WEBVTT - Heavyweight Encore: #2 Gregor

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<v Speaker 1>Pushkin Johnny to what do I owe the pleasure? So

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<v Speaker 1>you know why I'm phoning you.

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<v Speaker 2>I really don't.

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<v Speaker 1>Well, I was intending.

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<v Speaker 3>To re release the Gregor episode for which it is

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<v Speaker 3>named for you, Okay, so that a new generation of

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<v Speaker 3>heavyweight listeners can enjoy it.

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<v Speaker 2>Oh, okay, when.

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<v Speaker 1>Was the last time you listened to the episode?

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<v Speaker 4>I mean, to be completely honest with you, and why

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<v Speaker 4>should I be anything other than completely honest at all times?

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<v Speaker 4>And forth right? Yeah, almost disturbingly vulnerably frank with you. Yeah,

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<v Speaker 4>I've never actually listened to the episode.

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<v Speaker 1>I can't believe that.

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<v Speaker 2>I really don't want to break last streek.

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<v Speaker 1>Of never listening to anything I make.

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<v Speaker 2>But I'm told those good I mean, a lot of

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<v Speaker 2>people paid me, a lot of compliments, people I'd meet

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<v Speaker 2>in the supermarket.

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<v Speaker 3>So so what I was thinking might be sort of

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<v Speaker 3>a nice thing for us to do is maybe listen

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<v Speaker 3>to it together. I guess for you for the first time.

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<v Speaker 2>I'm willing to do this. But are you telling me

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<v Speaker 2>that your concept for your brand new Alexander Pushkin hit show. Yeah,

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<v Speaker 2>it's going to be a podcast of me listening to

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<v Speaker 2>a previous podcast. I mean, I don't mean to like

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<v Speaker 2>ridicule you on your own hit show. But no, of

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<v Speaker 2>course not, are you out of your mind? We're going

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<v Speaker 2>to listen to a podcast. Who wants to listen to

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<v Speaker 2>a podcast, let alone listen to me listen to a podcast?

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<v Speaker 3>Well no, I mean we're not going to say okay,

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<v Speaker 3>all right, well with that. With that, I guess I'll

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<v Speaker 3>speak to you on the other side. Okay, all right,

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<v Speaker 3>I'll talk to you at the end. Oh but before

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<v Speaker 3>we get to this encore presentation, a word from our

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<v Speaker 3>sponsors bad time.

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<v Speaker 2>I was just just stepping out.

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<v Speaker 3>I was just you enjoy music, right, Yeah, this week's

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<v Speaker 3>show kind of deals with music, and it got me thinking.

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<v Speaker 1>I have a confession to make.

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<v Speaker 3>You know how sometimes like you have dinner parties and

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<v Speaker 3>they're great. I wanted to say, sometimes how you sometimes

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<v Speaker 3>play music? Yeah, sometimes I'm a little hesitant to come

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<v Speaker 3>over for dinner.

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<v Speaker 2>You're always hesitant to come over for dinner. Well, it's

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<v Speaker 2>not including Mary clods forty fifth birthday.

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<v Speaker 5>Do you remember that?

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<v Speaker 6>I do you know that Bumballeo song?

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<v Speaker 4>I can't find my Gypsy King CD because.

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<v Speaker 1>Your husband hit it.

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<v Speaker 5>It's killing me.

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<v Speaker 1>Killing everybody.

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<v Speaker 3>The reason Sometimes I have some difficulty with my digestion

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<v Speaker 3>these dinner parties. Is it's the Bumballeo song, It's the

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<v Speaker 3>Gypsy Kings. Oh this is great. You know what bumbalao?

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<v Speaker 3>Bumbalaya translates as.

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<v Speaker 1>What wobble wobble?

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<v Speaker 7>All right, we'll speak to.

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<v Speaker 3>You one thing before we go. Okay, I'm going to

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<v Speaker 3>say bum and then you say bumbalaya.

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<v Speaker 2>I do it, and then I'm.

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<v Speaker 1>From Gimblet Media.

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<v Speaker 3>I'm Jonathan Goldstein and this is Heavyweight Today's episode, Gregor.

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<v Speaker 2>This guy's gonna ram you from behind because you're going

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<v Speaker 2>eleven miles left, although you usually don't do it from

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<v Speaker 2>the right line. But okay, let's not get kill. Do

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<v Speaker 2>you have a driver's license?

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<v Speaker 3>This is Gregor and Me on our way to lunch,

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<v Speaker 3>and what you're hearing is typical when I'm driving. Gregor

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<v Speaker 3>comments on my speed. When I eat, he comments on

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<v Speaker 3>my table manners, and when I eat yogurt, he comments

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<v Speaker 3>on the way I lick the inside lid, calling it

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<v Speaker 3>both letchrous and unmanly. Some might say that Gregor is

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<v Speaker 3>overly critical, possibly even prickly, but I would not. I

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<v Speaker 3>love Gregor for many reasons. His loyalty, his generosity, his

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<v Speaker 3>being the kind of person will pick you up at

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<v Speaker 3>the airport at.

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<v Speaker 1>Four in the morning without even complaining.

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<v Speaker 3>But it's perhaps his courage to say the things that

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<v Speaker 3>were all not exactly thinking, but maybe thinking about thinking,

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<v Speaker 3>that is most thrilling. And so when he showed up

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<v Speaker 3>at my office mocking himself instead of me and speaking

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<v Speaker 3>in biblical parables, I was concerned.

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<v Speaker 2>Was it the Pharaoh and the Joseph story who said

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<v Speaker 2>the seven lean years and seven fat years?

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<v Speaker 7>Yeah?

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<v Speaker 2>I had this insight today that the fat years are

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<v Speaker 2>about to end.

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<v Speaker 1>Would these have been the fat years?

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<v Speaker 2>That's what I realized Literally this morning. I woke up

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<v Speaker 2>and I was like, wait, those were the fat years?

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<v Speaker 2>You know, in every conceivable way, financially, stability, prestige, all

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<v Speaker 2>the job stuff, and like creative accomplishment stuff. I just

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<v Speaker 2>feel like it's like going up and spoking. I'm watching

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<v Speaker 2>it go up and smoke.

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<v Speaker 3>Gregor is forty eight years old and by profession he

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<v Speaker 3>makes marketing videos for a cleaning product usually found in

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<v Speaker 3>the bathroom. I can't tell you the name of this

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<v Speaker 3>product for fear Gregor will lose his job. In other words,

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<v Speaker 3>he's not the Filmo tour he dreamt of being back

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<v Speaker 3>in his college days, underlining back issues of Kye to Cinema.

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<v Speaker 3>On top of that, he says that over the past

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<v Speaker 3>few years he's seen his career slowly sucked downward, not

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<v Speaker 3>unlike Oh, I don't know, the spiraling waters of a

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<v Speaker 3>sink unclogged by a chemical drain opener designed to flush

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<v Speaker 3>pipes and attack clogs at their worst.

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<v Speaker 2>What's that children's game where everyone goes around the chairs

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<v Speaker 2>musical chairs, chairs, and everyone sits down and you're like, oh,

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<v Speaker 2>that friend of mine became a CEO. These four friends

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<v Speaker 2>are like EVP, SVP senior whatever at their things. That

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<v Speaker 2>friend of mine wound up sitting in the president of

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<v Speaker 2>Estonia's chair, and then you're like the music stops and

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<v Speaker 2>you're left standing.

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<v Speaker 3>I've heard him reel off this list before, and Gregor

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<v Speaker 3>fully admits it. The success of anyone he knows, no

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<v Speaker 3>matter how thin, his connection to them, feels like a

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<v Speaker 3>reflection of his own shortcomings, including the ascension of his

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<v Speaker 3>elementary school's librarian son, who is now the president of Estonia.

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<v Speaker 2>The point of the story is, where's my presidency of

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<v Speaker 2>my Estonia? My circumstances I was. I was like, oh

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<v Speaker 2>things will you know, about to break through, about to change,

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<v Speaker 2>And now like you could say, well, this is just

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<v Speaker 2>to setback, it's you know whatever. Soon your ship's going

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<v Speaker 2>to come in. But it's just not you know. I mean,

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<v Speaker 2>that's just the simple truth, the uncomfortable truth.

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<v Speaker 3>Of all Gregor's stories about the success of his acquaintances

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<v Speaker 3>and friends, there's one story that he returns to most,

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<v Speaker 3>and not only is it the greatest success story of

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<v Speaker 3>them all, it's the one that touched his life the

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<v Speaker 3>most intimately. The story all begins about twenty years yars

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<v Speaker 3>ago in Manhattan, when Gregor was living in a small

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<v Speaker 3>apartment in Chinatown with his older brother Dimitri. One night,

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<v Speaker 3>they had a friend of theirs over for dinner, a

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<v Speaker 3>techno musician friend.

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<v Speaker 2>He was really poor at the time. He was living

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<v Speaker 2>in like I think in like a basement in a

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<v Speaker 2>warehouse or something for forty dollars a month. He was

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<v Speaker 2>an articulate, smart guy, still an articular smart guy, but

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<v Speaker 2>he's sort of an unlikely rock star in that his

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<v Speaker 2>hair had mostly fallen out even when we were still

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<v Speaker 2>in our twenties. But I watched his ascent. He played

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<v Speaker 2>the bigger and bigger crowds during this techno kind of stuff,

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<v Speaker 2>and then eventually he got a record contract, and I

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<v Speaker 2>at the time got hold of a very obscure set

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<v Speaker 2>of CDs which were field hollers Oooh.

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<v Speaker 3>Trouble, So I.

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<v Speaker 2>Thought it was really interesting stuff. I loaned him this

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<v Speaker 2>box set of.

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<v Speaker 7>CDs Ooh Lone Trouble.

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<v Speaker 2>So he then sampled it very heavily Trouble God and

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<v Speaker 2>created a record which got him very rich and very famous.

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<v Speaker 3>This guy you're speaking of, This guy's Moby, Moby, bald headed, bespectacled,

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<v Speaker 3>castle dwelling, multi million records selling Moby. But back then

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<v Speaker 3>he was just Gregor's pal who spent weekends at Gregor's

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<v Speaker 3>family's place and attended family birthday parties too. In bars

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<v Speaker 3>and during long car rides, Gregor and Moby had long,

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<v Speaker 3>earnest conversations about God and the things they believed. They

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<v Speaker 3>were living their twenties together, and those CDs Gregor lent Moby.

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<v Speaker 3>The box set Sounds of the South was recorded by

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<v Speaker 3>the ethno musicologist Alan Lomax. Beginning in the nineteen thirties.

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<v Speaker 3>Lomax and his fam John made thousands of field recordings,

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<v Speaker 3>mostly in the American South. These recordings are among the

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<v Speaker 3>most important in American music, preserving dozens of African American

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<v Speaker 3>songs from the early years of the twentieth century. Wait Sometime, Better,

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<v Speaker 3>Nola Sometimes. Another hit on Moby's album is called Honey.

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<v Speaker 3>It makes use of the song sometimes sung by Bessie

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<v Speaker 3>Smith Jones. Jones was taught these songs by her grandfather,

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<v Speaker 3>a former slave born in Africa. This is Moby's version,

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<v Speaker 3>So everybody feeling like I've here elected to play for you,

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<v Speaker 3>the live version of the song with all of its

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<v Speaker 3>foot stomping and audience cheering. It's how I imagine Gregor

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<v Speaker 3>hears it echoing in his head during those sleepless nights

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<v Speaker 3>when his Kishkas are slowly being corroded by battery acid.

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<v Speaker 2>Sometime when I discovered this, but I was like an evangelist.

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<v Speaker 2>I was like, this is amazing. You got to check

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<v Speaker 2>this out. He was over the house and I was like,

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<v Speaker 2>you got to take this home. This amazing stuff. This

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<v Speaker 2>is the best CD I've heard. I don't know how

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<v Speaker 2>long I've been listening to a NonStop rotation. I love

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<v Speaker 2>the CD. So it wasn't just laying in a pile,

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<v Speaker 2>and he happened to put it in his bag and

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<v Speaker 2>walk out the door. I said, I sold him on it.

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<v Speaker 3>And Moby makes use of several Lomax recordings on his

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<v Speaker 3>album Play, which went multi platinum. Play eventually became one

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<v Speaker 3>of the most commercially licensed albums ever recorded. At the time,

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<v Speaker 3>the songs were used to promote everything from luxury cars

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<v Speaker 3>to credit cards. And before Play, according to Rolling Stone magazine,

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<v Speaker 3>Moby was quote bumbling around New York as it has

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<v Speaker 3>been and then was there an intermediary step before that,

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<v Speaker 3>and then hearing it on the CD where he said, hey,

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<v Speaker 3>by the way, thanks.

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<v Speaker 2>No, I said, this is amazing thing. Next thing I

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<v Speaker 2>heard it's on the radio and I said, hey, can

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<v Speaker 2>I get that box setback? And then years of not

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<v Speaker 2>being friends.

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<v Speaker 3>And according to Gregor, that was all he wanted to

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<v Speaker 3>get his CDs back. He was looking for neither riches

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<v Speaker 3>nor credit, just the CDs, which he claims were only alone.

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<v Speaker 3>And so this is how it went. He began leaving

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<v Speaker 3>Moby voice messages by Gregor's count, about a dozen that

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<v Speaker 3>all went unanswered. Then, in a final act of desperation,

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<v Speaker 3>Gregor penned a song called Moby give Me Back My CDs,

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<v Speaker 3>which he sang into Moby's Answering Machine with accompanying karaoke

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<v Speaker 3>music to the tune of Brian Adams Heaven. After much cajoling,

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<v Speaker 3>Gregor dug up his lyrics, which I will now perform

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<v Speaker 3>for you.

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<v Speaker 1>Moby give Me Back my CDs.

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<v Speaker 3>The Recordings from the Field, the Alan Lomax box set CDs.

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<v Speaker 3>I think there were seven.

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<v Speaker 1>Those discs are all.

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<v Speaker 3>That I need, the ones I gave you from my house.

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<v Speaker 3>I think you'll be sure to see there were seven.

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<v Speaker 3>And that message, Gregor says, was met with over a

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<v Speaker 3>decade of silence. Did he ever explain, like, did he

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<v Speaker 3>just ever come out and tell you, honestly what became

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<v Speaker 3>of those CDs? No?

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<v Speaker 2>I think he was busy, like playing, like, you know,

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<v Speaker 2>a concert to ninety thousand people in Rykovic and drinking

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<v Speaker 2>champagne out of a prostitute shoe. Couldn't be bothered. Obviously,

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<v Speaker 2>I put an exaggerated value on the CDs. I'm sure

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<v Speaker 2>he could have sampled anything, and he had a plenty

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<v Speaker 2>big career before that and after that. I mean, I'm

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<v Speaker 2>not insane, but it was more that displaced feeling of

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<v Speaker 2>like I had this thing go off and bloom without me.

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<v Speaker 2>I'll tell you an interesting detail on that. Yeah, whenever

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<v Speaker 2>MOBI music comes on, I can't listen to it.

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<v Speaker 1>But do you think if you get it back you

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<v Speaker 1>won't feel that way.

0:13:10.170 --> 0:13:11.930
<v Speaker 2>I feel like I could work it through like therapy,

0:13:11.930 --> 0:13:13.970
<v Speaker 2>where I could then listen to the music again. You know,

0:13:14.010 --> 0:13:16.410
<v Speaker 2>there's a sense of what about my you.

0:13:16.330 --> 0:13:19.570
<v Speaker 1>Know, where's my gold album?

0:13:19.770 --> 0:13:23.329
<v Speaker 7>Yeah.

0:13:24.810 --> 0:13:27.410
<v Speaker 3>Gregor has theories about why nothing ever happened for him,

0:13:27.650 --> 0:13:30.570
<v Speaker 3>and they revolve around an aspect of his personality, an

0:13:30.610 --> 0:13:34.610
<v Speaker 3>aspect he refers to as a lack of affability.

0:13:35.010 --> 0:13:38.050
<v Speaker 2>Like a lot of times I'll say something completely earnestly

0:13:38.210 --> 0:13:43.330
<v Speaker 2>mm hmm, like past the water, and they're like, are

0:13:43.330 --> 0:13:45.930
<v Speaker 2>you being sarcastic? Like that happened to me all the time.

0:13:46.650 --> 0:13:48.810
<v Speaker 3>How could you ask for the water sarcastically?

0:13:48.930 --> 0:13:51.890
<v Speaker 2>I come across as being sarcastic when I'm not.

0:13:52.770 --> 0:13:55.610
<v Speaker 3>So it's almost like a handicap of it's a huge handicap.

0:13:55.810 --> 0:13:58.810
<v Speaker 2>I think it's fundamentally, as I understand my own life,

0:13:59.130 --> 0:14:01.490
<v Speaker 2>that is my cross to bear, that's what's wrecked my life.

0:14:01.650 --> 0:14:04.570
<v Speaker 1>Well, I think you would even like you told me that.

0:14:04.530 --> 0:14:09.050
<v Speaker 3>Story about where you were in the conference room at work.

0:14:09.450 --> 0:14:12.050
<v Speaker 3>They're like complimenting you on your new glasses or something

0:14:12.050 --> 0:14:14.689
<v Speaker 3>and saying, hey, what does your wife think of those glasses?

0:14:14.730 --> 0:14:16.450
<v Speaker 3>And you were like, how the fuck do I know?

0:14:16.650 --> 0:14:18.570
<v Speaker 3>I whyn't you ask my wife to find out?

0:14:18.770 --> 0:14:19.330
<v Speaker 2>Do you remember?

0:14:19.770 --> 0:14:19.970
<v Speaker 4>Yeah?

0:14:19.970 --> 0:14:22.930
<v Speaker 2>I don't remember. I mean so they said, like, what

0:14:23.050 --> 0:14:24.130
<v Speaker 2>is your wife think of that? I was like, how

0:14:24.130 --> 0:14:25.970
<v Speaker 2>do I know? Ask my wife?

0:14:32.730 --> 0:14:35.890
<v Speaker 3>Recently, Gregor and Moby have found themselves back in touch,

0:14:36.290 --> 0:14:40.690
<v Speaker 3>though in the most tangential impersonal way possible through group

0:14:40.770 --> 0:14:41.930
<v Speaker 3>emails and texts.

0:14:42.530 --> 0:14:43.690
<v Speaker 1>Gregor's older brother.

0:14:43.530 --> 0:14:47.090
<v Speaker 3>Dimitri, remained friends with Moby over the years, and Dmitri

0:14:47.210 --> 0:14:50.410
<v Speaker 3>recently had a baby, so he loops in Moby, Gregor,

0:14:50.490 --> 0:14:53.770
<v Speaker 3>and one other old friend on updates. This has evolved

0:14:53.770 --> 0:14:57.010
<v Speaker 3>into a small group of friends exchanging witticisms and fun

0:14:57.090 --> 0:15:00.490
<v Speaker 3>facts like did you know that the fatty flesh around

0:15:00.530 --> 0:15:04.090
<v Speaker 3>the elbow is called a wenus? So while the new

0:15:04.130 --> 0:15:07.210
<v Speaker 3>group email friendship isn't the same as the old close one,

0:15:07.690 --> 0:15:10.930
<v Speaker 3>it's still an open door. And so I couldn't help

0:15:10.970 --> 0:15:15.130
<v Speaker 3>asking the question, now that that door has swung open again,

0:15:15.370 --> 0:15:17.610
<v Speaker 3>do you see this as an opportunity to ask for

0:15:17.650 --> 0:15:18.890
<v Speaker 3>those CDs once again.

0:15:19.050 --> 0:15:21.690
<v Speaker 2>I was thinking about it, were you, just because it's

0:15:21.730 --> 0:15:24.610
<v Speaker 2>kind of a little symbolic of what I don't even

0:15:24.650 --> 0:15:26.850
<v Speaker 2>have a CD player anymore, right, But I was just thinking,

0:15:27.890 --> 0:15:30.690
<v Speaker 2>for talismonic purposes, it would be interesting to have them back.

0:15:31.250 --> 0:15:32.170
<v Speaker 1>Say more about that.

0:15:32.770 --> 0:15:34.010
<v Speaker 2>I think that it might soothe me.

0:15:34.850 --> 0:15:35.930
<v Speaker 1>Do you really think it would.

0:15:36.410 --> 0:15:39.410
<v Speaker 2>I'll actually give you the clarity which just came to me. Now, okay,

0:15:40.010 --> 0:15:41.650
<v Speaker 2>it's not instead of the money and the fame and

0:15:41.650 --> 0:15:47.970
<v Speaker 2>all that stuff, what it is is tangible evidence. Understand

0:15:49.050 --> 0:15:50.890
<v Speaker 2>you did this, you exist, you did it, you pulled

0:15:50.930 --> 0:15:51.290
<v Speaker 2>it off.

0:15:51.890 --> 0:15:54.330
<v Speaker 3>You want to be able to say, see these CDs

0:15:54.370 --> 0:15:55.450
<v Speaker 3>on the shelf.

0:15:55.090 --> 0:15:57.530
<v Speaker 2>That's the ones that I gave to mommy, Because for me,

0:15:58.010 --> 0:16:00.810
<v Speaker 2>this would just be a version of proof.

0:16:06.370 --> 0:16:09.770
<v Speaker 3>Wanting the CDs you lent someone decades ago and expecting

0:16:09.810 --> 0:16:14.970
<v Speaker 3>them back is of course insanity, but insanity's repeated often enough,

0:16:15.330 --> 0:16:20.250
<v Speaker 3>especially between friends, can begin to feel pacifying, lulling, even.

0:16:21.570 --> 0:16:24.490
<v Speaker 1>Excuse me, in a way, you just want your due.

0:16:25.210 --> 0:16:29.930
<v Speaker 3>Yeah, Do you think you can articulate that in a

0:16:29.970 --> 0:16:32.810
<v Speaker 3>way that would make it understandable to him?

0:16:32.810 --> 0:16:35.170
<v Speaker 2>Do you think I'm pretty confident I can't, because he's

0:16:35.170 --> 0:16:36.490
<v Speaker 2>still pretty sensitive.

0:16:36.890 --> 0:16:41.250
<v Speaker 3>Okay, pretty sensitive, pretty sensitive. Like the time Moby seemed

0:16:41.290 --> 0:16:45.210
<v Speaker 3>to bristle when Gregor emailed him about something totally innocuous,

0:16:45.770 --> 0:16:50.650
<v Speaker 3>a condolence for the death of Moby's friend David Bowie.

0:16:50.850 --> 0:16:53.010
<v Speaker 2>You know, I said some witty thing about David Bowie dying,

0:16:53.090 --> 0:16:55.410
<v Speaker 2>he wrote, like texted back, like the picture of him

0:16:55.410 --> 0:16:56.970
<v Speaker 2>and David Bowie in the cover of entertainment.

0:16:57.090 --> 0:16:57.970
<v Speaker 1>Let's back up for a moment.

0:16:58.010 --> 0:17:00.410
<v Speaker 3>What was the witty thing you said about David Bowie's death?

0:17:01.210 --> 0:17:02.650
<v Speaker 2>You know, like good night, funny man.

0:17:04.930 --> 0:17:06.050
<v Speaker 1>What does that even mean?

0:17:06.930 --> 0:17:09.250
<v Speaker 2>That's usually what I say when people die.

0:17:14.090 --> 0:17:16.369
<v Speaker 3>If this is a sampling of the hot takes Gregor

0:17:16.449 --> 0:17:19.290
<v Speaker 3>has in store, I fear that this newly opened door

0:17:19.330 --> 0:17:23.090
<v Speaker 3>between Moby and Gregor might not remain open forever. I

0:17:23.129 --> 0:17:25.290
<v Speaker 3>also knew that if he has any hope of ever

0:17:25.330 --> 0:17:29.850
<v Speaker 3>getting back those CDs, he'll need a middleman or interlocutor

0:17:30.530 --> 0:17:35.409
<v Speaker 3>or interlocutor. So, perhaps, against my better judgment, I allow

0:17:35.490 --> 0:17:38.009
<v Speaker 3>myself to be swept up by the moment. I just

0:17:38.090 --> 0:17:40.170
<v Speaker 3>don't know if this is going to lead to anything

0:17:40.169 --> 0:17:44.210
<v Speaker 3>but heartbreak. But why don't we go after the CDs

0:17:44.810 --> 0:17:48.409
<v Speaker 3>all right? And with that ringing call to arms, my

0:17:48.530 --> 0:17:55.489
<v Speaker 3>path was set and the mission begun. Say I'm Moby, Like,

0:17:55.570 --> 0:17:58.010
<v Speaker 3>how would you ask, Hey, Moby.

0:17:58.209 --> 0:18:01.210
<v Speaker 2>Can I have back those CDs? I've never understood any

0:18:01.209 --> 0:18:03.209
<v Speaker 2>approach other than a direct approach, So that's what I

0:18:03.250 --> 0:18:03.570
<v Speaker 2>would do.

0:18:04.730 --> 0:18:07.929
<v Speaker 3>After the break the Hollywood Hills, a surprise encounter with

0:18:08.050 --> 0:18:25.690
<v Speaker 3>Rue Paul and maybe Moby. Maybe the airline tickets were purchased,

0:18:25.889 --> 0:18:28.649
<v Speaker 3>the hotel was booked, but a couple days before we

0:18:28.649 --> 0:18:33.369
<v Speaker 3>were set to leave for La, I got nervous. If

0:18:33.409 --> 0:18:36.330
<v Speaker 3>Gregor already was in a bad place, could my meddling

0:18:36.570 --> 0:18:37.850
<v Speaker 3>possibly make things worse?

0:18:38.290 --> 0:18:39.970
<v Speaker 6>Hello, hey Annika?

0:18:40.250 --> 0:18:41.090
<v Speaker 8>Yeah, Jonathan.

0:18:41.490 --> 0:18:43.530
<v Speaker 3>I decided to reach out to the person who knows

0:18:43.570 --> 0:18:46.410
<v Speaker 3>Gregor best, his.

0:18:46.409 --> 0:18:47.649
<v Speaker 1>Wife, Annika.

0:18:48.169 --> 0:18:51.729
<v Speaker 3>So do you know about this this little project that

0:18:51.810 --> 0:18:53.609
<v Speaker 3>your husband and I are undertaking.

0:18:54.970 --> 0:18:58.129
<v Speaker 8>So I think that the is a strategy to like

0:18:58.169 --> 0:19:01.330
<v Speaker 8>ambush Moby and try and get him to give back

0:19:01.369 --> 0:19:04.529
<v Speaker 8>the CDs that he lent Gregor thirty years ago or

0:19:04.730 --> 0:19:07.209
<v Speaker 8>however long it was ago. Is that true?

0:19:08.050 --> 0:19:12.330
<v Speaker 3>You make it sound like such a classy operation. Yeah,

0:19:12.810 --> 0:19:15.769
<v Speaker 3>has Gregor brought this issue up to you before this

0:19:15.810 --> 0:19:18.609
<v Speaker 3>whole Alan Lomack CD issue.

0:19:19.330 --> 0:19:25.249
<v Speaker 8>So I met him on November eleventh, two thousand. Yeah,

0:19:25.290 --> 0:19:31.609
<v Speaker 8>and it came up pretty early in our relationship, so.

0:19:31.570 --> 0:19:35.209
<v Speaker 3>He yeah, like first date conversation, it was.

0:19:35.209 --> 0:19:38.090
<v Speaker 8>Definitely early on. It's very hard for him to let

0:19:38.169 --> 0:19:42.449
<v Speaker 8>stuff go. And like even like early on in our relationship,

0:19:42.490 --> 0:19:47.929
<v Speaker 8>we went to Spain together and we bought a bottle

0:19:47.970 --> 0:19:50.889
<v Speaker 8>of olive oil in some town or something and we

0:19:51.010 --> 0:19:53.689
<v Speaker 8>left it by accident in the rental car and it

0:19:53.850 --> 0:19:55.290
<v Speaker 8>still bothers him.

0:19:56.409 --> 0:19:58.729
<v Speaker 3>Do you know, I think I actually know that olive

0:19:58.730 --> 0:19:59.649
<v Speaker 3>oil story.

0:19:59.770 --> 0:20:05.249
<v Speaker 8>Oh yeah, Yeah. There is something that is in his

0:20:05.369 --> 0:20:08.369
<v Speaker 8>character that is very much like the Larry David character,

0:20:08.409 --> 0:20:12.210
<v Speaker 8>where it's like, you know, like obsessing about a very

0:20:12.250 --> 0:20:15.850
<v Speaker 8>small point. But you know, he's a very he's like

0:20:15.889 --> 0:20:19.889
<v Speaker 8>a very sensitive person, so it's just part of who

0:20:19.929 --> 0:20:23.689
<v Speaker 8>he is and part of his wonderful package.

0:20:24.090 --> 0:20:28.010
<v Speaker 3>Does this undertaking have your blessing or do you think

0:20:28.010 --> 0:20:28.809
<v Speaker 3>it's foolhardy?

0:20:29.570 --> 0:20:32.889
<v Speaker 8>I don't. Sometimes I worry about Gregor's feelings because he

0:20:33.090 --> 0:20:37.570
<v Speaker 8>is very hurt, very easily, and I don't know if

0:20:37.609 --> 0:20:48.250
<v Speaker 8>Moby is really that sensitive to his feelings.

0:20:50.689 --> 0:20:54.449
<v Speaker 3>I Gregor flew in from San Francisco. And I was

0:20:54.449 --> 0:20:57.369
<v Speaker 3>there to greet him at the Bob Hope International Airport

0:20:57.449 --> 0:20:58.129
<v Speaker 3>in Burbank.

0:20:58.330 --> 0:21:00.249
<v Speaker 2>So this is the dream factory I've heard about it.

0:21:00.770 --> 0:21:01.730
<v Speaker 6>It's beautiful here.

0:21:01.850 --> 0:21:06.169
<v Speaker 3>Even the underground parking lots smell like sentent lotion. We

0:21:06.250 --> 0:21:09.450
<v Speaker 3>have four hours before our appointment with Moby. We set

0:21:09.490 --> 0:21:13.489
<v Speaker 3>off in our economy sized carrio or similar to experience

0:21:13.609 --> 0:21:15.489
<v Speaker 3>everything LA has to offer.

0:21:15.889 --> 0:21:16.929
<v Speaker 9>Are you excited?

0:21:18.649 --> 0:21:21.450
<v Speaker 3>Yeah, you don't sound excited.

0:21:22.250 --> 0:21:24.050
<v Speaker 2>No, I'm full of anxiety. And let me tell you,

0:21:24.929 --> 0:21:29.169
<v Speaker 2>I feel an increasing sense of dread about the futility

0:21:29.209 --> 0:21:30.050
<v Speaker 2>of this undertaking.

0:21:30.850 --> 0:21:32.729
<v Speaker 6>You can get those CDs back, my friend.

0:21:32.929 --> 0:21:34.890
<v Speaker 2>Okay, whatever you say in a.

0:21:34.810 --> 0:21:36.810
<v Speaker 9>Plastic bag, which he'll supply.

0:21:38.050 --> 0:21:41.769
<v Speaker 10>You're gonna negotiate this look manage at which time of

0:21:41.810 --> 0:21:47.609
<v Speaker 10>my client's choosing the one plastic bag recycled acceptable, plus

0:21:47.850 --> 0:21:50.929
<v Speaker 10>one coupon good for any flavor from basket in Robin's

0:21:50.929 --> 0:21:55.210
<v Speaker 10>ice cream or any substant that too.

0:21:57.889 --> 0:22:00.249
<v Speaker 3>With just three hours and fifty nine minutes to go,

0:22:00.770 --> 0:22:02.609
<v Speaker 3>things were off to a rollicking start.

0:22:03.490 --> 0:22:04.409
<v Speaker 9>It's like not moving.

0:22:04.649 --> 0:22:06.530
<v Speaker 2>There's always traffic in Los Angeles.

0:22:06.649 --> 0:22:07.290
<v Speaker 9>Look at the traffic.

0:22:07.330 --> 0:22:08.409
<v Speaker 6>Are we gonna make it for movies?

0:22:08.810 --> 0:22:10.449
<v Speaker 2>Yeah, we're gonna be stuck in horrible traffic.

0:22:11.129 --> 0:22:14.450
<v Speaker 6>We have until two, No, we have until one.

0:22:14.770 --> 0:22:16.010
<v Speaker 2>Oh, really, we'll never make it.

0:22:19.689 --> 0:22:22.889
<v Speaker 9>Oh look there's the big Hollywood sign. Wow, what a sight.

0:22:23.010 --> 0:22:26.129
<v Speaker 9>Huh used to say hollywood.

0:22:25.649 --> 0:22:29.129
<v Speaker 2>Land Actually before that it was called hollywood Landville.

0:22:29.169 --> 0:22:34.489
<v Speaker 9>Is that true?

0:22:35.090 --> 0:22:37.090
<v Speaker 2>Do you want Mexican food? Do you ever eat Mexican food?

0:22:37.129 --> 0:22:38.129
<v Speaker 1>I love Mexican food.

0:22:38.369 --> 0:22:40.649
<v Speaker 2>And to make you turn yeah, go go go? This

0:22:40.730 --> 0:22:43.129
<v Speaker 2>is like a four lane uie, it's six? Really, go

0:22:43.129 --> 0:22:48.970
<v Speaker 2>go go go. Yes. When you knew to someone before

0:22:48.970 --> 0:22:52.129
<v Speaker 2>they were famous and you treat them like someone who's

0:22:52.169 --> 0:22:56.090
<v Speaker 2>not famous, sometimes they don't like that. Sometimes they're used

0:22:56.090 --> 0:22:58.290
<v Speaker 2>to the difference and the rock star treatment from everyone.

0:22:58.409 --> 0:23:01.770
<v Speaker 6>Can you try to treat them with a little more difference.

0:23:02.850 --> 0:23:06.490
<v Speaker 2>That's what I'm gonna try to. But the mask always slips.

0:23:06.810 --> 0:23:08.929
<v Speaker 3>In so far as me coming here with you, how

0:23:08.929 --> 0:23:12.169
<v Speaker 3>do you feel about me as an interlocutor?

0:23:13.010 --> 0:23:15.210
<v Speaker 2>I'm actually full of dread mostly because of that.

0:23:15.490 --> 0:23:16.570
<v Speaker 7>But what is that supposed to me?

0:23:17.250 --> 0:23:19.489
<v Speaker 2>Because I recognize that I need an interlocut I did

0:23:19.530 --> 0:23:21.090
<v Speaker 2>say that, and I do believe it. I think that

0:23:21.129 --> 0:23:22.730
<v Speaker 2>you're going to be allows the interlocutor.

0:23:22.929 --> 0:23:24.530
<v Speaker 6>What do you think I'm gonna embarrass you in front

0:23:24.530 --> 0:23:25.810
<v Speaker 6>of your yes famous friends.

0:23:26.090 --> 0:23:27.889
<v Speaker 2>Yes, yes, that's what you're afraid of.

0:23:28.010 --> 0:23:34.369
<v Speaker 3>Yes, No, But seriously you think I'm gonna blow this.

0:23:35.169 --> 0:23:36.850
<v Speaker 2>I just feel like you don't get the vibe of

0:23:36.850 --> 0:23:38.609
<v Speaker 2>what it's like when you're in like a guy's house

0:23:39.129 --> 0:23:41.729
<v Speaker 2>and you're gonna be like, say, nice toilets, what are

0:23:41.730 --> 0:23:46.090
<v Speaker 2>these made of? Porcelain? Ay, I'm gonna be like Johnny please,

0:23:46.889 --> 0:23:48.369
<v Speaker 2>and you'll be like, no, I don't know what they're

0:23:48.369 --> 0:23:48.689
<v Speaker 2>made up.

0:23:49.209 --> 0:23:51.210
<v Speaker 5>This is to me the final irony of this whole

0:23:51.250 --> 0:23:53.969
<v Speaker 5>thing that you're concerned that I'm gonna embarrass you.

0:23:54.250 --> 0:23:55.929
<v Speaker 2>I don't want you to trip me up in my game,

0:23:56.010 --> 0:23:57.730
<v Speaker 2>my stride, my cadence.

0:23:57.449 --> 0:23:59.090
<v Speaker 6>And what is it gonna be a part of your game?

0:23:59.129 --> 0:24:01.770
<v Speaker 2>Here to try and relax and be myself, but I'm

0:24:01.810 --> 0:24:03.409
<v Speaker 2>gonna be made self conscious when you're.

0:24:03.290 --> 0:24:05.330
<v Speaker 1>Like, do you validate talking here?

0:24:05.929 --> 0:24:07.330
<v Speaker 2>And I just need you to validate.

0:24:10.850 --> 0:24:13.570
<v Speaker 9>God, this is so pretty? What a pretty place to live?

0:24:14.050 --> 0:24:15.850
<v Speaker 2>Hey, well you're selling off CDs, you can live in

0:24:15.889 --> 0:24:16.529
<v Speaker 2>a place like this.

0:24:17.090 --> 0:24:19.730
<v Speaker 3>Worried about our being tardy, I decided to run down

0:24:19.770 --> 0:24:23.249
<v Speaker 3>the clock doing laps around Moby's very pretty block.

0:24:24.689 --> 0:24:25.729
<v Speaker 2>Little tiny houses.

0:24:25.770 --> 0:24:28.970
<v Speaker 9>They keep going straight. This is really pretty nice view

0:24:28.970 --> 0:24:29.649
<v Speaker 9>of the mountains.

0:24:29.850 --> 0:24:33.050
<v Speaker 2>This is his house right here where all right here?

0:24:33.169 --> 0:24:34.570
<v Speaker 2>I want to drive by it, this.

0:24:34.570 --> 0:24:35.649
<v Speaker 9>House right there at the corner.

0:24:35.929 --> 0:24:38.209
<v Speaker 3>We were passing the gates of his home over and

0:24:38.290 --> 0:24:41.689
<v Speaker 3>over when a half hour before our appointed meeting.

0:24:42.090 --> 0:24:44.010
<v Speaker 2>That's movie right there, is it? Yeah?

0:24:44.129 --> 0:24:47.249
<v Speaker 3>Oh Jesus, Moby emerges through the gates to get his newspaper.

0:24:48.250 --> 0:24:51.209
<v Speaker 3>Excited about seeing an honest to goodness famous person. I

0:24:51.250 --> 0:24:54.850
<v Speaker 3>instinctively slowed to a crawl and pulled over beside him.

0:24:55.010 --> 0:24:58.169
<v Speaker 2>Go say hi, no, no, come on, let him go

0:24:58.850 --> 0:24:59.409
<v Speaker 2>to keep going.

0:24:59.449 --> 0:25:00.409
<v Speaker 9>He just turned around.

0:25:00.530 --> 0:25:01.010
<v Speaker 2>He didn't see.

0:25:01.250 --> 0:25:01.730
<v Speaker 9>Yes, he did.

0:25:01.770 --> 0:25:04.769
<v Speaker 5>He turned around and we made eye contact, and like,

0:25:04.810 --> 0:25:07.090
<v Speaker 5>I slid right up to him, and he turned around

0:25:07.129 --> 0:25:07.929
<v Speaker 5>and he seemed scared.

0:25:08.050 --> 0:25:09.050
<v Speaker 2>That's exactly what I'm talking.

0:25:09.810 --> 0:25:10.490
<v Speaker 6>What did I do?

0:25:10.530 --> 0:25:11.969
<v Speaker 2>You're creepy, instance.

0:25:13.090 --> 0:25:13.369
<v Speaker 7>Creepy.

0:25:13.409 --> 0:25:14.850
<v Speaker 2>They don't slide up to people when they're going to

0:25:14.889 --> 0:25:15.889
<v Speaker 2>get their pretty That's true.

0:25:15.889 --> 0:25:17.769
<v Speaker 9>I really I really did slide up to him.

0:25:17.850 --> 0:25:21.290
<v Speaker 2>Yah, you did, like a creep. You're gonna go another

0:25:21.330 --> 0:25:24.209
<v Speaker 2>pass through when he comes up for his milk.

0:25:28.530 --> 0:25:31.369
<v Speaker 3>We walk off our nerves in a nearby park where

0:25:31.409 --> 0:25:34.810
<v Speaker 3>Gregor dispenses life wisdom to a passing toddler.

0:25:35.810 --> 0:25:37.770
<v Speaker 2>Enjoy it, kid, best, It's going to be for the

0:25:37.810 --> 0:25:38.449
<v Speaker 2>rest of your life.

0:25:40.050 --> 0:25:42.729
<v Speaker 9>Who says things like that to a Child's happy?

0:25:42.730 --> 0:25:44.650
<v Speaker 2>In love? His shirt said love. He's holding a little.

0:25:44.449 --> 0:25:51.290
<v Speaker 3>Girls outside Moby's door. We do some last minute strategizing.

0:25:51.409 --> 0:25:52.810
<v Speaker 2>Am I supposed to be the good cop or the

0:25:52.810 --> 0:25:53.770
<v Speaker 2>bad cop? I can't remember?

0:25:54.050 --> 0:25:56.049
<v Speaker 6>Well, I guess you were supposed to be the bad cop. No,

0:25:56.090 --> 0:25:57.449
<v Speaker 6>I'm the bad cop. You're the good cop.

0:25:57.530 --> 0:25:58.730
<v Speaker 2>I'll usually play the bad cop.

0:25:58.850 --> 0:25:59.930
<v Speaker 6>So fine, you're the bad cop.

0:25:59.929 --> 0:26:01.690
<v Speaker 2>It's twelve to fifty seven. It's not really one yet.

0:26:02.490 --> 0:26:05.209
<v Speaker 6>Hall Wait, oh, hello, Hi, I'm.

0:26:05.090 --> 0:26:08.369
<v Speaker 2>Sorry, we're early. It's twelve fifty seven. It's three minutes

0:26:08.369 --> 0:26:08.810
<v Speaker 2>too early.

0:26:09.530 --> 0:26:13.249
<v Speaker 3>Moby's personal assistant, a terrifyingly fit woman in jeans and

0:26:13.290 --> 0:26:16.889
<v Speaker 3>T shirt, leads us towards Moby's home. By rockstar standards,

0:26:17.169 --> 0:26:20.689
<v Speaker 3>it's pretty modest.

0:26:20.970 --> 0:26:24.209
<v Speaker 2>Hello, Hello, Hi, Sharman Moe and far too long? Should

0:26:24.209 --> 0:26:24.850
<v Speaker 2>I take shoes off?

0:26:24.970 --> 0:26:25.090
<v Speaker 6>Hi?

0:26:25.129 --> 0:26:25.810
<v Speaker 9>I am Jonathan.

0:26:25.889 --> 0:26:28.249
<v Speaker 3>Were led into a sunken foyer where a couple of

0:26:28.250 --> 0:26:32.449
<v Speaker 3>assistants are gathering equipment and making themselves scarce. Standing at

0:26:32.449 --> 0:26:34.929
<v Speaker 3>the top of the stairs, looking not unlike a bald

0:26:34.970 --> 0:26:38.969
<v Speaker 3>headed gray hoodie Norma Desmond is Moby Gregor and he

0:26:39.169 --> 0:26:43.169
<v Speaker 3>do not hug or even shake hands. They don't even wave.

0:26:43.250 --> 0:26:46.570
<v Speaker 2>It's been far too long, my friend where he's staying, and.

0:26:48.169 --> 0:26:50.729
<v Speaker 1>Gregor drops his bag and has a looxie.

0:26:50.730 --> 0:26:52.969
<v Speaker 2>Beautiful location, your beautiful assistant.

0:26:53.490 --> 0:26:58.129
<v Speaker 3>Everything he's even brought along a thoughtful gift, something to

0:26:58.209 --> 0:27:02.690
<v Speaker 3>cater to Moby's strict veganism and clean, healthy lifestyle. Fancy

0:27:02.730 --> 0:27:04.569
<v Speaker 3>all natural lemonades.

0:27:04.649 --> 0:27:10.609
<v Speaker 2>Something disgusting with turmeric, whoa, something awful with probioticene peppers,

0:27:10.609 --> 0:27:13.169
<v Speaker 2>something horrifying with lemons.

0:27:13.810 --> 0:27:17.850
<v Speaker 3>To our parched dismay. Moby takes the beverages and places

0:27:17.850 --> 0:27:20.769
<v Speaker 3>them in the fridge. Gregor and I are never to

0:27:20.810 --> 0:27:24.529
<v Speaker 3>see those beverages again. As we settle in and I

0:27:24.609 --> 0:27:27.889
<v Speaker 3>set up our recording gear, Gregor notices a pile of

0:27:27.970 --> 0:27:28.850
<v Speaker 3>video equipment.

0:27:29.090 --> 0:27:30.609
<v Speaker 2>Why do you have two C three hundred here?

0:27:31.810 --> 0:27:34.850
<v Speaker 3>Remember that slippery mask? Gregor mentioned the one hiding is

0:27:34.929 --> 0:27:39.490
<v Speaker 3>rough edges. Ten seconds in and it was already a slippin' Why.

0:27:39.290 --> 0:27:41.609
<v Speaker 2>Am I not involved that produce films all the time.

0:27:41.609 --> 0:27:44.090
<v Speaker 3>I can help you to which Moby rather than saying

0:27:44.129 --> 0:27:46.330
<v Speaker 3>he's worked with David Lynch and David Lea Chappelle and

0:27:46.570 --> 0:27:50.010
<v Speaker 3>probably all set on that front, instead says, I mean

0:27:50.090 --> 0:27:51.090
<v Speaker 3>you live in San Francisco.

0:27:51.209 --> 0:27:53.529
<v Speaker 2>Yeah, but I'm here all the time, not literally in

0:27:53.570 --> 0:27:56.090
<v Speaker 2>your living room, in your kitchen, though I could be

0:27:56.169 --> 0:27:56.889
<v Speaker 2>more Often.

0:27:57.570 --> 0:28:00.449
<v Speaker 3>Gregor can't help treating Moby like a nephew making his

0:28:00.490 --> 0:28:04.090
<v Speaker 3>first student film. That is, Gregor's treating Moby the way

0:28:04.129 --> 0:28:07.570
<v Speaker 3>he treats me. And this, of course is concerning.

0:28:07.689 --> 0:28:11.609
<v Speaker 2>First of all, even get that far, how could you?

0:28:14.889 --> 0:28:17.929
<v Speaker 3>At this point, Moby has mostly no idea why we're here.

0:28:18.369 --> 0:28:20.689
<v Speaker 3>I made an appointment with his assistant, but it was

0:28:20.770 --> 0:28:23.609
<v Speaker 3>left vague. So Moby takes the direct approach.

0:28:24.169 --> 0:28:25.129
<v Speaker 11>So what are you guys doing?

0:28:27.050 --> 0:28:29.769
<v Speaker 2>Well, this is an excellent question. Well, let's begin at

0:28:29.770 --> 0:28:33.730
<v Speaker 2>the beginning, around the time contemporaneous with your recent autobiography,

0:28:34.010 --> 0:28:36.290
<v Speaker 2>the mid nineties two thousands, and.

0:28:37.250 --> 0:28:40.249
<v Speaker 3>Like, after all of his braggadoccio about how he was

0:28:40.290 --> 0:28:42.770
<v Speaker 3>going to walk in there and demand the CDs back,

0:28:43.090 --> 0:28:47.850
<v Speaker 3>Gregor's nervous, being uncharacteristically mealy mouthed, unable to explain the

0:28:47.850 --> 0:28:49.250
<v Speaker 3>basics of our mission.

0:28:49.010 --> 0:28:51.530
<v Speaker 2>And so this conversation became down this kind of alleyway

0:28:51.650 --> 0:28:54.289
<v Speaker 2>of that facet of like, I was kind of like,

0:28:55.370 --> 0:28:57.289
<v Speaker 2>what is me?

0:28:57.410 --> 0:29:00.249
<v Speaker 3>Moby had limited time, so at the risk of embarrassing

0:29:00.290 --> 0:29:02.930
<v Speaker 3>Gregor in front of his famous friend, I decided to

0:29:02.930 --> 0:29:06.529
<v Speaker 3>step in and explain. So, can I tell my story

0:29:06.570 --> 0:29:09.250
<v Speaker 3>of you coming to last time I saw Gregor?

0:29:09.290 --> 0:29:10.970
<v Speaker 9>He came to visit me at work.

0:29:10.730 --> 0:29:14.249
<v Speaker 3>And you were kind of in this mood where you

0:29:14.290 --> 0:29:18.250
<v Speaker 3>were feeling like maybe those things that you were hopeful

0:29:18.290 --> 0:29:22.930
<v Speaker 3>about achieving were not going to be happening. And I

0:29:22.930 --> 0:29:25.570
<v Speaker 3>think you were in well Gregor looks on skeptically. I

0:29:25.610 --> 0:29:29.570
<v Speaker 3>try to explain to Moby Gregor's midlife malaise how everyone

0:29:29.690 --> 0:29:33.090
<v Speaker 3>was passing him by. Can you relate to the feeling

0:29:33.130 --> 0:29:35.209
<v Speaker 3>of like, have you ever, at different points in your

0:29:35.250 --> 0:29:39.969
<v Speaker 3>life felt like like surpassed by your friends or you

0:29:39.970 --> 0:29:40.370
<v Speaker 3>know what I mean?

0:29:40.370 --> 0:29:40.530
<v Speaker 7>Oh?

0:29:40.610 --> 0:29:46.729
<v Speaker 11>Yeah, Like there's always going to be someone doing so

0:29:46.890 --> 0:29:48.690
<v Speaker 11>much better than you that if you spend the time

0:29:48.690 --> 0:29:50.570
<v Speaker 11>to look at it, you're going to feel bad about yourself.

0:29:51.170 --> 0:29:53.770
<v Speaker 11>Like my nemesis, well, according to him for a while,

0:29:53.850 --> 0:29:56.370
<v Speaker 11>was eminem. So if he was my nemesis, I was

0:29:56.450 --> 0:29:59.930
<v Speaker 11>just being beaten publicly and badly because he was always

0:30:00.010 --> 0:30:05.650
<v Speaker 11>more successful, always selling more records, always more popular, always cooler,

0:30:06.250 --> 0:30:09.329
<v Speaker 11>And so depends on who I was comparing myself too.

0:30:10.209 --> 0:30:12.969
<v Speaker 11>Over time, like other people start selling more records, getting

0:30:12.970 --> 0:30:17.610
<v Speaker 11>better reviews, you start selling fewer tickets. And then as

0:30:17.930 --> 0:30:25.010
<v Speaker 11>the two thousands progressed, my career waned and other people's escalated,

0:30:25.290 --> 0:30:26.729
<v Speaker 11>you know, like I would go to visit my record

0:30:26.810 --> 0:30:30.410
<v Speaker 11>company and they'd have my picture behind the receptionist desk,

0:30:30.770 --> 0:30:32.730
<v Speaker 11>and then one day I show up and it's Jack

0:30:32.730 --> 0:30:35.529
<v Speaker 11>White's picture behind the reception system, Like wha what?

0:30:36.490 --> 0:30:38.610
<v Speaker 2>Yeah? I mean, I think the only way to hear that,

0:30:38.730 --> 0:30:43.090
<v Speaker 2>honestly is in the split screen between totally head nodding

0:30:43.130 --> 0:30:46.249
<v Speaker 2>one hundred percent agree and totally like easy for you

0:30:46.370 --> 0:30:49.530
<v Speaker 2>to say, because you're looking down from the mountain, looking up,

0:30:49.570 --> 0:30:52.770
<v Speaker 2>You're like, fucking knock that guy off the mountain because

0:30:52.770 --> 0:30:54.250
<v Speaker 2>all I need is mind billion dollars down I looked.

0:30:54.370 --> 0:30:56.850
<v Speaker 11>But really, the kick in the teeth of fame is

0:30:56.890 --> 0:30:59.370
<v Speaker 11>that if you don't have it, you beat yourself up

0:30:59.370 --> 0:31:01.170
<v Speaker 11>that you don't have it, and if you do have it,

0:31:01.290 --> 0:31:05.130
<v Speaker 11>you're miserable and you kill yourself. Literally, the most depressed

0:31:05.130 --> 0:31:09.410
<v Speaker 11>I've ever been in my entire life was the height

0:31:09.610 --> 0:31:12.650
<v Speaker 11>of my professional success. And I remember this one moment

0:31:12.770 --> 0:31:16.930
<v Speaker 11>so clearly. I was at an MTV Awards in Barcelona,

0:31:17.610 --> 0:31:20.489
<v Speaker 11>and there's this hotel called the Arts Hotel in Barcelona,

0:31:20.650 --> 0:31:23.170
<v Speaker 11>and it's so beautiful and at the tippity top of

0:31:23.209 --> 0:31:27.450
<v Speaker 11>the hotel they have four three bedroom apartments and I

0:31:27.570 --> 0:31:30.450
<v Speaker 11>was in one. P Diddy was in one, John bon

0:31:30.530 --> 0:31:33.130
<v Speaker 11>Jovi was in one, and Madonna was in one. And

0:31:33.170 --> 0:31:35.570
<v Speaker 11>so you'd take like one elevator to get to a

0:31:35.610 --> 0:31:38.329
<v Speaker 11>certain floor, then another elevator to another floor, and then

0:31:38.330 --> 0:31:40.370
<v Speaker 11>a security guard would wave you through up to.

0:31:40.370 --> 0:31:42.249
<v Speaker 1>Our hallowed floor.

0:31:42.970 --> 0:31:45.489
<v Speaker 11>And the first night I was there, I invited some

0:31:45.530 --> 0:31:47.450
<v Speaker 11>people over to like look at the view and drink,

0:31:47.490 --> 0:31:49.570
<v Speaker 11>and I kept drinking by myself, and I got more

0:31:49.570 --> 0:31:52.969
<v Speaker 11>and more despondent, and I literally, at the end of

0:31:52.970 --> 0:31:56.770
<v Speaker 11>the evening, before going to bed, was walking around this beautiful,

0:31:56.810 --> 0:32:00.730
<v Speaker 11>insane apartment crying, thinking about how I could get out

0:32:00.730 --> 0:32:06.209
<v Speaker 11>the window to kill myself. And the next day I

0:32:06.209 --> 0:32:09.769
<v Speaker 11>won an MTV award. So it's like, professionally, things couldn't

0:32:09.810 --> 0:32:12.050
<v Speaker 11>have been better, you know. The day before I'd played

0:32:12.050 --> 0:32:14.250
<v Speaker 11>a huge concert, selling lots of records. The day after

0:32:14.370 --> 0:32:16.930
<v Speaker 11>won an award, played more huge concerts, and I've never

0:32:17.530 --> 0:32:18.610
<v Speaker 11>been more despondent.

0:32:20.170 --> 0:32:22.210
<v Speaker 2>I appreciate your making up that story just to make

0:32:22.209 --> 0:32:22.730
<v Speaker 2>me feel good.

0:32:22.890 --> 0:32:26.130
<v Speaker 11>It's completely true, because I remember walking around this hotel

0:32:26.490 --> 0:32:29.410
<v Speaker 11>and these walls of glass only had these little bitty

0:32:29.490 --> 0:32:31.810
<v Speaker 11>like foldy open windows at the bottom, and I was

0:32:31.850 --> 0:32:33.489
<v Speaker 11>looking at that and I was like, Fuck, if that

0:32:33.570 --> 0:32:35.970
<v Speaker 11>window opened more, I would just jump out and die

0:32:35.970 --> 0:32:39.850
<v Speaker 11>because I'm done. You think when you get to where

0:32:39.890 --> 0:32:42.410
<v Speaker 11>you want to go, finally you'll be happy, but then

0:32:42.450 --> 0:32:44.729
<v Speaker 11>you get to where you want to go and you're

0:32:44.770 --> 0:32:47.050
<v Speaker 11>just as miserable as you were. In fact, you're even

0:32:47.770 --> 0:32:50.249
<v Speaker 11>even more miserable because you no longer have anything to

0:32:50.290 --> 0:32:55.650
<v Speaker 11>aspire to, and you feel this hopelessness because everything like

0:32:56.010 --> 0:32:57.850
<v Speaker 11>what's left to aspire towards.

0:32:59.530 --> 0:33:02.210
<v Speaker 3>It feels like Moby's trying to explain something to Gregor.

0:33:02.730 --> 0:33:05.650
<v Speaker 3>Moby grew up poor with a single mother and lived

0:33:05.690 --> 0:33:06.530
<v Speaker 3>on food stamps.

0:33:06.970 --> 0:33:07.690
<v Speaker 1>When Moby was.

0:33:07.690 --> 0:33:10.489
<v Speaker 3>A kid, his dad died in a car crash, and

0:33:10.530 --> 0:33:13.290
<v Speaker 3>a few years ago his mom passed away from lung cancer.

0:33:13.850 --> 0:33:16.770
<v Speaker 3>He has no siblings, so essentially he's alone.

0:33:17.770 --> 0:33:19.690
<v Speaker 11>I look at Gregor and I think of like, I

0:33:19.730 --> 0:33:23.450
<v Speaker 11>know his family very well, and from my perspective, like,

0:33:23.570 --> 0:33:25.289
<v Speaker 11>first all, he has a like I don't. Really I

0:33:25.290 --> 0:33:27.130
<v Speaker 11>have some aunts and uncles and cousins.

0:33:27.370 --> 0:33:28.050
<v Speaker 1>You have some other.

0:33:27.930 --> 0:33:28.730
<v Speaker 2>Siblings, I'm sure.

0:33:31.890 --> 0:33:36.850
<v Speaker 11>And and to me that still makes me feel like, oh,

0:33:37.090 --> 0:33:40.090
<v Speaker 11>he's figured out things that I don't understand.

0:33:46.930 --> 0:33:48.730
<v Speaker 2>Of course I'm very successful. That I have a beautiful

0:33:48.810 --> 0:33:51.330
<v Speaker 2>child and blah blah blah, two of them. Actually I

0:33:51.330 --> 0:33:53.090
<v Speaker 2>won't say which one. I have two children. One is

0:33:53.090 --> 0:33:58.489
<v Speaker 2>beautiful anyway, you know, the like a man's wealth is

0:33:58.530 --> 0:34:02.970
<v Speaker 2>measured in family, you know, And but it's not you.

0:34:02.970 --> 0:34:04.930
<v Speaker 6>You turn every time these things come up.

0:34:04.930 --> 0:34:06.090
<v Speaker 1>You always make them into light.

0:34:06.250 --> 0:34:07.769
<v Speaker 2>Well, that's what I'm saying is something you hear at

0:34:07.770 --> 0:34:11.489
<v Speaker 2>the in the South Park, right. But what I'm saying

0:34:11.570 --> 0:34:13.969
<v Speaker 2>is that that era when like it still seemed like

0:34:14.050 --> 0:34:16.210
<v Speaker 2>life had potential to go a bunch of different ways.

0:34:16.570 --> 0:34:19.570
<v Speaker 2>Now it seemed less. So it's not even squandered potential.

0:34:19.610 --> 0:34:22.090
<v Speaker 2>It's just like you could have been somebody becomes like

0:34:22.210 --> 0:34:22.610
<v Speaker 2>you didn't.

0:34:24.490 --> 0:34:28.530
<v Speaker 11>Every year you lose a little bit of potential, you know,

0:34:28.610 --> 0:34:32.410
<v Speaker 11>Like at this point, like I'm fifty and I'm like, oh,

0:34:33.330 --> 0:34:35.130
<v Speaker 11>most of my life. I thought at some point I

0:34:35.170 --> 0:34:46.690
<v Speaker 11>could be a father. I'm like, well probably not, and

0:34:46.730 --> 0:34:47.690
<v Speaker 11>I have one issue.

0:34:47.810 --> 0:34:49.489
<v Speaker 1>Yeah I really have to peek go ahead.

0:34:53.450 --> 0:34:57.410
<v Speaker 3>Well, movie was conveniently indisposed. I took the opportunity to

0:34:57.410 --> 0:35:01.690
<v Speaker 3>reiterate our mission getting back the CDs as much.

0:35:01.530 --> 0:35:04.370
<v Speaker 1>As it behoosy, like, just try to keep it tout the.

0:35:04.330 --> 0:35:07.170
<v Speaker 2>CDs, all right, I don't think we only have about

0:35:07.170 --> 0:35:07.730
<v Speaker 2>ten minutes search.

0:35:08.010 --> 0:35:09.170
<v Speaker 1>That's what I want to get to it.

0:35:09.250 --> 0:35:11.410
<v Speaker 2>Do you want me to wrestle onto the ground and no,

0:35:12.330 --> 0:35:13.890
<v Speaker 2>you have something, particularly money you want to say.

0:35:14.890 --> 0:35:18.850
<v Speaker 3>Moby emerges from the bathroom, cutting our conversation short, and

0:35:18.890 --> 0:35:22.810
<v Speaker 3>Gregor steps up to the plate and begins in the middle.

0:35:23.370 --> 0:35:26.530
<v Speaker 2>Yeah, I still listen to Sounds of the South on YouTube.

0:35:26.530 --> 0:35:30.330
<v Speaker 2>They have the full set. And as far as that

0:35:30.370 --> 0:35:34.170
<v Speaker 2>actual des set, did you hang on to that or

0:35:34.210 --> 0:35:36.930
<v Speaker 2>that is the CD the box, that's the actual stuff.

0:35:38.730 --> 0:35:42.530
<v Speaker 11>Yeah, they're somewhere. Most of it's in storage and Queens

0:35:44.970 --> 0:35:48.810
<v Speaker 11>so like this medium sized storage locker and it's just

0:35:48.850 --> 0:35:52.130
<v Speaker 11>like packed to the rafters with stuff.

0:35:53.730 --> 0:35:58.130
<v Speaker 3>Finally, it's my moment to be the interlocutor. I think

0:35:58.170 --> 0:36:03.210
<v Speaker 3>Gregor sort of wanted those CDs back if only to

0:36:03.290 --> 0:36:05.650
<v Speaker 3>put them on a mantle, to feel like I was

0:36:05.730 --> 0:36:08.650
<v Speaker 3>a part of something, like I mattered, I existed.

0:36:09.090 --> 0:36:11.330
<v Speaker 2>And I view this more like I handed you the

0:36:11.330 --> 0:36:13.090
<v Speaker 2>pen and then you wrote, you know, the great book

0:36:13.090 --> 0:36:15.250
<v Speaker 2>with it. It's not that I had some role in.

0:36:15.290 --> 0:36:17.770
<v Speaker 3>But like the guy who introduced Andy Warhol to the

0:36:17.810 --> 0:36:19.930
<v Speaker 3>can of Campbell's soup or what I mean.

0:36:20.010 --> 0:36:21.930
<v Speaker 2>This is not like a legal deposition where it's like

0:36:21.970 --> 0:36:23.489
<v Speaker 2>who said it? I mean it was fucking twenty five

0:36:23.530 --> 0:36:24.290
<v Speaker 2>years ago.

0:36:24.090 --> 0:36:25.130
<v Speaker 1>As Gregor and I parry.

0:36:25.530 --> 0:36:28.410
<v Speaker 3>It's almost like we forget that Moby's even there when

0:36:28.410 --> 0:36:30.450
<v Speaker 3>suddenly he pipes up one thing.

0:36:30.570 --> 0:36:34.450
<v Speaker 11>Just to be super clear from the album play, two

0:36:34.570 --> 0:36:38.010
<v Speaker 11>of the most remarkably iconic songs on the record would

0:36:38.170 --> 0:36:40.730
<v Speaker 11>never have been written or existed had I not been

0:36:40.770 --> 0:36:43.810
<v Speaker 11>given those CDs. Like I didn't know who Alan Lomax was,

0:36:44.330 --> 0:36:48.330
<v Speaker 11>and I that the box set called Sounds of the South,

0:36:49.650 --> 0:36:52.050
<v Speaker 11>I didn't know it existed, and I certainly like it

0:36:52.090 --> 0:36:54.570
<v Speaker 11>was an expensive box set. And there's no way I

0:36:54.650 --> 0:36:57.690
<v Speaker 11>was going to walk into Tower Records and spend sixty

0:36:57.690 --> 0:37:00.770
<v Speaker 11>five dollars or however much it was going to be

0:37:01.170 --> 0:37:03.570
<v Speaker 11>on a box set. I knew nothing about from an

0:37:03.690 --> 0:37:06.330
<v Speaker 11>archivist I'd never heard of, so like, those are one

0:37:06.410 --> 0:37:09.010
<v Speaker 11>hundred percent the result of me being given those.

0:37:10.410 --> 0:37:12.930
<v Speaker 3>Wait, so we're saying you're not. Gregor's not getting the

0:37:12.930 --> 0:37:13.650
<v Speaker 3>CDs back.

0:37:15.010 --> 0:37:20.890
<v Speaker 11>Okay, here's the story. Friend of mine, her mother died

0:37:22.050 --> 0:37:26.250
<v Speaker 11>in a very very sad, tragic way, and she came

0:37:26.330 --> 0:37:29.290
<v Speaker 11>to me and she started crying, and she said that

0:37:29.330 --> 0:37:32.930
<v Speaker 11>at the funeral they played the song Natural Blues and

0:37:32.970 --> 0:37:35.450
<v Speaker 11>everyone in the church was crying and it was one

0:37:35.490 --> 0:37:37.930
<v Speaker 11>of the most powerful emotional moments of her life that

0:37:38.090 --> 0:37:41.370
<v Speaker 11>wouldn't have ever existed if you hadn't given me those CDs.

0:37:41.650 --> 0:37:45.210
<v Speaker 11>So to me, that's more priceless and precious than any

0:37:45.250 --> 0:37:50.170
<v Speaker 11>sort of like objective, quantifiable metric.

0:37:52.490 --> 0:37:53.450
<v Speaker 1>How does that make you feel?

0:37:54.850 --> 0:38:01.570
<v Speaker 2>I mean it makes me feel like thinking about, you know,

0:38:01.690 --> 0:38:03.890
<v Speaker 2>getting a pair of bolt cutters and breaking into a

0:38:03.890 --> 0:38:07.050
<v Speaker 2>steady storage in Queens is not what I'm going to do.

0:38:07.130 --> 0:38:07.930
<v Speaker 2>That was my plan.

0:38:10.530 --> 0:38:12.930
<v Speaker 3>And so Gregor doesn't get what he came for. But

0:38:13.050 --> 0:38:15.850
<v Speaker 3>maybe not getting everything you want in the grander scheme

0:38:16.450 --> 0:38:18.290
<v Speaker 3>isn't so bad.

0:38:26.610 --> 0:38:34.130
<v Speaker 11>One practical issue. So I have two podcast interviews to

0:38:34.170 --> 0:38:36.890
<v Speaker 11>do today. You guys are the first and a second

0:38:37.050 --> 0:38:40.530
<v Speaker 11>you're in good company. It's with Rue Paul nice crazy.

0:38:41.370 --> 0:38:44.210
<v Speaker 11>I mean, if you wanted to, we could always drive there,

0:38:45.450 --> 0:38:46.650
<v Speaker 11>Like if you guys want to get in the car

0:38:46.730 --> 0:38:49.770
<v Speaker 11>with me. My girlfriend is coming here. She's gonna go

0:38:49.810 --> 0:38:51.650
<v Speaker 11>with me because she's an obsessive Rue Paul fan.

0:38:51.770 --> 0:38:56.730
<v Speaker 3>Oh wow, Moby, his girlfriend, Gregor and I pile into

0:38:56.730 --> 0:39:00.650
<v Speaker 3>Moby's Prias seen from the outside, Gregor seems happy to

0:39:00.690 --> 0:39:03.450
<v Speaker 3>be a part of Moby's life again. He's even feeling

0:39:03.490 --> 0:39:06.530
<v Speaker 3>comfortable enough to favor us with his famous John Travolta

0:39:06.610 --> 0:39:07.610
<v Speaker 3>imitation I.

0:39:07.690 --> 0:39:12.490
<v Speaker 2>Could drink pee go, I could drink tea John Travolta.

0:39:12.490 --> 0:39:14.850
<v Speaker 2>When she says, he says, watch your cough with me.

0:39:14.890 --> 0:39:17.810
<v Speaker 2>Sometimes she's like, in Manhattan, we don't drink coffee, we

0:39:17.850 --> 0:39:19.810
<v Speaker 2>drink tea. And he's like, so what, I could drink tea.

0:39:21.650 --> 0:39:25.130
<v Speaker 3>And then, for whatever reason, Moby takes over my role

0:39:25.330 --> 0:39:29.290
<v Speaker 3>of interlocutor and begins explaining Gregor's style to his girlfriend.

0:39:29.930 --> 0:39:33.890
<v Speaker 2>And Gregor is funny and.

0:39:33.770 --> 0:39:39.970
<v Speaker 11>At times like would maybe be here. It comes honest

0:39:40.330 --> 0:39:44.330
<v Speaker 11>in a way that people might be take offence to

0:39:44.810 --> 0:39:45.730
<v Speaker 11>or at Or.

0:39:45.850 --> 0:39:57.930
<v Speaker 3>As Moby's learning firsthand interlocketing for Gregor isn't so easy.

0:39:58.010 --> 0:40:00.850
<v Speaker 11>Hi, I'm here for RuPaul's podcast.

0:40:02.050 --> 0:40:04.730
<v Speaker 3>At the hotel, we're shown into a conference room where

0:40:04.890 --> 0:40:10.370
<v Speaker 3>we're greeted by Rupe Paul and his co host Michelle.

0:40:11.010 --> 0:40:13.370
<v Speaker 3>As I trail behind Moby for the first time in

0:40:13.410 --> 0:40:15.890
<v Speaker 3>my life, I feel a part of a bona fide

0:40:15.890 --> 0:40:17.210
<v Speaker 3>Hollywood entourage.

0:40:17.690 --> 0:40:20.330
<v Speaker 11>So we've been doing an interesting podcast because Gregor and

0:40:20.370 --> 0:40:25.290
<v Speaker 11>I've known each other for twenty seven years at all Yeah.

0:40:25.370 --> 0:40:28.810
<v Speaker 3>We watch as RuPaul interviews Moby, and when Moby says

0:40:28.810 --> 0:40:32.930
<v Speaker 3>interesting things like my mom was born in San Diego.

0:40:32.770 --> 0:40:35.490
<v Speaker 2>Was born in San Diego.

0:40:35.570 --> 0:40:39.810
<v Speaker 3>RuPaul responds with engaged interest, and when Moby off handedly

0:40:39.930 --> 0:40:45.410
<v Speaker 3>mentions a song, RuPaul and Michelle sing it, and as

0:40:45.450 --> 0:40:49.730
<v Speaker 3>they do, I find myself thinking only one thing, now,

0:40:49.770 --> 0:40:57.650
<v Speaker 3>this is how you run a podcast. Right. When Moby

0:40:57.690 --> 0:41:00.529
<v Speaker 3>and Gregor say their goodbyes, Moby tells him that he'll

0:41:00.530 --> 0:41:02.930
<v Speaker 3>be coming to San Francisco soon and he'll be sure

0:41:02.930 --> 0:41:05.570
<v Speaker 3>to give Gregor a call, and Gregor says he'd like that.

0:41:06.210 --> 0:41:09.010
<v Speaker 3>But before parting, Gregor can't help giving it just one

0:41:09.170 --> 0:41:10.050
<v Speaker 3>last nudge.

0:41:10.170 --> 0:41:12.170
<v Speaker 2>I have one more question for you. Can you just

0:41:12.170 --> 0:41:14.290
<v Speaker 2>tell me the name of the storage facility where the

0:41:14.330 --> 0:41:16.930
<v Speaker 2>CD is. No, it's for a friend. They need to

0:41:16.970 --> 0:41:19.810
<v Speaker 2>store something in Queens. No, there was one place. I'm

0:41:19.850 --> 0:41:21.170
<v Speaker 2>just saying, Hey, it's the same place.

0:41:23.570 --> 0:41:26.530
<v Speaker 3>Gregor's comfortable enough to joke around about something that had

0:41:26.530 --> 0:41:30.570
<v Speaker 3>once plagued him, and Moby's comfortable enough to uncomfortably laugh

0:41:30.610 --> 0:41:44.370
<v Speaker 3>along with him. All around it feels pretty nice.

0:41:46.250 --> 0:41:47.969
<v Speaker 6>So how did you feel about how that went?

0:41:48.210 --> 0:41:49.330
<v Speaker 2>I think it was cathartic.

0:41:49.730 --> 0:41:53.850
<v Speaker 3>No, really, seriously, With some time to kill before a flight,

0:41:54.290 --> 0:41:56.810
<v Speaker 3>Gregor and I decide to hike up to the observatory.

0:41:57.090 --> 0:41:59.050
<v Speaker 3>Do you feel like he screwed you out of your CDs?

0:41:59.130 --> 0:41:59.330
<v Speaker 9>Yet?

0:41:59.330 --> 0:41:59.610
<v Speaker 7>Again?

0:42:00.730 --> 0:42:03.570
<v Speaker 2>The honest truth is, he did give me a good

0:42:03.610 --> 0:42:05.529
<v Speaker 2>long song, a dance about how we all learned a lesson.

0:42:05.650 --> 0:42:07.410
<v Speaker 2>I didn't get the thing that I set out to get,

0:42:07.490 --> 0:42:10.930
<v Speaker 2>But in seriousness, I honestly feel, in a funny sort

0:42:10.930 --> 0:42:13.090
<v Speaker 2>of way, I got what I came for.

0:42:13.290 --> 0:42:16.570
<v Speaker 6>Which was what you didn't get your CDs.

0:42:18.130 --> 0:42:21.730
<v Speaker 2>You see, you're a petty person. What you just saw

0:42:21.970 --> 0:42:26.090
<v Speaker 2>and apparently were deaf you couldn't hear, was a reconciliation

0:42:26.570 --> 0:42:29.250
<v Speaker 2>with two guys after twenty five years of slight estrangement.

0:42:29.650 --> 0:42:31.050
<v Speaker 6>So you guys did get to be friends.

0:42:31.130 --> 0:42:34.690
<v Speaker 2>Yeah, I think we just buried the hatchets. This CD thing, Yeah,

0:42:34.770 --> 0:42:36.690
<v Speaker 2>that is a symbol. I mean, who cares about the CD?

0:42:36.810 --> 0:42:38.850
<v Speaker 6>But you one who cared about the CD.

0:42:39.330 --> 0:42:42.930
<v Speaker 2>Look, it's hard to come together and just hug it out.

0:42:43.170 --> 0:42:45.770
<v Speaker 2>What you just witnessed was a version of hugging it out,

0:42:46.250 --> 0:42:50.210
<v Speaker 2>two men having a good cry. That's about the closest

0:42:50.210 --> 0:42:50.650
<v Speaker 2>that I come.

0:42:53.050 --> 0:42:55.010
<v Speaker 6>Well, then, I think that was great. I think this

0:42:55.170 --> 0:42:55.930
<v Speaker 6>was a success.

0:42:56.210 --> 0:42:57.170
<v Speaker 2>I agree.

0:42:59.370 --> 0:43:01.210
<v Speaker 6>Still would have been nice to get your CDs.

0:43:00.890 --> 0:43:07.450
<v Speaker 2>Back, of course. I don't know if the rental car

0:43:07.530 --> 0:43:10.610
<v Speaker 2>you got there at any player, but it doesn't. It

0:43:10.650 --> 0:43:12.290
<v Speaker 2>would have been no better ending to this day than

0:43:12.330 --> 0:43:14.890
<v Speaker 2>to drive out of the parking lot cranking that CD.

0:43:15.090 --> 0:43:18.250
<v Speaker 3>Yeah, but the cars don't have nobody has CD players anymore.

0:43:18.290 --> 0:43:20.410
<v Speaker 2>And let me tell you something. If some of the

0:43:20.410 --> 0:43:23.010
<v Speaker 2>Mobi's song comes on the radio right now, I'd let

0:43:23.050 --> 0:43:25.170
<v Speaker 2>it play. I'd even sing along.

0:43:25.850 --> 0:43:27.610
<v Speaker 6>I'm going to find it out my phone and play it.

0:43:27.730 --> 0:43:29.410
<v Speaker 2>That's okay, you sure?

0:43:29.450 --> 0:43:31.690
<v Speaker 6>Because I actually downloaded.

0:43:31.210 --> 0:43:32.050
<v Speaker 9>It as best for.

0:43:37.450 --> 0:43:40.690
<v Speaker 3>Three days later, and much to his surprise, Gregor received

0:43:40.730 --> 0:43:44.450
<v Speaker 3>an email from Mobi. This might sound odd, the email read,

0:43:44.810 --> 0:43:47.450
<v Speaker 3>but I realized I never said a true, heartfelt thank

0:43:47.490 --> 0:43:50.770
<v Speaker 3>you for giving me those CDs, So, in all sincerity,

0:43:51.250 --> 0:43:54.130
<v Speaker 3>thank you. I'm sorry it's taken so long to say

0:43:54.770 --> 0:43:57.810
<v Speaker 3>thank you. Gregor said he was happier that the thank

0:43:57.850 --> 0:44:00.730
<v Speaker 3>you came three days later. This way, he knew it

0:44:00.770 --> 0:44:03.330
<v Speaker 3>wasn't just out of politeness, that it must have been

0:44:03.450 --> 0:44:07.370
<v Speaker 3>quote boring a hole through his head for days after

0:44:07.450 --> 0:44:10.810
<v Speaker 3>receiving Mobis thank you, greg immediately wrote back thank you

0:44:10.850 --> 0:44:13.810
<v Speaker 3>of his own, in the form of a joke, which,

0:44:14.010 --> 0:44:16.410
<v Speaker 3>if you didn't know Gregor, could also be taken as

0:44:16.410 --> 0:44:20.330
<v Speaker 3>an insult. But Moby did know Gregor, and so for Gregor,

0:44:20.730 --> 0:44:56.170
<v Speaker 3>it was back to being a normal friendship now that

0:44:56.370 --> 0:45:05.810
<v Speaker 3>the furnitures returned to its goodwill home, now that the.

0:45:05.930 --> 0:45:09.650
<v Speaker 9>Last month's rent is scheming.

0:45:09.330 --> 0:45:12.850
<v Speaker 1>The damage did not take this moment to this.

0:45:15.930 --> 0:45:17.930
<v Speaker 6>If we messed him, and we too.

0:45:20.490 --> 0:45:22.330
<v Speaker 7>Felt around from five to.

0:45:25.130 --> 0:45:25.450
<v Speaker 2>Things.

0:45:29.970 --> 0:45:32.570
<v Speaker 1>Well, so what'd you think?

0:45:33.530 --> 0:45:36.090
<v Speaker 2>The one one guy was really good? The funny guy,

0:45:36.130 --> 0:45:36.650
<v Speaker 2>he was great.

0:45:37.450 --> 0:45:39.370
<v Speaker 1>So let me ask you.

0:45:39.410 --> 0:45:43.850
<v Speaker 3>After the episode aired all those years ago, people have

0:45:44.210 --> 0:45:49.250
<v Speaker 3>continued to wonder, did Moby ever eventually, you know, go

0:45:49.370 --> 0:45:52.610
<v Speaker 3>to the storage unit and dig out your old CDs?

0:45:52.930 --> 0:45:57.810
<v Speaker 4>Whatever, number of years passed. Five years later, Moby text me, oh, like,

0:45:57.970 --> 0:46:02.330
<v Speaker 4>I was emptying out a storage container in Queens and

0:46:02.410 --> 0:46:03.930
<v Speaker 4>I found the box set.

0:46:04.050 --> 0:46:07.370
<v Speaker 3>So he so he he found he found the CDs,

0:46:08.530 --> 0:46:09.890
<v Speaker 3>so I said, So.

0:46:10.130 --> 0:46:13.090
<v Speaker 4>I said, let's meet at the Griffith Observatory and you

0:46:13.130 --> 0:46:15.650
<v Speaker 4>can have me them. He lives right near that, so

0:46:15.850 --> 0:46:18.290
<v Speaker 4>he said, great, no problem. I'm like, you know whatever,

0:46:18.370 --> 0:46:21.450
<v Speaker 4>ten o'clock on Tuesday, Great, no problem. The morning of

0:46:21.570 --> 0:46:23.410
<v Speaker 4>I'm like, okay, so like, I'm just coming into the

0:46:23.410 --> 0:46:26.370
<v Speaker 4>park now, just I'll be up there. No response, and

0:46:26.410 --> 0:46:29.730
<v Speaker 4>then I'm like, okay, I'm here and no response, and

0:46:29.770 --> 0:46:31.810
<v Speaker 4>he doesn't, you know, he doesn't show you're up there,

0:46:32.010 --> 0:46:34.610
<v Speaker 4>doesn't answer anything. And I said something like, you know,

0:46:35.370 --> 0:46:36.970
<v Speaker 4>if a teaser, I can just go by your house.

0:46:37.210 --> 0:46:38.650
<v Speaker 4>I mean, I know you're right here. I can just

0:46:38.690 --> 0:46:41.050
<v Speaker 4>walk over to it. And no response.

0:46:41.170 --> 0:46:45.050
<v Speaker 2>And then I think whatever the exact math was, but

0:46:45.810 --> 0:46:48.370
<v Speaker 2>maybe the next day he was like, oh, like, so

0:46:48.490 --> 0:46:51.330
<v Speaker 2>I was like preparing for an interview, preparing for a precedent.

0:46:52.130 --> 0:46:54.210
<v Speaker 4>I didn't need to see him. He could have left

0:46:54.210 --> 0:46:56.410
<v Speaker 4>it an envelope in the front porch or like give

0:46:56.410 --> 0:46:57.690
<v Speaker 4>it to his assistant or whatever.

0:46:57.730 --> 0:47:00.570
<v Speaker 2>It was. You know, in so far as this whole

0:47:00.610 --> 0:47:04.370
<v Speaker 2>experience was slightly not very out of slightly, it was

0:47:04.410 --> 0:47:08.490
<v Speaker 2>mostly symbolic. I felt like he was not ready to

0:47:08.530 --> 0:47:09.890
<v Speaker 2>do that symbolic act.

0:47:10.130 --> 0:47:12.330
<v Speaker 1>He's never given you the CDs back.

0:47:12.410 --> 0:47:12.490
<v Speaker 8>So.

0:47:14.330 --> 0:47:18.850
<v Speaker 4>There was not is not a resolution to that particular drama.

0:47:18.770 --> 0:47:22.210
<v Speaker 3>My goodness, until you never said, hey, why don't you

0:47:22.250 --> 0:47:24.170
<v Speaker 3>disdrop those CDs in the mail for me?

0:47:24.530 --> 0:47:30.810
<v Speaker 2>No, because I feel like too vastly oversimplify. I won

0:47:31.050 --> 0:47:34.730
<v Speaker 2>this story. I have a great life and a great

0:47:34.890 --> 0:47:37.170
<v Speaker 2>you know, family and all these things that are really

0:47:37.250 --> 0:47:40.050
<v Speaker 2>what mattered to me. So whatever it was, I was

0:47:40.050 --> 0:47:42.569
<v Speaker 2>seeing a hat and I came to realize it.

0:47:43.610 --> 0:47:45.850
<v Speaker 1>That was exactly what Moby was trying to tell you

0:47:45.890 --> 0:47:46.610
<v Speaker 1>in the episode.

0:47:47.570 --> 0:47:50.170
<v Speaker 4>I think sometimes you're not ready to hear things. You

0:47:50.210 --> 0:47:51.610
<v Speaker 4>can't force the flower to open.

0:47:52.130 --> 0:47:55.610
<v Speaker 3>So maybe it's really maybe you owe Moby something. Maybe

0:47:55.650 --> 0:47:58.210
<v Speaker 3>you have you ever told him that you know you?

0:47:58.650 --> 0:48:00.810
<v Speaker 3>Did you ever thank him for what he shared with you?

0:48:00.930 --> 0:48:05.090
<v Speaker 3>And no, do you do you want to do that?

0:48:06.850 --> 0:48:08.650
<v Speaker 3>I mean, should we call him right now.

0:48:09.170 --> 0:48:11.290
<v Speaker 2>And hear the wheels turning in your greasy.

0:48:11.010 --> 0:48:17.170
<v Speaker 3>Little So you feel like at this point, you know

0:48:17.250 --> 0:48:21.970
<v Speaker 3>what Moby for whatever reason isn't able to give you

0:48:22.010 --> 0:48:23.730
<v Speaker 3>back those CDs, so let them have them.

0:48:24.810 --> 0:48:27.330
<v Speaker 2>Yeah, I think it's all let go, let go of everything.

0:48:28.410 --> 0:48:29.489
<v Speaker 2>And I'll tell you one other thing.

0:48:30.210 --> 0:48:33.170
<v Speaker 4>Yeah, there's a radio station in Portland that for some

0:48:33.210 --> 0:48:38.529
<v Speaker 4>reason is streaming on the radio here and they play

0:48:38.530 --> 0:48:40.330
<v Speaker 4>a fair bit of Moby and they've played some the

0:48:40.330 --> 0:48:42.650
<v Speaker 4>other day and I listened to it. I didn't turn

0:48:42.690 --> 0:48:45.049
<v Speaker 4>it off, which I probably might have at a certain point.

0:48:45.410 --> 0:48:47.050
<v Speaker 1>You can listen to mobi music now.

0:48:47.330 --> 0:48:50.890
<v Speaker 2>I listened to the song and I was like, pretty

0:48:50.890 --> 0:48:51.570
<v Speaker 2>good song.

0:48:53.250 --> 0:48:53.890
<v Speaker 1>And that was it.

0:48:54.450 --> 0:48:57.290
<v Speaker 2>I mean I had some critical thoughts.

0:48:58.730 --> 0:49:01.570
<v Speaker 3>Of course, he did. Gregor, thank you all right, I'll

0:49:01.570 --> 0:49:03.450
<v Speaker 3>talk to you later, talk to you later.

0:49:03.490 --> 0:49:14.970
<v Speaker 7>Bye bye.

0:49:16.970 --> 0:49:19.810
<v Speaker 3>Special thanks to everyone who helped put together our original

0:49:19.850 --> 0:49:21.529
<v Speaker 3>Gregor episode way back when.

0:49:21.930 --> 0:49:23.250
<v Speaker 1>We'll be back next week.

0:49:23.050 --> 0:49:28.010
<v Speaker 3>With another Encore presentation, another heavyweight Biju, as well as

0:49:28.050 --> 0:49:31.730
<v Speaker 3>another update from one of our favorite guests, so stay tuned.