1 00:00:00,240 --> 00:00:05,600 Speaker 1: Mel Here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,040 --> 00:00:07,520 Speaker 2: And welcome back to Coast to Coast George Nori with you, 3 00:00:07,640 --> 00:00:11,959 Speaker 2: Jeff Bland, you're back with us. Author, podcaster, storyteller, adventurer, 4 00:00:12,119 --> 00:00:15,880 Speaker 2: explorer of the strange and unusual. He's written more than 5 00:00:15,920 --> 00:00:18,960 Speaker 2: a dozen books that have been published in six languages. 6 00:00:19,560 --> 00:00:22,560 Speaker 2: He's the Emmy nominated host, writer, and producer of the 7 00:00:22,600 --> 00:00:26,599 Speaker 2: New England Legend series on PBS and Amazon Prime, and 8 00:00:26,680 --> 00:00:30,200 Speaker 2: hosts a weekly podcast with that same name. Jeff, Welcome back, 9 00:00:30,280 --> 00:00:31,440 Speaker 2: my friend. Have you Ben? 10 00:00:31,920 --> 00:00:33,880 Speaker 3: I've been great, George, good to be back with you. 11 00:00:33,880 --> 00:00:34,920 Speaker 2: YouTube family good. 12 00:00:35,360 --> 00:00:38,600 Speaker 3: Yeah, everybody's great. Man getting older, which happens right You 13 00:00:38,720 --> 00:00:41,600 Speaker 3: traveling a lot, you know, it's nice to be moving 14 00:00:41,680 --> 00:00:45,800 Speaker 3: around again. Yeah. Post COVID, I'm getting around, especially around 15 00:00:45,920 --> 00:00:49,120 Speaker 3: the northeastern US, so it's been great to get out 16 00:00:49,120 --> 00:00:50,479 Speaker 3: there and stretch my legs again. 17 00:00:50,520 --> 00:00:52,680 Speaker 2: How did you get involved in the unusual? 18 00:00:53,560 --> 00:00:56,480 Speaker 3: So where I grew up in Sandy Hook, Connecticut, and 19 00:00:57,320 --> 00:00:59,160 Speaker 3: I think growing up in New England, we just sort 20 00:00:59,200 --> 00:01:02,120 Speaker 3: of have a love for, you know, for history and 21 00:01:02,600 --> 00:01:05,840 Speaker 3: a sense of preservation. But I would be remiss to 22 00:01:05,880 --> 00:01:08,320 Speaker 3: say that that's the town next to Monroe, Connecticut, and 23 00:01:08,360 --> 00:01:11,000 Speaker 3: that's where Ed Lorraine Warren lived. So I knew them 24 00:01:11,040 --> 00:01:14,440 Speaker 3: since I was about thirteen years old, and I'm sure 25 00:01:14,480 --> 00:01:16,640 Speaker 3: that had an influence seeing them give their talks in 26 00:01:16,680 --> 00:01:18,520 Speaker 3: the Fall. And that was back in the eighties, you know, 27 00:01:18,520 --> 00:01:21,160 Speaker 3: that's before the Internet and everything. They were very much 28 00:01:21,280 --> 00:01:24,080 Speaker 3: regional celebrities, and I was just intrigued at the idea 29 00:01:24,200 --> 00:01:28,520 Speaker 3: that you could even make a living looking for ghosts 30 00:01:28,520 --> 00:01:31,560 Speaker 3: and strange things all over And I went to school 31 00:01:31,560 --> 00:01:34,160 Speaker 3: to be a journalist, started that way and loved covering 32 00:01:34,160 --> 00:01:36,640 Speaker 3: these weird stories, and I guess the rest is history. 33 00:01:36,840 --> 00:01:39,119 Speaker 2: Ed and Lorraine they were one of the best as 34 00:01:39,160 --> 00:01:39,479 Speaker 2: they were. 35 00:01:39,560 --> 00:01:42,479 Speaker 3: I mean, what a thing, you know, And I mean 36 00:01:42,520 --> 00:01:44,920 Speaker 3: back then it was just it's so hard for people 37 00:01:44,920 --> 00:01:47,320 Speaker 3: to understand because folks like that have their own TV 38 00:01:47,400 --> 00:01:49,720 Speaker 3: shows today, you know, But back then they were really 39 00:01:49,800 --> 00:01:51,960 Speaker 3: putting their necks out there to say, hey, I believe 40 00:01:51,960 --> 00:01:54,200 Speaker 3: in ghosts, we go looking for them. We think there's 41 00:01:54,560 --> 00:01:57,160 Speaker 3: demons and monsters and all kinds of strangeness out there. 42 00:01:57,480 --> 00:02:00,720 Speaker 3: They were writing books and doing things. There are a 43 00:02:00,720 --> 00:02:03,720 Speaker 3: few others, of course, Hans Holzer and Brad Steigers and 44 00:02:03,840 --> 00:02:06,880 Speaker 3: folks like that. But but but these were my neighbors, 45 00:02:06,960 --> 00:02:09,639 Speaker 3: you know, Lorraine went to our church, and so I 46 00:02:10,320 --> 00:02:14,040 Speaker 3: think that you know, say what you will about what 47 00:02:14,160 --> 00:02:16,519 Speaker 3: they've done, but I mean they were pioneers in a 48 00:02:16,560 --> 00:02:17,079 Speaker 3: lot of ways. 49 00:02:17,280 --> 00:02:20,480 Speaker 2: You mentioned Brad Steiger, he's passed away. Yeah, and in 50 00:02:20,560 --> 00:02:25,240 Speaker 2: Lorraine they've passed away. Are we replacing these incredible UFO 51 00:02:25,720 --> 00:02:28,640 Speaker 2: investigative haunting researchers. 52 00:02:29,520 --> 00:02:33,560 Speaker 3: Yeah, of course we are. And you know, today, celebrity, 53 00:02:33,600 --> 00:02:36,880 Speaker 3: the power of celebrity can't be understated, right, And I 54 00:02:36,960 --> 00:02:39,880 Speaker 3: know that the folks we see on TV get most 55 00:02:39,919 --> 00:02:42,360 Speaker 3: of the attention, but there's still tons of great people 56 00:02:42,400 --> 00:02:45,519 Speaker 3: out there doing research. They're writing books, they're they're putting 57 00:02:45,520 --> 00:02:49,160 Speaker 3: blogs and podcasts out there. I think they are getting replaced, 58 00:02:49,160 --> 00:02:51,320 Speaker 3: and time will tell too, right. I mean, those folks 59 00:02:51,320 --> 00:02:54,520 Speaker 3: did what they did for their whole adult lives. So 60 00:02:54,600 --> 00:02:56,360 Speaker 3: I think part of it is going to be, you know, 61 00:02:56,400 --> 00:02:58,280 Speaker 3: the test of time, how many people stick with it 62 00:02:58,320 --> 00:03:00,960 Speaker 3: and keep doing the work and keep documenting it and 63 00:03:01,280 --> 00:03:02,880 Speaker 3: being as objective as they can. 64 00:03:03,200 --> 00:03:05,400 Speaker 2: I've got some great topics for you that we're going 65 00:03:05,480 --> 00:03:07,680 Speaker 2: to go through tonight, Jeff, and we'll take calls with 66 00:03:07,720 --> 00:03:11,399 Speaker 2: you next hour. But let's start with some haunted areas. 67 00:03:11,560 --> 00:03:15,000 Speaker 2: The ram Tail Factory in Foster, Rhode Island. Tell us 68 00:03:15,040 --> 00:03:15,480 Speaker 2: about that. 69 00:03:16,080 --> 00:03:18,359 Speaker 3: This is one of my favorites, because we're going to 70 00:03:18,400 --> 00:03:21,960 Speaker 3: begin at the end in you know today, there's just 71 00:03:22,000 --> 00:03:24,280 Speaker 3: a bunch of stone ruins out there in the woods 72 00:03:24,280 --> 00:03:26,120 Speaker 3: of Foster. You know, you walk by a stream and 73 00:03:26,160 --> 00:03:28,079 Speaker 3: you're going through some trails and you see some old 74 00:03:28,400 --> 00:03:31,920 Speaker 3: colonial stone walls and then some cellar holes. But what 75 00:03:32,080 --> 00:03:35,400 Speaker 3: drew me there was a very boring book called the 76 00:03:35,440 --> 00:03:38,760 Speaker 3: eighteen eighty five Rhode Island Census, and it's lifted with 77 00:03:38,800 --> 00:03:41,840 Speaker 3: all kinds of very short listings. You know, this town 78 00:03:41,880 --> 00:03:45,040 Speaker 3: contained these these three factories, this one had this farm, 79 00:03:45,080 --> 00:03:48,320 Speaker 3: this many cows. But there's one listing that says Ramtail 80 00:03:48,400 --> 00:03:53,680 Speaker 3: Factory and then in parentheses says haunted. That's it, and 81 00:03:53,720 --> 00:03:56,480 Speaker 3: it's become Rhode Island's official haunt. In the census. It's 82 00:03:56,520 --> 00:03:59,120 Speaker 3: the only time you see ghost or haunting or anything. 83 00:03:59,640 --> 00:04:02,480 Speaker 3: And when you hear about the story, you realize why 84 00:04:02,520 --> 00:04:06,080 Speaker 3: this is so compelling. So the Ramtail Factory was a 85 00:04:06,480 --> 00:04:11,400 Speaker 3: water driven factory, a woolen mill that first opened in 86 00:04:12,960 --> 00:04:15,680 Speaker 3: the early in the mid eighteen hundreds, and it was 87 00:04:16,680 --> 00:04:18,520 Speaker 3: sorry I found. It was found in eighteen thirteen by 88 00:04:18,560 --> 00:04:21,080 Speaker 3: four people, but one of them was Peleg Walker and 89 00:04:21,160 --> 00:04:24,440 Speaker 3: William Potter, and these business partners started this mill and 90 00:04:24,480 --> 00:04:27,320 Speaker 3: each day Peleg Walker's job was to ring the work 91 00:04:27,360 --> 00:04:29,800 Speaker 3: bell to get people to work, and they would come 92 00:04:29,839 --> 00:04:33,000 Speaker 3: in and do it. And eventually Pelig Walker got into 93 00:04:33,000 --> 00:04:37,479 Speaker 3: some financial troubles and needed to be bought out, but 94 00:04:37,560 --> 00:04:39,839 Speaker 3: he didn't want to leave his business. But basically his 95 00:04:39,880 --> 00:04:42,200 Speaker 3: partner said, we'll buy you out. You'll have your money, 96 00:04:42,240 --> 00:04:45,680 Speaker 3: but you're gone. You're out of the business. We want 97 00:04:45,760 --> 00:04:48,159 Speaker 3: you out. And so Peleg had the keys to the 98 00:04:48,200 --> 00:04:50,320 Speaker 3: factory and said, you know, the next time you get 99 00:04:50,320 --> 00:04:51,800 Speaker 3: these keys, that will be out of the hands of 100 00:04:51,839 --> 00:04:54,159 Speaker 3: a dead man. And that night was supposed to be 101 00:04:54,200 --> 00:04:56,800 Speaker 3: his last night, and as he locked up the factory, 102 00:04:56,800 --> 00:05:00,640 Speaker 3: he stayed inside and he took his own life. And 103 00:05:00,680 --> 00:05:05,200 Speaker 3: the following morning, well, the bell didn't ring, and eventually 104 00:05:05,279 --> 00:05:08,000 Speaker 3: people get curious, you know what, we're running late, what's 105 00:05:08,040 --> 00:05:10,000 Speaker 3: going on, And then when they finally got inside, they 106 00:05:10,000 --> 00:05:13,000 Speaker 3: found him. Now everyone was sort of spooked working at 107 00:05:13,000 --> 00:05:16,599 Speaker 3: the mill after that. Strange things were happening at one point. 108 00:05:16,640 --> 00:05:18,560 Speaker 3: One of the accounts was that the water wheel was 109 00:05:18,640 --> 00:05:21,400 Speaker 3: running backwards to gravity, you know, was running against the 110 00:05:21,880 --> 00:05:25,880 Speaker 3: stream and so on. But when the factory eventually burned down, 111 00:05:26,320 --> 00:05:30,000 Speaker 3: people would still hear the bell ringing to call you 112 00:05:30,040 --> 00:05:32,080 Speaker 3: to work. Even though the bell was gone, people would 113 00:05:32,080 --> 00:05:35,880 Speaker 3: see a lantern moving through, you know, moving through in 114 00:05:36,120 --> 00:05:39,720 Speaker 3: the night and in the dark. And Pillig's walker, his 115 00:05:40,600 --> 00:05:45,320 Speaker 3: grave epitaph is so ominous. It says, you know, life 116 00:05:45,400 --> 00:05:49,479 Speaker 3: how short, eternity how long? And we believe he's the 117 00:05:49,520 --> 00:05:51,440 Speaker 3: one that's still out there. And even though the factory 118 00:05:51,480 --> 00:05:53,719 Speaker 3: is long gone, there's nothing but woods and some cellar 119 00:05:53,760 --> 00:05:56,840 Speaker 3: holes and some stone walls out there. Today people claim 120 00:05:56,880 --> 00:06:00,200 Speaker 3: to still hear the bell. His grave can still be visited, 121 00:06:00,240 --> 00:06:03,640 Speaker 3: not not too far from where the foundations are, and 122 00:06:03,839 --> 00:06:06,919 Speaker 3: the story endoors and it's been known since eighteen eighty 123 00:06:06,920 --> 00:06:09,200 Speaker 3: five as Rhode Island's official haunt. 124 00:06:09,440 --> 00:06:11,359 Speaker 2: What caused the factory to burn down? 125 00:06:12,080 --> 00:06:14,720 Speaker 3: You know, eventually it's sort of closed up, and when 126 00:06:14,720 --> 00:06:16,760 Speaker 3: it's just left out there in the woods and it's 127 00:06:16,800 --> 00:06:19,960 Speaker 3: you know, wood, you know, the fire was kind of 128 00:06:20,000 --> 00:06:23,240 Speaker 3: unknown and mysterious. But what's interesting is it had the 129 00:06:23,279 --> 00:06:26,239 Speaker 3: haunted reputation. It's you know, right there in the census book, 130 00:06:26,400 --> 00:06:28,440 Speaker 3: and you can see old photos of people that would 131 00:06:28,440 --> 00:06:30,560 Speaker 3: go out there in the early nineteen hundreds and they 132 00:06:30,560 --> 00:06:33,280 Speaker 3: would picnic by the factory ruins, back when there was 133 00:06:33,320 --> 00:06:35,880 Speaker 3: a little more to see. And I think people were 134 00:06:35,920 --> 00:06:38,279 Speaker 3: intrigued even back then, not just that the woods are 135 00:06:38,320 --> 00:06:41,160 Speaker 3: beautiful and the stream is nice, but that the story 136 00:06:41,360 --> 00:06:43,679 Speaker 3: kind of calls to them. So that's the thing, George 137 00:06:43,720 --> 00:06:45,919 Speaker 3: about a haunt. When I tell you, if you go 138 00:06:46,000 --> 00:06:50,480 Speaker 3: to this place, this specific location, and it's haunted, you're 139 00:06:50,520 --> 00:06:52,920 Speaker 3: intrigued enough that you want to go and find out 140 00:06:52,960 --> 00:06:55,400 Speaker 3: for yourself. Right, you go and you say wow, even 141 00:06:55,440 --> 00:06:57,520 Speaker 3: if you say I'm a skeptic, I don't believe. Well, 142 00:06:57,839 --> 00:07:00,279 Speaker 3: but enough of you says but I'll still go. Look 143 00:07:00,880 --> 00:07:02,640 Speaker 3: or maybe you look and you get more than you bargain. 144 00:07:02,680 --> 00:07:06,240 Speaker 2: For Gardner Lake and Shalem, Connecticut. 145 00:07:08,040 --> 00:07:12,440 Speaker 3: This is one of my favorite stories. This is a 146 00:07:12,480 --> 00:07:15,640 Speaker 3: weird one man. And there's literally postcards to back this 147 00:07:15,680 --> 00:07:20,520 Speaker 3: one up, old postcards from the late eighteen hundreds. It's 148 00:07:22,080 --> 00:07:24,640 Speaker 3: the ghost story there starts as you'll hear a phantom 149 00:07:24,720 --> 00:07:28,200 Speaker 3: piano playing, you know at night, especially in the winter, 150 00:07:29,000 --> 00:07:31,680 Speaker 3: you'll just hear this piano noise and have no source 151 00:07:31,760 --> 00:07:36,080 Speaker 3: for it. But the backstory is amazing. So there was 152 00:07:36,360 --> 00:07:39,680 Speaker 3: a wealthy gentleman named Thomas LeCount and he was a 153 00:07:39,720 --> 00:07:43,080 Speaker 3: grocer from Niana, Connecticut, and he had a two and 154 00:07:43,080 --> 00:07:46,360 Speaker 3: a half story home on the south shore of Gardner Lake. 155 00:07:46,800 --> 00:07:48,920 Speaker 3: But he also owned some land on the eastern shore 156 00:07:48,960 --> 00:07:50,880 Speaker 3: of the lake, and he really wanted to move his 157 00:07:50,920 --> 00:07:53,600 Speaker 3: home to the other side of the lake. It was 158 00:07:53,640 --> 00:07:56,960 Speaker 3: done back then, very expensive, very tricky process, as you 159 00:07:56,960 --> 00:07:59,760 Speaker 3: can imagine, to lift a home, get it onto you know, 160 00:08:00,200 --> 00:08:03,840 Speaker 3: sort of some sort of a cart where you can 161 00:08:03,960 --> 00:08:06,480 Speaker 3: move it with horses and so on. But that's when 162 00:08:06,520 --> 00:08:08,800 Speaker 3: they came up with an idea. In the winter of 163 00:08:08,840 --> 00:08:11,960 Speaker 3: eighteen ninety five, it was so cold that the lake 164 00:08:12,000 --> 00:08:15,040 Speaker 3: had frozen more than ten inches thick, and that's when 165 00:08:15,080 --> 00:08:17,520 Speaker 3: an engineer came up with the brilliant idea, We're going 166 00:08:17,600 --> 00:08:19,560 Speaker 3: to just lift this house and we're going to put 167 00:08:19,600 --> 00:08:22,360 Speaker 3: it on sleds and just drag it across the frozen 168 00:08:22,400 --> 00:08:24,920 Speaker 3: lake to the other side to where your property is easy, 169 00:08:25,080 --> 00:08:27,400 Speaker 3: no problem. This will be the easiest house move they've 170 00:08:27,440 --> 00:08:30,920 Speaker 3: ever done. And it was such a cold winter, and 171 00:08:31,560 --> 00:08:34,800 Speaker 3: sure enough, February comes long and they get the house lifted, 172 00:08:35,080 --> 00:08:37,640 Speaker 3: they get it on skids and they start dragging it 173 00:08:37,679 --> 00:08:40,880 Speaker 3: across the ice and it's going well, it's going pretty well. 174 00:08:41,080 --> 00:08:43,240 Speaker 3: They get it maybe, you know, a few hundred feet 175 00:08:43,240 --> 00:08:47,640 Speaker 3: out onto the ice, until they run out a day 176 00:08:48,120 --> 00:08:50,000 Speaker 3: and they have to come back the next day with 177 00:08:50,040 --> 00:08:52,839 Speaker 3: more horses. No problem, you know, this is all going fine. 178 00:08:53,280 --> 00:08:55,839 Speaker 3: The next day they come back and the ice starts 179 00:08:55,880 --> 00:08:59,360 Speaker 3: to crack, and uh, oh, there's a problem. And now 180 00:08:59,400 --> 00:09:02,160 Speaker 3: the house is is breaking down into the ice and sinking. 181 00:09:02,480 --> 00:09:05,760 Speaker 3: What they didn't know, and what nobody knew, is that 182 00:09:06,120 --> 00:09:08,560 Speaker 3: there's there's a dam that controls some of the water. 183 00:09:08,920 --> 00:09:12,640 Speaker 3: And while the process would have gone just fine. The 184 00:09:12,760 --> 00:09:15,080 Speaker 3: dam was was released the night before to let some 185 00:09:15,160 --> 00:09:18,480 Speaker 3: water down further down the stream, it was just enough 186 00:09:18,520 --> 00:09:21,079 Speaker 3: to create create a gap between the ice on the 187 00:09:21,160 --> 00:09:22,200 Speaker 3: lake and the water. 188 00:09:22,040 --> 00:09:25,720 Speaker 2: Below now melted ice the well. 189 00:09:25,760 --> 00:09:28,440 Speaker 3: Once you know, ice floating on water is a lot 190 00:09:28,520 --> 00:09:32,120 Speaker 3: more solid than ice floating on air. So once there 191 00:09:32,200 --> 00:09:35,320 Speaker 3: was a gap there, the house just cracked through and 192 00:09:35,400 --> 00:09:38,160 Speaker 3: started to sink into the ice. And they George. They 193 00:09:38,160 --> 00:09:40,679 Speaker 3: didn't even take you know, the bureaus and the furniture 194 00:09:40,760 --> 00:09:42,640 Speaker 3: and the clothing out of the house. They left it 195 00:09:42,679 --> 00:09:44,240 Speaker 3: all in there. They said, this will be so easy, 196 00:09:44,320 --> 00:09:45,760 Speaker 3: just leave it in. We'll drag it to the other 197 00:09:45,800 --> 00:09:48,320 Speaker 3: side and your house is in place, so then it's 198 00:09:48,440 --> 00:09:51,000 Speaker 3: become a rescue mission. But of course the house had 199 00:09:51,000 --> 00:09:53,320 Speaker 3: a piano in it, and it had a wood stove 200 00:09:53,400 --> 00:09:55,360 Speaker 3: and things like that, things that were just too heavy 201 00:09:55,400 --> 00:09:57,280 Speaker 3: to pull out of this house that just kept sinking 202 00:09:57,320 --> 00:10:00,480 Speaker 3: and sinking, and for the rest of that winter people 203 00:10:00,520 --> 00:10:03,240 Speaker 3: would ice skate around it. There were postcards made of 204 00:10:03,280 --> 00:10:06,000 Speaker 3: this house, picture it going in at like a fifteen 205 00:10:06,040 --> 00:10:11,320 Speaker 3: degree angle. And then of course spring came and the 206 00:10:11,360 --> 00:10:14,480 Speaker 3: house just slowly sunk. And for years you could see 207 00:10:14,480 --> 00:10:17,199 Speaker 3: this house out in the middle of the lake, just 208 00:10:17,240 --> 00:10:21,240 Speaker 3: slowly disintegrating. But the piano was never rescued. And the 209 00:10:21,280 --> 00:10:24,640 Speaker 3: story that endoors is that you can still hear the 210 00:10:24,679 --> 00:10:27,120 Speaker 3: piano playing out on Gardner Lake. 211 00:10:27,440 --> 00:10:28,240 Speaker 2: Who's playing it? 212 00:10:28,880 --> 00:10:31,559 Speaker 3: Well, that's the question, isn't it. But what I love 213 00:10:31,600 --> 00:10:34,560 Speaker 3: about these stories is that you start at the end, right, 214 00:10:34,600 --> 00:10:37,360 Speaker 3: You've got a weird piano playing in the middle of 215 00:10:37,400 --> 00:10:39,560 Speaker 3: the lake in the middle of the night, and it 216 00:10:39,600 --> 00:10:42,120 Speaker 3: begs you to ask the question, well, what happened here? 217 00:10:42,240 --> 00:10:44,920 Speaker 3: You know, what took place? Why would there be a piano? 218 00:10:45,440 --> 00:10:47,040 Speaker 3: And then you go back in time and you see 219 00:10:47,040 --> 00:10:51,080 Speaker 3: these amazing postcards and you see the pictures and you say, oh, 220 00:10:51,200 --> 00:10:53,080 Speaker 3: this was a time where someone was trying to do 221 00:10:53,160 --> 00:10:56,560 Speaker 3: something creative from an engineering point of view, and it 222 00:10:56,640 --> 00:10:57,720 Speaker 3: turned into a disaster. 223 00:10:58,320 --> 00:11:00,480 Speaker 2: Jeff well Land, you're with us as webs side is 224 00:11:00,520 --> 00:11:04,000 Speaker 2: his name linked up at coast tocosdam dot com. Tell 225 00:11:04,080 --> 00:11:07,240 Speaker 2: us about the Mount Washington Hotel in New Hampshire. 226 00:11:07,760 --> 00:11:12,600 Speaker 3: The Mount Washington Hotel is a beautiful, beautiful place. Have 227 00:11:12,640 --> 00:11:18,320 Speaker 3: you ever seen the Stanley Hotel? And so they are twins, 228 00:11:18,600 --> 00:11:23,520 Speaker 3: except the Stanley Hotel is smaller, but they look very similar, 229 00:11:23,600 --> 00:11:26,920 Speaker 3: the you know, big white turn of the century grand hotel. 230 00:11:27,880 --> 00:11:30,480 Speaker 3: And the Mount Washington is right at the base of 231 00:11:30,480 --> 00:11:33,320 Speaker 3: Mount Washington, which is New England's highest peak, in the 232 00:11:33,320 --> 00:11:36,000 Speaker 3: middle of New Hampshire, in the beautiful white mountains of 233 00:11:36,040 --> 00:11:39,120 Speaker 3: New Hampshire. It's gorgeous. When you come up to it, 234 00:11:39,440 --> 00:11:44,360 Speaker 3: you see this sprawling, incredible, you know, white and red hotel, 235 00:11:44,480 --> 00:11:46,800 Speaker 3: and then behind it is just these majestic mountains. It 236 00:11:46,880 --> 00:11:49,960 Speaker 3: is absolutely gorgeous. I was built in nineteen hundred. It 237 00:11:50,040 --> 00:11:54,280 Speaker 3: was a very expensive project built by Joseph Stickney. He 238 00:11:54,400 --> 00:11:57,240 Speaker 3: hired two hundred and fifty Italian artisans for the construction, 239 00:11:57,840 --> 00:12:02,199 Speaker 3: and he followed this old superstition to vary the number 240 00:12:02,240 --> 00:12:05,120 Speaker 3: of steps to the second floor in order to confuse 241 00:12:05,160 --> 00:12:08,440 Speaker 3: the ghosts. So there's two main staircases when you walk 242 00:12:08,480 --> 00:12:10,480 Speaker 3: in today, one by the front desk and one by 243 00:12:10,520 --> 00:12:13,679 Speaker 3: the ballroom, and there's a different number of steps, so 244 00:12:13,679 --> 00:12:15,600 Speaker 3: the rise and run is just a little bit different. 245 00:12:15,960 --> 00:12:18,760 Speaker 3: So you could say they were superstitious right from the 246 00:12:18,800 --> 00:12:23,199 Speaker 3: get go. Now, Stickney had married a younger widow named Carolyn, 247 00:12:23,600 --> 00:12:27,480 Speaker 3: and when Stickney passed away within the first year of 248 00:12:27,520 --> 00:12:31,760 Speaker 3: the hotel being opened, Carolyn inherited everything and she became 249 00:12:31,840 --> 00:12:35,080 Speaker 3: known as the Princess because she eventually married French royalty. 250 00:12:35,400 --> 00:12:38,840 Speaker 3: And she would throw these lavish parties at the Mount Washington. 251 00:12:38,880 --> 00:12:42,480 Speaker 3: She would invite all the fanciest people around who were 252 00:12:42,520 --> 00:12:45,560 Speaker 3: coming to vacation and holiday in that region, and she 253 00:12:45,880 --> 00:12:48,240 Speaker 3: always was last to the party. She used to like 254 00:12:48,280 --> 00:12:50,360 Speaker 3: to look down over the balcony and see how all 255 00:12:50,400 --> 00:12:53,160 Speaker 3: the other women were dressed, so she could make sure 256 00:12:53,320 --> 00:12:56,320 Speaker 3: that she was dressed better than all of them, and 257 00:12:56,760 --> 00:12:59,320 Speaker 3: then she would of course make her grand entrance. She 258 00:12:59,320 --> 00:13:01,800 Speaker 3: would even stick there, stick around there in the winter. 259 00:13:01,880 --> 00:13:05,199 Speaker 3: This is where she was happiest her This was her castle, 260 00:13:05,840 --> 00:13:09,720 Speaker 3: and eventually once she passed away that first winter they 261 00:13:09,760 --> 00:13:11,600 Speaker 3: used to close it up for the winter. Back then, 262 00:13:12,080 --> 00:13:14,600 Speaker 3: that first winter they would say lights on and say, well, 263 00:13:14,800 --> 00:13:16,640 Speaker 3: that's strange, we must have left something on, and they'd 264 00:13:16,640 --> 00:13:19,920 Speaker 3: have to go back and check. But pretty soon they 265 00:13:19,960 --> 00:13:23,840 Speaker 3: realized it's it's absolutely her spirit still floating around there, 266 00:13:24,240 --> 00:13:27,520 Speaker 3: and seeing a woman peek over the balcony became commonplace. 267 00:13:27,679 --> 00:13:31,640 Speaker 3: Her main suite is called the Princess Room that's haunted, 268 00:13:31,640 --> 00:13:34,200 Speaker 3: and people requested months out in order to stay there 269 00:13:34,240 --> 00:13:37,040 Speaker 3: and try to experience something. And when you check into 270 00:13:37,080 --> 00:13:40,880 Speaker 3: the hotel today, there's a painting of her up on 271 00:13:40,920 --> 00:13:43,559 Speaker 3: the wall and a kind of like a faux banister 272 00:13:43,679 --> 00:13:46,000 Speaker 3: that they've put in front of the painting, so she's 273 00:13:46,040 --> 00:13:48,600 Speaker 3: literally looking down on you just as you check in, 274 00:13:49,040 --> 00:13:51,600 Speaker 3: and the stories just endure, you know, with so much 275 00:13:51,640 --> 00:13:54,960 Speaker 3: time that's passed there, there's been so many ghost sightings 276 00:13:54,960 --> 00:13:59,480 Speaker 3: throughout that building. You know, hotels are such transient places. 277 00:14:00,040 --> 00:14:02,360 Speaker 3: Of course, some people go there with no intention to 278 00:14:02,440 --> 00:14:05,520 Speaker 3: check out she was. You know, she's not the only 279 00:14:05,520 --> 00:14:08,200 Speaker 3: ghost there, but she absolutely is the most prominent. 280 00:14:09,000 --> 00:14:12,840 Speaker 2: What about Gloucester, Maine, Massachusetts? What's going on there? 281 00:14:14,000 --> 00:14:20,040 Speaker 3: So Gloucester, Maine, there's a strange story called the Specter 282 00:14:20,200 --> 00:14:23,640 Speaker 3: Leaguers of Gloucester. And you have to put this one 283 00:14:23,760 --> 00:14:27,080 Speaker 3: into some context. This one dates back to July of 284 00:14:27,160 --> 00:14:30,240 Speaker 3: sixteen ninety two. Sixteen ninety two, of course, was the 285 00:14:30,240 --> 00:14:32,880 Speaker 3: same time of the Salem witch Trials, which is right 286 00:14:32,920 --> 00:14:37,640 Speaker 3: next door to Gloucester. We're neighbors. And what people don't 287 00:14:37,680 --> 00:14:41,600 Speaker 3: talk about enough with the Salem Witch Trials. People just 288 00:14:41,640 --> 00:14:44,760 Speaker 3: think of, you know, some Puritans that were just you know, 289 00:14:44,880 --> 00:14:48,400 Speaker 3: spooked and easily fooled and so on. But King William's 290 00:14:48,440 --> 00:14:51,800 Speaker 3: War was raging just to the north in Canada, and 291 00:14:51,840 --> 00:14:54,800 Speaker 3: this is a war between the Native Americans, French, and 292 00:14:54,840 --> 00:14:58,840 Speaker 3: the British, and it's creating a refugee crisis. That's sending 293 00:14:59,240 --> 00:15:03,440 Speaker 3: colonists and as they head south through what is now 294 00:15:03,480 --> 00:15:06,680 Speaker 3: modern day Maine, they're coming to the region of Gloucester 295 00:15:06,840 --> 00:15:09,640 Speaker 3: and the region of Salem. And so you've got refugees 296 00:15:09,680 --> 00:15:13,120 Speaker 3: looking for shelter. You've got you know, Native Americans that 297 00:15:13,160 --> 00:15:15,560 Speaker 3: are that are out there, you know, fighting for their land, 298 00:15:15,960 --> 00:15:18,560 Speaker 3: and you've got preachers in the pulpit saying, you know, 299 00:15:18,680 --> 00:15:22,560 Speaker 3: these these are heathens. They're there words not mine. Of course, 300 00:15:22,920 --> 00:15:25,480 Speaker 3: they're saying, these are in league with the devil. And 301 00:15:25,560 --> 00:15:27,800 Speaker 3: when you hear about a village being wiped out or 302 00:15:27,800 --> 00:15:31,520 Speaker 3: a family being wiped out by by soldiers of Native 303 00:15:31,520 --> 00:15:35,120 Speaker 3: American soldiers, it's not that much of a stretch to 304 00:15:35,200 --> 00:15:38,000 Speaker 3: think that there really is evil out there, and so 305 00:15:38,120 --> 00:15:42,320 Speaker 3: everybody's scared. So the Salem witch trials that that's the 306 00:15:42,360 --> 00:15:44,760 Speaker 3: context for that, but that's also the context for what's 307 00:15:44,800 --> 00:15:48,600 Speaker 3: happening in Gloucester. People are spooked, and it was the 308 00:15:49,000 --> 00:15:52,200 Speaker 3: it was the summer July of sixteen ninety two when 309 00:15:52,600 --> 00:15:56,440 Speaker 3: you have you have strange sightings around Gloucester. Now, at 310 00:15:56,440 --> 00:15:59,160 Speaker 3: first they think they're just seeing French and Native American 311 00:15:59,640 --> 00:16:03,840 Speaker 3: wars outs in town, which is cause for alarm, but 312 00:16:03,880 --> 00:16:07,320 Speaker 3: then those scouts can never be found. Everybody's on high alert, 313 00:16:07,480 --> 00:16:10,080 Speaker 3: you know, they've they've got the garrison armed, they've got 314 00:16:10,120 --> 00:16:12,960 Speaker 3: people coming in, you know, looking for for any sign 315 00:16:13,000 --> 00:16:13,760 Speaker 3: of trouble, and. 316 00:16:13,720 --> 00:16:16,360 Speaker 2: No social media they'll let people know what's going. 317 00:16:16,160 --> 00:16:19,600 Speaker 3: On no radio either, No, nothing right, it's just the 318 00:16:20,200 --> 00:16:24,360 Speaker 3: Coconut Telegraph. It's just word of mouth, one person telling another, 319 00:16:25,000 --> 00:16:28,600 Speaker 3: and so stories start to circulate of you know, of 320 00:16:28,680 --> 00:16:32,440 Speaker 3: problems of happening. You know, things like Ebenezer Babson, who 321 00:16:32,600 --> 00:16:35,440 Speaker 3: has a place there. He's a very well respected person 322 00:16:36,240 --> 00:16:38,840 Speaker 3: and he was coming home one night and he saw 323 00:16:39,160 --> 00:16:43,520 Speaker 3: someone running around his house and he runs in to investigate. 324 00:16:43,840 --> 00:16:46,400 Speaker 3: He believes they're scouts that had broken in, either to 325 00:16:46,440 --> 00:16:50,080 Speaker 3: steal something or get information. Chases the men down, but 326 00:16:50,120 --> 00:16:52,160 Speaker 3: then they vanish. And you could say, okay, that's just 327 00:16:52,280 --> 00:16:54,680 Speaker 3: that's just one example. Maybe you know they just got 328 00:16:54,720 --> 00:16:57,880 Speaker 3: away and gave him the slip. But now everyone's on 329 00:16:57,960 --> 00:17:01,600 Speaker 3: high alert and events like this keep happen. Pretty soon 330 00:17:01,720 --> 00:17:05,200 Speaker 3: you're seeing more and more scouts. Soldiers are shooting at them, 331 00:17:05,240 --> 00:17:07,520 Speaker 3: claiming I hit them. I'm sure I hit them. But 332 00:17:07,560 --> 00:17:09,919 Speaker 3: then you go and there's no one there. And so 333 00:17:10,119 --> 00:17:13,520 Speaker 3: eventually when you've got you know, night after night weeks 334 00:17:13,520 --> 00:17:17,160 Speaker 3: of this of now garrison soldiers on the watch all 335 00:17:17,200 --> 00:17:20,040 Speaker 3: the time saying we're seeing them, we're shooting at them, 336 00:17:20,080 --> 00:17:24,520 Speaker 3: we're chasing them, and you can't find a single one either. 337 00:17:24,560 --> 00:17:30,000 Speaker 3: Everyone's a terrible shot, or there's literally ghosts, literally ghosts 338 00:17:30,040 --> 00:17:33,879 Speaker 3: that are hunting them down and keeping everyone on edge. 339 00:17:34,320 --> 00:17:36,640 Speaker 3: So you've got the Salem Witch Trials, and next door 340 00:17:36,720 --> 00:17:41,120 Speaker 3: you've got the Specter Leaguers of Gloucester that's got everyone 341 00:17:41,240 --> 00:17:43,119 Speaker 3: completely scared all the time. 342 00:17:44,160 --> 00:17:46,720 Speaker 2: Have you been to many of these places, Jeff, I've 343 00:17:46,720 --> 00:17:47,480 Speaker 2: been to all of. 344 00:17:47,440 --> 00:17:51,800 Speaker 3: Them is I've been doing this for so long now, 345 00:17:52,000 --> 00:17:54,840 Speaker 3: And gosh, it was about six or seven years ago 346 00:17:54,880 --> 00:17:57,160 Speaker 3: when I started my Newing the Legends podcast, but I said, 347 00:17:57,160 --> 00:17:59,399 Speaker 3: all right, I'm going to challenge myself. Can I find 348 00:17:59,400 --> 00:18:03,080 Speaker 3: a story every single week and go check these things 349 00:18:03,080 --> 00:18:05,240 Speaker 3: out and start to just sort of chronicle I mean 350 00:18:05,440 --> 00:18:08,960 Speaker 3: the tagline is chronicle every Legend in New England, which, 351 00:18:09,359 --> 00:18:11,240 Speaker 3: let's be honest, if I live to be a thousand, 352 00:18:11,280 --> 00:18:14,119 Speaker 3: I'll never do it. But it's a lofty goal, and 353 00:18:14,200 --> 00:18:16,840 Speaker 3: I think we should set lofty goals. And as I 354 00:18:16,920 --> 00:18:19,200 Speaker 3: started doing this, and as we started to build an audience, 355 00:18:19,600 --> 00:18:24,200 Speaker 3: something sort of amazing happened. The stories became crowdsourced. People 356 00:18:24,200 --> 00:18:26,480 Speaker 3: started telling hey, have you heard about this? Have you 357 00:18:26,520 --> 00:18:29,880 Speaker 3: heard about that? And you start to realize just how 358 00:18:29,920 --> 00:18:32,639 Speaker 3: powerful these stories are. I mean, they all belong to 359 00:18:32,720 --> 00:18:35,879 Speaker 3: a community, you know, and the community identifies with it 360 00:18:35,920 --> 00:18:39,600 Speaker 3: and takes ownership of it and shares that story with 361 00:18:39,760 --> 00:18:42,800 Speaker 3: people that they trust, and it's a really profound and 362 00:18:42,920 --> 00:18:45,639 Speaker 3: powerful thing, and it's a profound connection to our past. 363 00:18:46,040 --> 00:18:49,320 Speaker 1: Listen to more Coast to Coast AM every weeknight at 364 00:18:49,359 --> 00:18:52,280 Speaker 1: one a m. Eastern and go to Coast to coastam 365 00:18:52,320 --> 00:18:53,440 Speaker 1: dot com for more