WEBVTT - Minisode: The Family Matters Pilot

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<v Speaker 1>Hey there, fan Rito's welcome back to a brand new

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<v Speaker 1>episode of.

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<v Speaker 2>How Rude Tanitos, Brand new episode, same old boy.

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<v Speaker 1>So today we're back with another t GIF recap, and

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<v Speaker 1>this time we're watching the Family Matters pilot.

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<v Speaker 2>I love watching these pilots. I'm loving this series. You

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<v Speaker 2>know that we're like, this is great.

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<v Speaker 3>We've made shows.

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<v Speaker 1>Before, so it's just so cool to see other shows

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<v Speaker 1>that we're on the same time or similar time to

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<v Speaker 1>Full House.

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<v Speaker 3>Yeah, I dig it.

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<v Speaker 2>So neither Jody and I have seen this pilot.

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<v Speaker 3>I've never never watched an episode of Family.

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<v Speaker 1>Matter same same this time. This show is a little

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<v Speaker 1>reminiscent of a certain sitcom that we are very familiar with.

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<v Speaker 1>So let's get into it. We did this with Boy

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<v Speaker 1>Meets World a few weeks ago. We watched the pilot

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<v Speaker 1>and had a lot of feelings. Very cute, very cute,

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<v Speaker 1>But yeah, boy was a great I had some mixed

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<v Speaker 1>feelings about that, but I liked it. So did you

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<v Speaker 1>come into this having high expectations for Family Matters? I

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<v Speaker 1>don't know.

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<v Speaker 3>I think you know.

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<v Speaker 2>I always try to kind of temper my expectations for

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<v Speaker 2>a pilot because you know, you're like I'm not. I'm

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<v Speaker 2>not going to judge it based on what I know

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<v Speaker 2>the show to become, you know what I mean, You're

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<v Speaker 2>like you kind of got to give pilots like the

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<v Speaker 2>the benefit of the doubt because you're like work, everybody's

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<v Speaker 2>trying to find the find your way took.

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<v Speaker 1>I mean, how's a while to find its way, you know.

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<v Speaker 2>I will say I think our pilot was one of

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<v Speaker 2>the best pilots that I've seen, hands down, ten out

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<v Speaker 2>of ten, ten out of ten.

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<v Speaker 3>Especially for a sitcom.

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<v Speaker 1>I know, I and I agree with you. I mean,

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<v Speaker 1>I don't know, I fair I would agree with us,

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<v Speaker 1>but I agree with you.

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<v Speaker 2>And I'm not saying that just because I like, you know,

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<v Speaker 2>because it's Full House, But I really do think like

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<v Speaker 2>it was just it was a great It was a

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<v Speaker 2>great pilot.

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<v Speaker 3>This one felt a little more.

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<v Speaker 2>Not exponential, but uh explanatory exposition word, yes, exposition y expositioning.

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<v Speaker 2>It was just an official which is an official word

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<v Speaker 2>in the Merriam Webster Dictionary, right next to six seven.

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<v Speaker 3>Yeah.

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<v Speaker 1>Well, I went into this with high expectations because this

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<v Speaker 1>show premiered exactly a year after Full House premiered, right, was.

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<v Speaker 2>A year or two years later. It was two years. Okay,

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<v Speaker 2>this start.

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<v Speaker 3>Came about in eighty nine and we were.

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<v Speaker 1>We were eighty seven. That's right.

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<v Speaker 2>Okay, so it's two years.

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<v Speaker 1>But I think I am looking at it through the

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<v Speaker 1>lens of oh, this is family matters, the massive hit

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<v Speaker 1>that went on for nine seasons. So I had high expectations,

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<v Speaker 1>but maybe I should have tempered them a little bit,

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<v Speaker 1>because as like you said, you know, gives gifts pilots

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<v Speaker 1>some grace to kind of find their footing and introduce

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<v Speaker 1>the characters.

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<v Speaker 2>Right.

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<v Speaker 1>So yeah, I thought it was a solid pilot, but

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<v Speaker 1>it did feel like it felt very much like a sitcom.

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<v Speaker 1>And I understand that I.

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<v Speaker 3>Know exactly what you mean.

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<v Speaker 1>It's yes, yes, when I watched The House, it doesn't

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<v Speaker 1>feel like a sitcom to me, and maybe it's because

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<v Speaker 1>we're watching like home movies.

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<v Speaker 2>But when I watch sometimes it does. But I think

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<v Speaker 2>there was well, we'll get into it, but there was

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<v Speaker 2>definitely moments where I was like, you're at a twelve,

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<v Speaker 2>just turn it. It felt very it felt very cheesy sitcoming.

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<v Speaker 1>I very much noticed, like the last laughter.

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<v Speaker 2>I will say that I think as ridiculous as our

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<v Speaker 2>show is, the we played the characters as grounded as

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<v Speaker 2>they could.

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<v Speaker 3>Be, you know what I mean.

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<v Speaker 2>That didn't feel like.

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<v Speaker 3>Like a caricature.

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<v Speaker 2>It was like, this was just Danny Tanner who likes

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<v Speaker 2>everything clean and you know, is actually cleaning the leaves

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<v Speaker 2>in the backyard. Didn't feel like I don't know, maybe

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<v Speaker 2>that's maybe it's just us, but it did feel I

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<v Speaker 2>get what you're saying. Let's let's let's get we'll get

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<v Speaker 2>into it before we get into it.

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<v Speaker 1>Well, we'll get into it. Yeah, okay. So in many ways,

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<v Speaker 1>full house and family matters are the same. Uh, And

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<v Speaker 1>so what are some more obvious similarities that you noticed

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<v Speaker 1>as you were watching the pilot.

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<v Speaker 2>Well, you've got a disruption in the family.

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<v Speaker 1>Yes, yes, someone's moving in.

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<v Speaker 2>Someone's moving in, and right too that that upsets the balance.

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<v Speaker 3>And also you have the.

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<v Speaker 2>Sister there with the baby because her husband died. Yeah,

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<v Speaker 2>got a dead spouse.

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<v Speaker 3>Yeah, yeah, that's right.

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<v Speaker 2>Well, because you got to kill them off, I guess

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<v Speaker 2>in the eighties you can't just have them be like, oh,

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<v Speaker 2>they left me like it doesn't you know, I mean

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<v Speaker 2>you're like, no, that's just what.

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<v Speaker 3>We do, right, right, So they're either dead.

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<v Speaker 2>Or don't speak of divorce and then no, no, no, no, no,

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<v Speaker 2>we're killing them off.

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<v Speaker 3>But that sort of felt similar.

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<v Speaker 2>And the music, the music, you know, they had the

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<v Speaker 2>episode with a show or with a song, and I

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<v Speaker 2>was like, wait, we did that well.

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<v Speaker 1>And it's it's a multi generational family all living under

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<v Speaker 1>one roof. It's a lot of people, and they don't

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<v Speaker 1>the whole thing takes place in the house, right, there's

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<v Speaker 1>no other scenes and other sets. It's all. I mean,

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<v Speaker 1>there's different sets, but it's all in the Winslow house.

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<v Speaker 2>I believe it's Yeah, living room, kitchen, and bedroom, so

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<v Speaker 2>was full house?

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<v Speaker 3>Have any other sets?

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<v Speaker 1>We have some swing sets, I mean, I guess in

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<v Speaker 1>the pilot. We did it not in the pilot and

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<v Speaker 1>the pilot, yeah, it's a pilot. They won't give you

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<v Speaker 1>swing sets.

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<v Speaker 2>They're like, you're getting the bare minimum for what you

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<v Speaker 2>can do and we'll see how it goes.

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<v Speaker 1>Right, It's true, very true. So did you enjoy watching

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<v Speaker 1>a show that was reminiscent of our own show? Did

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<v Speaker 1>it feel comforting? Did it feel like a copycat?

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<v Speaker 2>No? But I it was like I didn't I didn't

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<v Speaker 2>want to keep what's the word like comparing pairing it? Yeah,

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<v Speaker 2>I was trying to really not, even though I was like,

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<v Speaker 2>oh that feels like oh that, I was like, let

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<v Speaker 2>it stand on its own merits and let like these

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<v Speaker 2>relationships develop, you know, very true.

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<v Speaker 1>Yeah it's it's its own show and its own right,

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<v Speaker 1>and yeah it isn't. People can make unfair comparisons to

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<v Speaker 1>Full House, but I think it stands. It totally stands

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<v Speaker 1>on its own. I found myself fascinated by the mother

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<v Speaker 1>characters because there's no mother character at first in Full House.

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<v Speaker 1>So I'm very drawn to like Harriet in this or

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<v Speaker 1>like Amy in Boy Meets World. I'm like, oh, look

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<v Speaker 1>very wonderful.

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<v Speaker 3>Yea's great.

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<v Speaker 1>They're nurturing like Amy's so nurturing, and then Harriet is

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<v Speaker 1>like such a strong there's a very yeah, yeah I

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<v Speaker 1>love that.

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<v Speaker 2>It was. Yeah, it was like I liked to how like, yes,

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<v Speaker 2>the show's felt similar, but like to I think the

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<v Speaker 2>audiences and the perspectives of the families that they were representing,

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<v Speaker 2>like they felt authentic, you know what I mean?

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<v Speaker 1>Yeah they did. So he did love it. So on

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<v Speaker 1>a scale of one to ten, how would you rate

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<v Speaker 1>the pilot of Family Matters.

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<v Speaker 3>I'm going like a six, You're going six or seven.

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<v Speaker 2>Yeah, I kind of feel the same way, like I

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<v Speaker 2>feel like maybe I'll get it.

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<v Speaker 3>I don't want to be me.

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<v Speaker 2>I don't either, but I also am trying to just

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<v Speaker 2>be honest and I just don't.

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<v Speaker 3>It was. There was some things, but.

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<v Speaker 1>We'll get there were there were some things, but I

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<v Speaker 1>thought it was solid. It was a great It was

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<v Speaker 1>a great pilot, but I wouldn't rank it up with

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<v Speaker 1>like the top three the best pilots out there.

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<v Speaker 2>So that's okay.

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<v Speaker 1>So let's talk about some fun facts about this episode.

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<v Speaker 1>It was directed by joel's Wick, So in some of

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<v Speaker 1>these camera angles, I was.

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<v Speaker 2>Like, Jeel, Okay, camera angle, Joel. I watched this entire

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<v Speaker 2>episode and I was like, was Jewel drunk?

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<v Speaker 3>What is happening?

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<v Speaker 1>There's a very camera There was.

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<v Speaker 2>A weird there was a lot of weird angles, a

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<v Speaker 2>lot of people in each other's lights, yeah, a lot

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<v Speaker 2>of upstaging of themselves, just all kinds of things where

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<v Speaker 2>I was like it it felt like I was like

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<v Speaker 2>somebody needed to fix this. Well thought, It's not like

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<v Speaker 2>this was Joel's first rodeo, like a gazillion directed gazillion things.

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<v Speaker 2>And also like was it all new.

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<v Speaker 3>Camera people like you know what I mean.

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<v Speaker 2>There was one where it was like you literally see

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<v Speaker 2>the camera like sort of shuttling left, you know, it's

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<v Speaker 2>like bumping over the floor.

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<v Speaker 3>And I'm like, who were not gotten?

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<v Speaker 2>Not in a pick up? Yeah? So true.

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<v Speaker 1>I was just like, I don't know, Joel, I don't

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<v Speaker 1>know what you were thinking when you were directing this.

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<v Speaker 1>But okay, Like we mentioned, the first episode of Family

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<v Speaker 1>Matters aired on September twenty second, nineteen eighty nine, which

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<v Speaker 1>is the same.

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<v Speaker 3>Date almost two years later, same date, two years later.

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<v Speaker 1>Amazing. And this show was actually a spin off of

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<v Speaker 1>Perfect Strangers.

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<v Speaker 3>Oh right. The character of.

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<v Speaker 1>Harriet was the elevator operator at the show Cogo newspaper

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<v Speaker 1>where Balky and Larry worked.

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<v Speaker 3>So that's when we got to watch too.

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<v Speaker 2>I know, oh yeah, maybe Mark Baker and some Bronson Pinchet.

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<v Speaker 2>Just brilliant comedy.

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<v Speaker 1>Brilliant comedy. But I yeah, I I I knew that

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<v Speaker 1>I had forgotten it, and then I remembered, and then

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<v Speaker 1>I wished there was a tie, like there should Larry

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<v Speaker 1>and Balky should have been in this pilot, Like there

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<v Speaker 1>should have been some sort of ushering of Harriet out

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<v Speaker 1>of Perfect Strangers and into family matters.

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<v Speaker 2>Right, they did, They did. They over explained everything everything

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<v Speaker 2>else right, they would have writ I would have at

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<v Speaker 2>least appreciated a mention of like, oh, at the at

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<v Speaker 2>my job or at the yeah something.

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<v Speaker 1>I don't know, what did you say? She was the

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<v Speaker 1>an elevator operator, like the person that puts the goes

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<v Speaker 1>goes up and down elevator operator? Is that the name?

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<v Speaker 3>Didn't I'm just confused because.

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<v Speaker 2>Did not end in like nineteen thirty eight, you know what I.

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<v Speaker 3>Mean, Like, how what its elevator operator? Don't we have buttons?

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<v Speaker 2>I know, I know, well back in the day. You know,

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<v Speaker 2>I don't know when Perfect Strangers takes place, but I

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<v Speaker 2>guess they head in Chicago, so I guess it's like you.

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<v Speaker 2>The assumption is it's an old building.

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<v Speaker 1>So you need, yeah, an operator to work.

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<v Speaker 2>It feels it feels it feels flimsy.

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<v Speaker 1>It's either that or it feels like a high end

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<v Speaker 1>hotel where it's like no, no, no, like they have

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<v Speaker 1>bathroom attendance too. It's like, we don't want you to

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<v Speaker 1>have to touch your own towel. We're going to hand

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<v Speaker 1>it to you. The same thing with the elevator. Oh no,

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<v Speaker 1>you're too important. I'm going to touch the buttons for you.

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<v Speaker 2>I don't know, perhaps strange. I don't know.

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<v Speaker 3>I don't know, uh, valcan Larry.

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<v Speaker 1>Rolling like that? Maybe I didn't know either. Yeah, no,

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<v Speaker 1>that's that's that's a thing that we learned. Okay, so

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<v Speaker 1>we've got main cast synopsis. I don't know if we

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<v Speaker 1>want to go through all of this. Okay, here's the synopsis.

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<v Speaker 1>The Winslow home is full of love and family, and

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<v Speaker 1>Carl's mom is moving.

0:10:58.720 --> 0:11:04.400
<v Speaker 2>In straight to the point, and then shenanigans in suit

0:11:04.800 --> 0:11:05.439
<v Speaker 2>in sue.

0:11:07.679 --> 0:11:10.080
<v Speaker 1>Okay, so let's talk about some of the best moments

0:11:10.360 --> 0:11:14.800
<v Speaker 1>of the series. The first one is that Carl is

0:11:14.840 --> 0:11:17.560
<v Speaker 1>doing everything in his power to prevent his mom from

0:11:17.600 --> 0:11:20.800
<v Speaker 1>moving in. He pitches all kinds of alternative ideas to

0:11:20.840 --> 0:11:24.600
<v Speaker 1>his wife, Harriet, but she knows it's pointless because mom

0:11:24.640 --> 0:11:26.600
<v Speaker 1>is moving in anyways.

0:11:26.360 --> 0:11:29.200
<v Speaker 3>Right, And I gotta say, I like, Harriet, I bought

0:11:29.240 --> 0:11:29.920
<v Speaker 3>in this scene.

0:11:30.040 --> 0:11:31.920
<v Speaker 2>Yeah. Oh, Harriet's great. I did.

0:11:32.000 --> 0:11:32.680
<v Speaker 3>Harry was great.

0:11:32.720 --> 0:11:33.040
<v Speaker 2>Carl.

0:11:33.080 --> 0:11:34.439
<v Speaker 3>I was like, you're doing too much, Carl.

0:11:34.720 --> 0:11:36.920
<v Speaker 1>Carl, Well, okay, this is.

0:11:37.000 --> 0:11:38.160
<v Speaker 3>I was like, why are you making that face?

0:11:38.240 --> 0:11:39.560
<v Speaker 2>Carl? What is that face.

0:11:39.600 --> 0:11:41.440
<v Speaker 3>Are you smiling? Reginald grimacing?

0:11:41.520 --> 0:11:44.480
<v Speaker 1>Reginald has a great sitcom face, like he is giving

0:11:44.840 --> 0:11:46.920
<v Speaker 1>so much face.

0:11:47.000 --> 0:11:49.400
<v Speaker 2>But I wasn't sure why he was giving that face

0:11:49.520 --> 0:11:50.679
<v Speaker 2>at that I was like, are.

0:11:50.679 --> 0:11:55.080
<v Speaker 3>You you gmc? Are you smiling? What's happening? But it

0:11:55.120 --> 0:11:55.840
<v Speaker 3>was it was a lot.

0:11:56.080 --> 0:11:56.760
<v Speaker 1>It was a lot.

0:11:56.880 --> 0:11:58.520
<v Speaker 3>But then you have but I guess i'd be making

0:11:58.520 --> 0:12:00.160
<v Speaker 3>that face of my mom was moving into.

0:12:00.200 --> 0:12:06.800
<v Speaker 1>Oh, I was just kidding, Janie, Yeah, I I For

0:12:06.840 --> 0:12:09.040
<v Speaker 1>half of this episode, I was just trying to place

0:12:09.760 --> 0:12:12.160
<v Speaker 1>who belonged to who, Like, who are these people in

0:12:12.200 --> 0:12:14.520
<v Speaker 1>relation to each other? So I'm like, we're.

0:12:14.480 --> 0:12:18.360
<v Speaker 3>Quite specific with their description. They were quite specific.

0:12:19.240 --> 0:12:21.320
<v Speaker 2>Yeah, well no, but I'm like, why is okay if

0:12:21.440 --> 0:12:22.160
<v Speaker 2>if Carl.

0:12:22.160 --> 0:12:24.560
<v Speaker 1>I'm trying to get these names right because everybody dragged

0:12:24.600 --> 0:12:29.480
<v Speaker 1>me for calling Ben Savage Ben Savage or Corey Ben Savage.

0:12:29.480 --> 0:12:31.679
<v Speaker 1>I don't know their character names people, Okay, I only know.

0:12:31.640 --> 0:12:34.800
<v Speaker 3>Them as like people Kelly, Joe, Marie, Reginald.

0:12:34.679 --> 0:12:36.920
<v Speaker 1>Whatever I will learn. I'm trying to learn their character names,

0:12:36.920 --> 0:12:39.640
<v Speaker 1>so give me some grace here. So I was thinking,

0:12:40.640 --> 0:12:43.200
<v Speaker 1>Harriet's the one that said, okay, Mom, okay, Mom, you

0:12:43.200 --> 0:12:45.040
<v Speaker 1>can come move in. But it's not her mother, it's

0:12:45.160 --> 0:12:48.960
<v Speaker 1>Carl's mother, right, So why doesn't Carl just say, hey, mom,

0:12:49.240 --> 0:12:51.319
<v Speaker 1>this isn't gonna work. What you can't move in?

0:12:51.360 --> 0:12:54.960
<v Speaker 2>Because that's because that's because Mama Winslow is not going

0:12:55.040 --> 0:12:58.000
<v Speaker 2>to let that happens. It's not a little Winslow's way

0:12:58.160 --> 0:12:59.280
<v Speaker 2>or look by way.

0:12:59.320 --> 0:13:01.240
<v Speaker 3>It is, yes, all right.

0:13:01.600 --> 0:13:04.800
<v Speaker 2>But then I say, Harriet's fine with it though. Harriet's

0:13:04.840 --> 0:13:07.240
<v Speaker 2>just like this is just this is happening. So let's

0:13:07.360 --> 0:13:11.680
<v Speaker 2>because there's a there's a I think, an aspect of respect, okay,

0:13:12.160 --> 0:13:13.959
<v Speaker 2>of elders, of your mom, of your you know what

0:13:14.000 --> 0:13:18.000
<v Speaker 2>I mean. That I think very true. You know, I think.

0:13:18.520 --> 0:13:22.199
<v Speaker 3>Culturally it's a little bit different. There's like, you know

0:13:22.240 --> 0:13:22.920
<v Speaker 3>what I mean, like you.

0:13:22.840 --> 0:13:27.320
<v Speaker 2>Don't argue with mama, and that seems kind of like

0:13:27.360 --> 0:13:30.120
<v Speaker 2>what Carl is used to is like you just Mom's

0:13:30.240 --> 0:13:30.880
<v Speaker 2>running the house.

0:13:30.960 --> 0:13:31.960
<v Speaker 3>And same with Harriet.

0:13:32.000 --> 0:13:35.160
<v Speaker 2>Harriet's running the house with the women in this family

0:13:35.240 --> 0:13:36.920
<v Speaker 2>are the ones that are in charge.

0:13:36.960 --> 0:13:39.400
<v Speaker 1>She's definitely wearing the pants in this family. She is

0:13:39.440 --> 0:13:43.800
<v Speaker 1>such a strong female role model. I love her strong

0:13:43.840 --> 0:13:44.960
<v Speaker 1>shoulder pads, like.

0:13:45.640 --> 0:13:47.160
<v Speaker 2>Got it, love it, you loved it.

0:13:47.920 --> 0:13:49.760
<v Speaker 1>I do think these two play well off each other,

0:13:49.800 --> 0:13:52.480
<v Speaker 1>Harriet and Carl, because she is so stable and he

0:13:52.640 --> 0:13:55.800
<v Speaker 1>is just a little about all of this happening. So

0:13:55.960 --> 0:13:58.240
<v Speaker 1>I think they do play very well off of each other.

0:13:58.280 --> 0:13:58.800
<v Speaker 1>I don't know.

0:13:59.160 --> 0:14:00.680
<v Speaker 2>Was he in Perfect Strangers too?

0:14:01.200 --> 0:14:01.760
<v Speaker 1>Are we introd?

0:14:02.200 --> 0:14:02.560
<v Speaker 2>Cal?

0:14:02.600 --> 0:14:03.160
<v Speaker 3>I thought he was.

0:14:03.640 --> 0:14:05.280
<v Speaker 2>Carl was the security guard.

0:14:05.559 --> 0:14:08.440
<v Speaker 1>Ah, that's right, he's the cop. These two looked like

0:14:08.480 --> 0:14:12.280
<v Speaker 1>they had been married for decades, So I bought into this,

0:14:12.280 --> 0:14:24.760
<v Speaker 1>this marriage for sure. So then Carl and Harriet's oldest son, Eddie,

0:14:24.840 --> 0:14:26.920
<v Speaker 1>is trying to butter up his parents so he can

0:14:26.960 --> 0:14:29.600
<v Speaker 1>go to a party at his friend's house tonight.

0:14:30.640 --> 0:14:33.360
<v Speaker 2>I felt very typical teenager, very teenager.

0:14:33.800 --> 0:14:34.920
<v Speaker 3>Hey, I'm going to wash your car.

0:14:35.160 --> 0:14:36.400
<v Speaker 2>Why they knew?

0:14:36.520 --> 0:14:39.640
<v Speaker 1>Yeah, they knew immediately he was up to something. He

0:14:39.760 --> 0:14:42.200
<v Speaker 1>neglects to tell them at first that it's a party

0:14:42.880 --> 0:14:46.480
<v Speaker 1>that ends at two am, right, which I'm like, he's

0:14:46.520 --> 0:14:48.400
<v Speaker 1>fifteen years old. Why do you got to be out

0:14:48.440 --> 0:14:50.600
<v Speaker 1>till two am? Nothing good happens after two am? I

0:14:50.640 --> 0:14:53.320
<v Speaker 1>am that parent. So I ran my team when I

0:14:53.360 --> 0:14:55.760
<v Speaker 1>am team Carl and Harriet on this, and then I'm like, no,

0:14:55.800 --> 0:14:58.040
<v Speaker 1>you can't stay out that late. Your curfew is at ten.

0:14:58.040 --> 0:15:00.680
<v Speaker 3>True, I'm torn.

0:15:00.800 --> 0:15:01.280
<v Speaker 1>You're torn.

0:15:01.760 --> 0:15:06.000
<v Speaker 2>I'm torn because I'm like, it's the nineties or eighties. Yeah,

0:15:06.000 --> 0:15:07.280
<v Speaker 2>this was the end. And I could let you know

0:15:07.320 --> 0:15:09.840
<v Speaker 2>if it was a neighborhood kid and they're like, you

0:15:09.880 --> 0:15:12.320
<v Speaker 2>know whatever, a couple of blocks away, Like, I don't know,

0:15:12.320 --> 0:15:15.240
<v Speaker 2>it feels a little bit different, but maybe you know.

0:15:15.320 --> 0:15:19.320
<v Speaker 1>Well, once I learned it was a rambo watching, it's

0:15:19.360 --> 0:15:22.400
<v Speaker 1>not like a rave. They're just watching TV. So yeah,

0:15:22.440 --> 0:15:23.120
<v Speaker 1>maybe right.

0:15:22.960 --> 0:15:24.480
<v Speaker 3>That was the thing is I was like, well, I've

0:15:24.520 --> 0:15:26.680
<v Speaker 3>kind of agreed with my mother Winslow on.

0:15:26.680 --> 0:15:29.240
<v Speaker 1>This was like yeah, yeah, yeah, you can light up,

0:15:29.400 --> 0:15:31.440
<v Speaker 1>lighten up a little bit about it, but not till

0:15:31.440 --> 0:15:31.920
<v Speaker 1>two am.

0:15:32.080 --> 0:15:34.600
<v Speaker 2>Like let's just maybe I would have been like eleven

0:15:34.680 --> 0:15:36.760
<v Speaker 2>thirty midnight, Okay, that's plenty two am.

0:15:36.880 --> 0:15:38.320
<v Speaker 1>Yeah, nobody needs to stay up that late.

0:15:40.800 --> 0:15:45.640
<v Speaker 2>So then Carl's mom Estelle she finally arrives and oh yes,

0:15:46.000 --> 0:15:50.040
<v Speaker 2>she tells her granddaughters all about her experiences abroad and

0:15:50.200 --> 0:15:53.560
<v Speaker 2>apparently she knew the Queen of England, like so random,

0:15:53.840 --> 0:15:56.320
<v Speaker 2>and that was so I was like, what, I don't

0:15:56.320 --> 0:15:57.720
<v Speaker 2>know if she was making a joke or if she

0:15:57.800 --> 0:16:01.400
<v Speaker 2>was being serious. No, that she's being serious. Apparently that

0:16:01.520 --> 0:16:02.160
<v Speaker 2>she was.

0:16:02.280 --> 0:16:05.160
<v Speaker 1>She like knows she was.

0:16:06.480 --> 0:16:09.160
<v Speaker 2>I think the implication is, I don't know, like a

0:16:09.160 --> 0:16:14.640
<v Speaker 2>assistant housekeeper, some worked for various wealthy people and traveled

0:16:14.680 --> 0:16:18.880
<v Speaker 2>with them. Okay, that seemed to be what it was,

0:16:18.920 --> 0:16:20.720
<v Speaker 2>and that was how she kind of met all those people.

0:16:20.760 --> 0:16:23.160
<v Speaker 1>But that was just rare. I either want more backstory

0:16:23.200 --> 0:16:24.680
<v Speaker 1>on her or none. But I feel like they just

0:16:24.720 --> 0:16:26.360
<v Speaker 1>teased this and then it went nowhere.

0:16:26.960 --> 0:16:28.640
<v Speaker 3>It was again, it was.

0:16:30.040 --> 0:16:32.880
<v Speaker 2>Throwing out that you knew the Queen of England sort

0:16:32.880 --> 0:16:34.920
<v Speaker 2>of as an offhand comment, and then moving on. I

0:16:34.960 --> 0:16:37.360
<v Speaker 2>was like, wait, wait, wait, wait, wait that let's.

0:16:37.240 --> 0:16:39.360
<v Speaker 1>Get back to that, right, No, it felt.

0:16:39.200 --> 0:16:41.160
<v Speaker 2>Like but it also felt like, let's not get back

0:16:41.160 --> 0:16:43.440
<v Speaker 2>to that, because that felt like it was shoehorned into

0:16:43.440 --> 0:16:44.080
<v Speaker 2>the conversation.

0:16:44.320 --> 0:16:48.920
<v Speaker 1>Also, you know, for sure, oh absolutely, But this actress

0:16:49.800 --> 0:16:53.880
<v Speaker 1>is played by Rosetta. She's so perfect, great, just shines,

0:16:54.040 --> 0:16:57.040
<v Speaker 1>She shines this whole episode. She's a perfect mama Winslow.

0:16:57.680 --> 0:16:59.440
<v Speaker 1>You know, she is just opinionated.

0:16:59.640 --> 0:17:03.280
<v Speaker 2>She's yeah, subtle judgment like this's just amazing, not so

0:17:03.280 --> 0:17:05.240
<v Speaker 2>subtle judgment sometimes not so subtle.

0:17:05.600 --> 0:17:07.000
<v Speaker 1>She loves her grand babies.

0:17:07.080 --> 0:17:08.600
<v Speaker 2>I was just like, oh yeah, this is I think

0:17:08.640 --> 0:17:11.040
<v Speaker 2>she's a good addition to the house. I really she's great.

0:17:11.240 --> 0:17:13.800
<v Speaker 2>Yeah again, like throws the dynamic of everything off, which

0:17:13.840 --> 0:17:16.280
<v Speaker 2>is exactly what you need in a sitcom.

0:17:16.320 --> 0:17:19.879
<v Speaker 1>Absolutely, And can we talk for a minute about the

0:17:19.880 --> 0:17:23.320
<v Speaker 1>house because when the still arrives, right, what is this

0:17:23.359 --> 0:17:24.400
<v Speaker 1>front door situation?

0:17:24.560 --> 0:17:26.480
<v Speaker 3>Okay, so I was thinking that too, and then I went,

0:17:26.520 --> 0:17:27.200
<v Speaker 3>wait a minute.

0:17:27.040 --> 0:17:30.000
<v Speaker 2>It looks like we're in Chicago building. We're in Chicago.

0:17:30.280 --> 0:17:32.240
<v Speaker 2>It's going to be like a mud room, like a

0:17:32.280 --> 0:17:35.160
<v Speaker 2>front You'll have like a front because when you come

0:17:35.200 --> 0:17:37.720
<v Speaker 2>in and out, you don't want I mean, if you go,

0:17:39.040 --> 0:17:42.440
<v Speaker 2>you don't want your front door like directly opening from

0:17:42.480 --> 0:17:44.920
<v Speaker 2>all the coal there. So you usually have like kind

0:17:44.960 --> 0:17:49.199
<v Speaker 2>of a little there's like a like a vestibule ye

0:17:49.560 --> 0:17:51.600
<v Speaker 2>take off, like a mud room where you basically, yeah,

0:17:51.600 --> 0:17:53.359
<v Speaker 2>you kind of come in, but a lot I noticed

0:17:53.400 --> 0:17:56.280
<v Speaker 2>that a lot on like houses in the East Coast

0:17:56.359 --> 0:17:58.120
<v Speaker 2>or where it snows or things like that, you kind

0:17:58.119 --> 0:18:01.200
<v Speaker 2>of have like a come in here, it's tiled whatever.

0:18:01.320 --> 0:18:03.120
<v Speaker 2>And then her second door is there.

0:18:03.520 --> 0:18:04.879
<v Speaker 1>Well it didn't because I thought.

0:18:04.720 --> 0:18:05.080
<v Speaker 3>The same thing.

0:18:05.119 --> 0:18:07.920
<v Speaker 2>I was like, and then I remember the outside of

0:18:07.920 --> 0:18:09.760
<v Speaker 2>the house and I was like, oh, yeah, the implication

0:18:09.880 --> 0:18:12.000
<v Speaker 2>is that it's like a front little up the steps

0:18:12.240 --> 0:18:13.320
<v Speaker 2>there and then whatever.

0:18:13.359 --> 0:18:15.800
<v Speaker 1>It was very distracted, but it didn't very distracted.

0:18:15.960 --> 0:18:18.720
<v Speaker 2>It didn't they need some coats and boots there then right,

0:18:18.880 --> 0:18:20.119
<v Speaker 2>they did it didn't.

0:18:20.280 --> 0:18:22.920
<v Speaker 1>There was no plant and a.

0:18:23.160 --> 0:18:24.280
<v Speaker 3>Like an apart It looked like a hallway.

0:18:24.320 --> 0:18:25.719
<v Speaker 1>It looked like an apartment hallway.

0:18:25.840 --> 0:18:26.000
<v Speaker 2>Right.

0:18:26.119 --> 0:18:28.040
<v Speaker 1>I was just like, huh, I.

0:18:28.000 --> 0:18:28.600
<v Speaker 3>Thought the same thing.

0:18:28.600 --> 0:18:30.159
<v Speaker 2>I was like, wait, what do we and then I

0:18:30.200 --> 0:18:32.720
<v Speaker 2>was like, oh, okay, that makes sense, but not the

0:18:32.760 --> 0:18:33.679
<v Speaker 2>way that they did it.

0:18:33.720 --> 0:18:36.240
<v Speaker 1>And the house was so cluttered, like I just couldn't

0:18:36.240 --> 0:18:43.159
<v Speaker 1>get past how many chotchkeys. And it wasn't the kitchen.

0:18:43.640 --> 0:18:46.000
<v Speaker 2>I mean, we had Danny Tanner, so Danny Tanner was

0:18:46.040 --> 0:18:48.600
<v Speaker 2>the cleanest. They did not have a Dandy got in

0:18:48.640 --> 0:18:49.440
<v Speaker 2>the first episode.

0:18:49.480 --> 0:18:50.879
<v Speaker 3>First episode, the house was a night.

0:18:50.720 --> 0:18:52.439
<v Speaker 1>Oh yeah, that was a plot point. That was a

0:18:52.440 --> 0:18:55.240
<v Speaker 1>plot point. The houses a nightmare, their moms to come over.

0:18:55.320 --> 0:18:56.120
<v Speaker 3>But if you.

0:18:56.160 --> 0:18:59.399
<v Speaker 2>Notice, like the girls rooms, all of that, it's a

0:18:59.400 --> 0:19:02.359
<v Speaker 2>set deck thing you've got to have because otherwise in

0:19:02.560 --> 0:19:06.760
<v Speaker 2>it looks so bland. You have to overcompensate because on

0:19:06.840 --> 0:19:09.080
<v Speaker 2>camera it just if you would decorate it like a

0:19:09.119 --> 0:19:09.680
<v Speaker 2>normal room.

0:19:09.720 --> 0:19:11.200
<v Speaker 3>You look around and be like, oh my god, it's

0:19:11.400 --> 0:19:12.000
<v Speaker 3>bearing here.

0:19:12.119 --> 0:19:14.360
<v Speaker 2>Yeah. Yeah, well, I think I think the full House

0:19:14.359 --> 0:19:16.200
<v Speaker 2>set deck they got it. They got it. They struck

0:19:16.200 --> 0:19:20.159
<v Speaker 2>the right balance. Well, but I mean it, I don't know.

0:19:20.320 --> 0:19:21.080
<v Speaker 2>Ours was easy.

0:19:21.080 --> 0:19:23.960
<v Speaker 3>We had a theme, you know, nautical, Yeah, right.

0:19:24.040 --> 0:19:24.760
<v Speaker 1>This this that.

0:19:25.000 --> 0:19:26.639
<v Speaker 2>I don't think there was a theme. There was no

0:19:26.760 --> 0:19:30.560
<v Speaker 2>seapappy that was certainly missing. Definitely not but yeah, I

0:19:30.760 --> 0:19:31.080
<v Speaker 2>don't know.

0:19:31.160 --> 0:19:33.040
<v Speaker 1>There was just so much stuff on the counter, like

0:19:33.080 --> 0:19:35.119
<v Speaker 1>the kitchen counters. I was like, put that stuff away.

0:19:35.240 --> 0:19:37.000
<v Speaker 1>You don't need all your spices out on the counter

0:19:37.040 --> 0:19:38.000
<v Speaker 1>and all of your jobs.

0:19:37.880 --> 0:19:39.520
<v Speaker 3>The spices are out on the counter. In the full

0:19:39.520 --> 0:19:42.679
<v Speaker 3>house kitchen, it was a goose. There's all that crap

0:19:42.760 --> 0:19:44.800
<v Speaker 3>on the on the island.

0:19:44.440 --> 0:19:47.000
<v Speaker 2>That goes around this west stuff, and there's a bunch

0:19:47.040 --> 0:19:49.560
<v Speaker 2>of crap on the kitchen on the back wall there

0:19:49.600 --> 0:19:52.920
<v Speaker 2>with the counter spaces. I think I'm just space in that. Yeah,

0:19:53.000 --> 0:19:54.240
<v Speaker 2>I think I'm just so used.

0:19:54.080 --> 0:19:57.720
<v Speaker 1>To these house. This was the walls.

0:19:57.800 --> 0:19:59.400
<v Speaker 2>If you look at the walls in the girls room,

0:20:00.240 --> 0:20:06.680
<v Speaker 2>there's a Winchester Mystery House Tour brochure pinned to No

0:20:06.680 --> 0:20:11.720
<v Speaker 2>No Joke, pinned to DJ's bulletin board, Like there's random

0:20:11.760 --> 0:20:17.000
<v Speaker 2>crap in there, all of the like SPADs and set debbins.

0:20:17.320 --> 0:20:19.760
<v Speaker 2>It's almost like set Next being paid per item that

0:20:19.800 --> 0:20:22.840
<v Speaker 2>they put into. Yes, you gotta make it like you

0:20:22.920 --> 0:20:25.080
<v Speaker 2>have to build the story of like Okay, this kid

0:20:25.119 --> 0:20:28.439
<v Speaker 2>has one ribbons doing that or whatever. Yeah. Yeah, Like

0:20:28.520 --> 0:20:30.960
<v Speaker 2>DJ was into horses, so they had all these horse

0:20:31.040 --> 0:20:33.280
<v Speaker 2>figurines ventures into Nelson.

0:20:34.480 --> 0:20:36.119
<v Speaker 1>And then you were into Doogie Houser.

0:20:35.960 --> 0:20:38.359
<v Speaker 3>So you know this is just wow.

0:20:39.480 --> 0:20:44.200
<v Speaker 1>Oops, okay, okay, So anyways, I will try to get

0:20:44.200 --> 0:20:46.800
<v Speaker 1>past the distraction of the cluttered house and the weird

0:20:46.880 --> 0:20:51.199
<v Speaker 1>mudroom entrance. Uh Eddie confides in his grandma about this

0:20:51.280 --> 0:20:54.040
<v Speaker 1>party that he wants to go to tonight. Those curfews

0:20:54.080 --> 0:20:58.000
<v Speaker 1>at ten the Rambo movie marathon doesn't start until nine thirty,

0:20:58.359 --> 0:21:00.440
<v Speaker 1>and so Estelle assures him that she is going to

0:21:00.520 --> 0:21:04.040
<v Speaker 1>fight for his right to party.

0:21:04.240 --> 0:21:05.439
<v Speaker 3>Now, see, this didn't feel.

0:21:06.000 --> 0:21:09.679
<v Speaker 2>This felt like not true to who she is for

0:21:09.800 --> 0:21:13.000
<v Speaker 2>me in the brief moment that I've never in seven minutes,

0:21:13.040 --> 0:21:15.320
<v Speaker 2>you've known still that I've never I'm like this lady

0:21:15.359 --> 0:21:16.719
<v Speaker 2>is not about to let a child go out till

0:21:16.720 --> 0:21:17.520
<v Speaker 2>two o'clock in the morning.

0:21:17.600 --> 0:21:19.200
<v Speaker 1>No, I didn't know if she was just trying to

0:21:19.240 --> 0:21:20.960
<v Speaker 1>be buddy buddy with her grand I.

0:21:20.920 --> 0:21:23.160
<v Speaker 2>Get well, yeah, I guess that kind of the thing

0:21:23.280 --> 0:21:27.440
<v Speaker 2>is that, like you're the you're seeing that like she'll

0:21:27.520 --> 0:21:29.520
<v Speaker 2>let the grandkids get away with murder and that she's

0:21:29.520 --> 0:21:30.720
<v Speaker 2>going to kind of interfere with stuff.

0:21:30.760 --> 0:21:31.119
<v Speaker 3>So I get that.

0:21:31.200 --> 0:21:33.560
<v Speaker 1>And she's undermining Carl's parents.

0:21:34.080 --> 0:21:35.680
<v Speaker 3>She's exporting that's the thing.

0:21:35.800 --> 0:21:38.359
<v Speaker 1>It's like, I care what you think, Grandma. You have

0:21:38.480 --> 0:21:39.720
<v Speaker 1>to respect what the parents.

0:21:40.640 --> 0:21:43.240
<v Speaker 2>But I do feel like she would have been like

0:21:43.600 --> 0:21:46.440
<v Speaker 2>two am, yeah, absolutely, it's too late.

0:21:46.680 --> 0:21:48.360
<v Speaker 1>Yeah, why would grandma be on board with that?

0:21:48.440 --> 0:21:50.720
<v Speaker 3>So I don't know who knows? Who knows what Grandma's

0:21:50.760 --> 0:21:50.960
<v Speaker 3>up to.

0:21:51.119 --> 0:21:54.679
<v Speaker 2>Grandma's just trying to create Haral world. She's like, I know,

0:21:54.720 --> 0:21:56.840
<v Speaker 2>the Queen of England, I mean of England.

0:21:57.520 --> 0:21:59.840
<v Speaker 1>She's a fascinating character. I'm gonna keep watching the show

0:22:00.160 --> 0:22:06.520
<v Speaker 1>to find out more about Estelle. Then Harriet's sister Rachel,

0:22:06.840 --> 0:22:08.320
<v Speaker 1>So it took me a minute to figure this out

0:22:08.359 --> 0:22:11.199
<v Speaker 1>to who she is in the context of the family.

0:22:11.200 --> 0:22:14.879
<v Speaker 1>She's Harriet's sister and the mother of this baby. This

0:22:15.000 --> 0:22:18.800
<v Speaker 1>random baby just showed up in the kitchen. Baby Richie

0:22:18.840 --> 0:22:21.480
<v Speaker 1>and so we find out in the later scene that

0:22:21.720 --> 0:22:22.960
<v Speaker 1>Rachel's husband died.

0:22:23.680 --> 0:22:26.040
<v Speaker 2>I don't think she says how he died, though, did she. Well,

0:22:26.080 --> 0:22:28.119
<v Speaker 2>they never, they never really don't get into it too much.

0:22:28.119 --> 0:22:30.800
<v Speaker 1>We'll get that in season eight. Yeah, and that's how

0:22:30.840 --> 0:22:34.160
<v Speaker 1>she and her baby came to live with the Winslows. Okay,

0:22:34.280 --> 0:22:36.439
<v Speaker 1>so it took me a while to put that together.

0:22:37.040 --> 0:22:40.159
<v Speaker 2>So she's like, the well, cause I was just like,

0:22:40.520 --> 0:22:43.480
<v Speaker 2>I felt like it was explained like over. I was like, Okay,

0:22:43.520 --> 0:22:45.600
<v Speaker 2>we get you're basically drawing a family tree at this

0:22:45.640 --> 0:22:46.159
<v Speaker 2>point by the.

0:22:46.160 --> 0:22:48.040
<v Speaker 1>Time we got to that scene. But when she walks

0:22:48.040 --> 0:22:50.240
<v Speaker 1>in with all of Estelle's luggage, I thought she was

0:22:50.240 --> 0:22:52.399
<v Speaker 1>a Stelle's daughter. But she's not.

0:22:52.800 --> 0:22:56.800
<v Speaker 2>She's she's not related. She's related to the Harriet side.

0:22:57.240 --> 0:23:00.720
<v Speaker 2>But I thought, oh, it's the daughter she's says. But

0:23:01.119 --> 0:23:05.240
<v Speaker 2>earlier that she says something about Carl. I think says,

0:23:05.520 --> 0:23:07.600
<v Speaker 2>your sister went to go pick up mom at the airport,

0:23:08.560 --> 0:23:09.480
<v Speaker 2>if I remember.

0:23:09.240 --> 0:23:12.200
<v Speaker 1>Right, probably I was there a lot of a lot

0:23:12.200 --> 0:23:15.359
<v Speaker 1>of characters, yes, And I was just it took me

0:23:15.400 --> 0:23:16.960
<v Speaker 1>a minute to put the family tree together, but I

0:23:16.960 --> 0:23:19.720
<v Speaker 1>think there, you got it together. So we've got this

0:23:19.800 --> 0:23:20.280
<v Speaker 1>is how they.

0:23:20.200 --> 0:23:20.879
<v Speaker 2>Get the baby.

0:23:21.080 --> 0:23:24.560
<v Speaker 3>There that they have a baby, and she's.

0:23:24.480 --> 0:23:28.400
<v Speaker 2>So she like the uncle Jesse. She's the sister, he's

0:23:28.440 --> 0:23:31.360
<v Speaker 2>the brother in law. She's the sister in law. She's

0:23:31.400 --> 0:23:34.520
<v Speaker 2>like the uncle Jesse version. I don't know, she's not

0:23:34.600 --> 0:23:45.879
<v Speaker 2>really just as far as like being an aunt or uncle. Yeah,

0:23:46.520 --> 0:23:48.920
<v Speaker 2>I feel like I remember Toma Hopkins did not last

0:23:49.040 --> 0:23:49.560
<v Speaker 2>long on that.

0:23:49.520 --> 0:23:53.720
<v Speaker 3>Show Last Friction. Really things on there.

0:23:53.760 --> 0:23:55.920
<v Speaker 2>I don't know. I could be please don't quote me

0:23:55.960 --> 0:23:58.720
<v Speaker 2>on that, Okay, I could be making but like it

0:23:58.840 --> 0:24:00.440
<v Speaker 2>sounded familiar when I was like.

0:24:00.400 --> 0:24:02.560
<v Speaker 3>Wait a minute, I feel like I.

0:24:02.520 --> 0:24:04.520
<v Speaker 2>Thought Thelma was in like most of the series.

0:24:04.600 --> 0:24:07.320
<v Speaker 1>That's crazy. She was on that girl Lele and so

0:24:07.880 --> 0:24:09.760
<v Speaker 1>I remember everyone's like, oh my god, she's a legend,

0:24:09.760 --> 0:24:11.480
<v Speaker 1>and I'm like, yeah, she's a legend, but maybe it's

0:24:11.560 --> 0:24:14.240
<v Speaker 1>just not a family matters legend, just a legend for

0:24:14.359 --> 0:24:15.520
<v Speaker 1>all her other work. I don't know.

0:24:16.440 --> 0:24:20.880
<v Speaker 2>I'm not sure what season that that that they left them.

0:24:20.960 --> 0:24:22.960
<v Speaker 3>Oh, we're gonna he just looked it up.

0:24:23.040 --> 0:24:24.520
<v Speaker 2>Okay, we're getting live updates.

0:24:24.560 --> 0:24:25.800
<v Speaker 1>Stay tuned, live updates.

0:24:25.840 --> 0:24:28.920
<v Speaker 3>Season four she left, Okay, so she was she did.

0:24:29.119 --> 0:24:32.200
<v Speaker 1>She did half of the shows Okay, a little less

0:24:32.200 --> 0:24:32.520
<v Speaker 1>than half.

0:24:32.560 --> 0:24:35.720
<v Speaker 2>All right, that's that's so significant. Yeah, he just feels

0:24:35.720 --> 0:24:36.760
<v Speaker 2>like that too. Where does she.

0:24:36.760 --> 0:24:38.680
<v Speaker 3>Move a contract? Renegotiation?

0:24:38.800 --> 0:24:42.760
<v Speaker 2>Is what that feels like? That is that's exactly the money.

0:24:42.880 --> 0:24:46.720
<v Speaker 1>No, you don't see, Yeah, but fascinating.

0:24:46.760 --> 0:24:52.440
<v Speaker 2>Okay. So then after Estelle tries to interfere with Carl

0:24:52.560 --> 0:24:56.320
<v Speaker 2>and Harriet's parenting, a fight blows up at the dinner table.

0:24:57.200 --> 0:24:59.560
<v Speaker 2>Carl finally realizes he needs to talk with his mother

0:24:59.640 --> 0:25:04.000
<v Speaker 2>and set some boundaries. Big lesson for Carl.

0:25:04.200 --> 0:25:08.840
<v Speaker 1>He for someone who's a cop in real life, I

0:25:08.880 --> 0:25:12.920
<v Speaker 1>assume that you know, he he's stern and to the point,

0:25:12.960 --> 0:25:15.320
<v Speaker 1>but like he's not like this in his private home life.

0:25:15.320 --> 0:25:19.040
<v Speaker 1>He's anxious all the time and not direct. He's passive, aggressive,

0:25:19.119 --> 0:25:20.920
<v Speaker 1>he doesn't want to talk to his mother, Like it's

0:25:20.920 --> 0:25:22.880
<v Speaker 1>just like mom's intimidating.

0:25:23.080 --> 0:25:25.240
<v Speaker 2>I think that's the thing, is like he's a cop

0:25:25.280 --> 0:25:28.080
<v Speaker 2>and everyone like he's you know, secure and everywhere else,

0:25:28.119 --> 0:25:30.240
<v Speaker 2>But when it comes to his mom, he's like, oh lord,

0:25:30.280 --> 0:25:31.200
<v Speaker 2>this lady falls apart.

0:25:31.240 --> 0:25:32.080
<v Speaker 3>I'm gonna argue with her.

0:25:32.160 --> 0:25:33.680
<v Speaker 1>Yeah, yeah, totally falls apart.

0:25:34.240 --> 0:25:36.640
<v Speaker 2>I get that that happens. You know, moms can be

0:25:37.400 --> 0:25:39.080
<v Speaker 2>big presences.

0:25:38.800 --> 0:25:41.600
<v Speaker 1>And estelle is she has hurt. I got to eat

0:25:41.640 --> 0:25:43.680
<v Speaker 1>right now, or my digestion isn't good.

0:25:44.440 --> 0:25:45.680
<v Speaker 3>Yeah, exactly, that's what I mean.

0:25:45.760 --> 0:25:48.040
<v Speaker 2>Like this, Yeah, so I can tell why Carl's like,

0:25:48.080 --> 0:25:49.080
<v Speaker 2>oh god, oh god, what.

0:25:49.080 --> 0:25:50.000
<v Speaker 3>Am I am? I doing it wrong?

0:25:50.040 --> 0:25:50.560
<v Speaker 2>I do it? Yeah.

0:25:50.680 --> 0:25:53.440
<v Speaker 1>I feel like he could have instead of saying complaining

0:25:53.480 --> 0:25:55.600
<v Speaker 1>Mom keeps sitting in my chair. You just read director

0:25:55.680 --> 0:25:57.560
<v Speaker 1>say hey Mom, that's my chair, let me sit you

0:25:57.600 --> 0:26:00.119
<v Speaker 1>over here instead. But that's the thing, it's logical for

0:26:00.160 --> 0:26:00.640
<v Speaker 1>a sitcom.

0:26:00.680 --> 0:26:03.360
<v Speaker 2>But see that's now the thing is is this kind

0:26:03.359 --> 0:26:05.880
<v Speaker 2>of relationship. He would say that, and she'd be like, well,

0:26:05.880 --> 0:26:08.160
<v Speaker 2>it's more comfortable and I'm old, so I'm gonna sit here.

0:26:08.320 --> 0:26:09.840
<v Speaker 3>But you know what I mean, that's the thing is.

0:26:09.880 --> 0:26:11.400
<v Speaker 3>I don't think exactly.

0:26:11.480 --> 0:26:14.240
<v Speaker 2>I don't think it's he can't tell her to move

0:26:14.320 --> 0:26:19.480
<v Speaker 2>once once she sits. You are not telling her mother Winslow,

0:26:19.640 --> 0:26:21.280
<v Speaker 2>that she needs to move, You know what I mean.

0:26:21.400 --> 0:26:24.560
<v Speaker 1>This is a complishing. It's the use you got respect

0:26:24.560 --> 0:26:26.600
<v Speaker 1>your elders don't question Mama Winslow.

0:26:26.680 --> 0:26:30.119
<v Speaker 2>But she's living a driving its house with their.

0:26:30.040 --> 0:26:33.919
<v Speaker 1>Rules and their parenting, so right, friction, This is a

0:26:34.359 --> 0:26:40.480
<v Speaker 1>tremis for a serious excellent. So Carl and Estelle have

0:26:40.520 --> 0:26:43.560
<v Speaker 1>a heart to heart and acknowledge that they really want

0:26:43.560 --> 0:26:45.560
<v Speaker 1>this living situation to work.

0:26:46.320 --> 0:26:48.280
<v Speaker 3>And you can see to their background music better.

0:26:49.119 --> 0:26:51.399
<v Speaker 2>Oh really, rather than like violins, it had like a

0:26:51.400 --> 0:26:53.600
<v Speaker 2>little it was a little uh I don't know. That's

0:26:53.640 --> 0:27:00.320
<v Speaker 2>a little less chaccharine and like sappy shmoopy, yeah, lesh

0:27:00.400 --> 0:27:04.520
<v Speaker 2>movie and more like uh I don't know, just a

0:27:04.520 --> 0:27:05.359
<v Speaker 2>little more upbeat, a.

0:27:05.320 --> 0:27:07.800
<v Speaker 1>Little more up beat. Yeah, I thought this this You

0:27:07.800 --> 0:27:10.359
<v Speaker 1>could see the formula is working the sitcomference. You got

0:27:10.400 --> 0:27:12.520
<v Speaker 1>the heart to heart, you got the music, you got

0:27:12.520 --> 0:27:15.280
<v Speaker 1>the hont you got the compromise, and it all just works.

0:27:15.600 --> 0:27:18.720
<v Speaker 1>You know, this is how you end a sitcom. Yes,

0:27:19.119 --> 0:27:23.480
<v Speaker 1>and it's lovely. It's lovely. Then I thought that was

0:27:23.520 --> 0:27:25.680
<v Speaker 1>the end of the show. Oh no, it's not. Carl

0:27:25.720 --> 0:27:28.000
<v Speaker 1>goes up to Eddie's room, which is in the attic.

0:27:28.880 --> 0:27:34.560
<v Speaker 2>Throw somebody in the in the These people's addicts are incredible, immaculates,

0:27:34.560 --> 0:27:38.920
<v Speaker 2>are the best addicts I've ever seen. Dust, there's no decay. No,

0:27:39.119 --> 0:27:44.720
<v Speaker 2>they've got windows. It's gorgeous attics.

0:27:44.880 --> 0:27:47.320
<v Speaker 1>Yes, and one of the kids is always displaced, just

0:27:47.359 --> 0:27:49.200
<v Speaker 1>to throw.

0:27:49.720 --> 0:27:50.160
<v Speaker 3>In the attic.

0:27:51.720 --> 0:27:55.399
<v Speaker 1>Uh. So Carl extends Eddie's curfew and allows him to

0:27:55.480 --> 0:27:57.359
<v Speaker 1>go to the party tonight.

0:27:57.760 --> 0:28:01.480
<v Speaker 2>But not before Eddie was creeping on the neighbor across

0:28:01.520 --> 0:28:04.199
<v Speaker 2>the street with binoculars, and so is Carl.

0:28:04.359 --> 0:28:06.760
<v Speaker 3>And I couldn't figure out. I wanted to.

0:28:06.680 --> 0:28:10.359
<v Speaker 2>Tell myself, said Carl took the binoculars because he was like,

0:28:10.400 --> 0:28:12.000
<v Speaker 2>I don't want my son to do this. But I

0:28:12.040 --> 0:28:14.200
<v Speaker 2>think the joke was he took him because he wanted

0:28:14.240 --> 0:28:14.600
<v Speaker 2>to be the.

0:28:14.560 --> 0:28:15.200
<v Speaker 3>One to look.

0:28:15.400 --> 0:28:17.560
<v Speaker 2>Yes, I think you're right that that's a joke, and

0:28:17.560 --> 0:28:20.560
<v Speaker 2>that made it creepier. I didn't again, this is this

0:28:20.680 --> 0:28:25.280
<v Speaker 2>was the nineties. You're nothing's funnier than you know, inappropriate

0:28:25.560 --> 0:28:29.280
<v Speaker 2>dude watching. Yeah, yeah, yeah, pretty much.

0:28:29.320 --> 0:28:32.400
<v Speaker 1>Well I at first innocent me. I was just like, oh,

0:28:32.600 --> 0:28:36.520
<v Speaker 1>isn't that cute? Eddie is looking at the Rambo marathon

0:28:36.560 --> 0:28:38.479
<v Speaker 1>across the street that he couldn't go to.

0:28:38.800 --> 0:28:45.680
<v Speaker 2>But no, I know it's a love he's so su

0:28:46.920 --> 0:28:49.680
<v Speaker 2>and you're like, no, no, no, no, no, lady get across.

0:28:49.760 --> 0:28:51.600
<v Speaker 1>When he said don't move to a different room, I

0:28:51.640 --> 0:28:54.360
<v Speaker 1>was like, oh, it's not a not a Rambo marathon,

0:28:54.400 --> 0:28:57.200
<v Speaker 1>it's a it's a lady so yeah, I didn't love that.

0:28:57.200 --> 0:28:59.320
<v Speaker 1>That very distracted.

0:28:59.600 --> 0:29:02.440
<v Speaker 2>The weird camera angles in this scene too. Yeah, there

0:29:02.480 --> 0:29:04.120
<v Speaker 2>was there was a lot of things where I was like,

0:29:04.960 --> 0:29:07.479
<v Speaker 2>can you move You're in his light? Can you There

0:29:07.560 --> 0:29:09.640
<v Speaker 2>was take a step you need to step.

0:29:09.400 --> 0:29:11.200
<v Speaker 3>Back because you can't you feel the shadow? You know,

0:29:11.320 --> 0:29:13.520
<v Speaker 3>she feels like that, right, the actor.

0:29:13.400 --> 0:29:16.120
<v Speaker 1>Should have felt the shadow. And there was one shot

0:29:16.120 --> 0:29:18.880
<v Speaker 1>where it was like shot from the floor up and

0:29:18.920 --> 0:29:19.840
<v Speaker 1>I'm just like what what?

0:29:20.080 --> 0:29:21.200
<v Speaker 3>Yes is this?

0:29:21.440 --> 0:29:21.600
<v Speaker 2>Yeah?

0:29:21.600 --> 0:29:25.040
<v Speaker 3>It was waste yea. Yeah, there's some strange things happening

0:29:25.080 --> 0:29:25.360
<v Speaker 3>in there.

0:29:25.400 --> 0:29:29.720
<v Speaker 1>Thinking and then the episode ends with Harriet, carl Estelle

0:29:29.720 --> 0:29:33.360
<v Speaker 1>and Rachel singing He's got the whole world in his hands.

0:29:34.120 --> 0:29:34.560
<v Speaker 2>I love this.

0:29:34.720 --> 0:29:36.000
<v Speaker 1>What a great end A.

0:29:36.000 --> 0:29:38.360
<v Speaker 3>Pilot ended with a with a song and.

0:29:38.440 --> 0:29:39.040
<v Speaker 1>With a family.

0:29:40.320 --> 0:29:42.640
<v Speaker 2>I hope this is a recurring gospel show. You got.

0:29:43.680 --> 0:29:45.640
<v Speaker 1>I like it. I bought into it. I bought into

0:29:45.720 --> 0:29:46.200
<v Speaker 1>the family.

0:29:46.320 --> 0:29:46.600
<v Speaker 3>I did.

0:29:47.480 --> 0:29:47.680
<v Speaker 2>Yeah.

0:29:48.600 --> 0:29:51.400
<v Speaker 3>Yeah, it was you know, it was cute. It was.

0:29:51.520 --> 0:29:51.960
<v Speaker 2>It was cute.

0:29:52.000 --> 0:29:54.560
<v Speaker 1>There were lots of scanned out like I thought. Kelly

0:29:54.600 --> 0:29:56.320
<v Speaker 1>Williams as Laura.

0:29:56.360 --> 0:29:59.880
<v Speaker 2>Was Yeah, it's fantastic, like she has so much shaded grass.

0:30:00.560 --> 0:30:04.560
<v Speaker 1>Oh my gosh. She was fantastic Darius. I can tell

0:30:04.600 --> 0:30:06.640
<v Speaker 1>he's kind of growing into his character a little bit

0:30:06.720 --> 0:30:08.480
<v Speaker 1>for sure, staying a little more comfortable with.

0:30:08.440 --> 0:30:10.320
<v Speaker 2>And the little girl was not the little girl that

0:30:10.360 --> 0:30:13.000
<v Speaker 2>wind up being there later. And then that little girl

0:30:13.280 --> 0:30:16.160
<v Speaker 2>went away too. Oh so she was recast, and then

0:30:16.160 --> 0:30:18.520
<v Speaker 2>the second was recast, and the second one went and

0:30:18.560 --> 0:30:21.400
<v Speaker 2>the second one. They're literally the sort of joke is

0:30:21.440 --> 0:30:24.720
<v Speaker 2>she walks up the stairs one day and then never returns.

0:30:24.800 --> 0:30:27.200
<v Speaker 3>You never hear from her again or see her.

0:30:27.520 --> 0:30:29.680
<v Speaker 2>She's just and the producers are like off into the night.

0:30:29.720 --> 0:30:31.760
<v Speaker 2>Audiences will never notice.

0:30:31.320 --> 0:30:32.959
<v Speaker 3>They're like, they're not paying attention.

0:30:33.040 --> 0:30:36.120
<v Speaker 2>They won't be watching this in forty years, right.

0:30:37.240 --> 0:30:38.040
<v Speaker 3>Yeah, the little girl.

0:30:38.120 --> 0:30:39.640
<v Speaker 1>I don't have much to say about the little girl,

0:30:39.840 --> 0:30:42.160
<v Speaker 1>although you know, I'm thinking the Olsens should feel lucky

0:30:42.160 --> 0:30:45.200
<v Speaker 1>by now, because you got the little girl was disposed

0:30:45.200 --> 0:30:47.800
<v Speaker 1>of unfamily matters. She was recast on Boy Meets World

0:30:47.880 --> 0:30:50.800
<v Speaker 1>as well. The little girl was recast there. So I'm like, man, we.

0:30:50.760 --> 0:30:52.840
<v Speaker 2>Got lucky with the Oldsens. It's just like maybe the

0:30:52.880 --> 0:30:53.560
<v Speaker 2>old shows.

0:30:53.800 --> 0:30:54.240
<v Speaker 3>I'm glad.

0:30:54.280 --> 0:30:58.080
<v Speaker 2>I'm glad I made it for chopping block. Nobody is safee,

0:30:58.200 --> 0:31:02.560
<v Speaker 2>nobody is safe. I mean, well, I mean Danny. We

0:31:02.600 --> 0:31:03.560
<v Speaker 2>didn't replace Danny.

0:31:03.640 --> 0:31:07.160
<v Speaker 1>Oh yeah, that's right, but not after the series aired,

0:31:07.240 --> 0:31:10.160
<v Speaker 1>like the series after the pilot was shot, well after

0:31:10.160 --> 0:31:13.200
<v Speaker 1>it was shot. But it hadn't nobody has no searching

0:31:13.280 --> 0:31:18.760
<v Speaker 1>on YouTube that No, it hasn't never aired yet. So yeah,

0:31:18.800 --> 0:31:20.080
<v Speaker 1>I don't know. I don't know if we got an

0:31:20.080 --> 0:31:23.840
<v Speaker 1>accurate feel of family matters without Rcle, like because because

0:31:23.880 --> 0:31:30.280
<v Speaker 1>he's kind became the show, you know, yeah, so uh yeah,

0:31:30.360 --> 0:31:32.280
<v Speaker 1>And I don't think he comes in until season two,

0:31:32.320 --> 0:31:35.240
<v Speaker 1>so we could watch all of season one and not

0:31:35.440 --> 0:31:36.080
<v Speaker 1>no right and.

0:31:36.160 --> 0:31:38.440
<v Speaker 2>No matter of a moment. Yeah, so I feel like,

0:31:38.600 --> 0:31:39.960
<v Speaker 2>I don't know, but I like this.

0:31:40.360 --> 0:31:41.080
<v Speaker 1>I like this show.

0:31:41.120 --> 0:31:41.600
<v Speaker 3>It's cute.

0:31:41.680 --> 0:31:42.440
<v Speaker 2>It's cute.

0:31:43.480 --> 0:31:46.400
<v Speaker 3>I like, yeah, I like I like Mother Winslow.

0:31:46.560 --> 0:31:47.040
<v Speaker 2>She's great.

0:31:47.080 --> 0:31:49.840
<v Speaker 3>I like her. I like I love Harriet. Harriet were

0:31:49.920 --> 0:31:50.760
<v Speaker 3>kind of my two favorites.

0:31:50.800 --> 0:31:54.640
<v Speaker 1>She's fantastic. Carl is like the emotional core of the show,

0:31:54.800 --> 0:31:58.440
<v Speaker 1>like a Danny Tanner, yes, like a lovable father figure.

0:31:59.120 --> 0:32:01.520
<v Speaker 3>Yeah, it was cute. It was a you know, it's

0:32:01.520 --> 0:32:02.120
<v Speaker 3>a cute TJ.

0:32:02.320 --> 0:32:04.720
<v Speaker 2>I can see how it fit into the t G.

0:32:04.880 --> 0:32:07.320
<v Speaker 2>I f Cannon absolutely absolutely.

0:32:07.360 --> 0:32:11.440
<v Speaker 1>It was a great addition. Same producers, Tom Miller, Bob Boyette.

0:32:11.000 --> 0:32:13.920
<v Speaker 1>They had the winning formula for families.

0:32:14.080 --> 0:32:16.440
<v Speaker 3>Although this was a Biley, this was a Bickley Warren.

0:32:17.000 --> 0:32:18.920
<v Speaker 2>Oh show, it wasn't Miller Boyette.

0:32:19.680 --> 0:32:22.800
<v Speaker 3>Miller Boyett developed it. Basically they were like.

0:32:22.800 --> 0:32:25.840
<v Speaker 2>The overseeing development producers, which is kind of what they

0:32:25.880 --> 0:32:31.640
<v Speaker 2>were on Full House too. But it was uh uh yeah,

0:32:31.680 --> 0:32:35.800
<v Speaker 2>Bickley Warren not not Mark Warren, Michael Warren, Michael Warren

0:32:35.960 --> 0:32:38.240
<v Speaker 2>and I forget what the other. I feel bad, I

0:32:38.320 --> 0:32:41.720
<v Speaker 2>forget the other mister Bickley's name. But they were another

0:32:42.440 --> 0:32:48.480
<v Speaker 2>very popular sitcom producing doing. Okay, Yeah, they were basically

0:32:48.480 --> 0:32:50.440
<v Speaker 2>I think like the Jeff Franklin, you know what I mean,

0:32:50.520 --> 0:32:51.680
<v Speaker 2>like the creator, the writer.

0:32:51.800 --> 0:32:53.680
<v Speaker 1>There has been two Jeff's. This is that would be

0:32:53.720 --> 0:32:54.680
<v Speaker 1>the exactly.

0:32:54.560 --> 0:32:55.160
<v Speaker 3>Yeah, exactly.

0:32:55.280 --> 0:32:58.320
<v Speaker 2>They were what Mark and Dennis became, Yes, exactly.

0:32:58.400 --> 0:33:02.360
<v Speaker 1>Okay, okay, so yeah, no, it was a great, great show.

0:33:02.720 --> 0:33:06.080
<v Speaker 1>I think a lot of I don't know what I'm

0:33:06.080 --> 0:33:07.600
<v Speaker 1>talking about here, but I think a lot of people

0:33:08.240 --> 0:33:10.600
<v Speaker 1>when of that I never know what I'm talking about,

0:33:10.720 --> 0:33:12.840
<v Speaker 1>but I think a lot of people mistakenly assumed that

0:33:12.880 --> 0:33:17.040
<v Speaker 1>this was like the first black family sitcom on TV,

0:33:17.080 --> 0:33:19.160
<v Speaker 1>which is not true. We have the Jefferson's, we have

0:33:19.240 --> 0:33:22.160
<v Speaker 1>the Cosby Show, but maybe millennials, this is the first

0:33:22.800 --> 0:33:26.360
<v Speaker 1>black family sitcom that they watch well on TV every

0:33:26.360 --> 0:33:26.880
<v Speaker 1>Friday night.

0:33:27.280 --> 0:33:33.320
<v Speaker 4>To be very real, people of color were incredibly underrepresented

0:33:33.400 --> 0:33:38.000
<v Speaker 4>in television, in sitcom families, in any families, you know.

0:33:38.280 --> 0:33:41.000
<v Speaker 2>I mean, they were always kind of the you know,

0:33:41.160 --> 0:33:46.280
<v Speaker 2>the side character or the you know. And I think, yeah,

0:33:46.320 --> 0:33:48.680
<v Speaker 2>I think that this was the stix out in people's

0:33:48.720 --> 0:33:52.880
<v Speaker 2>minds because also, like the popularity of family sitcoms at

0:33:52.880 --> 0:33:55.000
<v Speaker 2>this time, it was, you know, it was it was

0:33:55.000 --> 0:33:58.760
<v Speaker 2>a big one. But yeah, the Jefferson, Sanford Soon, two

0:33:58.760 --> 0:34:02.560
<v Speaker 2>to seven, God, I love to seven. Yeah, all, you know,

0:34:02.760 --> 0:34:05.600
<v Speaker 2>there's all of those. It was great, yeah, good times. Yeah.

0:34:05.640 --> 0:34:08.120
<v Speaker 1>And I think I like that this was just framed

0:34:08.160 --> 0:34:11.520
<v Speaker 1>as it's it's a maybe I'm mistaken by saying it's

0:34:11.520 --> 0:34:13.719
<v Speaker 1>a black family sitcom. It was a family sitcom that

0:34:13.800 --> 0:34:16.239
<v Speaker 1>happened to feature a black family. So it's just like

0:34:16.280 --> 0:34:20.239
<v Speaker 1>this is just it's not it's not it's representation without spectacle.

0:34:20.320 --> 0:34:22.040
<v Speaker 1>It's like this is just the norm.

0:34:22.440 --> 0:34:24.680
<v Speaker 3>And well, I do think I think it was.

0:34:24.880 --> 0:34:27.520
<v Speaker 2>Yeah, I think that, you know, the strong mom character

0:34:27.719 --> 0:34:29.040
<v Speaker 2>is a strong gram you know like that.

0:34:29.560 --> 0:34:32.600
<v Speaker 3>I think probably resonated with a lot of people because you.

0:34:32.600 --> 0:34:33.800
<v Speaker 2>Don't don't mess with Mama.

0:34:33.600 --> 0:34:36.920
<v Speaker 1>Don't mess with exactly Mama knows best.

0:34:37.120 --> 0:34:39.279
<v Speaker 2>But but no, I I and you know, I know

0:34:39.320 --> 0:34:40.840
<v Speaker 2>a lot of people kind of unfairly go oh it

0:34:40.880 --> 0:34:43.120
<v Speaker 2>was just you know, the full house, but made for

0:34:43.280 --> 0:34:48.000
<v Speaker 2>you know, different people, different culture. But but it wasn't

0:34:48.080 --> 0:34:50.920
<v Speaker 2>it was you know, there were similarities. But every if

0:34:50.920 --> 0:34:54.680
<v Speaker 2>you watch every family sitcom, they're pretty much at similarities. Right,

0:34:55.400 --> 0:34:59.399
<v Speaker 2>Someone's probably did someone's probably moving in and uh yeah

0:34:59.440 --> 0:35:00.200
<v Speaker 2>in hilario and.

0:35:00.239 --> 0:35:03.840
<v Speaker 1>Sues, hilarity and sues. There's definitely a formula. But yeah, no,

0:35:03.920 --> 0:35:06.279
<v Speaker 1>I just wanted to comment on the importance of this

0:35:06.400 --> 0:35:09.440
<v Speaker 1>show and the cultural you know, it was. It was important,

0:35:09.520 --> 0:35:11.960
<v Speaker 1>It was great. And now I want to watch when

0:35:12.040 --> 0:35:14.680
<v Speaker 1>the first episode with Erkeles.

0:35:15.000 --> 0:35:16.520
<v Speaker 3>Come back and watch that. We like, let's watch the

0:35:16.640 --> 0:35:17.320
<v Speaker 3>Erkle debut.

0:35:17.520 --> 0:35:20.400
<v Speaker 2>Yeah yeah right, you guys, Well, thanks for listening to

0:35:20.480 --> 0:35:21.560
<v Speaker 2>our little minisode here.

0:35:22.680 --> 0:35:23.760
<v Speaker 3>Yeah, you want to check.

0:35:23.640 --> 0:35:25.960
<v Speaker 2>Us out on Instagram, follow us at how read Podcast,

0:35:26.239 --> 0:35:29.160
<v Speaker 2>send us an email at Howard Tandrito's at gmail dot com.

0:35:29.480 --> 0:35:33.000
<v Speaker 2>How Rude Merch dot com is our merch store and.

0:35:33.320 --> 0:35:35.000
<v Speaker 1>Let us know what you think of family matters too.

0:35:35.120 --> 0:35:36.640
<v Speaker 2>Yeah, let us know what you think of family matters?

0:35:36.680 --> 0:35:38.800
<v Speaker 2>Are the comments on the page? Send us an email.

0:35:38.880 --> 0:35:41.040
<v Speaker 2>What you think if this was a family that you

0:35:41.120 --> 0:35:43.000
<v Speaker 2>related to, you know, all that kind of stuff.

0:35:44.000 --> 0:35:45.920
<v Speaker 1>Did you prefer it as the Erkle Show or do

0:35:45.960 --> 0:35:46.759
<v Speaker 1>you miss like these?

0:35:47.160 --> 0:35:47.319
<v Speaker 3>Yeah?

0:35:47.680 --> 0:35:48.920
<v Speaker 2>Yeah, it was early.

0:35:48.719 --> 0:35:51.440
<v Speaker 1>Seasons where it was more about the family instead of

0:35:51.440 --> 0:35:52.200
<v Speaker 1>the crazy neighbor.

0:35:52.719 --> 0:35:53.360
<v Speaker 3>Yeah, I would.

0:35:53.360 --> 0:35:55.400
<v Speaker 2>I would be interested to hear how people felt about that,

0:35:55.440 --> 0:35:57.120
<v Speaker 2>and like if it was a weird sort of oh,

0:35:57.160 --> 0:35:58.719
<v Speaker 2>we don't like this kid and then we like him,

0:35:58.840 --> 0:36:01.439
<v Speaker 2>or you know, let us know your thoughts, guys, we'd

0:36:01.480 --> 0:36:04.360
<v Speaker 2>love to hear it. And I think that's it. So

0:36:05.120 --> 0:36:09.480
<v Speaker 2>in the meantime, remember the world is small, the house

0:36:09.560 --> 0:36:09.919
<v Speaker 2>is full.

0:36:10.600 --> 0:36:12.359
<v Speaker 3>Oh no, I had one.

0:36:12.560 --> 0:36:18.520
<v Speaker 2>All these so many chose there's set deck everywhere, set

0:36:18.520 --> 0:36:22.000
<v Speaker 2>deck not that's just spilling into the camera aisle, like

0:36:22.320 --> 0:36:26.400
<v Speaker 2>it just keeps the of crap that they found in

0:36:26.440 --> 0:36:30.120
<v Speaker 2>the in the sony prop departments that they.

0:36:30.040 --> 0:36:33.000
<v Speaker 1>Just hire prop departments in all the house.

0:36:33.320 --> 0:36:36.400
<v Speaker 3>Yes, exactly, well they're you know, they were collectors.

0:36:36.080 --> 0:36:36.400
<v Speaker 2>So.

0:36:38.080 --> 0:36:40.160
<v Speaker 1>Kept the house warmer in those Chicago.

0:36:40.640 --> 0:36:41.600
<v Speaker 3>Right Chicago's cold.

0:36:41.600 --> 0:36:42.759
<v Speaker 2>You got to have a lot of crap in there

0:36:42.800 --> 0:36:45.840
<v Speaker 2>to fill it up, you know. I just have drafts everywhere,

0:36:46.239 --> 0:36:46.359
<v Speaker 2>So

0:36:48.800 --> 0:36:50.719
<v Speaker 3>All right, everybody, We'll see you next time.