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Speaker 1: It's nine O gen one.

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Speaker 2: With Jenny Garth and Tory Spelling. Welcome everybody to another

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Speaker 2: episode of nine O two one. OMG, We're so glad

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Speaker 2: you're with us.

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Speaker 3: Oh you guys, it's good this week.

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Speaker 2: What an episode?

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Speaker 3: Wow, lions and tigers and bears.

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Speaker 2: Oh you're funny. See what you did there?

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Speaker 1: I had some highs and lows in this episode.

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Speaker 3: Oh did any sugarman just say that?

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Speaker 1: John?

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Speaker 2: She did? Love you guys, write it down? Ok document, that.

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Speaker 1: Were you guys thrown off in the very beginning when

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Speaker 1: it said sha California? It was.

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Speaker 3: Since poor Donna has a learning disability in dyslexia.

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Speaker 1: Uh I.

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Speaker 3: Torri was like Donna, uh I was switching them because

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Speaker 3: it's us, but they switched it conveniently. Like what.

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Speaker 2: Okay, Well, let's just get right into it because there's

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Speaker 2: really I have so much to talk about in this episode,

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Speaker 2: and I know you guys do too. Let's do this.

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Speaker 2: This is episode six of season five. It's called Homecoming.

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Speaker 2: It aired October twelfth, nineteen ninety four.

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Speaker 3: Synopsis. Brandon serves justice to a foreign leader for human

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Speaker 3: rights violations. Stee pulls off a homecoming hest with the

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Speaker 3: help of Kelly and Valerie. Andrea gets her flirt on

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Speaker 3: during the spin cycle, Don is two timing Griffin, Oh no,

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Speaker 3: while her and Ray are kissing, and Dylan diss's Valerie

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Speaker 3: for some random girl.

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Speaker 1: What Wow?

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Speaker 2: Yeah, there are five action packed storylines in this episode,

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Speaker 2: you guys, I counted them out. There's a school prank, right,

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Speaker 2: There's Dylan and val love, there's Brandon and this incredibly

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Speaker 2: heavy storyline, yes, not as into it. Andrea and herd laundry.

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Speaker 1: Love juicy, and then there's rape prute and Donna love

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Speaker 1: so much going on?

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Speaker 3: See oh and we have? Is this the first episode

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Speaker 3: that Meredith time wrote?

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Speaker 2: Oh? I believe so, I forgot to mention. It's directed

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Speaker 2: by Gilbert Shelton and written by Meredith Stein.

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Speaker 1: I haven't did I say? Like, so, okay, do you

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Speaker 1: guys remember her?

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Speaker 2: Nope? Sorry Meredith.

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Speaker 1: Hey, I have a question.

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Speaker 4: Do you guys have like a lot of interaction with

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Speaker 4: the writers? I know you guys work very close with Jessica,

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Speaker 4: but is that typical? Like what actors and writers not

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Speaker 4: have that much you know, conversation because there are they

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Speaker 4: down there on the set.

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Speaker 3: Depending right jah, and like like when they were EPs,

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Speaker 3: like Jessica and Steve. Yeah, but like, uh if it

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Speaker 3: was a off by Meredith or sorry, maybe there's more

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Speaker 3: by Meredith. Probably not.

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Speaker 2: Yeah, they kept I think more like the staff writers

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Speaker 2: over the hill on the other side of the hell.

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Speaker 2: They didn't make them come to Van Eyes.

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Speaker 1: They're not even there.

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Speaker 2: They they were doing their job from over the hill.

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Speaker 2: They they they got their marching orders that you know,

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Speaker 2: when they got the assignment for the episode, and then

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Speaker 2: they wrote it and then everybody, I think, weighs in

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Speaker 2: on it, and probably the EPs tweak it. That makes

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Speaker 2: me the studio tweaks that can you just.

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Speaker 3: Like zoo when you like, are not supposed to interact

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Speaker 3: too much with the zoo animals. I think we were like.

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Speaker 2: Yeah, well but you don't don't feed them, you do.

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Speaker 3: Not after midnight, don't feed them.

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Speaker 4: Can they just come up with any old idea or

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Speaker 4: does some executive producers say it's homecoming and here's the

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Speaker 4: general gist now right, or could a writer like Meredith

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Speaker 4: just go you know what I'm thinking. I'm thinking pumpkin patch,

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Speaker 4: Like I really want these two to go to a

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Speaker 4: pumpkin patch. And then she writes all about the goat

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Speaker 4: and this and that, Like do they just get to

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Speaker 4: do what they want now?

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Speaker 2: I mean in our experience when we did BH nine

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Speaker 2: two and zero, we worked very closely with the writing staff,

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Speaker 2: and we were in the room all the time, and

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Speaker 2: there's a big whiteboard. There's a lot of whiteboards, and

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Speaker 2: there's a bunch of ideas thrown up on them, you know,

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Speaker 2: and then collectively they decide, you know, how the episodes

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Speaker 2: are going to fall into place, and what the content

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Speaker 2: of them, and they break it down and then the

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Speaker 2: writer goes and does fills in the like gaps. You know.

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Speaker 3: I wonder what it was like in nineteen ninety four.

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Speaker 2: Were there white boards? Did they do it? They had

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Speaker 2: to chalkboards, like like from Little House on the Prairie

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Speaker 2: for sure.

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Speaker 4: I was trying to explain to somebody yesterday, how like

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Speaker 4: when we didn't have email, so say the writing staff

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Speaker 4: needed to write a memo to Aaron Smelling, somebody had

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Speaker 4: to like physically take it.

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Speaker 1: They'd have to type type, type it.

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Speaker 2: Yeah, I mean I think that they used to like

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Speaker 2: roll the script up and then hand it to a pigeon,

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Speaker 2: and then the pigeon would take it to the to

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Speaker 2: the Voss's office.

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Speaker 1: That's what I was gonna say. It's like, think about it.

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Speaker 1: There was no email.

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Speaker 2: They had faxes though, true.

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Speaker 4: It was the beginning of the facts, so they would

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Speaker 4: probably fax it all around.

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Speaker 3: Oh I don't know, I feel like slow they someone

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Speaker 3: like drove it over the hill to us on Calvert

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Speaker 3: Street and van Ey's.

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Speaker 1: Would you ever get them delivered to your homes?

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Speaker 3: No, no, they would.

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Speaker 1: You would get them on sete.

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Speaker 3: In our dressing rooms, right, John, Like you'd come there usually.

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Speaker 2: I mean we were always there, so yeah, we usually

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Speaker 2: got them all.

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Speaker 1: Yeah, I digress. Sorry for the question. That's okay, back

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Speaker 1: to it.

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Speaker 2: Let's talk about Let's talk about the first storyline. Let's

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Speaker 2: talk about the school prank because it was fun.

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Speaker 3: Oh my gosh, So you know how once in a

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Speaker 3: blue moon will like watch some movie like, oh my god,

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Speaker 3: I can remember being there. I remember being there.

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Speaker 2: You remember bear big Bear?

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Speaker 1: Yes, I don't even know.

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Speaker 3: I I don't know why, but I remember that bear.

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Speaker 2: Well it's pretty memorable. It's like four hundred feet tall.

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Speaker 2: And how they just roll that baby right out the

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Speaker 2: front door of the school, I don't understand.

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Speaker 4: But okay, I love the prank. I think it's very collogy,

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Speaker 4: very fun. I sort of actually loved that Valerie got

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Speaker 4: brought into it and that Kelly and Valerie are sort

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Speaker 4: of bonding a little bit.

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Speaker 2: Although I guess balance, I guess val is in with

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Speaker 2: Kelly now all of a sudden.

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Speaker 1: You're making her an honorary alpha, which wow thing.

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Speaker 2: And most of all, does Kelly have the authority to

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Speaker 2: just know you got anybody into the story? Sure?

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Speaker 3: Oh wow, I didn't even think of that. But you

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Speaker 3: know what, I feel bad, feel like Kelly's going into

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Speaker 3: it wholeheartedly and she's like, Oka, I'm gonna give her

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Speaker 3: another chance, you know, like she's redeeming. I feel like

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Speaker 3: val No, she's strategic.

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Speaker 2: This is all strategic for her. What's the strategy for

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Speaker 2: her to get in with Kelly? And I mean, she's

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Speaker 2: in with Steve, but I feel like he thinks their

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Speaker 2: boyfriend and girlfriend's.

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Speaker 3: I feel like she wants to know Kelly on a

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Speaker 3: deeper level so she can strategize how to play it

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Speaker 3: with Dylan, because she just wants to know her better.

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Speaker 3: Like keep your enemies closer, they say, like right, So

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Speaker 3: she's like, oh, you know, in her mind, like Kelly

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Speaker 3: and Brenda are her enemies because she's going after Dylan.

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Speaker 1: This this val I don't like that part.

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Speaker 2: I feel like Valerie's boobs are a character in themselves

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Speaker 2: on the show.

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Speaker 3: I'm not gonna lie.

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Speaker 2: I look, I don't know if we just talk about this.

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Speaker 2: I think this is terrible. I don't think we can

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Speaker 2: talk about this. But her boobs come into the scene

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Speaker 2: before she does. They're very perky.

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Speaker 3: Is it the white T shirt that when she came

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Speaker 3: into the peach bit it was the one I was like, what.

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Speaker 1: I will say, they do dress her a bit differently, and.

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Speaker 2: She's just like cute. She's dressed like baby more sexy.

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Speaker 2: She's just sexy. Yeah, her character is just a sexy,

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Speaker 2: like a sex kitten.

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Speaker 4: I loved her cut off flannel or cut off flaid,

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Speaker 4: which was something dull when Brenda wore.

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Speaker 2: Wait, the arms were cut off. Mh.

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Speaker 1: You notice that.

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Speaker 3: Tories, Oh my god, black and white.

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Speaker 1: And she pulled it on.

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Speaker 2: As when she puts her pants on when she's naked

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Speaker 2: and she pulls up her pants and it just all,

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Speaker 2: you know, magically covers her areas.

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Speaker 1: Can I they're a little bit more I don't know

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Speaker 1: what the word is. What with Valerie and Dylan. They

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Speaker 1: show it more, I feel like.

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Speaker 3: Okay, we can't go there yet.

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Speaker 2: We're talking about the school prank amy.

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Speaker 1: It was me.

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Speaker 2: It was my fault, well not really because the bos

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Speaker 2: her boobs were in the school prank storyline. Yeah totally, Yeah,

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Speaker 2: so we'll just stick with the school prank. I also

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Speaker 2: very thought it was super cute. I thought that Steve

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Speaker 2: is bayblicious in this episode, like the way he's got

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Speaker 2: his little shirt unbuttoned and his sunglasses on. He was hot.

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Speaker 1: Seems are pretty tight.

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Speaker 2: Yeah, well I didn't really notice that, but I'm sure there.

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Speaker 3: Can you say the line as you did, mister Bond?

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Speaker 2: Oh my god, that's flying? Uh what now, mister Bond?

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Speaker 2: It was so funny. Sometimes they really write Kelly like

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Speaker 2: these snazzy little zingers. I love that.

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Speaker 4: There's nothing better than the diarrhea brownies. I'm not gonna lie.

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Speaker 1: They obviously can'twies.

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Speaker 2: I was like, are those going to be pop brownies?

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Speaker 2: What's happening with the brownies? That's what I thought.

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Speaker 3: I was so nervous, and I was like, Kelly would

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Speaker 3: never what is happening? And like a baker in the world,

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Speaker 3: so like it's so weird to see like her inserting that. Nope,

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Speaker 3: like her, you know, was it a tooth bake and

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Speaker 3: you see, but it was a strip. It looked like

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Speaker 3: one of those strips you used, like, uh, the COVID

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Speaker 3: dipper strip. Nope, nope, but it was like keys out raw.

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Speaker 3: It's not baked yet, but you I learn know how

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Speaker 3: to do this. But yeah, you're like the baker.

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Speaker 2: I don't think Kelly is a very good banker.

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Speaker 3: But yeah, I know I had to separate the two

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Speaker 3: of you. It was hard.

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Speaker 2: But diarrhea brownies, that's a thing.

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Speaker 3: Like, that's a thing. Did you know? Did you know?

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Speaker 3: I mean I heard from a front possibly that if

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Speaker 3: you put vizine years and years ago into something, it

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Speaker 3: gives someone that.

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Speaker 1: I think that's how you murder people.

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Speaker 2: What oh wait, let's don't try that. Then don't try that.

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Speaker 2: What are you talking about?

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Speaker 1: I thought, if you don't want vizine, and I don't.

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Speaker 2: Know, I heard the same thing. If you put vizine

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Speaker 2: in something and make somebody eat it or drink it,

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Speaker 2: then they get the poops.

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Speaker 3: Right, I mean, like years ago, Like, is that not

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Speaker 3: a thing? I don't know. It's always a rumor.

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Speaker 2: We should probably fact check that before.

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Speaker 4: I feel like there was another show or movie where

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Speaker 4: they put x lax in the Brownies and then they

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Speaker 4: had that door thing that was so clever because they

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Speaker 4: were building that and I'm like, what are they building

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Speaker 4: with that wood?

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Speaker 1: And then they clo door handled like get them.

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Speaker 2: In the bear though the whole bear and like the

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Speaker 2: like the beginning where you see the bear and you

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Speaker 2: go into that school, it's so like, what's that night

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Speaker 2: at the museum?

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Speaker 3: It's oh my god, it was good. I loved that storyline.

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Speaker 3: And Stephen Griffin looks super sexy.

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Speaker 1: As spies totally. How about the end? So when the

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Speaker 1: bear gets revealed, right and everyone's in there see you

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Speaker 1: shirts and they're so.

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Speaker 4: Excited, and then it's just Donna and Griffin making out

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Speaker 4: the whole scene. Did you notice that just like every

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Speaker 4: background shot is you guys, no, watch it.

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Speaker 2: Oh you need to you need to rewatch that because

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Speaker 2: you're making a couple of tongues very visible.

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Speaker 3: You cannot see it if it was in the background.

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Speaker 1: Oh, it was.

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Speaker 2: Amy and I both saw it, so it was.

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Speaker 4: Very front background, Like you weren't the main part of

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Speaker 4: the scene, but you're very prominent on the backing down.

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Speaker 3: So in that scene I was trying to do my

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Speaker 3: due diligence because Jen.

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Speaker 2: You need to always see like.

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Speaker 3: The people in the scene. And I'm looking for the

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Speaker 3: boom and I'm looking for how many people. I was

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Speaker 3: trying to do that work. And I was like, okay,

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Speaker 3: I got this. I wonder how many you know, background

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Speaker 3: players they had in this and I'm doing that. I

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Speaker 3: wasn't even looking.

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Speaker 1: That is also I see you only has one version

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Speaker 1: of the T shirt because.

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Speaker 2: I gotta say, I don't like that T shirt on

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Speaker 2: the cast. Well the color, the color is a little yeah.

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Speaker 3: Wait, what about the condor meat h ew thing in

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Speaker 3: the background of us. I tried to snap it because

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Speaker 3: it's so funny. They you don't eat meat. And it

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Speaker 3: was with this is years and years ago, and it

263
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Speaker 3: was you and I walking and in the back it

264
00:13:38,720 --> 00:13:41,199
Speaker 3: was like a paint, not a painting, but like a mural,

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Speaker 3: like a poster they painted and it said a big

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Speaker 3: thing condor meat and it showed it.

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Speaker 2: Ew wait, they were selling condor meat.

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Speaker 3: No, were we eating condor meat?

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Speaker 2: No, it was.

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Speaker 3: We're the Condors right, oh city. For some reason, it

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Speaker 3: was like a big condor, like a one of those

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00:14:06,000 --> 00:14:08,360
Speaker 3: giant turkey legs, like from Not's Ferry Farm.

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Speaker 1: Oh my god, I missed this.

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Speaker 3: It was one, Oh my god, and it was just

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Speaker 3: I tried to snap it for John, like it was

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Speaker 3: literally the two of us walking and then in the

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Speaker 3: background it was that.

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Speaker 2: Oh my god, as you saw, but you didn't see

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Speaker 2: that you making out with what's his name? He's out soon.

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Speaker 2: I feel like Donna's gonna dump.

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Speaker 1: Him and I am not about it.

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Speaker 2: Dump Griffin and you're.

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Speaker 1: Not about it?

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00:14:34,200 --> 00:14:35,680
Speaker 3: You want Griffin to talk about.

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Speaker 2: Ray Ray and Donna now, because.

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Speaker 4: I mean in the day, I loved Ray Prewitt, And

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Speaker 4: now I'm like, why didn't we let Griffin just stay there?

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Speaker 2: I'm not sure what's going on with Ray Prut Is

289
00:14:46,160 --> 00:14:47,840
Speaker 2: he good guy? Is he a bad guy? Because I'm

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Speaker 2: getting all kinds of vibes from him that that should

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Speaker 2: be red flags for Donna. Do you not know?

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Speaker 1: No?

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Speaker 2: I mean I know what ultimately happens, but I don't

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Speaker 2: know the progression of it.

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Speaker 1: Yeah, Torri, how are you feeling about Ray?

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Speaker 3: Oh?

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Speaker 4: Man?

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Speaker 3: You guys, I gotta say, back in the day, I

299
00:15:07,160 --> 00:15:10,280
Speaker 3: was way more into this pairing than I am now.

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Speaker 2: Yeah, I don't know because it was hot and dangerous and.

301
00:15:15,360 --> 00:15:18,120
Speaker 3: Yeah, I think it's going somewhere, but I'm not. I

302
00:15:18,120 --> 00:15:20,920
Speaker 3: don't remember it this way. I feel like it's a

303
00:15:20,920 --> 00:15:25,240
Speaker 3: little like I don't like the comments he makes fair.

304
00:15:25,360 --> 00:15:29,600
Speaker 3: Kelly's a really good friend and protective. It blurred the

305
00:15:29,640 --> 00:15:31,880
Speaker 3: lines of you and I in real life because you're

306
00:15:31,920 --> 00:15:35,400
Speaker 3: protective and like always like waita wait about the guys.

307
00:15:35,400 --> 00:15:36,960
Speaker 3: So I was like, oh my god, the lines were

308
00:15:37,000 --> 00:15:38,600
Speaker 3: all blurring because we don't hell.

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Speaker 2: I felt like Kelly was a little like negative though,

310
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Speaker 2: like his dreams there.

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Speaker 3: Oh my god. But yeah, he could have been a

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Speaker 3: serial killer.

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00:15:48,360 --> 00:15:52,040
Speaker 2: Yeah, well until he takes you to the pumpkin patch

314
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Speaker 2: and then redeems himself and you hold a baby goat,

315
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Speaker 2: and then I feel like I like him again.

316
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Speaker 3: It's so weird to watch this because I feel like

317
00:16:00,680 --> 00:16:03,160
Speaker 3: it was going back in time and setting up my future,

318
00:16:03,800 --> 00:16:06,640
Speaker 3: like because now I have animals and I have goats

319
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Speaker 3: in a pig that wilbur his mother. We got at

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Speaker 3: a petting zoo after Halloween. They were like, yeah, we're

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Speaker 3: like adopting out the pigs, Like, oh my gosh, I know, is.

322
00:16:20,600 --> 00:16:23,080
Speaker 2: This the place is this the time in your life

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Speaker 2: when you started your love of animals and like having

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Speaker 2: farm animals because you have always had like a goat

325
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Speaker 2: or a chicken or pigs.

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Speaker 3: I didn't remember this being yes, So we filmed at

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Speaker 3: that pumpkin patch. It's one that's still there in Sherman Oaks.

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Speaker 2: By the Jiffy Lube. Yeah wait, okay, you know the

329
00:16:44,280 --> 00:16:47,880
Speaker 2: one I' Venture Boulevards the Jiffy Lube. It's like Hazel

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Speaker 2: teenish Tina and Ventura Boulevard and there's a taco bell

331
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Speaker 2: but I don't know if the taco bell was there

332
00:16:54,400 --> 00:16:55,360
Speaker 2: back in the nineties.

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Speaker 1: That's pretty rad.

334
00:16:59,440 --> 00:17:00,880
Speaker 2: Yeah, but it's all still there.

335
00:17:01,760 --> 00:17:05,280
Speaker 3: Yeah, I feel like it's Tina's pumpkin patch now.

336
00:17:05,480 --> 00:17:09,800
Speaker 1: Oh Tina's yes, right. I think you might be right.

337
00:17:11,280 --> 00:17:13,840
Speaker 2: I've been there a good Jill's times with my kids.

338
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Speaker 4: I'm wondering if something toy. You can definitely answer this,

339
00:17:31,400 --> 00:17:34,080
Speaker 4: and Jenny, you're kind of watching it a little bit

340
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Speaker 4: for the first time. Ish, do I not like Ray

341
00:17:37,640 --> 00:17:40,240
Speaker 4: because I know where we're going, Like, is my judgment

342
00:17:40,320 --> 00:17:42,680
Speaker 4: clouded where I'm like this guy sucks?

343
00:17:43,960 --> 00:17:47,119
Speaker 2: I don't think that's it because I don't I know

344
00:17:47,160 --> 00:17:49,119
Speaker 2: what happens just from people talking about it, but I

345
00:17:49,160 --> 00:17:50,879
Speaker 2: don't As a view er, I don't know what's going

346
00:17:50,920 --> 00:17:53,760
Speaker 2: to happen. And he seems like kind of hot and

347
00:17:53,840 --> 00:17:56,000
Speaker 2: dangerous in the beginning, but then he also seems a

348
00:17:56,040 --> 00:18:00,280
Speaker 2: little aggressive and a little street and like not why

349
00:18:00,520 --> 00:18:07,879
Speaker 2: you know what Donna would like, But he's so cute.

350
00:18:09,200 --> 00:18:11,400
Speaker 2: It's not maybe she wants to have a little bad

351
00:18:11,440 --> 00:18:16,040
Speaker 2: boy time, you know, like he's maybe he's coming, you know,

352
00:18:16,119 --> 00:18:16,960
Speaker 2: bringing that for her.

353
00:18:17,400 --> 00:18:23,000
Speaker 1: It's not very Donna like too. Yeah, stand up Griffin,

354
00:18:23,080 --> 00:18:27,639
Speaker 1: who couldn't be sweeter and almost cheat? Dare I say

355
00:18:27,840 --> 00:18:28,520
Speaker 1: on Griffin?

356
00:18:30,720 --> 00:18:32,720
Speaker 3: I mean, are they exclusive?

357
00:18:33,359 --> 00:18:37,320
Speaker 1: I don't really know. It seems like Donna on her

358
00:18:37,320 --> 00:18:41,720
Speaker 1: face said boyfriend. You called him your boyfriend?

359
00:18:43,080 --> 00:18:46,119
Speaker 3: Wait, Jen, I think I said kind of.

360
00:18:47,680 --> 00:18:50,040
Speaker 2: I don't remember, but I kind of think he called him.

361
00:18:49,880 --> 00:18:52,360
Speaker 3: Your boyfriend kind of. I feel.

362
00:18:54,480 --> 00:18:55,080
Speaker 1: I do too.

363
00:18:56,280 --> 00:19:03,000
Speaker 3: I OK, okay for me, like I feel like I Donna,

364
00:19:03,400 --> 00:19:08,680
Speaker 3: not I that Donna. Damn. It's so yeah. So Griffin

365
00:19:08,840 --> 00:19:10,840
Speaker 3: is a little too straight lace for her. This is

366
00:19:10,840 --> 00:19:11,680
Speaker 3: so me in real life.

367
00:19:11,720 --> 00:19:13,679
Speaker 2: Oh my god. Really, it's like.

368
00:19:16,160 --> 00:19:20,119
Speaker 3: It's Griffin's a little too straight lace and he's a

369
00:19:20,119 --> 00:19:23,879
Speaker 3: little like, Oh, he's nice, but he's also just a

370
00:19:23,880 --> 00:19:26,560
Speaker 3: little too what's the word not.

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00:19:27,960 --> 00:19:35,280
Speaker 4: Dork vanilla, Yes, lad lamm basic, he's just basic.

372
00:19:35,440 --> 00:19:38,639
Speaker 3: There you go, he's he's basic, like you know, but

373
00:19:39,080 --> 00:19:41,080
Speaker 3: that's the type of guy, like you know, I'm sure

374
00:19:41,080 --> 00:19:43,159
Speaker 3: they if they got married and had kids and he

375
00:19:43,200 --> 00:19:46,560
Speaker 3: would have been great to her her whole life, and

376
00:19:47,200 --> 00:19:47,720
Speaker 3: I don't.

377
00:19:47,600 --> 00:19:52,359
Speaker 2: Know what would have happened. I mean, actually, you know

378
00:19:52,400 --> 00:19:53,480
Speaker 2: when we've asked.

379
00:19:54,280 --> 00:19:56,960
Speaker 3: Those are the guys that you never suspect. Those are

380
00:19:56,960 --> 00:20:00,520
Speaker 3: the ones that are great and great on pap and

381
00:20:00,560 --> 00:20:02,640
Speaker 3: you're like, great, and he's nice to me, and then

382
00:20:02,640 --> 00:20:05,160
Speaker 3: you marry them and they don't end up being nice.

383
00:20:05,400 --> 00:20:08,639
Speaker 4: I don't know. Griffin aged like a fine wine. Casper's

384
00:20:08,640 --> 00:20:10,880
Speaker 4: looking good. I bet he's worth a hundred million dollars

385
00:20:11,160 --> 00:20:12,240
Speaker 4: meaning Griffin.

386
00:20:13,640 --> 00:20:16,080
Speaker 3: Oh, gryffin Stone, donnah Stone.

387
00:20:16,119 --> 00:20:19,520
Speaker 1: He probably took over the family business. He's on the

388
00:20:19,600 --> 00:20:20,719
Speaker 1: Stone guys.

389
00:20:20,760 --> 00:20:25,399
Speaker 3: Donna Silver much better, Donna Prewit never gonna happen, that

390
00:20:25,400 --> 00:20:29,800
Speaker 3: wouldn't be. I just feel like Ray's a little aggressive.

391
00:20:29,880 --> 00:20:32,760
Speaker 3: So Donna does like, wow, I've never had this. It's okay,

392
00:20:32,960 --> 00:20:39,560
Speaker 3: so David, So Ray is a little too bad boy out.

393
00:20:38,000 --> 00:20:43,840
Speaker 3: The Griffin is too nice guy, and David's kind of

394
00:20:43,880 --> 00:20:45,040
Speaker 3: somewhere in the middle.

395
00:20:45,160 --> 00:20:46,440
Speaker 1: True, very accurate.

396
00:20:48,240 --> 00:20:50,200
Speaker 4: I can't help but watch this and just feel terrible

397
00:20:50,240 --> 00:20:53,120
Speaker 4: for Jamie Walters. Like literally, that's all that keeps coming

398
00:20:53,119 --> 00:20:53,840
Speaker 4: into my mind.

399
00:20:54,000 --> 00:20:55,960
Speaker 3: Oh, I wish we didn't know what was going to

400
00:20:56,040 --> 00:20:58,639
Speaker 3: happen so we could watch it like wholeheartedly and be like,

401
00:20:59,280 --> 00:21:01,879
Speaker 3: his hair is gets better, but right now it's like

402
00:21:03,040 --> 00:21:04,040
Speaker 3: a little bits like.

403
00:21:04,400 --> 00:21:06,119
Speaker 2: Yeah, it looks like a chia pet.

404
00:21:09,600 --> 00:21:11,440
Speaker 1: I think at the time I loved him.

405
00:21:11,840 --> 00:21:13,200
Speaker 2: I think a lot of people did.

406
00:21:13,280 --> 00:21:17,200
Speaker 1: Right the one I loved even more. I won't say,

407
00:21:17,480 --> 00:21:17,919
Speaker 1: I'll wait.

408
00:21:17,840 --> 00:21:21,159
Speaker 4: Till we get to it, but anyway, so this is

409
00:21:21,200 --> 00:21:24,480
Speaker 4: definitely my favorite part of the whole episode. The dawnach,

410
00:21:25,080 --> 00:21:28,040
Speaker 4: the griffin, the pumpkin patch.

411
00:21:28,240 --> 00:21:30,800
Speaker 2: Yeah, you look so cute in that pumpkin patch.

412
00:21:31,880 --> 00:21:37,960
Speaker 1: The truck, the truck, the knife, and the truck truck.

413
00:21:38,080 --> 00:21:42,399
Speaker 3: Oh my god, I love a good vintage orange truck.

414
00:21:43,320 --> 00:21:46,240
Speaker 3: Oh my gosh, it's cute.

415
00:21:46,280 --> 00:21:48,359
Speaker 1: He wanted a surprise or it's the family pumpkin patch.

416
00:21:48,560 --> 00:21:49,280
Speaker 1: I like it.

417
00:21:49,880 --> 00:21:51,720
Speaker 2: So we don't know what's going to happen with that,

418
00:21:51,840 --> 00:21:56,600
Speaker 2: but I feel like Griffin's going to get out outed

419
00:21:56,760 --> 00:22:01,040
Speaker 2: and Ray's going to be in and then you know, oh,

420
00:22:01,400 --> 00:22:07,240
Speaker 2: just wait, there's some like ses all right, let's go

421
00:22:07,320 --> 00:22:08,080
Speaker 2: to Dylan Val.

422
00:22:10,040 --> 00:22:13,280
Speaker 3: Oh my god, can I say one thing you guys first,

423
00:22:13,320 --> 00:22:18,520
Speaker 3: you can. I'm gonna go on record here that nine

424
00:22:19,119 --> 00:22:22,560
Speaker 3: always ahead of its time. That it was literally Val

425
00:22:22,640 --> 00:22:25,800
Speaker 3: and Dylan the upside down Spider Man kiss, which is

426
00:22:25,840 --> 00:22:28,840
Speaker 3: the most one of the most iconic kisses in the

427
00:22:28,880 --> 00:22:32,040
Speaker 3: movie history. I looked it up. This was filmed, This

428
00:22:32,240 --> 00:22:35,480
Speaker 3: aired nineteen ninety four. That was with Toby maguire and

429
00:22:35,600 --> 00:22:39,880
Speaker 3: Kirsten Dunst in two thousand and two. I'm gonna gree

430
00:22:39,880 --> 00:22:42,080
Speaker 3: with you, Dylan Val did it first.

431
00:22:42,920 --> 00:22:45,560
Speaker 2: That's crazy. No, I've ever done it before them.

432
00:22:45,800 --> 00:22:46,880
Speaker 1: Great note, I.

433
00:22:46,960 --> 00:22:47,960
Speaker 3: Has no one ever done it.

434
00:22:48,280 --> 00:22:48,679
Speaker 2: I don't know.

435
00:22:48,760 --> 00:22:50,800
Speaker 3: I don't know they, I don't know. I only know

436
00:22:50,880 --> 00:22:52,959
Speaker 3: it is the Spider Man kiss. And when I saw that,

437
00:22:53,040 --> 00:22:53,360
Speaker 3: I was.

438
00:22:53,320 --> 00:22:58,960
Speaker 2: Like, I've really enjoyed that scene with Dylan and Val

439
00:22:59,080 --> 00:23:02,720
Speaker 2: though that has never happened with those two characters before.

440
00:23:03,000 --> 00:23:06,800
Speaker 2: And I was like, Hey, these guys are actually good together.

441
00:23:06,960 --> 00:23:12,480
Speaker 2: I kind of like them together now. And then he's

442
00:23:12,560 --> 00:23:15,040
Speaker 2: such jerking blows up because he's a jerk.

443
00:23:15,320 --> 00:23:20,680
Speaker 1: He's a jerk, and she's too snaky about it or something.

444
00:23:20,760 --> 00:23:25,080
Speaker 4: There's something going on where she's too conniving.

445
00:23:26,119 --> 00:23:29,679
Speaker 1: And then she's so like, no, I'm cool, I don't care.

446
00:23:29,760 --> 00:23:33,240
Speaker 1: I'm just here for the sex. And then she's so.

447
00:23:33,720 --> 00:23:35,680
Speaker 3: Tell she's falling for him though.

448
00:23:37,720 --> 00:23:40,560
Speaker 2: So that's it. She's he keeps saying, don't fall for me.

449
00:23:40,600 --> 00:23:42,920
Speaker 2: You're not my girlfriend. This isn't a girlfriend boyfriend thing.

450
00:23:43,440 --> 00:23:48,160
Speaker 2: Don't get too attached, and that exactly what's happened for yourself. Like, yeah,

451
00:23:48,200 --> 00:23:50,400
Speaker 2: but that's what's happening.

452
00:23:51,520 --> 00:23:53,600
Speaker 3: But it's such a male thing to be like, don't

453
00:23:53,640 --> 00:23:54,520
Speaker 3: go falling in love.

454
00:23:54,600 --> 00:23:55,720
Speaker 1: Well, I agree with you.

455
00:23:56,080 --> 00:23:57,840
Speaker 3: She would have been like, well, you don't go falling

456
00:23:57,840 --> 00:24:02,320
Speaker 3: in love like exactly, Like that bothered me. I think, Jen,

457
00:24:02,440 --> 00:24:05,760
Speaker 3: when you're responding to is the writing felt a little

458
00:24:05,800 --> 00:24:11,600
Speaker 3: more female a little bit. It wasn't the heart wasn't

459
00:24:11,640 --> 00:24:19,000
Speaker 3: so sexual memory. Everything was just like Brenda Kelly, blonde

460
00:24:19,080 --> 00:24:21,920
Speaker 3: or brunette. I was like, yes, I'm here for this.

461
00:24:22,480 --> 00:24:22,959
Speaker 2: I don't know.

462
00:24:23,000 --> 00:24:26,280
Speaker 1: I think Torri, you're right. Why did she take that?

463
00:24:26,359 --> 00:24:29,160
Speaker 1: She should have been like, it's so cocky of him

464
00:24:29,160 --> 00:24:32,679
Speaker 1: to be like don't phone loved me. Dan McKay like,

465
00:24:32,800 --> 00:24:35,520
Speaker 1: oh god, I mean yeah, I would have liked.

466
00:24:35,400 --> 00:24:37,159
Speaker 3: Her to have a little bit more Dylan McKay and

467
00:24:37,240 --> 00:24:41,359
Speaker 3: Luke Berry like fine, fine, fine, obvious, Yeah everyone would

468
00:24:41,400 --> 00:24:44,480
Speaker 3: fall in love, but I don't know like Dylan's.

469
00:24:44,520 --> 00:24:46,959
Speaker 1: So I liked the line when she said you'd never

470
00:24:47,040 --> 00:24:50,760
Speaker 1: let me forget it at the door. I was good.

471
00:24:51,320 --> 00:24:52,520
Speaker 1: I don't know, I don't know.

472
00:24:52,560 --> 00:24:57,639
Speaker 2: I just didn't like that turn of events when I

473
00:24:57,680 --> 00:24:59,479
Speaker 2: don't know, you start liking them together and then all

474
00:24:59,480 --> 00:25:01,360
Speaker 2: of a sudden he does that, he has that other

475
00:25:01,440 --> 00:25:05,720
Speaker 2: girl in his house, and then she's clearly shaken by it.

476
00:25:05,720 --> 00:25:08,160
Speaker 2: It just didn't feel I don't know, It didn't feel

477
00:25:08,160 --> 00:25:11,680
Speaker 2: like the vow that we've we've gotten to know. And

478
00:25:11,760 --> 00:25:14,280
Speaker 2: so I was like, wait, I don't think this is right.

479
00:25:14,320 --> 00:25:16,159
Speaker 2: But maybe there's so much more to vow that we

480
00:25:16,200 --> 00:25:18,400
Speaker 2: don't know. Maybe this is the softer side of her,

481
00:25:18,440 --> 00:25:21,440
Speaker 2: and she does you know, I don't have a heart.

482
00:25:21,840 --> 00:25:25,480
Speaker 3: Because she fell human right, You were like, oh, okay,

483
00:25:25,720 --> 00:25:28,800
Speaker 3: I mean yeah, I like, I.

484
00:25:28,800 --> 00:25:32,240
Speaker 1: Don't like Dylan being a jerk. It really bothers.

485
00:25:31,840 --> 00:25:33,800
Speaker 3: Me either, but it's hot.

486
00:25:34,000 --> 00:25:34,880
Speaker 1: Oops.

487
00:25:35,840 --> 00:25:37,440
Speaker 2: He does it all the time.

488
00:25:37,520 --> 00:25:45,560
Speaker 1: Now, so as they say, yeah, so.

489
00:25:46,280 --> 00:25:48,399
Speaker 3: Jen, did you love when the covers came down? I

490
00:25:48,440 --> 00:25:50,280
Speaker 3: looked for it this time he saw his underwear.

491
00:25:51,280 --> 00:25:56,119
Speaker 2: He had on shorts. Yeah, yeah, but he looked naked,

492
00:25:58,040 --> 00:25:59,600
Speaker 2: and I was like, he's naked.

493
00:26:00,200 --> 00:26:01,560
Speaker 1: This is what I was going to ask you, guys.

494
00:26:01,560 --> 00:26:05,639
Speaker 4: Are you noticing their scenes are a bit more risque?

495
00:26:06,119 --> 00:26:11,160
Speaker 1: Yeah? Are you noticing that? Like they seem different than

496
00:26:11,160 --> 00:26:11,879
Speaker 1: what we're used to?

497
00:26:12,800 --> 00:26:15,480
Speaker 2: Yeah, I don't know. I think that they're just their

498
00:26:15,560 --> 00:26:19,400
Speaker 2: chemistries get together. Now all of a sudden, they're pushing

499
00:26:19,560 --> 00:26:20,959
Speaker 2: the sexual envelope.

500
00:26:21,240 --> 00:26:22,840
Speaker 1: Yes, because they can't really.

501
00:26:22,600 --> 00:26:24,960
Speaker 3: Do it with anyone else. So this is they're like, Okay,

502
00:26:24,960 --> 00:26:27,159
Speaker 3: we got to go. These are the two because the

503
00:26:27,200 --> 00:26:28,440
Speaker 3: audience will be forgiving.

504
00:26:28,640 --> 00:26:32,040
Speaker 4: Like if it's that Yeah, because your scenes are very cute,

505
00:26:32,160 --> 00:26:34,439
Speaker 4: even when you're kissing Ray, even when you're kissing Griffin,

506
00:26:34,480 --> 00:26:35,359
Speaker 4: it's still CUTEZ.

507
00:26:35,560 --> 00:26:40,880
Speaker 3: Don don't mention tongue again, Jen, But with them.

508
00:26:40,800 --> 00:26:44,840
Speaker 1: It's very sexual. I don't know. This is just my observation.

509
00:26:44,920 --> 00:26:50,680
Speaker 1: It's like, I don't it's it's new, it's racier.

510
00:26:51,880 --> 00:26:55,440
Speaker 2: Agreed, Well, these let's think about it. I mean, these

511
00:26:55,480 --> 00:27:02,639
Speaker 2: actors are in the early twenties. Well, oh, Dylan was,

512
00:27:03,320 --> 00:27:09,880
Speaker 2: Luke was maybe in his late twenties, and Val was. Uh.

513
00:27:10,720 --> 00:27:15,760
Speaker 2: Tiffany was in her early twenties at this time. So

514
00:27:16,600 --> 00:27:22,520
Speaker 2: m M, they're really exploring all of that. Yeah, great,

515
00:27:23,760 --> 00:27:28,040
Speaker 2: what about Andrea is laundry?

516
00:27:27,720 --> 00:27:29,480
Speaker 3: Okay, we have to okay, Okay.

517
00:27:30,200 --> 00:27:32,520
Speaker 2: I enjoy a laundry Matt scene. I'm not gonna lie

518
00:27:33,119 --> 00:27:37,080
Speaker 2: every time I see one. Yeah, he was cute. The

519
00:27:37,119 --> 00:27:39,399
Speaker 2: guy was adorable, and I thought he was actually I

520
00:27:39,440 --> 00:27:41,960
Speaker 2: was like, I hope he sticks around because he was

521
00:27:42,000 --> 00:27:42,800
Speaker 2: a good actor.

522
00:27:45,440 --> 00:27:47,680
Speaker 1: That was cute. I was a cute little thing.

523
00:27:48,119 --> 00:27:55,240
Speaker 2: What was his name? What was his name? James Calvert? No, No,

524
00:27:55,440 --> 00:28:02,800
Speaker 2: James c Victor played Peter Tucker, little kind of like gingery.

525
00:28:03,240 --> 00:28:05,359
Speaker 2: He looked great. I thought he was a good match

526
00:28:05,400 --> 00:28:06,440
Speaker 2: for Andrea.

527
00:28:06,800 --> 00:28:10,000
Speaker 3: I like them together. I'm sad to say, just because

528
00:28:10,040 --> 00:28:12,680
Speaker 3: you feel like Jesse is like they're making him bad now.

529
00:28:12,760 --> 00:28:18,080
Speaker 2: So I was like, yeah, move on, Yeah, almost sweet

530
00:28:18,080 --> 00:28:21,840
Speaker 2: when she had this sort of candlelit dinner. Wait wait, wait,

531
00:28:21,880 --> 00:28:24,399
Speaker 2: go back, go back to when she comes up behind

532
00:28:24,440 --> 00:28:28,280
Speaker 2: him and she says she's getting all risky and she says,

533
00:28:29,040 --> 00:28:31,919
Speaker 2: you want to take a little nap is that her

534
00:28:32,000 --> 00:28:32,560
Speaker 2: code word?

535
00:28:34,640 --> 00:28:36,520
Speaker 1: This is when he rejected her and he had to study.

536
00:28:37,119 --> 00:28:40,920
Speaker 3: Oh yeah, I liked his gold chain, Jesse.

537
00:28:41,080 --> 00:28:42,120
Speaker 1: Yeah, he's a cute guy.

538
00:28:42,160 --> 00:28:46,800
Speaker 4: I'm glad they addressed and they didn't gloss over it. Yeah,

539
00:28:47,840 --> 00:28:49,360
Speaker 4: I sort of took his side.

540
00:28:49,560 --> 00:28:52,000
Speaker 1: I think she kind of is overreacting maybe a little

541
00:28:52,040 --> 00:28:54,480
Speaker 1: bit at this point.

542
00:28:56,000 --> 00:29:01,120
Speaker 3: No, no, no about instinct. Women always have gut instinct.

543
00:29:02,080 --> 00:29:05,320
Speaker 2: And she saw the way he was nuzzling up to

544
00:29:05,440 --> 00:29:10,680
Speaker 2: those girls at the bar, and that's not something a

545
00:29:10,720 --> 00:29:15,720
Speaker 2: girlfriend or wife or baby mama ever wants to see.

546
00:29:15,880 --> 00:29:16,200
Speaker 4: No.

547
00:29:16,760 --> 00:29:20,520
Speaker 3: So maybe this is innocent, but there's something in him

548
00:29:20,560 --> 00:29:21,840
Speaker 3: that's yeah coming.

549
00:29:22,720 --> 00:29:25,080
Speaker 2: I mean, he's young too, so he thinks he has

550
00:29:25,200 --> 00:29:28,760
Speaker 2: to do that to get his tips. But you know,

551
00:29:28,840 --> 00:29:31,480
Speaker 2: he cannot be like that and still make a living

552
00:29:31,480 --> 00:29:32,200
Speaker 2: for his family.

553
00:29:33,000 --> 00:29:34,360
Speaker 1: Just maybe a wink and a smile.

554
00:29:34,600 --> 00:29:35,200
Speaker 2: Let's face it.

555
00:29:35,240 --> 00:29:38,400
Speaker 3: He likes the attention. He feels like, oh my gosh,

556
00:29:39,360 --> 00:29:41,760
Speaker 3: I'm married, i have a baby, I'm an home, like

557
00:29:42,040 --> 00:29:49,560
Speaker 3: I'm still alive. He feels alive. Yeah mm hm, Well.

558
00:29:49,960 --> 00:29:51,440
Speaker 2: That's all we have to talk about that one.

559
00:29:52,400 --> 00:29:54,800
Speaker 3: Okay, We're going to the politics one. You guys, Oh

560
00:29:54,800 --> 00:29:57,880
Speaker 3: my god, that's not Fami here. Oh my gosh, same.

561
00:30:10,320 --> 00:30:12,440
Speaker 2: Wait. Can we want to talk about the opening credits

562
00:30:12,480 --> 00:30:15,720
Speaker 2: first then for a second, because they're pretty fun to watch.

563
00:30:15,960 --> 00:30:20,120
Speaker 2: I never really never watched them until now. This is

564
00:30:20,160 --> 00:30:23,160
Speaker 2: the same opening credits for the whole season, right, or

565
00:30:23,200 --> 00:30:25,560
Speaker 2: does it keep changing with the new characters coming in?

566
00:30:26,360 --> 00:30:30,600
Speaker 1: Well, I think this is the same, okay, unless Yeah,

567
00:30:30,720 --> 00:30:31,200
Speaker 1: I don't think.

568
00:30:31,240 --> 00:30:34,480
Speaker 2: But they're good. I like they're amazing. I don't I

569
00:30:34,520 --> 00:30:38,320
Speaker 2: never ever appreciated them. I hated shooting them. We were

570
00:30:38,320 --> 00:30:41,959
Speaker 2: all like, oh, we don't want to do this, but

571
00:30:42,160 --> 00:30:46,160
Speaker 2: they're pretty ingenious. Actually, the way you get to like

572
00:30:46,280 --> 00:30:50,680
Speaker 2: be a fly on the wall and watch these characters interact,

573
00:30:52,080 --> 00:30:54,840
Speaker 2: but they're not the characters somehow, they're the actors. I

574
00:30:54,880 --> 00:30:57,560
Speaker 2: don't know. I just really enjoyed it, and I just like, well,

575
00:30:57,600 --> 00:31:01,120
Speaker 2: I don't think any other shows were doing those kinds

576
00:31:01,160 --> 00:31:03,520
Speaker 2: of opening credits at that time, and I don't know,

577
00:31:03,760 --> 00:31:05,680
Speaker 2: are there other shows that have done it since where

578
00:31:05,720 --> 00:31:09,800
Speaker 2: it's so playful and intimate like that, like you really

579
00:31:09,800 --> 00:31:11,200
Speaker 2: feel like you're part of that group.

580
00:31:11,640 --> 00:31:13,680
Speaker 1: Yeah, melrose Place didn't have anything like that.

581
00:31:14,240 --> 00:31:17,800
Speaker 3: Such a good point, Jen, That's exactly it. We got

582
00:31:17,840 --> 00:31:20,400
Speaker 3: to be ourselves that day and they just let us go.

583
00:31:20,520 --> 00:31:23,800
Speaker 3: So when you in those opening credits, that's us, not

584
00:31:23,920 --> 00:31:27,880
Speaker 3: the characters. That's cute, great point. And they would just

585
00:31:28,000 --> 00:31:31,600
Speaker 3: literally they didn't write that like they didn't like to

586
00:31:31,760 --> 00:31:34,080
Speaker 3: do this. They just said and go basically.

587
00:31:33,800 --> 00:31:35,239
Speaker 2: Yeah, you guys all just stand up there.

588
00:31:35,240 --> 00:31:36,760
Speaker 3: They wanted, yeah, do whatever.

589
00:31:37,160 --> 00:31:37,840
Speaker 1: Well, that's so good.

590
00:31:37,880 --> 00:31:40,240
Speaker 4: I never think about that because most you know, opening

591
00:31:40,280 --> 00:31:42,160
Speaker 4: credits is just like clips from the show.

592
00:31:43,120 --> 00:31:46,000
Speaker 2: Yeah no, I really like all that footage of the

593
00:31:46,080 --> 00:31:49,520
Speaker 2: cast like just chilling together and interacting.

594
00:31:50,400 --> 00:31:52,760
Speaker 3: I would love to know the background of that of

595
00:31:52,840 --> 00:31:55,200
Speaker 3: like did they just like see us like playing around

596
00:31:55,240 --> 00:31:55,800
Speaker 3: and they were.

597
00:31:55,680 --> 00:31:59,640
Speaker 2: Like, that's it, just yeah right. The idea was that

598
00:32:00,120 --> 00:32:01,480
Speaker 2: there did that start.

599
00:32:01,800 --> 00:32:05,320
Speaker 3: Like we know the turn into frame, like we got that,

600
00:32:07,160 --> 00:32:09,719
Speaker 3: but that part where we all just had fun and

601
00:32:09,800 --> 00:32:11,800
Speaker 3: just did our thing. I would love to be like

602
00:32:11,840 --> 00:32:13,880
Speaker 3: someone's like, oh my god, get this. Look they're all friends.

603
00:32:13,880 --> 00:32:15,120
Speaker 3: They're actually just going.

604
00:32:15,200 --> 00:32:19,720
Speaker 2: Like we and we we played with that on BH

605
00:32:19,800 --> 00:32:22,560
Speaker 2: nine two one oh two we did a very similar

606
00:32:22,760 --> 00:32:24,440
Speaker 2: was that a scene or where we do? I can't

607
00:32:24,440 --> 00:32:27,400
Speaker 2: remember was that a scene in our show or was

608
00:32:27,440 --> 00:32:30,480
Speaker 2: that for a photo shoot?

609
00:32:31,400 --> 00:32:32,120
Speaker 3: Credits?

610
00:32:32,520 --> 00:32:33,400
Speaker 2: It was the credits.

611
00:32:33,440 --> 00:32:37,800
Speaker 3: It was the credits. Oh wait, yeah for the show.

612
00:32:38,000 --> 00:32:42,520
Speaker 2: In the show, it's so hard to remember.

613
00:32:42,680 --> 00:32:45,960
Speaker 3: No, those were credits. We filmed them.

614
00:32:46,400 --> 00:32:49,720
Speaker 2: We redid the opening credits, and.

615
00:32:48,840 --> 00:32:52,040
Speaker 3: And Jen it was we'd been filming all day. It

616
00:32:52,080 --> 00:32:53,600
Speaker 3: was four in the morning, was the last thing we

617
00:32:53,640 --> 00:32:56,040
Speaker 3: got to and we're like, these are our credits. Oh

618
00:32:56,040 --> 00:32:59,680
Speaker 3: my gosh, we're old, and now like now we have

619
00:32:59,720 --> 00:33:03,800
Speaker 3: to like go like pretend to have energy and like

620
00:33:03,840 --> 00:33:06,160
Speaker 3: our skin look good. Like it's it's been like seventeen

621
00:33:06,240 --> 00:33:06,920
Speaker 3: hours filming.

622
00:33:06,960 --> 00:33:08,800
Speaker 2: Okay, yeah, that's right.

623
00:33:10,640 --> 00:33:12,920
Speaker 3: Jason be like ding ding, Okay, we got it. Yeah,

624
00:33:13,000 --> 00:33:14,920
Speaker 3: Jason filmed all does.

625
00:33:16,680 --> 00:33:20,440
Speaker 2: Yeah, okay, sorry. Now back to the political episode. I

626
00:33:20,480 --> 00:33:23,760
Speaker 2: thought it was very suspenseful. I was on the edge

627
00:33:23,760 --> 00:33:26,920
Speaker 2: of my seat. Even though I don't normally like these storylines,

628
00:33:27,080 --> 00:33:30,440
Speaker 2: I thought this one was good, well warded.

629
00:33:34,280 --> 00:33:36,920
Speaker 3: It was hearted. I'm not gonna lie.

630
00:33:37,600 --> 00:33:38,760
Speaker 1: It was heavy.

631
00:33:38,840 --> 00:33:42,360
Speaker 2: It was so heavy. When the when the gardener takes

632
00:33:42,360 --> 00:33:44,800
Speaker 2: his shirt off and you see his back all slashed

633
00:33:44,880 --> 00:33:50,160
Speaker 2: up with a really bad scars, really bad.

634
00:33:51,000 --> 00:33:51,800
Speaker 1: The thing that was interesting.

635
00:33:52,080 --> 00:33:54,800
Speaker 4: You know, they show him in the very beginning so

636
00:33:54,840 --> 00:33:57,480
Speaker 4: that you know, and I thought that is so odd.

637
00:33:57,480 --> 00:34:01,880
Speaker 4: They're just lingering on this guy awkwardly long, and then

638
00:34:01,920 --> 00:34:03,000
Speaker 4: you realize.

639
00:34:02,680 --> 00:34:03,920
Speaker 1: Oh, no, I get later.

640
00:34:04,880 --> 00:34:08,759
Speaker 3: Yeah, I don't know, but I do like Brandon and

641
00:34:08,800 --> 00:34:12,279
Speaker 3: Claire together. I think they make a good team. Not

642
00:34:12,440 --> 00:34:17,120
Speaker 3: I didn't like them together romantically or sexually, but I

643
00:34:17,280 --> 00:34:17,960
Speaker 3: like them together.

644
00:34:19,480 --> 00:34:21,880
Speaker 2: Yeah. Are they friends? Are they just co hurts in

645
00:34:21,920 --> 00:34:25,759
Speaker 2: the situation because of him being the president, her being

646
00:34:25,800 --> 00:34:29,600
Speaker 2: the chancellor's daughter. But I can see how they could

647
00:34:29,600 --> 00:34:32,000
Speaker 2: be friends or like work together.

648
00:34:32,040 --> 00:34:34,080
Speaker 3: I wanted them to work together. I feel like they're

649
00:34:34,120 --> 00:34:39,000
Speaker 3: super smart, and she's like quick and bantery and kind

650
00:34:39,000 --> 00:34:41,879
Speaker 3: of brings out a different version of Brandon, which I liked.

651
00:34:42,480 --> 00:34:44,000
Speaker 1: I liked that she stood up to him.

652
00:34:45,400 --> 00:34:47,759
Speaker 4: We went from the Claire that was so obsessing with

653
00:34:47,880 --> 00:34:51,000
Speaker 4: him and flirty, and then she really stood up to

654
00:34:51,080 --> 00:34:53,120
Speaker 4: him and was like, I don't think you should do this,

655
00:34:53,200 --> 00:34:54,319
Speaker 4: and I'm not going to speak to you if you

656
00:34:54,360 --> 00:34:54,560
Speaker 4: do this.

657
00:34:54,640 --> 00:34:56,760
Speaker 1: And this is a good guy. Now.

658
00:34:57,239 --> 00:34:59,759
Speaker 4: I did get a little confused. I can't figure out

659
00:35:00,120 --> 00:35:01,840
Speaker 4: who did what? Is he a bad guy? Is he

660
00:35:01,880 --> 00:35:02,399
Speaker 4: a good guy?

661
00:35:03,200 --> 00:35:05,440
Speaker 1: I got all lost in the politics of it.

662
00:35:07,000 --> 00:35:11,160
Speaker 2: Okay, well, first of all, when the president's rolling in,

663
00:35:11,200 --> 00:35:13,759
Speaker 2: did you like all the montage of the cars, the

664
00:35:13,840 --> 00:35:17,759
Speaker 2: nineties cars. I couldn't get enough of that, so I

665
00:35:17,800 --> 00:35:21,400
Speaker 2: was like in a time machine. I forgot what the

666
00:35:21,400 --> 00:35:24,560
Speaker 2: cars looked like back then, Like they look so different,

667
00:35:24,600 --> 00:35:27,800
Speaker 2: you don't really remember until you see them rolling around

668
00:35:27,800 --> 00:35:29,280
Speaker 2: and you're like, wow, okay.

669
00:35:29,600 --> 00:35:31,440
Speaker 1: I couldn't figure out who was coming? I thought, is

670
00:35:31,480 --> 00:35:33,640
Speaker 1: the governor coming? Is the president coming?

671
00:35:34,000 --> 00:35:34,440
Speaker 2: Was that happening?

672
00:35:34,520 --> 00:35:36,759
Speaker 3: Cars from my parents' house? It was probably?

673
00:35:37,560 --> 00:35:40,680
Speaker 2: I was like, what show in my car? With all

674
00:35:40,760 --> 00:35:45,279
Speaker 2: this storyline? And then when they cut to Brandon inside

675
00:35:45,600 --> 00:35:49,520
Speaker 2: in his office, I was like, does Brandon is his office?

676
00:35:49,600 --> 00:35:52,640
Speaker 2: Does he work in jail? Because that's the ugliest office

677
00:35:52,640 --> 00:35:56,200
Speaker 2: I've ever seen in my life. They literally had no

678
00:35:56,280 --> 00:35:59,120
Speaker 2: time to set decorate that place because it was just

679
00:35:59,200 --> 00:36:02,120
Speaker 2: a brown and green room three walls.

680
00:36:04,040 --> 00:36:06,200
Speaker 3: Was that like a thrown in thing? They're like, oh,

681
00:36:06,280 --> 00:36:08,160
Speaker 3: we didn't know we're filming that just I.

682
00:36:09,120 --> 00:36:11,520
Speaker 2: Yeah, it didn't look good.

683
00:36:11,719 --> 00:36:15,759
Speaker 1: And the two randoms and aggressively coming at him, and

684
00:36:15,800 --> 00:36:17,239
Speaker 1: I'm like, what's happening?

685
00:36:18,320 --> 00:36:22,880
Speaker 2: I was like, these blah blah reporters, they're so forgettable.

686
00:36:23,000 --> 00:36:26,200
Speaker 2: I'm sorry, no fens, but I was like, why are

687
00:36:26,200 --> 00:36:27,720
Speaker 2: they here?

688
00:36:28,400 --> 00:36:31,600
Speaker 3: Wait? Who is the guy that he looks familiar, No.

689
00:36:32,480 --> 00:36:36,080
Speaker 1: The like head of that you know, anti be someone.

690
00:36:36,200 --> 00:36:36,399
Speaker 2: Yeah.

691
00:36:36,920 --> 00:36:41,960
Speaker 3: Their outfits were very Yeah, his outfit was like.

692
00:36:42,760 --> 00:36:45,200
Speaker 4: It took me out of the storyline that I was

693
00:36:45,320 --> 00:36:46,239
Speaker 4: enjoying so much.

694
00:36:46,280 --> 00:36:47,400
Speaker 1: I think that was my problem.

695
00:36:47,440 --> 00:36:49,400
Speaker 4: It was just so heavy and so serious and like

696
00:36:49,480 --> 00:36:51,200
Speaker 4: I wanted to google a bunch of stuff and I

697
00:36:51,239 --> 00:36:52,520
Speaker 4: was just like, is this real?

698
00:36:53,520 --> 00:36:56,520
Speaker 1: What's happening? Is is selen Asia a place?

699
00:36:56,760 --> 00:36:58,880
Speaker 2: And I was just too heavy for for nine o

700
00:36:59,000 --> 00:37:00,640
Speaker 2: two one oh and for every anything else that was

701
00:37:00,680 --> 00:37:02,480
Speaker 2: going on. I mean, I like, I liked it when

702
00:37:02,520 --> 00:37:05,640
Speaker 2: it's a little unbalanced like that, but this just felt

703
00:37:05,640 --> 00:37:06,840
Speaker 2: like a lot took.

704
00:37:06,640 --> 00:37:10,040
Speaker 4: Me out of the prankt and the even the Andrea

705
00:37:10,200 --> 00:37:11,000
Speaker 4: just stuff.

706
00:37:11,160 --> 00:37:14,799
Speaker 3: Rank it was also good. I want to know who

707
00:37:14,840 --> 00:37:18,480
Speaker 3: pitched that one. And everyone's like, oh, okay, do we

708
00:37:18,480 --> 00:37:21,759
Speaker 3: seem like Jiggle TV or like which they used to

709
00:37:21,800 --> 00:37:24,279
Speaker 3: say about my dad for like Charlie's Angels, Like oh,

710
00:37:24,280 --> 00:37:26,680
Speaker 3: it's you know, not a serious show if we don't

711
00:37:26,680 --> 00:37:29,440
Speaker 3: have this one. So I feel like somebody was like, uh, oh,

712
00:37:29,480 --> 00:37:32,920
Speaker 3: I guess we should do this, but come on, no

713
00:37:32,920 --> 00:37:34,440
Speaker 3: one wanted to. Let's be honest.

714
00:37:35,160 --> 00:37:37,040
Speaker 2: Yeah, I don't know that any of our viewers really

715
00:37:37,080 --> 00:37:38,280
Speaker 2: appreciated that storyline.

716
00:37:38,239 --> 00:37:39,760
Speaker 1: I kind of corallo it now.

717
00:37:41,760 --> 00:37:45,080
Speaker 2: Yeah, I don't know, And there was no payoff at

718
00:37:45,080 --> 00:37:45,480
Speaker 2: the end.

719
00:37:46,120 --> 00:37:47,759
Speaker 1: Well, it left me like very confused.

720
00:37:47,960 --> 00:37:51,240
Speaker 2: I mean, all we got was the guy, the gardener

721
00:37:51,320 --> 00:37:53,879
Speaker 2: man coming in and being like thank you bye, and.

722
00:37:53,840 --> 00:37:57,320
Speaker 4: Then the president of a country resigns because of Brandon.

723
00:37:57,400 --> 00:38:00,640
Speaker 3: Brandon. Brandon's so powerful.

724
00:38:01,040 --> 00:38:02,480
Speaker 1: I'm like, what is going on?

725
00:38:02,520 --> 00:38:03,080
Speaker 3: I don't know.

726
00:38:04,440 --> 00:38:08,600
Speaker 4: I mean, if fake newswoman with the weird awkward phone

727
00:38:08,800 --> 00:38:10,000
Speaker 4: on her news.

728
00:38:09,600 --> 00:38:14,120
Speaker 2: Desk, Wait, what about the protesters outside just outside Brandon's

729
00:38:14,160 --> 00:38:17,800
Speaker 2: window where he can see them? It made me laugh.

730
00:38:18,080 --> 00:38:19,360
Speaker 2: They're all clad together?

731
00:38:19,480 --> 00:38:23,040
Speaker 3: Ben No, Ben Learner.

732
00:38:23,680 --> 00:38:29,719
Speaker 1: Was that the actor that played the guy? Yeah, the

733
00:38:29,800 --> 00:38:34,080
Speaker 1: twelve protesters, all of it. Maybe the scene with the

734
00:38:34,120 --> 00:38:36,880
Speaker 1: cooking and the kitchen and the tasting the sauce was

735
00:38:37,120 --> 00:38:40,319
Speaker 1: sort of cute, Like it was just all what is

736
00:38:41,040 --> 00:38:41,719
Speaker 1: in the West Wing?

737
00:38:41,840 --> 00:38:44,400
Speaker 3: All of a sudden, when I heard culinary, I stopped.

738
00:38:44,400 --> 00:38:47,920
Speaker 3: But other than that, I President.

739
00:38:48,640 --> 00:38:52,200
Speaker 2: I like President Quintaro. I like his character and I

740
00:38:52,239 --> 00:38:54,560
Speaker 2: wanted to hug him, but then I found out he

741
00:38:54,600 --> 00:38:55,239
Speaker 2: was a bad dude.

742
00:38:55,320 --> 00:39:01,480
Speaker 1: So it was just all kind of I don't no, what.

743
00:39:01,640 --> 00:39:05,239
Speaker 3: If you guys we could go back and that storyline

744
00:39:05,480 --> 00:39:06,399
Speaker 3: just wasn't there.

745
00:39:07,920 --> 00:39:09,120
Speaker 1: It would have been great.

746
00:39:09,480 --> 00:39:11,440
Speaker 3: It would have been great. There must have been something

747
00:39:11,440 --> 00:39:14,560
Speaker 3: else they could do with Claire. Are they leading up

748
00:39:14,600 --> 00:39:17,440
Speaker 3: to something that they're like working together? I don't think so.

749
00:39:17,600 --> 00:39:19,560
Speaker 1: I could have done more with everything else.

750
00:39:19,560 --> 00:39:22,080
Speaker 4: I would have liked more Andrea and the Doctor, and

751
00:39:22,120 --> 00:39:25,480
Speaker 4: more Jesse, more Donna and Griffin and Ray.

752
00:39:25,560 --> 00:39:27,920
Speaker 3: We got no Kelly and Brandon. I got one years.

753
00:39:28,080 --> 00:39:29,400
Speaker 3: That's all I wanted more of that.

754
00:39:30,360 --> 00:39:33,879
Speaker 1: Yeah, yeah, that wasn't my favorite storyline.

755
00:39:34,160 --> 00:39:34,719
Speaker 3: No, I think.

756
00:39:34,760 --> 00:39:37,560
Speaker 2: I don't think Brandon likes Kelly's haircut, so they're not

757
00:39:37,800 --> 00:39:38,560
Speaker 2: un scenes together.

758
00:39:40,680 --> 00:39:42,879
Speaker 3: He's like pulling her in and trying to kiss her

759
00:39:42,960 --> 00:39:45,960
Speaker 3: and she's like pulling back. That kissing scene I did

760
00:39:46,000 --> 00:39:48,960
Speaker 3: see in the background, like he goes in to kiss you,

761
00:39:49,000 --> 00:39:51,400
Speaker 3: like his arm around you, he probably bruised you, like

762
00:39:51,520 --> 00:39:55,239
Speaker 3: you know, because Jason doesn't mean to, but he has

763
00:39:55,280 --> 00:39:59,400
Speaker 3: a heavy touch correct Like he'll shake your hand and

764
00:39:59,440 --> 00:40:03,120
Speaker 3: it's like hard, and like he'll he'll go to you know, gingerly,

765
00:40:03,239 --> 00:40:05,120
Speaker 3: like pat you on the back and it's like hard.

766
00:40:05,480 --> 00:40:08,360
Speaker 3: He's just strong. So when he pulled you in. It

767
00:40:08,440 --> 00:40:12,840
Speaker 3: was like probably hard and uh, and then he kissed you.

768
00:40:12,840 --> 00:40:16,800
Speaker 3: You pulled back let us. I didn't and then he

769
00:40:16,840 --> 00:40:17,359
Speaker 3: pulled back.

770
00:40:17,560 --> 00:40:19,000
Speaker 1: Yeah.

771
00:40:19,239 --> 00:40:22,640
Speaker 2: What I did notice though, is that in this storyline

772
00:40:22,640 --> 00:40:25,920
Speaker 2: we really get to see Brandon, a more mature Brandon,

773
00:40:26,239 --> 00:40:30,880
Speaker 2: and he's he's a natural leader, his character is. And

774
00:40:32,000 --> 00:40:36,160
Speaker 2: I found that so interesting because Jason is a natural

775
00:40:36,239 --> 00:40:41,360
Speaker 2: leader and we all just sort of fell into place

776
00:40:41,880 --> 00:40:46,360
Speaker 2: with you know, Jason's ideas or Jason's suggestions or you know,

777
00:40:47,160 --> 00:40:51,040
Speaker 2: just his his temperament on set, like he really set

778
00:40:51,080 --> 00:40:54,319
Speaker 2: the tone for for us. And then I realized I

779
00:40:54,320 --> 00:40:59,760
Speaker 2: didn't really understand that or appreciate that then, but now

780
00:41:00,960 --> 00:41:04,040
Speaker 2: knowing him still and getting to spend time around him,

781
00:41:04,400 --> 00:41:08,000
Speaker 2: that's just who he is. He's just a really he's

782
00:41:08,040 --> 00:41:10,480
Speaker 2: really comfortable in his own skin and he's a leader.

783
00:41:10,840 --> 00:41:13,359
Speaker 2: And I don't know, I never really appreciated that about him,

784
00:41:13,360 --> 00:41:15,640
Speaker 2: but it kind of is like second nature to him.

785
00:41:16,239 --> 00:41:18,640
Speaker 3: You were so right and I didn't think about that.

786
00:41:19,360 --> 00:41:24,080
Speaker 3: It's so true, Like whoever was really like cluing into

787
00:41:25,000 --> 00:41:29,359
Speaker 3: the actors playing the characters really started to get it right,

788
00:41:30,600 --> 00:41:33,919
Speaker 3: like so true.

789
00:41:34,200 --> 00:41:39,600
Speaker 2: Yeah, there's no Claire and David Jason appreciation moment there.

790
00:41:40,160 --> 00:41:41,920
Speaker 4: Yeah, it makes it awkward if I bring up the

791
00:41:41,920 --> 00:41:43,960
Speaker 4: line where they say the squirts.

792
00:41:44,800 --> 00:41:49,760
Speaker 2: Wait, that was your favorite line.

793
00:41:48,160 --> 00:41:52,160
Speaker 4: Totally when they literally are like they're in the bathroom

794
00:41:52,200 --> 00:41:52,920
Speaker 4: with the squirts.

795
00:41:54,239 --> 00:41:57,400
Speaker 3: Oh my gosh, poop humor. Wait, Jen doesn't like that?

796
00:41:58,719 --> 00:41:59,360
Speaker 2: Nope, Nope.

797
00:41:59,480 --> 00:42:02,680
Speaker 1: Why was even Griffin wearing earpieces? Who were they talking

798
00:42:02,719 --> 00:42:03,200
Speaker 1: to on those?

799
00:42:03,719 --> 00:42:07,640
Speaker 2: But it was sexy like they all had a body

800
00:42:07,680 --> 00:42:10,560
Speaker 2: mic on. Yeah, that's Steve, just like.

801
00:42:10,600 --> 00:42:12,680
Speaker 3: You got right in there and put it on her.

802
00:42:13,080 --> 00:42:17,960
Speaker 2: Yeah, and then she goes out to the to the

803
00:42:18,160 --> 00:42:20,799
Speaker 2: where the bear is and the guys and her her

804
00:42:20,840 --> 00:42:22,759
Speaker 2: little microphone was showing and I got nervous she was

805
00:42:22,760 --> 00:42:23,800
Speaker 2: gonna get trouble.

806
00:42:24,239 --> 00:42:27,160
Speaker 1: The scheme was technically very complicated.

807
00:42:28,719 --> 00:42:30,600
Speaker 2: It really was like how did they pull that off?

808
00:42:30,680 --> 00:42:33,640
Speaker 2: What did what? Where did they put the bear to

809
00:42:33,680 --> 00:42:36,919
Speaker 2: get it to their didn't they.

810
00:42:37,000 --> 00:42:39,560
Speaker 1: Needed Ray Prunes truck? How did they get it from?

811
00:42:40,760 --> 00:42:43,839
Speaker 1: Oh my god, usc to see you? Yeah?

812
00:42:44,280 --> 00:42:48,279
Speaker 3: So two things. One back then, I don't know if

813
00:42:48,320 --> 00:42:51,480
Speaker 3: it's still around. They had something called Spy Shop. It

814
00:42:51,520 --> 00:42:56,120
Speaker 3: was in Beverly Hills, literally a spy shop like so

815
00:42:56,160 --> 00:43:00,800
Speaker 3: you could go and buy like by gear. Oh my gosh,

816
00:43:00,960 --> 00:43:02,680
Speaker 3: I guess now you could just go to Amazon.

817
00:43:02,760 --> 00:43:03,840
Speaker 2: But whatever.

818
00:43:04,920 --> 00:43:08,839
Speaker 3: And per the squirts. Sorry. I feel like I kind

819
00:43:08,840 --> 00:43:11,200
Speaker 3: of wonder if Jason was directing this, there'd be a

820
00:43:11,200 --> 00:43:13,320
Speaker 3: little humor in it, and he would have like shown

821
00:43:13,360 --> 00:43:16,759
Speaker 3: them like running from the bathroom or running like like

822
00:43:16,800 --> 00:43:17,880
Speaker 3: to tie it all back.

823
00:43:18,239 --> 00:43:19,760
Speaker 1: Oh my god, that's such a good call.

824
00:43:20,320 --> 00:43:21,200
Speaker 2: Where were they?

825
00:43:21,360 --> 00:43:22,600
Speaker 3: What happened? I want to know.

826
00:43:23,320 --> 00:43:26,719
Speaker 1: I would have to have I would have loved to

827
00:43:26,719 --> 00:43:29,280
Speaker 1: have that zany direction. Yeah.

828
00:43:29,719 --> 00:43:29,959
Speaker 2: Yeah.

829
00:43:29,960 --> 00:43:34,520
Speaker 4: And in the storyline, yeah, mine is the It.

830
00:43:34,480 --> 00:43:36,000
Speaker 2: Could have been a little bit more fun.

831
00:43:37,120 --> 00:43:37,799
Speaker 3: Yeah.

832
00:43:37,960 --> 00:43:38,760
Speaker 1: I love the kiss.

833
00:43:38,800 --> 00:43:43,520
Speaker 4: I do think Ray's kiss with Donna was very sweet.

834
00:43:44,600 --> 00:43:47,920
Speaker 1: I was gonna that's my favorite part. I I I

835
00:43:48,000 --> 00:43:49,240
Speaker 1: just I'm.

836
00:43:49,080 --> 00:43:51,839
Speaker 4: Confused why I am not as into Ray now as

837
00:43:51,840 --> 00:43:52,439
Speaker 4: I was then.

838
00:43:52,719 --> 00:43:56,440
Speaker 2: But well, because you're you're a different person now, Amy,

839
00:43:56,480 --> 00:44:02,000
Speaker 2: You're more you're older, you're more worldly, you see things differently.

840
00:44:02,719 --> 00:44:04,440
Speaker 3: Minus the world lace. She doesn't fly.

841
00:44:04,680 --> 00:44:08,040
Speaker 4: But I even went I even went on YouTube and

842
00:44:08,040 --> 00:44:09,400
Speaker 4: watched how Do You Talk to An Angel?

843
00:44:09,880 --> 00:44:11,440
Speaker 1: I did a full deep dive.

844
00:44:11,239 --> 00:44:15,280
Speaker 4: After last week's episode, the whole timeline.

845
00:44:15,280 --> 00:44:19,520
Speaker 1: I YouTube parts of that movie. You said to John

846
00:44:19,520 --> 00:44:20,680
Speaker 1: tru would shout.

847
00:44:20,520 --> 00:44:21,280
Speaker 2: Oh, I forgot.

848
00:44:21,400 --> 00:44:23,960
Speaker 3: His love interest was Heather Graham. I think it was

849
00:44:24,000 --> 00:44:25,160
Speaker 3: her first movie.

850
00:44:25,840 --> 00:44:29,520
Speaker 4: Yep, yes, I fully went on the down the rabbit

851
00:44:29,520 --> 00:44:31,240
Speaker 4: hole of Jamie Walters.

852
00:44:31,920 --> 00:44:35,000
Speaker 3: I think we are swayed by what we know happens.

853
00:44:36,160 --> 00:44:38,040
Speaker 4: Remember, the star of the Heights was the girl from

854
00:44:38,120 --> 00:44:39,880
Speaker 4: Days of Our Lives, that eve that had.

855
00:44:39,719 --> 00:44:43,360
Speaker 1: The scar on Days of our Lives. I loved I

856
00:44:43,400 --> 00:44:48,399
Speaker 1: loved her. Yes, it was just Charlotte Ross. Yeah, Charlotte Ross.

857
00:44:48,400 --> 00:44:50,799
Speaker 1: Oh my god, great, Oh my gosh.

858
00:44:51,320 --> 00:44:53,520
Speaker 2: Oh I never watched The Heights.

859
00:44:54,239 --> 00:44:55,279
Speaker 1: I don't think anyone did.

860
00:44:55,280 --> 00:44:57,040
Speaker 2: I think that was on for just a second.

861
00:44:57,120 --> 00:45:00,480
Speaker 3: Right, So my dad did a movie called Sadus Faction,

862
00:45:01,120 --> 00:45:04,040
Speaker 3: and The Heights was kind of that was based on that.

863
00:45:04,040 --> 00:45:05,280
Speaker 3: That was my dad's movie.

864
00:45:05,640 --> 00:45:07,160
Speaker 1: And Julia Roberts.

865
00:45:07,160 --> 00:45:11,359
Speaker 3: It was Julia roberts first movie and she yeah, never

866
00:45:11,440 --> 00:45:14,200
Speaker 3: heard of It was about a singing girl band and

867
00:45:14,239 --> 00:45:16,720
Speaker 3: then it didn't do well and the music was really

868
00:45:17,239 --> 00:45:21,359
Speaker 3: great and it was a bummer. And then you know,

869
00:45:21,400 --> 00:45:23,880
Speaker 3: he was still like, I believe in this like band

870
00:45:24,000 --> 00:45:28,000
Speaker 3: and young like people in their twenties. So you went on, yeah, wait,

871
00:45:28,040 --> 00:45:28,600
Speaker 3: my head's.

872
00:45:28,360 --> 00:45:30,120
Speaker 1: About to exclude you know, Liam Neeson's in.

873
00:45:30,040 --> 00:45:35,200
Speaker 4: That movie Satisfaction. Yeah, Liam Neeson. Justine Bateman was the star.

874
00:45:35,440 --> 00:45:35,640
Speaker 1: Yeah.

875
00:45:35,719 --> 00:45:39,520
Speaker 4: Jumilia Roberts is sort of like third banana Liam Neeson

876
00:45:40,480 --> 00:45:42,879
Speaker 4: and they end up at his like, habin.

877
00:45:43,560 --> 00:45:45,000
Speaker 2: I really need to watch this movie.

878
00:45:45,040 --> 00:45:48,040
Speaker 1: Oh I cannot believe that's your day.

879
00:45:48,040 --> 00:45:50,080
Speaker 3: I mean it's yeah and.

880
00:45:51,400 --> 00:45:51,600
Speaker 1: Yeah.

881
00:45:51,680 --> 00:45:55,800
Speaker 3: Joel Schumacher was no longer with us, but did Lost

882
00:45:55,800 --> 00:45:58,520
Speaker 3: Boys and amazing movies. He did it with my dad

883
00:45:58,560 --> 00:46:03,080
Speaker 3: and directed it. And Justine Bateman amazing singer, like she

884
00:46:03,160 --> 00:46:03,759
Speaker 3: did all of it.

885
00:46:04,680 --> 00:46:05,000
Speaker 1: Little.

886
00:46:05,560 --> 00:46:08,799
Speaker 3: Maybe I'm wrong here, but I think Julia Roberts they

887
00:46:08,800 --> 00:46:12,160
Speaker 3: had someone you dub her voice. I don't think she's saying.

888
00:46:12,000 --> 00:46:16,160
Speaker 1: I can'not believe that is your dad's movie. And I've

889
00:46:16,280 --> 00:46:21,480
Speaker 1: never known this. Deborah Harry is in that movie.

890
00:46:21,880 --> 00:46:23,400
Speaker 3: Oh yeah, Blondie.

891
00:46:23,760 --> 00:46:28,000
Speaker 2: Oh my wait, Jenia Leber, do you remember this? Okay,

892
00:46:28,080 --> 00:46:31,520
Speaker 2: it was Hartford nineties con and we were in the

893
00:46:31,560 --> 00:46:36,160
Speaker 2: green room and the woman on Sabrina, the teenage witch.

894
00:46:36,080 --> 00:46:39,560
Speaker 1: Caroline Ray, not Caroline Ray, the.

895
00:46:39,520 --> 00:46:46,960
Speaker 2: Other one, the other aunt Beth something Beth Okay, she

896
00:46:47,520 --> 00:46:49,440
Speaker 2: was walked by us and I was like, who is that?

897
00:46:50,280 --> 00:46:55,239
Speaker 2: And you go, it's Blondie jen, that's Blondie. I was like,

898
00:46:55,239 --> 00:46:58,919
Speaker 2: what that blondie? Why would blonde be here? I mean

899
00:46:59,080 --> 00:47:02,880
Speaker 2: fair fair Like Now to this day, every time I

900
00:47:02,920 --> 00:47:06,000
Speaker 2: see her that's anywhere, I'm like, oh yeah, it's Blondie.

901
00:47:06,239 --> 00:47:08,600
Speaker 1: Beth Broaderic, Beth.

902
00:47:08,440 --> 00:47:10,080
Speaker 3: Broaderick, super nice.

903
00:47:10,760 --> 00:47:14,400
Speaker 4: Heading satisfaction as an Aaron Spelling movie.

904
00:47:14,640 --> 00:47:17,200
Speaker 3: Yes, he was so proud in that movie. And it

905
00:47:17,280 --> 00:47:22,359
Speaker 3: didn't They sang good, They sang really cool. Soundtrack is

906
00:47:22,440 --> 00:47:23,560
Speaker 3: so good.

907
00:47:24,680 --> 00:47:29,960
Speaker 1: I have it. Oh my god, my head is exploding.

908
00:47:31,239 --> 00:47:33,440
Speaker 3: Okay, you guys, we did it.

909
00:47:33,880 --> 00:47:36,439
Speaker 2: We did it. We did all five storylines.

910
00:47:36,800 --> 00:47:40,040
Speaker 1: Damn, I have to give my rating rating.

911
00:47:40,520 --> 00:47:48,440
Speaker 2: Oh. I felt really bad last week because I rated

912
00:47:48,480 --> 00:47:50,880
Speaker 2: the show very low, and I thought maybe people will

913
00:47:50,920 --> 00:47:52,520
Speaker 2: be upset with me. So I'm going to go a

914
00:47:52,520 --> 00:47:55,000
Speaker 2: little higher this week. I'm going to give it an eight.

915
00:47:57,080 --> 00:47:57,760
Speaker 3: It was seven.

916
00:47:58,360 --> 00:48:02,279
Speaker 1: Oh seven point five, all right. I don't like giving

917
00:48:02,320 --> 00:48:04,720
Speaker 1: a seven point five. I wanted.

918
00:48:04,760 --> 00:48:07,480
Speaker 4: I like to give it a nine, but the whole

919
00:48:07,560 --> 00:48:11,600
Speaker 4: politics got me all a lot.

920
00:48:12,160 --> 00:48:15,799
Speaker 2: Well, next week we have an exciting episode coming up.

921
00:48:15,840 --> 00:48:18,400
Speaker 2: It's called Who's zoom and Who.

922
00:48:19,239 --> 00:48:22,320
Speaker 1: Which is funny because there was no zoom.

923
00:48:22,440 --> 00:48:24,480
Speaker 3: I don't think that's the zoom they're talking about and

924
00:48:24,520 --> 00:48:25,719
Speaker 3: meant something else.

925
00:48:25,520 --> 00:48:34,320
Speaker 2: Like zoom, like zoo, or like zoomba or or And

926
00:48:34,400 --> 00:48:36,799
Speaker 2: the dogs get the zoomies, you know, when they run

927
00:48:36,840 --> 00:48:42,359
Speaker 2: around around, run around the squirts what Who's zoom and who?

928
00:48:43,239 --> 00:48:45,839
Speaker 2: No idea what that means, but we will find out

929
00:48:46,000 --> 00:48:49,600
Speaker 2: next week. Thanks you guys, Love you,