WEBVTT - Something's Rotten in Gotham City

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<v Speaker 1>career builder dot com. The Large Nerdron Collider podcast is

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<v Speaker 1>a production of I Heart Radio. Hey everybody, Welcome to

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<v Speaker 1>the Large nerdron Collider podcast, the podcast that's all about

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<v Speaker 1>the geeky things happening in the world around us and

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<v Speaker 1>how excited we are about them. I'm Ariel Castion, and

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<v Speaker 1>with me, as always is my super awesome, super original

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<v Speaker 1>co host Jonathan Strickland. Hey, Ariel, I got I got

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<v Speaker 1>an original idea. I'm gonna ask you a question. You're

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<v Speaker 1>a bad guy in a Scooby Doo cartoon. What sort

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<v Speaker 1>of abandoned structure or location is your home base of operations? Uh?

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<v Speaker 1>Functional yet uh not inhabited? Called Stone Creamery. Okay, that's

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<v Speaker 1>that's a good answer. I like it. Yeah, you're just

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<v Speaker 1>like the marble slab it's still cold. It's a nice

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<v Speaker 1>twist on the it's still warm trope. I like it. Excellent. Alright,

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<v Speaker 1>so we know, oh me, uh an abandoned Renaissance festival site.

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<v Speaker 1>I like that. We're yeah, we're both like, it's abandoned. Well,

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<v Speaker 1>it has to be. It has to because that's like

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<v Speaker 1>that's the trope, right, that's always the old abandoned amusement

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<v Speaker 1>park or the old abandoned train station. So so my

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<v Speaker 1>reasoning is because I just want to be able to

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<v Speaker 1>make ice cream to fuel, my villainy, What is your

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<v Speaker 1>reason to be behind it? Because rens, I love Renaissance

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<v Speaker 1>festivals if it weren't for all those dang people. Uh,

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<v Speaker 1>that is not true, sir. The best part of the

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<v Speaker 1>Renaissance festival is the people, because otherwise you can't entertain them. True.

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<v Speaker 1>And you and I have spent more than enough time

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<v Speaker 1>on a more or less abandoned Renaissance Festival site for

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<v Speaker 1>rehearsals and stuff where it's just the cast, and it

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<v Speaker 1>does get creepy. But that's uh, that's enough of all that.

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<v Speaker 1>Now we know where are our villainous Scooby Do characters

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<v Speaker 1>would reside. Let us move on to what we have

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<v Speaker 1>to talk about today. Yeah, and the first thing we

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<v Speaker 1>want to talk about, and almost the most important thing

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<v Speaker 1>to me is One Division. Because One Division came out

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<v Speaker 1>last week and Jonathan and I both watched it, so

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<v Speaker 1>the first two episodes, we should say the first two episodes,

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<v Speaker 1>So Jonathan, in a as not as spoilery spoilery as

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<v Speaker 1>you can way, what did you think of the show?

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<v Speaker 1>I absolutely adored it. I wholeheartedly loved it. Um. I

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<v Speaker 1>loved it both for the the obvious love and affection

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<v Speaker 1>the writers and everybody have for classic sitcoms, American sitcoms.

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<v Speaker 1>And I loved it for all the weird and slightly

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<v Speaker 1>sinister creepy stuff that gets woven in. Again, no spoilers,

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<v Speaker 1>but there the first two episodes, I think it's safe

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<v Speaker 1>to say fall way harder on the sitcom love and

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<v Speaker 1>corny humor than the creepy stuff. The creepy stuff just

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<v Speaker 1>kind of is there occasionally, but that just makes the

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<v Speaker 1>creepy stuff stand out more. And that's what it made

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<v Speaker 1>me really really enjoy it. What about you? What did

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<v Speaker 1>you think? Um? I also absolutely loved it. I actually

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<v Speaker 1>spent the entire weekend saying, why are there not more

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<v Speaker 1>episodes of this for me to watch? Maybe I just

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<v Speaker 1>want to go back and watch the first two again.

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<v Speaker 1>And because it was you know, we know that something

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<v Speaker 1>is up in the show, you know that from the trailers. Uh.

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<v Speaker 1>And and like you said, there was some sinister stuff

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<v Speaker 1>that happens throughout UH. But it was just overall very

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<v Speaker 1>uplifting and fun. And it was just fun, which is

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<v Speaker 1>a fun show. And I feel like so many shows

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<v Speaker 1>in the past five ten years have just tried to

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<v Speaker 1>be gritty and dark and and graphic that I just

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<v Speaker 1>really appreciated almost the wholesomeness of of this mystery comedy.

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<v Speaker 1>And I just have to say, like, Elizabeth Olsen has

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<v Speaker 1>floored me with how well she embodies that classic sitcom

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<v Speaker 1>leading lady uh kind of kind of spirit. She nailed

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<v Speaker 1>it in such a great way, like that interesting balance

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<v Speaker 1>between being uh, you know, sort of the straight man

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<v Speaker 1>but also genuinely funny in her own right. And the

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<v Speaker 1>supporting cast of that show is amazing. I agree. I agree.

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<v Speaker 1>Unlike Fuller House or something where they're trying to bank

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<v Speaker 1>on old kitch, this show just really takes old nostalgia

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<v Speaker 1>and makes it feel natural. Yeah, it doesn't make it

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<v Speaker 1>feel forced. You know. Paul Bettany also did an amazing job,

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<v Speaker 1>you know, bribling some Dick van Dyke in there. Yes,

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<v Speaker 1>there's their actual direct references to things like the Dick

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<v Speaker 1>Van Dyke Show and a little bit of Lucy old

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<v Speaker 1>Ball in that first episode. And I don't know for

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<v Speaker 1>a fact, but at least the way the first two

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<v Speaker 1>episodes play out, I suspect we're going to see almost

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<v Speaker 1>a chain of different sitcom styles. We know there's one

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<v Speaker 1>other one because it was in the trailer right, there

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<v Speaker 1>was one that looks very much Partridge Family Brady Bunch ish,

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<v Speaker 1>but I expect we'll see may be a couple of others,

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<v Speaker 1>hopefully before the season ends, because I am absolutely digging it.

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<v Speaker 1>And and it's also fun in that they have customize

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<v Speaker 1>openings for each episode to write, like the opening sequence

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<v Speaker 1>for episode two is different from the opening sequence for

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<v Speaker 1>episode one and reflects the kind of sitcom that that

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<v Speaker 1>episode embodies, which is really cool. It also makes me

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<v Speaker 1>really curious how they're going to go forward because we

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<v Speaker 1>know in the movies, Vision has died. Yes that's not spoiler.

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<v Speaker 1>He's really most sincerely dead, and now he's back, and

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<v Speaker 1>I I worry Jonathan that it's not going to stay

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<v Speaker 1>so fun and wholesome. No, this is going to end

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<v Speaker 1>in a very sad way. But you see, they could

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<v Speaker 1>they can spin it. They can they can keep Vision around.

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<v Speaker 1>They can do this. Uh well yeah, I mean it

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<v Speaker 1>would be great if you could keep him around because

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<v Speaker 1>he he is such a genuinely fun character. Listen, if

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<v Speaker 1>they can make movies out of the hobbit, we'll talk

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<v Speaker 1>about that later. Well, that was my clever way to

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<v Speaker 1>see right right, right, So speaking, the Hobbit Tolkien Lord

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<v Speaker 1>of the Rings all that there is a Lord of

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<v Speaker 1>the Rings show happening eventually, really more of a Middle

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<v Speaker 1>Earth show. It's going to coming out for Amazon. We

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<v Speaker 1>knew about this. Turns out it's going to be the

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<v Speaker 1>most expensive TV show in all of history, with a

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<v Speaker 1>five million dollar budget, which is in It also has

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<v Speaker 1>a five season commitment, so I'm not sure whether that

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<v Speaker 1>budget is per season or for all five or for

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<v Speaker 1>all five. And it's already been renewed for season two

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<v Speaker 1>without a single episode of season one having come out,

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<v Speaker 1>but that is still a huge budget. You know, they're

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<v Speaker 1>filming in New Zealand and they, like everybody else, kind

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<v Speaker 1>of got uh sidelined by the pandemic. Of course, New

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<v Speaker 1>Zealand's in much better shape than most of the world.

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<v Speaker 1>So yeah, yeah, And apparently we've been waiting for this

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<v Speaker 1>for three years. And I must have put that out

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<v Speaker 1>of my mind because I forgot about it until now.

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<v Speaker 1>I'm pretty sure we covered this when Ellen c was

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<v Speaker 1>still going back in probably and then I forgot about it. Yeah. Well,

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<v Speaker 1>and and this show is going to be set during

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<v Speaker 1>the Second Age of Middle Earth. And if you don't

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<v Speaker 1>know how the history of Middle Earth works. Everything you

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<v Speaker 1>see in the Hobbit, everything you see in Lord of

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<v Speaker 1>the Rings, all that takes place at the end of

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<v Speaker 1>the Third Age of Middle Earth. And so this is

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<v Speaker 1>three thousand years before that. Um, it's when Saron is

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<v Speaker 1>the big bad for the first time around. You remember

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<v Speaker 1>the beginning of Lord of the Rings has Um, Yeah,

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<v Speaker 1>is Sealder chopping off Saron's fingers with Narsal the sword,

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<v Speaker 1>the shards of Narsal, And that is essentially the day

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<v Speaker 1>New Ma the the scene of of of the Second

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<v Speaker 1>Age of Middle Earth. So this is going to take

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<v Speaker 1>place during that, and we suspect that a lot of

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<v Speaker 1>it is going to take place on New Menoor, the

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<v Speaker 1>island where the sort of elevated members of humans live

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<v Speaker 1>that's Arragorn is descended from them. So yeah, yeah, you know,

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<v Speaker 1>I'm I'm excited about this. When the Hobbit movies came

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<v Speaker 1>out one I was like, why are there three of them?

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<v Speaker 1>This is a short story, not a short story, but

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<v Speaker 1>a shorter story. Uh, and and to like, there's so

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<v Speaker 1>much world that Tolkien built that I want to explore it.

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<v Speaker 1>So this has given me the opportunity. I'm I'm cautiously

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<v Speaker 1>optimistic about this one. If it fails, it will not

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<v Speaker 1>be because it was cheap. Yes, yes, I am also

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<v Speaker 1>cautiously optimistic about the Doogie Howser reboot, which is not

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<v Speaker 1>a sentence I ever thought i'd be saying. Yeah. So

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<v Speaker 1>this was one that had escaped my attention until recently,

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<v Speaker 1>where we learn more about the the the new version

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<v Speaker 1>of Doogie Howser, which will not be Doogie Howser, It's

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<v Speaker 1>it's doogie kume Aloha m D. So uh one. Now

0:11:21.600 --> 0:11:25.959
<v Speaker 1>we're following a person of Hawaiian descent and to that

0:11:26.080 --> 0:11:29.640
<v Speaker 1>person happens to be female. So we've got a young

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<v Speaker 1>woman doogie and I think this is awesome. I actually

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<v Speaker 1>really kind of dig this idea and I'm very interested

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<v Speaker 1>to see where it goes. Um. And I also hope

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<v Speaker 1>that they play the theme song on a ukulele, and

0:11:45.920 --> 0:11:52.439
<v Speaker 1>I hope it's yeah do do. I just hope that

0:11:52.559 --> 0:11:54.720
<v Speaker 1>she types up all her thoughts on a really really

0:11:54.960 --> 0:11:59.079
<v Speaker 1>really really old computer or I think it will have

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<v Speaker 1>to be like a art phone. Um, it's Peyton Elizabeth Lee,

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<v Speaker 1>who is who is playing the title role. You know,

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<v Speaker 1>I went back and watched the first couple of episodes

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<v Speaker 1>of Doogie Howser again recently, they are deal with some

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<v Speaker 1>more adult issues than I thought they would. I was like,

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<v Speaker 1>they aren't doing this in this episode, are they What

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<v Speaker 1>are they doing? I can't. I watched this as a child.

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<v Speaker 1>I mean it was, but that was the whole point, right,

0:12:24.760 --> 0:12:28.840
<v Speaker 1>was that here here's a person who is incredibly intelligent

0:12:29.000 --> 0:12:34.920
<v Speaker 1>but lacks worldly experience, and and how how the difference

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<v Speaker 1>between intelligence and wisdom needs to be understood so that

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<v Speaker 1>you don't just assume someone who's really intelligent is wise,

0:12:44.320 --> 0:12:48.079
<v Speaker 1>or someone who is wise is you know, book smart intelligent.

0:12:48.280 --> 0:12:51.360
<v Speaker 1>It's it's the combination of those two things that is

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<v Speaker 1>his journey. So yeah, it will be I'm curious to

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<v Speaker 1>see how this one plays out. So our next story,

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<v Speaker 1>and actually the story that is going to be um

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<v Speaker 1>inspiring our mashup later is about the television show Batwoman, Yes,

0:13:07.640 --> 0:13:11.400
<v Speaker 1>which has a new Batwoman. Yeah. Yeah. Ruby Rose left

0:13:12.320 --> 0:13:16.040
<v Speaker 1>h at the end of the last season after the

0:13:16.120 --> 0:13:19.599
<v Speaker 1>last season and uh, instead of recasting her, they're just

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<v Speaker 1>giving us a whole new character. The new Batwoman will

0:13:23.600 --> 0:13:31.760
<v Speaker 1>be a character called Ryan Wilder Leslie. Yes, And this

0:13:32.000 --> 0:13:34.719
<v Speaker 1>is the reason why Ruby Rose left at least in

0:13:34.840 --> 0:13:38.840
<v Speaker 1>part was that she suffered an injury during her shoots

0:13:38.920 --> 0:13:41.880
<v Speaker 1>of the previous season of Batwoman and had to have

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<v Speaker 1>surgery in order to correct the injury, And that was

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<v Speaker 1>part of it, But another part was just that she

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<v Speaker 1>was kind of re examining her goals during the whole

0:13:52.640 --> 0:13:56.040
<v Speaker 1>lockdown period, and I felt like they weren't really an

0:13:56.080 --> 0:13:59.440
<v Speaker 1>alignment with bat Woman. So now we've got a new Batwoman. Uh,

0:13:59.559 --> 0:14:02.280
<v Speaker 1>we've alre He's seen trailers of her, and of course

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<v Speaker 1>the show's coming up very soon, so you'll get to

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<v Speaker 1>see her in action. UM. I love the look of her.

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<v Speaker 1>I think that it looks great, you know, the fact

0:14:09.920 --> 0:14:14.160
<v Speaker 1>that she's adjusted the cowl and everything. Um, and hopefully

0:14:14.520 --> 0:14:18.080
<v Speaker 1>this will be the change that Batwoman needs to really

0:14:19.320 --> 0:14:23.360
<v Speaker 1>get its you know, get up and running. Because a

0:14:23.440 --> 0:14:25.760
<v Speaker 1>lot of people have said that the Batwoman series so

0:14:25.920 --> 0:14:31.720
<v Speaker 1>far has not quite met expectations. I honestly, I will

0:14:31.760 --> 0:14:34.200
<v Speaker 1>say I haven't watched it because the wig looked so

0:14:34.360 --> 0:14:38.120
<v Speaker 1>bad in the trailers for the first season that I yeah,

0:14:39.520 --> 0:14:41.360
<v Speaker 1>so I'm hoping that's better too. But you know, I'm

0:14:41.440 --> 0:14:43.800
<v Speaker 1>I'm excited for about I like Batman, I'm excited for

0:14:43.880 --> 0:14:48.040
<v Speaker 1>more bat person media. So I will give the second

0:14:48.080 --> 0:14:52.680
<v Speaker 1>season to try something I'm not Yeah, something I'm not

0:14:52.720 --> 0:14:54.280
<v Speaker 1>sure if I'm going to give a try though, is

0:14:54.480 --> 0:14:58.600
<v Speaker 1>the Snyder cut of Justice League. I was already on

0:14:58.720 --> 0:15:00.400
<v Speaker 1>the fence, But now that we know it's going to

0:15:00.440 --> 0:15:09.760
<v Speaker 1>be four hours long and and new, I don't I

0:15:09.800 --> 0:15:13.800
<v Speaker 1>don't know if I can sit through that. Yeah, I Um,

0:15:15.120 --> 0:15:17.400
<v Speaker 1>I gotta be honest with your Ariel. When I finally

0:15:17.480 --> 0:15:21.960
<v Speaker 1>watched Justice League, not once, not once in that running time,

0:15:22.000 --> 0:15:26.080
<v Speaker 1>did I think, Gosh, I wish this would go longer? No? No, No,

0:15:26.240 --> 0:15:29.040
<v Speaker 1>I mean I will say like it was a fairly

0:15:30.760 --> 0:15:34.560
<v Speaker 1>ho hum storyline. I really just enjoyed Justice League for

0:15:34.600 --> 0:15:41.240
<v Speaker 1>the character uh exploration. Yeah, but you know Snyder has

0:15:41.280 --> 0:15:42.960
<v Speaker 1>a darker vision, and so I don't even know if

0:15:43.000 --> 0:15:45.480
<v Speaker 1>I'm going to like the character exploration. Yeah. No, I

0:15:46.000 --> 0:15:50.160
<v Speaker 1>have a feeling like the the more lighthearted, quippy stuff

0:15:50.320 --> 0:15:54.480
<v Speaker 1>that we saw was very likely the contributions of Josh Weeden.

0:15:54.720 --> 0:15:58.480
<v Speaker 1>It just felt much more like Joss Weeden's style. Um,

0:15:59.000 --> 0:16:02.000
<v Speaker 1>and that, yeah, that to me tells me that I

0:16:02.120 --> 0:16:07.000
<v Speaker 1>probably will not I'll probably watch it, if I'm being honest,

0:16:07.160 --> 0:16:10.840
<v Speaker 1>but I'm not looking forward to it. I think that

0:16:10.960 --> 0:16:14.560
<v Speaker 1>it's almost feel like of the same. I almost feel

0:16:14.560 --> 0:16:16.960
<v Speaker 1>like I have to watch it for purposes of being

0:16:17.000 --> 0:16:20.120
<v Speaker 1>able to talk about it here. Uh the And also

0:16:20.920 --> 0:16:22.560
<v Speaker 1>it does have one thing that makes me kind of

0:16:22.600 --> 0:16:24.200
<v Speaker 1>want to watch it, which is, in theory, we're gonna

0:16:24.240 --> 0:16:29.640
<v Speaker 1>get Martian Manhunter, who I do very much like. I'm

0:16:29.720 --> 0:16:33.640
<v Speaker 1>very curious to see how how that is handled because

0:16:33.680 --> 0:16:37.200
<v Speaker 1>it's such an outlandish character. Well, we'll have to see

0:16:37.360 --> 0:16:42.000
<v Speaker 1>if that realization of the character ends up, you know,

0:16:42.320 --> 0:16:45.680
<v Speaker 1>meeting your very high standard serial. In the meantime, let's

0:16:45.720 --> 0:16:47.920
<v Speaker 1>take a quick break, and when we come back, we're

0:16:47.960 --> 0:16:53.920
<v Speaker 1>gonna talk about when adaptations are no longer really adaptations

0:16:54.160 --> 0:16:57.240
<v Speaker 1>and when that's good and when that's bad. But first

0:16:57.320 --> 0:17:06.720
<v Speaker 1>let's take this quick break. Still living in manually taking

0:17:06.800 --> 0:17:09.399
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0:17:34.080 --> 0:17:38.439
<v Speaker 1>T T E R dot Ai. Hey, this is Paris Hilton.

0:17:39.440 --> 0:17:41.679
<v Speaker 1>Last year I revealed the story of my abuse at

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<v Speaker 1>pro O Canyon School. Since then, thousands of survivors have

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<v Speaker 1>truth of the entire industry, and this weekly investigative podcast

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<v Speaker 1>me and my host Rebecca Mellinger and Caroline Cole, We'll

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<v Speaker 1>examine one infamous teen treatment facility each season. First up,

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<v Speaker 1>Provo Canyon School. This one is personal. When you first

0:18:09.200 --> 0:18:15.160
<v Speaker 1>get there, you have to experience girls screaming, locked up,

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<v Speaker 1>peeing themselves in the hallway, sleeping, and you're like, where

0:18:22.480 --> 0:18:27.320
<v Speaker 1>am I? Holy hack, this is not what I expected.

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<v Speaker 1>Listen to Trapped and Treatment on the I Heart Radio app,

0:18:32.320 --> 0:18:36.399
<v Speaker 1>Apple podcast or wherever you get your podcast. Have you

0:18:36.400 --> 0:18:38.480
<v Speaker 1>ever felt depressed about work only to have your dad

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<v Speaker 1>be like, while you're so down? So you told him

0:18:40.359 --> 0:18:42.000
<v Speaker 1>you hate your job and he said, well you better

0:18:42.080 --> 0:18:43.879
<v Speaker 1>talk yourself out of it. And then you thought, m

0:18:44.040 --> 0:18:46.200
<v Speaker 1>I love to talk. I could host a podcast. And

0:18:46.280 --> 0:18:48.159
<v Speaker 1>then you went to Speaker from my Heart and started

0:18:48.200 --> 0:18:50.359
<v Speaker 1>a podcast and got good at it, then monetized it,

0:18:50.400 --> 0:18:52.480
<v Speaker 1>then quit your boring job and told your dad thanks

0:18:52.480 --> 0:18:53.960
<v Speaker 1>for the advice. And he was like, well, that's not

0:18:54.040 --> 0:18:56.280
<v Speaker 1>what I meant, and I don't understand what a podcast is,

0:18:56.359 --> 0:18:58.959
<v Speaker 1>but you seem happy. So that's great, kiddo. You ever

0:18:59.040 --> 0:19:02.680
<v Speaker 1>do that? Well, you could at speaker dot com. That's

0:19:02.840 --> 0:19:05.920
<v Speaker 1>spr e A k E R. Ask your dad. You

0:19:06.040 --> 0:19:15.879
<v Speaker 1>actually don't, and we're back. So a lot of the

0:19:15.960 --> 0:19:17.880
<v Speaker 1>things that we talked about in the news segment are

0:19:17.960 --> 0:19:23.399
<v Speaker 1>adaptations or reboots or or the like from properties we

0:19:23.640 --> 0:19:28.359
<v Speaker 1>really like. And sometimes they are really great, like when

0:19:28.400 --> 0:19:30.840
<v Speaker 1>we get The Lord of the Rings movies, and sometimes

0:19:30.920 --> 0:19:34.320
<v Speaker 1>they're not so great, like when we get The Hobbit movies.

0:19:34.960 --> 0:19:39.920
<v Speaker 1>They usually have a wide range of of criticism about them,

0:19:40.280 --> 0:19:42.920
<v Speaker 1>in part to the fact that a lot of times

0:19:43.000 --> 0:19:47.960
<v Speaker 1>when properties are adjusted for movie or television, they veer

0:19:48.040 --> 0:19:51.440
<v Speaker 1>from the source material to make it a better viewing experience.

0:19:52.400 --> 0:19:55.560
<v Speaker 1>So arguably they try to make it a better viewing experience,

0:19:55.880 --> 0:19:59.119
<v Speaker 1>it does not always work out, as the aforementioned The

0:19:59.280 --> 0:20:05.680
<v Speaker 1>Hobbit proves. Yes, so, uh, I mean where do you

0:20:05.920 --> 0:20:08.679
<v Speaker 1>Let's let's start at the basic level of of movies

0:20:08.720 --> 0:20:11.880
<v Speaker 1>that are adaptations that just kind of veer away from

0:20:11.960 --> 0:20:15.560
<v Speaker 1>their source material in places that don't follow the storyline exactly.

0:20:15.720 --> 0:20:18.760
<v Speaker 1>We see this a lot in you know, superhero movies,

0:20:18.920 --> 0:20:22.639
<v Speaker 1>for example. What are what are your thoughts of that,

0:20:23.480 --> 0:20:26.239
<v Speaker 1>just between staying true to the thing that you love

0:20:26.280 --> 0:20:28.600
<v Speaker 1>because that's what we're going to watch and and giving

0:20:28.640 --> 0:20:31.840
<v Speaker 1>a new story. And I mean like this, this to

0:20:31.960 --> 0:20:36.399
<v Speaker 1>me largely depends upon your experience with the material. And

0:20:37.400 --> 0:20:39.920
<v Speaker 1>by that I mean if you are someone who has

0:20:40.000 --> 0:20:45.800
<v Speaker 1>never seen or read, or or otherwise encountered the original

0:20:46.240 --> 0:20:51.600
<v Speaker 1>version of that thing, then your impression of the adaptation

0:20:52.080 --> 0:20:54.200
<v Speaker 1>is likely to be very different from someone who is

0:20:54.600 --> 0:20:59.080
<v Speaker 1>like a big fan of the source material. Um, and

0:20:59.440 --> 0:21:04.040
<v Speaker 1>you know, fan of source material are notoriously picky, myself included,

0:21:04.560 --> 0:21:08.520
<v Speaker 1>And that I think is one of the major determining factors.

0:21:08.640 --> 0:21:11.040
<v Speaker 1>There are other ones as well. You mentioned superhero movies.

0:21:11.119 --> 0:21:15.359
<v Speaker 1>I think superhero movies in particular have a lot of

0:21:15.480 --> 0:21:21.720
<v Speaker 1>license only because for especially the classic superhero characters, there

0:21:21.760 --> 0:21:26.440
<v Speaker 1>have been so many different incarnations of those characters told

0:21:26.480 --> 0:21:29.200
<v Speaker 1>in so many different styles from so many different writers

0:21:29.240 --> 0:21:32.680
<v Speaker 1>and artists that you can pick and choose, and it's

0:21:32.840 --> 0:21:36.359
<v Speaker 1>everything's up for grabs, right, Like there is a can't

0:21:36.359 --> 0:21:38.560
<v Speaker 1>be Batman if you wanted to go with the can't

0:21:38.560 --> 0:21:41.159
<v Speaker 1>be Batman route, there's the dark and gritty Batman if

0:21:41.200 --> 0:21:43.120
<v Speaker 1>you want to go that route. There's the Tim Burton

0:21:43.240 --> 0:21:46.879
<v Speaker 1>route where it's kind of both. Like it's you know,

0:21:47.000 --> 0:21:48.879
<v Speaker 1>there's a lot of a lot of flexibility there in

0:21:49.000 --> 0:21:52.760
<v Speaker 1>other ways, like other works, there's not as much flexibility.

0:21:52.880 --> 0:21:56.480
<v Speaker 1>And so one of the the examples I put in

0:21:56.560 --> 0:22:00.600
<v Speaker 1>our our notes that I think excels as a movie

0:22:00.960 --> 0:22:06.119
<v Speaker 1>and was terrible as a book is Jaws. Uh. Jaws

0:22:06.480 --> 0:22:09.879
<v Speaker 1>is my favorite film of all time. It is I

0:22:10.000 --> 0:22:18.440
<v Speaker 1>think a perfect movie. The book is almost unreadable, you see.

0:22:18.480 --> 0:22:20.800
<v Speaker 1>I feel that way about Chitty Chitty Bang Bang, where

0:22:20.920 --> 0:22:23.080
<v Speaker 1>the only thing the movie in the book having common

0:22:24.200 --> 0:22:27.159
<v Speaker 1>is a flying car. Yeah. Well, if you got rid

0:22:27.160 --> 0:22:29.280
<v Speaker 1>of Husha by Mountain, I would be all over that

0:22:29.720 --> 0:22:33.160
<v Speaker 1>because that Husha by Mountain is the song that kills

0:22:33.280 --> 0:22:36.199
<v Speaker 1>that movie for me. Kind of similar to Cheer Up

0:22:36.280 --> 0:22:39.960
<v Speaker 1>Charlie and Willie Wanka in the Chocolate Factory. Another example

0:22:40.280 --> 0:22:43.119
<v Speaker 1>of a movie that's very different from the source material. Um,

0:22:44.080 --> 0:22:48.600
<v Speaker 1>slow songs kill movies is what I'm saying. You know,

0:22:48.640 --> 0:22:50.640
<v Speaker 1>I would wait you to say in cases like Jaws

0:22:50.720 --> 0:22:52.760
<v Speaker 1>or Chitty Chitta Bang Bang, or even Willie Wanka in

0:22:52.760 --> 0:22:56.280
<v Speaker 1>the Chocolate Factory, depending on which iteration you're talking about.

0:22:56.560 --> 0:22:59.960
<v Speaker 1>I said Willy Wonka, not Charlie. Fair enough Willie Wanka,

0:23:00.040 --> 0:23:03.960
<v Speaker 1>which is the gene wilder one. Uh. I think that

0:23:04.119 --> 0:23:07.840
<v Speaker 1>it is beneficial, especially in Willy Wonka and the Chocolate Factory,

0:23:08.320 --> 0:23:12.760
<v Speaker 1>to um kind of reinvigorate an old story that had

0:23:12.840 --> 0:23:16.480
<v Speaker 1>some old concepts and ideas that were problematic. Yeah. No,

0:23:16.720 --> 0:23:18.879
<v Speaker 1>that's that's a fair point. Is that there's stuff in

0:23:19.000 --> 0:23:21.760
<v Speaker 1>that book where, you know, viewed through the lens of today,

0:23:21.880 --> 0:23:26.119
<v Speaker 1>you think, wow, that that is that is harmful thinking,

0:23:26.840 --> 0:23:31.440
<v Speaker 1>that is reinforcing some pretty negative stereotypes. Yeah, so I

0:23:31.520 --> 0:23:34.560
<v Speaker 1>think I think you're right on there. Yeah. And yet

0:23:34.960 --> 0:23:38.199
<v Speaker 1>when Tim Burton readd it to Charlie and the Chocolate Factory,

0:23:38.320 --> 0:23:42.760
<v Speaker 1>I didn't it focused more on Willy Wonka unless on Charlie,

0:23:42.840 --> 0:23:47.760
<v Speaker 1>which was odd because of the title change. And I

0:23:47.920 --> 0:23:51.280
<v Speaker 1>didn't like that that adaptation as much. And maybe it's

0:23:51.280 --> 0:23:53.200
<v Speaker 1>just because it's a story I came to as a

0:23:53.320 --> 0:23:57.800
<v Speaker 1>child and related to at a childlike level, and didn't

0:23:57.840 --> 0:24:00.760
<v Speaker 1>relate to on the candy mogul level. And to be fair,

0:24:00.920 --> 0:24:04.080
<v Speaker 1>also for Willy Wonka, that's like, that's a movie I

0:24:04.320 --> 0:24:08.080
<v Speaker 1>encountered well before I ever read Charlie in the Chocolate Factory.

0:24:08.200 --> 0:24:11.959
<v Speaker 1>So again that's another example of I encountered that story

0:24:12.560 --> 0:24:15.280
<v Speaker 1>in the form of its adaptation first. It's kind of

0:24:15.359 --> 0:24:18.240
<v Speaker 1>like if you hear a cover song without realizing it's

0:24:18.240 --> 0:24:21.600
<v Speaker 1>a cover song, you might then listen to the original

0:24:21.680 --> 0:24:24.680
<v Speaker 1>and think, oh, this isn't this isn't what I expected,

0:24:25.040 --> 0:24:27.240
<v Speaker 1>because you know the cover has done something different to it,

0:24:27.680 --> 0:24:29.800
<v Speaker 1>and you might not even like the original as much

0:24:29.840 --> 0:24:32.200
<v Speaker 1>as you like the cover. That that happens a lot.

0:24:32.280 --> 0:24:36.040
<v Speaker 1>It tends to be whatever version of person encounters first,

0:24:36.800 --> 0:24:41.160
<v Speaker 1>they they imprint upon that more. I see that also

0:24:41.240 --> 0:24:43.880
<v Speaker 1>with adaptations of foreign films, like if you have seen

0:24:44.480 --> 0:24:48.159
<v Speaker 1>The Ring before you saw Ringou, then you may like

0:24:48.440 --> 0:24:51.240
<v Speaker 1>the Ring more. But people who saw Ringo first will say, oh, no,

0:24:51.400 --> 0:24:53.840
<v Speaker 1>the Ring is that. No, they didn't get anything right.

0:24:53.960 --> 0:24:57.480
<v Speaker 1>Ringo's the best. Well, did you watch or read The

0:24:57.520 --> 0:25:01.239
<v Speaker 1>Shining first, because that's another one that's really pop piller, uh,

0:25:01.640 --> 0:25:05.879
<v Speaker 1>but veered from its source material and actually made it.

0:25:06.080 --> 0:25:08.680
<v Speaker 1>Made Stephen King upset as it did he Yeah, we're

0:25:08.680 --> 0:25:11.520
<v Speaker 1>talking to course about the Kubrick adaptation of The Shining,

0:25:12.119 --> 0:25:16.480
<v Speaker 1>not the not the Faithful and yet nigh unwatchable mini

0:25:16.680 --> 0:25:19.920
<v Speaker 1>series that was made much later. Um. I read The

0:25:19.960 --> 0:25:23.919
<v Speaker 1>Shining first, and I I feel like those are It's

0:25:23.960 --> 0:25:28.639
<v Speaker 1>almost like it's two different stories that share some common DNA,

0:25:29.520 --> 0:25:34.600
<v Speaker 1>and I think both are brilliant. I understand King's objections,

0:25:34.720 --> 0:25:37.879
<v Speaker 1>and I agree that if you're telling the story of

0:25:38.160 --> 0:25:42.720
<v Speaker 1>the book, Kubrick made some decisions that don't work. The

0:25:42.760 --> 0:25:46.400
<v Speaker 1>big one being that that Jack Torrens, the character played

0:25:46.440 --> 0:25:51.240
<v Speaker 1>by Nicholson, that, um, that he comes off way too crazy,

0:25:51.400 --> 0:25:55.680
<v Speaker 1>way too quickly, and in the book it's something that

0:25:56.000 --> 0:25:59.119
<v Speaker 1>you see is built upon his alcoholism and his history

0:25:59.320 --> 0:26:03.800
<v Speaker 1>of anger management issues that then escalates. Well, there's not

0:26:03.880 --> 0:26:06.400
<v Speaker 1>a whole lot of escalation in The Shining. It kind

0:26:06.440 --> 0:26:09.320
<v Speaker 1>of he kind of comes off as unhinged from the beginning.

0:26:09.840 --> 0:26:12.840
<v Speaker 1>And so it's a different story, but I think it's

0:26:12.840 --> 0:26:17.879
<v Speaker 1>a good story. It's just different. Yeah. Yeah, Now, I

0:26:18.600 --> 0:26:20.400
<v Speaker 1>would say that all of these things that we've talked

0:26:20.440 --> 0:26:25.080
<v Speaker 1>about so far are maybe not bang bang, are close

0:26:25.240 --> 0:26:28.440
<v Speaker 1>enough to the original story that they should be called

0:26:28.480 --> 0:26:31.960
<v Speaker 1>the original story. Just a different adaptation. There are there

0:26:32.000 --> 0:26:34.080
<v Speaker 1>are things out there that try to say that they're

0:26:34.920 --> 0:26:39.960
<v Speaker 1>a loved story that really aren't. World war Z the Watch,

0:26:40.440 --> 0:26:43.639
<v Speaker 1>and I'm going to say Pete Dragon, even though Disney

0:26:44.520 --> 0:26:46.439
<v Speaker 1>owned the story Petche Dragon to begin with and had

0:26:46.560 --> 0:26:48.680
<v Speaker 1>complete right to change it, Their new Pete Dragon is

0:26:48.760 --> 0:26:52.760
<v Speaker 1>not Peach Dragon to me right the the the remake

0:26:52.840 --> 0:26:58.960
<v Speaker 1>Pete Dragon completely ignores almost everything about the original except

0:26:59.000 --> 0:27:01.040
<v Speaker 1>for having an orphan and a dragon or is he

0:27:01.080 --> 0:27:04.920
<v Speaker 1>even an orphan in the remake he is an orphan, yes, yes,

0:27:05.320 --> 0:27:09.040
<v Speaker 1>But you know World War Z has to do with zombies. Yeah,

0:27:10.840 --> 0:27:14.920
<v Speaker 1>that's about That's about it. So have you read the book? Yes,

0:27:15.359 --> 0:27:18.119
<v Speaker 1>so you know that the books brilliant. The book is

0:27:18.200 --> 0:27:22.520
<v Speaker 1>more of an observation about how humans cope in the

0:27:22.680 --> 0:27:26.360
<v Speaker 1>wake of a massive disaster. And honestly, if you read

0:27:26.400 --> 0:27:28.560
<v Speaker 1>World War Z and you look at how the United

0:27:28.600 --> 0:27:33.040
<v Speaker 1>States has handled the pandemic, you're like, wow, this is

0:27:33.240 --> 0:27:36.640
<v Speaker 1>the world War Z is so accurate and how how

0:27:36.760 --> 0:27:39.480
<v Speaker 1>these things play out? Um, because it's more of a

0:27:39.520 --> 0:27:42.040
<v Speaker 1>commentary on things like how bureaucracy can get in the

0:27:42.119 --> 0:27:45.960
<v Speaker 1>way and mess things up and make a bad situation

0:27:46.119 --> 0:27:52.320
<v Speaker 1>even worse. Um, and the movie is a zombie action movie. Yeah. Well,

0:27:52.400 --> 0:27:55.000
<v Speaker 1>and and a big thing like the story is told

0:27:55.400 --> 0:27:59.600
<v Speaker 1>from the recollection recollections of a bunch of different people,

0:28:00.040 --> 0:28:04.959
<v Speaker 1>and it's after the zombie the zombie menace has passed

0:28:05.040 --> 0:28:07.440
<v Speaker 1>its peak and now we're on the other side of it.

0:28:07.840 --> 0:28:10.960
<v Speaker 1>So it's people thinking back to when it was going

0:28:11.000 --> 0:28:14.960
<v Speaker 1>into its peak, but from the perspective of the story teller,

0:28:15.600 --> 0:28:19.800
<v Speaker 1>the worst has already happened. Yeah. Yeah. And then you've

0:28:19.840 --> 0:28:22.520
<v Speaker 1>got the Watch, which you talked about in a previous

0:28:22.600 --> 0:28:27.280
<v Speaker 1>episode Trying, which is based off of Guards Cards by

0:28:27.400 --> 0:28:29.959
<v Speaker 1>Terry Pratchett. Right, yeah, it's it's based off the night

0:28:30.040 --> 0:28:32.880
<v Speaker 1>Watch series of books, but mainly Guards Guards. It's got

0:28:33.000 --> 0:28:37.200
<v Speaker 1>the main storyline is mostly pulled from Guards Guards with

0:28:37.680 --> 0:28:41.720
<v Speaker 1>the onset of a dragon around on more pork and

0:28:42.000 --> 0:28:47.720
<v Speaker 1>um yeah, it's um, it's so different from the source material.

0:28:48.160 --> 0:28:53.080
<v Speaker 1>It shares tiny little bits of of identity with the

0:28:53.160 --> 0:28:58.160
<v Speaker 1>source material, but it makes so many drastic changes that

0:28:58.320 --> 0:29:01.800
<v Speaker 1>you lose the spirit and you start to wonder, like,

0:29:01.880 --> 0:29:04.400
<v Speaker 1>why would you why would you make these choices? Because

0:29:05.400 --> 0:29:08.000
<v Speaker 1>every choice you make that gets further away from the

0:29:08.080 --> 0:29:13.280
<v Speaker 1>source material is alienating the built in audience. But if

0:29:13.320 --> 0:29:15.400
<v Speaker 1>you are making it for people who are not that

0:29:15.520 --> 0:29:18.520
<v Speaker 1>built in audience, why would you bother adapting something in

0:29:18.600 --> 0:29:22.800
<v Speaker 1>the first place. Maybe because they they had an idea

0:29:23.200 --> 0:29:26.960
<v Speaker 1>that they thought would be similar enough, but they wanted

0:29:27.040 --> 0:29:32.840
<v Speaker 1>to get a chunk of audience automatically, so they said,

0:29:33.000 --> 0:29:34.920
<v Speaker 1>we're going to throw in a couple of things so

0:29:35.040 --> 0:29:37.240
<v Speaker 1>we can call it the Watch, so that Terry Pratchett

0:29:37.280 --> 0:29:39.880
<v Speaker 1>fans will want to watch it, even though we really

0:29:39.960 --> 0:29:43.400
<v Speaker 1>want to tell our own story. But then, I mean,

0:29:43.720 --> 0:29:46.680
<v Speaker 1>you know, or you should know going into it, that

0:29:47.120 --> 0:29:50.440
<v Speaker 1>you're going to alienate those fans and thus any reaction

0:29:50.520 --> 0:29:52.800
<v Speaker 1>you get from them is going to be negative, and

0:29:53.080 --> 0:29:56.320
<v Speaker 1>that that is going to become a very powerful story

0:29:57.160 --> 0:29:59.280
<v Speaker 1>all on its own, is that the fans of the

0:29:59.400 --> 0:30:04.520
<v Speaker 1>series are rejecting the adaptation you've made. Um. I think

0:30:04.600 --> 0:30:07.840
<v Speaker 1>if I watched the Watch without ever having read any

0:30:08.080 --> 0:30:11.520
<v Speaker 1>Terry Pratchett, I would have thought it was very unusual

0:30:11.800 --> 0:30:16.160
<v Speaker 1>and strange and a little compelling, just because it was unusual,

0:30:16.360 --> 0:30:21.680
<v Speaker 1>but not particularly well told or interesting, like like it's unusual.

0:30:21.800 --> 0:30:24.760
<v Speaker 1>It's kind of like a David don't get on me

0:30:24.880 --> 0:30:27.440
<v Speaker 1>David Lynch fans. I think David Lynch has worked brilliant,

0:30:28.240 --> 0:30:30.240
<v Speaker 1>but it's like a David Lynch thing in the sense

0:30:30.320 --> 0:30:32.280
<v Speaker 1>that you're watching stuff and you're like, this is I'm

0:30:32.320 --> 0:30:34.959
<v Speaker 1>just trying to get my head wrapped around what's happening. Now.

0:30:35.000 --> 0:30:37.680
<v Speaker 1>The fact that I've read Pratchett tells me a little

0:30:37.720 --> 0:30:40.320
<v Speaker 1>bit more about what's going on, But the changes that

0:30:40.440 --> 0:30:45.000
<v Speaker 1>have been made are so drastic that, uh, my knowledge

0:30:45.000 --> 0:30:48.840
<v Speaker 1>of Pratchett is only somewhat helpful in sussing out what's happening.

0:30:48.920 --> 0:30:51.680
<v Speaker 1>And you know, they leave out entire characters who are

0:30:51.760 --> 0:30:54.360
<v Speaker 1>really important in the books, who don't even appear in

0:30:54.440 --> 0:30:58.120
<v Speaker 1>the in the show. Um. Yeah, it's one of those

0:30:58.160 --> 0:31:02.080
<v Speaker 1>that I find particularly perplexed because I can't figure out

0:31:02.160 --> 0:31:05.000
<v Speaker 1>what your end goal was if you are making choices

0:31:05.080 --> 0:31:09.320
<v Speaker 1>that are bound to alienate the fan base. Yeah. So

0:31:09.400 --> 0:31:11.520
<v Speaker 1>we've talked about some stories that are close enough that

0:31:12.080 --> 0:31:14.120
<v Speaker 1>they should be titled after their source material, and we've

0:31:14.120 --> 0:31:17.000
<v Speaker 1>talked about some that are so far away that they

0:31:17.120 --> 0:31:20.760
<v Speaker 1>really shouldn't. What about Disney because Disney writes that line

0:31:20.840 --> 0:31:24.280
<v Speaker 1>for me of and I know we need to wrap

0:31:24.360 --> 0:31:26.400
<v Speaker 1>this up so maybe we can get into this deeper later,

0:31:26.560 --> 0:31:33.520
<v Speaker 1>but uh, Disney rides that line of just that they

0:31:33.600 --> 0:31:36.320
<v Speaker 1>changed the original story just enough that I'm like, is

0:31:36.400 --> 0:31:39.400
<v Speaker 1>it that original story anymore? I got you? Yeah, Like

0:31:39.680 --> 0:31:41.880
<v Speaker 1>like all the fairy tales, I mean, obviously they take

0:31:41.920 --> 0:31:43.960
<v Speaker 1>all the hard edges off the fairy tales, right if

0:31:44.000 --> 0:31:47.920
<v Speaker 1>you read Grimm's fairy Tales, I mean it's called the

0:31:47.960 --> 0:31:50.480
<v Speaker 1>Brother's Grim right there, the Brothers Grim. But they can

0:31:50.600 --> 0:31:54.479
<v Speaker 1>be pretty grim fairy tales. Uh. You know, people get

0:31:54.520 --> 0:31:57.080
<v Speaker 1>their feet chopped off and ice pecked out and stuff.

0:31:57.880 --> 0:32:01.480
<v Speaker 1>You don't see that in the Disney story. I I

0:32:01.520 --> 0:32:06.640
<v Speaker 1>mean Disney, for much of its history, is known for

0:32:06.880 --> 0:32:12.479
<v Speaker 1>sanitizing a lot of stories in an effort to create

0:32:13.000 --> 0:32:17.920
<v Speaker 1>a particular kind of feel, right, Like you can see

0:32:17.920 --> 0:32:21.400
<v Speaker 1>a lot of those classic Disney movies and detect like, yeah,

0:32:21.480 --> 0:32:24.280
<v Speaker 1>this is all trying to create that sort of sense

0:32:24.360 --> 0:32:27.160
<v Speaker 1>of wonder and magic. And the bad guys are easily

0:32:27.280 --> 0:32:30.239
<v Speaker 1>identifiable and they are bad, and the good guys are

0:32:30.360 --> 0:32:32.640
<v Speaker 1>really really good, and you know, the good guys will

0:32:32.640 --> 0:32:35.440
<v Speaker 1>win in the end, and nothing terrible will happen to

0:32:35.520 --> 0:32:38.840
<v Speaker 1>anybody that's permanent except the bad guy who will probably die.

0:32:39.280 --> 0:32:44.360
<v Speaker 1>Um that's about it. Uh, I'm okay with it because

0:32:45.560 --> 0:32:48.160
<v Speaker 1>I know going into it what I'm going to get, Like,

0:32:48.280 --> 0:32:51.000
<v Speaker 1>I know, the Disney's not going to break the mold

0:32:51.040 --> 0:32:55.120
<v Speaker 1>on that. Um, you're not gonna have some morally ambiguous

0:32:55.280 --> 0:32:57.240
<v Speaker 1>characters in there. For the most part, no one's gonna

0:32:57.240 --> 0:33:00.880
<v Speaker 1>get their eyes pecked out. Uh. If I want that,

0:33:01.000 --> 0:33:03.280
<v Speaker 1>I can go back and read the original fairy Tales.

0:33:03.840 --> 0:33:08.240
<v Speaker 1>So I just accept it as a totally different take

0:33:09.120 --> 0:33:15.360
<v Speaker 1>on the basic plot points of a story, and some

0:33:15.560 --> 0:33:18.480
<v Speaker 1>cases it gets way the heck away from the basic

0:33:18.560 --> 0:33:21.520
<v Speaker 1>plot points there. You're like, Okay, yeah, you've got some

0:33:21.640 --> 0:33:29.000
<v Speaker 1>dwarves in here, but this is not snow White. Yeah yeah, Well, um,

0:33:29.800 --> 0:33:33.560
<v Speaker 1>now we're going to adapt some things of our own. Uh.

0:33:33.960 --> 0:33:36.880
<v Speaker 1>And I don't know if they're either of our adaptations

0:33:36.920 --> 0:33:38.800
<v Speaker 1>will live up to their namesakes, but we're going to

0:33:38.880 --> 0:33:40.719
<v Speaker 1>give it a go. But first we're going to take

0:33:40.800 --> 0:33:54.800
<v Speaker 1>this quick break. Hi. I'm Hillary Clinton, and I'm excited

0:33:54.880 --> 0:33:57.040
<v Speaker 1>to be back with a new season of you and

0:33:57.160 --> 0:34:00.440
<v Speaker 1>me both. You know, when we started this podcast, we

0:34:00.560 --> 0:34:02.960
<v Speaker 1>were going through some tough times, and let's face it,

0:34:03.200 --> 0:34:06.280
<v Speaker 1>we still are. But I am a firm believer we're

0:34:06.360 --> 0:34:10.840
<v Speaker 1>stronger together. So please join me for more conversations with

0:34:11.040 --> 0:34:13.680
<v Speaker 1>people who will make you think, make you laugh, and

0:34:13.920 --> 0:34:17.040
<v Speaker 1>help us find a path forward. Listen to you and

0:34:17.120 --> 0:34:20.200
<v Speaker 1>Me both on the I Heart Radio app, Apple Podcasts,

0:34:20.320 --> 0:34:33.560
<v Speaker 1>or wherever you get your podcasts. Conquer your New Year's

0:34:33.600 --> 0:34:37.320
<v Speaker 1>resolution to be more productive with the Before Breakfast podcast.

0:34:37.600 --> 0:34:41.560
<v Speaker 1>In each bite sized daily episode, time management and productivity

0:34:41.640 --> 0:34:44.440
<v Speaker 1>expert Laura vander Camp teaches you how to make the

0:34:44.520 --> 0:34:47.120
<v Speaker 1>most of your time, both at work and at home.

0:34:47.480 --> 0:34:50.399
<v Speaker 1>These are the practical suggestions you need to get more

0:34:50.520 --> 0:34:53.239
<v Speaker 1>done with your day. Just as lifting weights keeps our

0:34:53.280 --> 0:34:56.239
<v Speaker 1>body strong as we age, learning new skills is the

0:34:56.360 --> 0:35:00.560
<v Speaker 1>mental equivalent of pumping iron. Listen to Before Breakfast wherever

0:35:00.680 --> 0:35:03.959
<v Speaker 1>you get your podcasts. Hello, and welcome to our show.

0:35:04.160 --> 0:35:06.279
<v Speaker 1>I'm Zoe de Channel and I'm so excited to be

0:35:06.400 --> 0:35:09.000
<v Speaker 1>joined by my friends and cast mates Hannah Simone and

0:35:09.080 --> 0:35:12.759
<v Speaker 1>Lamar and Morris to recap our hit television series New Girl.

0:35:13.120 --> 0:35:15.920
<v Speaker 1>Join us every Monday on the Welcome to Our Show podcast,

0:35:16.040 --> 0:35:18.560
<v Speaker 1>where we'll share behind the scenes stories of your favorite

0:35:18.600 --> 0:35:21.560
<v Speaker 1>New Girl episodes, revealed the truth behind the legendary game

0:35:21.600 --> 0:35:24.920
<v Speaker 1>True American, and discuss how this show got made with

0:35:25.040 --> 0:35:27.640
<v Speaker 1>the writers, guest stars, and directors who made the show

0:35:27.680 --> 0:35:30.080
<v Speaker 1>so special. Fans have been begging us to do a

0:35:30.160 --> 0:35:32.840
<v Speaker 1>New Girl recap for years, and we finally made a

0:35:32.920 --> 0:35:36.640
<v Speaker 1>podcast where we answer all your burning questions like is

0:35:36.719 --> 0:35:39.520
<v Speaker 1>there really a bear? In every episode of New Girl.

0:35:39.960 --> 0:35:43.839
<v Speaker 1>Plus each week you'll hear hilarious stories like this at

0:35:43.880 --> 0:35:45.719
<v Speaker 1>the end, when he says, you got some schmid on

0:35:45.760 --> 0:35:48.600
<v Speaker 1>your face. I feel like I pitched that joke. I

0:35:48.680 --> 0:35:50.400
<v Speaker 1>believe that. I feel like I did. I'm not on

0:35:50.440 --> 0:35:52.360
<v Speaker 1>a thousand percent I want to say that was I

0:35:52.719 --> 0:35:54.880
<v Speaker 1>tossed that one out. Listen to the Welcome to Our

0:35:54.920 --> 0:35:58.200
<v Speaker 1>Show podcast on the I Heart Radio app, Apple podcast

0:35:58.400 --> 0:36:08.560
<v Speaker 1>or wherever you get your podcast. Alright, guys, we're back.

0:36:08.600 --> 0:36:11.239
<v Speaker 1>And as you know or maybe you don't, we like

0:36:11.440 --> 0:36:16.200
<v Speaker 1>to mash up two different properties into one and find

0:36:16.239 --> 0:36:21.080
<v Speaker 1>out what happens. And this week I chose the properties

0:36:21.120 --> 0:36:24.040
<v Speaker 1>because I had a joke in my head and I

0:36:24.200 --> 0:36:27.160
<v Speaker 1>decided that I did to write a whole piece around.

0:36:27.280 --> 0:36:28.880
<v Speaker 1>By the way, this is how my brain works. I

0:36:28.960 --> 0:36:31.360
<v Speaker 1>had to write a whole piece around the joke. So

0:36:31.760 --> 0:36:36.160
<v Speaker 1>we are combining the world of of Gotham City, not

0:36:36.320 --> 0:36:39.280
<v Speaker 1>Gotham the series, but Gotham City from d C Comics,

0:36:39.360 --> 0:36:44.040
<v Speaker 1>the home of characters like Batman, Joker, Arkham Asylum and

0:36:44.080 --> 0:36:47.600
<v Speaker 1>all that kind of stuff. With the Veggie Tales, a

0:36:47.880 --> 0:36:54.799
<v Speaker 1>beloved cartoon series featuring talking vegetables and fruits that tell

0:36:54.920 --> 0:37:00.560
<v Speaker 1>Bible stories and songs and saying awesome, awesome songs. Um. So,

0:37:00.920 --> 0:37:04.399
<v Speaker 1>since you have this brilliant joke, Oh it's terrible, you're

0:37:04.440 --> 0:37:07.200
<v Speaker 1>gonna hate it and you throw you threw me under

0:37:07.239 --> 0:37:10.279
<v Speaker 1>the vegetable cart for this one, I'm gonna I'm gonna

0:37:10.320 --> 0:37:15.360
<v Speaker 1>go first. Yes, So this is bat Tails Positive Fables

0:37:15.400 --> 0:37:18.239
<v Speaker 1>for a Caped Crusader Chapter one. Yes, it's an anthology,

0:37:19.000 --> 0:37:23.840
<v Speaker 1>all right. Batman was feeling blue. You see, the denizens

0:37:23.840 --> 0:37:26.400
<v Speaker 1>of Gotham City, We're feeling that their hero was far

0:37:26.480 --> 0:37:29.719
<v Speaker 1>too violent and dark. Leaving Cape Crusader's approval ratings. At

0:37:29.760 --> 0:37:34.520
<v Speaker 1>a native with women and children, Batman's pr person insisted

0:37:34.680 --> 0:37:37.160
<v Speaker 1>that he clean up his image. He had to start

0:37:37.239 --> 0:37:39.400
<v Speaker 1>doing p s a s about brushing your teeth and

0:37:39.520 --> 0:37:42.360
<v Speaker 1>eating your vegetables. They even took away his weapons, so

0:37:42.480 --> 0:37:47.040
<v Speaker 1>instead of batterings, he would throw bananas. It was torture,

0:37:47.840 --> 0:37:52.920
<v Speaker 1>but it was working. However, poison Ivy got wind of

0:37:53.000 --> 0:37:56.400
<v Speaker 1>this and she decided that she would not have this.

0:37:57.200 --> 0:38:01.440
<v Speaker 1>In Gotham's darkest days, people would sorrow eat fast food

0:38:01.600 --> 0:38:04.160
<v Speaker 1>left and right, and her pants plants were allowed to thrive.

0:38:04.560 --> 0:38:07.520
<v Speaker 1>But now now that Batman and Gotham were cleaning up

0:38:07.560 --> 0:38:11.480
<v Speaker 1>their act and their diet, her plants were being murderously killed, yes,

0:38:12.239 --> 0:38:17.000
<v Speaker 1>murderously killed. She broke into Wayne manch well the bat

0:38:17.200 --> 0:38:21.040
<v Speaker 1>Cave Wayne Mansion uh one of those two, and animated

0:38:21.080 --> 0:38:24.319
<v Speaker 1>all of the plant matter in Batman's fridge to attack him.

0:38:24.920 --> 0:38:26.640
<v Speaker 1>There was a lot that men have had gifted tons

0:38:26.680 --> 0:38:28.839
<v Speaker 1>of produce baskets, more than he could eat from all

0:38:28.920 --> 0:38:32.520
<v Speaker 1>of his good will work and in the agriculture business.

0:38:33.080 --> 0:38:38.560
<v Speaker 1>Slowly but surely, because they don't really have legs, the

0:38:38.600 --> 0:38:41.600
<v Speaker 1>animated vegetables and fruits began to creep up on Batman,

0:38:41.719 --> 0:38:44.240
<v Speaker 1>seeking to bludgeon him to death with their soft, almost

0:38:44.400 --> 0:38:48.520
<v Speaker 1>ripe bodies. Batman turned and saw the parrotus just in time.

0:38:48.960 --> 0:38:50.960
<v Speaker 1>He was just about to make guacamole out of them

0:38:51.000 --> 0:38:52.759
<v Speaker 1>when he remembered that he was on a broadcast to

0:38:52.840 --> 0:38:57.000
<v Speaker 1>a bunch of children, teaching them about playing outside. So,

0:38:57.280 --> 0:38:59.600
<v Speaker 1>but grudgingly, he decided he tried to make peace with

0:38:59.719 --> 0:39:04.560
<v Speaker 1>these animated vegetables, uh, instead of making a massacre, and

0:39:04.640 --> 0:39:08.399
<v Speaker 1>he addressed the sentient flora. He thought, surely, if these

0:39:08.440 --> 0:39:11.040
<v Speaker 1>things are good for you, then they must be good

0:39:11.080 --> 0:39:13.279
<v Speaker 1>at heart too. He explained that he was just trying

0:39:13.320 --> 0:39:15.399
<v Speaker 1>to make the world a better place and not kill them,

0:39:16.120 --> 0:39:19.440
<v Speaker 1>and the veggies and fruits, actually, being rather selfless, liked

0:39:19.520 --> 0:39:22.520
<v Speaker 1>this so much showed that they asked to join Batman

0:39:22.600 --> 0:39:26.160
<v Speaker 1>on his quest. He may not have weapons, but he

0:39:26.239 --> 0:39:29.040
<v Speaker 1>did have good nutrition for the body and the mind,

0:39:29.719 --> 0:39:33.200
<v Speaker 1>and that is just as dangerous. And soon Batman took

0:39:33.239 --> 0:39:35.799
<v Speaker 1>forth with his new arsenal. He had the grapes of wrath,

0:39:35.880 --> 0:39:38.480
<v Speaker 1>which would incapacitate villains with their smell, because, as you know,

0:39:38.640 --> 0:39:41.319
<v Speaker 1>they never take a bath, a killer tomato named Bob,

0:39:41.360 --> 0:39:43.600
<v Speaker 1>who would shut down any bad joke, along with French

0:39:43.680 --> 0:39:46.560
<v Speaker 1>peas who would incapacitate you with bad jokes and laughter.

0:39:47.120 --> 0:39:49.759
<v Speaker 1>He also had a cucumber, who, being mostly water, had

0:39:49.800 --> 0:39:52.359
<v Speaker 1>a psychic connection with the water buffaloes at the Gotham Zoo,

0:39:52.719 --> 0:39:55.640
<v Speaker 1>and together they vowed to fight crime the right way

0:39:56.280 --> 0:39:59.240
<v Speaker 1>by speaking kindness and goodness and reason into the villains,

0:39:59.360 --> 0:40:02.520
<v Speaker 1>and surprise easingly, the villains were so thrown by this

0:40:03.040 --> 0:40:07.520
<v Speaker 1>that it worked for a time. That was a really

0:40:07.680 --> 0:40:13.120
<v Speaker 1>good week. Well, I can tell you that my version

0:40:14.000 --> 0:40:17.919
<v Speaker 1>goes as dark as yours went bright. Oh no, yeah,

0:40:17.920 --> 0:40:21.719
<v Speaker 1>I get ready, I'm going to ruin it. In my

0:40:22.040 --> 0:40:27.440
<v Speaker 1>version of Gotham City, there is no Batman. Bruce Wayne,

0:40:27.840 --> 0:40:31.160
<v Speaker 1>rather than setting out to avenge his slain parents, goes

0:40:31.239 --> 0:40:34.960
<v Speaker 1>into a deep despair, eventually emerging but being a shell

0:40:35.160 --> 0:40:38.160
<v Speaker 1>of who he was meant to be, idly spending his

0:40:38.320 --> 0:40:44.040
<v Speaker 1>time and living off his inheritance and irritating his butler, Archibald. However,

0:40:44.480 --> 0:40:48.680
<v Speaker 1>also in Gotham there lives Barbara Gordon, daughter to Jim Gordon,

0:40:48.800 --> 0:40:52.080
<v Speaker 1>the police commissioner. Despite her father's best efforts to protect

0:40:52.120 --> 0:40:55.320
<v Speaker 1>his daughter from the grim realities of Gotham, young Barbara

0:40:55.440 --> 0:40:58.800
<v Speaker 1>realizes at an early age how the world works. She

0:40:58.920 --> 0:41:02.520
<v Speaker 1>shares her father's can fictions and has a strong moral compass,

0:41:02.840 --> 0:41:05.680
<v Speaker 1>but is also frequently distressed at how corrupt much of

0:41:05.760 --> 0:41:09.160
<v Speaker 1>Gotham's system is, with criminals frequently bouncing out of the

0:41:09.239 --> 0:41:13.279
<v Speaker 1>justice system due to bribery and intimidation. She sees the

0:41:13.400 --> 0:41:17.720
<v Speaker 1>need for a hero. Ever since she was young, Barbara

0:41:17.920 --> 0:41:22.000
<v Speaker 1>was interested in gymnastics, but as she considers the possibility

0:41:22.120 --> 0:41:24.680
<v Speaker 1>of the life of a vigilante, she begins to seek

0:41:24.719 --> 0:41:28.080
<v Speaker 1>out other training. She convinces her father she needs to

0:41:28.160 --> 0:41:31.920
<v Speaker 1>learn martial arts and how to handle weapons, pragmatically pointing

0:41:31.960 --> 0:41:34.320
<v Speaker 1>out that since he is a police officer and he

0:41:34.520 --> 0:41:37.560
<v Speaker 1>has a revolver, it would be irresponsible of him not

0:41:37.800 --> 0:41:41.040
<v Speaker 1>to have her learn how to be responsible with such things.

0:41:41.880 --> 0:41:45.400
<v Speaker 1>After much training and consideration, Barbara is sitting in her

0:41:45.440 --> 0:41:48.640
<v Speaker 1>room contemplating what persona she should take on as the

0:41:48.719 --> 0:41:52.600
<v Speaker 1>vigilante Gotham needs. She has to protect her father, after all,

0:41:53.080 --> 0:41:57.719
<v Speaker 1>and criminals are a superstitious, cowardly lot. As she thinks,

0:41:58.080 --> 0:42:01.560
<v Speaker 1>she overhears her own name being on the television. It's

0:42:01.560 --> 0:42:04.360
<v Speaker 1>a children's program that's on, just something she had on

0:42:04.480 --> 0:42:08.040
<v Speaker 1>in the background. Moreover, it's all about biblical stories, something

0:42:08.120 --> 0:42:10.960
<v Speaker 1>she hadn't paid much attention to, but now seemed to

0:42:11.280 --> 0:42:13.960
<v Speaker 1>really hone in on that moral compass, and the song

0:42:14.040 --> 0:42:19.359
<v Speaker 1>has convinced her Barbara would become the man a t yes,

0:42:19.680 --> 0:42:23.680
<v Speaker 1>a flipping, somersaulting, kicking and punching man a tea of justice.

0:42:24.000 --> 0:42:26.680
<v Speaker 1>She makes a big, lumpy suit and sets out to

0:42:26.760 --> 0:42:30.239
<v Speaker 1>confront the low life of Gotham. While on patrol, she

0:42:30.320 --> 0:42:33.160
<v Speaker 1>happens to over here some common street criminals chatting about

0:42:33.200 --> 0:42:37.480
<v Speaker 1>a new force into town. It's Mr Nezzer, a veritable

0:42:37.560 --> 0:42:40.480
<v Speaker 1>crime boss who is shaking up the criminal underworld and Gotham,

0:42:40.680 --> 0:42:44.480
<v Speaker 1>taking territory and assets from other families. But perhaps even

0:42:44.560 --> 0:42:48.520
<v Speaker 1>more feared than Mr Nezzar is his assistant, Mr Lunt,

0:42:48.960 --> 0:42:51.000
<v Speaker 1>a native of Gotham. Mr Lunnon is known for his

0:42:51.080 --> 0:42:54.520
<v Speaker 1>sadistic streak, with a reputation of slicing open victims and

0:42:54.680 --> 0:42:58.920
<v Speaker 1>stuffing them with decorative gourds. Similarly, the serial killer of

0:42:59.000 --> 0:43:03.640
<v Speaker 1>Victor Zazz, known for peeling his victims, has joined forces

0:43:03.719 --> 0:43:06.919
<v Speaker 1>with the criminals. Barbara begins to research Nezzer and Lunt,

0:43:07.080 --> 0:43:09.440
<v Speaker 1>doing some detective work as she learns more about their

0:43:09.480 --> 0:43:12.560
<v Speaker 1>plans and influence. Along the way, she encounters a young

0:43:12.640 --> 0:43:16.000
<v Speaker 1>man dressed as a pirate. His name is Larry. Larry,

0:43:16.320 --> 0:43:20.560
<v Speaker 1>smitten with Barbara, the manatee, proves that he can actually

0:43:20.680 --> 0:43:23.640
<v Speaker 1>handle himself pretty darnwell in the scuffle. As the two

0:43:23.680 --> 0:43:26.120
<v Speaker 1>are discovered by some criminals on the streets of Gotham.

0:43:26.560 --> 0:43:29.640
<v Speaker 1>Larry mostly seems to be effective by accident, but Barbara

0:43:29.760 --> 0:43:32.600
<v Speaker 1>proves she is more than capable of handling herself. And

0:43:32.719 --> 0:43:36.680
<v Speaker 1>so Barbara man the t and buccaneer Larry form a

0:43:36.800 --> 0:43:40.399
<v Speaker 1>dynamic duo capable of putting crime in its place. Their

0:43:40.440 --> 0:43:42.799
<v Speaker 1>first true victories when they defeat one of the three

0:43:42.880 --> 0:43:46.160
<v Speaker 1>Scallion brothers. The other two are already making plans and

0:43:46.239 --> 0:43:48.479
<v Speaker 1>how to bust their baby brother out of our comb

0:43:49.360 --> 0:43:55.760
<v Speaker 1>to be continued, question mark. That is the gritty reboot

0:43:55.800 --> 0:43:59.279
<v Speaker 1>of Larry Boy. Yeah. Yeah, So for those who have

0:43:59.520 --> 0:44:02.000
<v Speaker 1>no idea deal why I made that joke, it was

0:44:02.160 --> 0:44:04.880
<v Speaker 1>just for ariel Uh, you need to If you are

0:44:04.960 --> 0:44:08.480
<v Speaker 1>unfamiliar with veggie tails, you need to look up the

0:44:08.600 --> 0:44:12.520
<v Speaker 1>video Barbara Manatey, And that is why I wrote that joke.

0:44:13.440 --> 0:44:15.960
<v Speaker 1>I do love manatees and I do love veggie tales,

0:44:16.120 --> 0:44:22.160
<v Speaker 1>so totally worth bringing my beloved vegetables into the grimness

0:44:22.200 --> 0:44:26.440
<v Speaker 1>of reality. I bet I lost at least nine of

0:44:26.520 --> 0:44:29.920
<v Speaker 1>our audience who are like, why is she a manity?

0:44:30.960 --> 0:44:34.719
<v Speaker 1>But the other ten percent absolutely adore you, Jonathan. That's

0:44:34.760 --> 0:44:38.320
<v Speaker 1>probably true. So if you adore Jonathan and his Barbara

0:44:38.320 --> 0:44:42.200
<v Speaker 1>Manity joke, or have ideas about adaptations yourself and and

0:44:42.320 --> 0:44:46.600
<v Speaker 1>what you think doesn't doesn't qualify, or you know news

0:44:46.680 --> 0:44:48.600
<v Speaker 1>that you want to talk to us about, you can

0:44:48.760 --> 0:44:51.000
<v Speaker 1>reach out to us. How can they do that, Jonathan, Well,

0:44:51.160 --> 0:44:54.200
<v Speaker 1>the best way now is through our email that would

0:44:54.200 --> 0:44:57.279
<v Speaker 1>be l n C at I Heart Media dot com.

0:44:57.840 --> 0:45:01.360
<v Speaker 1>We have a website that is la ner dron Collider

0:45:01.480 --> 0:45:04.920
<v Speaker 1>dot com where we post episodes and show notes. You

0:45:04.920 --> 0:45:08.080
<v Speaker 1>can leave comments there as well. We've also got our

0:45:08.400 --> 0:45:11.840
<v Speaker 1>sights on We've got Twitter that's Ellen c Underscore Podcasts,

0:45:11.920 --> 0:45:15.720
<v Speaker 1>and we are on Facebook and Instagram that's large Nerdron Collider.

0:45:16.000 --> 0:45:17.680
<v Speaker 1>So you can reach out in any of those ways.

0:45:18.120 --> 0:45:20.320
<v Speaker 1>If we really like what you have to say, you

0:45:20.440 --> 0:45:24.320
<v Speaker 1>could be referenced on a on a future episode. And

0:45:24.680 --> 0:45:28.600
<v Speaker 1>um also remember if you enjoyed this show, to like

0:45:29.400 --> 0:45:33.600
<v Speaker 1>on whatever platform you're listening to us on and recommend

0:45:33.680 --> 0:45:36.080
<v Speaker 1>it to a friend. Word of mouth really helps. We're

0:45:36.080 --> 0:45:40.040
<v Speaker 1>starting to see growth every week, which is fantastic. We

0:45:40.200 --> 0:45:42.560
<v Speaker 1>love to see it because we really want this to

0:45:42.640 --> 0:45:46.120
<v Speaker 1>become a conversation, not just us talking to you, but

0:45:46.320 --> 0:45:48.600
<v Speaker 1>talking with you, and we want to hear from you.

0:45:49.760 --> 0:45:52.360
<v Speaker 1>Yeah uh, and so we hope we hear from you.

0:45:52.480 --> 0:45:55.440
<v Speaker 1>But until next time, I'm Ariel Casting and I Am

0:45:55.520 --> 0:46:20.120
<v Speaker 1>the Night m M m M. The Large New Drunk

0:46:20.120 --> 0:46:22.320
<v Speaker 1>Collider is a production of I Heart Radio and was

0:46:22.440 --> 0:46:26.440
<v Speaker 1>created by Arial Casting. Jonathan Strickland is the executive producer.

0:46:26.760 --> 0:46:29.680
<v Speaker 1>This show is produced, edited and published by Torry Harrison.

0:46:30.280 --> 0:46:32.440
<v Speaker 1>For more podcast on my Heart Radio, visit the I

0:46:32.560 --> 0:46:35.800
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

0:46:35.920 --> 0:46:42.120
<v Speaker 1>your favorite shows. Still living in manually taking notes, there

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<v Speaker 1>e r dot ai. Still living in manually taking notes?

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<v Speaker 1>the app stores. Auto dot ai That's O T T

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<v Speaker 1>E R dot Ai. Raffie is the voice of some

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<v Speaker 1>of the happiest songs of our generation. Baby So who

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<v Speaker 1>is the man behind Baby Beluga? Every human being wants

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<v Speaker 1>good things can grow from there. I'm Chris Garcia, Comedian,

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<v Speaker 1>new dad and host of Finding Raffie, a new podcast

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<v Speaker 1>from My Heart Radio and Fatherly. Listen every Tuesday on

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<v Speaker 1>the I Heart Radio app or wherever you get your

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<v Speaker 1>podcasts