WEBVTT - Desperately Devoted to Doug Savant aka Tom Scavo

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<v Speaker 1>Hi, Welcome to Desperately Devoted the Ultimate Desperate Housewives rewatch,

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<v Speaker 1>hosted by me, Terry Hatcher, my on screen daughter Andrea Bowen,

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<v Speaker 1>and my real life daughter Emerson Tenny. We are so

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<v Speaker 1>lucky and blessed this week to have the incredible Doug

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<v Speaker 1>Savant here with us telling us.

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<v Speaker 2>To talk about the show and his experience. And thank

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<v Speaker 2>you so much for being here with you.

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<v Speaker 3>I am thrilled to be here and thrilled to be

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<v Speaker 3>back with you ladies, and now with Emerson all grown up.

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<v Speaker 4>It's fantastic.

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<v Speaker 5>It is so amazing. You look amazing. I just every

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<v Speaker 5>time we see somebody from the show, or even when

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<v Speaker 5>we're just watching the episodes now, memories just come flooding back,

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<v Speaker 5>and I don't know, maybe it's it's time, but I

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<v Speaker 5>just find everyone was so brilliant and genius and just

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<v Speaker 5>I just have so much love. It's just I know

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<v Speaker 5>I'm on zoom, but I feel like I'm in the room.

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<v Speaker 5>I want to just grab you by the cheek. It's

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<v Speaker 5>so great to see you, and that's.

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<v Speaker 6>Great to see so welcome.

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<v Speaker 4>It's great to see you.

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<v Speaker 3>It's great to be seen by you and with you

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<v Speaker 3>and be with you, but yeah, I as you've gone back,

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<v Speaker 3>like are what are your feelings?

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<v Speaker 5>It's been really fun because Emerson's basically never seen the

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<v Speaker 5>show before, and we haven't seen it in such a

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<v Speaker 5>long time that, like I said, you know, I find

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<v Speaker 5>myself going, oh my god, I forgot that.

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<v Speaker 7>I forgot that, I forgot that.

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<v Speaker 5>You know. But one of the things that was standing

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<v Speaker 5>out to us very early on, and I know, I'm

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<v Speaker 5>so excited to talk to you about this is you know,

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<v Speaker 5>there was so much obviously hype around the show and

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<v Speaker 5>around the idea of housewives, which mostly focused on the women,

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<v Speaker 5>and when you step away from it for as long

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<v Speaker 5>as we have and we go back, I feel by

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<v Speaker 5>the third episode, the men, I mean, I think I

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<v Speaker 5>came in to discuss our podcast and I was like,

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<v Speaker 5>you guys, aren't the men just like jumping off the

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<v Speaker 5>screen at you?

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<v Speaker 6>Like, I.

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<v Speaker 5>Have so much kind of curiosity and compassion for the

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<v Speaker 5>character development and the individual differences uniqueness between these men.

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<v Speaker 5>And also I have so many questions about what it

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<v Speaker 5>was like to try to play it. But let me

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<v Speaker 5>just start there that in hindsight, I feel like the

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<v Speaker 5>men are landing in a very strong way. Do you

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<v Speaker 5>guys feel that way.

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<v Speaker 2>Oh yes, I's second that it's so exciting and nice

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<v Speaker 2>to have you here because we have been discussing amongst

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<v Speaker 2>the three of us just how strong the husband's point

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<v Speaker 2>of view comes in, starting around episode three particularly, but

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<v Speaker 2>continuing on through the first season.

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<v Speaker 5>I mean, how did you can we just even go

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<v Speaker 5>to like how did you even get the show? Like

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<v Speaker 5>did you know Mark?

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<v Speaker 6>Or how what was?

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<v Speaker 5>Really?

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<v Speaker 6>Go back?

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<v Speaker 3>Okay, really go back? So I went into a no,

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<v Speaker 3>just a standard audition. It was another audition, and the

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<v Speaker 3>first thing that Mark Cherry said to me jumps out

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<v Speaker 3>of his seat and he says, I wrote the first

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<v Speaker 3>thing that your wife was ever in.

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<v Speaker 4>So my.

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<v Speaker 3>Wife, when she, you know, was starting launching her career,

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<v Speaker 3>she was part of a touring company of the Young

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<v Speaker 3>Americans and which Mark was, and so Mark had written

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<v Speaker 3>like this sort of musical thing, and Laura was there

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<v Speaker 3>and so she sang and she did this this thing

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<v Speaker 3>with Mark. So that was That's how Mark introduced himself

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<v Speaker 3>to me.

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<v Speaker 2>Welcome. That's an ingratiating way to meet something.

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<v Speaker 3>Yeah, And then of course I auditioned. It was Charlie McDougal,

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<v Speaker 3>the our pilot director, And the interesting thing about the

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<v Speaker 3>process for me was I was coming into the pilot

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<v Speaker 3>as a guest. I was not a contracted a series regular.

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<v Speaker 3>I was a guest star. So I got the Desperate

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<v Speaker 3>Housewives pilot as a guest and it was the only

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<v Speaker 3>husband that didn't have a serious regular role, and in fact,

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<v Speaker 3>I had to pass on a on a CSI there

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<v Speaker 3>were at the same time, and I thought, I'm gonna

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<v Speaker 3>I'm gonna go with this Desperate Housewives thing, and and

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<v Speaker 3>then magically the show goes, you know. And I thought

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<v Speaker 3>from reading the pilot that it was outstanding that I

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<v Speaker 3>saw something in it, and I hope that we all

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<v Speaker 3>did that, that there was a duality that there was.

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<v Speaker 3>There was seriousness there, but there was this also farcical

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<v Speaker 3>side or a soap side that people could engage with

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<v Speaker 3>it on many levels. And having come from Melrose's place

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<v Speaker 3>many years before, that was something that I noted in

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<v Speaker 3>that audience too. There was people who are in on

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<v Speaker 3>the joke and then people who just wanted to simply

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<v Speaker 3>be in for the soap opera aspects of it. But

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<v Speaker 3>then we got picked up and that's when the real

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<v Speaker 3>drama started. Because the studio called he said, we want

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<v Speaker 3>we want some want to come back as a guest.

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<v Speaker 3>We wanted you to come back as a guest for

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<v Speaker 3>for six episodes the first we were picked up, where

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<v Speaker 3>we picked up for nine or thirteen.

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<v Speaker 6>I forget, I don't really I might have.

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<v Speaker 5>Season.

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<v Speaker 4>Well we didn't get the backward I know that, I know,

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<v Speaker 4>I know that.

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<v Speaker 3>And so they said and we said, okay, well, you

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<v Speaker 3>know great, you know I'm interested in doing the show.

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<v Speaker 3>But they just made it awful. They were we're not

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<v Speaker 3>going to pay him another nickel. We said, well, is

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<v Speaker 3>there would you maybe be willing to offer some contract. No,

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<v Speaker 3>we never do that. Well that's interesting because Nicole at

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<v Speaker 3>Sheridan was a guest star on the pilot, but she

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<v Speaker 3>was up for the contract, and so I ended up.

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<v Speaker 3>They made it so hateful that I ended up passing

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<v Speaker 3>on the show.

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<v Speaker 6>Oh my god.

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<v Speaker 3>And I said, I said, I'll go out and I'll

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<v Speaker 3>get six guest stars myself of other shows.

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<v Speaker 4>I'm not doing this.

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<v Speaker 3>They never said. They never came to me and said,

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<v Speaker 3>we think you're great. We just don't have any money.

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<v Speaker 3>We don't know if the shows hit yet. We don't

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<v Speaker 3>you know, they didn't play any of that they said,

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<v Speaker 3>we're not paying him another nickel.

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<v Speaker 4>I don't care if we have to reshoot the.

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<v Speaker 3>Thing, And I thought wow, And so I thought, wow,

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<v Speaker 3>you just go right ahead.

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<v Speaker 4>Thanks. Yeah, I know, Terry.

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<v Speaker 5>I'm going to brace interrupt for one second, and I'm

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<v Speaker 5>going to circle back to something our listeners may have

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<v Speaker 5>picked up on. This is why I wore my own wardrobe.

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<v Speaker 8>Probably, yes, we talked about this in the pilot.

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<v Speaker 5>I'm just thinking that all of these things are trickling

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<v Speaker 5>down into some sort of like they were not prepared

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<v Speaker 5>for what it actually took to shoot what they wrote,

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<v Speaker 5>and we.

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<v Speaker 8>Found all these moments where I was like, Mom, isn't

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<v Speaker 8>that your shirt? Like didn't I end up borrowing that?

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<v Speaker 8>I still have that purse today? And she said, yeah,

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<v Speaker 8>they were not prepared to dress five leading women.

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<v Speaker 5>Anyways, I'm so sorry to interrupt, but I just know

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<v Speaker 5>it's crazy to hear how that.

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<v Speaker 6>Yes, so you may not know the also awful, So

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<v Speaker 6>go ahead.

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<v Speaker 4>You may not know.

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<v Speaker 3>The end of the story is Mark Cherry called me

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<v Speaker 3>and said, Doug, is it true that you're not doing it?

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<v Speaker 3>You're not going to do our show? And I said, Mark,

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<v Speaker 3>they made they made it horrible long story short. Mark said, please,

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<v Speaker 3>let's get them out of this. I'll negotiate. I'll negotiate

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<v Speaker 3>with you. We don't have any money. We're you know,

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<v Speaker 3>we we we love you. We thought you were great

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<v Speaker 3>on the pilot. He said, all the nice right things.

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<v Speaker 3>And I said, okay, let's you know, can we just

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<v Speaker 3>make something more like than more than just like Top

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<v Speaker 3>of Show? Like musicians, if they're a really good musician

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<v Speaker 3>and they get a studio gig there or an album

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<v Speaker 3>they'll get, they'll get double scale or something like just

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<v Speaker 3>pay me double scale something, throw me a bone, he goes,

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<v Speaker 3>let me go. They said, oh no, no, we never

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<v Speaker 3>do that. And I said, okay, So I said, okay,

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<v Speaker 3>I tell you what, Mark, I thank you. I appreciate that.

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<v Speaker 3>I want to do the show. I'll come in and

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<v Speaker 3>I'll do the first six. And they had some number

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<v Speaker 3>on the backside too. I said, I'll do it, and

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<v Speaker 3>I'll do it for Top of Show. But you're the

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<v Speaker 3>reason you're saying this is because we don't note the

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<v Speaker 3>show is a hit yet and we don't have the money.

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<v Speaker 3>So if the show is a hit and you go

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<v Speaker 3>a second season, whether you kill tom Off or not

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<v Speaker 3>you don't want me on the show. You need to

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<v Speaker 3>pay me for the second season. Just if the show's

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<v Speaker 3>a hit, I'll go, he said. He said, oh, Mark said,

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<v Speaker 3>I can do that. I will definitely do that. He

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<v Speaker 3>called me back and said, oh, they said, we never

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<v Speaker 3>do that.

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<v Speaker 8>I feel like I hear this all the time from

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<v Speaker 8>his studios.

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<v Speaker 1>We never.

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<v Speaker 3>Mark Cherry then uttered these words to me which made

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<v Speaker 3>me take the job. I give you my word as

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<v Speaker 3>a Christian man, if the season goes, you'll be there.

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<v Speaker 3>And to his eternal credit, he kept his word. He

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<v Speaker 3>Mark Cherry is a fantastic human being who he gave

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<v Speaker 3>me the best eight years of my life, my professional life.

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<v Speaker 3>I adored this experience. I adored this show. I wouldn't

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<v Speaker 3>change it for anything. My trip as you girls were

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<v Speaker 3>like blowing up on every magazine cover in the world,

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<v Speaker 3>and the studio was lavishing lovely you know tokens of

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<v Speaker 3>their affection on you. I was just a guest star

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<v Speaker 3>sitting there, like to know, keeping my fingers. Grassed that Mark.

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<v Speaker 3>Mark kept his word, and he did then more so

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<v Speaker 3>because we had another seven years.

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<v Speaker 2>Yeah after that, it's astonishing. I thought people are going

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<v Speaker 2>to find that your origin story is so fascinating because

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<v Speaker 2>Tom becomes.

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<v Speaker 5>Such a staple of the show.

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<v Speaker 2>The idea that initially you weren't going to be on

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<v Speaker 2>that regularly, you were just kind of coming in occasionally,

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<v Speaker 2>and then the risk that might have you not having

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<v Speaker 2>been on the show for as long as you were

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<v Speaker 2>is just amazing to hear.

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<v Speaker 6>I'm so glad.

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<v Speaker 8>I'm so glad that he kept his word too, because

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<v Speaker 8>I have to say Tom and Lynnett are my favorite

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<v Speaker 8>couple on the show. And I mean, even in all

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<v Speaker 8>of the chaos of all of the kids. And we've

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<v Speaker 8>talked a lot about the baby who comes in and

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<v Speaker 8>out of the first episodes, we don't see for me

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<v Speaker 8>five episodes. But something that we've talked about a lot,

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<v Speaker 8>especially in regards to your performance, is on the page,

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<v Speaker 8>Tom could come across as so oblivious to his wife's

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<v Speaker 8>struggles and he's gone at work, and you know she's

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<v Speaker 8>sort of resentful of him. But you play the character

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<v Speaker 8>in such a way that feels so disarmingly charming and

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<v Speaker 8>present and kind that even when the actual words Tom

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<v Speaker 8>is saying feel like I cannot believe this man is

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<v Speaker 8>saying it, there's something believably charming and endearing about it.

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<v Speaker 3>Did you, Can I first acknowledge I never tire of

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<v Speaker 3>hearing that, And can.

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<v Speaker 5>I just acknowledge how wonderful it is that my daughter

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<v Speaker 5>is such a generous and articulate human.

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<v Speaker 8>Yeah, well, it's true. It's really, I mean, it is true.

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<v Speaker 5>I am true. Yeah, no, and it is. It is

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<v Speaker 5>true that you really added layers that in some sense,

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<v Speaker 5>you know what I mean, just weren't there, you know,

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<v Speaker 5>and and and without that, I think I think Lynette's.

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<v Speaker 7>Ability to do what she needed to do would have.

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<v Speaker 5>Been much harder. I thought some of the choices you

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<v Speaker 5>made were incredibly brave because they were you were committed

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<v Speaker 5>to the cluelessness in a way that must have felt

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<v Speaker 5>very awkward, because I think I said this in one

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<v Speaker 5>of our episodes a couple of weeks ago, I said,

0:11:34.679 --> 0:11:37.480
<v Speaker 5>there is no way Doug treats his wife like that

0:11:37.720 --> 0:11:41.120
<v Speaker 5>like that. You know, I guarantee you, I guarantee you.

0:11:41.120 --> 0:11:43.480
<v Speaker 4>You know that I'm not allowing you what to come

0:11:43.520 --> 0:11:45.720
<v Speaker 4>in for a postmark? Yeah?

0:11:45.800 --> 0:11:51.600
<v Speaker 3>Yeah, so, I Terry, I thought, I, you know, you

0:11:51.600 --> 0:11:54.719
<v Speaker 3>were reticent to say that about Tom's either cluelessness or

0:11:55.440 --> 0:11:58.679
<v Speaker 3>I thank you that was You're being kind. But no,

0:11:58.880 --> 0:12:02.840
<v Speaker 3>there was a Tom. What I heard while I was

0:12:02.840 --> 0:12:04.880
<v Speaker 3>on the show. In the first I had women come

0:12:04.880 --> 0:12:06.600
<v Speaker 3>out to me and say, you are playing my husband.

0:12:08.640 --> 0:12:11.560
<v Speaker 3>But because Tom, I believe was a good guy, he

0:12:11.640 --> 0:12:13.480
<v Speaker 3>just didn't know what to do. He was he was like, oh,

0:12:13.520 --> 0:12:15.520
<v Speaker 3>and then would you tell me? Of course, yeah, of

0:12:15.559 --> 0:12:16.120
<v Speaker 3>course I'll do.

0:12:16.600 --> 0:12:19.920
<v Speaker 5>I feel like when I said clueless, I didn't mean idiot.

0:12:20.040 --> 0:12:26.360
<v Speaker 5>I meant more like just unaware. Sure as the second Tom,

0:12:26.600 --> 0:12:30.679
<v Speaker 5>the second Tom became aware, he tried to do something

0:12:30.720 --> 0:12:31.040
<v Speaker 5>about it.

0:12:31.080 --> 0:12:33.880
<v Speaker 6>Oh, I wanted to help. Yeah, he was always absolutely

0:12:33.960 --> 0:12:34.240
<v Speaker 6>and he.

0:12:34.200 --> 0:12:35.520
<v Speaker 3>Came from the place I used to say this and

0:12:35.600 --> 0:12:39.560
<v Speaker 3>this happy wife, happy life. That's and there's many there

0:12:39.559 --> 0:12:44.600
<v Speaker 3>are many, many, many men who lived this way. And yeah,

0:12:44.640 --> 0:12:46.840
<v Speaker 3>so he might not have got it right, you know

0:12:46.960 --> 0:12:49.400
<v Speaker 3>on the first take, you know, like what and then

0:12:49.720 --> 0:12:51.400
<v Speaker 3>but then he would rise to.

0:12:51.320 --> 0:12:53.959
<v Speaker 2>The occasion and you listened, I mean Tom, Tom listened

0:12:54.000 --> 0:12:56.520
<v Speaker 2>to his wife when she would say, hey, I actually

0:12:56.559 --> 0:12:57.559
<v Speaker 2>need something from you.

0:12:57.679 --> 0:13:00.680
<v Speaker 3>Yeah, and Lynette, Lynette, come on, let's see. Lenette was hardcore.

0:13:00.840 --> 0:13:03.600
<v Speaker 3>I mean she you know. That's really what I loved

0:13:03.679 --> 0:13:09.960
<v Speaker 3>about the portrayal of this marriage ontellivigionce I thought it

0:13:10.000 --> 0:13:14.880
<v Speaker 3>was really a good portrayal of a not perfect marriage,

0:13:15.200 --> 0:13:18.880
<v Speaker 3>but a really good, strong marriage, and that wall things

0:13:18.880 --> 0:13:25.960
<v Speaker 3>aren't always perfect. They stayed together early or early early,

0:13:26.000 --> 0:13:30.320
<v Speaker 3>they really you know, they really stuck together, and I

0:13:30.360 --> 0:13:32.440
<v Speaker 3>think that they had a good I think it was

0:13:32.480 --> 0:13:49.240
<v Speaker 3>a good representation of marriage in you know, in the media.

0:13:45.360 --> 0:13:49.800
<v Speaker 5>Do you have scenes, I mean, it's long, it's it's

0:13:50.400 --> 0:13:52.920
<v Speaker 5>I would imagine maybe you don't remember, because I know,

0:13:53.080 --> 0:13:55.640
<v Speaker 5>eight seasons is a long time, and I'm finding myself going,

0:13:55.679 --> 0:13:59.000
<v Speaker 5>I don't even remember shooting that, you know, but do

0:13:59.080 --> 0:14:02.840
<v Speaker 5>you have scenes that stick out in your brain that

0:14:02.920 --> 0:14:06.319
<v Speaker 5>were particularly rewarding or challenging.

0:14:06.400 --> 0:14:09.960
<v Speaker 6>Or humiliating you go, yeah.

0:14:09.400 --> 0:14:11.160
<v Speaker 5>Back, and you go, I'm really proud of that. Like

0:14:11.200 --> 0:14:14.040
<v Speaker 5>I would use the example of me getting locked out

0:14:14.040 --> 0:14:16.400
<v Speaker 5>of the house naked and this sort of like physical

0:14:16.440 --> 0:14:19.880
<v Speaker 5>comedy I did involved in that, as I would look

0:14:19.920 --> 0:14:23.200
<v Speaker 5>at that as like a highlight not just my execution,

0:14:23.440 --> 0:14:26.880
<v Speaker 5>but the opportunity itself that Mark wrote for me to even.

0:14:26.720 --> 0:14:30.120
<v Speaker 3>Do that, right, but that really you execute it on

0:14:30.200 --> 0:14:32.480
<v Speaker 3>the highest level. You know, somebody can put it on

0:14:32.520 --> 0:14:35.160
<v Speaker 3>the page, as your daughter knows, but bringing it to

0:14:35.240 --> 0:14:39.760
<v Speaker 3>life and doing it the physical comedy is next level.

0:14:39.880 --> 0:14:42.560
<v Speaker 3>So no that I would say that that is an

0:14:42.840 --> 0:14:45.320
<v Speaker 3>iconic image from the show of what you did there

0:14:45.600 --> 0:14:52.440
<v Speaker 3>Eva mowing the lawn. There are so many just the

0:14:52.480 --> 0:14:55.120
<v Speaker 3>imagery of the show. I think was it season two

0:14:55.160 --> 0:14:57.800
<v Speaker 3>when they did the whole Eden thing with the apples

0:14:57.800 --> 0:15:01.600
<v Speaker 3>and the or was that from them that's in the

0:15:01.640 --> 0:15:03.680
<v Speaker 3>opening credits of this Well, I know, I know it's

0:15:03.680 --> 0:15:07.840
<v Speaker 3>in the opening credits, but didn't somebody came in, like

0:15:07.880 --> 0:15:09.480
<v Speaker 3>a big commercial director and they Oh.

0:15:09.440 --> 0:15:17.400
<v Speaker 5>Yeah, David David Chappelle, David Chappelle, David David not La Chappelle,

0:15:17.480 --> 0:15:21.320
<v Speaker 5>David Chappelle, David Chappellee.

0:15:22.640 --> 0:15:23.320
<v Speaker 4>We're going with that.

0:15:23.600 --> 0:15:24.880
<v Speaker 6>Yes, I was right.

0:15:25.840 --> 0:15:29.800
<v Speaker 5>I think he did something like very high high fashion

0:15:30.000 --> 0:15:32.720
<v Speaker 5>with apples. But so back to like, are there scenes

0:15:32.760 --> 0:15:35.160
<v Speaker 5>that stand out like great?

0:15:35.240 --> 0:15:40.280
<v Speaker 3>Yeah, no, there's okay. You know, I was certainly humiliated

0:15:40.320 --> 0:15:43.880
<v Speaker 3>when I had to wear the song you know, a greet. Yeah,

0:15:43.960 --> 0:15:45.760
<v Speaker 3>that was like something I didn't want to do. I'm

0:15:45.840 --> 0:15:48.640
<v Speaker 3>like in my fortes, I'm like, Mark, nobody wants to

0:15:48.640 --> 0:15:55.640
<v Speaker 3>see this, But that's still out there.

0:15:54.680 --> 0:15:56.120
<v Speaker 4>That that lives on today.

0:15:57.720 --> 0:15:59.720
<v Speaker 2>He gave you his one question word.

0:16:02.760 --> 0:16:06.120
<v Speaker 3>When Curry Graham who's a fantastic actor, played my sort

0:16:06.120 --> 0:16:09.000
<v Speaker 3>of my boss, and I was at the advertising in

0:16:09.200 --> 0:16:10.760
<v Speaker 3>marketing or the advertising agency.

0:16:11.880 --> 0:16:12.600
<v Speaker 4>There was a scene and.

0:16:12.560 --> 0:16:17.840
<v Speaker 3>It got caught, but I had to go bobbing for

0:16:17.920 --> 0:16:19.800
<v Speaker 3>a donut in the toilet bawl.

0:16:20.440 --> 0:16:21.240
<v Speaker 5>Oh my god.

0:16:21.320 --> 0:16:24.080
<v Speaker 3>And also he was throwing do you remember there was

0:16:24.120 --> 0:16:29.240
<v Speaker 3>a scene in a in a boardroom where he's challenging

0:16:29.280 --> 0:16:33.880
<v Speaker 3>me all the time and he was chucking eminem peanut

0:16:33.920 --> 0:16:35.480
<v Speaker 3>eminem's at me and I would have to eat them

0:16:35.480 --> 0:16:36.000
<v Speaker 3>out of the air.

0:16:36.040 --> 0:16:38.280
<v Speaker 4>And we literally shot this. This wasn't c g.

0:16:38.480 --> 0:16:41.840
<v Speaker 3>I I mean I was, you know, and I I

0:16:41.880 --> 0:16:43.360
<v Speaker 3>don't want to really toot my own home.

0:16:43.760 --> 0:16:45.200
<v Speaker 4>It was kind of I was kind of great at

0:16:45.240 --> 0:16:47.600
<v Speaker 4>It was kind of a big deal.

0:16:48.280 --> 0:16:50.680
<v Speaker 5>Everybody has to have like tricks in there in their

0:16:50.680 --> 0:16:53.440
<v Speaker 5>basket of tricks. That's a good one to have.

0:16:53.840 --> 0:16:54.480
<v Speaker 6>It really is.

0:16:54.800 --> 0:16:56.800
<v Speaker 3>Yeah, And I of course I remember all of this

0:16:56.840 --> 0:17:00.880
<v Speaker 3>stuff with with Flick in terms of but I think

0:17:01.000 --> 0:17:04.720
<v Speaker 3>I was most nervous and I don't know how. I

0:17:04.760 --> 0:17:07.919
<v Speaker 3>don't want to mess up your podcast with a spoiler alert.

0:17:08.000 --> 0:17:09.600
<v Speaker 3>So if anybody, oh, that's okay.

0:17:09.760 --> 0:17:12.600
<v Speaker 5>I think when we're we've got we're so happy to

0:17:12.640 --> 0:17:14.600
<v Speaker 5>have guests on. We know we're going to go way

0:17:14.760 --> 0:17:15.400
<v Speaker 5>out of order.

0:17:15.440 --> 0:17:17.560
<v Speaker 3>That's all right, Okay, So way at the end of

0:17:17.560 --> 0:17:20.439
<v Speaker 3>the series, when Tom and Lynnette get back together on

0:17:20.480 --> 0:17:25.200
<v Speaker 3>the street, that was really uh, that was I wanted

0:17:25.200 --> 0:17:27.040
<v Speaker 3>to make sure I didn't screw that up. And I

0:17:27.080 --> 0:17:29.480
<v Speaker 3>will say, you know, after all of these years, I

0:17:29.520 --> 0:17:31.680
<v Speaker 3>don't I have not gone back and watched the show,

0:17:31.720 --> 0:17:34.960
<v Speaker 3>but I it pops up on YouTube, various scenes and

0:17:34.960 --> 0:17:39.760
<v Speaker 3>stuff like that, and I'm I'm vulnerable watch you know,

0:17:40.280 --> 0:17:43.520
<v Speaker 3>and and I'm I'm super proud of what I did.

0:17:43.680 --> 0:17:48.520
<v Speaker 2>I'm like, should be yeah, you should be three fans

0:17:48.520 --> 0:17:50.840
<v Speaker 2>here and a million of more fans out there listening.

0:17:50.840 --> 0:17:51.200
<v Speaker 8>I'm sure.

0:17:51.200 --> 0:17:56.000
<v Speaker 5>Well, I don't know, but yeah, yeah, I was curious,

0:17:56.040 --> 0:17:58.399
<v Speaker 5>like just a little digging a little bit deeper into

0:17:58.440 --> 0:18:04.000
<v Speaker 5>playing Tom, because you know, I think people sometimes don't

0:18:04.040 --> 0:18:09.080
<v Speaker 5>know this with series that sometimes the actors don't know

0:18:09.119 --> 0:18:13.720
<v Speaker 5>where it's going. So so you get a script and

0:18:14.240 --> 0:18:17.480
<v Speaker 5>the most you have is what you've done before in

0:18:17.560 --> 0:18:20.439
<v Speaker 5>another episode, and then what you're looking at now, and

0:18:20.480 --> 0:18:24.480
<v Speaker 5>you're not necessarily privy to where it's going. And sometimes

0:18:25.320 --> 0:18:28.840
<v Speaker 5>character things that they write for you to do, you

0:18:28.960 --> 0:18:33.560
<v Speaker 5>think I wouldn't do that, like based on what happened

0:18:33.600 --> 0:18:37.720
<v Speaker 5>before or I that's not the way I've been playing it,

0:18:37.800 --> 0:18:39.080
<v Speaker 5>Like how do I do you?

0:18:39.840 --> 0:18:40.760
<v Speaker 7>Did you feel?

0:18:41.200 --> 0:18:44.679
<v Speaker 5>And Plus in this show there's so many characters that

0:18:44.720 --> 0:18:48.040
<v Speaker 5>I think a lot of us were creating homework about

0:18:48.080 --> 0:18:53.639
<v Speaker 5>our characters by ourselves because there just wasn't time to,

0:18:54.200 --> 0:18:57.000
<v Speaker 5>you know, have rehearsal and talk about it and figure

0:18:57.000 --> 0:18:57.280
<v Speaker 5>it out.

0:18:57.480 --> 0:18:58.520
<v Speaker 7>So did you do that?

0:18:58.720 --> 0:19:04.080
<v Speaker 5>Did you fill Tom with some of your own stuff

0:19:04.119 --> 0:19:06.160
<v Speaker 5>for like anything's come to you?

0:19:06.640 --> 0:19:09.080
<v Speaker 3>Well that I think it's it's a great question. But

0:19:09.520 --> 0:19:11.720
<v Speaker 3>given my history and I don't know how you because

0:19:11.800 --> 0:19:17.159
<v Speaker 3>Terry yours we've done this a while, I was not

0:19:17.480 --> 0:19:20.200
<v Speaker 3>prepared to come on a show where where any writer

0:19:20.400 --> 0:19:21.919
<v Speaker 3>was going to listen to what I had to say.

0:19:22.200 --> 0:19:24.600
<v Speaker 3>I mean nobody, I mean I don't know why. In

0:19:24.640 --> 0:19:27.120
<v Speaker 3>my experience up to that point, nobody, nobody else wanted

0:19:27.160 --> 0:19:31.000
<v Speaker 3>to listen to me anyway. So I was busy doing

0:19:31.040 --> 0:19:33.320
<v Speaker 3>my damnedest to take what they had written and make

0:19:33.359 --> 0:19:40.199
<v Speaker 3>it somehow work for me. But on this point, this

0:19:40.400 --> 0:19:43.159
<v Speaker 3>was the most generous group of writers that I have

0:19:43.240 --> 0:19:44.840
<v Speaker 3>ever been around.

0:19:44.880 --> 0:19:46.280
<v Speaker 4>They there was not.

0:19:47.880 --> 0:19:51.560
<v Speaker 3>Uh, they did listen when and the only reason, the

0:19:51.560 --> 0:19:53.919
<v Speaker 3>only reason I ever even would would pipe up is

0:19:53.920 --> 0:19:57.359
<v Speaker 3>because Felicity did. And she would say, this just doesn't

0:19:57.400 --> 0:20:01.600
<v Speaker 3>make sense. And I will say, to her credit, she

0:20:01.840 --> 0:20:03.720
<v Speaker 3>was extraordinarily.

0:20:02.880 --> 0:20:03.760
<v Speaker 4>Demanding of the truth.

0:20:03.960 --> 0:20:06.960
<v Speaker 3>And she was demanding, like she didn't phone stuff in

0:20:07.080 --> 0:20:10.720
<v Speaker 3>and she always come in on the set and you know,

0:20:11.000 --> 0:20:12.520
<v Speaker 3>it's too neat in here. We've got all these kids.

0:20:12.560 --> 0:20:14.639
<v Speaker 3>It'd just be a mess and throw cheerios around and

0:20:14.640 --> 0:20:18.360
<v Speaker 3>stuff like this. But really, I mean stuff there wasn't

0:20:18.400 --> 0:20:22.320
<v Speaker 3>even her job. And she'll acknowledge this now. So also

0:20:22.359 --> 0:20:25.960
<v Speaker 3>one of my favorite things is when I would go

0:20:26.000 --> 0:20:29.440
<v Speaker 3>to wear terry, I didn't I'm not a person that

0:20:29.480 --> 0:20:32.280
<v Speaker 3>would show up in the makeup trailer in my normal

0:20:32.359 --> 0:20:36.280
<v Speaker 3>civy clothes. I would always get in my wardrobe first

0:20:36.280 --> 0:20:37.600
<v Speaker 3>and then go I just didn't want to I don't

0:20:37.640 --> 0:20:39.440
<v Speaker 3>like makeup. I didn't want to get No, I always

0:20:39.440 --> 0:20:41.280
<v Speaker 3>get I was getting a wardrobe, then I go to makeup.

0:20:42.520 --> 0:20:46.200
<v Speaker 3>And so when we would come to rehearse, Uh, most

0:20:46.200 --> 0:20:48.960
<v Speaker 3>people are in their city, their city clothes, they're hanging

0:20:49.000 --> 0:20:50.800
<v Speaker 3>out doing something. Then we're rehearsing and you go get

0:20:50.800 --> 0:20:52.840
<v Speaker 3>in your stuff, but I show I always showed up

0:20:52.880 --> 0:20:58.359
<v Speaker 3>in my wardrobe and Felicia more than one occasion was look, Mika,

0:20:59.040 --> 0:21:04.280
<v Speaker 3>are you gonna wear like what and just pull the

0:21:04.359 --> 0:21:06.080
<v Speaker 3>rug out phone and you're like, well they put it

0:21:06.119 --> 0:21:08.840
<v Speaker 3>in the trailer. She goes, oh my god, that's hideous, and.

0:21:10.160 --> 0:21:13.400
<v Speaker 5>Back to why I used my Oh yeah, he keeps

0:21:13.440 --> 0:21:13.840
<v Speaker 5>coming up.

0:21:13.880 --> 0:21:14.960
<v Speaker 2>It just keeps coming up.

0:21:15.720 --> 0:21:19.400
<v Speaker 3>Well they did, Oh my god the first season, Terry,

0:21:19.440 --> 0:21:22.680
<v Speaker 3>you're right if now that you're making me recall, I mean,

0:21:22.720 --> 0:21:25.720
<v Speaker 3>I literally most of my wardrobe is from Target. This

0:21:25.760 --> 0:21:27.080
<v Speaker 3>is before.

0:21:28.520 --> 0:21:29.720
<v Speaker 4>The genius of.

0:21:31.280 --> 0:21:36.160
<v Speaker 3>Yeah, but yeah, I had some really there's some embarrassing

0:21:36.160 --> 0:21:38.640
<v Speaker 3>cast photos of me, like like throwing a football on him,

0:21:38.640 --> 0:21:42.399
<v Speaker 3>Like I look like the worst Sears of Robot model

0:21:42.600 --> 0:21:44.320
<v Speaker 3>that like, yeah, they just couldn't.

0:21:44.600 --> 0:21:48.040
<v Speaker 2>Another time in the last our last podcast that I

0:21:48.119 --> 0:21:51.280
<v Speaker 2>pointed out that I'm wearing inexplicably, I'm wearing flip flops

0:21:51.280 --> 0:21:53.480
<v Speaker 2>in a scene that it's just like why why am

0:21:53.480 --> 0:21:55.639
<v Speaker 2>I not wearing sneakers? Like why am I out in

0:21:55.680 --> 0:21:58.400
<v Speaker 2>the world, not at the beach, not nearpool, Like it's

0:21:58.520 --> 0:22:01.320
<v Speaker 2>very strange. They certainly fliplop around like it couldn't have

0:22:01.320 --> 0:22:04.160
<v Speaker 2>been good for sound, And we determined it. It must

0:22:04.160 --> 0:22:06.520
<v Speaker 2>have just been the budget. Any other options for me?

0:22:09.359 --> 0:22:14.359
<v Speaker 5>Yeah, well, it's I think you know, she's obviously an

0:22:14.400 --> 0:22:16.720
<v Speaker 5>amazing actress. I don't know how you had you worked

0:22:16.720 --> 0:22:21.200
<v Speaker 5>with her before. I hadn't either, And I have this memory,

0:22:21.840 --> 0:22:26.000
<v Speaker 5>it's really one of my most clear on the pilot,

0:22:26.240 --> 0:22:29.120
<v Speaker 5>and I remember it was I had. It was the

0:22:29.160 --> 0:22:30.160
<v Speaker 5>deference that I had.

0:22:30.200 --> 0:22:33.560
<v Speaker 7>It was it was I was just like, it's really.

0:22:33.440 --> 0:22:35.920
<v Speaker 5>Nice to meet you, and I just want to make

0:22:35.960 --> 0:22:39.240
<v Speaker 5>sure that you know whatever I do is supporting the

0:22:39.359 --> 0:22:42.280
<v Speaker 5>choice that you want to make, because I know that

0:22:42.320 --> 0:22:46.320
<v Speaker 5>you're a really accomplished, great actress, and I just want

0:22:46.359 --> 0:22:50.240
<v Speaker 5>to make sure I'm setting you to be what you

0:22:50.280 --> 0:22:50.880
<v Speaker 5>want to do.

0:22:56.760 --> 0:22:59.600
<v Speaker 6>You know that she made me that way.

0:22:59.840 --> 0:23:05.120
<v Speaker 3>She is a Yeah, she is a super strong presence.

0:23:05.160 --> 0:23:08.560
<v Speaker 3>I think, Terry, when I felt that most was when

0:23:08.800 --> 0:23:13.399
<v Speaker 3>I'm in a scene with Felicity and her husband, Bill Macy,

0:23:13.760 --> 0:23:17.280
<v Speaker 3>from whom Macy comes to watch and he's behind the monitor.

0:23:17.320 --> 0:23:23.320
<v Speaker 4>I'm like, no, go right now, you know no?

0:23:23.960 --> 0:23:29.000
<v Speaker 3>And so yeah, but Bill, Bill, in his to his credit,

0:23:29.040 --> 0:23:31.280
<v Speaker 3>he was always very gracious, a great liar.

0:23:31.320 --> 0:23:33.320
<v Speaker 4>He's a great He's a great liar. He always he

0:23:33.400 --> 0:23:34.520
<v Speaker 4>was very supportive of me.

0:23:35.680 --> 0:23:39.919
<v Speaker 3>But yeah, one of the other things about Felicity that

0:23:40.040 --> 0:23:42.879
<v Speaker 3>needs to be that is sort of interesting and why

0:23:43.440 --> 0:23:45.600
<v Speaker 3>as we were talking before we got started with Emerson,

0:23:45.600 --> 0:23:48.080
<v Speaker 3>why I'm glad you're no one's you know, you're not

0:23:48.560 --> 0:23:51.359
<v Speaker 3>pursuing a career in acting. One of the things they

0:23:51.400 --> 0:23:53.720
<v Speaker 3>did during the nego while I was in limbo and

0:23:53.760 --> 0:23:54.960
<v Speaker 3>I said, no, I'm not going to do the show,

0:23:55.000 --> 0:23:57.679
<v Speaker 3>or Mark was trying to negotiate for me, was they

0:23:57.800 --> 0:23:59.320
<v Speaker 3>They certainly, and I don't know if they did this

0:23:59.400 --> 0:24:01.960
<v Speaker 3>with you Terry to check in about Jamie or anything,

0:24:02.240 --> 0:24:04.880
<v Speaker 3>but they went to they went to Felicity and said, you.

0:24:04.840 --> 0:24:08.480
<v Speaker 4>Know, do you you like the savant guys? He is

0:24:08.520 --> 0:24:10.640
<v Speaker 4>he okay with you? You know? And she was like, yeah,

0:24:10.720 --> 0:24:11.840
<v Speaker 4>he's great. You know.

0:24:11.880 --> 0:24:14.840
<v Speaker 3>She was just like, yes, I had And this is

0:24:14.880 --> 0:24:20.199
<v Speaker 3>the tenuous you know, Cliff precipice that actors live on.

0:24:20.640 --> 0:24:25.280
<v Speaker 3>Had Felicity said, I don't know, you know, or I

0:24:25.280 --> 0:24:27.520
<v Speaker 3>didn't you know, she didn't like the way I smelled her,

0:24:27.560 --> 0:24:29.640
<v Speaker 3>the way I kissed her that on that opening scene,

0:24:29.680 --> 0:24:32.240
<v Speaker 3>you know, No, I mean any number of things it

0:24:32.280 --> 0:24:35.160
<v Speaker 3>could have it could have spelled, could have taken away

0:24:35.160 --> 0:24:36.159
<v Speaker 3>that opportunity from me.

0:24:36.480 --> 0:24:37.960
<v Speaker 4>So I am, I.

0:24:37.880 --> 0:24:39.159
<v Speaker 5>Don't remember having.

0:24:39.160 --> 0:24:41.639
<v Speaker 6>Anywhere anybody else kind of powered.

0:24:41.640 --> 0:24:44.080
<v Speaker 2>And she's like, if so Andrea would have never.

0:24:46.000 --> 0:24:47.720
<v Speaker 6>I don't that's not true.

0:24:47.760 --> 0:24:50.280
<v Speaker 5>If So Andrew would have been in every episode from

0:24:50.320 --> 0:24:52.720
<v Speaker 5>the quire eight seasons, if I had had that kind

0:24:52.720 --> 0:24:53.080
<v Speaker 5>of power.

0:24:53.320 --> 0:24:56.639
<v Speaker 4>Yeah, so, Terry, I don't know that Felicity.

0:24:56.960 --> 0:24:59.000
<v Speaker 3>They didn't come to her and say, you know, there

0:24:59.040 --> 0:25:01.120
<v Speaker 3>wasn't nice to sit down, Hey, we want to discuss

0:25:01.359 --> 0:25:04.120
<v Speaker 3>she they checked in, They checked in before before there

0:25:04.200 --> 0:25:07.439
<v Speaker 3>before they're going to go another you know, another yard

0:25:07.600 --> 0:25:10.639
<v Speaker 3>down the road with me. They were checking in and

0:25:10.720 --> 0:25:15.679
<v Speaker 3>had she had she you know, any burn or saddle

0:25:15.680 --> 0:25:16.080
<v Speaker 3>about me.

0:25:16.440 --> 0:25:17.760
<v Speaker 4>I want to be here. I want to know when.

0:25:17.760 --> 0:25:21.080
<v Speaker 5>Well, I'm glad that she didn't because, as Emerson said,

0:25:21.160 --> 0:25:25.879
<v Speaker 5>I think you guys were just an iconic television married couple,

0:25:27.280 --> 0:25:33.240
<v Speaker 5>so so truthful and complicated and willing to be ugly

0:25:33.800 --> 0:25:37.760
<v Speaker 5>and and and and as you said, the show rode

0:25:37.800 --> 0:25:43.919
<v Speaker 5>this incredibly truthful but also satirical comedic lines, just like

0:25:44.000 --> 0:25:48.639
<v Speaker 5>walking a tightrope, and when it was at its best,

0:25:49.400 --> 0:25:53.639
<v Speaker 5>you guys really just shined. So it's like such a

0:25:53.720 --> 0:25:59.320
<v Speaker 5>joy to reflect on. And I want to Yeah, yeah, no,

0:25:59.400 --> 0:26:00.040
<v Speaker 5>go ahead.

0:26:00.160 --> 0:26:04.280
<v Speaker 3>In that you know clearly you yours and Jamie's dynamic

0:26:04.440 --> 0:26:09.480
<v Speaker 3>was popping and everybody, you know, people wanted they were starving,

0:26:09.560 --> 0:26:12.879
<v Speaker 3>and we had we couldn't allow them to have that relationship, right,

0:26:12.920 --> 0:26:15.720
<v Speaker 3>That's why they had Andrew Jackson Nicholet. But then you had,

0:26:15.760 --> 0:26:18.800
<v Speaker 3>you had Jamie, you had, you had a number of

0:26:18.920 --> 0:26:20.120
<v Speaker 3>guys over the year.

0:26:21.040 --> 0:26:22.680
<v Speaker 6>I'm probably I'm not forgotten.

0:26:23.400 --> 0:26:28.879
<v Speaker 4>What's that that's gonna be ritual?

0:26:29.000 --> 0:26:29.160
<v Speaker 5>Oh?

0:26:29.240 --> 0:26:30.240
<v Speaker 4>God, of course.

0:26:31.480 --> 0:26:34.400
<v Speaker 3>So in the ordination of things, I'm just gonna say

0:26:34.440 --> 0:26:38.600
<v Speaker 3>Jamie's on a different level, right because he is a friend.

0:26:38.640 --> 0:26:40.160
<v Speaker 3>I know if I come in here a bad mouth

0:26:40.160 --> 0:26:44.480
<v Speaker 3>and it just looked bad. Uh So so who was

0:26:44.960 --> 0:26:48.560
<v Speaker 3>who did you then next, like really spark with her?

0:26:48.640 --> 0:26:51.280
<v Speaker 3>That you you you thought there was really some great

0:26:51.560 --> 0:26:52.560
<v Speaker 3>you loved working with them?

0:26:53.640 --> 0:26:58.919
<v Speaker 5>Oh this is really this is just difficult because I

0:26:58.960 --> 0:27:02.600
<v Speaker 5>feel like it's a complicated answer. Plus we haven't gotten

0:27:02.640 --> 0:27:05.840
<v Speaker 5>to those episodes yet, so that makes it hard. But

0:27:07.280 --> 0:27:12.760
<v Speaker 5>I will admit something that I think it will be

0:27:12.840 --> 0:27:18.639
<v Speaker 5>interesting to discover if my recollection it matches when we

0:27:18.720 --> 0:27:19.479
<v Speaker 5>start watching it.

0:27:19.520 --> 0:27:26.320
<v Speaker 7>But I used to feel that after we got.

0:27:26.119 --> 0:27:29.880
<v Speaker 5>Through season one and a lot of people said this,

0:27:30.000 --> 0:27:36.040
<v Speaker 5>that Susan became annoying and did some things that just

0:27:36.080 --> 0:27:39.920
<v Speaker 5>seemed very out of character. And I talked to one

0:27:39.960 --> 0:27:43.840
<v Speaker 5>of the writers years and years later, and he admitted

0:27:43.880 --> 0:27:47.920
<v Speaker 5>to me that they really wrote themselves into a corner

0:27:47.960 --> 0:27:52.679
<v Speaker 5>with Susan and Mike, because once you let a character

0:27:52.840 --> 0:27:55.480
<v Speaker 5>find the love of their life, you have nothing to

0:27:55.520 --> 0:27:57.440
<v Speaker 5>do but break them up and put them back together,

0:27:57.480 --> 0:27:58.840
<v Speaker 5>and break them up and put them back together, and

0:27:58.840 --> 0:28:01.320
<v Speaker 5>break them up and put them back together. They never

0:28:01.520 --> 0:28:05.760
<v Speaker 5>were willing to add Susan and Mike as another version

0:28:05.800 --> 0:28:08.480
<v Speaker 5>of a married couple. So you had, you know, Brie

0:28:08.560 --> 0:28:11.280
<v Speaker 5>and Rex and their particular struggle, and you had Tom

0:28:11.320 --> 0:28:13.800
<v Speaker 5>and Lynette and their particular struggle, and Gabby and Carlos

0:28:13.800 --> 0:28:17.320
<v Speaker 5>and their particular struggle. And they were never willing to

0:28:17.640 --> 0:28:21.280
<v Speaker 5>let Susan and Mike get invested in a marriage and

0:28:21.480 --> 0:28:25.360
<v Speaker 5>see what the problems were. And so they just started

0:28:25.520 --> 0:28:30.359
<v Speaker 5>arbitrarily making up what he admitted to me were not

0:28:30.560 --> 0:28:33.960
<v Speaker 5>particularly grounded or earned reasons to split them up and

0:28:34.000 --> 0:28:35.600
<v Speaker 5>put them back together, and split them up and put

0:28:35.600 --> 0:28:39.360
<v Speaker 5>them back together. So, to answer your question, there was

0:28:39.400 --> 0:28:43.640
<v Speaker 5>a part of me that just always felt like why

0:28:43.680 --> 0:28:45.160
<v Speaker 5>are we doing this storyline?

0:28:45.400 --> 0:28:45.480
<v Speaker 8>Like?

0:28:47.800 --> 0:28:52.560
<v Speaker 5>Why are we doing this storyline? And I think the

0:28:52.640 --> 0:28:56.800
<v Speaker 5>audience felt that somewhat, And I, as you said, you're

0:28:56.880 --> 0:28:59.120
<v Speaker 5>not you don't tell the writer what to do. I

0:28:59.160 --> 0:29:02.160
<v Speaker 5>don't either, I, you know, would get it and certainly

0:29:02.160 --> 0:29:06.280
<v Speaker 5>try to do the best with what I could manage

0:29:06.360 --> 0:29:09.000
<v Speaker 5>out of what the story was there. But in regards

0:29:09.040 --> 0:29:15.560
<v Speaker 5>to the loving relationship, yeah, and picking other boyfriends, I

0:29:15.600 --> 0:29:17.840
<v Speaker 5>mean that's going to be an interesting thing as we

0:29:18.040 --> 0:29:21.160
<v Speaker 5>start to watch these episodes, because I'm sure at like

0:29:21.280 --> 0:29:25.200
<v Speaker 5>Gail is coming to mind. I'm sure like as and

0:29:25.440 --> 0:29:28.880
<v Speaker 5>and of course Richard Bergie. You know, the heart wants

0:29:28.920 --> 0:29:34.840
<v Speaker 5>what the heart wants. You can't not hear that, So

0:29:34.880 --> 0:29:37.600
<v Speaker 5>it'll be interesting to see that. But yeah, that's kind

0:29:37.600 --> 0:29:42.520
<v Speaker 5>of my reflection on where Susan's love life. You know,

0:29:42.560 --> 0:29:45.760
<v Speaker 5>I never really got the opportunity that I think Tom

0:29:45.800 --> 0:29:48.400
<v Speaker 5>and Yes, Susan.

0:29:48.320 --> 0:29:49.840
<v Speaker 4>It's really well, really well said.

0:29:50.320 --> 0:29:53.920
<v Speaker 8>I'm so rooting for Susan and Mike every time they're

0:29:53.920 --> 0:29:57.800
<v Speaker 8>on screen together, and the chemistry is so real and obviously,

0:29:57.840 --> 0:30:00.320
<v Speaker 8>you know, I grew up knowing James and is the

0:30:00.320 --> 0:30:02.600
<v Speaker 8>best and you guys are so great together that I

0:30:02.640 --> 0:30:08.320
<v Speaker 8>can imagine spoiler alert for me to see you not

0:30:09.080 --> 0:30:09.880
<v Speaker 8>always stay together.

0:30:10.120 --> 0:30:13.240
<v Speaker 2>Yeah, I have a question for you. So something we've

0:30:13.280 --> 0:30:15.840
<v Speaker 2>noticed is that, And one of the reasons why we

0:30:15.840 --> 0:30:18.320
<v Speaker 2>were so excited to do this podcast is that we've

0:30:18.360 --> 0:30:21.080
<v Speaker 2>had people, you know, coming up to us and letting

0:30:21.160 --> 0:30:22.840
<v Speaker 2>us know that they're experiencing the show for the first time.

0:30:22.880 --> 0:30:25.960
<v Speaker 2>There's a lot of people who are rewatching it and

0:30:26.000 --> 0:30:28.320
<v Speaker 2>who are watching it for six seventh, eighth time, which

0:30:28.360 --> 0:30:30.760
<v Speaker 2>is incredible, but there's also a huge amount of people

0:30:30.800 --> 0:30:33.120
<v Speaker 2>out there who are watching it for the first time,

0:30:33.200 --> 0:30:35.160
<v Speaker 2>and you know, they get really excited to come over

0:30:35.200 --> 0:30:37.239
<v Speaker 2>and share that with you. So have you noticed that

0:30:37.280 --> 0:30:38.000
<v Speaker 2>out in the world.

0:30:38.480 --> 0:30:42.600
<v Speaker 3>I have, But even though I don't, I'm going to

0:30:42.640 --> 0:30:45.440
<v Speaker 3>admit something I don't want to admit. There's seems to

0:30:45.440 --> 0:30:48.680
<v Speaker 3>be a ground swell of like Tom Scavo haters.

0:30:51.560 --> 0:30:51.800
<v Speaker 4>Terry.

0:30:51.920 --> 0:30:53.400
<v Speaker 3>Is that So you just got through saying you know

0:30:53.840 --> 0:30:56.200
<v Speaker 3>that you've got some audience reaction like, oh god, Susan

0:30:56.280 --> 0:30:59.200
<v Speaker 3>is kind of either whatever, I forget what choice?

0:30:59.640 --> 0:31:00.959
<v Speaker 4>Okay, that's Jesus.

0:31:01.360 --> 0:31:05.280
<v Speaker 3>So you know, I was living in my own like

0:31:05.480 --> 0:31:08.640
<v Speaker 3>you know, castle where I was like, you know, Tom's

0:31:08.680 --> 0:31:11.480
<v Speaker 3>a great guy. Tom's a great guy, but no, there's

0:31:11.840 --> 0:31:14.120
<v Speaker 3>there's a whole My children have let me know that

0:31:14.160 --> 0:31:16.000
<v Speaker 3>there's a community of haters out there.

0:31:17.320 --> 0:31:20.400
<v Speaker 4>And I was out at a.

0:31:20.520 --> 0:31:23.320
<v Speaker 3>Press event for something and a kid came up to

0:31:23.360 --> 0:31:28.680
<v Speaker 3>me and he said, uh, you're Tom's cobo And I said, well,

0:31:29.040 --> 0:31:31.840
<v Speaker 3>not exactly, but yes and uh and.

0:31:31.720 --> 0:31:34.400
<v Speaker 4>He said, would you do it this TikTok with me?

0:31:34.440 --> 0:31:36.760
<v Speaker 3>I've got these followers And I go, sure, I don't know,

0:31:36.840 --> 0:31:38.120
<v Speaker 3>I'm there for Presidente.

0:31:38.120 --> 0:31:38.520
<v Speaker 4>I'm like, oh.

0:31:39.280 --> 0:31:43.440
<v Speaker 3>So he holds up his camera and he starts going yeah.

0:31:43.520 --> 0:31:45.800
<v Speaker 3>He starts going off on bat like I've got Tom

0:31:45.840 --> 0:31:46.440
<v Speaker 3>Scobbo here.

0:31:46.480 --> 0:31:47.000
<v Speaker 4>He did this?

0:31:47.120 --> 0:31:49.120
<v Speaker 3>He was he and I was like what and he

0:31:49.160 --> 0:31:50.640
<v Speaker 3>said and so we got to me and I just

0:31:50.640 --> 0:31:56.440
<v Speaker 3>said what I thought Tom was handsome and charmie. I

0:31:56.440 --> 0:31:58.800
<v Speaker 3>didn't know. So he sort of threw me under the bus,

0:31:58.800 --> 0:32:01.040
<v Speaker 3>but I just rolled with. I mean, I don't nothing

0:32:01.040 --> 0:32:05.000
<v Speaker 3>I could do about it. Literally, I know nothing about that.

0:32:05.080 --> 0:32:07.480
<v Speaker 3>But within a day it had a million and a

0:32:07.520 --> 0:32:12.280
<v Speaker 3>half people viewing it and shanning. So there seems to

0:32:12.320 --> 0:32:15.360
<v Speaker 3>be some people out there who and I don't know

0:32:15.400 --> 0:32:17.440
<v Speaker 3>if there's been a paradigm shift by the way with

0:32:17.480 --> 0:32:20.640
<v Speaker 3>all this all of this masculinity that's out there now,

0:32:20.760 --> 0:32:24.400
<v Speaker 3>all this toxic maxiculinity that's out there now, Like, is

0:32:24.480 --> 0:32:28.720
<v Speaker 3>somehow Tom like because he was a little hapless and

0:32:28.960 --> 0:32:33.000
<v Speaker 3>not particularly strongly directed that like, is he no longer

0:32:33.160 --> 0:32:35.360
<v Speaker 3>is he not longer seen as a as a good

0:32:35.440 --> 0:32:36.920
<v Speaker 3>character or I don't.

0:32:36.680 --> 0:32:38.320
<v Speaker 5>Know, you know, I think we need to tee this

0:32:38.440 --> 0:32:39.240
<v Speaker 5>up to Emerson.

0:32:39.960 --> 0:32:41.960
<v Speaker 8>Yes, let me jump in and speak for the entire

0:32:42.000 --> 0:32:59.280
<v Speaker 8>younger general person in their late twenties. I it's interesting

0:32:59.320 --> 0:33:01.760
<v Speaker 8>hearing you say that, because I am watching it, and I,

0:33:01.800 --> 0:33:04.400
<v Speaker 8>like I said, I actually really like Tom and Lynette,

0:33:04.440 --> 0:33:10.480
<v Speaker 8>and I think maybe there's some hate around Lynette having

0:33:10.480 --> 0:33:12.680
<v Speaker 8>given up her career to be a stay at home

0:33:12.720 --> 0:33:15.320
<v Speaker 8>mom and then Tom being the character who sort of

0:33:15.360 --> 0:33:18.160
<v Speaker 8>carries that career forward, even though it seems and again

0:33:18.200 --> 0:33:20.560
<v Speaker 8>I'm watching it for the first time, but seems like

0:33:20.680 --> 0:33:26.400
<v Speaker 8>maybe Lynette was better at the job, and so it's like, oh, well,

0:33:26.400 --> 0:33:29.120
<v Speaker 8>why is this man, Like why are we ascribing to

0:33:29.160 --> 0:33:32.920
<v Speaker 8>these traditional heteronormative ideas about the man's the one who

0:33:32.920 --> 0:33:35.560
<v Speaker 8>goes and works when Tom maybe should be the one saying, hey,

0:33:35.640 --> 0:33:37.200
<v Speaker 8>let me take a back seat because you're so good

0:33:37.200 --> 0:33:40.800
<v Speaker 8>at your job. That would be my instinct in terms

0:33:40.840 --> 0:33:44.520
<v Speaker 8>of the toxic masculinity. But I don't think. I don't

0:33:44.520 --> 0:33:47.240
<v Speaker 8>want Tom to become toxically masculine.

0:33:47.440 --> 0:33:49.320
<v Speaker 4>Yeah no, no, no, no, I don't. I didn't want him

0:33:49.320 --> 0:33:50.040
<v Speaker 4>to be to be hond.

0:33:50.160 --> 0:33:51.800
<v Speaker 3>I just didn't know if there's a new generation of

0:33:51.800 --> 0:33:53.840
<v Speaker 3>guys like you, we don't do that work, take charge

0:33:53.880 --> 0:33:56.280
<v Speaker 3>kind of guys and we you know, and then it

0:33:57.080 --> 0:33:59.960
<v Speaker 3>made the character less attractive to some people.

0:34:00.120 --> 0:34:02.720
<v Speaker 8>Or maybe and I'm I'm I'm afraid of them. I'm

0:34:03.480 --> 0:34:05.040
<v Speaker 8>afraid if that's a new generation.

0:34:05.520 --> 0:34:07.920
<v Speaker 2>But I think this is this kind of ties into

0:34:08.160 --> 0:34:10.600
<v Speaker 2>you know what we're Another reason why we're so enjoying

0:34:10.600 --> 0:34:13.560
<v Speaker 2>this experience is because we do we re examine the

0:34:13.560 --> 0:34:15.680
<v Speaker 2>show now and see what kind of holds up or

0:34:15.719 --> 0:34:19.960
<v Speaker 2>what what new interpretations have come from watching it now.

0:34:20.080 --> 0:34:22.840
<v Speaker 2>And I didn't I was not aware that there's a

0:34:22.880 --> 0:34:25.959
<v Speaker 2>Tom Anti Tom Sco movement.

0:34:25.640 --> 0:34:27.880
<v Speaker 4>Out there, bastards.

0:34:28.920 --> 0:34:30.839
<v Speaker 3>So I would like to ask the both of you,

0:34:30.920 --> 0:34:33.600
<v Speaker 3>as the younger general and you're about to you're gonna

0:34:33.640 --> 0:34:35.680
<v Speaker 3>have a have a baby.

0:34:35.440 --> 0:34:36.840
<v Speaker 2>And I got to look up what generations?

0:34:37.040 --> 0:34:40.319
<v Speaker 3>Yeah, yeah, yeah, yeah, So I've got a dog, I've

0:34:40.320 --> 0:34:43.640
<v Speaker 3>got I'm a grandparent, I've got two grandchildren, I've got

0:34:44.160 --> 0:34:50.759
<v Speaker 3>brilliant Both of my adult daughters are professionals, very successful

0:34:50.800 --> 0:34:53.960
<v Speaker 3>in their own right. But she's my daughter, is dealing

0:34:54.000 --> 0:34:56.840
<v Speaker 3>you know, she's a mom now too, and so what

0:34:57.000 --> 0:34:59.400
<v Speaker 3>would what is the argument that would have been made?

0:34:59.520 --> 0:35:01.640
<v Speaker 3>I don't know, you know how, I thought the show

0:35:01.680 --> 0:35:03.759
<v Speaker 3>did a very good job. And sorry for being all

0:35:03.800 --> 0:35:06.840
<v Speaker 3>over the place with dealing with the fact that Felicity

0:35:06.880 --> 0:35:08.759
<v Speaker 3>probably she was better at her job and she was

0:35:08.800 --> 0:35:12.040
<v Speaker 3>a professional that she was struggling with, but that need

0:35:12.080 --> 0:35:14.279
<v Speaker 3>to want the desire to also be a mom, but

0:35:14.400 --> 0:35:17.319
<v Speaker 3>to have a career and trying to navigate that. And

0:35:17.400 --> 0:35:19.800
<v Speaker 3>I thought the show did a My recollection is that

0:35:19.840 --> 0:35:20.879
<v Speaker 3>they did a pretty good job.

0:35:21.600 --> 0:35:22.560
<v Speaker 4>Is that not the case?

0:35:22.960 --> 0:35:27.560
<v Speaker 3>And doesn't this conundrum still exist for this generation as

0:35:27.600 --> 0:35:32.160
<v Speaker 3>you go forward? I don't know, because you know, the

0:35:32.520 --> 0:35:35.440
<v Speaker 3>women are still having the babies, and that you know

0:35:35.480 --> 0:35:38.880
<v Speaker 3>how it you know how we can navigate it differently,

0:35:38.960 --> 0:35:40.040
<v Speaker 3>And what would you propose?

0:35:40.760 --> 0:35:43.680
<v Speaker 8>Oh, that's such an interesting question. I mean, obviously, Andrea,

0:35:43.719 --> 0:35:46.040
<v Speaker 8>you're the one about to have a child. I have

0:35:46.120 --> 0:35:49.200
<v Speaker 8>said a few times watching you know, growing up from

0:35:49.280 --> 0:35:51.200
<v Speaker 8>the time I was seven until I was sixteen with

0:35:51.239 --> 0:35:54.440
<v Speaker 8>the show being on. Watching my mom go to work

0:35:54.480 --> 0:35:58.200
<v Speaker 8>and be such a badass, professional working woman and a

0:35:58.239 --> 0:36:00.959
<v Speaker 8>really present mom with me oh always kind of made

0:36:00.960 --> 0:36:02.320
<v Speaker 8>me feel like, you know, I know, I want to

0:36:02.360 --> 0:36:04.919
<v Speaker 8>be a mom myself one day, and I never really

0:36:04.960 --> 0:36:09.280
<v Speaker 8>imagined a world in which that meant giving up my career.

0:36:09.800 --> 0:36:13.680
<v Speaker 8>Although I did see you, mom when I was first born,

0:36:14.160 --> 0:36:17.960
<v Speaker 8>take a moment in time between you know, Lois and

0:36:18.000 --> 0:36:20.520
<v Speaker 8>Clark and and you did other things. You did cabaret,

0:36:20.680 --> 0:36:21.720
<v Speaker 8>you did spy kids.

0:36:24.480 --> 0:36:34.040
<v Speaker 3>Yeah, it was on Wolshre. Yeah I did. I was like, Wow,

0:36:34.160 --> 0:36:37.000
<v Speaker 3>she singing and all that. That's the way to go.

0:36:37.520 --> 0:36:40.640
<v Speaker 5>Thank you. That was crazy show, I mean, amazing experience.

0:36:40.680 --> 0:36:44.000
<v Speaker 5>Feels like it happened to somebody else, you know. I

0:36:44.080 --> 0:36:48.080
<v Speaker 5>just to So I was raised my mom, uh went

0:36:48.120 --> 0:36:50.319
<v Speaker 5>back to work when I was six weeks old, and

0:36:50.360 --> 0:36:52.680
<v Speaker 5>I was basically raised by a babysitter and had like

0:36:52.840 --> 0:36:55.640
<v Speaker 5>not the greatest childhood in the world. So when it

0:36:55.680 --> 0:36:58.839
<v Speaker 5>came time that I wanted to have a child your

0:36:58.920 --> 0:37:03.320
<v Speaker 5>dad and I wanted to have a you, I made

0:37:03.360 --> 0:37:06.560
<v Speaker 5>sure like I was like, I'm not working, you know,

0:37:06.920 --> 0:37:09.719
<v Speaker 5>and I just built, like, we just made it so

0:37:09.760 --> 0:37:12.960
<v Speaker 5>that our finances and everything were in a place where

0:37:13.280 --> 0:37:16.359
<v Speaker 5>I knew that I was gonna want to not go

0:37:16.719 --> 0:37:19.359
<v Speaker 5>back to work because I had to, And that was

0:37:19.920 --> 0:37:22.479
<v Speaker 5>based on how I was raised and I didn't want

0:37:22.520 --> 0:37:23.400
<v Speaker 5>that experience.

0:37:23.880 --> 0:37:24.719
<v Speaker 4>Lewis and Clark done.

0:37:24.719 --> 0:37:28.719
<v Speaker 5>By that time, I got pregnant that yes, she did

0:37:28.800 --> 0:37:31.879
<v Speaker 5>end it, she did. Emerson ended it. Yeah, I got

0:37:31.920 --> 0:37:35.320
<v Speaker 5>pregnant and I had a like a high risk pregnancy

0:37:35.360 --> 0:37:38.400
<v Speaker 5>that actually ended up going perfectly well, but in the

0:37:38.520 --> 0:37:43.160
<v Speaker 5>anticipation of it, it was considered high risk. And they

0:37:43.520 --> 0:37:46.960
<v Speaker 5>told the studio Warner Brothers that I have to be

0:37:47.000 --> 0:37:51.040
<v Speaker 5>on bed rest probably by like August, and that was

0:37:51.200 --> 0:37:54.920
<v Speaker 5>enough to make the studio cancel it because they just

0:37:55.000 --> 0:37:56.640
<v Speaker 5>they didn't, you know, what were they going to do

0:37:56.800 --> 0:38:00.239
<v Speaker 5>if Lois couldn't come to work for five mins, months

0:38:00.320 --> 0:38:04.200
<v Speaker 5>or whatever. And so yeah, that was kind of the

0:38:04.239 --> 0:38:06.440
<v Speaker 5>end of it. And then and then I took about

0:38:06.560 --> 0:38:09.080
<v Speaker 5>almost two years off. I mean I think I did,

0:38:09.120 --> 0:38:11.160
<v Speaker 5>like you said, little part here, a little part there

0:38:11.200 --> 0:38:13.239
<v Speaker 5>that were a couple of weeks or whatever. But and

0:38:13.280 --> 0:38:15.840
<v Speaker 5>then the first thing I really did was cabaret. But

0:38:15.920 --> 0:38:17.920
<v Speaker 5>I was on the road and I was still breastfeeding,

0:38:17.920 --> 0:38:20.640
<v Speaker 5>and you came with me to every city and it

0:38:20.680 --> 0:38:23.600
<v Speaker 5>was I breastfed every day care.

0:38:23.760 --> 0:38:25.680
<v Speaker 4>That wasn't just an LA show.

0:38:26.160 --> 0:38:29.640
<v Speaker 5>No, I did seven months. I did LA Chicago, Boston

0:38:29.719 --> 0:38:30.160
<v Speaker 5>and DC.

0:38:31.239 --> 0:38:33.160
<v Speaker 6>God, yeah, bless amazing.

0:38:33.840 --> 0:38:36.280
<v Speaker 5>Yeah, that was a lot. I one of the biggest

0:38:36.280 --> 0:38:38.520
<v Speaker 5>regrets I have in my life because I don't have

0:38:38.560 --> 0:38:41.680
<v Speaker 5>many and I don't really believe in it. But they

0:38:41.719 --> 0:38:44.400
<v Speaker 5>did ask me to go to Broadway after seven months

0:38:44.400 --> 0:38:48.160
<v Speaker 5>in DC and I passed because I was.

0:38:49.160 --> 0:38:50.560
<v Speaker 4>Just burned done.

0:38:50.920 --> 0:38:54.720
<v Speaker 5>Yeah, and that's one of those things that I go, Okay,

0:38:55.239 --> 0:38:57.839
<v Speaker 5>that maybe that was a mistake, Like I would love

0:38:57.880 --> 0:39:02.840
<v Speaker 5>to have that Broadway bucket list item to check off,

0:39:02.880 --> 0:39:05.920
<v Speaker 5>and I have not had that opportunity since. So anyways,

0:39:06.840 --> 0:39:07.400
<v Speaker 5>enough about me.

0:39:08.920 --> 0:39:11.440
<v Speaker 2>No, it's so interesting, and just to kind of wrap

0:39:11.520 --> 0:39:13.719
<v Speaker 2>this this part up, I do think it's still an

0:39:13.760 --> 0:39:21.000
<v Speaker 2>incredibly topical dynamic in relationships today, particularly heteronormative ones or

0:39:21.040 --> 0:39:26.480
<v Speaker 2>you know, heterosexual relationships, that the mom to be is

0:39:26.560 --> 0:39:30.080
<v Speaker 2>having to play mental gymnastics approaching motherhood, deciding what that

0:39:30.120 --> 0:39:32.160
<v Speaker 2>means and how to do it all and do it

0:39:32.160 --> 0:39:35.799
<v Speaker 2>all well. And I'm really enjoying rewatching Desperate Housewives and

0:39:35.920 --> 0:39:38.880
<v Speaker 2>relating to these women and Lynette storyline that I, of

0:39:38.880 --> 0:39:41.200
<v Speaker 2>course didn't relate to the first time around. At this

0:39:41.239 --> 0:39:43.759
<v Speaker 2>point in my life about to be a mother and

0:39:43.840 --> 0:39:47.319
<v Speaker 2>I'm learning from these characters and it's really it's really fun.

0:39:47.400 --> 0:39:49.440
<v Speaker 2>Before we let you go, we would love to hear

0:39:49.520 --> 0:39:52.680
<v Speaker 2>about what you are up to currently, what you are working.

0:39:52.400 --> 0:39:56.560
<v Speaker 3>On, what you Oh, I did a little television movie

0:39:56.760 --> 0:40:02.040
<v Speaker 3>on the Lifetime network or the Lifetime app or my life.

0:40:01.960 --> 0:40:05.279
<v Speaker 5>I know all about you do. Yeah, yeah, you can

0:40:05.320 --> 0:40:08.040
<v Speaker 5>watch you can watch your movies on demand on Lifetime.

0:40:08.080 --> 0:40:09.760
<v Speaker 7>And so this is called the child Bride.

0:40:10.000 --> 0:40:12.200
<v Speaker 3>This it is thank you Terry for seing. It is

0:40:12.239 --> 0:40:14.880
<v Speaker 3>called the Child I was a child bride. It is

0:40:14.880 --> 0:40:19.879
<v Speaker 3>the Courtney Stodden story. And I don't know you do Okay, Okay,

0:40:19.920 --> 0:40:24.560
<v Speaker 3>I don't great. I'm gonna I'll try my best to

0:40:24.800 --> 0:40:29.760
<v Speaker 3>make it tight in nine. In twenty eleven, actor Doug Hutchison,

0:40:29.800 --> 0:40:32.560
<v Speaker 3>who had played the sadistic guard in the movie The

0:40:32.560 --> 0:40:39.799
<v Speaker 3>Green Mile, married sixteen year old Courtney Stodden married a

0:40:39.840 --> 0:40:46.200
<v Speaker 3>sixteen year old in Vegas with the blessing of her parents.

0:40:46.960 --> 0:40:49.560
<v Speaker 3>Blessing maybe going too far, but they signed her away

0:40:50.360 --> 0:40:56.440
<v Speaker 3>and they went on to have a very sort of

0:40:56.480 --> 0:41:01.960
<v Speaker 3>exposed paparazzi marriage. She was a child, She was sixteen

0:41:02.040 --> 0:41:07.440
<v Speaker 3>years old, and she looked a lot older, let's say,

0:41:07.680 --> 0:41:10.920
<v Speaker 3>and she was sort of sexualized at a young age

0:41:10.920 --> 0:41:14.000
<v Speaker 3>and were what I would think, forgive me, I'm going

0:41:14.080 --> 0:41:16.400
<v Speaker 3>to just show my cards. I think inappropriate stuff for

0:41:17.040 --> 0:41:21.640
<v Speaker 3>children of that age. But and she sort of the

0:41:21.760 --> 0:41:27.800
<v Speaker 3>media ran with a story that and attributed adult values

0:41:27.840 --> 0:41:31.920
<v Speaker 3>to this child and attacked her like that she was

0:41:31.960 --> 0:41:34.360
<v Speaker 3>an adult who had had you know that her cerebral

0:41:34.400 --> 0:41:37.440
<v Speaker 3>culture critics had been fully closed, and she was making

0:41:37.480 --> 0:41:42.280
<v Speaker 3>all of these decisions with informed consent, and she wasn't

0:41:42.680 --> 0:41:51.280
<v Speaker 3>she In the most tragic sort of act of parenting,

0:41:51.760 --> 0:41:55.600
<v Speaker 3>these parents signed their daughter away to this guy, and

0:41:56.520 --> 0:41:59.600
<v Speaker 3>they were married and had and then the relationship goes bad.

0:41:59.600 --> 0:42:01.920
<v Speaker 3>So this is it's uh, it's kind of like if

0:42:02.000 --> 0:42:04.319
<v Speaker 3>I don't know, if you remember the the Bob Fosse

0:42:04.440 --> 0:42:07.200
<v Speaker 3>will go to Fosse again Bob Fosse movie Star eighty.

0:42:07.640 --> 0:42:11.400
<v Speaker 3>There's elements of that in in in their relationship, but

0:42:11.719 --> 0:42:16.799
<v Speaker 3>it was a highly toxic and dysfunctional and unhealthy relationship,

0:42:17.000 --> 0:42:21.919
<v Speaker 3>and Courtney stopt into her credit now is fighting back,

0:42:22.360 --> 0:42:26.600
<v Speaker 3>changing the narrative. We're seeing it from her side. There

0:42:26.600 --> 0:42:30.040
<v Speaker 3>were other celebrities, you know, she was photographed all over

0:42:30.280 --> 0:42:33.399
<v Speaker 3>and Doug Hutchison was sort of pimping her out at

0:42:33.400 --> 0:42:37.120
<v Speaker 3>these to the paparazzi. They would go to different places.

0:42:37.120 --> 0:42:39.239
<v Speaker 3>Whe're going to be here so she could be seen

0:42:39.280 --> 0:42:42.120
<v Speaker 3>and shot with this specific product. That's how they were

0:42:42.120 --> 0:42:45.879
<v Speaker 3>making money. Hollywood had turned his back, their backs on Doug.

0:42:46.200 --> 0:42:48.880
<v Speaker 3>He was a pariah by this time, and.

0:42:50.320 --> 0:42:53.520
<v Speaker 5>That must have been a really complicated, difficult role for you.

0:42:54.440 --> 0:42:58.040
<v Speaker 3>Well, it was, It really was, because, as fate would

0:42:58.080 --> 0:43:00.880
<v Speaker 3>have it, Doug Hutchison was someone that I had friends

0:43:00.880 --> 0:43:03.640
<v Speaker 3>who had worked with. I knew of him. We had

0:43:03.719 --> 0:43:06.680
<v Speaker 3>auditioned back in the day. I'm sure John and other

0:43:06.960 --> 0:43:07.839
<v Speaker 3>actors of my age.

0:43:08.320 --> 0:43:09.200
<v Speaker 4>No new dog.

0:43:09.560 --> 0:43:12.200
<v Speaker 3>He was a very talent. I want to give him

0:43:12.200 --> 0:43:15.880
<v Speaker 3>his props. He was a talented actor and a or.

0:43:15.920 --> 0:43:19.600
<v Speaker 3>He had a terrible psychopathology that let him down a

0:43:19.760 --> 0:43:24.359
<v Speaker 3>very dark road and he it's it's pedophilia, just there's

0:43:24.400 --> 0:43:27.560
<v Speaker 3>no other way to say it. But the interesting things

0:43:27.560 --> 0:43:31.239
<v Speaker 3>about playing him were changing myself physically. He's he's got

0:43:31.320 --> 0:43:34.040
<v Speaker 3>dark hair, you know, we dyed the hair and cut

0:43:34.080 --> 0:43:37.680
<v Speaker 3>into my head. We needed to receive my hairline because

0:43:37.719 --> 0:43:41.920
<v Speaker 3>I have such a great hairline normally. But we we

0:43:41.960 --> 0:43:44.839
<v Speaker 3>did all that, and then he spoke in a sort

0:43:44.840 --> 0:43:48.160
<v Speaker 3>of a very specific way. He's you know, he talked

0:43:48.200 --> 0:43:49.719
<v Speaker 3>only out on one side of his mouth, and he

0:43:49.840 --> 0:43:52.040
<v Speaker 3>was like very sort of had a tone that's like,

0:43:53.160 --> 0:43:54.759
<v Speaker 3>you know, like I never I would never, I would

0:43:54.800 --> 0:43:55.600
<v Speaker 3>never hurt you, you know.

0:43:55.600 --> 0:43:59.400
<v Speaker 4>Like I love you. It's very very soft and the boom.

0:43:59.520 --> 0:44:02.480
<v Speaker 5>So that's so interesting, you know, I do find that

0:44:02.600 --> 0:44:07.520
<v Speaker 5>Lifetime it gives you some compelling characters to explore us

0:44:07.520 --> 0:44:08.000
<v Speaker 5>an actor.

0:44:08.280 --> 0:44:10.640
<v Speaker 3>Well, I was, I was, I was all in. You know,

0:44:10.760 --> 0:44:13.239
<v Speaker 3>he's a guy you can see online. You know, people

0:44:13.280 --> 0:44:15.560
<v Speaker 3>the audience can go to YouTube on I can't just

0:44:15.600 --> 0:44:18.640
<v Speaker 3>play like the television version of him, like they're gonna go,

0:44:19.040 --> 0:44:23.200
<v Speaker 3>that's Tom Scavo, Like, you know, like that's so stupid.

0:44:23.280 --> 0:44:25.960
<v Speaker 3>So I had to try and get as physically close

0:44:26.040 --> 0:44:28.480
<v Speaker 3>to that character. And that's really why I became an

0:44:28.520 --> 0:44:31.040
<v Speaker 3>actor to begin with. I was interested in transformation and

0:44:31.080 --> 0:44:33.279
<v Speaker 3>then you know, here I am just like, you know.

0:44:33.400 --> 0:44:38.600
<v Speaker 5>That's fantastic Lifetime app video on demand videos on it.

0:44:38.760 --> 0:44:40.600
<v Speaker 8>Yeah, I'm excited.

0:44:41.960 --> 0:44:43.439
<v Speaker 7>It's so great to see you.

0:44:43.640 --> 0:44:46.240
<v Speaker 4>It's great to see everybody.

0:44:46.239 --> 0:44:49.360
<v Speaker 3>You guys look like a million bucks and and uh,

0:44:49.400 --> 0:44:51.200
<v Speaker 3>you're doing the lord's work here keeping our show.

0:44:51.880 --> 0:44:54.360
<v Speaker 5>You know, we get to see your son periodically, he

0:44:54.480 --> 0:44:54.960
<v Speaker 5>pops in.

0:44:56.719 --> 0:44:58.520
<v Speaker 4>You know, my guy, that's my guy.

0:44:58.760 --> 0:45:03.080
<v Speaker 2>It's so great and it's like seeing and looks exactly.

0:45:05.080 --> 0:45:06.319
<v Speaker 7>There's no doubt about that.

0:45:07.320 --> 0:45:10.120
<v Speaker 3>I'm immensely proud of my son. So yeah, I'd take

0:45:10.160 --> 0:45:11.800
<v Speaker 3>all that. I take the compliment.

0:45:11.920 --> 0:45:14.960
<v Speaker 5>Thank you, well, thank you everyone for joining us for

0:45:15.000 --> 0:45:19.760
<v Speaker 5>this fabulous bonus episode with deg savont I. We're so lucky,

0:45:19.880 --> 0:45:22.279
<v Speaker 5>and uh, we're going to keep putting it out there

0:45:22.320 --> 0:45:25.520
<v Speaker 5>because we are desperately devoted to you