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Speaker 1: Hello the Internet, and welcome to this episode of Good

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Speaker 1: Trendly Neighborhood spider Man zider Man. Yeah, Podge, Moron Moran,

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Speaker 1: shout out to you, my friend. I'm Jack. That's Miles.

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Speaker 1: This is what's trending. Um alright, Grammy nominations one. As

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Speaker 1: I've talked about before, I I just wait until Grammy

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Speaker 1: nominations come out, and that's how I choose what music

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Speaker 1: to listen to. We never missed, never, never missed accuracy.

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Speaker 1: This time, what do we got? What do we got?

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Speaker 1: Beyonce most nominated artists, So there you go. I think

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Speaker 1: some of the things they've been criticized for not not

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Speaker 1: a drop of K pop anywhere, even though the clip

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Speaker 1: pop kind of dominated the ear music. Uh not a single,

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Speaker 1: not not a one uh the weekend normally melting the

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Speaker 1: fucking Internet down. And yeah, I mean it's not being

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Speaker 1: on there. I think people are a little bit. I

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Speaker 1: even knew they had a new album to come out,

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Speaker 1: like in the last week. Yeah, and I'm completely ignorant

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Speaker 1: to like what is good or you know, relevant K pop.

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Speaker 1: I know that they are relevant. Push it come on,

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Speaker 1: Academy of boring people. WOP also did not make any

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Speaker 1: nominees nominationalists. Uh. And then somebody was pointing out that

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Speaker 1: all the rappers, like when you look at the most

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Speaker 1: streamed songs on Spotify and Apple Music, it's all, you know,

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Speaker 1: young rappers in their twenties, like the baby and the

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Speaker 1: rap category is the youngest person is d Smoke from

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Speaker 1: Rhythm and Flow at thirty five or thirty six. Uh,

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Speaker 1: and everybody else is like in their forties. Nas is

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Speaker 1: on there the five nine. I mean Freddie, I mean, yeah,

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Speaker 1: Freddie is not young. Yeah, interesting, do you smoke cut

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Speaker 1: good for him? Yeah? I'm like, that's like the one

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Speaker 1: thing I didn't I didn't realize he was nominated for

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Speaker 1: a Grammy. I really enjoyed him on Rhythm and Flow. Um,

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Speaker 1: so that's that's cool. But again, I mean I wish

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Speaker 1: I wish the Grammy's meant ship because they remember, like

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Speaker 1: in the era, like when like jay Z will get

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Speaker 1: snub at the height of his and I was like, man, say,

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Speaker 1: they don't know what's going on, juck. You should be

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Speaker 1: up there just cleaning up the fucking stage every time.

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Speaker 1: And I think a lot of people slowly, you know,

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Speaker 1: their their hearts turned cold to the Awards show, but

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Speaker 1: you know, shout out to d smoke. Yeah, And apparently

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Speaker 1: they're really like rude to artists, Like that's something that

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Speaker 1: like Frank Ocean has a beef with like the producers

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Speaker 1: of the Grammys. Uh like just such a misguided sense

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Speaker 1: of importance that they're like, yeah, no, we're we're kind

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Speaker 1: of like they. I think their disagreement was over like

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Speaker 1: a Frank Ocean performance where he wanted to do one

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Speaker 1: thing and they wanted to do another, and they like

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Speaker 1: never forgave him for having his own artistic instincts for

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Speaker 1: a performance at the Grammys, which they're like, we're we're

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Speaker 1: the real artists here, Frank, why don't you follow our

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Speaker 1: instincts to play a little piano somewhere else? Buddy, Netflix

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Speaker 1: is trending or Chappelle show is trending because Netflix pulled it,

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Speaker 1: so it's always no longer offered on the streaming no

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Speaker 1: longer on Netflix. I guess so Dave Chappelle, I had

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Speaker 1: gotten a sense he wasn't thrilled that it was on

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Speaker 1: Netflix from his uh SNL stand up. I think he

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Speaker 1: mentioned like he didn't get paid shipped for his his

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Speaker 1: show being on Netflix and you know, he has this

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Speaker 1: relationship with Netflix, and he called them up, was like,

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Speaker 1: I makes me feel bad that Chappelle show is on

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Speaker 1: your streaming service and I'm not getting paid for it,

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Speaker 1: And they were like, here, how about this, We'll pull

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Speaker 1: it off because you're important to us, and so he

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Speaker 1: he posted something just explaining that that's why it's not

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Speaker 1: on there anymore, and that's pretty somewhat amicable. Yeah. Yeah,

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Speaker 1: they were like, yeah, no, that's like they're doing sure. Yeah, yeah,

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Speaker 1: I think they're doing it because you know, they wanna

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Speaker 1: be a place that is associated with like putting talent

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Speaker 1: before uh contracts with Viacom, So they're just you know,

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Speaker 1: obviously they can't be like no Viacom, like we'll we'll

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Speaker 1: change the deal because I think that would probably put

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Speaker 1: like legal uh bring legal ship into it. So they

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Speaker 1: were just like, well, if it makes you feel bad,

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Speaker 1: we'll pull it. Seems to be the story like, yeah, sorry, Netflix,

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Speaker 1: I'm have a problem because you're exploiting my intellectual property

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Speaker 1: even thought of the rights to it, and it just

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Speaker 1: doesn't feel right that you're not paying me. And their

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Speaker 1: answer is, I'm sorry, I didn't know. We couldn't do that.

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Speaker 1: That's right, basically not not knowing out right. They were like,

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Speaker 1: this might I would feel some type of way if

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Speaker 1: I just put this out here and we didn't pay them,

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Speaker 1: even though we get all the legal ramifications of it.

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Speaker 1: But they're sort of like, well, just wait till he

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Speaker 1: says something. Okay, he says something, Okay, we'll take it down. Yeah.

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Speaker 1: So the statement is I didn't. Uh. I like working

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Speaker 1: for Netflix. I like working for Netflix because when all

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Speaker 1: those bad things happened to me, like his dealings with Viacom, uh,

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Speaker 1: that company didn't even exist. And when I found out

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Speaker 1: they were streaming Chappelle's show, I was furious. How could

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Speaker 1: they not know? So you know what I did? I

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Speaker 1: called them and I told them that this makes me

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Speaker 1: feel bad, and you want to know what they did.

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Speaker 1: They agreed that they would take it off their platform

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Speaker 1: just so I could feel better, which shout out to them,

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Speaker 1: all right, snowflake, glad you want to your safe space

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Speaker 1: of Netflix. But yeah, funk that. I mean, I'm glad

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Speaker 1: to see things work out so smoothly because I feel

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Speaker 1: like anybody else unfortunately that no one else has the

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Speaker 1: stature of Dave Chappelle to just call and be like, yeah,

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Speaker 1: I'm not really feeling that, like okay you no, no Brom,

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Speaker 1: no Brom, no Brom. I think other times they would

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Speaker 1: just like they would just send back l O l

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Speaker 1: G T f O h. Yeah, of course. Yeah. Any

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Speaker 1: old media company would tell you. They'd be like, I'm

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Speaker 1: looking at them telling artists to funk off for centuries,

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Speaker 1: like that's interesting because I'm looking at the legal paperwork

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Speaker 1: and your name isn't on here, so I don't know

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Speaker 1: why you're calling me. You're like, oh, okay, anything else, thanks, yeah, thanks,

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Speaker 1: And we weren't going to validate. Yeah. Always it's like,

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Speaker 1: what the fund are you gonna? Yall? Are you we

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Speaker 1: don't validate, I have to pay twenty dollars for valet

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Speaker 1: right now. Y'all summoned me here for a meeting and

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Speaker 1: you don't what the funk is up with the city. God, yeah,

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Speaker 1: it's all too common. This could have been a zoom.

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Speaker 1: There is a weird ten to twelve foot tall monolith,

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Speaker 1: like a square, rectangular you know, the thing from two

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Speaker 1: thousand and one, embedded in the ground in a remote

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Speaker 1: part of Red Rock County or Red Rock Country in

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Speaker 1: a Utah. Uh, just in the middle of nowhere. A

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Speaker 1: team surveying big horn sheep for Utah's Wildlife Agency found

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Speaker 1: this object. Um, and nobody knows where it came from.

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Speaker 1: They think it's probably art, but they don't know. They like, yeah,

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Speaker 1: it's just there in the middle of the desert. Nobody

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Speaker 1: told anybody they were putting it in, and it's just wow.

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Speaker 1: Also just kind of confounding thing to stumble upon. Yeah,

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Speaker 1: I love ship like this, man. That's if I was

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Speaker 1: an artist, That's what I would do. Hey, hey, you

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Speaker 1: are you are? Thank you so much. I'm gonna post

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Speaker 1: a podcast in the middle of the desert. You do. Yeah,

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Speaker 1: I mean I would just switch mediums right now, just

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Speaker 1: hiding little pieces of right up poop around my house.

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Speaker 1: But um, yeah, I was just that we were talking

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Speaker 1: about animal pet pet issues, and yeah, I would say,

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Speaker 1: how my cats just have ship flinging off of them

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Speaker 1: when and a superproducer and a finding cats ship in

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Speaker 1: random places and we had that happened to us pack

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Speaker 1: when we had a dog. And yesterday we we haven't

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Speaker 1: had a pet in two years, and yesterday I found

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Speaker 1: a tiny, dried up piece of ship in my kid's room,

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Speaker 1: just on the floor. I was like, what does what

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Speaker 1: does come on? Man? Damn it? Beautiful shirt? Yeah? God,

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Speaker 1: damnit h if you check out, if you haven't seen

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Speaker 1: the kid who puts a stick in the microwave, I

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Speaker 1: mean that is some ship because the dad puts it

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Speaker 1: in his mouth. I think he's like playing with it.

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Speaker 1: I don't know. It's like it's part of zeitgeist lore

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Speaker 1: of stupid videos. While always a reference because the dad's

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Speaker 1: reaction is all of us. Yeah damn it, Jack, God

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Speaker 1: ruined your beautiful shirt shirt? Um? Am I ever right? Jack? Right?

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Speaker 1: Oh boy? And finally there's this uh outcast essay and

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Speaker 1: academic essay about outcast uh that it seems really cool.

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Speaker 1: It seems like the sort of ship that I would

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Speaker 1: read in my downtime. But they got a voice actor

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Speaker 1: or voiceover person to read this and his name is

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Speaker 1: Kevin Rynier or Ryanier. Um, and we just have to

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Speaker 1: play it for you. All I think all will say

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Speaker 1: is this Kevin Renier person is not from Savannah, Georgia.

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Speaker 1: This person is not from Atlanta. This person isn't even

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Speaker 1: from Georgia. This person I'm based on the avatar I'm

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Speaker 1: looking on the Twitter account, not a person of color.

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Speaker 1: Uh and this person is doing character voices in the

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Speaker 1: Outcast essay Take It Away Kevin. Fireside Magazine presents the

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Speaker 1: Art of Speculating by Regina and Bradley, edited by Maurice Brotus,

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Speaker 1: narrated by Kevin Renier. Published in the awesome issue of

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Speaker 1: Fireside Quarterly. I'm a Southern Black woman who right there

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Speaker 1: because you're not a Southern Black woman. What was the title?

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Speaker 1: I mean, I get it. The tity like sounds like

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Speaker 1: a German Jamaic Jermaican Jamaican is a great is a

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Speaker 1: great description another Dave Chappelle reference, Um, right near to

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Speaker 1: that is. But yeah, that the art of speculating. And

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Speaker 1: I was like confidence. I mean he reads that title

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Speaker 1: and and tells you who is narrating. I mean, up

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Speaker 1: there with the person who wrote it and edit it

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Speaker 1: is I the man who will bring these words to life.

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Speaker 1: Kevin Renier tis I Kevin Renier from East Point lays

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Speaker 1: it down. Don't worry about me. It's the m HI

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Speaker 1: quickd letter. I mean, let's get let's get real here.

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Speaker 1: Um so this there's a few other interesting things that

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Speaker 1: I think Outcast fans will probably sort of be like,

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Speaker 1: what what was that? Uh? And this is in I

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Speaker 1: Get It Outcast. Album names are a little tricky, but

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Speaker 1: I would first like to mention, you know, obviously the

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Speaker 1: Seminal album on their second album, Atlians on their second album. Oh,

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Speaker 1: he is not British. He's not British like I've been

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Speaker 1: listening to his voice over work elsewhere because he's from Tampa.

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Speaker 1: He's from Tampa. Phone number, he's a type of phone number,

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Speaker 1: and his other work, he just sounds like your average

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Speaker 1: you know, Ohio sounding white dude whenever he talks. But

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Speaker 1: he for whatever reason, he's going I mean, but I mean, Jack,

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Speaker 1: who could forget me? He's not gonna sunk this next

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Speaker 1: one up? Yes, maybe the second album. He's not a fan.

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Speaker 1: Maybe he's a Day one Outcast fans and he knows

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Speaker 1: how to say this album title. I mean, who doesn't

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Speaker 1: Southern Play Realistic Adellica music, Southern Play, Realistic Adelica music.

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Speaker 1: I'm sorry, Southern Play, Realistic Adelica music, Southern Play a

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Speaker 1: list Adellica, Duga Duga Cambridge Analytica music. Okay, whoa for

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Speaker 1: you who don't know, the album is called Southern Play

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Speaker 1: Realistic Cadillac Music Alica, but I get again, you throw

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Speaker 1: this person who presumably it does not know much about

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Speaker 1: hip hop, clearly based on some of these album names

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Speaker 1: or the fact that he was like, yeah, that's cool,

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Speaker 1: I will do this like Mammy voice on Mike. When

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Speaker 1: you look at it, yeah, because the first album name

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Speaker 1: is just a full on run on word. So if

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Speaker 1: you were maybe doing a thing, oh ship, I'm trying

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Speaker 1: to I'm looking at how it's written and I'm trying

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Speaker 1: to be Kevin Renier for a moment. So you would

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Speaker 1: say Southern play a listict music. Yeah, there is some ade.

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Speaker 1: I get that. There is an adilla and if you

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Speaker 1: take Southern play a list it and you just play

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Speaker 1: a listic is one word. They didn't put two seeds

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Speaker 1: there music. But all Yeah to do was listen to

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Speaker 1: the song. Listen to the song that's called Southern playlistic.

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Speaker 1: So that I needed that this dude, ah legend um

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Speaker 1: that that's one of the worst things I've ever heard,

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Speaker 1: uh and one of the best things. The confidence cannot

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Speaker 1: be overstated. Just how there are five Mike winning album Aquamini,

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Speaker 1: a Man a Queen Minnie. Okay, sure, spody, but he

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Speaker 1: nails that probably How How how did you come on, Kevin?

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Speaker 1: He's like, well, I mean, who could argue with that

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Speaker 1: horn line? Yeah? I mean I love Spotyodpolis. I mean,

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Speaker 1: I'm out here calling you might as well call me

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Speaker 1: Hollywood Coke. H. I always thought it was Hollywood Cole.

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Speaker 1: I think, honestly, that's probably one of those things we're all.

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Speaker 1: I don't I've never learnd and in my mind, I'm

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Speaker 1: thinking like a tough guy named Hollywood Coke. But yeah,

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Speaker 1: that I think that sounds. Look, we're all learning things

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Speaker 1: about outcas. Oh man, I am really excited to read

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Speaker 1: this essay now. Um, I'm glad it was brought to

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Speaker 1: my attention. Would you ever attempt to just get through

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Speaker 1: the audio version? Like listening to the whole thing as

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Speaker 1: read by Kevin? I keep wanting to call him Keith,

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Speaker 1: but that's his brother, probably, um Kevin Renier. Uh No,

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Speaker 1: I don't think I could. I don't think I could

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Speaker 1: do it. I think it would be too distracting. Two

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Speaker 1: separate experiences, one to try and uh read this person's

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Speaker 1: thoughts and deep analysis analysis of outcasts, and the other

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Speaker 1: just to bathe in the sheer genius mind level fringe

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Speaker 1: that this dude is bringing. I just found out what

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Speaker 1: the deal is with that line from Spodiody Dope delicious, okay,

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Speaker 1: because you know the thing, it's all violence happening, like

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Speaker 1: he takes his shirt off, like I think is the lyric,

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Speaker 1: and so I'm looking at it and the actual lyric

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Speaker 1: is now, who want to funk with Hollywood Courts? And

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Speaker 1: I looked that up. That's a housing project. So he

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Speaker 1: was the neighborhood out I'm over here living in l

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Speaker 1: A being like, yeah, we want to fun with Hollywood

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Speaker 1: coke like this person. But yeah, there we go. And

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Speaker 1: that's just my interpretation of the situation that there you go,

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Speaker 1: And that's they made it difficult to understand on purpose

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Speaker 1: so that we all had our own interpretation of the

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Speaker 1: situation they are and that's how they their masters. So

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Speaker 1: thank you for Southern kind of mecca music, Southern adyllock

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Speaker 1: on music. Big oh God, yeah, I think I do

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Speaker 1: have to listen the whole thing, just like Catalog. All

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Speaker 1: the things this dude gets wrong. I don't know, big though,

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Speaker 1: I yeah, alright, look it. Oh and also, ze Gang,

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Speaker 1: just before we go, want to let you know that

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Speaker 1: we're having a huge sale or we are the t

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Speaker 1: Public is having a huge sale site wide, so get

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Speaker 1: your gift for the Zeit gang in your life. Get

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Speaker 1: a mask, get a mug, get a throw pillow, whatever

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Speaker 1: you want. T shirts they're all on a sale super low. Uh.

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Speaker 1: And you can help support the show, so check out

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Speaker 1: public dot com slash the Daily Night guys to do it.

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Speaker 1: Check the website, baby and get your merch where your

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Speaker 1: support on your chest. Also check out We're on your Face.

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Speaker 1: Check out the Lolita podcast Jamie Loft. Is this podcast out. Uh,

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Speaker 1: it's charting. Let's get it to number one, y'all? Uh

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Speaker 1: right right? A review? Tell people how how good it is. Uh,

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Speaker 1: it's a great show. Everybody needs to check it out.

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Speaker 1: Um that is gonna do it for this Tuesdays it is.

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Speaker 1: We are back tomorrow morning with the whole last episode

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Speaker 1: of the show. Until then, be kind to each other,

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Speaker 1: be kind to yourselves, wearing mask, wash your hands, stay inside,

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Speaker 1: don't do nothing about what the parmacy and we'll talk

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Speaker 1: the awesome