WEBVTT - Perfect Timing for a Pumpkin Patch

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<v Speaker 1>It's nine O gen one.

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<v Speaker 2>With Jenny Garth and Tory Spelling. Welcome everybody to another

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<v Speaker 2>episode of nine O two one. OMG, We're so glad

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<v Speaker 2>you're with us.

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<v Speaker 3>Oh you guys, it's good this week.

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<v Speaker 2>What an episode?

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<v Speaker 3>Wow, lions and tigers and bears.

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<v Speaker 2>Oh you're funny. See what you did there?

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<v Speaker 1>I had some highs and lows in this episode.

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<v Speaker 3>Oh did any sugarman just say that?

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<v Speaker 1>John?

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<v Speaker 2>She did? Love you guys, write it down? Ok document, that.

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<v Speaker 1>Were you guys thrown off in the very beginning when

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<v Speaker 1>it said sha California? It was.

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<v Speaker 3>Since poor Donna has a learning disability in dyslexia.

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<v Speaker 1>Uh I.

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<v Speaker 3>Torri was like Donna, uh I was switching them because

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<v Speaker 3>it's us, but they switched it conveniently. Like what.

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<v Speaker 2>Okay, Well, let's just get right into it because there's

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<v Speaker 2>really I have so much to talk about in this episode,

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<v Speaker 2>and I know you guys do too. Let's do this.

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<v Speaker 2>This is episode six of season five. It's called Homecoming.

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<v Speaker 2>It aired October twelfth, nineteen ninety four.

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<v Speaker 3>Synopsis. Brandon serves justice to a foreign leader for human

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<v Speaker 3>rights violations. Stee pulls off a homecoming hest with the

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<v Speaker 3>help of Kelly and Valerie. Andrea gets her flirt on

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<v Speaker 3>during the spin cycle, Don is two timing Griffin, Oh no,

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<v Speaker 3>while her and Ray are kissing, and Dylan diss's Valerie

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<v Speaker 3>for some random girl.

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<v Speaker 1>What Wow?

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<v Speaker 2>Yeah, there are five action packed storylines in this episode,

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<v Speaker 2>you guys, I counted them out. There's a school prank, right,

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<v Speaker 2>There's Dylan and val love, there's Brandon and this incredibly

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<v Speaker 2>heavy storyline, yes, not as into it. Andrea and herd laundry.

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<v Speaker 1>Love juicy, and then there's rape prute and Donna love

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<v Speaker 1>so much going on?

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<v Speaker 3>See oh and we have? Is this the first episode

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<v Speaker 3>that Meredith time wrote?

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<v Speaker 2>Oh? I believe so, I forgot to mention. It's directed

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<v Speaker 2>by Gilbert Shelton and written by Meredith Stein.

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<v Speaker 1>I haven't did I say? Like, so, okay, do you

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<v Speaker 1>guys remember her?

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<v Speaker 2>Nope? Sorry Meredith.

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<v Speaker 1>Hey, I have a question.

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<v Speaker 4>Do you guys have like a lot of interaction with

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<v Speaker 4>the writers? I know you guys work very close with Jessica,

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<v Speaker 4>but is that typical? Like what actors and writers not

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<v Speaker 4>have that much you know, conversation because there are they

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<v Speaker 4>down there on the set.

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<v Speaker 3>Depending right jah, and like like when they were EPs,

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<v Speaker 3>like Jessica and Steve. Yeah, but like, uh if it

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<v Speaker 3>was a off by Meredith or sorry, maybe there's more

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<v Speaker 3>by Meredith. Probably not.

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<v Speaker 2>Yeah, they kept I think more like the staff writers

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<v Speaker 2>over the hill on the other side of the hell.

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<v Speaker 2>They didn't make them come to Van Eyes.

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<v Speaker 1>They're not even there.

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<v Speaker 2>They they were doing their job from over the hill.

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<v Speaker 2>They they they got their marching orders that you know,

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<v Speaker 2>when they got the assignment for the episode, and then

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<v Speaker 2>they wrote it and then everybody, I think, weighs in

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<v Speaker 2>on it, and probably the EPs tweak it. That makes

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<v Speaker 2>me the studio tweaks that can you just.

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<v Speaker 3>Like zoo when you like, are not supposed to interact

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<v Speaker 3>too much with the zoo animals. I think we were like.

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<v Speaker 2>Yeah, well but you don't don't feed them, you do.

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<v Speaker 3>Not after midnight, don't feed them.

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<v Speaker 4>Can they just come up with any old idea or

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<v Speaker 4>does some executive producers say it's homecoming and here's the

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<v Speaker 4>general gist now right, or could a writer like Meredith

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<v Speaker 4>just go you know what I'm thinking. I'm thinking pumpkin patch,

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<v Speaker 4>Like I really want these two to go to a

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<v Speaker 4>pumpkin patch. And then she writes all about the goat

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<v Speaker 4>and this and that, Like do they just get to

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<v Speaker 4>do what they want now?

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<v Speaker 2>I mean in our experience when we did BH nine

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<v Speaker 2>two and zero, we worked very closely with the writing staff,

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<v Speaker 2>and we were in the room all the time, and

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<v Speaker 2>there's a big whiteboard. There's a lot of whiteboards, and

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<v Speaker 2>there's a bunch of ideas thrown up on them, you know,

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<v Speaker 2>and then collectively they decide, you know, how the episodes

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<v Speaker 2>are going to fall into place, and what the content

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<v Speaker 2>of them, and they break it down and then the

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<v Speaker 2>writer goes and does fills in the like gaps. You know.

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<v Speaker 3>I wonder what it was like in nineteen ninety four.

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<v Speaker 2>Were there white boards? Did they do it? They had

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<v Speaker 2>to chalkboards, like like from Little House on the Prairie

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<v Speaker 2>for sure.

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<v Speaker 4>I was trying to explain to somebody yesterday, how like

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<v Speaker 4>when we didn't have email, so say the writing staff

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<v Speaker 4>needed to write a memo to Aaron Smelling, somebody had

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<v Speaker 4>to like physically take it.

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<v Speaker 1>They'd have to type type, type it.

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<v Speaker 2>Yeah, I mean I think that they used to like

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<v Speaker 2>roll the script up and then hand it to a pigeon,

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<v Speaker 2>and then the pigeon would take it to the to

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<v Speaker 2>the Voss's office.

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<v Speaker 1>That's what I was gonna say. It's like, think about it.

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<v Speaker 1>There was no email.

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<v Speaker 2>They had faxes though, true.

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<v Speaker 4>It was the beginning of the facts, so they would

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<v Speaker 4>probably fax it all around.

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<v Speaker 3>Oh I don't know, I feel like slow they someone

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<v Speaker 3>like drove it over the hill to us on Calvert

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<v Speaker 3>Street and van Ey's.

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<v Speaker 1>Would you ever get them delivered to your homes?

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<v Speaker 3>No, no, they would.

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<v Speaker 1>You would get them on sete.

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<v Speaker 3>In our dressing rooms, right, John, Like you'd come there usually.

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<v Speaker 2>I mean we were always there, so yeah, we usually

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<v Speaker 2>got them all.

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<v Speaker 1>Yeah, I digress. Sorry for the question. That's okay, back

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<v Speaker 1>to it.

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<v Speaker 2>Let's talk about Let's talk about the first storyline. Let's

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<v Speaker 2>talk about the school prank because it was fun.

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<v Speaker 3>Oh my gosh, So you know how once in a

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<v Speaker 3>blue moon will like watch some movie like, oh my god,

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<v Speaker 3>I can remember being there. I remember being there.

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<v Speaker 2>You remember bear big Bear?

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<v Speaker 1>Yes, I don't even know.

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<v Speaker 3>I I don't know why, but I remember that bear.

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<v Speaker 2>Well it's pretty memorable. It's like four hundred feet tall.

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<v Speaker 2>And how they just roll that baby right out the

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<v Speaker 2>front door of the school, I don't understand.

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<v Speaker 4>But okay, I love the prank. I think it's very collogy,

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<v Speaker 4>very fun. I sort of actually loved that Valerie got

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<v Speaker 4>brought into it and that Kelly and Valerie are sort

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<v Speaker 4>of bonding a little bit.

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<v Speaker 2>Although I guess balance, I guess val is in with

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<v Speaker 2>Kelly now all of a sudden.

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<v Speaker 1>You're making her an honorary alpha, which wow thing.

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<v Speaker 2>And most of all, does Kelly have the authority to

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<v Speaker 2>just know you got anybody into the story? Sure?

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<v Speaker 3>Oh wow, I didn't even think of that. But you

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<v Speaker 3>know what, I feel bad, feel like Kelly's going into

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<v Speaker 3>it wholeheartedly and she's like, Oka, I'm gonna give her

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<v Speaker 3>another chance, you know, like she's redeeming. I feel like

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<v Speaker 3>val No, she's strategic.

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<v Speaker 2>This is all strategic for her. What's the strategy for

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<v Speaker 2>her to get in with Kelly? And I mean, she's

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<v Speaker 2>in with Steve, but I feel like he thinks their

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<v Speaker 2>boyfriend and girlfriend's.

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<v Speaker 3>I feel like she wants to know Kelly on a

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<v Speaker 3>deeper level so she can strategize how to play it

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<v Speaker 3>with Dylan, because she just wants to know her better.

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<v Speaker 3>Like keep your enemies closer, they say, like right, So

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<v Speaker 3>she's like, oh, you know, in her mind, like Kelly

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<v Speaker 3>and Brenda are her enemies because she's going after Dylan.

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<v Speaker 1>This this val I don't like that part.

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<v Speaker 2>I feel like Valerie's boobs are a character in themselves

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<v Speaker 2>on the show.

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<v Speaker 3>I'm not gonna lie.

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<v Speaker 2>I look, I don't know if we just talk about this.

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<v Speaker 2>I think this is terrible. I don't think we can

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<v Speaker 2>talk about this. But her boobs come into the scene

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<v Speaker 2>before she does. They're very perky.

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<v Speaker 3>Is it the white T shirt that when she came

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<v Speaker 3>into the peach bit it was the one I was like, what.

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<v Speaker 1>I will say, they do dress her a bit differently, and.

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<v Speaker 2>She's just like cute. She's dressed like baby more sexy.

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<v Speaker 2>She's just sexy. Yeah, her character is just a sexy,

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<v Speaker 2>like a sex kitten.

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<v Speaker 4>I loved her cut off flannel or cut off flaid,

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<v Speaker 4>which was something dull when Brenda wore.

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<v Speaker 2>Wait, the arms were cut off. Mh.

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<v Speaker 1>You notice that.

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<v Speaker 3>Tories, Oh my god, black and white.

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<v Speaker 1>And she pulled it on.

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<v Speaker 2>As when she puts her pants on when she's naked

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<v Speaker 2>and she pulls up her pants and it just all,

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<v Speaker 2>you know, magically covers her areas.

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<v Speaker 1>Can I they're a little bit more I don't know

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<v Speaker 1>what the word is. What with Valerie and Dylan. They

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<v Speaker 1>show it more, I feel like.

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<v Speaker 3>Okay, we can't go there yet.

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<v Speaker 2>We're talking about the school prank amy.

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<v Speaker 1>It was me.

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<v Speaker 2>It was my fault, well not really because the bos

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<v Speaker 2>her boobs were in the school prank storyline. Yeah totally, Yeah,

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<v Speaker 2>so we'll just stick with the school prank. I also

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<v Speaker 2>very thought it was super cute. I thought that Steve

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<v Speaker 2>is bayblicious in this episode, like the way he's got

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<v Speaker 2>his little shirt unbuttoned and his sunglasses on. He was hot.

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<v Speaker 1>Seems are pretty tight.

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<v Speaker 2>Yeah, well I didn't really notice that, but I'm sure there.

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<v Speaker 3>Can you say the line as you did, mister Bond?

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<v Speaker 2>Oh my god, that's flying? Uh what now, mister Bond?

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<v Speaker 2>It was so funny. Sometimes they really write Kelly like

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<v Speaker 2>these snazzy little zingers. I love that.

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<v Speaker 4>There's nothing better than the diarrhea brownies. I'm not gonna lie.

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<v Speaker 1>They obviously can'twies.

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<v Speaker 2>I was like, are those going to be pop brownies?

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<v Speaker 2>What's happening with the brownies? That's what I thought.

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<v Speaker 3>I was so nervous, and I was like, Kelly would

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<v Speaker 3>never what is happening? And like a baker in the world,

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<v Speaker 3>so like it's so weird to see like her inserting that. Nope,

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<v Speaker 3>like her, you know, was it a tooth bake and

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<v Speaker 3>you see, but it was a strip. It looked like

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<v Speaker 3>one of those strips you used, like, uh, the COVID

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<v Speaker 3>dipper strip. Nope, nope, but it was like keys out raw.

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<v Speaker 3>It's not baked yet, but you I learn know how

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<v Speaker 3>to do this. But yeah, you're like the baker.

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<v Speaker 2>I don't think Kelly is a very good banker.

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<v Speaker 3>But yeah, I know I had to separate the two

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<v Speaker 3>of you. It was hard.

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<v Speaker 2>But diarrhea brownies, that's a thing.

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<v Speaker 3>Like, that's a thing. Did you know? Did you know?

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<v Speaker 3>I mean I heard from a front possibly that if

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<v Speaker 3>you put vizine years and years ago into something, it

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<v Speaker 3>gives someone that.

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<v Speaker 1>I think that's how you murder people.

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<v Speaker 2>What oh wait, let's don't try that. Then don't try that.

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<v Speaker 2>What are you talking about?

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<v Speaker 1>I thought, if you don't want vizine, and I don't.

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<v Speaker 2>Know, I heard the same thing. If you put vizine

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<v Speaker 2>in something and make somebody eat it or drink it,

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<v Speaker 2>then they get the poops.

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<v Speaker 3>Right, I mean, like years ago, Like, is that not

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<v Speaker 3>a thing? I don't know. It's always a rumor.

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<v Speaker 2>We should probably fact check that before.

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<v Speaker 4>I feel like there was another show or movie where

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<v Speaker 4>they put x lax in the Brownies and then they

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<v Speaker 4>had that door thing that was so clever because they

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<v Speaker 4>were building that and I'm like, what are they building

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<v Speaker 4>with that wood?

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<v Speaker 1>And then they clo door handled like get them.

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<v Speaker 2>In the bear though the whole bear and like the

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<v Speaker 2>like the beginning where you see the bear and you

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<v Speaker 2>go into that school, it's so like, what's that night

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<v Speaker 2>at the museum?

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<v Speaker 3>It's oh my god, it was good. I loved that storyline.

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<v Speaker 3>And Stephen Griffin looks super sexy.

0:12:02.000 --> 0:12:05.840
<v Speaker 1>As spies totally. How about the end? So when the

0:12:05.880 --> 0:12:08.640
<v Speaker 1>bear gets revealed, right and everyone's in there see you

0:12:08.840 --> 0:12:09.679
<v Speaker 1>shirts and they're so.

0:12:09.679 --> 0:12:15.240
<v Speaker 4>Excited, and then it's just Donna and Griffin making out

0:12:15.360 --> 0:12:17.600
<v Speaker 4>the whole scene. Did you notice that just like every

0:12:17.640 --> 0:12:22.600
<v Speaker 4>background shot is you guys, no, watch it.

0:12:22.679 --> 0:12:26.240
<v Speaker 2>Oh you need to you need to rewatch that because

0:12:26.360 --> 0:12:30.000
<v Speaker 2>you're making a couple of tongues very visible.

0:12:30.800 --> 0:12:33.559
<v Speaker 3>You cannot see it if it was in the background.

0:12:34.000 --> 0:12:34.520
<v Speaker 1>Oh, it was.

0:12:34.960 --> 0:12:36.880
<v Speaker 2>Amy and I both saw it, so it was.

0:12:37.120 --> 0:12:39.559
<v Speaker 4>Very front background, Like you weren't the main part of

0:12:39.600 --> 0:12:44.480
<v Speaker 4>the scene, but you're very prominent on the backing down.

0:12:45.160 --> 0:12:47.440
<v Speaker 3>So in that scene I was trying to do my

0:12:47.640 --> 0:12:49.840
<v Speaker 3>due diligence because Jen.

0:12:49.840 --> 0:12:51.360
<v Speaker 2>You need to always see like.

0:12:51.520 --> 0:12:53.160
<v Speaker 3>The people in the scene. And I'm looking for the

0:12:53.160 --> 0:12:54.960
<v Speaker 3>boom and I'm looking for how many people. I was

0:12:54.960 --> 0:12:56.720
<v Speaker 3>trying to do that work. And I was like, okay,

0:12:56.840 --> 0:12:58.840
<v Speaker 3>I got this. I wonder how many you know, background

0:12:58.840 --> 0:13:00.560
<v Speaker 3>players they had in this and I'm doing that. I

0:13:00.600 --> 0:13:01.280
<v Speaker 3>wasn't even looking.

0:13:03.240 --> 0:13:08.720
<v Speaker 1>That is also I see you only has one version

0:13:08.720 --> 0:13:10.240
<v Speaker 1>of the T shirt because.

0:13:11.160 --> 0:13:14.400
<v Speaker 2>I gotta say, I don't like that T shirt on

0:13:14.600 --> 0:13:20.479
<v Speaker 2>the cast. Well the color, the color is a little yeah.

0:13:20.559 --> 0:13:26.040
<v Speaker 3>Wait, what about the condor meat h ew thing in

0:13:26.080 --> 0:13:28.960
<v Speaker 3>the background of us. I tried to snap it because

0:13:28.960 --> 0:13:33.960
<v Speaker 3>it's so funny. They you don't eat meat. And it

0:13:34.040 --> 0:13:36.280
<v Speaker 3>was with this is years and years ago, and it

0:13:36.320 --> 0:13:38.679
<v Speaker 3>was you and I walking and in the back it

0:13:38.720 --> 0:13:41.199
<v Speaker 3>was like a paint, not a painting, but like a mural,

0:13:41.320 --> 0:13:43.920
<v Speaker 3>like a poster they painted and it said a big

0:13:44.000 --> 0:13:46.920
<v Speaker 3>thing condor meat and it showed it.

0:13:47.600 --> 0:13:50.640
<v Speaker 2>Ew wait, they were selling condor meat.

0:13:51.280 --> 0:13:54.960
<v Speaker 3>No, were we eating condor meat?

0:13:55.160 --> 0:13:56.160
<v Speaker 2>No, it was.

0:13:56.600 --> 0:14:02.080
<v Speaker 3>We're the Condors right, oh city. For some reason, it

0:14:02.240 --> 0:14:05.960
<v Speaker 3>was like a big condor, like a one of those

0:14:06.000 --> 0:14:08.360
<v Speaker 3>giant turkey legs, like from Not's Ferry Farm.

0:14:08.440 --> 0:14:09.719
<v Speaker 1>Oh my god, I missed this.

0:14:09.880 --> 0:14:12.000
<v Speaker 3>It was one, Oh my god, and it was just

0:14:12.080 --> 0:14:13.960
<v Speaker 3>I tried to snap it for John, like it was

0:14:14.240 --> 0:14:18.160
<v Speaker 3>literally the two of us walking and then in the

0:14:18.280 --> 0:14:19.560
<v Speaker 3>background it was that.

0:14:20.480 --> 0:14:23.800
<v Speaker 2>Oh my god, as you saw, but you didn't see

0:14:23.800 --> 0:14:28.560
<v Speaker 2>that you making out with what's his name? He's out soon.

0:14:28.640 --> 0:14:30.440
<v Speaker 2>I feel like Donna's gonna dump.

0:14:30.280 --> 0:14:32.440
<v Speaker 1>Him and I am not about it.

0:14:32.520 --> 0:14:33.840
<v Speaker 2>Dump Griffin and you're.

0:14:33.720 --> 0:14:34.160
<v Speaker 1>Not about it?

0:14:34.200 --> 0:14:35.680
<v Speaker 3>You want Griffin to talk about.

0:14:35.640 --> 0:14:37.840
<v Speaker 2>Ray Ray and Donna now, because.

0:14:37.600 --> 0:14:39.920
<v Speaker 4>I mean in the day, I loved Ray Prewitt, And

0:14:39.960 --> 0:14:43.840
<v Speaker 4>now I'm like, why didn't we let Griffin just stay there?

0:14:44.360 --> 0:14:46.120
<v Speaker 2>I'm not sure what's going on with Ray Prut Is

0:14:46.160 --> 0:14:47.840
<v Speaker 2>he good guy? Is he a bad guy? Because I'm

0:14:47.840 --> 0:14:51.200
<v Speaker 2>getting all kinds of vibes from him that that should

0:14:51.240 --> 0:14:54.240
<v Speaker 2>be red flags for Donna. Do you not know?

0:14:55.360 --> 0:14:55.440
<v Speaker 1>No?

0:14:55.760 --> 0:14:57.800
<v Speaker 2>I mean I know what ultimately happens, but I don't

0:14:57.840 --> 0:14:59.840
<v Speaker 2>know the progression of it.

0:15:00.200 --> 0:15:02.000
<v Speaker 1>Yeah, Torri, how are you feeling about Ray?

0:15:03.320 --> 0:15:03.800
<v Speaker 3>Oh?

0:15:03.840 --> 0:15:04.040
<v Speaker 4>Man?

0:15:04.160 --> 0:15:07.080
<v Speaker 3>You guys, I gotta say, back in the day, I

0:15:07.160 --> 0:15:10.280
<v Speaker 3>was way more into this pairing than I am now.

0:15:10.880 --> 0:15:14.840
<v Speaker 2>Yeah, I don't know because it was hot and dangerous and.

0:15:15.360 --> 0:15:18.120
<v Speaker 3>Yeah, I think it's going somewhere, but I'm not. I

0:15:18.120 --> 0:15:20.920
<v Speaker 3>don't remember it this way. I feel like it's a

0:15:20.920 --> 0:15:25.240
<v Speaker 3>little like I don't like the comments he makes fair.

0:15:25.360 --> 0:15:29.600
<v Speaker 3>Kelly's a really good friend and protective. It blurred the

0:15:29.640 --> 0:15:31.880
<v Speaker 3>lines of you and I in real life because you're

0:15:31.920 --> 0:15:35.400
<v Speaker 3>protective and like always like waita wait about the guys.

0:15:35.400 --> 0:15:36.960
<v Speaker 3>So I was like, oh my god, the lines were

0:15:37.000 --> 0:15:38.600
<v Speaker 3>all blurring because we don't hell.

0:15:38.720 --> 0:15:41.360
<v Speaker 2>I felt like Kelly was a little like negative though,

0:15:41.400 --> 0:15:43.920
<v Speaker 2>like his dreams there.

0:15:44.000 --> 0:15:46.920
<v Speaker 3>Oh my god. But yeah, he could have been a

0:15:46.960 --> 0:15:47.760
<v Speaker 3>serial killer.

0:15:48.360 --> 0:15:52.040
<v Speaker 2>Yeah, well until he takes you to the pumpkin patch

0:15:52.680 --> 0:15:55.720
<v Speaker 2>and then redeems himself and you hold a baby goat,

0:15:55.720 --> 0:15:57.160
<v Speaker 2>and then I feel like I like him again.

0:15:57.920 --> 0:16:00.560
<v Speaker 3>It's so weird to watch this because I feel like

0:16:00.680 --> 0:16:03.160
<v Speaker 3>it was going back in time and setting up my future,

0:16:03.800 --> 0:16:06.640
<v Speaker 3>like because now I have animals and I have goats

0:16:06.680 --> 0:16:12.200
<v Speaker 3>in a pig that wilbur his mother. We got at

0:16:12.240 --> 0:16:15.800
<v Speaker 3>a petting zoo after Halloween. They were like, yeah, we're

0:16:15.840 --> 0:16:20.640
<v Speaker 3>like adopting out the pigs, Like, oh my gosh, I know, is.

0:16:20.600 --> 0:16:23.080
<v Speaker 2>This the place is this the time in your life

0:16:23.200 --> 0:16:26.760
<v Speaker 2>when you started your love of animals and like having

0:16:27.160 --> 0:16:29.720
<v Speaker 2>farm animals because you have always had like a goat

0:16:29.800 --> 0:16:30.720
<v Speaker 2>or a chicken or pigs.

0:16:31.480 --> 0:16:35.920
<v Speaker 3>I didn't remember this being yes, So we filmed at

0:16:35.960 --> 0:16:39.600
<v Speaker 3>that pumpkin patch. It's one that's still there in Sherman Oaks.

0:16:40.880 --> 0:16:44.240
<v Speaker 2>By the Jiffy Lube. Yeah wait, okay, you know the

0:16:44.280 --> 0:16:47.880
<v Speaker 2>one I' Venture Boulevards the Jiffy Lube. It's like Hazel

0:16:47.920 --> 0:16:51.880
<v Speaker 2>teenish Tina and Ventura Boulevard and there's a taco bell

0:16:51.920 --> 0:16:53.720
<v Speaker 2>but I don't know if the taco bell was there

0:16:54.400 --> 0:16:55.360
<v Speaker 2>back in the nineties.

0:16:57.400 --> 0:16:58.720
<v Speaker 1>That's pretty rad.

0:16:59.440 --> 0:17:00.880
<v Speaker 2>Yeah, but it's all still there.

0:17:01.760 --> 0:17:05.280
<v Speaker 3>Yeah, I feel like it's Tina's pumpkin patch now.

0:17:05.480 --> 0:17:09.800
<v Speaker 1>Oh Tina's yes, right. I think you might be right.

0:17:11.280 --> 0:17:13.840
<v Speaker 2>I've been there a good Jill's times with my kids.

0:17:26.400 --> 0:17:31.159
<v Speaker 4>I'm wondering if something toy. You can definitely answer this,

0:17:31.400 --> 0:17:34.080
<v Speaker 4>and Jenny, you're kind of watching it a little bit

0:17:34.080 --> 0:17:37.600
<v Speaker 4>for the first time. Ish, do I not like Ray

0:17:37.640 --> 0:17:40.240
<v Speaker 4>because I know where we're going, Like, is my judgment

0:17:40.320 --> 0:17:42.680
<v Speaker 4>clouded where I'm like this guy sucks?

0:17:43.960 --> 0:17:47.119
<v Speaker 2>I don't think that's it because I don't I know

0:17:47.160 --> 0:17:49.119
<v Speaker 2>what happens just from people talking about it, but I

0:17:49.160 --> 0:17:50.879
<v Speaker 2>don't As a view er, I don't know what's going

0:17:50.920 --> 0:17:53.760
<v Speaker 2>to happen. And he seems like kind of hot and

0:17:53.840 --> 0:17:56.000
<v Speaker 2>dangerous in the beginning, but then he also seems a

0:17:56.040 --> 0:18:00.280
<v Speaker 2>little aggressive and a little street and like not why

0:18:00.520 --> 0:18:07.879
<v Speaker 2>you know what Donna would like, But he's so cute.

0:18:09.200 --> 0:18:11.400
<v Speaker 2>It's not maybe she wants to have a little bad

0:18:11.440 --> 0:18:16.040
<v Speaker 2>boy time, you know, like he's maybe he's coming, you know,

0:18:16.119 --> 0:18:16.960
<v Speaker 2>bringing that for her.

0:18:17.400 --> 0:18:23.000
<v Speaker 1>It's not very Donna like too. Yeah, stand up Griffin,

0:18:23.080 --> 0:18:27.639
<v Speaker 1>who couldn't be sweeter and almost cheat? Dare I say

0:18:27.840 --> 0:18:28.520
<v Speaker 1>on Griffin?

0:18:30.720 --> 0:18:32.720
<v Speaker 3>I mean, are they exclusive?

0:18:33.359 --> 0:18:37.320
<v Speaker 1>I don't really know. It seems like Donna on her

0:18:37.320 --> 0:18:41.720
<v Speaker 1>face said boyfriend. You called him your boyfriend?

0:18:43.080 --> 0:18:46.119
<v Speaker 3>Wait, Jen, I think I said kind of.

0:18:47.680 --> 0:18:50.040
<v Speaker 2>I don't remember, but I kind of think he called him.

0:18:49.880 --> 0:18:52.360
<v Speaker 3>Your boyfriend kind of. I feel.

0:18:54.480 --> 0:18:55.080
<v Speaker 1>I do too.

0:18:56.280 --> 0:19:03.000
<v Speaker 3>I OK, okay for me, like I feel like I Donna,

0:19:03.400 --> 0:19:08.680
<v Speaker 3>not I that Donna. Damn. It's so yeah. So Griffin

0:19:08.840 --> 0:19:10.840
<v Speaker 3>is a little too straight lace for her. This is

0:19:10.840 --> 0:19:11.680
<v Speaker 3>so me in real life.

0:19:11.720 --> 0:19:13.679
<v Speaker 2>Oh my god. Really, it's like.

0:19:16.160 --> 0:19:20.119
<v Speaker 3>It's Griffin's a little too straight lace and he's a

0:19:20.119 --> 0:19:23.879
<v Speaker 3>little like, Oh, he's nice, but he's also just a

0:19:23.880 --> 0:19:26.560
<v Speaker 3>little too what's the word not.

0:19:27.960 --> 0:19:35.280
<v Speaker 4>Dork vanilla, Yes, lad lamm basic, he's just basic.

0:19:35.440 --> 0:19:38.639
<v Speaker 3>There you go, he's he's basic, like you know, but

0:19:39.080 --> 0:19:41.080
<v Speaker 3>that's the type of guy, like you know, I'm sure

0:19:41.080 --> 0:19:43.159
<v Speaker 3>they if they got married and had kids and he

0:19:43.200 --> 0:19:46.560
<v Speaker 3>would have been great to her her whole life, and

0:19:47.200 --> 0:19:47.720
<v Speaker 3>I don't.

0:19:47.600 --> 0:19:52.359
<v Speaker 2>Know what would have happened. I mean, actually, you know

0:19:52.400 --> 0:19:53.480
<v Speaker 2>when we've asked.

0:19:54.280 --> 0:19:56.960
<v Speaker 3>Those are the guys that you never suspect. Those are

0:19:56.960 --> 0:20:00.520
<v Speaker 3>the ones that are great and great on pap and

0:20:00.560 --> 0:20:02.640
<v Speaker 3>you're like, great, and he's nice to me, and then

0:20:02.640 --> 0:20:05.160
<v Speaker 3>you marry them and they don't end up being nice.

0:20:05.400 --> 0:20:08.639
<v Speaker 4>I don't know. Griffin aged like a fine wine. Casper's

0:20:08.640 --> 0:20:10.880
<v Speaker 4>looking good. I bet he's worth a hundred million dollars

0:20:11.160 --> 0:20:12.240
<v Speaker 4>meaning Griffin.

0:20:13.640 --> 0:20:16.080
<v Speaker 3>Oh, gryffin Stone, donnah Stone.

0:20:16.119 --> 0:20:19.520
<v Speaker 1>He probably took over the family business. He's on the

0:20:19.600 --> 0:20:20.719
<v Speaker 1>Stone guys.

0:20:20.760 --> 0:20:25.399
<v Speaker 3>Donna Silver much better, Donna Prewit never gonna happen, that

0:20:25.400 --> 0:20:29.800
<v Speaker 3>wouldn't be. I just feel like Ray's a little aggressive.

0:20:29.880 --> 0:20:32.760
<v Speaker 3>So Donna does like, wow, I've never had this. It's okay,

0:20:32.960 --> 0:20:39.560
<v Speaker 3>so David, So Ray is a little too bad boy out.

0:20:38.000 --> 0:20:43.840
<v Speaker 3>The Griffin is too nice guy, and David's kind of

0:20:43.880 --> 0:20:45.040
<v Speaker 3>somewhere in the middle.

0:20:45.160 --> 0:20:46.440
<v Speaker 1>True, very accurate.

0:20:48.240 --> 0:20:50.200
<v Speaker 4>I can't help but watch this and just feel terrible

0:20:50.240 --> 0:20:53.120
<v Speaker 4>for Jamie Walters. Like literally, that's all that keeps coming

0:20:53.119 --> 0:20:53.840
<v Speaker 4>into my mind.

0:20:54.000 --> 0:20:55.960
<v Speaker 3>Oh, I wish we didn't know what was going to

0:20:56.040 --> 0:20:58.639
<v Speaker 3>happen so we could watch it like wholeheartedly and be like,

0:20:59.280 --> 0:21:01.879
<v Speaker 3>his hair is gets better, but right now it's like

0:21:03.040 --> 0:21:04.040
<v Speaker 3>a little bits like.

0:21:04.400 --> 0:21:06.119
<v Speaker 2>Yeah, it looks like a chia pet.

0:21:09.600 --> 0:21:11.440
<v Speaker 1>I think at the time I loved him.

0:21:11.840 --> 0:21:13.200
<v Speaker 2>I think a lot of people did.

0:21:13.280 --> 0:21:17.200
<v Speaker 1>Right the one I loved even more. I won't say,

0:21:17.480 --> 0:21:17.919
<v Speaker 1>I'll wait.

0:21:17.840 --> 0:21:21.159
<v Speaker 4>Till we get to it, but anyway, so this is

0:21:21.200 --> 0:21:24.480
<v Speaker 4>definitely my favorite part of the whole episode. The dawnach,

0:21:25.080 --> 0:21:28.040
<v Speaker 4>the griffin, the pumpkin patch.

0:21:28.240 --> 0:21:30.800
<v Speaker 2>Yeah, you look so cute in that pumpkin patch.

0:21:31.880 --> 0:21:37.960
<v Speaker 1>The truck, the truck, the knife, and the truck truck.

0:21:38.080 --> 0:21:42.399
<v Speaker 3>Oh my god, I love a good vintage orange truck.

0:21:43.320 --> 0:21:46.240
<v Speaker 3>Oh my gosh, it's cute.

0:21:46.280 --> 0:21:48.359
<v Speaker 1>He wanted a surprise or it's the family pumpkin patch.

0:21:48.560 --> 0:21:49.280
<v Speaker 1>I like it.

0:21:49.880 --> 0:21:51.720
<v Speaker 2>So we don't know what's going to happen with that,

0:21:51.840 --> 0:21:56.600
<v Speaker 2>but I feel like Griffin's going to get out outed

0:21:56.760 --> 0:22:01.040
<v Speaker 2>and Ray's going to be in and then you know, oh,

0:22:01.400 --> 0:22:07.240
<v Speaker 2>just wait, there's some like ses all right, let's go

0:22:07.320 --> 0:22:08.080
<v Speaker 2>to Dylan Val.

0:22:10.040 --> 0:22:13.280
<v Speaker 3>Oh my god, can I say one thing you guys first,

0:22:13.320 --> 0:22:18.520
<v Speaker 3>you can. I'm gonna go on record here that nine

0:22:19.119 --> 0:22:22.560
<v Speaker 3>always ahead of its time. That it was literally Val

0:22:22.640 --> 0:22:25.800
<v Speaker 3>and Dylan the upside down Spider Man kiss, which is

0:22:25.840 --> 0:22:28.840
<v Speaker 3>the most one of the most iconic kisses in the

0:22:28.880 --> 0:22:32.040
<v Speaker 3>movie history. I looked it up. This was filmed, This

0:22:32.240 --> 0:22:35.480
<v Speaker 3>aired nineteen ninety four. That was with Toby maguire and

0:22:35.600 --> 0:22:39.880
<v Speaker 3>Kirsten Dunst in two thousand and two. I'm gonna gree

0:22:39.880 --> 0:22:42.080
<v Speaker 3>with you, Dylan Val did it first.

0:22:42.920 --> 0:22:45.560
<v Speaker 2>That's crazy. No, I've ever done it before them.

0:22:45.800 --> 0:22:46.880
<v Speaker 1>Great note, I.

0:22:46.960 --> 0:22:47.960
<v Speaker 3>Has no one ever done it.

0:22:48.280 --> 0:22:48.679
<v Speaker 2>I don't know.

0:22:48.760 --> 0:22:50.800
<v Speaker 3>I don't know they, I don't know. I only know

0:22:50.880 --> 0:22:52.959
<v Speaker 3>it is the Spider Man kiss. And when I saw that,

0:22:53.040 --> 0:22:53.360
<v Speaker 3>I was.

0:22:53.320 --> 0:22:58.960
<v Speaker 2>Like, I've really enjoyed that scene with Dylan and Val

0:22:59.080 --> 0:23:02.720
<v Speaker 2>though that has never happened with those two characters before.

0:23:03.000 --> 0:23:06.800
<v Speaker 2>And I was like, Hey, these guys are actually good together.

0:23:06.960 --> 0:23:12.480
<v Speaker 2>I kind of like them together now. And then he's

0:23:12.560 --> 0:23:15.040
<v Speaker 2>such jerking blows up because he's a jerk.

0:23:15.320 --> 0:23:20.680
<v Speaker 1>He's a jerk, and she's too snaky about it or something.

0:23:20.760 --> 0:23:25.080
<v Speaker 4>There's something going on where she's too conniving.

0:23:26.119 --> 0:23:29.679
<v Speaker 1>And then she's so like, no, I'm cool, I don't care.

0:23:29.760 --> 0:23:33.240
<v Speaker 1>I'm just here for the sex. And then she's so.

0:23:33.720 --> 0:23:35.680
<v Speaker 3>Tell she's falling for him though.

0:23:37.720 --> 0:23:40.560
<v Speaker 2>So that's it. She's he keeps saying, don't fall for me.

0:23:40.600 --> 0:23:42.920
<v Speaker 2>You're not my girlfriend. This isn't a girlfriend boyfriend thing.

0:23:43.440 --> 0:23:48.160
<v Speaker 2>Don't get too attached, and that exactly what's happened for yourself. Like, yeah,

0:23:48.200 --> 0:23:50.400
<v Speaker 2>but that's what's happening.

0:23:51.520 --> 0:23:53.600
<v Speaker 3>But it's such a male thing to be like, don't

0:23:53.640 --> 0:23:54.520
<v Speaker 3>go falling in love.

0:23:54.600 --> 0:23:55.720
<v Speaker 1>Well, I agree with you.

0:23:56.080 --> 0:23:57.840
<v Speaker 3>She would have been like, well, you don't go falling

0:23:57.840 --> 0:24:02.320
<v Speaker 3>in love like exactly, Like that bothered me. I think, Jen,

0:24:02.440 --> 0:24:05.760
<v Speaker 3>when you're responding to is the writing felt a little

0:24:05.800 --> 0:24:11.600
<v Speaker 3>more female a little bit. It wasn't the heart wasn't

0:24:11.640 --> 0:24:19.000
<v Speaker 3>so sexual memory. Everything was just like Brenda Kelly, blonde

0:24:19.080 --> 0:24:21.920
<v Speaker 3>or brunette. I was like, yes, I'm here for this.

0:24:22.480 --> 0:24:22.959
<v Speaker 2>I don't know.

0:24:23.000 --> 0:24:26.280
<v Speaker 1>I think Torri, you're right. Why did she take that?

0:24:26.359 --> 0:24:29.160
<v Speaker 1>She should have been like, it's so cocky of him

0:24:29.160 --> 0:24:32.679
<v Speaker 1>to be like don't phone loved me. Dan McKay like,

0:24:32.800 --> 0:24:35.520
<v Speaker 1>oh god, I mean yeah, I would have liked.

0:24:35.400 --> 0:24:37.159
<v Speaker 3>Her to have a little bit more Dylan McKay and

0:24:37.240 --> 0:24:41.359
<v Speaker 3>Luke Berry like fine, fine, fine, obvious, Yeah everyone would

0:24:41.400 --> 0:24:44.480
<v Speaker 3>fall in love, but I don't know like Dylan's.

0:24:44.520 --> 0:24:46.959
<v Speaker 1>So I liked the line when she said you'd never

0:24:47.040 --> 0:24:50.760
<v Speaker 1>let me forget it at the door. I was good.

0:24:51.320 --> 0:24:52.520
<v Speaker 1>I don't know, I don't know.

0:24:52.560 --> 0:24:57.639
<v Speaker 2>I just didn't like that turn of events when I

0:24:57.680 --> 0:24:59.479
<v Speaker 2>don't know, you start liking them together and then all

0:24:59.480 --> 0:25:01.360
<v Speaker 2>of a sudden he does that, he has that other

0:25:01.440 --> 0:25:05.720
<v Speaker 2>girl in his house, and then she's clearly shaken by it.

0:25:05.720 --> 0:25:08.160
<v Speaker 2>It just didn't feel I don't know, It didn't feel

0:25:08.160 --> 0:25:11.680
<v Speaker 2>like the vow that we've we've gotten to know. And

0:25:11.760 --> 0:25:14.280
<v Speaker 2>so I was like, wait, I don't think this is right.

0:25:14.320 --> 0:25:16.159
<v Speaker 2>But maybe there's so much more to vow that we

0:25:16.200 --> 0:25:18.400
<v Speaker 2>don't know. Maybe this is the softer side of her,

0:25:18.440 --> 0:25:21.440
<v Speaker 2>and she does you know, I don't have a heart.

0:25:21.840 --> 0:25:25.480
<v Speaker 3>Because she fell human right, You were like, oh, okay,

0:25:25.720 --> 0:25:28.800
<v Speaker 3>I mean yeah, I like, I.

0:25:28.800 --> 0:25:32.240
<v Speaker 1>Don't like Dylan being a jerk. It really bothers.

0:25:31.840 --> 0:25:33.800
<v Speaker 3>Me either, but it's hot.

0:25:34.000 --> 0:25:34.880
<v Speaker 1>Oops.

0:25:35.840 --> 0:25:37.440
<v Speaker 2>He does it all the time.

0:25:37.520 --> 0:25:45.560
<v Speaker 1>Now, so as they say, yeah, so.

0:25:46.280 --> 0:25:48.399
<v Speaker 3>Jen, did you love when the covers came down? I

0:25:48.440 --> 0:25:50.280
<v Speaker 3>looked for it this time he saw his underwear.

0:25:51.280 --> 0:25:56.119
<v Speaker 2>He had on shorts. Yeah, yeah, but he looked naked,

0:25:58.040 --> 0:25:59.600
<v Speaker 2>and I was like, he's naked.

0:26:00.200 --> 0:26:01.560
<v Speaker 1>This is what I was going to ask you, guys.

0:26:01.560 --> 0:26:05.639
<v Speaker 4>Are you noticing their scenes are a bit more risque?

0:26:06.119 --> 0:26:11.160
<v Speaker 1>Yeah? Are you noticing that? Like they seem different than

0:26:11.160 --> 0:26:11.879
<v Speaker 1>what we're used to?

0:26:12.800 --> 0:26:15.480
<v Speaker 2>Yeah, I don't know. I think that they're just their

0:26:15.560 --> 0:26:19.400
<v Speaker 2>chemistries get together. Now all of a sudden, they're pushing

0:26:19.560 --> 0:26:20.959
<v Speaker 2>the sexual envelope.

0:26:21.240 --> 0:26:22.840
<v Speaker 1>Yes, because they can't really.

0:26:22.600 --> 0:26:24.960
<v Speaker 3>Do it with anyone else. So this is they're like, Okay,

0:26:24.960 --> 0:26:27.159
<v Speaker 3>we got to go. These are the two because the

0:26:27.200 --> 0:26:28.440
<v Speaker 3>audience will be forgiving.

0:26:28.640 --> 0:26:32.040
<v Speaker 4>Like if it's that Yeah, because your scenes are very cute,

0:26:32.160 --> 0:26:34.439
<v Speaker 4>even when you're kissing Ray, even when you're kissing Griffin,

0:26:34.480 --> 0:26:35.359
<v Speaker 4>it's still CUTEZ.

0:26:35.560 --> 0:26:40.880
<v Speaker 3>Don don't mention tongue again, Jen, But with them.

0:26:40.800 --> 0:26:44.840
<v Speaker 1>It's very sexual. I don't know. This is just my observation.

0:26:44.920 --> 0:26:50.680
<v Speaker 1>It's like, I don't it's it's new, it's racier.

0:26:51.880 --> 0:26:55.440
<v Speaker 2>Agreed, Well, these let's think about it. I mean, these

0:26:55.480 --> 0:27:02.639
<v Speaker 2>actors are in the early twenties. Well, oh, Dylan was,

0:27:03.320 --> 0:27:09.880
<v Speaker 2>Luke was maybe in his late twenties, and Val was. Uh.

0:27:10.720 --> 0:27:15.760
<v Speaker 2>Tiffany was in her early twenties at this time. So

0:27:16.600 --> 0:27:22.520
<v Speaker 2>m M, they're really exploring all of that. Yeah, great,

0:27:23.760 --> 0:27:28.040
<v Speaker 2>what about Andrea is laundry?

0:27:27.720 --> 0:27:29.480
<v Speaker 3>Okay, we have to okay, Okay.

0:27:30.200 --> 0:27:32.520
<v Speaker 2>I enjoy a laundry Matt scene. I'm not gonna lie

0:27:33.119 --> 0:27:37.080
<v Speaker 2>every time I see one. Yeah, he was cute. The

0:27:37.119 --> 0:27:39.399
<v Speaker 2>guy was adorable, and I thought he was actually I

0:27:39.440 --> 0:27:41.960
<v Speaker 2>was like, I hope he sticks around because he was

0:27:42.000 --> 0:27:42.800
<v Speaker 2>a good actor.

0:27:45.440 --> 0:27:47.680
<v Speaker 1>That was cute. I was a cute little thing.

0:27:48.119 --> 0:27:55.240
<v Speaker 2>What was his name? What was his name? James Calvert? No, No,

0:27:55.440 --> 0:28:02.800
<v Speaker 2>James c Victor played Peter Tucker, little kind of like gingery.

0:28:03.240 --> 0:28:05.359
<v Speaker 2>He looked great. I thought he was a good match

0:28:05.400 --> 0:28:06.440
<v Speaker 2>for Andrea.

0:28:06.800 --> 0:28:10.000
<v Speaker 3>I like them together. I'm sad to say, just because

0:28:10.040 --> 0:28:12.680
<v Speaker 3>you feel like Jesse is like they're making him bad now.

0:28:12.760 --> 0:28:18.080
<v Speaker 2>So I was like, yeah, move on, Yeah, almost sweet

0:28:18.080 --> 0:28:21.840
<v Speaker 2>when she had this sort of candlelit dinner. Wait wait, wait,

0:28:21.880 --> 0:28:24.399
<v Speaker 2>go back, go back to when she comes up behind

0:28:24.440 --> 0:28:28.280
<v Speaker 2>him and she says she's getting all risky and she says,

0:28:29.040 --> 0:28:31.919
<v Speaker 2>you want to take a little nap is that her

0:28:32.000 --> 0:28:32.560
<v Speaker 2>code word?

0:28:34.640 --> 0:28:36.520
<v Speaker 1>This is when he rejected her and he had to study.

0:28:37.119 --> 0:28:40.920
<v Speaker 3>Oh yeah, I liked his gold chain, Jesse.

0:28:41.080 --> 0:28:42.120
<v Speaker 1>Yeah, he's a cute guy.

0:28:42.160 --> 0:28:46.800
<v Speaker 4>I'm glad they addressed and they didn't gloss over it. Yeah,

0:28:47.840 --> 0:28:49.360
<v Speaker 4>I sort of took his side.

0:28:49.560 --> 0:28:52.000
<v Speaker 1>I think she kind of is overreacting maybe a little

0:28:52.040 --> 0:28:54.480
<v Speaker 1>bit at this point.

0:28:56.000 --> 0:29:01.120
<v Speaker 3>No, no, no about instinct. Women always have gut instinct.

0:29:02.080 --> 0:29:05.320
<v Speaker 2>And she saw the way he was nuzzling up to

0:29:05.440 --> 0:29:10.680
<v Speaker 2>those girls at the bar, and that's not something a

0:29:10.720 --> 0:29:15.720
<v Speaker 2>girlfriend or wife or baby mama ever wants to see.

0:29:15.880 --> 0:29:16.200
<v Speaker 4>No.

0:29:16.760 --> 0:29:20.520
<v Speaker 3>So maybe this is innocent, but there's something in him

0:29:20.560 --> 0:29:21.840
<v Speaker 3>that's yeah coming.

0:29:22.720 --> 0:29:25.080
<v Speaker 2>I mean, he's young too, so he thinks he has

0:29:25.200 --> 0:29:28.760
<v Speaker 2>to do that to get his tips. But you know,

0:29:28.840 --> 0:29:31.480
<v Speaker 2>he cannot be like that and still make a living

0:29:31.480 --> 0:29:32.200
<v Speaker 2>for his family.

0:29:33.000 --> 0:29:34.360
<v Speaker 1>Just maybe a wink and a smile.

0:29:34.600 --> 0:29:35.200
<v Speaker 2>Let's face it.

0:29:35.240 --> 0:29:38.400
<v Speaker 3>He likes the attention. He feels like, oh my gosh,

0:29:39.360 --> 0:29:41.760
<v Speaker 3>I'm married, i have a baby, I'm an home, like

0:29:42.040 --> 0:29:49.560
<v Speaker 3>I'm still alive. He feels alive. Yeah mm hm, Well.

0:29:49.960 --> 0:29:51.440
<v Speaker 2>That's all we have to talk about that one.

0:29:52.400 --> 0:29:54.800
<v Speaker 3>Okay, We're going to the politics one. You guys, Oh

0:29:54.800 --> 0:29:57.880
<v Speaker 3>my god, that's not Fami here. Oh my gosh, same.

0:30:10.320 --> 0:30:12.440
<v Speaker 2>Wait. Can we want to talk about the opening credits

0:30:12.480 --> 0:30:15.720
<v Speaker 2>first then for a second, because they're pretty fun to watch.

0:30:15.960 --> 0:30:20.120
<v Speaker 2>I never really never watched them until now. This is

0:30:20.160 --> 0:30:23.160
<v Speaker 2>the same opening credits for the whole season, right, or

0:30:23.200 --> 0:30:25.560
<v Speaker 2>does it keep changing with the new characters coming in?

0:30:26.360 --> 0:30:30.600
<v Speaker 1>Well, I think this is the same, okay, unless Yeah,

0:30:30.720 --> 0:30:31.200
<v Speaker 1>I don't think.

0:30:31.240 --> 0:30:34.480
<v Speaker 2>But they're good. I like they're amazing. I don't I

0:30:34.520 --> 0:30:38.320
<v Speaker 2>never ever appreciated them. I hated shooting them. We were

0:30:38.320 --> 0:30:41.959
<v Speaker 2>all like, oh, we don't want to do this, but

0:30:42.160 --> 0:30:46.160
<v Speaker 2>they're pretty ingenious. Actually, the way you get to like

0:30:46.280 --> 0:30:50.680
<v Speaker 2>be a fly on the wall and watch these characters interact,

0:30:52.080 --> 0:30:54.840
<v Speaker 2>but they're not the characters somehow, they're the actors. I

0:30:54.880 --> 0:30:57.560
<v Speaker 2>don't know. I just really enjoyed it, and I just like, well,

0:30:57.600 --> 0:31:01.120
<v Speaker 2>I don't think any other shows were doing those kinds

0:31:01.160 --> 0:31:03.520
<v Speaker 2>of opening credits at that time, and I don't know,

0:31:03.760 --> 0:31:05.680
<v Speaker 2>are there other shows that have done it since where

0:31:05.720 --> 0:31:09.800
<v Speaker 2>it's so playful and intimate like that, like you really

0:31:09.800 --> 0:31:11.200
<v Speaker 2>feel like you're part of that group.

0:31:11.640 --> 0:31:13.680
<v Speaker 1>Yeah, melrose Place didn't have anything like that.

0:31:14.240 --> 0:31:17.800
<v Speaker 3>Such a good point, Jen, That's exactly it. We got

0:31:17.840 --> 0:31:20.400
<v Speaker 3>to be ourselves that day and they just let us go.

0:31:20.520 --> 0:31:23.800
<v Speaker 3>So when you in those opening credits, that's us, not

0:31:23.920 --> 0:31:27.880
<v Speaker 3>the characters. That's cute, great point. And they would just

0:31:28.000 --> 0:31:31.600
<v Speaker 3>literally they didn't write that like they didn't like to

0:31:31.760 --> 0:31:34.080
<v Speaker 3>do this. They just said and go basically.

0:31:33.800 --> 0:31:35.239
<v Speaker 2>Yeah, you guys all just stand up there.

0:31:35.240 --> 0:31:36.760
<v Speaker 3>They wanted, yeah, do whatever.

0:31:37.160 --> 0:31:37.840
<v Speaker 1>Well, that's so good.

0:31:37.880 --> 0:31:40.240
<v Speaker 4>I never think about that because most you know, opening

0:31:40.280 --> 0:31:42.160
<v Speaker 4>credits is just like clips from the show.

0:31:43.120 --> 0:31:46.000
<v Speaker 2>Yeah no, I really like all that footage of the

0:31:46.080 --> 0:31:49.520
<v Speaker 2>cast like just chilling together and interacting.

0:31:50.400 --> 0:31:52.760
<v Speaker 3>I would love to know the background of that of

0:31:52.840 --> 0:31:55.200
<v Speaker 3>like did they just like see us like playing around

0:31:55.240 --> 0:31:55.800
<v Speaker 3>and they were.

0:31:55.680 --> 0:31:59.640
<v Speaker 2>Like, that's it, just yeah right. The idea was that

0:32:00.120 --> 0:32:01.480
<v Speaker 2>there did that start.

0:32:01.800 --> 0:32:05.320
<v Speaker 3>Like we know the turn into frame, like we got that,

0:32:07.160 --> 0:32:09.719
<v Speaker 3>but that part where we all just had fun and

0:32:09.800 --> 0:32:11.800
<v Speaker 3>just did our thing. I would love to be like

0:32:11.840 --> 0:32:13.880
<v Speaker 3>someone's like, oh my god, get this. Look they're all friends.

0:32:13.880 --> 0:32:15.120
<v Speaker 3>They're actually just going.

0:32:15.200 --> 0:32:19.720
<v Speaker 2>Like we and we we played with that on BH

0:32:19.800 --> 0:32:22.560
<v Speaker 2>nine two one oh two we did a very similar

0:32:22.760 --> 0:32:24.440
<v Speaker 2>was that a scene or where we do? I can't

0:32:24.440 --> 0:32:27.400
<v Speaker 2>remember was that a scene in our show or was

0:32:27.440 --> 0:32:30.480
<v Speaker 2>that for a photo shoot?

0:32:31.400 --> 0:32:32.120
<v Speaker 3>Credits?

0:32:32.520 --> 0:32:33.400
<v Speaker 2>It was the credits.

0:32:33.440 --> 0:32:37.800
<v Speaker 3>It was the credits. Oh wait, yeah for the show.

0:32:38.000 --> 0:32:42.520
<v Speaker 2>In the show, it's so hard to remember.

0:32:42.680 --> 0:32:45.960
<v Speaker 3>No, those were credits. We filmed them.

0:32:46.400 --> 0:32:49.720
<v Speaker 2>We redid the opening credits, and.

0:32:48.840 --> 0:32:52.040
<v Speaker 3>And Jen it was we'd been filming all day. It

0:32:52.080 --> 0:32:53.600
<v Speaker 3>was four in the morning, was the last thing we

0:32:53.640 --> 0:32:56.040
<v Speaker 3>got to and we're like, these are our credits. Oh

0:32:56.040 --> 0:32:59.680
<v Speaker 3>my gosh, we're old, and now like now we have

0:32:59.720 --> 0:33:03.800
<v Speaker 3>to like go like pretend to have energy and like

0:33:03.840 --> 0:33:06.160
<v Speaker 3>our skin look good. Like it's it's been like seventeen

0:33:06.240 --> 0:33:06.920
<v Speaker 3>hours filming.

0:33:06.960 --> 0:33:08.800
<v Speaker 2>Okay, yeah, that's right.

0:33:10.640 --> 0:33:12.920
<v Speaker 3>Jason be like ding ding, Okay, we got it. Yeah,

0:33:13.000 --> 0:33:14.920
<v Speaker 3>Jason filmed all does.

0:33:16.680 --> 0:33:20.440
<v Speaker 2>Yeah, okay, sorry. Now back to the political episode. I

0:33:20.480 --> 0:33:23.760
<v Speaker 2>thought it was very suspenseful. I was on the edge

0:33:23.760 --> 0:33:26.920
<v Speaker 2>of my seat. Even though I don't normally like these storylines,

0:33:27.080 --> 0:33:30.440
<v Speaker 2>I thought this one was good, well warded.

0:33:34.280 --> 0:33:36.920
<v Speaker 3>It was hearted. I'm not gonna lie.

0:33:37.600 --> 0:33:38.760
<v Speaker 1>It was heavy.

0:33:38.840 --> 0:33:42.360
<v Speaker 2>It was so heavy. When the when the gardener takes

0:33:42.360 --> 0:33:44.800
<v Speaker 2>his shirt off and you see his back all slashed

0:33:44.880 --> 0:33:50.160
<v Speaker 2>up with a really bad scars, really bad.

0:33:51.000 --> 0:33:51.800
<v Speaker 1>The thing that was interesting.

0:33:52.080 --> 0:33:54.800
<v Speaker 4>You know, they show him in the very beginning so

0:33:54.840 --> 0:33:57.480
<v Speaker 4>that you know, and I thought that is so odd.

0:33:57.480 --> 0:34:01.880
<v Speaker 4>They're just lingering on this guy awkwardly long, and then

0:34:01.920 --> 0:34:03.000
<v Speaker 4>you realize.

0:34:02.680 --> 0:34:03.920
<v Speaker 1>Oh, no, I get later.

0:34:04.880 --> 0:34:08.759
<v Speaker 3>Yeah, I don't know, but I do like Brandon and

0:34:08.800 --> 0:34:12.279
<v Speaker 3>Claire together. I think they make a good team. Not

0:34:12.440 --> 0:34:17.120
<v Speaker 3>I didn't like them together romantically or sexually, but I

0:34:17.280 --> 0:34:17.960
<v Speaker 3>like them together.

0:34:19.480 --> 0:34:21.880
<v Speaker 2>Yeah. Are they friends? Are they just co hurts in

0:34:21.920 --> 0:34:25.759
<v Speaker 2>the situation because of him being the president, her being

0:34:25.800 --> 0:34:29.600
<v Speaker 2>the chancellor's daughter. But I can see how they could

0:34:29.600 --> 0:34:32.000
<v Speaker 2>be friends or like work together.

0:34:32.040 --> 0:34:34.080
<v Speaker 3>I wanted them to work together. I feel like they're

0:34:34.120 --> 0:34:39.000
<v Speaker 3>super smart, and she's like quick and bantery and kind

0:34:39.000 --> 0:34:41.879
<v Speaker 3>of brings out a different version of Brandon, which I liked.

0:34:42.480 --> 0:34:44.000
<v Speaker 1>I liked that she stood up to him.

0:34:45.400 --> 0:34:47.759
<v Speaker 4>We went from the Claire that was so obsessing with

0:34:47.880 --> 0:34:51.000
<v Speaker 4>him and flirty, and then she really stood up to

0:34:51.080 --> 0:34:53.120
<v Speaker 4>him and was like, I don't think you should do this,

0:34:53.200 --> 0:34:54.319
<v Speaker 4>and I'm not going to speak to you if you

0:34:54.360 --> 0:34:54.560
<v Speaker 4>do this.

0:34:54.640 --> 0:34:56.760
<v Speaker 1>And this is a good guy. Now.

0:34:57.239 --> 0:34:59.759
<v Speaker 4>I did get a little confused. I can't figure out

0:35:00.120 --> 0:35:01.840
<v Speaker 4>who did what? Is he a bad guy? Is he

0:35:01.880 --> 0:35:02.399
<v Speaker 4>a good guy?

0:35:03.200 --> 0:35:05.440
<v Speaker 1>I got all lost in the politics of it.

0:35:07.000 --> 0:35:11.160
<v Speaker 2>Okay, well, first of all, when the president's rolling in,

0:35:11.200 --> 0:35:13.759
<v Speaker 2>did you like all the montage of the cars, the

0:35:13.840 --> 0:35:17.759
<v Speaker 2>nineties cars. I couldn't get enough of that, so I

0:35:17.800 --> 0:35:21.400
<v Speaker 2>was like in a time machine. I forgot what the

0:35:21.400 --> 0:35:24.560
<v Speaker 2>cars looked like back then, Like they look so different,

0:35:24.600 --> 0:35:27.800
<v Speaker 2>you don't really remember until you see them rolling around

0:35:27.800 --> 0:35:29.280
<v Speaker 2>and you're like, wow, okay.

0:35:29.600 --> 0:35:31.440
<v Speaker 1>I couldn't figure out who was coming? I thought, is

0:35:31.480 --> 0:35:33.640
<v Speaker 1>the governor coming? Is the president coming?

0:35:34.000 --> 0:35:34.440
<v Speaker 2>Was that happening?

0:35:34.520 --> 0:35:36.759
<v Speaker 3>Cars from my parents' house? It was probably?

0:35:37.560 --> 0:35:40.680
<v Speaker 2>I was like, what show in my car? With all

0:35:40.760 --> 0:35:45.279
<v Speaker 2>this storyline? And then when they cut to Brandon inside

0:35:45.600 --> 0:35:49.520
<v Speaker 2>in his office, I was like, does Brandon is his office?

0:35:49.600 --> 0:35:52.640
<v Speaker 2>Does he work in jail? Because that's the ugliest office

0:35:52.640 --> 0:35:56.200
<v Speaker 2>I've ever seen in my life. They literally had no

0:35:56.280 --> 0:35:59.120
<v Speaker 2>time to set decorate that place because it was just

0:35:59.200 --> 0:36:02.120
<v Speaker 2>a brown and green room three walls.

0:36:04.040 --> 0:36:06.200
<v Speaker 3>Was that like a thrown in thing? They're like, oh,

0:36:06.280 --> 0:36:08.160
<v Speaker 3>we didn't know we're filming that just I.

0:36:09.120 --> 0:36:11.520
<v Speaker 2>Yeah, it didn't look good.

0:36:11.719 --> 0:36:15.759
<v Speaker 1>And the two randoms and aggressively coming at him, and

0:36:15.800 --> 0:36:17.239
<v Speaker 1>I'm like, what's happening?

0:36:18.320 --> 0:36:22.880
<v Speaker 2>I was like, these blah blah reporters, they're so forgettable.

0:36:23.000 --> 0:36:26.200
<v Speaker 2>I'm sorry, no fens, but I was like, why are

0:36:26.200 --> 0:36:27.720
<v Speaker 2>they here?

0:36:28.400 --> 0:36:31.600
<v Speaker 3>Wait? Who is the guy that he looks familiar, No.

0:36:32.480 --> 0:36:36.080
<v Speaker 1>The like head of that you know, anti be someone.

0:36:36.200 --> 0:36:36.399
<v Speaker 2>Yeah.

0:36:36.920 --> 0:36:41.960
<v Speaker 3>Their outfits were very Yeah, his outfit was like.

0:36:42.760 --> 0:36:45.200
<v Speaker 4>It took me out of the storyline that I was

0:36:45.320 --> 0:36:46.239
<v Speaker 4>enjoying so much.

0:36:46.280 --> 0:36:47.400
<v Speaker 1>I think that was my problem.

0:36:47.440 --> 0:36:49.400
<v Speaker 4>It was just so heavy and so serious and like

0:36:49.480 --> 0:36:51.200
<v Speaker 4>I wanted to google a bunch of stuff and I

0:36:51.239 --> 0:36:52.520
<v Speaker 4>was just like, is this real?

0:36:53.520 --> 0:36:56.520
<v Speaker 1>What's happening? Is is selen Asia a place?

0:36:56.760 --> 0:36:58.880
<v Speaker 2>And I was just too heavy for for nine o

0:36:59.000 --> 0:37:00.640
<v Speaker 2>two one oh and for every anything else that was

0:37:00.680 --> 0:37:02.480
<v Speaker 2>going on. I mean, I like, I liked it when

0:37:02.520 --> 0:37:05.640
<v Speaker 2>it's a little unbalanced like that, but this just felt

0:37:05.640 --> 0:37:06.840
<v Speaker 2>like a lot took.

0:37:06.640 --> 0:37:10.040
<v Speaker 4>Me out of the prankt and the even the Andrea

0:37:10.200 --> 0:37:11.000
<v Speaker 4>just stuff.

0:37:11.160 --> 0:37:14.799
<v Speaker 3>Rank it was also good. I want to know who

0:37:14.840 --> 0:37:18.480
<v Speaker 3>pitched that one. And everyone's like, oh, okay, do we

0:37:18.480 --> 0:37:21.759
<v Speaker 3>seem like Jiggle TV or like which they used to

0:37:21.800 --> 0:37:24.279
<v Speaker 3>say about my dad for like Charlie's Angels, Like oh,

0:37:24.280 --> 0:37:26.680
<v Speaker 3>it's you know, not a serious show if we don't

0:37:26.680 --> 0:37:29.440
<v Speaker 3>have this one. So I feel like somebody was like, uh, oh,

0:37:29.480 --> 0:37:32.920
<v Speaker 3>I guess we should do this, but come on, no

0:37:32.920 --> 0:37:34.440
<v Speaker 3>one wanted to. Let's be honest.

0:37:35.160 --> 0:37:37.040
<v Speaker 2>Yeah, I don't know that any of our viewers really

0:37:37.080 --> 0:37:38.280
<v Speaker 2>appreciated that storyline.

0:37:38.239 --> 0:37:39.760
<v Speaker 1>I kind of corallo it now.

0:37:41.760 --> 0:37:45.080
<v Speaker 2>Yeah, I don't know, And there was no payoff at

0:37:45.080 --> 0:37:45.480
<v Speaker 2>the end.

0:37:46.120 --> 0:37:47.759
<v Speaker 1>Well, it left me like very confused.

0:37:47.960 --> 0:37:51.240
<v Speaker 2>I mean, all we got was the guy, the gardener

0:37:51.320 --> 0:37:53.879
<v Speaker 2>man coming in and being like thank you bye, and.

0:37:53.840 --> 0:37:57.320
<v Speaker 4>Then the president of a country resigns because of Brandon.

0:37:57.400 --> 0:38:00.640
<v Speaker 3>Brandon. Brandon's so powerful.

0:38:01.040 --> 0:38:02.480
<v Speaker 1>I'm like, what is going on?

0:38:02.520 --> 0:38:03.080
<v Speaker 3>I don't know.

0:38:04.440 --> 0:38:08.600
<v Speaker 4>I mean, if fake newswoman with the weird awkward phone

0:38:08.800 --> 0:38:10.000
<v Speaker 4>on her news.

0:38:09.600 --> 0:38:14.120
<v Speaker 2>Desk, Wait, what about the protesters outside just outside Brandon's

0:38:14.160 --> 0:38:17.800
<v Speaker 2>window where he can see them? It made me laugh.

0:38:18.080 --> 0:38:19.360
<v Speaker 2>They're all clad together?

0:38:19.480 --> 0:38:23.040
<v Speaker 3>Ben No, Ben Learner.

0:38:23.680 --> 0:38:29.719
<v Speaker 1>Was that the actor that played the guy? Yeah, the

0:38:29.800 --> 0:38:34.080
<v Speaker 1>twelve protesters, all of it. Maybe the scene with the

0:38:34.120 --> 0:38:36.880
<v Speaker 1>cooking and the kitchen and the tasting the sauce was

0:38:37.120 --> 0:38:40.319
<v Speaker 1>sort of cute, Like it was just all what is

0:38:41.040 --> 0:38:41.719
<v Speaker 1>in the West Wing?

0:38:41.840 --> 0:38:44.400
<v Speaker 3>All of a sudden, when I heard culinary, I stopped.

0:38:44.400 --> 0:38:47.920
<v Speaker 3>But other than that, I President.

0:38:48.640 --> 0:38:52.200
<v Speaker 2>I like President Quintaro. I like his character and I

0:38:52.239 --> 0:38:54.560
<v Speaker 2>wanted to hug him, but then I found out he

0:38:54.600 --> 0:38:55.239
<v Speaker 2>was a bad dude.

0:38:55.320 --> 0:39:01.480
<v Speaker 1>So it was just all kind of I don't no, what.

0:39:01.640 --> 0:39:05.239
<v Speaker 3>If you guys we could go back and that storyline

0:39:05.480 --> 0:39:06.399
<v Speaker 3>just wasn't there.

0:39:07.920 --> 0:39:09.120
<v Speaker 1>It would have been great.

0:39:09.480 --> 0:39:11.440
<v Speaker 3>It would have been great. There must have been something

0:39:11.440 --> 0:39:14.560
<v Speaker 3>else they could do with Claire. Are they leading up

0:39:14.600 --> 0:39:17.440
<v Speaker 3>to something that they're like working together? I don't think so.

0:39:17.600 --> 0:39:19.560
<v Speaker 1>I could have done more with everything else.

0:39:19.560 --> 0:39:22.080
<v Speaker 4>I would have liked more Andrea and the Doctor, and

0:39:22.120 --> 0:39:25.480
<v Speaker 4>more Jesse, more Donna and Griffin and Ray.

0:39:25.560 --> 0:39:27.920
<v Speaker 3>We got no Kelly and Brandon. I got one years.

0:39:28.080 --> 0:39:29.400
<v Speaker 3>That's all I wanted more of that.

0:39:30.360 --> 0:39:33.879
<v Speaker 1>Yeah, yeah, that wasn't my favorite storyline.

0:39:34.160 --> 0:39:34.719
<v Speaker 3>No, I think.

0:39:34.760 --> 0:39:37.560
<v Speaker 2>I don't think Brandon likes Kelly's haircut, so they're not

0:39:37.800 --> 0:39:38.560
<v Speaker 2>un scenes together.

0:39:40.680 --> 0:39:42.879
<v Speaker 3>He's like pulling her in and trying to kiss her

0:39:42.960 --> 0:39:45.960
<v Speaker 3>and she's like pulling back. That kissing scene I did

0:39:46.000 --> 0:39:48.960
<v Speaker 3>see in the background, like he goes in to kiss you,

0:39:49.000 --> 0:39:51.400
<v Speaker 3>like his arm around you, he probably bruised you, like

0:39:51.520 --> 0:39:55.239
<v Speaker 3>you know, because Jason doesn't mean to, but he has

0:39:55.280 --> 0:39:59.400
<v Speaker 3>a heavy touch correct Like he'll shake your hand and

0:39:59.440 --> 0:40:03.120
<v Speaker 3>it's like hard, and like he'll he'll go to you know, gingerly,

0:40:03.239 --> 0:40:05.120
<v Speaker 3>like pat you on the back and it's like hard.

0:40:05.480 --> 0:40:08.360
<v Speaker 3>He's just strong. So when he pulled you in. It

0:40:08.440 --> 0:40:12.840
<v Speaker 3>was like probably hard and uh, and then he kissed you.

0:40:12.840 --> 0:40:16.800
<v Speaker 3>You pulled back let us. I didn't and then he

0:40:16.840 --> 0:40:17.359
<v Speaker 3>pulled back.

0:40:17.560 --> 0:40:19.000
<v Speaker 1>Yeah.

0:40:19.239 --> 0:40:22.640
<v Speaker 2>What I did notice though, is that in this storyline

0:40:22.640 --> 0:40:25.920
<v Speaker 2>we really get to see Brandon, a more mature Brandon,

0:40:26.239 --> 0:40:30.880
<v Speaker 2>and he's he's a natural leader, his character is. And

0:40:32.000 --> 0:40:36.160
<v Speaker 2>I found that so interesting because Jason is a natural

0:40:36.239 --> 0:40:41.360
<v Speaker 2>leader and we all just sort of fell into place

0:40:41.880 --> 0:40:46.360
<v Speaker 2>with you know, Jason's ideas or Jason's suggestions or you know,

0:40:47.160 --> 0:40:51.040
<v Speaker 2>just his his temperament on set, like he really set

0:40:51.080 --> 0:40:54.319
<v Speaker 2>the tone for for us. And then I realized I

0:40:54.320 --> 0:40:59.760
<v Speaker 2>didn't really understand that or appreciate that then, but now

0:41:00.960 --> 0:41:04.040
<v Speaker 2>knowing him still and getting to spend time around him,

0:41:04.400 --> 0:41:08.000
<v Speaker 2>that's just who he is. He's just a really he's

0:41:08.040 --> 0:41:10.480
<v Speaker 2>really comfortable in his own skin and he's a leader.

0:41:10.840 --> 0:41:13.359
<v Speaker 2>And I don't know, I never really appreciated that about him,

0:41:13.360 --> 0:41:15.640
<v Speaker 2>but it kind of is like second nature to him.

0:41:16.239 --> 0:41:18.640
<v Speaker 3>You were so right and I didn't think about that.

0:41:19.360 --> 0:41:24.080
<v Speaker 3>It's so true, Like whoever was really like cluing into

0:41:25.000 --> 0:41:29.359
<v Speaker 3>the actors playing the characters really started to get it right,

0:41:30.600 --> 0:41:33.919
<v Speaker 3>like so true.

0:41:34.200 --> 0:41:39.600
<v Speaker 2>Yeah, there's no Claire and David Jason appreciation moment there.

0:41:40.160 --> 0:41:41.920
<v Speaker 4>Yeah, it makes it awkward if I bring up the

0:41:41.920 --> 0:41:43.960
<v Speaker 4>line where they say the squirts.

0:41:44.800 --> 0:41:49.760
<v Speaker 2>Wait, that was your favorite line.

0:41:48.160 --> 0:41:52.160
<v Speaker 4>Totally when they literally are like they're in the bathroom

0:41:52.200 --> 0:41:52.920
<v Speaker 4>with the squirts.

0:41:54.239 --> 0:41:57.400
<v Speaker 3>Oh my gosh, poop humor. Wait, Jen doesn't like that?

0:41:58.719 --> 0:41:59.360
<v Speaker 2>Nope, Nope.

0:41:59.480 --> 0:42:02.680
<v Speaker 1>Why was even Griffin wearing earpieces? Who were they talking

0:42:02.719 --> 0:42:03.200
<v Speaker 1>to on those?

0:42:03.719 --> 0:42:07.640
<v Speaker 2>But it was sexy like they all had a body

0:42:07.680 --> 0:42:10.560
<v Speaker 2>mic on. Yeah, that's Steve, just like.

0:42:10.600 --> 0:42:12.680
<v Speaker 3>You got right in there and put it on her.

0:42:13.080 --> 0:42:17.960
<v Speaker 2>Yeah, and then she goes out to the to the

0:42:18.160 --> 0:42:20.799
<v Speaker 2>where the bear is and the guys and her her

0:42:20.840 --> 0:42:22.759
<v Speaker 2>little microphone was showing and I got nervous she was

0:42:22.760 --> 0:42:23.800
<v Speaker 2>gonna get trouble.

0:42:24.239 --> 0:42:27.160
<v Speaker 1>The scheme was technically very complicated.

0:42:28.719 --> 0:42:30.600
<v Speaker 2>It really was like how did they pull that off?

0:42:30.680 --> 0:42:33.640
<v Speaker 2>What did what? Where did they put the bear to

0:42:33.680 --> 0:42:36.919
<v Speaker 2>get it to their didn't they.

0:42:37.000 --> 0:42:39.560
<v Speaker 1>Needed Ray Prunes truck? How did they get it from?

0:42:40.760 --> 0:42:43.839
<v Speaker 1>Oh my god, usc to see you? Yeah?

0:42:44.280 --> 0:42:48.279
<v Speaker 3>So two things. One back then, I don't know if

0:42:48.320 --> 0:42:51.480
<v Speaker 3>it's still around. They had something called Spy Shop. It

0:42:51.520 --> 0:42:56.120
<v Speaker 3>was in Beverly Hills, literally a spy shop like so

0:42:56.160 --> 0:43:00.800
<v Speaker 3>you could go and buy like by gear. Oh my gosh,

0:43:00.960 --> 0:43:02.680
<v Speaker 3>I guess now you could just go to Amazon.

0:43:02.760 --> 0:43:03.840
<v Speaker 2>But whatever.

0:43:04.920 --> 0:43:08.839
<v Speaker 3>And per the squirts. Sorry. I feel like I kind

0:43:08.840 --> 0:43:11.200
<v Speaker 3>of wonder if Jason was directing this, there'd be a

0:43:11.200 --> 0:43:13.320
<v Speaker 3>little humor in it, and he would have like shown

0:43:13.360 --> 0:43:16.759
<v Speaker 3>them like running from the bathroom or running like like

0:43:16.800 --> 0:43:17.880
<v Speaker 3>to tie it all back.

0:43:18.239 --> 0:43:19.760
<v Speaker 1>Oh my god, that's such a good call.

0:43:20.320 --> 0:43:21.200
<v Speaker 2>Where were they?

0:43:21.360 --> 0:43:22.600
<v Speaker 3>What happened? I want to know.

0:43:23.320 --> 0:43:26.719
<v Speaker 1>I would have to have I would have loved to

0:43:26.719 --> 0:43:29.280
<v Speaker 1>have that zany direction. Yeah.

0:43:29.719 --> 0:43:29.959
<v Speaker 2>Yeah.

0:43:29.960 --> 0:43:34.520
<v Speaker 4>And in the storyline, yeah, mine is the It.

0:43:34.480 --> 0:43:36.000
<v Speaker 2>Could have been a little bit more fun.

0:43:37.120 --> 0:43:37.799
<v Speaker 3>Yeah.

0:43:37.960 --> 0:43:38.760
<v Speaker 1>I love the kiss.

0:43:38.800 --> 0:43:43.520
<v Speaker 4>I do think Ray's kiss with Donna was very sweet.

0:43:44.600 --> 0:43:47.920
<v Speaker 1>I was gonna that's my favorite part. I I I

0:43:48.000 --> 0:43:49.240
<v Speaker 1>just I'm.

0:43:49.080 --> 0:43:51.839
<v Speaker 4>Confused why I am not as into Ray now as

0:43:51.840 --> 0:43:52.439
<v Speaker 4>I was then.

0:43:52.719 --> 0:43:56.440
<v Speaker 2>But well, because you're you're a different person now, Amy,

0:43:56.480 --> 0:44:02.000
<v Speaker 2>You're more you're older, you're more worldly, you see things differently.

0:44:02.719 --> 0:44:04.440
<v Speaker 3>Minus the world lace. She doesn't fly.

0:44:04.680 --> 0:44:08.040
<v Speaker 4>But I even went I even went on YouTube and

0:44:08.040 --> 0:44:09.400
<v Speaker 4>watched how Do You Talk to An Angel?

0:44:09.880 --> 0:44:11.440
<v Speaker 1>I did a full deep dive.

0:44:11.239 --> 0:44:15.280
<v Speaker 4>After last week's episode, the whole timeline.

0:44:15.280 --> 0:44:19.520
<v Speaker 1>I YouTube parts of that movie. You said to John

0:44:19.520 --> 0:44:20.680
<v Speaker 1>tru would shout.

0:44:20.520 --> 0:44:21.280
<v Speaker 2>Oh, I forgot.

0:44:21.400 --> 0:44:23.960
<v Speaker 3>His love interest was Heather Graham. I think it was

0:44:24.000 --> 0:44:25.160
<v Speaker 3>her first movie.

0:44:25.840 --> 0:44:29.520
<v Speaker 4>Yep, yes, I fully went on the down the rabbit

0:44:29.520 --> 0:44:31.240
<v Speaker 4>hole of Jamie Walters.

0:44:31.920 --> 0:44:35.000
<v Speaker 3>I think we are swayed by what we know happens.

0:44:36.160 --> 0:44:38.040
<v Speaker 4>Remember, the star of the Heights was the girl from

0:44:38.120 --> 0:44:39.880
<v Speaker 4>Days of Our Lives, that eve that had.

0:44:39.719 --> 0:44:43.360
<v Speaker 1>The scar on Days of our Lives. I loved I

0:44:43.400 --> 0:44:48.399
<v Speaker 1>loved her. Yes, it was just Charlotte Ross. Yeah, Charlotte Ross.

0:44:48.400 --> 0:44:50.799
<v Speaker 1>Oh my god, great, Oh my gosh.

0:44:51.320 --> 0:44:53.520
<v Speaker 2>Oh I never watched The Heights.

0:44:54.239 --> 0:44:55.279
<v Speaker 1>I don't think anyone did.

0:44:55.280 --> 0:44:57.040
<v Speaker 2>I think that was on for just a second.

0:44:57.120 --> 0:45:00.480
<v Speaker 3>Right, So my dad did a movie called Sadus Faction,

0:45:01.120 --> 0:45:04.040
<v Speaker 3>and The Heights was kind of that was based on that.

0:45:04.040 --> 0:45:05.280
<v Speaker 3>That was my dad's movie.

0:45:05.640 --> 0:45:07.160
<v Speaker 1>And Julia Roberts.

0:45:07.160 --> 0:45:11.359
<v Speaker 3>It was Julia roberts first movie and she yeah, never

0:45:11.440 --> 0:45:14.200
<v Speaker 3>heard of It was about a singing girl band and

0:45:14.239 --> 0:45:16.720
<v Speaker 3>then it didn't do well and the music was really

0:45:17.239 --> 0:45:21.359
<v Speaker 3>great and it was a bummer. And then you know,

0:45:21.400 --> 0:45:23.880
<v Speaker 3>he was still like, I believe in this like band

0:45:24.000 --> 0:45:28.000
<v Speaker 3>and young like people in their twenties. So you went on, yeah, wait,

0:45:28.040 --> 0:45:28.600
<v Speaker 3>my head's.

0:45:28.360 --> 0:45:30.120
<v Speaker 1>About to exclude you know, Liam Neeson's in.

0:45:30.040 --> 0:45:35.200
<v Speaker 4>That movie Satisfaction. Yeah, Liam Neeson. Justine Bateman was the star.

0:45:35.440 --> 0:45:35.640
<v Speaker 1>Yeah.

0:45:35.719 --> 0:45:39.520
<v Speaker 4>Jumilia Roberts is sort of like third banana Liam Neeson

0:45:40.480 --> 0:45:42.879
<v Speaker 4>and they end up at his like, habin.

0:45:43.560 --> 0:45:45.000
<v Speaker 2>I really need to watch this movie.

0:45:45.040 --> 0:45:48.040
<v Speaker 1>Oh I cannot believe that's your day.

0:45:48.040 --> 0:45:50.080
<v Speaker 3>I mean it's yeah and.

0:45:51.400 --> 0:45:51.600
<v Speaker 1>Yeah.

0:45:51.680 --> 0:45:55.800
<v Speaker 3>Joel Schumacher was no longer with us, but did Lost

0:45:55.800 --> 0:45:58.520
<v Speaker 3>Boys and amazing movies. He did it with my dad

0:45:58.560 --> 0:46:03.080
<v Speaker 3>and directed it. And Justine Bateman amazing singer, like she

0:46:03.160 --> 0:46:03.759
<v Speaker 3>did all of it.

0:46:04.680 --> 0:46:05.000
<v Speaker 1>Little.

0:46:05.560 --> 0:46:08.799
<v Speaker 3>Maybe I'm wrong here, but I think Julia Roberts they

0:46:08.800 --> 0:46:12.160
<v Speaker 3>had someone you dub her voice. I don't think she's saying.

0:46:12.000 --> 0:46:16.160
<v Speaker 1>I can'not believe that is your dad's movie. And I've

0:46:16.280 --> 0:46:21.480
<v Speaker 1>never known this. Deborah Harry is in that movie.

0:46:21.880 --> 0:46:23.400
<v Speaker 3>Oh yeah, Blondie.

0:46:23.760 --> 0:46:28.000
<v Speaker 2>Oh my wait, Jenia Leber, do you remember this? Okay,

0:46:28.080 --> 0:46:31.520
<v Speaker 2>it was Hartford nineties con and we were in the

0:46:31.560 --> 0:46:36.160
<v Speaker 2>green room and the woman on Sabrina, the teenage witch.

0:46:36.080 --> 0:46:39.560
<v Speaker 1>Caroline Ray, not Caroline Ray, the.

0:46:39.520 --> 0:46:46.960
<v Speaker 2>Other one, the other aunt Beth something Beth Okay, she

0:46:47.520 --> 0:46:49.440
<v Speaker 2>was walked by us and I was like, who is that?

0:46:50.280 --> 0:46:55.239
<v Speaker 2>And you go, it's Blondie jen, that's Blondie. I was like,

0:46:55.239 --> 0:46:58.919
<v Speaker 2>what that blondie? Why would blonde be here? I mean

0:46:59.080 --> 0:47:02.880
<v Speaker 2>fair fair Like Now to this day, every time I

0:47:02.920 --> 0:47:06.000
<v Speaker 2>see her that's anywhere, I'm like, oh yeah, it's Blondie.

0:47:06.239 --> 0:47:08.600
<v Speaker 1>Beth Broaderic, Beth.

0:47:08.440 --> 0:47:10.080
<v Speaker 3>Broaderick, super nice.

0:47:10.760 --> 0:47:14.400
<v Speaker 4>Heading satisfaction as an Aaron Spelling movie.

0:47:14.640 --> 0:47:17.200
<v Speaker 3>Yes, he was so proud in that movie. And it

0:47:17.280 --> 0:47:22.359
<v Speaker 3>didn't They sang good, They sang really cool. Soundtrack is

0:47:22.440 --> 0:47:23.560
<v Speaker 3>so good.

0:47:24.680 --> 0:47:29.960
<v Speaker 1>I have it. Oh my god, my head is exploding.

0:47:31.239 --> 0:47:33.440
<v Speaker 3>Okay, you guys, we did it.

0:47:33.880 --> 0:47:36.439
<v Speaker 2>We did it. We did all five storylines.

0:47:36.800 --> 0:47:40.040
<v Speaker 1>Damn, I have to give my rating rating.

0:47:40.520 --> 0:47:48.440
<v Speaker 2>Oh. I felt really bad last week because I rated

0:47:48.480 --> 0:47:50.880
<v Speaker 2>the show very low, and I thought maybe people will

0:47:50.920 --> 0:47:52.520
<v Speaker 2>be upset with me. So I'm going to go a

0:47:52.520 --> 0:47:55.000
<v Speaker 2>little higher this week. I'm going to give it an eight.

0:47:57.080 --> 0:47:57.760
<v Speaker 3>It was seven.

0:47:58.360 --> 0:48:02.279
<v Speaker 1>Oh seven point five, all right. I don't like giving

0:48:02.320 --> 0:48:04.720
<v Speaker 1>a seven point five. I wanted.

0:48:04.760 --> 0:48:07.480
<v Speaker 4>I like to give it a nine, but the whole

0:48:07.560 --> 0:48:11.600
<v Speaker 4>politics got me all a lot.

0:48:12.160 --> 0:48:15.799
<v Speaker 2>Well, next week we have an exciting episode coming up.

0:48:15.840 --> 0:48:18.400
<v Speaker 2>It's called Who's zoom and Who.

0:48:19.239 --> 0:48:22.320
<v Speaker 1>Which is funny because there was no zoom.

0:48:22.440 --> 0:48:24.480
<v Speaker 3>I don't think that's the zoom they're talking about and

0:48:24.520 --> 0:48:25.719
<v Speaker 3>meant something else.

0:48:25.520 --> 0:48:34.320
<v Speaker 2>Like zoom, like zoo, or like zoomba or or And

0:48:34.400 --> 0:48:36.799
<v Speaker 2>the dogs get the zoomies, you know, when they run

0:48:36.840 --> 0:48:42.359
<v Speaker 2>around around, run around the squirts what Who's zoom and who?

0:48:43.239 --> 0:48:45.839
<v Speaker 2>No idea what that means, but we will find out

0:48:46.000 --> 0:48:49.600
<v Speaker 2>next week. Thanks you guys, Love you,