1 00:00:02,960 --> 00:00:07,080 Speaker 1: All right, welcome to the episode eight does the Bobby 2 00:00:07,120 --> 00:00:11,680 Speaker 1: Cast Our special guest today is Dusty the Dog sitting 3 00:00:11,720 --> 00:00:14,200 Speaker 1: in the chair across from me. No guest today. We've 4 00:00:14,200 --> 00:00:16,960 Speaker 1: had guests last three or four episodes, and we had 5 00:00:17,000 --> 00:00:19,000 Speaker 1: Craig Campbell in earlier this week. But I thought I 6 00:00:19,000 --> 00:00:22,680 Speaker 1: would come on and simply just answer questions that you 7 00:00:22,720 --> 00:00:26,279 Speaker 1: guys have posted on Facebook. And so I have my 8 00:00:26,360 --> 00:00:28,600 Speaker 1: laptop in my lap now as we do this, and 9 00:00:28,640 --> 00:00:30,760 Speaker 1: so I guess about an hour and a half ago, 10 00:00:31,000 --> 00:00:34,360 Speaker 1: I simply wrote on Facebook, I'll be doing the Bobby 11 00:00:34,400 --> 00:00:37,120 Speaker 1: cast answering your questions. What do you want to be addressed? 12 00:00:37,200 --> 00:00:41,159 Speaker 1: And so all I'll do is just go down through 13 00:00:41,159 --> 00:00:43,240 Speaker 1: the line. As of right now, there are a few hundred. 14 00:00:43,240 --> 00:00:44,360 Speaker 1: I will be able to get to all of them, 15 00:00:44,440 --> 00:00:45,680 Speaker 1: but I'll try to get to as many of them 16 00:00:45,680 --> 00:00:48,000 Speaker 1: as possible, and we'll kind of break it up this way. 17 00:00:48,520 --> 00:00:51,920 Speaker 1: Uh So, thank you guys for listening again. Thanks to 18 00:00:51,920 --> 00:00:56,040 Speaker 1: our sponsor. We don't have one yet, but soon, um well, 19 00:00:56,080 --> 00:00:59,480 Speaker 1: we'll have a sponsor hopefully. All Right, are you ready? 20 00:00:59,520 --> 00:01:01,640 Speaker 1: Here we go. Uh, let's just kind of roll through 21 00:01:01,680 --> 00:01:07,679 Speaker 1: some of these questions. Question number one, Uh, Kim Johnson writes, 22 00:01:07,760 --> 00:01:09,399 Speaker 1: what do you think of Ryan Seacrest doing tell me 23 00:01:09,440 --> 00:01:12,919 Speaker 1: something good? Do you feel he stole it or intentionally 24 00:01:12,959 --> 00:01:16,360 Speaker 1: offer it up? Um? Do you see yourself doing Top 25 00:01:16,400 --> 00:01:21,800 Speaker 1: forty radio ever again? I eat Elvis and then, um, 26 00:01:21,800 --> 00:01:23,480 Speaker 1: it's a bunch of stuff here, a bunch of stuff here, 27 00:01:23,520 --> 00:01:27,160 Speaker 1: odd tell me something good. Ryan Seacrests actually called me 28 00:01:27,640 --> 00:01:29,480 Speaker 1: and said, hey, do you mind if I do it? 29 00:01:29,520 --> 00:01:30,920 Speaker 1: And I said, no, I don't care, Like I mean, 30 00:01:30,959 --> 00:01:33,080 Speaker 1: I don't own it. We were the first ones to 31 00:01:33,080 --> 00:01:34,600 Speaker 1: do it. We were the first ones to do like 32 00:01:34,640 --> 00:01:38,959 Speaker 1: a segment that tested. It's just a weird thing because 33 00:01:38,959 --> 00:01:41,759 Speaker 1: we didn't invent positivity. We didn't admit doing a good 34 00:01:41,800 --> 00:01:44,240 Speaker 1: news story. But what happened was we started doing a 35 00:01:44,240 --> 00:01:46,840 Speaker 1: segment like thirteen years ago and it became such a 36 00:01:46,880 --> 00:01:49,440 Speaker 1: success they started making other shows do it, and other 37 00:01:49,440 --> 00:01:51,160 Speaker 1: shows started doing it. Then before you know it, it 38 00:01:51,240 --> 00:01:55,200 Speaker 1: tested in research and now everybody does it. So um, 39 00:01:55,320 --> 00:01:58,120 Speaker 1: I'm glad everybody does it. But no, Um, it was 40 00:01:58,120 --> 00:01:59,800 Speaker 1: actually nice of him to call and say, hey, do 41 00:01:59,800 --> 00:02:01,080 Speaker 1: you here if I do it and do it the 42 00:02:01,080 --> 00:02:03,000 Speaker 1: same way that you do it, because he didn't have 43 00:02:03,040 --> 00:02:05,480 Speaker 1: to do that. He very easily could have just I mean, 44 00:02:05,480 --> 00:02:08,840 Speaker 1: he's Ryan Secrauch and do whatever he wants. Um. No, 45 00:02:08,880 --> 00:02:11,120 Speaker 1: I don't see myself going back to top forty or 46 00:02:11,160 --> 00:02:14,240 Speaker 1: to rock or toy. I can see myself doing sports 47 00:02:14,240 --> 00:02:17,760 Speaker 1: again on the side, but I've been approached about doing it. 48 00:02:17,800 --> 00:02:19,040 Speaker 1: I don't. I don't want to leave a guy. I 49 00:02:19,080 --> 00:02:20,600 Speaker 1: feel like where I am now, so I'm supposed to 50 00:02:20,639 --> 00:02:24,920 Speaker 1: be unless they get fired, which could always happen. But no, 51 00:02:25,080 --> 00:02:27,799 Speaker 1: I've had people come to me, even in the company, 52 00:02:27,800 --> 00:02:30,400 Speaker 1: and say, hey, you know what you you know, just 53 00:02:30,800 --> 00:02:34,120 Speaker 1: bringing it up, and for me, it's not even a 54 00:02:34,120 --> 00:02:36,480 Speaker 1: a thought. I don't ever want to leave. Like I'm 55 00:02:36,639 --> 00:02:40,120 Speaker 1: I'm good right now. Okay, reading things from Facebook, these 56 00:02:40,160 --> 00:02:43,959 Speaker 1: may rattle off a little slow. Let's see, what is 57 00:02:43,960 --> 00:02:46,880 Speaker 1: your definition of country music? I think Aaron Lewis was 58 00:02:46,919 --> 00:02:50,000 Speaker 1: just being bold. I don't have a definition of country music. 59 00:02:50,560 --> 00:02:52,919 Speaker 1: That's the thing that there is no such thing as 60 00:02:53,320 --> 00:02:56,480 Speaker 1: here is the exact definition. I just didn't like how 61 00:02:56,480 --> 00:02:58,919 Speaker 1: I went after specific artists, because every artist is just 62 00:02:58,919 --> 00:03:01,600 Speaker 1: trying to make their art and make their living, and 63 00:03:01,680 --> 00:03:05,240 Speaker 1: you after somebody because of them making art. And you know, 64 00:03:05,560 --> 00:03:08,000 Speaker 1: he crossed over. He was on pop radio. You know, 65 00:03:08,080 --> 00:03:11,000 Speaker 1: ten years ago, I just thought a little hypcritical, that's all. 66 00:03:11,040 --> 00:03:12,880 Speaker 1: I didn't expect it to do what it did. I'm 67 00:03:12,880 --> 00:03:14,799 Speaker 1: glad he called in. I thought it was funny. He said, 68 00:03:15,000 --> 00:03:17,080 Speaker 1: you know, he was just playing for the crowd. That's 69 00:03:17,120 --> 00:03:19,480 Speaker 1: not how I would have handled it. Would have been like, no, man, 70 00:03:19,639 --> 00:03:22,720 Speaker 1: I believe what I said. I boys shut up. They 71 00:03:22,720 --> 00:03:25,480 Speaker 1: all suck. I was surprised at that part of it. 72 00:03:25,840 --> 00:03:28,480 Speaker 1: But um no, there is no definition. That's why people 73 00:03:28,480 --> 00:03:30,120 Speaker 1: are for so for sure about it. Here's the thing 74 00:03:30,160 --> 00:03:33,960 Speaker 1: about people. Anybody that that tells you they know everything, 75 00:03:33,960 --> 00:03:36,960 Speaker 1: they know nothing. Someone's like, oh, I'm an expert in this. 76 00:03:37,040 --> 00:03:40,839 Speaker 1: They're not those people to trust. Um so um, there's 77 00:03:40,880 --> 00:03:44,640 Speaker 1: no definition authenticity. You know, you don't have to have 78 00:03:44,680 --> 00:03:47,640 Speaker 1: a steel guitar. I don't. I'm tired of even talking 79 00:03:47,680 --> 00:03:49,200 Speaker 1: about it because I feel like we've had talked about 80 00:03:49,200 --> 00:03:52,320 Speaker 1: the ten times. Because there's always somebody who goes without 81 00:03:52,320 --> 00:03:55,040 Speaker 1: any country. Okay, well in your definition, that's like someone 82 00:03:55,080 --> 00:03:59,360 Speaker 1: going without any American Well that ain't okay in your mind, 83 00:04:00,120 --> 00:04:02,120 Speaker 1: but good for him. You gotta pop for his record, 84 00:04:02,280 --> 00:04:05,840 Speaker 1: like you want to press. He got it. So um. 85 00:04:05,920 --> 00:04:08,440 Speaker 1: I thought that was you know, a nice little moved 86 00:04:08,480 --> 00:04:12,360 Speaker 1: by him. But I'm done talking about the definition of countries. 87 00:04:12,560 --> 00:04:16,280 Speaker 1: I just I don't care. Like that's it. Here's one 88 00:04:16,320 --> 00:04:19,000 Speaker 1: from Kelsey. I'd like to know why the top of 89 00:04:19,040 --> 00:04:22,040 Speaker 1: the hour Bobby Bones show jingle has been shortened because 90 00:04:22,040 --> 00:04:25,760 Speaker 1: he used to go Brothers and Sisters transmitting across the nation. 91 00:04:26,560 --> 00:04:28,719 Speaker 1: It has been short and it's funny that you noticed that, 92 00:04:29,400 --> 00:04:32,400 Speaker 1: because what happens is there's a fifteen second local liner 93 00:04:32,440 --> 00:04:33,720 Speaker 1: at the top of the hour, and then we had 94 00:04:33,720 --> 00:04:35,760 Speaker 1: a fifteen second one and it was just too much 95 00:04:35,800 --> 00:04:39,080 Speaker 1: of it, like going to No. Number One hit music 96 00:04:39,200 --> 00:04:42,719 Speaker 1: country Weenie in the bud. Yeah, So it was just 97 00:04:42,800 --> 00:04:46,520 Speaker 1: too much of just talking with the voice guy, and 98 00:04:46,560 --> 00:04:48,520 Speaker 1: so I said a thirty seconds, it's like twenty now. 99 00:04:48,600 --> 00:04:50,559 Speaker 1: Total of the local station does like a fifteen second, 100 00:04:50,800 --> 00:04:53,960 Speaker 1: and then ours is very quick now and you know, 101 00:04:54,000 --> 00:04:55,360 Speaker 1: all of our stuff is in her name, but it's 102 00:04:55,360 --> 00:04:57,080 Speaker 1: like we have to say it so many times over 103 00:04:57,120 --> 00:05:01,360 Speaker 1: and over again. So that, um, that's why we did 104 00:05:01,360 --> 00:05:04,720 Speaker 1: shorten it. That's that's cool that you noticed that. Though. Uh, 105 00:05:04,839 --> 00:05:07,040 Speaker 1: let's see Bobby. I've seen you twice in Raleigh, which 106 00:05:07,040 --> 00:05:09,240 Speaker 1: is where I lived, to take my forty six birthday. 107 00:05:09,320 --> 00:05:11,080 Speaker 1: And we're going to Charleston, South Carolina, so I can 108 00:05:11,120 --> 00:05:13,920 Speaker 1: see you tomorrow night. Just got in town, were sight seeing. 109 00:05:14,560 --> 00:05:16,840 Speaker 1: That'd be cool that Lee and Michelle, we'll see you 110 00:05:16,880 --> 00:05:19,599 Speaker 1: tomorrow night. Michelle and Lee, we are the Raging Idiots. 111 00:05:19,600 --> 00:05:23,240 Speaker 1: Will be in Charleston tomorrow night, playing and making on 112 00:05:23,400 --> 00:05:26,800 Speaker 1: Saturday night. I've been sick for the last and six 113 00:05:26,839 --> 00:05:29,159 Speaker 1: A weird word because I haven't really been sick. I 114 00:05:29,240 --> 00:05:31,160 Speaker 1: just sounded like crap and I've had a terrible cough. 115 00:05:31,760 --> 00:05:34,520 Speaker 1: I feel great so much so that I feel so good. 116 00:05:34,520 --> 00:05:36,240 Speaker 1: I move around and that's when I get my cough 117 00:05:36,279 --> 00:05:40,320 Speaker 1: back because I feel good. But um, yeah, tomorrow i'd 118 00:05:40,360 --> 00:05:44,760 Speaker 1: be good. Here's one. I've been reading your book. I'm inspired. Um. 119 00:05:44,880 --> 00:05:46,720 Speaker 1: I've been trying to get into radio for so long, 120 00:05:47,040 --> 00:05:49,680 Speaker 1: but no one has ever given me a chance any suggestions. 121 00:05:49,680 --> 00:05:54,000 Speaker 1: That's from Caitlin. Uh there, there's really no way in. 122 00:05:54,120 --> 00:05:57,640 Speaker 1: That's why it since that sucks like there was. I 123 00:05:57,680 --> 00:05:59,840 Speaker 1: didn't have a way in either. I begged. I went 124 00:06:00,040 --> 00:06:02,839 Speaker 1: begged and cleaned the radio station. Like That's how I 125 00:06:02,880 --> 00:06:05,080 Speaker 1: got in. I was like, hey, can I work and 126 00:06:05,200 --> 00:06:07,680 Speaker 1: clean the radio station? It wasn't to be on the air, 127 00:06:08,360 --> 00:06:09,680 Speaker 1: and people just want to be on the air now 128 00:06:09,720 --> 00:06:13,240 Speaker 1: and that's just not how it works. So I was 129 00:06:13,320 --> 00:06:16,880 Speaker 1: hired to clean and then I went over and started 130 00:06:16,920 --> 00:06:20,680 Speaker 1: doing weekends after some people got fired. Even Mike d 131 00:06:20,839 --> 00:06:22,880 Speaker 1: who produces this show, he start you were an intern 132 00:06:22,960 --> 00:06:28,080 Speaker 1: forever for free. Just show up every day, do random things. 133 00:06:28,240 --> 00:06:31,280 Speaker 1: That's the suggestion is that you have to dedicate a 134 00:06:31,320 --> 00:06:34,320 Speaker 1: lot of your time and sacrifice a lot for nothing, 135 00:06:35,040 --> 00:06:38,320 Speaker 1: because it wasn't. You don't get into this business for money. 136 00:06:38,640 --> 00:06:41,240 Speaker 1: Um you know, eventually you can make some, but you 137 00:06:41,240 --> 00:06:44,160 Speaker 1: don't get into it for it. But um, so yes, 138 00:06:44,440 --> 00:06:46,640 Speaker 1: it's tough if you if you feel like there's something 139 00:06:46,640 --> 00:06:48,920 Speaker 1: else that you could do, then this is not for you, 140 00:06:49,960 --> 00:06:52,279 Speaker 1: like any creative field. Like even you don't talk too 141 00:06:52,320 --> 00:06:54,680 Speaker 1: artist friends and like, you know, maybe I could go 142 00:06:54,720 --> 00:06:56,320 Speaker 1: do this. I'm like, well, then you probably shouldn't be 143 00:06:56,360 --> 00:06:58,280 Speaker 1: an artist because you have to put all of your 144 00:06:58,279 --> 00:07:00,760 Speaker 1: effort into it, like all of your heart, all of 145 00:07:00,800 --> 00:07:03,400 Speaker 1: your soul. If not, then it's probably not for you. 146 00:07:03,680 --> 00:07:05,479 Speaker 1: So I hope you get it, Like I hope. My 147 00:07:05,520 --> 00:07:08,799 Speaker 1: advice is just do everything possible to get your foot 148 00:07:08,839 --> 00:07:12,680 Speaker 1: in the door. So again I'm reading these as we 149 00:07:12,760 --> 00:07:15,720 Speaker 1: go down. So a couple of questions for you from 150 00:07:15,800 --> 00:07:18,160 Speaker 1: kier and on Facebook. Is there anything you look back 151 00:07:18,160 --> 00:07:22,400 Speaker 1: on that you would change or redo? Um? I mean, 152 00:07:23,480 --> 00:07:26,120 Speaker 1: I didn't like getting fined. I gotta find a million dollars. 153 00:07:26,240 --> 00:07:30,280 Speaker 1: That wasn't pleasant that I wrote about that in my books. 154 00:07:30,320 --> 00:07:33,000 Speaker 1: That wasn't good. And there aren't a lot of things 155 00:07:33,120 --> 00:07:36,360 Speaker 1: like I say, you know a couple of things. It's 156 00:07:36,400 --> 00:07:39,280 Speaker 1: like either win or you learn. You know, I don't 157 00:07:39,280 --> 00:07:41,160 Speaker 1: think you'd lose very often. And when you do lose, 158 00:07:41,200 --> 00:07:43,160 Speaker 1: you you use it and you use it to win 159 00:07:43,560 --> 00:07:49,000 Speaker 1: the next time. So, um, but that I would take 160 00:07:49,000 --> 00:07:51,000 Speaker 1: that back. Not a lot of scripts I would take 161 00:07:51,040 --> 00:07:53,880 Speaker 1: back because I've learned a lot from doing stupid things. 162 00:07:53,880 --> 00:07:58,600 Speaker 1: But that would be one of them. Let's see, I 163 00:07:58,680 --> 00:08:01,400 Speaker 1: let's see, did dide spots kid is never ending? All 164 00:08:01,440 --> 00:08:07,000 Speaker 1: of garden pass? Um? I think it was today? Did 165 00:08:07,040 --> 00:08:09,560 Speaker 1: it one night? So I guess we'll know in the morning. 166 00:08:10,440 --> 00:08:13,880 Speaker 1: I don't know. I was thinking about getting one too, 167 00:08:14,680 --> 00:08:17,600 Speaker 1: but um, I forgot about it. I don't know, We'll 168 00:08:17,640 --> 00:08:20,480 Speaker 1: find out in the morning. Let's see here do you 169 00:08:20,520 --> 00:08:24,200 Speaker 1: team with other I Heart shows? Um? Mason Remy and Alabama. 170 00:08:24,440 --> 00:08:25,600 Speaker 1: I know them. I was actually in the here with 171 00:08:25,640 --> 00:08:27,960 Speaker 1: them today because they do mornings in Chicago and then 172 00:08:27,960 --> 00:08:31,840 Speaker 1: afternoons in St. Louis. We do mornings in St. Louis. Um, 173 00:08:31,880 --> 00:08:34,600 Speaker 1: and we have I have a two stand up comedy show. 174 00:08:34,679 --> 00:08:38,120 Speaker 1: So I was doing the afternoon show with them talking 175 00:08:38,160 --> 00:08:40,360 Speaker 1: about the St. Louis stand up shows. So I do 176 00:08:40,440 --> 00:08:43,360 Speaker 1: know them, yeah, um, yeah, I was. I mean I 177 00:08:43,440 --> 00:08:45,040 Speaker 1: kind of mentored them a bit when they first got 178 00:08:45,080 --> 00:08:48,400 Speaker 1: into country radio. So other good people like Alabama is great, 179 00:08:48,520 --> 00:08:51,400 Speaker 1: Like I think she's fantastic, and she's new to that 180 00:08:51,440 --> 00:08:56,199 Speaker 1: show over there. Let's see more radio breaking the radio 181 00:08:56,240 --> 00:09:01,160 Speaker 1: business man. It's tough, tough cookie to crack. One of 182 00:09:01,160 --> 00:09:03,280 Speaker 1: the raging ideas, come back to Las Vegas. The last 183 00:09:03,280 --> 00:09:06,040 Speaker 1: show was amazing. I can't say yet it will be 184 00:09:06,040 --> 00:09:08,040 Speaker 1: this year and it will be for free. That's all 185 00:09:08,080 --> 00:09:10,320 Speaker 1: I can say right now. But it will be a 186 00:09:10,320 --> 00:09:13,920 Speaker 1: free show. I'm positive because show was so big last time, 187 00:09:13,960 --> 00:09:15,440 Speaker 1: so much fun, that we have to come back because 188 00:09:15,440 --> 00:09:17,160 Speaker 1: some people couldn't get in and sold out so fast. 189 00:09:17,320 --> 00:09:22,120 Speaker 1: But I think it's gonna be a big free show. Um. 190 00:09:22,240 --> 00:09:24,719 Speaker 1: Let's see on one of the previous podcasts. You made 191 00:09:24,760 --> 00:09:27,240 Speaker 1: mention to Craig or Chip of the seven biggest artists 192 00:09:27,240 --> 00:09:30,880 Speaker 1: in country, would you mind elaborating. I think that was 193 00:09:30,880 --> 00:09:33,000 Speaker 1: just a number that I use. There are certain artists 194 00:09:33,000 --> 00:09:34,559 Speaker 1: that they put a song out is pretty much just 195 00:09:34,559 --> 00:09:37,840 Speaker 1: gonna go number one. Like you, it almost has to 196 00:09:37,920 --> 00:09:42,760 Speaker 1: not be good more than just be good. So if 197 00:09:42,800 --> 00:09:44,920 Speaker 1: someone like Luke puts out a song, it's probably you know, 198 00:09:45,000 --> 00:09:48,000 Speaker 1: it's just gonna be a number one unless something crazy happens. 199 00:09:48,760 --> 00:09:57,080 Speaker 1: So like Luke and al Deane and Blake, you know, 200 00:09:57,120 --> 00:09:58,640 Speaker 1: and who knows what's gonna happen with this one from 201 00:09:58,640 --> 00:10:01,360 Speaker 1: Blake now, But and Blake's have like seventeen a row 202 00:10:01,400 --> 00:10:04,640 Speaker 1: or something like that. Blake and Carry is one of them. 203 00:10:05,040 --> 00:10:08,000 Speaker 1: There's just that upper echelon of people that their songs 204 00:10:08,040 --> 00:10:11,280 Speaker 1: just they go number one every time, just every time, 205 00:10:11,360 --> 00:10:15,760 Speaker 1: number one, number one, number one. Um. So yeah, and 206 00:10:15,800 --> 00:10:18,080 Speaker 1: maybe seven isn't the number. I just kind of threw 207 00:10:18,120 --> 00:10:20,440 Speaker 1: that out there. It's hard for new artists to break 208 00:10:20,480 --> 00:10:24,120 Speaker 1: through because those other guys, they it's like automatic number one. 209 00:10:24,160 --> 00:10:26,440 Speaker 1: Like they put a song out, it just goes number one. Um. 210 00:10:26,480 --> 00:10:29,560 Speaker 1: They also have you know, they have huge fan bases 211 00:10:29,600 --> 00:10:31,960 Speaker 1: and big downloads, and they work with the best writers, 212 00:10:31,960 --> 00:10:35,920 Speaker 1: so usually their songs are the best as well. But yeah, 213 00:10:36,000 --> 00:10:39,160 Speaker 1: it's weird when their songs don't go number one. It 214 00:10:39,200 --> 00:10:43,400 Speaker 1: doesn't leave a lot of room for um new artists, 215 00:10:43,400 --> 00:10:46,920 Speaker 1: which is tough. Are charts based off of sales or 216 00:10:46,920 --> 00:10:49,080 Speaker 1: other factors as well? This is from Sierra. Well, there 217 00:10:49,080 --> 00:10:51,600 Speaker 1: are two charts. It's like a media based chart, which 218 00:10:51,600 --> 00:10:53,040 Speaker 1: is the one that we work on, the big one, 219 00:10:53,040 --> 00:10:57,240 Speaker 1: the radio one, and it's based on radio spins and 220 00:10:57,280 --> 00:10:58,880 Speaker 1: how many spins it gets per week and like how 221 00:10:58,880 --> 00:11:02,199 Speaker 1: big the markets are. And then there is like Billboard 222 00:11:02,240 --> 00:11:09,079 Speaker 1: which factors in CD sales and streams and downloads. So 223 00:11:09,120 --> 00:11:11,560 Speaker 1: they were both of those and most of the time 224 00:11:12,000 --> 00:11:14,040 Speaker 1: they'll be number one at the same time. Sometimes they're not, 225 00:11:14,120 --> 00:11:15,480 Speaker 1: but most of the time the number one song is 226 00:11:15,559 --> 00:11:20,439 Speaker 1: number one on the same time. Melissa asks where did 227 00:11:20,440 --> 00:11:23,439 Speaker 1: you get Dusty from? Would you ever be interested in 228 00:11:23,480 --> 00:11:27,080 Speaker 1: getting a playmate? No? No, I adopted Dusty. They did 229 00:11:27,160 --> 00:11:31,040 Speaker 1: a raid on a like a kennel when I was 230 00:11:31,040 --> 00:11:36,520 Speaker 1: living in Austin and where they were breeding dogs, and 231 00:11:36,559 --> 00:11:38,959 Speaker 1: so they had all these puppies and I took Dusty 232 00:11:39,040 --> 00:11:41,440 Speaker 1: before he was even old. Enough to be a real dog, 233 00:11:41,600 --> 00:11:46,120 Speaker 1: Like he was still like weaning for his mom, and 234 00:11:46,360 --> 00:11:48,080 Speaker 1: so they took them and I adopted him. I could 235 00:11:48,080 --> 00:11:50,640 Speaker 1: fit in my hand. But now I s thirteen. He's cool, 236 00:11:50,960 --> 00:11:52,920 Speaker 1: Like he's about to have a backyard. He didn't even 237 00:11:53,000 --> 00:11:55,520 Speaker 1: know that yet. You know, we're gonna move in a 238 00:11:55,520 --> 00:11:58,480 Speaker 1: few weeks and gonna have a yard. But he's good. 239 00:11:59,040 --> 00:12:01,560 Speaker 1: I think he'd just be annoyed. And Morgan's dog comes 240 00:12:01,600 --> 00:12:04,480 Speaker 1: over a lot too, so he gets enough plate time. 241 00:12:04,840 --> 00:12:08,280 Speaker 1: He just chills. One would you do Dancing with the Stars? 242 00:12:08,280 --> 00:12:11,520 Speaker 1: This from Monica. Um what if you had a bunch 243 00:12:11,559 --> 00:12:15,200 Speaker 1: of questions? Man Um, I've actually been asked to do 244 00:12:15,360 --> 00:12:17,960 Speaker 1: Dancing with the Stars a couple of years ago. It 245 00:12:18,040 --> 00:12:19,520 Speaker 1: wasn't hey, do will you be on the show? Was hey, 246 00:12:19,559 --> 00:12:21,520 Speaker 1: would you be interested in talking to us about it? 247 00:12:21,960 --> 00:12:23,880 Speaker 1: So I can't say that they sent me a contract 248 00:12:23,880 --> 00:12:26,160 Speaker 1: because that would be a lie. But I could not 249 00:12:26,320 --> 00:12:29,560 Speaker 1: do it because on my schedule, Um, at the time, 250 00:12:30,800 --> 00:12:32,959 Speaker 1: I would probably consider it. Now, I mean, Jane is 251 00:12:33,000 --> 00:12:35,200 Speaker 1: doing it. She has having a great time. I talked 252 00:12:35,240 --> 00:12:38,160 Speaker 1: to her today. Her back, her ribs are so messed 253 00:12:38,200 --> 00:12:41,280 Speaker 1: up that she's still trying to work through it, but 254 00:12:41,840 --> 00:12:44,199 Speaker 1: that would be fun, I says, will you fill into 255 00:12:44,200 --> 00:12:47,240 Speaker 1: the coast with Kelly Rippa? That's been talked about. I 256 00:12:47,280 --> 00:12:49,800 Speaker 1: don't know. The problem is is that show comes on 257 00:12:49,920 --> 00:12:52,640 Speaker 1: during my show, so it's tough for me to go 258 00:12:52,679 --> 00:12:54,880 Speaker 1: do other things whenever my show is going on. One, 259 00:12:54,960 --> 00:12:57,880 Speaker 1: because contractual obligations, I can't go do another show while 260 00:12:57,920 --> 00:13:00,080 Speaker 1: that shows on. I can't go and do an the 261 00:13:00,120 --> 00:13:04,839 Speaker 1: TV show, Walmart Radio shows on and then two. Um, 262 00:13:04,880 --> 00:13:07,160 Speaker 1: I mean yeah, probably mean I would do that, and 263 00:13:07,200 --> 00:13:10,480 Speaker 1: I might. Who knows who would make your top ten 264 00:13:10,520 --> 00:13:13,680 Speaker 1: favorite athletes of all time? From Kate? I mean top 265 00:13:13,679 --> 00:13:16,400 Speaker 1: ten is crazy, so I don't I wouldn't go top ten, 266 00:13:16,640 --> 00:13:25,160 Speaker 1: but like Mark Grace, Andre Dawson, Ryan Sandberg staying the wrestler, 267 00:13:26,240 --> 00:13:30,560 Speaker 1: you know people like that. Let's see here ranked the 268 00:13:30,640 --> 00:13:35,880 Speaker 1: cast of Friends by the funniest Um. Okay, I would 269 00:13:35,920 --> 00:13:48,400 Speaker 1: go in order Chandler one, Monica too well, Joe is funny, 270 00:13:48,400 --> 00:13:54,640 Speaker 1: but he's so one dimensional, So I go Chandler, Monica, Ross, Rachel, 271 00:13:54,920 --> 00:13:57,559 Speaker 1: Phoebe and put Joey last. Even though I get the 272 00:13:57,559 --> 00:14:00,960 Speaker 1: biggest belly laughs out of Joey. Sometimes he very one dimensional, 273 00:14:01,120 --> 00:14:02,880 Speaker 1: just the dumb guy so I'd have to put them 274 00:14:02,880 --> 00:14:05,000 Speaker 1: at the very end. But they're all funny in their 275 00:14:05,000 --> 00:14:07,760 Speaker 1: own way. But Chandler, to me, is the funniest. Why 276 00:14:07,760 --> 00:14:12,319 Speaker 1: who do you put it one? Where do you picture 277 00:14:12,320 --> 00:14:14,680 Speaker 1: yourself in ten years? You know, I have I have 278 00:14:14,800 --> 00:14:18,719 Speaker 1: no idea hopefully doing some version of this here. It's just, 279 00:14:19,600 --> 00:14:21,120 Speaker 1: you know, you don't know where the technology is going 280 00:14:21,160 --> 00:14:26,000 Speaker 1: to go. I hope on whatever radio is, then radio 281 00:14:26,040 --> 00:14:29,120 Speaker 1: could be like it is right now where you know 282 00:14:29,240 --> 00:14:33,560 Speaker 1: I'm actually on FaceTime right now, live and I'm talking 283 00:14:34,000 --> 00:14:37,000 Speaker 1: for recording for a podcast and you can watch it 284 00:14:37,080 --> 00:14:38,960 Speaker 1: right now or you can listen to it. So I 285 00:14:39,000 --> 00:14:41,760 Speaker 1: don't know. I think it's it's always going to be 286 00:14:41,840 --> 00:14:44,680 Speaker 1: that content and who gets content out Like the days 287 00:14:44,680 --> 00:14:47,400 Speaker 1: of being radio DJs and talking over music that stuff, 288 00:14:47,760 --> 00:14:51,280 Speaker 1: it's almost done, Like there are almost none left there 289 00:14:51,280 --> 00:14:54,280 Speaker 1: you can it's people who can provide content that other 290 00:14:54,280 --> 00:14:58,360 Speaker 1: people can't. And so that's what I always tell people, like, 291 00:14:58,400 --> 00:15:00,800 Speaker 1: what can you do that nobody else can? Those are 292 00:15:00,800 --> 00:15:02,320 Speaker 1: the people that are gonna cut through in radio and 293 00:15:02,320 --> 00:15:04,600 Speaker 1: television and make it. It's people that can do something 294 00:15:04,680 --> 00:15:07,320 Speaker 1: other people can't. There's a reason that howar'dstrna makes a 295 00:15:07,360 --> 00:15:09,720 Speaker 1: hundred million dollars a year because he can bring an 296 00:15:09,720 --> 00:15:13,080 Speaker 1: audience and he can be compelling in a way nobody 297 00:15:13,120 --> 00:15:15,640 Speaker 1: else can. There's a reason Charlemagne the God is the 298 00:15:15,720 --> 00:15:17,920 Speaker 1: number one hip hop guy. There's a reason Ryan that's 299 00:15:17,920 --> 00:15:19,360 Speaker 1: what he does in l A. You know, there's a 300 00:15:19,400 --> 00:15:21,920 Speaker 1: reason that I'm here doing this. And it's not always 301 00:15:21,920 --> 00:15:24,600 Speaker 1: the right reason. Some people hate my guts, some people 302 00:15:24,600 --> 00:15:29,320 Speaker 1: love my guts. But it's you. You have to be different. 303 00:15:29,720 --> 00:15:32,040 Speaker 1: And back in the day, every station had talking DJs 304 00:15:32,040 --> 00:15:34,280 Speaker 1: over songs and it was a thing. And when I started, 305 00:15:34,320 --> 00:15:35,720 Speaker 1: that's what I did. I talked over in music. It 306 00:15:35,760 --> 00:15:38,800 Speaker 1: was like, hey, what coming at here? Number three? But 307 00:15:38,920 --> 00:15:41,160 Speaker 1: that's done. Like, there's not a lot of it left 308 00:15:41,200 --> 00:15:46,080 Speaker 1: in the next five seven years. You know, there's not 309 00:15:46,080 --> 00:15:49,960 Speaker 1: even a lot of DJs talking over music anymore. So 310 00:15:50,200 --> 00:15:54,880 Speaker 1: it's about content. If you get about five other living 311 00:15:54,960 --> 00:15:58,120 Speaker 1: people to dinner, who would it be? Uh? And this 312 00:15:58,160 --> 00:16:00,200 Speaker 1: was kind of a talk we had this morning. I 313 00:16:00,200 --> 00:16:05,280 Speaker 1: would put, um, you know, David Letterman is my hero. 314 00:16:06,400 --> 00:16:08,560 Speaker 1: You know, I think I mentioned Howard Stern earlier. I 315 00:16:08,560 --> 00:16:15,160 Speaker 1: think he's funny. I mean, he's radio wise, the greatest ever. Uh. 316 00:16:15,800 --> 00:16:18,600 Speaker 1: Probably Charlemagne because he's a close friend. He'd be he'd 317 00:16:18,600 --> 00:16:21,280 Speaker 1: be mad. I wouldn't bring him if I had David 318 00:16:21,320 --> 00:16:25,400 Speaker 1: Letterman and Howard Stern over who gus I bring John 319 00:16:25,440 --> 00:16:29,080 Speaker 1: mayor maybe have hung with John Ayrabit. He's add but 320 00:16:29,160 --> 00:16:35,080 Speaker 1: it's cool. Um. I don't know. Maybe just to fill 321 00:16:35,120 --> 00:16:38,800 Speaker 1: it out like Garth or something, if they're alive, that 322 00:16:38,840 --> 00:16:42,920 Speaker 1: would be cool. Um Man, I don't know. I'm just 323 00:16:42,960 --> 00:16:45,600 Speaker 1: reading these off the page here. Um. Next week. By 324 00:16:45,600 --> 00:16:48,280 Speaker 1: the way, Ryan Heard is gonna join us. He is 325 00:16:48,360 --> 00:16:51,720 Speaker 1: a songwriter, he's gotta he's got songs out now too. 326 00:16:51,800 --> 00:16:55,120 Speaker 1: But he's been a like a big songwriter for a while. Um. 327 00:16:55,360 --> 00:16:58,360 Speaker 1: He wrote the song with Blake Shelton and Ashraman Road 328 00:16:58,400 --> 00:17:01,240 Speaker 1: Lonely Tonight. He wrote Derk and Maren I'll be the Moon. 329 00:17:02,000 --> 00:17:06,640 Speaker 1: And now he's got this song. Uh uh and nobody 330 00:17:06,760 --> 00:17:09,919 Speaker 1: do it like we do. Uh. Anyway, he's gonna be on. 331 00:17:10,000 --> 00:17:13,320 Speaker 1: We'll talk to him next week. Let's see. Taylor says, 332 00:17:13,359 --> 00:17:14,720 Speaker 1: I'm trying to make it as a country singer. Do 333 00:17:14,760 --> 00:17:16,360 Speaker 1: you think it'd be a good idea to move to Nashville? 334 00:17:17,000 --> 00:17:19,840 Speaker 1: You almost have to move to Nashville. It's almost a 335 00:17:19,840 --> 00:17:24,359 Speaker 1: one thing because everybody's here. It's not a hudd percent 336 00:17:24,480 --> 00:17:27,560 Speaker 1: because nothing in life is. I mean, Zach Brownell, they 337 00:17:27,560 --> 00:17:29,359 Speaker 1: don't love in Nashville. I don't know if they ever 338 00:17:29,480 --> 00:17:31,480 Speaker 1: like did if they did, I wasn't here like they 339 00:17:31,480 --> 00:17:34,480 Speaker 1: live in Atlanta, at least Zach does. But yes, the 340 00:17:34,480 --> 00:17:36,879 Speaker 1: answer is yes, there's because everything is here, all the 341 00:17:36,920 --> 00:17:38,520 Speaker 1: people to find you, all the people that promote you, 342 00:17:38,520 --> 00:17:42,560 Speaker 1: all the people even like Justin Moore who lives in Arkansas. 343 00:17:42,560 --> 00:17:44,439 Speaker 1: Now I had to move here for a while, but 344 00:17:44,480 --> 00:17:47,320 Speaker 1: then he's like, I'm out. Darius lives in South Carolina, 345 00:17:47,320 --> 00:17:49,360 Speaker 1: but he's Darius, but he was here and he's out. 346 00:17:49,960 --> 00:17:53,639 Speaker 1: So yes, especially to make it, you kind of have 347 00:17:53,800 --> 00:17:59,240 Speaker 1: to be in Nashville. Have you ever met Adam Carolla 348 00:17:59,640 --> 00:18:01,520 Speaker 1: that maybe somebody I would have at dinner, Like, I'm 349 00:18:01,520 --> 00:18:03,480 Speaker 1: a huge Adam Carola fan, Like he's one of the 350 00:18:03,480 --> 00:18:07,199 Speaker 1: funniest people in my mind that exists. I've heard you 351 00:18:07,240 --> 00:18:11,000 Speaker 1: mentioned you're a fan of his. Adam Carola is so funny. 352 00:18:11,040 --> 00:18:12,919 Speaker 1: He's on the list when I think of people make 353 00:18:12,960 --> 00:18:15,560 Speaker 1: me laugh out loud, it's Adam Carola and Chris Rock 354 00:18:15,600 --> 00:18:20,240 Speaker 1: and Ricky gerbais um those guys are all super funny. 355 00:18:20,280 --> 00:18:22,439 Speaker 1: To me. Adam Carolla is kind of the reason that 356 00:18:22,920 --> 00:18:25,560 Speaker 1: Mike d the producer, lost a hundred pounds, right. Yeah. 357 00:18:25,680 --> 00:18:28,480 Speaker 1: I met him back in Austin, like a few years ago, 358 00:18:29,080 --> 00:18:31,280 Speaker 1: and we take a picture together, and I mean, it's awesome. 359 00:18:31,400 --> 00:18:33,640 Speaker 1: It's Adam Carola, and I mean I've loved him forever. 360 00:18:33,800 --> 00:18:35,960 Speaker 1: It's like love line. And then I looked at the 361 00:18:36,000 --> 00:18:38,520 Speaker 1: picture like, man, I don't you want to post that thing? 362 00:18:39,240 --> 00:18:42,080 Speaker 1: So yeah, maybe you want to lose weight. And since 363 00:18:42,119 --> 00:18:44,879 Speaker 1: it's also over a hundred pounds, Yeah, Adam Crowl is awesome. 364 00:18:45,640 --> 00:18:49,680 Speaker 1: If you had to relate to any Wheeler Walker junior song, listen, Well, 365 00:18:49,760 --> 00:18:52,320 Speaker 1: he's a friend of mine, but I don't I can't 366 00:18:52,359 --> 00:18:57,240 Speaker 1: really read tweeting thing he said. It's so dirty, Like yes, 367 00:18:57,320 --> 00:19:00,280 Speaker 1: I can't even. He's actually a good guy too, and 368 00:19:00,280 --> 00:19:03,760 Speaker 1: I don't want to ruin, you know, but he's he's 369 00:19:03,800 --> 00:19:06,479 Speaker 1: really funny. But that's all I'm gonna say about that. 370 00:19:06,640 --> 00:19:10,480 Speaker 1: I have nothing bad. I enjoy him a lot, but 371 00:19:10,640 --> 00:19:12,680 Speaker 1: I can't ever really promote it because it's his thing 372 00:19:12,840 --> 00:19:17,120 Speaker 1: is so dirty, that is iron but it's really funny. 373 00:19:17,480 --> 00:19:20,280 Speaker 1: It's weird because I don't curse at all, like none 374 00:19:21,000 --> 00:19:22,520 Speaker 1: and that's all you know, that's what he does. But 375 00:19:22,560 --> 00:19:26,720 Speaker 1: he does it for comedic reasons. It's not like someone 376 00:19:26,760 --> 00:19:30,240 Speaker 1: who's using curse words to add just for the sake 377 00:19:30,280 --> 00:19:32,280 Speaker 1: of being dirty, like he used a very It's very 378 00:19:32,359 --> 00:19:37,199 Speaker 1: smart if that's the thing. It's very smart dirty. Um, 379 00:19:37,320 --> 00:19:39,600 Speaker 1: what do you try to focus on when you're anxious 380 00:19:39,600 --> 00:19:42,560 Speaker 1: at nighttime and you can't sleep? I turned the TV 381 00:19:42,680 --> 00:19:45,440 Speaker 1: on Full House or a TV show that I've seen 382 00:19:45,480 --> 00:19:48,440 Speaker 1: every episode of, so I don't get because I'll try 383 00:19:48,480 --> 00:19:50,159 Speaker 1: to start watching shows. I must leave my TV on 384 00:19:50,280 --> 00:19:52,560 Speaker 1: at night or I can't sleep at all. Because I 385 00:19:52,560 --> 00:19:55,000 Speaker 1: grew up never had a bedrooms. I lived in the 386 00:19:55,400 --> 00:19:57,480 Speaker 1: living room, stuff on the couch my whole life, so 387 00:19:57,520 --> 00:19:59,399 Speaker 1: there was always a TV on. So without a TV on, 388 00:19:59,440 --> 00:20:02,400 Speaker 1: it feels is crazy. So I put it on shows 389 00:20:02,480 --> 00:20:06,359 Speaker 1: that I know the episode already and I can just 390 00:20:06,359 --> 00:20:08,080 Speaker 1: close my eyes and know where it's going. So it's 391 00:20:08,160 --> 00:20:10,919 Speaker 1: full House or Raymond. It's basically Nick at Night or 392 00:20:10,920 --> 00:20:14,399 Speaker 1: TV Land and maybe TBS if they're showing an awards 393 00:20:14,400 --> 00:20:19,280 Speaker 1: show on one of those other channels. So there's that. Um, 394 00:20:19,400 --> 00:20:23,399 Speaker 1: let's see, just scrolling through I would like to know 395 00:20:23,400 --> 00:20:25,440 Speaker 1: how spouses fill out being talked about on the radio, 396 00:20:25,440 --> 00:20:29,000 Speaker 1: says Talicia. I think it's different with everyone on the show. 397 00:20:29,800 --> 00:20:32,880 Speaker 1: One of the things that obviously you guys don't know, 398 00:20:34,000 --> 00:20:38,280 Speaker 1: but I think most of you understand, is that nothing 399 00:20:38,400 --> 00:20:41,880 Speaker 1: really gets screamed out that's off limits. Some people will 400 00:20:41,880 --> 00:20:43,880 Speaker 1: get on Facebook like I cannot believe you would talk 401 00:20:43,880 --> 00:20:45,679 Speaker 1: about Lunchbox talk abo his wife like that, and you 402 00:20:45,680 --> 00:20:48,440 Speaker 1: would jump in the conversation like if lunch Box wasn't 403 00:20:48,480 --> 00:20:50,560 Speaker 1: cool with it, it would not come up, Like it 404 00:20:50,680 --> 00:20:53,320 Speaker 1: just would not come up. We would never find out 405 00:20:53,320 --> 00:20:55,600 Speaker 1: a secret about lunch boxes wife and bring it up 406 00:20:55,640 --> 00:21:00,359 Speaker 1: on the air, And it turned into like a really 407 00:21:00,440 --> 00:21:03,920 Speaker 1: unhappy room. Because the thing with our show is we're 408 00:21:03,920 --> 00:21:06,199 Speaker 1: all friends, and if we're not all being friends, it 409 00:21:06,280 --> 00:21:09,600 Speaker 1: doesn't work. Even when we argue and fight, and sometimes 410 00:21:09,640 --> 00:21:12,160 Speaker 1: it's real because you fight with your friends, it's never 411 00:21:12,359 --> 00:21:16,640 Speaker 1: like the mics go off. And then as I can't 412 00:21:16,640 --> 00:21:19,760 Speaker 1: believe you brought that up, we know where the boundaries are, 413 00:21:20,160 --> 00:21:22,120 Speaker 1: especially like when Amy husband was serving, there were things 414 00:21:22,119 --> 00:21:25,520 Speaker 1: we could say and couldn't say. So when people like man, 415 00:21:25,600 --> 00:21:27,720 Speaker 1: I can't believe you would even talk about that, m 416 00:21:28,680 --> 00:21:30,560 Speaker 1: kind of we all know what what's out there to 417 00:21:30,600 --> 00:21:34,480 Speaker 1: talk about, and there are things that even with Amy 418 00:21:34,480 --> 00:21:36,720 Speaker 1: and like her adoption stuff, I'll go to her and say, hey, 419 00:21:37,200 --> 00:21:39,040 Speaker 1: I know this is happening. Can I talk about this 420 00:21:39,119 --> 00:21:41,760 Speaker 1: yet or no? And she'll say yes or no, depending 421 00:21:41,800 --> 00:21:44,280 Speaker 1: on where they're in the legal part of it. Because 422 00:21:44,280 --> 00:21:45,880 Speaker 1: it's not that we don't want to talk about things. 423 00:21:45,880 --> 00:21:48,719 Speaker 1: There are just times and places that we can't really 424 00:21:49,440 --> 00:21:52,800 Speaker 1: talk about things because pretty much everything's out there. It's 425 00:21:52,800 --> 00:21:55,200 Speaker 1: not if it gets out, it's when it gets out. 426 00:21:55,280 --> 00:21:58,600 Speaker 1: And why does it get out at that point? Because 427 00:21:58,600 --> 00:22:01,240 Speaker 1: with the adoption stuff and with a just all of 428 00:22:01,280 --> 00:22:04,240 Speaker 1: that that that's a that's a weird thing. But yeah, 429 00:22:04,240 --> 00:22:07,960 Speaker 1: people will get upset about that. Um, whatever happened to 430 00:22:08,000 --> 00:22:10,160 Speaker 1: Amy and the nut the interview that was Mark Chestnut? 431 00:22:10,160 --> 00:22:11,840 Speaker 1: He got sick and he was gonna go interview Mark 432 00:22:11,920 --> 00:22:16,000 Speaker 1: Chestnut and he got sick, So, um, that didn't happen. 433 00:22:16,040 --> 00:22:19,320 Speaker 1: And then I have no idea what would happened. Why 434 00:22:19,400 --> 00:22:21,000 Speaker 1: isn't there a picture of lunch box in your book? 435 00:22:21,200 --> 00:22:24,399 Speaker 1: There was? Actually, um a few I sent like a 436 00:22:24,480 --> 00:22:27,960 Speaker 1: hundred pictures and they pick like thirteen of them. Or however, 437 00:22:27,960 --> 00:22:30,640 Speaker 1: many you're in there. Um. The thing about a book 438 00:22:30,800 --> 00:22:33,920 Speaker 1: is when you write it. I wrote that thing. I 439 00:22:33,920 --> 00:22:36,400 Speaker 1: didn't even write it in that order that it came 440 00:22:36,440 --> 00:22:39,800 Speaker 1: out like I wrote the chapters, but I didn't write 441 00:22:39,840 --> 00:22:41,800 Speaker 1: in that order. I didn't put the pictures and arrange 442 00:22:41,800 --> 00:22:44,639 Speaker 1: them in that order. You have something called an editor 443 00:22:45,040 --> 00:22:47,400 Speaker 1: who goes through and goes, this should be here, here, here, 444 00:22:47,680 --> 00:22:49,919 Speaker 1: and then you kind of go back and go, Okay, 445 00:22:49,960 --> 00:22:52,520 Speaker 1: I get it, and they have control. They really do 446 00:22:52,560 --> 00:22:55,400 Speaker 1: have control. I don't listen to him most of the time. Um, 447 00:22:55,480 --> 00:22:59,000 Speaker 1: but yeah, there was Um, there was no keeping him 448 00:22:59,040 --> 00:23:01,480 Speaker 1: out of the book. The only people that I didn't 449 00:23:01,520 --> 00:23:03,199 Speaker 1: put it in the book because I wrote about Lunchbox 450 00:23:03,240 --> 00:23:06,760 Speaker 1: a lot and said a lot of stuff about him. Um, 451 00:23:06,840 --> 00:23:08,280 Speaker 1: I just get people out of the book that either 452 00:23:08,320 --> 00:23:12,119 Speaker 1: didn't make the move or that were are like, not 453 00:23:12,320 --> 00:23:13,760 Speaker 1: I didn't make the book, and people were like, I 454 00:23:13,800 --> 00:23:16,000 Speaker 1: can't believe you would keep like Carlos out. And I've 455 00:23:16,000 --> 00:23:18,199 Speaker 1: talked about this on the podcast before. He didn't make 456 00:23:18,240 --> 00:23:19,680 Speaker 1: the move. And there was a lot of the story. 457 00:23:19,800 --> 00:23:22,359 Speaker 1: It wasn't like most of the story wasn't how the 458 00:23:22,359 --> 00:23:24,640 Speaker 1: show started. When I was twenty one or twenty two 459 00:23:24,640 --> 00:23:26,520 Speaker 1: a little bit, but not really. And then he came 460 00:23:26,560 --> 00:23:28,000 Speaker 1: in late too. It wasn't like he was in the 461 00:23:28,000 --> 00:23:29,879 Speaker 1: beginning part of it, but not as a part of 462 00:23:29,880 --> 00:23:31,520 Speaker 1: the show. Now in a huge part. And she wasn't 463 00:23:31,520 --> 00:23:36,560 Speaker 1: in the book. And nobody's like, where's not a um 464 00:23:36,600 --> 00:23:42,520 Speaker 1: so I'm yeah, I'm positive they were. There were full 465 00:23:42,520 --> 00:23:45,679 Speaker 1: show pictures that didn't make it. Um, so there was nothing. 466 00:23:46,560 --> 00:23:49,960 Speaker 1: Nothing there to that. Uh, how many dates if you 467 00:23:50,000 --> 00:23:51,680 Speaker 1: had this show? I don't know. I said a goalt 468 00:23:51,720 --> 00:23:53,879 Speaker 1: like ten m maybe at three or something. I'm not 469 00:23:53,880 --> 00:23:58,800 Speaker 1: even sure. Um, I'm reading Facebook right now. Why do 470 00:23:58,880 --> 00:24:01,360 Speaker 1: you spray? Tan Man? That's from Chad And I can 471 00:24:01,400 --> 00:24:04,000 Speaker 1: tell you why because I do so much on camera 472 00:24:04,040 --> 00:24:06,960 Speaker 1: that if I don't look really washed out because in 473 00:24:07,000 --> 00:24:09,560 Speaker 1: our studio and you don't see it because there's always 474 00:24:09,600 --> 00:24:11,160 Speaker 1: a camera in front of it. We have a huge 475 00:24:11,280 --> 00:24:14,199 Speaker 1: light and the lighting has to be right because we 476 00:24:14,240 --> 00:24:15,920 Speaker 1: send these videos off and we have a new YouTube 477 00:24:15,960 --> 00:24:18,159 Speaker 1: channel that we're putting a lot of content on and 478 00:24:18,240 --> 00:24:20,840 Speaker 1: high quality stuff too, And when the lights on you, 479 00:24:20,840 --> 00:24:23,159 Speaker 1: you look completely pale and washed out. And then if 480 00:24:23,160 --> 00:24:26,479 Speaker 1: after television it's under heavy lights and so I'm already 481 00:24:26,480 --> 00:24:30,320 Speaker 1: white anyway, So I spray tan so I at least 482 00:24:30,359 --> 00:24:33,359 Speaker 1: looked like a normal human. I don't go outside. If 483 00:24:33,359 --> 00:24:37,359 Speaker 1: I didn't have spray tann, I wouldn't. It ain't cheap. Um. 484 00:24:37,440 --> 00:24:39,600 Speaker 1: But because I'm not lucky like Mike, do you have 485 00:24:39,640 --> 00:24:42,320 Speaker 1: a perfect brown skin already you're blown way by the 486 00:24:42,359 --> 00:24:46,000 Speaker 1: fact that the spray tanning even existed. But you get it, 487 00:24:46,119 --> 00:24:48,000 Speaker 1: like if you see a video of me, like there's 488 00:24:48,040 --> 00:24:50,040 Speaker 1: one up that we put up today of my fav 489 00:24:50,200 --> 00:24:53,520 Speaker 1: five of five artists that you probably don't know yet. 490 00:24:53,920 --> 00:24:55,800 Speaker 1: And I've been sick for the past week. I've had 491 00:24:55,880 --> 00:24:57,720 Speaker 1: terrible cough and I didn't spray tan that because I 492 00:24:57,760 --> 00:24:59,840 Speaker 1: was doing no television. I couldn't talk. I like re 493 00:25:00,040 --> 00:25:04,320 Speaker 1: Lee Pale Ghost like even yeah. And it's like, oh wow, 494 00:25:04,359 --> 00:25:06,320 Speaker 1: But that's why it's I thought, I like the smell 495 00:25:06,400 --> 00:25:08,600 Speaker 1: of it. I don't like the sheets getting brown. It 496 00:25:08,680 --> 00:25:10,800 Speaker 1: is my favorite part of it, the smell. See, I 497 00:25:10,840 --> 00:25:15,360 Speaker 1: don't like I don't like any of that. Um, Donna says, 498 00:25:15,400 --> 00:25:17,320 Speaker 1: I thought you were on throat rest. I have been 499 00:25:17,359 --> 00:25:19,000 Speaker 1: for the last couple of days. This is the I 500 00:25:19,080 --> 00:25:22,080 Speaker 1: did the show, um, and then I you know, I'm 501 00:25:22,080 --> 00:25:25,320 Speaker 1: doing this, but now, it's just a cough thing more 502 00:25:25,320 --> 00:25:31,680 Speaker 1: than anything. It's like a dirty, dirty cough boom. Let's see. 503 00:25:32,160 --> 00:25:39,040 Speaker 1: Well Ray ever proposed to Bay. I yeah right, I 504 00:25:39,080 --> 00:25:42,960 Speaker 1: think so too. I don't know who knows that. Of 505 00:25:43,160 --> 00:25:46,159 Speaker 1: everyone on the show, Raised probably the strangest. And I 506 00:25:46,200 --> 00:25:48,919 Speaker 1: say that in an endearing way because he's really a 507 00:25:48,960 --> 00:25:52,400 Speaker 1: great guy. But I mean he is just an odd dude, 508 00:25:52,880 --> 00:25:55,080 Speaker 1: like I'm really weird. But I'm weird. I go away 509 00:25:55,119 --> 00:25:57,160 Speaker 1: and do stuff by myself, like I hide out, and 510 00:25:57,880 --> 00:26:02,280 Speaker 1: he's just crazy. He's crazy, he's nuts. Um, yes, but 511 00:26:02,359 --> 00:26:04,600 Speaker 1: I think she kind of makes them a little more normal, 512 00:26:06,000 --> 00:26:10,600 Speaker 1: so I think they do. But again, who knows. Um. 513 00:26:10,640 --> 00:26:13,280 Speaker 1: In the future TV appearances, Yeah a lot someday nights. 514 00:26:13,320 --> 00:26:16,480 Speaker 1: I can't really mention you yet, but something quite substantial. 515 00:26:17,720 --> 00:26:21,439 Speaker 1: But that's it for now. Mm hmm. Where did you 516 00:26:21,480 --> 00:26:26,719 Speaker 1: learn your marketing strategies from? Sarah? The uh trial and error? 517 00:26:27,640 --> 00:26:31,560 Speaker 1: You know, messed up a lot and then if things work, 518 00:26:31,760 --> 00:26:37,800 Speaker 1: keep doing them. If not, stop doing them. Um, Trisha says, 519 00:26:38,240 --> 00:26:41,560 Speaker 1: I'm glad your success hasn't changed y'all much. We don't 520 00:26:41,560 --> 00:26:48,040 Speaker 1: even have a good equipment. I mean, they keep it 521 00:26:48,080 --> 00:26:49,760 Speaker 1: as real as possible for us, Like if you look 522 00:26:49,760 --> 00:26:52,320 Speaker 1: at our equipment or boy, I mean it's in like style. 523 00:26:53,040 --> 00:26:57,240 Speaker 1: We were not rolling you know, luxury. Um, you know, 524 00:26:57,359 --> 00:27:00,919 Speaker 1: I just don't think people really change reguardless that can 525 00:27:01,000 --> 00:27:04,560 Speaker 1: change it a little bit. It's cool. I mean I 526 00:27:04,600 --> 00:27:07,080 Speaker 1: have artists that text me that I think are cool, 527 00:27:07,119 --> 00:27:09,320 Speaker 1: something like Keith Urban text me today a picture of 528 00:27:09,760 --> 00:27:12,760 Speaker 1: him at Cracker Barrel, which was funny, and he was 529 00:27:13,000 --> 00:27:14,680 Speaker 1: at a glass of water with two lemons on the 530 00:27:14,720 --> 00:27:17,200 Speaker 1: side of it, and his thing was, look, they don't 531 00:27:17,200 --> 00:27:19,119 Speaker 1: put the limons in the water. This is why I like, 532 00:27:19,960 --> 00:27:21,440 Speaker 1: which is what I like to I don't like when 533 00:27:21,480 --> 00:27:23,920 Speaker 1: they put the limp but like that's cool. That would 534 00:27:23,960 --> 00:27:27,040 Speaker 1: never happen three years ago, maybe three. But but before 535 00:27:27,080 --> 00:27:28,800 Speaker 1: this shot that was never happening. So little things like 536 00:27:28,840 --> 00:27:32,040 Speaker 1: that have changed a bit. But it's been Um, it's 537 00:27:32,080 --> 00:27:38,480 Speaker 1: been cool. I appreciate that. Let's see. Sorry, uh scrolling 538 00:27:38,560 --> 00:27:42,200 Speaker 1: through here? How long we into this? Almost thirty minutes? Dang, 539 00:27:42,440 --> 00:27:47,399 Speaker 1: it's a long time. Um okay. For example, how does 540 00:27:47,480 --> 00:27:49,640 Speaker 1: radio work? For example, a local stations has called every 541 00:27:49,640 --> 00:27:51,520 Speaker 1: hour when Luke Brian tickets, I'm listening all day at 542 00:27:51,520 --> 00:27:53,840 Speaker 1: work and calling every time. I'm certain they replayed the 543 00:27:53,840 --> 00:27:57,119 Speaker 1: winner cups over and over? Are they truly giving away tickets? Um? 544 00:27:57,160 --> 00:27:59,400 Speaker 1: If they say they are, they are, Like I don't 545 00:27:59,440 --> 00:28:02,119 Speaker 1: know what every station does, but yeah, legally, if you 546 00:28:02,200 --> 00:28:07,119 Speaker 1: say you are, you have to. So we do in 547 00:28:07,240 --> 00:28:10,120 Speaker 1: Nashville and Austin the stations that I know, but I don't. 548 00:28:10,240 --> 00:28:12,800 Speaker 1: I can't monitor all hundred stations were on. So I 549 00:28:12,840 --> 00:28:16,600 Speaker 1: really have no idea. But the answer is yes, if 550 00:28:16,640 --> 00:28:21,320 Speaker 1: you say it, you have to do it. Yeah. And 551 00:28:21,480 --> 00:28:22,919 Speaker 1: if they said it every hour, would you do it 552 00:28:22,920 --> 00:28:26,679 Speaker 1: every hour? Yeah? Would you run any things back and 553 00:28:26,720 --> 00:28:32,840 Speaker 1: trick people? Um? Let's see which artists is the hardest 554 00:28:32,880 --> 00:28:36,600 Speaker 1: to get on your show and which will not come on? Um? 555 00:28:36,680 --> 00:28:45,600 Speaker 1: Is there anybody that won't come on? Mm hmmmm. I 556 00:28:45,680 --> 00:28:48,120 Speaker 1: don't know anybody that won't come on. There are people 557 00:28:48,120 --> 00:28:50,280 Speaker 1: I don't ask because it's like I didn't really fit 558 00:28:50,320 --> 00:29:00,760 Speaker 1: with the group, But I don't know about not coming on. Um, yeah, 559 00:29:00,800 --> 00:29:04,880 Speaker 1: I don't anybody. I can't either. I don't really have 560 00:29:04,920 --> 00:29:08,520 Speaker 1: anybody that I'm just like, Hey, why are you bad 561 00:29:08,600 --> 00:29:10,680 Speaker 1: mouthing sixty and seventy year old that are ready for 562 00:29:10,720 --> 00:29:13,480 Speaker 1: the grave? Just joke, I just got jokes, sometimes they're 563 00:29:13,520 --> 00:29:16,840 Speaker 1: not funny. Um. Today Eddie put a game up and 564 00:29:16,920 --> 00:29:19,880 Speaker 1: said Taylor Swift goes through boyfriends like Bobby goes through blank. 565 00:29:19,920 --> 00:29:22,600 Speaker 1: And it was really a joke about me more than 566 00:29:22,640 --> 00:29:25,720 Speaker 1: it was Taylor. But man, her fans get crazy. She 567 00:29:25,800 --> 00:29:27,960 Speaker 1: has the best and the meanest fans at the same time. 568 00:29:28,280 --> 00:29:29,959 Speaker 1: And I think Taylor is great. I say all the time. 569 00:29:30,000 --> 00:29:32,120 Speaker 1: I think she's a great role model. But man, people 570 00:29:32,120 --> 00:29:33,800 Speaker 1: were coming after me. I was like, that wasn't my game. 571 00:29:34,400 --> 00:29:37,160 Speaker 1: And I thought it was funny because listen, when you're 572 00:29:37,160 --> 00:29:38,840 Speaker 1: a celebrity in New Date a bunch of people publicly, 573 00:29:38,880 --> 00:29:42,640 Speaker 1: that's the celebrity life you get talked about. Um, but man, 574 00:29:43,000 --> 00:29:44,520 Speaker 1: they came after me hard, and I was like, hey, 575 00:29:44,520 --> 00:29:47,080 Speaker 1: I got nothing. Sometimes I'll fight back at people, and 576 00:29:47,080 --> 00:29:50,120 Speaker 1: I was like, I got nothing on this one. Man, 577 00:29:50,000 --> 00:29:53,240 Speaker 1: can't you can't play back. They come back hard. You 578 00:29:53,280 --> 00:29:55,320 Speaker 1: know what. You know, my fan army, they all fight me. 579 00:29:55,800 --> 00:29:57,920 Speaker 1: That's the weird thing about any sort of fan army 580 00:29:57,960 --> 00:29:59,920 Speaker 1: that I have. They always got on Facebook and trash me. 581 00:30:00,080 --> 00:30:04,360 Speaker 1: I have the reverse fan army, which is crazy. Um, 582 00:30:04,400 --> 00:30:09,960 Speaker 1: It's like, hey, love the show. This segment sucked. Um, 583 00:30:10,000 --> 00:30:14,200 Speaker 1: But that's okay, every what are you gonna do? Um? 584 00:30:14,320 --> 00:30:16,200 Speaker 1: Those are a lot of questions from Facebook. I tried 585 00:30:16,200 --> 00:30:19,560 Speaker 1: to roll through as many of them as possible. UM. 586 00:30:19,680 --> 00:30:22,600 Speaker 1: I don't want to talk for too long. And this 587 00:30:22,640 --> 00:30:26,240 Speaker 1: isn't you know, probably the most compelling podcast ever anyway, 588 00:30:26,440 --> 00:30:30,480 Speaker 1: but I just wanted to hop on and say, hi, UM, 589 00:30:30,520 --> 00:30:33,440 Speaker 1: I'm looking at Facebook live. Now, why do you like red? 590 00:30:34,080 --> 00:30:38,240 Speaker 1: I listen, I get obsessive, pulsive about things, and UM, 591 00:30:38,480 --> 00:30:42,080 Speaker 1: I love red, red everything, and I grew up Arkansas's 592 00:30:42,120 --> 00:30:45,440 Speaker 1: red mountain pines, red, favorite colors, Red, my guitar, j red, 593 00:30:45,440 --> 00:30:47,720 Speaker 1: my shoes, red with socks, red. I just love red. 594 00:30:47,960 --> 00:30:51,800 Speaker 1: So um, it's a it's a red thing. If Bobby 595 00:30:51,840 --> 00:30:56,360 Speaker 1: reads this, say banana right now from Jackson, that's banana. Um, 596 00:30:56,440 --> 00:31:01,760 Speaker 1: all right, I appreciate you guys. Uh talk for too long, Megan. 597 00:31:02,040 --> 00:31:04,320 Speaker 1: Here's the thing, Megan, you can turn it off like 598 00:31:04,320 --> 00:31:08,800 Speaker 1: this a podcast you don't Megan v I l e T. 599 00:31:09,120 --> 00:31:10,560 Speaker 1: You can get to go boop and turn it right 600 00:31:10,600 --> 00:31:15,840 Speaker 1: off like boop. That's it. Um. Since Megan told me 601 00:31:15,840 --> 00:31:20,360 Speaker 1: stop talking, I'll stop talking. Um. But that's it. Let's say, 602 00:31:20,360 --> 00:31:21,960 Speaker 1: if I have any other ones here when do you 603 00:31:22,000 --> 00:31:26,640 Speaker 1: sleep not often? That's from Tricia. Someone said when will 604 00:31:26,640 --> 00:31:31,560 Speaker 1: you take your first drink of alcohol? After Megan Bvallet 605 00:31:31,640 --> 00:31:34,600 Speaker 1: went after me. I think it was on Snapchat when 606 00:31:34,600 --> 00:31:37,400 Speaker 1: I saw you were at a restaurant or something and 607 00:31:37,440 --> 00:31:39,280 Speaker 1: you like put a beard to your lips. Yeah, that's 608 00:31:39,280 --> 00:31:41,480 Speaker 1: the weirdest thing I've ever seen. I grabbed it. We 609 00:31:41,480 --> 00:31:45,400 Speaker 1: were in um Maryland. We're in Baltimore going to the 610 00:31:45,440 --> 00:31:49,000 Speaker 1: fair and uh Eddie and trying to mode woul drinking beer. 611 00:31:49,080 --> 00:31:55,480 Speaker 1: I was like and it was just so weird, Like 612 00:31:56,000 --> 00:32:00,960 Speaker 1: beer just smells bad, It looks bad, it sounds bad. Um. Anyway, 613 00:32:01,440 --> 00:32:03,479 Speaker 1: thank you guys for being a part of this. Just 614 00:32:03,480 --> 00:32:06,480 Speaker 1: wanted to pop on and say hello, everyone. Won't be 615 00:32:06,520 --> 00:32:08,640 Speaker 1: guests related. I just wanted to answer some questions that 616 00:32:08,680 --> 00:32:10,400 Speaker 1: you guys were asking. You know, if you go to 617 00:32:10,440 --> 00:32:12,920 Speaker 1: sounds like Nashville. They did an article on Nikita Carmen. 618 00:32:13,200 --> 00:32:17,880 Speaker 1: Do you see that cool? Huh? Nikita is um she's 619 00:32:17,960 --> 00:32:19,960 Speaker 1: with the raging idiots right now. She's gonna be a 620 00:32:20,000 --> 00:32:23,400 Speaker 1: big star herself. But I found her online and Australian 621 00:32:23,480 --> 00:32:24,920 Speaker 1: was like you gotta move over to the stage, like 622 00:32:24,920 --> 00:32:28,640 Speaker 1: you're that good and so she's playing with us, she 623 00:32:28,680 --> 00:32:31,480 Speaker 1: opens for us. I'll do a stand up comedy tour 624 00:32:31,520 --> 00:32:34,760 Speaker 1: next year and she will open that most likely, or 625 00:32:34,800 --> 00:32:36,320 Speaker 1: she'll be out on her own and then she she's 626 00:32:36,320 --> 00:32:38,360 Speaker 1: got like a record deal. But they did a whole 627 00:32:38,440 --> 00:32:41,360 Speaker 1: article on her moving from Australia. How creepy was it that? 628 00:32:41,920 --> 00:32:43,959 Speaker 1: When I think back, it is like I met her. 629 00:32:44,000 --> 00:32:46,400 Speaker 1: I was like, dang, you're really good. You should move 630 00:32:46,440 --> 00:32:48,240 Speaker 1: over here. And I was like, just moving with me 631 00:32:49,440 --> 00:32:52,120 Speaker 1: and here she had and she's like okay, and she 632 00:32:52,200 --> 00:32:55,080 Speaker 1: just moved like I can be the biggest creep ever 633 00:32:55,240 --> 00:32:58,600 Speaker 1: Luckily I'm not. But I was like, I got I 634 00:32:58,600 --> 00:33:00,080 Speaker 1: don't know if they can hear the dog breathing, but 635 00:33:00,120 --> 00:33:02,960 Speaker 1: if you do hear breathing, gets the dog. But yeah, 636 00:33:03,000 --> 00:33:04,800 Speaker 1: she moved in for like three months and got me. 637 00:33:04,880 --> 00:33:09,280 Speaker 1: She doesn't live her now, but um uh yeah, it 638 00:33:09,320 --> 00:33:11,240 Speaker 1: sounds like Nashville to a big article on her coming 639 00:33:11,240 --> 00:33:16,320 Speaker 1: from Australia. She's really good. So let's see, Bobby, why 640 00:33:16,320 --> 00:33:18,560 Speaker 1: did you quit your shower? Bit from Brian? We didn't quit, 641 00:33:18,640 --> 00:33:22,720 Speaker 1: which we have more my house, remember my bathroom, my 642 00:33:22,800 --> 00:33:25,240 Speaker 1: bedroom has been flooded today. As a matter of fact, 643 00:33:25,400 --> 00:33:28,320 Speaker 1: there's no furniture in my bedroom because they had to 644 00:33:28,440 --> 00:33:30,720 Speaker 1: go back and redo the floors again today, so I 645 00:33:30,720 --> 00:33:32,400 Speaker 1: haven't been able to really get in there. And you 646 00:33:32,440 --> 00:33:34,120 Speaker 1: have to put cameras and stuff for the shower bit. 647 00:33:34,680 --> 00:33:39,520 Speaker 1: So we've been doing silly costumes that bit. But that 648 00:33:39,760 --> 00:33:42,120 Speaker 1: shower bit's been tough because I can't really get to 649 00:33:42,120 --> 00:33:44,080 Speaker 1: the shower and if I can, there's not a lot 650 00:33:44,120 --> 00:33:46,120 Speaker 1: of room because everything else is kind of crammed in there. 651 00:33:46,200 --> 00:33:48,200 Speaker 1: We will I want to move anyway and I'll have 652 00:33:48,200 --> 00:33:51,880 Speaker 1: more room to shoot that stuff. Um, Michael Odom says, 653 00:33:51,880 --> 00:33:53,840 Speaker 1: do you ever get tired of being on the air. No, 654 00:33:53,880 --> 00:33:55,400 Speaker 1: I don't think so. I think it gets hard sometimes 655 00:33:55,400 --> 00:33:58,160 Speaker 1: when I'm sick and I have to keep talking, But no, 656 00:33:58,320 --> 00:34:03,040 Speaker 1: I love my job. My job is awesome. Um all right, 657 00:34:03,560 --> 00:34:08,800 Speaker 1: I think that's probably gonna be it. Um to go 658 00:34:08,960 --> 00:34:10,920 Speaker 1: called it called the rap here. I don't feel like 659 00:34:10,960 --> 00:34:15,400 Speaker 1: there's anything to to uh too amazing, but give me 660 00:34:15,480 --> 00:34:17,240 Speaker 1: something to listen to if you get bored over the weekend, 661 00:34:17,680 --> 00:34:19,640 Speaker 1: and you can always get me up on Twitter and Instagram. 662 00:34:19,680 --> 00:34:22,400 Speaker 1: I appreciate you guys. We did a favorite five artists 663 00:34:22,400 --> 00:34:24,680 Speaker 1: that if you don't know now you know um on 664 00:34:24,920 --> 00:34:27,480 Speaker 1: those I can play some of that. I mean, I 665 00:34:27,480 --> 00:34:30,239 Speaker 1: have a lot of stuff that like, I like, but 666 00:34:30,800 --> 00:34:33,000 Speaker 1: a couple of I know. Caitlin has been on the podcast. 667 00:34:33,280 --> 00:34:36,160 Speaker 1: Caitlin Smith was one of the five, and so she 668 00:34:36,280 --> 00:34:50,040 Speaker 1: has for example, like she's opening for us in Oklahoma 669 00:34:50,080 --> 00:34:53,480 Speaker 1: City at the Diamond Ballroom, The Raging Idiot's first time 670 00:34:53,560 --> 00:34:57,200 Speaker 1: for us. I can't wait because she's so good. If 671 00:34:57,200 --> 00:34:59,359 Speaker 1: you're near Oklahoma City and you can come to that show, 672 00:34:59,440 --> 00:35:04,400 Speaker 1: come because Caitlyn Smith will be opening up about the 673 00:35:04,520 --> 00:35:25,759 Speaker 1: five and your kids laugh. Neverness of Another one is 674 00:35:26,200 --> 00:35:28,719 Speaker 1: Brandon Ray. Like a man, I knew who he is yet, 675 00:35:29,120 --> 00:35:31,719 Speaker 1: and this guy can sing his brains out and you 676 00:35:31,760 --> 00:35:34,960 Speaker 1: can play guitar. This is called American Way from Brandon 677 00:35:35,040 --> 00:35:41,320 Speaker 1: Ray because sounds like look Jack and diani ish, But man, 678 00:35:41,680 --> 00:35:46,960 Speaker 1: I've watched him play. He's like fantastic singer and he's 679 00:35:47,040 --> 00:35:48,719 Speaker 1: running with a lot of cool rock guys too and 680 00:35:48,880 --> 00:35:50,880 Speaker 1: country guys, but he's kind of like that rock country 681 00:35:50,920 --> 00:35:55,400 Speaker 1: Hydrange's Friday five and I get a little jingle I 682 00:35:55,560 --> 00:35:59,680 Speaker 1: hear that's is coming and she's final single swamps it 683 00:35:59,760 --> 00:36:03,439 Speaker 1: in chat with a couple of learning Beer's gonna give 684 00:36:03,440 --> 00:36:09,560 Speaker 1: her my best shot whenever she gets step in a 685 00:36:09,600 --> 00:36:15,600 Speaker 1: small sad town to freaking weekend come from anyhow him 686 00:36:15,600 --> 00:36:20,719 Speaker 1: and part of y'all that him a sleep by baby, 687 00:36:20,760 --> 00:36:26,160 Speaker 1: that killing. Another one of the guys on the list, 688 00:36:26,280 --> 00:36:28,880 Speaker 1: his name is Ryan Beaver and so, man, you had 689 00:36:28,880 --> 00:36:30,960 Speaker 1: a lot of songs like this is when the world 690 00:36:31,080 --> 00:36:34,120 Speaker 1: ends with Marion Morris, Like, but I should just play 691 00:36:34,120 --> 00:36:35,360 Speaker 1: a song at his because I don't want Mary to 692 00:36:35,360 --> 00:36:37,799 Speaker 1: like take away from him. But it ms Ryan Beaver 693 00:36:38,040 --> 00:36:45,319 Speaker 1: Rich is in the bars a awful to hear the 694 00:36:45,360 --> 00:36:52,000 Speaker 1: poet saying the preaching cities inside. So that's good Ryan 695 00:36:52,040 --> 00:36:54,319 Speaker 1: Bieber and people on Facebook life can't hear because we're 696 00:36:54,360 --> 00:37:04,360 Speaker 1: going through like a board. Yeah it's Ryan, right, we 697 00:37:04,560 --> 00:37:07,719 Speaker 1: are just you and me, and I like the way 698 00:37:08,320 --> 00:37:15,200 Speaker 1: you ain't afraid whiskey. Also Walker Hayes, and this Walker 699 00:37:15,200 --> 00:37:18,520 Speaker 1: hay stuff is so good, Like it's like I always say, 700 00:37:18,560 --> 00:37:21,239 Speaker 1: next level songwriting. You may not even like how like 701 00:37:21,280 --> 00:37:23,319 Speaker 1: if it's like it's too like beat boxy for me, 702 00:37:23,760 --> 00:37:26,839 Speaker 1: but just a word like he's it's such a good writer, 703 00:37:27,320 --> 00:37:31,960 Speaker 1: like Walker Hayes. I mean, alright, my computer has messed up. 704 00:37:32,480 --> 00:37:36,200 Speaker 1: Let's see I can't believe you have ads still, Mike 705 00:37:36,280 --> 00:37:39,400 Speaker 1: on this you gonna pay for like the premium like 706 00:37:39,560 --> 00:37:44,000 Speaker 1: Walker Hayes has, Like this is called Leela Stars. Walker 707 00:37:44,040 --> 00:37:56,080 Speaker 1: had just three eyes, bloodshot, yawning in the Casco parking lot, 708 00:37:56,320 --> 00:37:58,319 Speaker 1: waiting on the door to lock so I can clock 709 00:37:58,400 --> 00:38:00,359 Speaker 1: in ear like it's not the cooler till that's where 710 00:38:00,360 --> 00:38:02,680 Speaker 1: I need back surgery. I wonder what the hell I'm 711 00:38:02,719 --> 00:38:04,520 Speaker 1: doing with my life, which and I was still in 712 00:38:04,600 --> 00:38:06,759 Speaker 1: bed when my wife scribbling the lyrics on the side 713 00:38:06,800 --> 00:38:09,080 Speaker 1: of the style phone cup. Do my kids need their 714 00:38:09,160 --> 00:38:11,640 Speaker 1: dad to grow up? Keep chasing a drink that ain't 715 00:38:11,719 --> 00:38:13,920 Speaker 1: making no sense? No, it sounds like true story too, 716 00:38:13,920 --> 00:38:15,279 Speaker 1: how you used to go to work every morning and 717 00:38:15,400 --> 00:38:18,719 Speaker 1: like to write the songs from aft top ceiling at 718 00:38:18,760 --> 00:38:20,640 Speaker 1: the bomb thumb tacks from a night and a half 719 00:38:20,760 --> 00:38:23,560 Speaker 1: year old daughter Lela, just to keep it from coming down, 720 00:38:24,120 --> 00:38:31,200 Speaker 1: kind of like my tears when I count leading stars 721 00:38:32,160 --> 00:38:34,719 Speaker 1: the sky fun then it's just a ru from my 722 00:38:40,239 --> 00:38:45,640 Speaker 1: I'm freaking five, you're getting um Cody Johnson Man, Oh yeah, 723 00:38:45,680 --> 00:38:47,560 Speaker 1: Cody Johnson Man, And we were playing him on the 724 00:38:47,600 --> 00:38:49,719 Speaker 1: ear at Cody Johnson A lot of technis country fans 725 00:38:49,760 --> 00:38:52,440 Speaker 1: on who Code Johnson is. But um, if you're not 726 00:38:52,800 --> 00:38:54,239 Speaker 1: you know, a Texnis country guy and maybe you haven't 727 00:38:54,280 --> 00:38:58,600 Speaker 1: heardly Cody Johnson really good. That's like you gotta album. 728 00:38:58,960 --> 00:39:01,880 Speaker 1: I think gotta be me and that thinks what it's 729 00:39:01,920 --> 00:39:05,759 Speaker 1: called if I'm going by my heart, but he's really good. 730 00:39:07,360 --> 00:39:11,800 Speaker 1: Cody Johnson here was called yep, never being a cool 731 00:39:12,000 --> 00:39:17,560 Speaker 1: hand quarterback or the winning team or the guy with 732 00:39:17,760 --> 00:39:23,800 Speaker 1: the right kind of punchlines everybody wants to be. Everyone 733 00:39:24,000 --> 00:39:26,880 Speaker 1: was at a lucky old cuss with a straight flush 734 00:39:27,000 --> 00:39:37,400 Speaker 1: in his hand. But with you, ah, I ain't no path. 735 00:39:37,719 --> 00:39:39,160 Speaker 1: So those are the five that I put on the left. 736 00:39:39,200 --> 00:39:41,200 Speaker 1: But there's I mean, there's so much good music out 737 00:39:41,239 --> 00:39:45,160 Speaker 1: there now and everything's different and nothing's more than anything. 738 00:39:45,440 --> 00:39:48,120 Speaker 1: Just like what you like and don't hate people that 739 00:39:48,200 --> 00:39:51,759 Speaker 1: don't like what you like, big old smile. That's why. 740 00:39:51,960 --> 00:39:56,359 Speaker 1: As the real game. Here's a playlist rock classics. Here 741 00:39:56,440 --> 00:40:00,880 Speaker 1: we go, name that tune, A C D C back 742 00:40:00,920 --> 00:40:08,239 Speaker 1: and black yeah, yeah, okay. In high school we had 743 00:40:08,400 --> 00:40:10,880 Speaker 1: we would have arguments every week and when we come 744 00:40:10,920 --> 00:40:13,719 Speaker 1: out to we had other come out to A C 745 00:40:13,880 --> 00:40:16,120 Speaker 1: D C. Hill's bells because we're the Mountain Pine right Devils, 746 00:40:16,640 --> 00:40:20,000 Speaker 1: and we were black and white school, meaning we weren't. 747 00:40:20,520 --> 00:40:24,200 Speaker 1: I mean, we're the white people. So it would be 748 00:40:24,239 --> 00:40:25,800 Speaker 1: like you wanna come to hip hop or like hardcore 749 00:40:25,920 --> 00:40:27,840 Speaker 1: rock and then fight. We'd fight every week and I 750 00:40:27,880 --> 00:40:30,640 Speaker 1: don't care because for me it didn't matter. But it 751 00:40:30,680 --> 00:40:33,200 Speaker 1: would be like a C. D. C. Hell's Bells, or 752 00:40:33,239 --> 00:40:35,920 Speaker 1: it would be Tupac, like hit him up, and so 753 00:40:36,080 --> 00:40:38,080 Speaker 1: we would just have to go back and forth course 754 00:40:38,360 --> 00:40:42,319 Speaker 1: to come back to for high school both Dude, even 755 00:40:42,400 --> 00:40:44,640 Speaker 1: Hill's Bells. Think about that, you're in the eleventh grade. 756 00:40:46,000 --> 00:40:49,560 Speaker 1: I mean the edited version, even the edited version of 757 00:40:52,320 --> 00:40:54,960 Speaker 1: Dude where I come from, like it that's just a 758 00:40:55,120 --> 00:40:59,080 Speaker 1: song we would come out. I mean, I mean it's 759 00:40:59,239 --> 00:41:05,880 Speaker 1: like it's dirty. This is not the do you know 760 00:41:05,960 --> 00:41:12,640 Speaker 1: who were to see touch the funk? Your pitching to click? 761 00:41:12,719 --> 00:41:15,279 Speaker 1: You claim when we can't do a lot of this 762 00:41:15,440 --> 00:41:20,640 Speaker 1: here but claim to be a player. Yeah, but that's 763 00:41:20,680 --> 00:41:24,600 Speaker 1: to be it edited version obviously. But Tupac's greatest sins 764 00:41:24,680 --> 00:41:28,800 Speaker 1: man like Tupac, Like people always asked me who was 765 00:41:28,840 --> 00:41:30,800 Speaker 1: better Tupac your biggie, and they're really there's not a 766 00:41:30,880 --> 00:41:33,279 Speaker 1: right answer. In Dubai, I do have an answer that 767 00:41:33,360 --> 00:41:37,560 Speaker 1: I think, But the Tupac Biggie debate is always interesting 768 00:41:37,640 --> 00:41:42,920 Speaker 1: for me. Culturally, Tupac was far and it had bigger 769 00:41:42,920 --> 00:41:45,840 Speaker 1: than Biggie. Tupac with West coast, Biggie was East coast. 770 00:41:46,480 --> 00:41:53,759 Speaker 1: You know, Biggie was the whole puff may But hip 771 00:41:53,800 --> 00:41:57,480 Speaker 1: hop wise, Biggie can put a record out today, it's 772 00:41:57,480 --> 00:42:01,160 Speaker 1: not contemporary. He was ahead of it, like Biggie was 773 00:42:01,200 --> 00:42:06,560 Speaker 1: ahead of it, of of just rhyming. So Tupac is 774 00:42:06,640 --> 00:42:11,000 Speaker 1: way bigger, But who is the better rapper rhymer? It's 775 00:42:11,200 --> 00:42:14,360 Speaker 1: Biggie for sure. Like the fact that people argue that, 776 00:42:14,920 --> 00:42:17,759 Speaker 1: it's just like if they existed today, which one would 777 00:42:17,800 --> 00:42:22,000 Speaker 1: sound like fine out there and the answer is Biggie, 778 00:42:22,320 --> 00:42:24,640 Speaker 1: Like that would come up people be like, man, that's fresh, 779 00:42:24,960 --> 00:42:33,239 Speaker 1: Like that's like people don't rhyme as good as this 780 00:42:33,360 --> 00:42:37,640 Speaker 1: now that rhyming. Now that really annoys me because I'm 781 00:42:37,640 --> 00:42:41,840 Speaker 1: like hip hop two And then they don't even the 782 00:42:41,880 --> 00:42:43,759 Speaker 1: middle of the ways, like he's only get in my 783 00:42:43,840 --> 00:42:45,920 Speaker 1: game and did to hear the same and got in 784 00:42:45,960 --> 00:42:47,719 Speaker 1: the lame. I got his damn day. It's like, I 785 00:42:47,719 --> 00:42:49,479 Speaker 1: don't know what you're saying. Like some of the stuff 786 00:42:49,520 --> 00:42:50,840 Speaker 1: sounds like in rhymes, but I don't even know what 787 00:42:50,920 --> 00:42:54,520 Speaker 1: you're saying. Really, um so whatever, that's me being an 788 00:42:54,560 --> 00:43:11,920 Speaker 1: old problem really big. It's just seven. I guess I 789 00:43:11,960 --> 00:43:18,680 Speaker 1: can hear them my headphones. Tomorrow on the show, Derks 790 00:43:18,680 --> 00:43:20,120 Speaker 1: will be in. It's not like the teach you guys 791 00:43:20,160 --> 00:43:21,560 Speaker 1: are here this after the show. I forget We're not 792 00:43:21,640 --> 00:43:23,040 Speaker 1: live on the road. I feel like I'm live on 793 00:43:23,080 --> 00:43:30,160 Speaker 1: the radio right now. So yeah, there's that. I already 794 00:43:30,200 --> 00:43:32,360 Speaker 1: A festival's fun. That'll be next weekend. That'll be a 795 00:43:33,560 --> 00:43:37,000 Speaker 1: packed and I love it because it's such a huge event. 796 00:43:37,080 --> 00:43:39,400 Speaker 1: But I don't really get to watch the shows because 797 00:43:39,440 --> 00:43:41,279 Speaker 1: I worked the whole time. The weird thing for me 798 00:43:41,440 --> 00:43:44,800 Speaker 1: is to during the festival and it's like the biggest festival. 799 00:43:45,400 --> 00:43:48,399 Speaker 1: So just pulling up from my head, it's Drake, it's 800 00:43:48,440 --> 00:43:52,480 Speaker 1: Brittany and Sam Hunt and it's sting in YouTube. It's 801 00:43:52,520 --> 00:43:56,560 Speaker 1: like everybody big from all these different formats. But because 802 00:43:56,600 --> 00:43:59,680 Speaker 1: I've worked all formats and I'm just I just love music. 803 00:43:59,719 --> 00:44:01,799 Speaker 1: I've all kinds of music, I've studied all kinds of music. 804 00:44:01,880 --> 00:44:08,480 Speaker 1: I'm a nerd for music. Um, I'm like a utility player, 805 00:44:09,160 --> 00:44:12,719 Speaker 1: meaning if there's not someone interview X person and the 806 00:44:12,800 --> 00:44:14,920 Speaker 1: hip hop shows gone, they'll pull me up to be 807 00:44:15,000 --> 00:44:17,839 Speaker 1: a little John, or they'll have me interview the country act, 808 00:44:17,920 --> 00:44:19,680 Speaker 1: or they'll have me interview that somebody from I did 809 00:44:19,760 --> 00:44:22,640 Speaker 1: justin Tima. So I always am bag there. I don't 810 00:44:22,680 --> 00:44:25,400 Speaker 1: have to watch anything. I went last year and watched 811 00:44:25,480 --> 00:44:27,640 Speaker 1: cold plays, the only one I wanted to say, I 812 00:44:27,719 --> 00:44:30,239 Speaker 1: want to watched like three songs of cold Play. Um, 813 00:44:30,560 --> 00:44:33,680 Speaker 1: and it was awesome and they dropped confetti from the 814 00:44:33,760 --> 00:44:36,560 Speaker 1: It was really great. Um. But yeah, so it's a 815 00:44:36,600 --> 00:44:38,759 Speaker 1: big deal. It's fun. It's funny. Gettill all like your 816 00:44:38,800 --> 00:44:43,640 Speaker 1: radio friends again it is and some of them are 817 00:44:43,680 --> 00:44:47,840 Speaker 1: still around. Um but yeah, but yeah that would be 818 00:44:47,920 --> 00:44:49,799 Speaker 1: next weekend. But that's it. It's such a big show there. 819 00:44:50,520 --> 00:44:52,360 Speaker 1: So I was talking about teeth. Yeah, I paid for 820 00:44:52,400 --> 00:44:54,520 Speaker 1: my teeth, like some of them because they're really crooked 821 00:44:54,680 --> 00:44:57,799 Speaker 1: and bust it up. So these are fake, like four 822 00:44:57,960 --> 00:45:01,600 Speaker 1: here fake they did are fake and this one's fixed. 823 00:45:02,360 --> 00:45:05,880 Speaker 1: So yeah, thank you though for for complimenting my fake teeth. 824 00:45:06,200 --> 00:45:09,239 Speaker 1: You don't gonna be a hater and know man. Um, 825 00:45:09,760 --> 00:45:13,239 Speaker 1: yeah the heaven my teeth fixed was weird because what 826 00:45:13,320 --> 00:45:16,200 Speaker 1: they do at Veneers, and my teeth were always really 827 00:45:16,280 --> 00:45:18,600 Speaker 1: messed up. I can never afford braces as a kid, 828 00:45:19,719 --> 00:45:22,080 Speaker 1: and so I would always be jealous of kids at 829 00:45:22,120 --> 00:45:23,600 Speaker 1: braces and had good teeth, and so I would just 830 00:45:23,640 --> 00:45:25,680 Speaker 1: be embarrassed and I would keep my coming the lips 831 00:45:25,719 --> 00:45:27,840 Speaker 1: over my teeth. And so once I started making a 832 00:45:27,840 --> 00:45:30,080 Speaker 1: little bit of money to afford first of all, to 833 00:45:30,120 --> 00:45:31,680 Speaker 1: go to the dentist, I was getting my teeth fixed 834 00:45:31,680 --> 00:45:34,239 Speaker 1: like crazy. And I was so far behind in dental work, 835 00:45:34,280 --> 00:45:37,080 Speaker 1: but had insurance and insurance pay I had to cover 836 00:45:37,120 --> 00:45:38,640 Speaker 1: to the so I had the money to pay the 837 00:45:38,680 --> 00:45:42,040 Speaker 1: other plus the insurance. So I was getting cavities fixed 838 00:45:42,040 --> 00:45:43,920 Speaker 1: and all my teeth fixed. But I still had these 839 00:45:43,960 --> 00:45:46,640 Speaker 1: crooked teeth up front and on the bottom they're very 840 00:45:46,680 --> 00:45:49,279 Speaker 1: crooked too. And so I was like, well, I want 841 00:45:49,280 --> 00:45:51,360 Speaker 1: to see what these Veneers are about, because I was 842 00:45:51,400 --> 00:45:53,440 Speaker 1: doing a big TV project at ABC at the time, 843 00:45:53,840 --> 00:45:55,400 Speaker 1: and they hadn't said in the on my teeth that 844 00:45:55,440 --> 00:45:57,600 Speaker 1: I was really self conscious about them, and so I 845 00:45:57,680 --> 00:46:00,520 Speaker 1: went and I looked and what they did was and 846 00:46:00,600 --> 00:46:02,160 Speaker 1: it's crazy what what they do. Because AND had a 847 00:46:02,200 --> 00:46:04,480 Speaker 1: really great doctor, but they take your real teeth and 848 00:46:04,520 --> 00:46:07,520 Speaker 1: they cut them in half the top like that started 849 00:46:07,520 --> 00:46:09,360 Speaker 1: to stut. They cut them right in half, right across 850 00:46:09,360 --> 00:46:12,480 Speaker 1: the middle, and then they cut on both sides of them, 851 00:46:13,120 --> 00:46:15,879 Speaker 1: and so it's basically just a little nub in each spot, 852 00:46:15,920 --> 00:46:18,759 Speaker 1: and they've covered up with a veneer, so if you 853 00:46:18,840 --> 00:46:20,480 Speaker 1: pull off the veneer, it's just a little bit nub 854 00:46:20,520 --> 00:46:23,279 Speaker 1: of a tooth in there. And so I had to 855 00:46:23,320 --> 00:46:25,000 Speaker 1: wear like plastic teeth forever all I could eat with 856 00:46:25,040 --> 00:46:28,760 Speaker 1: my very back teeth for four or five months because 857 00:46:28,840 --> 00:46:31,240 Speaker 1: my all my teeth up front were mess I couldn't 858 00:46:31,280 --> 00:46:33,480 Speaker 1: use them to eat because they weren't even the veneers. 859 00:46:33,760 --> 00:46:36,680 Speaker 1: They were just the plastic ones. As my real teeth 860 00:46:36,680 --> 00:46:41,799 Speaker 1: were healing. Now I'm glad they're done. But um, too 861 00:46:41,920 --> 00:46:44,920 Speaker 1: much tanning, Bobby. This is like fresh right tand no shower, 862 00:46:46,640 --> 00:46:50,040 Speaker 1: but on camera it's much better. So I appreciate that, 863 00:46:50,120 --> 00:46:53,680 Speaker 1: Stephanie Cardona. Um, anyway, how long where are we at? 864 00:46:53,760 --> 00:46:56,920 Speaker 1: My fifty minutes? Than how in the world do I 865 00:46:57,000 --> 00:46:58,880 Speaker 1: talk for so much about nothing? Like I had nothing 866 00:46:58,960 --> 00:47:01,040 Speaker 1: to say, like, and I'm like, we'll go and talk 867 00:47:01,120 --> 00:47:03,399 Speaker 1: for a bit and then, uh, you know what it's 868 00:47:03,440 --> 00:47:09,279 Speaker 1: called tonight? Um a second book. Uh yeah, but more 869 00:47:09,360 --> 00:47:17,239 Speaker 1: to be talked about next soon, just not right this second. Um. Yeah, 870 00:47:17,760 --> 00:47:20,600 Speaker 1: I really can't say say much more than that. There's 871 00:47:20,640 --> 00:47:23,799 Speaker 1: just so much that until it's actually signed or they 872 00:47:23,880 --> 00:47:26,360 Speaker 1: say you can say it, you'll get in trouble for 873 00:47:26,400 --> 00:47:30,560 Speaker 1: saying it. Um, all right, thank you all. I'm gonna go. 874 00:47:31,400 --> 00:47:33,120 Speaker 1: I hope you learned something from this. I have no 875 00:47:33,239 --> 00:47:35,239 Speaker 1: idea what we talked about. That's the beauty of it. 876 00:47:35,280 --> 00:47:36,640 Speaker 1: You could have turned it off a long time ago. 877 00:47:37,000 --> 00:47:39,000 Speaker 1: I appreciate you being here. Go back and listen to 878 00:47:39,000 --> 00:47:40,840 Speaker 1: the other Bobby cast. If that's some really great guests. 879 00:47:40,880 --> 00:47:42,560 Speaker 1: We'll have some more great guests, and the next couple 880 00:47:42,600 --> 00:47:44,640 Speaker 1: of podcasts that we do, we'll have some great guests 881 00:47:44,680 --> 00:47:48,240 Speaker 1: in the studio, including Ryan heard, uh, some songwriter friends, performers. 882 00:47:48,280 --> 00:47:51,840 Speaker 1: I don't want to ruin what happened, Um, what's happening 883 00:47:51,880 --> 00:47:54,760 Speaker 1: coming up? But that's it, So that'd be it. Anything 884 00:47:54,800 --> 00:47:57,000 Speaker 1: Mike you want to ask before we go anything? I 885 00:47:57,120 --> 00:48:00,919 Speaker 1: think we're good. Uh, it's would this be the worst 886 00:48:00,960 --> 00:48:05,040 Speaker 1: podcast we've ever done? No? Thanks, Well, we've done some 887 00:48:05,160 --> 00:48:07,000 Speaker 1: good ones. Oh yeah, it's like I just think it's 888 00:48:07,000 --> 00:48:10,040 Speaker 1: worth front we've ever done hold on, I gotta figure 889 00:48:10,080 --> 00:48:12,160 Speaker 1: out trying one of these musics off and one of 890 00:48:12,200 --> 00:48:17,359 Speaker 1: the one kill that one. There you go up, all right, 891 00:48:17,400 --> 00:48:21,480 Speaker 1: Thank you guys for listening to the Bobby Cast. I 892 00:48:21,560 --> 00:48:24,520 Speaker 1: appreciate you're watching on Facebook Live. I'm gonna turn you 893 00:48:24,560 --> 00:48:26,880 Speaker 1: guys off on Facebook Live right now. Let's see how 894 00:48:26,880 --> 00:48:32,359 Speaker 1: many people were watching this ending live video on Facebook Live. 895 00:48:32,400 --> 00:48:38,759 Speaker 1: There were twenty one people that watched that as we 896 00:48:38,880 --> 00:48:41,320 Speaker 1: did it, and it will only grow and they'll be like, 897 00:48:41,520 --> 00:48:45,759 Speaker 1: why did I watch this? Thank you for your questions. Uh, 898 00:48:45,840 --> 00:48:48,880 Speaker 1: pimp and joy stuff. We have replenished our supply. We 899 00:48:48,960 --> 00:48:50,800 Speaker 1: were out of pink for a long time. Now we 900 00:48:50,840 --> 00:48:52,480 Speaker 1: have pink and black and pink and white. Go to 901 00:48:52,560 --> 00:48:55,279 Speaker 1: Bobby Bones dot com do do that. And the Raging 902 00:48:55,320 --> 00:48:56,800 Speaker 1: Idiots are on the road all throughout the rest of 903 00:48:56,800 --> 00:48:58,200 Speaker 1: the year. Would love to see you guys come out 904 00:48:58,200 --> 00:49:00,840 Speaker 1: and watch us where you can see our more dates 905 00:49:00,920 --> 00:49:03,439 Speaker 1: at Raging Idiots dot com. I'll be doing a stand 906 00:49:03,520 --> 00:49:06,040 Speaker 1: up comedy tour next year. More to details about that 907 00:49:06,120 --> 00:49:08,000 Speaker 1: coming up. I hope you have a wonderful rest of 908 00:49:08,040 --> 00:49:09,680 Speaker 1: your day. And if it's not daytime and it's nine time, 909 00:49:09,719 --> 00:49:12,120 Speaker 1: hoping night it's great to um Bobby and that's it 910 00:49:12,600 --> 00:49:16,839 Speaker 1: until next time. Goodbye everybody. Oh yeah, Mike Destro follow 911 00:49:16,840 --> 00:49:18,360 Speaker 1: on mine instance, all right, I gotta get him his 912 00:49:18,440 --> 00:49:21,400 Speaker 1: checks plugged there at Mike Destro and Mike K E 913 00:49:21,800 --> 00:49:24,480 Speaker 1: D E E s t r Oh at Mike Destro. 914 00:49:25,120 --> 00:49:27,879 Speaker 1: Do you find people follow you from this? Yeah? Really? Yeah? 915 00:49:28,960 --> 00:49:32,520 Speaker 1: What up at Mike Destro? Thank you a good eye 916 00:49:32,560 --> 00:49:35,160 Speaker 1: everybody in good day and by oh man, you know 917 00:49:35,239 --> 00:49:37,080 Speaker 1: it was good though, like people even know how best. 918 00:49:37,160 --> 00:49:39,920 Speaker 1: Bust He used to rhyme like I gotta playlist up here, 919 00:49:40,719 --> 00:49:45,560 Speaker 1: like Busto rhymes so fast, like I think Eminence it's 920 00:49:45,560 --> 00:49:47,440 Speaker 1: the gay trapper of all time. I think, and a 921 00:49:47,480 --> 00:49:49,160 Speaker 1: lot of people I think Eminem Now it's a guy 922 00:49:49,200 --> 00:49:50,759 Speaker 1: trapper of all time. You put him in on a 923 00:49:50,800 --> 00:49:52,880 Speaker 1: track like little Wayne, even Diday, he put him in 924 00:49:53,040 --> 00:49:55,320 Speaker 1: on a track like two years ago, and he shouldn't 925 00:49:55,320 --> 00:49:57,680 Speaker 1: have because emin him. Well it was Eminem's track, even 926 00:49:57,680 --> 00:50:01,600 Speaker 1: though even it was a Wayne track. And oh you'll 927 00:50:01,640 --> 00:50:04,680 Speaker 1: forget the Buster came out and Buster was like a 928 00:50:04,760 --> 00:50:08,120 Speaker 1: different level because he was just flow like so quick, 929 00:50:08,239 --> 00:50:12,239 Speaker 1: even like this is breaking next yeah break your whoa. 930 00:50:12,360 --> 00:50:15,799 Speaker 1: But yeah, I can forget this hase I edited. That's 931 00:50:15,800 --> 00:50:19,919 Speaker 1: so weird that when we go there, when we goin down, 932 00:50:20,320 --> 00:50:22,680 Speaker 1: give it away, give it away, give it away. Now 933 00:50:22,719 --> 00:50:26,800 Speaker 1: we need to put like a explicit just keep it away. 934 00:50:27,120 --> 00:50:29,120 Speaker 1: Here we go, get me going down to me. When 935 00:50:29,160 --> 00:50:31,600 Speaker 1: you bother is gonna do come him talking talk for me, 936 00:50:31,640 --> 00:50:33,359 Speaker 1: Get take you the give it when the up noble, 937 00:50:33,360 --> 00:50:34,440 Speaker 1: you're talking up. We get t the wall for me, 938 00:50:34,480 --> 00:50:35,680 Speaker 1: and we can really trying to put it on the 939 00:50:35,760 --> 00:50:37,480 Speaker 1: go when they never did a phone for me. That 940 00:50:37,560 --> 00:50:39,000 Speaker 1: we can break your back and break your neck and 941 00:50:39,040 --> 00:50:40,160 Speaker 1: then we can try to put it on the phone 942 00:50:40,160 --> 00:50:45,480 Speaker 1: for me. Because one time when I knocked that damn 943 00:50:45,520 --> 00:50:48,359 Speaker 1: and I hit you with that ship. It's the old day. 944 00:50:48,440 --> 00:50:51,279 Speaker 1: Been making the job, y'all. Every time we come through this, y'all. 945 00:50:51,320 --> 00:50:53,880 Speaker 1: Wait second around, So like people can't do that, like 946 00:50:53,920 --> 00:50:56,279 Speaker 1: who can't ride my master? Like a few can, but 947 00:50:56,400 --> 00:51:00,560 Speaker 1: not really, I mean the word crazy until like that too. 948 00:51:00,560 --> 00:51:07,320 Speaker 1: You gotta write like double times kids, man, the jams 949 00:51:07,400 --> 00:51:10,680 Speaker 1: busses jam though, Oh my goodness, I know what you want. 950 00:51:10,760 --> 00:51:14,680 Speaker 1: When this song came out, this was a jam flights 951 00:51:14,719 --> 00:51:17,320 Speaker 1: on the radio. Maybe when you give it to me, 952 00:51:18,120 --> 00:51:20,800 Speaker 1: give it to you. You know what I want, I 953 00:51:20,960 --> 00:51:23,960 Speaker 1: give it to you. Oh man, I ain't Maries on 954 00:51:24,000 --> 00:51:28,839 Speaker 1: this track too. Hold out, give it all to you bag, 955 00:51:29,760 --> 00:51:32,800 Speaker 1: just warm. I'm gonna come on, just do music sometimes. 956 00:51:32,840 --> 00:51:35,200 Speaker 1: Maybe when you give it to me, I'll give it 957 00:51:35,320 --> 00:51:38,239 Speaker 1: to you. I know what you want. I want to want. 958 00:51:39,280 --> 00:51:42,120 Speaker 1: I guess not on it first. Let's see as long 959 00:51:42,200 --> 00:51:44,759 Speaker 1: as you want, you know what I got it? Yeah, 960 00:51:46,440 --> 00:51:48,440 Speaker 1: I mean the real bust attract from back in the day, 961 00:51:48,480 --> 00:51:50,080 Speaker 1: the one that busting him out was this one here. 962 00:51:50,560 --> 00:51:53,720 Speaker 1: I mean this is old school, like real deal busting. 963 00:51:53,760 --> 00:51:55,560 Speaker 1: When I first heard him, I as like young kid. 964 00:51:55,640 --> 00:51:59,800 Speaker 1: I was like, whoa if you really want a party 965 00:51:59,840 --> 00:52:04,520 Speaker 1: with me? That damn it's so fast like to me, 966 00:52:04,719 --> 00:52:06,840 Speaker 1: this is the original bus to try. But hands on 967 00:52:06,880 --> 00:52:10,200 Speaker 1: my eyes can see with no delayan. So what you're 968 00:52:10,239 --> 00:52:13,600 Speaker 1: saying yo siling with namly with the dilly yo were 969 00:52:13,640 --> 00:52:16,040 Speaker 1: not y? I guess I do my duty, Yo. Wind 970 00:52:16,120 --> 00:52:17,800 Speaker 1: up in the club like we're wound in the studio. 971 00:52:18,000 --> 00:52:20,279 Speaker 1: Either want to viol like niket really and truly yo, 972 00:52:20,400 --> 00:52:23,320 Speaker 1: my metug ninking the moody yo e moodio type of 973 00:52:23,440 --> 00:52:26,000 Speaker 1: nick dad to slap you with the tulio bitch, nike 974 00:52:26,040 --> 00:52:31,759 Speaker 1: a skid the death at studio funk, that's really the 975 00:52:31,800 --> 00:52:35,520 Speaker 1: bus And I was like danges in videos, wind up 976 00:52:35,560 --> 00:52:39,240 Speaker 1: with I got the lust of all the big country 977 00:52:39,320 --> 00:52:41,440 Speaker 1: songs right now, I'm saying, what if I like any 978 00:52:41,440 --> 00:52:43,719 Speaker 1: of them up here? Like I like talk about rock 979 00:52:43,800 --> 00:52:46,560 Speaker 1: on program at number one? Remember talking about there just 980 00:52:46,600 --> 00:52:48,680 Speaker 1: hearing this song on YouTube, ringing up in the studio, 981 00:52:48,680 --> 00:52:52,680 Speaker 1: And that's saying a number one song, crazy crazy to 982 00:52:52,760 --> 00:53:03,520 Speaker 1: stay awesome for him. Girl didn't mean it when our 983 00:53:03,560 --> 00:53:07,480 Speaker 1: ways to do the bit. I guess I thought we 984 00:53:07,520 --> 00:53:14,280 Speaker 1: were into this thing like ten minutes ago. Wait, yeah, Fanning, 985 00:53:14,360 --> 00:53:21,360 Speaker 1: you all waiting? Tick too long? Baby, rack on? Rack on? 986 00:53:25,280 --> 00:53:28,840 Speaker 1: Why don't you have you gotta pay for this? Looks commercial? 987 00:53:30,320 --> 00:53:32,000 Speaker 1: All right, have a great day. Guess you guys die? 988 00:53:32,040 --> 00:53:38,719 Speaker 1: Next time about back some big Hollywood stop you see 989 00:53:38,840 --> 00:53:41,759 Speaker 1: the clubbing. Here's that Ryan Hurt song I was talking about. 990 00:53:42,800 --> 00:53:58,759 Speaker 1: He'll be on next next week at some point later. 991 00:53:59,000 --> 00:54:02,880 Speaker 1: The party, girl in the party, you're the tequila and 992 00:54:03,040 --> 00:54:06,879 Speaker 1: the song on the lamb. But it doesn't matter. We're ever, 993 00:54:07,040 --> 00:54:10,560 Speaker 1: We're red girl. Whoever happens, it's a hell of a town. 994 00:54:10,719 --> 00:54:13,480 Speaker 1: Were rolling, We roll out and get drunk. We get 995 00:54:13,600 --> 00:54:16,600 Speaker 1: down baby. I look kind of stoopid when I'm dancing 996 00:54:16,600 --> 00:54:20,200 Speaker 1: with you, but she laughing now like it. We're magic tonight. 997 00:54:20,640 --> 00:54:22,719 Speaker 1: We don't mean to make him jealous, but we do 998 00:54:24,280 --> 00:54:29,200 Speaker 1: maga our own little baby. Ain't nobody doing like we 999 00:54:29,520 --> 00:54:34,680 Speaker 1: do us, Megan, ain't bring around down baby. Ain't nobody 1000 00:54:34,840 --> 00:54:41,000 Speaker 1: do like we do. We go together like using Chief champagne. 1001 00:54:41,320 --> 00:54:43,080 Speaker 1: You can pull it on, all right. He should be 1002 00:54:43,120 --> 00:54:48,480 Speaker 1: in next week's Baby. Bye, guys, have a good one. 1003 00:54:49,480 --> 00:54:53,080 Speaker 1: Uh out. Dusty says bye to all right. We're done 1004 00:54:53,120 --> 00:54:53,200 Speaker 1: now