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Speaker 1: How do I look? So are we rolling? Don't lie?

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Speaker 1: Are we rolling? They're very mean to me, are they? Yeah? Well,

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Speaker 1: when you're the the idea guy, you know what I mean,

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Speaker 1: everybody gets kind of creepy about that.

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Speaker 2: They get they get overwhelmed, right.

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Speaker 1: Who's wrong? And I just have to go sometimes, you know,

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Speaker 1: Oh yeah, and you can tell me something. It's like

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Speaker 1: g I Joe time, you can move the thing and

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Speaker 1: am I Okay? Do you see my makeup? Fifty seven?

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Speaker 1: Do I call you missus? Mitchell? Just bev yo bevv Okay.

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Speaker 1: So we're starting there, you know what I mean?

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Speaker 3: Adults, great badlis it's so bad. Guilty suns so bad.

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Speaker 1: It's one bad books. Welcome to one bad movie, Steve Baldwin,

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Speaker 1: Here your creatively founding host with the lovely Beverly Mitchell.

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Speaker 1: So I gotta do this. This is a great enclave here.

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Speaker 1: Where are you from?

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Speaker 4: I'm born and raised here. I was actually born in Arcadia, California.

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Speaker 4: I am one of those unicorns, born raised. I've lived

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Speaker 4: here my whole life.

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Speaker 1: And that was how many brothers and sisters mom? Dad?

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Speaker 1: Where they were? I'm curious no brothers and sisters.

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Speaker 2: I'm an only child.

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Speaker 1: All, yeah, I'm the youngest of six God bless you.

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Speaker 2: Yes, I am an only child.

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Speaker 4: So yeah, obviously when I got Seventh Heaven, I like

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Speaker 4: adopted all of my sibling.

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Speaker 1: We have to just do another episode after this about

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Speaker 1: her being an only child.

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Speaker 2: Just I mean, it is, it's a thing.

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Speaker 1: No, there's so much I want to know.

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Speaker 4: And apparently, yeah, apparently I didn't realize, like how really

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Speaker 4: I am an only child? Like apparently I check all

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Speaker 4: the boxes for only children and I was unaware of

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Speaker 4: that until all of my Seventh Heaven siblings have told me.

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Speaker 4: Oh yeah, no, that totally makes sense because and they

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Speaker 4: always knew this about me and they're just now sharing it.

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Speaker 1: So hold on a second. So you're a unicorn, I am.

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Speaker 1: You're a Cali unicorn.

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Speaker 2: I'm a Southern Cali unicorn.

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Speaker 1: So what is that? Does that have any kind of

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Speaker 1: like a dialect with an accent? Is that something?

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Speaker 3: No?

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Speaker 1: Are you more hillbilly?

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Speaker 4: Because no, it just means that I've literally only lived

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Speaker 4: in southern California my whole entire life.

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Speaker 2: So I am literally like, la, baby, do you know California?

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Speaker 2: You know what?

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Speaker 4: To be honest, I think I probably haven't seen nearly

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Speaker 4: as much as other people who come to visit because

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Speaker 4: I live.

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Speaker 1: Here, right so, but born here, yep started acting at.

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Speaker 4: Four, I was discovered in a shopping mouth throwing a

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Speaker 4: temper tantrum for what. I was hungry, and I was

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Speaker 4: with my aunt who didn't understand that, like you need

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Speaker 4: to feed children, and I needed to make it known

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Speaker 4: that I was hungry. And so I was at the

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Speaker 4: food court at the Sherman Oaks Galeria and I threw

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Speaker 4: myself on the floor started screaming and yelling until I

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Speaker 4: got my corn dog. And basically, Corey Feldman's mom was

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Speaker 4: a manager at the time, and she thought I was

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Speaker 4: cute and said I should be.

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Speaker 2: In the business and was there randomly and that's how

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Speaker 2: I got my start.

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Speaker 1: Well, and that was so then what was the first gig?

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Speaker 4: My first gig was an AT and T commercial, and

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Speaker 4: then it was quickly followed up by another commercial, and

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Speaker 4: then a year later I got my first Oscar Meyer commercial.

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Speaker 4: And that's what kind of sent me off to the

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Speaker 4: races because I was the Oscar Meyer girl. But I

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Speaker 4: didn't sing the Oscar Meyer song. I did the complaint

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Speaker 4: to the bakery man. So it's literally like I was

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Speaker 4: this little pip squeak And it was back in the

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Speaker 4: day and age when like they would hire like.

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Speaker 2: Five kids at a time to do the same commercial.

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Speaker 4: So we would all do this and actually I think

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Speaker 4: they had us doing like four to five commercials and

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Speaker 4: it was days of And was that.

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Speaker 1: The situation with the oskar Meyer commercial. Yeah, many other

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Speaker 1: kids doing versions of the commercial, but yours broke out.

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Speaker 4: Yeah, because they don't know who's going to like show

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Speaker 4: up as a kid, They don't know who's going to

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Speaker 4: show up that day and actually like be able to perform,

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Speaker 4: So they would hire multiple kids and they had it

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Speaker 4: all set.

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Speaker 2: Up and then we would all kind of do it to.

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Speaker 1: Get what they wanted.

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Speaker 2: And you didn't know who's they were going to use,

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Speaker 2: but then they used mine.

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Speaker 1: Did you throw yourself on the floor and screen.

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Speaker 3: For a card?

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Speaker 2: I didn't.

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Speaker 4: But you know what's crazy about that, You know, being

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Speaker 4: a small kid, and my mom was always like, you know,

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Speaker 4: you have to eat everything that you're given, So I

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Speaker 4: didn't understand. And when you're doing a food commercial that

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Speaker 4: like there is a point in time where they give

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Speaker 4: you a spit bucket and you should use said spit

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Speaker 4: bucket and I was four and a five. Yeah, and

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Speaker 4: I literally ate so many hot dogs. I didn't eat

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Speaker 4: hot dogs for like twelve years later, like I because

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Speaker 4: I couldn't ever see another hot.

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Speaker 1: Dog at five. You didn't know the old spit, But

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Speaker 1: I didn't know the.

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Speaker 4: Trick because I also thought it was a trick. They're like,

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Speaker 4: you can spit, and I'm like, I'm not falling for it,

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Speaker 4: like I thought it was a trick. Like I, if

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Speaker 4: I did spit, I was gonna get in trouble.

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Speaker 2: So I just didn't. And I ate a lot of

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Speaker 2: hot dogs.

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Speaker 1: That's a lot of hot dogs.

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Speaker 4: That's and your kids have seen that, No, no, why

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Speaker 4: I have my kids like don't really aren't really interested

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Speaker 4: in what I do.

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Speaker 2: I haven't really showed them much of anything.

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Speaker 4: They think that the best part of mommy working is

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Speaker 4: the adventures they get to do a daddy while mommy works.

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Speaker 2: And that's likely.

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Speaker 1: Relate simply because I made a bunch of movies. My

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Speaker 1: family's been to three premieres in thirty five years. I

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Speaker 1: kept my kids out of the business completely, and lo

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Speaker 1: and behold, one of them's a mom and you know,

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Speaker 1: a model, and the other ones now running a company. Yeah,

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Speaker 1: you know what I mean, And so they're going to

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Speaker 1: do what they're going to do, absolutely, But I agree

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Speaker 1: with that wisdom personally, you know what I mean. So

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Speaker 1: I just don't think a kid gets to be a

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Speaker 1: kid in that environment. Yeah, and I'm not just saying this.

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Speaker 1: You've turned out quite well, you know. I think that

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Speaker 1: has to do with a lot of you know, good

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Speaker 1: raising and you know your parents and you know discipline,

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Speaker 1: and then seventh, Heaven, you know, once you get to

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Speaker 1: that level of success and popularity and awareness young, it

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Speaker 1: just makes it harder. I mean, we see the outcomes

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Speaker 1: and the percentages of the outcomes and who survives and

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Speaker 1: who stays in the business and it so kudos to you, Peal, well,

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Speaker 1: thank you. Now you're a mom.

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Speaker 4: On top of all of that, we all joke that

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Speaker 4: we were so blessed that Heaven was popular, but we

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Speaker 4: never hit that crescendo where all of a sudden people

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Speaker 4: were like chasing us down streets.

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Speaker 2: So we were always able to kind of.

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Speaker 4: Live our but we were able to live our lives

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Speaker 4: like we were, and we were back in the day

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Speaker 4: and age where like there wasn't social media. The Don

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Speaker 4: Johnson yeah, so we've been able to like kind of

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Speaker 4: I went to my regular high school, I graduated with

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Speaker 4: my friends. I nobody treated me differently just because what

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Speaker 4: I did. So and I've really instilled that in the kids.

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Speaker 4: Is like, our kids go places and meet people, but

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Speaker 4: they have no clue who they are, not a clue like,

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Speaker 4: if anything, they don't think people are special at all.

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Speaker 4: They're just like, well, that's just like so and so's

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Speaker 4: mom or dad. Like they don't they could care less.

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Speaker 4: And we've been really good about protecting them in that

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Speaker 4: because kids just need to be kids. And this whole

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Speaker 4: idea of fame is just completely overrated in my opinion.

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Speaker 1: You know, it's fleeting, you know, in common sense logic,

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Speaker 1: but in this town, in this industry, yeah, all of

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Speaker 1: that kind of nonsense you know is relevant. Yeah, you know,

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Speaker 1: if you're inside the bubble of that existence.

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Speaker 2: You know it is.

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Speaker 4: And I think the big thing that I've always tried

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Speaker 4: to do is I've never gotten too focused on that.

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Speaker 4: And my focus has always been put your head down,

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Speaker 4: do the work, and let your work ethic show up.

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Speaker 4: And I definitely believe that sometimes the squeaky wheels get

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Speaker 4: the oil and there's a lot of people who've like,

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Speaker 4: you know, their careers launched. And my big thing with

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Speaker 4: Seventh Heaven was I was so grateful for the experience

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Speaker 4: that I was going to write it and my loyalty

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Speaker 4: was to the end. I could have gone off and

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Speaker 4: done other things, but like I knew that how I

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Speaker 4: work and where my heart was is loyalty and being

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Speaker 4: a part of something and being grateful for what launched me.

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Speaker 1: And what's cool about that too, is it's like a

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Speaker 1: title and an experience in your you know, filmography career,

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Speaker 1: all that good stuff that's positive. Yes, you know, so

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Speaker 1: talk about what's coming if you can. Can you talk

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Speaker 1: about all that?

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Speaker 4: Yeah, Well, we've got podcasts to kind of revisit and

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Speaker 4: relive that whole experience. What's fun catching up with the

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Speaker 4: Camdens we had for me and David Gallagher and Mackenzie Rossman,

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Speaker 4: and it's just going to be about us reliving the

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Speaker 4: memories and having fun and kind of catching up with us.

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Speaker 2: Now because now we're all parents.

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Speaker 4: You know, we were the Camden kids and now we

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Speaker 4: have kids, and we have no clue what we're doing,

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Speaker 4: but we're trying to figure it out.

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Speaker 1: But there's also kind of a way to reintroduce the

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Speaker 1: show to a whole new.

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Speaker 4: Generation, which is absolutely very cool and it is crazy

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Speaker 4: that people are finding it.

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Speaker 2: We just did a.

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Speaker 4: Convention and we were just blown away by the response

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Speaker 4: and how many Yeah we did Nineties comes.

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Speaker 1: Close parents get to tell and it's crazy.

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Speaker 4: It was so fun and it was there's a whole

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Speaker 4: other level when you see how much of an impact

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Speaker 4: it's made on people's lives, and I think that's what's

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Speaker 4: the greatest thing of us being actor and whether it's

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Speaker 4: something that we might have found embarrassing at one point

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Speaker 4: of our career, like the nineties really screwed a lot

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Speaker 4: of us. I think what I loved about the nineties too,

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Speaker 4: is that it was simpler times, the stories were organic

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Speaker 4: and they resonated. And I feel like right now everything

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Speaker 4: has just gotten so heavy and there's so much I.

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Speaker 1: Want to talk about that. Yeah, I want to talk

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Speaker 1: about why the nineties was cool because we lived making

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Speaker 1: stuff in that in that decade. But it was fun.

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Speaker 1: It was still business and work.

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Speaker 2: I mean, I loved auditioning, right, I loved the.

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Speaker 4: The camaraderie we have in the waiting room, right when

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Speaker 4: you know that we would literally you would you would

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Speaker 4: know everyone in the waiting room.

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Speaker 1: Kind of most people into typically.

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Speaker 2: Going if you're going for my age, Like.

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Speaker 4: I knew that it might be like Jodie Sweeten, and

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Speaker 4: it might be like Christine Lake, and it might be

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Speaker 4: like I like it, or Scarlett Johansson. Like there were

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Speaker 4: so many times where like we would all see each

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Speaker 4: other over and over again for the same type of auditions.

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Speaker 4: And I do remember I was very grateful my mom

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Speaker 4: said when I was really young and I didn't get

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Speaker 4: a part that I was really excited about, and she

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Speaker 4: just always said, your turn will come.

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Speaker 2: And I always remember being.

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Speaker 4: Like, oh, okay, so it's their turn, Okay, cool, next

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Speaker 4: time it'll be mine, And so had to wait. But

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Speaker 4: like I was always happy for my friends because they

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Speaker 4: were my friends. I was excited when they got the job.

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Speaker 4: I mean, yeah, is there a little bit of are

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Speaker 4: you a little bummed? Maybe a little bit, But at

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Speaker 4: the same time, like back in the day, we're like

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Speaker 4: those waiting rooms.

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Speaker 2: I loved going into castings.

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Speaker 4: I loved being able to like mess with someone on

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Speaker 4: the other side of the camera and like, you know,

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Speaker 4: not just go in and be repetitious and just do

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Speaker 4: the lines, but like have a conversation and be able

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Speaker 4: to like talk.

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Speaker 2: That was what acting was fun for me.

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Speaker 4: Was actually was the I mean, one of my commercials

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Speaker 4: I got because I was waiting in the room for

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Speaker 4: four hours, waiting room for four hours, and when I

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Speaker 4: finally got into the room, I went to the producers

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Speaker 4: and I.

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Speaker 2: Was like, enough, already, you haven't found anyone, Like what

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Speaker 2: is wrong?

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Speaker 4: I booked the commercial, but it was like those type

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Speaker 4: of experiences that were so fun. And these days when

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Speaker 4: I and I've met plenty of actors and I've talked

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Speaker 4: to them, and I what I see is wrong is

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Speaker 4: they're so used to doing all their scenes in a mirror,

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Speaker 4: and they're so used to working with no human they're

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Speaker 4: working with just the camera. The spontaneity they've lost, and

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Speaker 4: they've lost the ability to pivot because the best part

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Speaker 4: about being on set is you don't know.

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Speaker 2: What's coming, right, So that's the process.

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Speaker 4: It's so fun to be able to act off of people.

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Speaker 4: I don't want to act off a wall, Like that's

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Speaker 4: not fun. Like I love switching it up, changing it up,

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Speaker 4: like I love throwing curveballs. Like if you I'm not

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Speaker 4: going to do the same take every time because that's

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Speaker 4: not really exciting and that's not creative. But you definitely

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Speaker 4: see this new generation of talent coming in, and when

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Speaker 4: you do these movies, there's often times where you're.

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Speaker 2: Like, did you see what I just gave you?

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Speaker 4: Because that is not the response that should come from

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Speaker 4: that stimulus, right, And I feel like that's where in

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Speaker 4: the nineties we all were able to we played that racketball,

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Speaker 4: we were able to like lob the balls back.

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Speaker 1: Well, the acting, it seems, was different then.

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Speaker 2: Yeah.

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Speaker 1: You know, listen, you have a lot of big movies now,

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Speaker 1: a lot of big TV shows, a lot of special effects. Yeah,

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Speaker 1: acting to special effects.

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Speaker 2: Yeah.

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Speaker 1: I mean, I don't want to be rude, but I

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Speaker 1: could pick four different actors from Dune and say, do

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Speaker 1: something on a stage and forgive me, but I'm pretty

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Speaker 1: sure they couldn't connect to it. Yeah, just you can

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Speaker 1: just see by the way they act on film. Yeah,

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Speaker 1: that's just an opinion, just an opinion. So I think

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Speaker 1: that's what other projects other than Seventh Heaven in that vibe.

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Speaker 1: What's the most fun you've had other than Seventh Heaven?

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Speaker 4: You know what, we had a lot of fun doing

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Speaker 4: Saw too, we did I mean just I mean we

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Speaker 4: want to jump from one genre straight to the next.

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Speaker 1: Let's just you know, you get hacked up or did

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Speaker 1: you do that?

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Speaker 2: Sadly?

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Speaker 4: I had the lamest death of all why Like it

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Speaker 4: was the lamest death because everyone else like died by

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Speaker 4: like lethal injection, they like burned in the crematorium, or

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Speaker 4: they like had like their heads like.

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Speaker 2: Blown off, and like I died by gas and I

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Speaker 2: just went.

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Speaker 4: Part of me was thinking, like, oh, this can be

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Speaker 4: like creative, where like I can come back because I

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Speaker 4: like didn't really die and they thought I died the

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Speaker 4: relater I mean, and we're on Saw three hundred in

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Speaker 4: forty two and I haven't come back yet.

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Speaker 1: So I don't know what why David in your is

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Speaker 1: he in that?

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Speaker 3: No?

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Speaker 1: No franchise, that's scream okay?

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Speaker 2: And what's funny isn't I don't actually watch horror movies.

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Speaker 2: I hate them, but they're fun to be in.

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Speaker 1: But wait, I want to talk more about your death

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Speaker 1: by gas?

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Speaker 2: It was just boring?

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Speaker 1: No, but like what did the director do you?

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Speaker 3: Like?

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Speaker 1: Did you do like a couple of quivers?

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Speaker 4: And yeah, I had to do that, And then I

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Speaker 4: had to just like bleed out basically, so it was

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Speaker 4: like leed out well, like from my mouth.

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Speaker 1: Yeah, but it wasn't like so you got gas and

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Speaker 1: like blood care Yeah, but it wasn't.

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Speaker 2: Like exciting your tongue hang out. I don't think I

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Speaker 2: did that. And at the end of you didn't like no,

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Speaker 2: I didn't do that.

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Speaker 4: I think I also was face down, so it wasn't

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Speaker 4: like you really got to see everything. But it was

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Speaker 4: What was fun about that though, the experience was we

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Speaker 4: were up in Canada and we were shooting in order, so.

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Speaker 1: We were actually why in order.

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Speaker 4: That's weird because it was amazing for us to kind

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Speaker 4: of experience the build up and.

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Speaker 1: The horror of like literally the productions producers director's choice,

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Speaker 1: so they did all that costs more money.

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Speaker 4: All of this stuff in the house was in order,

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Speaker 4: and so we actually what was great though, is like

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Speaker 4: we always knew exactly where we were right before and

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Speaker 4: the scene, so it.

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Speaker 1: Was an actor, you had your horror in order, yes,

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Speaker 1: which is great.

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Speaker 4: It is great because also when I'm so my voice

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Speaker 4: is like so gone from screaming so much, it like

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Speaker 4: follows suit with the rest of the scene because I

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Speaker 4: just lost my voice from screaming so much. So it

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Speaker 4: was it was actually but it was so fun because

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Speaker 4: we would go back to the hotel and like, I

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Speaker 4: don't know why, I found it completely entertaining.

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Speaker 2: To just leave with the blood all over my face

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Speaker 2: and like just go to the bar like I would,

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Speaker 2: like the hotel, yeah, because normally everyone.

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Speaker 4: Like cleans up and like before you like you take

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Speaker 4: your makeup off before you leave. But like I just

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Speaker 4: loved just going to like the bar in Toronto, and

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Speaker 4: I would just like be like, you have no idea

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Speaker 4: what my day has been like. And then finally I

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Speaker 4: think the bar actually said can you stop? But I

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Speaker 4: found it entertaining and I found it a great like

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Speaker 4: talking point.

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Speaker 1: So, I mean, I've heard of a bloody Mary, but

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Speaker 1: I like it was a blood brings a whole bloody,

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Speaker 1: bloody beverly bad.

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Speaker 4: Looking back, I probably there was probably something in a

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Speaker 4: clause of a contract saying that you're not supposed to

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Speaker 4: do that.

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Speaker 2: But whatever I did it.

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Speaker 1: If they didn't have somebody clean and makeup.

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Speaker 4: For you at the end of the day, it was

365
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Speaker 4: that was also so fun is because also you don't

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Speaker 4: have to worry about like it was not a beauty movie.

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Speaker 2: It was a movie where like it looked like absolute

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Speaker 2: crap and it was like, oh, make me.

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Speaker 1: Look worse, and it was it's just so much getting

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Speaker 1: around it.

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Speaker 2: Oh, I love No, I loved it. I embraced it fully.

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Speaker 2: I was like, oh, like, let's really like.

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Speaker 1: Makes a kid. Were you like when you went and

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Speaker 1: did Halloween? Did you wear like princess outfits or like

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Speaker 1: bloody outfits? You know what?

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Speaker 4: I didn't really do Halloween them. I wasn't really har

377
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Speaker 4: But I think that the part of the reason why

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00:18:20,160 --> 00:18:22,560
Speaker 4: was I was working so much and so like I

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00:18:23,000 --> 00:18:26,639
Speaker 4: and with even even these days. I laughed because I like,

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Speaker 4: putting on makeup is like a It's a chore and

381
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Speaker 4: I would much rather not do it.

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Speaker 2: But I did put a little makeup on for you

383
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Speaker 2: to come here.

384
00:18:37,480 --> 00:18:41,119
Speaker 4: But I think it's I think it's because I'm my

385
00:18:41,240 --> 00:18:43,320
Speaker 4: whole life, I've been made up for work or I

386
00:18:43,440 --> 00:18:46,520
Speaker 4: have to be on that like when I'm not on,

387
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Speaker 4: I'm really off.

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Speaker 1: I'm growing my hair out right now. I like it

389
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Speaker 1: way down.

390
00:18:51,200 --> 00:18:52,600
Speaker 2: I'm gonna grow it to my should Oh my gosh,

391
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Speaker 2: you should see my son's hair. It's all the way

392
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Speaker 2: to his butt.

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Speaker 1: Well, speaking of your son, uh huh, I have like

394
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Speaker 1: a mind blowing sege right now. Okay, I'm ready for it,

395
00:19:01,920 --> 00:19:04,639
Speaker 1: so watch us. Okay, you're not ready for it.

396
00:19:04,800 --> 00:19:06,000
Speaker 2: I'm not okay.

397
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Speaker 1: Your daughter you posted on your social media about a rainbow, right,

398
00:19:11,560 --> 00:19:16,359
Speaker 1: Oh yes, I put that on my stories. So adorable.

399
00:19:17,840 --> 00:19:21,320
Speaker 1: And there's a huge rainbow in nature and her daughter's

400
00:19:21,320 --> 00:19:25,360
Speaker 1: standing there and she says, I want to slide down

401
00:19:25,440 --> 00:19:28,640
Speaker 1: the rainbow. Where I wish I could slide down the rainbow,

402
00:19:29,240 --> 00:19:31,760
Speaker 1: and I'm like back to the nineties and the fun

403
00:19:31,840 --> 00:19:35,919
Speaker 1: we had, Like that's what's missing. We're missing in this world.

404
00:19:36,160 --> 00:19:40,840
Speaker 1: That childlike gee, like I as adults, Oh wow, what

405
00:19:40,960 --> 00:19:43,680
Speaker 1: a beautiful rainbow. Her daughter walks them and goes, I

406
00:19:43,840 --> 00:19:44,640
Speaker 1: wish I gut.

407
00:19:46,840 --> 00:19:49,160
Speaker 2: With her two different with her two different shoes.

408
00:19:50,080 --> 00:19:54,560
Speaker 1: That's l That was so awesome, you know it.

409
00:19:54,680 --> 00:19:57,159
Speaker 4: And honestly, that was also a great day for me

410
00:19:57,240 --> 00:19:59,399
Speaker 4: where I was like trying to control everything. I was

411
00:19:59,480 --> 00:20:01,920
Speaker 4: trying to like, you know, I thought everything had to

412
00:20:01,960 --> 00:20:05,280
Speaker 4: be structured, and I took a break because we had

413
00:20:05,359 --> 00:20:07,200
Speaker 4: seen the rainbow and I wanted to see it better.

414
00:20:07,240 --> 00:20:09,399
Speaker 4: And I took her out there and normally I wouldn't

415
00:20:09,440 --> 00:20:11,760
Speaker 4: let her play in the rain because I was like,

416
00:20:11,800 --> 00:20:12,560
Speaker 4: you're gonna get sick.

417
00:20:13,040 --> 00:20:16,720
Speaker 2: And then finally I was like whatever go and it

418
00:20:16,880 --> 00:20:17,440
Speaker 2: was the moment.

419
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Speaker 4: Also, I think that life has gotten so busy, and

420
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Speaker 4: so we're trying to hit all of these goals whatever.

421
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Speaker 2: I don't even I think we're.

422
00:20:29,680 --> 00:20:31,480
Speaker 4: Supposed to call them goals, but I don't know really

423
00:20:31,520 --> 00:20:33,840
Speaker 4: what they are because the reality is I don't think

424
00:20:33,920 --> 00:20:36,399
Speaker 4: that they stand up the way they're supposed to do,

425
00:20:36,720 --> 00:20:39,040
Speaker 4: and we're missing out on life.

426
00:20:39,600 --> 00:20:42,760
Speaker 1: Right and the ninth miss sliding down the rain.

427
00:20:43,280 --> 00:20:45,720
Speaker 2: And in nineties we were like embracing life.

428
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Speaker 1: We were like, you know, we also had drugs that

429
00:20:47,960 --> 00:20:50,760
Speaker 1: made it feel like we were sliding, but that's different.

430
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Speaker 2: I didn't. I was the most boring. Well some people

431
00:20:57,160 --> 00:20:59,320
Speaker 2: call me bossy and like wound up too tight, but

432
00:21:00,359 --> 00:21:03,520
Speaker 2: I was the girl that was like never like but

433
00:21:03,640 --> 00:21:05,120
Speaker 2: I wasn't interested sneak out.

434
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Speaker 1: Of the house. No, never smoked weed.

435
00:21:07,480 --> 00:21:07,520
Speaker 2: No.

436
00:21:07,640 --> 00:21:09,600
Speaker 4: My mom actually, my mom one time tried to give

437
00:21:09,640 --> 00:21:11,280
Speaker 4: me a curfew and I was like, Okay, I'll just

438
00:21:11,320 --> 00:21:13,000
Speaker 4: spend the night at my friend's house. I'm not doing that,

439
00:21:13,200 --> 00:21:14,760
Speaker 4: and she's like, well, you have to have a curfew.

440
00:21:14,800 --> 00:21:17,919
Speaker 4: I'm like, Mom, I have a full time job. I'm fine,

441
00:21:19,760 --> 00:21:23,760
Speaker 4: but I was. But I was also incredibly responsible. I

442
00:21:23,920 --> 00:21:25,879
Speaker 4: was the one and the reason why I refused to

443
00:21:25,920 --> 00:21:27,920
Speaker 4: take the curfew was because I was the one that

444
00:21:28,040 --> 00:21:30,080
Speaker 4: was going and picking up my friends who were drunk.

445
00:21:30,680 --> 00:21:32,720
Speaker 2: And I said, I will not take your curfew because

446
00:21:32,760 --> 00:21:33,520
Speaker 2: I'm the one that's.

447
00:21:34,880 --> 00:21:37,680
Speaker 1: Type is designated driver. You were just that perfect.

448
00:21:37,880 --> 00:21:41,200
Speaker 2: Yes, Mama, I've been a Mama bear since I was

449
00:21:41,240 --> 00:21:44,400
Speaker 2: like five years old. That's by the way.

450
00:21:44,400 --> 00:21:46,080
Speaker 4: I've also found out a lot of people who didn't

451
00:21:46,119 --> 00:21:49,480
Speaker 4: want me to be their Mama bear. Matt and David

452
00:21:49,560 --> 00:21:52,480
Speaker 4: they're like, yeah, you were really bossy, but we just

453
00:21:52,520 --> 00:21:52,960
Speaker 4: accepted it.

454
00:21:53,359 --> 00:21:56,760
Speaker 1: So I did something crazy. Okay, what because I'm a

455
00:21:56,800 --> 00:21:58,160
Speaker 1: little different than most.

456
00:21:58,040 --> 00:21:59,359
Speaker 2: Folks, so am I.

457
00:22:00,800 --> 00:22:05,680
Speaker 1: So you do charitable work, right? Uh? Do you work

458
00:22:05,720 --> 00:22:07,760
Speaker 1: with other charities or do you have your own five

459
00:22:07,840 --> 00:22:08,159
Speaker 1: oh one?

460
00:22:09,040 --> 00:22:11,280
Speaker 2: Don't believe I have my own five oh right?

461
00:22:11,480 --> 00:22:14,600
Speaker 1: So there's no Beverly Mitchell. She went and started a

462
00:22:14,640 --> 00:22:18,639
Speaker 1: corporation to charity corporation and called it this. But you

463
00:22:18,680 --> 00:22:21,280
Speaker 1: can do that now on legal zoom. It's easy. Yeah,

464
00:22:21,440 --> 00:22:25,359
Speaker 1: I'll tell you about that later. Okay, but the point is, uh,

465
00:22:25,880 --> 00:22:27,720
Speaker 1: and my wife and kids could hear this, they would

466
00:22:27,720 --> 00:22:30,280
Speaker 1: scream laughing. So I collect ur ls, So I'll go

467
00:22:30,359 --> 00:22:34,760
Speaker 1: to the go daddy, and I buy them just because

468
00:22:35,440 --> 00:22:37,080
Speaker 1: now you can sell them, and I'll take the stuff.

469
00:22:37,119 --> 00:22:38,840
Speaker 2: Or do I've had that bought it?

470
00:22:41,119 --> 00:22:47,920
Speaker 1: I searched rainbow slides, did you buy it? And it

471
00:22:48,080 --> 00:22:52,880
Speaker 1: was not available as a dot com somebody else rainbowslides

472
00:22:52,960 --> 00:22:57,840
Speaker 1: dot com was not available, but dot org was was.

473
00:22:59,000 --> 00:23:02,000
Speaker 2: So you can bring suns, I got it. You can

474
00:23:02,080 --> 00:23:05,520
Speaker 2: bring sunshine and joy on the rainbow slide.

475
00:23:05,600 --> 00:23:08,399
Speaker 1: So in the appropriate timing, if you ever start your

476
00:23:08,440 --> 00:23:11,160
Speaker 1: own charity and you want to call it your URL,

477
00:23:11,280 --> 00:23:12,000
Speaker 1: I already have the daughter.

478
00:23:12,160 --> 00:23:13,720
Speaker 2: Okay, perfect, deal.

479
00:23:13,560 --> 00:23:17,000
Speaker 1: On it too. I think that story's fabulous. And I

480
00:23:17,080 --> 00:23:19,200
Speaker 1: think if you ever want to just do a thing

481
00:23:19,240 --> 00:23:22,600
Speaker 1: where and that listen, your rainbow slides dot org could

482
00:23:22,640 --> 00:23:25,199
Speaker 1: just be a page where you point people to other

483
00:23:25,320 --> 00:23:31,080
Speaker 1: charities stuff like that. But I couldn't believe rainbowslides dot

484
00:23:31,240 --> 00:23:32,200
Speaker 1: org was available.

485
00:23:33,080 --> 00:23:33,560
Speaker 2: That's great.

486
00:23:33,640 --> 00:23:35,240
Speaker 1: How old your daughter that did the whole video?

487
00:23:35,480 --> 00:23:36,640
Speaker 2: She's three and a half.

488
00:23:36,840 --> 00:23:38,479
Speaker 1: Yeah, so she won't understand the dot org.

489
00:23:39,359 --> 00:23:42,159
Speaker 4: No, you know the funniest thing about a door. The

490
00:23:42,359 --> 00:23:45,119
Speaker 4: third I feel like the third child is she's my

491
00:23:45,240 --> 00:23:48,159
Speaker 4: firal one. She's the one who just is like she

492
00:23:48,320 --> 00:23:51,760
Speaker 4: will take this world by storm. There is absolutely we're

493
00:23:52,480 --> 00:23:55,879
Speaker 4: oh yeah, nothing in her way. Love it absolutely like

494
00:23:55,960 --> 00:23:58,320
Speaker 4: she is the boss baby for sure. And also I

495
00:23:58,400 --> 00:24:01,080
Speaker 4: don't understand this whole sibling thing, so like I'm constantly

496
00:24:01,160 --> 00:24:03,560
Speaker 4: as a parent like struggling being like.

497
00:24:03,960 --> 00:24:08,680
Speaker 2: Why won't you just freaking be nice? And my husband's like,

498
00:24:08,920 --> 00:24:11,159
Speaker 2: because they're siblings, and I'm.

499
00:24:11,080 --> 00:24:14,000
Speaker 4: Like, stop yelling at each other, stop houlding each other's hair.

500
00:24:14,280 --> 00:24:18,200
Speaker 2: Why are you doing this? And it's something I struggle

501
00:24:18,280 --> 00:24:23,000
Speaker 2: with on the daily because I just don't understand. I

502
00:24:23,040 --> 00:24:25,080
Speaker 2: don't understand a cracking.

503
00:24:24,840 --> 00:24:27,560
Speaker 1: Up it literally like, but here's what's funny. How old

504
00:24:27,560 --> 00:24:28,800
Speaker 1: are your kids? How'd you old? You're oldest?

505
00:24:28,960 --> 00:24:31,800
Speaker 2: Eleven? I have an eleven nine and so.

506
00:24:31,920 --> 00:24:35,440
Speaker 1: Right around fourteen fifty, don't scare me is when you're

507
00:24:35,480 --> 00:24:38,520
Speaker 1: gonna get what do you know? You're an only child?

508
00:24:39,320 --> 00:24:43,400
Speaker 4: Wait that comes and you go like, well, I'm gonna say,

509
00:24:43,600 --> 00:24:45,600
Speaker 4: I don't know, but I know that this is not

510
00:24:45,720 --> 00:24:48,240
Speaker 4: how it's gonna go down. I'm also not the fun

511
00:24:48,320 --> 00:24:52,159
Speaker 4: parent I'm no, I'm like not even remotely close to

512
00:24:52,280 --> 00:24:55,359
Speaker 4: being fun, and I know that that's my role.

513
00:24:56,040 --> 00:24:58,800
Speaker 1: Like I'm like bevererly Mitchell knows how to have fun,

514
00:24:58,960 --> 00:24:59,760
Speaker 1: but when it comes to.

515
00:25:02,359 --> 00:25:04,480
Speaker 4: It's funny, I don't even know how if I really

516
00:25:04,560 --> 00:25:06,040
Speaker 4: know how to have fun. I mean, I have my

517
00:25:06,240 --> 00:25:08,240
Speaker 4: versions of fun, but I think like if you talk

518
00:25:08,320 --> 00:25:10,760
Speaker 4: to half of my friends, they'd be like, like, I

519
00:25:10,840 --> 00:25:12,280
Speaker 4: think organizing is fun.

520
00:25:13,520 --> 00:25:16,240
Speaker 1: So white water rafting with your kids not fun.

521
00:25:16,400 --> 00:25:21,000
Speaker 2: No, white water rafting, that's like adventure and crazy. But

522
00:25:21,119 --> 00:25:22,600
Speaker 2: then again, like you know, I do.

523
00:25:22,920 --> 00:25:25,040
Speaker 4: So here's the funny thing is like I do all

524
00:25:25,080 --> 00:25:27,600
Speaker 4: of these things that I don't enjoy, Like I'm not

525
00:25:27,720 --> 00:25:28,720
Speaker 4: necessarily athletic.

526
00:25:29,560 --> 00:25:33,119
Speaker 2: I don't really like to do that. But then for work,

527
00:25:33,440 --> 00:25:36,040
Speaker 2: I'll go do stupid things like jump off cliffs or

528
00:25:36,160 --> 00:25:38,000
Speaker 2: fall out of helicopters and stuff like that.

529
00:25:40,359 --> 00:25:40,600
Speaker 1: Golf.

530
00:25:40,720 --> 00:25:42,560
Speaker 2: But like, but if it's a work job, I think

531
00:25:42,600 --> 00:25:43,280
Speaker 2: this is all golf.

532
00:25:44,520 --> 00:25:44,560
Speaker 1: No.

533
00:25:45,160 --> 00:25:47,280
Speaker 4: But this is also what I think is interesting about

534
00:25:47,320 --> 00:25:50,000
Speaker 4: actors too, is like you call us to do something

535
00:25:50,080 --> 00:25:52,080
Speaker 4: for a job and we're like, yeah, we got this,

536
00:25:52,320 --> 00:25:52,920
Speaker 4: Like I can.

537
00:25:52,880 --> 00:25:54,160
Speaker 2: Do it, Like of course I can.

538
00:25:54,400 --> 00:25:56,919
Speaker 1: It's a focus and special Forces.

539
00:25:57,040 --> 00:26:00,440
Speaker 4: Of course, yes, I absolutely can't. And then that was great,

540
00:26:00,520 --> 00:26:03,200
Speaker 4: and then my husband's like, hey, you know, why don't

541
00:26:03,240 --> 00:26:05,080
Speaker 4: we go golf.

542
00:26:05,680 --> 00:26:07,480
Speaker 2: Let's say golf. He won't ask me because he knows

543
00:26:07,480 --> 00:26:09,000
Speaker 2: that that's a bad move on his part.

544
00:26:09,119 --> 00:26:10,200
Speaker 1: But you could drive the cart.

545
00:26:11,080 --> 00:26:14,440
Speaker 4: I don't think he wants me in the cart and

546
00:26:14,800 --> 00:26:17,960
Speaker 4: not I mean no, actually yeah, because I'm just yeah,

547
00:26:18,800 --> 00:26:22,159
Speaker 4: I I'm sounding really boring right now.

548
00:26:22,280 --> 00:26:24,160
Speaker 1: No, it's boring.

549
00:26:24,320 --> 00:26:25,640
Speaker 2: This is not a good hard sell.

550
00:26:25,840 --> 00:26:26,520
Speaker 3: No no, no, no, no no.

551
00:26:26,880 --> 00:26:32,120
Speaker 1: You sound like somebody at a pinnacle in their existence

552
00:26:32,840 --> 00:26:36,399
Speaker 1: who's kind of just laying down the efficiency of her

553
00:26:36,520 --> 00:26:38,119
Speaker 1: existence is what it sounds like to me.

554
00:26:38,440 --> 00:26:42,680
Speaker 4: You know, I just think that I no longer want

555
00:26:42,760 --> 00:26:46,080
Speaker 4: to show up for anyone for them. I want to

556
00:26:46,080 --> 00:26:47,920
Speaker 4: show up, however, for myself.

557
00:26:48,119 --> 00:26:53,760
Speaker 1: So going around, buddy, Yeah, yeah, I'm fifty seven, and

558
00:26:54,320 --> 00:26:56,920
Speaker 1: you know, even my like, I'm the youngest of six kids.

559
00:26:57,000 --> 00:27:04,080
Speaker 1: So my sister Beth is, what's best, sixty seven, she's

560
00:27:04,320 --> 00:27:06,399
Speaker 1: eleven years Alex eleven years older than that.

561
00:27:06,600 --> 00:27:08,480
Speaker 2: You better get this right, because you do not mess

562
00:27:08,520 --> 00:27:10,000
Speaker 2: with thee This is why I'm the youngest.

563
00:27:10,119 --> 00:27:12,720
Speaker 1: Okay, because I don't know this crap Okay, this is

564
00:27:12,760 --> 00:27:13,600
Speaker 1: why I'm saving.

565
00:27:13,680 --> 00:27:15,680
Speaker 2: We'll just say that she's just a few years older

566
00:27:15,840 --> 00:27:17,040
Speaker 2: and she's lovely and perfect.

567
00:27:17,119 --> 00:27:17,600
Speaker 3: No, she is.

568
00:27:18,040 --> 00:27:22,400
Speaker 1: Yeah, and now she and I are almost besties oldest youngest.

569
00:27:22,520 --> 00:27:25,800
Speaker 1: That's amazing, which is weird, but that's only because where

570
00:27:25,880 --> 00:27:29,639
Speaker 1: I've gravitated towards is where she's now. Both of us

571
00:27:29,640 --> 00:27:31,520
Speaker 1: are kind of more like, well, we have to focus

572
00:27:31,600 --> 00:27:33,960
Speaker 1: on ourselves and you can't give what you don't have,

573
00:27:34,280 --> 00:27:36,920
Speaker 1: and you know, we have to have peace and I'm

574
00:27:36,960 --> 00:27:39,560
Speaker 1: not available that, you know, just you got to chill out.

575
00:27:39,720 --> 00:27:40,560
Speaker 2: It's also nice.

576
00:27:40,680 --> 00:27:42,840
Speaker 4: It's nice when you have relationships with people where you

577
00:27:42,920 --> 00:27:45,560
Speaker 4: can just be, you can be in that place in life,

578
00:27:45,640 --> 00:27:47,880
Speaker 4: like I love that, Like about Jesse and Jesse Beale,

579
00:27:47,880 --> 00:27:50,760
Speaker 4: who was on Seventh Heaven with me, we used to

580
00:27:50,880 --> 00:27:53,320
Speaker 4: butt heads because we were very close in age, and

581
00:27:53,400 --> 00:27:56,159
Speaker 4: we used to like we were two completely opposites, and

582
00:27:56,280 --> 00:28:00,320
Speaker 4: so we used to just battle, Like I used to

583
00:28:00,359 --> 00:28:02,680
Speaker 4: think she was so unprofessional and ridiculous and she used

584
00:28:02,680 --> 00:28:05,800
Speaker 4: to piss me off so much, only to realize it

585
00:28:05,920 --> 00:28:08,000
Speaker 4: was just because like I had this version in my

586
00:28:08,160 --> 00:28:09,680
Speaker 4: head that everything had to be done.

587
00:28:09,880 --> 00:28:12,880
Speaker 2: Which apparently wasn't on par with everyone else's version.

588
00:28:14,000 --> 00:28:17,600
Speaker 4: And now it's funny because like all of that has switched,

589
00:28:17,680 --> 00:28:20,920
Speaker 4: Like we're so we're the best of friends, and we've

590
00:28:21,119 --> 00:28:23,960
Speaker 4: like found that common ground in the fact that we

591
00:28:24,359 --> 00:28:26,520
Speaker 4: are so different, and like we accept and love that

592
00:28:26,680 --> 00:28:27,320
Speaker 4: about each other.

593
00:28:27,840 --> 00:28:30,640
Speaker 2: She's the closest thing I have to a sister.

594
00:28:30,800 --> 00:28:32,680
Speaker 4: So that's where I can equate like that type of

595
00:28:32,800 --> 00:28:36,600
Speaker 4: relationship because not only was I an only child, I

596
00:28:36,840 --> 00:28:39,760
Speaker 4: was growing up on sets, so I wasn't around a

597
00:28:39,840 --> 00:28:41,560
Speaker 4: lot of kids, to be honest, I was around a

598
00:28:41,560 --> 00:28:45,360
Speaker 4: lot of adults, and so I always would gravitate towards.

599
00:28:45,600 --> 00:28:49,080
Speaker 2: My friendships with adults than I would with my peers.

600
00:28:50,120 --> 00:28:54,280
Speaker 2: I founder my peers. Like a little intimidating question for you.

601
00:28:54,440 --> 00:28:57,000
Speaker 5: Talking about Jesse when you guys were in seventh seven together,

602
00:28:57,080 --> 00:28:59,280
Speaker 5: it seemed like she was a little uncomfortable with the

603
00:28:59,320 --> 00:29:02,320
Speaker 5: type casting, so she tried different roles. But you seem

604
00:29:02,360 --> 00:29:04,560
Speaker 5: pretty comfortable. And the only thing I could think of

605
00:29:04,680 --> 00:29:06,480
Speaker 5: from your career is SAW two, which you did at

606
00:29:06,520 --> 00:29:07,720
Speaker 5: the time, right, Was that like trying to.

607
00:29:07,720 --> 00:29:08,440
Speaker 1: Break out of it or not?

608
00:29:08,960 --> 00:29:11,080
Speaker 4: I mean, if you want to be all honest, one,

609
00:29:11,120 --> 00:29:13,560
Speaker 4: I'm a rule follower, so I do what I'm told

610
00:29:14,080 --> 00:29:16,720
Speaker 4: and then two Saw two is because I got a job.

611
00:29:19,040 --> 00:29:20,960
Speaker 4: I mean, I'd like to say like I sought it

612
00:29:21,040 --> 00:29:23,080
Speaker 4: out and I like went for it, but it was

613
00:29:23,240 --> 00:29:24,880
Speaker 4: more that somebody called me and said, hey, do you.

614
00:29:24,840 --> 00:29:25,520
Speaker 2: Want to do this movie?

615
00:29:25,560 --> 00:29:29,240
Speaker 4: And I was like yeah, because I also think that

616
00:29:29,280 --> 00:29:32,800
Speaker 4: there's a lot of I guess I'm very honest in

617
00:29:33,320 --> 00:29:36,320
Speaker 4: how I've done a lot of movies is not necessarily

618
00:29:37,440 --> 00:29:39,880
Speaker 4: always because I'm seeking it out, being like this would

619
00:29:39,880 --> 00:29:40,480
Speaker 4: be a great movie.

620
00:29:40,560 --> 00:29:42,520
Speaker 2: I want to be a part of it. As actors

621
00:29:42,560 --> 00:29:44,360
Speaker 2: sometimes like we get a call and they say, hey,

622
00:29:44,400 --> 00:29:47,280
Speaker 2: will you do it? And if you're not working, you say.

623
00:29:47,280 --> 00:29:49,280
Speaker 1: Yeah, you do it.

624
00:29:51,840 --> 00:29:56,440
Speaker 4: And that's why some of these films in my repertoire

625
00:29:56,560 --> 00:30:00,960
Speaker 4: and my resume are some that I I hoped never

626
00:30:01,240 --> 00:30:03,200
Speaker 4: would materialize.

627
00:30:05,280 --> 00:30:12,160
Speaker 1: Brilliant statement, Beverly. Yeah, for my next critical question, Yeah,

628
00:30:12,160 --> 00:30:13,960
Speaker 1: I mean we are here, Beverly Mitchell.

629
00:30:14,080 --> 00:30:14,680
Speaker 2: One bad movie?

630
00:30:15,280 --> 00:30:16,920
Speaker 1: What is your one bad movie?

631
00:30:17,000 --> 00:30:18,680
Speaker 2: I don't even know what the name is, but I'm

632
00:30:18,800 --> 00:30:22,880
Speaker 2: sure it's blood. It's the one we did together, what

633
00:30:23,000 --> 00:30:25,320
Speaker 2: we did together but never saw each other. Yeah, I

634
00:30:25,360 --> 00:30:27,920
Speaker 2: mean Snoop pageants, Blood Pageant.

635
00:30:27,760 --> 00:30:34,040
Speaker 1: Blood and Snoop Dogg starring Beverly Mitchell and Steven Baldwin.

636
00:30:34,600 --> 00:30:44,360
Speaker 4: And wait, there's a clip. I don't even remember the movie.

637
00:30:44,360 --> 00:30:46,120
Speaker 4: All I remember is I needed my insurance, so I

638
00:30:46,200 --> 00:30:46,760
Speaker 4: took the job.

639
00:30:48,360 --> 00:30:52,040
Speaker 1: I remember being asked if I'd go somewhere for X

640
00:30:52,080 --> 00:30:55,480
Speaker 1: amount of money, Yeah, and work for two or three days, I.

641
00:30:55,560 --> 00:30:58,880
Speaker 2: Think, And I do remember it was a long drive

642
00:30:58,880 --> 00:31:00,880
Speaker 2: because it was like am for me. It was like

643
00:31:02,480 --> 00:31:06,240
Speaker 2: almost in like San Diego or or Temecula.

644
00:31:06,480 --> 00:31:06,760
Speaker 4: I think.

645
00:31:07,640 --> 00:31:11,200
Speaker 1: So, let's just analyze this for a second, because that's

646
00:31:11,400 --> 00:31:13,640
Speaker 1: one of our bad movies.

647
00:31:13,800 --> 00:31:16,280
Speaker 2: Yeah, is there any other bad movies?

648
00:31:16,520 --> 00:31:17,800
Speaker 1: Well, you did the saw Nests.

649
00:31:18,160 --> 00:31:21,000
Speaker 2: That was a good movie, But what are what are some.

650
00:31:21,080 --> 00:31:23,880
Speaker 1: Of the stuff you did, like blood Pageant? Is there

651
00:31:24,000 --> 00:31:24,400
Speaker 1: more of that?

652
00:31:24,640 --> 00:31:26,000
Speaker 2: Or Oh yeah, no, definitely I did.

653
00:31:26,200 --> 00:31:28,600
Speaker 1: What do you remember? It's so great. It's like a therapy.

654
00:31:29,000 --> 00:31:30,360
Speaker 2: I did another movie.

655
00:31:30,760 --> 00:31:34,400
Speaker 4: I did another movie that I was like helping with too,

656
00:31:34,520 --> 00:31:36,320
Speaker 4: because I really thought it was going to be cool.

657
00:31:36,440 --> 00:31:37,800
Speaker 2: I was like, I actually believed it.

658
00:31:38,080 --> 00:31:40,720
Speaker 4: Yeah, you know those are the killer ones where you're

659
00:31:40,760 --> 00:31:43,560
Speaker 4: like I got something special and then you're like, wow,

660
00:31:43,920 --> 00:31:46,600
Speaker 4: I don't got Ali gave me.

661
00:31:46,560 --> 00:31:48,160
Speaker 1: A great anecdote once He's like, yeah, well, you know,

662
00:31:48,240 --> 00:31:51,200
Speaker 1: you sign up for some pictures in the indie world,

663
00:31:51,720 --> 00:31:53,479
Speaker 1: and you know, they say, oh, yeah, man, we're going

664
00:31:53,520 --> 00:31:54,160
Speaker 1: to the Bahamas.

665
00:31:54,360 --> 00:31:54,560
Speaker 2: Yeah.

666
00:31:54,600 --> 00:31:57,239
Speaker 1: You know, you get on this barge. You thought there

667
00:31:57,320 --> 00:31:58,560
Speaker 1: was going to be like a yacht, but you get

668
00:31:58,600 --> 00:32:02,840
Speaker 1: on this bar just starts heading toward Staten Island. Hey guys,

669
00:32:02,880 --> 00:32:05,120
Speaker 1: and they're going to the Bahamas. We had a rewrite.

670
00:32:06,120 --> 00:32:08,880
Speaker 2: Well, we did. This was actually like a true horror movie.

671
00:32:08,960 --> 00:32:11,440
Speaker 4: We did a movie called I think it was originally

672
00:32:11,480 --> 00:32:14,400
Speaker 4: called Penhurst and it was at an insane's an old

673
00:32:14,480 --> 00:32:21,520
Speaker 4: abandoned insane asylum in Pennsylvania, and it was Michael Rooker

674
00:32:21,640 --> 00:32:24,479
Speaker 4: was in it and he was directing. He took upon

675
00:32:24,560 --> 00:32:26,120
Speaker 4: himself to do a lot of rewrites.

676
00:32:26,600 --> 00:32:26,920
Speaker 1: Rooker.

677
00:32:27,520 --> 00:32:31,960
Speaker 2: Yeah, so a lot of the basis of what we

678
00:32:32,080 --> 00:32:33,840
Speaker 2: were supposed to be doing, all of a sudden didn't

679
00:32:33,920 --> 00:32:35,640
Speaker 2: quite make sense, but we just like kind of went

680
00:32:35,680 --> 00:32:38,960
Speaker 2: along with it. Rooker because basically, I think, to be honest,

681
00:32:39,000 --> 00:32:41,160
Speaker 2: he just didn't want to memorize the monologues, so he

682
00:32:41,360 --> 00:32:42,240
Speaker 2: just kind of cut them.

683
00:32:42,960 --> 00:32:46,280
Speaker 4: And so there was a lot of things that like

684
00:32:46,360 --> 00:32:49,040
Speaker 4: all of a sudden just like didn't really make sense. Yeah,

685
00:32:49,160 --> 00:32:51,920
Speaker 4: just we did a lot of cutting, but basically we

686
00:32:52,000 --> 00:32:55,760
Speaker 4: were running around this insane asylum and we were shooting it.

687
00:32:55,840 --> 00:32:59,080
Speaker 4: But what was crazy is also like, if it's a

688
00:32:59,120 --> 00:33:00,920
Speaker 4: horror movie, you gotta kind shoot it at night, but

689
00:33:01,000 --> 00:33:02,240
Speaker 4: we were shooting it during the day.

690
00:33:03,960 --> 00:33:05,600
Speaker 2: Didn't make all that much sense.

691
00:33:07,440 --> 00:33:09,440
Speaker 4: But it was crazy though, because literally, like we were

692
00:33:09,480 --> 00:33:12,960
Speaker 4: all at the Cast Hotel, which was overlooking a cemetery

693
00:33:13,440 --> 00:33:15,560
Speaker 4: right next to the insane Asylum.

694
00:33:16,240 --> 00:33:21,000
Speaker 1: And all of it was that close proximity. Yes, okay,

695
00:33:21,040 --> 00:33:21,680
Speaker 1: And it was.

696
00:33:22,040 --> 00:33:25,360
Speaker 4: One of those things where like I didn't really believe

697
00:33:25,440 --> 00:33:28,760
Speaker 4: in ghosts and spirits until I.

698
00:33:30,240 --> 00:33:34,920
Speaker 2: Had a situation on set where I was like, oh,

699
00:33:35,040 --> 00:33:35,880
Speaker 2: there's something here.

700
00:33:36,080 --> 00:33:37,800
Speaker 1: You got a supernatural experience.

701
00:33:37,960 --> 00:33:43,080
Speaker 4: Yeah, we had, because I we would. The location itself

702
00:33:43,280 --> 00:33:47,840
Speaker 4: was just stunning, No, it was stunning. The architecture was

703
00:33:48,000 --> 00:33:48,840
Speaker 4: just amazing.

704
00:33:49,000 --> 00:33:52,600
Speaker 2: But to see Aylum it was it was beautiful.

705
00:33:52,720 --> 00:33:55,840
Speaker 1: You see how the spirits lured you early with the architecture.

706
00:33:55,920 --> 00:33:56,880
Speaker 2: It was beautiful.

707
00:33:57,280 --> 00:34:00,040
Speaker 4: But then when we so I would go exploring. I

708
00:34:00,160 --> 00:34:03,360
Speaker 4: was with this guy who was he was supposed to

709
00:34:03,360 --> 00:34:04,600
Speaker 4: be security on the show.

710
00:34:04,680 --> 00:34:05,320
Speaker 2: His name was Moose.

711
00:34:05,360 --> 00:34:08,560
Speaker 4: He was a Canadian football player and so he was

712
00:34:08,560 --> 00:34:10,400
Speaker 4: supposed to walk with me, just to make sure that

713
00:34:10,480 --> 00:34:14,200
Speaker 4: I didn't get myself into trouble. And I was walking

714
00:34:14,200 --> 00:34:16,960
Speaker 4: around taking pictures because I was also supposed to be

715
00:34:17,040 --> 00:34:19,120
Speaker 4: helping produce, and so I was chying, did you you

716
00:34:19,160 --> 00:34:19,920
Speaker 4: know the producer thing?

717
00:34:20,120 --> 00:34:20,719
Speaker 1: Double duty?

718
00:34:21,080 --> 00:34:23,279
Speaker 4: And so I was taking pictures and just getting these

719
00:34:23,560 --> 00:34:26,320
Speaker 4: amazing shots. And we were kind of out in this clearing,

720
00:34:26,400 --> 00:34:31,280
Speaker 4: and all of a sudden, I felt we heard something

721
00:34:31,480 --> 00:34:35,319
Speaker 4: rustle in the bushes, and we looked, and then all

722
00:34:35,320 --> 00:34:38,560
Speaker 4: of a sudden, the bushes moved and it sounded like

723
00:34:38,800 --> 00:34:42,840
Speaker 4: we were about to get like taken out by some

724
00:34:43,760 --> 00:34:44,800
Speaker 4: big ass animals.

725
00:34:45,080 --> 00:34:45,319
Speaker 1: Wow.

726
00:34:45,480 --> 00:34:47,120
Speaker 2: Didn't know what it was. And of course what do

727
00:34:47,239 --> 00:34:47,480
Speaker 2: I do.

728
00:34:47,680 --> 00:34:50,200
Speaker 4: I freeze and I'm just like stuck there. And then

729
00:34:50,239 --> 00:34:53,440
Speaker 4: I look around and like Moose just took off, like

730
00:34:53,560 --> 00:34:54,640
Speaker 4: he left me there.

731
00:34:55,080 --> 00:34:58,080
Speaker 1: He ran, he left, he left me, he liked the bodyguard.

732
00:34:58,239 --> 00:35:01,479
Speaker 4: He left, he was gone, like took off like wasn't

733
00:35:01,480 --> 00:35:03,320
Speaker 4: even like didn't I don't, I don't even think it.

734
00:35:05,120 --> 00:35:06,400
Speaker 2: Later on, what's funny is like.

735
00:35:06,480 --> 00:35:08,200
Speaker 1: So something whished by you and that was it?

736
00:35:08,560 --> 00:35:10,600
Speaker 2: No? Something No, not only did it wish by you,

737
00:35:10,840 --> 00:35:12,279
Speaker 2: like it came at me.

738
00:35:12,480 --> 00:35:15,000
Speaker 4: And then you felt a bitter cold and like you

739
00:35:15,200 --> 00:35:19,320
Speaker 4: felt something and it was like the strangest experience.

740
00:35:19,360 --> 00:35:21,400
Speaker 2: And of course I'm still like, I could have been

741
00:35:21,440 --> 00:35:23,760
Speaker 2: anything but ran so it was something.

742
00:35:23,880 --> 00:35:27,040
Speaker 4: Yeah, it was definitely something, So I didn't I kind

743
00:35:27,080 --> 00:35:29,799
Speaker 4: of then started to realize, like, I'm gonna I'm going

744
00:35:29,840 --> 00:35:32,640
Speaker 4: to show this place respect and I'm going to make

745
00:35:32,719 --> 00:35:35,560
Speaker 4: sure that Like I was like, i would introduce myself

746
00:35:35,600 --> 00:35:37,879
Speaker 4: when I would go into places, I'm like, hi, I'm bev.

747
00:35:38,000 --> 00:35:40,440
Speaker 2: I'm not here to harm you or do any such thing.

748
00:35:41,000 --> 00:35:44,040
Speaker 2: I am like, and I would literally like yes.

749
00:35:46,680 --> 00:35:50,560
Speaker 4: And what's funny is the film never really materialized really anything.

750
00:35:50,600 --> 00:35:52,600
Speaker 2: I don't even know if it made.

751
00:35:54,239 --> 00:35:58,680
Speaker 1: Oh god, nothing's happening, is it? You scared me? What happened?

752
00:35:58,719 --> 00:36:00,520
Speaker 2: Is something just moved?

753
00:36:00,680 --> 00:36:05,160
Speaker 1: Don't do that. What happened? You just scared me.

754
00:36:05,680 --> 00:36:08,520
Speaker 2: I didn't scare you, but you I'm an actor.

755
00:36:08,600 --> 00:36:13,440
Speaker 1: You just went anyway. It was about you just turned

756
00:36:13,440 --> 00:36:14,640
Speaker 1: your head like kind of a.

757
00:36:15,640 --> 00:36:18,360
Speaker 2: Scary because John apparently found something.

758
00:36:18,719 --> 00:36:22,120
Speaker 4: But I went back with the medium later on because

759
00:36:22,120 --> 00:36:24,520
Speaker 4: I did Celebrity ghost Stories and they actually told me to.

760
00:36:24,560 --> 00:36:27,440
Speaker 1: Go back, and I was like, and that show took

761
00:36:27,480 --> 00:36:28,280
Speaker 1: you back to the same.

762
00:36:28,120 --> 00:36:30,279
Speaker 4: Place celebrity ghos stories. Took me back to Penhurst and

763
00:36:30,320 --> 00:36:32,279
Speaker 4: I walked around with a medium and.

764
00:36:32,320 --> 00:36:34,560
Speaker 1: Did they have Geiger counters and everything, all those spirit

765
00:36:34,680 --> 00:36:35,440
Speaker 1: Geiger counters.

766
00:36:35,600 --> 00:36:37,759
Speaker 2: No. But what's funny is like she was able to

767
00:36:37,840 --> 00:36:40,279
Speaker 2: recall things that like there's no way she would have known.

768
00:36:40,400 --> 00:36:44,640
Speaker 2: And then she was also telling us. She told me

769
00:36:44,960 --> 00:36:46,160
Speaker 2: which spirits.

770
00:36:45,760 --> 00:36:50,719
Speaker 4: Were trying to warn me, and actually the whole time

771
00:36:50,840 --> 00:36:54,680
Speaker 4: they according to the medium, she was saying, they all

772
00:36:54,800 --> 00:36:58,359
Speaker 4: knew that I was a safe person, but they were

773
00:36:58,440 --> 00:37:00,719
Speaker 4: trying to keep me away from the spirit and which weren't.

774
00:37:01,360 --> 00:37:04,279
Speaker 4: And so that charge was basically, don't go any further,

775
00:37:04,640 --> 00:37:07,239
Speaker 4: like you've gotten close enough. Penhurst was a place of

776
00:37:07,320 --> 00:37:11,600
Speaker 4: a lot of pain and a lot of really bad

777
00:37:11,680 --> 00:37:12,480
Speaker 4: things that happened to.

778
00:37:13,040 --> 00:37:16,520
Speaker 2: Very All that stuff is strong innocent people.

779
00:37:17,320 --> 00:37:22,239
Speaker 4: And apparently also she told me that I had a

780
00:37:22,400 --> 00:37:25,440
Speaker 4: spirit that was there protecting me all the time. And

781
00:37:25,520 --> 00:37:29,640
Speaker 4: she's like she's young, she's like your age, and one

782
00:37:29,680 --> 00:37:32,840
Speaker 4: of my best friends passed away when I was fifteen sixteen,

783
00:37:33,360 --> 00:37:37,120
Speaker 4: and apparently she was my angel. That was kind of

784
00:37:37,239 --> 00:37:39,800
Speaker 4: just being like, hey, she's off limits, Like you no

785
00:37:39,920 --> 00:37:43,600
Speaker 4: go with her, you stay over and funny enough, at

786
00:37:43,600 --> 00:37:46,480
Speaker 4: the very end of this whole experience with the medium,

787
00:37:47,520 --> 00:37:49,480
Speaker 4: as I'm walking away and the cameras are off and

788
00:37:49,640 --> 00:37:51,839
Speaker 4: we're just we're walking back to our cars, she says,

789
00:37:52,760 --> 00:37:54,359
Speaker 4: I have a question for you, and I'm sorry if

790
00:37:54,400 --> 00:37:56,600
Speaker 4: this is too personal, and I'm like, well, we just walked.

791
00:37:56,840 --> 00:37:59,279
Speaker 4: I mean, you pretty much told me a lot of

792
00:37:59,400 --> 00:38:02,200
Speaker 4: personal things so far, so nothing's going to be too personal.

793
00:38:02,239 --> 00:38:06,520
Speaker 4: And she's like, are you pregnant? My said no, and

794
00:38:06,640 --> 00:38:09,319
Speaker 4: she's like are you sure. I'm like, yeah, I'm sure,

795
00:38:09,400 --> 00:38:11,719
Speaker 4: and she's like, Okay, you will be in like the

796
00:38:11,800 --> 00:38:14,120
Speaker 4: next month or so. It's a little girl and she's

797
00:38:14,120 --> 00:38:16,400
Speaker 4: been waiting for you. A month later, I was pregnant

798
00:38:16,600 --> 00:38:17,200
Speaker 4: with Kenzie.

799
00:38:20,760 --> 00:38:20,960
Speaker 2: Yeah.

800
00:38:22,239 --> 00:38:25,400
Speaker 1: So I guess at the end of the story you

801
00:38:25,600 --> 00:38:32,200
Speaker 1: could say that you could thank your seventh heaven, right.

802
00:38:33,960 --> 00:38:37,240
Speaker 2: Yeah, isn't that? Isn't that crazy?

803
00:38:38,320 --> 00:38:42,239
Speaker 4: You know, Penhurst was not necessarily a great movie, but

804
00:38:42,360 --> 00:38:44,960
Speaker 4: being able to do that celebrity ghost stories and have

805
00:38:45,120 --> 00:38:48,120
Speaker 4: that like life experience was really cool.

806
00:38:48,239 --> 00:38:50,239
Speaker 1: That circle back you never could have exactly.

807
00:38:50,280 --> 00:38:52,080
Speaker 2: There's a lot of times where you're like, okay, like

808
00:38:52,280 --> 00:38:53,600
Speaker 2: what what am I going to learn from that?

809
00:38:53,920 --> 00:38:57,319
Speaker 1: So you're at this place now where you're Mama Bear

810
00:38:58,000 --> 00:39:03,160
Speaker 1: being Beverly yep, because you're creating your own piece where

811
00:39:03,200 --> 00:39:07,560
Speaker 1: you're finding that yep. But you're also gonna direct yep.

812
00:39:07,800 --> 00:39:09,640
Speaker 1: Are you going to write too, or you're want to

813
00:39:09,640 --> 00:39:13,879
Speaker 1: focus maybe in this next tier or season of your

814
00:39:13,960 --> 00:39:17,839
Speaker 1: career is directing, So hold on yep. So if your

815
00:39:17,880 --> 00:39:19,719
Speaker 1: mama Bear at peace, you know you're not going to

816
00:39:19,760 --> 00:39:20,279
Speaker 1: waste time.

817
00:39:20,480 --> 00:39:20,680
Speaker 2: Yeah.

818
00:39:21,040 --> 00:39:23,640
Speaker 1: If I call you, you know in six months, I go, hey, man,

819
00:39:23,680 --> 00:39:27,399
Speaker 1: I got ten million, it saw twenty seven. I want

820
00:39:27,440 --> 00:39:30,120
Speaker 1: you to direct. You don't have the time because you'd

821
00:39:30,280 --> 00:39:31,600
Speaker 1: rather do what you want.

822
00:39:31,440 --> 00:39:34,319
Speaker 2: To do or no, you know, I think it all

823
00:39:34,520 --> 00:39:35,120
Speaker 2: just depends.

824
00:39:35,280 --> 00:39:39,400
Speaker 4: I think I'm I'm definitely the person that wants to

825
00:39:39,520 --> 00:39:43,040
Speaker 4: do things that make sense, that fulfill me. And I

826
00:39:43,080 --> 00:39:46,680
Speaker 4: think at this point I'm more critical of my time

827
00:39:46,960 --> 00:39:48,759
Speaker 4: because it takes away from my kids.

828
00:39:48,960 --> 00:39:52,560
Speaker 2: Right, So I'm absolutely like, if I'm going to.

829
00:39:54,640 --> 00:39:57,440
Speaker 4: Not be with them, it has to be with people

830
00:39:57,920 --> 00:39:59,960
Speaker 4: like I have a no app, Like I won't work

831
00:40:00,000 --> 00:40:03,400
Speaker 4: work with jerks anymore because honestly it's just not fun.

832
00:40:03,880 --> 00:40:08,000
Speaker 1: Right. But my question, more pointedly is as a director

833
00:40:08,040 --> 00:40:10,720
Speaker 1: in the future, you're open to be like a director,

834
00:40:10,760 --> 00:40:12,640
Speaker 1: work for hire, your work for other people if the

835
00:40:12,680 --> 00:40:14,120
Speaker 1: circumstances are correct.

836
00:40:13,840 --> 00:40:15,400
Speaker 2: If the circumstances are correct.

837
00:40:15,480 --> 00:40:17,440
Speaker 1: But I also as well as you want to develop

838
00:40:17,480 --> 00:40:20,560
Speaker 1: your own stuff that you do that's your passion projects.

839
00:40:20,640 --> 00:40:23,120
Speaker 4: Absolutely, I think I want to not only do I

840
00:40:23,200 --> 00:40:27,200
Speaker 4: want to develop work on the projects that I'm passionate about,

841
00:40:27,239 --> 00:40:29,080
Speaker 4: but it's also with the people I'm passionate about.

842
00:40:29,120 --> 00:40:29,319
Speaker 3: Cool.

843
00:40:29,600 --> 00:40:32,600
Speaker 4: So being able to kind of control that is a

844
00:40:32,760 --> 00:40:36,960
Speaker 4: big thing for me because I also want I want

845
00:40:37,000 --> 00:40:39,160
Speaker 4: to get back to the way it was in the nineties.

846
00:40:39,280 --> 00:40:40,719
Speaker 4: I want to get back to the way when we

847
00:40:40,840 --> 00:40:43,440
Speaker 4: all worked and we had so much fun. Like I

848
00:40:43,640 --> 00:40:44,520
Speaker 4: remember working with you.

849
00:40:44,560 --> 00:40:46,400
Speaker 1: I already told you I have an idea. It's like

850
00:40:46,480 --> 00:40:48,640
Speaker 1: the Honeymooners. Yeah, it's me and you.

851
00:40:49,239 --> 00:40:51,000
Speaker 2: I'm a pastor, okay.

852
00:40:51,320 --> 00:40:54,960
Speaker 1: But like I'm Steven Baldwin's version of a pastor. Okay,

853
00:40:56,160 --> 00:41:01,600
Speaker 1: God help the world. But I have this kind of

854
00:41:01,880 --> 00:41:06,840
Speaker 1: Ray Romanoy kind of you know Honeymooners thing, love it

855
00:41:07,239 --> 00:41:09,799
Speaker 1: where this guy just keeps stumbling on himself because he's

856
00:41:09,880 --> 00:41:13,560
Speaker 1: just human, of course, but in that Honeymooners kind of

857
00:41:13,640 --> 00:41:16,800
Speaker 1: really like and there's these wonderful scenes where the wife's

858
00:41:16,840 --> 00:41:21,880
Speaker 1: just going, really, that's what she thought that. It's that

859
00:41:22,080 --> 00:41:23,080
Speaker 1: kind of a sitcom.

860
00:41:23,480 --> 00:41:23,759
Speaker 2: Love it.

861
00:41:24,360 --> 00:41:26,359
Speaker 1: I'll tell you about it later. It's called The Afterlife.

862
00:41:26,560 --> 00:41:26,920
Speaker 2: I love it.

863
00:41:28,040 --> 00:41:30,560
Speaker 1: It's after he retires from being a faster, and he's

864
00:41:30,600 --> 00:41:32,080
Speaker 1: a faster So we want you to get to have

865
00:41:32,200 --> 00:41:34,920
Speaker 1: it me and you are going to start on that

866
00:41:35,000 --> 00:41:36,440
Speaker 1: show in the future. I'm telling you right now.

867
00:41:36,560 --> 00:41:36,840
Speaker 2: I love it.

868
00:41:37,040 --> 00:41:38,960
Speaker 1: We're gonna do it. We're gonna raise the money. You

869
00:41:39,040 --> 00:41:40,080
Speaker 1: can direct. I don't care.

870
00:41:40,320 --> 00:41:40,920
Speaker 2: That's okay.

871
00:41:41,000 --> 00:41:42,840
Speaker 1: Well, I'll be in my trail and then we'll.

872
00:41:50,920 --> 00:41:52,640
Speaker 2: See I'm the one that never goes to my trailer.

873
00:41:53,320 --> 00:41:58,000
Speaker 1: Oh oh wow, I'm like, you've probably never said this

874
00:41:58,160 --> 00:42:01,280
Speaker 1: to a director. Watch I literally the well, not a director,

875
00:42:01,320 --> 00:42:04,080
Speaker 1: a producer. I've had. I've had some producers kind of

876
00:42:04,120 --> 00:42:06,600
Speaker 1: like start that thing, and you know, they said it

877
00:42:06,680 --> 00:42:08,480
Speaker 1: was the Bahamas and did all of a sudden you

878
00:42:08,520 --> 00:42:10,920
Speaker 1: see Staten Island, and I had to pull certain producers

879
00:42:10,960 --> 00:42:15,040
Speaker 1: aside and go, hey, bro, yeah, you've kept me over schedule.

880
00:42:16,000 --> 00:42:19,040
Speaker 1: You're not gonna pay me those fees. The whole thing's

881
00:42:19,080 --> 00:42:24,040
Speaker 1: kind of indie and sketchy. It's it's not the Bahamas. Broy, So,

882
00:42:24,120 --> 00:42:27,279
Speaker 1: I just want you to know if you try X,

883
00:42:27,400 --> 00:42:29,880
Speaker 1: Y and Z again, I'm just trying to figure out

884
00:42:29,920 --> 00:42:33,560
Speaker 1: how you're going to film that day, if I lock

885
00:42:33,719 --> 00:42:37,240
Speaker 1: myself in my trailer. I looked right at the producer,

886
00:42:37,280 --> 00:42:41,920
Speaker 1: I went, listen, dude, I'm from Massapequa. We don't we

887
00:42:42,040 --> 00:42:43,960
Speaker 1: don't get it, you know what I mean. It's like

888
00:42:44,400 --> 00:42:46,480
Speaker 1: one of those kind of Woody Harrelson things. You know,

889
00:42:46,560 --> 00:42:48,360
Speaker 1: if you smoke too much weed, you know, you're just

890
00:42:48,400 --> 00:42:53,120
Speaker 1: gonna go lock yourself in the trailer. Haha. But it's

891
00:42:53,280 --> 00:42:55,560
Speaker 1: just it's adorable to talk to you because you're like

892
00:42:55,680 --> 00:42:58,520
Speaker 1: my sister Beth. We talked about, you know, the eldest

893
00:42:58,520 --> 00:43:01,479
Speaker 1: sibling who's much more read gimented and you know won't

894
00:43:01,560 --> 00:43:03,560
Speaker 1: take bs. No, you know what I mean.

895
00:43:03,800 --> 00:43:04,440
Speaker 2: No, I'm the girl.

896
00:43:04,480 --> 00:43:07,319
Speaker 4: I'm the girl that on every set. If you want

897
00:43:07,360 --> 00:43:09,160
Speaker 4: to know where all the other actors are, you come

898
00:43:09,239 --> 00:43:13,239
Speaker 4: to me, right. And there's a lot of times where

899
00:43:13,239 --> 00:43:14,800
Speaker 4: the ads were like, we're just going to give you

900
00:43:14,840 --> 00:43:16,799
Speaker 4: a walkie because you know more than some of us.

901
00:43:17,360 --> 00:43:19,960
Speaker 4: Because I'm the one who's like, uh, so and so

902
00:43:20,440 --> 00:43:22,600
Speaker 4: just went ten to one that so and so is

903
00:43:22,640 --> 00:43:24,719
Speaker 4: in wardrobe the other one like I would know where

904
00:43:24,719 --> 00:43:28,680
Speaker 4: everybody was. But it was because I love being on

905
00:43:28,960 --> 00:43:32,759
Speaker 4: set and I love since you were four, I know

906
00:43:32,880 --> 00:43:34,279
Speaker 4: it's my happy place.

907
00:43:34,520 --> 00:43:35,920
Speaker 1: And honestly time to do that.

908
00:43:36,200 --> 00:43:39,480
Speaker 4: I'm more comfortable being in front of a camera and

909
00:43:39,600 --> 00:43:41,240
Speaker 4: feeling emotions that I am.

910
00:43:42,880 --> 00:43:45,840
Speaker 2: Being like human. It's actually like a.

911
00:43:45,880 --> 00:43:49,320
Speaker 1: Weird When my brother Alex started in the industry, we

912
00:43:49,440 --> 00:43:52,880
Speaker 1: were like four dumb jocks. No, we really were, but

913
00:43:53,040 --> 00:43:56,480
Speaker 1: we are smart. Yeah dumb jocks. Yes, I'm smart about

914
00:43:56,520 --> 00:44:00,400
Speaker 1: how to cut school, cheat in school. Not all. Myself

915
00:44:00,440 --> 00:44:03,759
Speaker 1: and Daniel were kind of the problem. Brothers William and

916
00:44:03,800 --> 00:44:06,960
Speaker 1: Alec were like you, and we were starting out in

917
00:44:07,000 --> 00:44:09,680
Speaker 1: the industry. I went to the American Academy of Dramatic

918
00:44:09,800 --> 00:44:11,560
Speaker 1: Arts for college for a year, and I was like,

919
00:44:12,080 --> 00:44:14,840
Speaker 1: holy crap, how do I like auditioning? And literally we

920
00:44:14,920 --> 00:44:18,400
Speaker 1: were like entering into the industry of Hollywood like Vinnie Barberina,

921
00:44:18,920 --> 00:44:20,279
Speaker 1: Like you know those scenes where you'd be like what

922
00:44:20,880 --> 00:44:24,000
Speaker 1: yeah with you know that was us. Yeah, it was

923
00:44:24,000 --> 00:44:26,759
Speaker 1: the Baldwin Brothers. We're like kind of like, wow, look

924
00:44:26,800 --> 00:44:29,279
Speaker 1: at this man. Oh what is this called? Oh it's

925
00:44:29,280 --> 00:44:31,919
Speaker 1: a planet Hollywood opening. Wow, look at all the movie

926
00:44:32,000 --> 00:44:35,080
Speaker 1: stars and the chicks. You know, we had to figure

927
00:44:35,120 --> 00:44:36,120
Speaker 1: all that out.

928
00:44:36,360 --> 00:44:39,600
Speaker 2: In that Yeah. Yeah, it was weird. Yeah, I'm sure.

929
00:44:39,800 --> 00:44:42,480
Speaker 1: So you were blessed. You know, you already had kind

930
00:44:42,480 --> 00:44:48,000
Speaker 1: of a sense of the industry, but the professionalism and

931
00:44:48,040 --> 00:44:49,759
Speaker 1: all of that when we came in, it was like,

932
00:44:49,840 --> 00:44:53,040
Speaker 1: you know, like, yeah, do what you want, be a MANIACU.

933
00:44:53,239 --> 00:44:54,200
Speaker 2: Well it's interesting too.

934
00:44:54,320 --> 00:44:57,040
Speaker 4: Also nowadays too, it's very interesting because you've got the

935
00:44:57,080 --> 00:44:59,560
Speaker 4: YouTubers and you've got people who have like followings, and

936
00:44:59,640 --> 00:45:01,920
Speaker 4: so they come on set thinking it's one way, and

937
00:45:02,120 --> 00:45:05,000
Speaker 4: like you've got the old schoolers. And I like to

938
00:45:05,239 --> 00:45:08,120
Speaker 4: think of myself as old school, like where I remember

939
00:45:08,239 --> 00:45:10,840
Speaker 4: when there was actually film in a camera and we

940
00:45:10,960 --> 00:45:14,360
Speaker 4: had to check the gate, right, you know, where you

941
00:45:14,960 --> 00:45:18,319
Speaker 4: say these things and people are like what gate there,

942
00:45:18,560 --> 00:45:24,560
Speaker 4: it's closed, and You're like, no, no, And so it's

943
00:45:25,080 --> 00:45:28,880
Speaker 4: I'm so grateful that I had that upbreaking, upbringing and

944
00:45:28,960 --> 00:45:29,960
Speaker 4: that education and.

945
00:45:30,160 --> 00:45:33,880
Speaker 2: Understanding because I feel like.

946
00:45:36,040 --> 00:45:39,160
Speaker 4: I feel sad for everyone nowadays who are entering in

947
00:45:39,239 --> 00:45:44,600
Speaker 4: the industry because it's so very different and you've.

948
00:45:45,160 --> 00:45:48,160
Speaker 2: A lot of that magic has been lost. So it

949
00:45:48,360 --> 00:45:52,680
Speaker 2: is my intention and my goal to bring back projects

950
00:45:52,840 --> 00:45:58,800
Speaker 2: and those experiences and to kind of bring that world back.

951
00:46:00,680 --> 00:46:02,880
Speaker 4: Just because it was it's it's so much of my

952
00:46:03,040 --> 00:46:08,000
Speaker 4: heart and what I just I remember when like you

953
00:46:08,080 --> 00:46:12,200
Speaker 4: could be on multiple movie there'd be multiple movie stars

954
00:46:12,239 --> 00:46:14,680
Speaker 4: from all different movies, and like we would all hang out,

955
00:46:15,480 --> 00:46:17,680
Speaker 4: but like there was no competition. It was always like

956
00:46:17,800 --> 00:46:21,680
Speaker 4: you know, especially on in television, like the WB would

957
00:46:21,719 --> 00:46:24,839
Speaker 4: hang out with Fox and like all stars would hang

958
00:46:24,880 --> 00:46:27,680
Speaker 4: out and there was always these crossovers and everybody was cool.

959
00:46:27,840 --> 00:46:31,319
Speaker 4: And now everything is like you know, you're over here

960
00:46:31,440 --> 00:46:33,560
Speaker 4: and you're over here and you never see anybody anymore.

961
00:46:33,640 --> 00:46:35,720
Speaker 2: But the community and the community.

962
00:46:35,320 --> 00:46:38,480
Speaker 1: Connectivity of that exactly. So there used to be Battle

963
00:46:38,560 --> 00:46:40,560
Speaker 1: of the Network Stars. I did that Battle of the

964
00:46:40,600 --> 00:46:41,280
Speaker 1: Network Stars.

965
00:46:41,480 --> 00:46:45,000
Speaker 2: Yeah, but that like said the like revamped.

966
00:46:44,560 --> 00:46:48,360
Speaker 1: Version, I'm a Fear Factor Champion actor.

967
00:46:48,760 --> 00:46:49,640
Speaker 2: Did you eat bugs?

968
00:46:49,800 --> 00:46:51,200
Speaker 1: No? I didn't have to eat any bugs.

969
00:46:51,760 --> 00:46:54,080
Speaker 2: Oh, then how do you win Fair Factor without eating bugs?

970
00:46:54,120 --> 00:46:56,400
Speaker 1: Because it's a celebrity edition, they don't make us eat stuff.

971
00:46:58,680 --> 00:47:00,759
Speaker 1: But the point of that is you don't have to

972
00:47:00,800 --> 00:47:04,320
Speaker 1: get in the coffin. And they put two hundred snakes

973
00:47:04,360 --> 00:47:07,319
Speaker 1: in it, and out of the two hundred snakes, there

974
00:47:07,440 --> 00:47:10,600
Speaker 1: was like four or five white ones and you have

975
00:47:10,680 --> 00:47:13,040
Speaker 1: to get in with a blindfold and kind of your

976
00:47:13,239 --> 00:47:14,680
Speaker 1: face is kind of covered, but you get to peek

977
00:47:14,760 --> 00:47:16,480
Speaker 1: underneath and like try to find the white ones while

978
00:47:16,480 --> 00:47:18,719
Speaker 1: the snakes are crawling on you. So you're in the

979
00:47:18,760 --> 00:47:22,040
Speaker 1: coffin and they're filming and they go go and they

980
00:47:22,160 --> 00:47:24,200
Speaker 1: dump the two hundred snakes on you. Then they put

981
00:47:24,239 --> 00:47:25,000
Speaker 1: the four other ways.

982
00:47:25,080 --> 00:47:26,560
Speaker 2: How thick the snakes.

983
00:47:26,520 --> 00:47:32,000
Speaker 1: Big long, creepy crawlers, bigger ones, longer ones, yes, whatever, Yeah,

984
00:47:32,040 --> 00:47:37,640
Speaker 1: but no boa can cake strangulate, just creepy crawlers snakye

985
00:47:37,680 --> 00:47:41,960
Speaker 1: you I guess. But the weird part was they start

986
00:47:42,080 --> 00:47:44,279
Speaker 1: this task and you have the snakes on you and

987
00:47:44,320 --> 00:47:45,759
Speaker 1: you're looking and trying to find a white one, and

988
00:47:45,840 --> 00:47:51,880
Speaker 1: then they take a bucket full of a hundred Madagascar

989
00:47:52,160 --> 00:47:59,759
Speaker 1: hissing cockroaches. Yeah, they go like this, No yep, These

990
00:48:00,080 --> 00:48:05,560
Speaker 1: fricking things latch onto your ear and they have those

991
00:48:05,600 --> 00:48:09,720
Speaker 1: little hooks on their feet. It's disgusting, and they take smell.

992
00:48:10,200 --> 00:48:12,319
Speaker 2: I will take jumping out of a helicopter any day

993
00:48:12,440 --> 00:48:12,680
Speaker 2: over that.

994
00:48:12,920 --> 00:48:16,400
Speaker 1: So I had to do that, Okay. Then they locked

995
00:48:16,440 --> 00:48:18,080
Speaker 1: me in a shark cage and put me underwater. And

996
00:48:18,120 --> 00:48:19,600
Speaker 1: I had to like hold my breath and find a

997
00:48:19,680 --> 00:48:21,360
Speaker 1: key and get out and then swim to the surface

998
00:48:21,440 --> 00:48:24,839
Speaker 1: in the shortest amount of time. Okay, uh, And then

999
00:48:24,840 --> 00:48:26,040
Speaker 1: I guess I did a bunch of this stuff. I

1000
00:48:26,040 --> 00:48:26,640
Speaker 1: really don't remember.

1001
00:48:27,360 --> 00:48:29,360
Speaker 2: I had to be submerging a hummer and have to

1002
00:48:30,080 --> 00:48:30,840
Speaker 2: get myself.

1003
00:48:30,600 --> 00:48:32,560
Speaker 1: And get out. Yeah. Was it just a seatbelt?

1004
00:48:33,400 --> 00:48:36,320
Speaker 4: Um, Yes, it was just a seatbelt, but it was

1005
00:48:36,440 --> 00:48:39,719
Speaker 4: a big ass hummer that you had to like, and

1006
00:48:39,800 --> 00:48:41,799
Speaker 4: you have to be you have to wait until they

1007
00:48:41,920 --> 00:48:44,600
Speaker 4: release you to get out, and you have to have

1008
00:48:44,640 --> 00:48:46,000
Speaker 4: your eyes open, hands on the wheel.

1009
00:48:46,600 --> 00:48:48,160
Speaker 2: Three o'clock, nine o'clock.

1010
00:48:48,360 --> 00:48:50,680
Speaker 1: That the rules was the rules. Break the rules.

1011
00:48:51,040 --> 00:48:54,759
Speaker 4: Then, like you had to wait until they like gave

1012
00:48:54,880 --> 00:48:55,160
Speaker 4: you the.

1013
00:48:56,640 --> 00:48:59,680
Speaker 1: So what's the girl's name? That was the soap actress?

1014
00:48:59,760 --> 00:49:02,759
Speaker 1: I think Sweeney? Who's the girl I beat on Fear Factor?

1015
00:49:02,840 --> 00:49:04,240
Speaker 1: What's your name? Alison? Sweeney?

1016
00:49:04,600 --> 00:49:05,000
Speaker 2: Alison.

1017
00:49:05,520 --> 00:49:08,120
Speaker 1: So it's down to the wire of Fear Factor and

1018
00:49:08,239 --> 00:49:10,160
Speaker 1: to do that shark cage thing at the end. Joe

1019
00:49:10,239 --> 00:49:13,239
Speaker 1: Rogan's the host. So I come up, I swim out.

1020
00:49:13,320 --> 00:49:14,960
Speaker 1: Three people already went. I do it in like twenty

1021
00:49:15,000 --> 00:49:16,799
Speaker 1: eight seconds. I do it like in half the time.

1022
00:49:16,840 --> 00:49:19,879
Speaker 1: Of anyone else, just because I figured something out underwater. Yeah,

1023
00:49:20,120 --> 00:49:22,360
Speaker 1: so I get out of the water. Rogan goes, dude,

1024
00:49:22,400 --> 00:49:26,040
Speaker 1: you just won. I go, I Didn'tmanda the Allison Sweeney

1025
00:49:26,080 --> 00:49:28,319
Speaker 1: has to go. Yes, she's never gonna do in twenty second,

1026
00:49:29,800 --> 00:49:34,839
Speaker 1: I go, chill, Lopery goes, you bro, you just won.

1027
00:49:35,200 --> 00:49:37,399
Speaker 1: I'm watch she's gonna go right now. Watch she don't

1028
00:49:37,400 --> 00:49:43,040
Speaker 1: say anything. Hey, everybody, Joe Rogan factor, Well she goes

1029
00:49:43,120 --> 00:49:46,040
Speaker 1: in all this, I won, but it was just so

1030
00:49:46,200 --> 00:49:48,200
Speaker 1: did she do it? Yes, Allison went, but she didn't

1031
00:49:48,239 --> 00:49:48,680
Speaker 1: beat my time.

1032
00:49:48,800 --> 00:49:49,239
Speaker 2: But she did it.

1033
00:49:49,320 --> 00:49:51,319
Speaker 1: But she did it so she still won. She won,

1034
00:49:51,600 --> 00:49:54,560
Speaker 1: meaning she completed the task, but overall she was not

1035
00:49:55,320 --> 00:49:57,400
Speaker 1: the champion of fear Factor.

1036
00:49:57,560 --> 00:50:00,879
Speaker 2: She still won because she did well.

1037
00:50:00,920 --> 00:50:02,880
Speaker 1: I mean, if we're talking to old school Beverly, No,

1038
00:50:03,280 --> 00:50:08,200
Speaker 1: she did not win. She was the loser against me. Okay,

1039
00:50:08,680 --> 00:50:13,960
Speaker 1: that's what happened. I love Allie Sweeney after all these years,

1040
00:50:14,400 --> 00:50:17,280
Speaker 1: God bless, I'm sure it's keeping you up at night. Okay,

1041
00:50:20,760 --> 00:50:23,759
Speaker 1: But isn't it cool because now I see some of

1042
00:50:23,840 --> 00:50:26,400
Speaker 1: these folks that we used to run around with are

1043
00:50:26,560 --> 00:50:31,360
Speaker 1: now in different positions, different successes, you know, And I

1044
00:50:31,480 --> 00:50:33,440
Speaker 1: just every time I see Rogan, I want to go.

1045
00:50:34,320 --> 00:50:37,080
Speaker 1: How did you know he's a as the host bro?

1046
00:50:37,200 --> 00:50:39,480
Speaker 1: I know who's gonna like puke and who's gonna win? Okay,

1047
00:50:42,080 --> 00:50:46,279
Speaker 1: So experience you never know, never know, could will could

1048
00:50:46,360 --> 00:50:47,280
Speaker 1: be handy in the future.

1049
00:50:48,840 --> 00:50:51,879
Speaker 2: The Madagascar hissing cockroaches.

1050
00:50:52,320 --> 00:50:56,320
Speaker 1: Knowing how to overcome your fears could be helpful in

1051
00:50:56,400 --> 00:50:58,680
Speaker 1: the future. Could be how many kids? How many kids

1052
00:50:58,719 --> 00:51:01,920
Speaker 1: you have three? That's that's Fear Factor champion right there.

1053
00:51:03,840 --> 00:51:06,680
Speaker 2: I mean the things, the horrors that you see every

1054
00:51:06,760 --> 00:51:09,560
Speaker 2: day are intense. Wow.

1055
00:51:09,920 --> 00:51:13,400
Speaker 1: So you've been on Special Forces, I've been on Fear Factor.

1056
00:51:13,760 --> 00:51:17,960
Speaker 1: And between us we agree parenting is far more gnarly

1057
00:51:18,640 --> 00:51:20,920
Speaker 1: than any Mark production.

1058
00:51:21,400 --> 00:51:27,440
Speaker 2: I yes, and more grueling and exhausting and challenging. It

1059
00:51:27,560 --> 00:51:28,920
Speaker 2: pushes you to every limit.

1060
00:51:30,000 --> 00:51:35,760
Speaker 1: Well, thank you so much. Of all of your films,

1061
00:51:36,360 --> 00:51:39,560
Speaker 1: which one do you think is aged the best?

1062
00:51:41,120 --> 00:51:45,080
Speaker 4: I would have to say it would either be The

1063
00:51:45,280 --> 00:51:48,400
Speaker 4: Crow City of Angels or saw To.

1064
00:51:49,360 --> 00:51:51,160
Speaker 1: I would say you were in The Crow City of Angels.

1065
00:51:51,239 --> 00:51:53,800
Speaker 1: I was with who is the lead.

1066
00:51:53,800 --> 00:51:58,239
Speaker 2: Character, Vincent? What's his last name? I just knew him

1067
00:51:58,239 --> 00:52:04,120
Speaker 2: as Vincent after uh uh uh Brandon. Yes, And it was.

1068
00:52:05,840 --> 00:52:08,360
Speaker 4: It was a What was really cool was it was

1069
00:52:08,400 --> 00:52:11,200
Speaker 4: supposed to be one scene and I went on set

1070
00:52:11,360 --> 00:52:14,960
Speaker 4: and I did my one scene, and uh, they chose

1071
00:52:15,080 --> 00:52:17,919
Speaker 4: to expand my role, and I all of a sudden.

1072
00:52:17,960 --> 00:52:18,680
Speaker 1: Who's the director?

1073
00:52:19,600 --> 00:52:19,800
Speaker 2: You know what?

1074
00:52:19,880 --> 00:52:20,759
Speaker 3: I was?

1075
00:52:20,880 --> 00:52:27,239
Speaker 2: Literally I think I was literally, uh fourteen or fifty? Oh,

1076
00:52:27,360 --> 00:52:28,000
Speaker 2: Tim Pope?

1077
00:52:28,160 --> 00:52:30,680
Speaker 1: Yeah, Tim Pope was the director.

1078
00:52:30,600 --> 00:52:36,000
Speaker 2: Yes, and Vincent Press and and Mia Kirshner and they were.

1079
00:52:36,960 --> 00:52:39,120
Speaker 2: But I was just supposed to be this This was.

1080
00:52:39,200 --> 00:52:44,600
Speaker 1: Crow three to you. I think it was Angels extension

1081
00:52:44,640 --> 00:52:48,600
Speaker 1: in the franchise Angels. Yeah, wow, yeah, so this.

1082
00:52:48,760 --> 00:52:52,759
Speaker 2: Is aged I was fifteen, And it was just was

1083
00:52:52,800 --> 00:52:55,320
Speaker 2: such a cool experience because it was to go on

1084
00:52:56,320 --> 00:52:58,359
Speaker 2: to do your scene and then to know that you've

1085
00:52:58,400 --> 00:53:00,920
Speaker 2: done so well that they expand role and continue to.

1086
00:53:00,920 --> 00:53:03,040
Speaker 1: Add And how did that evolve? Was it like the

1087
00:53:03,160 --> 00:53:06,799
Speaker 1: director going, hey, she's better than we thought, or yeah, I.

1088
00:53:06,840 --> 00:53:10,480
Speaker 4: Think they they realized that the connection that I had

1089
00:53:10,560 --> 00:53:12,719
Speaker 4: with Vincent when we did our scene was a little

1090
00:53:12,760 --> 00:53:17,080
Speaker 4: bit deeper than they had expected. So then they kept

1091
00:53:17,239 --> 00:53:19,920
Speaker 4: pulling me in and adding me into other scenes to

1092
00:53:20,760 --> 00:53:23,759
Speaker 4: kind of have this innocent child that he was trying

1093
00:53:23,800 --> 00:53:26,160
Speaker 4: to protect, right, But that was just such a cool

1094
00:53:26,280 --> 00:53:30,560
Speaker 4: experience of being to showing up into doing well enough

1095
00:53:30,680 --> 00:53:31,960
Speaker 4: that they want more of you.

1096
00:53:32,160 --> 00:53:34,000
Speaker 1: Well, yeah, like we were talking about earlier, right, Yes,

1097
00:53:34,400 --> 00:53:36,560
Speaker 1: you showed up, you did you prepared, you did the work,

1098
00:53:36,600 --> 00:53:41,640
Speaker 1: you did your acting. And because back then the environment

1099
00:53:41,960 --> 00:53:47,280
Speaker 1: of how movies were made. Uh, and was that a big.

1100
00:53:47,160 --> 00:53:49,880
Speaker 2: Budget projector I mean it was a decent for me,

1101
00:53:50,040 --> 00:53:51,680
Speaker 2: it was huge, right, But that's what I'm saying.

1102
00:53:51,760 --> 00:53:56,200
Speaker 1: Yeah, So isn't it weird that even today, with the

1103
00:53:56,280 --> 00:54:01,879
Speaker 1: exception of like the much bigger budgeted projects, unless you're

1104
00:54:03,000 --> 00:54:09,040
Speaker 1: that level of activity in this industry, the improvisational finding

1105
00:54:09,120 --> 00:54:11,080
Speaker 1: it thing, creative thing.

1106
00:54:12,040 --> 00:54:15,040
Speaker 2: Well, because you don't have those creatives on set, it's weird.

1107
00:54:15,320 --> 00:54:15,520
Speaker 1: Yeah.

1108
00:54:15,600 --> 00:54:17,920
Speaker 2: I mean I think it's because everything has become I.

1109
00:54:17,960 --> 00:54:19,400
Speaker 1: Think there's gonna be a renaissance.

1110
00:54:19,600 --> 00:54:21,160
Speaker 2: I hope there is. I really hope there is.

1111
00:54:21,239 --> 00:54:25,080
Speaker 1: There's enough people already talking about this that the technology

1112
00:54:25,120 --> 00:54:28,640
Speaker 1: has gotten out of hand, the streaming thing, the bias,

1113
00:54:28,719 --> 00:54:31,400
Speaker 1: subscription and all this stuff. Is like when in the

1114
00:54:31,600 --> 00:54:33,680
Speaker 1: end people just want to be entertained.

1115
00:54:33,719 --> 00:54:35,680
Speaker 4: Well, it's because I feel like what we're watching now

1116
00:54:35,760 --> 00:54:38,440
Speaker 4: are photocopies. We're watching photocopies of old movies.

1117
00:54:38,520 --> 00:54:39,919
Speaker 2: But what we're missing is the heart.

1118
00:54:40,560 --> 00:54:43,080
Speaker 4: So you have these like you have these replicas of

1119
00:54:43,160 --> 00:54:45,879
Speaker 4: like movie movie, movie, movie movie, and they're the same movie.

1120
00:54:46,000 --> 00:54:47,520
Speaker 4: Like half the time I'm watching a movie, I'm like,

1121
00:54:47,520 --> 00:54:48,480
Speaker 4: I already know what's gonna happen.

1122
00:54:49,080 --> 00:54:50,839
Speaker 1: Can I just get in trouble on my own show?

1123
00:54:50,920 --> 00:54:52,040
Speaker 2: Okay? Yeah, well it's your show.

1124
00:54:53,600 --> 00:54:59,800
Speaker 1: Isn't there a new mcguiver movie, isn't the show? Isn't it?

1125
00:55:00,040 --> 00:55:04,480
Speaker 1: Kind of what based on the series. It's like a

1126
00:55:04,600 --> 00:55:07,920
Speaker 1: retro flashback eighties nineties?

1127
00:55:08,400 --> 00:55:08,600
Speaker 3: Right?

1128
00:55:09,320 --> 00:55:11,280
Speaker 1: Who's starring in it? Ryan Gosling?

1129
00:55:11,520 --> 00:55:11,680
Speaker 3: Who?

1130
00:55:11,920 --> 00:55:12,560
Speaker 5: Ryan Gosling?

1131
00:55:13,480 --> 00:55:17,439
Speaker 1: Ryan Gosling, Yeah, he just did a movie recently, didn't

1132
00:55:17,440 --> 00:55:20,920
Speaker 1: he What to call Barbie? Listen to what I'm saying now,

1133
00:55:20,960 --> 00:55:22,920
Speaker 1: I know what you're saying. Ryan Gosling, one of the

1134
00:55:23,200 --> 00:55:29,000
Speaker 1: premier leading men, is starring in Barbie and fall Guy

1135
00:55:29,400 --> 00:55:36,480
Speaker 1: concepts from well, yeah, thirty forty fifty years ago. So

1136
00:55:36,760 --> 00:55:40,319
Speaker 1: if you asked me about how creative Hollywood is today.

1137
00:55:40,120 --> 00:55:42,400
Speaker 2: Yeah, we're definitely going back to what worked.

1138
00:55:42,600 --> 00:55:49,319
Speaker 1: Well, it's like Oppenheimer Barbie, you know, it's like best

1139
00:55:49,360 --> 00:55:53,880
Speaker 1: of the best creative genius and that success I'm not

1140
00:55:53,920 --> 00:55:56,960
Speaker 1: going to take away from it. It deserves its success

1141
00:55:57,000 --> 00:56:01,480
Speaker 1: because that's the model they built and pursued that worked.

1142
00:56:02,040 --> 00:56:04,239
Speaker 1: But listen to how creepy I'm talking. It's not making

1143
00:56:04,280 --> 00:56:09,360
Speaker 1: a movie anymore. It's a model. It's a marketing, distribution psychology.

1144
00:56:09,600 --> 00:56:12,319
Speaker 1: Google studied it and we know what you ordered for postmating.

1145
00:56:12,760 --> 00:56:16,040
Speaker 1: It's weird. It's not just making a movie anymore. Yeah,

1146
00:56:16,239 --> 00:56:19,319
Speaker 1: So that's I people are talking to me right now.

1147
00:56:19,520 --> 00:56:21,719
Speaker 1: You know, I'm getting ready to start doing my own

1148
00:56:22,800 --> 00:56:25,719
Speaker 1: next seven years. I'm going to write little movies. I

1149
00:56:25,800 --> 00:56:28,080
Speaker 1: want to be like John Hughes. I want to do

1150
00:56:28,160 --> 00:56:30,880
Speaker 1: sixteen Candles. I want to do the Breakfast Club, my

1151
00:56:30,960 --> 00:56:35,640
Speaker 1: little versions of it. For me, Yeah, for my soul.

1152
00:56:36,200 --> 00:56:40,359
Speaker 1: I agree, and then invite people to experience that kind

1153
00:56:40,440 --> 00:56:41,480
Speaker 1: of storytelling.

1154
00:56:41,680 --> 00:56:43,400
Speaker 4: Well, and I think there's so many of us that

1155
00:56:43,600 --> 00:56:46,400
Speaker 4: are diving that want that too, that want to go

1156
00:56:46,600 --> 00:56:51,360
Speaker 4: back to that career because I also.

1157
00:56:51,280 --> 00:56:57,359
Speaker 2: Find that in that process, the magic of the creativity

1158
00:56:57,440 --> 00:57:02,400
Speaker 2: that was brought was so much richer.

1159
00:57:02,800 --> 00:57:05,319
Speaker 4: I feel like now even yeah, I feel like now

1160
00:57:05,480 --> 00:57:11,080
Speaker 4: on set, I feel like there's so many distractions. I

1161
00:57:11,160 --> 00:57:16,200
Speaker 4: feel oftentimes people aren't really connected to what they're doing

1162
00:57:16,760 --> 00:57:19,840
Speaker 4: in scene like I feel like whereas we weren't given

1163
00:57:20,000 --> 00:57:24,000
Speaker 4: that that wasn't the luxury that we had. You didn't

1164
00:57:24,040 --> 00:57:26,720
Speaker 4: have that luxury, you know in the eighties and nineties,

1165
00:57:26,840 --> 00:57:30,160
Speaker 4: like you you showed up like if you weren't, they'd

1166
00:57:30,200 --> 00:57:30,800
Speaker 4: get rid of you.

1167
00:57:30,960 --> 00:57:33,920
Speaker 2: You were all like we were replaceable, like if you

1168
00:57:34,080 --> 00:57:34,320
Speaker 2: did it.

1169
00:57:34,840 --> 00:57:38,160
Speaker 4: Now people feel they're not replaceable, so therefore they like

1170
00:57:38,440 --> 00:57:42,800
Speaker 4: phone it in. And I mean obviously not in like

1171
00:57:43,160 --> 00:57:46,560
Speaker 4: crazy caliber movies. I mean, they're still amazing artists, but

1172
00:57:46,920 --> 00:57:49,320
Speaker 4: I feel like a lot of some of these movies

1173
00:57:49,360 --> 00:57:52,720
Speaker 4: that just keep turning out are just kind of like not.

1174
00:57:52,800 --> 00:57:54,920
Speaker 1: My favorite being here.

1175
00:57:56,040 --> 00:57:56,960
Speaker 2: Thank you so much.

1176
00:57:57,120 --> 00:58:02,320
Speaker 1: What I hope you'll come back, your big successful director

1177
00:58:02,560 --> 00:58:07,120
Speaker 1: whatever writer person, you'll consider me for your future projects,

1178
00:58:07,280 --> 00:58:11,960
Speaker 1: of course, because I used to be a great actor

1179
00:58:12,000 --> 00:58:18,200
Speaker 1: in this town and now I'm just a podcast host.

1180
00:58:20,400 --> 00:58:24,480
Speaker 1: Thank you, Beverly terrific, Thank your man, Thank the kids,

1181
00:58:25,000 --> 00:58:28,280
Speaker 1: and I'm still going to hold rainbowslides dot Org.

1182
00:58:28,440 --> 00:58:32,320
Speaker 2: Okay, perfect. You'll make a note that it's that who

1183
00:58:32,400 --> 00:58:33,800
Speaker 2: to calls Biggest, So.

1184
00:58:34,200 --> 00:58:44,520
Speaker 3: Bad it's good, guilty madness, this sun, it's so bad.

1185
00:58:44,560 --> 00:58:46,000
Speaker 3: It's a good one bad