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Speaker 1: You're welcome back to It's Up There Podcast. I am

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Speaker 1: your active and attractive hosts Big Loan for another episode

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Speaker 1: of the fastest growing podcasts on the market. Right now,

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Speaker 1: we want to say thank you for all our supporters,

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Speaker 1: to people that's been holding us down, keeping us in

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Speaker 1: the rankings we're popping up now on certain pages. We

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Speaker 1: want to say thank you to verybody that's trying to

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Speaker 1: help this vehicle get to its destination. You know, the

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Speaker 1: game is the game. The game is the game, but

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Speaker 1: we do expect a certain level of embraced from the

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Speaker 1: game because we're dealing with a certain level of information,

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Speaker 1: and so far, so good. So I want to give

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Speaker 1: a shout out to all the real ones that's in

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Speaker 1: position in the game, that has ran across Big Loan

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Speaker 1: It's up There podcast and has embraced it the same

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Speaker 1: way I've embraced it them. See, I'm embracing real ones

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Speaker 1: for they even know. You know, I'm already posting dudes

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Speaker 1: when when I'm looked at and viewed smaller than them.

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Speaker 1: You know, But when you're dealing with game, people respect game.

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Speaker 1: So game respect game, and so we want to thank everybody. Man,

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Speaker 1: if you're listening right now. I don't care where you are.

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Speaker 1: I don't care what you're doing hit share. I don't

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Speaker 1: care if you got fifteen people listening to you, A

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Speaker 1: fifteen follower hit share, hit like. It helps to add algorithm,

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Speaker 1: you know. I'm I'm studying these platforms, in these companies.

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Speaker 1: I'm knowing what's going on hit share, hit like things

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Speaker 1: like that. It's important, you know. I feel funny even

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Speaker 1: having to say that, you know. Um, it puts me

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Speaker 1: in a very peculiar situation to tell a person to

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Speaker 1: hit share, you know, but UM, I definitely embrace it,

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Speaker 1: you know. And I talk about it all the time

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Speaker 1: in my Life Now podcast And it's my life, you know,

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Speaker 1: because it's it's it's um it's providing me solace. So

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Speaker 1: it's my life and I run around and I talk

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Speaker 1: about it like yo, you know a podcast now because

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Speaker 1: I know I'm him, so yeah, yeah, yeah, I can

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Speaker 1: tell you I'm a librarian. And you're gonna look at

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Speaker 1: that a different way every you know, So I don't

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Speaker 1: And however you look at it don't matter no way.

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Speaker 1: But usually, um, you don't. You don't put the stigma

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Speaker 1: on me. You put my stigma on that right. So

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Speaker 1: my my power is so that when I go into

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Speaker 1: a white school, they don't they don't. I don't become white,

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Speaker 1: they become black. You know. Whether you get that or not,

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Speaker 1: that supreme game, you know. But UM, thank you again

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Speaker 1: for listening and watching. Man, it means a lot. And

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Speaker 1: hopefully in the near future we provided an opportunity or

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Speaker 1: to meet up with a lot of y'all on tour

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Speaker 1: man and um kick game and smoke one and you

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Speaker 1: know what I mean, provided that COVID you know, goals away.

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Speaker 1: You did what I'm saying, and UM, we'll do that, man.

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Speaker 1: But I'm loved everybody that's always tapped in. We got

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Speaker 1: a lot going on in the game, as you know,

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Speaker 1: I'm here to break it down and that's how we

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Speaker 1: does it. Um. We got a couple of different things

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Speaker 1: in part casting though, I want to say, Um, I'm

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Speaker 1: on to a lot of these guys. You know, Um,

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Speaker 1: I've been overexposed to the way that they do things.

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Speaker 1: You know now it's becoming it's becoming painfully obvious, right,

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Speaker 1: the biasedness and certain things and and like Gillis said,

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Speaker 1: Gillis said, Yo, y'all like to hate and y'all like

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Speaker 1: to decorate the hate. Yeah yeah, yeah, yeah, yeah yeah yeah,

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Speaker 1: y'all like to But see y'all think that that don't whatever.

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Speaker 1: We all good at talking, man, I don't even really,

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Speaker 1: you know, I'm from the hood. Everybody good at talking

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Speaker 1: where I'm from if they got some money and had

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Speaker 1: to get it by their self. I ain't talking about

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Speaker 1: the ones that, you know. I don't know that all

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Speaker 1: you dudes ain't really I don't you know. When I

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Speaker 1: talk to a lot of you dudes, I relized, you

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Speaker 1: know what I mean, respectfully moved. Yeah, I mean you understand.

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Speaker 1: So that's another story. But um, you know, in this

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Speaker 1: media podcast space, man, I want you to look at

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Speaker 1: the very little representation at the South heads. And I

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Speaker 1: always reiterate and repeat, you know, because if it don't

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Speaker 1: come out in the one, she's gonna have to come

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Speaker 1: out in the rent. You know what I'm saying. The

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Speaker 1: South run rap, the South run hip hop rap, and

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Speaker 1: then media is everywhere, but the South they don't got

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Speaker 1: loaned on everything, loan and banking, pola and you know,

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Speaker 1: dudes from the South even tricking them, got podcasts and

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Speaker 1: you got training them down there doing radio and you

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Speaker 1: got every like people doing like what we yo. Y'all

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Speaker 1: better listen a loan here, though, you know what I mean,

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Speaker 1: and we're gonna make sure it happened anyway. We got

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Speaker 1: DJ Academics. We're gonna start off with DJ Academics getting

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Speaker 1: a gun pulled on him at Fresh and Fit. Now,

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Speaker 1: very unique situation. He's coming off to Gilly the Kid

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Speaker 1: and Willow me and I was worth a game interview.

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Speaker 1: Shout out to Wallow and Gilly. He's coming off that

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Speaker 1: interview where he you know, I learned a lot from

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Speaker 1: him on that number one. He's drinking a lot. You know,

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Speaker 1: I could see he's drunk. You know what I mean. Now,

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Speaker 1: that's how he kicked it. I smoke you dig. But

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Speaker 1: what I think's happening there is he gotta be careful

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Speaker 1: with that because it ain't radioactive into his radioactive. Yeah,

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Speaker 1: all them pictures with Epstein didn't mean not until they

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Speaker 1: need it out in pictures with Epstein and not saying

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Speaker 1: you Epstein, but I'm saying you laying the blueprint down.

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Speaker 1: If you don't got no game, I'm trying to give

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Speaker 1: you some game. I'm trying to put something on the

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Speaker 1: ground for you to pick it up, but you laying

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Speaker 1: a blueprint for teen years from now and then to

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Speaker 1: look back and say, see, you always gotta remember when

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Speaker 1: you got a little power. They may look a little left,

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Speaker 1: but when you go to wobbling, when you go to wobbling,

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Speaker 1: oh see that picture that right there, pull that up,

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Speaker 1: and you got hours and hours a drunk ranting like

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Speaker 1: you gotta be careful home. You got one of the

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Speaker 1: biggest brands in music. My boy, you got to tighten

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Speaker 1: it up, but love it. One of the biggest brands

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Speaker 1: in music. Bro, you got thousands of hours a drunk

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Speaker 1: ratting home. Even if you hear is drunk hit it

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Speaker 1: off the camera. Man, everybody knows Joe Budden smoking cigarette

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Speaker 1: after cigarette. You don't never see it no more. You

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Speaker 1: got so I'm saying, I know you. I know you're

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Speaker 1: looking at it like it's content. I'm just creating. I

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Speaker 1: know that it is right now and it's useless. Right now,

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Speaker 1: it's dormant. It's dormant. I got a bunch of shit

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Speaker 1: in my kitchen. I don't need to I need it. Yeah,

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Speaker 1: I don't need my grill or two. I'm finna. You know,

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Speaker 1: gorilla state. You know what I mean. So I'm saying there,

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Speaker 1: you're putting a bunch of shit in your kitchen that man,

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Speaker 1: you don't know how they may be able to be

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Speaker 1: used against you at some point, like and a lot

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Speaker 1: of them drunk rants. Hey man, I don't know what

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Speaker 1: you've said. I don't have the time to, you know,

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Speaker 1: look at all those hours of it. But I just

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Speaker 1: want to pull your coat tail because I see you know,

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Speaker 1: maybe you're so powerful. Nobody saying that to you, but bro,

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Speaker 1: you really gotta really look at you. You got a

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Speaker 1: big boy brand. You're standing next to Spotify. But I

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Speaker 1: see how Spotify doing. You like if they don't know,

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Speaker 1: I see how Spotify doing. Y'all don't care about the

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Speaker 1: numbers to check the money, don't care about that. I

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Speaker 1: know the business. I'm looking at the business. I'm looking

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Speaker 1: at what the business is, and I'm comparing it to

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Speaker 1: the haus. I know what I'm looking at when I

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Speaker 1: listen to and I could listen when I listen to

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Speaker 1: Rogan right, because I'm meant to. If you listen to

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Speaker 1: what I said on parlating in podcast, I'm a student

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Speaker 1: of this game for real. I keep telling people comics

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Speaker 1: really built the podcast space. Hippop is being and influential

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Speaker 1: in it now, but go back, comics built this space

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Speaker 1: and the ability to do this is second to none.

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Speaker 1: But that's another conversation rappers is it's like one A,

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Speaker 1: one B the right rapper and the right comic. That's

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Speaker 1: a smash that shit is out of here. But that's

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Speaker 1: a conversation I need to behaving with, you know, black

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Speaker 1: effect or a revote or something like that, because those

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Speaker 1: things are worth a lot of money because not only

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Speaker 1: knowing that, but Norm wish too and I know that too.

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Speaker 1: But I'm a student of the game, and I look

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Speaker 1: at like how they do Rogan first of all, when

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Speaker 1: Rowing comes on, it's fifteen ads on the free one

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Speaker 1: and he reading them all. When Academics come on, he

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Speaker 1: may got four ads in the whole show, and he

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Speaker 1: may be reading ten percent of the ads that ran

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Speaker 1: on hire you know, sir, And they may not mean

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Speaker 1: none to just a regular consumer, but I know what

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Speaker 1: they mean on the back end. But that ain't for you,

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Speaker 1: see what I'm saying. So I see what Spotify doing

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Speaker 1: and not that they're doing something wrong. You are doing

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Speaker 1: the space, so you building your brand building, You're brand building,

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Speaker 1: So you gotta know what you're doing, like Yo, and

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Speaker 1: Nigga can't tell me, Yo, I'm a millionaire. How you're

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Speaker 1: gonna tell me? Yeah, you're a millionaire. I'm a million

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Speaker 1: Now I ain't a millionaire liquid, but I'm a millionaire,

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Speaker 1: you understand. But the media thing, I'm just not getting in.

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Speaker 1: And I'm trying to figure out how to, you know,

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Speaker 1: go up and down and get some information of ads

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Speaker 1: and this and Danny Wo the wham and we'll do.

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Speaker 1: But man, you can't let the wife folks trying to

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Speaker 1: see they gonna let you do or then they're gonna

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Speaker 1: I had to know. Well, I'm just giving you the

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Speaker 1: game thousands of hours home or drunk randing. So I

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Speaker 1: say that to say, first I thought he would just

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Speaker 1: he would do that to women, like I ain't gonna lie.

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Speaker 1: At first, I was like, yo, I think he gets

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Speaker 1: he gets hardcore with women, because that's kind of the

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Speaker 1: image that people will put out, y know, I think

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Speaker 1: he gets hardcore with women, but dudes, he don't do that.

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Speaker 1: Then I got the sin, oh, now he getting like

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Speaker 1: it with anybody. So I thought I'm thinking, oh, he'm here,

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Speaker 1: look gangster, but really be. He lit. He lit that

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Speaker 1: he might be ready to deal with the consequences because

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Speaker 1: he got the right people in place. But more than anything,

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Speaker 1: he lit, you know what I'm saying. And when he

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Speaker 1: was on m gelling Wallow podcast, he would go, I'm like,

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Speaker 1: oh shit, So he even giving them the energy. So

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Speaker 1: that's that's his energy. But right after that this happened,

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Speaker 1: and let's look at a little bit and see and

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Speaker 1: see exactly what took place. I'm from school, bring them

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Speaker 1: to practice, do their homework with them, et cetera. But

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Speaker 1: you can't show affection. How would that make you feel? Um,

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Speaker 1: it will probably hurt my feelings. That's exactly how men

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Speaker 1: feel when they sit there. Oh, let me say this too.

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Speaker 1: The podcast name is Fresh and Fit. Shout out Fresh

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Speaker 1: and Fit. I'm gonna have to get on there with them.

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Speaker 1: Boards and Boys is really big, and Miami doing a

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Speaker 1: lot of big board things that you see, got their

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Speaker 1: own spots, studio everything. I think the business is structure

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Speaker 1: right more than anything. And so when they've been in

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Speaker 1: the structure right and the money start rolling in, boy,

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Speaker 1: you live at like a rock star. You did what

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Speaker 1: I'm saying. But let's let's go back to it. I

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Speaker 1: just wanted to make sure that y'all know exactly. For

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Speaker 1: those it's listening to who podcasts, there was um it's

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Speaker 1: a podcast about relationships and things like that, so um

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Speaker 1: be about. There'd be a lot of people in there.

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Speaker 1: But listen, make him move on, move on. He talks

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Speaker 1: to him and my son an, We're gonna move on.

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Speaker 1: There's no there's no fifty fifty with this. You know

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Speaker 1: what I'm saying. It flipped the role early, all right.

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Speaker 1: I mean, if you gotta go, you gotta go, you

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Speaker 1: gotta be yeah, I mean, yeah you can go. Yeah,

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Speaker 1: you got kids, y'all have to have a son oh

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Speaker 1: shitting to take him to school? Yes, yes, I'm like, look,

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Speaker 1: how many hours are y'all? But if you gotta go,

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Speaker 1: you can go. Okay, Well, it was a pleasure. Thank

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Speaker 1: you guys for un bless you. I don't know why

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Speaker 1: I haven't heard about this sooner. You guys are a

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Speaker 1: lot of fun. It's not much for having me. Yes,

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Speaker 1: thank you, pleasure meeting you and act of course you

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Speaker 1: had a kid out of wed look none, definitely out

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Speaker 1: of wear, lie, it's definitely out a wear line in

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Speaker 1: the Bible to those of you just listening. This is

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Speaker 1: the pot the video. What things go left? All right,

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Speaker 1: all right, you gotta go with yourself. That our sands

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Speaker 1: as well, gotta go right. You gotta go right. You

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Speaker 1: gotta go here now one right now about yours. I'll

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Speaker 1: be why so much that little Johnny camp school tomorrow.

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Speaker 1: He's gonna make it to school. You trying to stay.

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Speaker 1: That's what she covered. Baby. You said something about me

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Speaker 1: having a baby out of wet lif I said something

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Speaker 1: about you standing and having gluten and the sudden Now

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Speaker 1: we're on the same page like this, the same hey

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Speaker 1: tonight luttony. Yeah, I started zooming on me. Come up, yeah,

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Speaker 1: fellow me. I'm really not mean, y'all cut it out.

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Speaker 1: This is a lot I'm peeping that I can talk

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Speaker 1: about when I'm a later difference. I'm glad you're here now,

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Speaker 1: you know, and not as the lord. I didn't leave

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Speaker 1: with that either. You said, how would I want to

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Speaker 1: answer you listening to twenty people in the room. Many, Yeah,

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Speaker 1: all right, go ahead, Yeah, do it so as I said,

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Speaker 1: kind of man do I like? And how should he

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Speaker 1: approach me? I said, definitely not online? I said, if

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Speaker 1: you're in person, you come to me directly. It's to

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Speaker 1: me clearly. You don't yell from across the room. The

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Speaker 1: first time I heard being a childer guy, I heard

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Speaker 1: about you. You are cutting the women off, but you

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Speaker 1: never let a spin, but you want to let you finish.

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Speaker 1: And I don't like the way you told all these

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Speaker 1: ladies and shut the fuck up earlier. That was rude.

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Speaker 1: Buckhld on, hold on, hold on, I don't know, I

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Speaker 1: don't know where it's not back to what happened everybody

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Speaker 1: shut the fuck up because y'all didn't even move start lasting.

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Speaker 1: Here's the thing. You know, people, people, everybody, And every

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Speaker 1: time you say be quiet, we're all quiet. How many

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Speaker 1: times interjected? Show cut that nobody? How many times I

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Speaker 1: be interjected? How many times your show? Their show? I'm

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Speaker 1: asking you if their show is their show? Is their show?

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Speaker 1: It's our show talking about Okay, so I'm gonna guess guess.

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Speaker 1: I'm gonna guess what it? Fresh talk is fresh show, Yo. Listen,

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Speaker 1: we're running the show. Hey, look, I'm talking to you.

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Speaker 1: Run the show, trying to maintain a start level of quality.

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Speaker 1: So you can let me embarrass me. But I can't

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Speaker 1: st embarrassments because you've interjected several times. I've counted you

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Speaker 1: interject interjected eight times. Interet hurt. You hurt the quality

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Speaker 1: of the show when you interject. I interject, I interject

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Speaker 1: to move it along. You interject to hurt the quality

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Speaker 1: the show and interactions the line yes, I am yes,

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Speaker 1: And let me speak to that really quick. I mean

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Speaker 1: there is something as to producing the show. We don't

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Speaker 1: have to be fair to say that. Like, so if

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Speaker 1: I do interject as the show runner, you I know

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Speaker 1: what I'm doing, right, so I can I can understand that.

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Speaker 1: I think that the handling of the woman, not from him,

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Speaker 1: from academics is where academics is letting, gonna let people

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Speaker 1: use this in the court of cloud on him, you understand.

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Speaker 1: But let's continue to look fun or I stop it,

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Speaker 1: to move it or to you know someone as a

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Speaker 1: question whatever, which I've done for you plenty of times. Actually,

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Speaker 1: but I will tell you you're telling them about out

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Speaker 1: their topics on the showing extremely rude and many sense.

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Speaker 1: He want to say out of fornication because I want

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Speaker 1: to get home for my baby and to get my

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Speaker 1: baby at home and change the dicer. Go ahead, drinking

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Speaker 1: some more calories. Okay, so we're gonna trust this. Hold on,

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Speaker 1: hold on, hold on on you guys, guys that you

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Speaker 1: read the thumbled the girls. Now for those of you

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Speaker 1: just listening, now, there's an argument between the two girls.

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Speaker 1: One that would break myself. Why did you? Why don't

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Speaker 1: go so bit? Not even secures naked even I'm gonna

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Speaker 1: tell you you show that I'm gonna keep on. I

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Speaker 1: don't know what smoke you got with anybody else on

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Speaker 1: here show. Listen. I love content so like, I don't

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Speaker 1: care what you said about it may be his attempt

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Speaker 1: none that I'm watching that. It could be his attempt

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Speaker 1: to get the fire off those girls and put it

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Speaker 1: on him. But it's still low hanging fruit for somebody

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Speaker 1: like a you get used. It's not my shot anyway.

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Speaker 1: What I'll tell you is this is this like if

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Speaker 1: I wasn't anybody thing you said, yo, I guess I

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Speaker 1: get the break beat off. I get a beat the

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Speaker 1: breaks off through his I played with me, please do

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Speaker 1: That's that's not holy, that's holy. I listened, name of God,

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Speaker 1: I'm this is why the question people to watch the

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Speaker 1: show before here? What are you doing with me? Oh

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Speaker 1: my god? Listen I don't care the why are you tryingnication? Angry?

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Speaker 1: Look at hey he went super game at went super

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Speaker 1: gamest one. There, Yo, he went super gangstone there. Check

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Speaker 1: him out, check him out. Watch him whisper to a

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Speaker 1: home boy like yo, get the yo to the car,

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Speaker 1: get the yeah yeah, watch you I ain't look. He

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Speaker 1: whished it to his home boy. Hey, check it out

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Speaker 1: home for though you ain't looking at it? Got hocker.

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Speaker 1: He was sick of He stood up and told it

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Speaker 1: home or check it out? Home is up? Watch what you?

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Speaker 1: Why did he tell it home? Angry? Look at what.

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Speaker 1: I was trying to dismiss you because you're broke ass

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Speaker 1: bitch would get a babysitting. Who're talking about you? Gotta go?

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Speaker 1: She's trying to turn it for those of you listen,

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Speaker 1: she just threw a drink, so I'm gonna run that back.

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Speaker 1: She just threw a whole drink. He was disrespectful to it,

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Speaker 1: but then she threw a drink. Let's see, this is

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Speaker 1: act telling an about it. He got it. I was

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Speaker 1: trying to dismiss you because you're broke ass bitch would

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Speaker 1: get a baby sitting? Who're talking about you? Gotta go on? Don't.

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Speaker 1: She seemed like she reads man chickens. This show you

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Speaker 1: let up there where where showing carrying bitch partners. I

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Speaker 1: like this. They hate on women, they hate on it.

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Speaker 1: Maybe I'm not gonna I can't. All the lad will

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Speaker 1: be eating snickers. You're not showing up some summer show.

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Speaker 1: Eat the snickers. But she sicks women snickers. Such a lie.

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Speaker 1: You need you need to breathe not handle the truth.

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Speaker 1: Don't get it and show you Hey, listen, Hey, I

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Speaker 1: I gonna play with y'all. I ain't gonna play with y'all.

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Speaker 1: The moment she said that I can, she said that

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Speaker 1: guy was get your out of here, Get the fuck

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Speaker 1: out of here. Hi, I'm gonna show me a podcast soon.

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Speaker 1: It's gonna be called the show cam following methay, you

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Speaker 1: know that we made Now she's been escorts out. Now

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Speaker 1: you got girls just standing around. I think she's not

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Speaker 1: wanting to get out academics and still screaming she's welcome

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Speaker 1: you wildly. She just you mother. You can't back that

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Speaker 1: crimes like she had a hid out of wetlight. You

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00:24:21,720 --> 00:24:28,280
Speaker 1: ain't getting can't be the true exactly it's not. But

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Speaker 1: she walked everything else. That's this normal shiver. What do

350
00:24:32,840 --> 00:24:35,720
Speaker 1: you get men about that? This money keeping that she

351
00:24:35,800 --> 00:24:41,520
Speaker 1: can't hide me, she can't keep No, no, I always

352
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Speaker 1: take the knowledge. Whatever I am. Girl's table. You can

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Speaker 1: get acting still aging in the background. They're trying to

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Speaker 1: get out of this. She's not leaving. So she's not

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Speaker 1: leaving established. And this is a hard thing man, when

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Speaker 1: you have a lot of people in an establishment like that,

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00:25:02,960 --> 00:25:08,000
Speaker 1: because you know you can't handle that book. I don't

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00:25:08,000 --> 00:25:13,720
Speaker 1: even get out of here if you take so she

359
00:25:13,840 --> 00:25:21,320
Speaker 1: supposedly has a gun. Yeah, just get the here. You're

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Speaker 1: facing her. Respecting starts from world Star world some good,

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Speaker 1: there's some world star as shit, it's shameless club follow

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Speaker 1: me cat okay, underscore, Yeah, this is sane tomorrow, y'all

363
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Speaker 1: follow me. She trying to Nigga went to promote. No, no,

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Speaker 1: you know what I'm saying. That is back in the frame.

365
00:26:00,160 --> 00:26:08,360
Speaker 1: Don't get it. Here we go you Yeah, the baby lead.

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Speaker 1: You really turn up like I didn't the Christian But

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00:26:13,000 --> 00:26:20,800
Speaker 1: that's not Christ. Chat was that Christ? Was that christ like? No? Chat,

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Speaker 1: I tried to turn that sh on me. That wash

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Speaker 1: I wasn't Christ like, bro, she was walking in Christ

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Speaker 1: don don don guys like the video like a video,

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Speaker 1: we're gonna buy it single medals. We don't do it.

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Speaker 1: I say that my way. First, I don't know what

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Speaker 1: short he was reaching back with a spark A dumbass

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Speaker 1: head gotta back over that, yea, So he was super gast.

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Speaker 1: You gonna turn it, cat. But that's now. Let me

376
00:27:01,960 --> 00:27:05,480
Speaker 1: say this in our seriousness. Oh, you can't reach for

377
00:27:05,560 --> 00:27:08,120
Speaker 1: certain things. You can't act like certain things gonna get

378
00:27:08,160 --> 00:27:11,000
Speaker 1: you hit. So I think that's what he's saying. But

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00:27:12,359 --> 00:27:14,159
Speaker 1: I think in a few minutes we'll see that they

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00:27:14,240 --> 00:27:18,000
Speaker 1: maybe wasn't taking that approach. Because if you have took

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00:27:18,040 --> 00:27:20,720
Speaker 1: that approach and she'd come running in like that, she's shot.

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00:27:21,480 --> 00:27:23,520
Speaker 1: You come running into my studio with your hand in

383
00:27:23,600 --> 00:27:28,359
Speaker 1: your thing like that, you shot. I'm sorry because you

384
00:27:28,520 --> 00:27:38,960
Speaker 1: know president approach, because I don't let act, but still

385
00:27:40,480 --> 00:27:48,160
Speaker 1: want to see you in the situation. Let me said camera,

386
00:27:48,359 --> 00:27:55,199
Speaker 1: let me have the situation. Look, there you go. He's

387
00:27:55,200 --> 00:27:59,760
Speaker 1: getting out the way, Okay, getting out the way. Hold on,

388
00:28:00,080 --> 00:28:03,639
Speaker 1: somebody got some news. You see that. Somebody got some

389
00:28:03,840 --> 00:28:06,560
Speaker 1: news that somebody was there with something in there. This

390
00:28:06,920 --> 00:28:08,640
Speaker 1: I think, what a gun come out of there? Let's

391
00:28:08,640 --> 00:28:12,560
Speaker 1: see now actors right here, he just said, now hold

392
00:28:12,680 --> 00:28:15,359
Speaker 1: up shouting. You keep playing shouted, We're gonna turn you

393
00:28:15,520 --> 00:28:19,240
Speaker 1: to a pack round here is not playing. Yeah, and

394
00:28:19,440 --> 00:28:33,320
Speaker 1: then this happened, right okay, I said to the nigga.

395
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Speaker 1: Now he used that police bluff, my boy Fresh and

396
00:28:44,000 --> 00:28:47,800
Speaker 1: Fit using that that said police bluff, come out with

397
00:28:47,960 --> 00:28:52,680
Speaker 1: your hands up, nigga, fuck you you know what I mean. Now,

398
00:28:52,760 --> 00:28:55,560
Speaker 1: she might got somebody. Hey man, y'all pulled it, you

399
00:28:55,680 --> 00:28:57,960
Speaker 1: know what I mean? Somebody Nah, you can't do that.

400
00:28:58,160 --> 00:29:01,320
Speaker 1: But again you see, for those of you that listening,

401
00:29:02,600 --> 00:29:05,160
Speaker 1: apparently one of the hosts of Fresh and Fit, I

402
00:29:05,200 --> 00:29:09,840
Speaker 1: think it's Fresh, said get out the way, get out

403
00:29:09,880 --> 00:29:12,960
Speaker 1: the way. You know, I think she's you know, she

404
00:29:13,120 --> 00:29:15,840
Speaker 1: coming back with a gun. Get out the way. You

405
00:29:15,960 --> 00:29:18,120
Speaker 1: know what I mean. So this is where accurred it

406
00:29:18,240 --> 00:29:29,240
Speaker 1: right here. I somebody right, okay, I said, moved to

407
00:29:29,320 --> 00:29:39,600
Speaker 1: the left, left, all right, you do, right, everybody gets

408
00:29:39,640 --> 00:29:42,680
Speaker 1: to the fucking left, alright. If boys come down this way,

409
00:29:42,840 --> 00:30:06,520
Speaker 1: I ain't get nobody sucking okay, So we get okay,

410
00:30:09,800 --> 00:30:12,280
Speaker 1: and maybe they were prepare man, but as you see,

411
00:30:12,840 --> 00:30:16,240
Speaker 1: you know, like I say, now that studios empty. So

412
00:30:16,520 --> 00:30:19,680
Speaker 1: so that was the end of it. But you know,

413
00:30:19,840 --> 00:30:22,480
Speaker 1: these kind of things happened on podcasts, right You get

414
00:30:22,560 --> 00:30:25,440
Speaker 1: people that you know has a certain kind of you know,

415
00:30:25,960 --> 00:30:30,040
Speaker 1: two personalities, class and people tend to you know, have

416
00:30:30,160 --> 00:30:32,600
Speaker 1: a good sometimes they make for good moments, good content.

417
00:30:32,720 --> 00:30:36,360
Speaker 1: But academics dog is a multi millionaire supposed to be

418
00:30:36,960 --> 00:30:40,160
Speaker 1: in this space. That's low hanging fruit. We gotta see

419
00:30:40,200 --> 00:30:43,560
Speaker 1: you start to get lead of YouTubers for that. You

420
00:30:43,640 --> 00:30:45,880
Speaker 1: know what I'm saying like, I ain't saying like, but

421
00:30:46,040 --> 00:30:48,120
Speaker 1: I'm saying the approach. You you got a chance right

422
00:30:48,200 --> 00:30:50,400
Speaker 1: now you plug with Spotify. You got a chance right

423
00:30:50,440 --> 00:30:54,320
Speaker 1: now to plug with Square through Spotify, through then through that,

424
00:30:54,600 --> 00:30:58,120
Speaker 1: you know, and not saying conformed, but saying, hey, man,

425
00:30:59,280 --> 00:31:03,800
Speaker 1: oh that could be viewed away. You know, these people

426
00:31:03,880 --> 00:31:09,400
Speaker 1: have brothers and dad is you know. And I think

427
00:31:09,480 --> 00:31:13,800
Speaker 1: that it's important to respect the fact that somebody knows

428
00:31:13,960 --> 00:31:17,840
Speaker 1: somebody that knows somebody that is willing to go somewhere

429
00:31:18,200 --> 00:31:22,560
Speaker 1: and see a man about a dog. You see what

430
00:31:22,640 --> 00:31:25,680
Speaker 1: I'm saying. So the energy and that's why I say

431
00:31:25,800 --> 00:31:28,720
Speaker 1: specially in the South. I even pointed this out with Takasha,

432
00:31:28,800 --> 00:31:31,040
Speaker 1: and I think when I look at acting some of

433
00:31:31,200 --> 00:31:34,240
Speaker 1: his approach to the game. Now, I think it has

434
00:31:34,280 --> 00:31:38,480
Speaker 1: Takashi ritten on it. Nan has whacked in Takashi ridden

435
00:31:38,560 --> 00:31:42,240
Speaker 1: on it, mixed with some of the Twitch academics, right,

436
00:31:42,640 --> 00:31:45,160
Speaker 1: but when I see it, even with Takashia, see those

437
00:31:45,280 --> 00:31:48,560
Speaker 1: games work up North, those laws and shit make it where.

438
00:31:48,840 --> 00:31:51,320
Speaker 1: But in the South, they're gonna kill you for less

439
00:31:51,960 --> 00:31:54,960
Speaker 1: in the way, less time. You're gonna get found dead.

440
00:31:55,800 --> 00:31:59,480
Speaker 1: Like in the South, it's a different game. The guns

441
00:31:59,520 --> 00:32:02,200
Speaker 1: and all all. Let talking loud and I do it

442
00:32:02,320 --> 00:32:06,840
Speaker 1: to a motherfucker. You're gonna pay for that, Like because

443
00:32:06,920 --> 00:32:10,120
Speaker 1: my ak in the car legally and you talking to

444
00:32:10,240 --> 00:32:13,520
Speaker 1: me like this, or my sister then called me. She

445
00:32:13,720 --> 00:32:17,760
Speaker 1: on sixteenth and Buck Cannon and they saying that academic's

446
00:32:17,920 --> 00:32:20,520
Speaker 1: arguing with her. Benn called her bitches on land. There's

447
00:32:20,560 --> 00:32:24,880
Speaker 1: ten thousand people, man, I'm it's somebody that knows, somebody

448
00:32:24,960 --> 00:32:28,480
Speaker 1: that knows somebody that knows somethingbody that's willing to go

449
00:32:28,640 --> 00:32:34,800
Speaker 1: see somebody about a dog man, you know what I'm saying,

450
00:32:35,240 --> 00:32:39,560
Speaker 1: and so or Not only that, but I think you

451
00:32:39,920 --> 00:32:44,640
Speaker 1: you're leaving yourself wide open to crash your business. You

452
00:32:44,760 --> 00:32:48,080
Speaker 1: got one of the most lucrative businesses that we got

453
00:32:48,240 --> 00:32:51,760
Speaker 1: to hear pop fart on the Instagram space. I ain't

454
00:32:51,840 --> 00:32:55,640
Speaker 1: talking about the podcast. She your influence, it's I'm talking

455
00:32:55,640 --> 00:33:00,240
Speaker 1: about it. It's really your influence is really unexplainable. It's

456
00:33:00,280 --> 00:33:02,760
Speaker 1: crazy that you have that kind of reach from an

457
00:33:02,800 --> 00:33:07,160
Speaker 1: Instagram post, like the impact that like a safe cheese

458
00:33:07,240 --> 00:33:11,160
Speaker 1: got a academics, a shade room, these spots on site

459
00:33:11,240 --> 00:33:17,160
Speaker 1: neighborhood taught these Hollywood unlock. These people have an impact

460
00:33:17,280 --> 00:33:22,280
Speaker 1: with certain posts. That is crazy. If an act is

461
00:33:22,360 --> 00:33:29,360
Speaker 1: literally YouTube and Instagram, Instagram, he repostes things, but he's

462
00:33:29,480 --> 00:33:34,720
Speaker 1: curated content there and has a following that likes the

463
00:33:34,880 --> 00:33:39,000
Speaker 1: content he creates there, right, and they've made that the standard.

464
00:33:39,080 --> 00:33:43,320
Speaker 1: With YouTube, he was narrating and reporting things. Both those

465
00:33:43,440 --> 00:33:47,440
Speaker 1: business models are outdated. Now that's why you see him

466
00:33:47,480 --> 00:33:52,560
Speaker 1: spawn into the podcast. This is the new game. But

467
00:33:52,760 --> 00:33:56,000
Speaker 1: you're spawning in the podcast with the momentum of those things.

468
00:33:56,080 --> 00:33:59,840
Speaker 1: They can't take that from you. But it ain't radioactive.

469
00:34:00,000 --> 00:34:03,120
Speaker 1: Who was radioactive? All these things to be used against

470
00:34:03,160 --> 00:34:07,600
Speaker 1: you in the court of cloud you know. Um Shortly

471
00:34:07,760 --> 00:34:12,759
Speaker 1: after that, um my son comes out and post this.

472
00:34:13,000 --> 00:34:16,000
Speaker 1: Now we're about to get into the Gilly and Wallow

473
00:34:16,080 --> 00:34:20,480
Speaker 1: interview with academics. Um, we're also gonna get into the

474
00:34:20,560 --> 00:34:26,080
Speaker 1: Larry Hoover concert definitely, and Larry Hoover and yay um

475
00:34:26,640 --> 00:34:29,640
Speaker 1: Drake all of that. A lot of people saying a

476
00:34:29,719 --> 00:34:32,680
Speaker 1: lot of different things. But after that, my son got

477
00:34:32,760 --> 00:34:35,280
Speaker 1: word of this right because it went viral everywhere, booming

478
00:34:35,360 --> 00:34:37,680
Speaker 1: shocked the world. Man, look how he talking to that girl.

479
00:34:37,920 --> 00:34:40,640
Speaker 1: See they completely ignore what the woman saying. And that's

480
00:34:40,680 --> 00:34:43,080
Speaker 1: how the game is for you. I don't get fuck

481
00:34:43,120 --> 00:34:45,440
Speaker 1: what she's saying. When you're seeing certain things, that's the

482
00:34:45,560 --> 00:34:49,560
Speaker 1: powerful man. It's gonna be viewed a certain way. And

483
00:34:49,800 --> 00:34:52,879
Speaker 1: Joe don't say nobody seemed to be pulling at Coach.

484
00:34:53,800 --> 00:34:56,799
Speaker 1: It's like, bro, don't crash this thing. Ain't out now.

485
00:34:58,040 --> 00:34:59,880
Speaker 1: I know you feel like you're good to go right,

486
00:35:00,160 --> 00:35:03,400
Speaker 1: It's cool, But Mike sign says this on this Instagram.

487
00:35:04,680 --> 00:35:07,200
Speaker 1: These is the cow which y'all keep giving platforms too.

488
00:35:07,640 --> 00:35:10,719
Speaker 1: Y'all allowed Kyle Was to sit on platforms and talk

489
00:35:11,120 --> 00:35:14,759
Speaker 1: about men of integrity, men with resumes in and out

490
00:35:14,800 --> 00:35:20,520
Speaker 1: of hip hop. These cowards could never amount to. These

491
00:35:20,640 --> 00:35:23,040
Speaker 1: is the cow which y'all allowed to dictate who's relevant

492
00:35:23,080 --> 00:35:25,319
Speaker 1: in the coach. I would take my picket sign any

493
00:35:25,400 --> 00:35:29,799
Speaker 1: day over this toxic drunk shit who only man enough

494
00:35:29,880 --> 00:35:32,480
Speaker 1: to call women bitches in the face. Y'all keep allowing

495
00:35:32,520 --> 00:35:35,880
Speaker 1: these clowns to amuse you while they abuse this culture.

496
00:35:36,200 --> 00:35:39,600
Speaker 1: Let's keep laughing, gangsterable wokers. Fuck ps. This is the

497
00:35:39,760 --> 00:35:42,400
Speaker 1: sucker that said he was a man f for wage

498
00:35:42,600 --> 00:35:45,320
Speaker 1: and he has a video of the incident that I

499
00:35:45,480 --> 00:35:48,520
Speaker 1: just played with acting and the young lady getting into

500
00:35:48,560 --> 00:35:50,960
Speaker 1: it again. It's low hanging through and when you do

501
00:35:51,120 --> 00:35:53,600
Speaker 1: certain things, you let people use certain things against you.

502
00:35:53,760 --> 00:35:57,120
Speaker 1: And right now don't affect you. But in five years,

503
00:35:57,239 --> 00:35:59,800
Speaker 1: when the metaverse is a thing in web, three D

504
00:36:00,080 --> 00:36:01,919
Speaker 1: is here and Instagram is a thing, got to pass

505
00:36:01,960 --> 00:36:04,440
Speaker 1: and you gotta rebuild because we see how they treated

506
00:36:04,520 --> 00:36:07,640
Speaker 1: you act when your page went down, it was quiet

507
00:36:09,320 --> 00:36:12,960
Speaker 1: their folks is not rebuilding you up, bro. So whenever

508
00:36:13,040 --> 00:36:15,520
Speaker 1: this thing shift again, you're gonna have to spend some

509
00:36:15,600 --> 00:36:23,040
Speaker 1: money to rebuild, you understand. So again, um, just understanding.

510
00:36:23,040 --> 00:36:25,040
Speaker 1: Because you're in the brand building process, you need to

511
00:36:25,080 --> 00:36:27,160
Speaker 1: get with them companies that you next to and make

512
00:36:27,200 --> 00:36:31,120
Speaker 1: sure you solidified business wide. Y'all know. On the next level,

513
00:36:31,200 --> 00:36:34,920
Speaker 1: I'm still valuable. I'm gonna show you how. You know

514
00:36:34,960 --> 00:36:41,560
Speaker 1: what I meant? I mean, how many years? What what

515
00:36:41,640 --> 00:36:47,800
Speaker 1: are we talking about? Wait? Who told you even that

516
00:36:47,920 --> 00:36:51,160
Speaker 1: number about? Let me tell this, this fictional number is

517
00:36:51,160 --> 00:37:01,560
Speaker 1: going en. People understand this game this serious. I don't

518
00:37:01,600 --> 00:37:03,440
Speaker 1: think that all right, So let me just spend some

519
00:37:03,600 --> 00:37:07,000
Speaker 1: time on something. Um. For those of you that don't know,

520
00:37:07,239 --> 00:37:10,200
Speaker 1: see one thing about Joe Buddon. He's a good podcasting

521
00:37:10,280 --> 00:37:14,520
Speaker 1: he's very very good speaker. UM, but he's been wrong

522
00:37:14,600 --> 00:37:17,480
Speaker 1: a lot. When I sat back and I thought about

523
00:37:18,120 --> 00:37:23,000
Speaker 1: him and Gilly's relationship or his downfall, right, his down trot,

524
00:37:23,040 --> 00:37:26,160
Speaker 1: I wouldn't even say downfall because he still landed, you know,

525
00:37:26,320 --> 00:37:29,360
Speaker 1: in a pretty powerful spot as as as far as podcasting.

526
00:37:29,440 --> 00:37:31,880
Speaker 1: But the game is catching up to him. He had it.

527
00:37:32,160 --> 00:37:36,880
Speaker 1: He had a wide gap. Now now people are catching up.

528
00:37:36,960 --> 00:37:41,400
Speaker 1: But when I when I listened to him, and I

529
00:37:41,520 --> 00:37:45,440
Speaker 1: think back, and I say down he was arrogant in

530
00:37:45,520 --> 00:37:50,120
Speaker 1: this space. He was arrogant in this space. Number one.

531
00:37:50,160 --> 00:37:53,040
Speaker 1: You gotta remember Joe never saw mall In Rory doing that,

532
00:37:54,360 --> 00:37:56,960
Speaker 1: so he knew he was locked in podcasting. He was

533
00:37:57,040 --> 00:37:59,640
Speaker 1: out here doing other shit, loveing hip hop and and

534
00:37:59,800 --> 00:38:03,160
Speaker 1: and complex and did it and this, and he was

535
00:38:04,120 --> 00:38:07,560
Speaker 1: he was doing shit. So we downplayed every other podcaster.

536
00:38:09,080 --> 00:38:13,440
Speaker 1: Charlemagne do something always looks schoolfy, it looks bad. Gilling

537
00:38:13,480 --> 00:38:15,800
Speaker 1: them do something. Oh they don't really know what that business.

538
00:38:15,920 --> 00:38:18,960
Speaker 1: They probably didn't. It was like it was some things happening,

539
00:38:19,000 --> 00:38:20,759
Speaker 1: and he was seeing some things. And now that I

540
00:38:20,880 --> 00:38:25,520
Speaker 1: looked back at it, that was his downfall. He was

541
00:38:25,640 --> 00:38:30,760
Speaker 1: wrong about giving them business. He was wrong maybe about

542
00:38:31,560 --> 00:38:36,759
Speaker 1: um mauling them's value. Now he was looking at, in

543
00:38:36,920 --> 00:38:40,520
Speaker 1: my opinion, mauling them value prior to him helping them

544
00:38:40,640 --> 00:38:45,400
Speaker 1: build some value. Bro to say they had no value,

545
00:38:45,520 --> 00:38:50,400
Speaker 1: what's to say that what you're doing doesn't work, because

546
00:38:50,680 --> 00:38:53,399
Speaker 1: everything you were doing on your podcast was to give

547
00:38:53,480 --> 00:38:57,000
Speaker 1: them value, and then they walked out with that value.

548
00:38:57,719 --> 00:38:59,520
Speaker 1: I kind of think that he thought that he would

549
00:38:59,560 --> 00:39:02,120
Speaker 1: be the own only podcasts up on this hill that

550
00:39:02,320 --> 00:39:04,520
Speaker 1: no one else can get up to that point. But

551
00:39:04,600 --> 00:39:09,399
Speaker 1: it'll be other little podcasts, but nobody could touch this podcast.

552
00:39:10,239 --> 00:39:13,239
Speaker 1: And in the marketplace right now, it's people that say

553
00:39:13,560 --> 00:39:16,320
Speaker 1: they don't listen to his podcasts as at all. His

554
00:39:16,480 --> 00:39:20,640
Speaker 1: numbers are great, but people are gonna choose their favorite podcast.

555
00:39:20,719 --> 00:39:25,799
Speaker 1: It's how this game work, you understand. But he even

556
00:39:25,840 --> 00:39:28,319
Speaker 1: got into it with Charlemagne and God, I'm the one

557
00:39:28,360 --> 00:39:30,359
Speaker 1: that brought to the game. Listen, if you look back,

558
00:39:30,920 --> 00:39:33,840
Speaker 1: Joe Budden was blessed into this thing. His talent was

559
00:39:34,680 --> 00:39:39,399
Speaker 1: can deny his talent. Charlemagne and Academics and Casting Nova

560
00:39:39,560 --> 00:39:41,800
Speaker 1: main no, all of them, they blessed him in. He

561
00:39:41,960 --> 00:39:45,200
Speaker 1: was broke, He wasn't paying dudes. He think, dudes want

562
00:39:45,239 --> 00:39:48,440
Speaker 1: to come over your house for breakfast, bro, and then

563
00:39:48,480 --> 00:39:50,400
Speaker 1: you're gonna record this and put it out. We know

564
00:39:50,520 --> 00:39:52,640
Speaker 1: what we're helping you build something, bro, we know what

565
00:39:52,719 --> 00:39:57,120
Speaker 1: we're doing. And by Charlemagne always embracing it and coming

566
00:39:57,200 --> 00:39:59,279
Speaker 1: on his podcast when he had his book out coming

567
00:39:59,360 --> 00:40:03,359
Speaker 1: on bro, he was blessing you in. And then when

568
00:40:03,400 --> 00:40:06,600
Speaker 1: you got the first chance you felt the little power,

569
00:40:06,680 --> 00:40:10,960
Speaker 1: you start shunning them off and saying little things. And

570
00:40:11,360 --> 00:40:15,560
Speaker 1: Academics really the one that tipped you on over because

571
00:40:15,680 --> 00:40:19,160
Speaker 1: academics didn't really understand his power at the time, and

572
00:40:19,280 --> 00:40:21,359
Speaker 1: his power was that he had a just a whole

573
00:40:21,400 --> 00:40:23,600
Speaker 1: bunch of people following them on YouTube. It was just

574
00:40:23,760 --> 00:40:26,760
Speaker 1: like an immense amount of people following them on YouTube

575
00:40:26,840 --> 00:40:29,880
Speaker 1: and complex. They noticed that, Yo, you come over here,

576
00:40:30,000 --> 00:40:34,479
Speaker 1: help us build this show. Then when Joe came, Joe

577
00:40:34,719 --> 00:40:38,520
Speaker 1: ended up leaving with a lot of academics audience. He

578
00:40:38,600 --> 00:40:40,920
Speaker 1: didn't take them from acting. Now they share the audience.

579
00:40:40,960 --> 00:40:47,080
Speaker 1: See what happens is people follow academics from an informative standpoint.

580
00:40:47,160 --> 00:40:49,480
Speaker 1: They really don't give they at first, they didn't really

581
00:40:49,560 --> 00:40:53,680
Speaker 1: care about the guy him, academics, his voice, who it

582
00:40:53,840 --> 00:40:55,880
Speaker 1: was just he would talk about the things that were

583
00:40:55,920 --> 00:41:00,279
Speaker 1: happenings or it's informative. People will follow Joe because they

584
00:41:00,360 --> 00:41:03,880
Speaker 1: liked him as a person, his brand right, So it

585
00:41:04,000 --> 00:41:06,640
Speaker 1: was a different thing. And he left with thirty forty

586
00:41:06,680 --> 00:41:09,600
Speaker 1: percent of the fan base and boosted him up. Now

587
00:41:09,640 --> 00:41:12,759
Speaker 1: he took that fan base to the podcast, monetized it,

588
00:41:13,080 --> 00:41:17,440
Speaker 1: took the podcast to Patreon, lost the people staying on Patreon.

589
00:41:17,560 --> 00:41:20,280
Speaker 1: Now he's trying to trigger the YouTube algorithm by dropping

590
00:41:20,320 --> 00:41:24,000
Speaker 1: a bunch of episodes thinking I think what happened. I

591
00:41:24,120 --> 00:41:26,759
Speaker 1: think his thinking is when the guys left and he

592
00:41:26,960 --> 00:41:29,719
Speaker 1: went dark on YouTube, it took him out of the algorithm.

593
00:41:30,560 --> 00:41:33,279
Speaker 1: So now if I do this, it'll place me back in.

594
00:41:33,440 --> 00:41:36,800
Speaker 1: And I'm not sure that that's the case. But but

595
00:41:36,920 --> 00:41:39,560
Speaker 1: I think Joe was just a bit arrogant. All the

596
00:41:39,640 --> 00:41:42,360
Speaker 1: people blessed him, me and go look at it. Go

597
00:41:42,520 --> 00:41:45,799
Speaker 1: look at when they were at his home, how they

598
00:41:48,400 --> 00:41:51,560
Speaker 1: were eating breakfast and dudes or doing Charlemagne was doing

599
00:41:51,600 --> 00:41:54,120
Speaker 1: the end of the year wrap up with him, like

600
00:41:54,320 --> 00:41:58,239
Speaker 1: Charlemagne's been Charlemagne. He was getting deals. Then when he

601
00:41:58,400 --> 00:42:00,560
Speaker 1: was about to re up, they would talk about him

602
00:42:00,560 --> 00:42:03,359
Speaker 1: on the Joe Budden podcast and then do a year

603
00:42:03,520 --> 00:42:06,239
Speaker 1: end wrap up with him. It was a weird thing,

604
00:42:06,480 --> 00:42:09,120
Speaker 1: like and then Mall tell you it's a problem with Charlemagne.

605
00:42:09,160 --> 00:42:12,680
Speaker 1: So it's it's it's it. He bro, you're not a

606
00:42:12,800 --> 00:42:15,080
Speaker 1: real boss. You couldn't even handle all that ship. You

607
00:42:15,160 --> 00:42:17,680
Speaker 1: post to squash this ship with Charlemagne and Mall. In

608
00:42:17,840 --> 00:42:21,120
Speaker 1: my opinion and anybody watching, this is what you gotta

609
00:42:21,160 --> 00:42:24,240
Speaker 1: try to do. If there's business in place and further

610
00:42:24,400 --> 00:42:27,600
Speaker 1: iNTS and nobody's been hurt, squash all these little pity

611
00:42:28,120 --> 00:42:30,320
Speaker 1: talk behind your back beats. That's why a lot of

612
00:42:30,400 --> 00:42:36,759
Speaker 1: times I think Joe respectfully be um projecting, Like when

613
00:42:36,800 --> 00:42:39,239
Speaker 1: he talked about Drake and Kanye still hating each other,

614
00:42:40,320 --> 00:42:43,239
Speaker 1: they say they shaking hands and next to each other.

615
00:42:43,280 --> 00:42:45,120
Speaker 1: He is still say they hate each other because he

616
00:42:45,280 --> 00:42:50,080
Speaker 1: know he'll fake like he liked somebody like I couldn't

617
00:42:50,080 --> 00:42:52,719
Speaker 1: even father me up here worth all this money, I

618
00:42:52,719 --> 00:42:55,719
Speaker 1: don't have to do this, and then if I do

619
00:42:55,920 --> 00:42:57,080
Speaker 1: do it, there's a way to do it. Well, I

620
00:42:57,120 --> 00:42:59,279
Speaker 1: don't have to do it this way and embrace you

621
00:42:59,360 --> 00:43:02,480
Speaker 1: if I'm in racing you. That's from a real standpoint.

622
00:43:02,520 --> 00:43:05,759
Speaker 1: Why you keep saying we hate each other, because you

623
00:43:05,840 --> 00:43:08,520
Speaker 1: will do that. You will come do a show with

624
00:43:08,680 --> 00:43:12,120
Speaker 1: Charlemagne and God right after y'all n talked about them

625
00:43:12,160 --> 00:43:15,279
Speaker 1: slickly on a show that what y'all do. Y'all play

626
00:43:15,360 --> 00:43:17,960
Speaker 1: these little games in the media. It's a lot of

627
00:43:18,040 --> 00:43:21,920
Speaker 1: weird guys. Man, not Joe, but even these guys that

628
00:43:22,160 --> 00:43:26,040
Speaker 1: operate on these cameras. In front of these dudes, is

629
00:43:26,280 --> 00:43:30,759
Speaker 1: weird olds, Dude, like they be thinking they're giving a

630
00:43:30,880 --> 00:43:34,160
Speaker 1: nigga some kind of saults. Mane, I come yo, man,

631
00:43:34,280 --> 00:43:38,279
Speaker 1: it's weird, bro. But if Charlemagne come do it's up

632
00:43:38,320 --> 00:43:42,320
Speaker 1: the podcast, that's a co sign, dude. I'm that's nigga.

633
00:43:42,440 --> 00:43:46,680
Speaker 1: What promote your book and do an end of the

634
00:43:46,760 --> 00:43:50,040
Speaker 1: year wrap up with loon as I'm trying to plant

635
00:43:50,120 --> 00:43:52,080
Speaker 1: my feet in the media space that you've been in

636
00:43:52,239 --> 00:43:55,040
Speaker 1: for ten years holding a torch like y'all dudes tripping.

637
00:43:55,200 --> 00:43:59,560
Speaker 1: Let's look at a little more this interview man, financial

638
00:43:59,560 --> 00:44:01,239
Speaker 1: and the business side of it. Then next time you're

639
00:44:01,239 --> 00:44:04,480
Speaker 1: talking business out there, nigga, when cameras go off, Nigga,

640
00:44:04,640 --> 00:44:08,800
Speaker 1: you said some the money y'all got. That's why I

641
00:44:08,800 --> 00:44:10,440
Speaker 1: talked about your money, cause you threw some shit out

642
00:44:10,480 --> 00:44:12,360
Speaker 1: there early. But that's another story. But you see you

643
00:44:12,600 --> 00:44:14,680
Speaker 1: when I said fourteen no, no, people listen. You know

644
00:44:14,760 --> 00:44:16,520
Speaker 1: I know how the industry. I'm that's fourteen was too

645
00:44:16,560 --> 00:44:21,560
Speaker 1: little talk cavy talky talking that ship already know I

646
00:44:21,719 --> 00:44:24,880
Speaker 1: know what's going on. Fourteen billions was too little. Okay,

647
00:44:26,360 --> 00:44:28,600
Speaker 1: Wait did I pay like that with parcels? They're not

648
00:44:28,719 --> 00:44:33,200
Speaker 1: paying right, I see I said, saying we got fourteen millions.

649
00:44:33,280 --> 00:44:36,319
Speaker 1: Said what I s call daddy was older and called daddy.

650
00:44:36,360 --> 00:44:38,960
Speaker 1: Said I had to call you daddy one got sixty million. Yeah,

651
00:44:39,040 --> 00:44:41,120
Speaker 1: I heard it was only getting six million before. No,

652
00:44:41,280 --> 00:44:43,880
Speaker 1: we're not gonna see. I don't know what business Daddy

653
00:44:43,920 --> 00:44:47,319
Speaker 1: getting you are You were messy, nigga, your niggas, y'all

654
00:44:47,480 --> 00:44:53,160
Speaker 1: all your ship. Yes, yes, you positive about this gilly ship.

655
00:44:53,560 --> 00:44:57,720
Speaker 1: So if y'all leave y'all, y'all it's water, wet it, pigs,

656
00:44:57,760 --> 00:45:02,320
Speaker 1: pussy pork, you're not ship. The only reason I access

657
00:45:02,400 --> 00:45:05,560
Speaker 1: that I believe the game of podcasting the companies that

658
00:45:05,640 --> 00:45:09,120
Speaker 1: are doing business now, like for example, Spotify, Barstools, otherwise,

659
00:45:10,320 --> 00:45:14,520
Speaker 1: they are armed with more information to say, shit, we

660
00:45:14,680 --> 00:45:16,919
Speaker 1: got some leverage. If these things want the bag, well

661
00:45:17,160 --> 00:45:19,799
Speaker 1: you're gonna take some ownership. Like it's changed since since

662
00:45:20,560 --> 00:45:22,000
Speaker 1: you know, and I think you don't mean that. You

663
00:45:22,080 --> 00:45:24,520
Speaker 1: gotta have real leverage. And a lot of podcasts, a

664
00:45:24,600 --> 00:45:26,360
Speaker 1: lot of people starting, they're just doing it, and a

665
00:45:26,400 --> 00:45:28,200
Speaker 1: lot of people don't have leverage. What's the top five

666
00:45:28,520 --> 00:45:31,560
Speaker 1: hip hop podcasts? Let's get Number one is million dollars

667
00:45:31,600 --> 00:45:36,239
Speaker 1: worth a game? Number two is uh are you you

668
00:45:36,360 --> 00:45:40,719
Speaker 1: hip hop? Drink Champs? Drink Champs, drink Champs. Well, listen.

669
00:45:40,719 --> 00:45:43,000
Speaker 1: If I don't make the top five, I'm ryan. You're

670
00:45:43,000 --> 00:45:49,040
Speaker 1: not gonna make new top five yo. I can't offer

671
00:45:49,160 --> 00:45:55,200
Speaker 1: the game drink Champs. No jumpers. Oh, I'm throwing big

672
00:45:55,239 --> 00:45:58,359
Speaker 1: facts and I'm not thinking yes, big facts, Yes there

673
00:45:58,520 --> 00:46:01,440
Speaker 1: go my people shout out big fact, no jumper, not

674
00:46:01,600 --> 00:46:03,600
Speaker 1: on them shout out to Adam but he not on

675
00:46:03,800 --> 00:46:07,839
Speaker 1: the hip hop podcast Top five is um It's up

676
00:46:07,880 --> 00:46:12,440
Speaker 1: There podcast, Me and hold On It's up that podcast,

677
00:46:12,640 --> 00:46:16,080
Speaker 1: Big Facts Podcast, Top five podcasting hip Hop in my

678
00:46:16,160 --> 00:46:23,440
Speaker 1: opinions is up There podcast, Big Facts Podcast, Um, Me

679
00:46:23,600 --> 00:46:31,560
Speaker 1: and Not Worth a Game Drink Champs and Joe buddon

680
00:46:31,640 --> 00:46:38,240
Speaker 1: podcast If it ain't unless you sleep at the Wheel

681
00:46:39,000 --> 00:46:42,719
Speaker 1: Major and we want to put put you five just

682
00:46:42,800 --> 00:46:45,719
Speaker 1: because you number how you want to put Joe there?

683
00:46:46,040 --> 00:46:47,520
Speaker 1: I mean, Joe talked about a bunch of shit I

684
00:46:47,600 --> 00:46:49,600
Speaker 1: don't agree with. But no, they don't got any to

685
00:46:49,640 --> 00:46:53,080
Speaker 1: do with hip hop. Joe was Joe was Joe. That's

686
00:46:53,160 --> 00:46:55,400
Speaker 1: that's what I tell you. That's that's how they in

687
00:46:55,520 --> 00:46:57,440
Speaker 1: this media game. That's how you did see each other

688
00:46:57,480 --> 00:47:01,719
Speaker 1: a little little like pop. Yeah, you don't get my

689
00:47:01,840 --> 00:47:04,239
Speaker 1: co sat in the game. We can. He just liked

690
00:47:04,280 --> 00:47:06,120
Speaker 1: to talk shit because you know you'll beat him the

691
00:47:06,200 --> 00:47:07,600
Speaker 1: rap jail. That's all this shit is about the rap

692
00:47:07,640 --> 00:47:10,120
Speaker 1: shit ticking this fanny. No, Jill wasn't. I'm just fucking

693
00:47:10,160 --> 00:47:12,120
Speaker 1: with you. I knew you was gonna say. Joe was

694
00:47:12,120 --> 00:47:14,960
Speaker 1: the number one podcast hip hop, hip hop, hip Hop,

695
00:47:15,400 --> 00:47:22,719
Speaker 1: Hell fuck we don't exist. Two three chaps? Have they

696
00:47:22,800 --> 00:47:30,400
Speaker 1: got that Kanye sh okay, that's all listen past podcast. Now,

697
00:47:30,480 --> 00:47:33,080
Speaker 1: I don't know who runs this shit. I listened to everybody,

698
00:47:33,120 --> 00:47:36,680
Speaker 1: but I like how I was saying to y'all. I like,

699
00:47:36,760 --> 00:47:39,920
Speaker 1: how y'all go get the contact. Hey, no fucking beefs.

700
00:47:40,040 --> 00:47:42,359
Speaker 1: But hold on, a matter of fact, we number one

701
00:47:42,560 --> 00:47:50,200
Speaker 1: right now, that's a screenshot. Ain't no motheruck screen shot.

702
00:47:50,280 --> 00:47:55,279
Speaker 1: Ain't no screenshot. Look what are you talking about that?

703
00:47:55,320 --> 00:48:00,160
Speaker 1: Ain't no motherfucking screenshot. Man, ain't screenshot. Hold on the

704
00:48:00,200 --> 00:48:04,400
Speaker 1: drink to drinking niggas got a number one episode? But

705
00:48:04,480 --> 00:48:08,640
Speaker 1: listen who one episode shows you practical? Practical week shows

706
00:48:08,920 --> 00:48:11,120
Speaker 1: what dude thing? Joe took a week off that week?

707
00:48:11,200 --> 00:48:12,960
Speaker 1: I think that's a week he took off though, just

708
00:48:13,080 --> 00:48:16,520
Speaker 1: being fair, who got the episode? Come on out, listen.

709
00:48:16,600 --> 00:48:18,320
Speaker 1: Let me say this though on some real ship we

710
00:48:18,400 --> 00:48:20,960
Speaker 1: might laugh at Joe. Yeah. The bottom line is that

711
00:48:21,160 --> 00:48:25,120
Speaker 1: when you say music, the culture is running that ship

712
00:48:25,239 --> 00:48:27,960
Speaker 1: in the podcast space of music. You see, you see Joe,

713
00:48:28,200 --> 00:48:32,759
Speaker 1: you see uh, it's one you see hey, listen, let's

714
00:48:32,800 --> 00:48:36,560
Speaker 1: see us and and we all do different things. You

715
00:48:36,640 --> 00:48:40,480
Speaker 1: see you see did a caller. You see more, you

716
00:48:40,600 --> 00:48:46,799
Speaker 1: see this is a week at listening, Yo, Spotify. Now

717
00:48:46,920 --> 00:48:48,719
Speaker 1: go to the Spotify less. Let's see what's popping over

718
00:48:48,800 --> 00:48:54,239
Speaker 1: that nigga you twiking? You see the new Spotify is

719
00:48:54,320 --> 00:48:58,760
Speaker 1: actually doing leading, the leading your thing, the leading outlet

720
00:48:58,880 --> 00:49:03,400
Speaker 1: in podcast listeners. We salute, No, they're deleting it. So

721
00:49:03,520 --> 00:49:06,080
Speaker 1: there's more people that listen to podcasts on Spotify than

722
00:49:06,120 --> 00:49:08,560
Speaker 1: on Apple. So if you're not showing that Spotify charts,

723
00:49:08,600 --> 00:49:10,239
Speaker 1: I don't know what we're talking about. Yeah, I mean

724
00:49:10,320 --> 00:49:13,080
Speaker 1: we knew you. Did you deal with Spotify? We got here?

725
00:49:16,840 --> 00:49:20,160
Speaker 1: But yeah, man, um, this this podcast Space Oh, let's

726
00:49:20,160 --> 00:49:22,880
Speaker 1: see if he talks about that we knew you. Did

727
00:49:22,960 --> 00:49:25,600
Speaker 1: you do it? Spotify? We do dog, you gotta keep

728
00:49:25,760 --> 00:49:30,400
Speaker 1: being Spotify. I'll be We have bars the way we

729
00:49:32,040 --> 00:49:34,279
Speaker 1: shout out to Dave fort Lord. If y'all come, don't

730
00:49:34,280 --> 00:49:37,399
Speaker 1: get a part of deal eric and uh we own

731
00:49:37,480 --> 00:49:40,960
Speaker 1: our stand What are you talking about? Man, y'all got

732
00:49:41,040 --> 00:49:44,600
Speaker 1: to buy your masses back and under. He's just talking.

733
00:49:45,000 --> 00:49:48,440
Speaker 1: But um again, this podcast Space Man is just a

734
00:49:48,520 --> 00:49:51,160
Speaker 1: lucrator Space. I'm I'm right in the fight though, Like

735
00:49:51,239 --> 00:49:53,560
Speaker 1: when I say, man, I'll be having some great conversation

736
00:49:53,680 --> 00:49:57,040
Speaker 1: forward and conversations about this podcast, about where I can

737
00:49:57,120 --> 00:50:00,320
Speaker 1: take it, about my value and how made to do

738
00:50:00,400 --> 00:50:04,080
Speaker 1: it by myself. Again, y'all really, um, just gotta stay

739
00:50:04,120 --> 00:50:06,560
Speaker 1: alone for the rad We're gonna watch everybody else they

740
00:50:06,680 --> 00:50:08,920
Speaker 1: watching us. It's the game, man. This ship is like

741
00:50:09,040 --> 00:50:12,040
Speaker 1: the NBA, and shit is like the NFL. Man, And

742
00:50:12,120 --> 00:50:15,360
Speaker 1: we're putting numbers up. We're putting touchdowns up. Who putting

743
00:50:15,400 --> 00:50:18,640
Speaker 1: assists up? What we're doing. Everybody got a position and

744
00:50:18,800 --> 00:50:20,839
Speaker 1: you gotta know how to work your move Big loan,

745
00:50:20,920 --> 00:50:26,080
Speaker 1: I'm I'm podcasting and I'm pushling hard. I'm putting up man,

746
00:50:26,360 --> 00:50:30,200
Speaker 1: We're putting the real deal numbers. Um. We're gonna look

747
00:50:30,239 --> 00:50:31,759
Speaker 1: for the part of the interview where he talked to

748
00:50:31,840 --> 00:50:34,200
Speaker 1: my son. Then we'll get out of this and we'll

749
00:50:34,400 --> 00:50:36,680
Speaker 1: move on to Larry Hoover and other things. Let's see,

750
00:50:37,000 --> 00:50:39,480
Speaker 1: we're gonna get to the part of this interview with

751
00:50:39,640 --> 00:50:42,759
Speaker 1: a been a busy week where academics where he uh,

752
00:50:43,320 --> 00:50:45,160
Speaker 1: they made a phone called to my son as you

753
00:50:45,280 --> 00:50:47,160
Speaker 1: know them, gilling them. They try to speak to him,

754
00:50:47,200 --> 00:50:50,640
Speaker 1: wallowing them, giving real game, so wallow and gilling them,

755
00:50:50,680 --> 00:50:52,800
Speaker 1: trying to speak to him like, Bro, you shouldn't have

756
00:50:52,920 --> 00:50:55,600
Speaker 1: a beef. You're rich, ain't you're a square, You're an

757
00:50:55,680 --> 00:51:00,880
Speaker 1: ultimate wunner. That would be killing me. You rich squabs,

758
00:51:00,920 --> 00:51:03,080
Speaker 1: y'all the old TiO man. Want to get out of here. Man,

759
00:51:03,760 --> 00:51:06,399
Speaker 1: I'm saying out this house here, it's a hundred house. Man,

760
00:51:07,200 --> 00:51:10,359
Speaker 1: get out of here. Man. You didn't warm. Boy, you're

761
00:51:10,440 --> 00:51:14,200
Speaker 1: hustling backwards. You're drawing that shit to you when you

762
00:51:14,640 --> 00:51:18,440
Speaker 1: they didn't accept that you for being square rich, You

763
00:51:18,560 --> 00:51:22,879
Speaker 1: don't got no gates to card the pool. You ain't

764
00:51:22,920 --> 00:51:27,520
Speaker 1: got no standard to uphold. Don't get yourself just don't

765
00:51:27,560 --> 00:51:31,359
Speaker 1: box yourself in, right, So they're putting real game down.

766
00:51:31,440 --> 00:51:34,240
Speaker 1: They're trying to tell him like say, bro, you're inviting

767
00:51:34,320 --> 00:51:38,319
Speaker 1: certain things like and he's like, yo, I keep telling

768
00:51:38,400 --> 00:51:42,240
Speaker 1: y'all man, I'm Suburbian people. They didn't got into the hood,

769
00:51:42,360 --> 00:51:45,880
Speaker 1: and somewhere along the lines they didn't got confused. Somebody

770
00:51:46,000 --> 00:51:48,760
Speaker 1: then told them or told them that it is about

771
00:51:48,880 --> 00:51:53,440
Speaker 1: not being scared. They think they're not being scared as

772
00:51:53,480 --> 00:52:01,480
Speaker 1: a win. I'm scared, listen, and I'm scared. I'm gonna

773
00:52:01,560 --> 00:52:04,840
Speaker 1: do it. I'm scared, right, They think not being scared

774
00:52:04,880 --> 00:52:06,879
Speaker 1: as a win. So what they do is they spend

775
00:52:06,960 --> 00:52:14,040
Speaker 1: all their time convincing themselves that they're not scared. He

776
00:52:14,160 --> 00:52:16,759
Speaker 1: even said on here one time, man, well, you know,

777
00:52:17,440 --> 00:52:20,239
Speaker 1: speaking about Freddy gives yo, man that them dudes be

778
00:52:20,320 --> 00:52:22,240
Speaker 1: trying to bullet me. And I get what he's saying.

779
00:52:22,920 --> 00:52:24,840
Speaker 1: He think that they're trying to get rep out of

780
00:52:24,920 --> 00:52:29,360
Speaker 1: him and forcing him because you gotta think for this

781
00:52:29,520 --> 00:52:33,200
Speaker 1: new era of media, they was whooping up on media people.

782
00:52:33,840 --> 00:52:36,680
Speaker 1: You gotta remember, right for this new era media popped out.

783
00:52:37,120 --> 00:52:39,879
Speaker 1: Wiley had just went up on Complex and talked bad

784
00:52:40,000 --> 00:52:42,560
Speaker 1: to some people, and they were hard on media before

785
00:52:42,600 --> 00:52:45,800
Speaker 1: the street dudes or the people like me and Banking

786
00:52:45,920 --> 00:52:49,399
Speaker 1: Pole and all of us got in the media. It's there.

787
00:52:49,440 --> 00:52:52,480
Speaker 1: They gotta go away. Charlemagne I always had people around

788
00:52:52,600 --> 00:52:54,640
Speaker 1: him to make sure the certain standard was up here,

789
00:52:55,040 --> 00:52:58,759
Speaker 1: but mostly media guy. They were hard on media guy.

790
00:53:04,120 --> 00:53:06,560
Speaker 1: So I can get what he's saying, like, Yo, they're

791
00:53:06,560 --> 00:53:09,520
Speaker 1: trying to bullet me, Like that's what that's about. They're

792
00:53:09,520 --> 00:53:13,600
Speaker 1: trying to bullet me, man, And I'm not going for that, right,

793
00:53:14,000 --> 00:53:16,759
Speaker 1: But you win these battlesy. I'm from the hood for real,

794
00:53:17,400 --> 00:53:19,880
Speaker 1: I know you win these battles here and your actions

795
00:53:19,960 --> 00:53:22,560
Speaker 1: not your words, and they keep thinking you win these

796
00:53:22,600 --> 00:53:25,680
Speaker 1: battles with your words because of the Internet. They don't

797
00:53:25,800 --> 00:53:29,120
Speaker 1: understand that the Instagram we already been in the metaverse.

798
00:53:29,520 --> 00:53:32,040
Speaker 1: We're in the metaverse I already. So what's happening in

799
00:53:32,040 --> 00:53:35,960
Speaker 1: there is bleed not yeah that shit bleed not to

800
00:53:36,080 --> 00:53:39,399
Speaker 1: the real real world. And so they're trying to pull

801
00:53:39,480 --> 00:53:42,080
Speaker 1: it cold tail and especally somebody like wallow, I just

802
00:53:42,160 --> 00:53:45,600
Speaker 1: done a dub. You know how much diffusion I got

803
00:53:45,680 --> 00:53:47,360
Speaker 1: to have in me to do a dub and not

804
00:53:47,560 --> 00:53:50,360
Speaker 1: be cut up? And and man, I got to have

805
00:53:50,520 --> 00:53:54,600
Speaker 1: some diffusion in me, you know what I mean. M

806
00:53:54,920 --> 00:53:57,680
Speaker 1: not saying you don't stand on that business, but you know,

807
00:53:57,840 --> 00:53:59,800
Speaker 1: sometimes you gotta know when to hold them and know

808
00:54:00,120 --> 00:54:02,959
Speaker 1: to fold them. And you are rich square, You're not one.

809
00:54:06,120 --> 00:54:09,200
Speaker 1: It's the dumb the streeting it we the dumbie to

810
00:54:09,320 --> 00:54:11,640
Speaker 1: go get the money. Still gotta apply to the rules

811
00:54:11,680 --> 00:54:13,520
Speaker 1: of man. They ain't trigging me out of my hood

812
00:54:13,680 --> 00:54:15,680
Speaker 1: and I ain't going nowhere, and they ain't saying I'm

813
00:54:15,719 --> 00:54:18,239
Speaker 1: winning all my jear like this shit like yeah, we

814
00:54:18,400 --> 00:54:21,040
Speaker 1: gotta we're battling with that. You're a rich square. You

815
00:54:21,080 --> 00:54:23,000
Speaker 1: don't need jeury, you don't need the car, you don't

816
00:54:23,040 --> 00:54:25,480
Speaker 1: need the tough twell, you don't need to you good.

817
00:54:26,640 --> 00:54:30,479
Speaker 1: You just academics the game playing, that's what. But don't

818
00:54:32,239 --> 00:54:36,480
Speaker 1: but let's see what happens back. You won't get a

819
00:54:36,520 --> 00:54:38,759
Speaker 1: coach back. Hey, this is what I love it. I

820
00:54:38,880 --> 00:54:41,360
Speaker 1: love that Danny laid the baby shit. And not for

821
00:54:41,360 --> 00:54:43,600
Speaker 1: the reason people might think I like it. I like

822
00:54:43,719 --> 00:54:45,920
Speaker 1: it that it's showcasing the other side of the celebrity

823
00:54:45,960 --> 00:54:48,399
Speaker 1: relationship when you see the baby just going the baby

824
00:54:48,440 --> 00:54:52,400
Speaker 1: crime and they're arguing, because that's the reality when we're promoted.

825
00:54:52,480 --> 00:54:55,760
Speaker 1: We we seen it a lot too. Everything perfect celebrities

826
00:54:55,760 --> 00:54:57,680
Speaker 1: and link up with each other for like four months

827
00:54:57,920 --> 00:55:06,359
Speaker 1: pregnant my time, my brother brother might sign. Now listen,

828
00:55:06,880 --> 00:55:09,800
Speaker 1: before I say anything, I got you as me, Gil

829
00:55:10,239 --> 00:55:13,040
Speaker 1: and Academic were on the podcast before I say anything,

830
00:55:13,200 --> 00:55:17,120
Speaker 1: Can I can I speak to you first? You hear me.

831
00:55:18,080 --> 00:55:20,759
Speaker 1: I'm listening to see you know, I respect you, you

832
00:55:20,840 --> 00:55:22,520
Speaker 1: know I know who you are. I'm not calling you

833
00:55:23,040 --> 00:55:25,239
Speaker 1: fuck that cloud, fuck the bullshit. I'm calling you about

834
00:55:25,280 --> 00:55:27,359
Speaker 1: real life shit. I told his brother, I said, whatever

835
00:55:27,400 --> 00:55:28,960
Speaker 1: problems you got with my sign I know him, that's

836
00:55:29,000 --> 00:55:31,800
Speaker 1: my personally brother, I know you personally, Fuck the internet,

837
00:55:31,840 --> 00:55:33,759
Speaker 1: fuck all that. And I said, yo, it's a problem.

838
00:55:33,880 --> 00:55:36,279
Speaker 1: You know, can y'all can this shit be squashed between y'all?

839
00:55:36,320 --> 00:55:38,520
Speaker 1: You know what I mean? We said, we said, laughing joke.

840
00:55:38,719 --> 00:55:40,520
Speaker 1: You know, he always inviting motherfucker as a pull up.

841
00:55:40,560 --> 00:55:42,640
Speaker 1: We talked about that, and it's cool. He said, yeah,

842
00:55:42,800 --> 00:55:44,960
Speaker 1: I'm cool. I'm with all that. Now I'm gonna call it.

843
00:55:45,000 --> 00:55:47,920
Speaker 1: I'm gonna ask you, is that cool with you to

844
00:55:48,000 --> 00:55:50,040
Speaker 1: even have a convo or even just be like, you

845
00:55:50,120 --> 00:55:53,080
Speaker 1: know what, because both of y'alls influence you people in

846
00:55:53,120 --> 00:55:56,000
Speaker 1: our culture, you know how having people see it, so

847
00:55:56,560 --> 00:56:00,200
Speaker 1: is that even a something that can happen. I mean,

848
00:56:00,280 --> 00:56:03,200
Speaker 1: I'm not really opposed to having a conversation with him,

849
00:56:03,840 --> 00:56:07,040
Speaker 1: you know, to agree. I mean, because for me, I

850
00:56:07,200 --> 00:56:11,800
Speaker 1: just think how would I say? I just think that,

851
00:56:13,440 --> 00:56:15,600
Speaker 1: you know, I expressed a lot of things that I

852
00:56:15,719 --> 00:56:18,759
Speaker 1: didn't like with the end of that he did, you know,

853
00:56:18,960 --> 00:56:20,719
Speaker 1: about the things that he did, the way that he

854
00:56:20,880 --> 00:56:25,160
Speaker 1: carried certain things that really just I thought was detrimental,

855
00:56:25,440 --> 00:56:27,560
Speaker 1: like to a lot of us. And I think the

856
00:56:27,680 --> 00:56:32,719
Speaker 1: way that he started to talk about me personally, you know,

857
00:56:33,000 --> 00:56:37,120
Speaker 1: about being discrediting me, calling me out my name, and

858
00:56:37,239 --> 00:56:40,439
Speaker 1: all these things. It became it got to a point

859
00:56:40,520 --> 00:56:43,480
Speaker 1: where I was never talking about physically doing anything to

860
00:56:43,600 --> 00:56:46,520
Speaker 1: that man, you know, and he started saying things that

861
00:56:47,080 --> 00:56:49,680
Speaker 1: was inviting me to fight and physically so to me,

862
00:56:50,440 --> 00:56:53,120
Speaker 1: he took something to a level that because I didn't

863
00:56:53,200 --> 00:56:56,960
Speaker 1: agree what you did to the culture, I didn't agree

864
00:56:57,040 --> 00:56:59,759
Speaker 1: what you represented to the culture, you started to talk

865
00:56:59,800 --> 00:57:04,120
Speaker 1: about me in a way. Yeah, I'm not really comfortable us.

866
00:57:04,200 --> 00:57:06,000
Speaker 1: So I don't want. I don't want to have this

867
00:57:06,200 --> 00:57:09,920
Speaker 1: conversation on the platform. You know, y'all gotta do that. No,

868
00:57:10,040 --> 00:57:12,120
Speaker 1: I just want y'all to talk. I went off of

869
00:57:12,200 --> 00:57:14,359
Speaker 1: this ship. But I'm just saying, as he here, I'm like, listen,

870
00:57:15,040 --> 00:57:17,000
Speaker 1: that's my guy. I know who he is as a

871
00:57:17,080 --> 00:57:19,440
Speaker 1: human being. I'm gonna call him and hopefully y'all can

872
00:57:19,480 --> 00:57:22,040
Speaker 1: get together and talk, even meet up whatever it just

873
00:57:22,160 --> 00:57:24,480
Speaker 1: because because it's like we can't. I don't want. I

874
00:57:24,520 --> 00:57:26,120
Speaker 1: don't want somebody name to come up that I know.

875
00:57:26,160 --> 00:57:27,760
Speaker 1: You know, I call you whenever your name come up

876
00:57:28,000 --> 00:57:30,120
Speaker 1: and I don't say hold up. And then ain't that

877
00:57:30,240 --> 00:57:32,920
Speaker 1: he heint on that he would he would showing us

878
00:57:32,960 --> 00:57:35,360
Speaker 1: what time it is. So that's my whole thing. My

879
00:57:35,480 --> 00:57:37,400
Speaker 1: whole thing is that he right here. I said, Man,

880
00:57:37,480 --> 00:57:39,840
Speaker 1: let me call him. Y'all. Y'all get discussed this ship

881
00:57:39,920 --> 00:57:42,040
Speaker 1: anywhere else, even get together, you know what I mean,

882
00:57:42,160 --> 00:57:46,200
Speaker 1: on some real live shit because there's people watching us. Yeah,

883
00:57:46,240 --> 00:57:48,600
Speaker 1: I hear what you're saying. For me, it's kind of

884
00:57:48,640 --> 00:57:51,080
Speaker 1: for me like, WELLO, you know, I have a very

885
00:57:51,160 --> 00:57:54,280
Speaker 1: low talent to disrespect, so you know, and for me,

886
00:57:54,560 --> 00:57:57,080
Speaker 1: whatever I ever said about Academics is based on something

887
00:57:57,160 --> 00:57:59,600
Speaker 1: that I've seen him do. Right, I didn't come to

888
00:57:59,680 --> 00:58:03,160
Speaker 1: see I think academics said this about me or this

889
00:58:03,320 --> 00:58:06,680
Speaker 1: person to me. You just listening, they're making, not making

890
00:58:06,720 --> 00:58:09,800
Speaker 1: the answering. Academics not to respond wallowy, he don't got

891
00:58:09,920 --> 00:58:12,280
Speaker 1: this or he did or I never those things never.

892
00:58:12,880 --> 00:58:15,840
Speaker 1: Academics posted some shit about some kids flying. I think

893
00:58:15,880 --> 00:58:18,960
Speaker 1: that ship is gonna watch academics running around with six nine.

894
00:58:18,960 --> 00:58:20,960
Speaker 1: I think that's the shit that's decrimentsed for. This is

895
00:58:21,000 --> 00:58:24,360
Speaker 1: ship that I've seen physically seeing with my o. Academics

896
00:58:24,400 --> 00:58:27,960
Speaker 1: has Academics has attacked accused me of stilling and being

897
00:58:29,320 --> 00:58:33,000
Speaker 1: an Ambalanche Chase to taking money from people. Ship that

898
00:58:33,440 --> 00:58:36,760
Speaker 1: never happened. Ever, like these these are ship that never happened.

899
00:58:36,800 --> 00:58:39,240
Speaker 1: It wasn't based till some shit that was real or nothing.

900
00:58:39,320 --> 00:58:42,160
Speaker 1: He utilized his voice and say ship that had nothing

901
00:58:42,200 --> 00:58:44,880
Speaker 1: to do with that wasn't real at all, And it

902
00:58:45,000 --> 00:58:49,800
Speaker 1: wasn't based on about me that he didn't know nothing about.

903
00:58:50,360 --> 00:58:52,640
Speaker 1: Everything I ever said was based on what I see

904
00:58:52,720 --> 00:58:55,400
Speaker 1: he put out to the world about something. You know

905
00:58:55,440 --> 00:58:57,880
Speaker 1: what I'm saying. So it is a different person. It's

906
00:58:57,880 --> 00:59:00,600
Speaker 1: a different level of personal disrespects to me the way

907
00:59:00,640 --> 00:59:03,800
Speaker 1: that he handled the situation, you know, and that's what

908
00:59:03,920 --> 00:59:07,400
Speaker 1: it is. You know, can you apologize for because if

909
00:59:07,400 --> 00:59:08,760
Speaker 1: you put something out there was wrong? Can you just

910
00:59:08,880 --> 00:59:11,520
Speaker 1: apologize on real shit? Act? That's it? This man shit

911
00:59:11,560 --> 00:59:16,479
Speaker 1: don't make no I gotta clift, could you know? Because

912
00:59:16,600 --> 00:59:18,400
Speaker 1: he's not telling me no, no, we need We ain't

913
00:59:18,400 --> 00:59:19,640
Speaker 1: gonna get to that. Were gonna get to the back

914
00:59:19,680 --> 00:59:21,480
Speaker 1: and forth here, We're gonna let y'all talk off. But

915
00:59:21,520 --> 00:59:23,320
Speaker 1: I'm just saying, if he said it was serious shit.

916
00:59:23,440 --> 00:59:25,680
Speaker 1: He don't chase no fucking amvalance. He don't do a

917
00:59:25,720 --> 00:59:27,320
Speaker 1: lot of stuff. I know him personally. I'm just saying

918
00:59:27,320 --> 00:59:29,400
Speaker 1: I know him personally, it's certain stuff that he don't do.

919
00:59:30,080 --> 00:59:32,280
Speaker 1: I'm just saying, no, no, I'm listening on some real shit.

920
00:59:32,360 --> 00:59:33,520
Speaker 1: There's a lot of shit that you say it. Then

921
00:59:33,560 --> 00:59:38,040
Speaker 1: I'm like, hold up. So when he said never, when

922
00:59:38,080 --> 00:59:40,000
Speaker 1: you say I don't respect the nigga like a man,

923
00:59:40,400 --> 00:59:42,640
Speaker 1: but a kiss standing on it? You know what I'm saying,

924
00:59:42,680 --> 00:59:46,040
Speaker 1: akis standing on it? Like like, yo, I can't apologize

925
00:59:46,120 --> 00:59:49,560
Speaker 1: for that, bro, Like I know y'all want me. I can't.

926
00:59:49,640 --> 00:59:52,720
Speaker 1: I can't apologize for that, bro. I'm sorry. I can't.

927
00:59:53,240 --> 00:59:56,919
Speaker 1: I can't do nothing with that. You stay, we ain't

928
00:59:56,920 --> 00:59:58,720
Speaker 1: gonna let it go crazy on here because I don't

929
00:59:58,720 --> 01:00:00,440
Speaker 1: want youall to go back and forth. That's what I

930
01:00:01,480 --> 01:00:03,840
Speaker 1: went first, all right, can I can? I can? I

931
01:00:03,920 --> 01:00:06,600
Speaker 1: see that. I'm always down to talk to anybody. I'm

932
01:00:06,640 --> 01:00:08,600
Speaker 1: just saying that you do some shit that was low

933
01:00:08,680 --> 01:00:10,520
Speaker 1: blown on some crazy shit. Did you do act on

934
01:00:10,600 --> 01:00:12,680
Speaker 1: some real shit? Were talking? I'm gonna be honest. Everything

935
01:00:12,760 --> 01:00:16,120
Speaker 1: I said I felt with the information on you, I

936
01:00:16,200 --> 01:00:19,480
Speaker 1: felt it was factual. And maybe that's because I don't

937
01:00:19,520 --> 01:00:22,520
Speaker 1: know him. You don't I know him. I didn't been

938
01:00:22,520 --> 01:00:24,440
Speaker 1: in the community with him, all Right, I don't see

939
01:00:24,520 --> 01:00:26,520
Speaker 1: that people deal with him. What were just like some

940
01:00:26,600 --> 01:00:28,720
Speaker 1: of the things he has said about me that was

941
01:00:28,840 --> 01:00:31,760
Speaker 1: definitely not factual. That it's probably because we've never had

942
01:00:31,840 --> 01:00:35,480
Speaker 1: a conversation to actually get clarification behind something that we

943
01:00:35,520 --> 01:00:37,960
Speaker 1: all can have a conversation. So if it's a situation,

944
01:00:38,120 --> 01:00:41,440
Speaker 1: we could have conversation, of course. Yeah. But but as

945
01:00:41,560 --> 01:00:43,320
Speaker 1: as as far as you know, he had mentioned that

946
01:00:43,440 --> 01:00:46,320
Speaker 1: there was disrespect first levied on my side that was

947
01:00:46,360 --> 01:00:50,920
Speaker 1: not true. I vividly remember he said I don't even

948
01:00:50,960 --> 01:00:54,520
Speaker 1: respect him as a man. Yeah. That came after you

949
01:00:54,600 --> 01:00:56,920
Speaker 1: said that I was a blunder and I was somebody

950
01:00:56,960 --> 01:00:59,840
Speaker 1: that was a field rapper in all of this ship

951
01:01:00,000 --> 01:01:01,720
Speaker 1: and you can pull up and these these are things

952
01:01:01,760 --> 01:01:03,680
Speaker 1: that came after that. I didn't never said I was

953
01:01:04,000 --> 01:01:06,400
Speaker 1: pulling it. I never said that. And then not at

954
01:01:06,400 --> 01:01:10,120
Speaker 1: that point you said true, you said you didn't respect

955
01:01:10,200 --> 01:01:17,200
Speaker 1: me as a man, right after you, Um, that's all

956
01:01:17,280 --> 01:01:19,120
Speaker 1: that all that came post to love it. So that's

957
01:01:19,120 --> 01:01:21,680
Speaker 1: why I didn't care about your opinion as a man, Okay,

958
01:01:21,680 --> 01:01:23,880
Speaker 1: That's why I said it, okay, and your opinion of

959
01:01:24,000 --> 01:01:25,920
Speaker 1: me an account because I didn't see you as a

960
01:01:26,000 --> 01:01:28,480
Speaker 1: man OK, that's why you made an opinion about me

961
01:01:29,080 --> 01:01:31,280
Speaker 1: based on shit you didn't even know, You've never seen

962
01:01:31,440 --> 01:01:34,200
Speaker 1: or nothing about me. And I said your opinion about

963
01:01:34,240 --> 01:01:36,480
Speaker 1: me didn't matter because I didn't see you as a man.

964
01:01:36,640 --> 01:01:39,440
Speaker 1: That's where it came from. I spoke. I spoke about

965
01:01:39,520 --> 01:01:42,520
Speaker 1: you as in your rap career and what I thought

966
01:01:42,520 --> 01:01:45,480
Speaker 1: about it. I spoke about what I thought you were

967
01:01:45,520 --> 01:01:49,840
Speaker 1: doing otherwise in a professional career. And you don't know nothing.

968
01:01:50,360 --> 01:01:52,160
Speaker 1: Wait wait, wait, hold on, just like how you don't

969
01:01:54,320 --> 01:01:57,640
Speaker 1: you don't, Just like how you spoke, just like how

970
01:01:57,680 --> 01:02:05,360
Speaker 1: you spoke about me and what you so my platform. No, no, yeah,

971
01:02:05,400 --> 01:02:07,360
Speaker 1: but but that has nothing to do with you knowing

972
01:02:07,400 --> 01:02:09,640
Speaker 1: about me. Perse I do think. See, I see the

973
01:02:09,720 --> 01:02:11,880
Speaker 1: point he making is a good point. Say, okay, you're

974
01:02:12,000 --> 01:02:14,600
Speaker 1: you're attacking my business. I'm attacking your business. But they

975
01:02:14,720 --> 01:02:22,200
Speaker 1: see um because my sign business is in UM helping

976
01:02:22,280 --> 01:02:25,280
Speaker 1: out people, right, because he views it that way like

977
01:02:25,400 --> 01:02:28,520
Speaker 1: he's out there with the signs, he's at their protesting

978
01:02:28,760 --> 01:02:31,920
Speaker 1: Brianna Taylor, whatever the case may be. See, I've always

979
01:02:32,000 --> 01:02:35,360
Speaker 1: had a certain level of because I know in cash view,

980
01:02:35,440 --> 01:02:38,160
Speaker 1: we got issues and don't nobody you know, they act

981
01:02:38,200 --> 01:02:40,600
Speaker 1: like Wayne Black enough, but I'm I'm gonna change that.

982
01:02:40,840 --> 01:02:44,880
Speaker 1: But um, you know, because he's doing those things and

983
01:02:45,120 --> 01:02:48,160
Speaker 1: erring on the side of right, that starts to leak

984
01:02:48,240 --> 01:02:52,520
Speaker 1: into personal. Number one reason why it's at leaks in

985
01:02:52,600 --> 01:02:55,160
Speaker 1: the person's because sometimes I might here marching, ain't no

986
01:02:55,240 --> 01:02:57,960
Speaker 1: money involved. A lot of times I gotta sign and

987
01:02:58,080 --> 01:03:02,760
Speaker 1: I'm orchestrating when ain't no profit available. Now the three.

988
01:03:02,760 --> 01:03:04,560
Speaker 1: A couple of times I get some money for it.

989
01:03:04,680 --> 01:03:07,160
Speaker 1: That's cool. We keep me going. But it's a lot

990
01:03:07,240 --> 01:03:09,880
Speaker 1: of times I'm in spose when I'm spending to get there,

991
01:03:10,800 --> 01:03:13,920
Speaker 1: I'm bringing awareness there, I'm doing certain things there, right,

992
01:03:14,240 --> 01:03:20,600
Speaker 1: So it ain't always uh me being compensated. And a

993
01:03:20,680 --> 01:03:22,920
Speaker 1: lot of times when you think about business, you think

994
01:03:22,920 --> 01:03:26,880
Speaker 1: about someone being compensated. Um. But but see the lines

995
01:03:26,920 --> 01:03:29,720
Speaker 1: are blurred. But I understand at point when saying I'm

996
01:03:29,760 --> 01:03:33,680
Speaker 1: attacking your business, you're attacking my business. You're posting, you're

997
01:03:33,680 --> 01:03:37,680
Speaker 1: posting a boy my professional career I correspond to about you.

998
01:03:38,280 --> 01:03:40,280
Speaker 1: You just know what you put out And I said,

999
01:03:40,280 --> 01:03:42,520
Speaker 1: the energy that you was putting out, that you was

1000
01:03:42,680 --> 01:03:45,920
Speaker 1: advocating and you kept promoting violence of these kids was

1001
01:03:46,000 --> 01:03:48,640
Speaker 1: detrimental to the culture, and I didn't change. I'm not

1002
01:03:48,720 --> 01:03:51,200
Speaker 1: going to change that. I don't think I said anything

1003
01:03:51,280 --> 01:03:53,600
Speaker 1: that was wrong in that you started talking about my

1004
01:03:53,680 --> 01:03:56,600
Speaker 1: professional ship that I do, but you're talking about my business.

1005
01:03:56,680 --> 01:03:58,520
Speaker 1: If you told my my business, I'm gonna talk about

1006
01:03:58,520 --> 01:04:02,280
Speaker 1: your business, y'all get in, they'll get on the call.

1007
01:04:03,080 --> 01:04:05,600
Speaker 1: You don't know nothing about y'all. I'm gonna say this though,

1008
01:04:05,600 --> 01:04:07,400
Speaker 1: I'm like, you don't know anything about Hey, I'm gonna

1009
01:04:07,400 --> 01:04:09,520
Speaker 1: say this. You're given, You're given what you're perceived as

1010
01:04:09,560 --> 01:04:12,320
Speaker 1: facts about what my platform and what what we stand

1011
01:04:12,360 --> 01:04:14,120
Speaker 1: for over here. But okay, I could give me, I

1012
01:04:14,160 --> 01:04:16,920
Speaker 1: could give it. I could give a very astute description

1013
01:04:16,960 --> 01:04:19,560
Speaker 1: of what I believe that your career and your plight

1014
01:04:19,840 --> 01:04:24,040
Speaker 1: stands for. Then then when you start you don't know

1015
01:04:24,240 --> 01:04:26,360
Speaker 1: how I make money. You don't know, But just like

1016
01:04:26,520 --> 01:04:28,560
Speaker 1: how you don't know, Like again, you don't know the

1017
01:04:28,640 --> 01:04:31,800
Speaker 1: ins and out of my platform, like I was gonna

1018
01:04:31,800 --> 01:04:34,200
Speaker 1: come out before I was on clubout before some of

1019
01:04:34,280 --> 01:04:36,480
Speaker 1: the stuff that y'all are accusing me of doing it.

1020
01:04:36,640 --> 01:04:39,560
Speaker 1: Whatever labels was paying to promote, nobody's getting that labels.

1021
01:04:39,640 --> 01:04:41,440
Speaker 1: But you don't want to have that conversation because you

1022
01:04:41,560 --> 01:04:43,640
Speaker 1: then said it don't respect you as a man. So

1023
01:04:43,760 --> 01:04:46,040
Speaker 1: of course at that point, I am gonna go personal

1024
01:04:46,080 --> 01:04:48,640
Speaker 1: because now you have you have now taken away from

1025
01:04:48,680 --> 01:04:51,000
Speaker 1: the platform and what you think you were, you were

1026
01:04:51,040 --> 01:04:53,240
Speaker 1: you This is the whole thing. At the end of

1027
01:04:53,280 --> 01:04:54,960
Speaker 1: the day, it's like, I'm gonna let y'all get on

1028
01:04:55,000 --> 01:04:57,280
Speaker 1: the call, but like it's just something that y'all might

1029
01:04:57,280 --> 01:04:59,080
Speaker 1: could talk. I'm just saying it could be a talk,

1030
01:04:59,120 --> 01:05:01,320
Speaker 1: that's all, because I don't about to go to another place.

1031
01:05:01,800 --> 01:05:04,440
Speaker 1: I'm always I'm always down to talk to people. It's

1032
01:05:04,560 --> 01:05:08,560
Speaker 1: usually when they start to don't, don't, don't. No, I'm not,

1033
01:05:09,480 --> 01:05:11,520
Speaker 1: but that's not me. That's I'm just not the nigga

1034
01:05:11,600 --> 01:05:14,160
Speaker 1: who you could do. I'm just not the nigga you

1035
01:05:14,240 --> 01:05:18,600
Speaker 1: could scared with violence, and you ain't about to go

1036
01:05:18,640 --> 01:05:20,760
Speaker 1: about the violence. Don't do the violence, shi bro. He

1037
01:05:20,960 --> 01:05:24,600
Speaker 1: was wanting to you. Don't even saying violence. No, you're right,

1038
01:05:24,640 --> 01:05:27,840
Speaker 1: I'm not violence. You're right, I'm not like, Hey, don't

1039
01:05:27,840 --> 01:05:30,480
Speaker 1: go in your back. Why why are you? Why are

1040
01:05:30,520 --> 01:05:33,320
Speaker 1: you talking about something? Love you? You have your reason. Why.

1041
01:05:33,480 --> 01:05:35,520
Speaker 1: The reason why I mentioned any of that is because

1042
01:05:35,680 --> 01:05:37,640
Speaker 1: you had said to me what you had done to me,

1043
01:05:37,720 --> 01:05:41,720
Speaker 1: and I'm like, you ain't gonna do nothing, see, because

1044
01:05:41,720 --> 01:05:45,000
Speaker 1: I need you to understand the level of violence and

1045
01:05:45,200 --> 01:05:47,960
Speaker 1: understanding the violence that I have been involved in my life.

1046
01:05:48,280 --> 01:05:50,640
Speaker 1: You don't. You never been involved in that. And I

1047
01:05:50,840 --> 01:05:54,640
Speaker 1: understand the detrimental that and that's why I utilize my platform,

1048
01:05:54,720 --> 01:05:57,000
Speaker 1: my voice to do something different. That's why you shouldn't

1049
01:05:57,000 --> 01:05:59,480
Speaker 1: talk to you about that violence. But listen to what

1050
01:05:59,560 --> 01:06:02,040
Speaker 1: I'm saying. But so you just want to talk, I'm

1051
01:06:02,120 --> 01:06:04,800
Speaker 1: explaining to you right the way that you speak to

1052
01:06:04,920 --> 01:06:07,560
Speaker 1: certain individuals, in a way that you the aggression that

1053
01:06:07,680 --> 01:06:10,120
Speaker 1: you have. I have a lot of people in the

1054
01:06:10,160 --> 01:06:12,880
Speaker 1: streets that move with certain ways that I protected a

1055
01:06:12,960 --> 01:06:15,680
Speaker 1: lot of different ships because I'm out of that life.

1056
01:06:16,120 --> 01:06:17,600
Speaker 1: And I'm trying to tell you that the way that

1057
01:06:17,720 --> 01:06:20,280
Speaker 1: you the aggression that you have, I don't think that

1058
01:06:20,400 --> 01:06:24,680
Speaker 1: you understand the ramifications of the I understand the ramifications

1059
01:06:24,720 --> 01:06:27,600
Speaker 1: of that. I understand what comes with threatening the man

1060
01:06:27,640 --> 01:06:29,520
Speaker 1: and tell them to put up and saying that you've

1061
01:06:29,560 --> 01:06:31,560
Speaker 1: got more money than him and you can put money

1062
01:06:31,560 --> 01:06:35,320
Speaker 1: on somebody's head. I understand the ramifications of that. Academic,

1063
01:06:35,720 --> 01:06:37,560
Speaker 1: So when I say that if I said that about

1064
01:06:37,600 --> 01:06:39,960
Speaker 1: a man. I understand that I could lose my life.

1065
01:06:40,320 --> 01:06:43,520
Speaker 1: I'm willing to take that man's life. You never dealt

1066
01:06:43,560 --> 01:06:49,000
Speaker 1: with that level of aggression or violence. I keep telling

1067
01:06:49,080 --> 01:06:51,080
Speaker 1: how I'm a man, yo. I'm telling y'all of a

1068
01:06:51,120 --> 01:07:00,320
Speaker 1: man like Yo. I could say whatever to y'all because

1069
01:07:00,320 --> 01:07:03,080
Speaker 1: I'm prepared for it. But you're a bit so No, nigga,

1070
01:07:03,440 --> 01:07:06,000
Speaker 1: you can't threaten me or you can't make me feel uncomfortation.

1071
01:07:06,640 --> 01:07:09,680
Speaker 1: He just talked about. That's what that was a sentiment

1072
01:07:09,720 --> 01:07:11,560
Speaker 1: I got. I was like, if you trying to make

1073
01:07:11,600 --> 01:07:14,120
Speaker 1: me feel uncomfortable, I will not be backing down. I

1074
01:07:14,160 --> 01:07:16,840
Speaker 1: would invite you, but about backing, but I'm trying to

1075
01:07:16,920 --> 01:07:18,840
Speaker 1: you took him out backing down. It's like me said,

1076
01:07:18,960 --> 01:07:21,439
Speaker 1: we took him out. I'm gonna go have a fight

1077
01:07:21,520 --> 01:07:24,280
Speaker 1: in the ring with Mike Tyson. I can not be uncomfortable.

1078
01:07:24,520 --> 01:07:27,080
Speaker 1: But there's a reality that Mike understands that I don't.

1079
01:07:27,240 --> 01:07:29,240
Speaker 1: And I'm trying to tell you you're playing and arenas

1080
01:07:29,280 --> 01:07:32,640
Speaker 1: with men and people that live by different rules than you.

1081
01:07:32,960 --> 01:07:35,880
Speaker 1: And you might say, are you talking like Chiller? Oh see,

1082
01:07:35,920 --> 01:07:37,720
Speaker 1: come on, man, you for rule though, But that's what

1083
01:07:37,800 --> 01:07:45,479
Speaker 1: I'm gonna much love myself. Sounds like I wasn't trying

1084
01:07:45,480 --> 01:07:48,360
Speaker 1: to take it down. Bro. Oh, I agree everything he's saying.

1085
01:07:48,400 --> 01:07:51,640
Speaker 1: It's fact. Bro. Everything he's saying that. You said, hey, listen,

1086
01:07:51,760 --> 01:07:56,080
Speaker 1: you said, you said you villiam, I'm trying to you said,

1087
01:07:56,160 --> 01:08:00,520
Speaker 1: and you said, yeah, yeah, you said you man. Hold on,

1088
01:08:00,640 --> 01:08:03,400
Speaker 1: you said, hand said, you're civilian, right, What I gotta

1089
01:08:03,440 --> 01:08:07,920
Speaker 1: do with somebody? Somebody somebody now disrespect he everything he

1090
01:08:08,120 --> 01:08:10,840
Speaker 1: just said was the guy on this truth though. He said,

1091
01:08:11,120 --> 01:08:13,640
Speaker 1: the ship that I've been into my life, You've never

1092
01:08:13,760 --> 01:08:15,360
Speaker 1: been through that type of ship. Nothing to do with

1093
01:08:15,480 --> 01:08:17,280
Speaker 1: being a man. I don't care about it. They got

1094
01:08:18,040 --> 01:08:22,120
Speaker 1: being a man. Yo. Let me tell this. There's somebody

1095
01:08:22,160 --> 01:08:25,160
Speaker 1: who probably never did no crime in their life, but

1096
01:08:25,240 --> 01:08:27,559
Speaker 1: they got proud of respect for himself. They can run

1097
01:08:27,680 --> 01:08:30,280
Speaker 1: into the biggest killer who got a million bodies and

1098
01:08:30,360 --> 01:08:32,599
Speaker 1: that person disrespect them. They're not gonna run them. They're

1099
01:08:32,600 --> 01:08:35,639
Speaker 1: gonna stand there and defend themselves. That's my whole point.

1100
01:08:35,880 --> 01:08:40,679
Speaker 1: I didn't say. What I'm saying is your energy energy?

1101
01:08:40,920 --> 01:08:43,360
Speaker 1: After you have said I don't respect you as a man.

1102
01:08:43,760 --> 01:08:45,479
Speaker 1: If I was around you, I do this and that

1103
01:08:45,640 --> 01:08:48,920
Speaker 1: to you. What energy could I have. But nigga, what

1104
01:08:48,960 --> 01:08:50,920
Speaker 1: are you talking about? You want to say? All right,

1105
01:08:50,920 --> 01:08:55,240
Speaker 1: you got it? That's Hand said, Yo, Wallow broke this

1106
01:08:55,280 --> 01:08:57,320
Speaker 1: ship down to you said, Hand said, you know what,

1107
01:08:57,800 --> 01:08:59,880
Speaker 1: because I'm always home. You said, I guess I'm not.

1108
01:09:00,080 --> 01:09:02,439
Speaker 1: I'm not said I probably could have delivered it better.

1109
01:09:02,600 --> 01:09:08,120
Speaker 1: You're right, hold on. That's basically all he was just

1110
01:09:08,960 --> 01:09:12,400
Speaker 1: question if you're listening, you're not listening, you not, but

1111
01:09:12,479 --> 01:09:18,839
Speaker 1: you can't listen, can't listen listening. He didn't listen listening

1112
01:09:18,840 --> 01:09:23,559
Speaker 1: this still he didn't challenge your manhood. He didn't come

1113
01:09:23,560 --> 01:09:26,519
Speaker 1: about right now. We talk about right now now on

1114
01:09:26,600 --> 01:09:30,920
Speaker 1: that and trying to get past. But listening he's talking

1115
01:09:30,960 --> 01:09:34,439
Speaker 1: about is what we talked about private, like the prior.

1116
01:09:34,880 --> 01:09:39,439
Speaker 1: Did he challenge my man prior? It's inequivocally it's yes, Bro.

1117
01:09:39,960 --> 01:09:42,320
Speaker 1: So we bring that up, y'all like, oh no, no,

1118
01:09:42,640 --> 01:09:45,240
Speaker 1: Like listen as I'm sat here talking about what happened

1119
01:09:45,360 --> 01:09:48,160
Speaker 1: after we call right now, bro, I'm not trying to

1120
01:09:48,200 --> 01:09:52,720
Speaker 1: get but he's bringing that up. I'm saying, academic said this,

1121
01:09:52,840 --> 01:09:55,519
Speaker 1: academics did that. Well, he's gonna sound like I should

1122
01:09:55,560 --> 01:09:58,240
Speaker 1: be apologizing if you don't know why academics did that.

1123
01:09:59,280 --> 01:10:01,479
Speaker 1: It's gonna sound of course you'll be like, well, academy

1124
01:10:01,479 --> 01:10:03,960
Speaker 1: said this. He said that, so if you if it's

1125
01:10:03,960 --> 01:10:07,280
Speaker 1: the same thing, respectfully, When Meek got on a clubhouse,

1126
01:10:08,640 --> 01:10:11,320
Speaker 1: it was all about what I did and nothing about

1127
01:10:11,479 --> 01:10:13,840
Speaker 1: what happened before. Academic said that, I asked you a

1128
01:10:13,920 --> 01:10:16,560
Speaker 1: question though. Yes, then Meek, activate your feelings because you

1129
01:10:16,640 --> 01:10:18,280
Speaker 1: went totally different when he came in and say what

1130
01:10:18,360 --> 01:10:21,000
Speaker 1: he said, didn't he He turned you up? You got

1131
01:10:21,280 --> 01:10:25,519
Speaker 1: you you you win a year? Um, well, he turned

1132
01:10:25,560 --> 01:10:27,920
Speaker 1: you up. You know I was listening. Activated your feelings.

1133
01:10:32,960 --> 01:10:34,479
Speaker 1: He can't wait to see me. I can't wait to

1134
01:10:34,479 --> 01:10:42,840
Speaker 1: see me. See there. He didn't say nothing disrespectful. He

1135
01:10:42,960 --> 01:10:46,439
Speaker 1: actually called you. He actually called you beloved. You feel

1136
01:10:46,479 --> 01:10:48,519
Speaker 1: what I'm saying. He didn't say that niggas talked to

1137
01:10:48,560 --> 01:10:53,800
Speaker 1: niggas in New York. Right, stop man, yo, that's crazy man.

1138
01:10:53,800 --> 01:10:59,200
Speaker 1: You don't turn into a street nigga street, nigga street

1139
01:10:59,280 --> 01:11:05,840
Speaker 1: nigga if if so, here's here's the thing, right. The

1140
01:11:06,040 --> 01:11:11,400
Speaker 1: problem is is that again, we we gotta understand position.

1141
01:11:12,640 --> 01:11:16,280
Speaker 1: When I see academics, when I see academics go to

1142
01:11:16,400 --> 01:11:18,719
Speaker 1: talking right, A lot of times he will say things

1143
01:11:18,840 --> 01:11:23,240
Speaker 1: like yo, broad get passionate, and people will take my

1144
01:11:23,400 --> 01:11:27,519
Speaker 1: passion and think that I'm angry because as you hear

1145
01:11:27,560 --> 01:11:29,720
Speaker 1: Wallow them say, yo, it'd be about how you say it.

1146
01:11:29,760 --> 01:11:32,080
Speaker 1: Be your applicab be how you will like you go

1147
01:11:32,280 --> 01:11:37,800
Speaker 1: off like you be, And he keeps saying, yo, nine

1148
01:11:37,920 --> 01:11:42,400
Speaker 1: nine is just my passion. But we see what happens

1149
01:11:42,439 --> 01:11:46,479
Speaker 1: when you confuse the street niggas. We see what happened

1150
01:11:46,560 --> 01:11:50,559
Speaker 1: with Busy. Busy was out there confused and street niggas

1151
01:11:50,640 --> 01:11:53,200
Speaker 1: like far as no hands say like we're in the

1152
01:11:53,320 --> 01:11:56,360
Speaker 1: rap field? Is we? Is we cool? Like what we?

1153
01:11:56,680 --> 01:12:01,320
Speaker 1: Is this good? Or we ain't good? What we're doing though,

1154
01:12:01,360 --> 01:12:04,679
Speaker 1: because you if you confuse me, then the first little

1155
01:12:04,760 --> 01:12:09,360
Speaker 1: thing gets up, it's gone. We platinum is over. And

1156
01:12:09,479 --> 01:12:11,639
Speaker 1: then that's how even when you see him get kicked

1157
01:12:11,680 --> 01:12:13,680
Speaker 1: out of the I'm sorry when you see the girl

1158
01:12:13,800 --> 01:12:18,439
Speaker 1: do that like Yo, if I keep confusing what you're

1159
01:12:18,520 --> 01:12:24,160
Speaker 1: doing as you being angry, how to hit you better

1160
01:12:24,240 --> 01:12:28,639
Speaker 1: adjust that. Well, It's just me. I'm just now brother,

1161
01:12:28,680 --> 01:12:31,639
Speaker 1: you here to do business. I'm a man first. I'm

1162
01:12:31,680 --> 01:12:35,519
Speaker 1: a man, yo, bro bro bro we a'all men. Ain't

1163
01:12:35,560 --> 01:12:38,720
Speaker 1: nobody playing you like you ain't no man now, far

1164
01:12:38,760 --> 01:12:40,519
Speaker 1: as out of them thrists, I ain't talking about it all.

1165
01:12:40,600 --> 01:12:43,479
Speaker 1: Let y'all that's y'all gotta handle that however they handle that.

1166
01:12:44,840 --> 01:12:47,800
Speaker 1: All I'm saying is you gotta be careful with confusing

1167
01:12:47,920 --> 01:12:51,360
Speaker 1: people because we're in the industry where we're doing business.

1168
01:12:52,280 --> 01:12:55,040
Speaker 1: Everybody doing business. It's a bunch of talking going on.

1169
01:12:55,320 --> 01:12:58,160
Speaker 1: Dudes is doing this and that, it's business being took

1170
01:12:58,240 --> 01:13:01,960
Speaker 1: care of. But then when we go to thinking like, oh,

1171
01:13:02,160 --> 01:13:05,080
Speaker 1: is he serious? This is aking a certain way? Is

1172
01:13:05,120 --> 01:13:12,600
Speaker 1: he what he own? And that's the problem because you

1173
01:13:12,720 --> 01:13:15,160
Speaker 1: confuse niggas they bump into you, and then it's a

1174
01:13:15,280 --> 01:13:18,599
Speaker 1: and then daddy is alright, alright, well back, I want

1175
01:13:18,640 --> 01:13:20,920
Speaker 1: to speak about a few things, man number number one.

1176
01:13:20,960 --> 01:13:24,519
Speaker 1: I want to speak about this industry. Um. And we're

1177
01:13:24,520 --> 01:13:28,519
Speaker 1: gonna get to the Travis Scott and Charlemagne interview right now, um.

1178
01:13:29,120 --> 01:13:31,600
Speaker 1: But I want to speak about this industry and and

1179
01:13:31,800 --> 01:13:35,560
Speaker 1: and right now. This ain't for mass media. This is

1180
01:13:35,640 --> 01:13:38,680
Speaker 1: for my people, right So mass media, y'all take a

1181
01:13:38,760 --> 01:13:40,519
Speaker 1: step to the side and let me speak to my

1182
01:13:40,680 --> 01:13:43,760
Speaker 1: people for just a second. I want to explain to

1183
01:13:43,880 --> 01:13:46,920
Speaker 1: you guys what happens in this industry, in this media space,

1184
01:13:47,080 --> 01:13:51,320
Speaker 1: what what they tend to do? Right? And maybe a

1185
01:13:51,439 --> 01:13:54,280
Speaker 1: regular consumer doesn't see this, but that's why I come

1186
01:13:54,360 --> 01:13:58,080
Speaker 1: in that. Um. I also want to speak. Man, it's

1187
01:13:58,080 --> 01:14:00,280
Speaker 1: so much going on in my brain. Also want to

1188
01:14:00,280 --> 01:14:04,760
Speaker 1: speak about this. Every time I doubt myself, the game

1189
01:14:04,920 --> 01:14:10,840
Speaker 1: gives me another push, you know, right when I say

1190
01:14:10,880 --> 01:14:15,080
Speaker 1: to myself, Man, damn man, these dudes making out the

1191
01:14:15,160 --> 01:14:17,519
Speaker 1: money doing it that way, So maybe we should do

1192
01:14:17,600 --> 01:14:20,680
Speaker 1: it that way, you think, maybe take a look at that,

1193
01:14:20,760 --> 01:14:22,680
Speaker 1: because I'm swift enough to do it that way if

1194
01:14:22,720 --> 01:14:24,560
Speaker 1: I need to do it. But take a look. But

1195
01:14:24,680 --> 01:14:27,360
Speaker 1: then the game or to me, no, sir, it is

1196
01:14:27,439 --> 01:14:31,040
Speaker 1: send it as send. It has send word. See that's

1197
01:14:31,040 --> 01:14:34,200
Speaker 1: the thing about the universe. It has send word. You

1198
01:14:34,320 --> 01:14:37,120
Speaker 1: gotta just be paying attention. It has send word. So

1199
01:14:37,240 --> 01:14:40,439
Speaker 1: it's send word to me, No, sir, how you doing it? Boy?

1200
01:14:40,520 --> 01:14:43,240
Speaker 1: You killing it? So I gotta continue to do do

1201
01:14:43,400 --> 01:14:45,760
Speaker 1: what I'm doing. But let me let me explain to

1202
01:14:45,840 --> 01:14:49,200
Speaker 1: you guys the way that this space works. Right, all

1203
01:14:49,280 --> 01:14:54,439
Speaker 1: of the top dogs who no longer really have to

1204
01:14:54,520 --> 01:15:00,680
Speaker 1: start a conversation. Now they can just further conversations. Right,

1205
01:15:00,800 --> 01:15:04,559
Speaker 1: So let's say on the bottom of the media landscape, right,

1206
01:15:04,680 --> 01:15:08,000
Speaker 1: you got people talking about, let's just pick a topic,

1207
01:15:08,160 --> 01:15:12,000
Speaker 1: let's it's up their podcast. Let me start to brand

1208
01:15:12,080 --> 01:15:16,120
Speaker 1: myself in these great analogies that I put out instead

1209
01:15:16,160 --> 01:15:18,960
Speaker 1: of some of these other people that maybe you know,

1210
01:15:19,160 --> 01:15:22,000
Speaker 1: never never, never co signed my brand on my podcast

1211
01:15:22,080 --> 01:15:24,920
Speaker 1: for whatever reason. So let's just say that at the

1212
01:15:25,000 --> 01:15:29,200
Speaker 1: bottom level of podcasting the media, people are talking about

1213
01:15:29,280 --> 01:15:33,200
Speaker 1: it's up their podcast and it's up their podcasts. Me,

1214
01:15:33,960 --> 01:15:37,200
Speaker 1: but now I've signed a deal with Spotify or Apple

1215
01:15:37,280 --> 01:15:40,120
Speaker 1: or one of these big companies. None of these people

1216
01:15:40,200 --> 01:15:44,479
Speaker 1: on the media lower scale can get in communication. Let's say,

1217
01:15:44,560 --> 01:15:50,640
Speaker 1: what a a coordinate Hope or Julia Beverly or one

1218
01:15:50,720 --> 01:15:53,519
Speaker 1: of these people from one of these places right where

1219
01:15:53,560 --> 01:15:56,639
Speaker 1: they can further that conversation and speak to that person

1220
01:15:56,720 --> 01:15:59,080
Speaker 1: as to what made you guys really believe in this

1221
01:15:59,280 --> 01:16:03,440
Speaker 1: up their part cast or hip hop music type podcast,

1222
01:16:03,600 --> 01:16:05,519
Speaker 1: like what made you guys go that route? Right? So

1223
01:16:05,880 --> 01:16:09,880
Speaker 1: they're able to capitalize and do things just based on

1224
01:16:10,000 --> 01:16:13,560
Speaker 1: their network in that context, right, so they don't necessarily

1225
01:16:13,640 --> 01:16:17,040
Speaker 1: have to further any conversations. Now, it's funny to me

1226
01:16:17,479 --> 01:16:19,920
Speaker 1: when I see them guys go to competing or go

1227
01:16:20,080 --> 01:16:26,000
Speaker 1: to throwing this is or in your windows at each other. Right,

1228
01:16:26,120 --> 01:16:31,519
Speaker 1: So let's take the Travis Scott in Charlemagne interview. When

1229
01:16:31,600 --> 01:16:33,840
Speaker 1: you see media come out because you hit me. I

1230
01:16:33,960 --> 01:16:36,600
Speaker 1: applause Charlemagne for doing that number one, because I know

1231
01:16:37,200 --> 01:16:40,839
Speaker 1: if we don't talk to us, they gonna paint the narrative,

1232
01:16:42,800 --> 01:16:46,120
Speaker 1: whether or not it's gonna be some negative back lads, Right,

1233
01:16:46,840 --> 01:16:49,240
Speaker 1: but I gotta get out in front of what's going on.

1234
01:16:49,479 --> 01:16:52,320
Speaker 1: We don't saw what happened when we be quiet. They

1235
01:16:52,400 --> 01:16:54,840
Speaker 1: don't convinced us to be quiet for a long time.

1236
01:16:54,920 --> 01:16:57,240
Speaker 1: So if I'm wrong by saying something, I got to

1237
01:16:57,360 --> 01:16:59,760
Speaker 1: live with that car. I don't saw what happened when

1238
01:16:59,800 --> 01:17:04,080
Speaker 1: they see you be quiet. Next thing you know, you're

1239
01:17:04,120 --> 01:17:06,240
Speaker 1: walking in court like yell, y'all say it be quiet.

1240
01:17:06,320 --> 01:17:09,680
Speaker 1: Y'all gonna take care of this now. EFO looking at

1241
01:17:09,720 --> 01:17:11,479
Speaker 1: me like I didn't done X, Y and Z and

1242
01:17:11,560 --> 01:17:15,080
Speaker 1: nobody ain't say it right. So that's another We'll get

1243
01:17:15,120 --> 01:17:19,080
Speaker 1: to that when I get into the interview. I want

1244
01:17:19,120 --> 01:17:21,760
Speaker 1: to speak to my people about what happens in media. Right,

1245
01:17:21,880 --> 01:17:28,840
Speaker 1: So Charlemagne gets an interview with Travis Scott. Next thing

1246
01:17:28,960 --> 01:17:33,000
Speaker 1: you know, a couple of media people like Joe Budden

1247
01:17:33,120 --> 01:17:36,200
Speaker 1: other people came out they shouldn't have done this interview.

1248
01:17:36,280 --> 01:17:38,439
Speaker 1: We didn't need to see that. That was tasteless, that

1249
01:17:38,600 --> 01:17:42,560
Speaker 1: was tactless, that was this, that was that and and and,

1250
01:17:42,720 --> 01:17:45,560
Speaker 1: like Gillis said, they liked to decorate it. So so

1251
01:17:45,720 --> 01:17:49,840
Speaker 1: they'll say something like, but no one's gonna turn down

1252
01:17:49,920 --> 01:17:54,600
Speaker 1: the interview, things like that, right to to try to

1253
01:17:55,479 --> 01:17:57,680
Speaker 1: try to make it seem away. I stand by what

1254
01:17:57,840 --> 01:18:02,560
Speaker 1: I'm saying, right, did I think that they accounted for

1255
01:18:02,640 --> 01:18:08,360
Speaker 1: that message being lost in translation amongst some people. But

1256
01:18:08,520 --> 01:18:11,360
Speaker 1: what we won't fall victim to is to the old tricks.

1257
01:18:12,840 --> 01:18:15,479
Speaker 1: We won't fall victim to the old tricks. But again,

1258
01:18:15,600 --> 01:18:18,600
Speaker 1: it's just funny when they don't get the interview they downplayed.

1259
01:18:18,920 --> 01:18:21,800
Speaker 1: I was telling Parlay like they do to no. Look,

1260
01:18:22,280 --> 01:18:24,280
Speaker 1: they try to act like it ain't effective, man, what

1261
01:18:24,479 --> 01:18:26,800
Speaker 1: is he doing? That ain't how we do it? You know,

1262
01:18:26,960 --> 01:18:30,280
Speaker 1: it's it's oh he's doing it in his basement. Oh oh,

1263
01:18:30,439 --> 01:18:32,280
Speaker 1: he said. The said. You know, they're gonna find a

1264
01:18:32,360 --> 01:18:36,240
Speaker 1: way to make you to try to convince you that

1265
01:18:36,400 --> 01:18:38,800
Speaker 1: what you're doing is outside of what they can do.

1266
01:18:39,360 --> 01:18:41,280
Speaker 1: So they're gonna make it look as if it's the

1267
01:18:41,360 --> 01:18:45,760
Speaker 1: wrong thing to be doing. I remember when they try

1268
01:18:45,800 --> 01:18:48,680
Speaker 1: to convince the quarterback, hey man, you don't need to

1269
01:18:48,720 --> 01:18:53,439
Speaker 1: be running, bro, No, stay in the pocket. He like, yo,

1270
01:18:53,560 --> 01:18:57,240
Speaker 1: But I'm fast in his wide open like what y'all

1271
01:18:57,320 --> 01:19:00,639
Speaker 1: looking at like you know, But that's the same thing

1272
01:19:00,760 --> 01:19:03,559
Speaker 1: with me in this podcast space right, They're gonna try

1273
01:19:03,600 --> 01:19:05,639
Speaker 1: to convince me I need to stay in the pocket

1274
01:19:07,920 --> 01:19:11,439
Speaker 1: because they don't got no legs. They got proceed in

1275
01:19:11,520 --> 01:19:14,599
Speaker 1: passing now they like paid manning bam one two three

1276
01:19:14,680 --> 01:19:17,200
Speaker 1: bam one two three pounds. They can hit a tight

1277
01:19:17,360 --> 01:19:21,200
Speaker 1: end come across the field. But I can hit the

1278
01:19:21,280 --> 01:19:23,840
Speaker 1: tight end coming across the field too. But I also

1279
01:19:24,000 --> 01:19:27,240
Speaker 1: can I also can take off with my own feeding

1280
01:19:27,560 --> 01:19:30,400
Speaker 1: get some yards that way. And that's the difference. When

1281
01:19:30,439 --> 01:19:32,240
Speaker 1: I say take off with my own feet, I mean

1282
01:19:32,680 --> 01:19:35,600
Speaker 1: operate outside of the structure of the industry. I can

1283
01:19:35,680 --> 01:19:39,519
Speaker 1: get some money myself, you know, I can. I can

1284
01:19:39,600 --> 01:19:43,439
Speaker 1: see anybody covered, meaning all the suckers, ain't they ain't

1285
01:19:43,439 --> 01:19:47,040
Speaker 1: nobody giving no opportunity? Right look over over, ain't nobody

1286
01:19:47,040 --> 01:19:51,280
Speaker 1: ain't no opportunity. Tuck that in my mouth. Huh. Fifteen

1287
01:19:51,400 --> 01:19:54,839
Speaker 1: yards first down. They keep doing this, I'm gonna scold

1288
01:19:56,320 --> 01:20:02,439
Speaker 1: problems when I score. They know count. So now they

1289
01:20:02,479 --> 01:20:04,360
Speaker 1: want to get in what the niggas is going then

1290
01:20:04,520 --> 01:20:08,720
Speaker 1: call them tripple. And then I got to reject when

1291
01:20:08,760 --> 01:20:11,559
Speaker 1: they go to talking Yo, we for each other like yo,

1292
01:20:11,960 --> 01:20:14,000
Speaker 1: if we for each other, and you see me putting

1293
01:20:14,040 --> 01:20:19,600
Speaker 1: this level of game down, non radioactive, taking care of

1294
01:20:19,640 --> 01:20:23,360
Speaker 1: all the business, and ain't nobody pushing up. That's a

1295
01:20:23,520 --> 01:20:27,960
Speaker 1: problem in this game. I can see if I didn't

1296
01:20:27,960 --> 01:20:31,599
Speaker 1: put myself in a position, I know I'd be telling niggas, Yo,

1297
01:20:31,800 --> 01:20:34,599
Speaker 1: home in. You gotta make yourself a real free agent.

1298
01:20:35,080 --> 01:20:37,160
Speaker 1: You can't just run around saying I'm going to the

1299
01:20:37,280 --> 01:20:40,960
Speaker 1: league next year. Say you gotta get inside the structure.

1300
01:20:41,000 --> 01:20:45,080
Speaker 1: I've done everything that needs to be done right, so

1301
01:20:45,280 --> 01:20:47,040
Speaker 1: now we just gotta see if the game is the

1302
01:20:47,160 --> 01:20:51,800
Speaker 1: game or what it's really about. But when they don't

1303
01:20:51,840 --> 01:20:55,680
Speaker 1: get the interview, and the first thing I said when

1304
01:20:55,720 --> 01:20:59,000
Speaker 1: I saw the interview to yo, I appreciate Charlemagne for

1305
01:20:59,120 --> 01:21:04,800
Speaker 1: doing this. We know what Charlemagne brand is healing mental health,

1306
01:21:05,600 --> 01:21:08,759
Speaker 1: you know, integrate all these things that he stand besides

1307
01:21:08,800 --> 01:21:11,479
Speaker 1: at this point in his career. And they go sit

1308
01:21:11,560 --> 01:21:15,479
Speaker 1: down with Travis Scott and YO get you know, let

1309
01:21:15,600 --> 01:21:19,000
Speaker 1: us do Outlet let me um, let me kind of

1310
01:21:19,080 --> 01:21:21,800
Speaker 1: direct this conversation where we can go into a place

1311
01:21:21,880 --> 01:21:26,439
Speaker 1: where there's some information giving out to the people. But

1312
01:21:27,000 --> 01:21:29,360
Speaker 1: we don't want you to. I mean we don't. I mean,

1313
01:21:29,479 --> 01:21:31,639
Speaker 1: you know, it's just a lot to get into. Let's

1314
01:21:31,720 --> 01:21:36,240
Speaker 1: let's get into a part of the interview, UM, and

1315
01:21:36,360 --> 01:21:39,000
Speaker 1: then we'll come back with some commentary. Before I get

1316
01:21:39,080 --> 01:21:41,600
Speaker 1: into that, I also want to make this point just

1317
01:21:41,800 --> 01:21:47,040
Speaker 1: about UM our community. You know when I say our community,

1318
01:21:47,120 --> 01:21:51,760
Speaker 1: just our network of black individuals, right, you know, we

1319
01:21:51,920 --> 01:21:55,280
Speaker 1: got people that you know represent us in sports agencies,

1320
01:21:55,960 --> 01:21:58,240
Speaker 1: UM that can relate to us. Now, we got people

1321
01:21:58,280 --> 01:22:03,000
Speaker 1: that's in mass media like Charlemagne is propelled himself up.

1322
01:22:03,400 --> 01:22:06,160
Speaker 1: We got UM people on the lower levels. We got

1323
01:22:06,200 --> 01:22:09,720
Speaker 1: people in buildings, revote, we got you know, people on TV. Now,

1324
01:22:10,040 --> 01:22:13,120
Speaker 1: we got people over in right, So we're starting to

1325
01:22:14,000 --> 01:22:19,240
Speaker 1: uh spread out, right, We're starting to spread out. It's

1326
01:22:19,280 --> 01:22:22,800
Speaker 1: like we we all ran up to entertainment and we

1327
01:22:23,080 --> 01:22:27,160
Speaker 1: got in our huddup. You understand me. You tight end,

1328
01:22:27,320 --> 01:22:30,120
Speaker 1: you fall back, you running back, you have back, and

1329
01:22:30,320 --> 01:22:32,960
Speaker 1: that's you. The media dude to talk about mental health.

1330
01:22:33,160 --> 01:22:35,080
Speaker 1: You the one we can come to for this. You

1331
01:22:35,240 --> 01:22:37,360
Speaker 1: the one we can go to for that revote. It's

1332
01:22:37,400 --> 01:22:40,320
Speaker 1: where the young creators, black dudes, it's hipping that they

1333
01:22:40,439 --> 01:22:42,599
Speaker 1: got some game, can go in get a shot at

1334
01:22:43,160 --> 01:22:45,479
Speaker 1: black effect. Is where you can take your podcast said,

1335
01:22:45,520 --> 01:22:48,120
Speaker 1: it's really about the culture. You know, uh me and

1336
01:22:48,200 --> 01:22:50,120
Speaker 1: not worth a game. Where you go to if you

1337
01:22:50,240 --> 01:22:52,519
Speaker 1: need to set this up and earn your leads is

1338
01:22:52,560 --> 01:22:54,439
Speaker 1: where you go to when we want to talk stocks

1339
01:22:54,479 --> 01:22:57,559
Speaker 1: to get with Rashad and you know it's it's game.

1340
01:22:58,040 --> 01:23:00,880
Speaker 1: You know, we're starting to create a a hell of

1341
01:23:00,960 --> 01:23:06,439
Speaker 1: a thing in this media place, right Charlemagne. And this

1342
01:23:06,640 --> 01:23:08,479
Speaker 1: is what I mean by some of us can only

1343
01:23:08,560 --> 01:23:13,719
Speaker 1: do certain jobs. I range is deep, but it depends

1344
01:23:13,760 --> 01:23:18,840
Speaker 1: on that particular situation, right Travis Scott coming off of that,

1345
01:23:19,320 --> 01:23:21,519
Speaker 1: you know so many people being hurt this that in

1346
01:23:21,600 --> 01:23:26,800
Speaker 1: the third Charlemagne's the right gotta sit down. But see

1347
01:23:26,800 --> 01:23:30,680
Speaker 1: a lot of people don't understand position. A lot of

1348
01:23:30,800 --> 01:23:33,120
Speaker 1: y'all are said a painter to do a plumber job.

1349
01:23:35,080 --> 01:23:37,320
Speaker 1: You understand a lot of y'all are said a mechanic

1350
01:23:37,439 --> 01:23:40,280
Speaker 1: to do a plumber job. So y'all ain't understanding what

1351
01:23:40,400 --> 01:23:42,439
Speaker 1: you look at that soon as you see it pop up,

1352
01:23:42,880 --> 01:23:46,080
Speaker 1: soon as I saw it pop up, I said, Charlomagne, Okay,

1353
01:23:46,439 --> 01:23:48,280
Speaker 1: I know what. I know where we're going with this.

1354
01:23:49,880 --> 01:23:53,080
Speaker 1: You understand. So I just gotta give kudos to us

1355
01:23:53,320 --> 01:23:57,240
Speaker 1: understanding where to goal with these things. Now, do I

1356
01:23:57,400 --> 01:24:03,360
Speaker 1: think that there's gonna be some next good UM conversation

1357
01:24:03,479 --> 01:24:09,120
Speaker 1: surrounding the interview? Yes, there's some blowback from the interview, Yes, yes,

1358
01:24:09,560 --> 01:24:13,320
Speaker 1: I believe that. But I also think that it was

1359
01:24:13,400 --> 01:24:18,320
Speaker 1: important for us to represent outside of things UM in

1360
01:24:18,439 --> 01:24:21,840
Speaker 1: this in this space. And also, it's loud. When when

1361
01:24:21,960 --> 01:24:25,599
Speaker 1: when when everybody everywhere you go talking about man, they

1362
01:24:25,640 --> 01:24:28,040
Speaker 1: wondering what they said you? They said you, they said you,

1363
01:24:28,200 --> 01:24:30,760
Speaker 1: they said you. How many of y'all can turn that off?

1364
01:24:30,840 --> 01:24:33,840
Speaker 1: I keep telling y'all, don't nobody know what this social

1365
01:24:33,920 --> 01:24:35,880
Speaker 1: media and all these phones in your hand and this

1366
01:24:36,040 --> 01:24:39,719
Speaker 1: in there doing for us. We don't know what it's doing.

1367
01:24:40,760 --> 01:24:43,800
Speaker 1: So the ramifications of it like it's loud, they didn't

1368
01:24:43,840 --> 01:24:46,679
Speaker 1: know what's it's loud coming from everybody. Hey, man, listen,

1369
01:24:46,720 --> 01:24:49,640
Speaker 1: they saying on the internet, or you killed six kids, bro?

1370
01:24:51,160 --> 01:24:53,439
Speaker 1: They said, well, they said you were negligent, you were

1371
01:24:53,520 --> 01:24:56,760
Speaker 1: watching p you encouraged this, you did you Those things

1372
01:24:56,800 --> 01:24:59,559
Speaker 1: are hard to deal with. Let's look at a little

1373
01:24:59,560 --> 01:25:04,639
Speaker 1: bit and you and we'll come back with some commentary. Yeah,

1374
01:25:04,720 --> 01:25:08,200
Speaker 1: to just be harmful people just I think showed up

1375
01:25:08,240 --> 01:25:09,880
Speaker 1: to have a good time and then you know, something

1376
01:25:10,000 --> 01:25:13,080
Speaker 1: unfortunately happened, and I think we really just got to

1377
01:25:13,120 --> 01:25:16,000
Speaker 1: figure out, you know what that was. You know, does

1378
01:25:16,120 --> 01:25:19,200
Speaker 1: raging make it harder to identify when something is going

1379
01:25:19,280 --> 01:25:23,120
Speaker 1: wrong in the crowd? Well, I think, you know, raging

1380
01:25:23,280 --> 01:25:26,160
Speaker 1: is just a you know, they have a textbook, you

1381
01:25:26,240 --> 01:25:29,360
Speaker 1: know definition. But you know, in the concerts and we've

1382
01:25:29,439 --> 01:25:32,200
Speaker 1: grown it to be just experience of having fun. It's

1383
01:25:32,240 --> 01:25:35,760
Speaker 1: not about just oh harm, it's not about that. It's

1384
01:25:35,760 --> 01:25:40,000
Speaker 1: about just letting go and having fun. You know, help others, no,

1385
01:25:40,200 --> 01:25:44,719
Speaker 1: love each other. It's not about just you know, harm,

1386
01:25:45,800 --> 01:25:47,600
Speaker 1: That's not what it's all about. The show isn't just

1387
01:25:48,120 --> 01:25:52,479
Speaker 1: rambunctious for hour. You know, that's not what it is. Oh,

1388
01:25:52,680 --> 01:25:55,000
Speaker 1: trust me, I grew up on crunk, so you know

1389
01:25:55,400 --> 01:25:57,599
Speaker 1: I understand. You know, you just don't you don't want

1390
01:25:57,640 --> 01:26:00,160
Speaker 1: it to get two out of hands. Yeah, but you

1391
01:26:00,240 --> 01:26:02,560
Speaker 1: know the code you know the energy is high, you know,

1392
01:26:02,840 --> 01:26:05,880
Speaker 1: and you know, and that's why you want to just

1393
01:26:06,000 --> 01:26:08,280
Speaker 1: make sure that, you know, people are surrounded to make

1394
01:26:08,280 --> 01:26:10,160
Speaker 1: sure that people are just having the best experience, you

1395
01:26:10,200 --> 01:26:12,600
Speaker 1: know what I'm saying. You know, I can't say the

1396
01:26:12,720 --> 01:26:15,599
Speaker 1: energy is high, but you know, you want to make

1397
01:26:15,640 --> 01:26:18,560
Speaker 1: sure that people are there for people to have like

1398
01:26:18,640 --> 01:26:20,720
Speaker 1: the best experience in leave. Yeah, you want people to

1399
01:26:20,760 --> 01:26:22,559
Speaker 1: have a good time. You want people to get hurt

1400
01:26:22,680 --> 01:26:25,920
Speaker 1: at all. Yeah yeah, and god a bid passed away.

1401
01:26:26,439 --> 01:26:29,000
Speaker 1: And you know it's typical for you to stop a

1402
01:26:29,080 --> 01:26:31,320
Speaker 1: show to make sure fans in the crowd get to help,

1403
01:26:31,840 --> 01:26:33,640
Speaker 1: you know, they need it. Even footage of that night

1404
01:26:33,960 --> 01:26:36,439
Speaker 1: of you doing that during the set where you unable

1405
01:26:36,520 --> 01:26:40,080
Speaker 1: to sense like a difference in urgency this time around,

1406
01:26:40,640 --> 01:26:43,200
Speaker 1: I mean yeah, because you know you stop the show,

1407
01:26:43,320 --> 01:26:45,360
Speaker 1: but you know, you know, if someone's gonna happen, if

1408
01:26:45,400 --> 01:26:47,880
Speaker 1: it's something detrimental, somebody's gonna let you know, you know,

1409
01:26:48,200 --> 01:26:52,120
Speaker 1: or you know, the show just stop them. And you

1410
01:26:52,200 --> 01:26:54,040
Speaker 1: know that just wasn't the case. You know, I just

1411
01:26:54,160 --> 01:26:56,080
Speaker 1: kind of stopped the show. You know, you just asked

1412
01:26:56,120 --> 01:26:58,559
Speaker 1: you have a call in response with the fans um

1413
01:26:58,760 --> 01:27:00,760
Speaker 1: you try to you know, generally get a response, but

1414
01:27:00,960 --> 01:27:05,120
Speaker 1: you know, if you don't get like a you stop,

1415
01:27:05,360 --> 01:27:08,479
Speaker 1: you know, it's just you can't you just don't you

1416
01:27:08,600 --> 01:27:10,400
Speaker 1: just go off of what's going on, you know, which

1417
01:27:10,520 --> 01:27:16,560
Speaker 1: makes it so like so crazy because like, you know,

1418
01:27:17,000 --> 01:27:19,040
Speaker 1: if I feel like, if you know, anyone wouldn't know

1419
01:27:19,080 --> 01:27:20,680
Speaker 1: and it would have just been like it wouldn't have

1420
01:27:20,680 --> 01:27:24,320
Speaker 1: gotten far. You know, what headspace were you win when

1421
01:27:24,320 --> 01:27:28,120
Speaker 1: you posted that that initial that initial response video. I

1422
01:27:28,200 --> 01:27:29,640
Speaker 1: mean it was I think it had to been the

1423
01:27:29,720 --> 01:27:33,000
Speaker 1: night of you know, Um, so I was just in

1424
01:27:33,080 --> 01:27:36,040
Speaker 1: a headspace of just trying to get a communication out

1425
01:27:36,040 --> 01:27:39,799
Speaker 1: to my fans, you know, and I had literally no information,

1426
01:27:39,960 --> 01:27:41,880
Speaker 1: you know, so I was just trying to figure it

1427
01:27:41,920 --> 01:27:47,200
Speaker 1: out and just communicate to them. You know. Yeah. I

1428
01:27:47,320 --> 01:27:51,320
Speaker 1: was just reacting just literally just to get something to

1429
01:27:51,400 --> 01:27:54,040
Speaker 1: the fans. You know, it's people that showed up. Do

1430
01:27:54,160 --> 01:27:56,640
Speaker 1: you regret that initial video. Do you regret reacting in

1431
01:27:56,680 --> 01:27:58,519
Speaker 1: that way or not, like not having all the information

1432
01:27:58,600 --> 01:28:01,120
Speaker 1: before you said something. I mean yeah, because you know,

1433
01:28:01,240 --> 01:28:03,080
Speaker 1: you just don't know what's going on. But at the

1434
01:28:03,160 --> 01:28:04,519
Speaker 1: end of the day, I don't, you know, I just

1435
01:28:04,680 --> 01:28:06,679
Speaker 1: wanted to get something out, you know how my messages

1436
01:28:06,720 --> 01:28:08,800
Speaker 1: came out. I can't you know, I can only go

1437
01:28:08,920 --> 01:28:10,840
Speaker 1: off for that, you know what I know, But my

1438
01:28:11,000 --> 01:28:14,040
Speaker 1: Truman titches of it. You know, I was really just

1439
01:28:14,080 --> 01:28:16,560
Speaker 1: trying to get a message across, and you know, I

1440
01:28:16,640 --> 01:28:19,439
Speaker 1: really wanted to just touch the fans, touching the families.

1441
01:28:19,520 --> 01:28:21,760
Speaker 1: You know that we here, we're grieving and we would

1442
01:28:21,760 --> 01:28:23,920
Speaker 1: get through this, you know, through this process. So what

1443
01:28:24,040 --> 01:28:26,920
Speaker 1: did you know in that first video? I mean at

1444
01:28:26,960 --> 01:28:28,439
Speaker 1: that time, I think we just knew that you know,

1445
01:28:28,520 --> 01:28:31,680
Speaker 1: people passed, you know, Um, we didn't know how you

1446
01:28:31,760 --> 01:28:33,600
Speaker 1: know that it was you know the news. You know,

1447
01:28:33,880 --> 01:28:37,120
Speaker 1: I think police came out and said something. Um, you know,

1448
01:28:37,160 --> 01:28:38,600
Speaker 1: you're just going off of what you're seeing in the

1449
01:28:38,800 --> 01:28:40,599
Speaker 1: in the in the news. You know, you don't really

1450
01:28:40,640 --> 01:28:42,400
Speaker 1: know nothing. And then as it did go on, you

1451
01:28:42,479 --> 01:28:45,200
Speaker 1: start collecting a little bit more information. They said there

1452
01:28:45,320 --> 01:28:49,200
Speaker 1: was there was like chaos and trampling being reported since

1453
01:28:49,280 --> 01:28:52,599
Speaker 1: the early afternoon, like like hours before the show even started.

1454
01:28:52,600 --> 01:28:55,360
Speaker 1: Were you informed of any of that ahead of time? Well? No,

1455
01:28:55,800 --> 01:28:59,840
Speaker 1: like um and um, you know, the police he came,

1456
01:29:00,600 --> 01:29:03,120
Speaker 1: he came in, um to my trailer, and you know,

1457
01:29:03,200 --> 01:29:06,479
Speaker 1: he congratulated me on you know, the event and you know,

1458
01:29:06,640 --> 01:29:09,920
Speaker 1: having something like this in Houston. He let me know

1459
01:29:10,080 --> 01:29:13,719
Speaker 1: that it was you know, mishap at the merging booth earlier.

1460
01:29:13,800 --> 01:29:15,280
Speaker 1: You know they shut it down. When they opened it

1461
01:29:15,360 --> 01:29:17,720
Speaker 1: back up, they she even got it under control. You know,

1462
01:29:17,800 --> 01:29:19,400
Speaker 1: he was gonna step out and just let us know

1463
01:29:20,080 --> 01:29:21,840
Speaker 1: if we need anything, you know, have a good show.

1464
01:29:22,640 --> 01:29:26,120
Speaker 1: You I was it. You know. A lot of the criticism,

1465
01:29:26,560 --> 01:29:28,240
Speaker 1: you know, from the tragedy, they say is in the

1466
01:29:28,960 --> 01:29:31,800
Speaker 1: poor planning and understaffing of the end of the event.

1467
01:29:32,320 --> 01:29:35,320
Speaker 1: As an artist, that you have any involvement in any

1468
01:29:35,360 --> 01:29:37,719
Speaker 1: of that, well, I mean we just as an artist,

1469
01:29:37,760 --> 01:29:40,080
Speaker 1: you just do the creative and for this being my festival,

1470
01:29:40,120 --> 01:29:41,840
Speaker 1: you know, I got you know, bring artists you know,

1471
01:29:42,000 --> 01:29:46,240
Speaker 1: creatively produce it, and you know we're just trusting you know,

1472
01:29:46,320 --> 01:29:48,519
Speaker 1: the professionals to kind of just make sure that you know,

1473
01:29:48,680 --> 01:29:52,439
Speaker 1: people you know taking care of and you know, leaving safely.

1474
01:29:52,520 --> 01:29:54,840
Speaker 1: You know, I just can control what I can on

1475
01:29:54,920 --> 01:29:57,000
Speaker 1: the stage, and then you know, you have the professionals

1476
01:29:57,040 --> 01:29:59,000
Speaker 1: control what they can in the crowd. You know, it's

1477
01:29:59,040 --> 01:30:00,960
Speaker 1: just hard because as an artists, you know, you want

1478
01:30:00,960 --> 01:30:05,800
Speaker 1: to it was a cut um, you know, I want

1479
01:30:05,840 --> 01:30:09,439
Speaker 1: to I want to first say, uh, condolences out to

1480
01:30:10,400 --> 01:30:13,720
Speaker 1: anyone that may have lost the loved one UM at

1481
01:30:13,760 --> 01:30:17,439
Speaker 1: the tragic event, you know, the astral worldface for the

1482
01:30:17,600 --> 01:30:21,800
Speaker 1: kids that um they died or the people that died there.

1483
01:30:22,280 --> 01:30:25,559
Speaker 1: I definitely want to send my condolences to those people

1484
01:30:26,439 --> 01:30:30,840
Speaker 1: thoughts and prayers, UM. And I hope that nothing I

1485
01:30:31,000 --> 01:30:34,360
Speaker 1: say here comes off as insensitive to you guys, because

1486
01:30:34,400 --> 01:30:41,160
Speaker 1: I'm not being insensitive. I'm teaching my people, UM, how

1487
01:30:41,280 --> 01:30:46,320
Speaker 1: I think, uh, we've learned from past transgressions, UM, and

1488
01:30:46,680 --> 01:30:49,760
Speaker 1: how we are trying to figure out how to respond

1489
01:30:50,520 --> 01:30:54,400
Speaker 1: without losing everything we worked hard for for something in

1490
01:30:54,520 --> 01:30:58,640
Speaker 1: which they remove context and impressed it forward. When I

1491
01:30:58,760 --> 01:31:01,400
Speaker 1: hear Travis Scott on this interview with Charlemagne and God,

1492
01:31:01,479 --> 01:31:04,840
Speaker 1: the first thing I say is, it feels like you're

1493
01:31:04,880 --> 01:31:09,960
Speaker 1: dealing with someone that's hurt, that's said, that's drained, that's

1494
01:31:10,400 --> 01:31:14,000
Speaker 1: in a situation where again the noise it's extremely loud.

1495
01:31:15,040 --> 01:31:16,840
Speaker 1: You know, there's a lot of people saying a lot

1496
01:31:16,880 --> 01:31:21,840
Speaker 1: of different things and again being misrepresented. It's always rough,

1497
01:31:23,360 --> 01:31:27,120
Speaker 1: it's always rough, and so and so I move with

1498
01:31:27,320 --> 01:31:29,400
Speaker 1: that with that understanding. Now, I'll hear a lot of

1499
01:31:29,520 --> 01:31:32,960
Speaker 1: podcasters Joe Budden and other people say, Yo, we didn't

1500
01:31:32,960 --> 01:31:36,479
Speaker 1: need this interview, and again I reiterate and repeat, I

1501
01:31:36,560 --> 01:31:40,799
Speaker 1: couldn't disagree more. And the reason I couldn't disagree more again,

1502
01:31:42,439 --> 01:31:44,960
Speaker 1: I swear to God, it'd be less about what's being

1503
01:31:45,040 --> 01:31:48,320
Speaker 1: said and more about who's saying it. Because when we

1504
01:31:48,439 --> 01:31:52,600
Speaker 1: look at someone like Travis Scott going through this and

1505
01:31:52,760 --> 01:31:54,599
Speaker 1: we just take a look back, we say, yo, look

1506
01:31:54,640 --> 01:31:58,000
Speaker 1: at history. A lot of times they trick the celebrity

1507
01:31:58,040 --> 01:32:00,200
Speaker 1: to be quiet. They paint the story. By the time

1508
01:32:00,240 --> 01:32:03,160
Speaker 1: the celebrity saying hey, yo, whoa, whoa, whoa, it's too late.

1509
01:32:03,880 --> 01:32:06,839
Speaker 1: They have not already made the decision or got the story.

1510
01:32:07,040 --> 01:32:11,280
Speaker 1: So ingratiating in people's mentality that now when we look

1511
01:32:11,320 --> 01:32:15,479
Speaker 1: at you, this is what we think now, in my opinion,

1512
01:32:15,920 --> 01:32:18,880
Speaker 1: if what they were accused of Michael Jackson, or if

1513
01:32:18,920 --> 01:32:21,040
Speaker 1: he would have just flat came out and say, yo,

1514
01:32:21,240 --> 01:32:27,040
Speaker 1: that's not true. That ain't the case. You understand, like

1515
01:32:27,800 --> 01:32:30,400
Speaker 1: you know, especially again, we're in a new age. We're

1516
01:32:30,439 --> 01:32:32,840
Speaker 1: dealing with the Internet. No one person is supposed to

1517
01:32:32,960 --> 01:32:36,720
Speaker 1: hear from this many people we come from tribalism. One

1518
01:32:36,800 --> 01:32:39,200
Speaker 1: hundred and fifty people at Max is what you're even

1519
01:32:39,320 --> 01:32:44,120
Speaker 1: supposed to know. We're talking fifteen million followers, and as

1520
01:32:44,120 --> 01:32:47,599
Speaker 1: soon as you upload a thousand comments within six minutes,

1521
01:32:47,640 --> 01:32:51,840
Speaker 1: like what are we saying this is? Drives a certain

1522
01:32:51,920 --> 01:32:55,679
Speaker 1: level of oh man, the world is crashing down. But again,

1523
01:32:55,800 --> 01:32:59,200
Speaker 1: we gotta say something. We gotta say something that what

1524
01:32:59,400 --> 01:33:03,840
Speaker 1: we say it's relative, but we gotta when when they

1525
01:33:03,920 --> 01:33:06,519
Speaker 1: start to paint it with a certain brush, and then

1526
01:33:06,600 --> 01:33:09,200
Speaker 1: it's always people painting it that don't look like us,

1527
01:33:10,000 --> 01:33:12,880
Speaker 1: the people that most time paint the narratives, they don't

1528
01:33:12,880 --> 01:33:16,519
Speaker 1: look like us. So now I'm supposed to let y'all

1529
01:33:16,640 --> 01:33:18,840
Speaker 1: keep saying I'm killing kids, and they want me to

1530
01:33:19,479 --> 01:33:21,800
Speaker 1: They want me to just go home and not say nothing.

1531
01:33:21,880 --> 01:33:26,760
Speaker 1: I can't do that, bro, I can do that, but

1532
01:33:26,880 --> 01:33:29,400
Speaker 1: it But again, I'm dealing with the results of what

1533
01:33:29,560 --> 01:33:32,479
Speaker 1: I saw. I'm dealing with what doesn't happen when we

1534
01:33:32,600 --> 01:33:35,240
Speaker 1: deal with this kind of thing. And I know that

1535
01:33:35,479 --> 01:33:37,880
Speaker 1: right now. So it could be it could be let's

1536
01:33:37,920 --> 01:33:40,960
Speaker 1: just forsake of not knowing say, it could be some

1537
01:33:41,200 --> 01:33:47,760
Speaker 1: misdirected accountability, meaning they putting it on my shoulders. When

1538
01:33:48,320 --> 01:33:51,720
Speaker 1: you hear him keep reiterating that same point, he yo.

1539
01:33:51,840 --> 01:33:55,760
Speaker 1: As an artist, you control the creativity, and the professionals

1540
01:33:55,880 --> 01:34:00,240
Speaker 1: they control the audience and all of that stuff. You know,

1541
01:34:00,320 --> 01:34:03,000
Speaker 1: I can kind of tell that someone did probably tell

1542
01:34:03,120 --> 01:34:05,840
Speaker 1: him to make sure that he you know, or maybe

1543
01:34:05,880 --> 01:34:09,960
Speaker 1: that's how he feels to say, you know, number one,

1544
01:34:10,080 --> 01:34:12,439
Speaker 1: that line because that's a very important line. And two

1545
01:34:13,200 --> 01:34:19,479
Speaker 1: you know, um, you know it's not raged. It's not

1546
01:34:19,600 --> 01:34:22,400
Speaker 1: to have a hard time. This is not what we

1547
01:34:22,560 --> 01:34:24,880
Speaker 1: hear for, like, that's not what this is about. Now.

1548
01:34:25,320 --> 01:34:27,599
Speaker 1: My question would have been, do you regret in there

1549
01:34:27,680 --> 01:34:31,160
Speaker 1: the imagery because I know what art is. We all

1550
01:34:31,240 --> 01:34:34,759
Speaker 1: play with art, but that imagery sometimes it blurs the lines.

1551
01:34:35,439 --> 01:34:37,720
Speaker 1: If you know what this imagery comes from. It's like,

1552
01:34:37,840 --> 01:34:43,599
Speaker 1: oh that's from Bohemian groves. Oh that's you know, certain

1553
01:34:43,640 --> 01:34:46,200
Speaker 1: little things like it's it's it's where they not really,

1554
01:34:48,160 --> 01:34:50,400
Speaker 1: but again a lot of times it's a play on art,

1555
01:34:51,080 --> 01:34:53,960
Speaker 1: you know what I'm saying. But again, sometimes, like I'm

1556
01:34:54,000 --> 01:34:58,639
Speaker 1: saying about academics, when you planning those seeds, it ain't

1557
01:34:58,680 --> 01:35:02,240
Speaker 1: it ain't useful to listen useful, you see what I'm saying,

1558
01:35:02,360 --> 01:35:05,559
Speaker 1: Like right now, don't mean nothing like Mike Michael Jackson

1559
01:35:06,200 --> 01:35:09,000
Speaker 1: when you was inviting kids out there as the number

1560
01:35:09,040 --> 01:35:14,320
Speaker 1: one artists in the world, the biggest person on the planet.

1561
01:35:17,680 --> 01:35:20,960
Speaker 1: You know, if there was a more clear understanding as

1562
01:35:21,000 --> 01:35:25,639
Speaker 1: to what that was, you you know, we allowed them

1563
01:35:25,720 --> 01:35:28,080
Speaker 1: to blur the lines, right, But when you don't say,

1564
01:35:28,120 --> 01:35:31,040
Speaker 1: because I'm coming out, you can't certain things you can't

1565
01:35:31,040 --> 01:35:33,360
Speaker 1: accuse me of. And I'm gonna be quiet because only

1566
01:35:33,439 --> 01:35:38,479
Speaker 1: because yo, no yo, my mama and them like it's

1567
01:35:38,720 --> 01:35:42,479
Speaker 1: like certain things I got the yo y'all tripping you know,

1568
01:35:42,640 --> 01:35:46,080
Speaker 1: some about some kids or you know, hey, yo, we're

1569
01:35:46,120 --> 01:35:49,240
Speaker 1: straightening that up. No, sir, that ain't me. You're lawyer,

1570
01:35:49,280 --> 01:35:55,320
Speaker 1: say your lawyers saying, don't main Look, because I operate

1571
01:35:55,400 --> 01:35:58,960
Speaker 1: in the business with a narrative can be used against

1572
01:35:59,000 --> 01:36:03,559
Speaker 1: you in the court of cloud or the court of business.

1573
01:36:04,840 --> 01:36:08,519
Speaker 1: More importantly, the narrative is used against you in the

1574
01:36:08,640 --> 01:36:11,559
Speaker 1: court of business. So when you go into a meeting,

1575
01:36:11,720 --> 01:36:14,080
Speaker 1: right and the narrative is you this or that, it

1576
01:36:14,280 --> 01:36:17,920
Speaker 1: makes you radioactive. You can't be dealt with. You hard

1577
01:36:18,000 --> 01:36:21,200
Speaker 1: to write. So it's information attached to knowing like yo,

1578
01:36:21,600 --> 01:36:24,360
Speaker 1: I'm not gonna let y'all paint me this way, especially

1579
01:36:24,439 --> 01:36:28,040
Speaker 1: now if I'm just a regular smuggler. Or if I'm

1580
01:36:28,920 --> 01:36:33,200
Speaker 1: a football guy, that's different for him, right, because it's like, look,

1581
01:36:34,439 --> 01:36:38,240
Speaker 1: Roger could there on them, or whoever runs the NFL.

1582
01:36:38,320 --> 01:36:40,599
Speaker 1: They probably care about the outcome or the case. Let's

1583
01:36:40,640 --> 01:36:44,760
Speaker 1: make sure we beat the case. Some things happened that

1584
01:36:44,840 --> 01:36:47,040
Speaker 1: they don't even care about the outcome or the case.

1585
01:36:47,120 --> 01:36:50,599
Speaker 1: Look how they did Kobe RP Kobe Kobe beat the case.

1586
01:36:51,200 --> 01:36:54,160
Speaker 1: He died. People still bringing up the case. I beat

1587
01:36:54,240 --> 01:36:58,439
Speaker 1: the case. So the outcome or the case ain't even

1588
01:36:58,520 --> 01:37:04,759
Speaker 1: at the forefront of the conversation. It ain't nothing about

1589
01:37:04,880 --> 01:37:11,440
Speaker 1: the narrative were dealing with. And this fake narrative sometimes

1590
01:37:11,520 --> 01:37:13,920
Speaker 1: a bleed into their court room and started to make

1591
01:37:14,000 --> 01:37:16,599
Speaker 1: no circle. You know, I gotta say something. But let's

1592
01:37:16,640 --> 01:37:18,479
Speaker 1: look at a little bit more and see what happened.

1593
01:37:22,160 --> 01:37:24,880
Speaker 1: Wasn't you want to have the best experiences, ain't you?

1594
01:37:26,560 --> 01:37:30,160
Speaker 1: You know, you link with professionals to handle that side

1595
01:37:30,200 --> 01:37:34,840
Speaker 1: of it, you know, and you know you want to

1596
01:37:34,920 --> 01:37:36,360
Speaker 1: know what's going on. I think that's what we got

1597
01:37:36,479 --> 01:37:40,000
Speaker 1: to figure out, you know, and figure out what happened there,

1598
01:37:40,120 --> 01:37:43,920
Speaker 1: how that happened. You know, you spoke on the Houston

1599
01:37:44,000 --> 01:37:45,880
Speaker 1: Police chief. His name is a Troy Finn that he

1600
01:37:45,960 --> 01:37:48,680
Speaker 1: came to you and he said he voiced concerns over

1601
01:37:48,800 --> 01:37:51,599
Speaker 1: the crowd energy. So what did you and your team

1602
01:37:51,880 --> 01:37:54,040
Speaker 1: like do with that information? Well, I think that's what

1603
01:37:54,160 --> 01:37:57,080
Speaker 1: the media. Um, I think that's what the media said,

1604
01:37:57,160 --> 01:37:59,640
Speaker 1: but I think I think it read two more so

1605
01:37:59,800 --> 01:38:02,560
Speaker 1: that he wanted us to He knew that our crowd was,

1606
01:38:02,800 --> 01:38:04,439
Speaker 1: you know, the type of crowd that comes. It comes

1607
01:38:04,520 --> 01:38:07,200
Speaker 1: a heavy crowd. So to communicate with him if we

1608
01:38:07,280 --> 01:38:10,200
Speaker 1: were doing anything outside of the week's itinerary. You know,

1609
01:38:11,040 --> 01:38:12,680
Speaker 1: um that week we were doing like a lot of

1610
01:38:12,760 --> 01:38:14,920
Speaker 1: charity stuff prior to the festival, so you know the

1611
01:38:15,120 --> 01:38:17,880
Speaker 1: security at most of the events. But you know, he

1612
01:38:18,040 --> 01:38:19,799
Speaker 1: was just letting us, you know, I guess in that statement,

1613
01:38:19,840 --> 01:38:21,439
Speaker 1: he was just saying, if we do anything outside of

1614
01:38:21,760 --> 01:38:25,400
Speaker 1: what we had on our itinerary, let him know. But

1615
01:38:25,640 --> 01:38:27,800
Speaker 1: you know, we didn't even get to that point. You know,

1616
01:38:27,880 --> 01:38:29,640
Speaker 1: it's crazy just you know, being a kicking it with

1617
01:38:29,720 --> 01:38:30,960
Speaker 1: you for a little bit, Like I can see that

1618
01:38:31,760 --> 01:38:35,479
Speaker 1: you know this is wayning real heavy on it. Yeah,

1619
01:38:35,840 --> 01:38:40,160
Speaker 1: So so how much do you do you feel a

1620
01:38:40,320 --> 01:38:44,680
Speaker 1: sense of responsibility for what happened at night? Well, you know,

1621
01:38:45,439 --> 01:38:48,720
Speaker 1: fans come to have a come to the show and

1622
01:38:48,800 --> 01:38:53,040
Speaker 1: have a good experience, you know, Um, and I have

1623
01:38:53,120 --> 01:38:57,120
Speaker 1: a responsibility to to figure out what happened here. I

1624
01:38:57,200 --> 01:39:01,680
Speaker 1: have a responsibility to figure out the solution, you know,

1625
01:39:02,080 --> 01:39:05,200
Speaker 1: and I gotta and hopefully this takes the first step

1626
01:39:05,280 --> 01:39:09,519
Speaker 1: into you know, us as artists, you know, having that

1627
01:39:09,840 --> 01:39:12,720
Speaker 1: more insight of what's going on, you know what I'm saying, UM,

1628
01:39:13,960 --> 01:39:17,640
Speaker 1: and you know, the professionals to kind of you know,

1629
01:39:18,360 --> 01:39:21,160
Speaker 1: surround and figure out more of an intel, whether it's tech,

1630
01:39:21,320 --> 01:39:23,439
Speaker 1: whether it's you know, more of a response, whether it's

1631
01:39:23,720 --> 01:39:27,160
Speaker 1: whatever the problem is, you know, UM to figure out

1632
01:39:27,240 --> 01:39:30,200
Speaker 1: that and in the future and moving forward in concert safety,

1633
01:39:30,800 --> 01:39:32,800
Speaker 1: make sure it just never happen again. You know. But

1634
01:39:32,920 --> 01:39:35,559
Speaker 1: let's talk about those professionals, like how much how much

1635
01:39:35,600 --> 01:39:39,160
Speaker 1: responsibility do you think, like Live Nation and score more

1636
01:39:39,280 --> 01:39:42,400
Speaker 1: the promoters having all of this, I mean, you know,

1637
01:39:43,960 --> 01:39:48,160
Speaker 1: they do their job of you know, setting these things up.

1638
01:39:48,200 --> 01:39:52,439
Speaker 1: So I mean, I think you know, they they when

1639
01:39:52,479 --> 01:39:56,200
Speaker 1: we dial into what you know specifically happen here, I

1640
01:39:56,240 --> 01:39:59,040
Speaker 1: feel like, you know, even they can kind of help,

1641
01:39:59,160 --> 01:40:02,880
Speaker 1: you know, figure out what happened in the sense, um,

1642
01:40:04,200 --> 01:40:05,280
Speaker 1: you know, but at the end of the day, I

1643
01:40:05,320 --> 01:40:07,840
Speaker 1: think collectively everyone needs to just figure out the bottom

1644
01:40:07,840 --> 01:40:12,479
Speaker 1: line solution. But you know, especially at concert safety, you know,

1645
01:40:12,920 --> 01:40:14,960
Speaker 1: definitely got to have you know, make sure that you

1646
01:40:15,040 --> 01:40:19,280
Speaker 1: know these things are you know, they're right. You think

1647
01:40:19,320 --> 01:40:22,760
Speaker 1: he's festivals are too big man, tifty dollars people with

1648
01:40:22,760 --> 01:40:25,360
Speaker 1: a lot of people for anybody to come their festivals

1649
01:40:25,360 --> 01:40:31,160
Speaker 1: that are bigger, you know, way bigger, And you know,

1650
01:40:31,600 --> 01:40:35,040
Speaker 1: I just think it's not about the maximum of it.

1651
01:40:35,120 --> 01:40:37,040
Speaker 1: I think it's about the attension to what's going on

1652
01:40:37,840 --> 01:40:39,880
Speaker 1: and how it's going on. And as long as that's handle,

1653
01:40:39,960 --> 01:40:42,519
Speaker 1: I feel like, you know, things can be you know,

1654
01:40:42,640 --> 01:40:46,280
Speaker 1: can go okay, We'll be okay, you know. But if

1655
01:40:46,360 --> 01:40:49,559
Speaker 1: you look at it through the history of festivals, you know, um,

1656
01:40:49,680 --> 01:40:51,360
Speaker 1: this isn't the first time happened. It's been a long

1657
01:40:51,439 --> 01:40:54,120
Speaker 1: history of this, you know. So I feel like if

1658
01:40:54,160 --> 01:40:57,200
Speaker 1: you look at the overall you know, view of that

1659
01:40:57,760 --> 01:40:59,920
Speaker 1: and you kind of like dolling, Okay, what can we

1660
01:41:00,120 --> 01:41:03,080
Speaker 1: do better to fix this overall for general concert safety,

1661
01:41:03,280 --> 01:41:06,120
Speaker 1: I think we figure out the problem, you know, um

1662
01:41:06,240 --> 01:41:09,040
Speaker 1: and make it better for people to have better live experiences.

1663
01:41:09,680 --> 01:41:13,760
Speaker 1: Live Nation reportedly agreed to end the concert early after

1664
01:41:13,800 --> 01:41:16,680
Speaker 1: the Houston PD and the Fire Department declared that a

1665
01:41:16,760 --> 01:41:20,519
Speaker 1: match cavity event, but the concert continued for another forty minutes.

1666
01:41:20,600 --> 01:41:23,320
Speaker 1: Was that any ever any communication to use the important

1667
01:41:23,880 --> 01:41:26,040
Speaker 1: that you should in this? Well, yeah, I mean they

1668
01:41:26,120 --> 01:41:28,439
Speaker 1: just told me right after you know, the guests can

1669
01:41:28,720 --> 01:41:30,599
Speaker 1: get off stage, you know, we're gonna end the show,

1670
01:41:30,960 --> 01:41:33,280
Speaker 1: you know, and that's what we did. No other than that,

1671
01:41:34,080 --> 01:41:36,720
Speaker 1: there was no other communication, you know, so after you mean,

1672
01:41:36,760 --> 01:41:38,880
Speaker 1: after the guests what you mean, Yeah, after the guests

1673
01:41:38,920 --> 01:41:40,800
Speaker 1: comes out, Okay, we're gonna, we're gonna end the show.

1674
01:41:40,840 --> 01:41:43,680
Speaker 1: But it wasn't a communication on why, you know. It

1675
01:41:43,840 --> 01:41:45,519
Speaker 1: was just you know, that's what came through my ears,

1676
01:41:45,560 --> 01:41:49,840
Speaker 1: you know. So they didn't say stopped. Now. No. Wow,

1677
01:41:50,400 --> 01:41:53,040
Speaker 1: you feel like people are forcing more responsibility on you

1678
01:41:53,560 --> 01:41:56,960
Speaker 1: because you are the front man, because it was astral World.

1679
01:41:57,840 --> 01:41:59,519
Speaker 1: Well yeah, I mean, you know, I'm gonna you know,

1680
01:41:59,560 --> 01:42:02,519
Speaker 1: I'm gonna to the festival. You know, I'm an artist,

1681
01:42:02,680 --> 01:42:06,760
Speaker 1: you know, so yeah, you know, the media is you know,

1682
01:42:06,960 --> 01:42:11,600
Speaker 1: they yeah, they want to, you know, put it on me.

1683
01:42:11,680 --> 01:42:13,040
Speaker 1: And but at the end of the day, it's like,

1684
01:42:14,680 --> 01:42:16,400
Speaker 1: I don't think it's more so about that. I think

1685
01:42:16,439 --> 01:42:20,200
Speaker 1: it's more so about UM stepping up to figure out

1686
01:42:20,240 --> 01:42:22,519
Speaker 1: what the problem is. And I could take that. I

1687
01:42:22,560 --> 01:42:25,120
Speaker 1: could take, you know, stepping up to figure out what

1688
01:42:25,160 --> 01:42:27,400
Speaker 1: the problem is. I could take stepping into figuring out

1689
01:42:27,439 --> 01:42:29,160
Speaker 1: the solution that had never happened again, because that's what

1690
01:42:29,200 --> 01:42:31,920
Speaker 1: I generally want to do in general, even just for

1691
01:42:32,040 --> 01:42:34,760
Speaker 1: my community. You know, the whole idea for why I

1692
01:42:34,800 --> 01:42:37,760
Speaker 1: brought this festival to the city was to you know,

1693
01:42:37,920 --> 01:42:42,120
Speaker 1: show that Heuston is something different. Let me let me

1694
01:42:42,200 --> 01:42:46,280
Speaker 1: speak on this too again. I want to spend a

1695
01:42:46,360 --> 01:42:50,080
Speaker 1: little bit of time about the way things look, the

1696
01:42:50,160 --> 01:42:54,639
Speaker 1: way they come off, and how they received. UM Number one,

1697
01:42:55,160 --> 01:42:58,880
Speaker 1: I can imagine right see, and this is what I'm saying.

1698
01:42:58,960 --> 01:43:02,120
Speaker 1: This is where you gotta understand what you're saying to

1699
01:43:02,240 --> 01:43:07,000
Speaker 1: the people. I can understand the people who's directly affected, right,

1700
01:43:07,880 --> 01:43:12,120
Speaker 1: the people that's directly affected, the people that lost loved ones,

1701
01:43:12,200 --> 01:43:15,240
Speaker 1: the people that was in presence, that any kind of

1702
01:43:15,360 --> 01:43:20,160
Speaker 1: family of anybody that was affected by this devastating situation.

1703
01:43:20,640 --> 01:43:23,120
Speaker 1: I understand that they're gonna feel a way about him

1704
01:43:23,200 --> 01:43:26,479
Speaker 1: speaking at all. That's what we do, that's that's they're

1705
01:43:26,479 --> 01:43:28,720
Speaker 1: gonna feel it. Their emotions is tied up in this,

1706
01:43:29,600 --> 01:43:32,439
Speaker 1: they're dealing with lost, they're dealing with death, they're dealing

1707
01:43:32,520 --> 01:43:36,479
Speaker 1: with devastation. They post to feel a way, and we

1708
01:43:36,680 --> 01:43:41,040
Speaker 1: give them that grace. But what we're dealing with this

1709
01:43:41,240 --> 01:43:45,000
Speaker 1: ain't for them. When you see Travis Scott and Charlemagne

1710
01:43:45,120 --> 01:43:48,400
Speaker 1: sit down, that ain't for the people that was hurt

1711
01:43:48,600 --> 01:43:51,400
Speaker 1: in this. He ain't coming to talk to them. This

1712
01:43:51,720 --> 01:43:58,760
Speaker 1: is a direct response. This is to come bat what

1713
01:43:58,960 --> 01:44:03,599
Speaker 1: you see mass me. You're doing this is to combat

1714
01:44:03,760 --> 01:44:07,560
Speaker 1: Hulu documentaries and seeing then segments and people going on

1715
01:44:07,760 --> 01:44:10,320
Speaker 1: podcast let's see this is what I'm saying you you

1716
01:44:10,520 --> 01:44:13,960
Speaker 1: podcast guys run around talking about this, all these people.

1717
01:44:14,080 --> 01:44:16,439
Speaker 1: Then when he come out and put it aside, all

1718
01:44:16,520 --> 01:44:19,679
Speaker 1: the interviews shouldn't have happened. So tell me what should

1719
01:44:19,680 --> 01:44:24,479
Speaker 1: have happened, super lame, tell me what tell me what

1720
01:44:24,680 --> 01:44:28,960
Speaker 1: posts to happen. And then everybody want to speak from

1721
01:44:29,000 --> 01:44:32,639
Speaker 1: the position of the people, right, Oh if my child,

1722
01:44:32,760 --> 01:44:36,640
Speaker 1: of course, this ain't for you, baby, and our condolences

1723
01:44:36,760 --> 01:44:39,519
Speaker 1: go out to you dealing with that loss of a tragic,

1724
01:44:40,080 --> 01:44:43,920
Speaker 1: stupid situation that I imagine you feel that way, and

1725
01:44:44,080 --> 01:44:48,120
Speaker 1: we give you that. But this is to combat mass

1726
01:44:48,320 --> 01:44:52,840
Speaker 1: media home. This is the combat or situation that I

1727
01:44:53,000 --> 01:44:55,000
Speaker 1: may not be in control of if I let it

1728
01:44:55,120 --> 01:44:57,800
Speaker 1: keep rolling this way and see it's always a bunch

1729
01:44:57,840 --> 01:45:02,280
Speaker 1: of super lame podcast house. You dudes be lame, You

1730
01:45:02,560 --> 01:45:04,960
Speaker 1: dudes be lame. You see that this is out then

1731
01:45:05,000 --> 01:45:08,000
Speaker 1: caught on a lot of these podcast dudes are the

1732
01:45:08,080 --> 01:45:10,040
Speaker 1: dudes that have paid a third or eight thousand to

1733
01:45:10,120 --> 01:45:13,800
Speaker 1: see a rapper, baby Mama. A lot of these podcasters

1734
01:45:15,200 --> 01:45:19,479
Speaker 1: data ones that feel privileged because they fuck they with somebody,

1735
01:45:19,920 --> 01:45:26,599
Speaker 1: some rapper, nigga, baby mama. They them type dudes. You understand,

1736
01:45:26,720 --> 01:45:30,680
Speaker 1: But what do they suggest I do? They just put

1737
01:45:30,720 --> 01:45:33,680
Speaker 1: out a documentary. I already see what they're doing. They

1738
01:45:33,840 --> 01:45:37,160
Speaker 1: come in to brain me down, and let's say, because

1739
01:45:37,160 --> 01:45:39,640
Speaker 1: you know, look at he telling you his man said, yo,

1740
01:45:39,760 --> 01:45:42,519
Speaker 1: I could control the stage, but the professionals control that.

1741
01:45:44,000 --> 01:45:47,040
Speaker 1: And if there's a misunderstanding and that somebody needs to

1742
01:45:47,080 --> 01:45:50,240
Speaker 1: clear that up with him. But in his brain it's like, yo,

1743
01:45:50,400 --> 01:45:53,120
Speaker 1: all this is not all my fault, Like what do

1744
01:45:53,240 --> 01:45:57,400
Speaker 1: we And if I be quiet, I go down like

1745
01:45:57,520 --> 01:46:01,439
Speaker 1: these other people who said nothing sat over in the

1746
01:46:01,560 --> 01:46:04,360
Speaker 1: corner like good boy, And next thing you know, the

1747
01:46:04,479 --> 01:46:07,880
Speaker 1: trial is here and they wait the day three in

1748
01:46:07,960 --> 01:46:10,200
Speaker 1: the trial where it looked like the trial is going

1749
01:46:10,640 --> 01:46:13,120
Speaker 1: opposite of what they've been told. Now they want to

1750
01:46:13,120 --> 01:46:15,400
Speaker 1: say something, it's too late now, thein't nothing. Oh he's

1751
01:46:15,520 --> 01:46:18,200
Speaker 1: his mind is he's he's going through a lot stressed

1752
01:46:18,240 --> 01:46:20,840
Speaker 1: out these outbursts, you know they I'm telling you. So

1753
01:46:21,400 --> 01:46:23,519
Speaker 1: sometimes you gotta figure out a right, we saw it

1754
01:46:23,680 --> 01:46:27,559
Speaker 1: happen that way. I don't like the outcome, and then

1755
01:46:28,200 --> 01:46:30,639
Speaker 1: I gotta do this. But let me talk to Joe

1756
01:46:30,720 --> 01:46:34,200
Speaker 1: Buddon for a few seconds just about the way that

1757
01:46:34,600 --> 01:46:39,640
Speaker 1: I think that he uses his platform. And for me,

1758
01:46:39,880 --> 01:46:42,479
Speaker 1: I understand it a little bit because I understand the

1759
01:46:42,560 --> 01:46:45,439
Speaker 1: competitive nature in this field, right, and how you want

1760
01:46:45,479 --> 01:46:49,400
Speaker 1: to always keep your competitive edge or your competitive advantage

1761
01:46:49,760 --> 01:46:52,479
Speaker 1: on the next podcaster, so you shun things they do.

1762
01:46:52,880 --> 01:46:55,760
Speaker 1: Oh it's not really cool. They can't, you know, even

1763
01:46:55,840 --> 01:46:59,160
Speaker 1: though you are you're there, so but you always want

1764
01:46:59,160 --> 01:47:02,280
Speaker 1: to keep that separate ration, you know. I want to

1765
01:47:02,360 --> 01:47:07,000
Speaker 1: speak to you guys who say that Travis Scott is

1766
01:47:07,240 --> 01:47:10,560
Speaker 1: arrogant for wanting to get his side out, and for

1767
01:47:10,720 --> 01:47:13,919
Speaker 1: me that that that I didn't like how that was received.

1768
01:47:14,960 --> 01:47:17,320
Speaker 1: I didn't like how that was received, not coming from

1769
01:47:17,439 --> 01:47:21,680
Speaker 1: us we don't post a sound like mass media. The

1770
01:47:21,800 --> 01:47:26,160
Speaker 1: truth is the truth, right arrogant? I won't say unwarranted

1771
01:47:26,240 --> 01:47:28,840
Speaker 1: to the people directly affect against, but I know what

1772
01:47:28,960 --> 01:47:32,479
Speaker 1: he's doing. He's battling mass media. They just dropped the

1773
01:47:32,600 --> 01:47:36,200
Speaker 1: documentary with a budget. They just they dropping ship before

1774
01:47:36,240 --> 01:47:39,800
Speaker 1: it's even caught started, lawsuits popping up every day. They

1775
01:47:39,920 --> 01:47:43,920
Speaker 1: looking someone to peel the tail on the donkey. They

1776
01:47:44,040 --> 01:47:46,360
Speaker 1: looking to peel the tail on the donkey. So and

1777
01:47:46,520 --> 01:47:48,880
Speaker 1: I and baby and man and mind feeling of that.

1778
01:47:49,040 --> 01:47:51,679
Speaker 1: But people, the natural consumer don't know how this worked.

1779
01:47:52,240 --> 01:47:55,720
Speaker 1: They don't know that It's just called It's up there

1780
01:47:55,880 --> 01:47:59,240
Speaker 1: podcast festival. And then I hired this person to handle

1781
01:47:59,320 --> 01:48:01,920
Speaker 1: this this person, so I gotta come out with some

1782
01:48:02,160 --> 01:48:05,480
Speaker 1: kind of information to combat some of this other information

1783
01:48:05,600 --> 01:48:10,479
Speaker 1: that's out there. But arrogant is the wrong word to use,

1784
01:48:11,880 --> 01:48:16,120
Speaker 1: especially from someone like Joe Button. Everybody knows that I'm

1785
01:48:16,160 --> 01:48:18,600
Speaker 1: a student of the game. I got a lot of

1786
01:48:18,680 --> 01:48:23,280
Speaker 1: respect for Joe, Charlemagne, RP, Combat, Jack Pistol P Rogan,

1787
01:48:23,760 --> 01:48:28,320
Speaker 1: Tom sa Girl, Bill bird Shots, you know this whole

1788
01:48:28,479 --> 01:48:32,599
Speaker 1: game who built this industry. Though, I got a lot

1789
01:48:32,680 --> 01:48:35,760
Speaker 1: of respect for this industry. The Joey Diaz is the

1790
01:48:36,080 --> 01:48:40,040
Speaker 1: the despect all the comics, that whole comics scene. I

1791
01:48:40,120 --> 01:48:42,680
Speaker 1: got a lot of respect for everybody that's operated in

1792
01:48:42,800 --> 01:48:46,320
Speaker 1: this right Chris Munroe shout out to him, But it's

1793
01:48:46,360 --> 01:48:49,160
Speaker 1: a lot of people I got respect for. So I'm

1794
01:48:49,200 --> 01:48:52,760
Speaker 1: a student of the game. Arrogant is the wrong word

1795
01:48:52,800 --> 01:48:55,679
Speaker 1: to use when you say that, because let's be clear

1796
01:48:55,760 --> 01:49:01,400
Speaker 1: who mistakes. We all make them. We all got some.

1797
01:49:02,760 --> 01:49:05,519
Speaker 1: We all gonna keep heading something. Ain't nobody getting rid

1798
01:49:05,560 --> 01:49:09,720
Speaker 1: of mistakes. And if I charge it to my head,

1799
01:49:09,880 --> 01:49:12,400
Speaker 1: not my heart, because what I'm trying to do is

1800
01:49:12,439 --> 01:49:14,800
Speaker 1: combat what I see the folk trying to do. Y'all

1801
01:49:14,840 --> 01:49:17,120
Speaker 1: ain't giving me no grace. On the black media sign

1802
01:49:17,760 --> 01:49:21,679
Speaker 1: y'all my people, y'all signed like the man's media. Y'all

1803
01:49:21,760 --> 01:49:23,880
Speaker 1: signed like them. What we doing. I thought we had

1804
01:49:24,000 --> 01:49:26,519
Speaker 1: all when I had to come help you build it.

1805
01:49:26,840 --> 01:49:29,200
Speaker 1: But see that's where I don't know if Travis is here,

1806
01:49:29,240 --> 01:49:33,000
Speaker 1: but that's where you gotta come high let us instead

1807
01:49:33,040 --> 01:49:35,080
Speaker 1: of going to see it with shout out to everybody.

1808
01:49:35,160 --> 01:49:37,599
Speaker 1: We gotta make sure that a apple want to get

1809
01:49:37,600 --> 01:49:41,240
Speaker 1: an interview with Travis Drake, All right, Well, I'm only

1810
01:49:41,320 --> 01:49:43,599
Speaker 1: doing an interview with Loon, So cut Loon to check.

1811
01:49:43,680 --> 01:49:47,120
Speaker 1: But we're doing on Apple because we gotta talk to us.

1812
01:49:47,960 --> 01:49:51,639
Speaker 1: Don't sit me across from your your a one apple

1813
01:49:52,200 --> 01:49:57,200
Speaker 1: a personality. Respectful it though, because he has a job

1814
01:49:57,320 --> 01:49:59,800
Speaker 1: he can do right, I'm saying, But far as this thing,

1815
01:50:00,000 --> 01:50:02,280
Speaker 1: you gotta talk to us because I gotta help build them,

1816
01:50:02,360 --> 01:50:06,280
Speaker 1: because that's who's gonna combat y'all. When y'all go to saying, oh,

1817
01:50:06,400 --> 01:50:11,360
Speaker 1: here rapists, Oh they're bringing up something from twenty years ago,

1818
01:50:11,760 --> 01:50:14,960
Speaker 1: we got you gotta sit our soldiers out. You gotta

1819
01:50:15,000 --> 01:50:18,240
Speaker 1: have a Joe Bunning's combating at the Norris combating at

1820
01:50:18,280 --> 01:50:21,400
Speaker 1: the Big Facts Podcast combating it, the Loons combating it,

1821
01:50:21,479 --> 01:50:25,080
Speaker 1: the indepartments combating it. To get in Willow's combating, we

1822
01:50:25,200 --> 01:50:29,880
Speaker 1: all collectively are speaking about the other side of what

1823
01:50:30,080 --> 01:50:33,559
Speaker 1: they representing in the man's media, especially when he comes

1824
01:50:33,600 --> 01:50:37,479
Speaker 1: to one eyes. That's the level of understanding I have.

1825
01:50:37,680 --> 01:50:39,680
Speaker 1: But to say arrogant, I want to I want I

1826
01:50:39,760 --> 01:50:42,320
Speaker 1: want to make a point about that, coming from Joe

1827
01:50:42,400 --> 01:50:47,840
Speaker 1: Buddon respectfully, you calling arrogant to a guy that's coming

1828
01:50:47,880 --> 01:50:50,200
Speaker 1: out to try to combat what we know is happening.

1829
01:50:52,479 --> 01:50:54,720
Speaker 1: This is coming from the same guy that fired his

1830
01:50:54,920 --> 01:51:01,600
Speaker 1: friends on camera, and and we give you grace for that.

1831
01:51:01,800 --> 01:51:04,000
Speaker 1: We know that was a mistake. Your emotions was that

1832
01:51:04,120 --> 01:51:07,639
Speaker 1: it was loud. Shit was loud? Shit was I saw

1833
01:51:07,720 --> 01:51:10,040
Speaker 1: you get on the end of you did four five episodes,

1834
01:51:10,080 --> 01:51:12,960
Speaker 1: sill the noise. You couldn't get away from the noise.

1835
01:51:13,080 --> 01:51:16,280
Speaker 1: It was rory mall. They made you out of out

1836
01:51:16,320 --> 01:51:20,599
Speaker 1: of value. That are you stealing you? So you come out,

1837
01:51:21,000 --> 01:51:27,599
Speaker 1: you say something, it's loud, but you can't call them

1838
01:51:27,640 --> 01:51:32,200
Speaker 1: man arrogant for trying to combat that from you. These

1839
01:51:32,320 --> 01:51:34,240
Speaker 1: is your friends. You see. I didn't say your co

1840
01:51:34,479 --> 01:51:37,920
Speaker 1: host because that's one thing your cold hosts, right, Nigga's

1841
01:51:37,960 --> 01:51:42,439
Speaker 1: this cold host. You understand me. It's co hosts. But

1842
01:51:42,560 --> 01:51:46,880
Speaker 1: the was your friends. You holiday a chill man like

1843
01:51:47,040 --> 01:51:51,360
Speaker 1: you was on a chair like yo, yo, you're fired,

1844
01:51:51,520 --> 01:51:54,800
Speaker 1: moving forward, and we understood, like, oh, it doesn't got

1845
01:51:54,880 --> 01:51:58,040
Speaker 1: to him. It's hard to duct the wreck when it's

1846
01:51:58,040 --> 01:52:00,600
Speaker 1: coming from the end of neet. The end of that

1847
01:52:00,720 --> 01:52:04,200
Speaker 1: ain't letting you duck no wreck unless you get rid

1848
01:52:04,240 --> 01:52:07,200
Speaker 1: of the phone. You get rid of the phone. It's

1849
01:52:07,200 --> 01:52:08,880
Speaker 1: the only way you can duck some rick. But if

1850
01:52:08,920 --> 01:52:10,920
Speaker 1: you got that phone in your head and they ain't

1851
01:52:10,920 --> 01:52:15,280
Speaker 1: got nobody delegated the under no business for you because

1852
01:52:15,320 --> 01:52:17,760
Speaker 1: see the businesses kind of ran through the phone. That's

1853
01:52:17,760 --> 01:52:20,519
Speaker 1: where it gets. That's where you're mixing business and personal.

1854
01:52:22,640 --> 01:52:25,400
Speaker 1: But you him, you you him say that, and I

1855
01:52:25,520 --> 01:52:28,880
Speaker 1: just felt like, yo, bro, you can't. You can't say that.

1856
01:52:29,400 --> 01:52:34,720
Speaker 1: You got Travis saying, Yo, the professionals handled out there,

1857
01:52:34,880 --> 01:52:39,080
Speaker 1: We handled the stage in anything right, in anything in life,

1858
01:52:39,240 --> 01:52:42,679
Speaker 1: that's structure. That's delegation, right, especially in business, in any

1859
01:52:42,760 --> 01:52:45,639
Speaker 1: business right where you work at, say you make twenty

1860
01:52:45,720 --> 01:52:48,760
Speaker 1: five dolls out, you got a niggative answer to a

1861
01:52:48,840 --> 01:52:53,680
Speaker 1: niggative answer to a nigga that then making call corporate right,

1862
01:52:53,840 --> 01:52:56,599
Speaker 1: it's always delegation, like he take care of you. It's

1863
01:52:56,640 --> 01:52:59,920
Speaker 1: a train of command. But that's like saying to see

1864
01:53:00,120 --> 01:53:03,439
Speaker 1: yo a yo the ceo, Man, the bath room is

1865
01:53:03,479 --> 01:53:10,840
Speaker 1: broke down here. They're gonna say, yo, brohled maidenance put

1866
01:53:10,920 --> 01:53:15,040
Speaker 1: in a ticket. Oh. It's like calling the ceo yo,

1867
01:53:15,200 --> 01:53:18,200
Speaker 1: my mouse is not working on my compute, yo, howled

1868
01:53:18,280 --> 01:53:22,800
Speaker 1: the tech department? Like you know, because it's delegation and

1869
01:53:23,000 --> 01:53:26,120
Speaker 1: you see its approach, it's delegation. I didn't even right,

1870
01:53:26,240 --> 01:53:28,720
Speaker 1: even though that's why I say, the imagery, all that

1871
01:53:28,800 --> 01:53:31,599
Speaker 1: shit can be used against you in the court of cloud,

1872
01:53:31,720 --> 01:53:35,120
Speaker 1: in the in the internet court, they do that. But

1873
01:53:35,240 --> 01:53:42,600
Speaker 1: it's always it's always these dudes, right, these podcastles you got, CNN, Hulu, MSNBC.

1874
01:53:43,040 --> 01:53:47,040
Speaker 1: I don't leave people making docs TYRT Travis Scott at

1875
01:53:47,120 --> 01:53:51,840
Speaker 1: the Ship from Hell and then that's true Festival from Hell.

1876
01:53:52,560 --> 01:53:57,200
Speaker 1: That motherfucker. It was a bad day. It was a

1877
01:53:57,360 --> 01:54:01,000
Speaker 1: bad day. But then when I come out and say something,

1878
01:54:01,040 --> 01:54:05,479
Speaker 1: I would spect minds though. My boys, my boy, anytime

1879
01:54:05,520 --> 01:54:08,200
Speaker 1: I look in the crowd, I know I know him

1880
01:54:08,200 --> 01:54:10,639
Speaker 1: and said how they're gonna rocket out? Now, my boy's

1881
01:54:10,680 --> 01:54:15,439
Speaker 1: gonna tell the truth about it. But at least or

1882
01:54:15,479 --> 01:54:18,000
Speaker 1: you telling me I'm smarter than you do. See, that's

1883
01:54:18,040 --> 01:54:21,240
Speaker 1: what I'm saying. I gotta always remember when I'm dealing

1884
01:54:21,320 --> 01:54:23,720
Speaker 1: what you dude, Some of you dudes I'm dealing with.

1885
01:54:23,880 --> 01:54:27,040
Speaker 1: Ain't that swift just because you got money? See I can't.

1886
01:54:27,160 --> 01:54:30,760
Speaker 1: I gotta remember your position. Don't mean don't mean the

1887
01:54:30,880 --> 01:54:34,000
Speaker 1: game you got your position. You might have been walked

1888
01:54:34,000 --> 01:54:39,720
Speaker 1: into the building, So your position can't confuse me. You

1889
01:54:39,880 --> 01:54:42,840
Speaker 1: know what I'm saying, so, um, I just wanted to

1890
01:54:42,920 --> 01:54:47,040
Speaker 1: say that man. And I also see where some podcasters

1891
01:54:47,040 --> 01:54:49,840
Speaker 1: and people that this is a schooling for y'all that

1892
01:54:50,000 --> 01:54:52,840
Speaker 1: don't know. This is a pat pat for just the game,

1893
01:54:53,040 --> 01:54:57,000
Speaker 1: just showing y'all how much y'all understand and how I'm

1894
01:54:57,080 --> 01:55:02,360
Speaker 1: able to see exactly what's happening. So this is another

1895
01:55:02,480 --> 01:55:06,880
Speaker 1: thing I heard him say, Um, he's insensitive, he's this,

1896
01:55:07,120 --> 01:55:10,440
Speaker 1: he's that. And again I think they using against him

1897
01:55:11,320 --> 01:55:13,920
Speaker 1: what he was doing. All the rage in there, all

1898
01:55:14,000 --> 01:55:17,560
Speaker 1: that artwork and the Luminati type things that they play

1899
01:55:17,640 --> 01:55:20,840
Speaker 1: into some of the visual people that's attested to it, right,

1900
01:55:21,920 --> 01:55:28,280
Speaker 1: But I hear people saying that you know you're wrong,

1901
01:55:28,480 --> 01:55:31,520
Speaker 1: you know you you had some something to do with it,

1902
01:55:31,720 --> 01:55:34,040
Speaker 1: and he had a part in't it. But you know

1903
01:55:34,200 --> 01:55:36,960
Speaker 1: that you was X, Y and Z. Because he's scrubbing

1904
01:55:37,040 --> 01:55:42,920
Speaker 1: his ig of all the pictures. That's what again, I say, Damn,

1905
01:55:43,960 --> 01:55:47,880
Speaker 1: we can't even look out for each other. Okay, So

1906
01:55:48,280 --> 01:55:50,480
Speaker 1: so what you're telling me you don't understand the game.

1907
01:55:50,920 --> 01:55:53,600
Speaker 1: You want me to believe that multi million dollar niggas

1908
01:55:53,680 --> 01:55:56,280
Speaker 1: making money from talking, and you want me to believe

1909
01:55:56,320 --> 01:55:58,839
Speaker 1: you don't even understand the game. So when you're scrubbing

1910
01:55:58,880 --> 01:56:01,320
Speaker 1: his ig, you don't know what they're saying. I'll tell

1911
01:56:01,360 --> 01:56:03,320
Speaker 1: you what they're saying. Since you look out a little

1912
01:56:03,440 --> 01:56:08,000
Speaker 1: rested development when you see somebody scrub in the ig

1913
01:56:08,200 --> 01:56:12,560
Speaker 1: because lawsuits are coming down, it's because these pictures remove contexts,

1914
01:56:13,200 --> 01:56:16,680
Speaker 1: and I expect the media to understand that. Well, not

1915
01:56:16,840 --> 01:56:19,600
Speaker 1: the mass media, but black media. See it's a difference.

1916
01:56:19,920 --> 01:56:23,360
Speaker 1: It's a difference between mass media and black media. Mass

1917
01:56:23,480 --> 01:56:26,280
Speaker 1: media don't got no business doing what black media need

1918
01:56:26,400 --> 01:56:29,080
Speaker 1: to be doing, and black media ain't got no business

1919
01:56:29,160 --> 01:56:34,760
Speaker 1: sounding like mass media. So I'm dealing with black media.

1920
01:56:35,880 --> 01:56:40,640
Speaker 1: I'm dealing with what Revot is doing black media. I'm

1921
01:56:40,720 --> 01:56:45,160
Speaker 1: dealing with what Black Effect is doing black media. I'm

1922
01:56:45,200 --> 01:56:49,840
Speaker 1: dealing with what Rock Nation is doing black media. So

1923
01:56:50,000 --> 01:56:53,200
Speaker 1: we expect for our soldiers to come out and represent

1924
01:56:53,320 --> 01:56:59,000
Speaker 1: our best cinterests. But I gotta always remember some of

1925
01:56:59,120 --> 01:57:02,400
Speaker 1: y'all infatuation with your position, so you hate to lose it.

1926
01:57:03,840 --> 01:57:07,400
Speaker 1: You're downplay everything that bounce up to not lose this

1927
01:57:07,560 --> 01:57:10,640
Speaker 1: position where you can pay a rapper baby Mama fifteen

1928
01:57:10,720 --> 01:57:15,800
Speaker 1: thousand to come to your house. And I also can't

1929
01:57:15,840 --> 01:57:19,360
Speaker 1: forget about the j jella putting on knees, dudes. A

1930
01:57:19,400 --> 01:57:21,800
Speaker 1: lot of y'all is j'alla putting on knees dudes. Y'all

1931
01:57:21,840 --> 01:57:23,760
Speaker 1: ain't got a noo sense to get out of the rain.

1932
01:57:24,120 --> 01:57:27,120
Speaker 1: So when I'm kicking this level game, y'all get offended.

1933
01:57:28,320 --> 01:57:32,280
Speaker 1: Instead of saying, boy breaking game down. Boy he looking

1934
01:57:32,320 --> 01:57:36,080
Speaker 1: at the game tape. That boy looking at the game tape.

1935
01:57:36,080 --> 01:57:40,440
Speaker 1: But the realists gravitating too, And I respect that. But

1936
01:57:40,600 --> 01:57:42,840
Speaker 1: when one eyes go down, right, and we know this

1937
01:57:43,040 --> 01:57:47,760
Speaker 1: is a shared blame, we know this is a shared blame.

1938
01:57:47,880 --> 01:57:53,520
Speaker 1: We know this is a diffusion of responsibility. We know this.

1939
01:57:55,480 --> 01:58:00,240
Speaker 1: Let's represent the side of that. We understand, yo, show

1940
01:58:00,400 --> 01:58:02,320
Speaker 1: must go on. It's what they tell you, and this

1941
01:58:02,520 --> 01:58:04,720
Speaker 1: and that and that and this and yo, I can't

1942
01:58:04,760 --> 01:58:08,280
Speaker 1: really like, let's let's represent that sign. Let's not do

1943
01:58:08,440 --> 01:58:12,320
Speaker 1: our own like that. Now. If he wrong, he wrong.

1944
01:58:13,880 --> 01:58:19,320
Speaker 1: Accountability we stand on that too. Now, like Dave Chappielle

1945
01:58:19,360 --> 01:58:22,840
Speaker 1: was speaking about justice mule, like yo, us being quiet

1946
01:58:22,920 --> 01:58:27,800
Speaker 1: was us riding with him. And that's the problem. A

1947
01:58:27,840 --> 01:58:29,880
Speaker 1: lot of y'all just don't know when to be quiet.

1948
01:58:30,280 --> 01:58:32,960
Speaker 1: But you can't be quiet because Charlemagne next to him

1949
01:58:33,440 --> 01:58:37,400
Speaker 1: and Charlemagne and some of y'all arch enemy or something competition.

1950
01:58:37,480 --> 01:58:39,840
Speaker 1: I ain't even gonna say enemy because we black, We

1951
01:58:39,960 --> 01:58:42,400
Speaker 1: all black. I don't want to use anemy because we

1952
01:58:42,560 --> 01:58:45,880
Speaker 1: know how we handle enemies, at least where I'm from, right,

1953
01:58:46,640 --> 01:58:50,720
Speaker 1: because I grew up with the Jelapernoe knees. I grew

1954
01:58:50,840 --> 01:58:53,840
Speaker 1: up with the dudes it's saying jelapernoe kneeds so I

1955
01:58:54,080 --> 01:58:56,160
Speaker 1: know what it's like to be in the trenches with it.

1956
01:58:56,280 --> 01:59:00,240
Speaker 1: So enemy is a strong word. But direct competition. Did

1957
01:59:00,320 --> 01:59:04,000
Speaker 1: you think ain't but one spot? So some people see

1958
01:59:04,040 --> 01:59:06,320
Speaker 1: Travis next to him and just for the sake of

1959
01:59:06,360 --> 01:59:11,440
Speaker 1: the down play the interview, smash on Travis. And that's

1960
01:59:11,480 --> 01:59:15,080
Speaker 1: how this game works. Let's talk about the Kanye Whist

1961
01:59:15,360 --> 01:59:20,760
Speaker 1: and Drake concert. I watched the Kanye Wist and Drake concert. Man,

1962
01:59:20,840 --> 01:59:25,080
Speaker 1: it was a situation where see I watched it late, right,

1963
01:59:25,520 --> 01:59:27,880
Speaker 1: number one, let me give a shout out free Larry Hoover,

1964
01:59:29,360 --> 01:59:32,880
Speaker 1: shout out j Prince, shout out Kanye, and definitely shout

1965
01:59:32,960 --> 01:59:38,600
Speaker 1: out Drake. You know, throughout this whole ordeal with those guys,

1966
01:59:38,680 --> 01:59:41,360
Speaker 1: I've always told y'all that Drake is a different beast.

1967
01:59:42,040 --> 01:59:45,880
Speaker 1: Drake is battling the industry with one hand. Boy ain't

1968
01:59:45,920 --> 01:59:48,960
Speaker 1: really done nothing else. Boy ain't done no other and

1969
01:59:49,120 --> 01:59:52,280
Speaker 1: he than how he catching them. See, I'll understand Drake's

1970
01:59:52,320 --> 01:59:55,720
Speaker 1: position because I'm catching these dudes and they don't want

1971
01:59:55,720 --> 01:59:58,320
Speaker 1: to show love, but they sometimes they gotta show love.

1972
01:59:59,200 --> 02:00:01,480
Speaker 1: It's only been a couple of people that's really really

1973
02:00:01,560 --> 02:00:06,240
Speaker 1: embraced and been instrumental in me further in my podcasting career.

1974
02:00:06,280 --> 02:00:11,160
Speaker 1: And that's big facts. That's earned your leisure, Um, the

1975
02:00:11,280 --> 02:00:15,480
Speaker 1: two guys and earn your leisure and um and Brandon

1976
02:00:15,600 --> 02:00:21,080
Speaker 1: Marshall those and polay folk people, polay them dudes really

1977
02:00:21,200 --> 02:00:23,520
Speaker 1: rocking with loons. So I got a lot of love

1978
02:00:23,680 --> 02:00:28,160
Speaker 1: in respect for those those guys. You know, Um, but

1979
02:00:30,080 --> 02:00:33,400
Speaker 1: Kanye and Drake. Um. So this for those of you

1980
02:00:33,520 --> 02:00:36,480
Speaker 1: that don't know how kind of frame what the scenario

1981
02:00:36,680 --> 02:00:40,120
Speaker 1: isn't in fast trekking Um. So for those of you

1982
02:00:40,240 --> 02:00:42,960
Speaker 1: that don't know, Kanye West and Drake fell out, A

1983
02:00:43,040 --> 02:00:47,520
Speaker 1: bunch of things was said. Um, Kanye West and Drake

1984
02:00:48,200 --> 02:00:51,480
Speaker 1: uh beefed for quite a while, throwing shots on songs.

1985
02:00:51,520 --> 02:00:53,160
Speaker 1: A lot was happening in a lot posts to have

1986
02:00:53,640 --> 02:00:59,320
Speaker 1: post supposedly happening behind the scenes. Um. And they came

1987
02:00:59,400 --> 02:01:02,080
Speaker 1: together on the strength of Larry Hoover and j Prince

1988
02:01:02,440 --> 02:01:06,360
Speaker 1: for a free Lavery Hoover concert. Free Lavery Hoover concert

1989
02:01:06,520 --> 02:01:09,560
Speaker 1: was in la Um. And also, I think I'm gonna

1990
02:01:09,560 --> 02:01:12,800
Speaker 1: speak out. I do because maybe maybe Kim is so

1991
02:01:12,960 --> 02:01:16,320
Speaker 1: offended with Drake and some of the things he may

1992
02:01:16,360 --> 02:01:20,520
Speaker 1: have said, because right after this she she failed to

1993
02:01:20,600 --> 02:01:23,840
Speaker 1: be single. But we'll get to that after I get

1994
02:01:23,960 --> 02:01:26,600
Speaker 1: kind of into the show. That just popped in my head, like, wow,

1995
02:01:26,680 --> 02:01:31,680
Speaker 1: that's dope, that's deep. Um. But so concert tickets were high,

1996
02:01:31,760 --> 02:01:36,120
Speaker 1: tickets were a good number. Amazon was there, Twitch was there,

1997
02:01:36,240 --> 02:01:40,800
Speaker 1: which spoke volumes to Meum. First thing I saw before

1998
02:01:40,840 --> 02:01:43,040
Speaker 1: I even watched the concert. And we'll get into how

1999
02:01:43,120 --> 02:01:46,200
Speaker 1: good the concert was. Great night for hip hop, the

2000
02:01:46,320 --> 02:01:50,680
Speaker 1: biggest show of the year. Um. But as soon as

2001
02:01:50,720 --> 02:01:52,920
Speaker 1: he came out, the first thing I saw, because you know,

2002
02:01:53,000 --> 02:01:56,240
Speaker 1: I'm tapped in with the gang dudes and I led

2003
02:01:56,320 --> 02:02:02,520
Speaker 1: them my boys, you know. UM, so all I didn't

2004
02:02:02,560 --> 02:02:09,280
Speaker 1: call it no less sol first thing I see is something, um,

2005
02:02:09,600 --> 02:02:12,320
Speaker 1: gang bang or some dude come out and say and

2006
02:02:12,440 --> 02:02:17,280
Speaker 1: I may put the video here nigga sten here listening

2007
02:02:17,320 --> 02:02:20,600
Speaker 1: to this Larry Hoover ship, you know, and uh Kanye

2008
02:02:20,680 --> 02:02:24,160
Speaker 1: West and the nigga Dray supposed to come to La,

2009
02:02:24,400 --> 02:02:27,240
Speaker 1: you feel me and do a benefit concept for this nigga.

2010
02:02:27,400 --> 02:02:31,960
Speaker 1: But um, that's cool and all. But this La, you

2011
02:02:32,040 --> 02:02:34,800
Speaker 1: know what I'm saying. It's it's a gang of homies

2012
02:02:35,360 --> 02:02:37,920
Speaker 1: that's in jail. That's real niggas that got life. Se

2013
02:02:38,040 --> 02:02:41,760
Speaker 1: gang of blood niggas, se ganga gangster niggass, a gang

2014
02:02:41,840 --> 02:02:43,960
Speaker 1: of hooper niggas, a gang of grace niggas, a gang

2015
02:02:44,000 --> 02:02:46,880
Speaker 1: of barnieh niggas. It's a gang. It's it's real niggas

2016
02:02:47,000 --> 02:02:50,120
Speaker 1: that's gang bangers that's in jail for life. And and

2017
02:02:50,200 --> 02:02:53,280
Speaker 1: they ain't no benefit and no consture that getting done

2018
02:02:53,320 --> 02:02:56,920
Speaker 1: for them, you know what I'm saying. So, how is

2019
02:02:57,560 --> 02:03:01,080
Speaker 1: some niggas coming out here for to make fody million?

2020
02:03:02,640 --> 02:03:04,960
Speaker 1: And I have to pay? The game culture out here, La,

2021
02:03:05,120 --> 02:03:08,680
Speaker 1: it's game culture. It ain't about nothing else. No di

2022
02:03:08,880 --> 02:03:12,840
Speaker 1: she state to, no vice lords, no gds and all

2023
02:03:12,880 --> 02:03:15,480
Speaker 1: that shit. That ain't this this y'all. That that's that's

2024
02:03:15,520 --> 02:03:18,480
Speaker 1: back Midwest. You know what I'm saying. That's not that

2025
02:03:18,680 --> 02:03:24,760
Speaker 1: that that's not LA. You know what I mean. It's crips, bloods, hoostus, gainsts, grapes,

2026
02:03:24,960 --> 02:03:27,200
Speaker 1: Bonnie Hunters, p J. Watts. You know what I'm saying,

2027
02:03:27,840 --> 02:03:30,600
Speaker 1: Like like you know Compton, you feel me, all the

2028
02:03:30,640 --> 02:03:33,600
Speaker 1: Compton hoods, you know what I'm saying this, You feel

2029
02:03:33,680 --> 02:03:37,160
Speaker 1: me like it's not nothing to do with a nigga

2030
02:03:37,280 --> 02:03:40,160
Speaker 1: jealous mad, none of that ship. A nigga is a man,

2031
02:03:40,440 --> 02:03:42,400
Speaker 1: a nigga in his own bag, like you feel me.

2032
02:03:42,480 --> 02:03:44,880
Speaker 1: But it's a certain respect that you have to put

2033
02:03:44,920 --> 02:03:49,640
Speaker 1: on LA. You feel me, so you can't come out

2034
02:03:49,680 --> 02:03:51,080
Speaker 1: here and do no shit like that without having to

2035
02:03:51,120 --> 02:03:53,440
Speaker 1: pay the game culture. And I feel like every hood

2036
02:03:53,680 --> 02:03:56,160
Speaker 1: that LA should benefit off this concert. You know what

2037
02:03:56,200 --> 02:03:59,600
Speaker 1: I'm saying. Every hood should get a piece of that part.

2038
02:04:00,120 --> 02:04:03,600
Speaker 1: You know what I'm saying. You know what I mean, Like, man,

2039
02:04:03,680 --> 02:04:06,560
Speaker 1: we got we got a thousand niggas in jail, that

2040
02:04:07,120 --> 02:04:09,240
Speaker 1: a million niggas in jail that paved the way for

2041
02:04:09,320 --> 02:04:11,680
Speaker 1: a lot of niggas that that's out here. Now I'm

2042
02:04:11,720 --> 02:04:14,960
Speaker 1: doing anything. You feel me and um like on the

2043
02:04:15,040 --> 02:04:18,240
Speaker 1: real homie, it can't go down like that. So you

2044
02:04:18,360 --> 02:04:21,560
Speaker 1: feel me. I'm sending this message out to all the

2045
02:04:21,640 --> 02:04:25,440
Speaker 1: real niggas once again. You feel me. We need to

2046
02:04:25,480 --> 02:04:28,200
Speaker 1: come and stand up as one and push up and

2047
02:04:29,120 --> 02:04:32,200
Speaker 1: somebody need to hol at us. You feel me. It's

2048
02:04:32,240 --> 02:04:34,720
Speaker 1: about the principle of this shit man like you feel me,

2049
02:04:35,120 --> 02:04:37,680
Speaker 1: Like niggas didn't die, got life, all type of shit

2050
02:04:37,760 --> 02:04:40,600
Speaker 1: behind this ship. Man. You know what I'm saying. Larry Hoover, Man,

2051
02:04:40,720 --> 02:04:43,440
Speaker 1: you feel me, You feel me. Respect to you, homie,

2052
02:04:43,480 --> 02:04:45,440
Speaker 1: but you know y'all, that shit need to be in

2053
02:04:45,520 --> 02:04:48,480
Speaker 1: Chicago home. You know what I'm saying. That shit ain't

2054
02:04:48,480 --> 02:04:50,640
Speaker 1: supposed to be in LA. You from me, and if

2055
02:04:50,840 --> 02:04:53,560
Speaker 1: LA hoods ain't benefiting off of it, it shouldn't be.

2056
02:04:53,640 --> 02:04:55,680
Speaker 1: No mother but nobody else is doing no benefits out

2057
02:04:55,720 --> 02:04:57,640
Speaker 1: here for nobody that ain't if it ain't for nobody

2058
02:04:57,640 --> 02:04:59,800
Speaker 1: in LA you know what I'm saying. And that's just

2059
02:05:00,000 --> 02:05:02,520
Speaker 1: real because we can't go to no motherfucking CD and

2060
02:05:02,760 --> 02:05:06,920
Speaker 1: do no benefit for them. Uh, Moss Bird, the blood

2061
02:05:07,000 --> 02:05:10,640
Speaker 1: nigga from Compton, any any just anybody, any real motherfuckers.

2062
02:05:10,800 --> 02:05:12,920
Speaker 1: I'm not just gonna talk say no entertaining motherfuck like

2063
02:05:13,000 --> 02:05:17,520
Speaker 1: you know, because it Homie, it's real motherfuckers from every

2064
02:05:17,600 --> 02:05:20,320
Speaker 1: hood that I just named that's in jail and they

2065
02:05:20,480 --> 02:05:21,920
Speaker 1: and they they need some of this. They need some

2066
02:05:22,000 --> 02:05:24,720
Speaker 1: of that money too, you know what I'm saying. They

2067
02:05:24,800 --> 02:05:26,840
Speaker 1: need some of that money. They need help, They need

2068
02:05:26,880 --> 02:05:29,920
Speaker 1: a lawyer, they need they need all that shit. Man, nigga,

2069
02:05:29,960 --> 02:05:32,240
Speaker 1: How nigga coming out here and you're doing a whole

2070
02:05:32,240 --> 02:05:36,240
Speaker 1: benefit concert for for a whole another motherfucker in La

2071
02:05:36,400 --> 02:05:39,440
Speaker 1: y'all happy and run around his motherfucker like that's cool

2072
02:05:39,720 --> 02:05:42,920
Speaker 1: when y'all uncle's, daddy's cousins and shiites in jail from

2073
02:05:42,960 --> 02:05:46,080
Speaker 1: this from from from like being real and protecting y'all.

2074
02:05:46,360 --> 02:05:51,080
Speaker 1: You feel me like I ain't with that, man, I

2075
02:05:51,120 --> 02:05:53,880
Speaker 1: ain't feeling that. You feel me. I feel like every

2076
02:05:54,080 --> 02:05:57,080
Speaker 1: La hood need to get some piece of that part home.

2077
02:05:57,440 --> 02:05:59,800
Speaker 1: You feel me? The motherfuckers feel like that too, tap

2078
02:06:00,000 --> 02:06:02,960
Speaker 1: And because it's real like you from me, I got

2079
02:06:03,040 --> 02:06:06,200
Speaker 1: homies that's in jail for life, nigga, that man. And

2080
02:06:06,280 --> 02:06:07,600
Speaker 1: I don't want to hear. I don't want to hear

2081
02:06:07,680 --> 02:06:11,240
Speaker 1: no autumn non serious talking about Oh they this this game, baby,

2082
02:06:11,520 --> 02:06:14,200
Speaker 1: they the game baby, man funk all that man. Larry

2083
02:06:14,240 --> 02:06:16,920
Speaker 1: Hoover a game banker too, motherfucker y'all going to pay

2084
02:06:16,960 --> 02:06:19,840
Speaker 1: for Larry Hoover concert, So shut the fuck up. Nigga.

2085
02:06:19,880 --> 02:06:22,480
Speaker 1: Don't want to hear that weird ass ship missing nigga

2086
02:06:22,520 --> 02:06:25,240
Speaker 1: with that weird shit. You know what I'm saying. You

2087
02:06:25,320 --> 02:06:27,200
Speaker 1: know what I mean. It's real game bankers out here

2088
02:06:27,280 --> 02:06:28,840
Speaker 1: taking care of their family and shoot off this game

2089
02:06:28,880 --> 02:06:31,240
Speaker 1: banker ship. You from me, man, like you know what

2090
02:06:31,280 --> 02:06:34,200
Speaker 1: I'm saying. That kept it silding the hood. You know

2091
02:06:34,200 --> 02:06:38,640
Speaker 1: what I mean? But yeah, tap in man La man.

2092
02:06:39,320 --> 02:06:43,520
Speaker 1: Nigga need to go holler on the real nigga need

2093
02:06:43,560 --> 02:06:46,680
Speaker 1: to go hollow straight up. So that's it, that's all,

2094
02:06:47,400 --> 02:06:50,200
Speaker 1: And nobody shouldn't be coming out here doing no benefit concert.

2095
02:06:50,440 --> 02:06:53,200
Speaker 1: But he come on and say a year old Kanye

2096
02:06:53,360 --> 02:06:56,720
Speaker 1: and Drake having a free Layery Hoover concert in La.

2097
02:06:58,680 --> 02:07:02,120
Speaker 1: They posted ahead they the ship hard go like the

2098
02:07:02,280 --> 02:07:05,080
Speaker 1: politics is he not a crib? Is his man? Homies

2099
02:07:05,120 --> 02:07:08,200
Speaker 1: got life? Like the gang members need to push up

2100
02:07:08,240 --> 02:07:11,880
Speaker 1: and be a part of that. Like I said, whoa,

2101
02:07:12,000 --> 02:07:14,800
Speaker 1: that's politics. See they run us. They put your hard

2102
02:07:14,880 --> 02:07:16,680
Speaker 1: line on that West Coach. This is a little bit

2103
02:07:16,760 --> 02:07:19,920
Speaker 1: more structure. I even see where people just posted a

2104
02:07:20,080 --> 02:07:24,120
Speaker 1: video of a new I think NFL guy, they say

2105
02:07:24,120 --> 02:07:26,080
Speaker 1: he been out there sixty day and he throwing up

2106
02:07:26,120 --> 02:07:29,960
Speaker 1: one of the neighborhoods. They tie you right in out there.

2107
02:07:30,360 --> 02:07:32,560
Speaker 1: Number one, you need to be tired in because it's

2108
02:07:32,640 --> 02:07:35,440
Speaker 1: things happening that you feel. And if you don't need

2109
02:07:35,560 --> 02:07:38,120
Speaker 1: to be tired in, they don't put some good game

2110
02:07:38,240 --> 02:07:40,440
Speaker 1: down to make it feel like you need to be

2111
02:07:40,520 --> 02:07:43,760
Speaker 1: tied in. When you tap in out there or you

2112
02:07:43,960 --> 02:07:46,840
Speaker 1: in danger, well that's some of the best game they

2113
02:07:46,960 --> 02:07:51,240
Speaker 1: put down. Now, I believe it. I believe it. But boy,

2114
02:07:51,320 --> 02:07:54,160
Speaker 1: that's that's a good because just thinking Nigga's thinking, boy,

2115
02:07:54,200 --> 02:07:55,880
Speaker 1: when you come there, boy, you better tap in with

2116
02:07:56,000 --> 02:07:59,200
Speaker 1: somebody or get ugly. I mean, the neighborhoods is getting

2117
02:07:59,240 --> 02:08:04,360
Speaker 1: money everything almost a lot, I'll say that. Um So

2118
02:08:04,520 --> 02:08:07,000
Speaker 1: when dude said that, man, our instant was like, damn,

2119
02:08:07,640 --> 02:08:09,520
Speaker 1: I wonder they're gonna try to start some problem. And

2120
02:08:09,520 --> 02:08:11,520
Speaker 1: then I got the thing, y know, they're rocking with Prince,

2121
02:08:11,600 --> 02:08:16,840
Speaker 1: which is tied in with the reel. And then Drake

2122
02:08:17,000 --> 02:08:20,120
Speaker 1: is he didn't help some people, and Kanye definitely didn't

2123
02:08:20,120 --> 02:08:23,000
Speaker 1: help some people out there, So I imagine that they

2124
02:08:23,720 --> 02:08:27,400
Speaker 1: you know, they was out right, you know, um But

2125
02:08:27,520 --> 02:08:29,880
Speaker 1: it was just interesting to see that, interesting to see

2126
02:08:29,920 --> 02:08:32,320
Speaker 1: the mindset. Like even when I saw Big You shout

2127
02:08:32,320 --> 02:08:35,200
Speaker 1: out Big You, shout out Danny World, start checking the

2128
02:08:35,240 --> 02:08:38,720
Speaker 1: in podcast, shout out them. But I saw Big U

2129
02:08:38,840 --> 02:08:42,880
Speaker 1: see it with Jim Jones, right, and Big You come

2130
02:08:42,920 --> 02:08:46,120
Speaker 1: out of penitentiary where he got a certain level of yo.

2131
02:08:46,760 --> 02:08:49,160
Speaker 1: You know, so he when he talking to Jimmy talking

2132
02:08:49,200 --> 02:08:53,440
Speaker 1: to him like, hey, yo, man, y'all better be penitentent

2133
02:08:53,480 --> 02:08:55,720
Speaker 1: to the weed thing because they whooped us on the weed.

2134
02:08:56,800 --> 02:08:59,240
Speaker 1: Now to you, they really don't mean none. To me

2135
02:08:59,360 --> 02:09:02,919
Speaker 1: that say, oh so they see they looking at structure,

2136
02:09:02,920 --> 02:09:06,200
Speaker 1: they looking at business. He know that's more time median.

2137
02:09:06,280 --> 02:09:08,760
Speaker 1: We gotta know that. See we get we got dudes

2138
02:09:08,800 --> 02:09:10,920
Speaker 1: in my time like me and other dudes. It's up

2139
02:09:10,960 --> 02:09:13,320
Speaker 1: on the game too now where it's like, hey, yo,

2140
02:09:13,440 --> 02:09:15,480
Speaker 1: they're whooping us right here with the real estate this

2141
02:09:15,680 --> 02:09:17,920
Speaker 1: lt rue they got you know, but you. But but

2142
02:09:18,080 --> 02:09:21,280
Speaker 1: but to take a certain mind and reason why I

2143
02:09:21,320 --> 02:09:23,200
Speaker 1: looked at Big You with that because I said, that

2144
02:09:23,400 --> 02:09:26,760
Speaker 1: same mind is the mind it takes to run some

2145
02:09:26,960 --> 02:09:30,920
Speaker 1: sort of organization or business or to have that mindset right,

2146
02:09:30,920 --> 02:09:33,760
Speaker 1: because sometimes you're talking to people about little things like that,

2147
02:09:34,160 --> 02:09:36,760
Speaker 1: and you lose them. They don't even know what the

2148
02:09:36,880 --> 02:09:40,000
Speaker 1: hell is you talking about. But he's saying, Yo, we

2149
02:09:40,160 --> 02:09:42,720
Speaker 1: live in this community. Matter of fact, we raised so

2150
02:09:42,840 --> 02:09:46,840
Speaker 1: much hell they had to give some more passes out

2151
02:09:47,200 --> 02:09:49,440
Speaker 1: for those of you underwent what I'm talking about. They

2152
02:09:49,520 --> 02:09:53,520
Speaker 1: give passes for certain people to be in the marijuana industry,

2153
02:09:53,560 --> 02:09:55,880
Speaker 1: whether they be growing, selling, whatever the case may be.

2154
02:09:56,080 --> 02:10:00,880
Speaker 1: Black people didn't get that many because of the system.

2155
02:10:00,960 --> 02:10:03,480
Speaker 1: They whooping you with the Internet. Box. You see him

2156
02:10:03,520 --> 02:10:08,320
Speaker 1: try to pass lesiglation lesiglation to get that out of here.

2157
02:10:08,400 --> 02:10:10,800
Speaker 1: Like with the PlayStation Xbox, they have bots on that

2158
02:10:10,960 --> 02:10:13,320
Speaker 1: are gone and buy that and then they reset it

2159
02:10:14,280 --> 02:10:16,440
Speaker 1: so big. You were saying, we were whoop because of

2160
02:10:16,480 --> 02:10:18,400
Speaker 1: the Internet. He didn't know how to say the box

2161
02:10:18,480 --> 02:10:22,120
Speaker 1: that he might then, well, ain't that understanding of what's happening.

2162
02:10:22,200 --> 02:10:23,960
Speaker 1: But he liked they whooped us on the internet with

2163
02:10:24,080 --> 02:10:27,360
Speaker 1: the passes, And I said, see they're paying attention, but

2164
02:10:27,440 --> 02:10:31,040
Speaker 1: they take a boss type mentality to do that. Um.

2165
02:10:31,320 --> 02:10:36,480
Speaker 1: But this Drake and Kanye West um show sold out.

2166
02:10:37,560 --> 02:10:39,200
Speaker 1: We're gonna play a clip of it and then we'll

2167
02:10:39,240 --> 02:10:41,200
Speaker 1: come back with some commentary just because I want y'all

2168
02:10:41,240 --> 02:10:50,080
Speaker 1: to see. And also here some of them. Here's some

2169
02:10:50,240 --> 02:10:52,640
Speaker 1: of the audio, so y'all can really see what I'm saying.

2170
02:10:53,800 --> 02:10:56,520
Speaker 1: Before we do that, let me say this. Amazon is

2171
02:10:56,600 --> 02:11:01,160
Speaker 1: there in conjunction with Larry Hoover, we need to give

2172
02:11:01,200 --> 02:11:08,040
Speaker 1: a round of applause for hip hop. Like the power,

2173
02:11:09,160 --> 02:11:13,280
Speaker 1: the power of this culture, bro, the power of this culture,

2174
02:11:13,400 --> 02:11:16,760
Speaker 1: my boy. Amazon is one of the biggest things in

2175
02:11:16,880 --> 02:11:21,400
Speaker 1: the world. Twitch streaming one of the biggest things, right,

2176
02:11:21,880 --> 02:11:25,720
Speaker 1: But the power of the thing that the next to right,

2177
02:11:25,920 --> 02:11:29,680
Speaker 1: Because again, a lot of these things about who's looking.

2178
02:11:31,040 --> 02:11:34,120
Speaker 1: Sometimes sometimes it ain't even about what's done. It's about

2179
02:11:34,120 --> 02:11:36,040
Speaker 1: who got a pair of eyes they can put on it.

2180
02:11:37,400 --> 02:11:41,160
Speaker 1: That's why the lawyer things. See, ask yourself this, if

2181
02:11:41,200 --> 02:11:44,440
Speaker 1: it's all about the laws, right, if it's all about

2182
02:11:44,520 --> 02:11:46,960
Speaker 1: just what the book says and cutting dry and there's

2183
02:11:47,040 --> 02:11:52,920
Speaker 1: no there's no there's no real value in your understanding,

2184
02:11:53,600 --> 02:11:57,000
Speaker 1: there's no real value on your interpretation of the law.

2185
02:11:57,600 --> 02:12:03,800
Speaker 1: Why are some lawyers being paid on a different scale? Right,

2186
02:12:03,920 --> 02:12:06,720
Speaker 1: Some lawyers are being paid because their ability to how

2187
02:12:06,800 --> 02:12:09,640
Speaker 1: they how they interpret the law, their ability to go

2188
02:12:09,800 --> 02:12:12,680
Speaker 1: in there and how they put it together. Right, It's

2189
02:12:12,760 --> 02:12:16,560
Speaker 1: more than just the books. It's about understanding. It's about understanding,

2190
02:12:18,640 --> 02:12:21,920
Speaker 1: and that's what we do when we bridge these gaps.

2191
02:12:22,160 --> 02:12:25,720
Speaker 1: We create an understanding. The hill hop, y'all gotta stand

2192
02:12:25,800 --> 02:12:30,160
Speaker 1: Next tours, we're in two hundred and eighteen million homes simultaneously.

2193
02:12:31,960 --> 02:12:36,080
Speaker 1: What show you say you got? They've done that. Your

2194
02:12:36,120 --> 02:12:41,120
Speaker 1: biggest show didn't do that, respectfully to your business acumen,

2195
02:12:41,720 --> 02:12:44,080
Speaker 1: but your biggest show didn't do two hundred and fifteen

2196
02:12:44,200 --> 02:12:47,840
Speaker 1: million homes at the same time. Right, that's the power

2197
02:12:47,920 --> 02:12:52,960
Speaker 1: of us. Now. When I first saw this, and I'm

2198
02:12:53,000 --> 02:12:55,240
Speaker 1: telling you, I was our bullets. So I'm looking, I'm

2199
02:12:55,520 --> 02:12:58,240
Speaker 1: I'm blowing. I'm looking. I see Amazon, I see Twitch,

2200
02:12:58,320 --> 02:13:01,720
Speaker 1: I see Free Larry Hoover, Kanye Drake. I said, boy,

2201
02:13:01,800 --> 02:13:05,600
Speaker 1: this is dangerous. This is what he was talking about.

2202
02:13:07,320 --> 02:13:11,240
Speaker 1: This is dangerous. What that boy Kanye doing putting his

2203
02:13:11,360 --> 02:13:15,680
Speaker 1: neck out like that, boy, that's dangerous. Boy. We tell

2204
02:13:15,760 --> 02:13:19,120
Speaker 1: about who is somebody that defends put Away and done

2205
02:13:19,160 --> 02:13:24,760
Speaker 1: him family, the most powerful gang in the world, done

2206
02:13:24,840 --> 02:13:28,520
Speaker 1: him unfailed and gonna sit him now? Hiw who you

2207
02:13:28,600 --> 02:13:34,200
Speaker 1: want to hire? Wing doing nothing? Oh, y'all go go,

2208
02:13:34,400 --> 02:13:37,120
Speaker 1: y'all get your big brother in them y'all gonna go

2209
02:13:37,240 --> 02:13:40,440
Speaker 1: get some people that can plug in with Amazon to

2210
02:13:40,680 --> 02:13:47,560
Speaker 1: magnify this. Right. So it's a dangerous game he playing,

2211
02:13:48,280 --> 02:13:52,640
Speaker 1: but it's a real one. It's a real one. That's

2212
02:13:52,680 --> 02:13:55,040
Speaker 1: why he was able to give away yet because he fearless.

2213
02:13:56,080 --> 02:13:58,120
Speaker 1: The problem is you gotta make sure that they don't

2214
02:13:58,200 --> 02:14:00,440
Speaker 1: end up using that against you. Right now, what you're

2215
02:14:00,480 --> 02:14:03,400
Speaker 1: doing against you, but your your, your, your, your, your,

2216
02:14:03,560 --> 02:14:07,480
Speaker 1: your fearlessness. They know you're fearless. Walk them right into this.

2217
02:14:07,960 --> 02:14:11,080
Speaker 1: It's fearlessness and make him come. That's why I like

2218
02:14:11,200 --> 02:14:14,360
Speaker 1: to change up. It was so often for my core

2219
02:14:14,520 --> 02:14:17,280
Speaker 1: is my core. I think there's something to be said

2220
02:14:17,280 --> 02:14:22,440
Speaker 1: about them not mentioning Larry Hoover a lot. But it

2221
02:14:22,560 --> 02:14:25,680
Speaker 1: may be because of the Amazon thing, because of the sponsorships.

2222
02:14:25,760 --> 02:14:28,080
Speaker 1: Even though the money and things. I would imagine it's

2223
02:14:28,080 --> 02:14:31,400
Speaker 1: being funnel to hlip him get out. But they really

2224
02:14:31,480 --> 02:14:34,000
Speaker 1: didn't mention it. Now. But what was there was the

2225
02:14:34,080 --> 02:14:38,640
Speaker 1: free Larry hoove on the screen all night long. Important

2226
02:14:40,000 --> 02:14:42,760
Speaker 1: important because it might have been a negotiation. Look, if

2227
02:14:42,800 --> 02:14:46,640
Speaker 1: we can't continuously say it like a normal benefit concert,

2228
02:14:46,760 --> 02:14:49,120
Speaker 1: like maybe if you go to a council benefit concert

2229
02:14:49,160 --> 02:14:51,160
Speaker 1: and they say we're here to night to raise money

2230
02:14:51,200 --> 02:14:53,760
Speaker 1: for Senor said, you know, they kind of put you

2231
02:14:53,920 --> 02:14:56,360
Speaker 1: up on the game, but they keep the free Larry

2232
02:14:56,400 --> 02:14:58,760
Speaker 1: Hoover on the screen because when when my old lady

2233
02:14:58,840 --> 02:15:01,640
Speaker 1: came in, she said, what is that? Who is Larry Hoover?

2234
02:15:02,360 --> 02:15:04,960
Speaker 1: Who is free Larry Hoover? Right as soon as I said,

2235
02:15:05,040 --> 02:15:07,800
Speaker 1: now that's the dude, x Y and Z oh yeah, okay,

2236
02:15:07,840 --> 02:15:12,600
Speaker 1: I remember hearing about you know, so it's like, that's

2237
02:15:12,640 --> 02:15:16,160
Speaker 1: what it's fun to start that conversation. But it was

2238
02:15:16,200 --> 02:15:20,800
Speaker 1: a beautiful set. I think that Kanye Uh has, like

2239
02:15:21,000 --> 02:15:24,800
Speaker 1: I think another podcast of set has effectively changed how

2240
02:15:25,560 --> 02:15:29,520
Speaker 1: UH concerts are going to be done, specially from a

2241
02:15:29,600 --> 02:15:33,160
Speaker 1: megastar type person. Um, he's single handedly done that, which

2242
02:15:33,240 --> 02:15:36,200
Speaker 1: is a um this this is that's kind of what

2243
02:15:36,360 --> 02:15:40,680
Speaker 1: he does. Um, beautiful set. He came out with Travis

2244
02:15:40,720 --> 02:15:44,720
Speaker 1: Scott to the Travis Scott One the Devil My like

2245
02:15:44,880 --> 02:15:46,920
Speaker 1: that that record right that, I said, oh that's hard.

2246
02:15:47,080 --> 02:15:49,160
Speaker 1: So you know it was giving me a feel when

2247
02:15:49,240 --> 02:15:51,440
Speaker 1: he first came out. I was like, okay, we're here

2248
02:15:51,480 --> 02:15:53,680
Speaker 1: to night. But see, this is why I say it

2249
02:15:53,760 --> 02:15:56,960
Speaker 1: is dangerous what Kanye West is doing because he's using

2250
02:15:57,040 --> 02:15:59,800
Speaker 1: his light and his resources the brain light to something

2251
02:16:00,080 --> 02:16:03,680
Speaker 1: knee resources. Right. So the lawyer who was the situation

2252
02:16:03,760 --> 02:16:07,280
Speaker 1: and if you know the situation, according to what lawyers

2253
02:16:07,360 --> 02:16:10,720
Speaker 1: from workers is saying, is that he's basically been serving

2254
02:16:10,760 --> 02:16:13,720
Speaker 1: all that time right now for the cracked law, which

2255
02:16:13,800 --> 02:16:16,600
Speaker 1: is a crazy law. And we see them reversing that

2256
02:16:16,720 --> 02:16:18,880
Speaker 1: in a lot of cases, and people say this is

2257
02:16:18,920 --> 02:16:22,320
Speaker 1: a prime time case in which it should be reversed.

2258
02:16:23,720 --> 02:16:27,320
Speaker 1: And another reason I always say that it's about the

2259
02:16:27,400 --> 02:16:29,360
Speaker 1: pair of eyes that's ow it. Like I remember, I

2260
02:16:29,400 --> 02:16:31,720
Speaker 1: can't remember what doc it was, but they took their thing,

2261
02:16:31,800 --> 02:16:34,320
Speaker 1: it was burning made off. They had several people look

2262
02:16:34,360 --> 02:16:37,200
Speaker 1: at that couldn't figure it out. Took someone like e

2263
02:16:37,720 --> 02:16:40,760
Speaker 1: eight minutes a day or something to figure out his

2264
02:16:40,920 --> 02:16:43,600
Speaker 1: whole scheme. It's about the pair of eyes you've got

2265
02:16:43,680 --> 02:16:46,160
Speaker 1: on it. That's why when you raise that awareness it

2266
02:16:46,240 --> 02:16:49,800
Speaker 1: gets crazy. And also with the people that makes the laws,

2267
02:16:49,879 --> 02:16:53,280
Speaker 1: they always keep themselves out in the law. So what

2268
02:16:53,440 --> 02:16:56,000
Speaker 1: happens is you get the right people to look at it,

2269
02:16:56,120 --> 02:16:58,880
Speaker 1: they find it out, and then they use it. The

2270
02:16:59,040 --> 02:17:02,720
Speaker 1: problem with that is, you know, when you got billionaires

2271
02:17:02,840 --> 02:17:06,640
Speaker 1: and people that's interested in getting Hoover out, it's still

2272
02:17:06,680 --> 02:17:09,800
Speaker 1: a two step process. So we find the loophole. We

2273
02:17:09,920 --> 02:17:11,680
Speaker 1: see what this is where a lot of people are

2274
02:17:11,720 --> 02:17:15,160
Speaker 1: getting out with that particular situation right here. And it happens,

2275
02:17:15,280 --> 02:17:18,360
Speaker 1: like Raymond Clay taught me this, it happens in twenty

2276
02:17:18,440 --> 02:17:22,640
Speaker 1: years increments. Right. So the law typically does something like

2277
02:17:22,760 --> 02:17:25,240
Speaker 1: that almost every twenty years, in which they try to

2278
02:17:25,360 --> 02:17:28,959
Speaker 1: right some wrongs from twenty years ago, right, or something

2279
02:17:29,720 --> 02:17:35,720
Speaker 1: changes in the law that consequently releases some people who

2280
02:17:36,040 --> 02:17:42,400
Speaker 1: got into this situation that long ago. But it's a

2281
02:17:42,440 --> 02:17:45,600
Speaker 1: two step process. Now we identify the loophole. But the

2282
02:17:45,680 --> 02:17:48,400
Speaker 1: problem with Hoover thing is they still got to get

2283
02:17:48,480 --> 02:17:50,320
Speaker 1: it to go through a judge and get some people

2284
02:17:50,360 --> 02:17:53,000
Speaker 1: to sign out. It's like it's like they make it

2285
02:17:53,040 --> 02:17:54,880
Speaker 1: a process where it kind of get rough for you

2286
02:17:55,000 --> 02:17:57,040
Speaker 1: to figure out how to get around it, you know

2287
02:17:57,080 --> 02:18:00,400
Speaker 1: what I'm saying. So a very unfortunate situation for Hoover.

2288
02:18:00,520 --> 02:18:04,440
Speaker 1: But again, great show, one of the biggest shows. We're

2289
02:18:04,480 --> 02:18:06,320
Speaker 1: gonna look at a little bit of it. We're gonna

2290
02:18:06,360 --> 02:18:09,600
Speaker 1: bring out some commentary and um, we're gonna move forward.

2291
02:18:15,320 --> 02:18:38,240
Speaker 1: Why was she man shot? Now? Mean to see you? Hi? Hi? Hi? Hey,

2292
02:18:38,320 --> 02:18:50,440
Speaker 1: it's a bad motherfucker a round hill. Hey, HIHIHI don't

2293
02:18:51,800 --> 02:19:01,320
Speaker 1: it's a bad motherfucker around Hill brom this is so

2294
02:19:02,840 --> 02:19:14,080
Speaker 1: fashlancing my room. I can't waste all the time. She

2295
02:19:14,520 --> 02:19:24,520
Speaker 1: might lose soul. Hey ha ha, don't say you will

2296
02:19:26,240 --> 02:19:41,199
Speaker 1: you hey, don't say you all do it? I fabwill

2297
02:20:31,920 --> 02:20:35,520
Speaker 1: Hey for those of you this that's listening, Kanye your

2298
02:20:35,640 --> 02:20:37,840
Speaker 1: daughter hell of a one two up there right now,

2299
02:20:37,959 --> 02:20:41,560
Speaker 1: go to go see the video on my on on

2300
02:20:41,680 --> 02:20:45,840
Speaker 1: wherever you get my videos at doing a hell of

2301
02:20:45,920 --> 02:20:53,280
Speaker 1: a one two boy feeling it scope don't see you

2302
02:20:55,320 --> 02:21:33,360
Speaker 1: You don't say if you know why why? If you

2303
02:21:33,640 --> 02:21:37,760
Speaker 1: know a lot of people took it like he was

2304
02:21:37,840 --> 02:21:40,800
Speaker 1: battling Drake, I don't. I didn't get that feel. I'm

2305
02:21:40,840 --> 02:21:45,280
Speaker 1: not sure why. If you know, I didn't take this

2306
02:21:45,440 --> 02:21:49,440
Speaker 1: as a battle. He did bring out the head stuff.

2307
02:22:01,440 --> 02:22:06,640
Speaker 1: I do think that you see how he's kind of muffled.

2308
02:22:08,520 --> 02:22:11,000
Speaker 1: I do think that he's highly upset because when Drake

2309
02:22:11,080 --> 02:22:14,600
Speaker 1: comes on, Drake isn't you can hear Drake better through

2310
02:22:14,640 --> 02:22:17,560
Speaker 1: the TV. I'm sure that in the stadium both of

2311
02:22:17,600 --> 02:22:22,680
Speaker 1: the guys sound the same, But through the TV, Drake

2312
02:22:22,800 --> 02:22:25,720
Speaker 1: comes off. Its sounding a little better in my opinion.

2313
02:22:25,920 --> 02:23:12,760
Speaker 1: Let'stend no God, no yo do that kid? Shot can

2314
02:23:12,879 --> 02:23:15,760
Speaker 1: remember what the issue is? You just trying to find

2315
02:23:15,840 --> 02:23:18,560
Speaker 1: where the tissue is. You can still be when you

2316
02:23:18,640 --> 02:23:21,720
Speaker 1: wish you in and it and that's where the tissue is.

2317
02:23:23,280 --> 02:23:25,840
Speaker 1: Then the car hurt back to the come back to

2318
02:23:26,000 --> 02:23:30,120
Speaker 1: his eyes and smoke and soos change? You ever want

2319
02:23:30,160 --> 02:23:54,400
Speaker 1: to win it already? Days? I'm back on my friend

2320
02:23:55,520 --> 02:23:58,080
Speaker 1: so I can read my life blind toning in my lifetime,

2321
02:23:58,320 --> 02:24:01,200
Speaker 1: running my home later the sea Scott lives. And that's

2322
02:24:01,280 --> 02:24:05,320
Speaker 1: why line seven o'clock, that's prime time. Having the bus

2323
02:24:05,360 --> 02:24:08,680
Speaker 1: got calling from the hoigh lines? Why keep giving me

2324
02:24:08,840 --> 02:24:11,840
Speaker 1: high lines? I'm gonna say, how could have that shot?

2325
02:24:12,120 --> 02:24:14,880
Speaker 1: How many ladies in the house? How many ladies in

2326
02:24:14,920 --> 02:24:17,880
Speaker 1: the house and out of scouts? Tell the nigga flies

2327
02:24:17,920 --> 02:24:22,840
Speaker 1: heavy feeling you around? But you about only at the

2328
02:24:22,920 --> 02:24:26,720
Speaker 1: finish it I'm treating off poor husband is the cheese?

2329
02:24:27,160 --> 02:24:30,080
Speaker 1: You ever want to win it? Already? You want to

2330
02:24:30,120 --> 02:25:34,000
Speaker 1: if you ever find your dream. I'm more than just

2331
02:25:34,320 --> 02:25:43,400
Speaker 1: an option. He refused to be forgotten. Hey, it's a

2332
02:25:43,600 --> 02:25:48,760
Speaker 1: good chance in my heart. Hey, hay, and I'm really

2333
02:25:48,959 --> 02:25:53,600
Speaker 1: taken over. I bad to find your love. I bad

2334
02:25:53,640 --> 02:25:57,240
Speaker 1: to find your heart. I'm bad to find your love

2335
02:25:57,760 --> 02:25:59,880
Speaker 1: for you forgoll you on away. This is a drinks.

2336
02:26:00,560 --> 02:26:04,800
Speaker 1: I'm bad to find your love. I'm bad offind your lord.

2337
02:26:05,560 --> 02:26:19,320
Speaker 1: IM paredifyed you my love. It's gonna tis kind of

2338
02:26:23,480 --> 02:26:29,720
Speaker 1: every single songe. I'll be the one that you remember.

2339
02:26:30,480 --> 02:26:34,760
Speaker 1: I'm bad offind your love. I'm bad a find your heart.

2340
02:26:35,480 --> 02:26:39,000
Speaker 1: I'm bad at tind your loveing. I'm bad a find

2341
02:26:39,160 --> 02:26:44,320
Speaker 1: your heart. I'm pedifying your love. For those of you watching,

2342
02:26:44,879 --> 02:26:47,760
Speaker 1: I'm sorry listening. They're not playing the camera to Drake,

2343
02:26:47,840 --> 02:26:51,360
Speaker 1: and Drake is giving them support, which is a beautiful tennis.

2344
02:26:58,959 --> 02:27:08,520
Speaker 1: You don't listen, you batter pat to chime, Come get

2345
02:27:08,640 --> 02:27:12,400
Speaker 1: what you've been missing. I bad to find your loveing.

2346
02:27:13,000 --> 02:27:16,520
Speaker 1: I'm bad to find your home. I'm bad to find

2347
02:27:16,640 --> 02:27:21,080
Speaker 1: your loveing. I'm bad to find your home. I'm bad

2348
02:27:21,160 --> 02:27:24,760
Speaker 1: to find your loving. I'm bad to find your home.

2349
02:27:25,640 --> 02:27:29,880
Speaker 1: I'm bead to find it all my love. And this

2350
02:27:30,040 --> 02:27:39,080
Speaker 1: is gonna tell us so far to I'm guess me

2351
02:27:39,360 --> 02:27:51,200
Speaker 1: and it's to you. I'm com way. I'm bad to

2352
02:27:51,280 --> 02:28:00,800
Speaker 1: find your love. I'm bad to find your heart. I'm

2353
02:28:00,840 --> 02:28:09,560
Speaker 1: can't find to love. I'm bend all my love, little love.

2354
02:28:09,879 --> 02:28:20,640
Speaker 1: It's gonna fanifying live. I can find your fall. I'm

2355
02:28:20,760 --> 02:28:28,360
Speaker 1: gonna find love. I'm can't find give all my love,

2356
02:28:29,440 --> 02:28:35,520
Speaker 1: all my love. I get all my love, all my love,

2357
02:28:36,000 --> 02:28:40,480
Speaker 1: if thin all my love, all my all my love.

2358
02:28:40,840 --> 02:28:49,720
Speaker 1: I'm all my love, and it's gonna terris apart. Nothing

2359
02:28:49,800 --> 02:28:55,400
Speaker 1: mistakes I made to terms upon. Nothing nobody can say

2360
02:28:55,680 --> 02:29:02,080
Speaker 1: ters upon. I know I ain't getting fall my love

2361
02:29:02,680 --> 02:29:45,640
Speaker 1: enhing that's going on tests m when it beats up.

2362
02:29:45,680 --> 02:30:13,680
Speaker 1: I need to try to make some noise, I said.

2363
02:30:13,720 --> 02:30:19,200
Speaker 1: I always find Yeah, I always find something wrong. You

2364
02:30:19,360 --> 02:30:24,720
Speaker 1: can play it up with my just sway. I'm so

2365
02:30:25,040 --> 02:30:30,200
Speaker 1: gifted and finding where I don't like the most. So

2366
02:30:30,400 --> 02:30:33,760
Speaker 1: I think it's time for us to have a toast.

2367
02:30:34,120 --> 02:30:37,280
Speaker 1: It's kind a toast for the doost bags. This kind

2368
02:30:37,320 --> 02:30:40,920
Speaker 1: of toast for the assholes. Let's have a toast forters

2369
02:30:40,959 --> 02:30:45,480
Speaker 1: come fast every morning and the night ain't. Let's have

2370
02:30:45,560 --> 02:30:49,520
Speaker 1: a toast for the tooth does that it never take burnt.

2371
02:30:51,000 --> 02:30:56,680
Speaker 1: I can't run away faster than you, and she find

2372
02:30:56,800 --> 02:31:02,120
Speaker 1: pitches in my heat. Man, I said that I don't

2373
02:31:02,160 --> 02:31:05,600
Speaker 1: know what it is a freemas, but I ain't put

2374
02:31:05,680 --> 02:31:09,720
Speaker 1: it that ship. See I can't have you and and

2375
02:31:09,879 --> 02:31:14,120
Speaker 1: still be addicted to the n and I blame everything

2376
02:31:14,400 --> 02:31:18,520
Speaker 1: you I used to know. That's what I'm good because

2377
02:31:18,560 --> 02:31:23,320
Speaker 1: I've always find I'm always can't always find something wrong.

2378
02:31:25,200 --> 02:31:28,000
Speaker 1: See you be put it up with my just swade,

2379
02:31:28,720 --> 02:31:32,480
Speaker 1: just swage you long. I'm so gifted and finding what

2380
02:31:32,760 --> 02:31:37,640
Speaker 1: I don't like them more so, I think it's time

2381
02:31:38,160 --> 02:31:43,320
Speaker 1: everyone have a toss. Hav a toast for them. It's

2382
02:31:43,560 --> 02:31:51,080
Speaker 1: a toast iver toost for everyone. Every wonder than that

2383
02:31:51,240 --> 02:31:57,240
Speaker 1: I know, I'm to man it never take. Maybe I

2384
02:31:57,480 --> 02:32:04,880
Speaker 1: can't run away back if you didn't bring the heads out,

2385
02:32:04,920 --> 02:32:07,920
Speaker 1: I will say that. I hope y'all enjoying this. People

2386
02:32:07,959 --> 02:32:11,240
Speaker 1: that's listening to this podcast, you're now rocking with its

2387
02:32:11,320 --> 02:32:14,640
Speaker 1: up there podcast. We are just watching and listening to

2388
02:32:14,920 --> 02:32:18,040
Speaker 1: Drake and Kanye West, free leavel who will benefit concert

2389
02:32:18,400 --> 02:32:20,480
Speaker 1: who want to give this a little play just because

2390
02:32:20,520 --> 02:32:24,160
Speaker 1: of the importance of the situation and also the monumental

2391
02:32:24,600 --> 02:32:27,600
Speaker 1: statement the culture made was standing next to one of

2392
02:32:27,680 --> 02:33:06,760
Speaker 1: their own run away. I'm gonna make you someday. That's

2393
02:33:06,800 --> 02:33:13,440
Speaker 1: what some would say. Some may's gonna make you run away.

2394
02:33:16,120 --> 02:33:23,520
Speaker 1: Someday He's gonna make you run away. That's what some

2395
02:33:23,760 --> 02:33:34,959
Speaker 1: would say. That's fair. That's why someday gonna run away.

2396
02:33:38,320 --> 02:33:46,840
Speaker 1: Someday gonna run away, they say. And when you run away, baby,

2397
02:33:48,040 --> 02:33:54,800
Speaker 1: I need you to run back back to me, run

2398
02:33:54,959 --> 02:34:00,720
Speaker 1: right back to me. I need to do right back

2399
02:34:00,800 --> 02:34:06,080
Speaker 1: to me. Baby. I need you to run back back

2400
02:34:06,160 --> 02:34:11,360
Speaker 1: to me. Baby. I need you to run right back

2401
02:34:11,440 --> 02:34:16,440
Speaker 1: to me. Baby. Man, I need you to run right

2402
02:34:16,560 --> 02:34:25,920
Speaker 1: back to me. Baby, right back to baby. I need

2403
02:34:26,120 --> 02:34:41,720
Speaker 1: you to run right back me. I want specifically, let

2404
02:34:41,760 --> 02:34:44,800
Speaker 1: me say this. It takes a lot for a man

2405
02:34:44,879 --> 02:34:50,680
Speaker 1: to do that special powerful man. Right, Um, what I

2406
02:34:50,800 --> 02:34:55,600
Speaker 1: find interesting? Now get to just a second, Um, first,

2407
02:34:55,640 --> 02:34:58,840
Speaker 1: I want to speak to the world though. Um seeing

2408
02:34:58,879 --> 02:35:03,920
Speaker 1: it through, Kanye West has made a decision in his

2409
02:35:04,080 --> 02:35:07,320
Speaker 1: mind that he's gonna go out fighting for his family.

2410
02:35:08,160 --> 02:35:11,560
Speaker 1: You know, and oftentimes you know, I see on the

2411
02:35:11,600 --> 02:35:14,800
Speaker 1: internet people trying to make jokes about that. But this

2412
02:35:15,040 --> 02:35:17,920
Speaker 1: is what the black man does. If you look at statistics.

2413
02:35:18,000 --> 02:35:21,320
Speaker 1: We want to fight for our families. I know, contrary

2414
02:35:21,360 --> 02:35:24,360
Speaker 1: to popular belief, right, because a lot of people think

2415
02:35:25,440 --> 02:35:29,160
Speaker 1: that we run from our families, right, They think we

2416
02:35:29,320 --> 02:35:31,800
Speaker 1: take off and we leave, and we and where we

2417
02:35:32,000 --> 02:35:34,520
Speaker 1: leave the family devastated and then no one knows what

2418
02:35:34,680 --> 02:35:37,000
Speaker 1: to do because the man is gone. A lot of times,

2419
02:35:37,600 --> 02:35:41,440
Speaker 1: the man has made some mistakes now and some things

2420
02:35:41,520 --> 02:35:46,080
Speaker 1: that's devastated and hurt the person that he loves. But

2421
02:35:46,240 --> 02:35:50,280
Speaker 1: he's not ready to throw the tie in. And the

2422
02:35:50,360 --> 02:35:55,359
Speaker 1: best apologist changed behavior. But the best apologist changed behavior.

2423
02:35:55,440 --> 02:35:57,320
Speaker 1: But for me to show you change behavior, I have

2424
02:35:57,440 --> 02:36:00,800
Speaker 1: to have an opportunity. Now, this is what the conundrum

2425
02:36:01,320 --> 02:36:05,400
Speaker 1: is that because now you have a woman that can

2426
02:36:05,480 --> 02:36:08,200
Speaker 1: may say why giving you opportunity? Now you say, well,

2427
02:36:08,240 --> 02:36:13,600
Speaker 1: what how many opportunities is a real opportunity? You see?

2428
02:36:14,480 --> 02:36:16,920
Speaker 1: And that's why when you hit me speak about relationships,

2429
02:36:16,959 --> 02:36:18,960
Speaker 1: you never hit me really slam the man of the

2430
02:36:19,040 --> 02:36:23,039
Speaker 1: woman I identify, right, I try to identify your women

2431
02:36:23,120 --> 02:36:25,360
Speaker 1: tend to think like this. Maybe this is why that's

2432
02:36:25,440 --> 02:36:27,400
Speaker 1: the case. Or men tend to look at things a

2433
02:36:27,480 --> 02:36:30,320
Speaker 1: little more like this, And you know, maybe that's why

2434
02:36:30,360 --> 02:36:33,600
Speaker 1: that's the case. But I understand as a family, we

2435
02:36:33,760 --> 02:36:38,320
Speaker 1: got work to do. As a family, we got work

2436
02:36:38,400 --> 02:36:46,000
Speaker 1: to do, you know. Um, But he's fighting for his family.

2437
02:36:46,200 --> 02:36:53,240
Speaker 1: But then and and see Kim has been Kim in

2438
02:36:53,400 --> 02:37:02,720
Speaker 1: my opinion, has been unreceptive to the signal. You know,

2439
02:37:03,560 --> 02:37:07,680
Speaker 1: it's almost like that that a publicist or someone that's

2440
02:37:07,720 --> 02:37:09,760
Speaker 1: going out of their way to let it be known that, hey,

2441
02:37:09,840 --> 02:37:15,760
Speaker 1: she's not interested. But again, each man has their own fight.

2442
02:37:16,200 --> 02:37:18,240
Speaker 1: Is what is too much for your family? That's on

2443
02:37:18,480 --> 02:37:21,119
Speaker 1: all each man, that's on you. That ain't Nobody can't

2444
02:37:21,200 --> 02:37:24,920
Speaker 1: dictate that by your family, and we must remain clear

2445
02:37:25,000 --> 02:37:31,320
Speaker 1: on that um. But it feels like that Kanye might

2446
02:37:31,360 --> 02:37:33,400
Speaker 1: have done something that's not out to the light of

2447
02:37:33,520 --> 02:37:39,720
Speaker 1: something because shortly after this, she goes and according to

2448
02:37:39,800 --> 02:37:44,279
Speaker 1: Timz says that, and again that seems like a publicity

2449
02:37:44,440 --> 02:37:48,320
Speaker 1: publicist thing. Right after tims that says she files for

2450
02:37:48,760 --> 02:37:51,440
Speaker 1: actual divorce to be single or something. I don't even

2451
02:37:51,480 --> 02:37:53,520
Speaker 1: know what that really means, but that's what it says,

2452
02:37:54,120 --> 02:37:57,640
Speaker 1: because I already thought divorce proceedings were already happening. But

2453
02:37:57,760 --> 02:38:00,400
Speaker 1: I don't know. Again, it's a lot that happens. He's

2454
02:38:00,440 --> 02:38:03,920
Speaker 1: saying that it's publicists and people around it. They wanted

2455
02:38:03,959 --> 02:38:05,560
Speaker 1: to be this way that way in the third so

2456
02:38:05,920 --> 02:38:10,440
Speaker 1: I really don't know, right, But then I got to thinking, like,

2457
02:38:11,959 --> 02:38:15,920
Speaker 1: all right, right after this concert, they do that, so

2458
02:38:18,480 --> 02:38:20,600
Speaker 1: and then I got thinking like, oh, what about her

2459
02:38:20,680 --> 02:38:24,119
Speaker 1: relationship with Drake? Not sexual, but I think she has

2460
02:38:24,160 --> 02:38:26,920
Speaker 1: a disdain for Drake because he may have said someone

2461
02:38:27,040 --> 02:38:30,880
Speaker 1: implies certain things, and maybe if she sees that with

2462
02:38:31,080 --> 02:38:34,080
Speaker 1: you hooking back up with Drake now, she's like that

2463
02:38:34,320 --> 02:38:37,600
Speaker 1: bad probably upset her. Now, this is a this is

2464
02:38:37,680 --> 02:38:42,200
Speaker 1: what a spin come in that because if she's at

2465
02:38:42,280 --> 02:38:47,599
Speaker 1: her home with these people, right and she exhibits disappointment,

2466
02:38:49,160 --> 02:38:52,720
Speaker 1: she presents disappointment like he's on stage with him after

2467
02:38:52,840 --> 02:38:55,720
Speaker 1: this or that or whatever, then people may take it

2468
02:38:55,840 --> 02:39:00,040
Speaker 1: upon themselves to put a story out. You see what

2469
02:39:00,080 --> 02:39:02,600
Speaker 1: I'm saying, And that's a hard pill to swallow, Like

2470
02:39:02,760 --> 02:39:04,800
Speaker 1: right out, I've done that. That's how y'all doing me?

2471
02:39:05,000 --> 02:39:08,320
Speaker 1: Like that's what he's speaking about. They want him to react.

2472
02:39:08,400 --> 02:39:10,920
Speaker 1: It's almost like they're trying to you know what I'm saying,

2473
02:39:10,959 --> 02:39:13,920
Speaker 1: You see what I'm doing. But you know, they say

2474
02:39:14,160 --> 02:39:17,080
Speaker 1: the Pete Davison thing. I really don't know what that's about.

2475
02:39:17,160 --> 02:39:21,680
Speaker 1: Now I know Kanye, or I could imagine that Kanye

2476
02:39:21,920 --> 02:39:24,720
Speaker 1: is like, man, I want to try to get up back,

2477
02:39:24,959 --> 02:39:27,520
Speaker 1: especially when she gets closer and closer to leave and

2478
02:39:27,640 --> 02:39:31,160
Speaker 1: see me in a weird We don't remember how hard

2479
02:39:31,240 --> 02:39:33,240
Speaker 1: we work to get you until you about to leave

2480
02:39:34,920 --> 02:39:37,879
Speaker 1: or really already gone, really about to leave. Don't even

2481
02:39:37,959 --> 02:39:40,160
Speaker 1: do it. You got to go, and then we go

2482
02:39:40,400 --> 02:39:42,320
Speaker 1: start being I hold up, now, man, I put too

2483
02:39:42,440 --> 02:39:44,760
Speaker 1: much work in right, because you gotta remember. Look how

2484
02:39:44,879 --> 02:39:48,320
Speaker 1: much Kanye did to get her and change the whole

2485
02:39:48,440 --> 02:39:51,520
Speaker 1: situation and invested in her. Like that's a big loss.

2486
02:39:52,200 --> 02:39:54,680
Speaker 1: Fuck the money and we mega rich. But I'm saying

2487
02:39:54,760 --> 02:39:59,000
Speaker 1: the time I could never get back, the experiences, the nights,

2488
02:39:59,120 --> 02:40:05,400
Speaker 1: the days, the vacations, the memories, everything that we've done together.

2489
02:40:06,200 --> 02:40:08,160
Speaker 1: On top of how hard I work to get you.

2490
02:40:08,240 --> 02:40:10,960
Speaker 1: You gotta remember Kanye was gone off this woman when

2491
02:40:11,040 --> 02:40:14,840
Speaker 1: he was already sooner, like, Yo, that's gonna be my wife.

2492
02:40:14,879 --> 02:40:17,800
Speaker 1: I love for right. But the further you get up

2493
02:40:17,920 --> 02:40:22,160
Speaker 1: the ladder, you may start to forget how hard you

2494
02:40:22,280 --> 02:40:27,120
Speaker 1: work to get your woman. Men do this. This is

2495
02:40:27,160 --> 02:40:30,600
Speaker 1: what men do. Sometimes we forget, like or not necessarily

2496
02:40:30,640 --> 02:40:33,920
Speaker 1: if we forget. We said it to the side, you know,

2497
02:40:34,000 --> 02:40:35,720
Speaker 1: we said it to the side that we worked so

2498
02:40:35,840 --> 02:40:38,080
Speaker 1: hard to put you in a position where you now

2499
02:40:38,640 --> 02:40:44,120
Speaker 1: are uninterested in any other man outside of me and

2500
02:40:44,280 --> 02:40:47,560
Speaker 1: women do the same thing. Women to forget save baby girl.

2501
02:40:48,720 --> 02:40:52,560
Speaker 1: You know I was having five or six women, right,

2502
02:40:53,320 --> 02:40:56,440
Speaker 1: and then we locked in and you had it was

2503
02:40:56,520 --> 02:40:59,280
Speaker 1: a certain workload for you to do, you know, or

2504
02:40:59,440 --> 02:41:02,400
Speaker 1: to get me to shut that down. But you took

2505
02:41:02,520 --> 02:41:06,480
Speaker 1: care and then now all of a sudden you don't

2506
02:41:06,480 --> 02:41:10,040
Speaker 1: forgot about that. But it's interesting because the further Kim

2507
02:41:10,160 --> 02:41:12,560
Speaker 1: gets away from Kanye, in my opinion, he probably can

2508
02:41:12,640 --> 02:41:14,800
Speaker 1: see all the hard work he put in going down

2509
02:41:14,879 --> 02:41:18,480
Speaker 1: the train like damn, it's going like, man, I did this,

2510
02:41:18,680 --> 02:41:20,600
Speaker 1: I went that hard and then it ain't about the money,

2511
02:41:20,640 --> 02:41:23,879
Speaker 1: it's the term the effort stuff. And then I ain't

2512
02:41:23,920 --> 02:41:28,320
Speaker 1: a loser. I ain't a losing now. I don't want

2513
02:41:28,360 --> 02:41:32,959
Speaker 1: to lose you now now you know we go out

2514
02:41:33,000 --> 02:41:36,600
Speaker 1: several ways one but I don't losing, Like nah, something

2515
02:41:36,680 --> 02:41:40,520
Speaker 1: that I know I held close like this that I

2516
02:41:40,600 --> 02:41:42,800
Speaker 1: got a little arrogant with the you ain't going on,

2517
02:41:43,040 --> 02:41:48,560
Speaker 1: I don't locked you in when that right there, get

2518
02:41:48,640 --> 02:41:50,720
Speaker 1: a lose boy. That's a hell of a thing for

2519
02:41:50,879 --> 02:41:55,000
Speaker 1: a man. But again, during that forced family, we're gonna

2520
02:41:55,040 --> 02:41:57,000
Speaker 1: listen to Drake come out and then we'll move on

2521
02:42:02,840 --> 02:42:08,160
Speaker 1: like ain't time. I hadn't dreamed my boy my way

2522
02:42:08,240 --> 02:42:11,160
Speaker 1: in heavy. When I woke, I spent that on the necklace.

2523
02:42:12,280 --> 02:42:15,200
Speaker 1: I told God, I'll be back in a second. Man,

2524
02:42:15,280 --> 02:42:21,000
Speaker 1: it's so hard to whole. Is getting his shifty get

2525
02:42:21,200 --> 02:42:24,000
Speaker 1: us to gets until he get the message. I feel

2526
02:42:24,040 --> 02:42:27,240
Speaker 1: a rush up the mona stooping need and one out

2527
02:42:27,320 --> 02:42:35,480
Speaker 1: tune to read more Louisville. I'm count getting you. Virtue

2528
02:42:35,760 --> 02:42:39,320
Speaker 1: crowd is going crazy. Put this do with me talking back,

2529
02:42:39,520 --> 02:42:43,720
Speaker 1: talking about it, ship shooting me. I'm just saying happy

2530
02:42:43,840 --> 02:42:46,400
Speaker 1: with me. I ain't wanting the constance. I ain't going

2531
02:42:46,480 --> 02:42:50,760
Speaker 1: to I guess the money should have changed up. I

2532
02:42:50,879 --> 02:42:56,600
Speaker 1: guess I shouldn't get where I came from. Wait to

2533
02:42:56,800 --> 02:43:03,480
Speaker 1: not get my money right. Then you can't tell me

2534
02:43:03,800 --> 02:43:06,400
Speaker 1: he brought out some songs, but Bro Drake got me

2535
02:43:06,720 --> 02:43:10,680
Speaker 1: from monsters. Don't get Drake confused, but he brought some

2536
02:43:10,840 --> 02:43:15,760
Speaker 1: min Kanye Bro. Look at this. You can't hard case

2537
02:43:18,320 --> 02:43:21,800
Speaker 1: that at the suicide doors. This is my life holding

2538
02:43:21,879 --> 02:43:26,000
Speaker 1: you the side yours. I know the cheese and sade force,

2539
02:43:26,760 --> 02:43:29,120
Speaker 1: but I couldn't take it. Who is side war to

2540
02:43:29,240 --> 02:43:34,400
Speaker 1: a parent? They'll chuckle, mother, saveys oh chalking about back

2541
02:43:34,480 --> 02:43:38,200
Speaker 1: in my day. Oh hold me, this is my day.

2542
02:43:38,440 --> 02:43:41,880
Speaker 1: Class saw the three hours to go. Hold him high late. No,

2543
02:43:42,040 --> 02:43:45,360
Speaker 1: I'm already graduated. If we can then do eat the thing?

2544
02:43:45,560 --> 02:43:50,280
Speaker 1: If magic made it, I see I'm talking so much emphasis.

2545
02:43:51,600 --> 02:43:57,320
Speaker 1: Oh he's so siss like Palaton to say something. But

2546
02:43:57,480 --> 02:44:18,880
Speaker 1: you put into apologie letting your disaspane me. Hella, holloadcucause

2547
02:44:18,920 --> 02:44:24,800
Speaker 1: you saying something. You can't tell me nothing. You can't

2548
02:44:24,879 --> 02:45:12,920
Speaker 1: tell me nothing. You can't tell me nothing. M Drake

2549
02:45:13,080 --> 02:45:27,800
Speaker 1: is now took the stage, Dad, God make it she Drake,

2550
02:45:27,959 --> 02:45:34,400
Speaker 1: that nigga. Brother Drake is that nigga, y'all. I was

2551
02:45:34,440 --> 02:45:39,600
Speaker 1: trying to act like man. Come on, man, see his

2552
02:45:39,800 --> 02:45:42,040
Speaker 1: mic seems a little better. I don't know what happened.

2553
02:45:42,080 --> 02:45:44,720
Speaker 1: I know, Kanye. I don't like that man. They need

2554
02:45:44,760 --> 02:45:47,680
Speaker 1: to have that audio right. Just listen to him when

2555
02:45:47,720 --> 02:45:50,760
Speaker 1: you choose yours. We're kicking it to day, y'all. We're

2556
02:45:50,840 --> 02:45:56,920
Speaker 1: kicking it everybody on the field. I appreciate all two

2557
02:45:57,040 --> 02:46:01,920
Speaker 1: hundred thousands of y'all. My kids all me, let it all,

2558
02:46:02,080 --> 02:46:06,200
Speaker 1: Let it all. God, please make it all right. Nothing

2559
02:46:06,320 --> 02:46:11,040
Speaker 1: else ever feels right, nothing else ever feels right, nothing

2560
02:46:11,240 --> 02:46:26,160
Speaker 1: else one of its all right, Swing for swinning for

2561
02:46:28,080 --> 02:46:56,080
Speaker 1: swanning for swinny for yeah yeah the side, Yeah yeah,

2562
02:47:00,000 --> 02:47:05,080
Speaker 1: It's not finished. Is not finished. See how they're getting

2563
02:47:05,080 --> 02:47:10,920
Speaker 1: it together. Guy's not finished, Sky, God's not finished, no yet,

2564
02:47:11,000 --> 02:47:15,880
Speaker 1: Love does not finished, Devils alive does not finished. GOSTI

2565
02:47:16,360 --> 02:47:28,400
Speaker 1: God just not me. That dude got voice control man

2566
02:47:28,720 --> 02:47:34,160
Speaker 1: for a rapper. Were gonna be came, We're gonna be,

2567
02:47:40,280 --> 02:47:49,000
Speaker 1: We're gonna be, were gonna be all hair. Gods not finished,

2568
02:47:50,200 --> 02:47:57,080
Speaker 1: does not finished? Is now I finished? God's not finished?

2569
02:47:58,200 --> 02:48:05,360
Speaker 1: Guys now finished. God's not finished. God that bought nigga.

2570
02:48:06,120 --> 02:48:13,119
Speaker 1: God stop finishing at La stop finishing, stop finishing, truck

2571
02:48:13,200 --> 02:48:20,039
Speaker 1: stop finishing, to stop finishing, God stop finished? Canst finished? God?

2572
02:48:25,959 --> 02:48:40,480
Speaker 1: John stop me? Yeah, I probably should go in with years.

2573
02:48:41,040 --> 02:48:43,600
Speaker 1: I need me some Jesus. As soon as that's ay

2574
02:48:43,640 --> 02:48:47,200
Speaker 1: confessed my sins, he wouldn't believe a sin. I got

2575
02:48:47,280 --> 02:48:50,400
Speaker 1: sins this way he comes in that. So basically, for

2576
02:48:51,200 --> 02:48:53,720
Speaker 1: those years that don't know that, Drake just basically did

2577
02:48:53,760 --> 02:48:56,160
Speaker 1: a couple of CLB. I think he made it, did

2578
02:48:56,240 --> 02:48:59,240
Speaker 1: one or two extra hits. But Drake didn't come that

2579
02:48:59,560 --> 02:49:02,360
Speaker 1: to bat, don't. I don't know why people are projecting

2580
02:49:02,400 --> 02:49:05,000
Speaker 1: that on these two individuals as we try to navigate

2581
02:49:05,080 --> 02:49:09,840
Speaker 1: through this very a high intense situation between these two

2582
02:49:09,920 --> 02:49:13,680
Speaker 1: gentlemen where both of these guys have enormous ego, as

2583
02:49:13,720 --> 02:49:16,560
Speaker 1: they should. These guys have been lucrative for a lot

2584
02:49:16,640 --> 02:49:18,920
Speaker 1: of white people, a lot of companies have been at

2585
02:49:18,959 --> 02:49:21,720
Speaker 1: the forefront of music for the last decade or more.

2586
02:49:22,280 --> 02:49:24,680
Speaker 1: So I think it's very important, night Man, and for

2587
02:49:24,840 --> 02:49:26,480
Speaker 1: us to be a part of it and us to

2588
02:49:26,560 --> 02:49:29,640
Speaker 1: witness it, I just think it's worth mentioning, you know again,

2589
02:49:29,720 --> 02:49:33,760
Speaker 1: Shout out Drake, shout out Kanye, shout out Jay, Prince Freed,

2590
02:49:33,840 --> 02:49:37,120
Speaker 1: Larry Hoover. And it's a lot of guys in the city,

2591
02:49:37,760 --> 02:49:40,480
Speaker 1: my city that's been through things that I've always tapped

2592
02:49:40,520 --> 02:49:42,120
Speaker 1: in with and got a lot of love for this

2593
02:49:42,240 --> 02:49:44,600
Speaker 1: how this thing goes. So we're gonna look at Rick

2594
02:49:44,720 --> 02:49:50,280
Speaker 1: Ross interview. He said some things about Meek Mill, and

2595
02:49:50,400 --> 02:49:52,400
Speaker 1: then we'll we'll get out of here for the day

2596
02:49:53,200 --> 02:49:57,600
Speaker 1: and we'll be on location soon. It's up that podcast.

2597
02:49:57,600 --> 02:49:59,320
Speaker 1: We're gonna take a quick break and we'll be back.

2598
02:49:59,400 --> 02:50:03,480
Speaker 1: Last topic today will be Rick Ross. Rick Ross just

2599
02:50:03,600 --> 02:50:06,440
Speaker 1: dropped his album. I think it's his tim solo, a

2600
02:50:06,560 --> 02:50:08,800
Speaker 1: studio album richer than I ever be, and it's now

2601
02:50:08,840 --> 02:50:12,480
Speaker 1: available on all platforms. Shout out the Ross. He went

2602
02:50:12,560 --> 02:50:16,039
Speaker 1: and sat with Elliott Wilson and b Dot and let

2603
02:50:16,120 --> 02:50:19,320
Speaker 1: me let me also clean this up because when I

2604
02:50:19,360 --> 02:50:21,720
Speaker 1: speak about the legends in the game, I tend to

2605
02:50:21,800 --> 02:50:25,240
Speaker 1: forget Elliott Wilson by me being a student of the game.

2606
02:50:25,360 --> 02:50:28,080
Speaker 1: That's a mistake, you know, for those of you that

2607
02:50:28,200 --> 02:50:30,680
Speaker 1: may not know, he's been around for longer than a

2608
02:50:30,720 --> 02:50:33,640
Speaker 1: lot of these rap guys have been around double XXL days.

2609
02:50:35,879 --> 02:50:38,240
Speaker 1: Dude has been instrumental in a lot of things right,

2610
02:50:38,440 --> 02:50:40,920
Speaker 1: just to say the least, but and also was one

2611
02:50:40,959 --> 02:50:43,280
Speaker 1: of the pioneers in the podcast space. I think he

2612
02:50:43,400 --> 02:50:46,360
Speaker 1: was probably one of the first ones as well, along

2613
02:50:46,400 --> 02:50:48,240
Speaker 1: with combat Jack and a couple of those guys to

2614
02:50:48,280 --> 02:50:51,800
Speaker 1: actually do a podcast. So from hip hop so so again,

2615
02:50:52,560 --> 02:50:55,039
Speaker 1: give Elliott Wilson his flowers as well. He's a legend

2616
02:50:55,120 --> 02:50:56,760
Speaker 1: in the game, but in the game a long time.

2617
02:50:56,840 --> 02:50:59,280
Speaker 1: When you see him do his crown thing over title

2618
02:50:59,320 --> 02:51:02,400
Speaker 1: shout out tight Um where he's had people like Future

2619
02:51:02,480 --> 02:51:05,560
Speaker 1: Young Thug, like the big names see he's dealing with

2620
02:51:05,680 --> 02:51:08,360
Speaker 1: publicists and things like that. Where he gonna get his interview.

2621
02:51:08,480 --> 02:51:11,440
Speaker 1: See the thing about Loan in his podcast, people coming

2622
02:51:11,480 --> 02:51:14,760
Speaker 1: to me because they won't talk to dude, you know,

2623
02:51:15,040 --> 02:51:17,280
Speaker 1: and a lot of people want to talk to Elliot

2624
02:51:17,400 --> 02:51:20,040
Speaker 1: as well, but also his he's a staple in the game,

2625
02:51:20,160 --> 02:51:23,760
Speaker 1: so being next to him, um places you in a

2626
02:51:23,879 --> 02:51:27,480
Speaker 1: situation to get certain press release, certain press attached to

2627
02:51:27,640 --> 02:51:32,560
Speaker 1: his name. So shout out Elliot. Also, Russ just dropped

2628
02:51:32,600 --> 02:51:37,840
Speaker 1: his album, um crumb I Believe or something like that,

2629
02:51:38,120 --> 02:51:40,440
Speaker 1: dope album. Russ is a dope artist and he when

2630
02:51:40,520 --> 02:51:43,480
Speaker 1: he sat down with Rory and Mall, and I've been

2631
02:51:43,600 --> 02:51:46,800
Speaker 1: kind of critical of Rory and Mall in that content. Um,

2632
02:51:47,920 --> 02:51:50,840
Speaker 1: I just feel like it's oversaturated, like they're dropping a lot.

2633
02:51:51,400 --> 02:51:53,520
Speaker 1: But again I have to catch up with what's going

2634
02:51:53,600 --> 02:51:58,119
Speaker 1: on there um them in act, it seems like Joe

2635
02:51:58,560 --> 02:52:02,280
Speaker 1: his audiences, he paired this audience for that. These other

2636
02:52:02,720 --> 02:52:07,840
Speaker 1: podcasts seeming to be over over saturating the market just

2637
02:52:08,000 --> 02:52:09,920
Speaker 1: for them, though it doesn't hurt anyone else, it's just

2638
02:52:10,080 --> 02:52:12,280
Speaker 1: their thing. It's almost like some of those episodes that

2639
02:52:12,360 --> 02:52:16,520
Speaker 1: get skipped over. Nonetheless, the Russ, Rory and Mall interview

2640
02:52:16,680 --> 02:52:22,640
Speaker 1: was a super dope interview. It really made me recognize

2641
02:52:22,680 --> 02:52:25,280
Speaker 1: the value that they brought to Joe Button in their

2642
02:52:25,400 --> 02:52:31,160
Speaker 1: place in his infrastructure over there. You know, Uh, Mall

2643
02:52:31,360 --> 02:52:34,520
Speaker 1: would come sometimes with these little one liners like Rory

2644
02:52:34,600 --> 02:52:38,240
Speaker 1: would always present a side of the business that many

2645
02:52:38,320 --> 02:52:42,680
Speaker 1: people may not understand. But but but this interview with Rory,

2646
02:52:42,959 --> 02:52:46,680
Speaker 1: Russ and Mall really really was a good interview and

2647
02:52:46,760 --> 02:52:50,320
Speaker 1: showed me some of the strength that those guys took

2648
02:52:50,360 --> 02:52:56,039
Speaker 1: when they left Joe Buttons podcast. Um but Rick Ross,

2649
02:52:56,120 --> 02:52:59,040
Speaker 1: We're gonna get to the Rick Ross again. Sat with

2650
02:52:59,160 --> 02:53:03,480
Speaker 1: Elliott Wilson b died rap right up podcast. They did

2651
02:53:03,520 --> 02:53:06,280
Speaker 1: it big. They went to Miami Heats Stadium. That's what

2652
02:53:06,360 --> 02:53:10,640
Speaker 1: I'm saying. Could you imagine my people. I'm talking to

2653
02:53:10,760 --> 02:53:14,240
Speaker 1: my people now wait till your boy get the start

2654
02:53:14,360 --> 02:53:18,120
Speaker 1: doing shit. It's gonna be classic interviews. Bro. Y'all know

2655
02:53:18,320 --> 02:53:21,360
Speaker 1: I'm the keen of this shit. And I'm only saying

2656
02:53:21,440 --> 02:53:24,480
Speaker 1: that because I promise y'all. Man, I wish I can

2657
02:53:24,600 --> 02:53:27,280
Speaker 1: tell y'all I'm what I'm going through, bro, But I

2658
02:53:27,400 --> 02:53:31,480
Speaker 1: can't just yet. But these people are they really are

2659
02:53:31,560 --> 02:53:34,880
Speaker 1: letting me know, Yo, you are master level with this shit, bro,

2660
02:53:35,920 --> 02:53:38,640
Speaker 1: like you are master level with this shit, and for me,

2661
02:53:38,840 --> 02:53:41,520
Speaker 1: that means a lot. Man, And I know I'm dealing

2662
02:53:41,600 --> 02:53:45,280
Speaker 1: with experiences and information, right, but let's take a look

2663
02:53:45,320 --> 02:53:47,800
Speaker 1: at the interview. He talked about the slewid things. He's

2664
02:53:47,800 --> 02:53:50,880
Speaker 1: starting to become open with some of the business things

2665
02:53:50,959 --> 02:53:54,039
Speaker 1: that have went unanswered for so long. I think him

2666
02:53:54,040 --> 02:53:57,320
Speaker 1: and jay Z. I think the Meek Meal situation drew

2667
02:53:57,360 --> 02:54:00,320
Speaker 1: a widge between jay Z and Ross because if you remember,

2668
02:54:00,840 --> 02:54:07,520
Speaker 1: right before Ross, right before Meek Mill and Ross, right

2669
02:54:07,600 --> 02:54:10,440
Speaker 1: before Meek Mil and jay Z kind of got super close,

2670
02:54:10,959 --> 02:54:14,080
Speaker 1: it was Ross and Jay Nick. Jay would drop an

2671
02:54:14,160 --> 02:54:17,800
Speaker 1: album and have no artists on that except Ross, maybe

2672
02:54:18,280 --> 02:54:21,600
Speaker 1: put him on super duper big records, like he would

2673
02:54:21,760 --> 02:54:25,800
Speaker 1: really really really really really embrace Ross. But think about it.

2674
02:54:26,120 --> 02:54:29,360
Speaker 1: Jay used to embrace Jeez, then went the Ross, then

2675
02:54:29,480 --> 02:54:33,840
Speaker 1: went the like Jay smart, bro, Yeah, I better pay attention.

2676
02:54:33,959 --> 02:54:37,039
Speaker 1: But with Ross I think he looks at that as

2677
02:54:37,080 --> 02:54:39,960
Speaker 1: a fumble because he was next to Diddy, he was

2678
02:54:40,040 --> 02:54:43,280
Speaker 1: next to Jay right, and he's bossing his own right,

2679
02:54:43,320 --> 02:54:49,000
Speaker 1: he doing business or he doing good? But what more

2680
02:54:49,040 --> 02:54:51,640
Speaker 1: information would I would have got had I stayed right there?

2681
02:54:55,360 --> 02:54:58,000
Speaker 1: Meek got there guy with the billionaires, they took Meek

2682
02:54:58,040 --> 02:55:00,440
Speaker 1: and made Meek look at his contract for what his worth.

2683
02:55:00,560 --> 02:55:03,680
Speaker 1: Then Meet wants to renegotiate him and Ross he draws

2684
02:55:03,720 --> 02:55:06,640
Speaker 1: a wedge in between that. Ross and Jay no longer

2685
02:55:07,000 --> 02:55:10,200
Speaker 1: seems to be on the same level that they've been

2686
02:55:10,320 --> 02:55:12,280
Speaker 1: for so many years. So, I mean, I don't know

2687
02:55:12,360 --> 02:55:15,280
Speaker 1: what that speaks to, but something seems to be there.

2688
02:55:15,360 --> 02:55:17,200
Speaker 1: But let's listen to a little bit of the interview

2689
02:55:17,480 --> 02:55:21,720
Speaker 1: and then we'll come back. I wish that, yeah, and

2690
02:55:21,959 --> 02:55:24,080
Speaker 1: it could you know, I could be worse. Yeah, I

2691
02:55:24,160 --> 02:55:27,480
Speaker 1: could be heard about that on a Little Havanna. A

2692
02:55:27,560 --> 02:55:31,920
Speaker 1: Little Havana. It's a nice record. I mean there's a

2693
02:55:31,959 --> 02:55:34,480
Speaker 1: line towards a Marion you said, you know Marion, you

2694
02:55:34,520 --> 02:55:38,000
Speaker 1: released him. It was a little fizz that was clever. Yeah, yeah,

2695
02:55:38,080 --> 02:55:41,760
Speaker 1: that was a little vibe yo. But do you get

2696
02:55:41,840 --> 02:55:43,680
Speaker 1: this one went like things like that don't work out

2697
02:55:43,760 --> 02:55:45,440
Speaker 1: to the standard that you want. I mean, we did

2698
02:55:45,560 --> 02:55:47,560
Speaker 1: the may back Old moment and brought that to the world,

2699
02:55:47,600 --> 02:55:49,280
Speaker 1: and then when you look at things like trying to

2700
02:55:50,040 --> 02:55:52,039
Speaker 1: build artists and things don't go the way. But how

2701
02:55:52,040 --> 02:55:54,440
Speaker 1: do you deal with that? Well, you gotta understand, from

2702
02:55:54,480 --> 02:55:58,039
Speaker 1: my perspective, it's not a lot of people that from

2703
02:55:58,080 --> 02:56:00,240
Speaker 1: the amount of work that I put in, who don't

2704
02:56:00,280 --> 02:56:02,640
Speaker 1: really live up to this ship that I'm willing to do,

2705
02:56:03,680 --> 02:56:08,240
Speaker 1: you know what I mean. But we're talking about great individuals.

2706
02:56:08,720 --> 02:56:13,920
Speaker 1: To me, that's what's important. Cashing on your potential. It's

2707
02:56:13,959 --> 02:56:18,120
Speaker 1: amazing this you could be let's show the world us.

2708
02:56:18,240 --> 02:56:21,000
Speaker 1: Just having it is useless. And then Tyson Mario, you

2709
02:56:21,080 --> 02:56:23,040
Speaker 1: kind of helped him in a transitional period, right like

2710
02:56:23,160 --> 02:56:26,320
Speaker 1: you get without it no matter what, He's still came

2711
02:56:26,360 --> 02:56:28,960
Speaker 1: out stronger from that experience. Oh, without a doubt, without

2712
02:56:29,000 --> 02:56:31,160
Speaker 1: a doubt. And I felt like, you know, Dog was

2713
02:56:31,200 --> 02:56:34,600
Speaker 1: always just a talented motherfucker who still got something to

2714
02:56:34,640 --> 02:56:36,360
Speaker 1: show the world. You just need to give it to him.

2715
02:56:37,080 --> 02:56:39,240
Speaker 1: So in that particular situation why they didn't work out

2716
02:56:40,120 --> 02:56:43,120
Speaker 1: well for me, I think it was a plus. You know,

2717
02:56:43,200 --> 02:56:46,200
Speaker 1: he released a platinum record on Double MG, and we

2718
02:56:46,320 --> 02:56:49,840
Speaker 1: just wanted to be Yeah, we moved forward. So what

2719
02:56:50,040 --> 02:56:52,520
Speaker 1: is the current roster of may Back Music Group? The

2720
02:56:52,600 --> 02:56:57,440
Speaker 1: current roster is ROILEI meet mill. Most definitely gun play

2721
02:56:57,640 --> 02:56:59,440
Speaker 1: for life, I know what I'm saying. And I got

2722
02:56:59,520 --> 02:57:03,760
Speaker 1: some young some youngsters that I signed. Um, that's most

2723
02:57:03,800 --> 02:57:06,320
Speaker 1: definitely you know, grinding that I really want to bring

2724
02:57:06,400 --> 02:57:09,600
Speaker 1: to the forefront possibly this upcoming somewhere. Yeah, rather you

2725
02:57:09,640 --> 02:57:12,400
Speaker 1: say you introducing trying to introduce two artists that yeah, yeah,

2726
02:57:12,480 --> 02:57:14,520
Speaker 1: it may be more than that. It's just not a

2727
02:57:14,640 --> 02:57:17,880
Speaker 1: Russian anymore. Yeah, because I understand what could come from that.

2728
02:57:18,920 --> 02:57:21,000
Speaker 1: It's not just about putting the record out boom. You

2729
02:57:21,040 --> 02:57:23,080
Speaker 1: could do that. You know, you missed that, like first

2730
02:57:23,200 --> 02:57:25,000
Speaker 1: run the self may run where you have like the

2731
02:57:25,080 --> 02:57:26,560
Speaker 1: whole team and you know, everybody likes to be part

2732
02:57:26,600 --> 02:57:29,920
Speaker 1: of a team and like and of course I miss it.

2733
02:57:30,000 --> 02:57:32,640
Speaker 1: And when I missed the most is just that fulfilling

2734
02:57:32,760 --> 02:57:36,520
Speaker 1: that dream of you being in position to help another

2735
02:57:36,600 --> 02:57:40,080
Speaker 1: young nigga shine. Yeah, come up. You know what I'm

2736
02:57:40,080 --> 02:57:42,960
Speaker 1: saying to me, that was a goal which I don't fulfill.

2737
02:57:43,120 --> 02:57:46,000
Speaker 1: I'm gonna be any time, No, yeah, yeah, I don't

2738
02:57:46,000 --> 02:57:48,800
Speaker 1: fulfill that. So now I want artists approached me. It's

2739
02:57:48,840 --> 02:57:51,200
Speaker 1: just not about the talent. You got to show me

2740
02:57:51,320 --> 02:57:54,240
Speaker 1: something I haven't seen at home. You really do. There's

2741
02:57:54,280 --> 02:57:56,000
Speaker 1: been a lot of speculation about you and me and

2742
02:57:56,200 --> 02:57:58,400
Speaker 1: having some differences and stuff like whether things standing in

2743
02:57:58,520 --> 02:58:00,480
Speaker 1: on the song You said that I let them wrapping

2744
02:58:00,520 --> 02:58:02,680
Speaker 1: eggas close to Meek and people asking what does that

2745
02:58:02,800 --> 02:58:04,280
Speaker 1: mean when you when you say that line, And now

2746
02:58:04,400 --> 02:58:07,200
Speaker 1: that was just basically us at a position where you know,

2747
02:58:07,360 --> 02:58:09,360
Speaker 1: he got a boss up and do his thing. I'm

2748
02:58:09,400 --> 02:58:12,040
Speaker 1: doing my thing, you know what I'm saying. Meek still

2749
02:58:12,080 --> 02:58:14,720
Speaker 1: signed a double MG, but I've been that's years ago.

2750
02:58:14,840 --> 02:58:18,680
Speaker 1: Gave him the space to grow and that not just

2751
02:58:18,840 --> 02:58:21,400
Speaker 1: for me, but that's for while as well. Yeah, y'all

2752
02:58:21,440 --> 02:58:23,440
Speaker 1: have been down with the team long enough. We all

2753
02:58:23,560 --> 02:58:26,959
Speaker 1: know how to move forward and go get the money.

2754
02:58:27,040 --> 02:58:30,160
Speaker 1: Now let's do it. And once again, you an individual

2755
02:58:30,280 --> 02:58:34,360
Speaker 1: with a lot of position cash that in. Man, what

2756
02:58:34,480 --> 02:58:36,960
Speaker 1: were your thoughts initially when Meek put those those tweets

2757
02:58:37,000 --> 02:58:39,800
Speaker 1: about payments and money and I didn't take it personally

2758
02:58:39,879 --> 02:58:42,240
Speaker 1: at all. I personally felt, you know, that's the homie

2759
02:58:42,280 --> 02:58:46,280
Speaker 1: shaking the tree. Wanted to renegotiate with Atlantic because me

2760
02:58:46,440 --> 02:58:49,600
Speaker 1: signing Meek, I brought me to the city before the homie.

2761
02:58:49,720 --> 02:58:52,280
Speaker 1: You know, he was a youngster. You know I gave

2762
02:58:52,400 --> 02:58:56,280
Speaker 1: him before he was signed a rose. You know, I

2763
02:58:56,400 --> 02:58:59,480
Speaker 1: gave him bust down roles, range rovers and gifts it

2764
02:59:00,120 --> 02:59:02,840
Speaker 1: and when it comes up getting money, I always made

2765
02:59:02,879 --> 02:59:05,720
Speaker 1: sure he was in the best situation. Rose they cleared that.

2766
02:59:06,840 --> 02:59:12,080
Speaker 1: So you hear that right, So, um, you're dealing with

2767
02:59:12,200 --> 02:59:16,160
Speaker 1: somebody from from a position of helping you out right,

2768
02:59:16,240 --> 02:59:19,000
Speaker 1: So he he looking at the situation like, Yo, I

2769
02:59:19,080 --> 02:59:22,800
Speaker 1: always been solid with me. I always you know, I

2770
02:59:22,920 --> 02:59:25,520
Speaker 1: gave meet this for he even signed a deal bus

2771
02:59:25,600 --> 02:59:27,840
Speaker 1: downs this that and the third, this that and the third.

2772
02:59:28,360 --> 02:59:30,680
Speaker 1: Now I will be fell to me to say that

2773
02:59:30,800 --> 02:59:34,080
Speaker 1: don't mean that the contract is right, but they do

2774
02:59:34,320 --> 02:59:37,200
Speaker 1: mean you embracing me. And I always tell y'all in

2775
02:59:37,360 --> 02:59:39,680
Speaker 1: this game, you gotta know what the co sign looked

2776
02:59:39,760 --> 02:59:42,080
Speaker 1: like when we deal with Ross and Meet Me and

2777
02:59:42,200 --> 02:59:44,720
Speaker 1: we're looking at the co sign. Want the dude YO

2778
02:59:44,840 --> 02:59:46,640
Speaker 1: got had been the best one? They're doing the co

2779
02:59:46,840 --> 02:59:49,800
Speaker 1: sign Yo got A given co signs to the point

2780
02:59:49,840 --> 02:59:52,560
Speaker 1: where when he first came in with Bag, he doing

2781
02:59:52,680 --> 02:59:56,080
Speaker 1: tape with a dude. That's sharing my fans with you,

2782
02:59:56,760 --> 03:00:01,040
Speaker 1: that's sharing my whole network of fans, blow all this

2783
03:00:01,240 --> 03:00:03,880
Speaker 1: shit that I worked to get that sharing that with

2784
03:00:04,000 --> 03:00:07,640
Speaker 1: you with one swipe, And it's it's a scary thing

2785
03:00:07,720 --> 03:00:10,720
Speaker 1: to do because sometimes when you do that, you can't

2786
03:00:10,760 --> 03:00:13,320
Speaker 1: take it back. So now you don't turned him up,

2787
03:00:13,800 --> 03:00:16,600
Speaker 1: and you deal with the Kodak Black and jackboard situation

2788
03:00:16,720 --> 03:00:19,000
Speaker 1: where you ain't nothing you could do to turn him

2789
03:00:19,040 --> 03:00:22,040
Speaker 1: back off. You cannot like him. You could try to

2790
03:00:22,160 --> 03:00:24,640
Speaker 1: keep drilling at him, you know, over and over in records,

2791
03:00:24,680 --> 03:00:26,720
Speaker 1: to try to take some of the cachet, but you

2792
03:00:26,800 --> 03:00:28,760
Speaker 1: don't turn him up. And once you turn him up,

2793
03:00:28,800 --> 03:00:32,879
Speaker 1: you can't turn him off. Once you turn him up

2794
03:00:32,959 --> 03:00:35,920
Speaker 1: in this game, and this game really take a whole

2795
03:00:36,000 --> 03:00:37,840
Speaker 1: to him, and not the ride, and he got some

2796
03:00:38,000 --> 03:00:40,320
Speaker 1: not to ride it, you really can't turn him off.

2797
03:00:40,400 --> 03:00:44,080
Speaker 1: So we're looking at Ross and what he'd done with

2798
03:00:44,240 --> 03:00:47,320
Speaker 1: Meet was the real co sign he d He jumped

2799
03:00:47,360 --> 03:00:50,360
Speaker 1: on the I'm the Boss, you know, and then they

2800
03:00:50,560 --> 03:00:54,199
Speaker 1: serviced that song. They worked that record. In this industry,

2801
03:00:54,200 --> 03:00:58,160
Speaker 1: you gotta work these records, right. So because Ross was

2802
03:00:58,240 --> 03:01:00,360
Speaker 1: on it, and the time in his career he was

2803
03:01:00,440 --> 03:01:04,360
Speaker 1: on it, he was on fire. I keep telling y'all

2804
03:01:04,400 --> 03:01:07,120
Speaker 1: a lot of marketing it's done. When you catch on fire,

2805
03:01:08,000 --> 03:01:12,680
Speaker 1: you don't even pay for it's just free marketing. And

2806
03:01:12,800 --> 03:01:15,160
Speaker 1: then when somebody grab you while they're on fire and

2807
03:01:15,320 --> 03:01:17,920
Speaker 1: bring you close, you catch on fire. So the fifty

2808
03:01:17,959 --> 03:01:22,400
Speaker 1: cent thing, grab banks, grab buck, grab game grab and

2809
03:01:23,000 --> 03:01:26,039
Speaker 1: I got I'm so on fire that everything I'm grabbing

2810
03:01:26,200 --> 03:01:29,360
Speaker 1: is just catching on fire. And so not saying Meek

2811
03:01:29,400 --> 03:01:31,560
Speaker 1: couldn't do it on his own because they said he

2812
03:01:31,600 --> 03:01:34,840
Speaker 1: had a situation with Tip before and he was already moving.

2813
03:01:34,879 --> 03:01:41,199
Speaker 1: That's unimportant to the scenario. I'm speaking about the intentions

2814
03:01:41,520 --> 03:01:44,280
Speaker 1: of a man that could give you a co sign

2815
03:01:44,360 --> 03:01:47,240
Speaker 1: and the impact of him doing so. So as I

2816
03:01:47,360 --> 03:01:49,520
Speaker 1: look at it, I say, all right, he really gave

2817
03:01:49,680 --> 03:01:54,280
Speaker 1: Meek his network right now, Meek had to capitalize off that,

2818
03:01:54,360 --> 03:01:57,120
Speaker 1: because we see people give their network to people and

2819
03:01:57,200 --> 03:02:00,400
Speaker 1: it does nothing. So it's still something to he said

2820
03:02:00,440 --> 03:02:03,800
Speaker 1: about that second step in the process, right which me

2821
03:02:04,040 --> 03:02:06,800
Speaker 1: capitalized on that and was delivering great records and was

2822
03:02:06,879 --> 03:02:09,560
Speaker 1: going on tour and capitalizing on the show performance and

2823
03:02:10,120 --> 03:02:12,240
Speaker 1: you know, mixing and mingling with the right people, doing

2824
03:02:12,280 --> 03:02:15,400
Speaker 1: features with the right people, interview certain thing and worked

2825
03:02:15,440 --> 03:02:19,160
Speaker 1: itself into a situation, you know what I mean. But

2826
03:02:19,920 --> 03:02:24,560
Speaker 1: Ross is to me in a position now to about

2827
03:02:24,600 --> 03:02:28,080
Speaker 1: the lose Meek mill. I'm not sure what why lay

2828
03:02:28,200 --> 03:02:31,760
Speaker 1: stands at because I'm sure the contracts from then are

2829
03:02:31,840 --> 03:02:35,400
Speaker 1: coming into question here soon. That maybe why you see

2830
03:02:35,480 --> 03:02:38,560
Speaker 1: him scaling business back right, meaning all right, I'm trimming

2831
03:02:38,600 --> 03:02:40,840
Speaker 1: all the fat off the MMG because basically it's just

2832
03:02:41,080 --> 03:02:43,480
Speaker 1: me and some dudes that I'm gonna kind of funnel

2833
03:02:43,520 --> 03:02:47,640
Speaker 1: through me. I'm not having no real established artists to

2834
03:02:47,720 --> 03:02:51,039
Speaker 1: where I really need all these extra departments in my MMG.

2835
03:02:51,240 --> 03:02:54,520
Speaker 1: Shit anymore. Them dudes about to run off. We're back

2836
03:02:54,560 --> 03:02:59,280
Speaker 1: to square one rebuilding artists, and I'm no longer hot

2837
03:02:59,360 --> 03:03:01,080
Speaker 1: and on fire like I was, So I don't have

2838
03:03:01,240 --> 03:03:03,240
Speaker 1: the ability just to do like I've done a meet.

2839
03:03:03,959 --> 03:03:06,279
Speaker 1: I can, but it may not get the same effect,

2840
03:03:06,360 --> 03:03:08,600
Speaker 1: meaning I go give a young dude of verse and

2841
03:03:08,720 --> 03:03:11,280
Speaker 1: boom me gone. It may not. You gotta have a

2842
03:03:11,320 --> 03:03:13,760
Speaker 1: little babe or somebody to do that. Now somebody else

2843
03:03:13,879 --> 03:03:16,960
Speaker 1: is moved in that position. You know, but just from

2844
03:03:17,000 --> 03:03:22,480
Speaker 1: a sheer intention standpoint, from the outside, it looked like

2845
03:03:22,680 --> 03:03:26,480
Speaker 1: Ross embraced him. Now it can look like it won'ta

2846
03:03:26,600 --> 03:03:31,280
Speaker 1: look like. If that contract is shitty with no ability

2847
03:03:31,360 --> 03:03:35,400
Speaker 1: to amendment, we have a problem, because yeah, I might

2848
03:03:35,520 --> 03:03:37,520
Speaker 1: thank you, mean well, I might thank you got my

2849
03:03:37,600 --> 03:03:40,440
Speaker 1: best entrance. I might thank you, you know, any to winning.

2850
03:03:40,520 --> 03:03:42,520
Speaker 1: You might see telling him, and you might be giving

2851
03:03:42,560 --> 03:03:45,040
Speaker 1: me stuff to make me see because it's game in

2852
03:03:45,160 --> 03:03:48,800
Speaker 1: that even you understand. It's like when you go to

2853
03:03:48,920 --> 03:03:51,760
Speaker 1: the prison and you know they started nigga start giving

2854
03:03:51,840 --> 03:03:54,840
Speaker 1: you shit. Don't nobody give me nothing? Yeah yeah, I

2855
03:03:54,840 --> 03:03:56,880
Speaker 1: don't nobody give me nothing. Let me figure it out.

2856
03:03:56,879 --> 03:03:59,440
Speaker 1: I don't want nobody to give me nothing because once

2857
03:03:59,480 --> 03:04:05,120
Speaker 1: you give me something, Now this damn. They're like a

2858
03:04:05,320 --> 03:04:08,760
Speaker 1: leveraging tactic, you know, but it could be from love.

2859
03:04:08,879 --> 03:04:11,320
Speaker 1: Each one teach one one hand wash the other. One

2860
03:04:11,680 --> 03:04:14,360
Speaker 1: wash one hand wash the other, both wash the face.

2861
03:04:14,440 --> 03:04:15,800
Speaker 1: But then that's what I'm saying. Look at all that

2862
03:04:15,879 --> 03:04:18,360
Speaker 1: complex shit going on. That's why a lot of artists

2863
03:04:18,400 --> 03:04:22,080
Speaker 1: just be like it ain't worth it. Number one, because

2864
03:04:22,120 --> 03:04:25,080
Speaker 1: I can't take it back. Once I grab on to you,

2865
03:04:25,440 --> 03:04:27,680
Speaker 1: jump on, I'm a boss, Bring you on the radio,

2866
03:04:28,000 --> 03:04:30,440
Speaker 1: bring out that summer jam. Now you don't even like

2867
03:04:30,600 --> 03:04:32,320
Speaker 1: me no more? Hein't nothing I can do. I didn't

2868
03:04:32,320 --> 03:04:36,120
Speaker 1: turn you up. You don't even like me? Didn't you

2869
03:04:36,160 --> 03:04:38,280
Speaker 1: don't even like me no more? Man and jumped on

2870
03:04:38,400 --> 03:04:41,600
Speaker 1: all the record, got in Piper hig listen these blows,

2871
03:04:41,680 --> 03:04:44,440
Speaker 1: these deck riding blocks and all these people. Don't post

2872
03:04:44,480 --> 03:04:48,480
Speaker 1: you into somebody that they know post you. You can

2873
03:04:48,560 --> 03:04:50,840
Speaker 1: be like me. I'm seeing some of the really shit.

2874
03:04:51,040 --> 03:04:53,320
Speaker 1: No on the man. Some of these blows ain't gonna

2875
03:04:53,320 --> 03:04:57,000
Speaker 1: post me into a big bank. Say hey Bro, sign

2876
03:04:57,160 --> 03:05:02,320
Speaker 1: Brobbly post bro to Charlemagne's say post bro. One of

2877
03:05:02,400 --> 03:05:04,840
Speaker 1: these people like it's weird, but it is. That's how

2878
03:05:04,920 --> 03:05:06,880
Speaker 1: they got the game structure. And I think they do

2879
03:05:07,080 --> 03:05:10,520
Speaker 1: that because everybody in this game, they feed their family

2880
03:05:10,560 --> 03:05:13,400
Speaker 1: off this. And some of this shit is flawble. Some

2881
03:05:13,600 --> 03:05:15,720
Speaker 1: of this shit is inflation. Some of these people ain't

2882
03:05:15,720 --> 03:05:18,240
Speaker 1: even doing no jaws, but they're getting paid. So if

2883
03:05:18,280 --> 03:05:21,320
Speaker 1: I move in with my ability and my range to

2884
03:05:21,440 --> 03:05:24,359
Speaker 1: talk to earn your leisure to talk to little bullshit

2885
03:05:24,520 --> 03:05:28,480
Speaker 1: doctor Oumar Johnson always down the comforting minutes. I'm everywhere

2886
03:05:28,520 --> 03:05:30,640
Speaker 1: with this thing, and it's a difference. So I may

2887
03:05:30,760 --> 03:05:34,520
Speaker 1: work my way into taking your jaw and then then

2888
03:05:34,600 --> 03:05:36,640
Speaker 1: you feel played, so you want to hit me with

2889
03:05:36,720 --> 03:05:38,480
Speaker 1: the no look. I talk about it all the time.

2890
03:05:38,520 --> 03:05:41,600
Speaker 1: They hit you with the no look. You know. But

2891
03:05:42,160 --> 03:05:45,560
Speaker 1: I think Ross did everything he could on the front end.

2892
03:05:45,640 --> 03:05:48,280
Speaker 1: I don't even think maybe his intent may he may

2893
03:05:48,360 --> 03:05:51,120
Speaker 1: not even really knew. He knew he was hustling, but

2894
03:05:51,400 --> 03:05:53,800
Speaker 1: he may not knew Meek. We're gonna do what Meek did.

2895
03:05:54,600 --> 03:05:56,720
Speaker 1: I always say on the front end of these deals,

2896
03:05:56,760 --> 03:05:58,600
Speaker 1: it needs to be a clause and it's saying we

2897
03:05:58,720 --> 03:06:04,200
Speaker 1: need to amend it at this it's benchmark period. And

2898
03:06:04,320 --> 03:06:08,560
Speaker 1: if you're not trying to fuck me figuratively, you know,

2899
03:06:08,680 --> 03:06:12,360
Speaker 1: in regards to my contrary, you wouldn't being obliged that

2900
03:06:12,480 --> 03:06:15,360
Speaker 1: you would say, oh, yeah, of course we've made our

2901
03:06:15,400 --> 03:06:17,600
Speaker 1: money at that point. Yeah, of course we can amend

2902
03:06:17,720 --> 03:06:21,160
Speaker 1: man and men that and renegotiate that. Of course, let's

2903
03:06:21,200 --> 03:06:25,120
Speaker 1: get that together. That's what good business people do. You

2904
03:06:25,240 --> 03:06:28,040
Speaker 1: hear Lebron James got a problem. They're gonna figure it out.

2905
03:06:28,120 --> 03:06:32,000
Speaker 1: Even if it's a suitcase, a peer at his a

2906
03:06:32,160 --> 03:06:34,480
Speaker 1: suitcase appear at his house, laid on the night. They're

2907
03:06:34,480 --> 03:06:36,720
Speaker 1: gonna figure out how to make sure he don't feel

2908
03:06:36,720 --> 03:06:41,720
Speaker 1: away about what he provided. Because again they praying, LEBRONI

2909
03:06:41,760 --> 03:06:45,240
Speaker 1: why tell the rapp niggas's specifically fit to wapping them?

2910
03:06:45,480 --> 03:06:48,320
Speaker 1: Y'all got to pay attention. Look at Lebron. When Lebron

2911
03:06:48,480 --> 03:06:51,680
Speaker 1: left Cleveland, they gave me the game. That's why I

2912
03:06:51,760 --> 03:06:56,640
Speaker 1: got the game from Oh it's deeper than just basketball.

2913
03:06:58,000 --> 03:06:59,920
Speaker 1: They gave me the games. So I'm trying to tell

2914
03:06:59,920 --> 03:07:03,240
Speaker 1: you sometimes shit known us there give you the blueprint.

2915
03:07:03,480 --> 03:07:06,160
Speaker 1: Then folk came out when Lebron left Cleveland and said,

2916
03:07:07,320 --> 03:07:09,480
Speaker 1: do he know what he'd done to his city, the

2917
03:07:09,560 --> 03:07:12,240
Speaker 1: city that he comes from. He just took money out

2918
03:07:12,280 --> 03:07:15,080
Speaker 1: of these when Lebron they had even broke it down.

2919
03:07:15,120 --> 03:07:18,280
Speaker 1: When Lebron James has a game, this A much money

2920
03:07:18,440 --> 03:07:21,000
Speaker 1: is made from restaurants and hotels and flights and this,

2921
03:07:21,200 --> 03:07:25,200
Speaker 1: And so I got to say, Oh, they hoping we

2922
03:07:25,360 --> 03:07:29,920
Speaker 1: just counted tickets. They hoping we just counting the forty

2923
03:07:30,000 --> 03:07:32,360
Speaker 1: dollars to get here and could get in this building.

2924
03:07:32,959 --> 03:07:35,920
Speaker 1: They hoping we don't understand, like somebody took our work.

2925
03:07:36,120 --> 03:07:39,400
Speaker 1: Clear that schedule flew in from out of town, like dog,

2926
03:07:39,520 --> 03:07:42,320
Speaker 1: that's a tell me what product people flying to come

2927
03:07:42,400 --> 03:07:46,200
Speaker 1: see outside of entertainment like wrap ball shit, Like man,

2928
03:07:46,240 --> 03:07:48,720
Speaker 1: this shit is powerful. It make It'll make a person say,

2929
03:07:48,800 --> 03:07:51,840
Speaker 1: I'm taking our work the super Bowl this weekend. I'm

2930
03:07:51,840 --> 03:07:55,879
Speaker 1: spending twenty grand this weekend on the event. It ain't

2931
03:07:55,920 --> 03:07:58,080
Speaker 1: many things that can do that. Matter of fact, if

2932
03:07:58,160 --> 03:08:00,959
Speaker 1: your favorite drink ain't ain't that to start right here,

2933
03:08:00,959 --> 03:08:02,600
Speaker 1: you're gonna just get a nun. A lot of people

2934
03:08:02,600 --> 03:08:04,840
Speaker 1: ain't gonna even drive to another gas station to get

2935
03:08:04,879 --> 03:08:10,959
Speaker 1: a drink. So imagine the power attached to people flying out,

2936
03:08:11,160 --> 03:08:14,640
Speaker 1: people going to get a room, people stand for three

2937
03:08:14,760 --> 03:08:18,000
Speaker 1: days in a festival type case. Like these things are.

2938
03:08:18,640 --> 03:08:20,880
Speaker 1: These things are dupe, and I can't wait to see

2939
03:08:21,040 --> 03:08:24,520
Speaker 1: us create something. I'm I'm I'm in the I'm in

2940
03:08:24,640 --> 03:08:26,800
Speaker 1: the I'm in the midst of it right now. I'm

2941
03:08:26,840 --> 03:08:31,160
Speaker 1: gonna create something like a little weekend with podcasts and music,

2942
03:08:31,280 --> 03:08:33,360
Speaker 1: and I'm gonna be at the forefront. Hopefully I can

2943
03:08:33,400 --> 03:08:37,880
Speaker 1: get revote the sponsory UM, get black effect, a couple

2944
03:08:37,920 --> 03:08:41,400
Speaker 1: of sponsors to get on on board and get that done. Man.

2945
03:08:41,520 --> 03:08:44,080
Speaker 1: Maybe a two day thing or Friday Said or sad

2946
03:08:44,160 --> 03:08:48,200
Speaker 1: is Sunday um type of deal man where we get

2947
03:08:48,280 --> 03:08:52,320
Speaker 1: some game, got some performances, get some conversations going um

2948
03:08:52,600 --> 03:08:55,240
Speaker 1: and just get some information. Kind of like a Revote summit,

2949
03:08:55,320 --> 03:09:00,280
Speaker 1: but very smaller scale and very very niche. This kind

2950
03:09:00,320 --> 03:09:02,959
Speaker 1: of game. They come in to get this kind of game.

2951
03:09:03,000 --> 03:09:04,480
Speaker 1: But let's look at that a little bit more again.

2952
03:09:04,560 --> 03:09:08,640
Speaker 1: He's gonna speak more to his inability to keep um,

2953
03:09:09,959 --> 03:09:13,160
Speaker 1: to keep meet meet mil in a position of where

2954
03:09:13,160 --> 03:09:16,440
Speaker 1: he's happy with the deal with Atlantic or MMG. I'm

2955
03:09:16,480 --> 03:09:18,800
Speaker 1: not sure who he's speaking to. He's never said Ross,

2956
03:09:18,920 --> 03:09:21,879
Speaker 1: but people been behind the scenes saying that there's issues

2957
03:09:21,959 --> 03:09:25,439
Speaker 1: with Ross. Let's listen to a little more. You overextend

2958
03:09:25,480 --> 03:09:27,000
Speaker 1: yourself a lot to the artists, or do you just

2959
03:09:27,080 --> 03:09:30,760
Speaker 1: feel like you're just doing something that's you know, personally,

2960
03:09:30,879 --> 03:09:33,880
Speaker 1: I really don't feel you can overextend yourself if you

2961
03:09:34,000 --> 03:09:38,680
Speaker 1: got it to give, you understand. And to me, it's

2962
03:09:38,879 --> 03:09:43,120
Speaker 1: mostly about time and that's what it takes to really

2963
03:09:43,200 --> 03:09:45,440
Speaker 1: take an artist to that next level. And that's what

2964
03:09:45,560 --> 03:09:49,040
Speaker 1: I did with those early years with let with with

2965
03:09:49,280 --> 03:09:53,720
Speaker 1: with Meek mil We we invested time, you know, we collaborated,

2966
03:09:53,800 --> 03:09:55,840
Speaker 1: we did shit, We got on the road, and to me,

2967
03:09:55,959 --> 03:09:58,360
Speaker 1: that's the most valuable shot you could do. And it's

2968
03:09:58,480 --> 03:10:00,760
Speaker 1: and if you got it to give you, it's not

2969
03:10:00,920 --> 03:10:04,480
Speaker 1: extending yourself, you should do it. How part of you

2970
03:10:04,480 --> 03:10:07,280
Speaker 1: about the boy for Lauren, how he's continued to to

2971
03:10:07,440 --> 03:10:12,440
Speaker 1: grow man to me, that was always Walley was always,

2972
03:10:12,600 --> 03:10:16,080
Speaker 1: you know, one of my favorites just because of his

2973
03:10:16,320 --> 03:10:19,480
Speaker 1: level of passion. Walley will sitting in the studio and

2974
03:10:19,560 --> 03:10:22,160
Speaker 1: if it's some ship not coming together. You know, he

2975
03:10:22,320 --> 03:10:27,440
Speaker 1: may fucking throw some shit against it. Continue yeah and

2976
03:10:27,879 --> 03:10:31,000
Speaker 1: walk out of there, and you just say, yo, yo,

2977
03:10:31,280 --> 03:10:34,600
Speaker 1: he really you know, he really wants the ship. He

2978
03:10:34,760 --> 03:10:38,920
Speaker 1: really loves this, you know. He writes these poems, poems

2979
03:10:39,000 --> 03:10:40,959
Speaker 1: and the ship is just so you know. And that's

2980
03:10:40,959 --> 03:10:43,520
Speaker 1: why I put him in front of Dice Pine Nappers

2981
03:10:43,560 --> 03:10:47,240
Speaker 1: the way I did, because because that's just me sitting

2982
03:10:47,240 --> 03:10:52,320
Speaker 1: and watching him write poems and when he connects, man,

2983
03:10:52,440 --> 03:10:55,120
Speaker 1: just to see his eyes and when he don't, just

2984
03:10:55,240 --> 03:10:57,320
Speaker 1: see the way he would come off. And man, I

2985
03:10:57,400 --> 03:10:59,960
Speaker 1: gave him that opportunity. He murdered that ship. He really

2986
03:11:00,000 --> 03:11:04,320
Speaker 1: You get your flowers as an exact almost definitely extremely respected,

2987
03:11:05,200 --> 03:11:08,400
Speaker 1: right you know, most definitely from the ones that count,

2988
03:11:09,440 --> 03:11:12,640
Speaker 1: you know what I mean? Um, And I feel like

2989
03:11:12,840 --> 03:11:16,360
Speaker 1: for me it's I'm still being celebrated as an artist,

2990
03:11:17,959 --> 03:11:20,240
Speaker 1: you know what I mean. So it's only so much

2991
03:11:20,320 --> 03:11:23,680
Speaker 1: executive shit. I really want to him, But I think

2992
03:11:23,680 --> 03:11:25,120
Speaker 1: about this. I feel like there's two things with you

2993
03:11:25,200 --> 03:11:28,039
Speaker 1: as an executive, Like if you're looking at the video

2994
03:11:28,160 --> 03:11:31,240
Speaker 1: or this, I believe and again that's why I speak

2995
03:11:31,280 --> 03:11:33,000
Speaker 1: to it may be a problem with him, did he

2996
03:11:33,879 --> 03:11:36,720
Speaker 1: or jay Z? And them. I think that as Meek

2997
03:11:37,080 --> 03:11:41,080
Speaker 1: got closer to them, Ross kind of got sparked out

2998
03:11:41,120 --> 03:11:43,000
Speaker 1: of the France circle. If you look in the back,

2999
03:11:43,080 --> 03:11:46,400
Speaker 1: that looks like a rock bottle that's blurred out. You

3000
03:11:46,600 --> 03:11:49,280
Speaker 1: used to see Ross always say si rock, you know,

3001
03:11:49,480 --> 03:11:52,520
Speaker 1: and and ballet. It would always be a thing where

3002
03:11:52,520 --> 03:11:54,959
Speaker 1: he would do. But if you pay attention, it looks

3003
03:11:55,000 --> 03:11:59,120
Speaker 1: like they've blurred out the rock bottle. Let's take a

3004
03:11:59,160 --> 03:12:01,200
Speaker 1: look when it goes back to the angle, looking at

3005
03:12:01,240 --> 03:12:05,560
Speaker 1: Elliott Wilson, and I think it's an apple sharrock. You

3006
03:12:05,640 --> 03:12:08,560
Speaker 1: see the bottle in the back behind them. But let's

3007
03:12:08,600 --> 03:12:12,400
Speaker 1: pay attention when it goes back. Uh. There was a

3008
03:12:12,480 --> 03:12:14,600
Speaker 1: line where you said, you know, they called the pandemic,

3009
03:12:14,680 --> 03:12:17,360
Speaker 1: but it's really life. And I was trying to interpret it,

3010
03:12:17,400 --> 03:12:18,880
Speaker 1: but I always wanted to know what did you mean

3011
03:12:18,959 --> 03:12:21,879
Speaker 1: by that lyric? Just being a black man. It's always

3012
03:12:22,000 --> 03:12:27,760
Speaker 1: been cold red, so now it's co red for certain individuals.

3013
03:12:27,840 --> 03:12:31,360
Speaker 1: It's a pandemic. It's this so that it's been this

3014
03:12:31,480 --> 03:12:34,680
Speaker 1: ship is life, right, you know what I mean? It

3015
03:12:35,080 --> 03:12:38,480
Speaker 1: really is, and it's getting really by the day. You

3016
03:12:38,600 --> 03:12:40,560
Speaker 1: gotta keep going, you know what I'm saying. I'm not

3017
03:12:40,640 --> 03:12:44,280
Speaker 1: gonna complaint something not working out Rose, They not gonna

3018
03:12:44,320 --> 03:12:48,959
Speaker 1: get on Twitter. You know what I'm saying. Sh Yeah,

3019
03:12:49,000 --> 03:12:51,720
Speaker 1: it's a difference, big difference. The big thing came out

3020
03:12:51,760 --> 03:12:54,320
Speaker 1: of the pange. See that battle right there, what the

3021
03:12:55,320 --> 03:12:59,400
Speaker 1: green top looks like a Sharrock battle. And I think,

3022
03:12:59,520 --> 03:13:01,240
Speaker 1: like I said, I think, I think I think he

3023
03:13:01,400 --> 03:13:04,640
Speaker 1: may have been in a situation to say, Yo, we're

3024
03:13:04,680 --> 03:13:07,960
Speaker 1: done with the cross promotion. Ain't no love there, ain't

3025
03:13:08,000 --> 03:13:11,280
Speaker 1: showing me no love. Um, you know, and there's been

3026
03:13:11,600 --> 03:13:13,760
Speaker 1: been a misunderstanding and where we staying and how we

3027
03:13:13,840 --> 03:13:17,280
Speaker 1: can communicate moving forward. But um, if you haven't, man,

3028
03:13:17,360 --> 03:13:19,960
Speaker 1: gonna look at that interview and um and and stay tuned,

3029
03:13:20,360 --> 03:13:23,080
Speaker 1: you know, stay tuned. I got some stuff coming uh

3030
03:13:23,400 --> 03:13:25,280
Speaker 1: with with Ross and them. I got some of those

3031
03:13:25,959 --> 03:13:29,959
Speaker 1: um things that I that I gotta ask and get

3032
03:13:30,000 --> 03:13:34,440
Speaker 1: answers to. Um. Of course, UM, let's see anything else

3033
03:13:34,520 --> 03:13:37,960
Speaker 1: we definitely want to hit on. All right, So I

3034
03:13:38,080 --> 03:13:39,960
Speaker 1: guess that's it. We got more to talk about, but

3035
03:13:40,040 --> 03:13:42,440
Speaker 1: we'll wait with next week. We got justicem gonna let

3036
03:13:43,080 --> 03:13:46,840
Speaker 1: we got Black China being embarrassed. I'm sorry, not Black China.

3037
03:13:46,840 --> 03:13:50,039
Speaker 1: We got Black China having some sort of party people

3038
03:13:50,200 --> 03:13:53,120
Speaker 1: kicked out. Um, they're saying it was a drug party.

3039
03:13:53,680 --> 03:14:00,560
Speaker 1: We got Johnny Blaze going into those cats, um Instagram

3040
03:14:00,680 --> 03:14:02,560
Speaker 1: live and her telling how to get the hell out

3041
03:14:02,600 --> 03:14:05,760
Speaker 1: of there. It was crazy. A broad Wave says he's

3042
03:14:05,840 --> 03:14:10,160
Speaker 1: okay with the suicide note thing that the fans put together.

3043
03:14:12,800 --> 03:14:17,160
Speaker 1: Adrian Bruner responding to the fan, Man, it's just so much,

3044
03:14:17,200 --> 03:14:19,240
Speaker 1: but we'll wait the next week. Man again, thank you

3045
03:14:19,360 --> 03:14:22,560
Speaker 1: so much for everybody that's tuned. Then right now, hit like,

3046
03:14:22,800 --> 03:14:26,000
Speaker 1: hit share, hit subscribe, make sure you get the vibes

3047
03:14:26,040 --> 03:14:28,959
Speaker 1: out to the people. Go get you some merch. That's

3048
03:14:29,000 --> 03:14:34,120
Speaker 1: only six teen pieces of each piece of merch. You

3049
03:14:34,280 --> 03:14:36,000
Speaker 1: gotta get it now. If you don't get it now,

3050
03:14:36,080 --> 03:14:39,360
Speaker 1: you missed out sixteen pieces of merch on my Tea

3051
03:14:39,440 --> 03:14:43,960
Speaker 1: spring account, links in my Instagram buyo Ffo, GFO underscore loney,

3052
03:14:44,480 --> 03:14:46,920
Speaker 1: that's the only way I know you. You're rocking. Women.

3053
03:14:46,920 --> 03:14:49,000
Speaker 1: I get a lot of people man that hit my

3054
03:14:49,200 --> 03:14:52,120
Speaker 1: DM and yo yo yo, mess with me, bro can

3055
03:14:52,200 --> 03:14:55,080
Speaker 1: I get yo yo. Y'all dudes ain't buying no birch

3056
03:14:55,200 --> 03:14:59,080
Speaker 1: or nothing. Man. I'm ignoring you, dudes. I'm I knowing

3057
03:14:59,160 --> 03:15:01,280
Speaker 1: you dudes and and a lot of y'all think y'all

3058
03:15:01,360 --> 03:15:04,640
Speaker 1: gonna reach out to me and use my game on me. Man,

3059
03:15:04,760 --> 03:15:07,800
Speaker 1: I'm the one speaking in powering the people. Man. And

3060
03:15:07,920 --> 03:15:09,760
Speaker 1: then if you is gonna try to use some game

3061
03:15:09,840 --> 03:15:13,400
Speaker 1: on me, bring some value. Say, bro, I got some money.

3062
03:15:13,560 --> 03:15:16,480
Speaker 1: I got setting the five thousand. What I'm trying to

3063
03:15:16,560 --> 03:15:18,600
Speaker 1: do is get you to set this setther set of light.

3064
03:15:18,680 --> 03:15:22,040
Speaker 1: But you can't. You can't force me to see your

3065
03:15:22,200 --> 03:15:25,480
Speaker 1: value when there ain't no value home. I do all

3066
03:15:25,560 --> 03:15:29,440
Speaker 1: this myself, So you're gonna come on board or something

3067
03:15:29,520 --> 03:15:33,360
Speaker 1: I got. I'm doing everything. Take some value from it.

3068
03:15:34,120 --> 03:15:36,240
Speaker 1: Niggas is crap with all the game I got, it

3069
03:15:36,280 --> 03:15:38,800
Speaker 1: ain't no way you think you could run that on me.

3070
03:15:39,160 --> 03:15:43,480
Speaker 1: I'm I'm too swift. I'm not just up here to bro,

3071
03:15:43,720 --> 03:15:46,840
Speaker 1: I'm building a MUTI meeting. I'll a bisin it, y'all.

3072
03:15:46,920 --> 03:15:49,520
Speaker 1: Y'all gotta be smarter than that. Man. It's up that podcast.

3073
03:15:49,600 --> 03:15:51,840
Speaker 1: I see y'all next week. A fuck with who? Fuck

3074
03:15:51,879 --> 03:15:53,560
Speaker 1: with me? I love you all. Go