WEBVTT - Monster - Behind The Podcast [bonus]

0:00:02.240 --> 0:00:05.880
<v Speaker 1>Welcome to Monster d Z Sniper, a production of I

0:00:06.000 --> 0:00:10.000
<v Speaker 1>Heart Radio and Tenderfoot t V. The views and opinions

0:00:10.000 --> 0:00:12.920
<v Speaker 1>expressed in this podcast are solely those of the podcast

0:00:12.960 --> 0:00:16.400
<v Speaker 1>author or individuals participating in the podcast, and do not

0:00:16.520 --> 0:00:19.720
<v Speaker 1>represent those of I Heart Media, Tenderfoot t V, or

0:00:19.760 --> 0:00:27.120
<v Speaker 1>their employees. Listener discretion is advised. Late last month, new

0:00:27.160 --> 0:00:30.800
<v Speaker 1>developments broke in the DC Sniper case. The Supreme Court

0:00:30.880 --> 0:00:33.360
<v Speaker 1>was set to rule on whether Lee Boyd Malvo should

0:00:33.400 --> 0:00:37.600
<v Speaker 1>be resentenced in Virginia. In two past cases, the Supreme

0:00:37.600 --> 0:00:41.440
<v Speaker 1>Court held that mandatory life sentences without parole for juvenile

0:00:41.479 --> 0:00:46.640
<v Speaker 1>offenders is unconstitutional. In February, before the Supreme Court made

0:00:46.680 --> 0:00:50.080
<v Speaker 1>a ruling, Virginia Governor Ralph Northam signed a new bill

0:00:50.159 --> 0:00:54.280
<v Speaker 1>into law. The law gives parole eligibility to all juvenile

0:00:54.320 --> 0:00:59.040
<v Speaker 1>offenders tried, convicted, and sentenced within the adult justice system

0:00:59.080 --> 0:01:03.920
<v Speaker 1>in Virginia. As a result, Malvo agreed to withdraw his

0:01:04.000 --> 0:01:06.920
<v Speaker 1>appeal and the case has been dismissed by the Supreme Court.

0:01:07.959 --> 0:01:11.679
<v Speaker 1>This new law means Malvo can seek parole in Virginia.

0:01:12.680 --> 0:01:16.839
<v Speaker 1>These developments will have lasting implications not just on Malvo's fate,

0:01:17.040 --> 0:01:19.640
<v Speaker 1>but the fates of hundreds of others who committed felony

0:01:19.680 --> 0:01:24.319
<v Speaker 1>crimes as miners in Virginia. For that reason, Monster d

0:01:24.440 --> 0:01:27.920
<v Speaker 1>C Sniper is taking an extra week to conduct further research,

0:01:28.240 --> 0:01:31.560
<v Speaker 1>speak with more experts, and to update the finale of

0:01:31.600 --> 0:01:35.520
<v Speaker 1>this podcast. The main season will resume next week with

0:01:35.600 --> 0:01:40.120
<v Speaker 1>episode twelve with the investigation into the Sniper's killings leading

0:01:40.160 --> 0:01:43.560
<v Speaker 1>up to the DC attacks, including police interviews with Lee

0:01:43.560 --> 0:01:48.000
<v Speaker 1>Boyd Malvo and John Mohammed. In the meantime, we're happy

0:01:48.040 --> 0:01:51.240
<v Speaker 1>to present this recording of Alive behind the scenes event

0:01:51.320 --> 0:01:57.240
<v Speaker 1>from January. The creators of Monster Dacy Sniper were invited

0:01:57.280 --> 0:01:59.880
<v Speaker 1>to speak at the Savannah College of Art and Designs

0:02:00.080 --> 0:02:04.000
<v Speaker 1>Podcast Weekend. The event was hosted by the senior executive

0:02:04.040 --> 0:02:11.639
<v Speaker 1>director at SCAD Film, l Semen. Hi, everybody, my name

0:02:11.720 --> 0:02:15.160
<v Speaker 1>is Lee Semen, and I have the distinct pleasure to

0:02:15.240 --> 0:02:18.480
<v Speaker 1>head up the festivals and events produced by SCAD Film

0:02:18.520 --> 0:02:21.640
<v Speaker 1>with an incredible support team from all of our SCAD family,

0:02:22.040 --> 0:02:26.480
<v Speaker 1>over four campuses around the world, sixteen thousand students, over

0:02:26.560 --> 0:02:30.600
<v Speaker 1>forty thousand alumni, and seventy countries. GOAD Film was created

0:02:30.720 --> 0:02:33.520
<v Speaker 1>so that we could take full advantage of our SCAD

0:02:33.560 --> 0:02:36.480
<v Speaker 1>expertise and pre eminence and match it to the growing

0:02:36.560 --> 0:02:40.840
<v Speaker 1>expertise that industry was bringing to Atlanta, UH and create

0:02:40.880 --> 0:02:44.240
<v Speaker 1>opportunities for a collision of creative minds. And we've been

0:02:44.280 --> 0:02:47.280
<v Speaker 1>able to do that through established festivals like our SCAD

0:02:47.280 --> 0:02:50.880
<v Speaker 1>Savannah Film Festival, which has been in place over twenty years,

0:02:51.280 --> 0:02:53.480
<v Speaker 1>our a TV Fest which will be in its eighth year,

0:02:53.960 --> 0:02:57.120
<v Speaker 1>and this sort of new palette of festivals Animation Fest,

0:02:57.200 --> 0:02:59.880
<v Speaker 1>gaming Fest, and a whole year of events like this

0:03:00.000 --> 0:03:04.000
<v Speaker 1>this one SCAD podcast Weekend. Now, I have a question

0:03:04.040 --> 0:03:07.120
<v Speaker 1>for you, when is the last time that you counted

0:03:07.160 --> 0:03:12.080
<v Speaker 1>to seventy million? Our friends here today counted to seventy

0:03:12.080 --> 0:03:16.120
<v Speaker 1>million in their first season. They counted almost to seventy

0:03:16.120 --> 0:03:18.320
<v Speaker 1>million again, and they're about to count to more than

0:03:18.360 --> 0:03:21.919
<v Speaker 1>seventy million with season three. These guys know what they

0:03:21.919 --> 0:03:24.760
<v Speaker 1>are doing and they are led by Matt Frederick. Please

0:03:24.840 --> 0:03:30.040
<v Speaker 1>join me and welcoming him. Hi, everybody, my name is

0:03:30.080 --> 0:03:33.520
<v Speaker 1>Matt Frederick. I am currently a lead executive producer at

0:03:33.520 --> 0:03:36.320
<v Speaker 1>I Heeart Podcasts. We're here in Atlanta were based in

0:03:36.480 --> 0:03:38.520
<v Speaker 1>pont City Market. That's where we make a lot of

0:03:38.520 --> 0:03:41.680
<v Speaker 1>our shows. Back in two thousand six, I got an

0:03:41.680 --> 0:03:44.640
<v Speaker 1>internship at how Stuff Works. It was back on the

0:03:44.640 --> 0:03:46.880
<v Speaker 1>internet when you're on the internet just to read articles.

0:03:46.880 --> 0:03:48.920
<v Speaker 1>Do you remember that time? Does anybody remember a time

0:03:48.960 --> 0:03:51.560
<v Speaker 1>when that happened? Because How Stuff Works the whole time

0:03:51.600 --> 0:03:54.760
<v Speaker 1>it had been a thing made articles. A couple of

0:03:54.800 --> 0:03:58.240
<v Speaker 1>years later, we started making videos. So we tried to

0:03:58.280 --> 0:04:00.840
<v Speaker 1>do is take those articles and put them into video format,

0:04:01.040 --> 0:04:03.480
<v Speaker 1>and it worked really well for a while. We created

0:04:03.480 --> 0:04:05.720
<v Speaker 1>things like brain Stuff and one of the shows I

0:04:05.840 --> 0:04:08.040
<v Speaker 1>created called stuff They Don't want you to Know. It

0:04:08.120 --> 0:04:11.440
<v Speaker 1>was going really well, but there's this other emerging medium

0:04:11.480 --> 0:04:15.040
<v Speaker 1>called podcasts, and nobody knew really what it was. But

0:04:15.280 --> 0:04:18.320
<v Speaker 1>we figured, well, let's try taking those articles and turn

0:04:18.440 --> 0:04:21.480
<v Speaker 1>them into an audio format that you could just listen

0:04:21.520 --> 0:04:24.360
<v Speaker 1>to instead of having to read it. And from those

0:04:24.600 --> 0:04:27.120
<v Speaker 1>little experimentations from back in two thousand and eight two

0:04:27.120 --> 0:04:29.880
<v Speaker 1>thousand nine, we created some of the biggest podcasts that

0:04:29.920 --> 0:04:32.680
<v Speaker 1>exist on this planet today, Stuff you should Know, Stuff

0:04:32.680 --> 0:04:35.120
<v Speaker 1>you missed in history class, stuff Mom never told you.

0:04:35.400 --> 0:04:37.880
<v Speaker 1>And that was all through the website How Stuff Works,

0:04:37.920 --> 0:04:41.520
<v Speaker 1>which became stuff Media, the podcast arm of that website,

0:04:42.000 --> 0:04:44.919
<v Speaker 1>and it's so weird. We moved to Pont City Market

0:04:45.200 --> 0:04:48.320
<v Speaker 1>we're making all these shows, and we find out there's

0:04:48.360 --> 0:04:52.240
<v Speaker 1>this amazing true crime show unlike anything anybody has ever

0:04:52.279 --> 0:04:56.320
<v Speaker 1>heard before, and it's apparently being produced four floors above

0:04:56.360 --> 0:04:59.279
<v Speaker 1>our office. We had no idea that was happening. It

0:04:59.360 --> 0:05:01.840
<v Speaker 1>was this just a small group of people. They were

0:05:01.839 --> 0:05:05.159
<v Speaker 1>called Tenderfoot TV, and we were so impressed with the content.

0:05:05.600 --> 0:05:08.680
<v Speaker 1>We thought, Okay, let's contact these guys, Donald Lellbright and

0:05:08.720 --> 0:05:10.920
<v Speaker 1>Payne Lindsay, let's see what they're up to. We had

0:05:10.920 --> 0:05:14.760
<v Speaker 1>a quick meeting and just over coffee, we decided we

0:05:14.800 --> 0:05:16.480
<v Speaker 1>want to work together, and if we are going to

0:05:16.560 --> 0:05:18.760
<v Speaker 1>work together, what do we want to tackle? What story

0:05:19.000 --> 0:05:22.960
<v Speaker 1>do we want to tell. Both teams simultaneously wanted to

0:05:22.960 --> 0:05:26.839
<v Speaker 1>tell Atlanta's missing and murdered children's story because it was

0:05:26.920 --> 0:05:29.039
<v Speaker 1>not something that was being talked about. We felt like

0:05:29.080 --> 0:05:32.039
<v Speaker 1>it was a story that had been underserved, and it

0:05:32.080 --> 0:05:34.720
<v Speaker 1>was an underserved community in the first place, and we thought,

0:05:34.800 --> 0:05:37.400
<v Speaker 1>let's at least do our best to tell the stories

0:05:37.440 --> 0:05:39.800
<v Speaker 1>of the people who went through this, who lived through this,

0:05:40.240 --> 0:05:47.160
<v Speaker 1>and we created Atlanta Monster Atlanta, Georgia, nineteen seventy nine.

0:05:48.200 --> 0:05:51.360
<v Speaker 1>One by one, kids are going missing with no explanation

0:05:52.560 --> 0:05:55.560
<v Speaker 1>seven of the children have disappeared since March. A black

0:05:55.600 --> 0:05:58.240
<v Speaker 1>thirteen year old boy living in a housing project, good

0:05:58.279 --> 0:06:01.600
<v Speaker 1>in school, a loner working for extra money, and as

0:06:01.640 --> 0:06:06.920
<v Speaker 1>of Thursday night, missing Are you scared? Altogether nine children

0:06:06.960 --> 0:06:09.640
<v Speaker 1>between the ages of seven and fourteen have disappeared in

0:06:09.680 --> 0:06:13.120
<v Speaker 1>the last year. People from outside see this in the

0:06:13.240 --> 0:06:15.960
<v Speaker 1>context of what's happening to black people across the country.

0:06:16.040 --> 0:06:19.200
<v Speaker 1>Missing children have become priority number one at a p D.

0:06:19.400 --> 0:06:22.600
<v Speaker 1>We cannot as a community, as a city, carry on

0:06:22.720 --> 0:06:26.159
<v Speaker 1>business as usual. I want the people of Atlanta and

0:06:26.240 --> 0:06:29.599
<v Speaker 1>the nation to know that this administration is totally color blind.

0:06:31.240 --> 0:06:33.839
<v Speaker 1>When the producers of Up and Vanished in Health Stuff works,

0:06:34.320 --> 0:06:43.200
<v Speaker 1>you present an all new podcast, Atlanta Monster. Officially, according

0:06:43.240 --> 0:06:45.880
<v Speaker 1>to the list, there were twenty three children five adults

0:06:45.880 --> 0:06:50.039
<v Speaker 1>who were killed from nine the picture there is a

0:06:50.120 --> 0:06:53.560
<v Speaker 1>mug shot of Wayne Williams, the man who is still

0:06:53.600 --> 0:06:56.600
<v Speaker 1>in jail right now. He was convicted of killing two adults,

0:06:56.880 --> 0:06:59.840
<v Speaker 1>and we spoke with him extensively for this show. I

0:07:00.000 --> 0:07:02.080
<v Speaker 1>don't know if you guys realized this. There are so

0:07:02.120 --> 0:07:05.040
<v Speaker 1>many people in this city that believe that man killed

0:07:05.160 --> 0:07:08.000
<v Speaker 1>absolutely zero people. It was mind blowing to us to

0:07:08.120 --> 0:07:11.000
<v Speaker 1>know how many people held that as an opinion. We

0:07:11.080 --> 0:07:13.800
<v Speaker 1>thought it was worth talking to him to see what

0:07:13.840 --> 0:07:17.880
<v Speaker 1>he had to say. It premiered in January, and again,

0:07:17.880 --> 0:07:20.720
<v Speaker 1>this is stuff media. At that time, we get acquired

0:07:20.760 --> 0:07:24.440
<v Speaker 1>by I Heart Radio the end of We love the process,

0:07:24.480 --> 0:07:26.960
<v Speaker 1>we love the style, and we wanted to work again

0:07:27.000 --> 0:07:30.160
<v Speaker 1>with tender Foot TV. We're gonna find another time when

0:07:30.360 --> 0:07:32.520
<v Speaker 1>terror was running rampant in this city, when just going

0:07:32.560 --> 0:07:36.520
<v Speaker 1>about your daily life was a problem, and we looked

0:07:36.560 --> 0:07:39.640
<v Speaker 1>to San Francisco. Right at the turn of the Summer

0:07:39.640 --> 0:07:43.560
<v Speaker 1>of Love n nineteen sixty nine, there was what was

0:07:43.600 --> 0:07:46.360
<v Speaker 1>believed to be a man who was killing young people

0:07:46.360 --> 0:07:49.760
<v Speaker 1>in their cars at lovers lanes. This person was writing

0:07:49.880 --> 0:07:53.880
<v Speaker 1>letters to the San Francisco Chronicle and other newspapers. He

0:07:53.960 --> 0:07:56.920
<v Speaker 1>had captured a city, and he had put fear in

0:07:56.920 --> 0:07:59.120
<v Speaker 1>the hearts of everyone living in the entire area from

0:07:59.240 --> 0:08:05.040
<v Speaker 1>Napa Valley to Valleo to San Francisco. In the seventies,

0:08:05.120 --> 0:08:07.880
<v Speaker 1>as it was happening, a lot of us probably thought, Gee,

0:08:07.880 --> 0:08:10.680
<v Speaker 1>there's a lot going on, But looking back at a

0:08:10.760 --> 0:08:14.880
<v Speaker 1>decade of violence, it was just crazy. It was crazy time.

0:08:15.680 --> 0:08:19.239
<v Speaker 1>Most serial killers don't make any effort to involve media

0:08:19.480 --> 0:08:23.640
<v Speaker 1>or investigators. They're very secretive. They don't want attention. They

0:08:23.680 --> 0:08:26.480
<v Speaker 1>almost want their crimes to go unnoticed. But the idea

0:08:26.560 --> 0:08:29.400
<v Speaker 1>of committing a crime and then calling up the police

0:08:29.640 --> 0:08:33.080
<v Speaker 1>and bragging about it, that's a whole nother level of terror.

0:08:34.000 --> 0:08:37.240
<v Speaker 1>A man who wore a medieval style executioner's hood, who

0:08:37.240 --> 0:08:40.440
<v Speaker 1>has baffled the police and baffled the media. He seems

0:08:40.480 --> 0:08:44.320
<v Speaker 1>to crave publicity. He sent letters and cryptograms to newspapers

0:08:44.360 --> 0:08:47.600
<v Speaker 1>and the police. Subjects stated, I want to report a murder,

0:08:47.800 --> 0:08:51.760
<v Speaker 1>no a double murder. I did it here. We are

0:08:52.240 --> 0:08:56.400
<v Speaker 1>fifty years after the first Zodiac killing. In today's world

0:08:56.440 --> 0:08:59.680
<v Speaker 1>of forensics, old cases are being solved. We're talking about

0:09:00.160 --> 0:09:02.760
<v Speaker 1>the most famous cold case in the last century or

0:09:02.800 --> 0:09:06.040
<v Speaker 1>so in terms of it's drama and being unsolved. Who

0:09:06.080 --> 0:09:11.640
<v Speaker 1>doesn't want to know how it turns out, Dear editor,

0:09:12.679 --> 0:09:16.680
<v Speaker 1>this is the Zodiac speaking. If you do not print

0:09:16.679 --> 0:09:19.640
<v Speaker 1>the cipher by the afternoon of Friday, first of August,

0:09:19.920 --> 0:09:23.120
<v Speaker 1>I will go on to kill rampage Friday night. I

0:09:23.160 --> 0:09:25.720
<v Speaker 1>will cruise around all weekend, killing loan people in the night,

0:09:26.360 --> 0:09:29.480
<v Speaker 1>then move on to kill again. The best part of

0:09:29.480 --> 0:09:32.560
<v Speaker 1>it is that when I die, I'll be reborn in

0:09:32.600 --> 0:09:36.360
<v Speaker 1>paradise and all that I have killed will become my slaves.

0:09:40.400 --> 0:09:43.920
<v Speaker 1>From My Heart Radio, How Stuff Works and Tenderfoot TV,

0:09:45.760 --> 0:09:51.960
<v Speaker 1>this is Monster the Zodiac Killer. That impression of the

0:09:52.000 --> 0:09:54.400
<v Speaker 1>Zodiac Killer. That was an actual letter that was sent

0:09:54.440 --> 0:09:57.080
<v Speaker 1>to the San Francisco Chronicle. Hearing it in that way,

0:09:57.080 --> 0:09:58.440
<v Speaker 1>I don't know if it has the same effect on you.

0:09:58.480 --> 0:10:00.160
<v Speaker 1>I hope it does. That's kind of the point of it.

0:10:00.240 --> 0:10:02.920
<v Speaker 1>But it really is spine tingling to me to know

0:10:03.000 --> 0:10:05.080
<v Speaker 1>that someone actually wrote that and felt that I wanted

0:10:05.120 --> 0:10:07.559
<v Speaker 1>everybody else to feel that way. It kind of just

0:10:07.679 --> 0:10:11.840
<v Speaker 1>fits that title, doesn't it. Monster whoever that was. So

0:10:11.920 --> 0:10:15.000
<v Speaker 1>here's the deal. We are back with the third iteration

0:10:15.040 --> 0:10:19.559
<v Speaker 1>of the Monster series. We went from one all the

0:10:19.600 --> 0:10:22.680
<v Speaker 1>way back to sixty nine. This year we're going to

0:10:22.880 --> 0:10:26.120
<v Speaker 1>two thousand two, to a time right after nine eleven,

0:10:26.280 --> 0:10:30.120
<v Speaker 1>to a time when the country was in fear already

0:10:30.480 --> 0:10:34.040
<v Speaker 1>and someone came along and struck fear in the hearts

0:10:34.040 --> 0:10:35.800
<v Speaker 1>of all of us. Again. We're gonna tell you all

0:10:35.840 --> 0:10:38.199
<v Speaker 1>about it tonight, because tonight we have the creators of

0:10:38.240 --> 0:10:41.400
<v Speaker 1>the third iteration. It is called Monster d C Sniper.

0:10:41.800 --> 0:10:44.839
<v Speaker 1>Tonight we have the host, Tony Harris, and we have

0:10:44.920 --> 0:10:47.920
<v Speaker 1>two of the producers, Trevor Young and Benjamin Kiebrick. And guys,

0:10:48.040 --> 0:10:50.400
<v Speaker 1>if you'd like to join me on stage, come on up.

0:10:54.120 --> 0:10:56.880
<v Speaker 1>We've got Trevor Young, this is Ben Keebrick. These guys

0:10:56.880 --> 0:11:00.320
<v Speaker 1>are the writers and really the backbone the creators of

0:11:00.360 --> 0:11:02.880
<v Speaker 1>the show. So, Ben, I want to pose this to you.

0:11:03.120 --> 0:11:04.920
<v Speaker 1>Can you tell us kind of a basic overview of

0:11:04.920 --> 0:11:07.040
<v Speaker 1>the case and how you came to learn all the

0:11:07.080 --> 0:11:09.480
<v Speaker 1>information about it? So one thing just to start, So

0:11:09.559 --> 0:11:12.600
<v Speaker 1>I actually I grew up in northern Virginia, so I

0:11:12.640 --> 0:11:14.560
<v Speaker 1>was a high school student when all this stuff was

0:11:14.600 --> 0:11:17.679
<v Speaker 1>going on. But then starting to research it, I realized,

0:11:17.720 --> 0:11:19.400
<v Speaker 1>even though I was there at the time and like

0:11:19.520 --> 0:11:21.800
<v Speaker 1>getting all that local news and stuff, I realized there

0:11:21.880 --> 0:11:24.439
<v Speaker 1>is so much about this case that either I never

0:11:24.559 --> 0:11:27.520
<v Speaker 1>knew or completely forgot about um. And that was one

0:11:27.559 --> 0:11:29.880
<v Speaker 1>of the reasons I wanted to tell this story, as

0:11:29.920 --> 0:11:31.400
<v Speaker 1>I felt like, well, if I don't know any of

0:11:31.400 --> 0:11:34.480
<v Speaker 1>this stuff, then I don't think many people do. So

0:11:34.520 --> 0:11:38.040
<v Speaker 1>October second, two thousand two, one person was shot. The

0:11:38.120 --> 0:11:41.240
<v Speaker 1>next day five people are shot. They're just going about

0:11:41.240 --> 0:11:44.880
<v Speaker 1>their everyday lives. A guy mowing a lawn, people filling

0:11:44.960 --> 0:11:47.840
<v Speaker 1>up their cars with gas, things like that. They seem

0:11:47.880 --> 0:11:50.080
<v Speaker 1>to have no connection to one another, but when they

0:11:50.080 --> 0:11:52.800
<v Speaker 1>analyzed the bullets, they realized that they're all coming from

0:11:52.840 --> 0:11:55.880
<v Speaker 1>the same rifle. There's someone out there kind of shooting

0:11:55.880 --> 0:11:59.080
<v Speaker 1>people and discriminately, and it's kind of like, now, what

0:11:59.120 --> 0:12:02.000
<v Speaker 1>do you do? No one knows is it terrorists, is

0:12:02.040 --> 0:12:05.160
<v Speaker 1>it a serial killer? What's going on. It's a very

0:12:05.200 --> 0:12:09.520
<v Speaker 1>suburban area. Immediately everyone was worried about their kids. A

0:12:09.520 --> 0:12:12.400
<v Speaker 1>couple of days later, there's a shooting at a middle school.

0:12:12.720 --> 0:12:15.600
<v Speaker 1>Outside that middle school, they find a terror card with

0:12:15.640 --> 0:12:18.040
<v Speaker 1>a cryptic note written on it, and kind of the

0:12:18.120 --> 0:12:21.520
<v Speaker 1>story just gets crazier and crazier. When I was doing

0:12:21.559 --> 0:12:23.400
<v Speaker 1>the research, one of the things is it seems like

0:12:23.440 --> 0:12:26.440
<v Speaker 1>there's a lot of misinformation out there. There are some

0:12:26.480 --> 0:12:29.439
<v Speaker 1>good books written about it that kind of cover narrow angles,

0:12:29.559 --> 0:12:32.720
<v Speaker 1>some kind of made for TV documentaries, but it felt

0:12:32.720 --> 0:12:35.760
<v Speaker 1>like no one had really put everything in one place

0:12:36.120 --> 0:12:39.199
<v Speaker 1>where it tried to to really give a feel of

0:12:39.240 --> 0:12:41.840
<v Speaker 1>what it was like to live through that. And that's

0:12:41.840 --> 0:12:44.360
<v Speaker 1>that's the thing that Monster does really well, is putting

0:12:44.400 --> 0:12:47.640
<v Speaker 1>people into a time and a place and kind of

0:12:47.760 --> 0:12:50.280
<v Speaker 1>trying to make our listeners feel what it must have

0:12:50.320 --> 0:12:54.200
<v Speaker 1>been like to go through that. So, Trevor, you tracked

0:12:54.200 --> 0:12:56.640
<v Speaker 1>down so many people and talked with them, tell us

0:12:56.720 --> 0:12:59.520
<v Speaker 1>the different perspectives that we're actually hearing from the show.

0:13:00.040 --> 0:13:02.520
<v Speaker 1>So off the bat, you can expect to hear anywhere

0:13:02.600 --> 0:13:05.679
<v Speaker 1>from forty to fifty people in this podcast. We've over

0:13:05.720 --> 0:13:08.040
<v Speaker 1>the last six to nine months interview just an insane

0:13:08.080 --> 0:13:10.600
<v Speaker 1>amount of people. But I think this was such a

0:13:10.600 --> 0:13:13.800
<v Speaker 1>big story that affected so many people that really that's

0:13:13.920 --> 0:13:17.760
<v Speaker 1>only a tiny fraction of the people we could interview. Right. Um.

0:13:17.880 --> 0:13:23.800
<v Speaker 1>Dr Caroline Namro was a pediatrician. She was just um

0:13:23.840 --> 0:13:26.199
<v Speaker 1>going about her day. She was dropping her kids off

0:13:26.240 --> 0:13:28.960
<v Speaker 1>at school. Uh, and she stopped to get gas on

0:13:29.000 --> 0:13:32.679
<v Speaker 1>October three, and she made eye contact with a man

0:13:32.960 --> 0:13:34.839
<v Speaker 1>and didn't really think anything of it. Then all of

0:13:34.880 --> 0:13:36.920
<v Speaker 1>a sudden, she hears a pop and the man goes

0:13:36.960 --> 0:13:39.760
<v Speaker 1>down on her car, bleeding and says, call the cops.

0:13:40.640 --> 0:13:44.560
<v Speaker 1>So she tries to resuscitate this man. She's calling the police.

0:13:44.600 --> 0:13:46.360
<v Speaker 1>She you heard her on the nine one one call

0:13:46.400 --> 0:13:48.640
<v Speaker 1>on that teaser, and she's doing I think what all

0:13:48.679 --> 0:13:51.400
<v Speaker 1>of us would do. She's just kind of reacting. She's

0:13:51.880 --> 0:13:54.880
<v Speaker 1>frankly kind of freaking out. I don't know how I

0:13:54.880 --> 0:13:56.719
<v Speaker 1>would react. I don't even know if I could call

0:13:56.880 --> 0:13:59.959
<v Speaker 1>nine one one. She told us her medical training kick

0:14:00.040 --> 0:14:02.960
<v Speaker 1>dan and she was able to go into gear and

0:14:03.000 --> 0:14:05.800
<v Speaker 1>really try and help this person. And it's a phenomenal

0:14:05.840 --> 0:14:08.079
<v Speaker 1>story to hear her tell it, and it's one of

0:14:08.120 --> 0:14:10.440
<v Speaker 1>the first things you hear in the podcast. There's a

0:14:10.440 --> 0:14:12.800
<v Speaker 1>lot of incredible stories like that, and I think what

0:14:12.840 --> 0:14:15.560
<v Speaker 1>we really want to do is really tell them to

0:14:15.600 --> 0:14:18.960
<v Speaker 1>their like full extent, to really let you know the

0:14:19.000 --> 0:14:20.760
<v Speaker 1>full story of what happened with each and every one

0:14:20.760 --> 0:14:34.600
<v Speaker 1>of these people from every perspective. So we're speaking with witnesses,

0:14:34.640 --> 0:14:38.160
<v Speaker 1>we're speaking with victims, families, were speaking with the law

0:14:38.240 --> 0:14:41.920
<v Speaker 1>enforcement officials from all of the varying organizations that were

0:14:41.960 --> 0:14:45.000
<v Speaker 1>a part of this massive manhunt. And one of the

0:14:45.000 --> 0:14:47.640
<v Speaker 1>people that was there at that time was this award

0:14:47.680 --> 0:14:51.800
<v Speaker 1>winning journalist named Tony Harris. You have been in television

0:14:51.840 --> 0:14:55.800
<v Speaker 1>for a long time, my friend, stop right there. When

0:14:55.680 --> 0:14:58.640
<v Speaker 1>when is the first time? Am I not allowed to know?

0:14:59.520 --> 0:15:01.840
<v Speaker 1>Was what was first TV gig? For real? My first

0:15:01.840 --> 0:15:06.920
<v Speaker 1>TV gig was eight two eight two. The first time

0:15:06.920 --> 0:15:11.920
<v Speaker 1>you're yeah, and you have been working consistently this whole time.

0:15:12.000 --> 0:15:15.600
<v Speaker 1>Knock would Yeah, I just want to know, why are

0:15:15.640 --> 0:15:18.600
<v Speaker 1>you taking all of your TV talents and putting them

0:15:18.640 --> 0:15:21.720
<v Speaker 1>into a pott Oh that's easy. Look, when you sign

0:15:21.840 --> 0:15:24.760
<v Speaker 1>up for this role as a journalist, you know what

0:15:24.800 --> 0:15:27.080
<v Speaker 1>you're saying to anyone who will listen to you is

0:15:27.120 --> 0:15:29.520
<v Speaker 1>that you want to tell amazing stories. You want to

0:15:29.560 --> 0:15:32.560
<v Speaker 1>dig deep, and you want to share those stories. You

0:15:32.600 --> 0:15:36.240
<v Speaker 1>want to investigate, you want to uncover, and you want

0:15:36.280 --> 0:15:38.600
<v Speaker 1>to report. That's what you sign up for when you

0:15:38.680 --> 0:15:40.560
<v Speaker 1>say you want to be a journalist, and that's what

0:15:40.640 --> 0:15:44.960
<v Speaker 1>I did forever ago. And once you do that, you

0:15:45.000 --> 0:15:48.720
<v Speaker 1>want to find as many venues as possible to tell

0:15:49.040 --> 0:15:53.760
<v Speaker 1>amazing stories. So sure, I've I've done that work at CNN,

0:15:53.880 --> 0:15:57.400
<v Speaker 1>I did that work for Al Jazeera in Dohan and

0:15:57.640 --> 0:16:01.600
<v Speaker 1>then again in New York. I have been really fortunate

0:16:01.640 --> 0:16:06.760
<v Speaker 1>to cover amazing stories, everything from the Southeast Asia tsunami

0:16:06.920 --> 0:16:11.080
<v Speaker 1>to Katrina to the Arab spring. And this is an

0:16:11.080 --> 0:16:14.440
<v Speaker 1>opportunity that I think it's really special now. This world

0:16:14.440 --> 0:16:17.200
<v Speaker 1>that you guys have created gives journalists like me an

0:16:17.200 --> 0:16:20.400
<v Speaker 1>opportunity to dig, to do the deep dive this is

0:16:20.440 --> 0:16:23.360
<v Speaker 1>a really deep dive, and I mean, I think that's important.

0:16:23.520 --> 0:16:25.920
<v Speaker 1>That's an important point to make here. So it's not

0:16:26.000 --> 0:16:28.000
<v Speaker 1>a situation that you see a lot in television news

0:16:28.040 --> 0:16:30.120
<v Speaker 1>where you got a fifteen seconds sound bite from someone.

0:16:30.680 --> 0:16:35.560
<v Speaker 1>You get an opportunity to actually hear someone explain not

0:16:35.720 --> 0:16:39.280
<v Speaker 1>just the moment, but what they were feeling and what

0:16:39.320 --> 0:16:42.520
<v Speaker 1>they were going through emotionally in that moment. That's why

0:16:42.560 --> 0:16:45.360
<v Speaker 1>I feel blessed to have this opportunity to tell this

0:16:45.480 --> 0:16:49.200
<v Speaker 1>story that I have kind of intimate knowledge of. You

0:16:49.240 --> 0:16:52.840
<v Speaker 1>remember this story, right, I mean you remember this. I

0:16:52.920 --> 0:16:55.240
<v Speaker 1>just need to feel some energy back from from the audience.

0:16:55.240 --> 0:16:59.120
<v Speaker 1>You do remember the story, right. This is two thousand two,

0:16:59.160 --> 0:17:02.800
<v Speaker 1>and I, um wow. I was working in Baltimore as

0:17:02.840 --> 0:17:06.399
<v Speaker 1>a news anchor for the Fox affiliate there and on

0:17:06.560 --> 0:17:09.919
<v Speaker 1>the second I remember us getting a call in our

0:17:09.960 --> 0:17:12.600
<v Speaker 1>newsroom about our shooting in Montgomery County, which was odd

0:17:12.640 --> 0:17:15.440
<v Speaker 1>and weird because you know, as was mentioned, Montgomery County

0:17:15.480 --> 0:17:19.800
<v Speaker 1>is kind of this pristine community high net Worth County

0:17:19.960 --> 0:17:23.320
<v Speaker 1>in Maryland. That would have led our newscast that night,

0:17:24.040 --> 0:17:26.840
<v Speaker 1>and the next day all all hell broke lose um

0:17:27.440 --> 0:17:31.600
<v Speaker 1>five people killed on the third and at that point

0:17:32.119 --> 0:17:34.560
<v Speaker 1>as my news brain was working at the time, I

0:17:34.640 --> 0:17:37.160
<v Speaker 1>knew we had a massive story and not enough people.

0:17:37.680 --> 0:17:40.439
<v Speaker 1>I'm thinking resources to cover the story. I'm thinking about

0:17:41.400 --> 0:17:43.520
<v Speaker 1>how do we get the information to people. We weren't

0:17:43.560 --> 0:17:46.399
<v Speaker 1>getting anything from police. Everyone was afraid that that it

0:17:46.440 --> 0:17:50.159
<v Speaker 1>was terrorism, and we just didn't have enough resources to

0:17:50.200 --> 0:17:53.399
<v Speaker 1>cover the story. And I don't know it. At some

0:17:53.520 --> 0:17:56.640
<v Speaker 1>point during the twenty three days of panic and Hell,

0:17:57.080 --> 0:17:59.640
<v Speaker 1>I can remember sort of wait a minute, You're you're

0:17:59.680 --> 0:18:02.080
<v Speaker 1>trying to figure out because as an anchor, you're getting

0:18:02.080 --> 0:18:04.760
<v Speaker 1>people on who are telling the story. And I think

0:18:05.000 --> 0:18:06.720
<v Speaker 1>in many cases we might have been part of the

0:18:06.760 --> 0:18:10.720
<v Speaker 1>problem and telling the story because we became as fixated

0:18:10.760 --> 0:18:12.879
<v Speaker 1>as anyone with the idea of the white van. You

0:18:12.920 --> 0:18:15.560
<v Speaker 1>remember the white panel truck. Remember that, how that sort

0:18:15.560 --> 0:18:19.359
<v Speaker 1>of dominated the story. And then the next thing was

0:18:19.520 --> 0:18:23.040
<v Speaker 1>all of the leaks that we were reporting on, and

0:18:23.080 --> 0:18:26.240
<v Speaker 1>how some of those leaks were coming from investigators close

0:18:26.280 --> 0:18:30.600
<v Speaker 1>to the case. So you're just conflicted, and you're wondering

0:18:30.680 --> 0:18:33.240
<v Speaker 1>if if you're doing a service to the public. But

0:18:33.640 --> 0:18:36.160
<v Speaker 1>we have people viewers who were clamoring to know everything

0:18:36.200 --> 0:18:39.080
<v Speaker 1>there is to know about this case, and so you're

0:18:39.080 --> 0:18:42.359
<v Speaker 1>feeling conflicted in everything else, and and I'm still thinking

0:18:42.600 --> 0:18:45.920
<v Speaker 1>as an anchor, as a reporter trying to get information.

0:18:46.000 --> 0:18:49.320
<v Speaker 1>At some point, and I don't know when, At some point,

0:18:49.840 --> 0:18:54.479
<v Speaker 1>um I started to think like a human being, and

0:18:54.560 --> 0:18:57.679
<v Speaker 1>I started to think about the people who had been killed,

0:18:58.880 --> 0:19:04.199
<v Speaker 1>their lives, their families. And then I it must have

0:19:04.240 --> 0:19:07.840
<v Speaker 1>been around the time when Iron Brown, thirteen year old,

0:19:08.080 --> 0:19:10.639
<v Speaker 1>he had a Tasker Middle School shot. Yeah, that's right,

0:19:11.160 --> 0:19:15.280
<v Speaker 1>that's right at Tasker Middle School. And I think it

0:19:15.359 --> 0:19:20.080
<v Speaker 1>was shortly or certainly in that moment, I began to

0:19:20.119 --> 0:19:24.160
<v Speaker 1>stop thinking about this purely as a story, with all

0:19:24.200 --> 0:19:27.480
<v Speaker 1>the adrenaline that goes along with being, you know, a

0:19:27.560 --> 0:19:30.240
<v Speaker 1>reporter or anchor on a huge story with national and

0:19:30.280 --> 0:19:34.560
<v Speaker 1>international interest, and I started to think about myself as

0:19:35.200 --> 0:19:38.320
<v Speaker 1>a father or two young children, and the story kind

0:19:38.320 --> 0:19:40.560
<v Speaker 1>of changes for me at that point. So there are

0:19:40.600 --> 0:19:42.679
<v Speaker 1>two routes I want to go with that, Steve Antoni.

0:19:42.800 --> 0:19:46.320
<v Speaker 1>The first one is how making a show like this

0:19:46.400 --> 0:19:48.879
<v Speaker 1>affects you when you are speaking to somebody like this,

0:19:49.000 --> 0:19:52.359
<v Speaker 1>then you're perhaps in an editing bay and listening to

0:19:52.400 --> 0:19:55.280
<v Speaker 1>it over and over again and really trying to pull

0:19:55.320 --> 0:19:59.760
<v Speaker 1>out the truth and the emotion in something horrific that

0:19:59.800 --> 0:20:03.000
<v Speaker 1>you're listening to. How has that affected you, guys, Has

0:20:03.040 --> 0:20:05.520
<v Speaker 1>it affected you guys at all? Or how do you

0:20:05.520 --> 0:20:08.600
<v Speaker 1>think about it? Well, I think all are most of

0:20:08.680 --> 0:20:12.320
<v Speaker 1>us here come from a journalism background, and I think

0:20:12.320 --> 0:20:15.119
<v Speaker 1>when you work in journalism for so many years, um,

0:20:15.160 --> 0:20:17.119
<v Speaker 1>you kind of in a way learn how to harden

0:20:17.160 --> 0:20:20.480
<v Speaker 1>yourself when you're talking and hearing and dealing with these stories.

0:20:21.359 --> 0:20:23.240
<v Speaker 1>So you know, when you go into this, when you're

0:20:23.240 --> 0:20:25.560
<v Speaker 1>in the moment you're talking to this person, you're doing

0:20:25.600 --> 0:20:28.320
<v Speaker 1>two things. You're you're one trying to get the story,

0:20:28.359 --> 0:20:31.040
<v Speaker 1>get the information really like talk with this person, empathize

0:20:31.080 --> 0:20:32.879
<v Speaker 1>with them, But you know, at the end of the

0:20:33.000 --> 0:20:35.480
<v Speaker 1>day also you are trying to connect with them on

0:20:35.480 --> 0:20:39.879
<v Speaker 1>an emotional level. And I think in the podcasting world,

0:20:40.119 --> 0:20:42.760
<v Speaker 1>we're trying to do that more over longer periods of time,

0:20:43.840 --> 0:20:47.880
<v Speaker 1>and it's harder to not let that affect you. It's

0:20:47.920 --> 0:20:51.159
<v Speaker 1>hard not to feel more emotionally invest in these people

0:20:51.680 --> 0:20:54.200
<v Speaker 1>when you were talking with them on multiple occasions, sometimes

0:20:54.200 --> 0:20:56.560
<v Speaker 1>for hours at a time. You know, these are not

0:20:56.640 --> 0:20:58.600
<v Speaker 1>like TV interviews that you see on a talk show.

0:20:59.040 --> 0:21:01.840
<v Speaker 1>These are people that when you leave the room with them,

0:21:01.920 --> 0:21:04.120
<v Speaker 1>or you get off the phone with them. You feel

0:21:04.160 --> 0:21:06.639
<v Speaker 1>like you know each other and there's a piece of

0:21:06.680 --> 0:21:10.040
<v Speaker 1>each other that you've shared that you are probably gonna

0:21:10.080 --> 0:21:15.120
<v Speaker 1>remember forever and you can't take back. And I personally

0:21:15.119 --> 0:21:17.640
<v Speaker 1>have walked away from a lot of interviews I don't

0:21:17.640 --> 0:21:21.720
<v Speaker 1>want to say shaken, but feeling like I had experienced

0:21:21.720 --> 0:21:25.440
<v Speaker 1>something myself that somebody had explained to me because they

0:21:26.000 --> 0:21:28.080
<v Speaker 1>you know, we're so open with me, because they went

0:21:28.119 --> 0:21:30.800
<v Speaker 1>to so much detail, because they gave me something so vivid,

0:21:31.400 --> 0:21:35.200
<v Speaker 1>I almost felt like I'd been there. And it's good

0:21:35.200 --> 0:21:38.159
<v Speaker 1>for us to hear that stuff because then we know

0:21:38.240 --> 0:21:42.240
<v Speaker 1>we have something powerful. One of the major purposes of

0:21:42.320 --> 0:21:46.159
<v Speaker 1>these shows is to learn something from the experience of

0:21:46.200 --> 0:21:48.000
<v Speaker 1>all of the people that have gone through all of

0:21:48.000 --> 0:21:50.040
<v Speaker 1>these things. People who have, you know, been on the

0:21:50.080 --> 0:21:53.480
<v Speaker 1>side of the law, chasing somebody down, or on on

0:21:53.520 --> 0:21:57.840
<v Speaker 1>the wrong side of a gun. It's basic storytelling stuff,

0:21:57.880 --> 0:22:00.800
<v Speaker 1>but it's also very important to us when we're making

0:22:00.800 --> 0:22:03.760
<v Speaker 1>a show like this, looking at the big picture and

0:22:03.800 --> 0:22:06.600
<v Speaker 1>thinking about ourselves. Then I want to jump to you

0:22:06.640 --> 0:22:08.479
<v Speaker 1>really quickly because one of the ways we do that

0:22:08.680 --> 0:22:11.560
<v Speaker 1>is to kind of time travel. In these shows, and

0:22:11.680 --> 0:22:15.720
<v Speaker 1>play archival footage from news organizations. Talk to me about

0:22:15.720 --> 0:22:18.119
<v Speaker 1>how we're using archival footage in this and how that's

0:22:18.359 --> 0:22:22.200
<v Speaker 1>helping to shape the story. But it's also telling us

0:22:22.240 --> 0:22:25.320
<v Speaker 1>some things about what was going on between law enforcement

0:22:25.680 --> 0:22:28.679
<v Speaker 1>and the media. So this is kind of an interesting

0:22:28.760 --> 0:22:32.119
<v Speaker 1>case from an archival perspective because it turned into a

0:22:32.200 --> 0:22:35.520
<v Speaker 1>national news story. I mean, you have George W. Bush

0:22:35.640 --> 0:22:39.440
<v Speaker 1>talking about it. You know, it's covered by all the stations,

0:22:39.760 --> 0:22:42.439
<v Speaker 1>and and there are kind of these massive trials that

0:22:42.480 --> 0:22:45.880
<v Speaker 1>happened afterwards where things like the nine one one calls

0:22:46.280 --> 0:22:49.639
<v Speaker 1>got entered into that that public records. We have a

0:22:49.640 --> 0:22:53.040
<v Speaker 1>lot of kind of primary documents of kind of what

0:22:53.160 --> 0:22:56.240
<v Speaker 1>was going on at that time, how people thought about it,

0:22:56.359 --> 0:22:59.560
<v Speaker 1>you know, people calling in to call in radio shows

0:22:59.600 --> 0:23:03.159
<v Speaker 1>to breasts, their their fears and their concerns. So we

0:23:03.240 --> 0:23:06.359
<v Speaker 1>really had a ton of stuff to work with and

0:23:06.359 --> 0:23:09.600
<v Speaker 1>and try to incorporate that kind of whenever we could.

0:23:10.320 --> 0:23:12.520
<v Speaker 1>Um and one of our recent episodes there is kind

0:23:12.560 --> 0:23:16.600
<v Speaker 1>of a particularly harrowing one call that we had a

0:23:16.640 --> 0:23:20.760
<v Speaker 1>big internal debate about, you know, whether to use and

0:23:20.800 --> 0:23:24.280
<v Speaker 1>how much to use, and there's kind of this balance

0:23:24.320 --> 0:23:27.720
<v Speaker 1>of you know, you want to respect the people that

0:23:27.760 --> 0:23:30.399
<v Speaker 1>went through these things, but it's also it's something that

0:23:30.440 --> 0:23:35.639
<v Speaker 1>really happened, and so kind of to accurately present what

0:23:35.680 --> 0:23:39.439
<v Speaker 1>was going on, do you want to kind of show

0:23:39.560 --> 0:23:43.400
<v Speaker 1>that in its kind of most dark and brutal fashion

0:23:44.200 --> 0:23:48.720
<v Speaker 1>there was tension occurring between the media and law enforcement

0:23:48.720 --> 0:23:51.600
<v Speaker 1>about what information should be put out into the public.

0:23:51.800 --> 0:23:53.480
<v Speaker 1>This is what I want to learn from you, Tony,

0:23:53.640 --> 0:23:58.359
<v Speaker 1>So from the newsperson's the journalist perspective, what do you

0:23:58.400 --> 0:24:01.879
<v Speaker 1>think about if information gets lead to you that is

0:24:01.920 --> 0:24:05.360
<v Speaker 1>really important for people's understanding about this case, even though

0:24:05.359 --> 0:24:06.879
<v Speaker 1>you know it's important to the case. Look, are you

0:24:06.920 --> 0:24:09.920
<v Speaker 1>going to hinder the investigation? Obvious at CNN when Jazira

0:24:09.960 --> 0:24:13.040
<v Speaker 1>got the Alqaeda tapes and you know, there was a

0:24:13.080 --> 0:24:17.280
<v Speaker 1>lot of back and forth and ringing of hands and

0:24:17.359 --> 0:24:19.440
<v Speaker 1>a lot of criticism from inside our own building of

0:24:19.520 --> 0:24:23.600
<v Speaker 1>Jazeera for going with those those tapes. When the reality

0:24:23.760 --> 0:24:26.359
<v Speaker 1>is if if we had gotten the tapes, we would

0:24:26.359 --> 0:24:29.479
<v Speaker 1>have we would have run those tapes, right. And so

0:24:29.520 --> 0:24:31.359
<v Speaker 1>if you get information like that that you know is

0:24:31.400 --> 0:24:34.399
<v Speaker 1>really hot and really provocative, what do you do with it? Well,

0:24:34.440 --> 0:24:36.560
<v Speaker 1>there's an editorial process. We all know that you just

0:24:36.560 --> 0:24:41.160
<v Speaker 1>described an editorial process, and I think you've got a way.

0:24:41.240 --> 0:24:44.359
<v Speaker 1>It's all that that's the old question of the public's

0:24:44.480 --> 0:24:48.200
<v Speaker 1>right to know, right, and the extent to which sharing

0:24:48.240 --> 0:24:52.000
<v Speaker 1>that information might hinder an investigation. I think there are

0:24:52.080 --> 0:24:55.680
<v Speaker 1>their circumstances where during that case we got it wrong.

0:24:57.200 --> 0:25:00.400
<v Speaker 1>Channel nine and the Washington Post should not have gone

0:25:00.400 --> 0:25:03.680
<v Speaker 1>with the information, in my opinion, on the Tarot card.

0:25:04.920 --> 0:25:08.920
<v Speaker 1>The reason they did is the fact that the writing

0:25:09.080 --> 0:25:14.080
<v Speaker 1>on the Tarot card essentially eliminated the thought that this

0:25:14.240 --> 0:25:19.320
<v Speaker 1>was foreign terrorism, right, was the reason I believe those

0:25:19.320 --> 0:25:22.000
<v Speaker 1>news organizations decided to go with that. I think it's

0:25:22.040 --> 0:25:25.760
<v Speaker 1>always the sort of balancing act, and there are serious

0:25:25.880 --> 0:25:28.800
<v Speaker 1>editorial meetings about this, and I think there are some

0:25:28.840 --> 0:25:32.800
<v Speaker 1>cases where we absolutely got it wrong. We didn't challenge

0:25:32.960 --> 0:25:35.359
<v Speaker 1>in the way that we should have, the whole idea

0:25:35.440 --> 0:25:38.359
<v Speaker 1>of the white panel truck. So, because you've been here

0:25:38.400 --> 0:25:40.360
<v Speaker 1>today and you've been hearing us talk about this, when

0:25:40.400 --> 0:25:42.400
<v Speaker 1>you go outside today and head home, all you're gonna

0:25:42.400 --> 0:25:44.560
<v Speaker 1>see our white panel trucks, that's all you're gonna see.

0:25:44.840 --> 0:25:47.440
<v Speaker 1>And so I suppose that's that's the way I feel

0:25:47.480 --> 0:25:50.760
<v Speaker 1>about it. We got we got a lot of things wrong. Um,

0:25:51.080 --> 0:25:54.840
<v Speaker 1>we should have questioned more closely. Uh, we should have

0:25:54.880 --> 0:25:57.879
<v Speaker 1>pushed back a lot more aggressively, but we were We

0:25:57.880 --> 0:26:03.720
<v Speaker 1>were operating at a moment when this nation was scared shipless.

0:26:03.760 --> 0:26:07.520
<v Speaker 1>Can I say that I just did? We just got

0:26:07.520 --> 0:26:10.119
<v Speaker 1>a note? He said, absolutely not, Tony, Tony, you have

0:26:10.160 --> 0:26:12.479
<v Speaker 1>to leave now. They're they're coming to get you too.

0:26:14.240 --> 0:26:16.120
<v Speaker 1>Could I add something to that? Yeah, police, So there

0:26:16.160 --> 0:26:19.600
<v Speaker 1>was another interesting element the way the media and the

0:26:19.680 --> 0:26:22.199
<v Speaker 1>investigation was interacting. And then maybe you can help me

0:26:22.240 --> 0:26:25.840
<v Speaker 1>with this. The snipers, the tarot card was one of

0:26:25.920 --> 0:26:28.760
<v Speaker 1>their kind of communications, but there were all these other

0:26:28.760 --> 0:26:32.960
<v Speaker 1>communications as well, all these demands for money, all these

0:26:33.000 --> 0:26:37.280
<v Speaker 1>demands for police to say certain things publicly. So both

0:26:37.320 --> 0:26:41.680
<v Speaker 1>the snipers and the investigation ended up using the media

0:26:41.760 --> 0:26:44.159
<v Speaker 1>to kind of, you know, as their own kind of megaphones.

0:26:44.480 --> 0:26:46.520
<v Speaker 1>They were kind of talking through the media at each

0:26:46.560 --> 0:26:49.679
<v Speaker 1>other because they weren't interacting directly, the investigators and the

0:26:49.680 --> 0:26:52.200
<v Speaker 1>snipers for the most part. There were a few phone calls,

0:26:52.280 --> 0:26:55.080
<v Speaker 1>but for the most part in the in a big sense,

0:26:55.359 --> 0:26:59.880
<v Speaker 1>they were really using press conferences and newscasts to get

0:26:59.880 --> 0:27:02.520
<v Speaker 1>information on both sides. And that kind of goes into

0:27:02.520 --> 0:27:05.720
<v Speaker 1>the archival things. So then you have actually these press

0:27:05.760 --> 0:27:10.560
<v Speaker 1>conferences of the chief of police for Montgomery County communicating

0:27:10.560 --> 0:27:13.159
<v Speaker 1>to the snipers and kind of, you know, none of

0:27:13.200 --> 0:27:16.560
<v Speaker 1>the reporters or the public at home really knows what's

0:27:16.600 --> 0:27:19.960
<v Speaker 1>going on. Is kind of these coded, cryptic messages that

0:27:20.000 --> 0:27:23.600
<v Speaker 1>are responding to the messages from the snipers, and it

0:27:24.160 --> 0:27:27.600
<v Speaker 1>it really was just kind of this very bizarre scenario

0:27:27.840 --> 0:27:29.639
<v Speaker 1>or it's kind of hard for the media to know

0:27:30.320 --> 0:27:33.200
<v Speaker 1>how to cover it, how much to cover it. Yeah,

0:27:33.200 --> 0:27:35.400
<v Speaker 1>but then that doesn't and you're not making this point,

0:27:35.440 --> 0:27:38.760
<v Speaker 1>but I will. It doesn't. It doesn't explain away the

0:27:39.119 --> 0:27:45.880
<v Speaker 1>irresponsibility in my opinion of local television stations, national networks

0:27:46.760 --> 0:27:49.840
<v Speaker 1>putting every Tom Dick and Harry On who claims to

0:27:49.880 --> 0:27:55.639
<v Speaker 1>be a law enforcement expert just doing rank speculation. And

0:27:56.080 --> 0:27:58.440
<v Speaker 1>that continues today. So that's kind of a pet peeve

0:27:58.520 --> 0:28:01.400
<v Speaker 1>of mine. Folks who are not a part of the investigation.

0:28:12.040 --> 0:28:15.320
<v Speaker 1>We're going to take some questions. Is anybody out there

0:28:15.359 --> 0:28:18.480
<v Speaker 1>have any questions, because if you don't, I'll keep asking them.

0:28:18.560 --> 0:28:22.280
<v Speaker 1>I have a question about your video trailers. So as

0:28:22.320 --> 0:28:26.840
<v Speaker 1>a podcast, you know it's strictly audio, um, but you've

0:28:26.880 --> 0:28:30.600
<v Speaker 1>created these incredible video trailers. Can you talk a little

0:28:30.600 --> 0:28:33.159
<v Speaker 1>bit about the benefit of that and why that's a

0:28:33.200 --> 0:28:35.399
<v Speaker 1>great question. I want to hear this answer. Okay, you

0:28:35.440 --> 0:28:38.080
<v Speaker 1>want me to just keep answering these okay, cool um.

0:28:38.200 --> 0:28:43.080
<v Speaker 1>Video trailers I think are very, very beneficial for any podcast,

0:28:43.280 --> 0:28:45.480
<v Speaker 1>and I think it's mostly what we use it for

0:28:45.680 --> 0:28:48.560
<v Speaker 1>social That's one of the major aspects is just being

0:28:48.600 --> 0:28:51.280
<v Speaker 1>able to put something on say Instagram or some other

0:28:51.320 --> 0:28:55.160
<v Speaker 1>platform that you can watch and get people excited about,

0:28:55.440 --> 0:28:58.600
<v Speaker 1>especially if you're telling a story that's already exciting just inherently,

0:28:58.840 --> 0:29:01.560
<v Speaker 1>but if you can show something that's exciting, that can

0:29:01.600 --> 0:29:04.720
<v Speaker 1>only make your show better and make your audience more interested. Uh.

0:29:04.760 --> 0:29:07.080
<v Speaker 1>In our case, we're working with Tenderfoot TV, guys who

0:29:07.160 --> 0:29:10.160
<v Speaker 1>came from video production. I have a video production degree, like,

0:29:10.240 --> 0:29:13.320
<v Speaker 1>so we we would get together and make these pretty,

0:29:13.400 --> 0:29:16.840
<v Speaker 1>I think, pretty great little video trailers. The other reason

0:29:16.880 --> 0:29:19.400
<v Speaker 1>that you want a video trailer, I think, especially if

0:29:19.440 --> 0:29:23.920
<v Speaker 1>you think your story is good enough to translate into

0:29:23.960 --> 0:29:26.440
<v Speaker 1>other mediums. One of the big things is happening with

0:29:26.480 --> 0:29:30.400
<v Speaker 1>podcasts now is that TV is very interested. TV producers

0:29:30.440 --> 0:29:33.000
<v Speaker 1>across the planet are interested in taking your podcast and

0:29:33.000 --> 0:29:35.320
<v Speaker 1>trying to turn it into a television show. You've done

0:29:35.360 --> 0:29:38.000
<v Speaker 1>all the work exactly. You've got the story, you've got

0:29:38.000 --> 0:29:40.000
<v Speaker 1>the pre production, you've got everything. You've got interviews, you've

0:29:40.040 --> 0:29:41.920
<v Speaker 1>got all the people that you want to get on camera.

0:29:42.320 --> 0:29:44.920
<v Speaker 1>It's uh, it's laid out for you. If and as

0:29:44.920 --> 0:29:47.880
<v Speaker 1>a TV executive that's not me, but as some TV

0:29:47.920 --> 0:29:50.280
<v Speaker 1>executive out there, I can imagine it being very great

0:29:50.360 --> 0:29:53.320
<v Speaker 1>if you walk in with essentially a sizzle reel, so

0:29:53.400 --> 0:29:56.680
<v Speaker 1>you will hear this podcast and and I guarantee you

0:29:56.680 --> 0:29:59.800
<v Speaker 1>you will think, Wow, that could be on television today.

0:30:00.120 --> 0:30:01.680
<v Speaker 1>And this is what I wanted to get into before

0:30:01.680 --> 0:30:04.520
<v Speaker 1>we switched over. It's it's exactly that. The way that

0:30:04.640 --> 0:30:08.480
<v Speaker 1>you guys use music, and the editing style and the

0:30:08.520 --> 0:30:11.440
<v Speaker 1>way you cut to and from a commercial, and the

0:30:11.480 --> 0:30:14.400
<v Speaker 1>cliffhangers and all of that. It gets me so pumped

0:30:14.400 --> 0:30:19.160
<v Speaker 1>and excited and scared and sad. Episode two of the show,

0:30:19.560 --> 0:30:22.360
<v Speaker 1>I love it. I cry every time I listened to

0:30:22.360 --> 0:30:25.160
<v Speaker 1>that episode. It moves me in the way a really

0:30:25.200 --> 0:30:28.320
<v Speaker 1>great HBO show or or some other television show does.

0:30:28.600 --> 0:30:30.960
<v Speaker 1>And it's because of the music, because of the stories,

0:30:31.280 --> 0:30:33.600
<v Speaker 1>the way you guys are putting it together, and there's

0:30:33.640 --> 0:30:35.400
<v Speaker 1>this voice that keeps talking to you, but it's just

0:30:35.440 --> 0:30:38.160
<v Speaker 1>so smooth and awesome whatever. So the only thing I

0:30:38.200 --> 0:30:42.520
<v Speaker 1>would add to that is that I've been making films

0:30:42.560 --> 0:30:46.040
<v Speaker 1>and I've had a television show on Discovery I D

0:30:47.560 --> 0:30:50.280
<v Speaker 1>so I've been in this true crime space for four

0:30:50.480 --> 0:30:54.640
<v Speaker 1>almost five years now, and what these guys are doing

0:30:55.520 --> 0:31:00.040
<v Speaker 1>in their storytelling rivals anything then I've been connected to

0:31:00.840 --> 0:31:04.880
<v Speaker 1>in true crime. So I don't get an opportunity often

0:31:04.920 --> 0:31:07.000
<v Speaker 1>to say really nice things to about these guys in

0:31:07.040 --> 0:31:09.479
<v Speaker 1>front of a room of people. But they are that

0:31:09.640 --> 0:31:11.440
<v Speaker 1>good at what they do, and if you haven't listened

0:31:11.440 --> 0:31:13.360
<v Speaker 1>to it, you'll know exactly what I'm talking about when

0:31:13.360 --> 0:31:17.000
<v Speaker 1>you listen. Thank you, And going back to the kind

0:31:17.000 --> 0:31:18.680
<v Speaker 1>of music for a second. I think one of the

0:31:18.720 --> 0:31:22.320
<v Speaker 1>interesting things about Atlanta Monster in the Monster series and

0:31:22.360 --> 0:31:24.520
<v Speaker 1>I guess up and vanished too. It's one of the

0:31:24.560 --> 0:31:28.160
<v Speaker 1>first kind of big podcasts that didn't come out directly

0:31:28.320 --> 0:31:32.520
<v Speaker 1>from public radio, you know, so like Cereal sarracan Ex

0:31:32.920 --> 0:31:35.680
<v Speaker 1>was on This American Life, a lot of people making

0:31:35.760 --> 0:31:39.280
<v Speaker 1>podcast kind of came from that background. Um, I think

0:31:39.280 --> 0:31:41.760
<v Speaker 1>this was one of the first podcast series to kind

0:31:41.800 --> 0:31:44.400
<v Speaker 1>of be made by someone who really had more of

0:31:44.440 --> 0:31:47.840
<v Speaker 1>like a TV aesthetic, and that goes into the way

0:31:47.880 --> 0:31:51.080
<v Speaker 1>you cut things, the way you use music, and we

0:31:51.120 --> 0:31:53.720
<v Speaker 1>try to keep the journalism, We try to keep that

0:31:53.800 --> 0:31:57.600
<v Speaker 1>same rigor, but maybe the way things are timed in

0:31:57.720 --> 0:32:01.120
<v Speaker 1>space and the musical cues a little bit more similar

0:32:01.200 --> 0:32:05.440
<v Speaker 1>to a TV documentary than you know, a standard public

0:32:05.520 --> 0:32:08.400
<v Speaker 1>radio story or something. Well, and they're not here tonight,

0:32:08.440 --> 0:32:09.840
<v Speaker 1>but I think we have a lot of that to

0:32:10.240 --> 0:32:13.880
<v Speaker 1>Tenterfoot TV absolutely frankly invented a lot of that model.

0:32:14.440 --> 0:32:17.720
<v Speaker 1>They came from kind of a documentary producing background. They

0:32:17.840 --> 0:32:20.120
<v Speaker 1>kind of brought that to podcasting with Up and Vanish

0:32:20.160 --> 0:32:22.600
<v Speaker 1>and then Atlanta Monster. Uh So, I mean they have

0:32:22.680 --> 0:32:24.680
<v Speaker 1>taught us a lot how to do that, and we

0:32:24.960 --> 0:32:27.080
<v Speaker 1>talked about music a lot and we should shut out

0:32:27.240 --> 0:32:31.480
<v Speaker 1>maps makeup. In Vanity Set. He does all of the soundtracks,

0:32:31.520 --> 0:32:34.720
<v Speaker 1>and I think he's really another team member, and I

0:32:34.760 --> 0:32:37.240
<v Speaker 1>think that's also kind of a unique thing to kind of,

0:32:37.400 --> 0:32:40.040
<v Speaker 1>you know, have one person doing the whole soundtrack, and

0:32:40.080 --> 0:32:42.960
<v Speaker 1>like we go back and forth about what we want

0:32:43.080 --> 0:32:45.880
<v Speaker 1>and he sends us stuff that's super inspiring and that's

0:32:45.920 --> 0:32:49.400
<v Speaker 1>a big part of our process. Those guys, they make

0:32:49.480 --> 0:32:52.280
<v Speaker 1>such exciting content, and really what we're trying to do

0:32:52.320 --> 0:32:53.880
<v Speaker 1>is you hit on the head. We were trying to

0:32:54.280 --> 0:32:58.640
<v Speaker 1>balance the excitement that they bring with this journalism murder,

0:32:58.760 --> 0:33:01.320
<v Speaker 1>and I think that's what we're achieving this season more

0:33:01.320 --> 0:33:05.160
<v Speaker 1>than we have ever before. So we're gonna do something here.

0:33:05.440 --> 0:33:07.640
<v Speaker 1>We're gonna play this quick clip. This is kind of

0:33:07.680 --> 0:33:11.080
<v Speaker 1>an example of the style, really using music, using a

0:33:11.120 --> 0:33:14.320
<v Speaker 1>cliffhanger to get you excited about wanting to listen to

0:33:14.400 --> 0:33:16.720
<v Speaker 1>either the rest of the show or the next episode.

0:33:17.080 --> 0:33:23.080
<v Speaker 1>So here we go next time on Monster d C Sniper,

0:33:24.160 --> 0:33:27.200
<v Speaker 1>I need an ambulance right here. God came out from

0:33:27.200 --> 0:33:31.920
<v Speaker 1>behind the store and uh and shop Paul arupa and uh.

0:33:32.480 --> 0:33:36.320
<v Speaker 1>Leading The pressure of the blood inside me was collapsing

0:33:36.360 --> 0:33:45.160
<v Speaker 1>my lungs. He drove and I shot because I was

0:33:45.240 --> 0:33:48.600
<v Speaker 1>the smallest. And back there later they told me, Oh,

0:33:48.680 --> 0:33:52.760
<v Speaker 1>they found you. John sent Lee to your door pretending

0:33:53.000 --> 0:33:56.560
<v Speaker 1>to be a salesperson. Oh, ma'am, I am buying one

0:33:56.880 --> 0:33:59.920
<v Speaker 1>that was gonna for somebody to me. Have you been

0:34:00.120 --> 0:34:05.880
<v Speaker 1>goot you? He said, So, don't get this twisted. Don't

0:34:05.920 --> 0:34:10.560
<v Speaker 1>believe that tim million dollar madness. He came there to

0:34:10.800 --> 0:34:15.320
<v Speaker 1>kill you, That said Malvo has talked about Mohammed having

0:34:15.360 --> 0:34:18.520
<v Speaker 1>a plan and to go create a utopian society in Canada.

0:34:21.719 --> 0:34:26.759
<v Speaker 1>Here you okay, Thank you guys, Thank you so much. UM.

0:34:26.800 --> 0:34:30.000
<v Speaker 1>Everybody's in the download DC Sniper. If you haven't done

0:34:30.080 --> 0:34:33.480
<v Speaker 1>Zodi at Killer or Atlanta Monster, download that one too.

0:34:34.000 --> 0:34:37.160
<v Speaker 1>Thank you to the guys from my heart, UM, and

0:34:37.200 --> 0:34:39.680
<v Speaker 1>thank you to all of you for making our first

0:34:39.719 --> 0:34:42.879
<v Speaker 1>god podcast weekend. It won't be the last watch out.

0:34:43.360 --> 0:34:46.520
<v Speaker 1>It was a success and we appreciate your contribution to that.

0:34:46.960 --> 0:34:49.839
<v Speaker 1>Scad film dot com has all the information you need

0:34:49.880 --> 0:34:52.920
<v Speaker 1>about upcoming events that we'll be doing. There is a

0:34:52.920 --> 0:34:55.560
<v Speaker 1>newsletter you can sign up for that. You can also

0:34:55.600 --> 0:34:58.280
<v Speaker 1>stop by SCAD dot e du to learn more about

0:34:58.320 --> 0:35:01.759
<v Speaker 1>everything that SCAD produces is here and in Savannah, we

0:35:01.840 --> 0:35:05.120
<v Speaker 1>have a great fashion museum called SCAD Fash. We have

0:35:05.200 --> 0:35:07.319
<v Speaker 1>events throughout the year and we really hope that we'll

0:35:07.320 --> 0:35:10.000
<v Speaker 1>see more of you at them. Thank you and good

0:35:10.120 --> 0:35:16.520
<v Speaker 1>night Monster. DC Sniper is a fifteen episode podcast hosted

0:35:16.520 --> 0:35:20.319
<v Speaker 1>by Tony Harris and produced by iHeart Radio and Tenderfoot TV.

0:35:21.160 --> 0:35:24.400
<v Speaker 1>Matt Frederick and Alex Williams are executive producers on behalf

0:35:24.440 --> 0:35:28.440
<v Speaker 1>of I Heart Radio alongside producers Trevor Young, ben Kiebrick,

0:35:28.600 --> 0:35:32.440
<v Speaker 1>and Josh Thain. Payne Lindsay and Donald Albright are executive

0:35:32.440 --> 0:35:36.960
<v Speaker 1>producers on behalf of Tenderfoot TV, alongside producers Meredith Steadman

0:35:37.080 --> 0:35:41.879
<v Speaker 1>and Christina Dana. Original music is by Makeup and Vanity Set.

0:35:42.560 --> 0:35:44.759
<v Speaker 1>If you haven't already, be sure to check out the

0:35:44.800 --> 0:35:48.520
<v Speaker 1>first two seasons at Lanta Monster and Monster the Zodiac Killer.

0:35:49.160 --> 0:35:52.400
<v Speaker 1>If you have questions or comments, email us at Monster

0:35:52.560 --> 0:35:55.560
<v Speaker 1>at i heeart media dot com, or you can call

0:35:55.680 --> 0:35:59.280
<v Speaker 1>us at one eight three three to eight five six

0:35:59.360 --> 0:36:02.160
<v Speaker 1>six six seven. Thanks for listening.