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Speaker 1: So Kevin's like, can you guys do morning evening is

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Speaker 1: not as good for Julie anymore? If you can, if

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Speaker 1: you can swing morning, We're like, that's great, Yeah, the

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Speaker 1: first find it right away and problem and like we're

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Speaker 1: we're setting the exact time. Nine thirty is great.

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Speaker 2: Nine thirty easy, no issues.

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Speaker 1: And then Jeffrey Goldberg is like, you guys should have

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Speaker 1: IO back on too.

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Speaker 2: That not that it's a bad idea. It threw me

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Speaker 2: for a loop. No, it threw me for a loop.

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Speaker 1: It's by the way, like it's fine just to have

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Speaker 1: It's not like we need to have IO. Would we

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Speaker 1: obviously take her if she were also wanted to do it,

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Speaker 1: I would you see her as well?

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Speaker 2: She would also to yes, did not? We can solidify

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Speaker 2: that association. I think you know, we've had this group

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Speaker 2: chat with Kevin.

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Speaker 1: We're we've scheduled everything for the podcast for years and

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Speaker 1: years and years. It terms out. Jeffrey Goldberg has been

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Speaker 1: in at the all.

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Speaker 2: Time and showed incredible restraint.

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Speaker 1: Lots of times. I kind of wish he had intervened.

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Speaker 2: If he had chimed in on some of the other conversations,

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Speaker 2: we may not be not that I'm not looking forward

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Speaker 2: to the episode, Julie. We may not be in this

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Speaker 2: position right now.

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Speaker 1: I get the.

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Speaker 3: Sense that Jeffrey Goldberg is one of those people in

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Speaker 3: the chat that like doesn't say anything for weeks and

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Speaker 3: then sends like that Steve bous Semion thirty rock gift.

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Speaker 1: Yes, yes, yes.

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Speaker 4: How do you need to be fellow kids.

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Speaker 1: Doesn't need to be a gift, by the way of it,

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Speaker 1: just to still images is fine. We get particular.

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Speaker 2: It doesn't need to have any movement to it, because

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Speaker 2: it's like it's the outfit, it's the two skateboards.

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Speaker 4: Yeah, we get we get the we get the gist,

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Speaker 4: and we get the gift.

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Speaker 1: Which I think is how it's pronounced Jeffrey Goldberg, like greetings, fellows,

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Speaker 1: whateverers or whatever.

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Speaker 4: Yeah, whatever it is, like.

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Speaker 2: Whatever it is, I don't like and seen the gift

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Speaker 2: in a while or.

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Speaker 3: Yeah, well yeah, he's definitely like he's definitely a lurker.

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Speaker 1: He's a peeper. Like but if fine, it's fine what

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Speaker 1: he did, but he is like he is a peeping Jeffrey.

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Speaker 2: Yeah, if you watch the show about his family, you

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Speaker 2: start to understand where some of this comes from, because yeah,

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Speaker 2: he didn't really have his own voice. A lot of

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Speaker 2: the time it was about his dad, who was really

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Speaker 2: funny and who later became a ghost.

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Speaker 3: Just the back of his head at some point. Like

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Speaker 3: if your dad is just you know, you only see

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Speaker 3: him in like three quarters.

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Speaker 2: That's how it feels when you're a kid, you know

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Speaker 2: what I mean. You don't really see your parents as

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Speaker 2: whole people. A lot of times you see them as

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Speaker 2: sort of a cgi apparition.

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Speaker 1: My dad was like I grew up in a house

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Speaker 1: for my dad was always only speaking off camera.

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Speaker 2: Yeah, it's so, it's so powerful.

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Speaker 3: Had one of those patent dads, one of those patent dads,

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Speaker 3: like those vo dads, Ron Howard or like in the

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Speaker 3: case of the the ten and Boumbs, like a Baldwin and.

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Speaker 1: And I'm just kind of processing that.

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Speaker 2: I'm working through it. It's it's you know, everyone's trauma

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Speaker 2: is different. You know, it's easy to go. A lot

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Speaker 2: of people had a lot.

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Speaker 4: Work wrongly disagree Sean, I'm sorry.

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Speaker 2: I feel like it's trauma the same everything.

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Speaker 3: We're all pink inside, you know, some of us are

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Speaker 3: medium rare, but it's all the same meat.

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Speaker 2: Yeah, No, I've talking about.

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Speaker 1: What if you had a trauma. What if you had

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Speaker 1: a trauma that some people did that made you not

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Speaker 1: pink inside anymore? Like it was like something pretty happened

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Speaker 1: and it made you just like a completely different color

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Speaker 1: and right like the browning.

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Speaker 2: Yeah, or even if it was like a Saint Patrick's

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Speaker 2: Day attack the green inside. Oh, like when they die

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Speaker 2: the river, Oh yes, but what if they did that?

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Speaker 4: Actually I love it when they die the river.

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Speaker 2: Well I do too, I have to admit.

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Speaker 1: But but if they did it to me, and that's

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Speaker 1: why they don't know Patrick's Day to like you know,

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Speaker 1: it's to some in your blood to the surface and see,

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Speaker 1: like we'll see if they're green in there still?

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Speaker 2: Yeah, is it's still pink in there? Because let's see

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Speaker 2: if we can get that greened up?

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Speaker 1: Now?

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Speaker 4: What what why? What pinching is? What if you're not

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Speaker 4: wearing green?

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Speaker 1: Just to if you're not wearing green, Yes, it's the sea.

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Speaker 1: It's some in your blood to the surface and to

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Speaker 1: see you.

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Speaker 4: See if you can get away on a technical county.

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Speaker 1: And I do have to Patrick's Day.

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Speaker 3: In like a Leprechaun kind of voice. Can you do

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Speaker 3: is that in your can.

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Speaker 1: I from the country of Ireland.

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Speaker 3: Well, no, an apparition, that is, it's a fictional preature.

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Speaker 4: Right, I'm glad. I'm glad you're still taking requests.

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Speaker 2: Hey, you know, I aim to please. I don't give

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Speaker 2: a funk what's on the show anymore, as long as

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Speaker 2: somebody is listening, even if.

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Speaker 1: It's just our guest, And I please to aim that

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Speaker 1: impression was so good. Ned Divine woke up? No, uh huh, I.

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Speaker 4: Am a.

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Speaker 1: Watch that.

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Speaker 2: Watch Waking neda the three of us this same spot

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Speaker 2: next year, can.

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Speaker 4: We please do a Waking Ned Divine watch along?

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Speaker 1: A watch along?

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Speaker 2: We have to do a live commentary of Waking Ned

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Speaker 2: Divine for our listeners.

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Speaker 4: What about that?

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Speaker 2: Finally get us together like Double Threat and Hollywood Handbook collab.

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Speaker 1: Tom is gonna be like I feel like Tom is

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Speaker 1: gonna be razzing it and stuff.

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Speaker 3: Yeah, no, no, you know he actually that's one of

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Speaker 3: the movies where he's like, everybody.

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Speaker 4: Shut the fuck.

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Speaker 3: Yeah, yeah, nobody talk until Ned Divine wakes up.

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Speaker 2: When he wakes up, then we're gonna actually have to

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Speaker 2: have a conversation.

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Speaker 3: And then Ned does wait and he goes when I

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Speaker 3: wake up, Well, I know it's gonna be It's gonna

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Speaker 3: be a watch along for you and me.

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Speaker 2: I always forget that wow that they were singing about

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Speaker 2: Ned Divine. That song is from the perspective of Ned Divine.

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Speaker 3: And you know me, I'm a huge Net Divine fan.

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Speaker 3: I even have a Net Divine mural behind me.

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Speaker 1: And you're kind of having right now?

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Speaker 4: I notice haveing?

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Speaker 1: Yeah, like the song they talk about haveing?

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Speaker 4: What is heving? Remind me I didn't go to Haverford.

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Speaker 4: I didn't go to.

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Speaker 2: Haverford and I'm having right now? Is that what he says?

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Speaker 4: Even I didn't even go to brinmore, I brined less.

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Speaker 1: Wish they'd bring less miles.

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Speaker 4: Yeah? Is it like a haveboard like from Back to

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Speaker 4: the Future.

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Speaker 3: By the way, please talk about Back to the Future too,

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Speaker 3: Oh my god?

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Speaker 1: You know what I mean?

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Speaker 2: Well, when is some of that stuff gonna happen? Like?

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Speaker 4: What are people finally gonna talk about it?

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Speaker 2: No, I've been waiting, like the hoverboard all this stuff,

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Speaker 2: so you never discuss it. Crispin Glover's involvement doesn't get

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Speaker 2: talked about anything about sweat still.

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Speaker 3: Meanwhile, like, has anyone pointed out that like Biff's the

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Speaker 3: scent is like kind of uh, you.

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Speaker 2: Know, like it's a little similar to a certain individual.

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Speaker 4: Similar similar.

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Speaker 2: Yes, I think we all recognize that no, back to

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Speaker 2: the future. Those who forget back to the future are

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Speaker 2: doomed to repeat it.

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Speaker 1: I'm sorry to stay on a wede of it all.

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Speaker 1: But the fact that we have jackets that do talk,

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Speaker 1: but they just say your jacket is still wet. That

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Speaker 1: and it's like, ryot.

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Speaker 3: You know what they should have done is left the

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Speaker 3: jackets out with Jennifer on the porch. They leave Jennifer

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Speaker 3: and it's by the way, no one ever talks about

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Speaker 3: Jennifer being replaced.

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Speaker 1: No, yeah, it's a different that's a different Jennifer, and

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Speaker 1: no one is ready for that conversation.

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Speaker 2: The only thing about back to the future too, And

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Speaker 2: it's obviously you know what they said, perfect film, go ahead, you.

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Speaker 1: Know what they said. It's on the Jennifer of it all.

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Speaker 4: You go Jennifer's body.

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Speaker 1: Do you know what they said to Jennifer.

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Speaker 2: I guess if I get two thirds of the way

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Speaker 2: through my sentence, I assume that it's kind of like

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Speaker 2: I have the floor at that point, but it's on.

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Speaker 1: But it's still on the Jennifer topic I would appreciate.

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Speaker 1: I think we need to let a topic just like

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Speaker 1: maybe sit for a little bit.

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Speaker 2: Maybe it's it's just sitting for a little bit to

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Speaker 2: see me doing for the rest of.

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Speaker 1: The episode, to see if anyone has here, to see

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Speaker 1: if anyone has anything. Because I know that specific topic.

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Speaker 2: I know that if a thought occurs to you that

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Speaker 2: it's gonna come out, and so I'm just gonna clear.

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Speaker 1: It if it's on that topic. I think we just

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Speaker 1: need to or at least go around to be like,

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Speaker 1: does anyone else have anything on this?

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Speaker 4: Jeffrey Goldberg is because it's.

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Speaker 2: Just that we're doing a Julie Klauser.

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Speaker 1: I know that's why.

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Speaker 2: But there's not going to be enough interrupting in new tangents.

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Speaker 1: Starting okay, so that's why let me I'm introducing rules

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Speaker 1: where we say, okay, does anyone else have anything in

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Speaker 1: this area?

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Speaker 4: I didn't interrupt you this last time.

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Speaker 2: Sean, Julie, when you do it, I like it. But

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Speaker 2: I have to then know, okay, that part is handled,

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Speaker 2: you know what I mean, handle the composer.

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Speaker 1: Not really worry that we're getting away.

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Speaker 2: We're getting so far away from the Jennifer thing. Tell

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Speaker 2: me about Jennifer.

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Speaker 1: Do you know what they said? Do you know what

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Speaker 1: they said to Jennifer on the on the set to

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Speaker 1: the actress, tell me Elizabeth shoe in order to shoe

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Speaker 1: or get the hell out of here. Now we can

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Speaker 1: go on to whatever the next topic is. The composer handle.

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Speaker 4: No, I don't have anything. I have no take on it.

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Speaker 2: I don't have a.

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Speaker 4: Look, well, it's earlier there.

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Speaker 1: It's a little earlier. Yeah.

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Speaker 2: Yeah, we could do all the actors names.

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Speaker 1: Yeah, we could do all the actors' names.

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Speaker 2: Michael J.

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Speaker 1: Michael J. Fox, Tom will Son, Thomas F. Wilson. Right,

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Speaker 1: you like Thomas, but you're Thomas F wi f Wilson.

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Speaker 3: So that's like someone who saw Castaway, And that's right

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Speaker 3: that they were like they had like a very concise.

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Speaker 2: Review, crisp and glove.

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Speaker 1: This is good. No one talks like this anymore. I

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Speaker 1: feel like.

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Speaker 2: Anymore moved away from it a little bit, and I

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Speaker 2: think we might have moved out too fast.

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Speaker 4: I will say, like.

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Speaker 3: This is the first time I've done First of all,

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Speaker 3: I'm so happy to be back on Hollywood Handbook. Oh

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Speaker 3: my god, I have to give credit words.

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Speaker 1: It's better, right, I.

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Speaker 4: Don't think there. I don't even think of it as

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Speaker 4: those terms.

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Speaker 1: I just you know, the rents too.

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Speaker 2: Damn high guy has now got a sign that says

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Speaker 2: it's been too long since Julie's been on Hollywood Handbook.

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Speaker 1: That's his new concern. And he stopped saying damn. He

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Speaker 1: cleaned up his act a little bit. Well, yeah, I mean.

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Speaker 3: It's been too it's been too long, and I'm so

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Speaker 3: glad to be here. And I just wanted to mention

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Speaker 3: this is the first time I've ever not gone into

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Speaker 3: the show with a topic to depart from.

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Speaker 2: That's interesting. Yeah, maybe we finally learned our lesson, or

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Speaker 2: maybe it's a mistake. We'll see.

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Speaker 3: Should we should we just like jump into is it like,

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Speaker 3: do we didn't mention.

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Speaker 4: What's her name?

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Speaker 1: Who?

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Speaker 2: Please?

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Speaker 4: Loraene Lea Thompson? Did we do not do her yet?

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Speaker 2: Yeah?

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Speaker 3: Let's just get through the McFly family and then decide, Yeah, so.

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Speaker 2: What are we gonna do with leat Tla Tough.

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Speaker 3: Thompson on son like her son like? Is it like

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Speaker 3: us Leah like anything?

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Speaker 1: There could what do we pretended thumpson that her name

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Speaker 1: is Leah thump some something like Bambi like thumper.

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Speaker 2: Oh, that feels further away to me, seem further away,

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Speaker 2: like I've gotten this kind of close, like if there

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Speaker 2: was like a drum there and it would go, that's

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Speaker 2: what Leah thumps on. You know, I don't know. We

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Speaker 2: we don't have to solve it all today. It is

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Speaker 2: the first time you've come on without a topic to

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Speaker 2: to sort of veer away from. But I'm wondering, is

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Speaker 2: it also the first time you've come on without some

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Speaker 2: sort of axe to grind?

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Speaker 1: I was gonna say, do you have an a to grind?

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Speaker 1: I don't feel like I'm in trouble at all. Yeah,

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Speaker 1: it's feeling very like vibe.

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Speaker 4: I'm not mad at.

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Speaker 3: You, I'm sad at anybody anymore.

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Speaker 2: It feels like he has gone on here.

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Speaker 1: Yeah, well healing.

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Speaker 2: Are you so funny? I mean I worry about that?

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Speaker 2: Do you worry about that?

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Speaker 3: What was Lorden Michael's funny joke to the first responders?

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Speaker 4: I always forget?

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Speaker 2: Oh are we allowed to be funny again?

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Speaker 1: Starts I don't know.

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Speaker 2: Yeah, I'm sorry. Yeah, they go, they go, I don't know, are.

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Speaker 4: You Yeah, that's fine.

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Speaker 2: I don't know your show. I'm a firefighter.

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Speaker 4: I did get the severance procedure since I saw you last.

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Speaker 1: Oh wow, so what are we Which one are we

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Speaker 1: talking to now? Is this is this worky?

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Speaker 2: Yeah?

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Speaker 4: This is home clouds.

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Speaker 2: This is workI class, workI clouds, okay, worky clouds.

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Speaker 4: Yeah yeah, she's boring.

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Speaker 1: Sorry.

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Speaker 2: Podcast is strange and mysterious. Are you watching some mysterious

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Speaker 2: and important or something?

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Speaker 1: Are you watching the show? Is they're doing they do

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Speaker 1: the thing where they are set thing, Oh wow, cool

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Speaker 1: with like Calvin Klein and all that, and then where

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Speaker 1: they were like getting ready to smooch and stuff. But

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Speaker 1: like now I think they did smooch on the show.

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Speaker 1: I haven't seen it.

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Speaker 2: Something.

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Speaker 1: Calvin Klein was on the family in the cast, the

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Speaker 1: family was smooching.

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Speaker 2: The family minds each other.

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Speaker 3: Yeah great, Yeah, this is what I watch.

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Speaker 4: Jeopardy CBS Sunday Morning Paradise.

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Speaker 3: Did you say Jeffarty, No, no, no Jeopardy No not

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Speaker 3: Jeffardy Goldberg.

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Speaker 4: I don't watch him. He watches me, who watches the watch.

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Speaker 2: Who watches the watch man, who watches the peeping Jeff?

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Speaker 2: Who peeps on the peeping Jeff?

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Speaker 4: And then whatever shows you guys are writing for. I'll

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Speaker 4: just say, I watch those. I watch those?

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Speaker 1: Do you don't watch Jeffarty?

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Speaker 4: Why should I?

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Speaker 1: We got to get you on Jeffarty, Julie.

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Speaker 4: Oh my god, give me an example of like a clue.

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00:16:01,640 --> 00:16:06,640
Speaker 3: We guy with an island has like Kevin Spacey's phone number,

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Speaker 3: like that kind of thing.

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Speaker 1: This is the head gum in house live broadcast game

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Speaker 1: show that Sean and I did once and it was

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Speaker 1: in here right there.

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00:16:19,760 --> 00:16:23,640
Speaker 3: Was conversation does Jeff Richard hosted as drunk Girl?

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Speaker 1: Jeff Richard as drunk Girl? He must look at like

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Speaker 1: that like Cecily Strong's character and be like, okay, but

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Speaker 1: at least like say that this is my thing. I

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Speaker 1: understand maybe this is a little better, but it is

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Speaker 1: you know it is it is. It's just me.

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Speaker 2: Yeah, it's at least say.

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Speaker 4: That I so call it like ketamine woman, Yes.

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Speaker 1: Say that she's in a k hole and let me

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Speaker 1: do the thing where like girl you don't want to

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Speaker 1: talk to at a party, it comes out and then

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Speaker 1: she's like, let me introduce you to my friend and

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Speaker 1: then I roll.

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Speaker 4: I love a roll on. You know, a roll on

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Speaker 4: to me is so much.

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Speaker 3: I always sound like a toyodurant spokesperson.

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Speaker 4: But I love a.

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Speaker 1: Roll on more than a walk on, even when they

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Speaker 1: punch out a little bit and you see there's just

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Speaker 1: a little space next to the day about to roll

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Speaker 1: the fuck on.

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Speaker 3: You might as well have just given me a little

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Speaker 3: paper plate.

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Speaker 4: And a napkin. That's his happy birthday, because I know

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Speaker 4: there's cake on the way.

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Speaker 1: Mmmm that paper plate, What do I deal with that?

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Speaker 4: I want a corner.

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Speaker 1: You want the corner?

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Speaker 2: Huh yeah, on every side.

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Speaker 4: I want frosting everywhere.

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Speaker 1: I want the very middle one.

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Speaker 2: Give me, give me the flower. Can I get the

349
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Speaker 2: letter C?

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Speaker 4: I like this, Sean.

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Speaker 3: This could be your update character. It's like the guy

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Speaker 3: at the office. Oh, I have an idea for a

353
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Speaker 3: show topic?

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Speaker 1: Yeah?

355
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Speaker 2: Oh good?

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Speaker 4: SNL fifty one?

357
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Speaker 2: What are we doing for fifty one? How are we

358
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Speaker 2: going to top? How are we going to top?

359
00:18:21,080 --> 00:18:21,240
Speaker 1: Now?

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00:18:21,440 --> 00:18:22,240
Speaker 4: Fifty one?

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Speaker 2: Obviously sn L fifty was good, but I think there's

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Speaker 2: room for growth at fifty one. We gotta go even bigger.

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00:18:28,640 --> 00:18:34,360
Speaker 3: Yes, so okay, New characters such as Sean's I want this.

364
00:18:34,480 --> 00:18:38,680
Speaker 3: I want the letter C guy, office worker, birthday cake guy.

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Speaker 1: It's in office where they know they have to if

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Speaker 1: it's if the cake says happy birthday Julie on it.

367
00:18:44,040 --> 00:18:45,919
Speaker 1: They have to tell the cake people like, can you

368
00:18:45,960 --> 00:18:47,240
Speaker 1: also put just a letter C?

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Speaker 2: Can you put a happy birthday Julie our coworker, because

370
00:18:50,920 --> 00:18:52,159
Speaker 2: we need to see it.

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00:18:52,240 --> 00:18:54,280
Speaker 1: Actually is probably best if you just put a C

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Speaker 1: in the corner so we can get it easy to

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Speaker 1: cut off, can get it?

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Speaker 4: Or what if it's chappy birthday.

375
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Speaker 1: And it's Chappy?

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Speaker 4: What was Chappie again? A robot?

377
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Speaker 1: Yes?

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00:19:11,440 --> 00:19:15,639
Speaker 2: I mean not that's sort of minimizing some of Chappie's achievements,

379
00:19:15,640 --> 00:19:18,160
Speaker 2: but yeah, I mean you could call him a row

380
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Speaker 2: Cappy's achievements.

381
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Speaker 1: I saw, Yes, I saw it. Chapel Roone, that's my

382
00:19:25,400 --> 00:19:31,200
Speaker 1: Chappie doing an interview on my feed where she said

383
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Speaker 1: that she talked about how she had to go back

384
00:19:32,840 --> 00:19:35,040
Speaker 1: and work with the drive through and she was on

385
00:19:35,240 --> 00:19:39,080
Speaker 1: Canadian radio and the guy was like a music guy

386
00:19:39,119 --> 00:19:41,679
Speaker 1: hosting the radio show and she's like, yeah, so you

387
00:19:41,720 --> 00:19:43,600
Speaker 1: know I was back working at the drive through, living

388
00:19:43,600 --> 00:19:50,920
Speaker 1: with my parents and the host goes, oh, chap that's hard, okay.

389
00:19:51,240 --> 00:19:55,600
Speaker 3: Chapel Roone performing with who's one of like Lorne Michael's

390
00:19:55,680 --> 00:19:58,359
Speaker 3: ancient friends, and we can pare them up for SNL

391
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Speaker 3: fifty one.

392
00:20:00,119 --> 00:20:04,800
Speaker 2: Okay, Yeah, so we get like Chapel Roan and like reanimated,

393
00:20:04,960 --> 00:20:06,520
Speaker 2: like Roy Orbison or something.

394
00:20:06,920 --> 00:20:08,880
Speaker 4: You have ros.

395
00:20:10,600 --> 00:20:13,399
Speaker 3: Like projected on screens behind her because he's no longer

396
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Speaker 3: with us.

397
00:20:14,400 --> 00:20:16,200
Speaker 2: Yeah, well that's why I said reanimated.

398
00:20:16,600 --> 00:20:18,240
Speaker 4: Oh I didn't hear you. I'm so sorry.

399
00:20:18,600 --> 00:20:20,119
Speaker 2: It's fine, you know I heard that.

400
00:20:20,200 --> 00:20:23,000
Speaker 1: I heard matd Well.

401
00:20:24,480 --> 00:20:28,640
Speaker 4: What about on anything to that?

402
00:20:30,400 --> 00:20:31,240
Speaker 2: On a gast ire?

403
00:20:31,320 --> 00:20:38,439
Speaker 1: What about her and Rihanna Rihanna Gastre, Yeah, that's write it,

404
00:20:38,840 --> 00:20:42,680
Speaker 1: write it down, Kevin, Rihanna gast.

405
00:20:43,160 --> 00:20:43,880
Speaker 4: What about this?

406
00:20:45,119 --> 00:20:50,240
Speaker 3: We have Lonely Island and please don't destroy straight up harpo,

407
00:20:50,359 --> 00:21:00,240
Speaker 3: Mark's Lucille Ball mirror routine, black and white fun.

408
00:21:00,960 --> 00:21:03,360
Speaker 1: You know what I think has to at this point, Julie.

409
00:21:03,640 --> 00:21:06,240
Speaker 1: You know comedy.

410
00:21:07,280 --> 00:21:08,360
Speaker 4: My favorite topic.

411
00:21:08,800 --> 00:21:13,199
Speaker 2: Yes, in New York comedy. Oh yeah, Now we're getting

412
00:21:13,320 --> 00:21:15,440
Speaker 2: right into the teeth of it.

413
00:21:15,440 --> 00:21:19,920
Speaker 1: It's consolidating a little bit, like it's as good as ever,

414
00:21:20,080 --> 00:21:25,399
Speaker 1: but not not as many people in the game as before.

415
00:21:25,640 --> 00:21:29,200
Speaker 2: Necessarily, there's been a necessary contraction.

416
00:21:30,680 --> 00:21:37,119
Speaker 1: What if we merge you join the Legion of Skanks?

417
00:21:37,840 --> 00:21:40,720
Speaker 3: Uh got a couple of conflicts there, but keep going,

418
00:21:41,880 --> 00:21:45,480
Speaker 3: keep going, you have some conflicts, keep going.

419
00:21:45,520 --> 00:21:47,040
Speaker 4: I want to know where this is going to end

420
00:21:47,119 --> 00:21:48,800
Speaker 4: up before I voice any.

421
00:21:49,160 --> 00:21:55,520
Speaker 1: The entire Legion of Skanks is a cast member on SNL.

422
00:21:55,760 --> 00:21:58,520
Speaker 1: So it's like you bring let's do and you can

423
00:21:58,560 --> 00:21:59,639
Speaker 1: bring some others with you.

424
00:21:59,720 --> 00:22:01,760
Speaker 2: Yeah, what are you part of a different group of

425
00:22:01,800 --> 00:22:03,480
Speaker 2: skanks and you signed a non compete.

426
00:22:04,040 --> 00:22:06,560
Speaker 4: I'm part of a different legion actually, okay.

427
00:22:06,320 --> 00:22:09,880
Speaker 1: All right, all right, okay, legion of Pranks.

428
00:22:10,320 --> 00:22:10,680
Speaker 4: Mm hmm.

429
00:22:12,359 --> 00:22:17,520
Speaker 3: Region of shaw Shanks actually region of Yeah, we're all

430
00:22:17,520 --> 00:22:21,359
Speaker 3: about like get busy living or start dying or whatever

431
00:22:21,520 --> 00:22:21,920
Speaker 3: it is.

432
00:22:22,200 --> 00:22:22,840
Speaker 1: But we are.

433
00:22:23,000 --> 00:22:30,000
Speaker 4: We're like, don't call us ab toose. Wow, we dig

434
00:22:30,040 --> 00:22:30,719
Speaker 4: a hole.

435
00:22:31,080 --> 00:22:37,760
Speaker 1: Yes, the digging a hole. I remember the.

436
00:22:36,280 --> 00:22:38,199
Speaker 4: Hated being called a tooth.

437
00:22:39,520 --> 00:22:44,200
Speaker 2: He the warden doesn't like that, the warden. No, it's

438
00:22:44,200 --> 00:22:46,439
Speaker 2: not necessarily digging a hole.

439
00:22:46,960 --> 00:22:48,679
Speaker 4: No, we dig a hole with our performance.

440
00:22:49,000 --> 00:22:51,720
Speaker 1: Yes. Funny that people call him obtuse because I think

441
00:22:51,760 --> 00:22:52,600
Speaker 1: he's acute.

442
00:22:53,440 --> 00:23:03,879
Speaker 4: Aw, that's a that's hey. Look, Wow, there you go, Valentine.

443
00:23:04,040 --> 00:23:06,639
Speaker 1: I pray that was Harris E line.

444
00:23:07,200 --> 00:23:09,920
Speaker 3: You pray, really, that's what you're praying for these days?

445
00:23:09,960 --> 00:23:13,680
Speaker 1: I will pray for victory like JD Vance. Oh God,

446
00:23:13,800 --> 00:23:15,520
Speaker 1: I will say a prayer for victory. That that was

447
00:23:15,560 --> 00:23:16,600
Speaker 1: Harris Euleen and it.

448
00:23:16,600 --> 00:23:19,760
Speaker 3: Was who was?

449
00:23:20,400 --> 00:23:24,040
Speaker 1: I just looked up Harris. So this is Harris Eulin.

450
00:23:24,240 --> 00:23:27,239
Speaker 2: I know who the guy is, the guy we all know,

451
00:23:27,560 --> 00:23:28,160
Speaker 2: of course.

452
00:23:28,320 --> 00:23:30,520
Speaker 1: Yeah. I think the guy's name is Bob. I think

453
00:23:30,520 --> 00:23:34,600
Speaker 1: his name is Bob. Bob sounds fake gunt? Was it?

454
00:23:34,640 --> 00:23:35,240
Speaker 1: Bob Gunton?

455
00:23:36,240 --> 00:23:37,040
Speaker 4: Bob Gunton?

456
00:23:39,040 --> 00:23:40,119
Speaker 2: He got me, Bob grunting.

457
00:23:40,480 --> 00:23:43,000
Speaker 1: It's not Bob, No, it is, it is, it is.

458
00:23:43,040 --> 00:23:44,800
Speaker 1: He's just he's just a bit older now. It is

459
00:23:44,800 --> 00:23:47,360
Speaker 1: Bob Gunn. Oh got me Bob grunted.

460
00:23:47,680 --> 00:23:51,080
Speaker 4: Your your warden lust cannot be contained.

461
00:23:51,320 --> 00:23:55,880
Speaker 2: You did you hear me say that? He didn't you?

462
00:23:55,880 --> 00:23:56,720
Speaker 4: You blocked him out?

463
00:23:58,040 --> 00:23:58,080
Speaker 2: No?

464
00:23:58,240 --> 00:24:00,479
Speaker 1: I did hear it. So I did promise. I did here,

465
00:24:00,520 --> 00:24:02,000
Speaker 1: and I just took him up on the offer.

466
00:24:08,560 --> 00:24:09,640
Speaker 4: What are you sipping on?

467
00:24:09,840 --> 00:24:12,000
Speaker 1: I actually was gonn it before I took you up

468
00:24:12,040 --> 00:24:14,399
Speaker 1: on that one. I was gonna say, Bob Gunnan got me,

469
00:24:14,480 --> 00:24:16,320
Speaker 1: Bob gunn Gaunt.

470
00:24:17,000 --> 00:24:20,800
Speaker 4: What guys are?

471
00:24:21,600 --> 00:24:23,520
Speaker 2: He got me Bob Gunner.

472
00:24:24,200 --> 00:24:28,160
Speaker 1: And it's better. That's what I'm saying. We're coming to life.

473
00:24:28,480 --> 00:24:30,320
Speaker 1: We're kind of we're blooming.

474
00:24:30,840 --> 00:24:34,439
Speaker 2: Show these episodes we do with you, Julie just exists

475
00:24:34,480 --> 00:24:39,040
Speaker 2: in their own separate space from everything else and for

476
00:24:39,080 --> 00:24:41,720
Speaker 2: the people who love them, I mean, it must just

477
00:24:41,760 --> 00:24:43,200
Speaker 2: be the absolute favorite thing.

478
00:24:43,520 --> 00:24:44,880
Speaker 4: May God have mercy on.

479
00:24:44,840 --> 00:24:49,800
Speaker 3: Their souls, not the God that praise do.

480
00:24:51,359 --> 00:24:53,400
Speaker 1: I will say, I will say a pray to God

481
00:24:53,480 --> 00:24:55,640
Speaker 1: for victory.

482
00:24:56,040 --> 00:25:02,640
Speaker 2: I'm doing a huge prey right now. It's going really well.

483
00:25:02,520 --> 00:25:02,840
Speaker 4: Are you?

484
00:25:03,400 --> 00:25:06,280
Speaker 3: Are you fellas too young to remember when mc hammer

485
00:25:06,359 --> 00:25:09,240
Speaker 3: put out that record of like That's Why We Pray?

486
00:25:09,640 --> 00:25:10,680
Speaker 4: Do you remember that song?

487
00:25:11,320 --> 00:25:11,600
Speaker 1: Boy?

488
00:25:11,760 --> 00:25:14,600
Speaker 2: I didn't think much about mc hammer slipped past me,

489
00:25:14,760 --> 00:25:16,879
Speaker 2: but this one did not ping my radar.

490
00:25:17,600 --> 00:25:20,080
Speaker 3: Kind of like that was I think when America and

491
00:25:20,160 --> 00:25:22,720
Speaker 3: mc hammer both decided to take a powder with each other.

492
00:25:24,280 --> 00:25:27,240
Speaker 1: I remember kid and Pray remember at that same time?

493
00:25:27,480 --> 00:25:32,119
Speaker 3: Mm hmmm, those were This was our generation. Are we

494
00:25:32,160 --> 00:25:35,359
Speaker 3: on the place now as we get older and we

495
00:25:35,440 --> 00:25:39,600
Speaker 3: all are aging if we're you know, the alternatives.

496
00:25:38,960 --> 00:25:42,640
Speaker 1: A lot worse guilty as charged jacks we drank from

497
00:25:42,720 --> 00:25:44,280
Speaker 1: the I'm.

498
00:25:44,160 --> 00:25:47,280
Speaker 3: Saying, are we in the place now where we're just

499
00:25:47,359 --> 00:25:50,680
Speaker 3: like we are the we are the greatest generations?

500
00:25:50,880 --> 00:25:52,359
Speaker 1: I still drink from the hose.

501
00:25:52,560 --> 00:25:54,760
Speaker 2: Yeah, we gotta be the best one.

502
00:25:57,200 --> 00:26:01,080
Speaker 4: The best walk come on, right.

503
00:26:01,359 --> 00:26:04,919
Speaker 3: We had what t g I f on Fridays and

504
00:26:04,920 --> 00:26:06,399
Speaker 3: then on Mondays maybe.

505
00:26:06,119 --> 00:26:08,280
Speaker 4: Our parents would come home and maybe they wouldn't. That's

506
00:26:08,320 --> 00:26:12,040
Speaker 4: also a thing that I personally loved bragging about generationally.

507
00:26:12,040 --> 00:26:14,359
Speaker 4: It's like, we have a key to let ourselves.

508
00:26:14,640 --> 00:26:16,840
Speaker 1: It's just said, here, here's your fucking key.

509
00:26:17,040 --> 00:26:20,080
Speaker 2: Our parents were like, go outside. You're locked out of

510
00:26:20,080 --> 00:26:22,320
Speaker 2: the house. Now we'll find something to do.

511
00:26:23,119 --> 00:26:25,760
Speaker 3: Yeah, and if you eat, like if you have like

512
00:26:25,960 --> 00:26:30,720
Speaker 3: fruity pebbles for breakfast, lunch or dinner, I don't care.

513
00:26:31,359 --> 00:26:33,560
Speaker 1: So, but it was two things. I guess it was

514
00:26:33,640 --> 00:26:36,720
Speaker 1: different doors because we didn't have to lock our doors. No,

515
00:26:37,080 --> 00:26:38,080
Speaker 1: back then the.

516
00:26:38,000 --> 00:26:41,280
Speaker 2: Door locked, but I do remember we did. We either

517
00:26:41,400 --> 00:26:44,600
Speaker 2: needed a key that was on a lab or I

518
00:26:44,760 --> 00:26:46,919
Speaker 2: was often fully locked out.

519
00:26:47,119 --> 00:26:49,320
Speaker 1: So it was and it was really doors. It was

520
00:26:49,320 --> 00:26:52,240
Speaker 1: three doors. It was the one you never had to lock. Yeah,

521
00:26:52,320 --> 00:26:54,040
Speaker 1: it was the one that you were given the key

522
00:26:54,080 --> 00:26:56,040
Speaker 1: to open. And then the third one was you did

523
00:26:56,119 --> 00:26:58,160
Speaker 1: get locked out and just.

524
00:26:58,080 --> 00:27:02,160
Speaker 2: Told to go outside. Yeah, we actually played outside.

525
00:27:02,680 --> 00:27:05,240
Speaker 4: We touched grass before we were told to.

526
00:27:07,240 --> 00:27:11,800
Speaker 2: Oh yeah, I'd walk down to the railroad tracks, and

527
00:27:11,920 --> 00:27:14,760
Speaker 2: you remember finding those keep my eyes peeled for muskrats.

528
00:27:14,800 --> 00:27:17,399
Speaker 1: I remember finding those magazines in the grass.

529
00:27:17,480 --> 00:27:19,200
Speaker 2: Oh goodness, that was.

530
00:27:21,640 --> 00:27:21,920
Speaker 4: What.

531
00:27:23,280 --> 00:27:27,040
Speaker 1: That's the magazine we found, the spurge in general leaving

532
00:27:27,080 --> 00:27:29,320
Speaker 1: out magazines in the grass.

533
00:27:28,920 --> 00:27:31,159
Speaker 2: For US pregnancy porn.

534
00:27:31,280 --> 00:27:32,240
Speaker 1: Pregnancy porn.

535
00:27:32,480 --> 00:27:35,800
Speaker 2: That was primary Stash pregnancy porn magazine.

536
00:27:36,080 --> 00:27:40,600
Speaker 1: Wow, I was reading. I was reading prey Boy magazine. Shure, Well,

537
00:27:40,640 --> 00:27:44,240
Speaker 1: you are reading Playboy magazine. I was reading prey Boy magazine.

538
00:27:45,720 --> 00:27:47,359
Speaker 4: I was. I think I'm a little older. So we

539
00:27:47,440 --> 00:27:50,159
Speaker 4: only found like IVF porn IVF.

540
00:27:50,960 --> 00:27:51,240
Speaker 1: Wow.

541
00:27:51,720 --> 00:27:54,359
Speaker 4: It was just like hopeful couples.

542
00:27:53,640 --> 00:27:57,960
Speaker 2: Yeah, just holding hands in a waiting room.

543
00:27:58,119 --> 00:28:00,240
Speaker 4: Oh, they were doing more than holding handshaw I did

544
00:28:00,240 --> 00:28:01,040
Speaker 4: say it was porn.

545
00:28:02,560 --> 00:28:04,920
Speaker 2: Okay, yeah, because it doesn't. So one of them had

546
00:28:04,920 --> 00:28:06,760
Speaker 2: their hand like this and the other one had their finger.

547
00:28:08,720 --> 00:28:10,919
Speaker 4: Let's just say one of them was reading a magazine,

548
00:28:11,119 --> 00:28:11,600
Speaker 4: but like.

549
00:28:11,640 --> 00:28:14,520
Speaker 2: It was covering his lap okay.

550
00:28:15,119 --> 00:28:15,439
Speaker 1: Wow.

551
00:28:15,520 --> 00:28:18,440
Speaker 2: Which is where he stored his genitals, Which is where.

552
00:28:18,200 --> 00:28:21,960
Speaker 3: He stored what the doctor would be asking for in

553
00:28:22,720 --> 00:28:24,000
Speaker 3: fifteen minutes or two.

554
00:28:24,240 --> 00:28:25,959
Speaker 4: Depending on who else was in the waiting room at

555
00:28:25,960 --> 00:28:29,400
Speaker 4: what time they were there. There's gonna be a wait.

556
00:28:29,680 --> 00:28:31,320
Speaker 4: What do you like to do when you're waiting for

557
00:28:31,359 --> 00:28:34,120
Speaker 4: a doctor? I like to look at my phone.

558
00:28:35,080 --> 00:28:39,200
Speaker 2: More and more, I actually agree with you more and

559
00:28:39,320 --> 00:28:42,200
Speaker 2: more lately I find myself when I am waiting for

560
00:28:42,280 --> 00:28:45,520
Speaker 2: the doctor. Yes, and I didn't think I would become

561
00:28:45,560 --> 00:28:49,200
Speaker 2: one of these people. I'm looking at my phone.

562
00:28:49,280 --> 00:28:51,160
Speaker 1: What do you look at on there, Julie, That's what

563
00:28:51,240 --> 00:28:53,160
Speaker 1: I'm always like. What am I supposed to be looking

564
00:28:53,200 --> 00:28:59,320
Speaker 1: at the key the keypad, the keypad, okay, trying to

565
00:28:59,360 --> 00:29:00,160
Speaker 1: memorize it it.

566
00:29:00,760 --> 00:29:04,520
Speaker 2: I'm looking at the buttons on the side. Okay, so

567
00:29:04,600 --> 00:29:06,200
Speaker 2: that's a volume up, I think.

568
00:29:06,200 --> 00:29:08,760
Speaker 4: Gums up to what looks like sawdust to you? Or

569
00:29:08,800 --> 00:29:09,800
Speaker 4: is that just my phone?

570
00:29:11,360 --> 00:29:14,320
Speaker 1: You're so you're in the shop lately, huh. I've been

571
00:29:14,360 --> 00:29:20,160
Speaker 1: hearing about like we've been trying to book you.

572
00:29:17,680 --> 00:29:19,720
Speaker 2: See, you got the big goggles on.

573
00:29:20,040 --> 00:29:23,320
Speaker 3: This is what happens. I got an apprenticeship with Nick Offerman.

574
00:29:24,520 --> 00:29:26,400
Speaker 3: I thought it was comedy related.

575
00:29:26,880 --> 00:29:27,920
Speaker 4: It was not.

576
00:29:29,720 --> 00:29:31,120
Speaker 1: You thought you were you were going to be on

577
00:29:32,360 --> 00:29:33,680
Speaker 1: the apprentice.

578
00:29:33,200 --> 00:29:38,640
Speaker 4: Cruise right, and now I'm on about a million splinters later.

579
00:29:38,960 --> 00:29:42,640
Speaker 2: Oh no, I realized cruising in your canoe your handmade

580
00:29:42,720 --> 00:29:46,760
Speaker 2: canoe cruising in my canoe, your canoes and.

581
00:29:48,520 --> 00:29:53,520
Speaker 1: They but I'm what I mean? You must be drunk

582
00:29:53,600 --> 00:29:56,960
Speaker 1: all the time. Off that, off the scotch and everything.

583
00:29:57,640 --> 00:30:04,600
Speaker 3: Oh scotch, mustache, mustache, what wood, bacon.

584
00:30:05,280 --> 00:30:09,360
Speaker 4: Bacon, flannel and.

585
00:30:11,320 --> 00:30:17,360
Speaker 3: Megan Malalley's original cast recordings. Yeah, it's all a blur

586
00:30:17,600 --> 00:30:17,880
Speaker 3: to me.

587
00:30:18,120 --> 00:30:21,800
Speaker 4: But I have to focus when I use the jigsaw.

588
00:30:22,640 --> 00:30:24,040
Speaker 2: Isn't it crazy when it works?

589
00:30:24,160 --> 00:30:24,920
Speaker 1: It works?

590
00:30:26,160 --> 00:30:31,840
Speaker 2: Here we have a Broadway diva, yeah, and a woodworking

591
00:30:32,000 --> 00:30:32,480
Speaker 2: he man.

592
00:30:32,960 --> 00:30:35,000
Speaker 3: I know, all in one person and we are talking

593
00:30:35,040 --> 00:30:40,440
Speaker 3: about me right, Yes, we're talking about Megan and Nick.

594
00:30:42,200 --> 00:30:46,520
Speaker 2: There you go. Okay, opposites much, but they attract, don't

595
00:30:46,560 --> 00:30:47,840
Speaker 2: They Love is.

596
00:30:47,840 --> 00:30:49,800
Speaker 4: Love and funny? They're both funny?

597
00:30:51,440 --> 00:30:56,120
Speaker 1: What all? And you know they had that podcast? Did

598
00:30:56,160 --> 00:30:57,080
Speaker 1: you work on that podcast?

599
00:30:57,160 --> 00:30:59,040
Speaker 2: Kevinvan has to get in bed with them in the

600
00:30:59,040 --> 00:31:00,800
Speaker 2: podcast Hubba.

601
00:31:01,600 --> 00:31:03,320
Speaker 1: It's a podcast that.

602
00:31:04,520 --> 00:31:06,640
Speaker 2: Their beat checking the levels like a little dog.

603
00:31:06,920 --> 00:31:08,880
Speaker 1: And it just didn't you know, they're busy people, so

604
00:31:08,920 --> 00:31:11,520
Speaker 1: it didn't continue for like scheduling reasons.

605
00:31:11,520 --> 00:31:13,280
Speaker 3: But I do think he has I will say, just

606
00:31:13,320 --> 00:31:16,720
Speaker 3: to be completely honest, he has delegated like seventy five

607
00:31:16,760 --> 00:31:17,440
Speaker 3: cabinets to.

608
00:31:17,440 --> 00:31:22,760
Speaker 1: Me, So that okay, because he was he told Kevin

609
00:31:22,800 --> 00:31:24,640
Speaker 1: that he couldn't do the podcast anymore because he had

610
00:31:24,640 --> 00:31:27,200
Speaker 1: to do seventy five cabinets. Wow.

611
00:31:27,240 --> 00:31:32,240
Speaker 2: Interesting, But those also may have been cabinet positions because

612
00:31:32,240 --> 00:31:36,720
Speaker 2: of course he was the president's in civil war, so

613
00:31:36,840 --> 00:31:38,560
Speaker 2: he may have a twenty four civil war.

614
00:31:38,680 --> 00:31:40,680
Speaker 1: Those may have been he had to do seventy five

615
00:31:41,000 --> 00:31:42,000
Speaker 1: twenty wars.

616
00:31:42,320 --> 00:31:44,479
Speaker 2: Yeah, he may have been delegated.

617
00:31:46,040 --> 00:31:47,280
Speaker 4: Might to do than might to do it.

618
00:31:47,520 --> 00:31:51,480
Speaker 2: A lot of update, a lot of his people were murdered,

619
00:31:52,120 --> 00:31:54,520
Speaker 2: a lot of his spoilers.

620
00:31:54,040 --> 00:31:58,800
Speaker 3: Spoiler spoilers, much about no more A twenty.

621
00:31:58,480 --> 00:32:00,280
Speaker 2: Four spoilers boilers welcome.

622
00:32:02,000 --> 00:32:03,240
Speaker 4: This A twenty five.

623
00:32:07,080 --> 00:32:10,440
Speaker 2: That's actually a really cool, like good idea.

624
00:32:10,960 --> 00:32:11,440
Speaker 1: We don't.

625
00:32:13,280 --> 00:32:15,080
Speaker 2: Twenty five is just a little more mature.

626
00:32:15,400 --> 00:32:18,120
Speaker 4: Should we switch topics?

627
00:32:21,440 --> 00:32:23,200
Speaker 1: What do you want to do? You do you have

628
00:32:23,200 --> 00:32:24,720
Speaker 1: some I'm.

629
00:32:24,520 --> 00:32:26,000
Speaker 4: Done with SNL fifty one?

630
00:32:26,080 --> 00:32:28,880
Speaker 1: What have we done with fifty one? Now that you

631
00:32:28,960 --> 00:32:35,360
Speaker 1: mentioned it? Five? It's not really the most dramatic switch

632
00:32:36,840 --> 00:32:39,360
Speaker 1: switching from fifty one to twenty five.

633
00:32:39,440 --> 00:32:42,680
Speaker 2: I think I think we should be able to make

634
00:32:42,800 --> 00:32:44,400
Speaker 2: that link one eighty three.

635
00:32:45,000 --> 00:32:51,080
Speaker 4: Mm hmm, link one eighty three is also a great idea.

636
00:32:52,920 --> 00:32:55,880
Speaker 3: What it's like like the the nurse on the cover

637
00:32:56,000 --> 00:32:59,240
Speaker 3: instead of like about to be like putting a rubber

638
00:32:59,280 --> 00:33:03,720
Speaker 3: glove on, she's like using some sort of like the

639
00:33:03,840 --> 00:33:05,120
Speaker 3: latest technology.

640
00:33:05,520 --> 00:33:07,840
Speaker 2: She's okay, she's got a more modern thing.

641
00:33:07,680 --> 00:33:12,200
Speaker 1: Than it's like the future is like the future verse like.

642
00:33:12,120 --> 00:33:14,720
Speaker 4: An AI nurse? What is it like an AI?

643
00:33:16,440 --> 00:33:17,800
Speaker 2: Yeah?

644
00:33:17,480 --> 00:33:24,480
Speaker 3: Oh, chat freaking series, It's Nurse chap Nurse Chappy, Nurse

645
00:33:24,640 --> 00:33:25,680
Speaker 3: Chappie at your.

646
00:33:25,720 --> 00:33:31,320
Speaker 1: Service, instead of Nurse Jackie, it's Nurse Chappie.

647
00:33:31,760 --> 00:33:41,680
Speaker 4: Oh keep going, keep keep talking, well, keep talking.

648
00:33:40,200 --> 00:33:49,480
Speaker 2: Go Nurse Chappie. You come, you just let go? You

649
00:33:49,640 --> 00:33:50,200
Speaker 2: just let go.

650
00:33:52,000 --> 00:33:53,840
Speaker 1: Kevin, who are some of the guests that you had

651
00:33:53,840 --> 00:33:55,880
Speaker 1: on the Megan Malaley Nick Offerman Show.

652
00:33:56,840 --> 00:34:01,560
Speaker 3: Let's see Lisa Kudro I remember, Oh, I'm a list

653
00:34:01,880 --> 00:34:03,440
Speaker 3: if I ever heard of one?

654
00:34:04,160 --> 00:34:06,680
Speaker 1: And they were getting in the bed and snuggling as well.

655
00:34:06,960 --> 00:34:11,040
Speaker 4: Yep, that's cute, that's cute. These are snuggly people.

656
00:34:11,840 --> 00:34:14,359
Speaker 1: Mike White, Wowkay.

657
00:34:14,600 --> 00:34:18,200
Speaker 4: We did a few Zoom episodes. Did one with mister

658
00:34:18,280 --> 00:34:24,120
Speaker 4: Alec Baldwin. Wow. Jamie Lee Curtis and Christopher guest both

659
00:34:24,120 --> 00:34:25,640
Speaker 4: of them, Yes.

660
00:34:25,520 --> 00:34:28,000
Speaker 1: And so Julie, it's just interesting. You've had a lot

661
00:34:28,040 --> 00:34:30,160
Speaker 1: to say about Alec Baldwin and you didn't even know

662
00:34:30,239 --> 00:34:32,600
Speaker 1: that Kevin was friends with him, and Kevin has been

663
00:34:32,680 --> 00:34:34,240
Speaker 1: like that they actually did the show.

664
00:34:34,320 --> 00:34:36,719
Speaker 4: Well, no, I saw him on The Baldwins last week.

665
00:34:36,719 --> 00:34:38,520
Speaker 3: It was like, our friend Kevin is coming his day

666
00:34:38,560 --> 00:34:41,880
Speaker 3: with us, and the kids are all just like ball.

667
00:34:44,480 --> 00:34:47,640
Speaker 2: Some of them high to see our friend. How you say, Kevin.

668
00:34:55,000 --> 00:34:57,640
Speaker 1: Kevin Bartoli, Kevin Bartol.

669
00:35:02,719 --> 00:35:04,200
Speaker 4: That show is hard.

670
00:35:04,080 --> 00:35:06,160
Speaker 1: And the kids were mad. The kids didn't want Kevin

671
00:35:06,160 --> 00:35:06,399
Speaker 1: to come.

672
00:35:06,760 --> 00:35:09,000
Speaker 3: Some of them hid and some of them like got

673
00:35:09,040 --> 00:35:12,279
Speaker 3: their like you know, big plastic swords out, like they

674
00:35:12,280 --> 00:35:13,319
Speaker 3: were ready to fight him.

675
00:35:13,360 --> 00:35:14,799
Speaker 4: But none of them liked him.

676
00:35:15,040 --> 00:35:18,400
Speaker 2: Wait, Kevy and Bardem Kevian.

677
00:35:19,680 --> 00:35:22,640
Speaker 4: keV ideos MEO.

678
00:35:24,360 --> 00:35:26,480
Speaker 2: Kevin, that could be an SNL fifty one.

679
00:35:26,560 --> 00:35:31,120
Speaker 3: Carrie, Yeah, h put it on the list, Kevin.

680
00:35:31,400 --> 00:35:35,919
Speaker 2: What if playing other races? It's coming back? What if

681
00:35:35,960 --> 00:35:36,680
Speaker 2: that's next?

682
00:35:36,840 --> 00:35:40,600
Speaker 1: What if Hilario Baldwin changed your name to Hilarious Baldwin.

683
00:35:43,560 --> 00:35:46,640
Speaker 1: What if you changed your name to Hilarious Baldwood.

684
00:35:46,760 --> 00:35:49,440
Speaker 4: Hilarious meaning an hour?

685
00:35:51,160 --> 00:35:55,520
Speaker 1: Yeah, like it's I'm sorry the show. I didn't think

686
00:35:55,560 --> 00:35:55,879
Speaker 1: i'd have.

687
00:35:55,880 --> 00:35:57,239
Speaker 2: To like, it's hilario.

688
00:35:58,520 --> 00:36:05,280
Speaker 1: Okay, it's Bill Burr, it's Gaffigan, it's Osco hilarious.

689
00:36:06,239 --> 00:36:09,719
Speaker 4: Yeah, put her on, bring her in, grease her up.

690
00:36:11,640 --> 00:36:13,719
Speaker 1: Yes, And I do think it is crazy that they

691
00:36:13,800 --> 00:36:17,000
Speaker 1: grease everyone up before they have them be hilarious.

692
00:36:17,080 --> 00:36:20,000
Speaker 3: It has something to do with like Jim Gaffigan's like

693
00:36:20,080 --> 00:36:23,680
Speaker 3: bacon thing and like butter being good and it's fine.

694
00:36:24,760 --> 00:36:27,920
Speaker 1: Then so they have to grease everyone up because Jim Gaffigan,

695
00:36:27,960 --> 00:36:30,000
Speaker 1: which I don't even think he has a bacon thing.

696
00:36:30,200 --> 00:36:33,160
Speaker 1: He does it, but they thought he did.

697
00:36:33,560 --> 00:36:34,200
Speaker 4: The thought he did.

698
00:36:34,360 --> 00:36:36,359
Speaker 1: I can see why they think that he talks about

699
00:36:36,400 --> 00:36:37,160
Speaker 1: food and stuff.

700
00:36:37,200 --> 00:36:39,000
Speaker 2: But definitely they talk about food.

701
00:36:39,080 --> 00:36:40,800
Speaker 4: Yeah, he talks about all kinds of things.

702
00:36:42,160 --> 00:36:43,080
Speaker 2: Nothing's off limits.

703
00:36:43,680 --> 00:36:44,279
Speaker 4: I'm a fan.

704
00:36:44,480 --> 00:36:45,120
Speaker 1: I don't know about you.

705
00:36:45,160 --> 00:36:47,640
Speaker 4: I'm a fan. I really like Jim Gaffkin me too.

706
00:36:48,040 --> 00:36:49,080
Speaker 4: I think he's really funny.

707
00:36:49,680 --> 00:36:52,799
Speaker 3: He also looks like he would be like a good

708
00:36:52,840 --> 00:36:53,799
Speaker 3: third Hollywood him.

709
00:36:53,840 --> 00:36:56,400
Speaker 4: But because he is blonde.

710
00:36:56,600 --> 00:36:59,200
Speaker 3: I've been saying that you two are like my two

711
00:36:59,280 --> 00:37:01,120
Speaker 3: blonde friends.

712
00:37:01,560 --> 00:37:01,840
Speaker 4: I like.

713
00:37:01,920 --> 00:37:03,400
Speaker 2: I like that you think of me as blonde. I

714
00:37:03,400 --> 00:37:04,480
Speaker 2: feel like you are blonde.

715
00:37:05,800 --> 00:37:08,400
Speaker 4: You're because what you're what are you dirty blonde?

716
00:37:09,120 --> 00:37:09,319
Speaker 1: Yeah?

717
00:37:10,840 --> 00:37:13,480
Speaker 4: You were a baby. I'll bet it was like Hornton.

718
00:37:13,680 --> 00:37:15,680
Speaker 1: God, Julia, have no idea.

719
00:37:15,480 --> 00:37:17,840
Speaker 4: Really like white.

720
00:37:18,880 --> 00:37:21,040
Speaker 1: I'm getting ready to go white really soon.

721
00:37:21,480 --> 00:37:23,840
Speaker 3: You're gonna You're gonna go white, and it's gonna be

722
00:37:24,000 --> 00:37:25,759
Speaker 3: like a shock of white hair.

723
00:37:26,080 --> 00:37:28,840
Speaker 1: I'm gonna be hanging with mister Cooper Anderson. That is.

724
00:37:31,600 --> 00:37:34,040
Speaker 3: Oh Dave Folly went from like light blonde to just

725
00:37:34,080 --> 00:37:35,040
Speaker 3: white overnight.

726
00:37:35,280 --> 00:37:43,880
Speaker 1: Yes, looks terrific. Looks great, Julie, I have a question

727
00:37:44,000 --> 00:37:44,399
Speaker 1: for you.

728
00:37:45,480 --> 00:37:51,239
Speaker 4: Okay, how is your week? Pretty good? Thank you, Kevin, he.

729
00:37:51,239 --> 00:37:56,120
Speaker 2: Said, I got back here and let me know when

730
00:37:56,160 --> 00:37:56,759
Speaker 2: to throw it.

731
00:37:57,040 --> 00:37:59,560
Speaker 4: I love it. Thank you for asking Kevin back again.

732
00:37:59,680 --> 00:38:03,320
Speaker 1: Huh how this show likes to come back.

733
00:38:03,280 --> 00:38:04,520
Speaker 2: All the weeks in between?

734
00:38:06,400 --> 00:38:07,479
Speaker 4: I'm the comeback kids.

735
00:38:07,560 --> 00:38:08,520
Speaker 1: Are we going to be on it?

736
00:38:09,200 --> 00:38:11,480
Speaker 4: I wish you would. I'll invite you right now.

737
00:38:11,480 --> 00:38:12,880
Speaker 1: I never even been on it once.

738
00:38:13,000 --> 00:38:15,719
Speaker 2: If I ever have one week that's worth talking.

739
00:38:15,480 --> 00:38:16,560
Speaker 4: About, He's come on.

740
00:38:16,800 --> 00:38:19,120
Speaker 3: Do you want to come on as a duo or

741
00:38:19,160 --> 00:38:20,919
Speaker 3: as two singlets?

742
00:38:21,800 --> 00:38:24,719
Speaker 2: I think I think I want all the oxygen for myself.

743
00:38:25,080 --> 00:38:27,960
Speaker 1: Yeah, I think it'd be healthy for help.

744
00:38:28,080 --> 00:38:30,960
Speaker 2: You actually get two episodes.

745
00:38:31,719 --> 00:38:33,480
Speaker 4: We want to just take out our calendars now and

746
00:38:33,600 --> 00:38:34,080
Speaker 4: just do this.

747
00:38:34,239 --> 00:38:35,399
Speaker 1: Who else is coming up?

748
00:38:36,160 --> 00:38:36,920
Speaker 4: Bruce Falanch?

749
00:38:37,680 --> 00:38:38,200
Speaker 1: Wow?

750
00:38:38,520 --> 00:38:41,759
Speaker 4: I know he has a great book out. I love it.

751
00:38:41,840 --> 00:38:45,000
Speaker 1: I couldn't that part of the cake because that's Bruce Falanche.

752
00:38:45,120 --> 00:38:48,200
Speaker 4: Oh really Yeah, it's your favorite Center Square in general.

753
00:38:49,600 --> 00:38:51,320
Speaker 1: Yummy, yummy, yummy.

754
00:38:51,520 --> 00:38:53,239
Speaker 4: Yeah, let's do it. So what does may look like?

755
00:38:55,760 --> 00:38:56,080
Speaker 1: Rainy?

756
00:38:58,360 --> 00:39:02,120
Speaker 4: How about the about April thirty one of.

757
00:39:02,120 --> 00:39:04,680
Speaker 1: You comes out on Star Wars.

758
00:39:05,520 --> 00:39:10,919
Speaker 3: You know I spend that whole day in Temple. I'm observant,

759
00:39:12,960 --> 00:39:14,120
Speaker 3: I'm reform.

760
00:39:13,880 --> 00:39:17,840
Speaker 1: Cadoks reform, caducsdos.

761
00:39:18,000 --> 00:39:20,440
Speaker 4: Hey listen, How was your Week? Is my podcast?

762
00:39:20,480 --> 00:39:23,400
Speaker 3: And it's back and I'm so glad you mentioned it.

763
00:39:23,719 --> 00:39:27,360
Speaker 1: Gang, Are we partnered up? We may as well be

764
00:39:27,560 --> 00:39:31,880
Speaker 1: a I mean, are we? Kevin's nodding? Who we partner? We're?

765
00:39:31,880 --> 00:39:34,320
Speaker 1: What family? Are we? Are we with? For this one?

766
00:39:34,760 --> 00:39:41,720
Speaker 1: Kevin the Dog The hair of the Dog never hurt anybody.

767
00:39:43,480 --> 00:39:46,239
Speaker 2: With Harry from the Dog District, The Dog Wolf.

768
00:39:47,120 --> 00:39:49,919
Speaker 4: Harry is the producer of How is Your Week?

769
00:39:51,280 --> 00:39:53,799
Speaker 2: Harry Dog, Harry Dog, Harry Dog.

770
00:39:54,560 --> 00:40:02,920
Speaker 1: So Harry, both of you, Harry, book us, book them, Harry, Yeah,

771
00:40:03,239 --> 00:40:08,359
Speaker 1: dirty Harry, I call him. It's a great show.

772
00:40:08,400 --> 00:40:09,399
Speaker 4: Everybody loves it.

773
00:40:09,760 --> 00:40:11,879
Speaker 1: But tell me for real, who's going to be on it? Coming?

774
00:40:11,920 --> 00:40:17,960
Speaker 1: He's actually going to be a guest. Yes, you interviewed

775
00:40:18,040 --> 00:40:21,160
Speaker 1: him already, crack because I have a question for him.

776
00:40:21,200 --> 00:40:23,000
Speaker 4: What was the question? I can maybe follow up?

777
00:40:23,160 --> 00:40:26,680
Speaker 1: Is that really him on my next door posting all

778
00:40:27,000 --> 00:40:27,480
Speaker 1: the time?

779
00:40:28,760 --> 00:40:30,480
Speaker 4: I'm going to answer that for myself.

780
00:40:30,560 --> 00:40:31,680
Speaker 2: Yes, by the post funny?

781
00:40:32,080 --> 00:40:33,280
Speaker 1: They are pretty funny.

782
00:40:33,520 --> 00:40:37,440
Speaker 2: Okays the smell test.

783
00:40:37,840 --> 00:40:39,640
Speaker 1: But that's what you would also call yourself. If you

784
00:40:39,719 --> 00:40:42,320
Speaker 1: were just like a funny person trying to be funny

785
00:40:42,320 --> 00:40:44,319
Speaker 1: on there, you'd be like, this is my character next

786
00:40:44,320 --> 00:40:44,880
Speaker 1: door bruce O.

787
00:40:46,520 --> 00:40:50,800
Speaker 4: You think, what are his concerns on next door?

788
00:40:51,440 --> 00:40:54,240
Speaker 1: He's just I mean, he's just in there, help lighten

789
00:40:54,239 --> 00:40:56,319
Speaker 1: the mood a little bit, just mixing it up.

790
00:40:56,680 --> 00:41:01,280
Speaker 3: So if someone's like, like, what, like, what's an example

791
00:41:01,280 --> 00:41:03,319
Speaker 3: of a next door post? Because here in New York

792
00:41:03,320 --> 00:41:04,960
Speaker 3: City we don't have next door.

793
00:41:05,000 --> 00:41:07,759
Speaker 4: We we can't get away from my door. Yeah, okay,

794
00:41:07,800 --> 00:41:08,919
Speaker 4: so Sean do you mind?

795
00:41:08,960 --> 00:41:12,360
Speaker 3: Sean, can we like, could you act the part of

796
00:41:12,400 --> 00:41:15,640
Speaker 3: someone who's like posting on next door? And then Hayes

797
00:41:15,680 --> 00:41:18,760
Speaker 3: can like give an example of Bruce Valanche posting to

798
00:41:19,280 --> 00:41:21,160
Speaker 3: live in up the conversation.

799
00:41:21,880 --> 00:41:27,399
Speaker 2: Mm hmmm, yeah, all right. So next typical next door

800
00:41:27,440 --> 00:41:32,080
Speaker 2: post might be like, uh, there's a man standing in

801
00:41:32,080 --> 00:41:38,920
Speaker 2: my cornfield all night scaring the crows away.

802
00:41:40,640 --> 00:41:44,680
Speaker 1: Oh send him to me with that, tell him to

803
00:41:44,760 --> 00:41:45,520
Speaker 1: bring the butter.

804
00:41:46,000 --> 00:41:51,319
Speaker 4: Oh my god, download next door. This seems like my

805
00:41:51,480 --> 00:41:53,040
Speaker 4: new favorite app.

806
00:41:53,200 --> 00:41:57,640
Speaker 3: Just for again call back alert waiting in the doctor's office.

807
00:41:57,680 --> 00:42:02,160
Speaker 3: I want to be entertained. This seems like pretty fun comedy, right.

808
00:42:02,200 --> 00:42:03,719
Speaker 1: It's a lot of but you know, I mean, this

809
00:42:03,840 --> 00:42:06,960
Speaker 1: is like the city you don't have like cornfields, No

810
00:42:07,719 --> 00:42:10,120
Speaker 1: even try and corn fields.

811
00:42:10,239 --> 00:42:14,520
Speaker 4: When you say cornfields, are you like literally?

812
00:42:18,040 --> 00:42:21,000
Speaker 1: I mean, I guess I get. I guess it's not.

813
00:42:21,080 --> 00:42:23,080
Speaker 2: I was called upon to do an example of a

814
00:42:23,160 --> 00:42:25,680
Speaker 2: next door post, you know what I mean? And now

815
00:42:26,400 --> 00:42:29,600
Speaker 2: you're getting the entire marcology I didn't.

816
00:42:29,680 --> 00:42:31,759
Speaker 4: I'm sorry I had follow up questions. I should have

817
00:42:31,840 --> 00:42:32,320
Speaker 4: held them.

818
00:42:32,320 --> 00:42:34,520
Speaker 2: So much emotional labor.

819
00:42:34,840 --> 00:42:37,480
Speaker 1: I guess it's not like it's not a whole field,

820
00:42:37,560 --> 00:42:41,319
Speaker 1: but like it has, it has two corns, which is

821
00:42:41,440 --> 00:42:43,600
Speaker 1: all the more reason to try and keep the crows out.

822
00:42:43,560 --> 00:42:45,839
Speaker 2: More of a corn zone. Yeah, if they get even

823
00:42:45,920 --> 00:42:52,279
Speaker 2: one corn, You're you're fucked. That's the life support at that.

824
00:42:52,520 --> 00:42:54,080
Speaker 1: Yes, that's the whole harvest.

825
00:42:54,640 --> 00:42:57,120
Speaker 3: I thought you were gonna do something like Bruce Blanche

826
00:42:57,239 --> 00:42:58,000
Speaker 3: was like, Oh that's me.

827
00:42:59,360 --> 00:43:00,640
Speaker 4: It's not a scary crows me.

828
00:43:01,440 --> 00:43:04,239
Speaker 3: But I guess the original poster didn't say, I'm sorry,

829
00:43:04,320 --> 00:43:06,719
Speaker 3: I shouldn't be picking apart your improv I just can't help.

830
00:43:08,600 --> 00:43:08,799
Speaker 1: Yeah.

831
00:43:09,000 --> 00:43:14,040
Speaker 2: The op would go like scare what uh huh, sir,

832
00:43:14,120 --> 00:43:16,360
Speaker 2: I'm telling you there is a man standing in my

833
00:43:16,600 --> 00:43:21,640
Speaker 2: cord all night and he's scared away all the crows.

834
00:43:22,960 --> 00:43:24,280
Speaker 4: And that's bad.

835
00:43:25,719 --> 00:43:28,840
Speaker 1: That's a cool sweater, Julie, thank you, it says directed

836
00:43:28,840 --> 00:43:32,080
Speaker 1: by Barbara Streisand this is the last.

837
00:43:32,560 --> 00:43:38,160
Speaker 3: This is like when yentl ends there's that always shot

838
00:43:38,200 --> 00:43:40,080
Speaker 3: of her on the boat and then this comes up.

839
00:43:40,200 --> 00:43:41,719
Speaker 4: This is like the first thing that comes.

840
00:43:41,560 --> 00:43:46,200
Speaker 1: Up like boom, and now it's on your clothes.

841
00:43:46,560 --> 00:43:50,160
Speaker 4: Did you ever see Yeah?

842
00:43:50,600 --> 00:43:53,640
Speaker 2: Did I ever see what I've seen?

843
00:43:53,840 --> 00:43:54,240
Speaker 1: Clip?

844
00:43:54,360 --> 00:43:57,640
Speaker 2: I saw ben a lot of clips on TikTok lately.

845
00:43:59,239 --> 00:44:01,720
Speaker 4: That's what TikTok is good for. I think, like short,

846
00:44:02,840 --> 00:44:03,520
Speaker 4: just getting.

847
00:44:03,320 --> 00:44:08,920
Speaker 3: A sense of Yental mm hmmm, the gist of yentl

848
00:44:09,400 --> 00:44:11,640
Speaker 3: M getting yeah, getting.

849
00:44:11,320 --> 00:44:13,759
Speaker 2: The feel for it, but not getting it spoiled.

850
00:44:14,640 --> 00:44:18,560
Speaker 3: It's the only musical where only one person gets to sing.

851
00:44:19,239 --> 00:44:21,960
Speaker 1: I see what what's what's it like? What's something? Barbara Strice?

852
00:44:22,080 --> 00:44:22,360
Speaker 4: I got it.

853
00:44:23,280 --> 00:44:25,000
Speaker 2: It's like I got an idea for a musical. Everybody

854
00:44:25,000 --> 00:44:25,920
Speaker 2: else shut up?

855
00:44:26,400 --> 00:44:27,480
Speaker 4: Shut up.

856
00:44:28,480 --> 00:44:30,880
Speaker 2: Every time someone else is saying to these musicals, I go,

857
00:44:30,960 --> 00:44:32,239
Speaker 2: what the fuck is this part?

858
00:44:34,560 --> 00:44:36,160
Speaker 1: What's a line of dialogue from it?

859
00:44:37,080 --> 00:44:38,319
Speaker 4: Nothing is impossible?

860
00:44:38,560 --> 00:44:41,400
Speaker 2: Yeah, pipe down over there, Yentel.

861
00:44:44,920 --> 00:44:48,200
Speaker 1: But some of the singing no way right.

862
00:44:48,800 --> 00:44:51,560
Speaker 4: Well, it's like it's it's like, Papa, can you hear me?

863
00:44:51,800 --> 00:44:52,719
Speaker 4: That's from Yeah?

864
00:44:52,840 --> 00:44:54,920
Speaker 2: And he's like, yeah, I can. I just told you

865
00:44:55,000 --> 00:44:55,880
Speaker 2: to pipe down.

866
00:44:56,560 --> 00:45:00,719
Speaker 3: That's fun, and you do like that's another idea. Yeah,

867
00:45:00,760 --> 00:45:03,319
Speaker 3: after our waking that divine watch along. If we do

868
00:45:03,920 --> 00:45:06,200
Speaker 3: a Yentle commentary.

869
00:45:05,880 --> 00:45:09,560
Speaker 2: I wish it had a number. We just go to

870
00:45:09,600 --> 00:45:11,920
Speaker 2: the next letter. We've been just changing the last.

871
00:45:12,280 --> 00:45:15,759
Speaker 1: Yeah, it'd be amazing if were like Entel twenty two.

872
00:45:16,080 --> 00:45:19,680
Speaker 3: Yeah, uh huh so, But wouldn't you want to go

873
00:45:19,719 --> 00:45:22,680
Speaker 3: backwards and start it with Yenta?

874
00:45:23,040 --> 00:45:26,600
Speaker 2: Would I? Personally? C Julie, I gotta tell you, I

875
00:45:26,640 --> 00:45:28,040
Speaker 2: don't want to do anything anymore.

876
00:45:28,600 --> 00:45:30,799
Speaker 3: Oh, we want should we talk about should we talk

877
00:45:30,800 --> 00:45:35,000
Speaker 3: about that? Should we should we come up with some

878
00:45:35,760 --> 00:45:37,120
Speaker 3: CBT strategies.

879
00:45:38,520 --> 00:45:39,120
Speaker 1: I'm trying.

880
00:45:39,840 --> 00:45:42,439
Speaker 3: Yeah, And I don't mean the dirty con there's two

881
00:45:42,880 --> 00:45:44,520
Speaker 3: things that CBT refers to.

882
00:45:44,920 --> 00:45:47,120
Speaker 2: You want to say that. You bring this up so much.

883
00:45:47,480 --> 00:45:50,040
Speaker 2: Obviously I'll tell you about because it's important.

884
00:45:50,080 --> 00:45:52,720
Speaker 4: It's important that people know the difference. And you're not.

885
00:45:52,680 --> 00:45:55,600
Speaker 3: Going as like a CBT therapist and you get there

886
00:45:55,640 --> 00:45:59,120
Speaker 3: and he's like, oh, ready for some Yeah, I assumed

887
00:45:59,160 --> 00:46:03,160
Speaker 3: you meant cognitive behavioral therapy, but possibly I go to

888
00:46:03,239 --> 00:46:09,359
Speaker 3: a doctor for cock and ball torture. But I meant

889
00:46:10,840 --> 00:46:12,359
Speaker 3: but I don't want to say it because I don't

890
00:46:12,400 --> 00:46:13,480
Speaker 3: want to be dirty.

891
00:46:13,120 --> 00:46:13,760
Speaker 1: All the time.

892
00:46:14,800 --> 00:46:17,920
Speaker 2: No, no, no, it's a safe space. Here is it.

893
00:46:17,960 --> 00:46:21,120
Speaker 1: You already said world bink inside, But.

894
00:46:21,160 --> 00:46:22,120
Speaker 4: I meant flesh.

895
00:46:23,040 --> 00:46:24,799
Speaker 1: What do you think of that? What do you think

896
00:46:25,120 --> 00:46:25,560
Speaker 1: it's fresh?

897
00:46:25,640 --> 00:46:25,920
Speaker 4: Dirty?

898
00:46:26,000 --> 00:46:34,279
Speaker 1: Yeah? I'm listening, gentle, Damn bye ho