1 00:00:00,160 --> 00:00:03,720 Speaker 1: I listened to The Black Guy You Tips podcast because 2 00:00:03,840 --> 00:00:05,800 Speaker 1: Rod and character hut. 3 00:00:05,600 --> 00:00:08,280 Speaker 2: Hey, Welcome to another episode of The Black Guy Who 4 00:00:08,280 --> 00:00:12,160 Speaker 2: Tells podcast. I'm your host, Rod, join us always by 5 00:00:12,200 --> 00:00:15,480 Speaker 2: my co host Kiar, and we are live on a Wednesday, 6 00:00:15,600 --> 00:00:16,919 Speaker 2: wrapping up the week. 7 00:00:18,120 --> 00:00:19,080 Speaker 1: We had a great week. 8 00:00:19,960 --> 00:00:23,760 Speaker 2: But you know it's not over until we talk about 9 00:00:23,800 --> 00:00:28,320 Speaker 2: the Walking Dead. That's right, it's Walking Dead recap time. 10 00:00:29,640 --> 00:00:32,040 Speaker 1: Before we get to that. The official. 11 00:00:34,360 --> 00:00:38,199 Speaker 2: Weapon of the show is the folding chin and the 12 00:00:38,280 --> 00:00:42,640 Speaker 2: unofficial sports bully bow a bullet ball extreme. Find our 13 00:00:42,680 --> 00:00:46,280 Speaker 2: podcast everywhere you get podcasts. Leave us five star reviews, 14 00:00:46,640 --> 00:00:49,000 Speaker 2: especially if you're one of the people that wanted us 15 00:00:49,000 --> 00:00:52,200 Speaker 2: to do these recaps and we're doing them and you're 16 00:00:52,280 --> 00:00:55,160 Speaker 2: listening and you're like, I didn't even leave these motherfuckers 17 00:00:55,200 --> 00:00:57,960 Speaker 2: a five star review, and they are literally giving us 18 00:00:57,960 --> 00:00:59,720 Speaker 2: an episode a week where they could be talking about 19 00:01:00,080 --> 00:01:03,520 Speaker 2: the Wars, or they could be talking about or they 20 00:01:03,520 --> 00:01:06,480 Speaker 2: could be talking about pop culture and celebrities or whatever. 21 00:01:06,840 --> 00:01:07,559 Speaker 1: We are not. 22 00:01:07,480 --> 00:01:10,000 Speaker 2: Doing that because you wanted this, and we made a 23 00:01:10,040 --> 00:01:12,880 Speaker 2: promise and we pledged to do that, and so leave 24 00:01:12,959 --> 00:01:15,640 Speaker 2: us a five star review if you haven't already, because like, 25 00:01:15,760 --> 00:01:20,240 Speaker 2: this is literally for you. Okay, we see the download numbers. 26 00:01:20,280 --> 00:01:21,280 Speaker 2: It's just a few of y'all. 27 00:01:21,560 --> 00:01:22,759 Speaker 3: I'm ondfall. 28 00:01:23,360 --> 00:01:26,399 Speaker 2: I can't believe y'all ain't leaving Fostar reviews. Every last 29 00:01:26,400 --> 00:01:29,160 Speaker 2: one of y'all. We should have thousands by now. All right, 30 00:01:30,240 --> 00:01:33,000 Speaker 2: without further ado, we can go ahead and get into 31 00:01:33,040 --> 00:01:38,600 Speaker 2: this recap. You know how it goes. So this is 32 00:01:39,040 --> 00:01:45,640 Speaker 2: episode one five. It is episode twenty two of this 33 00:01:46,080 --> 00:01:47,520 Speaker 2: final season, season eleven. 34 00:01:47,960 --> 00:01:51,640 Speaker 1: It's called Faith. Karen, what'd you think about this episode? 35 00:01:51,680 --> 00:01:52,080 Speaker 1: In general? 36 00:01:52,800 --> 00:01:57,200 Speaker 3: This episode was good. The ending was I don't know why. 37 00:01:57,280 --> 00:02:01,200 Speaker 3: It was absolutely hilarious to me. But overall, this was 38 00:02:01,240 --> 00:02:05,000 Speaker 3: a really, really good episode. It lived up to the 39 00:02:05,160 --> 00:02:08,080 Speaker 3: quote unquote Trial of the Century with Eugene. I had 40 00:02:08,080 --> 00:02:08,440 Speaker 3: a ball. 41 00:02:08,680 --> 00:02:10,640 Speaker 2: Yeah, I laughed at the ending of the episode two 42 00:02:10,800 --> 00:02:14,200 Speaker 2: in a good way. And uh yeah, I enjoyed it 43 00:02:14,240 --> 00:02:18,239 Speaker 2: as well. A lot was happening very quickly, a lot. 44 00:02:18,800 --> 00:02:19,440 Speaker 1: Which is good. 45 00:02:19,520 --> 00:02:23,560 Speaker 2: I always like when they go fast, just like like. 46 00:02:23,200 --> 00:02:24,400 Speaker 3: Why are we fucking around? Yeah? 47 00:02:24,400 --> 00:02:27,560 Speaker 2: I fuck with the pacing, but yeah, we're about to 48 00:02:27,560 --> 00:02:28,480 Speaker 2: get into it and break it. 49 00:02:28,600 --> 00:02:51,120 Speaker 1: Break it down, all right. I broke this into three segments. Okay, Slavery, 50 00:02:51,919 --> 00:02:57,880 Speaker 1: I Hate Slavery, on the Road again, and the People 51 00:02:57,960 --> 00:02:59,200 Speaker 1: versus Eugene Porter. 52 00:03:00,080 --> 00:03:02,520 Speaker 3: Of on the People versus Eugene. 53 00:03:02,760 --> 00:03:05,280 Speaker 2: I'm doing the People versus Eugene Porter last, not because 54 00:03:05,280 --> 00:03:08,800 Speaker 2: it's the most important, but because the way it ended 55 00:03:09,200 --> 00:03:11,760 Speaker 2: is like the way the end the show, you know. 56 00:03:13,000 --> 00:03:14,880 Speaker 2: So I'll start with on the Road because it's the 57 00:03:14,880 --> 00:03:18,280 Speaker 2: most like shortest and like get it out the way. 58 00:03:18,720 --> 00:03:21,160 Speaker 1: Then we'll get into slavery, which was a lot happening. 59 00:03:21,280 --> 00:03:23,200 Speaker 1: It was so on the road. 60 00:03:23,760 --> 00:03:26,520 Speaker 2: The last time we saw these people, they was on 61 00:03:26,560 --> 00:03:28,800 Speaker 2: the road. Now we said last week we thought they 62 00:03:28,880 --> 00:03:30,280 Speaker 2: must have been in Alexandria Bay. 63 00:03:30,400 --> 00:03:32,200 Speaker 1: Now apparently we were wrong. 64 00:03:32,440 --> 00:03:35,640 Speaker 2: Aaron, Lydia, Elijah and Jerry are still on the road 65 00:03:35,640 --> 00:03:37,080 Speaker 2: with the supplies and that horse. 66 00:03:37,880 --> 00:03:41,040 Speaker 3: Yeah, and to an extent, And I guess it makes 67 00:03:41,080 --> 00:03:44,760 Speaker 3: sense because you know, they got you know, Jerry's heard 68 00:03:44,800 --> 00:03:47,640 Speaker 3: they probably slowed their pacing down. They probably couldn't move 69 00:03:47,680 --> 00:03:50,760 Speaker 3: as quickly, you know, as they would have. Everybody would 70 00:03:50,760 --> 00:03:53,320 Speaker 3: have been one hundred percent. Yeah, Jerry didn't seem to 71 00:03:53,440 --> 00:03:55,280 Speaker 3: hurt this episode, But I don't. 72 00:03:55,320 --> 00:03:55,600 Speaker 1: I don't. 73 00:03:55,720 --> 00:03:58,200 Speaker 2: It's no reason to assume a lot of time passed. 74 00:03:58,200 --> 00:04:00,640 Speaker 2: It just felt like a lot of time passed, but 75 00:04:01,200 --> 00:04:05,880 Speaker 2: there's no we just assumed that. But yeah, so they 76 00:04:05,920 --> 00:04:08,080 Speaker 2: were on the road. They're cautious about the idea of 77 00:04:08,120 --> 00:04:10,520 Speaker 2: the variant walkers because they don't know if that's just. 78 00:04:10,480 --> 00:04:12,440 Speaker 1: A one in a million or one in one hundred. 79 00:04:12,480 --> 00:04:16,479 Speaker 2: They don't know. But they hear somebody moving through the 80 00:04:16,520 --> 00:04:19,599 Speaker 2: woods and it turns out to be our old friend 81 00:04:19,800 --> 00:04:22,840 Speaker 2: Luke and a woman named Jewles who I don't remember 82 00:04:22,920 --> 00:04:23,560 Speaker 2: Jewels like that. 83 00:04:23,600 --> 00:04:25,000 Speaker 1: I think it was Luke's girlfriend. 84 00:04:26,320 --> 00:04:28,920 Speaker 3: That yeah, the one Macanon, Yeah, the one he ended 85 00:04:28,960 --> 00:04:31,480 Speaker 3: up staying in the ocean's side when everybody else left. 86 00:04:31,480 --> 00:04:33,080 Speaker 3: He was like, nope, I found a lot with my 87 00:04:33,160 --> 00:04:35,000 Speaker 3: life right here, and I'm staying at ocean. 88 00:04:35,200 --> 00:04:37,080 Speaker 1: Listen, Okay, it's slim pickings. 89 00:04:37,080 --> 00:04:38,800 Speaker 3: Come on, I only got one lof to live and 90 00:04:38,839 --> 00:04:39,520 Speaker 3: I'm here. 91 00:04:39,440 --> 00:04:41,560 Speaker 1: For a woman. Choose you and the zpocket. You just 92 00:04:41,600 --> 00:04:43,000 Speaker 1: go ahead and that's where you live. 93 00:04:43,080 --> 00:04:43,240 Speaker 3: Now. 94 00:04:44,160 --> 00:04:46,440 Speaker 1: That's why Eugene ready to die. I don't come on. 95 00:04:47,520 --> 00:04:52,200 Speaker 2: So Luke and Jewels informed our crew airing in them 96 00:04:52,440 --> 00:04:56,120 Speaker 2: that the Commonwealth has actually taken over ocean side because 97 00:04:56,120 --> 00:04:57,920 Speaker 2: they're like, oh, we're coming the ocean side, and they're 98 00:04:57,920 --> 00:05:01,600 Speaker 2: like no, you're not here. You it's locked down. Don't 99 00:05:01,640 --> 00:05:03,840 Speaker 2: go up in there, they said. Basically, some people from 100 00:05:03,839 --> 00:05:07,720 Speaker 2: the Commonwealth showed up. Hornsby and his troops just took 101 00:05:07,760 --> 00:05:13,600 Speaker 2: over the whole Ocean Side and they didn't get caught 102 00:05:14,880 --> 00:05:17,280 Speaker 2: because they were like out scavenging. 103 00:05:17,920 --> 00:05:19,640 Speaker 1: Yes, so they hid behind the house. 104 00:05:19,760 --> 00:05:22,960 Speaker 2: They talked to Rachel, who is the leader of Ocean Side, 105 00:05:24,160 --> 00:05:27,160 Speaker 2: who you know, we haven't seen it forever, right, And 106 00:05:27,279 --> 00:05:29,960 Speaker 2: Rachel basically told them, y'all need to leave and warn 107 00:05:30,040 --> 00:05:31,800 Speaker 2: everybody else what's happening. 108 00:05:31,680 --> 00:05:34,760 Speaker 3: Right, Like, we need somebody to tell them what's happening, 109 00:05:34,800 --> 00:05:38,960 Speaker 3: because like we're gonna get captured. But if y'all are free, 110 00:05:39,080 --> 00:05:41,080 Speaker 3: y'all don't get caught too, because then they won't even 111 00:05:41,120 --> 00:05:43,960 Speaker 3: know that this is happening. Which technically they didn't know 112 00:05:44,440 --> 00:05:45,040 Speaker 3: what was happening. 113 00:05:45,120 --> 00:05:46,279 Speaker 1: Yeah, this is all surprised us. 114 00:05:46,360 --> 00:05:48,920 Speaker 2: We didn't know about Alexandria til last week, right, So 115 00:05:48,960 --> 00:05:52,560 Speaker 2: they killed some walkers while they're doing this exposition, you know. 116 00:05:53,960 --> 00:05:58,240 Speaker 2: And then Luke talks about how he regrets leaving and 117 00:05:58,279 --> 00:06:01,640 Speaker 2: they should have stayed, and then Aaron tells him like, nah, 118 00:06:01,720 --> 00:06:02,800 Speaker 2: look look what happened. 119 00:06:02,839 --> 00:06:03,480 Speaker 1: You found us. 120 00:06:03,560 --> 00:06:07,160 Speaker 2: You found like, we got our other crew right behind us, 121 00:06:07,160 --> 00:06:10,040 Speaker 2: because as far as they know, Connie and all those 122 00:06:10,040 --> 00:06:14,280 Speaker 2: people were heading right behind them, right and that now 123 00:06:14,279 --> 00:06:16,760 Speaker 2: they don't know that Connie and them got ambushed and 124 00:06:16,880 --> 00:06:20,760 Speaker 2: kidnapped and shit. But they're like, listen, you found us, 125 00:06:20,880 --> 00:06:23,160 Speaker 2: we gonna go. We're gonna get ocean side back. Don't 126 00:06:23,160 --> 00:06:23,800 Speaker 2: worry about that. 127 00:06:24,040 --> 00:06:27,159 Speaker 3: Yeah. No, So I think with Aaron, particularly with I 128 00:06:27,160 --> 00:06:31,200 Speaker 3: think last week before last, he kind of went through 129 00:06:31,200 --> 00:06:34,200 Speaker 3: that thing with your Russian and you know, you don't 130 00:06:34,200 --> 00:06:36,600 Speaker 3: have any strategy behind what you're doing, you can literally 131 00:06:36,640 --> 00:06:39,240 Speaker 3: just fuck everything up. He was like, no, it's some 132 00:06:39,279 --> 00:06:43,600 Speaker 3: good things happening here because y'all found us, which is 133 00:06:43,640 --> 00:06:45,480 Speaker 3: a good thing Versus if y'all would have tried to 134 00:06:45,520 --> 00:06:48,160 Speaker 3: quote unquote stay and fight, they probably would have wiped 135 00:06:48,200 --> 00:06:49,039 Speaker 3: all y'all out. 136 00:06:49,360 --> 00:06:52,440 Speaker 2: Right, and so or I mean, even if they didn't 137 00:06:52,480 --> 00:06:54,159 Speaker 2: wipe you out, because that doesn't seem to be the 138 00:06:54,200 --> 00:06:56,640 Speaker 2: commonwealth thing of like they find a community and wipe 139 00:06:56,680 --> 00:07:01,200 Speaker 2: you out, but they will put you on lockdown and 140 00:07:01,240 --> 00:07:04,080 Speaker 2: fucking you know, they airing in them. Don't know about 141 00:07:04,080 --> 00:07:06,359 Speaker 2: the slavery shit, but just the fact that you're no 142 00:07:06,480 --> 00:07:09,080 Speaker 2: longer free to come and go as the lot. 143 00:07:09,920 --> 00:07:10,440 Speaker 3: So then. 144 00:07:13,080 --> 00:07:15,560 Speaker 1: A herd of walker's approach and they hide behind like 145 00:07:15,600 --> 00:07:17,400 Speaker 1: the horse cart. 146 00:07:18,280 --> 00:07:20,360 Speaker 2: And then Lydia looks at a walker like she has 147 00:07:20,400 --> 00:07:24,520 Speaker 2: an idea, and because they're like, the walker's gonna see 148 00:07:24,560 --> 00:07:26,360 Speaker 2: us what we're gonna do to get away from this herd. 149 00:07:26,840 --> 00:07:29,640 Speaker 2: So then we see they cut to the night and 150 00:07:29,720 --> 00:07:33,200 Speaker 2: later in that night they've covered themselves in walker blood 151 00:07:33,320 --> 00:07:35,680 Speaker 2: and merged with the herd. Now they did not do 152 00:07:35,760 --> 00:07:39,600 Speaker 2: the full whispers, like they didn't put on zombie masks 153 00:07:39,880 --> 00:07:41,960 Speaker 2: from the flesh, but they covered. 154 00:07:41,720 --> 00:07:43,480 Speaker 1: Themselves in the walker blood. And we know the walkers 155 00:07:43,520 --> 00:07:45,040 Speaker 1: will leave you alone if you do that right. 156 00:07:45,040 --> 00:07:46,560 Speaker 3: And it's also one of those things with the hert 157 00:07:46,640 --> 00:07:49,320 Speaker 3: was probably so big they was like, we'll blend in regardless. 158 00:07:49,800 --> 00:07:55,200 Speaker 1: May yeah maybe, but like troopers were coming, the herd 159 00:07:55,320 --> 00:07:57,000 Speaker 1: was there. There was a lot. 160 00:07:57,600 --> 00:08:01,280 Speaker 2: The reason I bring this up is because the troopers 161 00:08:01,760 --> 00:08:05,560 Speaker 2: for some reason had jeeps and they had spotlights on 162 00:08:05,600 --> 00:08:08,000 Speaker 2: the back of the jeeps and they were leading the 163 00:08:08,080 --> 00:08:11,960 Speaker 2: zombies somewhere. I'm not sure where they were leading them 164 00:08:12,080 --> 00:08:14,360 Speaker 2: or why they were doing it. The reason it made 165 00:08:14,360 --> 00:08:16,840 Speaker 2: me nervous is because they didn't cover their faces. 166 00:08:17,160 --> 00:08:18,520 Speaker 1: So you got actual. 167 00:08:18,240 --> 00:08:21,560 Speaker 2: Walkers next to like Lydia in a hoodie, and so 168 00:08:21,680 --> 00:08:24,320 Speaker 2: with these spotlights, you can't really see what the troopers 169 00:08:24,320 --> 00:08:26,960 Speaker 2: are looking at, but they could see you. So I 170 00:08:27,080 --> 00:08:29,600 Speaker 2: was like, you know what it being six or seven 171 00:08:29,600 --> 00:08:32,840 Speaker 2: of them dispersed throughout the crowd, it would only take 172 00:08:32,880 --> 00:08:35,160 Speaker 2: one or two glances for a trooper to be like, 173 00:08:35,200 --> 00:08:37,800 Speaker 2: wait is that a fucking person and just mow down 174 00:08:37,840 --> 00:08:38,920 Speaker 2: the whole fucking zombie. 175 00:08:38,960 --> 00:08:40,600 Speaker 1: Heard. So that's what I was worried about. 176 00:08:41,080 --> 00:08:43,800 Speaker 2: It didn't happen, you know, convenient walkers just happened to 177 00:08:43,800 --> 00:08:46,600 Speaker 2: be like walking right by your face as the spotlight 178 00:08:47,320 --> 00:08:49,520 Speaker 2: like went on, like luke or whatever. 179 00:08:49,640 --> 00:08:53,480 Speaker 3: So just playing a good video game, yes, But what do. 180 00:08:53,440 --> 00:08:56,720 Speaker 1: You think the troopers were doing with those walkers? 181 00:08:56,880 --> 00:08:59,240 Speaker 3: They was leading them to somewhere. I also think. 182 00:08:59,160 --> 00:09:01,160 Speaker 1: That's what I'm saying, where, Like what what do you 183 00:09:01,160 --> 00:09:01,840 Speaker 1: think the planet? 184 00:09:02,040 --> 00:09:07,559 Speaker 3: I'm not sure where, but I know that they could 185 00:09:07,600 --> 00:09:09,920 Speaker 3: literally be leading them back to Commonwealth because I also 186 00:09:10,080 --> 00:09:12,480 Speaker 3: think that, you know, before when the dude was like listen, 187 00:09:12,600 --> 00:09:14,600 Speaker 3: I think that you know, there may have been some 188 00:09:14,679 --> 00:09:17,600 Speaker 3: walkers they may have had in the vicinity to produce 189 00:09:17,640 --> 00:09:21,560 Speaker 3: that kind of growling sound on the outside. And the 190 00:09:21,640 --> 00:09:24,280 Speaker 3: thing is those walkers never actually came in. The walkers 191 00:09:24,280 --> 00:09:26,200 Speaker 3: that were in there were the people that they killed. 192 00:09:26,600 --> 00:09:29,360 Speaker 3: So that made me think, Okay, y'all actually kind of 193 00:09:29,520 --> 00:09:32,080 Speaker 3: use these walkers as a convenience to kind of keep 194 00:09:32,080 --> 00:09:36,560 Speaker 3: the people in line. Whenever they started cutting up, it's like, oh, 195 00:09:36,640 --> 00:09:38,800 Speaker 3: the walker's outside, and everybody goes into panic mode and 196 00:09:38,800 --> 00:09:40,400 Speaker 3: shut down and just go back to normal. 197 00:09:40,600 --> 00:09:42,280 Speaker 2: That's like how you want a kid to like go 198 00:09:42,320 --> 00:09:44,720 Speaker 2: to bed and you're like, you know, knock on the 199 00:09:44,720 --> 00:09:46,600 Speaker 2: floor and be like the ghost outside, you better go 200 00:09:46,600 --> 00:09:47,280 Speaker 2: get into bed. 201 00:09:47,440 --> 00:09:49,360 Speaker 1: Like that's how they do the people in the Commonwealth. 202 00:09:49,480 --> 00:09:53,160 Speaker 2: But yeah, I had the exact same thought was whatever 203 00:09:53,200 --> 00:09:57,360 Speaker 2: they're doing with these walkers, they're weaponizing them and probably 204 00:09:57,480 --> 00:09:59,960 Speaker 2: using them to scare people or something. 205 00:10:00,640 --> 00:10:04,120 Speaker 3: Yes, and so, like I said, I'm not sure which 206 00:10:04,160 --> 00:10:08,680 Speaker 3: community they're going to, but odds are it Commonwealth. I 207 00:10:08,720 --> 00:10:11,600 Speaker 3: can't see them going like they possibly could be going 208 00:10:11,640 --> 00:10:15,560 Speaker 3: to the other communities. Have no idea where they are located, No, 209 00:10:15,640 --> 00:10:16,079 Speaker 3: we don't. 210 00:10:16,320 --> 00:10:18,360 Speaker 2: We have no idea where they're at on the road, 211 00:10:18,520 --> 00:10:22,040 Speaker 2: how close they are to Alexandria, Oceanside or the comedy. 212 00:10:21,840 --> 00:10:23,400 Speaker 3: And they might not even know. They just kind of 213 00:10:23,440 --> 00:10:24,760 Speaker 3: just walking with the zombies. 214 00:10:25,000 --> 00:10:27,320 Speaker 1: Yeah, but they with that herd. 215 00:10:27,400 --> 00:10:29,880 Speaker 2: Now as long as those you know, troops are there, 216 00:10:31,280 --> 00:10:34,040 Speaker 2: Lydia drops her knife by bumping into a zombie and 217 00:10:34,120 --> 00:10:37,360 Speaker 2: then another zombie falls, picks up the knife and gets 218 00:10:37,400 --> 00:10:40,200 Speaker 2: back up, and it looks like a zombie, not a 219 00:10:40,880 --> 00:10:43,160 Speaker 2: not a whisper, and it definitely wasn't one of the crew. 220 00:10:43,720 --> 00:10:47,280 Speaker 2: So I guess this must be another variant. And now 221 00:10:47,400 --> 00:10:48,960 Speaker 2: variants know how to use knives. 222 00:10:49,400 --> 00:10:51,560 Speaker 3: Yah, use knives, open up doors and shit. 223 00:10:51,960 --> 00:10:54,720 Speaker 2: Right, Like, that's just that they found a way to 224 00:10:54,760 --> 00:10:59,360 Speaker 2: make zombies a little bit different than scarier zombies. Zombies 225 00:10:59,400 --> 00:11:02,560 Speaker 2: that can use like fucking tools is a whole like 226 00:11:02,840 --> 00:11:04,040 Speaker 2: other fucking genre. 227 00:11:04,200 --> 00:11:06,320 Speaker 1: Just kill me. I don't want to live in that 228 00:11:06,400 --> 00:11:07,600 Speaker 1: fucking zombie apocalypse. 229 00:11:07,679 --> 00:11:11,079 Speaker 3: That's a whole danger. Like the only thing that they 230 00:11:11,080 --> 00:11:13,600 Speaker 3: got left is for the motherfucker's dust start just preaking 231 00:11:13,600 --> 00:11:13,959 Speaker 3: towards you. 232 00:11:14,840 --> 00:11:17,520 Speaker 2: Well, you're right, right, I mean, well, like, so the 233 00:11:17,600 --> 00:11:21,160 Speaker 2: thing is, we've all seen fast moving zombies and other 234 00:11:21,280 --> 00:11:24,680 Speaker 2: movies and stuff. I've never seen zombies that can use tools. 235 00:11:24,720 --> 00:11:26,840 Speaker 2: This a first for me, that's true, Like I've seen 236 00:11:26,880 --> 00:11:29,600 Speaker 2: the fast zombies. Those are the scary ones too, the 237 00:11:29,640 --> 00:11:33,240 Speaker 2: ones that by sound by this, I don't think I've 238 00:11:33,280 --> 00:11:35,240 Speaker 2: ever seen a zombie just like pick up a knife 239 00:11:35,280 --> 00:11:38,479 Speaker 2: and be like, I'm gonna fuck you up, Like what, 240 00:11:38,480 --> 00:11:39,240 Speaker 2: what's the point of this? 241 00:11:39,400 --> 00:11:41,360 Speaker 3: I got a weapon, bitch, I'm a weapon. In I 242 00:11:41,360 --> 00:11:48,040 Speaker 3: got a weapon. Double weapon. Yeah you think you say, 243 00:11:48,160 --> 00:11:50,520 Speaker 3: next thing, you know, you you fucking hear a key 244 00:11:50,559 --> 00:11:52,280 Speaker 3: and it come in. You're like the houck you get 245 00:11:52,280 --> 00:11:52,840 Speaker 3: a key? 246 00:11:53,120 --> 00:11:53,480 Speaker 1: Right? 247 00:11:54,440 --> 00:11:57,120 Speaker 2: Uh So that was it for the on the Road. 248 00:11:57,160 --> 00:11:58,960 Speaker 2: And that's cut to slavery. This is kind of long, 249 00:11:59,040 --> 00:12:01,920 Speaker 2: but I'll try to get through. But we get another 250 00:12:02,000 --> 00:12:05,960 Speaker 2: montage Judith voice. Nagan is who it's about, and it's 251 00:12:06,320 --> 00:12:09,920 Speaker 2: Niagan as like killing Glenn and it's Nigan like with 252 00:12:10,040 --> 00:12:12,640 Speaker 2: his wife in that flashback episode where she died of 253 00:12:12,720 --> 00:12:15,240 Speaker 2: cancer and he could you know, she turned to a 254 00:12:15,360 --> 00:12:18,360 Speaker 2: zombie and all the ship. Then we cut the regular 255 00:12:18,400 --> 00:12:21,319 Speaker 2: present day. Nigan's doing some hard labor. Now I'll give 256 00:12:21,400 --> 00:12:25,040 Speaker 2: the people credit. He was carrying a big ass piece 257 00:12:25,080 --> 00:12:27,640 Speaker 2: of wood. Yeah, he was doing that hard labor. Yeah, 258 00:12:27,640 --> 00:12:31,160 Speaker 2: this felt like some nobody didn't know, Yes it did. 259 00:12:31,480 --> 00:12:33,760 Speaker 2: Like that was that was some real slavery he was doing. 260 00:12:34,960 --> 00:12:38,240 Speaker 2: Then we see them doing some Oceans eleven height ship, 261 00:12:38,320 --> 00:12:41,200 Speaker 2: where like Kelly's doing sign language the Magna being like 262 00:12:41,880 --> 00:12:42,520 Speaker 2: it's two. 263 00:12:42,400 --> 00:12:46,680 Speaker 1: Guards inside, folk guards on the perimeter, and then you know, 264 00:12:47,160 --> 00:12:55,360 Speaker 1: uh uh like uh she tells like Magna tells Zeke, 265 00:12:55,600 --> 00:12:59,040 Speaker 1: and then like or or Magna tells Nigan. 266 00:12:59,080 --> 00:13:01,520 Speaker 2: Then Nigan writes it down down on a map, and 267 00:13:01,520 --> 00:13:03,360 Speaker 2: then he's supposed to hand the map to Zeke. 268 00:13:03,720 --> 00:13:06,120 Speaker 3: Yeah, some of they were doing some sound language. 269 00:13:06,200 --> 00:13:07,319 Speaker 1: Yeah, that's what I said earlier. 270 00:13:07,400 --> 00:13:09,640 Speaker 2: The first thing was Kelly doing sign language to Magna 271 00:13:09,720 --> 00:13:12,360 Speaker 2: to tell the number of guards in the positions. So 272 00:13:12,920 --> 00:13:15,800 Speaker 2: this was like their Oceans eleven like we're gonna get 273 00:13:15,840 --> 00:13:18,080 Speaker 2: scout the perimeter, figure out the shifts of the guards. 274 00:13:18,160 --> 00:13:18,640 Speaker 1: Ya da dada. 275 00:13:19,480 --> 00:13:21,199 Speaker 2: Now why they needed to write it down, I don't know, 276 00:13:21,360 --> 00:13:24,160 Speaker 2: because it was like one, they were allowing them to 277 00:13:24,200 --> 00:13:27,439 Speaker 2: speak to each other, and then two the numbers weren't crazy. 278 00:13:27,480 --> 00:13:30,640 Speaker 2: It was like two guards inside, four guards on perimeter 279 00:13:30,720 --> 00:13:32,960 Speaker 2: or something. It wasn't like a it wasn't like they 280 00:13:33,080 --> 00:13:35,319 Speaker 2: was like listen, it's two on the outside, three underground, 281 00:13:35,360 --> 00:13:36,600 Speaker 2: five of them times like they. 282 00:13:36,720 --> 00:13:39,160 Speaker 3: Literally got a skeleton crew, because they're like, we actually 283 00:13:39,280 --> 00:13:41,040 Speaker 3: got the guns, so we don't need a lot of 284 00:13:41,160 --> 00:13:42,080 Speaker 3: us to fuck y'all up. 285 00:13:42,240 --> 00:13:44,520 Speaker 2: But I think they wanted to show that our crew was, 286 00:13:44,800 --> 00:13:47,679 Speaker 2: you know, being our crew. They was getting ready to 287 00:13:47,720 --> 00:13:52,120 Speaker 2: get the fuck out. Tyler Davis is a guy that 288 00:13:52,360 --> 00:13:55,520 Speaker 2: we saw a long time ago when we first got 289 00:13:55,559 --> 00:13:56,360 Speaker 2: to the Commonwealth. 290 00:13:56,480 --> 00:13:59,760 Speaker 1: He took Max hostage and then turned himself in. 291 00:14:00,400 --> 00:14:02,559 Speaker 2: I forget who talked him in and turned himself in, 292 00:14:03,320 --> 00:14:06,240 Speaker 2: but someone talked him in and turned himselves in or 293 00:14:06,480 --> 00:14:07,520 Speaker 2: was it his sister? 294 00:14:08,000 --> 00:14:11,679 Speaker 1: Yes, I don't remember. Someone talked him down. I don't remember. 295 00:14:11,720 --> 00:14:13,760 Speaker 2: He didn't kill Max, he didn't kill himself. I don't 296 00:14:13,800 --> 00:14:17,240 Speaker 2: remember who, but someone talked him down. I want to say, 297 00:14:17,679 --> 00:14:20,320 Speaker 2: in my mind, it feels like it was Zeke or somebody, 298 00:14:20,480 --> 00:14:21,680 Speaker 2: or oh it's Darryl. 299 00:14:21,720 --> 00:14:25,440 Speaker 1: There you go. Yeah, it was Darryl. And so we 300 00:14:25,640 --> 00:14:27,360 Speaker 1: have not seen Tyler forever. 301 00:14:27,520 --> 00:14:31,720 Speaker 3: Tyler been slaving, yes, yeah, even he working hard on 302 00:14:31,800 --> 00:14:32,240 Speaker 3: the field. 303 00:14:32,320 --> 00:14:34,560 Speaker 2: We wonder what happened to Tyler. I thought maybe they 304 00:14:34,680 --> 00:14:36,480 Speaker 2: killed him or some shit. But they didn't have a 305 00:14:36,600 --> 00:14:38,040 Speaker 2: mock trial like they gave you Gene. 306 00:14:38,160 --> 00:14:41,440 Speaker 1: So they took him out and put him in chain 307 00:14:41,560 --> 00:14:45,440 Speaker 1: ship him to the chain gang, right, and so, uh, 308 00:14:46,560 --> 00:14:49,840 Speaker 1: Princess tells Zeke about Tyler and says, hey, that's that dude. 309 00:14:50,520 --> 00:14:54,080 Speaker 2: Maybe we can use him in our revolution. And Zeke 310 00:14:54,240 --> 00:14:57,160 Speaker 2: is like, I thought he kidnapped Max, and she's like, 311 00:14:57,280 --> 00:14:58,920 Speaker 2: I didn't say I like him. I just said he 312 00:14:59,000 --> 00:15:00,840 Speaker 2: got boss, all right. 313 00:15:01,280 --> 00:15:02,840 Speaker 3: She was like, what they gotta do in anything. 314 00:15:03,160 --> 00:15:05,200 Speaker 2: This is also a big deal because this is our 315 00:15:05,240 --> 00:15:08,560 Speaker 2: first time knowing that princes got kidnapped and she's here 316 00:15:08,680 --> 00:15:12,080 Speaker 2: now because last time we saw her she was basically telling, uh, 317 00:15:13,000 --> 00:15:15,160 Speaker 2: telling Mercer, I'm getting out of town. 318 00:15:15,400 --> 00:15:17,560 Speaker 1: So I guess they didn't let her leave. They took her. 319 00:15:17,760 --> 00:15:19,200 Speaker 1: They kidnapped on our way. 320 00:15:19,040 --> 00:15:23,320 Speaker 3: Out of town, probably right after she spoke with him, which. 321 00:15:23,200 --> 00:15:26,120 Speaker 2: Was interesting because Princess was determined to just be leave 322 00:15:26,160 --> 00:15:31,840 Speaker 2: everybody alone and go home. Yes, and they still kidnapped her. Then, Uh, 323 00:15:32,720 --> 00:15:35,320 Speaker 2: we cut to the warden who's on the heel. 324 00:15:35,720 --> 00:15:37,280 Speaker 1: Oh no, I'm sorry, I'm sorry. I was skipping something. 325 00:15:37,800 --> 00:15:41,080 Speaker 2: So Naghan is supposed to give a map to Zeke 326 00:15:41,840 --> 00:15:45,240 Speaker 2: with the with the position of the guards. He instead 327 00:15:45,400 --> 00:15:49,680 Speaker 2: gets distracted by seeing Annie doing some work and he 328 00:15:49,880 --> 00:15:53,280 Speaker 2: asked the guard can she get a break, and the 329 00:15:53,480 --> 00:15:56,000 Speaker 2: guard is like, you know, thinking first, he's thinks nigas 330 00:15:56,000 --> 00:15:58,000 Speaker 2: talk about himself. He's like, no, no breaks, get back 331 00:15:58,000 --> 00:16:00,720 Speaker 2: to work. He's like, not for me, for my wife. 332 00:16:01,280 --> 00:16:03,040 Speaker 2: You know, she's pregnant. He didn't want he didn't say 333 00:16:03,080 --> 00:16:05,080 Speaker 2: she was pregnant, but he's like her condition or something. 334 00:16:05,600 --> 00:16:08,240 Speaker 2: And then they basically was like, man, get your ass 335 00:16:08,320 --> 00:16:11,960 Speaker 2: at the work. They beat him up, they put and 336 00:16:12,120 --> 00:16:14,240 Speaker 2: he tries to help. They push her to the ground. 337 00:16:15,160 --> 00:16:18,680 Speaker 3: Nigga out here like get us free, right nah. 338 00:16:18,720 --> 00:16:22,080 Speaker 2: Also, like one of the things about this nigga shit 339 00:16:22,360 --> 00:16:25,160 Speaker 2: is I would be a little more okay with Nigan 340 00:16:25,400 --> 00:16:29,040 Speaker 2: like throwing himself in front of you know, the guards 341 00:16:29,120 --> 00:16:32,760 Speaker 2: to you know, take a stand if Annie would calm 342 00:16:32,840 --> 00:16:33,400 Speaker 2: the fuck down. 343 00:16:33,480 --> 00:16:36,600 Speaker 1: But right every time he do some shit and he 344 00:16:36,680 --> 00:16:38,520 Speaker 1: runs over to try to help him. Not but not 345 00:16:38,560 --> 00:16:42,400 Speaker 1: in the gang, right and Annie, But the thing for 346 00:16:42,560 --> 00:16:45,400 Speaker 1: Annie is that like she's pregnant and I worry about 347 00:16:45,520 --> 00:16:48,000 Speaker 1: like her, she punched the garden and they pushed her 348 00:16:48,080 --> 00:16:51,520 Speaker 1: down and dragged her away. Somebody did. I'm like, come on, like, 349 00:16:51,600 --> 00:16:53,960 Speaker 1: I'm pregnant, but I but you're gonna get these hands. 350 00:16:54,200 --> 00:16:58,200 Speaker 1: I'm like, what about this motherfucking like black maternal health rate. 351 00:16:58,280 --> 00:17:00,240 Speaker 1: What are we doing? What is me doing? I don't 352 00:17:00,240 --> 00:17:02,760 Speaker 1: want to see little little little fetus get jarred like 353 00:17:02,920 --> 00:17:05,800 Speaker 1: she want to have the baby. Let's like, you calm down, 354 00:17:06,560 --> 00:17:06,920 Speaker 1: let your. 355 00:17:06,880 --> 00:17:09,520 Speaker 2: White man use his white privilege. Come on, it's the 356 00:17:09,600 --> 00:17:11,200 Speaker 2: point of being with a vanilla king if you're not 357 00:17:11,240 --> 00:17:15,160 Speaker 2: gonna let them be vanilla. Yes, the wardens on the hill, 358 00:17:15,320 --> 00:17:18,960 Speaker 2: he oversees all this stuff with Nigan. And we cut 359 00:17:19,000 --> 00:17:21,400 Speaker 2: a little further away and Darryl and Carol are also 360 00:17:21,480 --> 00:17:24,719 Speaker 2: on a different hill looking down doing reconnaissance, and they 361 00:17:24,800 --> 00:17:30,560 Speaker 2: see everything that's happening with Nigan in them. Carol, Darryl, Rosita, Gabe, 362 00:17:30,760 --> 00:17:35,560 Speaker 2: Connie and Maggie from last week. They all talk like, hey, 363 00:17:35,720 --> 00:17:40,040 Speaker 2: we seen Daryl's like we've seen them. They they they stuck. 364 00:17:40,160 --> 00:17:42,399 Speaker 2: They like they gonna die down there. You gotta get 365 00:17:42,440 --> 00:17:42,760 Speaker 2: them out. 366 00:17:42,840 --> 00:17:43,880 Speaker 3: Ain't nobody get free. 367 00:17:44,480 --> 00:17:47,400 Speaker 2: And they do bring up that the kids are not there, 368 00:17:48,720 --> 00:17:52,600 Speaker 2: so they're still looking for their kids, you know, Coco, Judith, 369 00:17:53,000 --> 00:17:55,400 Speaker 2: Herschel all that. So the kids aren't down there doing 370 00:17:55,480 --> 00:17:59,680 Speaker 2: slave work, but the adults are. Carol's like, we not 371 00:17:59,800 --> 00:18:01,680 Speaker 2: care else. Maggie, I think said we can go down 372 00:18:01,680 --> 00:18:04,520 Speaker 2: there and get them, and they're like, no, it's too 373 00:18:04,560 --> 00:18:06,080 Speaker 2: many guards that are armed. 374 00:18:07,000 --> 00:18:08,680 Speaker 1: We can't just go down there and get them. And 375 00:18:08,800 --> 00:18:09,880 Speaker 1: the kids ain't down there. 376 00:18:10,359 --> 00:18:12,200 Speaker 3: Right, And it's also one of those things too, where 377 00:18:12,200 --> 00:18:15,639 Speaker 3: you go if we do this, they'll alert people, like, 378 00:18:16,000 --> 00:18:18,680 Speaker 3: you know, we have to actually be strategic in everything 379 00:18:18,800 --> 00:18:19,000 Speaker 3: we do. 380 00:18:19,359 --> 00:18:21,640 Speaker 2: So what they decide to do Instatu is to infiltrate 381 00:18:21,760 --> 00:18:28,760 Speaker 2: Alexandria because I guess wherever they're working is either it's 382 00:18:28,840 --> 00:18:32,920 Speaker 2: close enough to Alexandria for I guess our crew to know, like, 383 00:18:33,080 --> 00:18:36,360 Speaker 2: all right, well they're taking them back to Alexandria. 384 00:18:36,400 --> 00:18:38,480 Speaker 1: Eventually, we'll just go up breaking Alexandria. 385 00:18:38,680 --> 00:18:40,920 Speaker 3: Yes, And they know the layout of the land because 386 00:18:40,920 --> 00:18:42,240 Speaker 3: they know where Alexandria is. 387 00:18:43,359 --> 00:18:45,879 Speaker 2: So Maggie and Carroll they all split up in the 388 00:18:45,920 --> 00:18:48,720 Speaker 2: two's Maggie and Carroll, they're gonna infiltrate into Carol's old 389 00:18:48,800 --> 00:18:50,719 Speaker 2: house to see if maybe they can get a lead 390 00:18:50,800 --> 00:18:54,520 Speaker 2: on where the kids are. Gabe and Rosita they gotta 391 00:18:54,560 --> 00:18:58,880 Speaker 2: stay behind and be sharpshooters, even though Rozita definitely wants 392 00:18:58,920 --> 00:19:00,800 Speaker 2: to go look for Coco, and she's like, if y'all 393 00:19:00,880 --> 00:19:01,840 Speaker 2: motherfuckers take too long. 394 00:19:01,920 --> 00:19:05,399 Speaker 1: I'm coming down anyway, right, so get your shit together now. 395 00:19:05,520 --> 00:19:07,480 Speaker 2: And then Darryl and Connie said they're gonna take the 396 00:19:07,600 --> 00:19:12,280 Speaker 2: sewers to infiltrate into Alexandria. So basically it splits all 397 00:19:12,400 --> 00:19:16,240 Speaker 2: the group up. They tul up, they head out in 398 00:19:16,359 --> 00:19:19,320 Speaker 2: the cafeteria of the slaves, Nigga and Zeke sit by 399 00:19:19,440 --> 00:19:22,920 Speaker 2: Tyler and they try to convince Tyler to, like, you know, 400 00:19:23,119 --> 00:19:26,879 Speaker 2: help them overthrow this like you know, prison situation, and 401 00:19:26,960 --> 00:19:27,439 Speaker 2: he was like. 402 00:19:27,520 --> 00:19:30,000 Speaker 3: Massa been good to me. I'm not gonna turn my 403 00:19:30,160 --> 00:19:33,680 Speaker 3: back on Massive. I get I get three meals a day, 404 00:19:33,920 --> 00:19:36,119 Speaker 3: I maybe lay my head down. I don't know what 405 00:19:36,320 --> 00:19:39,880 Speaker 3: y'all talking about. I know I am not gonna leave 406 00:19:39,920 --> 00:19:40,719 Speaker 3: this plantation. 407 00:19:41,200 --> 00:19:44,600 Speaker 2: Well, he was shook because they have tried to revote 408 00:19:44,640 --> 00:19:51,160 Speaker 2: before and people get killed. And he's like, like, y'all 409 00:19:51,200 --> 00:19:52,920 Speaker 2: think y'all the first motherfuckers to try to do a 410 00:19:52,960 --> 00:19:53,719 Speaker 2: revolution in here. 411 00:19:53,960 --> 00:19:56,520 Speaker 1: No, it's not gonna work. Zeke is like, listen, man, 412 00:19:56,600 --> 00:19:59,040 Speaker 1: you gotta have faith things can change or i they won't. 413 00:19:59,640 --> 00:20:01,919 Speaker 2: And and of course you know, Tyler's looking at them 414 00:20:02,000 --> 00:20:04,119 Speaker 2: like new fish, like Nigga, this is jail. 415 00:20:04,240 --> 00:20:06,840 Speaker 1: We're here until we die, accepted and move on. 416 00:20:08,080 --> 00:20:11,040 Speaker 2: While they're convincing him with the hope and change speech, 417 00:20:11,760 --> 00:20:15,800 Speaker 2: the guards come in and take Nigan away and they're like, 418 00:20:15,880 --> 00:20:16,320 Speaker 2: come with us. 419 00:20:16,400 --> 00:20:17,639 Speaker 1: He tried to take like one more b out of 420 00:20:17,680 --> 00:20:19,800 Speaker 1: his food. Then he's like, where's my wife and they're like, 421 00:20:19,880 --> 00:20:20,440 Speaker 1: get your ass. 422 00:20:20,760 --> 00:20:25,640 Speaker 2: It was new and so Tyler's after they take after 423 00:20:25,720 --> 00:20:28,840 Speaker 2: Nigan's taking away, Tyler looks at Zeken goes you on 424 00:20:28,960 --> 00:20:31,800 Speaker 2: your own, basically like, y'all talking about hope and all 425 00:20:31,840 --> 00:20:32,120 Speaker 2: this shit. 426 00:20:32,160 --> 00:20:34,600 Speaker 1: They already yoking, y'all up, what the fuck? This plant 427 00:20:34,600 --> 00:20:37,160 Speaker 1: ain't gonna work. They already suspecially it's not gonna work. 428 00:20:37,800 --> 00:20:41,320 Speaker 2: So they sit neaging down in the warden's office and 429 00:20:41,600 --> 00:20:43,000 Speaker 2: the guard that's one of the guards that. 430 00:20:43,040 --> 00:20:43,920 Speaker 1: Sits nagging down. 431 00:20:44,480 --> 00:20:46,760 Speaker 2: His name number is one nine seven because remember the 432 00:20:46,800 --> 00:20:50,399 Speaker 2: warden says, they don't use names here. It's interesting to 433 00:20:50,480 --> 00:20:53,560 Speaker 2: me as a character choice, because it's hard to do 434 00:20:54,040 --> 00:20:57,360 Speaker 2: a TV show or just life not using names, right, 435 00:20:57,600 --> 00:20:59,480 Speaker 2: So it doesn't make any sense to me, you know. 436 00:21:00,520 --> 00:21:04,720 Speaker 2: But obviously he's trying to dehumanize him and make them 437 00:21:04,760 --> 00:21:08,399 Speaker 2: feel like, you know, disassociated from being actual human beings, 438 00:21:08,480 --> 00:21:11,600 Speaker 2: but still it's just like impractical to me. So he 439 00:21:11,760 --> 00:21:14,920 Speaker 2: calls the guard number one nine seven, which you know, 440 00:21:15,359 --> 00:21:17,840 Speaker 2: might as well call him John, like whatever his name is. Then, 441 00:21:18,560 --> 00:21:23,040 Speaker 2: but he tells the guard in front of Meagan that hey, 442 00:21:23,320 --> 00:21:25,359 Speaker 2: one nine seven, your transfer has been denied. 443 00:21:25,480 --> 00:21:27,800 Speaker 1: And the dude is like, but my brother is sick. 444 00:21:28,560 --> 00:21:32,399 Speaker 2: And he's like, well, if that's too bad, because you 445 00:21:32,560 --> 00:21:35,399 Speaker 2: went behind my back to ask for a transfer and 446 00:21:35,760 --> 00:21:38,160 Speaker 2: now you're gonna be doing six more months of hard 447 00:21:38,320 --> 00:21:42,560 Speaker 2: duty here in the prison, so you know you ain't 448 00:21:42,560 --> 00:21:45,680 Speaker 2: gonna get to go see your brother. And we see 449 00:21:45,720 --> 00:21:47,800 Speaker 2: the guard is mad because his fist is balled up. 450 00:21:47,920 --> 00:21:49,920 Speaker 2: Megan makes a note of that, yes he does, and 451 00:21:50,000 --> 00:21:55,680 Speaker 2: then the guard leaves, and the warden basically says to 452 00:21:55,800 --> 00:21:58,399 Speaker 2: Nigan like, hey, in that area where you had to 453 00:21:58,440 --> 00:22:00,720 Speaker 2: scuffle with the guards earlier, we found your little map 454 00:22:02,320 --> 00:22:06,040 Speaker 2: and in this map it's got you know what this means? 455 00:22:06,080 --> 00:22:08,240 Speaker 2: He was like, I don't know, look like TikTok or something. 456 00:22:08,240 --> 00:22:09,520 Speaker 2: I mean tech tac toe or something. 457 00:22:11,040 --> 00:22:12,159 Speaker 1: Sorry, I made a mistake. 458 00:22:12,560 --> 00:22:14,320 Speaker 3: You okay, keep rub your eyes. 459 00:22:14,400 --> 00:22:21,160 Speaker 1: Yeah, I'm fine. It's a menopause. The h The warden 460 00:22:21,680 --> 00:22:28,119 Speaker 1: says basically like, listen you, uh, I know what this is. 461 00:22:28,280 --> 00:22:30,159 Speaker 2: You might try to act like I don't know, but 462 00:22:30,480 --> 00:22:33,679 Speaker 2: this is a map of my guards and the change 463 00:22:34,000 --> 00:22:38,080 Speaker 2: during the shifts in position and all this other shit. 464 00:22:38,280 --> 00:22:40,480 Speaker 1: So nigga, come clean. 465 00:22:41,320 --> 00:22:45,760 Speaker 2: It's your people, now what we obviously we were supposed 466 00:22:45,760 --> 00:22:48,520 Speaker 2: to think he knew Niagan was the one, and especially 467 00:22:48,600 --> 00:22:50,920 Speaker 2: since that's the area Nigan had the scuffle, you thought, 468 00:22:51,119 --> 00:22:53,000 Speaker 2: and the note fell out of his pocket. 469 00:22:55,040 --> 00:22:56,840 Speaker 1: And she was like, I mean. 470 00:22:56,920 --> 00:23:00,399 Speaker 2: The warden was like, nah, uh, it's one of your people. 471 00:23:00,680 --> 00:23:02,600 Speaker 2: And I could tell you a man that used to 472 00:23:02,960 --> 00:23:05,680 Speaker 2: like I thought you were a leader, but you you 473 00:23:05,920 --> 00:23:08,639 Speaker 2: seem to be. You didn't separate yourself from everybody. You 474 00:23:08,720 --> 00:23:12,800 Speaker 2: seem to be with them, and uh, trying to be 475 00:23:12,920 --> 00:23:15,840 Speaker 2: one of the people. Well, I'm gonna need you to 476 00:23:15,920 --> 00:23:18,360 Speaker 2: betray your people and tell me who the fucking who 477 00:23:18,440 --> 00:23:19,159 Speaker 2: fucking did this? 478 00:23:21,240 --> 00:23:23,800 Speaker 1: And Meigan was like, they not my people. They fucking 479 00:23:23,880 --> 00:23:24,240 Speaker 1: hate me. 480 00:23:24,520 --> 00:23:26,920 Speaker 3: Which is a true statement. I was like, I was thinking, 481 00:23:27,000 --> 00:23:28,560 Speaker 3: you have no idea who you're talking to. 482 00:23:28,800 --> 00:23:31,919 Speaker 1: He said, other than my wife. All these motherfuckers hate me. 483 00:23:32,280 --> 00:23:33,520 Speaker 3: And that's the true statement too. 484 00:23:33,680 --> 00:23:36,400 Speaker 2: And the warden says, well, be that as it made 485 00:23:36,440 --> 00:23:38,680 Speaker 2: too bad you the one that's gonna charge of finding 486 00:23:38,720 --> 00:23:41,639 Speaker 2: out who's leading the resistance, or you won't get to 487 00:23:41,720 --> 00:23:47,760 Speaker 2: see your wife. But they do allow Meigan to go 488 00:23:47,840 --> 00:23:51,359 Speaker 2: into Annie's room, and she was in there taking a 489 00:23:51,600 --> 00:23:52,080 Speaker 2: good ass. 490 00:23:52,320 --> 00:23:54,720 Speaker 1: Now, she was sleeping hard. I don't know if it's 491 00:23:54,760 --> 00:23:58,200 Speaker 1: the pregnancy or the slavery. It takes a lot out 492 00:23:58,240 --> 00:24:00,680 Speaker 1: of you, but she was in there. He was knocked. 493 00:24:00,840 --> 00:24:03,520 Speaker 3: She was dead to the bed, dead to the bed 494 00:24:03,600 --> 00:24:04,720 Speaker 3: dead to the world, and. 495 00:24:04,920 --> 00:24:08,320 Speaker 1: So Meagan wakes her up. They exchange a bunch of 496 00:24:08,400 --> 00:24:10,520 Speaker 1: tender nothings, you know, a bunch of like, Oh, I'm 497 00:24:10,520 --> 00:24:12,120 Speaker 1: gonna get out of it. We're gonna get out of here. 498 00:24:12,560 --> 00:24:15,720 Speaker 1: He's like, oh, my chocolate princess, I'm gonna I'm gonna 499 00:24:15,720 --> 00:24:17,440 Speaker 1: get us out of here. Take care of our little 500 00:24:17,440 --> 00:24:18,160 Speaker 1: swirl baby. 501 00:24:18,280 --> 00:24:20,560 Speaker 3: Yeah, they started making jokes, you know. He was like, 502 00:24:21,080 --> 00:24:22,800 Speaker 3: He's like, I used to not be shit. She was like, 503 00:24:22,880 --> 00:24:25,399 Speaker 3: I know, and they, you know, start laughing stuff. 504 00:24:26,000 --> 00:24:28,800 Speaker 2: Yeah, And it's clear that Annie just does not know 505 00:24:28,960 --> 00:24:31,320 Speaker 2: the horrors of the Niagan that he was. It's just 506 00:24:31,840 --> 00:24:33,920 Speaker 2: and maybe that's the only way a person could love 507 00:24:34,040 --> 00:24:37,040 Speaker 2: him is to not know how evil this nigga was 508 00:24:37,320 --> 00:24:40,120 Speaker 2: because he's still Jeffrey Dean Morgan, a very attractive man, 509 00:24:40,240 --> 00:24:42,840 Speaker 2: and there's many a person that would hop, you know, 510 00:24:43,040 --> 00:24:46,399 Speaker 2: slide right down at vanilla Pole, all right. They just 511 00:24:46,680 --> 00:24:49,000 Speaker 2: lick all the red off the candy cane. And so 512 00:24:49,640 --> 00:24:53,080 Speaker 2: I get how she might, you know, be down with him, 513 00:24:53,119 --> 00:24:57,440 Speaker 2: but it does say something that you know, he every 514 00:24:57,480 --> 00:25:00,240 Speaker 2: time he starts talking, we as an audience, do you know, 515 00:25:00,760 --> 00:25:04,200 Speaker 2: So when he's like, I know, I know men like him, 516 00:25:04,359 --> 00:25:06,800 Speaker 2: like the warden and I used to beat him, and 517 00:25:06,880 --> 00:25:08,520 Speaker 2: I'm like, oh, you was worse than him. 518 00:25:09,840 --> 00:25:11,560 Speaker 1: You was worse than just regular slavery. 519 00:25:11,720 --> 00:25:16,640 Speaker 2: Okay, but uh at any rate, they basically agree because 520 00:25:16,640 --> 00:25:18,359 Speaker 2: he won't tell her his whole plan. But she's like, 521 00:25:19,040 --> 00:25:20,920 Speaker 2: you know, don't get yourself killed. And she he said, 522 00:25:21,000 --> 00:25:22,520 Speaker 2: I'm gonna get us out of here, and. 523 00:25:23,560 --> 00:25:26,399 Speaker 1: I'm going to handle the warden. And she says if 524 00:25:26,480 --> 00:25:28,440 Speaker 1: I don't do it first, and I said, I like, 525 00:25:28,600 --> 00:25:29,240 Speaker 1: I like Annie. 526 00:25:29,400 --> 00:25:31,520 Speaker 3: Yeah, she gainst it. That's why she was like, yeah, 527 00:25:31,560 --> 00:25:33,560 Speaker 3: I might be pregnant, but I'm just still gonna get 528 00:25:33,560 --> 00:25:34,040 Speaker 3: these hands. 529 00:25:34,320 --> 00:25:35,960 Speaker 1: Yeah. I don't like you know that. 530 00:25:36,080 --> 00:25:39,159 Speaker 2: She keep throwing herself in front of like cause I 531 00:25:39,720 --> 00:25:42,000 Speaker 2: know how Nigan ain't shit, but it's you know, so 532 00:25:42,119 --> 00:25:44,080 Speaker 2: every time she risk her life for Nigan, I'll. 533 00:25:43,960 --> 00:25:47,000 Speaker 1: Be like, girl, but uh, you know, I get it. 534 00:25:47,400 --> 00:25:47,840 Speaker 3: I get it. 535 00:25:47,920 --> 00:25:51,920 Speaker 1: She rideed die h. In the Sewers, Darryl and Connie 536 00:25:52,920 --> 00:25:53,760 Speaker 1: get Oldwaukee. 537 00:25:54,520 --> 00:25:56,840 Speaker 2: They're arriving the Sewers, they get a walking from Carol 538 00:25:56,920 --> 00:26:00,000 Speaker 2: that says, hey, we made it too, Alexandria too. Maggie 539 00:26:00,040 --> 00:26:03,080 Speaker 2: and Carol sneak around, eventually get into Carol's old house. 540 00:26:03,400 --> 00:26:05,960 Speaker 2: They ambush of guard, they knock his ass out. Child's 541 00:26:05,960 --> 00:26:07,440 Speaker 2: play for our crew, right. 542 00:26:07,720 --> 00:26:10,840 Speaker 1: Nothing. Then Maggie and Carol have a. 543 00:26:10,880 --> 00:26:12,879 Speaker 2: Heart to heart about having a kid in the z 544 00:26:13,080 --> 00:26:16,040 Speaker 2: Poch and Maggie now that hersh has been kidnapped and 545 00:26:16,240 --> 00:26:18,520 Speaker 2: just how shitty things have been for Herschel in general, 546 00:26:19,000 --> 00:26:21,119 Speaker 2: Maggie feels like a bad mom and like, should I 547 00:26:21,240 --> 00:26:22,080 Speaker 2: even have had a kid? 548 00:26:22,320 --> 00:26:23,119 Speaker 1: Was it selfish? 549 00:26:23,840 --> 00:26:24,440 Speaker 3: Da da da dah? 550 00:26:24,440 --> 00:26:26,680 Speaker 1: And Carol basically says, is it selfish? 551 00:26:26,760 --> 00:26:29,359 Speaker 2: That I miss all my dead little kids and she 552 00:26:29,600 --> 00:26:32,399 Speaker 2: had several of them, and she says, you know, we 553 00:26:32,560 --> 00:26:34,240 Speaker 2: out here trying to make the world better, and part 554 00:26:34,280 --> 00:26:36,200 Speaker 2: of the reason you're doing that is because you got kids, 555 00:26:36,520 --> 00:26:39,720 Speaker 2: so that's hope, So don't give up. And it's like 556 00:26:39,760 --> 00:26:43,040 Speaker 2: a cute little moment, and then they hear disturbance upstairs. 557 00:26:43,160 --> 00:26:46,280 Speaker 2: Oh and Maggie had said, you know, she thinks her 558 00:26:46,320 --> 00:26:47,960 Speaker 2: mind's playing tricks on it, and she's like, I just 559 00:26:48,000 --> 00:26:52,440 Speaker 2: feel like I hear Herschel's voice everywhere, you know. So 560 00:26:53,080 --> 00:26:59,440 Speaker 2: the next day at the job, the slave job, Zeke 561 00:26:59,720 --> 00:27:02,920 Speaker 2: war is Nagan not to go rogue again, like you 562 00:27:02,960 --> 00:27:05,400 Speaker 2: were supposed to hand me that map. Then you got 563 00:27:05,480 --> 00:27:08,080 Speaker 2: beat up, fucking up the plan right then you got 564 00:27:08,160 --> 00:27:10,920 Speaker 2: abducted in front of Tyler's so he ain't gonna work 565 00:27:10,960 --> 00:27:13,040 Speaker 2: with us, Like were working out. 566 00:27:12,880 --> 00:27:15,359 Speaker 3: Out here recruiting and you fucking up the recruitment playing and. 567 00:27:15,440 --> 00:27:17,639 Speaker 2: Nigan tries to be like, calm down, I got this 568 00:27:17,880 --> 00:27:22,399 Speaker 2: or whatever, and then uh and and and Zeke is like, 569 00:27:22,480 --> 00:27:24,440 Speaker 2: what did the warden tell you when they pulled you 570 00:27:24,520 --> 00:27:28,680 Speaker 2: to the side, and uh. When Megan tries to brush 571 00:27:28,760 --> 00:27:31,800 Speaker 2: him off, Zike to fucking like lets him know, like, nigga, 572 00:27:31,880 --> 00:27:36,440 Speaker 2: we not friends, never have, never will be. Yeah, He's like, 573 00:27:37,320 --> 00:27:39,639 Speaker 2: you don't even fucking know why we're not friends. He 574 00:27:39,800 --> 00:27:45,880 Speaker 2: was like, you killed Benjamin. Benjamin was Henry's brother. That's 575 00:27:45,960 --> 00:27:50,920 Speaker 2: my son, and your apologies mean nothing to me. I 576 00:27:51,080 --> 00:27:52,040 Speaker 2: don't fuck with you. 577 00:27:52,960 --> 00:27:55,280 Speaker 3: Come on and as a record label and the crew. 578 00:27:55,560 --> 00:27:58,119 Speaker 1: You don't deserve to start over. You don't deserve to 579 00:27:58,160 --> 00:28:01,359 Speaker 1: be a father. You'll deserve. You deserve to be in 580 00:28:01,440 --> 00:28:01,960 Speaker 1: this prison. 581 00:28:02,640 --> 00:28:05,840 Speaker 2: And then Nigan tells him like okay, like he finally 582 00:28:05,920 --> 00:28:09,120 Speaker 2: kind of pulls off Nighan and goes, well, I'm gonna 583 00:28:09,119 --> 00:28:10,600 Speaker 2: be a father anyway. 584 00:28:11,119 --> 00:28:14,920 Speaker 1: And we don't gotta be friends. You do you, I'll 585 00:28:15,000 --> 00:28:17,520 Speaker 1: do me, and you know what, I'm gonna do it 586 00:28:17,640 --> 00:28:18,240 Speaker 1: for my kid. 587 00:28:19,880 --> 00:28:23,320 Speaker 2: Which is interesting because we know that the Water is 588 00:28:23,400 --> 00:28:27,600 Speaker 2: looking for a name to be the Trader. He's empowered 589 00:28:27,720 --> 00:28:31,280 Speaker 2: Megan to find out who it is, and Meigan has 590 00:28:32,160 --> 00:28:36,520 Speaker 2: now this Zeke is beefing with him, basically giving him 591 00:28:36,720 --> 00:28:40,160 Speaker 2: a voluntary and the name without knowing it, giving a 592 00:28:40,280 --> 00:28:43,000 Speaker 2: motive like he could eat like Nigga. 593 00:28:42,760 --> 00:28:45,480 Speaker 3: Could easily be like, man, I don't like that this dude. 594 00:28:45,560 --> 00:28:46,240 Speaker 1: Don't fuck with me. 595 00:28:47,320 --> 00:28:49,720 Speaker 2: I'll distract everybody by saying he the Trader and then 596 00:28:49,760 --> 00:28:51,560 Speaker 2: the rest of us will fucking come up with a plan. 597 00:28:52,560 --> 00:28:58,040 Speaker 1: But then Nagan walks off and in the next scene 598 00:28:58,280 --> 00:29:01,160 Speaker 1: we see he's in the warden's office and he's like, 599 00:29:01,440 --> 00:29:04,000 Speaker 1: I got a name for you, and it's like, oh shit, 600 00:29:04,880 --> 00:29:06,000 Speaker 1: he gonna tell on Zeke. 601 00:29:06,240 --> 00:29:08,479 Speaker 3: You know, I was like I was, and my thing 602 00:29:08,720 --> 00:29:11,280 Speaker 3: was that makes sense because Zeke out here puffing his 603 00:29:11,440 --> 00:29:12,040 Speaker 3: chest and he was. 604 00:29:12,080 --> 00:29:15,120 Speaker 2: Like, oh word, Now here's the thing though, Karen, here's 605 00:29:15,120 --> 00:29:21,840 Speaker 2: the thing. The warden said, he don't use names. So 606 00:29:22,000 --> 00:29:23,440 Speaker 2: how I'm gonna have a name for you? 607 00:29:23,720 --> 00:29:26,280 Speaker 1: What does it even mean to the wharden? You see 608 00:29:26,280 --> 00:29:28,640 Speaker 1: what I'm saying. That's why I said the name things stupid. 609 00:29:28,760 --> 00:29:30,880 Speaker 1: Everybody need names. Who's the snitch? 610 00:29:31,120 --> 00:29:33,560 Speaker 2: Okay, I don't want to sound racist, but he's a 611 00:29:33,640 --> 00:29:37,640 Speaker 2: black guy about he's got great dreadlocks. 612 00:29:38,400 --> 00:29:40,360 Speaker 1: Like it's just it's just dumb, the whole don't use 613 00:29:40,440 --> 00:29:43,400 Speaker 1: names thing because you know the people are gonna do it. 614 00:29:44,480 --> 00:29:45,600 Speaker 1: But yeah, so then. 615 00:29:47,560 --> 00:29:51,520 Speaker 2: At night, all the slaves are waking in the middle 616 00:29:51,520 --> 00:29:54,280 Speaker 2: of the night, taking out of their beds, sleeping. Good 617 00:29:54,560 --> 00:29:57,160 Speaker 2: take it to the windmill and Alexandria like, they take 618 00:29:57,200 --> 00:30:00,680 Speaker 2: him in front of the windmill. And they did some 619 00:30:00,880 --> 00:30:05,400 Speaker 2: real clever like misdirection here because the guards really grabbed 620 00:30:05,480 --> 00:30:09,360 Speaker 2: Zeke and Annie like they like grabbed them by both 621 00:30:09,480 --> 00:30:12,280 Speaker 2: arms and shit, and there's probably like twenty thirty people, 622 00:30:12,360 --> 00:30:14,400 Speaker 2: but the rest of the people, they're not really grabbing 623 00:30:14,480 --> 00:30:16,400 Speaker 2: up on them like that, right, So it makes you 624 00:30:16,480 --> 00:30:19,840 Speaker 2: think like, oh, he gave them Zeke's name, yes, sir, 625 00:30:20,280 --> 00:30:23,600 Speaker 2: And so the warden is out there, Oh we get 626 00:30:23,600 --> 00:30:24,280 Speaker 2: to see Nobila. 627 00:30:25,160 --> 00:30:27,440 Speaker 3: Yes, I was like, that's what she. 628 00:30:27,760 --> 00:30:28,000 Speaker 1: I love. 629 00:30:28,040 --> 00:30:31,120 Speaker 3: When they said they snatched theirby, they meant everybody. 630 00:30:30,720 --> 00:30:34,840 Speaker 2: Right, And it's also very telling that that means in Alexandria, 631 00:30:35,680 --> 00:30:38,880 Speaker 2: when the Commonwealth took over, they separated the parents from 632 00:30:38,920 --> 00:30:41,600 Speaker 2: the kids. Yes, so even if you was already in 633 00:30:41,720 --> 00:30:44,320 Speaker 2: there living with your kids, they take your kids because 634 00:30:44,400 --> 00:30:47,080 Speaker 2: the kids weren't even in that room. And it's you know, 635 00:30:47,680 --> 00:30:50,040 Speaker 2: Nobilla's not just gonna not be around her fucking kids. 636 00:30:50,200 --> 00:30:53,000 Speaker 1: Yeah, you know she got a fifty hundred of them, right, 637 00:30:53,200 --> 00:30:55,440 Speaker 1: so you know she kinbably wanted to break, but not 638 00:30:55,560 --> 00:30:55,920 Speaker 1: this way. 639 00:30:56,560 --> 00:30:56,720 Speaker 3: Right. 640 00:30:57,880 --> 00:31:00,840 Speaker 2: So then now imagine they let you see your kids, 641 00:31:01,160 --> 00:31:03,280 Speaker 2: but just not on a daily basis. 642 00:31:03,400 --> 00:31:04,600 Speaker 3: Correct, that's finally what they do. 643 00:31:05,240 --> 00:31:09,400 Speaker 1: So basically they take you out. They took everybody out 644 00:31:09,400 --> 00:31:10,040 Speaker 1: to the windmill. 645 00:31:11,400 --> 00:31:15,360 Speaker 2: Nagan is already there, and the warden says, we got 646 00:31:15,400 --> 00:31:19,560 Speaker 2: a trader in our miss and it's Niagan. He confessed 647 00:31:19,600 --> 00:31:21,520 Speaker 2: to being a trader, so he didn't give him Zeke's name. 648 00:31:21,560 --> 00:31:24,960 Speaker 2: He gave him his name, which how did the warden. 649 00:31:24,840 --> 00:31:26,680 Speaker 1: I already suspect him. Maybe that was the trick. 650 00:31:26,760 --> 00:31:29,480 Speaker 2: He would thought Nigan would name his co conspirators or 651 00:31:29,520 --> 00:31:31,760 Speaker 2: some shit, and then I don't know what the but 652 00:31:32,480 --> 00:31:33,400 Speaker 2: they didn't even elaborate. 653 00:31:33,440 --> 00:31:34,360 Speaker 1: I'm giving them a lot of. 654 00:31:34,480 --> 00:31:36,520 Speaker 3: Leeway on this, right, you know, because they didn't say that. 655 00:31:36,760 --> 00:31:39,520 Speaker 1: Yeah, I think it was literally just a trick to 656 00:31:39,720 --> 00:31:42,160 Speaker 1: us as an artist, to be a misdirection. So we'd 657 00:31:42,160 --> 00:31:44,680 Speaker 1: be like, oh, he did turn himself in. Nagan has 658 00:31:44,800 --> 00:31:49,080 Speaker 1: changed his ways. He's still a hero. But then they say, 659 00:31:49,120 --> 00:31:51,680 Speaker 1: all right, we're gonna kill Nagan. But if any of 660 00:31:51,760 --> 00:31:53,760 Speaker 1: y'all was helping him just to get out of jail 661 00:31:53,800 --> 00:31:56,880 Speaker 1: free card, just come forward. Of course, no one comes forward, 662 00:31:56,920 --> 00:31:59,840 Speaker 1: because what the fuck? That's stupid. Why would you even 663 00:31:59,840 --> 00:32:01,280 Speaker 1: say say that if it's a get out of jail 664 00:32:01,320 --> 00:32:01,840 Speaker 1: free card? 665 00:32:02,480 --> 00:32:02,520 Speaker 3: What? 666 00:32:02,920 --> 00:32:05,240 Speaker 1: They doesn't make sense. I'm out myself. You're gonna kill 667 00:32:05,320 --> 00:32:06,840 Speaker 1: me too, right, you know? 668 00:32:07,240 --> 00:32:09,120 Speaker 3: But so I like that. 669 00:32:09,280 --> 00:32:13,480 Speaker 1: Everybody was like, no, he did it by hisself. He 670 00:32:13,640 --> 00:32:17,480 Speaker 1: just wrote a map for his own education. Right, So 671 00:32:17,680 --> 00:32:22,640 Speaker 1: then they're about to kill Nighan, and Andie breaks free 672 00:32:22,840 --> 00:32:24,960 Speaker 1: and she does her you know, I love you, no, 673 00:32:25,360 --> 00:32:27,480 Speaker 1: not Nigan. Y'all just gonna let them. 674 00:32:29,120 --> 00:32:29,239 Speaker 3: Right. 675 00:32:29,360 --> 00:32:31,600 Speaker 1: She's still called Nigan Nighan. By the way, the fact 676 00:32:31,640 --> 00:32:33,880 Speaker 1: that she don't call this nigga's first name is I 677 00:32:33,920 --> 00:32:36,440 Speaker 1: don't know why it bothers me, but it bothers me. 678 00:32:36,600 --> 00:32:39,080 Speaker 1: I don't know why it bothers me. Like who calls they? 679 00:32:39,280 --> 00:32:39,600 Speaker 1: I don't know. 680 00:32:39,680 --> 00:32:43,320 Speaker 2: Maybe other people do, but maybe it's just because women 681 00:32:43,400 --> 00:32:47,800 Speaker 2: always call people by day by their first name or 682 00:32:47,920 --> 00:32:50,200 Speaker 2: and normally they full name and ship because they want to. 683 00:32:51,440 --> 00:32:54,800 Speaker 2: It's that little possessiveness that they want to put out 684 00:32:54,800 --> 00:32:55,640 Speaker 2: into the world. 685 00:32:55,520 --> 00:32:56,760 Speaker 1: To be like, that's my man. 686 00:32:57,560 --> 00:33:02,560 Speaker 2: Everybody calls him, you know, uh slater, but I call 687 00:33:02,640 --> 00:33:06,600 Speaker 2: him Christian and stay of its stay way of saying 688 00:33:06,760 --> 00:33:07,920 Speaker 2: this mine okay. 689 00:33:08,120 --> 00:33:11,120 Speaker 3: And my thing is because I didn't won't all you 690 00:33:11,120 --> 00:33:12,360 Speaker 3: your dad and your brother? 691 00:33:12,400 --> 00:33:14,640 Speaker 2: I responded, my dad and my brother don't be here, 692 00:33:15,160 --> 00:33:17,240 Speaker 2: and they don't. And when we're out with other people 693 00:33:17,280 --> 00:33:19,400 Speaker 2: that don't know them, they don't know that. And you 694 00:33:19,480 --> 00:33:20,800 Speaker 2: still say Roderck it's fine. 695 00:33:21,440 --> 00:33:22,280 Speaker 1: It's just the truth. 696 00:33:22,480 --> 00:33:26,360 Speaker 2: And I'm all to your ship. I'm onto all these 697 00:33:26,400 --> 00:33:29,920 Speaker 2: women ship, so I do no matter where we are, 698 00:33:29,960 --> 00:33:32,040 Speaker 2: I just called you. I know, his first name probably 699 00:33:32,160 --> 00:33:35,080 Speaker 2: like you know, called Nagan or some ship like that. 700 00:33:35,200 --> 00:33:37,280 Speaker 1: I don't know. It's Nagan, Nigan Okay. 701 00:33:37,280 --> 00:33:40,000 Speaker 2: The chatter saying his name is Nagan Nieghan Okay, got it, 702 00:33:41,000 --> 00:33:44,600 Speaker 2: Nigan Smith. Okay, I'm alsos believe that Niggan Smith. 703 00:33:44,640 --> 00:33:45,360 Speaker 1: Are y'all serious? 704 00:33:45,440 --> 00:33:46,640 Speaker 3: That's a basic ass name. 705 00:33:46,960 --> 00:33:49,160 Speaker 1: I've never met a human being named Meighan for a 706 00:33:49,240 --> 00:33:49,760 Speaker 1: first name. 707 00:33:50,000 --> 00:33:51,080 Speaker 3: Have y'all. 708 00:33:52,440 --> 00:33:56,120 Speaker 1: That's okay anyway, So that is his first name. Uh so, 709 00:33:56,680 --> 00:34:01,120 Speaker 1: Actually I am correct. She called him by keep it 710 00:34:01,200 --> 00:34:03,959 Speaker 1: a tradition alive, right anyway? 711 00:34:04,120 --> 00:34:07,840 Speaker 2: So Nigan, She's like, I love him. And then he's 712 00:34:07,880 --> 00:34:10,640 Speaker 2: on his knees, prepared to die. They're about to shoot him, 713 00:34:11,120 --> 00:34:14,200 Speaker 2: and and he begs for his life to noahvel. I 714 00:34:14,320 --> 00:34:18,600 Speaker 2: love this part too, because as much shit as he's done, 715 00:34:20,360 --> 00:34:24,319 Speaker 2: they wouldn't but he's not the person they would be like. 716 00:34:24,680 --> 00:34:26,560 Speaker 1: Stop, don't kill him. 717 00:34:27,480 --> 00:34:32,160 Speaker 2: Like he's Nagan and there's no matter what level of 718 00:34:32,520 --> 00:34:37,120 Speaker 2: redemption he's had, he's not too sympathetic of a figure 719 00:34:37,160 --> 00:34:37,840 Speaker 2: because he's. 720 00:34:37,840 --> 00:34:41,360 Speaker 1: Abused all these people, right, So I actually liked that. 721 00:34:41,880 --> 00:34:44,360 Speaker 2: I mean, it's sad that this black pregnant woman was crying, 722 00:34:44,440 --> 00:34:46,640 Speaker 2: but I actually liked that nobody stepped forward. 723 00:34:46,680 --> 00:34:50,280 Speaker 1: They were like, hmm, well my name is Bennett. 724 00:34:51,360 --> 00:34:53,800 Speaker 3: Yeah, I know, so truth be told. I think Nigga 725 00:34:53,840 --> 00:34:55,719 Speaker 3: that prepared for that. Like Nigga was like, oh, I know, 726 00:34:55,760 --> 00:34:57,880 Speaker 3: nobody's gonnacept up for me. I've been a harbor person 727 00:34:58,280 --> 00:35:00,320 Speaker 3: and if this is the way I die, so be it, 728 00:35:00,600 --> 00:35:02,800 Speaker 3: because you know I've done some terrible things. 729 00:35:03,160 --> 00:35:06,279 Speaker 2: But then Meigan looks at the warden defiantly as the 730 00:35:06,400 --> 00:35:09,520 Speaker 2: warden says to shoot him, and the warden stops it. 731 00:35:10,719 --> 00:35:13,200 Speaker 2: And I think it was literally this look that made 732 00:35:13,239 --> 00:35:15,839 Speaker 2: the warden go, nah, fuck you because you're ready to die. 733 00:35:16,640 --> 00:35:18,719 Speaker 2: And he went and grabbed Annie and said I'm gonna 734 00:35:18,719 --> 00:35:23,000 Speaker 2: shoot her. And then he says, and the warden says, 735 00:35:23,040 --> 00:35:24,040 Speaker 2: there's no martyrs here. 736 00:35:24,640 --> 00:35:25,480 Speaker 1: You will feel this. 737 00:35:25,600 --> 00:35:32,880 Speaker 2: Punishment and black maternal health still suffering in the zepop guys, Okay, 738 00:35:33,640 --> 00:35:34,799 Speaker 2: tougher out here for black women. 739 00:35:36,160 --> 00:35:39,840 Speaker 1: But then Nigan, please for Annie's life. He's like, that 740 00:35:40,120 --> 00:35:42,279 Speaker 1: wasn't our deal. We had a deal. 741 00:35:42,400 --> 00:35:45,160 Speaker 2: And the warden's looking like, oh well, Nigga shoot him. 742 00:35:45,560 --> 00:35:49,600 Speaker 2: And then the soldier one ninety seven is part of 743 00:35:49,680 --> 00:35:54,880 Speaker 2: the shooting execution squad and Sonigan says, what about you. 744 00:35:55,000 --> 00:35:59,239 Speaker 2: You got a family, you know, like, come on, man, 745 00:35:59,440 --> 00:36:02,400 Speaker 2: you can't do this one non seven or whatever, and 746 00:36:02,520 --> 00:36:06,200 Speaker 2: then Zeke walks through the fire and squad, stands in 747 00:36:06,239 --> 00:36:09,800 Speaker 2: front of Megan and between Nigan and the fire and squad, 748 00:36:09,880 --> 00:36:12,920 Speaker 2: and he starts telling you know, everybody starts joining them, 749 00:36:13,160 --> 00:36:15,000 Speaker 2: and Nigga's like, what are you doing? He was like, 750 00:36:15,080 --> 00:36:18,040 Speaker 2: I don't know, and everybody does all the all the 751 00:36:18,200 --> 00:36:19,520 Speaker 2: cool all the cool kids do it. 752 00:36:19,920 --> 00:36:23,520 Speaker 3: Yeah, And it's also one of those things where yeah, 753 00:36:23,560 --> 00:36:25,520 Speaker 3: he made a fell out with Nigan and ship like that, 754 00:36:25,640 --> 00:36:29,280 Speaker 3: and he still don't like him. But also nig also 755 00:36:29,440 --> 00:36:33,120 Speaker 3: Ezega has a heart and Zigga's like, this is really 756 00:36:33,200 --> 00:36:36,840 Speaker 3: fucked up, and I just cannot stand here and just 757 00:36:37,000 --> 00:36:40,360 Speaker 3: allow them both to get maulled down like this, like 758 00:36:40,520 --> 00:36:45,480 Speaker 3: like I can't do this, you know, and Nigga and 759 00:36:45,600 --> 00:36:47,919 Speaker 3: ax him to do that. But also, like I said, 760 00:36:48,080 --> 00:36:49,880 Speaker 3: he is that type of person, like that hope and 761 00:36:49,960 --> 00:36:52,920 Speaker 3: change type of person. He's like hey, we can work 762 00:36:53,000 --> 00:36:54,960 Speaker 3: this out, like, you can't just shoot these people like this. 763 00:36:55,200 --> 00:36:57,879 Speaker 3: But also, this is what they talked about last week. 764 00:36:58,080 --> 00:37:02,360 Speaker 2: Nigan said he would give Ezekiel a chance to have 765 00:37:02,480 --> 00:37:05,719 Speaker 2: a spark, to give everybody hope. Yes, So this was 766 00:37:05,840 --> 00:37:10,360 Speaker 2: that moment, and Ezekiel like seized upon it and jumped 767 00:37:10,440 --> 00:37:12,719 Speaker 2: up there to be like, hey, don't don't kill him, 768 00:37:12,800 --> 00:37:16,279 Speaker 2: you know, and everybody joined them, except for like, you know, 769 00:37:16,640 --> 00:37:19,240 Speaker 2: the assholes, because it was some people. 770 00:37:19,040 --> 00:37:21,160 Speaker 1: That didn't join. I was counting. I was like, only 771 00:37:21,360 --> 00:37:23,880 Speaker 1: only like our crew jump stepped in front of the bullets. 772 00:37:24,280 --> 00:37:27,719 Speaker 3: Yeah. Oh, and what you would call it the dude 773 00:37:27,719 --> 00:37:30,200 Speaker 3: they was talking to earlier, Tyler Tyler, Yeah, he was 774 00:37:30,239 --> 00:37:32,120 Speaker 3: over in the corner. Yeah. So then. 775 00:37:33,760 --> 00:37:36,880 Speaker 1: The the fucking wardens like oh well shoot. 776 00:37:36,640 --> 00:37:39,640 Speaker 3: They ask too, like you joined the party? Okay. Yeah. 777 00:37:39,680 --> 00:37:42,400 Speaker 2: He was like, hey, I applaud you'll bravery all right, 778 00:37:42,480 --> 00:37:45,520 Speaker 2: kill him. But finally Zeke gets through the one nine 779 00:37:45,600 --> 00:37:46,480 Speaker 2: seven because he's like. 780 00:37:46,520 --> 00:37:50,000 Speaker 1: You don't have to do this. This world is broken, 781 00:37:50,520 --> 00:37:51,440 Speaker 1: but you don't. 782 00:37:51,320 --> 00:37:54,640 Speaker 3: Have to be come on, King Ezekiel. 783 00:37:54,600 --> 00:37:57,399 Speaker 2: And the king voice worked because one nine seven point 784 00:37:57,480 --> 00:37:59,880 Speaker 2: is gun at the warden. Then another guard point is 785 00:38:00,040 --> 00:38:03,319 Speaker 2: gun at the one seven one nine seven shoots that dude. 786 00:38:03,960 --> 00:38:08,080 Speaker 2: The warden takes Kelly hostage because all hell is breaking loose, 787 00:38:08,480 --> 00:38:14,400 Speaker 2: takes Kelly hostage like gunpoint or knife point or whatever. Okay, gunpoint, 788 00:38:14,520 --> 00:38:18,560 Speaker 2: but he as he's backing away, he doesn't see Darryl 789 00:38:19,480 --> 00:38:22,120 Speaker 2: stabbing him from behind, because Darryl had sneaked in there 790 00:38:22,680 --> 00:38:26,000 Speaker 2: and standing him from behind. We also got a short 791 00:38:26,040 --> 00:38:27,919 Speaker 2: scene I forgot to mention because it was so short 792 00:38:27,920 --> 00:38:29,759 Speaker 2: and it didn't matter to me, but when they were 793 00:38:29,800 --> 00:38:33,359 Speaker 2: walking through the sewers, Darryl and Connie had a moment 794 00:38:33,360 --> 00:38:35,319 Speaker 2: where she calmed him down because she was like, I'm 795 00:38:35,360 --> 00:38:38,800 Speaker 2: scared too or something, but I didn't. 796 00:38:38,800 --> 00:38:39,080 Speaker 3: I don't know. 797 00:38:39,560 --> 00:38:41,480 Speaker 2: The scene didn't really do much for me other than 798 00:38:41,600 --> 00:38:44,080 Speaker 2: just to say, like, you know, don't they have great 799 00:38:44,120 --> 00:38:46,239 Speaker 2: chemistry and don't we want them to swirl it up? 800 00:38:46,480 --> 00:38:48,719 Speaker 1: And the answer is yes, yes, of course he does. 801 00:38:50,120 --> 00:38:59,040 Speaker 2: So Maggie is in that house with Carol. They hear 802 00:38:59,160 --> 00:39:02,440 Speaker 2: something upstairs. They go upstairs. It's a guard yelling at 803 00:39:02,480 --> 00:39:06,040 Speaker 2: herschel who was tied up in the chair, and of 804 00:39:06,120 --> 00:39:09,520 Speaker 2: course Carroll shoots this nigga right in the head right away. 805 00:39:09,600 --> 00:39:11,880 Speaker 3: Boom, I was like, oh, I was like, nobody heard that. 806 00:39:12,040 --> 00:39:15,640 Speaker 2: Didn't ask about the other kids, nothing, And then you know, 807 00:39:15,880 --> 00:39:19,080 Speaker 2: Maggie gets herschel and frees them. And then Rosita comes 808 00:39:19,160 --> 00:39:21,920 Speaker 2: in because she did say y'all got one night. 809 00:39:22,960 --> 00:39:25,839 Speaker 3: She was not fucking around. She was watching that club. 810 00:39:26,080 --> 00:39:27,600 Speaker 3: Time up, time up, you got to go. 811 00:39:28,040 --> 00:39:30,759 Speaker 1: And she was like, where's Coco? And they was like 812 00:39:31,200 --> 00:39:33,560 Speaker 1: she not here? She said, hershel, where's Coco? I don't know. 813 00:39:34,120 --> 00:39:37,520 Speaker 2: She said, I'm gonna find Coco and she leaves outside 814 00:39:38,200 --> 00:39:42,279 Speaker 2: where the warden got stabbed. Nigga's about to kill him 815 00:39:42,320 --> 00:39:45,040 Speaker 2: with a brick, but Rosita stops him and says, I 816 00:39:45,160 --> 00:39:46,520 Speaker 2: need to talk to the warden. 817 00:39:46,880 --> 00:39:50,359 Speaker 1: Where's Coco. The warden is so evil. 818 00:39:50,360 --> 00:39:52,759 Speaker 3: I mean he's like over the top evil. You know 819 00:39:52,840 --> 00:39:56,440 Speaker 3: what the warden is what the governor was in the 820 00:39:56,480 --> 00:39:59,399 Speaker 3: comic book. If that makes sense, Like that's ridiculous. 821 00:39:59,600 --> 00:40:03,080 Speaker 1: Just the water to me, no reason. The water to 822 00:40:03,239 --> 00:40:07,920 Speaker 1: me is the employee of the month. Yes, he's the 823 00:40:08,000 --> 00:40:09,239 Speaker 1: person to get it to the end. 824 00:40:09,600 --> 00:40:13,320 Speaker 2: He's the person that works at McDonald's and says, I'm sorry, 825 00:40:13,440 --> 00:40:16,200 Speaker 2: but it's only two McNugget sauces with the ten piece 826 00:40:16,560 --> 00:40:19,240 Speaker 2: If you would like another McNugget sauce, it'll be twenty 827 00:40:19,280 --> 00:40:23,359 Speaker 2: three cents plus tax. That's the warden because you're doing 828 00:40:23,360 --> 00:40:27,480 Speaker 2: all this for what, Pamela Milton for the commonwealth, Like 829 00:40:27,680 --> 00:40:31,080 Speaker 2: what what what are you getting out of this bullshit? 830 00:40:31,320 --> 00:40:34,520 Speaker 2: They were about to kill you. This might be your 831 00:40:34,560 --> 00:40:36,920 Speaker 2: one chance to live. And he's like nope, I'll go 832 00:40:37,040 --> 00:40:40,520 Speaker 2: to the grave with this shit. So she's like threatening 833 00:40:40,640 --> 00:40:44,000 Speaker 2: him and he's like well, and then she goes and 834 00:40:44,080 --> 00:40:46,880 Speaker 2: gets one of the guards who got killed just turned 835 00:40:47,040 --> 00:40:50,120 Speaker 2: and that's conveniently turned to a zombie like you know, 836 00:40:51,000 --> 00:40:53,759 Speaker 2: but but also like literally just as she needed it 837 00:40:53,840 --> 00:40:54,720 Speaker 2: to turn to a zombie. 838 00:40:54,760 --> 00:40:57,160 Speaker 1: I was like, I'm a zombie and so she grabbed it. 839 00:40:57,480 --> 00:40:59,120 Speaker 1: I'm like a pit bull on a leash. 840 00:40:59,320 --> 00:41:00,120 Speaker 3: Yes she did it. 841 00:41:00,360 --> 00:41:05,880 Speaker 2: When when when Nino Brown had had that meeting, uh uh, 842 00:41:06,160 --> 00:41:11,120 Speaker 2: like like uh, she she ends up pulling us, putting us, 843 00:41:11,320 --> 00:41:13,320 Speaker 2: like grabbing the zombie like it's on the leash and 844 00:41:13,520 --> 00:41:15,400 Speaker 2: threatening them with it like I'll let it eat you 845 00:41:15,480 --> 00:41:16,880 Speaker 2: if you don't tell me what my kid is. 846 00:41:17,200 --> 00:41:20,879 Speaker 1: And he's like, you will lose everything. 847 00:41:21,840 --> 00:41:23,400 Speaker 3: I said, Okay, you don't give a damn, So I 848 00:41:23,440 --> 00:41:24,160 Speaker 3: don't blame him. 849 00:41:24,080 --> 00:41:26,160 Speaker 2: And unlike Nino at the car that she let the 850 00:41:26,239 --> 00:41:29,320 Speaker 2: dog sick on him, she let she let that zombie 851 00:41:29,360 --> 00:41:32,319 Speaker 2: eat his face and he died of screaming horrible death 852 00:41:32,360 --> 00:41:33,279 Speaker 2: as everybody looked on. 853 00:41:33,440 --> 00:41:35,279 Speaker 3: Shoe designed everything. Yeah it was. 854 00:41:35,360 --> 00:41:39,760 Speaker 2: It was nice and gross and that's everything that happened 855 00:41:40,080 --> 00:41:43,600 Speaker 2: in the slavery. Now we just got to do the trial. 856 00:41:43,760 --> 00:41:45,800 Speaker 2: But I need to put a you know, put a 857 00:41:45,880 --> 00:41:48,720 Speaker 2: beat here so we can get some uh some money 858 00:41:49,760 --> 00:41:52,879 Speaker 2: for our ads real quick. But what did you think 859 00:41:52,920 --> 00:41:54,319 Speaker 2: about how the warden went out? 860 00:41:57,320 --> 00:41:59,879 Speaker 3: It was over the top and it's like, I don't 861 00:42:00,200 --> 00:42:04,239 Speaker 3: know what was he a part of a colt or 862 00:42:04,280 --> 00:42:07,000 Speaker 3: something like that, because other than that, it literally makes 863 00:42:07,200 --> 00:42:11,080 Speaker 3: no sense to be that dedicated to the calls like it. 864 00:42:11,800 --> 00:42:13,640 Speaker 3: I mean, because the thing is, even if it was 865 00:42:13,680 --> 00:42:16,120 Speaker 3: for power, bitch, now you don't got the power? Yeah 866 00:42:16,120 --> 00:42:20,920 Speaker 3: you too. I don't understand the the the the unrelentless dedication. 867 00:42:21,239 --> 00:42:23,000 Speaker 1: Yeah you just work here? What are you doing? 868 00:42:23,640 --> 00:42:27,000 Speaker 2: But okay, so supervisor, let's get into uh, like I said, 869 00:42:27,040 --> 00:42:28,640 Speaker 2: we'll play some music and then we'll come right back 870 00:42:28,680 --> 00:42:57,759 Speaker 2: and finish this up. All right, let's get to the 871 00:42:58,080 --> 00:43:02,240 Speaker 2: last segment. All ros for the people versus. 872 00:43:02,080 --> 00:43:05,800 Speaker 1: Eugene Porter all rights or how to get away with 873 00:43:06,080 --> 00:43:06,960 Speaker 1: killing Sebastian? 874 00:43:08,400 --> 00:43:09,640 Speaker 3: Come on through it out to get away. 875 00:43:10,440 --> 00:43:14,280 Speaker 2: Pamela Milton is on the stand and she is giving 876 00:43:14,360 --> 00:43:17,560 Speaker 2: the best white woman tears. It's like she went to 877 00:43:17,640 --> 00:43:20,520 Speaker 2: Starbucks and they was out of punkin spice and she 878 00:43:20,800 --> 00:43:22,560 Speaker 2: is like, y'all got someone in the back. 879 00:43:22,960 --> 00:43:24,200 Speaker 1: I won't speak to a manager. 880 00:43:24,520 --> 00:43:28,160 Speaker 2: She is talking about her sweet poor dead son, Sebastian, 881 00:43:28,719 --> 00:43:31,000 Speaker 2: such a good egg, such as to go on too soon, 882 00:43:31,640 --> 00:43:32,839 Speaker 2: you know, take me with him? 883 00:43:32,920 --> 00:43:36,239 Speaker 3: Lord, you know Jash, she give you that work. She 884 00:43:36,400 --> 00:43:37,480 Speaker 3: already had the haircut. 885 00:43:39,400 --> 00:43:42,600 Speaker 2: So then she started saying how Eugene is the one 886 00:43:42,680 --> 00:43:45,120 Speaker 2: responsible for taking her son from her and she's just 887 00:43:45,400 --> 00:43:48,359 Speaker 2: editorializing the ad living and it's such a sham. 888 00:43:48,480 --> 00:43:50,919 Speaker 1: Tryer to judge allows. 889 00:43:50,680 --> 00:43:53,560 Speaker 2: The statements to stay on the record, even though you 890 00:43:53,719 --> 00:43:58,719 Speaker 2: Mica objects right. So then as ju Micos turned to 891 00:43:59,239 --> 00:44:05,000 Speaker 2: ask Pamela the cross examine her as she brings up 892 00:44:05,040 --> 00:44:07,479 Speaker 2: the lottery, like what's the lottery about? And we see 893 00:44:07,760 --> 00:44:11,880 Speaker 2: like as she's questioning Pamela, the crowd of people that 894 00:44:12,000 --> 00:44:15,360 Speaker 2: are witnessing the trial, the people that are you know, 895 00:44:15,840 --> 00:44:19,919 Speaker 2: sitting in the pews. They are all on Umico side, 896 00:44:20,000 --> 00:44:22,680 Speaker 2: like they're like, yeah, the lottery is fucked up and 897 00:44:23,480 --> 00:44:28,000 Speaker 2: and this we are discontent and everyone's agreeing with her. 898 00:44:28,120 --> 00:44:32,040 Speaker 2: But then Pamela says, that wasn't Sebastian's voice on the tape. 899 00:44:32,080 --> 00:44:35,520 Speaker 2: I know my son's voice. They doctored an alted the tape. 900 00:44:35,800 --> 00:44:40,480 Speaker 2: And I'm like, with what technology, right, It's a tape, right, 901 00:44:40,600 --> 00:44:41,080 Speaker 2: And why. 902 00:44:41,080 --> 00:44:43,160 Speaker 3: Was he so furious at her, like, you know, because 903 00:44:43,160 --> 00:44:44,800 Speaker 3: it's nothing like he hit his face like he was 904 00:44:44,880 --> 00:44:46,680 Speaker 3: fucking furious for something to be fake. 905 00:44:47,360 --> 00:44:50,200 Speaker 2: Yeah, and like what she would say, he was furious 906 00:44:50,239 --> 00:44:52,640 Speaker 2: at the fact that it was fake. But to me, 907 00:44:52,800 --> 00:44:56,920 Speaker 2: I'm like, they don't have MP three's, they didn't record 908 00:44:57,000 --> 00:45:00,799 Speaker 2: this with podcast mics. They didn't you know, edit, ain't 909 00:45:00,840 --> 00:45:05,400 Speaker 2: no AI, they didn't do use editing software. It's a tape, 910 00:45:05,960 --> 00:45:08,960 Speaker 2: old school like unless somebody got to kill a Sebastian 911 00:45:09,000 --> 00:45:10,160 Speaker 2: impression a. 912 00:45:10,239 --> 00:45:12,959 Speaker 1: Bombing, you know, but that was you know, she said 913 00:45:13,000 --> 00:45:19,680 Speaker 1: it was fake, and she's like here like misinformation, right, 914 00:45:20,320 --> 00:45:21,239 Speaker 1: fought fake news? 915 00:45:22,160 --> 00:45:26,800 Speaker 2: And so Umico looks over to Mercer, who refuses to 916 00:45:26,840 --> 00:45:29,720 Speaker 2: even make eye contact with her, because we know Mercer 917 00:45:29,800 --> 00:45:31,000 Speaker 2: knows she's crooked. 918 00:45:32,400 --> 00:45:33,320 Speaker 1: Back in his cell. 919 00:45:33,520 --> 00:45:37,080 Speaker 2: During the recess, Eugene is listening to the people outside 920 00:45:37,120 --> 00:45:40,520 Speaker 2: the prison and they all round up and he's like, hey, 921 00:45:41,239 --> 00:45:44,000 Speaker 2: they're inspired outside. You know, at least we know it's working, 922 00:45:44,760 --> 00:45:48,000 Speaker 2: like the people, like, we're getting through to the people. 923 00:45:48,920 --> 00:45:51,160 Speaker 2: And Max is like, yeah, that's the whole point. And 924 00:45:51,280 --> 00:45:54,560 Speaker 2: then you goes like, that's not the whole point because 925 00:45:55,480 --> 00:45:57,400 Speaker 2: you might get through to the people, but by the 926 00:45:57,480 --> 00:46:01,000 Speaker 2: time that happened, you're gonna be dead, right, Like, you 927 00:46:01,080 --> 00:46:01,840 Speaker 2: got to get through that. 928 00:46:01,920 --> 00:46:04,120 Speaker 1: We're trying to get through the people in the courtroom, 929 00:46:05,280 --> 00:46:08,359 Speaker 1: the jury and the judge, and that's not happening where 930 00:46:08,520 --> 00:46:11,680 Speaker 1: you know, the crowd is is one thing that's about 931 00:46:11,680 --> 00:46:15,480 Speaker 1: the revolution, but what about you know, living all right? 932 00:46:15,920 --> 00:46:16,920 Speaker 1: But then Eugene gives a. 933 00:46:16,920 --> 00:46:20,839 Speaker 2: Speech about how he's prepared to die and he knew 934 00:46:20,880 --> 00:46:23,200 Speaker 2: this was, you know, part of what you know, what 935 00:46:23,360 --> 00:46:26,960 Speaker 2: the risk was. And Umico's like, nah, we can't give up. 936 00:46:27,040 --> 00:46:31,960 Speaker 2: What about Mercer. He knows about Pamela Milton. We should 937 00:46:31,960 --> 00:46:34,400 Speaker 2: put him on the stand, get him to join our calls. 938 00:46:35,160 --> 00:46:38,680 Speaker 2: And she's like Max, can you talk to Umico? Says Max, 939 00:46:38,719 --> 00:46:39,440 Speaker 2: can you talk to him? 940 00:46:39,480 --> 00:46:40,080 Speaker 1: As your brother. 941 00:46:40,320 --> 00:46:43,319 Speaker 2: Max is like, well, Max doesn't say she doesn't want 942 00:46:43,360 --> 00:46:46,840 Speaker 2: to do it. She says she can't because his guards 943 00:46:46,960 --> 00:46:50,279 Speaker 2: want to allow her near the building, which is something 944 00:46:50,320 --> 00:46:52,480 Speaker 2: I've been wondering the whole time. When I seen Max 945 00:46:52,800 --> 00:46:55,160 Speaker 2: in the courtroom and then back there talking to Eugene, 946 00:46:56,160 --> 00:47:02,080 Speaker 2: I'm like, I'm surprised pam hasn't done something to Max. 947 00:47:02,120 --> 00:47:04,840 Speaker 2: I'm not saying she would send her off the slavery 948 00:47:04,960 --> 00:47:07,600 Speaker 2: or whatever, because I know Mercer is like her right 949 00:47:07,680 --> 00:47:10,239 Speaker 2: hand man, but I'm surprised she's not confined to like 950 00:47:10,320 --> 00:47:14,080 Speaker 2: her quarters or something, or you know, just because Pamela 951 00:47:14,160 --> 00:47:16,600 Speaker 2: seemed that kind of like Patty and paranoid. 952 00:47:16,760 --> 00:47:18,560 Speaker 3: Yeah, it's also nut and funny. It's one of the 953 00:47:18,719 --> 00:47:23,520 Speaker 3: things where she considers Max dangerous, But I don't think 954 00:47:23,560 --> 00:47:26,120 Speaker 3: she considered her quote unquote bad dangerous, if that makes sense. 955 00:47:26,200 --> 00:47:29,520 Speaker 3: Like she she's not looking at her like she's you know, 956 00:47:29,760 --> 00:47:30,879 Speaker 3: looking at some of the people. 957 00:47:31,360 --> 00:47:33,640 Speaker 2: It's just interesting because she knows Max betrayed her. I 958 00:47:33,760 --> 00:47:36,239 Speaker 2: really feel like, if it wasn't for Mercer, Max will 959 00:47:36,239 --> 00:47:37,840 Speaker 2: be shipped off somewhere. 960 00:47:37,920 --> 00:47:40,880 Speaker 3: I agree, But then. 961 00:47:43,200 --> 00:47:50,320 Speaker 2: Uh Umico does go to Mercer's office. He's ordering more troops, like, 962 00:47:50,440 --> 00:47:52,480 Speaker 2: give me five more officers to hold off to people, 963 00:47:52,560 --> 00:47:53,200 Speaker 2: so the people are. 964 00:47:53,200 --> 00:47:54,040 Speaker 1: Riled up outside. 965 00:47:54,760 --> 00:47:59,600 Speaker 2: Umao asked about Eugene being Max's bay, like your sister 966 00:47:59,719 --> 00:48:03,920 Speaker 2: loves this man, you just gonna let him die, And 967 00:48:05,440 --> 00:48:09,680 Speaker 2: earlier Max mentions that I'm sorry I forgot to mention 968 00:48:09,840 --> 00:48:16,480 Speaker 2: something at Eugene seal. Max mentions that Princess has been abducted. 969 00:48:16,680 --> 00:48:19,200 Speaker 2: Now we know this because we saw her, but this 970 00:48:19,400 --> 00:48:25,279 Speaker 2: is news to the other crew, and so Umico's like, well, 971 00:48:25,360 --> 00:48:29,239 Speaker 2: does Mercer know that Princess got abducted? You know he 972 00:48:29,280 --> 00:48:33,400 Speaker 2: crushed on Princess, right, And Max is like, I mean probably, 973 00:48:33,600 --> 00:48:36,160 Speaker 2: and then humicous like, we don't know that because the 974 00:48:36,239 --> 00:48:40,560 Speaker 2: way that Pamela manipulates people, she siphons people off so 975 00:48:40,680 --> 00:48:44,400 Speaker 2: they don't have all the information and so they're operating 976 00:48:44,520 --> 00:48:46,160 Speaker 2: only with what she wants them to know. 977 00:48:46,640 --> 00:48:48,320 Speaker 1: So we don't know if he knows this shit or not. 978 00:48:48,840 --> 00:48:49,359 Speaker 3: That's true. 979 00:48:49,960 --> 00:48:53,320 Speaker 2: So in his office, she asked him about Princess, like, 980 00:48:53,920 --> 00:48:56,239 Speaker 2: you know they kidnapped princes, right, And he was like, 981 00:48:57,080 --> 00:48:59,239 Speaker 2: y'all know, I'm not gonna lie. 982 00:48:59,280 --> 00:49:01,880 Speaker 1: That blew my mind because I thought, like. 983 00:49:02,680 --> 00:49:04,759 Speaker 2: There's some levels to this and that's a level that 984 00:49:04,880 --> 00:49:08,040 Speaker 2: he will be like, Okay, y'all not kidnapping princes. 985 00:49:08,160 --> 00:49:08,920 Speaker 1: I actually like her. 986 00:49:09,719 --> 00:49:13,200 Speaker 2: But he was like no, it's cool, Like oh wait, 987 00:49:15,160 --> 00:49:20,040 Speaker 2: and so basically he tells Uma, go doing your plan 988 00:49:20,200 --> 00:49:22,760 Speaker 2: where I go on stage. I'll go on the trial 989 00:49:22,920 --> 00:49:28,800 Speaker 2: and testify against uh, testify against Pamela or whatever. 990 00:49:28,840 --> 00:49:30,080 Speaker 1: It ain't gonna work, like. 991 00:49:30,160 --> 00:49:33,680 Speaker 2: The people not gonna isn't your Eugenie not gonna win 992 00:49:33,760 --> 00:49:36,520 Speaker 2: his trial, and it's not gonna stop anything. So I'm 993 00:49:36,560 --> 00:49:38,240 Speaker 2: not gonna do it, and you're gonna go gets pissed 994 00:49:38,280 --> 00:49:41,720 Speaker 2: and leaves mm hm because basically she's like, you fucking coward. 995 00:49:42,800 --> 00:49:47,080 Speaker 1: So then back to the courtroom, the defense is rested, 996 00:49:47,200 --> 00:49:49,560 Speaker 1: she's giving her clothes. Boom boom, yeah. 997 00:49:51,040 --> 00:49:52,320 Speaker 3: Boom boom boom boom. 998 00:49:52,640 --> 00:49:58,000 Speaker 2: The defenses rested. Mercer looks away because he won't testify, 999 00:49:58,160 --> 00:50:00,279 Speaker 2: and it's because like you mighta go. I was like, 1000 00:50:00,320 --> 00:50:03,040 Speaker 2: they're like, what did the fence resting? Umicoats looking like nigga? 1001 00:50:03,080 --> 00:50:04,160 Speaker 2: Can I call you to the stand And. 1002 00:50:04,200 --> 00:50:06,680 Speaker 1: He was like, don't look at me and she was 1003 00:50:06,719 --> 00:50:10,560 Speaker 1: like okay, fine, well then no, we're resting. Uh Eugene 1004 00:50:10,600 --> 00:50:13,440 Speaker 1: says I like to address the court. The court allows it, 1005 00:50:14,000 --> 00:50:16,799 Speaker 1: and he gives a speech about how friendship changed him 1006 00:50:17,200 --> 00:50:20,239 Speaker 1: and helped him find courage, and he talks about his 1007 00:50:20,320 --> 00:50:24,359 Speaker 1: time with nagan uh Nigan's people, the Saviors. He calls 1008 00:50:24,440 --> 00:50:28,120 Speaker 1: them a party that did some downright unsemular acts on 1009 00:50:28,239 --> 00:50:29,600 Speaker 1: the rig yes. 1010 00:50:29,520 --> 00:50:31,520 Speaker 3: And went through his history, you know, and sit like 1011 00:50:31,600 --> 00:50:35,320 Speaker 3: that was like, yeah, Eugene, Like, I do give you credit. 1012 00:50:35,400 --> 00:50:38,640 Speaker 3: You've come a long way between when you and Abraham 1013 00:50:38,840 --> 00:50:39,200 Speaker 3: to Now. 1014 00:50:40,360 --> 00:50:43,239 Speaker 2: What I liked about this was he brought up how 1015 00:50:43,440 --> 00:50:47,280 Speaker 2: basically he was the secret weapon. He was the reason 1016 00:50:47,440 --> 00:50:51,560 Speaker 2: that ricks people beat the Saviors. I feel like, you know, 1017 00:50:51,640 --> 00:50:54,160 Speaker 2: it's almost like people forget it. But if Eugene doesn't 1018 00:50:54,200 --> 00:50:59,759 Speaker 2: sabotage the guns, right they that's a buddy battle with 1019 00:50:59,800 --> 00:51:04,960 Speaker 2: way more deaths. And he basically says how like he 1020 00:51:05,160 --> 00:51:09,640 Speaker 2: was a coward and he realized that, Uh, while you know, while. 1021 00:51:09,480 --> 00:51:12,160 Speaker 1: I wasn't the one swing in the bat, I had 1022 00:51:12,239 --> 00:51:17,759 Speaker 1: blood on my hands. My inaction made me culpable. But 1023 00:51:17,880 --> 00:51:20,200 Speaker 1: I proved that one man can do something to change 1024 00:51:20,239 --> 00:51:23,680 Speaker 1: the world. And if one man could change the world, 1025 00:51:24,200 --> 00:51:25,560 Speaker 1: it don't take one person to do that. 1026 00:51:25,840 --> 00:51:27,279 Speaker 2: And the whole time they had the camera on, like 1027 00:51:27,440 --> 00:51:30,239 Speaker 2: Mercer looking like like it was like when you be 1028 00:51:30,320 --> 00:51:34,080 Speaker 2: in church and the pastor is oddly, oddly specific in 1029 00:51:34,160 --> 00:51:37,400 Speaker 2: his fucking sermony talking directly to you, right, It's like, 1030 00:51:37,480 --> 00:51:40,680 Speaker 2: and I know you be looking at them pornografish. 1031 00:51:41,360 --> 00:51:46,880 Speaker 1: Then that genet jects me Afrocentrics one eighty seven. I'm like, 1032 00:51:46,960 --> 00:51:50,040 Speaker 1: oh wait a minute, how the fun what the fuck? 1033 00:51:52,400 --> 00:51:56,880 Speaker 2: But yes he said he says uh, but but it 1034 00:51:57,239 --> 00:51:59,839 Speaker 2: we see that Mercer shook, but he doesn't say anything. Right, 1035 00:52:00,480 --> 00:52:03,400 Speaker 2: So as soon as Eugene is done talking, he's like, 1036 00:52:03,480 --> 00:52:06,080 Speaker 2: that is all. And they promptly sent us this nigga 1037 00:52:06,120 --> 00:52:06,399 Speaker 2: to death. 1038 00:52:06,600 --> 00:52:11,160 Speaker 3: I mean yeah, that was like the trial with the 1039 00:52:11,239 --> 00:52:14,640 Speaker 3: people versus Eugene. Eugene, you are found guilty. Now all 1040 00:52:14,680 --> 00:52:17,399 Speaker 3: of you found gilted. We are swift justice. You got 1041 00:52:17,520 --> 00:52:19,280 Speaker 3: an hour and then you being executed. 1042 00:52:19,400 --> 00:52:21,560 Speaker 2: They are gonna execute him in the hour that you 1043 00:52:21,719 --> 00:52:23,600 Speaker 2: can't slow cook ribs that fact. 1044 00:52:23,719 --> 00:52:24,600 Speaker 3: You sure can't. 1045 00:52:24,800 --> 00:52:29,000 Speaker 1: They ain't got no death bro Okay, they got deaths though. Okay, 1046 00:52:29,080 --> 00:52:30,719 Speaker 1: they take you straight to the door of death. 1047 00:52:31,400 --> 00:52:33,880 Speaker 3: Yes, we don't funk around. 1048 00:52:34,320 --> 00:52:36,680 Speaker 1: It was like, oh my god, I said, an hour. 1049 00:52:37,560 --> 00:52:39,840 Speaker 1: Oh my they don't want no mistakes. What about a 1050 00:52:39,920 --> 00:52:41,920 Speaker 1: retrial appeal? Can we get an appeal? 1051 00:52:42,120 --> 00:52:42,480 Speaker 3: Nothing? 1052 00:52:44,320 --> 00:52:47,040 Speaker 1: So they like, you can appeal your ass out of 1053 00:52:47,120 --> 00:52:50,600 Speaker 1: that see and get over here to the fire squad. 1054 00:52:51,840 --> 00:52:54,320 Speaker 2: So we get to Eugene being marched out of his 1055 00:52:55,080 --> 00:52:57,719 Speaker 2: uh cell. He has a hood on, you know, so 1056 00:52:57,840 --> 00:53:01,399 Speaker 2: he can't see, and then the hood is taken off 1057 00:53:01,440 --> 00:53:03,920 Speaker 2: of him. We get a close up of his face. 1058 00:53:03,960 --> 00:53:08,080 Speaker 2: He's got tears streaming down his face, and we cut 1059 00:53:08,200 --> 00:53:09,960 Speaker 2: to the people that took his hood off and his 1060 00:53:10,200 --> 00:53:15,399 Speaker 2: mercer standing in front of him, and he says, trying 1061 00:53:15,440 --> 00:53:16,279 Speaker 2: to fuck shit up. 1062 00:53:17,320 --> 00:53:20,480 Speaker 3: And for some reason, that was the most fucking hilarious 1063 00:53:20,680 --> 00:53:23,040 Speaker 3: thing ever. I don't know if it's where he executed 1064 00:53:23,080 --> 00:53:26,200 Speaker 3: it or what, but I just started busting out laughing. 1065 00:53:26,280 --> 00:53:27,000 Speaker 3: I was like, let's go. 1066 00:53:27,600 --> 00:53:29,600 Speaker 2: I was silent for like three seconds and then I 1067 00:53:29,680 --> 00:53:33,359 Speaker 2: started laughing. It was like, what, oh shit, this nigga 1068 00:53:33,400 --> 00:53:35,840 Speaker 2: falling ready to do something, and like. 1069 00:53:36,560 --> 00:53:39,399 Speaker 3: That may have literally been his planing the whole time, right, 1070 00:53:39,680 --> 00:53:42,680 Speaker 3: but he was like, if I do anything outside of this, 1071 00:53:42,800 --> 00:53:43,839 Speaker 3: I'm sucking up my plan. 1072 00:53:44,480 --> 00:53:47,200 Speaker 1: Right, So I can't wait to see if this was 1073 00:53:47,800 --> 00:53:49,480 Speaker 1: you got through to me with that speech. 1074 00:53:50,760 --> 00:53:53,359 Speaker 2: And y'all kept y'all making me do the right thing, 1075 00:53:53,920 --> 00:53:57,040 Speaker 2: or if he been like, oh, they took princess, Okay, 1076 00:53:57,200 --> 00:53:59,359 Speaker 2: bet I'm gonna let them go through what they little 1077 00:53:59,400 --> 00:54:03,600 Speaker 2: sham try and then when it's fucking time for the execution, 1078 00:54:03,719 --> 00:54:05,759 Speaker 2: now we fit to flip the script on the ass. 1079 00:54:06,400 --> 00:54:10,000 Speaker 2: We don't know how far his plan goes yet and 1080 00:54:10,160 --> 00:54:11,440 Speaker 2: how long he's been planning it. 1081 00:54:11,600 --> 00:54:14,120 Speaker 3: Yes, he could just hack to anybody because he had 1082 00:54:14,320 --> 00:54:15,200 Speaker 3: he had to let people. 1083 00:54:15,680 --> 00:54:18,239 Speaker 1: Well, that's your assumption, is that he had this plan 1084 00:54:18,320 --> 00:54:19,640 Speaker 1: for a long time. And da da dah. 1085 00:54:20,120 --> 00:54:20,600 Speaker 3: I don't know. 1086 00:54:21,320 --> 00:54:24,080 Speaker 1: How can you know that it wasn't that Eugene and 1087 00:54:24,200 --> 00:54:25,279 Speaker 1: Umico change his heart? 1088 00:54:26,080 --> 00:54:26,680 Speaker 3: Possibility? 1089 00:54:26,760 --> 00:54:28,680 Speaker 2: Yes, I mean, I guess we'll find out. I hope 1090 00:54:28,680 --> 00:54:31,120 Speaker 2: it was a plan. I hope you're right by the way. 1091 00:54:31,600 --> 00:54:33,680 Speaker 1: I hope, I hope that it is. He was thinking 1092 00:54:33,719 --> 00:54:34,480 Speaker 1: this ship from jump. 1093 00:54:34,960 --> 00:54:38,320 Speaker 2: But some of the way he be moving, I'll be like, nigga, 1094 00:54:38,320 --> 00:54:43,160 Speaker 2: are you stupid or like like you can't like Also, 1095 00:54:43,239 --> 00:54:45,040 Speaker 2: how you gonna do this plan? You're not gonna rope 1096 00:54:45,120 --> 00:54:48,279 Speaker 2: in like some other people you can trust, because it's 1097 00:54:48,320 --> 00:54:50,359 Speaker 2: just weird to me some of the stuff he's playing 1098 00:54:50,560 --> 00:54:52,080 Speaker 2: if this has been a long term plan. 1099 00:54:52,560 --> 00:54:54,080 Speaker 1: Either way, welcome to the party. 1100 00:54:54,160 --> 00:54:57,239 Speaker 2: Pal appreciate you, because you was about to go on 1101 00:54:57,320 --> 00:54:59,759 Speaker 2: the coon list and it was getting real close. It 1102 00:54:59,840 --> 00:55:02,400 Speaker 2: was get rip like this nigga had what we got 1103 00:55:02,440 --> 00:55:05,520 Speaker 2: two episodes left. He had two old episodes to figure 1104 00:55:05,560 --> 00:55:07,200 Speaker 2: something out, because I was about to really be like, 1105 00:55:07,719 --> 00:55:11,400 Speaker 2: Mercer might be the biggest disappointment in the. 1106 00:55:11,440 --> 00:55:14,040 Speaker 1: Show from the comic book. You're like, not even from 1107 00:55:14,080 --> 00:55:16,080 Speaker 1: the comic book. I'm talking about end the show as 1108 00:55:16,160 --> 00:55:18,880 Speaker 1: a character, from when he was introduced to what he 1109 00:55:19,120 --> 00:55:19,799 Speaker 1: ends up being. 1110 00:55:20,360 --> 00:55:23,960 Speaker 2: If he's just the right hand hnchman that let Pamela 1111 00:55:24,000 --> 00:55:26,719 Speaker 2: Milton run rough shot over the Commonwealth. 1112 00:55:26,640 --> 00:55:30,319 Speaker 1: And also like take his bay. And also because prices 1113 00:55:30,440 --> 00:55:32,960 Speaker 1: can't never respect this nigga. She survived this shit. She 1114 00:55:33,080 --> 00:55:35,719 Speaker 1: see this motherfucker on the streets. It's on site like 1115 00:55:35,960 --> 00:55:39,480 Speaker 1: fuck that, and h and everybody gave him all these 1116 00:55:39,480 --> 00:55:42,120 Speaker 1: speeches trying to reach them to like if he would 1117 00:55:42,120 --> 00:55:44,759 Speaker 1: have really been like sorry, y'all, I don't know what 1118 00:55:44,920 --> 00:55:48,319 Speaker 1: y'all talking about, it would have been back. I would 1119 00:55:48,320 --> 00:55:50,440 Speaker 1: have been like, fuck this dude. So I'm glad that 1120 00:55:50,680 --> 00:55:53,320 Speaker 1: he's starting to show some backball and I hope that, 1121 00:55:53,640 --> 00:55:55,840 Speaker 1: you know, we get something next week. What are you 1122 00:55:55,920 --> 00:55:56,919 Speaker 1: looking for to next week? 1123 00:55:57,440 --> 00:56:03,160 Speaker 3: I'm looking for it to seeing and who is going 1124 00:56:03,239 --> 00:56:05,840 Speaker 3: to change sides because you know, something like the guards 1125 00:56:05,880 --> 00:56:09,719 Speaker 3: in the room with him. But it's like, how are 1126 00:56:09,760 --> 00:56:12,000 Speaker 3: you gonna convince the other guards? I guarantee you're gonna 1127 00:56:12,000 --> 00:56:13,840 Speaker 3: have a large percentage of them. That was like, I 1128 00:56:13,920 --> 00:56:16,160 Speaker 3: don't know what the fuck out doing, Pa, I'm gonna 1129 00:56:16,160 --> 00:56:18,040 Speaker 3: say do this, and that's what I'm gonna do. So 1130 00:56:18,120 --> 00:56:20,040 Speaker 3: it's gonna be interesting to see it. I can see 1131 00:56:20,080 --> 00:56:22,719 Speaker 3: it being like all if just a war for me. 1132 00:56:23,160 --> 00:56:26,680 Speaker 1: Where are the babies? That's a great Where the fuck 1133 00:56:26,800 --> 00:56:29,520 Speaker 1: are the babies are? We gonna find them babies because 1134 00:56:29,520 --> 00:56:30,440 Speaker 1: we got to find them. 1135 00:56:30,520 --> 00:56:33,520 Speaker 3: Babies chat, they chat, they fuck around you to be 1136 00:56:33,560 --> 00:56:34,560 Speaker 3: then fucked out them up. 1137 00:56:35,239 --> 00:56:38,280 Speaker 2: We need to find the fucking babies, man, co Cole missing, 1138 00:56:39,000 --> 00:56:44,200 Speaker 2: Judith missing, j who r J R J's missing? 1139 00:56:45,560 --> 00:56:49,560 Speaker 1: What's Aaron's baby missing? Gracie? 1140 00:56:50,120 --> 00:56:52,440 Speaker 2: All these babies missing, man, And I'm scared they did 1141 00:56:52,560 --> 00:56:55,480 Speaker 2: something to them or something like holy they didn't kill nothing, 1142 00:56:55,560 --> 00:56:58,319 Speaker 2: because I don't think no Bila would be there if 1143 00:56:58,360 --> 00:57:01,600 Speaker 2: they kill her babies or she even suspected that. And 1144 00:57:01,680 --> 00:57:05,560 Speaker 2: I assume they let you see your baby sometimes, but nigga, 1145 00:57:05,600 --> 00:57:06,800 Speaker 2: they need to find them babies. 1146 00:57:07,560 --> 00:57:12,800 Speaker 1: You know, I'm fucking over the Commonwealth. Fuck them, I do. 1147 00:57:13,000 --> 00:57:14,640 Speaker 3: I do agree what you were saying about the combat, 1148 00:57:14,680 --> 00:57:18,960 Speaker 3: how they did a great job with letting it be 1149 00:57:19,160 --> 00:57:21,760 Speaker 3: more than just a diffensive opinion. It's like, no, this 1150 00:57:21,960 --> 00:57:22,880 Speaker 3: is just fucked up. 1151 00:57:23,520 --> 00:57:24,120 Speaker 1: Yeah, exactly. 1152 00:57:24,240 --> 00:57:27,479 Speaker 2: Not commonwealth in the show better than Commonwealth in the book, 1153 00:57:28,000 --> 00:57:30,640 Speaker 2: because in the book you almost could talk yourself into like, nigga, 1154 00:57:30,880 --> 00:57:34,320 Speaker 2: what this is fine? Like okay, so they got a 1155 00:57:34,360 --> 00:57:36,240 Speaker 2: cast system. I don't know if you read the rest 1156 00:57:36,280 --> 00:57:40,000 Speaker 2: of these issues, but uh, you only got one hand 1157 00:57:40,120 --> 00:57:44,160 Speaker 2: because motherfucker's doing way worse than this. But anyway, thanks 1158 00:57:44,200 --> 00:57:47,760 Speaker 2: for listening. Everybody will be back next week. Until then, 1159 00:57:49,000 --> 00:57:50,400 Speaker 2: I love you, nah,