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Speaker 1: And I'm gonna tell y'all how we knew? So you mean,

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Speaker 1: so Howie knew? Is that y'all? That's y'all think that's

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Speaker 1: so thirl?

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Speaker 2: He put a recording device and Remy's card.

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Speaker 3: A recording device is crazy action boss, And a recording

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Speaker 3: device is over the top crazy. Do you actually think

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Speaker 3: on shit back and watch seventeen years ago down to

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Speaker 3: dre Do you know what kind of food I.

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Speaker 4: Think he's looking?

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Speaker 3: Man, I'm gonna put out recording devices. Man, I got

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Speaker 3: an AD tag in the car, man exucis.

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Speaker 1: So I'm just I'm gonna say, under under the circumstances

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Speaker 1: that I was in, I was under the I was

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Speaker 1: under everything that basically that already split up already, like

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Speaker 1: living on two separate get the houses and all of

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Speaker 1: that shit like that two separate stages of the houses.

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Speaker 5: I really ain't take nobody from nobody. I really did, seriously,

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Speaker 5: I was. You know what I'm saying like that, I'll

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Speaker 5: really be like, Yo.

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Speaker 3: The idea that you've been convinced to let her still

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Speaker 3: live in the household while me and you in the

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Speaker 3: relationship with he was married to for seventeen years shows

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Speaker 3: me you made lack experience as it pertains to relationship etiquette.

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Speaker 3: If you cannot move that woman out of that house,

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Speaker 3: were not ready for a relationship until you can move

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Speaker 3: out of that house with another car. You were married

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Speaker 3: to and been with for seventeen years.

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Speaker 1: What happened was to be is an through the situation

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Speaker 1: with a mask on, and he got past somehow he

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Speaker 1: got past.

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Speaker 2: The security guard. Oh and literally he literally sneaked me.

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Speaker 2: He do sneak me, He do sneak me.

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Speaker 5: And that's where the two cool jaws come into the head.

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Speaker 5: He do sneak But when I never fell, never was

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Speaker 5: in no fetal position.

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Speaker 2: I never touched the ground ever. When I got back

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Speaker 2: to turn the law to the sand.

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Speaker 3: Can you see it, pull out all the tricks, you lucky?

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Speaker 3: He and hit you with a ninja star. When he's

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Speaker 3: seen pull out all the tricks for the wife he

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Speaker 3: been with seventeen years, he you lucky, He'll pop out

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Speaker 3: of that mask and boom, hit you with a ninja star.

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Speaker 4: Because what see You gotta.

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Speaker 3: Remember what he doing when he coming in and attacking you.

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Speaker 3: He trying to put you in a situation where your

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Speaker 3: dignity won't allow you to be with her, but you

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Speaker 3: gonna continue to accept because you think it's love and

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Speaker 3: you love her.

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Speaker 2: He read shit like that to me.

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Speaker 1: I told him, I think the security has something to

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Speaker 1: do with it because it comes with a full blow mask.

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Speaker 1: Your security's not gonna allow in the building. But the

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Speaker 1: only out he allows it go through the four if

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Speaker 1: he lifts his mask up and it says like, yo,

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Speaker 1: this is him.

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Speaker 3: I keep telling y'all, no, why bro, we ain't playing

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Speaker 3: man new wayans and make you put that pencil on

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Speaker 3: the way in.

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Speaker 6: Man.

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Speaker 3: We can rumble right now about my wife. You're gonna

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Speaker 3: rumble me about my wife? Is you on the internet

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Speaker 3: telling me you're gonna rumble me about my wife, A

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Speaker 3: lady I've been with seventeen years.

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Speaker 4: You're gonna rumble me about her? Bringing this looks so easy.

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Speaker 4: All your other podcast can tease me, no, no.

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Speaker 6: Marking. This looks so easy.

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Speaker 7: Yeah, yeah, Before Joe rog has barked up the craze,

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Speaker 7: before a million dollars worth of game had its face,

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Speaker 7: before drink Champs poured it up on the floor, we

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Speaker 7: were the ones knocking down the door, were.

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Speaker 8: Clean in the voice with their actions on maps. Some

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Speaker 8: podcasters fumble and lose their own catch. But kid the

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Speaker 8: one hundred relieve in the pack while others play chess.

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Speaker 8: We stay on track to the place where the culture

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Speaker 8: is hot, where the realness is where but we've gotten

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Speaker 8: this spot from the grind to the vibe. We're carved

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Speaker 8: on the throne with looting on the mind, never alone.

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Speaker 8: Something every week we thrive where the culture needs the hustle.

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Speaker 8: It's a whole five nokain. It's no thangs, just truth

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Speaker 8: on the dome. It's up their podcast, the Culture's home.

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Speaker 3: Welcome back to It's up There Podcast. I am your

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Speaker 3: active and attractive host. You know the vibes. This is

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Speaker 3: another episode of the fastest growing podcast on the market

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Speaker 3: Right now. I need you guys to come to patreon

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Speaker 3: dot com It's up There Podcast. That's where you can

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Speaker 3: see the full videos, behind the scenes episodes.

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Speaker 4: That has not been released. We go live.

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Speaker 3: There's so many different elements you get merged. It's so

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Speaker 3: many different elements live show, event tickets, pre sales, exclusive,

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Speaker 3: merch like, there's so many different elem involved with it.

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Speaker 3: I implore you to go and really check it out.

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Speaker 3: That's number one, number two today we got so much

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Speaker 3: on the agenda to talk about I miss you guys.

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Speaker 3: Twenty twenty five. We're gonna see a lot more of

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Speaker 3: each other, you know. Hopefully you guys enjoy that. And

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Speaker 3: I want to hear from y'all. I'm gonna tap in

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Speaker 3: with my audience. I want to hear from y'all. Want

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Speaker 3: to hear you guys outlook on things, and sometimes I

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Speaker 3: want to see exactly where you're coming from. And I'll

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Speaker 3: allow for some of our Patreon members to come up

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Speaker 3: and have certain discussions, or we'll run it like some

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Speaker 3: of the business models that's already in place, where a

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Speaker 3: donation can be answered on screen and things of that nature.

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Speaker 3: And we're gonna get much more interactive with the audience,

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Speaker 3: I believe be because sometimes it pains me that a

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Speaker 3: lot of the audience doesn't really understand when I'm doing

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Speaker 3: things to try to invoke a conversation as I'm steal

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Speaker 3: in this discovery mode, right, I would had wanted us

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Speaker 3: to be much bigger than we are by now.

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Speaker 4: But we are in a great place.

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Speaker 3: But I'm in this discovery mode where people are come

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Speaker 3: across the content without any context, and they'll say things

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Speaker 3: that they think will capture my confidence. And so anytime

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Speaker 3: you think you in the scenario to capture my confidence,

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Speaker 3: you're done to enter the wrong room. Right, because I'm shielded,

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Speaker 3: I'm covered. I try to keep a good defense for

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Speaker 3: a bad offense, and the negativity is a bad offense.

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Speaker 4: It's like a teacher. See, when you're a negative, you

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Speaker 4: doing something, you're on the court. You might be, but.

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Speaker 3: It's like it's too aggressive, he out, they keep reaching. Listen,

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Speaker 3: there's a graceful way to get a steal, a turnover.

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Speaker 3: There's a graceful way to overthrow the king. Right, I

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Speaker 3: could have been did a hostile takeover? That ain't my vibe. Right,

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Speaker 3: It's too much player rhythm, it's too much ism, it's

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Speaker 3: too much game involved with hostile takeovers. But we always

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Speaker 3: gonna speak to real and that may come off hostile

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Speaker 3: to a far See when you talk real shit around

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Speaker 3: seem hostile, you seem angry, you seem negative. They think

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Speaker 3: that's all you're talking about because they ain't listening. That's

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Speaker 3: the problem. So many people have short tension spans that

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Speaker 3: they don't know what loan talk about. You ain't never

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Speaker 3: really dive. Then that's why I sit in twenty twenty five,

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Speaker 3: Loan Gonna do its best to go and do interviews

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Speaker 3: with a couple of platforms so people can really understand

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Speaker 3: where I come from, my understanding the things, and why

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Speaker 3: this is not a fluke, and how we got to

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Speaker 3: a place where people can digest the things that we

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Speaker 3: incorporate in our daily lives and try to achieve things

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Speaker 3: in their daily lives. This is the life I'm living.

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Speaker 3: I don't know what nobody else doing. I don't know

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Speaker 3: how effective nobody else is in their kitchen, but I'm

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Speaker 3: cooking up something that can't nobody put out right. And

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Speaker 3: I'm being modest when I say that, like hope people

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Speaker 3: can understand that this is not arrogance. This is confidence.

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Speaker 3: Arrogance is confidence without the work attached to it. And

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Speaker 3: this ain't that I put the work in. There's not

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Speaker 3: another podcast that it has this many episodes, that this

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Speaker 3: many different things without a co host.

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Speaker 4: Some people don't understand what that means in.

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Speaker 3: This game, and I understand, But there's a niche of

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Speaker 3: people that need that information to understand how effective what

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Speaker 3: I'm doing is.

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Speaker 7: Right.

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Speaker 4: There's a niche of people that I speak to when

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Speaker 4: I turn.

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Speaker 3: Off the road right quick, and I go over here

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Speaker 3: in this lane and I go to talking that podcast talk,

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Speaker 3: that industry talk.

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Speaker 4: It's a few niche community that can get that.

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Speaker 3: And then I veer back over in the lane where

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Speaker 3: I'm speaking to everybody. But I'm always trying to leave trails,

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Speaker 3: leave footprints in the sand because where I come from,

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Speaker 3: where I'm gone, where I intend on't going. You see

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Speaker 3: what I'm saying, and so it's important for me to

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Speaker 3: leave something.

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Speaker 4: Today. We're going to talk about a few different things. Man.

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Speaker 3: I appreciate y'all for being here. What we've been able

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Speaker 3: to do and what we look forward to doing in

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Speaker 3: twenty twenty five should be great. Hopefully you guys enjoy it.

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Speaker 3: Hopefully I see you at a live show. Hopefully we

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Speaker 3: involve some kind of way. I thank you guys for

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Speaker 3: being here. I want to start to show off today

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Speaker 3: speaking about about love. You know, love is a very

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Speaker 3: strange place, man. It's like Disneyland that can turn into

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Speaker 3: a nightmare. It's unfortunate because it's crucial. Love is Love

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Speaker 3: is so crucial for a human experience. As a young

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Speaker 3: you don't know the difference between love and sex, but

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Speaker 3: as you get older, you appreciate the boundaries that love

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Speaker 3: put on you, the expectations that come along with love,

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Speaker 3: the indicators that love gives you, the directions that love

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Speaker 3: gives you, right, and so at that point you clarify

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Speaker 3: that there is a difference between fornication and being in love. Today,

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Speaker 3: we're gonna talk about Remy Mind pet Pools. Over the

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Speaker 3: last year or so, there's been communications in the industry

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Speaker 3: and even amongst the casual fan that remy Mind had

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Speaker 3: been in a scenario where she wanted to move away

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Speaker 3: from pet Pools. And of course I'm using these people's

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Speaker 3: name as an example, but I'm a broaden the conversation

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Speaker 3: as soon as I lay the context, because I like

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Speaker 3: to stay away from these people individually and deal with

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Speaker 3: the context of the subject.

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Speaker 4: There's been chatter.

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Speaker 3: Online that remy Mind has been involved with a battle

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Speaker 3: rap guy. A lot of people say he's an off

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Speaker 3: brand pat poos. You know, today, I'm gonna get into

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Speaker 3: some of these things, right, We're gonna have fun with

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Speaker 3: the conversation. Of course, we're gonna try to report the scenario.

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Speaker 3: But also there's a layer of this that is serious.

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Speaker 3: Right when we deal with someone that has been in

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Speaker 3: a relationship for seventeen years, and Pat Poosse had rolled

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Speaker 3: in a scenario when remy Mar had been locked up

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Speaker 3: and did six seven years, and he went there every

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Speaker 3: single week, according to remy Ma. And we'll get into

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Speaker 3: why I believe that's so important, but before we do

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Speaker 3: any of that, I kind of want to start at

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Speaker 3: the end.

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Speaker 4: Though.

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Speaker 3: If you're watching this, you probably already know what remy

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Speaker 3: Mar has posted. Let me see if I got it on.

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Speaker 3: So if you're looking on the screen right now, you

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Speaker 3: can see where remy Mar had posted that she came

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Speaker 3: into her house. Pat poos was on the phone with

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Speaker 3: one of the greatest female boxes of all time, Claricious Shields,

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Speaker 3: and they had been in a relationship for some time

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Speaker 3: and dealing with each other, according to remy Ma.

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Speaker 4: Allegedly, remy May had went in.

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Speaker 3: The phone and seen some communication between the two individuals

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Speaker 3: and things went from there. I want you guys to

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Speaker 3: keep in mind that it has already been alleged that

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Speaker 3: remy Ma has been in another relationship. And so as

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Speaker 3: you see, this is a barrage of tweets and Instagram

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Speaker 3: posts that have come from remy mind, which she has

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Speaker 3: she has went in the phone of Pat Poos and

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Speaker 3: screenshot at his communications with one of the greatest female

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Speaker 3: boxes of all time, and then she continues to post, Hey,

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Speaker 3: missus Shills, I'm a one boyfriend woman the same way

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Speaker 3: I was a one husband woman. Now I ain't even

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Speaker 3: gonna read the rest, miss Shills. I'm a one boyfriend

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Speaker 3: woman the same way I was a one husband woman.

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Speaker 4: And I'm a good woman at that.

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Speaker 3: Hence who I pos won't just go on And he's

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Speaker 3: never gonna buy you anything because he thinks he's the prize.

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Speaker 4: He's a taker, not a giver. Plus I'm the one

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Speaker 4: with the bag. Lol. Please stop playing with me because

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Speaker 4: I'm not the enemy you want. I'm not even mad.

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Speaker 3: Actually I'm very happy, and that's why your boyfriend is mad.

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Speaker 3: Oh and I know you said you feel stupid. You

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Speaker 3: look stupid too. Pat poofs then tweets I will never

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Speaker 3: get anyone arrested. Once again, you align it can be

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Speaker 3: easily verified you're the one that played with the police.

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Speaker 3: Line about history that unfolded in front the world is pathetic.

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Speaker 3: Falsifying text message that you claim are from a decade

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Speaker 3: ago just to create a false narrative and justify cheating.

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Speaker 3: It's narcissistic behavior. Remy Ma pet Poos fell asleep on

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Speaker 3: the phone with Clarissa Shields. Again, this is how this

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Speaker 3: fight between Pat Poofs and remy Ma, who a still married.

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Speaker 3: I want this to be let the record reflect still

248
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Speaker 3: married took place. He fell asleep on the phone with her,

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Speaker 3: laying in my house and refuses to leave. I want

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Speaker 3: you guys to keep all of this in context. As

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Speaker 3: Clarisha Shield's response, this cannot be serious. You have two boyfriends.

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Speaker 3: How can a woman with two boyfriends be mad that

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Speaker 3: he has a girlfriend. All right, this is what's going

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Speaker 3: on between the two unfortunate I think context is important.

255
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Speaker 3: We gotta remember that rem and Mand is still married

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Speaker 3: to Pat Pools. I think that's one of the more

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Speaker 3: important elements in this. And there's a seventeen year history,

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Speaker 3: and so let's make sure we keep things in the

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00:14:14,200 --> 00:14:17,439
Speaker 3: historical context when we talk about these two people. Now

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00:14:17,679 --> 00:14:22,000
Speaker 3: insert easy to Block Captain, which is a battle rapper. Now,

261
00:14:22,040 --> 00:14:24,080
Speaker 3: what I do want to say about easy to Block

262
00:14:24,120 --> 00:14:27,600
Speaker 3: Captain is that, man, I'm gonna be honest. When Breakfast

263
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Speaker 3: Club and these other platforms talk about easier to Block Captain.

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Speaker 4: Man, they go.

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Speaker 3: Get one of the most horriblest pictures. Man, I'm talking

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Speaker 3: about Man. I know rem and Man be sitting back Man, Remy, Man,

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Speaker 3: if that's gonna be it? Man, you got the yo

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Speaker 3: hit Charlemagne one of them. Hey, Man, use a better

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Speaker 3: picture when you talk about him.

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Speaker 1: Now.

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Speaker 3: I'm all in with him now. Now, y'all gonna use

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Speaker 3: better pictures when you to man, go fix him up? Now, Remy,

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Speaker 3: you all in now. Shit, it's seventeen years on the line. Shit,

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Speaker 3: if it's who you're gonna right. But I'm just joking.

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Speaker 3: But so when we talk about Pat Pooles finding out

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Speaker 3: about the relationship, I want to skip to the end again.

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Speaker 3: We're gonna start at the end and kind of talk

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Speaker 3: about it all as we moved through. Easy to Block

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Speaker 3: Captain responded to all of this that's going on online

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Speaker 3: because Pat Pools had let the world know that, Yo,

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Speaker 3: the guy you were cheating with, that you spent Christmas with,

282
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Speaker 3: I knocked him out when I seen him, I knocked

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Speaker 3: him out. He was in a fetal position. That was

284
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Speaker 3: the last time I saw him. Easy the Block Captain

285
00:15:30,160 --> 00:15:34,800
Speaker 3: comes out to defend his honor and in battle rap fashion,

286
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Speaker 3: he goes and responds with what he believes to be bass.

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Speaker 4: Let's take a look at some of it.

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Speaker 1: No, already, I know he up there trying to play

289
00:15:44,920 --> 00:15:48,440
Speaker 1: victim and all of that shit. But they knew it

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00:15:48,560 --> 00:15:53,720
Speaker 1: knew two years ago. I ain't gonna lie if me don't,

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00:15:53,720 --> 00:15:59,360
Speaker 1: don't let it up. They knew, they knew, And I'm

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00:15:59,360 --> 00:16:01,360
Speaker 1: gonna tell y'all how how we knew? So you mean, so,

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00:16:01,440 --> 00:16:05,240
Speaker 1: how we knew? Is that y'all? That's y'all think that's

294
00:16:05,240 --> 00:16:08,640
Speaker 1: so thorough? He put a record in device and Remy's car,

295
00:16:10,800 --> 00:16:13,200
Speaker 1: so THEO how he knew is he was bugging her

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Speaker 1: car acusations, false atuation. And I'm gonna tell y'all how

297
00:16:20,480 --> 00:16:22,840
Speaker 1: we knew? So you mean, so how we knew? Is that?

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Speaker 5: Y'all?

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Speaker 1: That's y'all think that's so thorough? He put a record

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Speaker 1: in device and Remy's car.

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00:16:29,400 --> 00:16:31,360
Speaker 4: A recording device is crazy.

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00:16:31,160 --> 00:16:39,520
Speaker 9: Actuations, false auation, and a recording device is over the

303
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Speaker 9: top crazy.

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Speaker 4: But I ain't gonna lie.

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Speaker 3: He got seventeen years, He got seventeen years. Tired of that,

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00:16:47,680 --> 00:16:49,960
Speaker 3: pull out all the stops trying to figure out if

307
00:16:50,040 --> 00:16:54,080
Speaker 3: seventeen years going down to drain do you actually think

308
00:16:54,560 --> 00:16:58,440
Speaker 3: on shit back and watch seventeen years ago.

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Speaker 4: Down to Drake. Do you know what kind of fool

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Speaker 4: I think he looking?

311
00:17:03,400 --> 00:17:07,840
Speaker 3: Man gonna pull out recording devices, he gonna sneak in,

312
00:17:08,040 --> 00:17:10,440
Speaker 3: he gonna try to figure out what's going on.

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Speaker 4: Man, I just went and seeing this girl every two

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00:17:13,520 --> 00:17:16,160
Speaker 4: weeks for six years straight.

315
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Speaker 3: Man, I got seventeen years tired into this dude.

316
00:17:22,320 --> 00:17:24,120
Speaker 4: Man, I got an air tag in the car.

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Speaker 9: Mantuation false a youation.

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Speaker 3: They don't put the young the trick bag see rimming them,

319
00:17:32,880 --> 00:17:36,160
Speaker 3: they older folks, man, and put the young the trick

320
00:17:36,280 --> 00:17:39,520
Speaker 3: bag man, you know. And and I ain't disrespecting him,

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Speaker 3: you know what I'm saying. This is his relationship, But

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00:17:41,359 --> 00:17:43,719
Speaker 3: that's the old I'm trying to give him a little advice.

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Speaker 3: You probably ain't the one she gonna, you know what

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Speaker 3: I mean, be with forever though, But you right now,

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00:17:49,480 --> 00:17:52,399
Speaker 3: the old shine though, you probably ain't gonna be with

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Speaker 3: all fever.

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00:17:53,119 --> 00:17:55,920
Speaker 4: You probably thinking like that. But it's too mess.

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00:17:55,960 --> 00:17:59,320
Speaker 3: It's too much going on, Like you know what I'm saying,

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Speaker 3: Like they got they We'll get into a little bit

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Speaker 3: of that in a minute.

331
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Speaker 4: Pay attention.

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Speaker 1: So the how he knew is he was bugging her car,

333
00:18:11,440 --> 00:18:14,159
Speaker 1: So like that's how new They're a weird off from

334
00:18:16,600 --> 00:18:18,520
Speaker 1: you know what I'm saying like that, when keep it

335
00:18:18,560 --> 00:18:20,200
Speaker 1: a dollar a head? You know what I'm saying like that,

336
00:18:20,400 --> 00:18:22,879
Speaker 1: he bugged the car and you couldn't really hear me

337
00:18:23,040 --> 00:18:25,000
Speaker 1: on the other side, but you can hear her talking

338
00:18:25,040 --> 00:18:29,320
Speaker 1: to me. So that's how he knew. And it's not

339
00:18:29,400 --> 00:18:31,439
Speaker 1: cap I got all the crowd. So so when he

340
00:18:31,520 --> 00:18:35,000
Speaker 1: says cab, I'm sure I'm just kicking a dollar head.

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Speaker 6: You know what I'm saying.

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00:18:36,760 --> 00:18:38,480
Speaker 1: You know what I'm saying like that. So I'm just

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00:18:38,480 --> 00:18:40,920
Speaker 1: I'm gonna say, under under the circumstances that.

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Speaker 5: I was in, I was under the I was under

345
00:18:44,240 --> 00:18:48,520
Speaker 5: everything that basically that already split up already like living

346
00:18:48,560 --> 00:18:50,520
Speaker 5: on two separate you see the houses and all of

347
00:18:50,520 --> 00:18:52,480
Speaker 5: that ship like that, two separate stages in the houses

348
00:18:53,880 --> 00:18:57,160
Speaker 5: with each other doing them doing them. So like that's

349
00:18:57,200 --> 00:18:58,960
Speaker 5: how I got so technically, So when I tell you

350
00:18:59,680 --> 00:19:01,800
Speaker 5: I will he ain't take nobody from nobody. I really

351
00:19:01,840 --> 00:19:04,600
Speaker 5: be did Seriously, I really don't you know what I'm

352
00:19:04,600 --> 00:19:07,639
Speaker 5: saying like that, I really be like, yo, I really

353
00:19:07,640 --> 00:19:09,200
Speaker 5: ain't take nobody I'm saying like that.

354
00:19:09,240 --> 00:19:11,320
Speaker 3: Can I be honest right here for a second, and

355
00:19:11,359 --> 00:19:13,800
Speaker 3: I mean no disrespect to the young I'm hoping to

356
00:19:13,800 --> 00:19:15,960
Speaker 3: give him some game. You know what I'm saying as

357
00:19:15,960 --> 00:19:19,439
Speaker 3: I'm putting it down. But check this out. If you

358
00:19:19,600 --> 00:19:21,879
Speaker 3: if you have to deal with a wo woman of

359
00:19:21,920 --> 00:19:25,639
Speaker 3: that caliber in that scenario, you can't date that woman

360
00:19:25,760 --> 00:19:29,119
Speaker 3: if you can't move her out of that house. But

361
00:19:29,200 --> 00:19:31,920
Speaker 3: you young, so you don't really know the vibration, right,

362
00:19:32,000 --> 00:19:34,240
Speaker 3: Can't no woman tell you that she been married to

363
00:19:34,680 --> 00:19:37,359
Speaker 3: some teen years and they staying on two different sides

364
00:19:37,400 --> 00:19:40,119
Speaker 3: of the house. Number one, As the young boy, I

365
00:19:40,200 --> 00:19:43,560
Speaker 3: understand you accept it, but I understand pet pooss man,

366
00:19:43,600 --> 00:19:46,960
Speaker 3: he done lost faith in this shit man, So you're

367
00:19:47,000 --> 00:19:47,879
Speaker 3: gonna accept it.

368
00:19:48,000 --> 00:19:49,640
Speaker 4: Can't even move you out the crib.

369
00:19:50,520 --> 00:19:53,800
Speaker 3: This can't even right, man, Listen, And I don't like

370
00:19:53,880 --> 00:19:58,400
Speaker 3: this kind of scenario. But if the scenario presents itself

371
00:19:58,400 --> 00:20:00,919
Speaker 3: and you end up in that you got the she

372
00:20:01,119 --> 00:20:03,080
Speaker 3: if she ready to break loose from then and you

373
00:20:03,240 --> 00:20:08,000
Speaker 3: accepting her, you gotta take her from that household. The

374
00:20:08,119 --> 00:20:11,280
Speaker 3: idea that you've been convinced to let her still live

375
00:20:11,320 --> 00:20:13,880
Speaker 3: in the household while me and you in the relationship

376
00:20:13,880 --> 00:20:17,399
Speaker 3: with you was married to for seventeen years shows me

377
00:20:17,480 --> 00:20:21,280
Speaker 3: you may lack experience as it pertains to relationship etiquette

378
00:20:21,280 --> 00:20:24,800
Speaker 3: and what and what love truly looks like and feels

379
00:20:24,880 --> 00:20:27,280
Speaker 3: like in my opinion, right, I'm not saying I'm then

380
00:20:27,440 --> 00:20:30,080
Speaker 3: know all, be y'all, but if you cannot move that

381
00:20:30,160 --> 00:20:33,520
Speaker 3: woman out of that house, were not ready for a

382
00:20:33,560 --> 00:20:35,960
Speaker 3: relationship until you can move out of that house with

383
00:20:36,080 --> 00:20:39,000
Speaker 3: another cause you were married to and been with for

384
00:20:39,040 --> 00:20:45,680
Speaker 3: seventeen years. See, I got too much bravado. I've been

385
00:20:45,760 --> 00:20:47,879
Speaker 3: une told Pat Poole's hey, you can have a house,

386
00:20:47,920 --> 00:20:53,080
Speaker 3: young shine, Hey, sign over all that shit that's over with.

387
00:20:53,760 --> 00:20:55,879
Speaker 3: Let him take whatever he got, Let him take it.

388
00:20:55,920 --> 00:20:59,000
Speaker 3: I got you as matter of fact, go put something

389
00:20:59,000 --> 00:21:02,160
Speaker 3: in your name, not even my name, right, so get

390
00:21:02,200 --> 00:21:04,840
Speaker 3: out of that put it because you done took somebody's

391
00:21:04,840 --> 00:21:08,280
Speaker 3: wife dingger even if she laying in your lap and

392
00:21:08,359 --> 00:21:11,360
Speaker 3: you said let's do it. The wedding dress still got

393
00:21:11,400 --> 00:21:13,800
Speaker 3: the cans tied on it. You can this shit come

394
00:21:13,880 --> 00:21:17,320
Speaker 3: with shit dragging behind it. I'm not sure that a

395
00:21:17,400 --> 00:21:20,520
Speaker 3: woman who has not left her husband in its entirety

396
00:21:21,119 --> 00:21:23,400
Speaker 3: is ready to commit to you in a real way.

397
00:21:24,480 --> 00:21:26,800
Speaker 3: Y'all had to explain that to me. How you gonna

398
00:21:26,800 --> 00:21:30,160
Speaker 3: be with that dude? Seventeen years? Y'all been married six

399
00:21:30,280 --> 00:21:33,280
Speaker 3: seven years, and you're gonna convince me. Y'all living on

400
00:21:33,359 --> 00:21:36,240
Speaker 3: two separate sides of the house. Y'all hate each other,

401
00:21:36,320 --> 00:21:39,960
Speaker 3: gus like that man, we posed to be balling enough.

402
00:21:40,000 --> 00:21:42,040
Speaker 3: We finna get you out of that house. Man, take

403
00:21:42,080 --> 00:21:43,520
Speaker 3: the shit you want out of that house.

404
00:21:43,600 --> 00:21:43,919
Speaker 4: Let's go.

405
00:21:45,560 --> 00:21:47,960
Speaker 3: But they done convince the young boy that they even

406
00:21:48,000 --> 00:21:50,600
Speaker 3: try to convince him to jump on Live with Pat

407
00:21:50,640 --> 00:21:55,679
Speaker 3: Poole's money. This let me know how far Hollywood and

408
00:21:55,760 --> 00:21:58,080
Speaker 3: this rap shit and entertainment of goal to kind of

409
00:21:58,160 --> 00:22:00,960
Speaker 3: keep shit here and keep shit look in a certain way.

410
00:22:01,560 --> 00:22:04,440
Speaker 3: They asked this young get on the Live with pet

411
00:22:04,480 --> 00:22:07,760
Speaker 3: Pools to speak the pet Pools and act like they

412
00:22:07,880 --> 00:22:13,680
Speaker 3: cool just for the image sake. Ain't no woman ever

413
00:22:13,760 --> 00:22:17,600
Speaker 3: bought nothing like that to my doorstep. I'm gonna leave

414
00:22:17,680 --> 00:22:20,000
Speaker 3: that right there. I don't know how to take that.

415
00:22:20,160 --> 00:22:22,560
Speaker 4: Right. The young boy, he in the hell of a situation.

416
00:22:22,720 --> 00:22:25,639
Speaker 3: You gotta roll with the punches, right rem Is she

417
00:22:25,760 --> 00:22:28,800
Speaker 3: the big player, She the big boss ud, So y'all

418
00:22:28,840 --> 00:22:31,080
Speaker 3: gotta kind of go with what she says, especially the

419
00:22:31,160 --> 00:22:34,959
Speaker 3: young because first thing she gonna say, my marriage just

420
00:22:35,040 --> 00:22:38,560
Speaker 3: got seventeen years. I just that's the first thing she

421
00:22:38,640 --> 00:22:41,160
Speaker 3: gonna pull out the hat.

422
00:22:41,840 --> 00:22:44,480
Speaker 4: You done bid out more than you can chew, young.

423
00:22:47,160 --> 00:22:49,520
Speaker 3: That's why I didn't understand why he was laughing and

424
00:22:49,600 --> 00:22:52,359
Speaker 3: joking like it was some kind of game. Taking a

425
00:22:52,640 --> 00:22:56,960
Speaker 3: knife ain't no game. And really, you finna be with

426
00:22:57,080 --> 00:23:01,119
Speaker 3: a knife? Who you took his wife? That ain't no joke, homie.

427
00:23:01,160 --> 00:23:05,320
Speaker 3: They come with a whole bunch of shit. They come

428
00:23:05,400 --> 00:23:10,000
Speaker 3: with a whole bunch of shit. She know it, She

429
00:23:10,240 --> 00:23:12,520
Speaker 3: know what it feels like and what it's gonna look like.

430
00:23:12,640 --> 00:23:15,959
Speaker 3: Really to separate this thing. Now the time to prove it,

431
00:23:16,400 --> 00:23:19,000
Speaker 3: because it was just funny games. As long as I

432
00:23:19,000 --> 00:23:22,880
Speaker 3: can convince everybody shut their mouth. Matter of fact, round

433
00:23:22,920 --> 00:23:29,040
Speaker 3: of applause for rem and Ma. She had chad the

434
00:23:29,800 --> 00:23:34,679
Speaker 3: mouth for the sake of the image. She told her,

435
00:23:34,760 --> 00:23:37,439
Speaker 3: Ya to jump on line with my husband and act like,

436
00:23:37,520 --> 00:23:39,440
Speaker 3: y'all cool man. You know, I'm trying to make sure

437
00:23:39,480 --> 00:23:43,159
Speaker 3: that bad keep rolling in y'all playing. He done snuck

438
00:23:43,200 --> 00:23:45,679
Speaker 3: in there and knocked you out. Let's listen to him

439
00:23:45,720 --> 00:23:46,840
Speaker 3: explain this scenario.

440
00:23:47,640 --> 00:23:48,359
Speaker 2: It got there.

441
00:23:48,640 --> 00:23:52,760
Speaker 5: So when it got there, I say, Yo, I gotta

442
00:23:52,880 --> 00:23:56,560
Speaker 5: let a few of my know that this no because

443
00:23:56,600 --> 00:23:59,480
Speaker 5: it might go Ye say Michael a lot, because we

444
00:23:59,560 --> 00:24:01,639
Speaker 5: got to in New York. I got a battle hit

445
00:24:01,680 --> 00:24:03,880
Speaker 5: Man in New York. This ship started before before y'all

446
00:24:03,880 --> 00:24:06,679
Speaker 5: even knew. It just started before that. It just started

447
00:24:06,680 --> 00:24:09,840
Speaker 5: before that mean cross the World ship. So the so

448
00:24:09,880 --> 00:24:12,119
Speaker 5: when when we got to the hit Man battle and

449
00:24:12,200 --> 00:24:13,159
Speaker 5: all started around there.

450
00:24:13,200 --> 00:24:16,120
Speaker 1: When we got to the hit Man battle, Mike already

451
00:24:16,200 --> 00:24:19,040
Speaker 1: knew that this knew that went to the event and

452
00:24:19,119 --> 00:24:23,199
Speaker 1: watched me battle bro knowing that that that ship was

453
00:24:23,240 --> 00:24:25,320
Speaker 1: a dull foot boy like he knew that right then

454
00:24:25,359 --> 00:24:28,920
Speaker 1: and there he knew that. He wasn't like he wasn't you,

455
00:24:28,920 --> 00:24:31,000
Speaker 1: I mean like drawn and ship like that. He always

456
00:24:31,200 --> 00:24:33,920
Speaker 1: he already knew. So you mean like I'm just here

457
00:24:33,960 --> 00:24:37,480
Speaker 1: to I'm just here to to to basically, you mean,

458
00:24:37,560 --> 00:24:40,399
Speaker 1: let y'all know what happened of the the fake ass

459
00:24:40,440 --> 00:24:42,320
Speaker 1: fight ship here and I'm gonna keep it a dollar.

460
00:24:42,440 --> 00:24:44,720
Speaker 5: So you mean like gus I did, I did live,

461
00:24:44,800 --> 00:24:50,040
Speaker 5: but I was I came on all live and I

462
00:24:50,040 --> 00:24:52,520
Speaker 5: said it ain't shit happened. So in the back of

463
00:24:52,560 --> 00:24:56,359
Speaker 5: the war. It's easy. It was wyoey. It's Yoshi and

464
00:24:56,480 --> 00:24:58,680
Speaker 5: her security guard. That's in the back of the room.

465
00:24:58,720 --> 00:25:01,120
Speaker 5: It was only forty in the back of the room

466
00:25:01,200 --> 00:25:06,040
Speaker 5: the whole time, right, So what happened was to be

467
00:25:06,320 --> 00:25:11,679
Speaker 5: is a going through the situation with a mask on, and.

468
00:25:11,800 --> 00:25:13,960
Speaker 1: He got past somehow he got past.

469
00:25:13,800 --> 00:25:16,960
Speaker 2: The security guard. I don't know how.

470
00:25:17,160 --> 00:25:19,280
Speaker 1: No, we're not gonna speculate here. I don't know how

471
00:25:19,320 --> 00:25:21,240
Speaker 1: he got with a mask on. I don't know how

472
00:25:21,280 --> 00:25:24,720
Speaker 1: he got past the security guard. But he got past

473
00:25:24,800 --> 00:25:25,600
Speaker 1: the security guard.

474
00:25:25,680 --> 00:25:26,199
Speaker 5: The walls.

475
00:25:26,760 --> 00:25:27,679
Speaker 6: It's an l shape.

476
00:25:27,720 --> 00:25:32,080
Speaker 2: I'm on the wall, and literally he literally sneaked me.

477
00:25:31,600 --> 00:25:33,000
Speaker 2: He does sneak me.

478
00:25:33,640 --> 00:25:35,920
Speaker 1: He does sneak me, and that's where the two col

479
00:25:36,000 --> 00:25:38,280
Speaker 1: jaws come into the hand. He does sneak me box

480
00:25:38,680 --> 00:25:41,919
Speaker 1: or when I never fell, never was in no fetal position.

481
00:25:42,000 --> 00:25:44,400
Speaker 2: I never touched the growl ever. And when I got

482
00:25:44,440 --> 00:25:50,320
Speaker 2: back to turn the round to the he ran and

483
00:25:50,359 --> 00:25:51,520
Speaker 2: shit like that to me.

484
00:25:51,760 --> 00:25:54,600
Speaker 1: I told him, I think the security has something to

485
00:25:54,640 --> 00:25:57,440
Speaker 1: do with it, because it comes with a full blow mask.

486
00:25:57,480 --> 00:26:00,959
Speaker 1: Your security is not going to allow in the building.

487
00:26:01,240 --> 00:26:03,880
Speaker 1: But the only out he allows it to go through

488
00:26:03,920 --> 00:26:06,879
Speaker 1: the four if he lifts his mask up and it

489
00:26:06,960 --> 00:26:08,640
Speaker 1: says like, yo, this is him.

490
00:26:08,960 --> 00:26:09,720
Speaker 9: You get what I'm saying.

491
00:26:09,800 --> 00:26:12,040
Speaker 1: So he gets in there boo, and then he leaves

492
00:26:12,040 --> 00:26:14,879
Speaker 1: the same way. He can't so to me, I always

493
00:26:14,920 --> 00:26:16,080
Speaker 1: think that it was a line up.

494
00:26:16,359 --> 00:26:18,119
Speaker 4: What you hear what Easy says say?

495
00:26:18,200 --> 00:26:18,360
Speaker 7: Yo?

496
00:26:18,560 --> 00:26:20,879
Speaker 3: He crep in with a mask on. You know, he

497
00:26:20,960 --> 00:26:23,119
Speaker 3: let his mask up and say, man, you know Remy

498
00:26:23,160 --> 00:26:26,119
Speaker 3: know I'm here. I'm supposed to pop out for the battle.

499
00:26:26,520 --> 00:26:28,720
Speaker 3: He go fire, k just stay out the way. He

500
00:26:28,840 --> 00:26:31,680
Speaker 3: might have gained somebody, some of anything, but anyway, he

501
00:26:31,800 --> 00:26:33,840
Speaker 3: pop in there. So he get in there and he

502
00:26:33,920 --> 00:26:37,720
Speaker 3: hit the other two of them bamboom pop right, he

503
00:26:37,840 --> 00:26:40,520
Speaker 3: tried to knock fire from him now caughting to pat Pools.

504
00:26:40,720 --> 00:26:43,320
Speaker 3: He knocks him out, caughting, Easy to Block Captain. He

505
00:26:43,400 --> 00:26:45,800
Speaker 3: never hit the ground, but he did take a punch. Now,

506
00:26:45,800 --> 00:26:48,760
Speaker 3: what I find interesting about this number one is, of

507
00:26:48,800 --> 00:26:51,439
Speaker 3: course there's a fight happening, right, there's a fight happening.

508
00:26:51,480 --> 00:26:55,639
Speaker 3: Does a girl involved. A dude got a lot of

509
00:26:55,720 --> 00:27:00,359
Speaker 3: time tied in his family. His family for dude, he

510
00:27:00,440 --> 00:27:03,000
Speaker 3: said he had a relationship with easy to Block Captain.

511
00:27:03,160 --> 00:27:05,800
Speaker 3: The next thing, you know, easy hitting Remy I do

512
00:27:05,960 --> 00:27:08,119
Speaker 3: believe he should have gave a boy pharaoh though. If

513
00:27:08,160 --> 00:27:10,359
Speaker 3: you're gonna hit him, get a boy phara one. I

514
00:27:10,359 --> 00:27:12,479
Speaker 3: wouldn't have gave him a pharaoh. But you give him

515
00:27:12,480 --> 00:27:14,879
Speaker 3: a pharaoh, and if you're gonna hit the man, pat Pooles,

516
00:27:14,920 --> 00:27:17,480
Speaker 3: that's the right thing to do. Give that dude to pharaoh.

517
00:27:17,960 --> 00:27:20,000
Speaker 3: I wouldn't have me and my people, we wouldn't have

518
00:27:20,040 --> 00:27:22,440
Speaker 3: gave him a phara one. I gotta keep it real,

519
00:27:22,480 --> 00:27:24,640
Speaker 3: but I'm gonna let you know, give him a phara one.

520
00:27:24,720 --> 00:27:27,040
Speaker 3: If you're gonna hit him like that. You dig what

521
00:27:27,040 --> 00:27:30,320
Speaker 3: I'm saying, because you know, I think his pride and

522
00:27:30,440 --> 00:27:32,800
Speaker 3: ego is hurt behind that. But I still find it

523
00:27:32,880 --> 00:27:35,320
Speaker 3: interested in every think that Rim had enough player rhythm

524
00:27:35,359 --> 00:27:38,040
Speaker 3: to make him to even ask that dude to go

525
00:27:38,080 --> 00:27:41,159
Speaker 3: out and say, yo, man, go go out in public

526
00:27:41,160 --> 00:27:44,520
Speaker 3: and act like that. This altercation never took place. Man,

527
00:27:44,560 --> 00:27:47,119
Speaker 3: What I'm still helping? What I'm still helping for?

528
00:27:47,359 --> 00:27:47,479
Speaker 5: Man?

529
00:27:47,520 --> 00:27:48,240
Speaker 4: What are you talking about?

530
00:27:48,240 --> 00:27:48,280
Speaker 5: What?

531
00:27:48,440 --> 00:27:49,960
Speaker 4: You still asking me to hip him? What are you

532
00:27:50,040 --> 00:27:53,080
Speaker 4: talking about? You want me to hip your husband? Man?

533
00:27:53,119 --> 00:27:59,320
Speaker 3: Y'all folks asked me too much. Y'all, don't want to

534
00:27:59,359 --> 00:28:21,560
Speaker 3: ask him too much. Gone back home. If I'm Pat Pools,

535
00:28:21,840 --> 00:28:26,520
Speaker 3: you gotta think really risked his life. Somebody could have

536
00:28:26,560 --> 00:28:28,760
Speaker 3: seen a mass man just hit a battle rap and

537
00:28:28,800 --> 00:28:31,160
Speaker 3: gunned him down. And now that dude risked his life

538
00:28:31,160 --> 00:28:33,080
Speaker 3: to come in there and get do the two piece.

539
00:28:33,800 --> 00:28:36,040
Speaker 3: You dig what I'm saying. Man, they bore all in

540
00:28:36,240 --> 00:28:38,960
Speaker 3: the dude still laughing like it's a joke. Yo, I

541
00:28:39,000 --> 00:28:41,720
Speaker 3: don't think it's a joke. I think crash on out

542
00:28:41,720 --> 00:28:44,360
Speaker 3: about the girl before they wiel the money. So while

543
00:28:44,400 --> 00:28:47,400
Speaker 3: you play with an eirly, it's all funny game. A man,

544
00:28:47,440 --> 00:28:51,000
Speaker 3: I don't seen always left about the woman. Man, right,

545
00:28:51,080 --> 00:28:53,480
Speaker 3: So you got to really be paying attention.

546
00:28:53,800 --> 00:28:53,960
Speaker 4: Now.

547
00:28:53,960 --> 00:28:56,160
Speaker 3: If I'm Pat Pools, he probably looking at it like

548
00:28:56,280 --> 00:29:00,480
Speaker 3: Lord tain't perfection. See a lot of times as women

549
00:29:00,520 --> 00:29:04,560
Speaker 3: to think that Lord tis perfection. Lord his preservation. I'm

550
00:29:04,600 --> 00:29:07,360
Speaker 3: just trying to preserve us. I'm gonna do things that's

551
00:29:07,400 --> 00:29:10,920
Speaker 3: in our best interest. I'm gonna do things that elevate us.

552
00:29:11,480 --> 00:29:13,720
Speaker 3: That don't mean I'm always get it right. That don't

553
00:29:13,760 --> 00:29:16,360
Speaker 3: mean you're gonna always get it right. We gotta hold

554
00:29:16,400 --> 00:29:19,680
Speaker 3: space for people to make mistakes, right. So I don't

555
00:29:19,720 --> 00:29:21,960
Speaker 3: think that it's foul for him to have been going

556
00:29:22,040 --> 00:29:24,760
Speaker 3: up there to see women for all that time, and

557
00:29:24,800 --> 00:29:28,840
Speaker 3: for anyone to even utter anything as it pertains to

558
00:29:28,920 --> 00:29:31,920
Speaker 3: what he had did outside of that, what I expect

559
00:29:31,920 --> 00:29:34,200
Speaker 3: the woman to do the same. I'm gonna say no,

560
00:29:35,240 --> 00:29:37,880
Speaker 3: but i'ma hold space for a woman that does do

561
00:29:38,000 --> 00:29:41,120
Speaker 3: the same. I'm gonna hold the same space for her.

562
00:29:41,920 --> 00:29:43,880
Speaker 3: But why would you ask me to get on live

563
00:29:45,200 --> 00:29:48,960
Speaker 3: and act like something didn't happen? This is one thing

564
00:29:49,000 --> 00:29:51,760
Speaker 3: about women. They say men have a type, but women

565
00:29:51,840 --> 00:29:54,760
Speaker 3: have a tradition. They tend to treat all the men

566
00:29:55,040 --> 00:29:57,880
Speaker 3: the same way, or try to use the same tendencies

567
00:29:57,920 --> 00:30:02,400
Speaker 3: on the men. If I had to look at this

568
00:30:02,720 --> 00:30:05,800
Speaker 3: and being unbiased, I'm saying Remy is making the same

569
00:30:05,840 --> 00:30:08,400
Speaker 3: mistakes you want us to believe she made with Pat Pools.

570
00:30:08,440 --> 00:30:09,320
Speaker 4: What is that mistake?

571
00:30:09,360 --> 00:30:12,360
Speaker 3: What she's saying that Pet Pools wasn't as good as

572
00:30:12,400 --> 00:30:15,600
Speaker 3: she made him look. And she's coming in on the

573
00:30:15,640 --> 00:30:19,520
Speaker 3: front end with this easy to block captain, making him

574
00:30:19,600 --> 00:30:23,000
Speaker 3: lie and make him look a different way than what's

575
00:30:23,080 --> 00:30:26,440
Speaker 3: truly boa y'all do with that what you want, I

576
00:30:26,440 --> 00:30:29,840
Speaker 3: ain't even gott to finish that. You see what I'm

577
00:30:29,880 --> 00:30:32,680
Speaker 3: saying you don't continue to make the same mistakes because

578
00:30:32,680 --> 00:30:37,360
Speaker 3: that's not learning, right. But I think Remy at some

579
00:30:37,400 --> 00:30:39,600
Speaker 3: point gonna have to have a really, really, really deep

580
00:30:39,680 --> 00:30:42,880
Speaker 3: conversation with herself. This seventeen years you're throwing away for it.

581
00:30:43,800 --> 00:30:45,959
Speaker 3: Like if I'm Pat Pools, I'm sitting back looking at

582
00:30:46,000 --> 00:30:46,680
Speaker 3: this thing.

583
00:30:46,720 --> 00:30:50,560
Speaker 4: Man, they ow'n man. They put the beard on anybody, man,

584
00:30:50,680 --> 00:30:51,880
Speaker 4: then put the beard.

585
00:30:51,960 --> 00:30:52,160
Speaker 6: Man.

586
00:30:52,200 --> 00:30:55,280
Speaker 3: Listen, man, they go to the barber shop. Man, give

587
00:30:55,320 --> 00:30:57,600
Speaker 3: me naked all the way to the bottom. Then put

588
00:30:57,640 --> 00:31:01,800
Speaker 3: plenty in hond. I'm talking about nickeked all way to

589
00:31:01,840 --> 00:31:04,720
Speaker 3: the bottom, plenty hair. I get the murder one. That's

590
00:31:04,760 --> 00:31:08,280
Speaker 3: penitentiary rulesing, but niked all way to the bottom with

591
00:31:08,400 --> 00:31:10,280
Speaker 3: plenty of hair at the bottom.

592
00:31:10,680 --> 00:31:10,920
Speaker 4: Man.

593
00:31:11,000 --> 00:31:13,640
Speaker 3: Listen, man, everybody came away that you got to have

594
00:31:13,720 --> 00:31:17,400
Speaker 3: a certain head, your ball Some of y'all it be

595
00:31:17,600 --> 00:31:22,040
Speaker 3: ragging with the ball head, ragly head. You know, little

596
00:31:22,080 --> 00:31:25,840
Speaker 3: spots and dogs, shit and all kinds. Yo, take care

597
00:31:25,840 --> 00:31:28,719
Speaker 3: of your ball head. Let's listen to a little more

598
00:31:28,760 --> 00:31:29,000
Speaker 3: of this.

599
00:31:29,920 --> 00:31:31,960
Speaker 1: We get in the car, We get in the car,

600
00:31:32,040 --> 00:31:32,880
Speaker 1: I go outside.

601
00:31:33,120 --> 00:31:33,720
Speaker 6: You know what I'm saying.

602
00:31:33,880 --> 00:31:36,640
Speaker 1: Another situation happened which I'm not gonna say, but it

603
00:31:36,640 --> 00:31:37,800
Speaker 1: could have got dark for people.

604
00:31:37,840 --> 00:31:37,959
Speaker 2: Right.

605
00:31:38,000 --> 00:31:39,800
Speaker 5: We get in the car, I get a text Musha,

606
00:31:39,880 --> 00:31:43,520
Speaker 5: let's say, yo, get out the car. She just lounched you.

607
00:31:46,040 --> 00:31:46,520
Speaker 5: So I'm looking.

608
00:31:46,560 --> 00:31:49,040
Speaker 1: I'm literally in the couse. It's like ten minutes after

609
00:31:49,120 --> 00:31:51,480
Speaker 1: the whole situation. It was like, Yo, I get a

610
00:31:51,480 --> 00:31:53,600
Speaker 1: text from my phone and say, Yo, get out the car.

611
00:31:54,160 --> 00:31:58,160
Speaker 1: She just linch you. So I'm looking at the text.

612
00:31:58,200 --> 00:32:04,160
Speaker 1: I'm mad as shit already. By Tom your mean hos

613
00:32:04,240 --> 00:32:05,680
Speaker 1: come he come up.

614
00:32:05,640 --> 00:32:07,640
Speaker 5: The preople, the people who text me again like Yo,

615
00:32:08,000 --> 00:32:11,000
Speaker 5: if you're still in the car, Yo, Yo, get out

616
00:32:11,040 --> 00:32:11,440
Speaker 5: the car.

617
00:32:11,760 --> 00:32:12,720
Speaker 2: She just lines you.

618
00:32:12,880 --> 00:32:15,440
Speaker 4: I show her the text.

619
00:32:15,480 --> 00:32:16,360
Speaker 2: I still have it.

620
00:32:16,800 --> 00:32:18,040
Speaker 4: I still have That's what I.

621
00:32:18,000 --> 00:32:21,760
Speaker 1: Still have the text. So so so so it's like,

622
00:32:21,960 --> 00:32:25,680
Speaker 1: so when y'all see me after like the recording, is

623
00:32:25,720 --> 00:32:27,520
Speaker 1: the fact that I don't know what at the end

624
00:32:27,520 --> 00:32:28,080
Speaker 1: of the day.

625
00:32:27,960 --> 00:32:35,040
Speaker 10: It's like, what this is a ninja? You know what

626
00:32:35,040 --> 00:32:38,320
Speaker 10: I'm saying like I've never seen and that turnill me

627
00:32:38,360 --> 00:32:40,200
Speaker 10: a couple of times and now turn around.

628
00:32:39,920 --> 00:32:42,280
Speaker 2: This is gone, like what is this?

629
00:32:42,360 --> 00:32:43,800
Speaker 1: Like you know what I'm saying like that, Like it's

630
00:32:43,840 --> 00:32:46,480
Speaker 1: like it's at the end of the day, is mayke

631
00:32:46,560 --> 00:32:48,560
Speaker 1: it seem like yo. He walked up to me boom

632
00:32:48,600 --> 00:32:52,480
Speaker 1: boom bang dang not with up he started going outside

633
00:32:52,480 --> 00:32:54,880
Speaker 1: like yeah, who w elks about something after the situation,

634
00:32:55,160 --> 00:32:59,800
Speaker 1: right after after after the situation we caused it, say, yo,

635
00:33:00,080 --> 00:33:02,640
Speaker 1: meet us at any situation, I will rumble with you.

636
00:33:03,200 --> 00:33:06,880
Speaker 2: I haven't rumble three four times bro like you.

637
00:33:06,920 --> 00:33:09,240
Speaker 1: I'm saying like that. He denies them all the time.

638
00:33:09,320 --> 00:33:12,120
Speaker 1: We can rumble right now, like you know what I'm saying, like,

639
00:33:12,360 --> 00:33:15,920
Speaker 1: we can rumble right now at the end of the day.

640
00:33:16,000 --> 00:33:19,120
Speaker 1: Is I didn't think that it was nothing crazy because technical.

641
00:33:19,280 --> 00:33:21,040
Speaker 4: Man, I am me young? Hey, why man?

642
00:33:21,560 --> 00:33:24,080
Speaker 3: Then picturing me somewhere and it's a young telling me

643
00:33:24,680 --> 00:33:28,440
Speaker 3: we can rumble right now about your wife. I keep

644
00:33:28,440 --> 00:33:30,840
Speaker 3: telling y'all them, why enns bro, we ain't playing man

645
00:33:30,880 --> 00:33:32,840
Speaker 3: new Wayians and make you put that pistol on the

646
00:33:33,040 --> 00:33:36,440
Speaker 3: yenn Man. We can rumble right now about my wife.

647
00:33:37,800 --> 00:33:40,320
Speaker 3: You're gonna rumble me about my wife? Is you on

648
00:33:40,360 --> 00:33:44,440
Speaker 3: the internet telling me you're gonna rumble me about my wife?

649
00:33:45,200 --> 00:33:48,000
Speaker 3: A lady I've been with seventeen years. You're gonna rumble

650
00:33:48,040 --> 00:33:52,960
Speaker 3: me about her? Many yiens man keep telling y'all. Man, easy, yo,

651
00:33:53,040 --> 00:33:56,320
Speaker 3: you bugging out? Man, you are bugging out with that.

652
00:33:56,640 --> 00:33:57,200
Speaker 4: I get it.

653
00:33:57,320 --> 00:34:00,880
Speaker 3: You gotta relax, but to be on line tell me

654
00:34:01,000 --> 00:34:02,960
Speaker 3: we can rumble right now. But I get it because

655
00:34:02,960 --> 00:34:05,040
Speaker 3: you've been hit, You've been attacked, so he owe you

656
00:34:05,120 --> 00:34:05,720
Speaker 3: a fair one.

657
00:34:06,160 --> 00:34:08,279
Speaker 4: I ain't gonna lie. I truly believe that, but I

658
00:34:08,360 --> 00:34:09,399
Speaker 4: just think it come off.

659
00:34:09,440 --> 00:34:13,200
Speaker 3: Hell, you get awaii in to get online and say, man,

660
00:34:13,239 --> 00:34:16,239
Speaker 3: I'll rumble you about Gail Man, your woman, been with

661
00:34:16,320 --> 00:34:19,600
Speaker 3: her twenty years. I'll rumble you about her. It's crazy,

662
00:34:20,400 --> 00:34:23,640
Speaker 3: you going to a dog wood with an old wife. Boy,

663
00:34:26,080 --> 00:34:28,360
Speaker 3: you see it, pull out all the tricks, you lucky,

664
00:34:28,360 --> 00:34:29,839
Speaker 3: he and hit you with a ninja star.

665
00:34:29,960 --> 00:34:34,279
Speaker 4: When he's seen pull out all the tricks for a

666
00:34:34,360 --> 00:34:37,120
Speaker 4: wife he been with seventeen years. He you lucky.

667
00:34:37,120 --> 00:34:40,120
Speaker 3: He pop out of that mask and boom, hit you

668
00:34:40,200 --> 00:34:44,000
Speaker 3: with a ninja star because what see you gotta remember

669
00:34:44,040 --> 00:34:46,200
Speaker 3: what he doing when he coming in and attacking you.

670
00:34:46,920 --> 00:34:49,600
Speaker 3: He trying to put you in a situation where your

671
00:34:49,640 --> 00:34:52,920
Speaker 3: dignity won't allow you to be with her. But you

672
00:34:53,080 --> 00:34:55,799
Speaker 3: gonna continue to accept it because you think it's love

673
00:34:55,880 --> 00:34:59,239
Speaker 3: and you love her. But whole time he looking at

674
00:34:59,280 --> 00:35:03,920
Speaker 3: his wife. Lo it was in all confidence center because

675
00:35:03,960 --> 00:35:06,239
Speaker 3: he said, oh, you will take that, except this.

676
00:35:07,080 --> 00:35:08,000
Speaker 4: I doesn't hit him.

677
00:35:09,440 --> 00:35:11,600
Speaker 3: He's still with you, knowing you living in the house

678
00:35:11,680 --> 00:35:13,520
Speaker 3: with me and you just telling them that we living

679
00:35:13,560 --> 00:35:15,960
Speaker 3: on two different sides of like we don't never talk

680
00:35:16,040 --> 00:35:17,919
Speaker 3: like I ain't never crept in there, like it ain't

681
00:35:17,920 --> 00:35:20,120
Speaker 3: never been two in the morning and it was cold,

682
00:35:20,680 --> 00:35:22,680
Speaker 3: like we ain't never made a reason to catch a

683
00:35:22,719 --> 00:35:25,239
Speaker 3: movie at night together, me and a woman I've been

684
00:35:25,320 --> 00:35:28,359
Speaker 3: around seventeen years. Y'all do it that what you may,

685
00:35:28,719 --> 00:35:30,759
Speaker 3: but I'm gonna take it off them. But if I'm

686
00:35:30,800 --> 00:35:33,279
Speaker 3: a dude, that's when I be I'm disappointed in you.

687
00:35:33,440 --> 00:35:38,000
Speaker 3: It ain't even that you moving on as you moving down, Yo,

688
00:35:38,080 --> 00:35:39,080
Speaker 3: where's the dignity?

689
00:35:39,120 --> 00:35:39,279
Speaker 6: Man?

690
00:35:39,320 --> 00:35:42,200
Speaker 3: He letting you stay and you got the shower win here,

691
00:35:42,239 --> 00:35:44,480
Speaker 3: we gotta see each other. He really think that me

692
00:35:44,600 --> 00:35:48,000
Speaker 3: and my wife, he got that little respect for my

693
00:35:48,200 --> 00:35:51,800
Speaker 3: pimpin He think me and my wife still living together.

694
00:35:51,800 --> 00:35:52,960
Speaker 4: Ain't ain't nothing going on.

695
00:35:53,480 --> 00:35:56,680
Speaker 3: I believe that her reaction shows you that still emotions

696
00:35:56,719 --> 00:35:59,440
Speaker 3: tied two. It is seventeen years, but I know what

697
00:35:59,520 --> 00:36:01,680
Speaker 3: it feels like. I like to feel disgusted. I can't

698
00:36:01,760 --> 00:36:04,719
Speaker 3: unseen the choices you made. It's hard for me to

699
00:36:04,840 --> 00:36:07,319
Speaker 3: unsee that you went that way with this, that you

700
00:36:07,440 --> 00:36:08,439
Speaker 3: handled it that way.

701
00:36:09,280 --> 00:36:10,520
Speaker 4: I can never unsee that.

702
00:36:11,520 --> 00:36:13,480
Speaker 3: It ain't even that I lost you, is I can't

703
00:36:13,600 --> 00:36:16,680
Speaker 3: unsee the choices and the way I lost you. If

704
00:36:16,719 --> 00:36:19,400
Speaker 3: I'm a man that's put so much time in the

705
00:36:19,840 --> 00:36:22,279
Speaker 3: most embarrassing thing for me to feel like is that

706
00:36:22,360 --> 00:36:26,239
Speaker 3: I overpaid with my lord. To see I overpay with

707
00:36:26,400 --> 00:36:29,319
Speaker 3: Lord t and that hurt me every single time I

708
00:36:29,320 --> 00:36:31,719
Speaker 3: get disappointed in people more and more, and I have

709
00:36:31,880 --> 00:36:35,640
Speaker 3: no faith in human kind. Sometimes I believe that, no

710
00:36:35,680 --> 00:36:38,920
Speaker 3: matter who it is, something about them gonna deter me

711
00:36:39,000 --> 00:36:40,799
Speaker 3: from funing with them in a way that I can

712
00:36:40,840 --> 00:36:42,200
Speaker 3: truly with them.

713
00:36:42,480 --> 00:36:44,239
Speaker 4: And part of that is me, and part of that

714
00:36:44,360 --> 00:36:45,440
Speaker 4: is how I've been treated.

715
00:36:45,680 --> 00:36:47,759
Speaker 3: But if I'm a man dealing with a woman in

716
00:36:47,800 --> 00:36:50,160
Speaker 3: that kind of scenario, the first thing, I'm a hope

717
00:36:50,160 --> 00:36:52,640
Speaker 3: and praise man. Don't embarrass me like this man, don't

718
00:36:52,680 --> 00:36:55,680
Speaker 3: tell me seventeen years. Don't tell me I ain't catch

719
00:36:55,760 --> 00:36:58,879
Speaker 3: this smart as I am, Like you know, I think

720
00:36:58,920 --> 00:37:02,640
Speaker 3: I'm one of the colons ever walk through Earth. Every

721
00:37:02,680 --> 00:37:05,360
Speaker 3: time I get in with a woman and something happened.

722
00:37:05,400 --> 00:37:07,319
Speaker 3: I said, no, don't tell him I miss that. Ain't

723
00:37:07,360 --> 00:37:10,120
Speaker 3: no way I miss that. I don't miss things. I

724
00:37:10,120 --> 00:37:13,720
Speaker 3: ain't a misser. I don't miss nothing. But love is blind,

725
00:37:14,480 --> 00:37:16,919
Speaker 3: and so you will miss and ignore things. You'll try

726
00:37:16,960 --> 00:37:19,799
Speaker 3: to deal and cope with things to try to make

727
00:37:19,840 --> 00:37:20,880
Speaker 3: it to the next step.

728
00:37:21,000 --> 00:37:22,239
Speaker 4: Let's listen to a little more.

729
00:37:22,640 --> 00:37:24,280
Speaker 1: Like you know what I'm saying, like we could rumble

730
00:37:24,360 --> 00:37:25,920
Speaker 1: right now at the end of the day, is I

731
00:37:25,960 --> 00:37:28,880
Speaker 1: didn't think that it was nothing crazy because technically she

732
00:37:29,040 --> 00:37:31,239
Speaker 1: really wasn't cheating on for real, for real, like I

733
00:37:31,440 --> 00:37:34,160
Speaker 1: wasn't with each other. You know what I'm saying, Like that,

734
00:37:34,320 --> 00:37:36,040
Speaker 1: there's so much shit more than I can say what

735
00:37:36,080 --> 00:37:37,799
Speaker 1: I got to say, because I can't wait for to

736
00:37:37,840 --> 00:37:39,680
Speaker 1: say sauce I really could botherms.

737
00:37:41,840 --> 00:37:43,239
Speaker 2: I'm like, they'll call it so.

738
00:37:43,280 --> 00:37:46,520
Speaker 1: Every time I say every time, I just be like, yo,

739
00:37:46,600 --> 00:37:50,160
Speaker 1: tell this that we can meet anywhere. He won't meet,

740
00:37:50,200 --> 00:37:52,600
Speaker 1: he could bring I could bring up if he got

741
00:37:52,600 --> 00:37:53,760
Speaker 1: some shit to be like, let's.

742
00:37:53,680 --> 00:37:55,320
Speaker 2: Rumble men who could go anywhere?

743
00:37:55,440 --> 00:37:58,200
Speaker 1: And lin who could rumble that that offered them out

744
00:37:58,600 --> 00:38:01,880
Speaker 1: three four fuck in times, bro, it's been out with

745
00:38:01,920 --> 00:38:02,920
Speaker 1: the nigga even.

746
00:38:02,760 --> 00:38:05,400
Speaker 9: My thoughts, this nigga ain't even a big nigga.

747
00:38:06,360 --> 00:38:08,520
Speaker 1: And no, no, no, and listen, and I'm gonna tell

748
00:38:08,520 --> 00:38:10,000
Speaker 1: you how real it is for y'all.

749
00:38:10,280 --> 00:38:11,120
Speaker 2: Y'all can act.

750
00:38:11,000 --> 00:38:15,239
Speaker 1: Sug because Sug hit me up about a rumble. I'm like, Yo,

751
00:38:15,280 --> 00:38:18,000
Speaker 1: if you can get this to rumble, I do it.

752
00:38:18,040 --> 00:38:21,600
Speaker 4: Adds them.

753
00:38:21,800 --> 00:38:26,680
Speaker 2: I done reached out to three four get this from you.

754
00:38:26,680 --> 00:38:28,799
Speaker 1: Know what I'm saying, like, Yo, got document all that

755
00:38:28,840 --> 00:38:32,160
Speaker 1: ship is documented, Rob, you're saying like that because that

756
00:38:32,239 --> 00:38:35,319
Speaker 1: ship to me, it ain't third. It was just like

757
00:38:35,360 --> 00:38:37,839
Speaker 1: all right, bro, like yeah, it's just like you act

758
00:38:37,920 --> 00:38:40,640
Speaker 1: like you really did something. You snuck it and then

759
00:38:40,760 --> 00:38:46,680
Speaker 1: brand you's a pussy. For real, there was in some

760
00:38:46,719 --> 00:38:49,000
Speaker 1: real ship like you. What I'm saying like, like.

761
00:38:49,200 --> 00:38:52,280
Speaker 6: The rumble is around any given time.

762
00:38:52,880 --> 00:38:55,640
Speaker 2: The rumble is around any given time for real.

763
00:38:55,960 --> 00:38:59,359
Speaker 1: It's been documented from different to reach out to tell

764
00:38:59,400 --> 00:39:00,120
Speaker 1: him little, I want.

765
00:39:00,160 --> 00:39:03,520
Speaker 4: Rumble these battle rappings.

766
00:39:03,880 --> 00:39:07,920
Speaker 3: Not shake that shit that this dude even talk like

767
00:39:07,960 --> 00:39:11,880
Speaker 3: he's battle rapping. It's documented the way I want to rumble.

768
00:39:14,480 --> 00:39:16,640
Speaker 3: You can ask sure got try to get him in

769
00:39:16,680 --> 00:39:20,719
Speaker 3: the room with pep pousse. It's like, Yo, you dig

770
00:39:20,760 --> 00:39:24,200
Speaker 3: what I'm saying, But he can't shake that batle rap talk.

771
00:39:24,280 --> 00:39:27,160
Speaker 3: That batterle rap talk, the battle rap shit is embedded

772
00:39:27,160 --> 00:39:29,480
Speaker 3: in these individuals. I want to move on from what

773
00:39:29,600 --> 00:39:32,600
Speaker 3: he's saying, right because basically he just doubles down there

774
00:39:32,760 --> 00:39:35,000
Speaker 3: that a fight could have took place, should have took place,

775
00:39:35,000 --> 00:39:38,200
Speaker 3: and he's been inviting a fight to Pat Poos, which

776
00:39:38,239 --> 00:39:41,000
Speaker 3: I think still sounds crazy, but I do have to

777
00:39:41,040 --> 00:39:43,319
Speaker 3: put in context that Pat Poos has already put his

778
00:39:43,400 --> 00:39:47,360
Speaker 3: hands on him, so you know, I understand him fitling

779
00:39:47,440 --> 00:39:51,440
Speaker 3: like that. But the idea that you are online calling

780
00:39:51,480 --> 00:39:54,040
Speaker 3: me out to fight me about someone that is my

781
00:39:54,239 --> 00:39:58,960
Speaker 3: wife that ain't even divorce me. These folks ain't even divorced,

782
00:39:59,440 --> 00:40:02,160
Speaker 3: you dig, I think you got to take that in consideration.

783
00:40:02,280 --> 00:40:04,160
Speaker 3: You don't want to be the one looking dumb when

784
00:40:04,200 --> 00:40:08,400
Speaker 3: they fix that easy to block Captain. Always got to

785
00:40:08,440 --> 00:40:11,400
Speaker 3: remember that is a scenario where them two can fix

786
00:40:11,520 --> 00:40:15,919
Speaker 3: that and you on the outside looking dun You got

787
00:40:15,960 --> 00:40:18,360
Speaker 3: what you got, and I expect you to clout chase

788
00:40:18,400 --> 00:40:22,279
Speaker 3: after that, But any event that they fixed that, you

789
00:40:22,400 --> 00:40:24,760
Speaker 3: will be on the outside looking in. Because you really

790
00:40:24,800 --> 00:40:27,360
Speaker 3: have to ask yourself if you're easy to block, Captain.

791
00:40:27,400 --> 00:40:30,239
Speaker 3: What has Remy really put on the line. I mean,

792
00:40:30,280 --> 00:40:34,040
Speaker 3: now she's been forced to expose it, either fix it

793
00:40:35,080 --> 00:40:37,799
Speaker 3: or go all in with this easy guy. And I

794
00:40:37,840 --> 00:40:40,160
Speaker 3: still think her fixing it is not off the table.

795
00:40:40,640 --> 00:40:43,400
Speaker 3: She has made no real commitment. You know, she just

796
00:40:43,480 --> 00:40:46,320
Speaker 3: playing around with the dude, right they and they probably

797
00:40:46,320 --> 00:40:49,239
Speaker 3: been around each other. She probably even love him, but

798
00:40:49,320 --> 00:40:53,200
Speaker 3: she ain't went public. She making him play a role.

799
00:40:53,680 --> 00:40:56,160
Speaker 3: I want to now insert Clarissa Shields because I think

800
00:40:56,200 --> 00:40:59,320
Speaker 3: this is interesting. Clarissa Shields is the person that Pappoose

801
00:40:59,360 --> 00:41:01,600
Speaker 3: allegedly was on the phone with the Cordner rem and

802
00:41:01,640 --> 00:41:04,479
Speaker 3: man on the screenshots that she shared. Rem and Mar

803
00:41:04,560 --> 00:41:07,880
Speaker 3: and her ended up going back and forth online with

804
00:41:08,040 --> 00:41:11,560
Speaker 3: rem and Ma is inviting her to some sort of

805
00:41:11,760 --> 00:41:15,439
Speaker 3: I mean where it ends up. Clarissa is inviting Remy

806
00:41:15,520 --> 00:41:19,400
Speaker 3: Mar to crash out and fight her. Listen, rem and

807
00:41:19,440 --> 00:41:22,560
Speaker 3: Ma talks extremely tough, and I truly believe.

808
00:41:22,280 --> 00:41:23,120
Speaker 4: Her to be a gangster.

809
00:41:23,200 --> 00:41:25,799
Speaker 3: But there is no chance she will get knocked out

810
00:41:26,080 --> 00:41:29,319
Speaker 3: with Clarissa Shields. There's no chance that she can do

811
00:41:29,360 --> 00:41:32,440
Speaker 3: anything but be knocked out by Clarissa Shields. And I

812
00:41:32,480 --> 00:41:35,360
Speaker 3: say that respectfully to rem and Man and her gangsterism.

813
00:41:35,600 --> 00:41:38,040
Speaker 3: I don't even like looking at women like gangster, so

814
00:41:38,360 --> 00:41:40,719
Speaker 3: I don't give much credence to now one of them

815
00:41:40,760 --> 00:41:45,080
Speaker 3: being no gangster, because I don't even appreciate the women gangster,

816
00:41:45,280 --> 00:41:49,759
Speaker 3: especially the black woman gangster. Loan don't appreciate that. I

817
00:41:49,840 --> 00:41:52,400
Speaker 3: know it exists and I don't shun it, but I

818
00:41:52,440 --> 00:41:58,560
Speaker 3: don't appreciate it, you understand. So any event that they

819
00:41:58,640 --> 00:42:01,360
Speaker 3: even talking about vibe listen, I think they do a

820
00:42:01,400 --> 00:42:04,360
Speaker 3: disservice to us as a whole. But I have a

821
00:42:04,480 --> 00:42:08,960
Speaker 3: job to do to report the news. There should not

822
00:42:09,080 --> 00:42:12,160
Speaker 3: be a fight between Remy and Clarissa Shields because Remy

823
00:42:12,239 --> 00:42:15,920
Speaker 3: will get hurt. You see the different reactions between Easy

824
00:42:15,960 --> 00:42:19,759
Speaker 3: and Clarissa. Clarissa bagged up a little bit because she

825
00:42:19,920 --> 00:42:23,120
Speaker 3: understands that YO. Neither one of these individuals and I'm

826
00:42:23,120 --> 00:42:25,719
Speaker 3: speaking about pet Poos and Remy have made any real

827
00:42:25,800 --> 00:42:29,000
Speaker 3: commitment as it pertains to not being together in the future,

828
00:42:29,400 --> 00:42:31,759
Speaker 3: as it pertains to not bring his family back as

829
00:42:31,800 --> 00:42:34,160
Speaker 3: a whole. Now, what I do want to say is

830
00:42:34,200 --> 00:42:37,280
Speaker 3: that Remy then went to try to expose pet poofs

831
00:42:37,360 --> 00:42:39,640
Speaker 3: and say that he's hit her, He's did a bunch

832
00:42:39,680 --> 00:42:43,600
Speaker 3: of different things, and it's her fault that she's made

833
00:42:43,719 --> 00:42:47,640
Speaker 3: him look better than he truly has been. I want

834
00:42:47,640 --> 00:42:49,680
Speaker 3: to lend some credence to that because I do know.

835
00:42:51,080 --> 00:42:53,000
Speaker 3: Number one, I want to say, salute the pet pools

836
00:42:53,040 --> 00:42:55,160
Speaker 3: because I saw him hold it down. You can't fake

837
00:42:55,200 --> 00:42:57,839
Speaker 3: the results that he gave. I seen him going up

838
00:42:57,880 --> 00:43:00,719
Speaker 3: there all the time online. He will post things and

839
00:43:01,640 --> 00:43:03,920
Speaker 3: you seem to be someone that got more business than

840
00:43:03,960 --> 00:43:06,920
Speaker 3: a lot of people that I know. And in the

841
00:43:06,960 --> 00:43:09,360
Speaker 3: scenario where someone is doing that, that ought to be

842
00:43:09,400 --> 00:43:14,719
Speaker 3: appreciated on all to the highest regard and revered in

843
00:43:14,760 --> 00:43:17,239
Speaker 3: a way that we can see that you appreciate that.

844
00:43:17,840 --> 00:43:19,560
Speaker 3: But I do want to speak to the fact that

845
00:43:19,760 --> 00:43:23,320
Speaker 3: I do know black women that will inflate the man's

846
00:43:23,360 --> 00:43:28,279
Speaker 3: ego and I think that unfortunately, and I hope this

847
00:43:28,360 --> 00:43:31,360
Speaker 3: doesn't come off wrong, but unfortunately, a lot of women's

848
00:43:31,520 --> 00:43:35,799
Speaker 3: worth is tied to how their man treats them. And

849
00:43:35,840 --> 00:43:40,600
Speaker 3: there's even a subsection of women that even how their

850
00:43:40,640 --> 00:43:44,359
Speaker 3: man treats them isn't enough. It's how other people see

851
00:43:44,360 --> 00:43:47,560
Speaker 3: that their man treats them. And those are the dangerous ones,

852
00:43:47,600 --> 00:43:50,800
Speaker 3: because those are the ones that will inflate a man's

853
00:43:51,440 --> 00:43:54,040
Speaker 3: position in their lives. Those are the ones that will

854
00:43:54,080 --> 00:43:57,480
Speaker 3: pass the card under the table, knowing that they're working

855
00:43:57,719 --> 00:44:00,360
Speaker 3: sixty hours a week busting their ass and you're just

856
00:44:00,400 --> 00:44:03,279
Speaker 3: picking them up in the car. But she's paying for

857
00:44:03,320 --> 00:44:06,000
Speaker 3: the meal, but you doing it with her car. Those

858
00:44:06,040 --> 00:44:08,040
Speaker 3: are the ones that get a key to their apartment

859
00:44:08,120 --> 00:44:11,600
Speaker 3: made for you while you have no what to stay right.

860
00:44:11,840 --> 00:44:16,600
Speaker 3: These are the ones who will prop you up sometimes

861
00:44:16,600 --> 00:44:20,399
Speaker 3: and make you look like that you are the king

862
00:44:20,480 --> 00:44:23,000
Speaker 3: of the castle when you can't even put the throne together.

863
00:44:23,160 --> 00:44:26,160
Speaker 3: Now again, I think that part of that is because

864
00:44:26,239 --> 00:44:29,439
Speaker 3: their worth is tied to how people view that their

865
00:44:29,480 --> 00:44:32,719
Speaker 3: man is treating them. She never got specific to what

866
00:44:32,760 --> 00:44:36,719
Speaker 3: she was speaking about when she spoke about her inflating

867
00:44:36,719 --> 00:44:39,520
Speaker 3: his contributions to her life. At this point, it just

868
00:44:39,719 --> 00:44:42,480
Speaker 3: needs to be a doubleheader, right, we got two million

869
00:44:42,560 --> 00:44:45,960
Speaker 3: on it, right, rem and Maut versus Clarissa Shields, Papoos

870
00:44:46,160 --> 00:44:49,359
Speaker 3: versus easy to Block Captain. It's only two fights on

871
00:44:49,400 --> 00:44:53,160
Speaker 3: the card. It will be for sale two million, right,

872
00:44:53,200 --> 00:44:55,399
Speaker 3: there's an offer. I'm sure there's plenty offers out there,

873
00:44:55,440 --> 00:44:57,480
Speaker 3: but they at this point they can just do a

874
00:44:57,480 --> 00:44:59,839
Speaker 3: doublehead and get some money off of it. I hate

875
00:44:59,840 --> 00:45:02,480
Speaker 3: that they're going through this, right, you know, prayers to

876
00:45:02,520 --> 00:45:05,200
Speaker 3: their family. Hopefully they can figure whatever out they need

877
00:45:05,200 --> 00:45:07,760
Speaker 3: to figure out, you know, for the sake of the child.

878
00:45:08,280 --> 00:45:11,800
Speaker 3: You know, they got the young boy Easy involved, right, Remy,

879
00:45:12,000 --> 00:45:14,160
Speaker 3: you know, have him be quiet and sit back for

880
00:45:14,200 --> 00:45:17,160
Speaker 3: a minute. That's seventeen years involved. You don't want to

881
00:45:17,200 --> 00:45:19,440
Speaker 3: make a decision for something that you don't even know

882
00:45:19,480 --> 00:45:23,120
Speaker 3: in seventeen years from now, if you'll even be in

883
00:45:23,160 --> 00:45:25,440
Speaker 3: the same head space to want to even be in

884
00:45:25,440 --> 00:45:29,440
Speaker 3: the scenario that you currently are entertaining, I would employ

885
00:45:29,560 --> 00:45:31,920
Speaker 3: you guys to try to sit at the round table

886
00:45:32,200 --> 00:45:34,719
Speaker 3: and see if there's any way to save those seventeen

887
00:45:34,840 --> 00:45:39,200
Speaker 3: years that y'all already contributed to each other, whether you've

888
00:45:39,280 --> 00:45:43,080
Speaker 3: inflated his contributions in your life or not. I think

889
00:45:43,120 --> 00:45:45,720
Speaker 3: that you'll be few and far in between to find

890
00:45:45,760 --> 00:45:49,200
Speaker 3: people who are willing to stay around for seventeen years.

891
00:45:49,280 --> 00:45:52,680
Speaker 3: And I mean no disrespect to Remy's relationship with Easy

892
00:45:52,760 --> 00:45:55,279
Speaker 3: to Block Captain. I think that you know, whether or

893
00:45:55,280 --> 00:45:57,359
Speaker 3: not they love each other is for them and that's

894
00:45:57,400 --> 00:46:01,080
Speaker 3: their business. Right for me, I have too much bravado

895
00:46:01,920 --> 00:46:04,719
Speaker 3: to even want a love a woman that still has

896
00:46:04,760 --> 00:46:07,720
Speaker 3: a husband. Right, You almost can't even be my woman

897
00:46:07,760 --> 00:46:09,080
Speaker 3: if you've been married before.

898
00:46:09,600 --> 00:46:09,759
Speaker 9: Right.

899
00:46:09,840 --> 00:46:12,399
Speaker 3: And I say that respectfully to the women who are

900
00:46:12,440 --> 00:46:15,600
Speaker 3: interested in me who may have been married, But you

901
00:46:15,719 --> 00:46:19,040
Speaker 3: really can't be mine if you had been married before.

902
00:46:19,200 --> 00:46:19,399
Speaker 4: Right.

903
00:46:19,480 --> 00:46:22,520
Speaker 3: It's interesting I say that because I don't think that

904
00:46:22,640 --> 00:46:26,040
Speaker 3: applies to the man, and so that's a double standard

905
00:46:26,040 --> 00:46:28,120
Speaker 3: that I live with that I'm willing to speak to

906
00:46:28,160 --> 00:46:32,319
Speaker 3: anyone about. So you guys who have a different understanding

907
00:46:32,640 --> 00:46:35,480
Speaker 3: than that, we can have that conversation. I sent a

908
00:46:35,480 --> 00:46:39,760
Speaker 3: salute to Patpoos, Remy Clarissa and Easy to Block Captain.

909
00:46:40,080 --> 00:46:42,879
Speaker 3: I pray that you guys find your way and put

910
00:46:42,920 --> 00:46:45,480
Speaker 3: yourself in a scenario to do what it's best for

911
00:46:45,560 --> 00:46:46,240
Speaker 3: your family.

912
00:46:46,760 --> 00:46:48,719
Speaker 4: Biggest up there podcast. Let's move on.

913
00:46:48,800 --> 00:46:51,680
Speaker 3: So I want to talk about jay Z's accusations that

914
00:46:51,760 --> 00:46:54,040
Speaker 3: has been in the public eye for the last couple

915
00:46:54,120 --> 00:46:57,360
Speaker 3: of weeks. Took all of about five or six days

916
00:46:57,360 --> 00:47:01,240
Speaker 3: for them to not only address it, but to appear

917
00:47:01,320 --> 00:47:04,439
Speaker 3: with an interview from an accuser who went by Jane

918
00:47:04,520 --> 00:47:05,960
Speaker 3: Doe when the lawsuit was filed.

919
00:47:06,000 --> 00:47:07,200
Speaker 4: So for people who do.

920
00:47:07,120 --> 00:47:09,600
Speaker 3: Not know there's a lawyer by the name of Tony

921
00:47:09,600 --> 00:47:13,279
Speaker 3: Bunsby who has named Sean Carter jay Z in the

922
00:47:13,400 --> 00:47:14,760
Speaker 3: lawsuit with Diddy.

923
00:47:15,080 --> 00:47:15,960
Speaker 4: So the first thing.

924
00:47:15,840 --> 00:47:17,720
Speaker 3: We're gonna do is we're gonna look at a video

925
00:47:17,880 --> 00:47:22,440
Speaker 3: of the accuser, alleged accuser who has came out with

926
00:47:22,560 --> 00:47:26,600
Speaker 3: this lawsuit with this lawyer and accused jay Z of

927
00:47:26,640 --> 00:47:31,719
Speaker 3: these things. Jay Z quickly and promptly responded in a

928
00:47:31,840 --> 00:47:35,560
Speaker 3: direct Instagram post, and I'll read some of it here.

929
00:47:35,880 --> 00:47:40,040
Speaker 3: I'm not gonna read the entire response from jay Z

930
00:47:40,160 --> 00:47:44,959
Speaker 3: to the allegations. Of course, he denied him. He says

931
00:47:45,000 --> 00:47:47,400
Speaker 3: it's a money grab. He says his lawyer received a

932
00:47:47,480 --> 00:47:51,200
Speaker 3: blackmail attempt from this strange lawyer.

933
00:47:51,719 --> 00:47:53,000
Speaker 4: These are quotes from jay Z.

934
00:47:53,120 --> 00:47:55,359
Speaker 3: I have no idea how you come to be such

935
00:47:55,360 --> 00:47:58,839
Speaker 3: a deplorable human, but I promise you I've seen your

936
00:47:58,880 --> 00:48:01,839
Speaker 3: time many times over. I'm more than prepared to deal

937
00:48:01,880 --> 00:48:04,200
Speaker 3: with your type. You claim to be a marine. You

938
00:48:04,239 --> 00:48:07,560
Speaker 3: have neither honor or dignity. My only heartbreak is for

939
00:48:07,719 --> 00:48:09,719
Speaker 3: my family. My wife and I would have to sit

940
00:48:09,800 --> 00:48:13,760
Speaker 3: our children down. This is very heartbreaking, especially if these

941
00:48:13,960 --> 00:48:17,240
Speaker 3: allegations are not true. But this is an interesting dynamic.

942
00:48:17,320 --> 00:48:20,160
Speaker 3: We'll get to here in a second, he says, one

943
00:48:20,200 --> 00:48:22,920
Speaker 3: of whom is the aide where her friends will surely

944
00:48:22,960 --> 00:48:25,239
Speaker 3: see the press and ask questions about the nature of

945
00:48:25,320 --> 00:48:28,680
Speaker 3: these claims. And he says, you have made a terrible

946
00:48:28,840 --> 00:48:31,600
Speaker 3: error in judgment thinking that all celebrities are the same.

947
00:48:31,719 --> 00:48:34,200
Speaker 3: I'm not from your world. I'm a young man who

948
00:48:34,239 --> 00:48:36,600
Speaker 3: made it out of the projects of Brooklyn. We don't

949
00:48:36,640 --> 00:48:39,120
Speaker 3: play these type of games. We have very strict codes

950
00:48:39,160 --> 00:48:42,800
Speaker 3: in honor. We protect children. You seem to exploit people

951
00:48:42,800 --> 00:48:48,319
Speaker 3: for personal game. Only your network of conspiracy theories and

952
00:48:48,440 --> 00:48:51,680
Speaker 3: fake physics will believe it. Idiotic claims you have levied

953
00:48:51,719 --> 00:48:55,960
Speaker 3: against me. If not for the seriousness surrounding harm to kids,

954
00:48:57,040 --> 00:49:00,120
Speaker 3: they would be laughable. I look forward to showing you

955
00:49:00,160 --> 00:49:03,360
Speaker 3: how different I am. And this is jay Z responding

956
00:49:03,400 --> 00:49:08,120
Speaker 3: to the gross allegations that him and Diddy was amongst

957
00:49:08,760 --> 00:49:11,680
Speaker 3: a thirteen year old girl and had some sort of

958
00:49:11,680 --> 00:49:15,759
Speaker 3: sexual relationship with her. Listen, I can't even wrap my

959
00:49:15,800 --> 00:49:18,520
Speaker 3: mind around it. Like you know, I'm one of the

960
00:49:18,520 --> 00:49:20,640
Speaker 3: people that you hear behind this mic who will never

961
00:49:20,680 --> 00:49:24,600
Speaker 3: have these allegations. They cannot be a scenario where you

962
00:49:24,640 --> 00:49:26,880
Speaker 3: can have any kind of proof that can have me

963
00:49:27,520 --> 00:49:30,080
Speaker 3: tied in anything like this. It's one of the more

964
00:49:30,120 --> 00:49:34,960
Speaker 3: strange behaviors of humans that I've yet to understand on

965
00:49:35,080 --> 00:49:39,600
Speaker 3: any kind of level. And so for me, it's unfortunate

966
00:49:39,680 --> 00:49:43,239
Speaker 3: to hit these claims levied against j But we are

967
00:49:43,280 --> 00:49:45,440
Speaker 3: in the climate where Diddy is sitting in jail. I

968
00:49:45,440 --> 00:49:48,319
Speaker 3: want us to remember that, and this same lawyer is

969
00:49:48,400 --> 00:49:51,720
Speaker 3: involved with trying to go after Diddy as well. Shortly

970
00:49:51,760 --> 00:49:55,399
Speaker 3: after the response from jay Z, you start to see

971
00:49:55,440 --> 00:49:59,520
Speaker 3: the ball rolling because again jay Z and his entourage

972
00:49:59,560 --> 00:50:03,640
Speaker 3: and lawyers, his handlers, his connections, corporate tized. They don't

973
00:50:03,719 --> 00:50:06,239
Speaker 3: just make these dry threats. They don't just make these

974
00:50:06,320 --> 00:50:09,680
Speaker 3: empty promises, in particular when you're dealing with the guy

975
00:50:09,719 --> 00:50:15,480
Speaker 3: who is the forefront, the flagship of the entire operation.

976
00:50:16,239 --> 00:50:19,400
Speaker 3: And so you start to see the ball rolling. People

977
00:50:19,440 --> 00:50:22,080
Speaker 3: start to say that you know, they're reaching out, they're

978
00:50:22,080 --> 00:50:25,759
Speaker 3: trying to get information, and what they're doing is investigating. Right,

979
00:50:25,840 --> 00:50:29,720
Speaker 3: you levy a very serious accusation against a man under

980
00:50:29,719 --> 00:50:32,759
Speaker 3: the guise of a Jane Doe. With that response, the

981
00:50:32,880 --> 00:50:36,000
Speaker 3: lawyer responds and then he flips the response and says, oh,

982
00:50:36,040 --> 00:50:40,520
Speaker 3: he's very emotional That's exactly how an attacker would act.

983
00:50:40,640 --> 00:50:44,080
Speaker 3: That's how someone that's guilty would act. They play this game,

984
00:50:44,200 --> 00:50:46,880
Speaker 3: as lawyers were. If they don't ask for amount of money,

985
00:50:46,920 --> 00:50:51,279
Speaker 3: they don't really view it as extortion. And so what

986
00:50:51,320 --> 00:50:53,799
Speaker 3: you will hear the lawyer references, Yo, all we did

987
00:50:53,880 --> 00:50:55,759
Speaker 3: was asked to have a conversation with him, and he

988
00:50:55,840 --> 00:50:58,839
Speaker 3: went off like that, Right man, this is high level game.

989
00:50:58,920 --> 00:50:59,120
Speaker 1: Man.

990
00:50:59,120 --> 00:51:02,000
Speaker 3: We know how you play. We know that you're trying

991
00:51:02,000 --> 00:51:04,560
Speaker 3: to ask for some money. Without asking for some money.

992
00:51:05,080 --> 00:51:07,319
Speaker 3: What the conversation is gonna be about? I ain't never

993
00:51:07,400 --> 00:51:10,759
Speaker 3: did this. There is no conversation to be had with

994
00:51:10,920 --> 00:51:13,279
Speaker 3: me about a thirteen year old and some kind of

995
00:51:13,320 --> 00:51:18,120
Speaker 3: weird night. There's no conversation to be had with me, right.

996
00:51:19,040 --> 00:51:21,080
Speaker 3: I think the interesting part in this is jay Z

997
00:51:21,200 --> 00:51:24,120
Speaker 3: has pardoner hisself with Kendrick Lamar, who has levied these

998
00:51:24,200 --> 00:51:27,560
Speaker 3: kind of claims all year against Drake, right, And so

999
00:51:28,040 --> 00:51:31,160
Speaker 3: for jay Z to be this serious about these claims,

1000
00:51:31,200 --> 00:51:33,759
Speaker 3: I think he understands what he's doing to Drake. And

1001
00:51:33,840 --> 00:51:36,920
Speaker 3: so it's interesting to see how Universe response to all

1002
00:51:36,960 --> 00:51:40,080
Speaker 3: of is. Now, this alleged accuser came out and this

1003
00:51:40,120 --> 00:51:41,280
Speaker 3: is what she said, on NBC.

1004
00:51:41,440 --> 00:51:42,000
Speaker 4: Let's look at this.

1005
00:51:42,120 --> 00:51:47,840
Speaker 11: You should always advocate for yourself and be a voice

1006
00:51:47,840 --> 00:51:51,160
Speaker 11: for yourself. You should never let what somebody else did

1007
00:51:51,360 --> 00:51:53,360
Speaker 11: run or run your life.

1008
00:51:53,719 --> 00:51:56,040
Speaker 12: A thirty eight year old mother from Alabama who has

1009
00:51:56,080 --> 00:51:59,080
Speaker 12: filed a lawsuit accusing Sean Diddy, Combs, and Jay Z

1010
00:51:59,320 --> 00:52:00,080
Speaker 12: of raping.

1011
00:51:59,840 --> 00:52:09,399
Speaker 11: Her, and be a voice for yourself. You should never

1012
00:52:09,640 --> 00:52:13,480
Speaker 11: let what somebody else did we're in or run your life.

1013
00:52:13,800 --> 00:52:16,120
Speaker 12: A thirty eight year old mother from Alabama who has

1014
00:52:16,160 --> 00:52:19,560
Speaker 12: filed a lawsuit accusing Sean Diddycombs, and Jay Z of

1015
00:52:19,680 --> 00:52:22,360
Speaker 12: raping her when she was thirteen years old, is speaking

1016
00:52:22,400 --> 00:52:25,400
Speaker 12: out to NBC News for the first time. She asked

1017
00:52:25,480 --> 00:52:28,760
Speaker 12: us not to reveal her identity. What made you want

1018
00:52:28,800 --> 00:52:31,520
Speaker 12: to come forward and talk today?

1019
00:52:32,200 --> 00:52:36,760
Speaker 11: Because I think that I've been quiet long enough about

1020
00:52:36,760 --> 00:52:40,520
Speaker 11: what I've been through, and it's been hard enough to

1021
00:52:40,640 --> 00:52:44,640
Speaker 11: be quiet. But it's a chapter of my life that

1022
00:52:44,680 --> 00:52:45,640
Speaker 11: I'd like to close.

1023
00:52:46,120 --> 00:52:49,319
Speaker 12: An NBC News review of her account found inconsistencies with

1024
00:52:49,400 --> 00:52:52,120
Speaker 12: her allegations. She says that she went to the MTV

1025
00:52:52,239 --> 00:52:55,080
Speaker 12: Video Music Awards in two thousand to catch a glimpse

1026
00:52:55,120 --> 00:52:56,399
Speaker 12: of her favorite celebrities.

1027
00:52:56,840 --> 00:53:00,680
Speaker 6: You weren't scared to be all low. No.

1028
00:53:01,080 --> 00:53:14,879
Speaker 11: With having autism is is like feeling like you live

1029
00:53:14,960 --> 00:53:22,080
Speaker 11: your life in a shatter proof, dry rule ball.

1030
00:53:23,719 --> 00:53:26,120
Speaker 6: The world's on fire. The fire is in.

1031
00:53:28,120 --> 00:53:30,680
Speaker 11: Its inside the ball with you, but there's no way

1032
00:53:30,680 --> 00:53:31,480
Speaker 11: for you to get out.

1033
00:53:31,680 --> 00:53:34,600
Speaker 12: In addition to having autism, the woman says she suffered

1034
00:53:34,600 --> 00:53:37,120
Speaker 12: a head injury the night of the two thousands VMA's.

1035
00:53:37,239 --> 00:53:39,640
Speaker 12: She says a friend drove her from Rochester, New York,

1036
00:53:39,640 --> 00:53:43,040
Speaker 12: to Manhattan, a more than five hour drive. Her attorney

1037
00:53:43,040 --> 00:53:45,520
Speaker 12: provided NBC News with the name of the friend, who

1038
00:53:45,560 --> 00:53:48,240
Speaker 12: has since died. The woman says she spoke to Colms's

1039
00:53:48,239 --> 00:53:50,880
Speaker 12: limo driver, who offered her a ride to an after party.

1040
00:53:51,160 --> 00:53:53,880
Speaker 11: I stumbled upon Diddy's driver, who told me that I

1041
00:53:54,120 --> 00:53:56,400
Speaker 11: was exactly what Diddy was looking for.

1042
00:53:57,200 --> 00:54:00,000
Speaker 12: What did you think when he said that to you?

1043
00:54:00,080 --> 00:54:02,000
Speaker 6: I thought it ad meant that I was just pretty.

1044
00:54:02,560 --> 00:54:04,840
Speaker 12: She went to a white house, she says, where she

1045
00:54:04,880 --> 00:54:07,320
Speaker 12: spoke to musicians Benji Madden and his brother.

1046
00:54:07,520 --> 00:54:12,560
Speaker 11: I'm talking to Benji Madden about his tattoo, because you know,

1047
00:54:12,640 --> 00:54:15,400
Speaker 11: I have a really is about his tattoo. That's the

1048
00:54:15,640 --> 00:54:21,319
Speaker 11: last supper because I have a religious background, so it

1049
00:54:21,440 --> 00:54:23,640
Speaker 11: was just something to talk about.

1050
00:54:23,680 --> 00:54:26,120
Speaker 12: In a statement to NBC News, a representative of the

1051
00:54:26,120 --> 00:54:28,760
Speaker 12: Maddens confirmed that they did not attend the two thousand

1052
00:54:28,880 --> 00:54:31,400
Speaker 12: VMAs and that they were on tour in the Midwest

1053
00:54:31,440 --> 00:54:34,120
Speaker 12: at the time. At the after party, she says she

1054
00:54:34,160 --> 00:54:36,400
Speaker 12: had a drink that made her feel woozy. Then she

1055
00:54:36,440 --> 00:54:39,120
Speaker 12: says Combs and Carter took turns raping her while a

1056
00:54:39,200 --> 00:54:40,520
Speaker 12: female celebrity watched.

1057
00:54:40,840 --> 00:54:44,319
Speaker 6: Jacy comes in and raped me.

1058
00:54:45,600 --> 00:54:48,080
Speaker 11: Well he's well he at that point, I was fighting,

1059
00:54:48,160 --> 00:54:54,920
Speaker 11: trying to get away from him, and he put his hand.

1060
00:54:54,640 --> 00:55:00,480
Speaker 6: Over my mouth and told me to stop it. Cut yo,

1061
00:55:00,800 --> 00:55:01,720
Speaker 6: stoping cut.

1062
00:55:01,560 --> 00:55:04,400
Speaker 3: The shop after So, when I first heard the accusations,

1063
00:55:04,440 --> 00:55:07,080
Speaker 3: of course, like everyone else, one of the first questions

1064
00:55:07,120 --> 00:55:09,319
Speaker 3: I had was, Yo, how did this child get to

1065
00:55:09,480 --> 00:55:10,240
Speaker 3: this venue?

1066
00:55:10,560 --> 00:55:10,759
Speaker 1: Right?

1067
00:55:10,840 --> 00:55:12,120
Speaker 4: What does this child live?

1068
00:55:12,280 --> 00:55:15,280
Speaker 3: What's the proximity from house to whether the actual party

1069
00:55:15,320 --> 00:55:19,239
Speaker 3: took place where these gentlemen in the event, if we

1070
00:55:19,360 --> 00:55:22,600
Speaker 3: listen to what's been alleged, they want me to believe

1071
00:55:22,680 --> 00:55:26,440
Speaker 3: that there's a child walking around a Hollywood party, and

1072
00:55:26,480 --> 00:55:31,279
Speaker 3: no one finds that unreasonable. What's interesting about Jay is

1073
00:55:31,320 --> 00:55:34,040
Speaker 3: when you attack Jay, it kind of gets bigger than

1074
00:55:34,120 --> 00:55:36,719
Speaker 3: hip hop you kind of attack more than hip hop.

1075
00:55:36,760 --> 00:55:39,040
Speaker 3: You kind of get over into Hollywood and even in

1076
00:55:39,120 --> 00:55:42,200
Speaker 3: the corporate America. So it's interesting. I don't care who

1077
00:55:42,239 --> 00:55:44,440
Speaker 3: it is. If you're dealing with children in any kind

1078
00:55:44,480 --> 00:55:48,120
Speaker 3: of way, me and you got an issue. There's no

1079
00:55:48,239 --> 00:55:51,160
Speaker 3: circumstances where I can look over that, right. I don't

1080
00:55:51,200 --> 00:55:54,000
Speaker 3: care what who say, how they said, and what's going on.

1081
00:55:54,080 --> 00:55:57,440
Speaker 3: I don't care how much power, money, or fame you have.

1082
00:55:57,640 --> 00:56:00,759
Speaker 3: And so the idea that an unidentify fact kid can

1083
00:56:00,840 --> 00:56:06,080
Speaker 3: be walking around in Hollywood VMA after party sounds absurd.

1084
00:56:06,800 --> 00:56:09,160
Speaker 3: I'm not saying that it can't happen, but I do

1085
00:56:09,239 --> 00:56:12,759
Speaker 3: want to save in my opinion, if I'm around, those

1086
00:56:12,880 --> 00:56:14,839
Speaker 3: kind of things are just gonna stick out like a

1087
00:56:14,880 --> 00:56:18,560
Speaker 3: sore thumb. The allegation does damnaster jay Z. I want

1088
00:56:18,560 --> 00:56:20,840
Speaker 3: to be clear about that. I need people to understand

1089
00:56:20,880 --> 00:56:26,280
Speaker 3: that media thrives on engagement and nothing generates clicks like controversy.

1090
00:56:26,320 --> 00:56:29,120
Speaker 3: I think it's important that we always keep that in context.

1091
00:56:29,160 --> 00:56:32,160
Speaker 3: So the stories like something like this with jay Z,

1092
00:56:32,640 --> 00:56:35,360
Speaker 3: these allegations aren't there, aren't just reported.

1093
00:56:35,440 --> 00:56:36,919
Speaker 4: They dealt with without raige.

1094
00:56:36,920 --> 00:56:39,080
Speaker 3: And it was interesting because jay Z is one of

1095
00:56:39,120 --> 00:56:41,960
Speaker 3: the people that you see media have an adverse reaction

1096
00:56:42,080 --> 00:56:45,600
Speaker 3: to these rumors and allegations. Right, some people kind of

1097
00:56:45,600 --> 00:56:48,840
Speaker 3: try to walk the fence. They treated it much different

1098
00:56:48,880 --> 00:56:49,920
Speaker 3: than they treated Diddy.

1099
00:56:51,000 --> 00:56:51,200
Speaker 4: Man.

1100
00:56:51,239 --> 00:56:53,879
Speaker 3: I've seen people come out defending jay Z that did

1101
00:56:53,920 --> 00:56:58,840
Speaker 3: not even defend themselves. I've seen people come out defending

1102
00:56:58,920 --> 00:57:01,479
Speaker 3: jay Z and standing out on the heel for jay

1103
00:57:01,600 --> 00:57:06,040
Speaker 3: Z that didn't even defend themselves. I want to be clear,

1104
00:57:06,160 --> 00:57:08,160
Speaker 3: I don't believe that it was true either, and that's

1105
00:57:08,200 --> 00:57:10,319
Speaker 3: before the young lady came out and said some of

1106
00:57:10,320 --> 00:57:12,839
Speaker 3: the things that you've seen in this video, with some

1107
00:57:12,880 --> 00:57:17,080
Speaker 3: of the inconsistencies in her statements. Now here's what I

1108
00:57:17,120 --> 00:57:21,840
Speaker 3: also find interested. Although she has these inconsistencies, they have

1109
00:57:22,000 --> 00:57:24,680
Speaker 3: not dropped the case. I do understand that there will

1110
00:57:24,720 --> 00:57:27,800
Speaker 3: be some consequences for pulling out now because the damage

1111
00:57:27,880 --> 00:57:31,120
Speaker 3: is already done and you will be held accountable either way.

1112
00:57:31,640 --> 00:57:35,720
Speaker 3: So at this point, that lawyer is all in, because listen,

1113
00:57:36,080 --> 00:57:39,200
Speaker 3: Jay and this legal team is really gonna attack this

1114
00:57:39,320 --> 00:57:42,280
Speaker 3: in a way where you're gonna pay for the damages

1115
00:57:42,320 --> 00:57:45,400
Speaker 3: that you've caused. This gentleman that has lived on this

1116
00:57:45,480 --> 00:57:48,520
Speaker 3: certain constitution in front of the eyes of the public

1117
00:57:48,560 --> 00:57:51,040
Speaker 3: for so long. I don't even know how you quantify

1118
00:57:51,120 --> 00:57:54,200
Speaker 3: the emotional residue for something like this when I have

1119
00:57:54,320 --> 00:57:56,880
Speaker 3: a child, this age, when I'm dealing with so many

1120
00:57:56,920 --> 00:58:00,280
Speaker 3: different dynamics of life and being a leader of a

1121
00:58:00,360 --> 00:58:03,960
Speaker 3: culture in the way that some people look at jay Z. Again,

1122
00:58:04,040 --> 00:58:07,200
Speaker 3: it's interesting because if you are someone with two or three,

1123
00:58:07,320 --> 00:58:10,000
Speaker 3: four or five six hundred million dollars and you're a

1124
00:58:10,040 --> 00:58:12,400
Speaker 3: black dude that got it by way of hip hop,

1125
00:58:12,720 --> 00:58:14,640
Speaker 3: you start to look at it like, man, it's they

1126
00:58:14,680 --> 00:58:17,400
Speaker 3: trying to tell the roof off of hip hop when

1127
00:58:17,440 --> 00:58:19,560
Speaker 3: we deal with the black man as a whole. If

1128
00:58:19,560 --> 00:58:22,440
Speaker 3: we're being honest, a lot of these dudes is freakazoars.

1129
00:58:23,080 --> 00:58:26,760
Speaker 3: A lot of these dudes is hyper sexual, right, And

1130
00:58:26,840 --> 00:58:29,040
Speaker 3: so when you get money and you're able to be

1131
00:58:29,160 --> 00:58:33,080
Speaker 3: hyper sexual and you deal with women that are hyper sexual, man,

1132
00:58:33,160 --> 00:58:36,280
Speaker 3: you have some nights that are unforgettable. And so as

1133
00:58:36,320 --> 00:58:39,280
Speaker 3: you continue to climb the ladder, there's probably a lot

1134
00:58:39,280 --> 00:58:41,880
Speaker 3: of individuals just looking around and saying, man, I hope

1135
00:58:41,920 --> 00:58:43,720
Speaker 3: some of them knights don't come back to hunt me.

1136
00:58:45,160 --> 00:58:47,280
Speaker 3: Some of those things don't come back to hunt me.

1137
00:58:47,440 --> 00:58:50,040
Speaker 3: Some people don't come back and misrepresent some of the

1138
00:58:50,080 --> 00:58:54,600
Speaker 3: things we did four or five, six, seven years ago.

1139
00:58:54,760 --> 00:58:57,880
Speaker 3: I'm so intentional with my conversations that I usually don't

1140
00:58:57,960 --> 00:59:02,480
Speaker 3: land in a scenario where I shouldn't be. I understand

1141
00:59:02,520 --> 00:59:06,160
Speaker 3: that admiration isn't free, right, so I try not to

1142
00:59:06,200 --> 00:59:08,600
Speaker 3: give my attention to things that can suck me in.

1143
00:59:09,880 --> 00:59:10,360
Speaker 4: Literally.

1144
00:59:10,800 --> 00:59:13,439
Speaker 3: I also didn't understand why this victim Whinn had done

1145
00:59:13,480 --> 00:59:16,600
Speaker 3: that interview and why now? And why wouldn't the lawyer

1146
00:59:16,680 --> 00:59:18,440
Speaker 3: stop that? Like what is that about?

1147
00:59:19,560 --> 00:59:19,760
Speaker 7: Right?

1148
00:59:19,840 --> 00:59:22,640
Speaker 3: There was something interesting about this young lady doing the

1149
00:59:22,760 --> 00:59:25,280
Speaker 3: interview with a sheet tied up, or we're looking at

1150
00:59:25,280 --> 00:59:28,440
Speaker 3: your shadow, like what is this about? You're the person

1151
00:59:28,480 --> 00:59:32,760
Speaker 3: accusing jay Z. The lawsuit just went live, and you

1152
00:59:32,840 --> 00:59:36,040
Speaker 3: pop up with an interview when all of this is

1153
00:59:36,040 --> 00:59:40,000
Speaker 3: in question, you give an interview. And I do have

1154
00:59:40,080 --> 00:59:42,720
Speaker 3: to respect NBC and a young lady, you know, I

1155
00:59:42,760 --> 00:59:45,600
Speaker 3: have to give it up for Cloyd and NBC in

1156
00:59:45,640 --> 00:59:49,280
Speaker 3: this particular scenario, they handled this like they're dealing with

1157
00:59:49,320 --> 00:59:51,440
Speaker 3: one of their favorites. They didn't handle this in a

1158
00:59:51,480 --> 00:59:53,800
Speaker 3: way that they handled a lot of the other people,

1159
00:59:53,800 --> 00:59:54,680
Speaker 3: and I respect that.

1160
00:59:54,880 --> 00:59:55,080
Speaker 7: Right.

1161
00:59:55,200 --> 00:59:58,160
Speaker 3: A lot of times we are in the backdrop saying

1162
00:59:58,200 --> 01:00:00,520
Speaker 3: that black men don't get a fair shot no matter what,

1163
01:00:00,680 --> 01:00:03,840
Speaker 3: and you cannot be a favorite, you cannot be treated

1164
01:00:03,880 --> 01:00:06,960
Speaker 3: fairly in things of that nature. And so sometimes we

1165
01:00:07,520 --> 01:00:11,680
Speaker 3: know have those arguments. But again Jay is a token.

1166
01:00:11,760 --> 01:00:15,120
Speaker 3: He's like a unique scenario, and so you can just

1167
01:00:15,240 --> 01:00:18,920
Speaker 3: tell by how even NBC, instead of painting this as

1168
01:00:18,960 --> 01:00:23,480
Speaker 3: the juicy story, they pointed out the inconsistencies, and they

1169
01:00:23,520 --> 01:00:25,640
Speaker 3: did it in a way where they ran the story

1170
01:00:25,720 --> 01:00:32,040
Speaker 3: saying that, Yo, she is inconsistent, the lawyer still proceeds

1171
01:00:32,040 --> 01:00:32,800
Speaker 3: with the lawsuit.

1172
01:00:32,840 --> 01:00:34,680
Speaker 4: I think that is a very interesting thing.

1173
01:00:35,320 --> 01:00:38,000
Speaker 3: I think Jay to be cognizant of some of the

1174
01:00:38,040 --> 01:00:43,919
Speaker 3: games just being played, even as he watched Diddy drown. See,

1175
01:00:43,960 --> 01:00:47,320
Speaker 3: this is what's interesting. You spent your whole life getting

1176
01:00:47,320 --> 01:00:49,400
Speaker 3: out of that pool, man, and now they drowning you

1177
01:00:49,440 --> 01:00:53,280
Speaker 3: on your last lap, your last couple of laps. You

1178
01:00:53,400 --> 01:00:55,920
Speaker 3: know this pool like the back of your hand. The

1179
01:00:55,920 --> 01:00:58,360
Speaker 3: people you thought was the lifeguards jump off of the

1180
01:00:58,440 --> 01:01:02,280
Speaker 3: lifeguard post, proceed to try to drown you on your

1181
01:01:02,360 --> 01:01:08,400
Speaker 3: last few laps. And so I believe Jada no notice play.

1182
01:01:08,480 --> 01:01:11,520
Speaker 3: This is a very familiar play for some of these gentlemen. Right,

1183
01:01:11,600 --> 01:01:14,760
Speaker 3: we saw him doing with Michael Jackson. We saw him

1184
01:01:15,040 --> 01:01:18,840
Speaker 3: with the propaganda as it pertains, the prints and some

1185
01:01:18,880 --> 01:01:22,960
Speaker 3: of these other individuals that had leverage and were powerful

1186
01:01:23,040 --> 01:01:26,120
Speaker 3: black artists. I think it's easy to make a black

1187
01:01:26,200 --> 01:01:28,960
Speaker 3: artist look away, especially in the eyes of the casual

1188
01:01:29,040 --> 01:01:33,840
Speaker 3: fan in Middle America, because again, that's not enough storytellers.

1189
01:01:34,080 --> 01:01:36,760
Speaker 3: There's not enough people that's authentic enough to be able

1190
01:01:36,760 --> 01:01:39,400
Speaker 3: to tell our story and articulated in a way where

1191
01:01:39,480 --> 01:01:40,800
Speaker 3: Middle America.

1192
01:01:40,400 --> 01:01:41,320
Speaker 4: Can digest it.

1193
01:01:41,720 --> 01:01:45,240
Speaker 3: And so at some point you can identify why things

1194
01:01:45,400 --> 01:01:48,720
Speaker 3: like this, these allegations are being involved with children and

1195
01:01:49,480 --> 01:01:53,000
Speaker 3: being involved with the awe word, all these kind of allegations,

1196
01:01:53,040 --> 01:01:56,840
Speaker 3: you can understand why they are so hurtful.

1197
01:01:57,480 --> 01:01:58,800
Speaker 4: They are so harmful.

1198
01:01:59,000 --> 01:02:01,840
Speaker 3: You spent all your life life living on a certain constitution,

1199
01:02:02,120 --> 01:02:05,919
Speaker 3: living a certain waste, being to a certain drum, even

1200
01:02:05,960 --> 01:02:08,680
Speaker 3: if they're meant your life, and at the end of it,

1201
01:02:08,760 --> 01:02:10,560
Speaker 3: y'all gonna come and play and try to take me

1202
01:02:10,640 --> 01:02:13,680
Speaker 3: down with these kind of allegations without any merit. Because

1203
01:02:13,680 --> 01:02:16,760
Speaker 3: we're in a clip culture. You don't even need merit.

1204
01:02:16,760 --> 01:02:22,000
Speaker 3: They can tell your brand down just with voices. I

1205
01:02:22,080 --> 01:02:26,320
Speaker 3: continue to tell people that as the rap game is changing,

1206
01:02:26,360 --> 01:02:29,280
Speaker 3: and content is king. People are listening to us more

1207
01:02:29,320 --> 01:02:32,960
Speaker 3: than they listening to music. People are listening to us

1208
01:02:33,040 --> 01:02:36,200
Speaker 3: digest and dissect the music more than they're listening to

1209
01:02:36,240 --> 01:02:39,240
Speaker 3: the people that's involved with making the music.

1210
01:02:39,280 --> 01:02:40,080
Speaker 4: Here's the thing.

1211
01:02:40,520 --> 01:02:46,360
Speaker 3: Music has a special place in American culture, right. There's

1212
01:02:46,520 --> 01:02:51,760
Speaker 3: environments that are catered specifically to music. My next operation

1213
01:02:51,960 --> 01:02:55,320
Speaker 3: is start those environments. That's what you guessed it the

1214
01:02:55,400 --> 01:02:58,240
Speaker 3: learning verse. When you think about a concert, when you

1215
01:02:58,320 --> 01:03:00,960
Speaker 3: think about a juke bar, when you think about a club,

1216
01:03:01,040 --> 01:03:03,760
Speaker 3: when you think about some of these scenarios, well, what

1217
01:03:04,280 --> 01:03:10,120
Speaker 3: everything is centered around music? The next wave things are changing.

1218
01:03:10,560 --> 01:03:13,200
Speaker 3: You live your whole life on a constitution and going

1219
01:03:13,240 --> 01:03:15,720
Speaker 3: a certain way, and on the last lap they come

1220
01:03:15,760 --> 01:03:18,840
Speaker 3: and play with you like this here time at the time.

1221
01:03:19,160 --> 01:03:23,360
Speaker 3: The black man's wealth, even if it's not in question

1222
01:03:24,440 --> 01:03:28,640
Speaker 3: him keeping it, is always questionable. If he never make

1223
01:03:28,680 --> 01:03:32,640
Speaker 3: a mistake as it pertains to business, he still may

1224
01:03:32,840 --> 01:03:35,240
Speaker 3: end up fighting for his life and fighting for his

1225
01:03:35,360 --> 01:03:37,400
Speaker 3: wealth as he gets older.

1226
01:03:37,760 --> 01:03:38,720
Speaker 4: I believe this is.

1227
01:03:38,680 --> 01:03:41,480
Speaker 3: A scary scenario when you zoom out and look at it,

1228
01:03:41,560 --> 01:03:44,960
Speaker 3: especially from different cultures. Just think about how Michael Jeffries

1229
01:03:45,000 --> 01:03:47,680
Speaker 3: feel knowing that me and Diddy got the same case

1230
01:03:47,720 --> 01:03:50,320
Speaker 3: and they let me out. Yeah, there's a few fine

1231
01:03:50,400 --> 01:03:53,280
Speaker 3: details that are different, But think about how he feel

1232
01:03:53,360 --> 01:03:56,320
Speaker 3: let his house, thinking like, oh my goodness. That's why

1233
01:03:56,360 --> 01:03:59,760
Speaker 3: I think what Trump is doing sometimes it gets dangerous.

1234
01:04:00,040 --> 01:04:02,040
Speaker 3: And I know them to be smart enough to really

1235
01:04:02,120 --> 01:04:04,240
Speaker 3: understand that some of the stuff they're doing can be

1236
01:04:04,400 --> 01:04:08,000
Speaker 3: viewed as virtue signaling. Some people are having this conversation

1237
01:04:08,120 --> 01:04:11,439
Speaker 3: about Jordan Needley. When I see Trump embrace the guy

1238
01:04:11,480 --> 01:04:14,640
Speaker 3: that choked Jordan Needley, I think it's dangerous in particular

1239
01:04:14,960 --> 01:04:17,240
Speaker 3: because the IQ of some of the people that're seeing

1240
01:04:17,320 --> 01:04:20,720
Speaker 3: that can take that message in a certain way. When

1241
01:04:20,720 --> 01:04:25,720
Speaker 3: the conversation is still hot on the press that there's

1242
01:04:25,760 --> 01:04:29,680
Speaker 3: a divide in certain people, and there's even a conversation

1243
01:04:30,840 --> 01:04:34,680
Speaker 3: that people are thinking that this could be racially motivated,

1244
01:04:34,760 --> 01:04:36,720
Speaker 3: and then for you to celebrate it, I just think

1245
01:04:36,760 --> 01:04:38,960
Speaker 3: this is getting a little dangerous. But then I think

1246
01:04:39,000 --> 01:04:41,760
Speaker 3: about it and I say, listen, Trump doesn't have any

1247
01:04:41,800 --> 01:04:44,680
Speaker 3: lord to anybody on these last four years. I don't

1248
01:04:44,720 --> 01:04:48,120
Speaker 3: believe him to be someone that's interested in the political

1249
01:04:48,200 --> 01:04:51,760
Speaker 3: process after these four years. So I think whatever he

1250
01:04:51,840 --> 01:04:54,080
Speaker 3: does in these four years, he goes out in the

1251
01:04:54,080 --> 01:04:56,560
Speaker 3: blaze of glory. I don't think we see Trump coming

1252
01:04:56,600 --> 01:05:00,360
Speaker 3: back to run for governor, run for vice president, run

1253
01:05:00,440 --> 01:05:02,959
Speaker 3: for any other office. I believe him to go back

1254
01:05:03,000 --> 01:05:06,280
Speaker 3: into the private sector, take all the fame to clout

1255
01:05:06,320 --> 01:05:09,560
Speaker 3: the business, the information that he had as a president,

1256
01:05:10,080 --> 01:05:12,520
Speaker 3: milked at for the rest of his life because he

1257
01:05:12,680 --> 01:05:15,320
Speaker 3: is an older gentleman. He still has life in him,

1258
01:05:15,320 --> 01:05:17,960
Speaker 3: but he's an older gentleman, and so I think the

1259
01:05:18,040 --> 01:05:20,920
Speaker 3: last quarters of his life he lives talking about what

1260
01:05:21,040 --> 01:05:25,480
Speaker 3: he did while in office, being shot, being shot at

1261
01:05:25,520 --> 01:05:28,360
Speaker 3: while on the presidential campaign, Like you gotta think, man,

1262
01:05:28,360 --> 01:05:30,280
Speaker 3: when he get out of office, he got a movie,

1263
01:05:30,440 --> 01:05:34,440
Speaker 3: movie movie. Donald Trump has content for the next thirty

1264
01:05:34,480 --> 01:05:37,440
Speaker 3: five years. But let's get back to Jay. I think

1265
01:05:37,560 --> 01:05:40,480
Speaker 3: an interesting part of what Jay did right is Jay

1266
01:05:40,480 --> 01:05:43,640
Speaker 3: and Kendrick's relationship. When I look at that, I say, Yo,

1267
01:05:43,840 --> 01:05:48,160
Speaker 3: it feels like Jay kind of pours some gasoline on

1268
01:05:48,240 --> 01:05:51,640
Speaker 3: the fire right when Kendrick is kind of weaponized in

1269
01:05:51,720 --> 01:05:57,440
Speaker 3: public perception. And I think it's interesting how now that

1270
01:05:57,520 --> 01:06:02,000
Speaker 3: package comes to Jay Z's front door, but his infrastructure

1271
01:06:02,040 --> 01:06:05,400
Speaker 3: is so strong, like you can just see it, like

1272
01:06:05,480 --> 01:06:08,120
Speaker 3: you can just see how the media handles it with which,

1273
01:06:08,200 --> 01:06:10,680
Speaker 3: again I believe they should handle it that way, cause

1274
01:06:10,680 --> 01:06:14,440
Speaker 3: again I didn't believe that Jade was involved in that,

1275
01:06:14,480 --> 01:06:17,200
Speaker 3: and I still don't even though they're still moving along.

1276
01:06:17,040 --> 01:06:17,600
Speaker 4: With the case.

1277
01:06:18,400 --> 01:06:21,320
Speaker 3: But what I've seen in the past tells me that

1278
01:06:21,400 --> 01:06:25,120
Speaker 3: I need to hold space for complex scenarios. I always

1279
01:06:25,160 --> 01:06:29,040
Speaker 3: want to do that. Right, this one I still believe

1280
01:06:29,120 --> 01:06:31,800
Speaker 3: to be a bit far fetched. But I think what

1281
01:06:31,840 --> 01:06:34,960
Speaker 3: they're trying to do is trigger other stories to come out.

1282
01:06:35,000 --> 01:06:36,920
Speaker 3: They're trying to trigger, and he may got one in

1283
01:06:36,960 --> 01:06:41,760
Speaker 3: the hole. I think this lawyer Tony, this lawyer Tony Bunsby,

1284
01:06:42,120 --> 01:06:44,040
Speaker 3: I think he got one in the hole on jay Z.

1285
01:06:45,000 --> 01:06:47,080
Speaker 3: I think this is like when the cartels send the

1286
01:06:47,200 --> 01:06:50,520
Speaker 3: dummy packed through hoping to get caught. So the other

1287
01:06:50,560 --> 01:06:53,960
Speaker 3: one on the other side of it, while they're celebrating

1288
01:06:54,160 --> 01:06:57,840
Speaker 3: catching thirty bricks, we send ninety one bricks right through

1289
01:06:57,840 --> 01:07:02,160
Speaker 3: that same pathway on that same day, Right, So I

1290
01:07:02,200 --> 01:07:05,680
Speaker 3: think that he cannot be going at someone as powerful

1291
01:07:05,720 --> 01:07:09,120
Speaker 3: as jay Z and be vulnerable in this way, with

1292
01:07:09,240 --> 01:07:12,320
Speaker 3: this being just the only case that he really really

1293
01:07:12,440 --> 01:07:15,640
Speaker 3: only has. Again, I believe him to be trying to

1294
01:07:15,760 --> 01:07:18,800
Speaker 3: trigger other responses, so he can kind of do the

1295
01:07:18,840 --> 01:07:21,240
Speaker 3: same technique that they did the Diddy. And that's why

1296
01:07:21,280 --> 01:07:23,320
Speaker 3: jay Z is taking it so personal. I don't think

1297
01:07:23,360 --> 01:07:26,160
Speaker 3: that Jay coming out with that Instagram post was him

1298
01:07:26,280 --> 01:07:29,560
Speaker 3: just being nice about this. He taking his personal. He

1299
01:07:29,640 --> 01:07:31,960
Speaker 3: looking at what they did to did it. He taking

1300
01:07:32,000 --> 01:07:35,520
Speaker 3: this extremely personal. This is how it starts. He know

1301
01:07:35,640 --> 01:07:39,120
Speaker 3: that this is the starting line of them trying to

1302
01:07:39,200 --> 01:07:42,840
Speaker 3: assassinate me. If I'm jay Z, I'm looking at this

1303
01:07:42,960 --> 01:07:45,880
Speaker 3: lawyer like, man, he trying to assassinate me. Man, he

1304
01:07:46,040 --> 01:07:49,000
Speaker 3: trying to take me out. This is the start of it.

1305
01:07:49,240 --> 01:07:52,760
Speaker 3: This is blackmail, this is extortion, but this is also

1306
01:07:52,960 --> 01:07:57,240
Speaker 3: career suicide. They're trying to publicly that's to make my

1307
01:07:57,480 --> 01:08:00,960
Speaker 3: image so that when they lock me up, there's nobody

1308
01:08:01,000 --> 01:08:02,920
Speaker 3: that can fight for me. And then they put these

1309
01:08:03,000 --> 01:08:06,600
Speaker 3: charges on me to make me radioactive. When I'm radioactive,

1310
01:08:06,680 --> 01:08:10,440
Speaker 3: the people cannot support certain crimes that have merit to it.

1311
01:08:10,680 --> 01:08:13,120
Speaker 3: That's why Jay wanted to come out and smush it.

1312
01:08:13,360 --> 01:08:16,559
Speaker 3: But I still think it's interesting why this lady wanted

1313
01:08:16,600 --> 01:08:19,639
Speaker 3: to do this interview right now, why the lawyer didn't

1314
01:08:19,640 --> 01:08:24,280
Speaker 3: advise against her doing the interview. I do want applaud

1315
01:08:24,439 --> 01:08:28,040
Speaker 3: NBC for taking the content because again, as me being

1316
01:08:28,120 --> 01:08:32,479
Speaker 3: someone in content world, I understand the process of coming

1317
01:08:32,560 --> 01:08:35,240
Speaker 3: up with a title or a description. I understand the

1318
01:08:35,280 --> 01:08:39,080
Speaker 3: work that goes into that and how you viewing that right,

1319
01:08:39,120 --> 01:08:42,800
Speaker 3: So for them to lead with she was inconsistent in

1320
01:08:42,880 --> 01:08:47,000
Speaker 3: her approach in her entire interview. I think that is

1321
01:08:47,040 --> 01:08:51,160
Speaker 3: the favoritism that they give Jay, although it's true they

1322
01:08:51,240 --> 01:08:54,280
Speaker 3: could have ran that story in a different way. I'm

1323
01:08:54,320 --> 01:08:56,960
Speaker 3: telling you that, I'm not asking you that you dig

1324
01:08:57,000 --> 01:08:59,760
Speaker 3: what I'm saying. I'm interested in seeing how Jay and

1325
01:08:59,800 --> 01:09:02,320
Speaker 3: is Oh just handle this, right. I believe they should

1326
01:09:02,360 --> 01:09:06,160
Speaker 3: be this Barre man if they're weaponizing these unproven claims,

1327
01:09:06,680 --> 01:09:10,320
Speaker 3: I think they should be this bard right because these

1328
01:09:10,400 --> 01:09:15,880
Speaker 3: leave permanent stains man on people's legacy. Right, these kind

1329
01:09:15,880 --> 01:09:21,559
Speaker 3: of claims, they resonate with the audience so deeply that

1330
01:09:21,800 --> 01:09:25,280
Speaker 3: if it lives for too long, you really can't undo them.

1331
01:09:25,360 --> 01:09:25,679
Speaker 4: Man.

1332
01:09:25,880 --> 01:09:28,879
Speaker 3: You know, I send prayers to Jay Beyonce, his family,

1333
01:09:31,040 --> 01:09:33,639
Speaker 3: and I hold space for any victims out there, right,

1334
01:09:33,720 --> 01:09:36,040
Speaker 3: I want to be clear about that. But as it

1335
01:09:36,080 --> 01:09:39,080
Speaker 3: pertains to this game, it's a nasty game when unproven

1336
01:09:39,200 --> 01:09:42,920
Speaker 3: claims can really ruin your career life, and legacy. And

1337
01:09:42,960 --> 01:09:45,760
Speaker 3: this is why I think that Jay should not let

1338
01:09:45,880 --> 01:09:48,479
Speaker 3: Kendrick Lamar go all the way to the super Bowl

1339
01:09:48,560 --> 01:09:54,599
Speaker 3: with that pedophile talk. I believe it's time to get

1340
01:09:54,640 --> 01:09:58,880
Speaker 3: off their pedophile talk as it pertains to someone like Drake, right,

1341
01:09:58,960 --> 01:10:02,679
Speaker 3: they playing the dangerous game. If you're someone in power,

1342
01:10:02,760 --> 01:10:05,760
Speaker 3: you look at this like an assassination attempt when they

1343
01:10:05,800 --> 01:10:07,960
Speaker 3: come at you with these kind of claims. Dog the

1344
01:10:08,320 --> 01:10:11,400
Speaker 3: people with these claims end up dead in jail, or

1345
01:10:11,439 --> 01:10:14,880
Speaker 3: they lose everything they got, they become radioactive. You look

1346
01:10:14,880 --> 01:10:17,320
Speaker 3: at Epstein, you look at any of these people, whether

1347
01:10:17,400 --> 01:10:21,840
Speaker 3: or not they've been convicted or otherwise clear of all

1348
01:10:21,960 --> 01:10:25,240
Speaker 3: charges of otherwise. The process that they go through is

1349
01:10:25,280 --> 01:10:30,080
Speaker 3: a public lynching and stripping of all of the assets.

1350
01:10:30,680 --> 01:10:32,639
Speaker 3: We are on the heels of the Me Too movement.

1351
01:10:33,040 --> 01:10:35,599
Speaker 3: And as much as they say, you know, Drake isn't

1352
01:10:35,640 --> 01:10:38,160
Speaker 3: a part of the culture, right, I get what they say.

1353
01:10:38,160 --> 01:10:40,439
Speaker 3: They can't tell me because I am the culture. None

1354
01:10:40,520 --> 01:10:43,559
Speaker 3: nobody can't tell me that ain't nobody can't tell me.

1355
01:10:44,160 --> 01:10:47,280
Speaker 3: I am the culture. And that's on everything, and that's

1356
01:10:47,280 --> 01:10:52,559
Speaker 3: stamped right. So what happens is, as much as we

1357
01:10:52,720 --> 01:10:55,720
Speaker 3: do want to say Drake isn't the culture. Drake is

1358
01:10:55,760 --> 01:10:59,120
Speaker 3: given more to the culture in certain aspects than a

1359
01:10:59,160 --> 01:11:02,960
Speaker 3: lot of the people that are in position. Let's keep

1360
01:11:03,000 --> 01:11:05,920
Speaker 3: it a buck, you know, the particulars of the business.

1361
01:11:06,400 --> 01:11:08,320
Speaker 3: Someone has to come on the show and let me

1362
01:11:08,439 --> 01:11:11,640
Speaker 3: really understand what those were, because I don't know. And

1363
01:11:11,680 --> 01:11:13,720
Speaker 3: I think that is a good question for people that

1364
01:11:13,880 --> 01:11:16,640
Speaker 3: has a song with Drake. What is the business of

1365
01:11:16,720 --> 01:11:20,040
Speaker 3: that record? Do you know he owns one hundred percent?

1366
01:11:20,640 --> 01:11:23,240
Speaker 3: You know, depending on who we're speaking with, depending on

1367
01:11:23,280 --> 01:11:25,880
Speaker 3: the timeframe, I think there's a conversation to be had

1368
01:11:25,960 --> 01:11:30,479
Speaker 3: about that. But always remember, admiration isn't free. Again, I

1369
01:11:30,560 --> 01:11:33,719
Speaker 3: talk about these things, I'm aiming to reach the people

1370
01:11:33,720 --> 01:11:35,560
Speaker 3: that seek clarity over chaos.

1371
01:11:35,640 --> 01:11:35,840
Speaker 7: Right.

1372
01:11:36,200 --> 01:11:38,920
Speaker 3: Certain topics glowing the dog right, It's hard for me

1373
01:11:39,000 --> 01:11:42,880
Speaker 3: to speak about them because again I know that they're radioactive.

1374
01:11:42,920 --> 01:11:45,639
Speaker 3: But again, as I am a part of the coach

1375
01:11:45,720 --> 01:11:48,320
Speaker 3: and a part of the cycle of what feeds the

1376
01:11:48,400 --> 01:11:51,679
Speaker 3: narrative of what we call this beautiful thing of hip hop,

1377
01:11:52,000 --> 01:11:55,479
Speaker 3: I have to touch on certain topics and hopefully the

1378
01:11:55,560 --> 01:11:59,000
Speaker 3: people that's involved understand that, even if they don't have

1379
01:11:59,120 --> 01:12:01,759
Speaker 3: to continue to build a business and it's for the people,

1380
01:12:01,880 --> 01:12:04,880
Speaker 3: the fans. It's for the individuals that's out there that

1381
01:12:05,040 --> 01:12:07,840
Speaker 3: want to know exactly what's going on. And my Lord

1382
01:12:07,960 --> 01:12:10,759
Speaker 3: to lies with the fans as we report the truth,

1383
01:12:10,960 --> 01:12:13,280
Speaker 3: and it don't matter who it's against. And that's a

1384
01:12:13,360 --> 01:12:15,800
Speaker 3: fact I had a homegirl asked me, loom man my

1385
01:12:16,800 --> 01:12:19,280
Speaker 3: She said, my son he played these games with me.

1386
01:12:21,560 --> 01:12:23,360
Speaker 4: He pulled at my heart strings, you know.

1387
01:12:23,439 --> 01:12:27,280
Speaker 3: He he'll tell me depressed and things like that. One

1388
01:12:27,320 --> 01:12:30,639
Speaker 3: of my first questions to her was does he ever

1389
01:12:30,680 --> 01:12:36,240
Speaker 3: do that to the father. I'm not sure she understand

1390
01:12:36,320 --> 01:12:39,000
Speaker 3: where I was coming from, right, because it wasn't that

1391
01:12:39,080 --> 01:12:42,120
Speaker 3: I was down playing what he was going through. I

1392
01:12:42,160 --> 01:12:44,160
Speaker 3: was just trying to make sure he wasn't only going

1393
01:12:44,160 --> 01:12:46,920
Speaker 3: through it when he talked to her. Nowadays, you're dealing

1394
01:12:46,920 --> 01:12:49,240
Speaker 3: with children. It's got smart enough to know how to

1395
01:12:49,360 --> 01:12:53,800
Speaker 3: emotionally extort their parents. Nine times out of ten, they

1396
01:12:53,840 --> 01:12:57,799
Speaker 3: play on the mama, and particularly if the mother single

1397
01:12:57,840 --> 01:12:59,680
Speaker 3: and the father is and there, they know that she's

1398
01:12:59,720 --> 01:13:04,439
Speaker 3: over compensating and as holes that they understand it needs

1399
01:13:04,479 --> 01:13:07,800
Speaker 3: to be filled and they don't understand that because they're

1400
01:13:07,840 --> 01:13:11,240
Speaker 3: smart enough to understand the complexity is a parenthood or

1401
01:13:11,240 --> 01:13:14,639
Speaker 3: they have some kind of insight or they are dealing

1402
01:13:14,680 --> 01:13:17,240
Speaker 3: with some sort of intellect that lets them tap into

1403
01:13:17,280 --> 01:13:20,320
Speaker 3: what their mom is going through. What they understand is

1404
01:13:20,360 --> 01:13:24,000
Speaker 3: that certain times when I'm supposed to get in trouble,

1405
01:13:24,040 --> 01:13:25,040
Speaker 3: I don't get in trouble.

1406
01:13:25,880 --> 01:13:26,840
Speaker 4: Before we get out of here.

1407
01:13:26,880 --> 01:13:30,240
Speaker 3: Today, I want to talk about an unfortunate circumstance that

1408
01:13:30,320 --> 01:13:35,760
Speaker 3: I found myself in man as I'm getting older and

1409
01:13:35,800 --> 01:13:41,479
Speaker 3: getting further and further in my dreams, right, I sit

1410
01:13:41,600 --> 01:13:44,200
Speaker 3: down and I have to prepare myself for the moments

1411
01:13:44,200 --> 01:13:46,439
Speaker 3: that people don't see me for who I am, only

1412
01:13:46,479 --> 01:13:50,000
Speaker 3: for what I have, what I can offer. It's unfortunate

1413
01:13:50,040 --> 01:13:54,040
Speaker 3: because it'll put people you grew up with on covert operations.

1414
01:13:55,200 --> 01:13:58,760
Speaker 3: People all go undercover on missions. People you knew all

1415
01:13:58,800 --> 01:14:03,920
Speaker 3: your life with preordained destinations to get next to your

1416
01:14:04,040 --> 01:14:08,240
Speaker 3: bank roll and have you either invest, give them things,

1417
01:14:08,560 --> 01:14:11,840
Speaker 3: provide them opportunity that see. What people don't know about

1418
01:14:11,880 --> 01:14:16,280
Speaker 3: opportunity is that it's worth nothing without work. You can

1419
01:14:16,360 --> 01:14:19,720
Speaker 3: maximize your relationship when you can acknowledge the grind. The

1420
01:14:19,880 --> 01:14:22,559
Speaker 3: unfortunate thing about hip hop is people who watch the

1421
01:14:22,600 --> 01:14:26,360
Speaker 3: sleepless nights, the sacrifices they'll watch the moments when you

1422
01:14:26,439 --> 01:14:28,920
Speaker 3: have to choose between your dreams and the comfort of

1423
01:14:28,960 --> 01:14:32,160
Speaker 3: your family and nobody likes you, and til everybody likes you,

1424
01:14:32,680 --> 01:14:36,320
Speaker 3: and even when everybody likes you, nobody helps you. This

1425
01:14:36,400 --> 01:14:39,000
Speaker 3: is the loop that rap coach is in. Even when

1426
01:14:39,120 --> 01:14:43,040
Speaker 3: everybody likes you, nobody helps you. I remember one time

1427
01:14:43,080 --> 01:14:48,400
Speaker 3: when DJ Kelly that went viral and he was saying, Yo,

1428
01:14:48,520 --> 01:14:53,360
Speaker 3: I like what Drake like. I understand the for ness, right,

1429
01:14:53,439 --> 01:14:56,760
Speaker 3: I get it. Drake a big dog in the game.

1430
01:14:56,800 --> 01:14:59,519
Speaker 3: But I didn't respect that because I'm a game related

1431
01:15:00,280 --> 01:15:03,400
Speaker 3: that's handling business with game and I'm trying to always

1432
01:15:03,439 --> 01:15:07,040
Speaker 3: have peak respective. I would had just much rather seen

1433
01:15:07,160 --> 01:15:11,080
Speaker 3: ideas being pumped out in those conversations. I continue to

1434
01:15:11,120 --> 01:15:13,640
Speaker 3: be loud at the top of the mind. Say yo,

1435
01:15:13,880 --> 01:15:18,040
Speaker 3: four years ago, Kanye West was running around telling major

1436
01:15:18,120 --> 01:15:20,360
Speaker 3: companies he had three million emails.

1437
01:15:20,400 --> 01:15:21,519
Speaker 4: Are y'all not listening?

1438
01:15:23,000 --> 01:15:25,840
Speaker 3: As I got further and further into this game, I said, Oh,

1439
01:15:25,920 --> 01:15:28,839
Speaker 3: that's what Joe was doing at Patren. It's the emails,

1440
01:15:28,920 --> 01:15:34,240
Speaker 3: the oh you get some info? Oh this directed Oh

1441
01:15:34,280 --> 01:15:35,559
Speaker 3: they don't really get it.

1442
01:15:37,360 --> 01:15:40,720
Speaker 4: Right. When I seen what Breakfast Club was doing, I

1443
01:15:40,760 --> 01:15:42,599
Speaker 4: said Oh, I get it. I get it.

1444
01:15:43,080 --> 01:15:46,040
Speaker 3: Oh, that's why you heard me when I first came

1445
01:15:46,160 --> 01:15:48,559
Speaker 3: in and you continue to hear me speak about Yo,

1446
01:15:48,680 --> 01:15:51,520
Speaker 3: this is a media company. It looked like a podcast,

1447
01:15:51,560 --> 01:15:54,400
Speaker 3: and I say it's a media company, but it's really

1448
01:15:54,400 --> 01:15:58,360
Speaker 3: a tech company. If you pay attention to everything that

1449
01:15:58,479 --> 01:16:01,600
Speaker 3: I'm doing. I'm dealing with subscript I'm dealing with director

1450
01:16:01,600 --> 01:16:07,760
Speaker 3: consumer for real, y'all. Just talking, y'all, just talking. I'm

1451
01:16:07,760 --> 01:16:13,160
Speaker 3: really executing the game. There's holes in the game though.

1452
01:16:15,040 --> 01:16:17,719
Speaker 3: That's holes in the game. That's people you need to hire.

1453
01:16:18,960 --> 01:16:20,439
Speaker 3: That's avenues you need to go.

1454
01:16:23,160 --> 01:16:23,559
Speaker 4: You know how.

1455
01:16:23,600 --> 01:16:25,479
Speaker 3: They'll tell you in New York and get on the

1456
01:16:25,560 --> 01:16:28,280
Speaker 3: eight train. That's how you get to Like, you could

1457
01:16:28,320 --> 01:16:30,320
Speaker 3: be in New York all you want, but to get

1458
01:16:30,360 --> 01:16:33,840
Speaker 3: to this particular destination, you got to get on the

1459
01:16:33,920 --> 01:16:38,519
Speaker 3: eight train. Ain't nobody gotta take you, Ain't nobody got

1460
01:16:38,520 --> 01:16:40,840
Speaker 3: to assist you. If you can find your way to

1461
01:16:40,920 --> 01:16:43,760
Speaker 3: the eight train, it'll get you to exactly where the

1462
01:16:43,880 --> 01:16:47,080
Speaker 3: mother went. That win it got their honey million. But

1463
01:16:47,120 --> 01:16:52,400
Speaker 3: they're leading in ghost land in New York. Yeah, this industry,

1464
01:16:52,720 --> 01:16:55,680
Speaker 3: they're leading in ghost land. Just wondering, man, where you

1465
01:16:55,760 --> 01:16:59,200
Speaker 3: go from here the eight train. They ain't even telling

1466
01:16:59,280 --> 01:17:02,599
Speaker 3: you get to the eight train. How what's the name

1467
01:17:02,680 --> 01:17:05,840
Speaker 3: they'll get you to the eight train. They dealing with

1468
01:17:05,960 --> 01:17:08,160
Speaker 3: hundreds of millions. They ain't sharing the tax code with

1469
01:17:08,240 --> 01:17:12,400
Speaker 3: one another. They ain't introducing people to their connects on

1470
01:17:12,439 --> 01:17:15,719
Speaker 3: that level where they showing it how to wipe away

1471
01:17:15,880 --> 01:17:18,559
Speaker 3: twenty and thirty million and give it away and help

1472
01:17:18,640 --> 01:17:22,960
Speaker 3: these black folks business and donate two hundred thousand over

1473
01:17:22,960 --> 01:17:24,880
Speaker 3: to this media company because I'm gonna give it to

1474
01:17:24,960 --> 01:17:25,639
Speaker 3: Uncle Sam.

1475
01:17:26,840 --> 01:17:27,000
Speaker 5: Right.

1476
01:17:27,040 --> 01:17:29,840
Speaker 3: When you understand business, you understand that you can move

1477
01:17:29,920 --> 01:17:33,240
Speaker 3: certain things around if you're paying attention. I remember a

1478
01:17:33,320 --> 01:17:37,519
Speaker 3: long time ago, I said, they want to shine. I

1479
01:17:37,560 --> 01:17:40,559
Speaker 3: always told people they don't want to struggle. They want

1480
01:17:40,560 --> 01:17:42,679
Speaker 3: to shine, like did it. They don't want a grind

1481
01:17:42,760 --> 01:17:47,519
Speaker 3: like puff. See I remember Puff. But what happens is

1482
01:17:47,560 --> 01:17:50,439
Speaker 3: in this industry they see the reward, so they want

1483
01:17:50,479 --> 01:17:54,960
Speaker 3: the reward. They don't understand that it's war. They don't understand,

1484
01:17:58,000 --> 01:18:00,360
Speaker 3: and as you get older, you don't explain yourself the

1485
01:18:00,400 --> 01:18:05,960
Speaker 3: people that don't understand. I'm one of the unique individuals man.

1486
01:18:06,000 --> 01:18:07,880
Speaker 3: You don't see me with a lot of people because

1487
01:18:07,880 --> 01:18:10,720
Speaker 3: I rather stay broke. I would have stayed broke for

1488
01:18:10,840 --> 01:18:14,839
Speaker 3: I got with some dislawyers. I would have literally stayed

1489
01:18:14,880 --> 01:18:18,280
Speaker 3: broke or stayed in the street. I would have stayed

1490
01:18:18,560 --> 01:18:23,760
Speaker 3: isolated because I'd rather eat by myself. My heartbeat and

1491
01:18:23,840 --> 01:18:28,439
Speaker 3: I be in too deep. You know, I'm a gangster.

1492
01:18:28,520 --> 01:18:31,160
Speaker 3: I got good recover speed. Really, ain't nothing I can't

1493
01:18:31,280 --> 01:18:35,240
Speaker 3: get over. Ain't nothing I can't overcome. But sucker shit

1494
01:18:35,439 --> 01:18:40,000
Speaker 3: hurt my hard, whether they come from an or male

1495
01:18:40,120 --> 01:18:42,960
Speaker 3: or female. If I'm dealing with sucker shit, just hurt

1496
01:18:43,000 --> 01:18:46,680
Speaker 3: my heart. That's why I try to stay out the proximity,

1497
01:18:46,720 --> 01:18:49,240
Speaker 3: because if I ain't around you, you can't put that

1498
01:18:49,360 --> 01:18:51,200
Speaker 3: sucker shit on me. You can't hear me with a

1499
01:18:51,240 --> 01:18:55,200
Speaker 3: sucker punch. The more you read, the more you find out.

1500
01:18:55,240 --> 01:19:00,320
Speaker 3: This solitude is sanctuary. I do well by myself, learn

1501
01:19:00,360 --> 01:19:04,439
Speaker 3: more by myself. It's good to interact with everybody, but

1502
01:19:04,479 --> 01:19:08,400
Speaker 3: I learned more by myself. I digest it better. I

1503
01:19:08,479 --> 01:19:11,479
Speaker 3: remember telling people, man, the rappers go through certain things

1504
01:19:11,520 --> 01:19:16,599
Speaker 3: because of the imagery. They're in a vicious cycle where

1505
01:19:16,600 --> 01:19:18,559
Speaker 3: they got to look like they got it way before

1506
01:19:18,600 --> 01:19:23,280
Speaker 3: they got it. I think it's inconsiderate because if you

1507
01:19:23,360 --> 01:19:26,000
Speaker 3: know anything about money, You know that money comes with

1508
01:19:26,560 --> 01:19:31,000
Speaker 3: expectation and comes with responsibility and different things. And so

1509
01:19:31,360 --> 01:19:34,440
Speaker 3: people without money don't know the difference between the imagery

1510
01:19:34,520 --> 01:19:38,040
Speaker 3: of having money and actually having money that look like

1511
01:19:38,080 --> 01:19:40,000
Speaker 3: he got it in the one that really have it.

1512
01:19:41,240 --> 01:19:44,160
Speaker 3: And so oftentimes you would deal with young gentlemen coming

1513
01:19:44,160 --> 01:19:46,880
Speaker 3: from the inner city that'll find themselves in beef because

1514
01:19:46,880 --> 01:19:49,679
Speaker 3: people who are asking for things don't understand they don't

1515
01:19:49,680 --> 01:19:52,519
Speaker 3: have it. But if they say they don't have it,

1516
01:19:52,560 --> 01:19:58,120
Speaker 3: then everything they've ever said seem to be questionable. For

1517
01:19:58,160 --> 01:20:00,240
Speaker 3: the sake of the image they got to continue they

1518
01:20:00,280 --> 01:20:03,479
Speaker 3: at least act like they got enough money to take

1519
01:20:03,520 --> 01:20:06,800
Speaker 3: care of things that they never took care of. You know,

1520
01:20:06,880 --> 01:20:09,639
Speaker 3: I do what I can for this always ain't enough.

1521
01:20:10,479 --> 01:20:13,600
Speaker 3: It always supposed to been more. It always could have

1522
01:20:13,680 --> 01:20:16,840
Speaker 3: been more. I always should have done more. It make

1523
01:20:16,880 --> 01:20:20,360
Speaker 3: you not want to do nothing. But when God has

1524
01:20:20,360 --> 01:20:23,519
Speaker 3: blessed you, you got to be stronger and fall a

1525
01:20:23,600 --> 01:20:26,120
Speaker 3: victim to your emotions and continue to try to help

1526
01:20:26,120 --> 01:20:30,120
Speaker 3: the people that deserve that extra push. If you got

1527
01:20:30,160 --> 01:20:33,760
Speaker 3: any kind of hard right, I think the industry will

1528
01:20:33,800 --> 01:20:36,559
Speaker 3: make you hardless and make you think that everything you touch.

1529
01:20:36,600 --> 01:20:39,519
Speaker 3: Is you doing a favor forgetting the times when you

1530
01:20:39,640 --> 01:20:42,000
Speaker 3: need a help, when you need a direction, when people

1531
01:20:42,040 --> 01:20:44,240
Speaker 3: open the door for you. I think that it's a

1532
01:20:44,439 --> 01:20:47,519
Speaker 3: nasty part of the game that take you through this

1533
01:20:47,720 --> 01:20:50,920
Speaker 3: men in black phase with somebody where it's almost like

1534
01:20:51,360 --> 01:20:54,280
Speaker 3: they flash you and you forget when you needed help.

1535
01:20:54,920 --> 01:20:57,639
Speaker 3: I don't think being vulnerable makes you less than a man.

1536
01:20:57,720 --> 01:20:59,920
Speaker 3: When I say, yo, somebody have to give me direct

1537
01:21:00,120 --> 01:21:01,880
Speaker 3: and I don't know what I mean. I'm lost in

1538
01:21:01,960 --> 01:21:04,960
Speaker 3: New York. I refuse to give my money to fifteen

1539
01:21:05,000 --> 01:21:07,400
Speaker 3: people before I find out which one is one.

1540
01:21:07,479 --> 01:21:08,679
Speaker 4: I can't do it like that.

1541
01:21:09,080 --> 01:21:11,880
Speaker 3: I think that the infrastructure of the industry already is

1542
01:21:11,920 --> 01:21:14,439
Speaker 3: in place. They should already be in position to say,

1543
01:21:14,680 --> 01:21:17,320
Speaker 3: go that way, tell that person that you need your

1544
01:21:17,360 --> 01:21:20,960
Speaker 3: shoes time, and then they'll send you to someone to

1545
01:21:21,080 --> 01:21:24,559
Speaker 3: get you a suit. Get there, go to the right.

1546
01:21:25,080 --> 01:21:28,320
Speaker 3: I just think that there's infrastructure. I don't understand why

1547
01:21:28,320 --> 01:21:31,519
Speaker 3: they just allow people like to run around the industry

1548
01:21:31,560 --> 01:21:36,120
Speaker 3: like Macaulay Culkin. I just don't get it. The interesting

1549
01:21:36,200 --> 01:21:38,880
Speaker 3: thing about having money, too is that you'll deal with

1550
01:21:38,920 --> 01:21:42,879
Speaker 3: people who be ungrateful and really don't know that they're ungrateful.

1551
01:21:43,080 --> 01:21:46,160
Speaker 3: I think there's a misunderstanding with what they deserve and

1552
01:21:46,200 --> 01:21:48,800
Speaker 3: what I give them, and they think that needs to coexist.

1553
01:21:49,479 --> 01:21:51,680
Speaker 3: What I give you and what you deserve don't have

1554
01:21:51,720 --> 01:21:54,400
Speaker 3: to coexist. The key word is what I gave you,

1555
01:21:55,439 --> 01:21:57,720
Speaker 3: not what you've earned and what you've earned and what

1556
01:21:57,760 --> 01:22:00,920
Speaker 3: you deserve. I think that's more close to a conversation

1557
01:22:01,040 --> 01:22:04,760
Speaker 3: that you can have with you and God. But far

1558
01:22:04,800 --> 01:22:07,080
Speaker 3: as what I give you and what you deserve, I

1559
01:22:07,160 --> 01:22:09,599
Speaker 3: don't really think that needs to coexist. If you didn't

1560
01:22:09,640 --> 01:22:11,960
Speaker 3: work for me. I'm talking about people that you do

1561
01:22:12,120 --> 01:22:15,360
Speaker 3: favors for, people that you look out for. You know,

1562
01:22:15,479 --> 01:22:19,160
Speaker 3: one hand wash the other both watched the face we'll

1563
01:22:19,200 --> 01:22:22,240
Speaker 3: get in a scenario. Man, well we'll forget that. I

1564
01:22:22,280 --> 01:22:26,080
Speaker 3: think it's dangerous man isolation in the business this big right,

1565
01:22:26,600 --> 01:22:29,479
Speaker 3: when you don't understand content is keen. Media is now

1566
01:22:29,520 --> 01:22:33,200
Speaker 3: taking over. We better understand that. That's a very very

1567
01:22:33,240 --> 01:22:37,200
Speaker 3: interesting conversation that needs to be had about how content

1568
01:22:37,280 --> 01:22:41,000
Speaker 3: has literally took the place of rap music and a

1569
01:22:41,040 --> 01:22:45,479
Speaker 3: lot of scenarios and a lot of a lot of

1570
01:22:45,520 --> 01:22:48,200
Speaker 3: car rides home to and from work, right, a lot

1571
01:22:48,240 --> 01:22:52,240
Speaker 3: of commutes, and that is a whole fact. But I

1572
01:22:52,320 --> 01:22:53,960
Speaker 3: just wanted to talk about that today.

1573
01:22:54,000 --> 01:22:54,160
Speaker 4: Man.

1574
01:22:54,200 --> 01:22:56,759
Speaker 3: I see y'all next week. Man, we dropping every week.

1575
01:22:57,200 --> 01:23:00,000
Speaker 3: I love y'all. It's up the podcast. I see y'all

1576
01:23:00,040 --> 01:23:03,080
Speaker 3: on Patreon, y'all. I put in the comments what y'all

1577
01:23:03,080 --> 01:23:05,679
Speaker 3: want me to talk about next week? Also join the discord,

1578
01:23:05,760 --> 01:23:08,160
Speaker 3: give me some topics, send me some shit.

1579
01:23:08,280 --> 01:23:09,280
Speaker 4: Man, let's go. Let's go.

1580
01:23:09,400 --> 01:23:12,559
Speaker 3: We're going into twenty twenty five. Turned up every week. Man,

1581
01:23:12,640 --> 01:23:15,439
Speaker 3: Let's get it. Let's get it, y'all. Don't run from

1582
01:23:15,439 --> 01:23:16,519
Speaker 3: and run to it. Let's go.

1583
01:23:17,080 --> 01:23:18,160
Speaker 4: Look yeah it man.

1584
01:23:18,200 --> 01:23:20,720
Speaker 3: It's Wallow two sx seven year now tuned into It's

1585
01:23:20,800 --> 01:23:22,960
Speaker 3: Up There podcast Man with my Man loom Man.

1586
01:23:23,280 --> 01:24:21,720
Speaker 4: Check him out.