, So I don't care.

1552
01:04:02,680 --> 01:04:05,320
Speaker 5: You know what this guy, Jimzulo was going through, whatever

1553
01:04:05,400 --> 01:04:07,640
Speaker 5: frustration he was feeling, You don't take it out on

1554
01:04:07,760 --> 01:04:10,919
Speaker 5: my child. But yanking her head the way that you did,

1555
01:04:10,920 --> 01:04:12,880
Speaker 5: grabbing her by the ponytail and giving it that tug

1556
01:04:12,920 --> 01:04:15,360
Speaker 5: the way you did, you damn nate gave this girl

1557
01:04:15,360 --> 01:04:18,720
Speaker 5: whiplash because you mad about something. And once again, when

1558
01:04:18,880 --> 01:04:22,280
Speaker 5: was this young girl's parents, a brother, uncle, somebody that

1559
01:04:22,360 --> 01:04:24,400
Speaker 5: smacked fire out of Jim Zulo?

1560
01:04:24,520 --> 01:04:27,040
Speaker 4: Okay, at least put the fear of God in him something.

1561
01:04:27,280 --> 01:04:30,080
Speaker 5: I also don't understand how you can be an adult

1562
01:04:30,800 --> 01:04:33,120
Speaker 5: and you're supposed to teach kids to have better conflict

1563
01:04:33,200 --> 01:04:37,120
Speaker 5: resolution skills when you don't have better conflict resolution skills.

1564
01:04:37,120 --> 01:04:37,480
Speaker 4: I get it.

1565
01:04:37,520 --> 01:04:40,600
Speaker 5: You just lost the championship game. Emotions are high. You

1566
01:04:40,640 --> 01:04:42,440
Speaker 5: told him to do something, she didn't do it. That's

1567
01:04:42,480 --> 01:04:45,000
Speaker 5: your story. But you're the adult, You're the leader. You're

1568
01:04:45,000 --> 01:04:48,400
Speaker 5: supposed to teach these young ladies discipline, teamwork, how to

1569
01:04:48,440 --> 01:04:51,240
Speaker 5: handle adversity, and how to live with loss.

1570
01:04:51,280 --> 01:04:54,840
Speaker 4: Okay, you know how many quotes about losing you can google? Okay.

1571
01:04:54,880 --> 01:04:57,479
Speaker 5: Lionel Messi said there are more important things in life

1572
01:04:57,480 --> 01:04:59,760
Speaker 5: than winning or losing a game. Morgan and woot And

1573
01:04:59,800 --> 01:05:02,200
Speaker 5: said that you learn more from losing than winning. You

1574
01:05:02,320 --> 01:05:05,040
Speaker 5: learn how to keep going. Alex Morgan said winning and

1575
01:05:05,040 --> 01:05:08,120
Speaker 5: losing isn't everything. Sometimes the journey is just as important

1576
01:05:08,120 --> 01:05:11,040
Speaker 5: as the outcome. Now, other than Line Messi, I don't

1577
01:05:11,040 --> 01:05:13,240
Speaker 5: know any of those people, Okay, but I googled and

1578
01:05:13,240 --> 01:05:15,000
Speaker 5: all I gotta do is say those quotes came from

1579
01:05:15,000 --> 01:05:18,720
Speaker 5: Serena Williams, Lebron James and Gloilla, and damn it, these

1580
01:05:18,800 --> 01:05:21,000
Speaker 5: kids will be motivated and they will live the player

1581
01:05:21,040 --> 01:05:23,720
Speaker 5: another day. Okay, I could actually quote Glorilla after a

1582
01:05:23,800 --> 01:05:26,800
Speaker 5: loss for real. Okay, all I gotta do is say, listen, kids,

1583
01:05:26,920 --> 01:05:27,480
Speaker 5: every day.

1584
01:05:27,320 --> 01:05:29,800
Speaker 4: The sun won't shine. But that's why I love tomorrow.

1585
01:05:29,840 --> 01:05:33,880
Speaker 5: Okay, you jim let your emotions fumble your professionalism. And

1586
01:05:33,920 --> 01:05:36,200
Speaker 5: Donald Trump needs to sign an executive order that says,

1587
01:05:36,200 --> 01:05:39,160
Speaker 5: if an adult assault your kids in any way, you

1588
01:05:39,160 --> 01:05:42,360
Speaker 5: can assault them back. You can't go further than assault,

1589
01:05:42,400 --> 01:05:45,560
Speaker 5: can't kill them, but you can administer a retaliatory ass.

1590
01:05:45,320 --> 01:05:48,040
Speaker 4: Whipping of some kind. Okay, f all that when they

1591
01:05:48,080 --> 01:05:51,240
Speaker 4: go low, we go high. Nonsense. It's a silly philosophy,

1592
01:05:51,520 --> 01:05:54,240
Speaker 4: a silly philosophy. But don't listen to me. Listen to

1593
01:05:54,280 --> 01:05:56,080
Speaker 4: the author of forty eight Laws of power, Robert Green.

1594
01:05:56,600 --> 01:05:58,360
Speaker 19: It was the old thing. When they go low, we

1595
01:05:58,480 --> 01:06:00,760
Speaker 19: go high. For that than the toilet, please and flush

1596
01:06:00,800 --> 01:06:03,840
Speaker 19: that down. That is a stupid philosophy. When they go low,

1597
01:06:04,040 --> 01:06:06,520
Speaker 19: maybe we go a little bit lower than we normally have,

1598
01:06:06,600 --> 01:06:08,600
Speaker 19: but we're gonna fight. You have to show them that

1599
01:06:08,680 --> 01:06:11,200
Speaker 19: you're gonna fight and do something equal to what they're

1600
01:06:11,240 --> 01:06:14,000
Speaker 19: doing that they back off. You don't necessarily have to

1601
01:06:14,040 --> 01:06:16,320
Speaker 19: do it, but you have to show give a demonstration

1602
01:06:16,480 --> 01:06:18,400
Speaker 19: that you're gonna be tough. There's a line in the

1603
01:06:18,440 --> 01:06:20,760
Speaker 19: sun that they cannot cross, or you're gonna make them

1604
01:06:20,800 --> 01:06:22,600
Speaker 19: pay for it. If they never have a sense that

1605
01:06:22,600 --> 01:06:25,200
Speaker 19: they have to pay consequences for what they're doing, they'll

1606
01:06:25,240 --> 01:06:27,480
Speaker 19: go further and further and further and further. It's a

1607
01:06:27,520 --> 01:06:30,840
Speaker 19: deterrent strategy. The other side, the enemy, the rival, has

1608
01:06:30,880 --> 01:06:32,480
Speaker 19: to feel that they're going to pay a price for

1609
01:06:32,600 --> 01:06:35,160
Speaker 19: doing something unethical or against the rules.

1610
01:06:35,680 --> 01:06:38,959
Speaker 4: Please let rumy Ma give Jim Zulo the biggest.

1611
01:06:38,640 --> 01:06:42,760
Speaker 1: Y huh he ha he ha, You stupid mother, Are

1612
01:06:42,800 --> 01:06:43,440
Speaker 1: you dumb?

1613
01:06:43,800 --> 01:06:46,520
Speaker 5: Certain lines you can't cross and tugget in my child's

1614
01:06:46,520 --> 01:06:48,520
Speaker 5: ponytail after the loss is one of them.

1615
01:06:48,920 --> 01:06:51,360
Speaker 7: I agree, simple as that, but I'm sure they probably

1616
01:06:51,360 --> 01:06:53,040
Speaker 7: gonna suit that manning on see the school and ain't

1617
01:06:53,040 --> 01:06:55,680
Speaker 7: gonna get They should shout out to our team and

1618
01:06:55,720 --> 01:06:57,240
Speaker 7: I don't know our teammate's name, but shout out to

1619
01:06:57,240 --> 01:06:59,640
Speaker 7: Handley Monroll's teammate with standing up on asist, you know,

1620
01:07:00,160 --> 01:07:01,360
Speaker 7: for her, for for for her.

1621
01:07:01,920 --> 01:07:03,320
Speaker 4: I still want to know where the men was at.

1622
01:07:03,200 --> 01:07:04,800
Speaker 1: Though, Yeah that's crazy.

1623
01:07:04,920 --> 01:07:06,800
Speaker 4: All right, well thank you for that donkey today.

1624
01:07:06,880 --> 01:07:09,120
Speaker 7: Yes indeed, now let's open up the phone lines eight

1625
01:07:09,200 --> 01:07:11,480
Speaker 7: hundred five eight five, one oh five one. If you're

1626
01:07:11,520 --> 01:07:14,760
Speaker 7: just joining us, we're asking how many cheats do you

1627
01:07:14,800 --> 01:07:15,720
Speaker 7: give your man?

1628
01:07:15,920 --> 01:07:16,240
Speaker 4: Ladies?

1629
01:07:16,280 --> 01:07:19,080
Speaker 7: Now this conversation comes from young Miami. She was doing

1630
01:07:19,120 --> 01:07:20,400
Speaker 7: it and if you I think she was on Club

1631
01:07:20,400 --> 01:07:22,960
Speaker 7: Shah and she was talking about cheating.

1632
01:07:23,480 --> 01:07:26,560
Speaker 28: In reality, we all got cheated on the stage. Like

1633
01:07:26,880 --> 01:07:28,800
Speaker 28: if you're really in love with your you locked in.

1634
01:07:28,880 --> 01:07:30,960
Speaker 28: Y'all been together, it's not easy to walk away. You

1635
01:07:31,040 --> 01:07:33,280
Speaker 28: got some women that's going to get the phone, some

1636
01:07:33,360 --> 01:07:36,400
Speaker 28: women that you got, some women that's going to the first.

1637
01:07:36,120 --> 01:07:38,320
Speaker 4: Time a man cheat, they're out. It's not easy to

1638
01:07:38,320 --> 01:07:38,760
Speaker 4: walk away.

1639
01:07:38,840 --> 01:07:40,960
Speaker 28: Like after you don't build something with somebody, I don't

1640
01:07:41,000 --> 01:07:43,400
Speaker 28: been together for some it hurts. Of course you want

1641
01:07:43,400 --> 01:07:45,080
Speaker 28: to leave, but you're not just want to leave like

1642
01:07:45,160 --> 01:07:47,960
Speaker 28: y'all love to get on in there. You said for it,

1643
01:07:48,000 --> 01:07:51,160
Speaker 28: science says, I know the relationships they getting cheated on

1644
01:07:51,280 --> 01:07:51,560
Speaker 28: right now?

1645
01:07:51,640 --> 01:07:52,360
Speaker 4: Or be shitt on it.

1646
01:07:52,360 --> 01:07:56,280
Speaker 28: Ain't. Some women's just not even the men. My first

1647
01:07:56,280 --> 01:07:58,760
Speaker 28: time is like you hurting me. I can't believe you

1648
01:07:58,760 --> 01:08:01,480
Speaker 28: would do this to me. Okay, cool, right, we probably

1649
01:08:01,480 --> 01:08:03,160
Speaker 28: gonna get ba together the ration she will never be

1650
01:08:03,200 --> 01:08:05,880
Speaker 28: the same. Second time, it's like, oh, okay, so you're

1651
01:08:05,880 --> 01:08:08,320
Speaker 28: a cheetah dard time, I'm already cheating back.

1652
01:08:08,560 --> 01:08:11,480
Speaker 7: Fourth time, you got to go, and the question is

1653
01:08:11,520 --> 01:08:13,880
Speaker 7: eight hundred five eight five one on five to one,

1654
01:08:14,160 --> 01:08:15,920
Speaker 7: how many cheess do you give your men? We'll get

1655
01:08:15,920 --> 01:08:17,400
Speaker 7: into it when we come back. It's the Breakfast Club.

1656
01:08:17,439 --> 01:08:19,439
Speaker 7: Good morning, the Breakfast Club.

1657
01:08:26,240 --> 01:08:27,080
Speaker 3: It's topic time.

1658
01:08:28,520 --> 01:08:30,439
Speaker 10: Call eight hundred and five five one O five one

1659
01:08:30,479 --> 01:08:32,479
Speaker 10: to join into the discussion with the Breakfast Club.

1660
01:08:34,320 --> 01:08:34,639
Speaker 4: Morning.

1661
01:08:34,680 --> 01:08:38,720
Speaker 7: Everybody is j envy, jes hilarious, Charlamagne to God. We

1662
01:08:38,800 --> 01:08:41,120
Speaker 7: are the Breakfast Club. If you're just joining us, we're

1663
01:08:41,160 --> 01:08:43,960
Speaker 7: asking eight hundred five eight five one O five one,

1664
01:08:44,000 --> 01:08:46,080
Speaker 7: and we're asking ladies, how many cheefs do you give

1665
01:08:46,120 --> 01:08:46,719
Speaker 7: your man?

1666
01:08:46,920 --> 01:08:47,080
Speaker 4: Now?

1667
01:08:47,080 --> 01:08:49,960
Speaker 7: This conversation comes from Young Miami on Club Shay Shaye.

1668
01:08:50,000 --> 01:08:50,880
Speaker 4: This is what she said.

1669
01:08:51,240 --> 01:08:54,800
Speaker 28: In reality, we all got cheated on the stage. If

1670
01:08:54,800 --> 01:08:57,200
Speaker 28: you really in love with your locky, y'all been together

1671
01:08:57,280 --> 01:08:59,559
Speaker 28: it's not easy to walk away. You got some women

1672
01:08:59,600 --> 01:09:01,920
Speaker 28: that's going to get the phone. Some women that you got,

1673
01:09:02,000 --> 01:09:04,759
Speaker 28: some women that's going the first time they man cheat,

1674
01:09:04,840 --> 01:09:07,080
Speaker 28: they're out. It's not easy to walk away. Like if

1675
01:09:07,120 --> 01:09:09,320
Speaker 28: you don't build something with somebody'll don't been for so

1676
01:09:09,400 --> 01:09:11,559
Speaker 28: long it hurts. Of course you want to leave, but

1677
01:09:11,640 --> 01:09:13,400
Speaker 28: you're not just want to leave like y'all love to

1678
01:09:13,400 --> 01:09:16,720
Speaker 28: get on in there. You said four times, yes, I

1679
01:09:16,800 --> 01:09:19,439
Speaker 28: know the relationships they getting cheated on right now or

1680
01:09:19,479 --> 01:09:19,960
Speaker 28: be shitting on.

1681
01:09:20,040 --> 01:09:20,400
Speaker 9: It ain't no.

1682
01:09:20,680 --> 01:09:23,519
Speaker 28: Cheating some women, it's just not even a man. My

1683
01:09:23,720 --> 01:09:26,200
Speaker 28: first time is like, do you hurting me? I can't

1684
01:09:26,200 --> 01:09:28,800
Speaker 28: believe you would do this to me? Okay, cool, might

1685
01:09:28,840 --> 01:09:30,600
Speaker 28: we probably gona get back together, but the ourlreationship and

1686
01:09:30,600 --> 01:09:33,200
Speaker 28: it would be the same. Second time it's like, oh okay,

1687
01:09:33,320 --> 01:09:36,040
Speaker 28: so you're a cheatah. Third time, I'm already cheating back.

1688
01:09:36,280 --> 01:09:38,439
Speaker 28: Fourth time you got to go now.

1689
01:09:38,479 --> 01:09:41,439
Speaker 4: Regine also spoke about her man cheating and this is

1690
01:09:41,439 --> 01:09:42,080
Speaker 4: what she said.

1691
01:09:42,439 --> 01:09:44,400
Speaker 30: To be honest, I will break up with you, but

1692
01:09:44,640 --> 01:09:46,840
Speaker 30: if you want me back and we're like together and

1693
01:09:46,880 --> 01:09:48,800
Speaker 30: I feel like you changed, I'm gonna be good. I'm

1694
01:09:48,800 --> 01:09:50,280
Speaker 30: gonna be cool with you. But if I feel like

1695
01:09:50,280 --> 01:09:53,120
Speaker 30: you're still doing the same thing, then we're just cool,

1696
01:09:53,240 --> 01:09:54,160
Speaker 30: like we're just homeleies.

1697
01:09:54,240 --> 01:09:54,599
Speaker 5: You could.

1698
01:09:55,320 --> 01:09:55,840
Speaker 17: I know you.

1699
01:09:56,080 --> 01:09:57,719
Speaker 30: So it's like you're right there, but I'm not gonna

1700
01:09:57,720 --> 01:10:00,519
Speaker 30: take you serious. So you should know that. You one

1701
01:10:00,880 --> 01:10:02,519
Speaker 30: I'm not gonna take. If you're cheating on me and

1702
01:10:02,560 --> 01:10:04,400
Speaker 30: I be like, okay, I'm done with you and you're

1703
01:10:04,439 --> 01:10:06,200
Speaker 30: trying to give me back and you're still doing the

1704
01:10:06,200 --> 01:10:08,080
Speaker 30: same thing, I ain't gonna take you.

1705
01:10:09,360 --> 01:10:10,719
Speaker 3: So you give at least one chance.

1706
01:10:11,439 --> 01:10:16,680
Speaker 7: Three The Regenide Carter says three.

1707
01:10:16,680 --> 01:10:18,240
Speaker 4: Just hilarius, how many cheats do you give?

1708
01:10:18,640 --> 01:10:20,880
Speaker 1: Give I'm not giving nobody, no cheat. You know what

1709
01:10:20,920 --> 01:10:23,080
Speaker 1: I'm saying. I just don't give that. You know what

1710
01:10:23,080 --> 01:10:24,800
Speaker 1: I mean? So we just own I know every woman

1711
01:10:24,920 --> 01:10:25,400
Speaker 1: is different.

1712
01:10:25,720 --> 01:10:28,479
Speaker 6: I'm not in no capacity like nah, if I find

1713
01:10:29,240 --> 01:10:32,880
Speaker 6: especially and I've been cheated on in the past, no, like, no,

1714
01:10:32,960 --> 01:10:34,160
Speaker 6: you don't give out cheats.

1715
01:10:34,200 --> 01:10:34,519
Speaker 9: You don't.

1716
01:10:34,720 --> 01:10:37,320
Speaker 6: What kind of conversation is that? Like, yeah, you got

1717
01:10:37,320 --> 01:10:39,080
Speaker 6: three times and then I'm done.

1718
01:10:39,200 --> 01:10:39,800
Speaker 4: You know what I mean.

1719
01:10:40,080 --> 01:10:41,760
Speaker 1: I don't give you nothing. I find out you did it,

1720
01:10:41,800 --> 01:10:42,200
Speaker 1: I'm done.

1721
01:10:42,960 --> 01:10:44,519
Speaker 4: Okay, Well, let's go to the phone. You know you

1722
01:10:44,520 --> 01:10:46,519
Speaker 4: don't have nothing to contribute to this conversation, do you.

1723
01:10:46,880 --> 01:10:47,760
Speaker 1: I know y'all don't.

1724
01:10:47,960 --> 01:10:48,439
Speaker 4: Well I do.

1725
01:10:48,560 --> 01:10:50,519
Speaker 5: I have a little something hold on Lisa. We got here,

1726
01:10:50,560 --> 01:10:54,519
Speaker 5: Charlamague one little. I agree with all the women that

1727
01:10:54,560 --> 01:10:56,280
Speaker 5: have spoken this morning. I grew with young Miami, I

1728
01:10:56,320 --> 01:10:59,599
Speaker 5: agree with young Baltimore. I agree with young Carter. Okay,

1729
01:11:00,200 --> 01:11:02,599
Speaker 5: because if you love somebody, you'll figure it out and

1730
01:11:02,640 --> 01:11:05,800
Speaker 5: make it work. You know, by the way, women, I mean,

1731
01:11:05,840 --> 01:11:07,840
Speaker 5: men are not the only ones out here cheating. Okay,

1732
01:11:07,840 --> 01:11:11,360
Speaker 5: there's men taking back women that cheat too. But what

1733
01:11:12,000 --> 01:11:14,679
Speaker 5: Regenade said is true. The best apology has changed behavior.

1734
01:11:14,880 --> 01:11:17,120
Speaker 5: What Jess said is true too. You don't tell a

1735
01:11:17,200 --> 01:11:18,439
Speaker 5: man that he got a three cheat.

1736
01:11:18,920 --> 01:11:22,160
Speaker 4: That sounds wild. I got you got to them possible

1737
01:11:22,200 --> 01:11:24,200
Speaker 4: now that South. You don't tell a man, you know

1738
01:11:24,200 --> 01:11:24,639
Speaker 4: what I mean.

1739
01:11:24,680 --> 01:11:26,960
Speaker 5: But if a man does make a mistake, you know

1740
01:11:27,400 --> 01:11:29,519
Speaker 5: what Reginade said, it's true to the best apology is

1741
01:11:29,560 --> 01:11:31,240
Speaker 5: changed behavior. So if a man is willing to actually

1742
01:11:31,280 --> 01:11:33,559
Speaker 5: change his ways and grow, then you know he might

1743
01:11:33,560 --> 01:11:34,000
Speaker 5: be worth it.

1744
01:11:34,040 --> 01:11:37,439
Speaker 4: Because we've all been there. I've been that guy, and then.

1745
01:11:37,400 --> 01:11:38,280
Speaker 1: There's levels of cheating.

1746
01:11:38,320 --> 01:11:39,920
Speaker 6: You know what I'm saying like it's levels to it.

1747
01:11:40,240 --> 01:11:41,960
Speaker 6: You could be flirting with somebody in the DM.

1748
01:11:42,000 --> 01:11:42,439
Speaker 1: You could be it.

1749
01:11:42,479 --> 01:11:45,840
Speaker 6: Don't always have to go to sex or you know

1750
01:11:45,840 --> 01:11:47,840
Speaker 6: what I mean, like you sneak and creeping around town

1751
01:11:47,880 --> 01:11:48,320
Speaker 6: with somebody.

1752
01:11:48,400 --> 01:11:49,360
Speaker 1: It's different levels of.

1753
01:11:49,320 --> 01:11:50,760
Speaker 4: Cheating and be you've evolved.

1754
01:11:50,920 --> 01:11:52,719
Speaker 7: I have, yeah, and I don't talk about it anymore.

1755
01:11:52,720 --> 01:11:54,240
Speaker 7: I don't talk about my past. I keep my passing

1756
01:11:54,240 --> 01:11:54,880
Speaker 7: the pastor.

1757
01:11:54,800 --> 01:11:59,679
Speaker 5: We don't talk about room no, no more, we don't

1758
01:11:59,720 --> 01:12:03,880
Speaker 5: talk Hello, Lisa, no, yes, Now I'm reading this and

1759
01:12:03,880 --> 01:12:05,920
Speaker 5: it says when you were younger, you had four cheats

1760
01:12:05,920 --> 01:12:08,080
Speaker 5: in you, but now you're thirty two and you only

1761
01:12:08,120 --> 01:12:09,080
Speaker 5: got one cheat in you.

1762
01:12:09,160 --> 01:12:11,920
Speaker 16: Yeah, you're gone after the first time. I can't.

1763
01:12:11,960 --> 01:12:12,920
Speaker 11: I'm not dealing with it.

1764
01:12:13,640 --> 01:12:14,519
Speaker 8: So should tell me?

1765
01:12:14,560 --> 01:12:15,280
Speaker 5: Are you so allowed?

1766
01:12:15,360 --> 01:12:16,200
Speaker 8: Are you still allowed?

1767
01:12:16,320 --> 01:12:16,439
Speaker 13: You know?

1768
01:12:16,600 --> 01:12:19,640
Speaker 26: Multiple speek when I was a dummy, but now I

1769
01:12:19,640 --> 01:12:21,400
Speaker 26: don't know, not going for it?

1770
01:12:21,439 --> 01:12:23,759
Speaker 5: How many chiefs? How many cheats should you be allowed

1771
01:12:24,080 --> 01:12:24,880
Speaker 5: if you get caught?

1772
01:12:26,040 --> 01:12:29,599
Speaker 9: Because I don't do that. I have after they cheated,

1773
01:12:30,080 --> 01:12:32,439
Speaker 9: and I have been that person, but I don't even

1774
01:12:32,439 --> 01:12:33,160
Speaker 9: want to know.

1775
01:12:33,640 --> 01:12:37,759
Speaker 7: Okay, time, all right, thank you, Lisa Cassandra, Good morning,

1776
01:12:38,000 --> 01:12:38,719
Speaker 7: Hey go morning.

1777
01:12:39,080 --> 01:12:40,479
Speaker 4: Now, how many cheats do you have in you?

1778
01:12:40,600 --> 01:12:43,840
Speaker 8: Cassandra, No, this won't need not Cassandra, I'm.

1779
01:12:43,680 --> 01:12:46,000
Speaker 4: Sorry, Monique. How many cheat you got in you? Monique?

1780
01:12:46,120 --> 01:12:49,280
Speaker 15: So, I don't know the exact number. I just think

1781
01:12:49,320 --> 01:12:54,160
Speaker 15: it depends on how disrespectful the cheating situation was, like

1782
01:12:54,240 --> 01:12:58,360
Speaker 15: how far you went like we dan and you didn't

1783
01:12:58,400 --> 01:13:01,160
Speaker 15: cheat it on me and got somebody pregnant. M that's

1784
01:13:01,240 --> 01:13:03,400
Speaker 15: that's probably one. I might be like, all right, I

1785
01:13:03,439 --> 01:13:07,080
Speaker 15: can't do this no more, like but it just depends

1786
01:13:07,120 --> 01:13:08,320
Speaker 15: on I think the situation.

1787
01:13:09,080 --> 01:13:12,240
Speaker 7: Okay, but so if you chease one, you're gonna give

1788
01:13:12,280 --> 01:13:12,559
Speaker 7: me a shot.

1789
01:13:12,560 --> 01:13:13,599
Speaker 4: They're gonna get me my chairs.

1790
01:13:13,840 --> 01:13:16,439
Speaker 31: I may give him a shot, like if it was like, okay,

1791
01:13:17,160 --> 01:13:20,160
Speaker 31: you know, we didn't we didn't forgive some I didne

1792
01:13:20,240 --> 01:13:21,680
Speaker 31: forgive a few people in my day.

1793
01:13:22,200 --> 01:13:26,679
Speaker 15: But it just depends on like how everything played out,

1794
01:13:26,720 --> 01:13:29,479
Speaker 15: like what really happened, like did you go and did

1795
01:13:29,520 --> 01:13:30,040
Speaker 15: you cheat?

1796
01:13:30,720 --> 01:13:33,599
Speaker 31: And like what was the situation like was you out

1797
01:13:33,640 --> 01:13:37,280
Speaker 31: here in public posted up with this chick or like me,

1798
01:13:37,560 --> 01:13:41,240
Speaker 31: you know, like I feel like it's levels, it's levels

1799
01:13:41,280 --> 01:13:46,760
Speaker 31: to the cheatingh.

1800
01:13:44,240 --> 01:13:46,400
Speaker 6: So, like she said about you know, if you cheat

1801
01:13:46,439 --> 01:13:48,160
Speaker 6: and have a baby. So, for instance, on Love and

1802
01:13:48,240 --> 01:13:51,320
Speaker 6: Hip Hop right Atlanta, Uh, you got Rashida and Kirk

1803
01:13:52,120 --> 01:13:54,680
Speaker 6: Kirk cheated on Rashida and he had a baby. But

1804
01:13:54,880 --> 01:13:57,040
Speaker 6: I do understand what Young Miami says in a sense,

1805
01:13:57,080 --> 01:13:59,719
Speaker 6: like yo, you can't just leave they they had businesses together.

1806
01:13:59,720 --> 01:14:02,920
Speaker 6: There are multiple businesses, okay, And everybody was saying like, yo,

1807
01:14:02,920 --> 01:14:03,800
Speaker 6: you should have been left him.

1808
01:14:03,800 --> 01:14:04,640
Speaker 1: He had a baby on you.

1809
01:14:05,040 --> 01:14:07,760
Speaker 6: But Rashida's like, Yo, that's not just my boyfriend. This

1810
01:14:07,840 --> 01:14:10,240
Speaker 6: is my husband, this is my partner, Like he's my manager,

1811
01:14:10,360 --> 01:14:11,840
Speaker 6: like we have businesses and stuff.

1812
01:14:11,920 --> 01:14:14,000
Speaker 1: It's just there decided to keep the baby.

1813
01:14:14,080 --> 01:14:15,559
Speaker 4: So it's not just that easy to walk.

1814
01:14:15,439 --> 01:14:17,960
Speaker 7: Up here, not just that easy to walk away, all right.

1815
01:14:17,960 --> 01:14:20,360
Speaker 7: Eight hundred five eight five one oh five one. If

1816
01:14:20,360 --> 01:14:22,720
Speaker 7: you're just joining us, we're asking how many cheats do

1817
01:14:22,760 --> 01:14:30,720
Speaker 7: you give you a man? Let's discuss this's the breakfast Club.

1818
01:14:30,880 --> 01:14:32,920
Speaker 3: Let's say if.

1819
01:14:32,840 --> 01:14:36,120
Speaker 10: You're all talking about it, you know we talking it's

1820
01:14:36,240 --> 01:14:39,280
Speaker 10: topic times called eight hundred five eight five one o

1821
01:14:39,400 --> 01:14:41,800
Speaker 10: five one to join into the discussion with the Breakfast Club.

1822
01:14:42,479 --> 01:14:42,759
Speaker 3: Morning.

1823
01:14:42,840 --> 01:14:46,720
Speaker 7: Everybody is dj en v Ja, Solarius, Charlamagne to God.

1824
01:14:46,760 --> 01:14:47,920
Speaker 4: We are the breakfast club.

1825
01:14:48,000 --> 01:14:49,640
Speaker 7: Now, if you're just joining us, we open up the

1826
01:14:49,680 --> 01:14:52,280
Speaker 7: phone lines eight hundred five eight five one oh five

1827
01:14:52,320 --> 01:14:52,559
Speaker 7: to one.

1828
01:14:52,880 --> 01:14:54,800
Speaker 4: We're asking how many cheats do you give?

1829
01:14:54,840 --> 01:14:55,160
Speaker 9: You a man?

1830
01:14:55,240 --> 01:14:57,639
Speaker 4: This conversation comes from young Miami on club Sha Shay,

1831
01:14:57,720 --> 01:14:58,160
Speaker 4: let's listen.

1832
01:14:58,640 --> 01:15:01,040
Speaker 28: After you don't build something with some I'm being so

1833
01:15:01,760 --> 01:15:03,559
Speaker 28: it hurts. Of course you want to leave, but you're

1834
01:15:03,640 --> 01:15:05,560
Speaker 28: not just want to leave my first time, it's like,

1835
01:15:06,320 --> 01:15:06,880
Speaker 28: do hurting me?

1836
01:15:07,000 --> 01:15:08,160
Speaker 17: I can't believe you do this to me.

1837
01:15:08,280 --> 01:15:11,040
Speaker 28: Okay, cool, right, we probably gonna get back together the

1838
01:15:11,080 --> 01:15:11,639
Speaker 28: iration she will.

1839
01:15:11,680 --> 01:15:12,280
Speaker 17: It would be the same.

1840
01:15:12,560 --> 01:15:15,080
Speaker 28: Second time, it's like, oh, okay, so you're a cheaterah.

1841
01:15:15,400 --> 01:15:18,559
Speaker 28: Third time, I'm already cheating back. Fourth time, you got

1842
01:15:18,600 --> 01:15:18,720
Speaker 28: to go.

1843
01:15:19,080 --> 01:15:20,679
Speaker 4: Now let's go to the phone lunch. We got Lexi

1844
01:15:20,760 --> 01:15:21,160
Speaker 4: on the lines.

1845
01:15:21,280 --> 01:15:24,639
Speaker 23: Lexi, good morning, good morning, Oh my god, Happy new day, y'all.

1846
01:15:25,000 --> 01:15:27,920
Speaker 24: Hey, good morning.

1847
01:15:28,280 --> 01:15:28,880
Speaker 8: How you doing.

1848
01:15:29,080 --> 01:15:30,200
Speaker 4: What's your thoughts? We're good?

1849
01:15:30,600 --> 01:15:32,840
Speaker 8: So, yes, my man did.

1850
01:15:32,800 --> 01:15:33,880
Speaker 16: Sheet on me twice.

1851
01:15:34,520 --> 01:15:36,960
Speaker 26: First time I told him, okay, I know you're so young,

1852
01:15:37,479 --> 01:15:38,800
Speaker 26: it's still freaking yourself out.

1853
01:15:39,960 --> 01:15:42,640
Speaker 8: Second time I left and he begged for me to

1854
01:15:42,720 --> 01:15:44,360
Speaker 8: come back. It was actually my first and.

1855
01:15:44,439 --> 01:15:48,120
Speaker 26: Only time seeing him cry, and I did really want

1856
01:15:48,160 --> 01:15:50,720
Speaker 26: this to work. So I know he's been through a lot.

1857
01:15:50,960 --> 01:15:53,040
Speaker 26: I try my best not to judge people because I

1858
01:15:53,120 --> 01:15:56,080
Speaker 26: know I'm not all the way perfect myself. I'm not

1859
01:15:56,160 --> 01:15:58,400
Speaker 26: a cheater, but I have areas of improvement as well.

1860
01:15:59,000 --> 01:16:02,160
Speaker 26: So yeah, yeah, I told him that, you know, after

1861
01:16:02,320 --> 01:16:04,920
Speaker 26: this time, like that's it, it's done and over with,

1862
01:16:05,200 --> 01:16:08,400
Speaker 26: and he's he's been a lot better. I've seen that

1863
01:16:08,520 --> 01:16:10,560
Speaker 26: he has the potential to be a great man. So

1864
01:16:10,720 --> 01:16:13,000
Speaker 26: I'm just I'm really just giving him another chance.

1865
01:16:13,200 --> 01:16:16,640
Speaker 4: See, Okay, so twice he gave him twice, I gave

1866
01:16:16,760 --> 01:16:17,160
Speaker 4: him twice.

1867
01:16:17,200 --> 01:16:18,960
Speaker 26: After the third time, no, I'm leaving.

1868
01:16:19,479 --> 01:16:21,639
Speaker 5: What if you find out about it all at once,

1869
01:16:21,800 --> 01:16:23,599
Speaker 5: like he might have cheated with like four or five

1870
01:16:23,600 --> 01:16:26,040
Speaker 5: different people, but you find out about it all at once.

1871
01:16:25,920 --> 01:16:27,679
Speaker 1: So you find out that he's a serial cheater.

1872
01:16:28,120 --> 01:16:33,599
Speaker 23: Basically, it depends on how it's all right. It depends

1873
01:16:33,640 --> 01:16:35,560
Speaker 23: on how long ago it was, I guess, I don't know.

1874
01:16:36,000 --> 01:16:38,879
Speaker 23: It depends on how long he's been he's been good, because.

1875
01:16:38,680 --> 01:16:41,920
Speaker 5: I would think it's easier to deal with rights opposed

1876
01:16:41,920 --> 01:16:43,959
Speaker 5: of finding out about it five different times.

1877
01:16:44,360 --> 01:16:47,519
Speaker 23: Right exactly, And if it's current, like if it's in

1878
01:16:47,600 --> 01:16:50,360
Speaker 23: the past, and you can still be a better man

1879
01:16:50,479 --> 01:16:52,400
Speaker 23: than It's okay, does.

1880
01:16:52,240 --> 01:16:55,519
Speaker 4: The person looks matter? Like if the person's ugly doesn't matter.

1881
01:16:56,680 --> 01:16:58,280
Speaker 6: See that used to having to women like I. I

1882
01:16:58,960 --> 01:17:01,120
Speaker 6: that I even had a situation like that, Like somebody

1883
01:17:01,280 --> 01:17:05,520
Speaker 6: cheated on me with somebody who was not, you know, attractive,

1884
01:17:06,160 --> 01:17:08,000
Speaker 6: and I was like, dang you you did it with that.

1885
01:17:08,240 --> 01:17:11,599
Speaker 6: But would I have been happier if she was pretty

1886
01:17:11,720 --> 01:17:12,680
Speaker 6: or more attractive to me?

1887
01:17:13,040 --> 01:17:13,639
Speaker 4: You know what I'm saying.

1888
01:17:13,680 --> 01:17:15,639
Speaker 6: It's like, that's just the answers of it. It don't

1889
01:17:15,640 --> 01:17:17,759
Speaker 6: even ithouldn't even matter what they look like. It matters

1890
01:17:17,800 --> 01:17:19,720
Speaker 6: that they cheated. But I used to care about what

1891
01:17:19,840 --> 01:17:20,280
Speaker 6: they look like?

1892
01:17:20,360 --> 01:17:21,240
Speaker 4: What did the girl look just like?

1893
01:17:21,320 --> 01:17:21,360
Speaker 21: You?

1894
01:17:21,520 --> 01:17:23,000
Speaker 4: Crazy? That's a tribute though.

1895
01:17:22,960 --> 01:17:23,479
Speaker 9: That is that.

1896
01:17:25,520 --> 01:17:26,120
Speaker 1: You're a child.

1897
01:17:28,200 --> 01:17:28,439
Speaker 4: Hello?

1898
01:17:28,560 --> 01:17:28,920
Speaker 3: Who's this?

1899
01:17:29,800 --> 01:17:30,040
Speaker 1: Hello?

1900
01:17:30,200 --> 01:17:32,840
Speaker 4: This is ri Laurie. Good morning. How many cheees do

1901
01:17:32,880 --> 01:17:33,160
Speaker 4: you give?

1902
01:17:33,240 --> 01:17:33,519
Speaker 8: Laurie?

1903
01:17:33,960 --> 01:17:36,120
Speaker 13: I think it's a line and skit. It depends on

1904
01:17:36,320 --> 01:17:38,720
Speaker 13: how much money that he has, Like, how good that

1905
01:17:38,880 --> 01:17:42,600
Speaker 13: she looks, how long we've been together with All of

1906
01:17:42,680 --> 01:17:44,160
Speaker 13: that comes into play.

1907
01:17:44,920 --> 01:17:46,559
Speaker 7: So you care about how much money he has. If

1908
01:17:46,600 --> 01:17:48,080
Speaker 7: he has a lot more money, you're gonna getting a

1909
01:17:48,080 --> 01:17:49,520
Speaker 7: little more couple more chances.

1910
01:17:49,800 --> 01:17:51,920
Speaker 13: Right, because how you going to have the audacity? You

1911
01:17:52,080 --> 01:17:53,920
Speaker 13: broke and and I'm carrying you and you got a

1912
01:17:53,960 --> 01:17:54,679
Speaker 13: nerd bed.

1913
01:17:54,840 --> 01:17:55,439
Speaker 26: That's crazy.

1914
01:17:55,880 --> 01:17:57,240
Speaker 12: M damn.

1915
01:17:57,320 --> 01:17:59,880
Speaker 6: All right, you see, I ain't think about that when

1916
01:17:59,920 --> 01:18:04,080
Speaker 6: you broke cheating and I'm like helping you. Oh yeah,

1917
01:18:04,680 --> 01:18:06,719
Speaker 6: some got to give you right now, you got to get.

1918
01:18:06,640 --> 01:18:07,000
Speaker 4: Out of here.

1919
01:18:07,120 --> 01:18:09,400
Speaker 16: Hello, Hi, this is Ellie.

1920
01:18:09,720 --> 01:18:11,759
Speaker 4: Ellie, good morning. How many chees do you give? Ellie?

1921
01:18:12,720 --> 01:18:15,880
Speaker 16: I say just one? But I kind of agree with

1922
01:18:17,240 --> 01:18:20,439
Speaker 16: young Miami. Yes, Like I can see what she's saying,

1923
01:18:20,640 --> 01:18:23,320
Speaker 16: how she would like give up till four, But I

1924
01:18:23,439 --> 01:18:26,240
Speaker 16: think she's really saying that, like after the second one

1925
01:18:26,280 --> 01:18:29,280
Speaker 16: when she says you're a cheater, she's already checked out

1926
01:18:29,320 --> 01:18:32,439
Speaker 16: of the relationship at that point. She's saying, like, you know,

1927
01:18:32,720 --> 01:18:35,840
Speaker 16: she knows he's a cheater at that point, and her

1928
01:18:35,920 --> 01:18:38,680
Speaker 16: heart just isn't even into it anymore.

1929
01:18:39,479 --> 01:18:39,960
Speaker 13: But then.

1930
01:18:41,320 --> 01:18:42,759
Speaker 16: I don't think you can really.

1931
01:18:42,640 --> 01:18:44,680
Speaker 31: Say, like we know what we would do.

1932
01:18:45,479 --> 01:18:48,040
Speaker 16: I think I won't give him a chance again after

1933
01:18:48,439 --> 01:18:51,719
Speaker 16: Like I was forgive him one time, but I don't

1934
01:18:51,800 --> 01:18:54,280
Speaker 16: know if I would give him another chance after that.

1935
01:18:54,479 --> 01:18:58,400
Speaker 16: I don't think I would but if I did, I

1936
01:18:58,720 --> 01:19:01,599
Speaker 16: still I don't think even if I stayed, I won't

1937
01:19:01,800 --> 01:19:04,479
Speaker 16: really be into it, and I'd be kind of in

1938
01:19:04,600 --> 01:19:06,880
Speaker 16: the back of my mind, like playing in my accent

1939
01:19:07,080 --> 01:19:08,280
Speaker 16: and thinking about like.

1940
01:19:09,880 --> 01:19:11,640
Speaker 1: So then at that point is it worth it?

1941
01:19:11,800 --> 01:19:13,320
Speaker 6: I mean, because if you if you're in a relationship

1942
01:19:13,360 --> 01:19:16,000
Speaker 6: that you're already mentally checked out of that you just

1943
01:19:16,439 --> 01:19:18,360
Speaker 6: you know you're staying for what you know what I mean,

1944
01:19:18,680 --> 01:19:20,320
Speaker 6: it serves no purpose for either one of you.

1945
01:19:20,920 --> 01:19:26,120
Speaker 16: Right right, well, I mean kids involved, or depending on

1946
01:19:26,600 --> 01:19:27,120
Speaker 16: if it's.

1947
01:19:27,000 --> 01:19:29,000
Speaker 1: A marriage, gotcha, gotcha?

1948
01:19:29,520 --> 01:19:34,400
Speaker 16: Yeah, or it might be like financial situation, yeah or no,

1949
01:19:34,640 --> 01:19:36,320
Speaker 16: that kind of thing as well.

1950
01:19:36,920 --> 01:19:39,280
Speaker 4: Okay, thank you ellie. So what's tomorrow of the story?

1951
01:19:39,360 --> 01:19:40,760
Speaker 1: Guys, you don't cheat on me?

1952
01:19:41,120 --> 01:19:42,720
Speaker 6: Like that's it, you know what I mean, Like if

1953
01:19:42,760 --> 01:19:44,840
Speaker 6: we're not passing them out like Hall passes, Like no,

1954
01:19:45,000 --> 01:19:47,560
Speaker 6: this is not you get to you because like you

1955
01:19:47,680 --> 01:19:51,360
Speaker 6: setting yourself up, Like if a guy actually has he

1956
01:19:51,520 --> 01:19:53,519
Speaker 6: knows he has these chances, you.

1957
01:19:53,520 --> 01:19:57,080
Speaker 4: Don't think you're gonna take them absolutely has basically yeah,

1958
01:19:57,120 --> 01:19:57,640
Speaker 4: you know what I mean.

1959
01:19:57,840 --> 01:19:59,840
Speaker 6: If I know I got two times a door or

1960
01:20:00,000 --> 01:20:02,280
Speaker 6: even one time to do it, I can have my

1961
01:20:02,360 --> 01:20:04,040
Speaker 6: cake and eat it here for real, like I just

1962
01:20:04,160 --> 01:20:05,439
Speaker 6: know not to do it too many times.

1963
01:20:05,720 --> 01:20:07,400
Speaker 4: The more of the story is black men don't cheat

1964
01:20:08,360 --> 01:20:09,519
Speaker 4: black men Which ones?

1965
01:20:10,400 --> 01:20:10,880
Speaker 1: Which ones?

1966
01:20:11,000 --> 01:20:15,880
Speaker 4: So I'm telling black black men don't cheat. Boys cheat

1967
01:20:15,880 --> 01:20:17,439
Speaker 4: black men nice now.

1968
01:20:17,400 --> 01:20:19,360
Speaker 5: Too, But I'm just gett putting the word of encouragement

1969
01:20:19,400 --> 01:20:21,519
Speaker 5: out there. You know what I'm saying, black men don't cheat.

1970
01:20:21,800 --> 01:20:24,599
Speaker 5: Black men in comma, don't cheat, don't cheat. Okay, it's

1971
01:20:24,680 --> 01:20:27,000
Speaker 5: more advice. Yeah right, all right, we got the latest

1972
01:20:27,040 --> 01:20:28,559
Speaker 5: with Lauren up next. It don't go anywhere.

1973
01:20:28,600 --> 01:20:34,759
Speaker 7: It's the Breakfast Club. Good morning, the Breakfast Club Morning everybody.

1974
01:20:34,840 --> 01:20:38,080
Speaker 7: As Steve j n V, Jess Hilarry is Charlamagne the God.

1975
01:20:38,120 --> 01:20:40,000
Speaker 7: We are the Breakfast Club. Let's get to the latest

1976
01:20:40,040 --> 01:20:40,400
Speaker 7: with Lauren.

1977
01:20:41,000 --> 01:20:42,720
Speaker 1: Lauren becoming a straight fast.

1978
01:20:44,160 --> 01:20:47,000
Speaker 4: She gets them from somebody that knows, somebody get detail.

1979
01:20:47,400 --> 01:20:49,400
Speaker 17: I'm a long girl that knows a little bit about everything.

1980
01:20:50,400 --> 01:20:53,800
Speaker 4: She'd be having the latest on it, the biggest, the

1981
01:20:53,960 --> 01:20:55,320
Speaker 4: latest with Lauren la Rosa.

1982
01:20:55,439 --> 01:20:57,840
Speaker 5: Sometimes you have fact, sometimes you have details, sometimes you

1983
01:20:57,920 --> 01:20:58,800
Speaker 5: have a little bit of everything.

1984
01:20:59,000 --> 01:21:00,880
Speaker 3: It's the latest, the Breakfast Club.

1985
01:21:03,080 --> 01:21:05,240
Speaker 18: Okay, so real quick, I wanted to go back to

1986
01:21:05,520 --> 01:21:08,160
Speaker 18: the last news update that we did. You would ask

1987
01:21:08,240 --> 01:21:10,760
Speaker 18: a question and be about Buzzby and why he was

1988
01:21:10,840 --> 01:21:13,240
Speaker 18: moving the way he's moving around this one particular case,

1989
01:21:13,920 --> 01:21:16,439
Speaker 18: that last Diddy case where he was saying, hey, let

1990
01:21:16,479 --> 01:21:18,120
Speaker 18: me come in as pro had vicha where he would

1991
01:21:18,120 --> 01:21:20,360
Speaker 18: work with a local attorney. What I mean, So that

1992
01:21:20,479 --> 01:21:22,959
Speaker 18: basically means you have a local attorney who's in jurisdiction

1993
01:21:23,360 --> 01:21:25,760
Speaker 18: who so who can work within the southern district of

1994
01:21:25,840 --> 01:21:31,920
Speaker 18: New York because that's just their main district. Hack okay,

1995
01:21:33,360 --> 01:21:35,600
Speaker 18: basically like he won't hang out with the homies in

1996
01:21:35,640 --> 01:21:37,640
Speaker 18: a jurisdiction, like you want to use checking it like

1997
01:21:38,920 --> 01:21:42,040
Speaker 18: I work with you, Yes, let me get your WiFi

1998
01:21:42,080 --> 01:21:46,320
Speaker 18: pastor right. So I reached out to Attorney Buzzby because

1999
01:21:46,360 --> 01:21:47,960
Speaker 18: I was trying to better understand it. And what he

2000
01:21:48,040 --> 01:21:50,800
Speaker 18: says to me is that the day that he found

2001
01:21:50,840 --> 01:21:54,519
Speaker 18: out that Jay's team had filed a grievance with that

2002
01:21:54,560 --> 01:21:57,040
Speaker 18: committee that said, hey, no, you did this strong, you

2003
01:21:57,080 --> 01:21:59,320
Speaker 18: didn't ask for a mission here was the same day

2004
01:21:59,400 --> 01:22:03,599
Speaker 18: that he also found out that his admission was denied.

2005
01:22:03,920 --> 01:22:05,960
Speaker 18: So he's saying that he found out a month in

2006
01:22:06,840 --> 01:22:09,680
Speaker 18: basically late. So he says, so this is nothing other

2007
01:22:09,720 --> 01:22:13,120
Speaker 18: than once my mission was surprisingly denied my ethics council.

2008
01:22:13,240 --> 01:22:15,320
Speaker 18: So he has counsel that's like working with him ethically

2009
01:22:15,640 --> 01:22:17,360
Speaker 18: to make the decision of what's best to do. Here

2010
01:22:17,680 --> 01:22:20,200
Speaker 18: says that it's best off all emotion formally to withdraw

2011
01:22:20,360 --> 01:22:23,679
Speaker 18: until we obtain formal omissions. So they're like, look, just withdrawal,

2012
01:22:23,800 --> 01:22:25,640
Speaker 18: take a step back, is causing too much noise, and

2013
01:22:25,680 --> 01:22:27,680
Speaker 18: then we'll figure out the omissions later. But then at

2014
01:22:27,720 --> 01:22:29,799
Speaker 18: the same time, he found out he was not admitted

2015
01:22:29,960 --> 01:22:32,799
Speaker 18: to practice within his district right, so then I went jurisdiction.

2016
01:22:32,920 --> 01:22:34,519
Speaker 18: I went back to him and said, but specifically, why

2017
01:22:34,640 --> 01:22:38,200
Speaker 18: this case, And he says, it's basically like it's just

2018
01:22:38,600 --> 01:22:41,559
Speaker 18: all being conflated. Everything was happening at the same time,

2019
01:22:41,680 --> 01:22:44,400
Speaker 18: even though it looks like it wasn't, and he's saying

2020
01:22:44,520 --> 01:22:47,240
Speaker 18: that it's actually wrong. According to Attorney Busby, it is

2021
01:22:47,320 --> 01:22:49,960
Speaker 18: wrong to use the grievance procedure as a weapon in

2022
01:22:50,000 --> 01:22:52,439
Speaker 18: a case, and that's what he feels like it's being

2023
01:22:52,520 --> 01:22:54,519
Speaker 18: used against him. He says, I will deal with it

2024
01:22:54,600 --> 01:22:56,720
Speaker 18: and do course. The most important thing is pushing these

2025
01:22:56,800 --> 01:22:59,040
Speaker 18: cases for the alleged victims who had the courage to

2026
01:22:59,160 --> 01:23:01,479
Speaker 18: come forward. He wanted to make it clear. The reason

2027
01:23:01,520 --> 01:23:03,960
Speaker 18: why this happened is because his ethics council said, first

2028
01:23:04,240 --> 01:23:07,080
Speaker 18: let's file the pro hac vice, which is what he filed,

2029
01:23:07,439 --> 01:23:09,920
Speaker 18: and then let's worry about the grievance.

2030
01:23:09,960 --> 01:23:11,599
Speaker 17: But everything hit at one time. I hope that made

2031
01:23:11,640 --> 01:23:12,400
Speaker 17: sense and explained it.

2032
01:23:12,520 --> 01:23:12,760
Speaker 31: Did it?

2033
01:23:13,400 --> 01:23:13,679
Speaker 17: Okay?

2034
01:23:13,840 --> 01:23:14,120
Speaker 1: Got it?

2035
01:23:14,479 --> 01:23:14,880
Speaker 17: All right?

2036
01:23:15,760 --> 01:23:18,519
Speaker 4: No, I don't care, okay, but it's a good information

2037
01:23:18,600 --> 01:23:19,479
Speaker 4: for somebody. Yeah.

2038
01:23:19,520 --> 01:23:21,200
Speaker 18: I just wanted to make sure we had the questions answered.

2039
01:23:21,200 --> 01:23:23,320
Speaker 18: I don't want nobody you know what I mean, East High.

2040
01:23:23,320 --> 01:23:25,080
Speaker 18: I'm trying to make sure everyone is educated.

2041
01:23:25,080 --> 01:23:26,759
Speaker 4: When it lead it, somebody got to be Joe Clark.

2042
01:23:27,240 --> 01:23:34,080
Speaker 17: You hell no, Let's keep moving y'all. All right, now,

2043
01:23:34,720 --> 01:23:35,960
Speaker 17: where are we going next? Okay?

2044
01:23:36,080 --> 01:23:39,479
Speaker 18: So Malik Yoba, Malik Yoba is saying that he no

2045
01:23:39,600 --> 01:23:41,240
Speaker 18: longer identifies as a black man.

2046
01:23:41,520 --> 01:23:43,080
Speaker 4: Leave you this, Malik, cut it out.

2047
01:23:43,120 --> 01:23:44,600
Speaker 5: Now, last time you was up here with people that

2048
01:23:44,640 --> 01:23:47,200
Speaker 5: didn't identify something, it was just a message, was right.

2049
01:23:49,240 --> 01:23:51,439
Speaker 17: Let's take a listen to what Malik Yoba said.

2050
01:23:52,000 --> 01:23:55,599
Speaker 12: Decided that I'm no longer black man, no longer personal color,

2051
01:23:56,080 --> 01:24:00,639
Speaker 12: bipods none, No, No, what I am is a white man,

2052
01:24:01,200 --> 01:24:03,639
Speaker 12: and I seek we should all just start calling ourselves

2053
01:24:03,720 --> 01:24:06,599
Speaker 12: non white. So they're gonna have to figure it out

2054
01:24:06,840 --> 01:24:11,640
Speaker 12: and just say that explicitly. No d no BIPOD, no

2055
01:24:11,840 --> 01:24:15,080
Speaker 12: references to all black mans. I'm a non white woman.

2056
01:24:15,800 --> 01:24:20,640
Speaker 12: I'm a non white all of us, Asians, Latinos, black people, everybody,

2057
01:24:20,880 --> 01:24:23,840
Speaker 12: call it what it is. I'm just non white. And

2058
01:24:23,960 --> 01:24:26,840
Speaker 12: let them repeat that, Let them repeat it, let them

2059
01:24:26,880 --> 01:24:29,880
Speaker 12: come up with something that just says, we like all

2060
01:24:29,960 --> 01:24:32,560
Speaker 12: non whites. Excuse me, we don't.

2061
01:24:32,840 --> 01:24:34,759
Speaker 25: Like all non whites.

2062
01:24:35,080 --> 01:24:36,280
Speaker 4: Did he say I'm an all white woman.

2063
01:24:36,400 --> 01:24:37,639
Speaker 1: He said I'm a non white woman.

2064
01:24:38,040 --> 01:24:40,200
Speaker 18: He basically is saying instead of saying I'm a black man,

2065
01:24:40,240 --> 01:24:42,360
Speaker 18: to say I'm a non white man, instead of saying

2066
01:24:42,400 --> 01:24:44,160
Speaker 18: I'm a black woman, I'm a non white woman.

2067
01:24:45,040 --> 01:24:47,599
Speaker 1: And this and this is a movement that he's trying

2068
01:24:47,640 --> 01:24:51,280
Speaker 1: to start to get what exactly.

2069
01:24:51,400 --> 01:24:53,800
Speaker 5: I remember the lat movement he tried to start starting

2070
01:24:54,360 --> 01:24:55,800
Speaker 5: club and that didn't turn off.

2071
01:24:57,040 --> 01:25:00,680
Speaker 4: We try to be transgendo Jesus trying to die for

2072
01:25:01,240 --> 01:25:03,920
Speaker 4: I'm confused. I remember that. Yeah, I think I think

2073
01:25:04,000 --> 01:25:04,639
Speaker 4: I'm confused.

2074
01:25:04,640 --> 01:25:05,880
Speaker 18: I don't know if he's trying to just be like

2075
01:25:05,920 --> 01:25:07,640
Speaker 18: a little bit like funny with it or what. But

2076
01:25:07,960 --> 01:25:10,360
Speaker 18: I think he's trying. This is him trying to fight

2077
01:25:10,439 --> 01:25:12,840
Speaker 18: back against like d E. I like, here's how we

2078
01:25:12,920 --> 01:25:14,479
Speaker 18: get around it, y'all. I found a loophole.

2079
01:25:15,320 --> 01:25:17,320
Speaker 4: And what is he identifying as a woman too?

2080
01:25:18,200 --> 01:25:21,120
Speaker 17: No, he was given examples. I mean I didn't hear

2081
01:25:21,160 --> 01:25:21,519
Speaker 17: it that way.

2082
01:25:21,600 --> 01:25:22,080
Speaker 31: I don't know what.

2083
01:25:22,680 --> 01:25:25,639
Speaker 5: These people already know you non white, like they don't

2084
01:25:25,680 --> 01:25:28,080
Speaker 5: have to say it. They know your non white, and

2085
01:25:28,160 --> 01:25:30,640
Speaker 5: that's why they're treating you accordingly. Like just because you

2086
01:25:30,800 --> 01:25:33,240
Speaker 5: change your labeled on me, nothing, they can look at

2087
01:25:33,280 --> 01:25:35,280
Speaker 5: you and see your non white Malik.

2088
01:25:36,439 --> 01:25:39,519
Speaker 4: Yeah, I'm confused, Malik, I'm confused. I'm sure. I'm sure

2089
01:25:39,520 --> 01:25:40,960
Speaker 4: he'll call me later on. I'm confused.

2090
01:25:41,800 --> 01:25:45,120
Speaker 17: Yeah, Well, did you remember when Malik came up here

2091
01:25:45,160 --> 01:25:45,639
Speaker 17: the last time?

2092
01:25:46,160 --> 01:25:46,360
Speaker 9: I do.

2093
01:25:47,080 --> 01:25:50,080
Speaker 17: I wasn't here, but I do remember they.

2094
01:25:49,880 --> 01:25:53,880
Speaker 4: Flipped on Malik. His heart was in the right place.

2095
01:25:54,760 --> 01:25:57,439
Speaker 4: His heart was in the right place. I think it

2096
01:25:58,080 --> 01:26:01,519
Speaker 4: is with the heart of a woman. Not agree the

2097
01:26:01,600 --> 01:26:02,400
Speaker 4: train flipped on?

2098
01:26:02,720 --> 01:26:03,360
Speaker 12: What whoa?

2099
01:26:05,479 --> 01:26:09,880
Speaker 4: He was with them? Yes, real New York so no,

2100
01:26:10,439 --> 01:26:11,240
Speaker 4: not real New York.

2101
01:26:11,920 --> 01:26:13,760
Speaker 5: Sounds like it's hard as in the right place again.

2102
01:26:14,640 --> 01:26:17,880
Speaker 5: But but there don't flip on him, or have they

2103
01:26:17,880 --> 01:26:18,680
Speaker 5: already flipped on him?

2104
01:26:19,040 --> 01:26:20,640
Speaker 4: I know the non whites didn't take well to you

2105
01:26:20,680 --> 01:26:21,360
Speaker 4: were non white?

2106
01:26:21,400 --> 01:26:21,600
Speaker 9: Are you?

2107
01:26:24,200 --> 01:26:26,120
Speaker 4: I'm not a non white. I'm black. I'm proud to

2108
01:26:26,200 --> 01:26:26,519
Speaker 4: be black.

2109
01:26:26,600 --> 01:26:26,920
Speaker 9: I don't know.

2110
01:26:27,000 --> 01:26:28,280
Speaker 4: But none of the non white.

2111
01:26:28,080 --> 01:26:30,479
Speaker 17: Stuff, they were all just trying to make sense.

2112
01:26:30,960 --> 01:26:31,400
Speaker 1: I'm right.

2113
01:26:31,840 --> 01:26:33,439
Speaker 17: As a as a community, I think we want to

2114
01:26:33,479 --> 01:26:33,920
Speaker 17: understand it.

2115
01:26:34,439 --> 01:26:37,000
Speaker 4: Stop trying to make sense of people that ain't making sense.

2116
01:26:37,120 --> 01:26:39,400
Speaker 4: That's the problem. I'm confused.

2117
01:26:39,479 --> 01:26:41,320
Speaker 17: You know what we have in order to make sense

2118
01:26:41,360 --> 01:26:42,920
Speaker 17: of some things that are happening in the media and

2119
01:26:42,960 --> 01:26:43,599
Speaker 17: the news right now.

2120
01:26:43,880 --> 01:26:45,519
Speaker 5: When Yo is welcome to come up here and have

2121
01:26:45,560 --> 01:26:49,360
Speaker 5: a discussion about it, He's.

2122
01:26:47,960 --> 01:26:50,920
Speaker 4: Like, take me first. You gonna call me today? Please

2123
01:26:53,760 --> 01:26:54,160
Speaker 4: forget it.

2124
01:26:55,320 --> 01:26:56,680
Speaker 18: You know, I'm gonna actually call home because we do

2125
01:26:56,760 --> 01:26:59,080
Speaker 18: need That would be a great interview, but y'all in

2126
01:26:59,280 --> 01:27:02,479
Speaker 18: order for we have something to clarify, I mean, something

2127
01:27:02,520 --> 01:27:04,280
Speaker 18: that will help clarify all of this type of you know,

2128
01:27:04,360 --> 01:27:07,280
Speaker 18: these topics and this entertainment stuff. Essence just broke a

2129
01:27:07,320 --> 01:27:09,240
Speaker 18: story that The Latest with Lauren La Rosa is set

2130
01:27:09,280 --> 01:27:12,520
Speaker 18: to premiere on iHeartMedia and Charlotmage the Gods Blackifest podcast.

2131
01:27:14,080 --> 01:27:18,000
Speaker 18: You know what I'm saying, Charlamagne, Thank you. So I

2132
01:27:18,120 --> 01:27:20,160
Speaker 18: have a podcast that will be launching, Thanks yess. That'll

2133
01:27:20,200 --> 01:27:23,599
Speaker 18: be launching on March thirty first. It is a daily entertainment,

2134
01:27:23,640 --> 01:27:25,599
Speaker 18: news and trending podcast. I want to take a listen

2135
01:27:25,640 --> 01:27:27,280
Speaker 18: to the trailer so y'all can understand what I'm about

2136
01:27:27,280 --> 01:27:27,639
Speaker 18: to be killing.

2137
01:27:28,000 --> 01:27:30,120
Speaker 17: Trail already, period celebrity drama.

2138
01:27:30,320 --> 01:27:33,599
Speaker 18: Drew Sodora is giving a divide as if she's dating,

2139
01:27:34,640 --> 01:27:35,599
Speaker 18: Oh my god.

2140
01:27:35,880 --> 01:27:38,280
Speaker 17: Check music, movies and viral moments.

2141
01:27:38,320 --> 01:27:38,479
Speaker 4: Yeah.

2142
01:27:38,720 --> 01:27:40,479
Speaker 18: Union came out and said that she was doing fifty

2143
01:27:40,520 --> 01:27:42,320
Speaker 18: to fifty with the way Wade. I have that audioces

2144
01:27:42,360 --> 01:27:43,680
Speaker 18: in kids you don't remember, So bes's listen to.

2145
01:27:43,720 --> 01:27:47,360
Speaker 17: That check exclusives. Come on, y'all, y'all know I got

2146
01:27:47,400 --> 01:27:50,719
Speaker 17: that over here the show with all the hot takes,

2147
01:27:51,000 --> 01:27:54,040
Speaker 17: zero filter. Welcome to the Latest with Lauren Rosa.

2148
01:27:54,120 --> 01:27:55,759
Speaker 18: I'm Laura the Rosa, and I'm going to be bringing

2149
01:27:55,800 --> 01:27:59,000
Speaker 18: you guys were pop culture meets personalities and over here, baby,

2150
01:27:59,080 --> 01:28:00,000
Speaker 18: we are doing all the things.

2151
01:28:00,360 --> 01:28:02,120
Speaker 17: Give me my tens because we will have a good time.

2152
01:28:02,200 --> 01:28:02,439
Speaker 9: Come on.

2153
01:28:03,280 --> 01:28:06,400
Speaker 18: So it's a daily podcast daily yup, Monday through Friday,

2154
01:28:06,439 --> 01:28:10,680
Speaker 18: You'll be getting bite sized news exclusives and people probably like, well,

2155
01:28:10,720 --> 01:28:12,559
Speaker 18: you do that at the Breakfast Club. So what's about

2156
01:28:12,600 --> 01:28:15,799
Speaker 18: to happen now? So this is more details, more details,

2157
01:28:15,880 --> 01:28:17,639
Speaker 18: more cension. There will be stories that I'll talk about

2158
01:28:17,640 --> 01:28:19,080
Speaker 18: on the podcast that we might not talk about in

2159
01:28:19,120 --> 01:28:20,760
Speaker 18: the room, and I get to Yeah, you'll get to

2160
01:28:20,800 --> 01:28:23,040
Speaker 18: know me a little bit better. And every now and

2161
01:28:23,080 --> 01:28:25,080
Speaker 18: then I'll bring on the front or two bonus episodes,

2162
01:28:25,120 --> 01:28:26,599
Speaker 18: like it's going to be a good vibe.

2163
01:28:27,479 --> 01:28:27,880
Speaker 4: You wear it.

2164
01:28:31,840 --> 01:28:32,200
Speaker 20: For the cover?

2165
01:28:32,280 --> 01:28:36,439
Speaker 18: He said, yeah, but what was it? The viob is

2166
01:28:36,560 --> 01:28:39,080
Speaker 18: in my show art. You know, the bob is not

2167
01:28:39,160 --> 01:28:41,400
Speaker 18: a wig but Mahogany Brown, who I'm wearing right now.

2168
01:28:41,520 --> 01:28:43,000
Speaker 18: She will make some appearances. And then we have some

2169
01:28:43,120 --> 01:28:45,000
Speaker 18: other girls that will be joining us because we launch

2170
01:28:45,040 --> 01:28:47,559
Speaker 18: on the thirty first Marchalty First is the first episode drop.

2171
01:28:47,960 --> 01:28:50,880
Speaker 18: Everywhere you listen to podcasts and on YouTube, Lauring and

2172
01:28:50,960 --> 01:28:52,360
Speaker 18: Roads of TV, you'll see some visuals.

2173
01:28:52,680 --> 01:28:55,320
Speaker 17: So we'll be switching out for the girls. Okay, thank you?

2174
01:28:56,280 --> 01:28:59,240
Speaker 7: All right, Well that is the latest with Lauren. Up next,

2175
01:28:59,280 --> 01:29:01,400
Speaker 7: you got the People's Choice Mix. It's the Breakfast Club

2176
01:29:01,439 --> 01:29:02,880
Speaker 7: Good Morning Wake.

2177
01:29:03,600 --> 01:29:05,120
Speaker 3: If you're like the into the Breakfast Club.

2178
01:29:06,200 --> 01:29:07,160
Speaker 4: Good morning everybody.

2179
01:29:07,200 --> 01:29:10,600
Speaker 7: It's DJ Envy, Jess, Hilarious, Charlamagne and the God we

2180
01:29:10,720 --> 01:29:13,960
Speaker 7: are the Breakfast Club Again. Salute to everybody that we're

2181
01:29:14,040 --> 01:29:17,360
Speaker 7: out that was out in Detroit. Shout to Mike eppso

2182
01:29:17,479 --> 01:29:19,800
Speaker 7: DJ Thatt his club. It was an Alpha convention, so

2183
01:29:20,120 --> 01:29:22,240
Speaker 7: salute to all the outphas that I've seen out there.

2184
01:29:22,360 --> 01:29:23,559
Speaker 4: It was a great event.

2185
01:29:23,680 --> 01:29:27,000
Speaker 5: Hey, salute everybody who listened to us on WJLB in Detroit.

2186
01:29:27,080 --> 01:29:29,719
Speaker 5: Man ninety seven point nine, we appreciate all your support

2187
01:29:30,080 --> 01:29:30,599
Speaker 5: in Detroit.

2188
01:29:30,720 --> 01:29:32,559
Speaker 4: What up though, you know what? I ran to Hill

2189
01:29:33,280 --> 01:29:36,200
Speaker 4: Hill Harper's aul. Yeah, he's an outa, so he was

2190
01:29:36,280 --> 01:29:37,080
Speaker 4: there too as well.

2191
01:29:37,160 --> 01:29:39,479
Speaker 7: So salute to Hill Harper and the salutes everybody that

2192
01:29:39,600 --> 01:29:41,679
Speaker 7: was in Charlotte for the BCIC tournament.

2193
01:29:41,960 --> 01:29:44,040
Speaker 4: Really really really dope. I love the city of Charlotte.

2194
01:29:44,040 --> 01:29:44,160
Speaker 28: Man.

2195
01:29:44,160 --> 01:29:46,840
Speaker 4: Hopefully see I double A comes back to Charlotte. It

2196
01:29:46,960 --> 01:29:49,799
Speaker 4: needs to, right. How was the event the parties?

2197
01:29:49,920 --> 01:29:52,200
Speaker 5: I mean, just you didn't go to the game after

2198
01:29:52,280 --> 01:29:54,120
Speaker 5: West was saying when he was up there and nobody goes.

2199
01:29:54,040 --> 01:29:56,600
Speaker 4: To the game. I know I didn't make it to

2200
01:29:56,640 --> 01:29:58,280
Speaker 4: the game. I did. I did go to all the parties,

2201
01:29:58,360 --> 01:30:00,360
Speaker 4: the parties popping, shout the LOUISV. But I make it

2202
01:30:00,400 --> 01:30:03,160
Speaker 4: to the game. Louis but I said, shout out to

2203
01:30:03,360 --> 01:30:07,040
Speaker 4: I said, butt, shout out to Louis V. What happened

2204
01:30:07,200 --> 01:30:11,200
Speaker 4: last weekend? Yo, girl?

2205
01:30:12,160 --> 01:30:17,479
Speaker 6: Yeah that's what he said anyway, And uh, this weekend

2206
01:30:17,560 --> 01:30:21,120
Speaker 6: I will be in Norfolk, Virginia with Martin Lawrence. We're

2207
01:30:21,120 --> 01:30:23,599
Speaker 6: gonna be at the Chartway Arena. And then next weekend,

2208
01:30:23,640 --> 01:30:25,960
Speaker 6: y'all can get y'all tickets. I'll be headlining in Raley,

2209
01:30:26,040 --> 01:30:28,840
Speaker 6: North Carolina or Raleigh. I don't know, rally rally away.

2210
01:30:29,400 --> 01:30:30,519
Speaker 6: I've been saying there like that for a year, so

2211
01:30:30,560 --> 01:30:31,400
Speaker 6: it's Raleigh, okay.

2212
01:30:31,479 --> 01:30:31,639
Speaker 2: Cool.

2213
01:30:31,720 --> 01:30:33,880
Speaker 6: Meet me at the m PRIV April fourth and fifth.

2214
01:30:34,120 --> 01:30:36,559
Speaker 6: We got four shows, two shows that Friday, two shows

2215
01:30:36,600 --> 01:30:39,960
Speaker 6: that Saturday. Get your tickets at esselarisoficial dot com or

2216
01:30:40,080 --> 01:30:40,960
Speaker 6: impriv dot com.

2217
01:30:41,000 --> 01:30:42,519
Speaker 1: I see you next weekend rally.

2218
01:30:42,520 --> 01:30:44,720
Speaker 7: All right, and also salutor Beanie Man for joining us.

2219
01:30:45,000 --> 01:30:47,519
Speaker 7: He's on tour, the King of Dan Tall Tour. He's

2220
01:30:47,560 --> 01:30:49,360
Speaker 7: actually been touching down in New York City on the

2221
01:30:49,439 --> 01:30:50,080
Speaker 7: twenty fourth.

2222
01:30:50,640 --> 01:30:52,920
Speaker 4: Saluted Beanie Man. This is his first time back in

2223
01:30:52,960 --> 01:30:55,880
Speaker 4: America with thirteen years. Thirteen years. That's crazy. Yeah, so

2224
01:30:56,040 --> 01:30:56,880
Speaker 4: saluted Beanie Man.

2225
01:30:56,920 --> 01:30:58,679
Speaker 7: All right, when we come back, we got the positive

2226
01:30:58,720 --> 01:31:03,960
Speaker 7: notice of Breakfast Club. Good morning Morning, everybody's DJ Envy Jess, Hilarious, Charlamage,

2227
01:31:04,000 --> 01:31:05,800
Speaker 7: the gud We are the Breakfast Club.

2228
01:31:06,160 --> 01:31:07,680
Speaker 4: It's time to get up out of here. Charlamon. You've

2229
01:31:07,680 --> 01:31:08,360
Speaker 4: got a positive note.

2230
01:31:08,439 --> 01:31:08,680
Speaker 8: It is.

2231
01:31:08,840 --> 01:31:10,840
Speaker 5: But first I want to tell everybody man, make sure

2232
01:31:10,880 --> 01:31:12,720
Speaker 5: you go get your tickets for the third annual Black

2233
01:31:12,760 --> 01:31:16,439
Speaker 5: Effect Podcast Festival, happening Saturday, April twenty six at Pullman

2234
01:31:16,520 --> 01:31:17,280
Speaker 5: Yards in Atlanta.

2235
01:31:17,400 --> 01:31:19,639
Speaker 4: Now listen, we've been doing this for three years. Y'all

2236
01:31:19,720 --> 01:31:20,639
Speaker 4: do this every year.

2237
01:31:21,080 --> 01:31:25,880
Speaker 5: The Black Effect Ultimate Fan Package, those are all sold out. Okay,

2238
01:31:26,040 --> 01:31:27,560
Speaker 5: y'all do this all the time. And then y'all be

2239
01:31:27,640 --> 01:31:29,400
Speaker 5: mad because you know you don't get a little bit

2240
01:31:29,439 --> 01:31:31,479
Speaker 5: of the extra. But you should have got your tickets

2241
01:31:31,520 --> 01:31:34,080
Speaker 5: early with all the Black Effects Ultimate Fan packages are

2242
01:31:34,120 --> 01:31:36,360
Speaker 5: sold out, but we still got some general emission tickets

2243
01:31:36,439 --> 01:31:39,080
Speaker 5: left and the student tickets. You know, student tickets are

2244
01:31:39,520 --> 01:31:42,439
Speaker 5: half off of general emission tickets. So go to Black

2245
01:31:42,439 --> 01:31:45,120
Speaker 5: Effect dot Com Slash Podcast Festival to get your tickets.

2246
01:31:45,360 --> 01:31:47,080
Speaker 4: You know, some of the best podcasts on the Plan

2247
01:31:47,160 --> 01:31:48,080
Speaker 4: that will be on that stage.

2248
01:31:48,360 --> 01:31:51,519
Speaker 5: The Good Mom's Bad Choices podcast will be there tanking.

2249
01:31:51,600 --> 01:31:53,280
Speaker 5: J Valentine will be there doing the R and B

2250
01:31:53,400 --> 01:31:56,640
Speaker 5: Money podcast. Sara Jake Roberts will be there doing her

2251
01:31:56,680 --> 01:31:59,400
Speaker 5: Woman of All podcasts. You probably saw her preaching yesterday

2252
01:31:59,560 --> 01:32:01,559
Speaker 5: at the pot This House. She'll be on stage doing

2253
01:32:01,640 --> 01:32:04,559
Speaker 5: her podcast live. So go get your tickets. Black Effect

2254
01:32:04,600 --> 01:32:08,120
Speaker 5: dot Com Slash Podcast Festival. It's all hosted by Decisions Decisions,

2255
01:32:08,320 --> 01:32:11,240
Speaker 5: so we'll see you Saturday, April twenty six, poll Minyards

2256
01:32:11,280 --> 01:32:14,200
Speaker 5: in Atlanta, Georgia. Now the positive notice this. Please don't

2257
01:32:14,200 --> 01:32:15,680
Speaker 5: ever get tired of being a good person with a

2258
01:32:15,760 --> 01:32:18,320
Speaker 5: good heart. I know it sucks being taken advantage of

2259
01:32:18,400 --> 01:32:20,719
Speaker 5: and feeling like it's better to be cold hearted sometimes,

2260
01:32:20,920 --> 01:32:23,559
Speaker 5: but people like you are what give this world hope.

2261
01:32:23,720 --> 01:32:26,759
Speaker 4: Have a great day. Breakfast club bitches, you don't finish

2262
01:32:26,800 --> 01:32:27,400
Speaker 4: for y'all dumb