WEBVTT - Craig Robinson

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<v Speaker 1>Hi, I'm Craig Robinson and I played Darryl Philbin on

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<v Speaker 1>The Office. Hello everybody, and welcome back to a brand

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<v Speaker 1>new episode of the Office Deep Dive, this time with

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<v Speaker 1>the hardest working man in show biz. Nope, not our guest, me,

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<v Speaker 1>your host, Brian Bumgarner. Just kidding. You'll get that after

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<v Speaker 1>you listen to the episode today. As you just heard,

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<v Speaker 1>I'm bringing on possibly the most ambitious and certainly the

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<v Speaker 1>most competent employee at dunder Mifflin. That's right, the voice

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<v Speaker 1>of reason in all of the insanity, the incredible Craig Robinson.

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<v Speaker 1>Like so many of the characters on the Office, a

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<v Speaker 1>lot of the inspiration, as you'll hear for Darryl Philbin

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<v Speaker 1>came from Craig's real personality. He is an incredible musician

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<v Speaker 1>and a hilarious comedian. Greg Daniels actually discovered him by

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<v Speaker 1>seeing him perform perhaps one of the greatest comedy songs

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<v Speaker 1>of all time, Somebody's Sucking Mi Lady. Now. Despite the name,

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<v Speaker 1>and despite the fact that Craig admits to singing his

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<v Speaker 1>way into booty calls, he insists that his act is

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<v Speaker 1>a great place to take a date. And I agree.

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<v Speaker 1>I highly recommended. Craig is amazing. In addition to his

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<v Speaker 1>work on the Office, He's gone on to work on

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<v Speaker 1>many other amazing projects, from Brooklyn nine nine to Hot

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<v Speaker 1>Tub Time Machine, to Cleveland Show and American Dad. I

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<v Speaker 1>know you've all been waiting to hear from him, and

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<v Speaker 1>I am so excited that today is finally the day,

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<v Speaker 1>even though he didn't teach me any super cool new

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<v Speaker 1>phrases like dink and flick of. But before we dive in,

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<v Speaker 1>just wanted to give you a quick reminder that the

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<v Speaker 1>world's best book, if I do say so myself, or

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<v Speaker 1>holiday present or late night reading, is already available right

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<v Speaker 1>now for pre order on Amazon. It is called Welcome

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<v Speaker 1>to dunder Mifflin, The Ultimate Oral History of the Office.

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<v Speaker 1>So go check that out and get ready to be

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<v Speaker 1>overtaken with your love for the show. But for now,

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<v Speaker 1>the time has come to welcome our very own warehouse

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<v Speaker 1>foreman and my good friend, Craig Robinson. Bubble and Squeak.

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<v Speaker 1>I love it. Bubble and squeakan Bubble and Squeaker cooking

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<v Speaker 1>every month, left over from the night before. But what's up?

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<v Speaker 1>How you doing so? I mean, I'm good. It's been

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<v Speaker 1>so long since I saw you? How long? I mean

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<v Speaker 1>a couple of years. It's been a few what's new

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<v Speaker 1>in your life? I mean, I'm doing this right now.

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<v Speaker 1>I'm on the road a lot you. Oh yeah, yeah.

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<v Speaker 1>Is this thing on? Yeah, it's probably on. We start already.

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<v Speaker 1>We'll not really tell the truth, man, I mean it's

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<v Speaker 1>it's recording, but I'm just interested in up. Okay, um

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<v Speaker 1>check check check check? Are you checking your sound? Yeah?

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<v Speaker 1>Are you a sound expert? Well, you're a musician, so yeah.

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<v Speaker 1>I mean I don't know if it's going loud or

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<v Speaker 1>something there. Did I ever tell you the story? This

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<v Speaker 1>is before I think we had done the pilot only

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<v Speaker 1>and I hadn't been in l a very long. Did

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<v Speaker 1>I ever tell you going the Mbar story? For real?

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<v Speaker 1>I went to the m Bar and they used to

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<v Speaker 1>do like an open mic night, and somebody was like, oh,

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<v Speaker 1>go to the m Bar. I think I knew somebody

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<v Speaker 1>who was like a server there, and I remember it

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<v Speaker 1>was David Cross was there, and Sarah Silverman some other

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<v Speaker 1>people and you you were so far and away. The

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<v Speaker 1>funniest thing that night, Well you had a guy with Yeah,

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<v Speaker 1>I think me and Jerry did Yeah, Yeah, how many

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<v Speaker 1>shows you do a year? I mean how many cities?

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<v Speaker 1>Oh shows, shows are like you know, five sometimes seven

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<v Speaker 1>a weekend, So I probably do thirty thirty plus weeks.

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<v Speaker 1>Are you jesus if I'm not filming myself? So you're

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<v Speaker 1>the hardest working manag show business? Not by um? Okay,

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<v Speaker 1>So rewind back like two thousand three four? What were

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<v Speaker 1>you doing before the office came on? H stand up?

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<v Speaker 1>Doing much stand up? And you know, I had some

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<v Speaker 1>parts here and there. Um did a show called Lucky. Yep,

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<v Speaker 1>I was on FX and then a great show thank

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<v Speaker 1>You Coming. Yeah that was that was lightning in a

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<v Speaker 1>bottle right there. And then yeah it was two thousand one.

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<v Speaker 1>We started four four yeah, okay, so yeah, so Lucky

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<v Speaker 1>and then about to stand up? I'm not sure. Did

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<v Speaker 1>you do Second City? Yeah? Chicago? Yeah, I did the

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<v Speaker 1>training st and I didn't do the okay, I just

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<v Speaker 1>did one through all the classes and then I moved

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<v Speaker 1>to l Okay. Um, you incorporate music a lot into

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<v Speaker 1>your stand up. Do you think that Darryl being a

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<v Speaker 1>musician on the show did that come from you? Do

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<v Speaker 1>you think the writers wrote that? Absolutely? Yeah? They they

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<v Speaker 1>We were like a towel being rung out. They got whatever.

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<v Speaker 1>But whatever they knew we could do, they got it

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<v Speaker 1>out of us. Right. Absolutely, Yeah, you started pretty early.

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<v Speaker 1>I mean I remember that Christmas episode you and I

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<v Speaker 1>think we were djay in the corner and then gradually

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<v Speaker 1>you star. Yeah, we had like what he called those

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<v Speaker 1>little balls that with the lights and uh disc disco ball. Obviously,

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<v Speaker 1>I mean for people who don't know, music comes very

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<v Speaker 1>easy to you. Yes, I have seen people hum you

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<v Speaker 1>tunes and you start playing well trained here is it

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<v Speaker 1>trained or is it natural? I mean both. You have

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<v Speaker 1>to sit down and like there's time I was sitting, like,

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<v Speaker 1>play a song and breakdown note for note each churt

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<v Speaker 1>we wanted to play again. We want to play again

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<v Speaker 1>until I get and go through the whole song. And

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<v Speaker 1>he Once you do that, you know sometimes you start

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<v Speaker 1>you know, see patterns and you know, see what's going

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<v Speaker 1>on in the song. So that's how you learned. Do

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<v Speaker 1>you read music? Yeah, but how you do not like

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<v Speaker 1>I can hear me. It takes me a while to

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<v Speaker 1>read some music, but I can hear pretty good. You

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<v Speaker 1>hear better than anyone I've ever seen. Okay, No, I'm

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<v Speaker 1>just saying I'm trying. I don't know, but you trained

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<v Speaker 1>yourself to do that. I think people think about it

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<v Speaker 1>as being sort of a natural gift, but no, it's

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<v Speaker 1>definitely a gift. But it's it's you know, it's a gift.

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<v Speaker 1>You have to work for it. It's like you gotta

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<v Speaker 1>know you had the talent to do it and then

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<v Speaker 1>just developed that, right. I remember later on they kept

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<v Speaker 1>pairing me with you and Ed Helms in musical situations.

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<v Speaker 1>It's the ZiT, Kevin and the Zitz. There was Kevin

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<v Speaker 1>and the Zitz, and I remember we would you know,

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<v Speaker 1>we never had time to read the episodes before we

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<v Speaker 1>did them, and we would read the episodes and they

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<v Speaker 1>would be like song, song, song, and I don't know

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<v Speaker 1>if you knew this. I would go to them and

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<v Speaker 1>I would be like, okay, when is rehearsals? When is rehearsal?

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<v Speaker 1>And then I would come to you and I'd be

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<v Speaker 1>like all right, you guys, can we And you'd be

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<v Speaker 1>like yeah, yeah, no, we're good, We're good, and Ed

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<v Speaker 1>be the same way, like as like, no, no, that's fine,

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<v Speaker 1>No I got it, And I was like no, no, no, guys,

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<v Speaker 1>I don't have it. I don't know what the hell

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<v Speaker 1>I'm doing. Um there's a quote that has been attributed

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<v Speaker 1>to you which that you basically started doing music because

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<v Speaker 1>it's there were so many funny people in Chicago that

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<v Speaker 1>you wanted to do something that was different in a way.

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<v Speaker 1>Is that true? Not exactly? Okay, Um, I just you know,

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<v Speaker 1>it's my thing. And I had a song that I

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<v Speaker 1>did in college that transferred over to the stage. I

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<v Speaker 1>would like play, you know, piano, the same singing to

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<v Speaker 1>a girl on the phone, you know, singing a nice

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<v Speaker 1>and like talking to a singing to a little bit.

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<v Speaker 1>You know, it's romantic. And I hit up with it,

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<v Speaker 1>can I have some booty? Right? And then I was like, okay, him,

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<v Speaker 1>listen to see if she's laughing and watched so if

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<v Speaker 1>she's laughing, okay, we're good. But so then I did

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<v Speaker 1>that like a I don't know, some open mic kind

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<v Speaker 1>of thing. But it when the open mic, it was like,

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<v Speaker 1>you know, actors in the room on a Friday night,

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<v Speaker 1>like you know, and then you just did what you do.

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<v Speaker 1>So they wants to start doing comedy. I went up

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<v Speaker 1>and did this show and uh, it didn't go too well.

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<v Speaker 1>I was just think all heckless heaven. It's in Chicago,

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<v Speaker 1>and you get eight minutes to perform. The first three minutes,

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<v Speaker 1>nobody gets the mess with you. From the third minute

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<v Speaker 1>on if people wanted to hecker you. There are three

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<v Speaker 1>people in the audience who have rubber chickens. If you've

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<v Speaker 1>got all three rubber chickens, you had to get off stage.

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<v Speaker 1>And then uh, three people have score cards. So I

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<v Speaker 1>got two rubber chickens the first night, and before I

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<v Speaker 1>get there, I'm not getting a third chicken. It's good night.

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<v Speaker 1>Then the next week I came back with my keyboard.

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<v Speaker 1>That was all she wrote. You did the song that

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<v Speaker 1>ends with your buddy getting the phone. Um, somebody's sucking

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<v Speaker 1>my lady. Somebody's sucking my lady. Yeah, somebody's Yeah. That's

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<v Speaker 1>that's what you saw. That's what I saw at MBAR.

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<v Speaker 1>That's what got me like they got me in front

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<v Speaker 1>of Apple Town to get me in front of Greg Daniels. Yeah.

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<v Speaker 1>When I did my audition for the Office, Great Games

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<v Speaker 1>was like, doesn't get any funny into that. I was like, okay,

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<v Speaker 1>now audition, Like, oh what like items like a big

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<v Speaker 1>voted confidence right, I'm thinking like, oh man, now do

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<v Speaker 1>you do lucky and then you're doing stand up and

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<v Speaker 1>then how did you did you know about the Office

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<v Speaker 1>before you came on? I saw the British pilot on

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<v Speaker 1>an airplane and I was dying, right, and I was like, damn,

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<v Speaker 1>I wish I could find it, you know. And one

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<v Speaker 1>day I was like drumming past Sev and I saw

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<v Speaker 1>a picture David Brent. Now that's that's the dude from

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<v Speaker 1>this show, you know. And then I end up getting

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<v Speaker 1>the audition. No, I didn't know much about except for

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<v Speaker 1>that pilot, right. And when you got the audition was

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<v Speaker 1>did you think it was just for one episode or

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<v Speaker 1>were they sang like you may come around. No, it

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<v Speaker 1>was just I mean it was it was the first season, right,

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<v Speaker 1>so you didn't even know, you know, way I was

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<v Speaker 1>getting what was going on. So I just came in

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<v Speaker 1>and did the did the audition, and they called me

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<v Speaker 1>later after y'all get well under way. I was established

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<v Speaker 1>an episode for Yeah, And did you know Allison Jones

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<v Speaker 1>before that? I don't know if I worked with Alison.

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<v Speaker 1>I'm not before that. No, you know what let missing?

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<v Speaker 1>I think I had gotten forty I'm sorry, knocked up?

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<v Speaker 1>How did I do that? Everybody does that to me

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<v Speaker 1>fort Your Virgin. I'm like, no, it's knocked up, knocked

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<v Speaker 1>up and I just messed it up. I got auditioned

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<v Speaker 1>for Fortio Virgin, but I didn't get that, but I

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<v Speaker 1>did get knocked up. So I'm not sure exactly when

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<v Speaker 1>want happened right right right at first? But did you

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<v Speaker 1>know that it was had the possibility to to recur

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<v Speaker 1>at that point or zero idea of just doing a

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<v Speaker 1>job right? What was different for you or was there

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<v Speaker 1>anything different for you in terms of the way that

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<v Speaker 1>the show was shot. Yeah, that was. It was way different.

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<v Speaker 1>Like everything else was like a movie was you know,

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<v Speaker 1>the two cameras doing a thing, but nobody was swinging

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<v Speaker 1>cameras around, right. I feel like Daryl, you know, even

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<v Speaker 1>from the beginning, had kind of a gem thing with

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<v Speaker 1>the camera, like it felt like you were on the

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<v Speaker 1>same page, Like you would do the looks to the camera,

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<v Speaker 1>like did you just see that idiot. I didn't get

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<v Speaker 1>a lot of camera looks untill later, but people do say, yeah,

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<v Speaker 1>see me as a voice of reason and in all

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<v Speaker 1>the insanity. Yeah. Ben Silverman says that you're the smartest

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<v Speaker 1>person who worked at Dunner Mifflin. Well, no, not you,

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<v Speaker 1>but Darryl, right right, right right, I can see that. Yeah,

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<v Speaker 1>Daryl was just trying to you know, be honest, make

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<v Speaker 1>an honest buck, And I couldn't believe a lot of

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<v Speaker 1>things that I was going around him. And you know,

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<v Speaker 1>he knew he had to keep the piece and knew

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<v Speaker 1>he had to uh keep his job. So I don't

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<v Speaker 1>I don't think he has without smart in these cats.

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<v Speaker 1>He just was, you know, just like would you beliet

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<v Speaker 1>these cats? You know, but it felt like, you know,

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<v Speaker 1>they showed a lot that the warehouse maybe was run

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<v Speaker 1>more efficiently than the regular office. Like you were you

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<v Speaker 1>were good. Yeah. Um. Darryl's relationship with Michael in the show,

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<v Speaker 1>it was a very like he kept coming to you

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<v Speaker 1>for advice, particularly on black culture. It was a very

0:14:35.720 --> 0:14:39.480
<v Speaker 1>very funny dynamic. What was your experience working with Steve?

0:14:41.120 --> 0:14:46.480
<v Speaker 1>He's the greatest. The way he could turn it comedy

0:14:46.680 --> 0:14:52.160
<v Speaker 1>button off and on like a falsett. It was just

0:14:52.280 --> 0:14:55.360
<v Speaker 1>genius to me. Whenever I had seen with him moment

0:14:55.400 --> 0:15:01.200
<v Speaker 1>and I was like titilation, you know, very exciting, and

0:15:01.240 --> 0:15:05.520
<v Speaker 1>I learned from him, stole from him all of that. Yeah,

0:15:05.640 --> 0:15:07.480
<v Speaker 1>it's funny. That you said you said that because I

0:15:07.480 --> 0:15:08.800
<v Speaker 1>thought you were going to say something else, which I

0:15:08.840 --> 0:15:11.800
<v Speaker 1>think is also true. Is part of his genius is

0:15:11.840 --> 0:15:16.440
<v Speaker 1>how he turns so quick, even within a scene. You

0:15:16.480 --> 0:15:18.720
<v Speaker 1>know what I mean, But he is he is fighting

0:15:18.760 --> 0:15:21.360
<v Speaker 1>down one path and something may happen and he just

0:15:21.480 --> 0:15:26.000
<v Speaker 1>turns it like that and he's like, you know, ultimate scene,

0:15:26.040 --> 0:15:31.320
<v Speaker 1>part of two. He listens and reacts two. You know

0:15:31.360 --> 0:15:34.680
<v Speaker 1>what's going on? Like we had a scene I didn't

0:15:34.720 --> 0:15:41.680
<v Speaker 1>even really notice until it aired. It was a negotiations.

0:15:41.960 --> 0:15:44.920
<v Speaker 1>It might be my favorite episode just because the work

0:15:45.680 --> 0:15:48.560
<v Speaker 1>I did with Steve and being able to play with

0:15:48.640 --> 0:15:50.720
<v Speaker 1>him like that. It was a scene where he's like,

0:15:50.840 --> 0:15:54.480
<v Speaker 1>I'm not going to speak first, like to tlie to

0:15:54.480 --> 0:15:57.440
<v Speaker 1>speak first. So we did a couple of takes and

0:15:57.480 --> 0:16:00.560
<v Speaker 1>it was fine, uh, And then he did his next

0:16:00.560 --> 0:16:05.080
<v Speaker 1>take and he's making these faces and if you look closely,

0:16:06.040 --> 0:16:10.640
<v Speaker 1>you can see Meet started crack a smile on that.

0:16:10.800 --> 0:16:14.440
<v Speaker 1>But it was just like, without even speaking, he could,

0:16:14.480 --> 0:16:17.680
<v Speaker 1>you know, pull us out of you. The laughter is like, oh,

0:16:17.760 --> 0:16:21.040
<v Speaker 1>he's about to get me. But also in that episode

0:16:22.360 --> 0:16:25.200
<v Speaker 1>when I was saying uh, where he listens and you know,

0:16:25.800 --> 0:16:29.760
<v Speaker 1>like the perfect improvisation partner. You're listening and take it

0:16:29.800 --> 0:16:31.800
<v Speaker 1>to the next level. So we're talking about, you know,

0:16:31.800 --> 0:16:34.200
<v Speaker 1>getting raged from Jan and I said, make it happen, Captain,

0:16:35.440 --> 0:16:48.720
<v Speaker 1>he said, I will, Sergeant, my god, game amazing. Do

0:16:48.800 --> 0:16:53.240
<v Speaker 1>you think that your relationship with him evolved throughout the show? Yeah,

0:16:53.240 --> 0:16:58.000
<v Speaker 1>but I think everybody's everybody evolved in that show. Everybody

0:16:58.560 --> 0:17:03.040
<v Speaker 1>I went through character development. Um, that's one of the

0:17:03.080 --> 0:17:06.879
<v Speaker 1>things that makes it what it is. People got to

0:17:06.920 --> 0:17:09.960
<v Speaker 1>know these people, right. But yeah, I think every every

0:17:10.000 --> 0:17:14.240
<v Speaker 1>situation evolved to something. I mean, you started out and

0:17:14.760 --> 0:17:19.280
<v Speaker 1>your episodes were mainly about like the office versus the warehouse,

0:17:19.359 --> 0:17:24.120
<v Speaker 1>whether directly in basketball or like a weird class thing

0:17:24.160 --> 0:17:26.520
<v Speaker 1>where you have like the white collar and the blue collar.

0:17:26.960 --> 0:17:30.480
<v Speaker 1>Talk to me about the transition for you character wise

0:17:30.600 --> 0:17:33.000
<v Speaker 1>or as an actor of you finally coming up and

0:17:33.040 --> 0:17:39.400
<v Speaker 1>being a regular part of like the Bullpen characterise. Um,

0:17:39.440 --> 0:17:43.520
<v Speaker 1>it felt like like it did in real life, like

0:17:43.560 --> 0:17:48.160
<v Speaker 1>oh many making you a regular, you know what I'm saying.

0:17:48.520 --> 0:17:53.359
<v Speaker 1>So definitely move on up for Craig Infidery, you know,

0:17:53.359 --> 0:17:57.400
<v Speaker 1>and it was like more responsibility. And Rain used to say,

0:17:57.400 --> 0:18:00.200
<v Speaker 1>I had the sweetest schedule in Hollywood. Is that I

0:18:00.200 --> 0:18:01.840
<v Speaker 1>would come in for like an episode here and then

0:18:01.880 --> 0:18:06.840
<v Speaker 1>four weeks later come in do the Christmas episode. But yeah,

0:18:06.960 --> 0:18:09.639
<v Speaker 1>character wi it was it was like, yeah, step up

0:18:09.680 --> 0:18:12.760
<v Speaker 1>and okay, let's starting to see you know, starting to

0:18:12.800 --> 0:18:16.680
<v Speaker 1>feel me. And for Craig myself, it was like, hey,

0:18:16.720 --> 0:18:20.919
<v Speaker 1>this is this is awesome, like because I didn't understand,

0:18:22.280 --> 0:18:24.520
<v Speaker 1>like I thought we were a year to year like

0:18:24.560 --> 0:18:26.760
<v Speaker 1>every other show. You know, you don't know, you don't know,

0:18:27.920 --> 0:18:30.000
<v Speaker 1>But it was something about the offered like like I

0:18:30.000 --> 0:18:33.280
<v Speaker 1>remember one one year they were like many was like, yeah,

0:18:33.320 --> 0:18:36.160
<v Speaker 1>we're gonna be dating, and it didn't happen for a year,

0:18:36.200 --> 0:18:37.960
<v Speaker 1>and I kind of forgot about in the next year

0:18:38.720 --> 0:18:41.400
<v Speaker 1>we were dating. I was like, Oh, that's that's interesting.

0:18:44.240 --> 0:18:45.959
<v Speaker 1>How do you'll know we're gonna be picked up? You know?

0:18:46.920 --> 0:18:49.760
<v Speaker 1>I guess you don't know, but you do that kind

0:18:49.760 --> 0:18:55.800
<v Speaker 1>of I wasn't, you know, none of those conversations. So

0:18:55.880 --> 0:18:58.520
<v Speaker 1>one of the people that I've talked to is TV critic,

0:18:58.960 --> 0:19:02.320
<v Speaker 1>and she talked about The Office. One of the things

0:19:02.400 --> 0:19:04.919
<v Speaker 1>that was notable about it was that it was she

0:19:05.160 --> 0:19:08.199
<v Speaker 1>defined it as casually diverse. Do you feel like the

0:19:08.280 --> 0:19:11.000
<v Speaker 1>Office in terms of race or your experience, do you

0:19:11.040 --> 0:19:14.320
<v Speaker 1>feel like it it did something right or wrong in

0:19:14.440 --> 0:19:19.600
<v Speaker 1>terms of that it presented us as people, and that's

0:19:19.760 --> 0:19:23.720
<v Speaker 1>all right with me. I don't notice right or wrong.

0:19:23.760 --> 0:19:27.600
<v Speaker 1>I think casually diverse is a great way to put it.

0:19:27.640 --> 0:19:31.000
<v Speaker 1>But it just, you know, we would regularly it would

0:19:31.000 --> 0:19:32.959
<v Speaker 1>look like a real office. We weren't like, you know,

0:19:34.080 --> 0:19:39.080
<v Speaker 1>models walking around. It was so proper dialogue. This was

0:19:39.160 --> 0:19:43.480
<v Speaker 1>like just Okay, these are people. Someone probably has something

0:19:43.520 --> 0:19:48.160
<v Speaker 1>mentally problems that they need to take care of right there,

0:19:48.560 --> 0:19:51.879
<v Speaker 1>unleashed on society and it's fine. Do you think the

0:19:51.920 --> 0:19:57.119
<v Speaker 1>show did anything in terms of a positive message in

0:19:57.240 --> 0:20:02.240
<v Speaker 1>terms of diversity or race? I mean, you were nominated

0:20:02.280 --> 0:20:06.880
<v Speaker 1>for three and double a CP Awards, correct lost three,

0:20:11.160 --> 0:20:14.840
<v Speaker 1>Nick Cannon, Ice Cube, and somebody else. But um, I

0:20:14.880 --> 0:20:19.840
<v Speaker 1>mean people from all walks of life love the Office.

0:20:20.600 --> 0:20:24.680
<v Speaker 1>So I wish I could speak to that specifically. Somebody,

0:20:24.680 --> 0:20:26.840
<v Speaker 1>you know, somebody would be like, you know what, I

0:20:28.000 --> 0:20:30.960
<v Speaker 1>had a problem with black people, But it's just that show.

0:20:31.320 --> 0:20:34.480
<v Speaker 1>You know, I don't know, right, I just don't know

0:20:34.560 --> 0:20:37.359
<v Speaker 1>that answer. You know what's funny? This is kind of

0:20:37.400 --> 0:20:40.880
<v Speaker 1>side note. Someone pointed this out that in Christmas Party,

0:20:40.920 --> 0:20:43.960
<v Speaker 1>we were talking about before season two Michael tells Darryl

0:20:44.040 --> 0:20:48.159
<v Speaker 1>that he can't wear a Santa hat, and eight years

0:20:48.320 --> 0:20:52.680
<v Speaker 1>later Megan Kelly there was a controversy was started by

0:20:52.760 --> 0:20:57.080
<v Speaker 1>Santa Clauss white kids. Yeah, like he was before anyone

0:20:57.080 --> 0:20:59.800
<v Speaker 1>ever knew who Meg and Kelly was. He was making

0:21:00.280 --> 0:21:02.679
<v Speaker 1>a joke out of what she would say in the future,

0:21:03.600 --> 0:21:07.360
<v Speaker 1>calling America. Yeah, um, do you do that in your

0:21:07.359 --> 0:21:15.720
<v Speaker 1>comedy race? Yeah, stuff, we're just about America. No, not really. No,

0:21:16.400 --> 0:21:21.160
<v Speaker 1>I have a date XT my acting mostly for like lovers.

0:21:21.240 --> 0:21:23.800
<v Speaker 1>It's a great date night. I mean it's for everybody,

0:21:23.840 --> 0:21:27.600
<v Speaker 1>but it's a couples get I don't know, a boost

0:21:27.640 --> 0:21:30.479
<v Speaker 1>out of it, a boot, like a sexual boost. Something

0:21:30.680 --> 0:21:34.920
<v Speaker 1>you give a sexual boost, something deftly happens. Yeah, I'm

0:21:34.920 --> 0:21:39.040
<v Speaker 1>definitely about the you know, the relationship. But interesting, I

0:21:39.119 --> 0:22:02.399
<v Speaker 1>wonder what my vibe is. I don't think it's that. Yeah.

0:22:03.480 --> 0:22:07.879
<v Speaker 1>Darrell eventually interviews to be the new manager. Did you

0:22:07.920 --> 0:22:14.359
<v Speaker 1>want that? John? No? Why I just didn't. They were

0:22:14.400 --> 0:22:16.320
<v Speaker 1>talking about me being it and I was, and on

0:22:16.440 --> 0:22:18.720
<v Speaker 1>time I went up to Paul, I'm like, hey man,

0:22:20.440 --> 0:22:22.399
<v Speaker 1>just uh, you know, just put that in your pocket

0:22:22.480 --> 0:22:25.200
<v Speaker 1>game of dollar, Like you're thinking about the manager but

0:22:25.240 --> 0:22:28.240
<v Speaker 1>I was no. I did not want to be managing.

0:22:28.280 --> 0:22:30.440
<v Speaker 1>I thought that was interesting that my name got brought

0:22:30.560 --> 0:22:33.040
<v Speaker 1>up and it was cool, and you know, I thought

0:22:33.040 --> 0:22:34.879
<v Speaker 1>about it, but that would be like and all that.

0:22:34.960 --> 0:22:38.960
<v Speaker 1>But no, it seemed like it looked like a lot

0:22:39.000 --> 0:22:44.840
<v Speaker 1>of work. Way different than rain talking about your schedule

0:22:44.880 --> 0:22:49.840
<v Speaker 1>coming in one episode for four. Yeah, but the path

0:22:50.000 --> 0:22:56.280
<v Speaker 1>to that, Oh was amazing. Uh, it's gonna go Kathy

0:22:56.359 --> 0:23:01.920
<v Speaker 1>Bates and Will fare All, Will j Aimes, James Spader.

0:23:04.000 --> 0:23:06.360
<v Speaker 1>I look back at some of those episodes like, that's right,

0:23:06.440 --> 0:23:12.480
<v Speaker 1>that actually happened, Spade. It was incredible, man, God damn. Yeah.

0:23:12.480 --> 0:23:15.040
<v Speaker 1>How was it like working with you know, once Steve left?

0:23:15.320 --> 0:23:18.160
<v Speaker 1>Working with those guys, I mean, these are legends coming

0:23:18.200 --> 0:23:23.119
<v Speaker 1>in and you just like hanging out, no battle trailer, Oh,

0:23:23.119 --> 0:23:27.720
<v Speaker 1>what's up? Catherine Tate? Katherine Tate, who I don't know

0:23:27.720 --> 0:23:32.080
<v Speaker 1>anything about Melan That's that's my homie Steel to this day,

0:23:32.240 --> 0:23:35.720
<v Speaker 1>she's the best Spader. How is working with Spader different

0:23:35.760 --> 0:23:40.800
<v Speaker 1>than Steve Well? I mean, you know, Spader, He's how

0:23:40.800 --> 0:23:44.880
<v Speaker 1>do you describe the guy? He's his own world, he's

0:23:44.920 --> 0:23:48.720
<v Speaker 1>his own I don't know. It was cool, it was

0:23:48.760 --> 0:23:51.840
<v Speaker 1>real cool. He was you know, chatty and you know,

0:23:51.920 --> 0:23:55.520
<v Speaker 1>say what's up and he's smoothed with it, but you

0:23:55.560 --> 0:23:59.399
<v Speaker 1>know he's got that weird, creepy funny and Steve was

0:23:59.480 --> 0:24:05.679
<v Speaker 1>just like a falsetto whatever you needed. And in Spade

0:24:05.680 --> 0:24:10.320
<v Speaker 1>of eight they wrote to him beautifully. Yeah. He It

0:24:10.440 --> 0:24:14.440
<v Speaker 1>was just interesting how they just approached it in a

0:24:14.480 --> 0:24:19.800
<v Speaker 1>totally opposite way from like really wanting a crafted acting

0:24:20.320 --> 0:24:26.159
<v Speaker 1>performance to way more sort of improv fass Ale. Yeah,

0:24:26.680 --> 0:24:29.280
<v Speaker 1>you were talking before about the leading up to Darryl

0:24:29.760 --> 0:24:32.520
<v Speaker 1>becoming the manager and getting to work with all of

0:24:32.520 --> 0:24:34.639
<v Speaker 1>those people. I mean, that was that was a huge

0:24:34.680 --> 0:24:36.960
<v Speaker 1>storyline for you. I mean, and then eventually you going

0:24:36.960 --> 0:24:40.600
<v Speaker 1>off and working with Jim. Do you think today Darryl

0:24:40.640 --> 0:24:44.840
<v Speaker 1>would still be working with Jim at the Athlete Athlete

0:24:45.920 --> 0:24:51.080
<v Speaker 1>Oh yeah, oh yeah. They be at all no dope

0:24:51.119 --> 0:24:56.760
<v Speaker 1>games and killing it. Heck yeah, I mean, I'm sure

0:24:56.800 --> 0:24:59.960
<v Speaker 1>he would have found another way to rise about his point,

0:25:00.240 --> 0:25:04.480
<v Speaker 1>but uh, may views in his own company. Who knows

0:25:04.880 --> 0:25:09.680
<v Speaker 1>Daryl was ambitious? Yeah. Uh again, going back to Ben's

0:25:09.880 --> 0:25:12.119
<v Speaker 1>talking about Darryl being the smartest person in the office,

0:25:12.160 --> 0:25:16.200
<v Speaker 1>but he was overlooked a lot. I sort of like

0:25:16.800 --> 0:25:20.679
<v Speaker 1>you know, like Kevin was overlooked. Um in the basketball

0:25:20.720 --> 0:25:22.879
<v Speaker 1>episode like where I was like, oh, yeah, of course

0:25:22.880 --> 0:25:27.480
<v Speaker 1>that guy can't play, and then you know you exactly, Darrel,

0:25:27.600 --> 0:25:30.159
<v Speaker 1>know you really are an athletes? Really I am. I

0:25:30.160 --> 0:25:35.520
<v Speaker 1>mean we on a south Fall killed bro, you killed?

0:25:35.640 --> 0:25:43.840
<v Speaker 1>Oh I forgot about that stuff like Okay, don't make

0:25:43.880 --> 0:25:46.440
<v Speaker 1>me run that fast. That's all hit it far enough

0:25:46.480 --> 0:25:48.399
<v Speaker 1>so that hit it far enough so I don't have

0:25:48.440 --> 0:25:52.000
<v Speaker 1>to run so fast. Yeah, but Daryl, But it felt

0:25:52.000 --> 0:25:56.800
<v Speaker 1>like Darryl kept being overlooked, at least by Michael. I

0:25:56.800 --> 0:25:58.879
<v Speaker 1>mean he was in the warehouse, he put in the

0:26:00.200 --> 0:26:03.600
<v Speaker 1>you know, trying to be looked at. I guess what

0:26:03.680 --> 0:26:08.560
<v Speaker 1>was your negotiation? Was that your favorite episode? Probably? Yeah,

0:26:08.840 --> 0:26:13.359
<v Speaker 1>just the sheer amount of work Mike and idea. And

0:26:13.400 --> 0:26:16.880
<v Speaker 1>they said people only want to call him Mike. That's right.

0:26:18.480 --> 0:26:21.280
<v Speaker 1>I didn't even realize that. Yeah, you're the only one

0:26:21.320 --> 0:26:25.280
<v Speaker 1>who called him Mike. Um, what was it? What was

0:26:25.320 --> 0:26:27.240
<v Speaker 1>it like for you working with Krasinski? How was he

0:26:27.320 --> 0:26:30.560
<v Speaker 1>different than Steve? And he's a paint in the ass,

0:26:30.640 --> 0:26:36.120
<v Speaker 1>But it was that John always struck me. I mean

0:26:36.880 --> 0:26:40.840
<v Speaker 1>he just knew like he feels like he was you know,

0:26:40.920 --> 0:26:45.080
<v Speaker 1>just just brilliant dude. You know. Uh, I love his

0:26:45.160 --> 0:26:50.359
<v Speaker 1>directing and he's funny, you know when he wanted to be,

0:26:50.400 --> 0:26:55.720
<v Speaker 1>but he was the more the leading man kind of dude. Yeah,

0:26:55.880 --> 0:26:58.119
<v Speaker 1>but you know he was always cool man. It was

0:26:58.200 --> 0:27:04.080
<v Speaker 1>great in the finale. Um, do you remember what happens

0:27:04.080 --> 0:27:06.520
<v Speaker 1>in the finale We all go back to Scratton like

0:27:06.560 --> 0:27:08.240
<v Speaker 1>a year later and we do that Q and a

0:27:08.400 --> 0:27:12.479
<v Speaker 1>panel on the show. Yeah, and Ellie and her parents

0:27:12.480 --> 0:27:17.800
<v Speaker 1>were there thinking about that. Yeah, Joel Q sick. Was

0:27:17.800 --> 0:27:22.480
<v Speaker 1>it sad? Sad to watch on uh in that moment

0:27:22.520 --> 0:27:26.920
<v Speaker 1>with Ellie and because I don't know what was going on? Right? Yeah,

0:27:27.040 --> 0:27:30.439
<v Speaker 1>that was pretty you know, rinching well and Creed singing

0:27:30.480 --> 0:27:32.919
<v Speaker 1>the song all the faces he sings that and then

0:27:33.000 --> 0:27:36.000
<v Speaker 1>Jenna takes the painting off the wall and goes outside.

0:27:36.400 --> 0:27:41.280
<v Speaker 1>Oh yeah, I do remember that. Jens Alotta talked about that.

0:27:41.400 --> 0:27:46.000
<v Speaker 1>Greg used to talk about the show was like a

0:27:46.080 --> 0:27:49.800
<v Speaker 1>giant parking lot that goes on forever, like as far

0:27:49.840 --> 0:27:52.840
<v Speaker 1>as you can see, there's just asphalt everywhere, and then

0:27:52.920 --> 0:27:57.280
<v Speaker 1>just line parking space, parking space, handicapped space, and that

0:27:57.440 --> 0:27:59.800
<v Speaker 1>just goes on and on. He said, But then when

0:27:59.800 --> 0:28:03.400
<v Speaker 1>you start to look closer. You see the little cracks

0:28:03.800 --> 0:28:06.080
<v Speaker 1>in the parking lot, and every once in a while

0:28:06.080 --> 0:28:10.160
<v Speaker 1>there's just a little teeny flower it comes up out

0:28:10.200 --> 0:28:15.199
<v Speaker 1>of the ground. And examining that beauty in a waste

0:28:15.280 --> 0:28:18.479
<v Speaker 1>land was what the show was trying to do. I

0:28:18.520 --> 0:28:20.679
<v Speaker 1>think that's why it relates to people. One of the

0:28:20.720 --> 0:28:24.919
<v Speaker 1>many reasons. Of course, have you ever seen Greg go

0:28:25.080 --> 0:28:29.159
<v Speaker 1>into his own like what so we were doing this

0:28:29.280 --> 0:28:33.840
<v Speaker 1>shows what in the office was Mr Robins? Mr Robinson?

0:28:35.080 --> 0:28:38.760
<v Speaker 1>So we the pitch like the big pitch was like

0:28:39.280 --> 0:28:43.080
<v Speaker 1>later on in the day, and uh and cats he

0:28:43.240 --> 0:28:46.719
<v Speaker 1>was there. Tracy shout out Tracy and she had to move.

0:28:46.760 --> 0:28:49.560
<v Speaker 1>She's like, great, we gotta go. And Greg went into

0:28:49.600 --> 0:28:55.800
<v Speaker 1>this feverish, fierce like you saw his brain work and

0:28:55.840 --> 0:29:00.080
<v Speaker 1>he started writing and banging. It was it was like

0:29:00.280 --> 0:29:06.719
<v Speaker 1>watching Michaelangelo paint or something. It was it was like, Oh,

0:29:06.800 --> 0:29:09.880
<v Speaker 1>this is happening right now in front of me, dude,

0:29:09.920 --> 0:29:16.000
<v Speaker 1>is incredible. Salute Greg Nagels. Yeah. When when he was

0:29:16.080 --> 0:29:19.240
<v Speaker 1>doing it, going into his writing mode and cast Key

0:29:19.400 --> 0:29:22.080
<v Speaker 1>was trying to shut Greg we go, he almost like

0:29:22.120 --> 0:29:25.560
<v Speaker 1>you know, like he was typing. It was. It was

0:29:26.040 --> 0:29:30.280
<v Speaker 1>it was amazing brow he was just he like he

0:29:30.360 --> 0:29:33.560
<v Speaker 1>had an idea and he had do I swear it

0:29:33.640 --> 0:29:37.000
<v Speaker 1>was like watching Harry Potter or something. It was it

0:29:37.080 --> 0:29:40.640
<v Speaker 1>was magic. It was like a world wind around him

0:29:41.440 --> 0:29:44.560
<v Speaker 1>and he almost barked at her, which she trying to

0:29:44.600 --> 0:29:49.360
<v Speaker 1>get it to go. Yeah. See the smartest comedy person

0:29:49.440 --> 0:29:54.520
<v Speaker 1>you know. Yes, I'm to say absolutely a do love

0:29:54.520 --> 0:29:57.440
<v Speaker 1>working with Greg. I mean he couldn't be a nicer guy,

0:29:57.640 --> 0:30:02.480
<v Speaker 1>you know, and then smartest dude and room. Yeah, what

0:30:02.560 --> 0:30:10.400
<v Speaker 1>are you what are you most thankful for? For the Office? Um?

0:30:10.440 --> 0:30:14.840
<v Speaker 1>You know, when you meet people, it's it's this uh

0:30:15.160 --> 0:30:19.880
<v Speaker 1>genuine like like it feels like you you have friends everywhere,

0:30:20.960 --> 0:30:25.680
<v Speaker 1>and that's, uh, that's a big part of my life

0:30:25.880 --> 0:30:28.600
<v Speaker 1>because you know, these friends come out, they support my

0:30:28.720 --> 0:30:32.560
<v Speaker 1>shows and what have you. And it's a lot of

0:30:32.960 --> 0:30:36.720
<v Speaker 1>like the deeper goals. You know, people had these stories

0:30:36.800 --> 0:30:40.560
<v Speaker 1>of you know, my my uh mother had cancer and

0:30:41.120 --> 0:30:43.160
<v Speaker 1>you know we watched The Office and you know, we

0:30:43.240 --> 0:30:47.560
<v Speaker 1>got through this and it will be these incredible heart

0:30:47.600 --> 0:30:52.480
<v Speaker 1>wrenching stories about our family. We don't talk, but we

0:30:52.560 --> 0:30:55.320
<v Speaker 1>bond over the Office. You know. Thank you asking me

0:30:55.400 --> 0:30:58.960
<v Speaker 1>You're like, why why the hell is the show still relevant?

0:30:59.400 --> 0:31:01.320
<v Speaker 1>And I think that's that's a big part of it.

0:31:01.360 --> 0:31:09.000
<v Speaker 1>People really connect through the show with family members or whoever. Right,

0:31:09.920 --> 0:31:12.080
<v Speaker 1>why do you think it resonates? I mean, here was

0:31:12.120 --> 0:31:17.600
<v Speaker 1>my impression anyway that people are like, oh the office. Yeah,

0:31:17.640 --> 0:31:21.840
<v Speaker 1>people can relate because sixty million people work in offices

0:31:21.880 --> 0:31:26.240
<v Speaker 1>around the country. So of course, now like it's young

0:31:26.360 --> 0:31:32.680
<v Speaker 1>people who are really into it. Soldiers for sure, man um. Yeah,

0:31:32.760 --> 0:31:35.600
<v Speaker 1>and the young people like starting and people are like, yeah,

0:31:35.640 --> 0:31:38.680
<v Speaker 1>I'm on my knight, my time around watching it or

0:31:38.760 --> 0:31:41.120
<v Speaker 1>we watched it, you know, three times or four times.

0:31:41.520 --> 0:31:44.920
<v Speaker 1>You know, it's a phenomenon. I don't know how to

0:31:44.960 --> 0:31:48.040
<v Speaker 1>put my finger on it. I think that awkwardness, you know,

0:31:48.080 --> 0:31:52.600
<v Speaker 1>it's got everything that humor awkward, it's got heart, you

0:31:52.920 --> 0:31:58.240
<v Speaker 1>fall in love with people, you know. It's a beautiful.

0:31:59.240 --> 0:32:04.040
<v Speaker 1>So yeah, alright, guys, do we need anything else from

0:32:04.160 --> 0:32:13.640
<v Speaker 1>Mr Robinson here? No predictus. Good thanks buddy, You're welcome, sir, dude.

0:32:13.800 --> 0:32:19.760
<v Speaker 1>It's been so crazy. I've seen everyone, uh, John, Johannah Rain,

0:32:20.320 --> 0:32:26.280
<v Speaker 1>I'm sure this is the most born interview. I'm suck

0:32:26.360 --> 0:32:47.480
<v Speaker 1>at these things. Just good ladies and gentlemen. The man himself,

0:32:47.880 --> 0:32:50.880
<v Speaker 1>Craig Robinson Craig. It's so good to see you, and

0:32:50.920 --> 0:32:55.120
<v Speaker 1>I think we can all agree that you're anything but boring.

0:32:55.720 --> 0:32:59.680
<v Speaker 1>Thank you for taking the time to stop by, and

0:32:59.760 --> 0:33:03.000
<v Speaker 1>thank you my favorite listeners for tuning in. You're in

0:33:03.080 --> 0:33:07.000
<v Speaker 1>luck because today if we've got a double whammy of

0:33:07.040 --> 0:33:09.760
<v Speaker 1>a release. So make sure you go check out round

0:33:09.760 --> 0:33:15.440
<v Speaker 1>two of my conversation with director Ken Kappas right now.

0:33:16.040 --> 0:33:26.040
<v Speaker 1>I will see you over there the Office. Deep Dive

0:33:26.280 --> 0:33:30.560
<v Speaker 1>is hosted and executive produced by me Brian Baumgartner, alongside

0:33:30.560 --> 0:33:35.000
<v Speaker 1>our executive producer Lang Lee. Our senior producer is Tessa Kramer.

0:33:35.320 --> 0:33:39.200
<v Speaker 1>Our producers for this episode are Liz Hayes and Diego Tapia.

0:33:39.600 --> 0:33:42.640
<v Speaker 1>My main man in the booth is Alec Moore. Our

0:33:42.760 --> 0:33:46.240
<v Speaker 1>theme song Bubble and Squeak, performed by my great friend

0:33:46.320 --> 0:33:50.080
<v Speaker 1>Creed Bratton, and the episode was mixed by seth Olandski.

0:34:00.080 --> 0:34:02.640
<v Speaker 1>Mm hmmmmmm