WEBVTT - 9-15: Bobby Cast Ep. 8 (Q&A)

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<v Speaker 1>All right, welcome to the episode eight does the Bobby

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<v Speaker 1>Cast Our special guest today is Dusty the Dog sitting

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<v Speaker 1>in the chair across from me. No guest today. We've

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<v Speaker 1>had guests last three or four episodes, and we had

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<v Speaker 1>Craig Campbell in earlier this week. But I thought I

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<v Speaker 1>would come on and simply just answer questions that you

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<v Speaker 1>guys have posted on Facebook. And so I have my

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<v Speaker 1>laptop in my lap now as we do this, and

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<v Speaker 1>so I guess about an hour and a half ago,

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<v Speaker 1>I simply wrote on Facebook, I'll be doing the Bobby

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<v Speaker 1>cast answering your questions. What do you want to be addressed?

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<v Speaker 1>And so all I'll do is just go down through

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<v Speaker 1>the line. As of right now, there are a few hundred.

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<v Speaker 1>I will be able to get to all of them,

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<v Speaker 1>but I'll try to get to as many of them

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<v Speaker 1>as possible, and we'll kind of break it up this way.

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<v Speaker 1>Uh So, thank you guys for listening again. Thanks to

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<v Speaker 1>our sponsor. We don't have one yet, but soon, um well,

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<v Speaker 1>we'll have a sponsor hopefully. All Right, are you ready?

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<v Speaker 1>Here we go. Uh, let's just kind of roll through

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<v Speaker 1>some of these questions. Question number one, Uh, Kim Johnson writes,

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<v Speaker 1>what do you think of Ryan Seacrest doing tell me

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<v Speaker 1>something good? Do you feel he stole it or intentionally

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<v Speaker 1>offer it up? Um? Do you see yourself doing Top

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<v Speaker 1>forty radio ever again? I eat Elvis and then, um,

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<v Speaker 1>it's a bunch of stuff here, a bunch of stuff here,

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<v Speaker 1>odd tell me something good. Ryan Seacrests actually called me

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<v Speaker 1>and said, hey, do you mind if I do it?

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<v Speaker 1>And I said, no, I don't care, Like I mean,

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<v Speaker 1>I don't own it. We were the first ones to

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<v Speaker 1>do it. We were the first ones to do like

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<v Speaker 1>a segment that tested. It's just a weird thing because

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<v Speaker 1>we didn't invent positivity. We didn't admit doing a good

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<v Speaker 1>news story. But what happened was we started doing a

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<v Speaker 1>segment like thirteen years ago and it became such a

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<v Speaker 1>success they started making other shows do it, and other

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<v Speaker 1>shows started doing it. Then before you know it, it

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<v Speaker 1>tested in research and now everybody does it. So um,

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<v Speaker 1>I'm glad everybody does it. But no, Um, it was

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<v Speaker 1>actually nice of him to call and say, hey, do

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<v Speaker 1>you here if I do it and do it the

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<v Speaker 1>same way that you do it, because he didn't have

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<v Speaker 1>to do that. He very easily could have just I mean,

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<v Speaker 1>he's Ryan Secrauch and do whatever he wants. Um. No,

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<v Speaker 1>I don't see myself going back to top forty or

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<v Speaker 1>to rock or toy. I can see myself doing sports

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<v Speaker 1>again on the side, but I've been approached about doing it.

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<v Speaker 1>I don't. I don't want to leave a guy. I

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<v Speaker 1>feel like where I am now, so I'm supposed to

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<v Speaker 1>be unless they get fired, which could always happen. But no,

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<v Speaker 1>I've had people come to me, even in the company,

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<v Speaker 1>and say, hey, you know what you you know, just

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<v Speaker 1>bringing it up, and for me, it's not even a

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<v Speaker 1>a thought. I don't ever want to leave. Like I'm

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<v Speaker 1>I'm good right now. Okay, reading things from Facebook, these

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<v Speaker 1>may rattle off a little slow. Let's see, what is

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<v Speaker 1>your definition of country music? I think Aaron Lewis was

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<v Speaker 1>just being bold. I don't have a definition of country music.

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<v Speaker 1>That's the thing that there is no such thing as

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<v Speaker 1>here is the exact definition. I just didn't like how

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<v Speaker 1>I went after specific artists, because every artist is just

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<v Speaker 1>trying to make their art and make their living, and

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<v Speaker 1>you after somebody because of them making art. And you know,

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<v Speaker 1>he crossed over. He was on pop radio. You know,

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<v Speaker 1>ten years ago, I just thought a little hypcritical, that's all.

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<v Speaker 1>I didn't expect it to do what it did. I'm

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<v Speaker 1>glad he called in. I thought it was funny. He said,

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<v Speaker 1>you know, he was just playing for the crowd. That's

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<v Speaker 1>not how I would have handled it. Would have been like, no, man,

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<v Speaker 1>I believe what I said. I boys shut up. They

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<v Speaker 1>all suck. I was surprised at that part of it.

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<v Speaker 1>But um no, there is no definition. That's why people

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<v Speaker 1>are for so for sure about it. Here's the thing

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<v Speaker 1>about people. Anybody that that tells you they know everything,

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<v Speaker 1>they know nothing. Someone's like, oh, I'm an expert in this.

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<v Speaker 1>They're not those people to trust. Um so um, there's

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<v Speaker 1>no definition authenticity. You know, you don't have to have

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<v Speaker 1>a steel guitar. I don't. I'm tired of even talking

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<v Speaker 1>about it because I feel like we've had talked about

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<v Speaker 1>the ten times. Because there's always somebody who goes without

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<v Speaker 1>any country. Okay, well in your definition, that's like someone

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<v Speaker 1>going without any American Well that ain't okay in your mind,

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<v Speaker 1>but good for him. You gotta pop for his record,

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<v Speaker 1>like you want to press. He got it. So um.

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<v Speaker 1>I thought that was you know, a nice little moved

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<v Speaker 1>by him. But I'm done talking about the definition of countries.

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<v Speaker 1>I just I don't care. Like that's it. Here's one

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<v Speaker 1>from Kelsey. I'd like to know why the top of

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<v Speaker 1>the hour Bobby Bones show jingle has been shortened because

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<v Speaker 1>he used to go Brothers and Sisters transmitting across the nation.

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<v Speaker 1>It has been short and it's funny that you noticed that,

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<v Speaker 1>because what happens is there's a fifteen second local liner

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<v Speaker 1>at the top of the hour, and then we had

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<v Speaker 1>a fifteen second one and it was just too much

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<v Speaker 1>of it, like going to No. Number One hit music

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<v Speaker 1>country Weenie in the bud. Yeah, So it was just

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<v Speaker 1>too much of just talking with the voice guy, and

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<v Speaker 1>so I said a thirty seconds, it's like twenty now.

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<v Speaker 1>Total of the local station does like a fifteen second,

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<v Speaker 1>and then ours is very quick now and you know,

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<v Speaker 1>all of our stuff is in her name, but it's

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<v Speaker 1>like we have to say it so many times over

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<v Speaker 1>and over again. So that, um, that's why we did

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<v Speaker 1>shorten it. That's that's cool that you noticed that. Though. Uh,

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<v Speaker 1>let's see Bobby. I've seen you twice in Raleigh, which

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<v Speaker 1>is where I lived, to take my forty six birthday.

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<v Speaker 1>And we're going to Charleston, South Carolina, so I can

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<v Speaker 1>see you tomorrow night. Just got in town, were sight seeing.

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<v Speaker 1>That'd be cool that Lee and Michelle, we'll see you

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<v Speaker 1>tomorrow night. Michelle and Lee, we are the Raging Idiots.

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<v Speaker 1>Will be in Charleston tomorrow night, playing and making on

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<v Speaker 1>Saturday night. I've been sick for the last and six

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<v Speaker 1>A weird word because I haven't really been sick. I

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<v Speaker 1>just sounded like crap and I've had a terrible cough.

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<v Speaker 1>I feel great so much so that I feel so good.

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<v Speaker 1>I move around and that's when I get my cough

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<v Speaker 1>back because I feel good. But um, yeah, tomorrow i'd

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<v Speaker 1>be good. Here's one. I've been reading your book. I'm inspired. Um.

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<v Speaker 1>I've been trying to get into radio for so long,

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<v Speaker 1>but no one has ever given me a chance any suggestions.

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<v Speaker 1>That's from Caitlin. Uh there, there's really no way in.

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<v Speaker 1>That's why it since that sucks like there was. I

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<v Speaker 1>didn't have a way in either. I begged. I went

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<v Speaker 1>begged and cleaned the radio station. Like That's how I

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<v Speaker 1>got in. I was like, hey, can I work and

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<v Speaker 1>clean the radio station? It wasn't to be on the air,

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<v Speaker 1>and people just want to be on the air now

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<v Speaker 1>and that's just not how it works. So I was

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<v Speaker 1>hired to clean and then I went over and started

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<v Speaker 1>doing weekends after some people got fired. Even Mike d

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<v Speaker 1>who produces this show, he start you were an intern

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<v Speaker 1>forever for free. Just show up every day, do random things.

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<v Speaker 1>That's the suggestion is that you have to dedicate a

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<v Speaker 1>lot of your time and sacrifice a lot for nothing,

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<v Speaker 1>because it wasn't. You don't get into this business for money.

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<v Speaker 1>Um you know, eventually you can make some, but you

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<v Speaker 1>don't get into it for it. But um, so yes,

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<v Speaker 1>it's tough if you if you feel like there's something

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<v Speaker 1>else that you could do, then this is not for you,

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<v Speaker 1>like any creative field. Like even you don't talk too

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<v Speaker 1>artist friends and like, you know, maybe I could go

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<v Speaker 1>do this. I'm like, well, then you probably shouldn't be

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<v Speaker 1>an artist because you have to put all of your

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<v Speaker 1>effort into it, like all of your heart, all of

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<v Speaker 1>your soul. If not, then it's probably not for you.

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<v Speaker 1>So I hope you get it, Like I hope. My

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<v Speaker 1>advice is just do everything possible to get your foot

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<v Speaker 1>in the door. So again I'm reading these as we

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<v Speaker 1>go down. So a couple of questions for you from

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<v Speaker 1>kier and on Facebook. Is there anything you look back

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<v Speaker 1>on that you would change or redo? Um? I mean,

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<v Speaker 1>I didn't like getting fined. I gotta find a million dollars.

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<v Speaker 1>That wasn't pleasant that I wrote about that in my books.

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<v Speaker 1>That wasn't good. And there aren't a lot of things

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<v Speaker 1>like I say, you know a couple of things. It's

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<v Speaker 1>like either win or you learn. You know, I don't

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<v Speaker 1>think you'd lose very often. And when you do lose,

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<v Speaker 1>you you use it and you use it to win

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<v Speaker 1>the next time. So, um, but that I would take

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<v Speaker 1>that back. Not a lot of scripts I would take

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<v Speaker 1>back because I've learned a lot from doing stupid things.

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<v Speaker 1>But that would be one of them. Let's see, I

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<v Speaker 1>let's see, did dide spots kid is never ending? All

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<v Speaker 1>of garden pass? Um? I think it was today? Did

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<v Speaker 1>it one night? So I guess we'll know in the morning.

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<v Speaker 1>I don't know. I was thinking about getting one too,

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<v Speaker 1>but um, I forgot about it. I don't know, We'll

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<v Speaker 1>find out in the morning. Let's see here do you

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<v Speaker 1>team with other I Heart shows? Um? Mason Remy and Alabama.

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<v Speaker 1>I know them. I was actually in the here with

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<v Speaker 1>them today because they do mornings in Chicago and then

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<v Speaker 1>afternoons in St. Louis. We do mornings in St. Louis. Um,

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<v Speaker 1>and we have I have a two stand up comedy show.

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<v Speaker 1>So I was doing the afternoon show with them talking

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<v Speaker 1>about the St. Louis stand up shows. So I do

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<v Speaker 1>know them, yeah, um, yeah, I was. I mean I

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<v Speaker 1>kind of mentored them a bit when they first got

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<v Speaker 1>into country radio. So other good people like Alabama is great,

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<v Speaker 1>Like I think she's fantastic, and she's new to that

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<v Speaker 1>show over there. Let's see more radio breaking the radio

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<v Speaker 1>business man. It's tough, tough cookie to crack. One of

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<v Speaker 1>the raging ideas, come back to Las Vegas. The last

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<v Speaker 1>show was amazing. I can't say yet it will be

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<v Speaker 1>this year and it will be for free. That's all

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<v Speaker 1>I can say right now. But it will be a

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<v Speaker 1>free show. I'm positive because show was so big last time,

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<v Speaker 1>so much fun, that we have to come back because

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<v Speaker 1>some people couldn't get in and sold out so fast.

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<v Speaker 1>But I think it's gonna be a big free show. Um.

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<v Speaker 1>Let's see on one of the previous podcasts. You made

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<v Speaker 1>mention to Craig or Chip of the seven biggest artists

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<v Speaker 1>in country, would you mind elaborating. I think that was

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<v Speaker 1>just a number that I use. There are certain artists

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<v Speaker 1>that they put a song out is pretty much just

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<v Speaker 1>gonna go number one. Like you, it almost has to

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<v Speaker 1>not be good more than just be good. So if

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<v Speaker 1>someone like Luke puts out a song, it's probably you know,

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<v Speaker 1>it's just gonna be a number one unless something crazy happens.

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<v Speaker 1>So like Luke and al Deane and Blake, you know,

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<v Speaker 1>and who knows what's gonna happen with this one from

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<v Speaker 1>Blake now, But and Blake's have like seventeen a row

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<v Speaker 1>or something like that. Blake and Carry is one of them.

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<v Speaker 1>There's just that upper echelon of people that their songs

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<v Speaker 1>just they go number one every time, just every time,

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<v Speaker 1>number one, number one, number one. Um. So yeah, and

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<v Speaker 1>maybe seven isn't the number. I just kind of threw

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<v Speaker 1>that out there. It's hard for new artists to break

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<v Speaker 1>through because those other guys, they it's like automatic number one.

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<v Speaker 1>Like they put a song out, it just goes number one. Um.

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<v Speaker 1>They also have you know, they have huge fan bases

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<v Speaker 1>and big downloads, and they work with the best writers,

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<v Speaker 1>so usually their songs are the best as well. But yeah,

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<v Speaker 1>it's weird when their songs don't go number one. It

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<v Speaker 1>doesn't leave a lot of room for um new artists,

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<v Speaker 1>which is tough. Are charts based off of sales or

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<v Speaker 1>other factors as well? This is from Sierra. Well, there

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<v Speaker 1>are two charts. It's like a media based chart, which

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<v Speaker 1>is the one that we work on, the big one,

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<v Speaker 1>the radio one, and it's based on radio spins and

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<v Speaker 1>how many spins it gets per week and like how

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<v Speaker 1>big the markets are. And then there is like Billboard

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<v Speaker 1>which factors in CD sales and streams and downloads. So

0:11:09.120 --> 0:11:11.560
<v Speaker 1>they were both of those and most of the time

0:11:12.000 --> 0:11:14.040
<v Speaker 1>they'll be number one at the same time. Sometimes they're not,

0:11:14.120 --> 0:11:15.480
<v Speaker 1>but most of the time the number one song is

0:11:15.559 --> 0:11:20.439
<v Speaker 1>number one on the same time. Melissa asks where did

0:11:20.440 --> 0:11:23.439
<v Speaker 1>you get Dusty from? Would you ever be interested in

0:11:23.480 --> 0:11:27.080
<v Speaker 1>getting a playmate? No? No, I adopted Dusty. They did

0:11:27.160 --> 0:11:31.040
<v Speaker 1>a raid on a like a kennel when I was

0:11:31.040 --> 0:11:36.520
<v Speaker 1>living in Austin and where they were breeding dogs, and

0:11:36.559 --> 0:11:38.959
<v Speaker 1>so they had all these puppies and I took Dusty

0:11:39.040 --> 0:11:41.440
<v Speaker 1>before he was even old. Enough to be a real dog,

0:11:41.600 --> 0:11:46.120
<v Speaker 1>Like he was still like weaning for his mom, and

0:11:46.360 --> 0:11:48.080
<v Speaker 1>so they took them and I adopted him. I could

0:11:48.080 --> 0:11:50.640
<v Speaker 1>fit in my hand. But now I s thirteen. He's cool,

0:11:50.960 --> 0:11:52.920
<v Speaker 1>Like he's about to have a backyard. He didn't even

0:11:53.000 --> 0:11:55.520
<v Speaker 1>know that yet. You know, we're gonna move in a

0:11:55.520 --> 0:11:58.480
<v Speaker 1>few weeks and gonna have a yard. But he's good.

0:11:59.040 --> 0:12:01.560
<v Speaker 1>I think he'd just be annoyed. And Morgan's dog comes

0:12:01.600 --> 0:12:04.480
<v Speaker 1>over a lot too, so he gets enough plate time.

0:12:04.840 --> 0:12:08.280
<v Speaker 1>He just chills. One would you do Dancing with the Stars?

0:12:08.280 --> 0:12:11.520
<v Speaker 1>This from Monica. Um what if you had a bunch

0:12:11.559 --> 0:12:15.200
<v Speaker 1>of questions? Man Um, I've actually been asked to do

0:12:15.360 --> 0:12:17.960
<v Speaker 1>Dancing with the Stars a couple of years ago. It

0:12:18.040 --> 0:12:19.520
<v Speaker 1>wasn't hey, do will you be on the show? Was hey,

0:12:19.559 --> 0:12:21.520
<v Speaker 1>would you be interested in talking to us about it?

0:12:21.960 --> 0:12:23.880
<v Speaker 1>So I can't say that they sent me a contract

0:12:23.880 --> 0:12:26.160
<v Speaker 1>because that would be a lie. But I could not

0:12:26.320 --> 0:12:29.560
<v Speaker 1>do it because on my schedule, Um, at the time,

0:12:30.800 --> 0:12:32.959
<v Speaker 1>I would probably consider it. Now, I mean, Jane is

0:12:33.000 --> 0:12:35.200
<v Speaker 1>doing it. She has having a great time. I talked

0:12:35.240 --> 0:12:38.160
<v Speaker 1>to her today. Her back, her ribs are so messed

0:12:38.200 --> 0:12:41.280
<v Speaker 1>up that she's still trying to work through it, but

0:12:41.840 --> 0:12:44.199
<v Speaker 1>that would be fun, I says, will you fill into

0:12:44.200 --> 0:12:47.240
<v Speaker 1>the coast with Kelly Rippa? That's been talked about. I

0:12:47.280 --> 0:12:49.800
<v Speaker 1>don't know. The problem is is that show comes on

0:12:49.920 --> 0:12:52.640
<v Speaker 1>during my show, so it's tough for me to go

0:12:52.679 --> 0:12:54.880
<v Speaker 1>do other things whenever my show is going on. One,

0:12:54.960 --> 0:12:57.880
<v Speaker 1>because contractual obligations, I can't go do another show while

0:12:57.920 --> 0:13:00.080
<v Speaker 1>that shows on. I can't go and do an the

0:13:00.120 --> 0:13:04.839
<v Speaker 1>TV show, Walmart Radio shows on and then two. Um,

0:13:04.880 --> 0:13:07.160
<v Speaker 1>I mean yeah, probably mean I would do that, and

0:13:07.200 --> 0:13:10.480
<v Speaker 1>I might. Who knows who would make your top ten

0:13:10.520 --> 0:13:13.680
<v Speaker 1>favorite athletes of all time? From Kate? I mean top

0:13:13.679 --> 0:13:16.400
<v Speaker 1>ten is crazy, so I don't I wouldn't go top ten,

0:13:16.640 --> 0:13:25.160
<v Speaker 1>but like Mark Grace, Andre Dawson, Ryan Sandberg staying the wrestler,

0:13:26.240 --> 0:13:30.560
<v Speaker 1>you know people like that. Let's see here ranked the

0:13:30.640 --> 0:13:35.880
<v Speaker 1>cast of Friends by the funniest Um. Okay, I would

0:13:35.920 --> 0:13:48.400
<v Speaker 1>go in order Chandler one, Monica too well, Joe is funny,

0:13:48.400 --> 0:13:54.640
<v Speaker 1>but he's so one dimensional, So I go Chandler, Monica, Ross, Rachel,

0:13:54.920 --> 0:13:57.559
<v Speaker 1>Phoebe and put Joey last. Even though I get the

0:13:57.559 --> 0:14:00.960
<v Speaker 1>biggest belly laughs out of Joey. Sometimes he very one dimensional,

0:14:01.120 --> 0:14:02.880
<v Speaker 1>just the dumb guy so I'd have to put them

0:14:02.880 --> 0:14:05.000
<v Speaker 1>at the very end. But they're all funny in their

0:14:05.000 --> 0:14:07.760
<v Speaker 1>own way. But Chandler, to me, is the funniest. Why

0:14:07.760 --> 0:14:12.319
<v Speaker 1>who do you put it one? Where do you picture

0:14:12.320 --> 0:14:14.680
<v Speaker 1>yourself in ten years? You know, I have I have

0:14:14.800 --> 0:14:18.719
<v Speaker 1>no idea hopefully doing some version of this here. It's just,

0:14:19.600 --> 0:14:21.120
<v Speaker 1>you know, you don't know where the technology is going

0:14:21.160 --> 0:14:26.000
<v Speaker 1>to go. I hope on whatever radio is, then radio

0:14:26.040 --> 0:14:29.120
<v Speaker 1>could be like it is right now where you know

0:14:29.240 --> 0:14:33.560
<v Speaker 1>I'm actually on FaceTime right now, live and I'm talking

0:14:34.000 --> 0:14:37.000
<v Speaker 1>for recording for a podcast and you can watch it

0:14:37.080 --> 0:14:38.960
<v Speaker 1>right now or you can listen to it. So I

0:14:39.000 --> 0:14:41.760
<v Speaker 1>don't know. I think it's it's always going to be

0:14:41.840 --> 0:14:44.680
<v Speaker 1>that content and who gets content out Like the days

0:14:44.680 --> 0:14:47.400
<v Speaker 1>of being radio DJs and talking over music that stuff,

0:14:47.760 --> 0:14:51.280
<v Speaker 1>it's almost done, Like there are almost none left there

0:14:51.280 --> 0:14:54.280
<v Speaker 1>you can it's people who can provide content that other

0:14:54.280 --> 0:14:58.360
<v Speaker 1>people can't. And so that's what I always tell people, like,

0:14:58.400 --> 0:15:00.800
<v Speaker 1>what can you do that nobody else can? Those are

0:15:00.800 --> 0:15:02.320
<v Speaker 1>the people that are gonna cut through in radio and

0:15:02.320 --> 0:15:04.600
<v Speaker 1>television and make it. It's people that can do something

0:15:04.680 --> 0:15:07.320
<v Speaker 1>other people can't. There's a reason that howar'dstrna makes a

0:15:07.360 --> 0:15:09.720
<v Speaker 1>hundred million dollars a year because he can bring an

0:15:09.720 --> 0:15:13.080
<v Speaker 1>audience and he can be compelling in a way nobody

0:15:13.120 --> 0:15:15.640
<v Speaker 1>else can. There's a reason Charlemagne the God is the

0:15:15.720 --> 0:15:17.920
<v Speaker 1>number one hip hop guy. There's a reason Ryan that's

0:15:17.920 --> 0:15:19.360
<v Speaker 1>what he does in l A. You know, there's a

0:15:19.400 --> 0:15:21.920
<v Speaker 1>reason that I'm here doing this. And it's not always

0:15:21.920 --> 0:15:24.600
<v Speaker 1>the right reason. Some people hate my guts, some people

0:15:24.600 --> 0:15:29.320
<v Speaker 1>love my guts. But it's you. You have to be different.

0:15:29.720 --> 0:15:32.040
<v Speaker 1>And back in the day, every station had talking DJs

0:15:32.040 --> 0:15:34.280
<v Speaker 1>over songs and it was a thing. And when I started,

0:15:34.320 --> 0:15:35.720
<v Speaker 1>that's what I did. I talked over in music. It

0:15:35.760 --> 0:15:38.800
<v Speaker 1>was like, hey, what coming at here? Number three? But

0:15:38.920 --> 0:15:41.160
<v Speaker 1>that's done. Like, there's not a lot of it left

0:15:41.200 --> 0:15:46.080
<v Speaker 1>in the next five seven years. You know, there's not

0:15:46.080 --> 0:15:49.960
<v Speaker 1>even a lot of DJs talking over music anymore. So

0:15:50.200 --> 0:15:54.880
<v Speaker 1>it's about content. If you get about five other living

0:15:54.960 --> 0:15:58.120
<v Speaker 1>people to dinner, who would it be? Uh? And this

0:15:58.160 --> 0:16:00.200
<v Speaker 1>was kind of a talk we had this morning. I

0:16:00.200 --> 0:16:05.280
<v Speaker 1>would put, um, you know, David Letterman is my hero.

0:16:06.400 --> 0:16:08.560
<v Speaker 1>You know, I think I mentioned Howard Stern earlier. I

0:16:08.560 --> 0:16:15.160
<v Speaker 1>think he's funny. I mean, he's radio wise, the greatest ever. Uh.

0:16:15.800 --> 0:16:18.600
<v Speaker 1>Probably Charlemagne because he's a close friend. He'd be he'd

0:16:18.600 --> 0:16:21.280
<v Speaker 1>be mad. I wouldn't bring him if I had David

0:16:21.320 --> 0:16:25.400
<v Speaker 1>Letterman and Howard Stern over who gus I bring John

0:16:25.440 --> 0:16:29.080
<v Speaker 1>mayor maybe have hung with John Ayrabit. He's add but

0:16:29.160 --> 0:16:35.080
<v Speaker 1>it's cool. Um. I don't know. Maybe just to fill

0:16:35.120 --> 0:16:38.800
<v Speaker 1>it out like Garth or something, if they're alive, that

0:16:38.840 --> 0:16:42.920
<v Speaker 1>would be cool. Um Man, I don't know. I'm just

0:16:42.960 --> 0:16:45.600
<v Speaker 1>reading these off the page here. Um. Next week. By

0:16:45.600 --> 0:16:48.280
<v Speaker 1>the way, Ryan Heard is gonna join us. He is

0:16:48.360 --> 0:16:51.720
<v Speaker 1>a songwriter, he's gotta he's got songs out now too.

0:16:51.800 --> 0:16:55.120
<v Speaker 1>But he's been a like a big songwriter for a while. Um.

0:16:55.360 --> 0:16:58.360
<v Speaker 1>He wrote the song with Blake Shelton and Ashraman Road

0:16:58.400 --> 0:17:01.240
<v Speaker 1>Lonely Tonight. He wrote Derk and Maren I'll be the Moon.

0:17:02.000 --> 0:17:06.640
<v Speaker 1>And now he's got this song. Uh uh and nobody

0:17:06.760 --> 0:17:09.919
<v Speaker 1>do it like we do. Uh. Anyway, he's gonna be on.

0:17:10.000 --> 0:17:13.320
<v Speaker 1>We'll talk to him next week. Let's see. Taylor says,

0:17:13.359 --> 0:17:14.720
<v Speaker 1>I'm trying to make it as a country singer. Do

0:17:14.760 --> 0:17:16.360
<v Speaker 1>you think it'd be a good idea to move to Nashville?

0:17:17.000 --> 0:17:19.840
<v Speaker 1>You almost have to move to Nashville. It's almost a

0:17:19.840 --> 0:17:24.359
<v Speaker 1>one thing because everybody's here. It's not a hudd percent

0:17:24.480 --> 0:17:27.560
<v Speaker 1>because nothing in life is. I mean, Zach Brownell, they

0:17:27.560 --> 0:17:29.359
<v Speaker 1>don't love in Nashville. I don't know if they ever

0:17:29.480 --> 0:17:31.480
<v Speaker 1>like did if they did, I wasn't here like they

0:17:31.480 --> 0:17:34.480
<v Speaker 1>live in Atlanta, at least Zach does. But yes, the

0:17:34.480 --> 0:17:36.879
<v Speaker 1>answer is yes, there's because everything is here, all the

0:17:36.920 --> 0:17:38.520
<v Speaker 1>people to find you, all the people that promote you,

0:17:38.520 --> 0:17:42.560
<v Speaker 1>all the people even like Justin Moore who lives in Arkansas.

0:17:42.560 --> 0:17:44.439
<v Speaker 1>Now I had to move here for a while, but

0:17:44.480 --> 0:17:47.320
<v Speaker 1>then he's like, I'm out. Darius lives in South Carolina,

0:17:47.320 --> 0:17:49.360
<v Speaker 1>but he's Darius, but he was here and he's out.

0:17:49.960 --> 0:17:53.639
<v Speaker 1>So yes, especially to make it, you kind of have

0:17:53.800 --> 0:17:59.240
<v Speaker 1>to be in Nashville. Have you ever met Adam Carolla

0:17:59.640 --> 0:18:01.520
<v Speaker 1>that maybe somebody I would have at dinner, Like, I'm

0:18:01.520 --> 0:18:03.480
<v Speaker 1>a huge Adam Carola fan, Like he's one of the

0:18:03.480 --> 0:18:07.199
<v Speaker 1>funniest people in my mind that exists. I've heard you

0:18:07.240 --> 0:18:11.000
<v Speaker 1>mentioned you're a fan of his. Adam Carola is so funny.

0:18:11.040 --> 0:18:12.919
<v Speaker 1>He's on the list when I think of people make

0:18:12.960 --> 0:18:15.560
<v Speaker 1>me laugh out loud, it's Adam Carola and Chris Rock

0:18:15.600 --> 0:18:20.240
<v Speaker 1>and Ricky gerbais um those guys are all super funny.

0:18:20.280 --> 0:18:22.439
<v Speaker 1>To me. Adam Carolla is kind of the reason that

0:18:22.920 --> 0:18:25.560
<v Speaker 1>Mike d the producer, lost a hundred pounds, right. Yeah.

0:18:25.680 --> 0:18:28.480
<v Speaker 1>I met him back in Austin, like a few years ago,

0:18:29.080 --> 0:18:31.280
<v Speaker 1>and we take a picture together, and I mean, it's awesome.

0:18:31.400 --> 0:18:33.640
<v Speaker 1>It's Adam Carola, and I mean I've loved him forever.

0:18:33.800 --> 0:18:35.960
<v Speaker 1>It's like love line. And then I looked at the

0:18:36.000 --> 0:18:38.520
<v Speaker 1>picture like, man, I don't you want to post that thing?

0:18:39.240 --> 0:18:42.080
<v Speaker 1>So yeah, maybe you want to lose weight. And since

0:18:42.119 --> 0:18:44.879
<v Speaker 1>it's also over a hundred pounds, Yeah, Adam Crowl is awesome.

0:18:45.640 --> 0:18:49.680
<v Speaker 1>If you had to relate to any Wheeler Walker junior song, listen, Well,

0:18:49.760 --> 0:18:52.320
<v Speaker 1>he's a friend of mine, but I don't I can't

0:18:52.359 --> 0:18:57.240
<v Speaker 1>really read tweeting thing he said. It's so dirty, Like yes,

0:18:57.320 --> 0:19:00.280
<v Speaker 1>I can't even. He's actually a good guy too, and

0:19:00.280 --> 0:19:03.760
<v Speaker 1>I don't want to ruin, you know, but he's he's

0:19:03.800 --> 0:19:06.479
<v Speaker 1>really funny. But that's all I'm gonna say about that.

0:19:06.640 --> 0:19:10.480
<v Speaker 1>I have nothing bad. I enjoy him a lot, but

0:19:10.640 --> 0:19:12.680
<v Speaker 1>I can't ever really promote it because it's his thing

0:19:12.840 --> 0:19:17.120
<v Speaker 1>is so dirty, that is iron but it's really funny.

0:19:17.480 --> 0:19:20.280
<v Speaker 1>It's weird because I don't curse at all, like none

0:19:21.000 --> 0:19:22.520
<v Speaker 1>and that's all you know, that's what he does. But

0:19:22.560 --> 0:19:26.720
<v Speaker 1>he does it for comedic reasons. It's not like someone

0:19:26.760 --> 0:19:30.240
<v Speaker 1>who's using curse words to add just for the sake

0:19:30.280 --> 0:19:32.280
<v Speaker 1>of being dirty, like he used a very It's very

0:19:32.359 --> 0:19:37.199
<v Speaker 1>smart if that's the thing. It's very smart dirty. Um,

0:19:37.320 --> 0:19:39.600
<v Speaker 1>what do you try to focus on when you're anxious

0:19:39.600 --> 0:19:42.560
<v Speaker 1>at nighttime and you can't sleep? I turned the TV

0:19:42.680 --> 0:19:45.440
<v Speaker 1>on Full House or a TV show that I've seen

0:19:45.480 --> 0:19:48.440
<v Speaker 1>every episode of, so I don't get because I'll try

0:19:48.480 --> 0:19:50.159
<v Speaker 1>to start watching shows. I must leave my TV on

0:19:50.280 --> 0:19:52.560
<v Speaker 1>at night or I can't sleep at all. Because I

0:19:52.560 --> 0:19:55.000
<v Speaker 1>grew up never had a bedrooms. I lived in the

0:19:55.400 --> 0:19:57.480
<v Speaker 1>living room, stuff on the couch my whole life, so

0:19:57.520 --> 0:19:59.399
<v Speaker 1>there was always a TV on. So without a TV on,

0:19:59.440 --> 0:20:02.400
<v Speaker 1>it feels is crazy. So I put it on shows

0:20:02.480 --> 0:20:06.359
<v Speaker 1>that I know the episode already and I can just

0:20:06.359 --> 0:20:08.080
<v Speaker 1>close my eyes and know where it's going. So it's

0:20:08.160 --> 0:20:10.919
<v Speaker 1>full House or Raymond. It's basically Nick at Night or

0:20:10.920 --> 0:20:14.399
<v Speaker 1>TV Land and maybe TBS if they're showing an awards

0:20:14.400 --> 0:20:19.280
<v Speaker 1>show on one of those other channels. So there's that. Um,

0:20:19.400 --> 0:20:23.399
<v Speaker 1>let's see, just scrolling through I would like to know

0:20:23.400 --> 0:20:25.440
<v Speaker 1>how spouses fill out being talked about on the radio,

0:20:25.440 --> 0:20:29.000
<v Speaker 1>says Talicia. I think it's different with everyone on the show.

0:20:29.800 --> 0:20:32.880
<v Speaker 1>One of the things that obviously you guys don't know,

0:20:34.000 --> 0:20:38.280
<v Speaker 1>but I think most of you understand, is that nothing

0:20:38.400 --> 0:20:41.880
<v Speaker 1>really gets screamed out that's off limits. Some people will

0:20:41.880 --> 0:20:43.880
<v Speaker 1>get on Facebook like I cannot believe you would talk

0:20:43.880 --> 0:20:45.679
<v Speaker 1>about Lunchbox talk abo his wife like that, and you

0:20:45.680 --> 0:20:48.440
<v Speaker 1>would jump in the conversation like if lunch Box wasn't

0:20:48.480 --> 0:20:50.560
<v Speaker 1>cool with it, it would not come up, Like it

0:20:50.680 --> 0:20:53.320
<v Speaker 1>just would not come up. We would never find out

0:20:53.320 --> 0:20:55.600
<v Speaker 1>a secret about lunch boxes wife and bring it up

0:20:55.640 --> 0:21:00.359
<v Speaker 1>on the air, And it turned into like a really

0:21:00.440 --> 0:21:03.920
<v Speaker 1>unhappy room. Because the thing with our show is we're

0:21:03.920 --> 0:21:06.199
<v Speaker 1>all friends, and if we're not all being friends, it

0:21:06.280 --> 0:21:09.600
<v Speaker 1>doesn't work. Even when we argue and fight, and sometimes

0:21:09.640 --> 0:21:12.160
<v Speaker 1>it's real because you fight with your friends, it's never

0:21:12.359 --> 0:21:16.640
<v Speaker 1>like the mics go off. And then as I can't

0:21:16.640 --> 0:21:19.760
<v Speaker 1>believe you brought that up, we know where the boundaries are,

0:21:20.160 --> 0:21:22.120
<v Speaker 1>especially like when Amy husband was serving, there were things

0:21:22.119 --> 0:21:25.520
<v Speaker 1>we could say and couldn't say. So when people like man,

0:21:25.600 --> 0:21:27.720
<v Speaker 1>I can't believe you would even talk about that, m

0:21:28.680 --> 0:21:30.560
<v Speaker 1>kind of we all know what what's out there to

0:21:30.600 --> 0:21:34.480
<v Speaker 1>talk about, and there are things that even with Amy

0:21:34.480 --> 0:21:36.720
<v Speaker 1>and like her adoption stuff, I'll go to her and say, hey,

0:21:37.200 --> 0:21:39.040
<v Speaker 1>I know this is happening. Can I talk about this

0:21:39.119 --> 0:21:41.760
<v Speaker 1>yet or no? And she'll say yes or no, depending

0:21:41.800 --> 0:21:44.280
<v Speaker 1>on where they're in the legal part of it. Because

0:21:44.280 --> 0:21:45.880
<v Speaker 1>it's not that we don't want to talk about things.

0:21:45.880 --> 0:21:48.719
<v Speaker 1>There are just times and places that we can't really

0:21:49.440 --> 0:21:52.800
<v Speaker 1>talk about things because pretty much everything's out there. It's

0:21:52.800 --> 0:21:55.200
<v Speaker 1>not if it gets out, it's when it gets out.

0:21:55.280 --> 0:21:58.600
<v Speaker 1>And why does it get out at that point? Because

0:21:58.600 --> 0:22:01.240
<v Speaker 1>with the adoption stuff and with a just all of

0:22:01.280 --> 0:22:04.240
<v Speaker 1>that that that's a that's a weird thing. But yeah,

0:22:04.240 --> 0:22:07.960
<v Speaker 1>people will get upset about that. Um, whatever happened to

0:22:08.000 --> 0:22:10.160
<v Speaker 1>Amy and the nut the interview that was Mark Chestnut?

0:22:10.160 --> 0:22:11.840
<v Speaker 1>He got sick and he was gonna go interview Mark

0:22:11.920 --> 0:22:16.000
<v Speaker 1>Chestnut and he got sick, So, um, that didn't happen.

0:22:16.040 --> 0:22:19.320
<v Speaker 1>And then I have no idea what would happened. Why

0:22:19.400 --> 0:22:21.000
<v Speaker 1>isn't there a picture of lunch box in your book?

0:22:21.200 --> 0:22:24.399
<v Speaker 1>There was? Actually, um a few I sent like a

0:22:24.480 --> 0:22:27.960
<v Speaker 1>hundred pictures and they pick like thirteen of them. Or however,

0:22:27.960 --> 0:22:30.640
<v Speaker 1>many you're in there. Um. The thing about a book

0:22:30.800 --> 0:22:33.920
<v Speaker 1>is when you write it. I wrote that thing. I

0:22:33.920 --> 0:22:36.400
<v Speaker 1>didn't even write it in that order that it came

0:22:36.440 --> 0:22:39.800
<v Speaker 1>out like I wrote the chapters, but I didn't write

0:22:39.840 --> 0:22:41.800
<v Speaker 1>in that order. I didn't put the pictures and arrange

0:22:41.800 --> 0:22:44.639
<v Speaker 1>them in that order. You have something called an editor

0:22:45.040 --> 0:22:47.400
<v Speaker 1>who goes through and goes, this should be here, here, here,

0:22:47.680 --> 0:22:49.919
<v Speaker 1>and then you kind of go back and go, Okay,

0:22:49.960 --> 0:22:52.520
<v Speaker 1>I get it, and they have control. They really do

0:22:52.560 --> 0:22:55.400
<v Speaker 1>have control. I don't listen to him most of the time. Um,

0:22:55.480 --> 0:22:59.000
<v Speaker 1>but yeah, there was Um, there was no keeping him

0:22:59.040 --> 0:23:01.480
<v Speaker 1>out of the book. The only people that I didn't

0:23:01.520 --> 0:23:03.199
<v Speaker 1>put it in the book because I wrote about Lunchbox

0:23:03.240 --> 0:23:06.760
<v Speaker 1>a lot and said a lot of stuff about him. Um,

0:23:06.840 --> 0:23:08.280
<v Speaker 1>I just get people out of the book that either

0:23:08.320 --> 0:23:12.119
<v Speaker 1>didn't make the move or that were are like, not

0:23:12.320 --> 0:23:13.760
<v Speaker 1>I didn't make the book, and people were like, I

0:23:13.800 --> 0:23:16.000
<v Speaker 1>can't believe you would keep like Carlos out. And I've

0:23:16.000 --> 0:23:18.199
<v Speaker 1>talked about this on the podcast before. He didn't make

0:23:18.240 --> 0:23:19.680
<v Speaker 1>the move. And there was a lot of the story.

0:23:19.800 --> 0:23:22.359
<v Speaker 1>It wasn't like most of the story wasn't how the

0:23:22.359 --> 0:23:24.640
<v Speaker 1>show started. When I was twenty one or twenty two

0:23:24.640 --> 0:23:26.520
<v Speaker 1>a little bit, but not really. And then he came

0:23:26.560 --> 0:23:28.000
<v Speaker 1>in late too. It wasn't like he was in the

0:23:28.000 --> 0:23:29.879
<v Speaker 1>beginning part of it, but not as a part of

0:23:29.880 --> 0:23:31.520
<v Speaker 1>the show. Now in a huge part. And she wasn't

0:23:31.520 --> 0:23:36.560
<v Speaker 1>in the book. And nobody's like, where's not a um

0:23:36.600 --> 0:23:42.520
<v Speaker 1>so I'm yeah, I'm positive they were. There were full

0:23:42.520 --> 0:23:45.679
<v Speaker 1>show pictures that didn't make it. Um, so there was nothing.

0:23:46.560 --> 0:23:49.960
<v Speaker 1>Nothing there to that. Uh, how many dates if you

0:23:50.000 --> 0:23:51.680
<v Speaker 1>had this show? I don't know. I said a goalt

0:23:51.720 --> 0:23:53.879
<v Speaker 1>like ten m maybe at three or something. I'm not

0:23:53.880 --> 0:23:58.800
<v Speaker 1>even sure. Um, I'm reading Facebook right now. Why do

0:23:58.880 --> 0:24:01.360
<v Speaker 1>you spray? Tan Man? That's from Chad And I can

0:24:01.400 --> 0:24:04.000
<v Speaker 1>tell you why because I do so much on camera

0:24:04.040 --> 0:24:06.960
<v Speaker 1>that if I don't look really washed out because in

0:24:07.000 --> 0:24:09.560
<v Speaker 1>our studio and you don't see it because there's always

0:24:09.600 --> 0:24:11.160
<v Speaker 1>a camera in front of it. We have a huge

0:24:11.280 --> 0:24:14.199
<v Speaker 1>light and the lighting has to be right because we

0:24:14.240 --> 0:24:15.920
<v Speaker 1>send these videos off and we have a new YouTube

0:24:15.960 --> 0:24:18.159
<v Speaker 1>channel that we're putting a lot of content on and

0:24:18.240 --> 0:24:20.840
<v Speaker 1>high quality stuff too, And when the lights on you,

0:24:20.840 --> 0:24:23.159
<v Speaker 1>you look completely pale and washed out. And then if

0:24:23.160 --> 0:24:26.479
<v Speaker 1>after television it's under heavy lights and so I'm already

0:24:26.480 --> 0:24:30.320
<v Speaker 1>white anyway, So I spray tan so I at least

0:24:30.359 --> 0:24:33.359
<v Speaker 1>looked like a normal human. I don't go outside. If

0:24:33.359 --> 0:24:37.359
<v Speaker 1>I didn't have spray tann, I wouldn't. It ain't cheap. Um.

0:24:37.440 --> 0:24:39.600
<v Speaker 1>But because I'm not lucky like Mike, do you have

0:24:39.640 --> 0:24:42.320
<v Speaker 1>a perfect brown skin already you're blown way by the

0:24:42.359 --> 0:24:46.000
<v Speaker 1>fact that the spray tanning even existed. But you get it,

0:24:46.119 --> 0:24:48.000
<v Speaker 1>like if you see a video of me, like there's

0:24:48.040 --> 0:24:50.040
<v Speaker 1>one up that we put up today of my fav

0:24:50.200 --> 0:24:53.520
<v Speaker 1>five of five artists that you probably don't know yet.

0:24:53.920 --> 0:24:55.800
<v Speaker 1>And I've been sick for the past week. I've had

0:24:55.880 --> 0:24:57.720
<v Speaker 1>terrible cough and I didn't spray tan that because I

0:24:57.760 --> 0:24:59.840
<v Speaker 1>was doing no television. I couldn't talk. I like re

0:25:00.040 --> 0:25:04.320
<v Speaker 1>Lee Pale Ghost like even yeah. And it's like, oh wow,

0:25:04.359 --> 0:25:06.320
<v Speaker 1>But that's why it's I thought, I like the smell

0:25:06.400 --> 0:25:08.600
<v Speaker 1>of it. I don't like the sheets getting brown. It

0:25:08.680 --> 0:25:10.800
<v Speaker 1>is my favorite part of it, the smell. See, I

0:25:10.840 --> 0:25:15.360
<v Speaker 1>don't like I don't like any of that. Um, Donna says,

0:25:15.400 --> 0:25:17.320
<v Speaker 1>I thought you were on throat rest. I have been

0:25:17.359 --> 0:25:19.000
<v Speaker 1>for the last couple of days. This is the I

0:25:19.080 --> 0:25:22.080
<v Speaker 1>did the show, um, and then I you know, I'm

0:25:22.080 --> 0:25:25.320
<v Speaker 1>doing this, but now, it's just a cough thing more

0:25:25.320 --> 0:25:31.680
<v Speaker 1>than anything. It's like a dirty, dirty cough boom. Let's see.

0:25:32.160 --> 0:25:39.040
<v Speaker 1>Well Ray ever proposed to Bay. I yeah right, I

0:25:39.080 --> 0:25:42.960
<v Speaker 1>think so too. I don't know who knows that. Of

0:25:43.160 --> 0:25:46.159
<v Speaker 1>everyone on the show, Raised probably the strangest. And I

0:25:46.200 --> 0:25:48.919
<v Speaker 1>say that in an endearing way because he's really a

0:25:48.960 --> 0:25:52.400
<v Speaker 1>great guy. But I mean he is just an odd dude,

0:25:52.880 --> 0:25:55.080
<v Speaker 1>like I'm really weird. But I'm weird. I go away

0:25:55.119 --> 0:25:57.160
<v Speaker 1>and do stuff by myself, like I hide out, and

0:25:57.880 --> 0:26:02.280
<v Speaker 1>he's just crazy. He's crazy, he's nuts. Um, yes, but

0:26:02.359 --> 0:26:04.600
<v Speaker 1>I think she kind of makes them a little more normal,

0:26:06.000 --> 0:26:10.600
<v Speaker 1>so I think they do. But again, who knows. Um.

0:26:10.640 --> 0:26:13.280
<v Speaker 1>In the future TV appearances, Yeah a lot someday nights.

0:26:13.320 --> 0:26:16.480
<v Speaker 1>I can't really mention you yet, but something quite substantial.

0:26:17.720 --> 0:26:21.439
<v Speaker 1>But that's it for now. Mm hmm. Where did you

0:26:21.480 --> 0:26:26.719
<v Speaker 1>learn your marketing strategies from? Sarah? The uh trial and error?

0:26:27.640 --> 0:26:31.560
<v Speaker 1>You know, messed up a lot and then if things work,

0:26:31.760 --> 0:26:37.800
<v Speaker 1>keep doing them. If not, stop doing them. Um, Trisha says,

0:26:38.240 --> 0:26:41.560
<v Speaker 1>I'm glad your success hasn't changed y'all much. We don't

0:26:41.560 --> 0:26:48.040
<v Speaker 1>even have a good equipment. I mean, they keep it

0:26:48.080 --> 0:26:49.760
<v Speaker 1>as real as possible for us, Like if you look

0:26:49.760 --> 0:26:52.320
<v Speaker 1>at our equipment or boy, I mean it's in like style.

0:26:53.040 --> 0:26:57.240
<v Speaker 1>We were not rolling you know, luxury. Um, you know,

0:26:57.359 --> 0:27:00.919
<v Speaker 1>I just don't think people really change reguardless that can

0:27:01.000 --> 0:27:04.560
<v Speaker 1>change it a little bit. It's cool. I mean I

0:27:04.600 --> 0:27:07.080
<v Speaker 1>have artists that text me that I think are cool,

0:27:07.119 --> 0:27:09.320
<v Speaker 1>something like Keith Urban text me today a picture of

0:27:09.760 --> 0:27:12.760
<v Speaker 1>him at Cracker Barrel, which was funny, and he was

0:27:13.000 --> 0:27:14.680
<v Speaker 1>at a glass of water with two lemons on the

0:27:14.720 --> 0:27:17.200
<v Speaker 1>side of it, and his thing was, look, they don't

0:27:17.200 --> 0:27:19.119
<v Speaker 1>put the limons in the water. This is why I like,

0:27:19.960 --> 0:27:21.440
<v Speaker 1>which is what I like to I don't like when

0:27:21.480 --> 0:27:23.920
<v Speaker 1>they put the limp but like that's cool. That would

0:27:23.960 --> 0:27:27.040
<v Speaker 1>never happen three years ago, maybe three. But but before

0:27:27.080 --> 0:27:28.800
<v Speaker 1>this shot that was never happening. So little things like

0:27:28.840 --> 0:27:32.040
<v Speaker 1>that have changed a bit. But it's been Um, it's

0:27:32.080 --> 0:27:38.480
<v Speaker 1>been cool. I appreciate that. Let's see. Sorry, uh scrolling

0:27:38.560 --> 0:27:42.200
<v Speaker 1>through here? How long we into this? Almost thirty minutes? Dang,

0:27:42.440 --> 0:27:47.399
<v Speaker 1>it's a long time. Um okay. For example, how does

0:27:47.480 --> 0:27:49.640
<v Speaker 1>radio work? For example, a local stations has called every

0:27:49.640 --> 0:27:51.520
<v Speaker 1>hour when Luke Brian tickets, I'm listening all day at

0:27:51.520 --> 0:27:53.840
<v Speaker 1>work and calling every time. I'm certain they replayed the

0:27:53.840 --> 0:27:57.119
<v Speaker 1>winner cups over and over? Are they truly giving away tickets? Um?

0:27:57.160 --> 0:27:59.400
<v Speaker 1>If they say they are, they are, Like I don't

0:27:59.440 --> 0:28:02.119
<v Speaker 1>know what every station does, but yeah, legally, if you

0:28:02.200 --> 0:28:07.119
<v Speaker 1>say you are, you have to. So we do in

0:28:07.240 --> 0:28:10.120
<v Speaker 1>Nashville and Austin the stations that I know, but I don't.

0:28:10.240 --> 0:28:12.800
<v Speaker 1>I can't monitor all hundred stations were on. So I

0:28:12.840 --> 0:28:16.600
<v Speaker 1>really have no idea. But the answer is yes, if

0:28:16.640 --> 0:28:21.320
<v Speaker 1>you say it, you have to do it. Yeah. And

0:28:21.480 --> 0:28:22.919
<v Speaker 1>if they said it every hour, would you do it

0:28:22.920 --> 0:28:26.679
<v Speaker 1>every hour? Yeah? Would you run any things back and

0:28:26.720 --> 0:28:32.840
<v Speaker 1>trick people? Um? Let's see which artists is the hardest

0:28:32.880 --> 0:28:36.600
<v Speaker 1>to get on your show and which will not come on? Um?

0:28:36.680 --> 0:28:45.600
<v Speaker 1>Is there anybody that won't come on? Mm hmmmm. I

0:28:45.680 --> 0:28:48.120
<v Speaker 1>don't know anybody that won't come on. There are people

0:28:48.120 --> 0:28:50.280
<v Speaker 1>I don't ask because it's like I didn't really fit

0:28:50.320 --> 0:29:00.760
<v Speaker 1>with the group, But I don't know about not coming on. Um, yeah,

0:29:00.800 --> 0:29:04.880
<v Speaker 1>I don't anybody. I can't either. I don't really have

0:29:04.920 --> 0:29:08.520
<v Speaker 1>anybody that I'm just like, Hey, why are you bad

0:29:08.600 --> 0:29:10.680
<v Speaker 1>mouthing sixty and seventy year old that are ready for

0:29:10.720 --> 0:29:13.480
<v Speaker 1>the grave? Just joke, I just got jokes, sometimes they're

0:29:13.520 --> 0:29:16.840
<v Speaker 1>not funny. Um. Today Eddie put a game up and

0:29:16.920 --> 0:29:19.880
<v Speaker 1>said Taylor Swift goes through boyfriends like Bobby goes through blank.

0:29:19.920 --> 0:29:22.600
<v Speaker 1>And it was really a joke about me more than

0:29:22.640 --> 0:29:25.720
<v Speaker 1>it was Taylor. But man, her fans get crazy. She

0:29:25.800 --> 0:29:27.960
<v Speaker 1>has the best and the meanest fans at the same time.

0:29:28.280 --> 0:29:29.959
<v Speaker 1>And I think Taylor is great. I say all the time.

0:29:30.000 --> 0:29:32.120
<v Speaker 1>I think she's a great role model. But man, people

0:29:32.120 --> 0:29:33.800
<v Speaker 1>were coming after me. I was like, that wasn't my game.

0:29:34.400 --> 0:29:37.160
<v Speaker 1>And I thought it was funny because listen, when you're

0:29:37.160 --> 0:29:38.840
<v Speaker 1>a celebrity in New Date a bunch of people publicly,

0:29:38.880 --> 0:29:42.640
<v Speaker 1>that's the celebrity life you get talked about. Um, but man,

0:29:43.000 --> 0:29:44.520
<v Speaker 1>they came after me hard, and I was like, hey,

0:29:44.520 --> 0:29:47.080
<v Speaker 1>I got nothing. Sometimes I'll fight back at people, and

0:29:47.080 --> 0:29:50.120
<v Speaker 1>I was like, I got nothing on this one. Man,

0:29:50.000 --> 0:29:53.240
<v Speaker 1>can't you can't play back. They come back hard. You

0:29:53.280 --> 0:29:55.320
<v Speaker 1>know what. You know, my fan army, they all fight me.

0:29:55.800 --> 0:29:57.920
<v Speaker 1>That's the weird thing about any sort of fan army

0:29:57.960 --> 0:29:59.920
<v Speaker 1>that I have. They always got on Facebook and trash me.

0:30:00.080 --> 0:30:04.360
<v Speaker 1>I have the reverse fan army, which is crazy. Um,

0:30:04.400 --> 0:30:09.960
<v Speaker 1>It's like, hey, love the show. This segment sucked. Um,

0:30:10.000 --> 0:30:14.200
<v Speaker 1>But that's okay, every what are you gonna do? Um?

0:30:14.320 --> 0:30:16.200
<v Speaker 1>Those are a lot of questions from Facebook. I tried

0:30:16.200 --> 0:30:19.560
<v Speaker 1>to roll through as many of them as possible. UM.

0:30:19.680 --> 0:30:22.600
<v Speaker 1>I don't want to talk for too long. And this

0:30:22.640 --> 0:30:26.240
<v Speaker 1>isn't you know, probably the most compelling podcast ever anyway,

0:30:26.440 --> 0:30:30.480
<v Speaker 1>but I just wanted to hop on and say, hi, UM,

0:30:30.520 --> 0:30:33.440
<v Speaker 1>I'm looking at Facebook live. Now, why do you like red?

0:30:34.080 --> 0:30:38.240
<v Speaker 1>I listen, I get obsessive, pulsive about things, and UM,

0:30:38.480 --> 0:30:42.080
<v Speaker 1>I love red, red everything, and I grew up Arkansas's

0:30:42.120 --> 0:30:45.440
<v Speaker 1>red mountain pines, red, favorite colors, Red, my guitar, j red,

0:30:45.440 --> 0:30:47.720
<v Speaker 1>my shoes, red with socks, red. I just love red.

0:30:47.960 --> 0:30:51.800
<v Speaker 1>So um, it's a it's a red thing. If Bobby

0:30:51.840 --> 0:30:56.360
<v Speaker 1>reads this, say banana right now from Jackson, that's banana. Um,

0:30:56.440 --> 0:31:01.760
<v Speaker 1>all right, I appreciate you guys. Uh talk for too long, Megan.

0:31:02.040 --> 0:31:04.320
<v Speaker 1>Here's the thing, Megan, you can turn it off like

0:31:04.320 --> 0:31:08.800
<v Speaker 1>this a podcast you don't Megan v I l e T.

0:31:09.120 --> 0:31:10.560
<v Speaker 1>You can get to go boop and turn it right

0:31:10.600 --> 0:31:15.840
<v Speaker 1>off like boop. That's it. Um. Since Megan told me

0:31:15.840 --> 0:31:20.360
<v Speaker 1>stop talking, I'll stop talking. Um. But that's it. Let's say,

0:31:20.360 --> 0:31:21.960
<v Speaker 1>if I have any other ones here when do you

0:31:22.000 --> 0:31:26.640
<v Speaker 1>sleep not often? That's from Tricia. Someone said when will

0:31:26.640 --> 0:31:31.560
<v Speaker 1>you take your first drink of alcohol? After Megan Bvallet

0:31:31.640 --> 0:31:34.600
<v Speaker 1>went after me. I think it was on Snapchat when

0:31:34.600 --> 0:31:37.400
<v Speaker 1>I saw you were at a restaurant or something and

0:31:37.440 --> 0:31:39.280
<v Speaker 1>you like put a beard to your lips. Yeah, that's

0:31:39.280 --> 0:31:41.480
<v Speaker 1>the weirdest thing I've ever seen. I grabbed it. We

0:31:41.480 --> 0:31:45.400
<v Speaker 1>were in um Maryland. We're in Baltimore going to the

0:31:45.440 --> 0:31:49.000
<v Speaker 1>fair and uh Eddie and trying to mode woul drinking beer.

0:31:49.080 --> 0:31:55.480
<v Speaker 1>I was like and it was just so weird, Like

0:31:56.000 --> 0:32:00.960
<v Speaker 1>beer just smells bad, It looks bad, it sounds bad. Um. Anyway,

0:32:01.440 --> 0:32:03.479
<v Speaker 1>thank you guys for being a part of this. Just

0:32:03.480 --> 0:32:06.480
<v Speaker 1>wanted to pop on and say hello, everyone. Won't be

0:32:06.520 --> 0:32:08.640
<v Speaker 1>guests related. I just wanted to answer some questions that

0:32:08.680 --> 0:32:10.400
<v Speaker 1>you guys were asking. You know, if you go to

0:32:10.440 --> 0:32:12.920
<v Speaker 1>sounds like Nashville. They did an article on Nikita Carmen.

0:32:13.200 --> 0:32:17.880
<v Speaker 1>Do you see that cool? Huh? Nikita is um she's

0:32:17.960 --> 0:32:19.960
<v Speaker 1>with the raging idiots right now. She's gonna be a

0:32:20.000 --> 0:32:23.400
<v Speaker 1>big star herself. But I found her online and Australian

0:32:23.480 --> 0:32:24.920
<v Speaker 1>was like you gotta move over to the stage, like

0:32:24.920 --> 0:32:28.640
<v Speaker 1>you're that good and so she's playing with us, she

0:32:28.680 --> 0:32:31.480
<v Speaker 1>opens for us. I'll do a stand up comedy tour

0:32:31.520 --> 0:32:34.760
<v Speaker 1>next year and she will open that most likely, or

0:32:34.800 --> 0:32:36.320
<v Speaker 1>she'll be out on her own and then she she's

0:32:36.320 --> 0:32:38.360
<v Speaker 1>got like a record deal. But they did a whole

0:32:38.440 --> 0:32:41.360
<v Speaker 1>article on her moving from Australia. How creepy was it that?

0:32:41.920 --> 0:32:43.959
<v Speaker 1>When I think back, it is like I met her.

0:32:44.000 --> 0:32:46.400
<v Speaker 1>I was like, dang, you're really good. You should move

0:32:46.440 --> 0:32:48.240
<v Speaker 1>over here. And I was like, just moving with me

0:32:49.440 --> 0:32:52.120
<v Speaker 1>and here she had and she's like okay, and she

0:32:52.200 --> 0:32:55.080
<v Speaker 1>just moved like I can be the biggest creep ever

0:32:55.240 --> 0:32:58.600
<v Speaker 1>Luckily I'm not. But I was like, I got I

0:32:58.600 --> 0:33:00.080
<v Speaker 1>don't know if they can hear the dog breathing, but

0:33:00.120 --> 0:33:02.960
<v Speaker 1>if you do hear breathing, gets the dog. But yeah,

0:33:03.000 --> 0:33:04.800
<v Speaker 1>she moved in for like three months and got me.

0:33:04.880 --> 0:33:09.280
<v Speaker 1>She doesn't live her now, but um uh yeah, it

0:33:09.320 --> 0:33:11.240
<v Speaker 1>sounds like Nashville to a big article on her coming

0:33:11.240 --> 0:33:16.320
<v Speaker 1>from Australia. She's really good. So let's see, Bobby, why

0:33:16.320 --> 0:33:18.560
<v Speaker 1>did you quit your shower? Bit from Brian? We didn't quit,

0:33:18.640 --> 0:33:22.720
<v Speaker 1>which we have more my house, remember my bathroom, my

0:33:22.800 --> 0:33:25.240
<v Speaker 1>bedroom has been flooded today. As a matter of fact,

0:33:25.400 --> 0:33:28.320
<v Speaker 1>there's no furniture in my bedroom because they had to

0:33:28.440 --> 0:33:30.720
<v Speaker 1>go back and redo the floors again today, so I

0:33:30.720 --> 0:33:32.400
<v Speaker 1>haven't been able to really get in there. And you

0:33:32.440 --> 0:33:34.120
<v Speaker 1>have to put cameras and stuff for the shower bit.

0:33:34.680 --> 0:33:39.520
<v Speaker 1>So we've been doing silly costumes that bit. But that

0:33:39.760 --> 0:33:42.120
<v Speaker 1>shower bit's been tough because I can't really get to

0:33:42.120 --> 0:33:44.080
<v Speaker 1>the shower and if I can, there's not a lot

0:33:44.120 --> 0:33:46.120
<v Speaker 1>of room because everything else is kind of crammed in there.

0:33:46.200 --> 0:33:48.200
<v Speaker 1>We will I want to move anyway and I'll have

0:33:48.200 --> 0:33:51.880
<v Speaker 1>more room to shoot that stuff. Um, Michael Odom says,

0:33:51.880 --> 0:33:53.840
<v Speaker 1>do you ever get tired of being on the air. No,

0:33:53.880 --> 0:33:55.400
<v Speaker 1>I don't think so. I think it gets hard sometimes

0:33:55.400 --> 0:33:58.160
<v Speaker 1>when I'm sick and I have to keep talking, But no,

0:33:58.320 --> 0:34:03.040
<v Speaker 1>I love my job. My job is awesome. Um all right,

0:34:03.560 --> 0:34:08.800
<v Speaker 1>I think that's probably gonna be it. Um to go

0:34:08.960 --> 0:34:10.920
<v Speaker 1>called it called the rap here. I don't feel like

0:34:10.960 --> 0:34:15.400
<v Speaker 1>there's anything to to uh too amazing, but give me

0:34:15.480 --> 0:34:17.240
<v Speaker 1>something to listen to if you get bored over the weekend,

0:34:17.680 --> 0:34:19.640
<v Speaker 1>and you can always get me up on Twitter and Instagram.

0:34:19.680 --> 0:34:22.400
<v Speaker 1>I appreciate you guys. We did a favorite five artists

0:34:22.400 --> 0:34:24.680
<v Speaker 1>that if you don't know now you know um on

0:34:24.920 --> 0:34:27.480
<v Speaker 1>those I can play some of that. I mean, I

0:34:27.480 --> 0:34:30.239
<v Speaker 1>have a lot of stuff that like, I like, but

0:34:30.800 --> 0:34:33.000
<v Speaker 1>a couple of I know. Caitlin has been on the podcast.

0:34:33.280 --> 0:34:36.160
<v Speaker 1>Caitlin Smith was one of the five, and so she

0:34:36.280 --> 0:34:50.040
<v Speaker 1>has for example, like she's opening for us in Oklahoma

0:34:50.080 --> 0:34:53.480
<v Speaker 1>City at the Diamond Ballroom, The Raging Idiot's first time

0:34:53.560 --> 0:34:57.200
<v Speaker 1>for us. I can't wait because she's so good. If

0:34:57.200 --> 0:34:59.359
<v Speaker 1>you're near Oklahoma City and you can come to that show,

0:34:59.440 --> 0:35:04.400
<v Speaker 1>come because Caitlyn Smith will be opening up about the

0:35:04.520 --> 0:35:25.759
<v Speaker 1>five and your kids laugh. Neverness of Another one is

0:35:26.200 --> 0:35:28.719
<v Speaker 1>Brandon Ray. Like a man, I knew who he is yet,

0:35:29.120 --> 0:35:31.719
<v Speaker 1>and this guy can sing his brains out and you

0:35:31.760 --> 0:35:34.960
<v Speaker 1>can play guitar. This is called American Way from Brandon

0:35:35.040 --> 0:35:41.320
<v Speaker 1>Ray because sounds like look Jack and diani ish, But man,

0:35:41.680 --> 0:35:46.960
<v Speaker 1>I've watched him play. He's like fantastic singer and he's

0:35:47.040 --> 0:35:48.719
<v Speaker 1>running with a lot of cool rock guys too and

0:35:48.880 --> 0:35:50.880
<v Speaker 1>country guys, but he's kind of like that rock country

0:35:50.920 --> 0:35:55.400
<v Speaker 1>Hydrange's Friday five and I get a little jingle I

0:35:55.560 --> 0:35:59.680
<v Speaker 1>hear that's is coming and she's final single swamps it

0:35:59.760 --> 0:36:03.439
<v Speaker 1>in chat with a couple of learning Beer's gonna give

0:36:03.440 --> 0:36:09.560
<v Speaker 1>her my best shot whenever she gets step in a

0:36:09.600 --> 0:36:15.600
<v Speaker 1>small sad town to freaking weekend come from anyhow him

0:36:15.600 --> 0:36:20.719
<v Speaker 1>and part of y'all that him a sleep by baby,

0:36:20.760 --> 0:36:26.160
<v Speaker 1>that killing. Another one of the guys on the list,

0:36:26.280 --> 0:36:28.880
<v Speaker 1>his name is Ryan Beaver and so, man, you had

0:36:28.880 --> 0:36:30.960
<v Speaker 1>a lot of songs like this is when the world

0:36:31.080 --> 0:36:34.120
<v Speaker 1>ends with Marion Morris, Like, but I should just play

0:36:34.120 --> 0:36:35.360
<v Speaker 1>a song at his because I don't want Mary to

0:36:35.360 --> 0:36:37.799
<v Speaker 1>like take away from him. But it ms Ryan Beaver

0:36:38.040 --> 0:36:45.319
<v Speaker 1>Rich is in the bars a awful to hear the

0:36:45.360 --> 0:36:52.000
<v Speaker 1>poet saying the preaching cities inside. So that's good Ryan

0:36:52.040 --> 0:36:54.319
<v Speaker 1>Bieber and people on Facebook life can't hear because we're

0:36:54.360 --> 0:37:04.360
<v Speaker 1>going through like a board. Yeah it's Ryan, right, we

0:37:04.560 --> 0:37:07.719
<v Speaker 1>are just you and me, and I like the way

0:37:08.320 --> 0:37:15.200
<v Speaker 1>you ain't afraid whiskey. Also Walker Hayes, and this Walker

0:37:15.200 --> 0:37:18.520
<v Speaker 1>hay stuff is so good, Like it's like I always say,

0:37:18.560 --> 0:37:21.239
<v Speaker 1>next level songwriting. You may not even like how like

0:37:21.280 --> 0:37:23.319
<v Speaker 1>if it's like it's too like beat boxy for me,

0:37:23.760 --> 0:37:26.839
<v Speaker 1>but just a word like he's it's such a good writer,

0:37:27.320 --> 0:37:31.960
<v Speaker 1>like Walker Hayes. I mean, alright, my computer has messed up.

0:37:32.480 --> 0:37:36.200
<v Speaker 1>Let's see I can't believe you have ads still, Mike

0:37:36.280 --> 0:37:39.400
<v Speaker 1>on this you gonna pay for like the premium like

0:37:39.560 --> 0:37:44.000
<v Speaker 1>Walker Hayes has, Like this is called Leela Stars. Walker

0:37:44.040 --> 0:37:56.080
<v Speaker 1>had just three eyes, bloodshot, yawning in the Casco parking lot,

0:37:56.320 --> 0:37:58.319
<v Speaker 1>waiting on the door to lock so I can clock

0:37:58.400 --> 0:38:00.359
<v Speaker 1>in ear like it's not the cooler till that's where

0:38:00.360 --> 0:38:02.680
<v Speaker 1>I need back surgery. I wonder what the hell I'm

0:38:02.719 --> 0:38:04.520
<v Speaker 1>doing with my life, which and I was still in

0:38:04.600 --> 0:38:06.759
<v Speaker 1>bed when my wife scribbling the lyrics on the side

0:38:06.800 --> 0:38:09.080
<v Speaker 1>of the style phone cup. Do my kids need their

0:38:09.160 --> 0:38:11.640
<v Speaker 1>dad to grow up? Keep chasing a drink that ain't

0:38:11.719 --> 0:38:13.920
<v Speaker 1>making no sense? No, it sounds like true story too,

0:38:13.920 --> 0:38:15.279
<v Speaker 1>how you used to go to work every morning and

0:38:15.400 --> 0:38:18.719
<v Speaker 1>like to write the songs from aft top ceiling at

0:38:18.760 --> 0:38:20.640
<v Speaker 1>the bomb thumb tacks from a night and a half

0:38:20.760 --> 0:38:23.560
<v Speaker 1>year old daughter Lela, just to keep it from coming down,

0:38:24.120 --> 0:38:31.200
<v Speaker 1>kind of like my tears when I count leading stars

0:38:32.160 --> 0:38:34.719
<v Speaker 1>the sky fun then it's just a ru from my

0:38:40.239 --> 0:38:45.640
<v Speaker 1>I'm freaking five, you're getting um Cody Johnson Man, Oh yeah,

0:38:45.680 --> 0:38:47.560
<v Speaker 1>Cody Johnson Man, And we were playing him on the

0:38:47.600 --> 0:38:49.719
<v Speaker 1>ear at Cody Johnson A lot of technis country fans

0:38:49.760 --> 0:38:52.440
<v Speaker 1>on who Code Johnson is. But um, if you're not

0:38:52.800 --> 0:38:54.239
<v Speaker 1>you know, a Texnis country guy and maybe you haven't

0:38:54.280 --> 0:38:58.600
<v Speaker 1>heardly Cody Johnson really good. That's like you gotta album.

0:38:58.960 --> 0:39:01.880
<v Speaker 1>I think gotta be me and that thinks what it's

0:39:01.920 --> 0:39:05.759
<v Speaker 1>called if I'm going by my heart, but he's really good.

0:39:07.360 --> 0:39:11.800
<v Speaker 1>Cody Johnson here was called yep, never being a cool

0:39:12.000 --> 0:39:17.560
<v Speaker 1>hand quarterback or the winning team or the guy with

0:39:17.760 --> 0:39:23.800
<v Speaker 1>the right kind of punchlines everybody wants to be. Everyone

0:39:24.000 --> 0:39:26.880
<v Speaker 1>was at a lucky old cuss with a straight flush

0:39:27.000 --> 0:39:37.400
<v Speaker 1>in his hand. But with you, ah, I ain't no path.

0:39:37.719 --> 0:39:39.160
<v Speaker 1>So those are the five that I put on the left.

0:39:39.200 --> 0:39:41.200
<v Speaker 1>But there's I mean, there's so much good music out

0:39:41.239 --> 0:39:45.160
<v Speaker 1>there now and everything's different and nothing's more than anything.

0:39:45.440 --> 0:39:48.120
<v Speaker 1>Just like what you like and don't hate people that

0:39:48.200 --> 0:39:51.759
<v Speaker 1>don't like what you like, big old smile. That's why.

0:39:51.960 --> 0:39:56.359
<v Speaker 1>As the real game. Here's a playlist rock classics. Here

0:39:56.440 --> 0:40:00.880
<v Speaker 1>we go, name that tune, A C D C back

0:40:00.920 --> 0:40:08.239
<v Speaker 1>and black yeah, yeah, okay. In high school we had

0:40:08.400 --> 0:40:10.880
<v Speaker 1>we would have arguments every week and when we come

0:40:10.920 --> 0:40:13.719
<v Speaker 1>out to we had other come out to A C

0:40:13.880 --> 0:40:16.120
<v Speaker 1>D C. Hill's bells because we're the Mountain Pine right Devils,

0:40:16.640 --> 0:40:20.000
<v Speaker 1>and we were black and white school, meaning we weren't.

0:40:20.520 --> 0:40:24.200
<v Speaker 1>I mean, we're the white people. So it would be

0:40:24.239 --> 0:40:25.800
<v Speaker 1>like you wanna come to hip hop or like hardcore

0:40:25.920 --> 0:40:27.840
<v Speaker 1>rock and then fight. We'd fight every week and I

0:40:27.880 --> 0:40:30.640
<v Speaker 1>don't care because for me it didn't matter. But it

0:40:30.680 --> 0:40:33.200
<v Speaker 1>would be like a C. D. C. Hell's Bells, or

0:40:33.239 --> 0:40:35.920
<v Speaker 1>it would be Tupac, like hit him up, and so

0:40:36.080 --> 0:40:38.080
<v Speaker 1>we would just have to go back and forth course

0:40:38.360 --> 0:40:42.319
<v Speaker 1>to come back to for high school both Dude, even

0:40:42.400 --> 0:40:44.640
<v Speaker 1>Hill's Bells. Think about that, you're in the eleventh grade.

0:40:46.000 --> 0:40:49.560
<v Speaker 1>I mean the edited version, even the edited version of

0:40:52.320 --> 0:40:54.960
<v Speaker 1>Dude where I come from, like it that's just a

0:40:55.120 --> 0:40:59.080
<v Speaker 1>song we would come out. I mean, I mean it's

0:40:59.239 --> 0:41:05.880
<v Speaker 1>like it's dirty. This is not the do you know

0:41:05.960 --> 0:41:12.640
<v Speaker 1>who were to see touch the funk? Your pitching to click?

0:41:12.719 --> 0:41:15.279
<v Speaker 1>You claim when we can't do a lot of this

0:41:15.440 --> 0:41:20.640
<v Speaker 1>here but claim to be a player. Yeah, but that's

0:41:20.680 --> 0:41:24.600
<v Speaker 1>to be it edited version obviously. But Tupac's greatest sins

0:41:24.680 --> 0:41:28.800
<v Speaker 1>man like Tupac, Like people always asked me who was

0:41:28.840 --> 0:41:30.800
<v Speaker 1>better Tupac your biggie, and they're really there's not a

0:41:30.880 --> 0:41:33.279
<v Speaker 1>right answer. In Dubai, I do have an answer that

0:41:33.360 --> 0:41:37.560
<v Speaker 1>I think, But the Tupac Biggie debate is always interesting

0:41:37.640 --> 0:41:42.920
<v Speaker 1>for me. Culturally, Tupac was far and it had bigger

0:41:42.920 --> 0:41:45.840
<v Speaker 1>than Biggie. Tupac with West coast, Biggie was East coast.

0:41:46.480 --> 0:41:53.759
<v Speaker 1>You know, Biggie was the whole puff may But hip

0:41:53.800 --> 0:41:57.480
<v Speaker 1>hop wise, Biggie can put a record out today, it's

0:41:57.480 --> 0:42:01.160
<v Speaker 1>not contemporary. He was ahead of it, like Biggie was

0:42:01.200 --> 0:42:06.560
<v Speaker 1>ahead of it, of of just rhyming. So Tupac is

0:42:06.640 --> 0:42:11.000
<v Speaker 1>way bigger, But who is the better rapper rhymer? It's

0:42:11.200 --> 0:42:14.360
<v Speaker 1>Biggie for sure. Like the fact that people argue that,

0:42:14.920 --> 0:42:17.759
<v Speaker 1>it's just like if they existed today, which one would

0:42:17.800 --> 0:42:22.000
<v Speaker 1>sound like fine out there and the answer is Biggie,

0:42:22.320 --> 0:42:24.640
<v Speaker 1>Like that would come up people be like, man, that's fresh,

0:42:24.960 --> 0:42:33.239
<v Speaker 1>Like that's like people don't rhyme as good as this

0:42:33.360 --> 0:42:37.640
<v Speaker 1>now that rhyming. Now that really annoys me because I'm

0:42:37.640 --> 0:42:41.840
<v Speaker 1>like hip hop two And then they don't even the

0:42:41.880 --> 0:42:43.759
<v Speaker 1>middle of the ways, like he's only get in my

0:42:43.840 --> 0:42:45.920
<v Speaker 1>game and did to hear the same and got in

0:42:45.960 --> 0:42:47.719
<v Speaker 1>the lame. I got his damn day. It's like, I

0:42:47.719 --> 0:42:49.479
<v Speaker 1>don't know what you're saying. Like some of the stuff

0:42:49.520 --> 0:42:50.840
<v Speaker 1>sounds like in rhymes, but I don't even know what

0:42:50.920 --> 0:42:54.520
<v Speaker 1>you're saying. Really, um so whatever, that's me being an

0:42:54.560 --> 0:43:11.920
<v Speaker 1>old problem really big. It's just seven. I guess I

0:43:11.960 --> 0:43:18.680
<v Speaker 1>can hear them my headphones. Tomorrow on the show, Derks

0:43:18.680 --> 0:43:20.120
<v Speaker 1>will be in. It's not like the teach you guys

0:43:20.160 --> 0:43:21.560
<v Speaker 1>are here this after the show. I forget We're not

0:43:21.640 --> 0:43:23.040
<v Speaker 1>live on the road. I feel like I'm live on

0:43:23.080 --> 0:43:30.160
<v Speaker 1>the radio right now. So yeah, there's that. I already

0:43:30.200 --> 0:43:32.360
<v Speaker 1>A festival's fun. That'll be next weekend. That'll be a

0:43:33.560 --> 0:43:37.000
<v Speaker 1>packed and I love it because it's such a huge event.

0:43:37.080 --> 0:43:39.400
<v Speaker 1>But I don't really get to watch the shows because

0:43:39.440 --> 0:43:41.279
<v Speaker 1>I worked the whole time. The weird thing for me

0:43:41.440 --> 0:43:44.800
<v Speaker 1>is to during the festival and it's like the biggest festival.

0:43:45.400 --> 0:43:48.399
<v Speaker 1>So just pulling up from my head, it's Drake, it's

0:43:48.440 --> 0:43:52.480
<v Speaker 1>Brittany and Sam Hunt and it's sting in YouTube. It's

0:43:52.520 --> 0:43:56.560
<v Speaker 1>like everybody big from all these different formats. But because

0:43:56.600 --> 0:43:59.680
<v Speaker 1>I've worked all formats and I'm just I just love music.

0:43:59.719 --> 0:44:01.799
<v Speaker 1>I've all kinds of music, I've studied all kinds of music.

0:44:01.880 --> 0:44:08.480
<v Speaker 1>I'm a nerd for music. Um, I'm like a utility player,

0:44:09.160 --> 0:44:12.719
<v Speaker 1>meaning if there's not someone interview X person and the

0:44:12.800 --> 0:44:14.920
<v Speaker 1>hip hop shows gone, they'll pull me up to be

0:44:15.000 --> 0:44:17.839
<v Speaker 1>a little John, or they'll have me interview the country act,

0:44:17.920 --> 0:44:19.680
<v Speaker 1>or they'll have me interview that somebody from I did

0:44:19.760 --> 0:44:22.640
<v Speaker 1>justin Tima. So I always am bag there. I don't

0:44:22.680 --> 0:44:25.400
<v Speaker 1>have to watch anything. I went last year and watched

0:44:25.480 --> 0:44:27.640
<v Speaker 1>cold plays, the only one I wanted to say, I

0:44:27.719 --> 0:44:30.239
<v Speaker 1>want to watched like three songs of cold Play. Um,

0:44:30.560 --> 0:44:33.680
<v Speaker 1>and it was awesome and they dropped confetti from the

0:44:33.760 --> 0:44:36.560
<v Speaker 1>It was really great. Um. But yeah, so it's a

0:44:36.600 --> 0:44:38.759
<v Speaker 1>big deal. It's fun. It's funny. Gettill all like your

0:44:38.800 --> 0:44:43.640
<v Speaker 1>radio friends again it is and some of them are

0:44:43.680 --> 0:44:47.840
<v Speaker 1>still around. Um but yeah, but yeah that would be

0:44:47.920 --> 0:44:49.799
<v Speaker 1>next weekend. But that's it. It's such a big show there.

0:44:50.520 --> 0:44:52.360
<v Speaker 1>So I was talking about teeth. Yeah, I paid for

0:44:52.400 --> 0:44:54.520
<v Speaker 1>my teeth, like some of them because they're really crooked

0:44:54.680 --> 0:44:57.799
<v Speaker 1>and bust it up. So these are fake, like four

0:44:57.960 --> 0:45:01.600
<v Speaker 1>here fake they did are fake and this one's fixed.

0:45:02.360 --> 0:45:05.880
<v Speaker 1>So yeah, thank you though for for complimenting my fake teeth.

0:45:06.200 --> 0:45:09.239
<v Speaker 1>You don't gonna be a hater and know man. Um,

0:45:09.760 --> 0:45:13.239
<v Speaker 1>yeah the heaven my teeth fixed was weird because what

0:45:13.320 --> 0:45:16.200
<v Speaker 1>they do at Veneers, and my teeth were always really

0:45:16.280 --> 0:45:18.600
<v Speaker 1>messed up. I can never afford braces as a kid,

0:45:19.719 --> 0:45:22.080
<v Speaker 1>and so I would always be jealous of kids at

0:45:22.120 --> 0:45:23.600
<v Speaker 1>braces and had good teeth, and so I would just

0:45:23.640 --> 0:45:25.680
<v Speaker 1>be embarrassed and I would keep my coming the lips

0:45:25.719 --> 0:45:27.840
<v Speaker 1>over my teeth. And so once I started making a

0:45:27.840 --> 0:45:30.080
<v Speaker 1>little bit of money to afford first of all, to

0:45:30.120 --> 0:45:31.680
<v Speaker 1>go to the dentist, I was getting my teeth fixed

0:45:31.680 --> 0:45:34.239
<v Speaker 1>like crazy. And I was so far behind in dental work,

0:45:34.280 --> 0:45:37.080
<v Speaker 1>but had insurance and insurance pay I had to cover

0:45:37.120 --> 0:45:38.640
<v Speaker 1>to the so I had the money to pay the

0:45:38.680 --> 0:45:42.040
<v Speaker 1>other plus the insurance. So I was getting cavities fixed

0:45:42.040 --> 0:45:43.920
<v Speaker 1>and all my teeth fixed. But I still had these

0:45:43.960 --> 0:45:46.640
<v Speaker 1>crooked teeth up front and on the bottom they're very

0:45:46.680 --> 0:45:49.279
<v Speaker 1>crooked too. And so I was like, well, I want

0:45:49.280 --> 0:45:51.360
<v Speaker 1>to see what these Veneers are about, because I was

0:45:51.400 --> 0:45:53.440
<v Speaker 1>doing a big TV project at ABC at the time,

0:45:53.840 --> 0:45:55.400
<v Speaker 1>and they hadn't said in the on my teeth that

0:45:55.440 --> 0:45:57.600
<v Speaker 1>I was really self conscious about them, and so I

0:45:57.680 --> 0:46:00.520
<v Speaker 1>went and I looked and what they did was and

0:46:00.600 --> 0:46:02.160
<v Speaker 1>it's crazy what what they do. Because AND had a

0:46:02.200 --> 0:46:04.480
<v Speaker 1>really great doctor, but they take your real teeth and

0:46:04.520 --> 0:46:07.520
<v Speaker 1>they cut them in half the top like that started

0:46:07.520 --> 0:46:09.360
<v Speaker 1>to stut. They cut them right in half, right across

0:46:09.360 --> 0:46:12.480
<v Speaker 1>the middle, and then they cut on both sides of them,

0:46:13.120 --> 0:46:15.879
<v Speaker 1>and so it's basically just a little nub in each spot,

0:46:15.920 --> 0:46:18.759
<v Speaker 1>and they've covered up with a veneer, so if you

0:46:18.840 --> 0:46:20.480
<v Speaker 1>pull off the veneer, it's just a little bit nub

0:46:20.520 --> 0:46:23.279
<v Speaker 1>of a tooth in there. And so I had to

0:46:23.320 --> 0:46:25.000
<v Speaker 1>wear like plastic teeth forever all I could eat with

0:46:25.040 --> 0:46:28.760
<v Speaker 1>my very back teeth for four or five months because

0:46:28.840 --> 0:46:31.240
<v Speaker 1>my all my teeth up front were mess I couldn't

0:46:31.280 --> 0:46:33.480
<v Speaker 1>use them to eat because they weren't even the veneers.

0:46:33.760 --> 0:46:36.680
<v Speaker 1>They were just the plastic ones. As my real teeth

0:46:36.680 --> 0:46:41.799
<v Speaker 1>were healing. Now I'm glad they're done. But um, too

0:46:41.920 --> 0:46:44.920
<v Speaker 1>much tanning, Bobby. This is like fresh right tand no shower,

0:46:46.640 --> 0:46:50.040
<v Speaker 1>but on camera it's much better. So I appreciate that,

0:46:50.120 --> 0:46:53.680
<v Speaker 1>Stephanie Cardona. Um, anyway, how long where are we at?

0:46:53.760 --> 0:46:56.920
<v Speaker 1>My fifty minutes? Than how in the world do I

0:46:57.000 --> 0:46:58.880
<v Speaker 1>talk for so much about nothing? Like I had nothing

0:46:58.960 --> 0:47:01.040
<v Speaker 1>to say, like, and I'm like, we'll go and talk

0:47:01.120 --> 0:47:03.399
<v Speaker 1>for a bit and then, uh, you know what it's

0:47:03.440 --> 0:47:09.279
<v Speaker 1>called tonight? Um a second book. Uh yeah, but more

0:47:09.360 --> 0:47:17.239
<v Speaker 1>to be talked about next soon, just not right this second. Um. Yeah,

0:47:17.760 --> 0:47:20.600
<v Speaker 1>I really can't say say much more than that. There's

0:47:20.640 --> 0:47:23.799
<v Speaker 1>just so much that until it's actually signed or they

0:47:23.880 --> 0:47:26.360
<v Speaker 1>say you can say it, you'll get in trouble for

0:47:26.400 --> 0:47:30.560
<v Speaker 1>saying it. Um, all right, thank you all. I'm gonna go.

0:47:31.400 --> 0:47:33.120
<v Speaker 1>I hope you learned something from this. I have no

0:47:33.239 --> 0:47:35.239
<v Speaker 1>idea what we talked about. That's the beauty of it.

0:47:35.280 --> 0:47:36.640
<v Speaker 1>You could have turned it off a long time ago.

0:47:37.000 --> 0:47:39.000
<v Speaker 1>I appreciate you being here. Go back and listen to

0:47:39.000 --> 0:47:40.840
<v Speaker 1>the other Bobby cast. If that's some really great guests.

0:47:40.880 --> 0:47:42.560
<v Speaker 1>We'll have some more great guests, and the next couple

0:47:42.600 --> 0:47:44.640
<v Speaker 1>of podcasts that we do, we'll have some great guests

0:47:44.680 --> 0:47:48.240
<v Speaker 1>in the studio, including Ryan heard, uh, some songwriter friends, performers.

0:47:48.280 --> 0:47:51.840
<v Speaker 1>I don't want to ruin what happened, Um, what's happening

0:47:51.880 --> 0:47:54.760
<v Speaker 1>coming up? But that's it, So that'd be it. Anything

0:47:54.800 --> 0:47:57.000
<v Speaker 1>Mike you want to ask before we go anything? I

0:47:57.120 --> 0:48:00.919
<v Speaker 1>think we're good. Uh, it's would this be the worst

0:48:00.960 --> 0:48:05.040
<v Speaker 1>podcast we've ever done? No? Thanks, Well, we've done some

0:48:05.160 --> 0:48:07.000
<v Speaker 1>good ones. Oh yeah, it's like I just think it's

0:48:07.000 --> 0:48:10.040
<v Speaker 1>worth front we've ever done hold on, I gotta figure

0:48:10.080 --> 0:48:12.160
<v Speaker 1>out trying one of these musics off and one of

0:48:12.200 --> 0:48:17.359
<v Speaker 1>the one kill that one. There you go up, all right,

0:48:17.400 --> 0:48:21.480
<v Speaker 1>Thank you guys for listening to the Bobby Cast. I

0:48:21.560 --> 0:48:24.520
<v Speaker 1>appreciate you're watching on Facebook Live. I'm gonna turn you

0:48:24.560 --> 0:48:26.880
<v Speaker 1>guys off on Facebook Live right now. Let's see how

0:48:26.880 --> 0:48:32.359
<v Speaker 1>many people were watching this ending live video on Facebook Live.

0:48:32.400 --> 0:48:38.759
<v Speaker 1>There were twenty one people that watched that as we

0:48:38.880 --> 0:48:41.320
<v Speaker 1>did it, and it will only grow and they'll be like,

0:48:41.520 --> 0:48:45.759
<v Speaker 1>why did I watch this? Thank you for your questions. Uh,

0:48:45.840 --> 0:48:48.880
<v Speaker 1>pimp and joy stuff. We have replenished our supply. We

0:48:48.960 --> 0:48:50.800
<v Speaker 1>were out of pink for a long time. Now we

0:48:50.840 --> 0:48:52.480
<v Speaker 1>have pink and black and pink and white. Go to

0:48:52.560 --> 0:48:55.279
<v Speaker 1>Bobby Bones dot com do do that. And the Raging

0:48:55.320 --> 0:48:56.800
<v Speaker 1>Idiots are on the road all throughout the rest of

0:48:56.800 --> 0:48:58.200
<v Speaker 1>the year. Would love to see you guys come out

0:48:58.200 --> 0:49:00.840
<v Speaker 1>and watch us where you can see our more dates

0:49:00.920 --> 0:49:03.439
<v Speaker 1>at Raging Idiots dot com. I'll be doing a stand

0:49:03.520 --> 0:49:06.040
<v Speaker 1>up comedy tour next year. More to details about that

0:49:06.120 --> 0:49:08.000
<v Speaker 1>coming up. I hope you have a wonderful rest of

0:49:08.040 --> 0:49:09.680
<v Speaker 1>your day. And if it's not daytime and it's nine time,

0:49:09.719 --> 0:49:12.120
<v Speaker 1>hoping night it's great to um Bobby and that's it

0:49:12.600 --> 0:49:16.839
<v Speaker 1>until next time. Goodbye everybody. Oh yeah, Mike Destro follow

0:49:16.840 --> 0:49:18.360
<v Speaker 1>on mine instance, all right, I gotta get him his

0:49:18.440 --> 0:49:21.400
<v Speaker 1>checks plugged there at Mike Destro and Mike K E

0:49:21.800 --> 0:49:24.480
<v Speaker 1>D E E s t r Oh at Mike Destro.

0:49:25.120 --> 0:49:27.879
<v Speaker 1>Do you find people follow you from this? Yeah? Really? Yeah?

0:49:28.960 --> 0:49:32.520
<v Speaker 1>What up at Mike Destro? Thank you a good eye

0:49:32.560 --> 0:49:35.160
<v Speaker 1>everybody in good day and by oh man, you know

0:49:35.239 --> 0:49:37.080
<v Speaker 1>it was good though, like people even know how best.

0:49:37.160 --> 0:49:39.920
<v Speaker 1>Bust He used to rhyme like I gotta playlist up here,

0:49:40.719 --> 0:49:45.560
<v Speaker 1>like Busto rhymes so fast, like I think Eminence it's

0:49:45.560 --> 0:49:47.440
<v Speaker 1>the gay trapper of all time. I think, and a

0:49:47.480 --> 0:49:49.160
<v Speaker 1>lot of people I think Eminem Now it's a guy

0:49:49.200 --> 0:49:50.759
<v Speaker 1>trapper of all time. You put him in on a

0:49:50.800 --> 0:49:52.880
<v Speaker 1>track like little Wayne, even Diday, he put him in

0:49:53.040 --> 0:49:55.320
<v Speaker 1>on a track like two years ago, and he shouldn't

0:49:55.320 --> 0:49:57.680
<v Speaker 1>have because emin him. Well it was Eminem's track, even

0:49:57.680 --> 0:50:01.600
<v Speaker 1>though even it was a Wayne track. And oh you'll

0:50:01.640 --> 0:50:04.680
<v Speaker 1>forget the Buster came out and Buster was like a

0:50:04.760 --> 0:50:08.120
<v Speaker 1>different level because he was just flow like so quick,

0:50:08.239 --> 0:50:12.239
<v Speaker 1>even like this is breaking next yeah break your whoa.

0:50:12.360 --> 0:50:15.799
<v Speaker 1>But yeah, I can forget this hase I edited. That's

0:50:15.800 --> 0:50:19.919
<v Speaker 1>so weird that when we go there, when we goin down,

0:50:20.320 --> 0:50:22.680
<v Speaker 1>give it away, give it away, give it away. Now

0:50:22.719 --> 0:50:26.800
<v Speaker 1>we need to put like a explicit just keep it away.

0:50:27.120 --> 0:50:29.120
<v Speaker 1>Here we go, get me going down to me. When

0:50:29.160 --> 0:50:31.600
<v Speaker 1>you bother is gonna do come him talking talk for me,

0:50:31.640 --> 0:50:33.359
<v Speaker 1>Get take you the give it when the up noble,

0:50:33.360 --> 0:50:34.440
<v Speaker 1>you're talking up. We get t the wall for me,

0:50:34.480 --> 0:50:35.680
<v Speaker 1>and we can really trying to put it on the

0:50:35.760 --> 0:50:37.480
<v Speaker 1>go when they never did a phone for me. That

0:50:37.560 --> 0:50:39.000
<v Speaker 1>we can break your back and break your neck and

0:50:39.040 --> 0:50:40.160
<v Speaker 1>then we can try to put it on the phone

0:50:40.160 --> 0:50:45.480
<v Speaker 1>for me. Because one time when I knocked that damn

0:50:45.520 --> 0:50:48.359
<v Speaker 1>and I hit you with that ship. It's the old day.

0:50:48.440 --> 0:50:51.279
<v Speaker 1>Been making the job, y'all. Every time we come through this, y'all.

0:50:51.320 --> 0:50:53.880
<v Speaker 1>Wait second around, So like people can't do that, like

0:50:53.920 --> 0:50:56.279
<v Speaker 1>who can't ride my master? Like a few can, but

0:50:56.400 --> 0:51:00.560
<v Speaker 1>not really, I mean the word crazy until like that too.

0:51:00.560 --> 0:51:07.320
<v Speaker 1>You gotta write like double times kids, man, the jams

0:51:07.400 --> 0:51:10.680
<v Speaker 1>busses jam though, Oh my goodness, I know what you want.

0:51:10.760 --> 0:51:14.680
<v Speaker 1>When this song came out, this was a jam flights

0:51:14.719 --> 0:51:17.320
<v Speaker 1>on the radio. Maybe when you give it to me,

0:51:18.120 --> 0:51:20.800
<v Speaker 1>give it to you. You know what I want, I

0:51:20.960 --> 0:51:23.960
<v Speaker 1>give it to you. Oh man, I ain't Maries on

0:51:24.000 --> 0:51:28.839
<v Speaker 1>this track too. Hold out, give it all to you bag,

0:51:29.760 --> 0:51:32.800
<v Speaker 1>just warm. I'm gonna come on, just do music sometimes.

0:51:32.840 --> 0:51:35.200
<v Speaker 1>Maybe when you give it to me, I'll give it

0:51:35.320 --> 0:51:38.239
<v Speaker 1>to you. I know what you want. I want to want.

0:51:39.280 --> 0:51:42.120
<v Speaker 1>I guess not on it first. Let's see as long

0:51:42.200 --> 0:51:44.759
<v Speaker 1>as you want, you know what I got it? Yeah,

0:51:46.440 --> 0:51:48.440
<v Speaker 1>I mean the real bust attract from back in the day,

0:51:48.480 --> 0:51:50.080
<v Speaker 1>the one that busting him out was this one here.

0:51:50.560 --> 0:51:53.720
<v Speaker 1>I mean this is old school, like real deal busting.

0:51:53.760 --> 0:51:55.560
<v Speaker 1>When I first heard him, I as like young kid.

0:51:55.640 --> 0:51:59.800
<v Speaker 1>I was like, whoa if you really want a party

0:51:59.840 --> 0:52:04.520
<v Speaker 1>with me? That damn it's so fast like to me,

0:52:04.719 --> 0:52:06.840
<v Speaker 1>this is the original bus to try. But hands on

0:52:06.880 --> 0:52:10.200
<v Speaker 1>my eyes can see with no delayan. So what you're

0:52:10.239 --> 0:52:13.600
<v Speaker 1>saying yo siling with namly with the dilly yo were

0:52:13.640 --> 0:52:16.040
<v Speaker 1>not y? I guess I do my duty, Yo. Wind

0:52:16.120 --> 0:52:17.800
<v Speaker 1>up in the club like we're wound in the studio.

0:52:18.000 --> 0:52:20.279
<v Speaker 1>Either want to viol like niket really and truly yo,

0:52:20.400 --> 0:52:23.320
<v Speaker 1>my metug ninking the moody yo e moodio type of

0:52:23.440 --> 0:52:26.000
<v Speaker 1>nick dad to slap you with the tulio bitch, nike

0:52:26.040 --> 0:52:31.759
<v Speaker 1>a skid the death at studio funk, that's really the

0:52:31.800 --> 0:52:35.520
<v Speaker 1>bus And I was like danges in videos, wind up

0:52:35.560 --> 0:52:39.240
<v Speaker 1>with I got the lust of all the big country

0:52:39.320 --> 0:52:41.440
<v Speaker 1>songs right now, I'm saying, what if I like any

0:52:41.440 --> 0:52:43.719
<v Speaker 1>of them up here? Like I like talk about rock

0:52:43.800 --> 0:52:46.560
<v Speaker 1>on program at number one? Remember talking about there just

0:52:46.600 --> 0:52:48.680
<v Speaker 1>hearing this song on YouTube, ringing up in the studio,

0:52:48.680 --> 0:52:52.680
<v Speaker 1>And that's saying a number one song, crazy crazy to

0:52:52.760 --> 0:53:03.520
<v Speaker 1>stay awesome for him. Girl didn't mean it when our

0:53:03.560 --> 0:53:07.480
<v Speaker 1>ways to do the bit. I guess I thought we

0:53:07.520 --> 0:53:14.280
<v Speaker 1>were into this thing like ten minutes ago. Wait, yeah, Fanning,

0:53:14.360 --> 0:53:21.360
<v Speaker 1>you all waiting? Tick too long? Baby, rack on? Rack on?

0:53:25.280 --> 0:53:28.840
<v Speaker 1>Why don't you have you gotta pay for this? Looks commercial?

0:53:30.320 --> 0:53:32.000
<v Speaker 1>All right, have a great day. Guess you guys die?

0:53:32.040 --> 0:53:38.719
<v Speaker 1>Next time about back some big Hollywood stop you see

0:53:38.840 --> 0:53:41.759
<v Speaker 1>the clubbing. Here's that Ryan Hurt song I was talking about.

0:53:42.800 --> 0:53:58.759
<v Speaker 1>He'll be on next next week at some point later.

0:53:59.000 --> 0:54:02.880
<v Speaker 1>The party, girl in the party, you're the tequila and

0:54:03.040 --> 0:54:06.879
<v Speaker 1>the song on the lamb. But it doesn't matter. We're ever,

0:54:07.040 --> 0:54:10.560
<v Speaker 1>We're red girl. Whoever happens, it's a hell of a town.

0:54:10.719 --> 0:54:13.480
<v Speaker 1>Were rolling, We roll out and get drunk. We get

0:54:13.600 --> 0:54:16.600
<v Speaker 1>down baby. I look kind of stoopid when I'm dancing

0:54:16.600 --> 0:54:20.200
<v Speaker 1>with you, but she laughing now like it. We're magic tonight.

0:54:20.640 --> 0:54:22.719
<v Speaker 1>We don't mean to make him jealous, but we do

0:54:24.280 --> 0:54:29.200
<v Speaker 1>maga our own little baby. Ain't nobody doing like we

0:54:29.520 --> 0:54:34.680
<v Speaker 1>do us, Megan, ain't bring around down baby. Ain't nobody

0:54:34.840 --> 0:54:41.000
<v Speaker 1>do like we do. We go together like using Chief champagne.

0:54:41.320 --> 0:54:43.080
<v Speaker 1>You can pull it on, all right. He should be

0:54:43.120 --> 0:54:48.480
<v Speaker 1>in next week's Baby. Bye, guys, have a good one.

0:54:49.480 --> 0:54:53.080
<v Speaker 1>Uh out. Dusty says bye to all right. We're done

0:54:53.120 --> 0:54:53.200
<v Speaker 1>now