WEBVTT - Becoming Letterboxd Users: with Liz Purchell

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<v Speaker 1>These filmmakers, the ones that really cared and were really

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<v Speaker 1>trying to do good work. They were using sex as

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<v Speaker 1>a way of exploring these ideas of gay liberation. We're

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<v Speaker 1>still arguing about the merits of promiscuity versus monogamy or

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<v Speaker 1>you know, polly relationships or you know, I only have

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<v Speaker 1>one partner, Like, none of this stuff is new, and

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<v Speaker 1>I think people don't realize that.

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<v Speaker 2>It wasn't an AMC, so I unfortunately am a loser.

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<v Speaker 2>I did not see Dune Too at AMC. I thowt

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<v Speaker 2>at one of the you know, just one of those

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<v Speaker 2>off label theaters, and I loved it.

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<v Speaker 3>It was fucking amazing a theater that only serves like

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<v Speaker 3>doctor like not fuck, what's the off brand, like mister Pib,

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<v Speaker 3>Like like Doctor Spicey or something like that, like all

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<v Speaker 3>those like, well, mister Pib is the off brand. But

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<v Speaker 3>there's an even offer offer off brand of a Doctor Thunder.

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<v Speaker 3>It's called Doctor Wait, no, I think that's the off

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<v Speaker 3>brand Mountain too. I think my parents bought Doctor Thunder

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<v Speaker 3>one time and I was punching holes through the wall, like, Mom,

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<v Speaker 3>fucked up. I thought you loved me. Go back to

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<v Speaker 3>the store now and real Mountain mob. Yeah, but yeah,

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<v Speaker 3>you love Dune.

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<v Speaker 2>Yeah, I fucking loved it. So I went in a

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<v Speaker 2>whole Dune journey this weekend. I watched Obviously, I went

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<v Speaker 2>back and rewatched the first one.

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<v Speaker 3>You said you watched the mini series too, right.

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<v Speaker 2>Well, I didn't watch the mini series no, but then

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<v Speaker 2>I watched the David Lynch mm hmmm, absolutely terrible. Well,

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<v Speaker 2>you know what, one thing I will say about the

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<v Speaker 2>David Lunch, one thing I will say about the Dame

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<v Speaker 2>absolutely terrible. It wasn't absolutely terrible. The visuals were actually stunning.

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<v Speaker 2>But one thing I will say about the David Lynch

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<v Speaker 2>is it was really really fucking good at explaining the

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<v Speaker 2>plot to me. Because if you don't understand what the

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<v Speaker 2>fuck is in Dune, go and watch the David Lynch one,

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<v Speaker 2>because they are like reading it to a baby.

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<v Speaker 3>That's one of my problems with it is that it's

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<v Speaker 3>weird for a David Lynch movie on a lot of reasons.

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<v Speaker 3>But yeah, one of them being that David Lynch doesn't

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<v Speaker 3>explain things like that's like very key to like his

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<v Speaker 3>artistic process. Yeah, but in this movie he's just explaining

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<v Speaker 3>everything to you the whole Well, time. Have you read

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<v Speaker 3>the book? No, I have, and I can't read. Actually,

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<v Speaker 3>in the book, there's a lot of like each chapter

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<v Speaker 3>will be like from like someone's like perspective, and there

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<v Speaker 3>will be a lot of things where you like hear

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<v Speaker 3>like what's in their head. Like there'll be like something

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<v Speaker 3>in italics that's like and the Emperor thought that was

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<v Speaker 3>gay and yeah. So that's why in David Lynch's doing

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<v Speaker 3>there's so many scenes of like like it just like

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<v Speaker 3>hearing like someone's like thoughts, you know, which is weird.

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<v Speaker 3>It doesn't really work for me, but that's why it's there.

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<v Speaker 3>The worst part for me was the combat. I absolutely

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<v Speaker 3>hated those shields. Oh, I like the shield. I thought

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<v Speaker 3>I thought his idea for the shield was kind of cool. Honestly,

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<v Speaker 3>it was doing too much for me. I was just

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<v Speaker 3>like it was of its era. I thought it really was.

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<v Speaker 3>I think it's definitely overheated. I would agree with honestly

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<v Speaker 3>a lot of the criticisms, and I would also agree

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<v Speaker 3>that it's very will say it's outside of Lynch's wheelhouse

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<v Speaker 3>and every way possible. I would agree it's his worst

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<v Speaker 3>movie as well. But I don't think it's like I

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<v Speaker 3>don't know. I don't think it's terrible, Like it's cool.

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<v Speaker 2>It wasn't terrible, But I do agree with what you

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<v Speaker 2>told me, and you said that it gets bad once

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<v Speaker 2>they get to like the Fremen village.

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<v Speaker 3>Yeah, once they get to the seat, it's like it

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<v Speaker 3>all falls apart. It all falls apart because they're just

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<v Speaker 3>rushing to the end at that point.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, the DNI did it a much smarter way by

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<v Speaker 3>trilogy having Yeah, well the first book is like two

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<v Speaker 3>books technique, and yeah, it ends more or less where

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<v Speaker 3>the first movie ends and ends more or less where

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<v Speaker 3>the second movie ends too, And also same with these

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<v Speaker 3>two new movies. The book. The second part of both

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<v Speaker 3>of them really feels like or the first part really

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<v Speaker 3>feels like just like a long exposition dump to get

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<v Speaker 3>to the second part, where the second part just has

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<v Speaker 3>all these payoffs, like like that's when you actually get

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<v Speaker 3>to like ride the worms and see like fight and

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<v Speaker 3>like cool shit like that.

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<v Speaker 2>It was so Yeah, I just want to know how

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<v Speaker 2>they got off the worms. I just wish that they

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<v Speaker 2>would have shown that, because are they tucking and rolling?

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<v Speaker 2>Is that what's going on?

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<v Speaker 3>They're just like they've had its head they're like, oh,

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<v Speaker 3>I don't I don't know. Actually I don't remember if

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<v Speaker 3>they explain that. I think they do. I think they

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<v Speaker 3>like slide down it somehow okay with the hooks or something. Well,

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<v Speaker 3>I went down another rabbit hole this morning. In the way,

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<v Speaker 3>I wanted to ask you one more thing about it.

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<v Speaker 3>What did you think of Austin Butler? Which one is

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<v Speaker 3>that guy? He's the freak ass the freak ass Billy

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<v Speaker 3>Corgan from a Tool music video that is so funny.

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<v Speaker 3>Oh my god, that is the fun Yes, do you

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<v Speaker 3>not know who that is? Yeah, well you look up

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<v Speaker 3>a picture of him. Let me see right now. He's

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<v Speaker 3>one of the hottest men that I've ever seen in

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<v Speaker 3>my life.

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<v Speaker 2>I mean I thought he was hot looking like a

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<v Speaker 2>freak he played Elvis. Oh wow, he's super hot. Yeah.

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<v Speaker 3>He's a very funny person too, because he's very weird,

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<v Speaker 3>like he's he's really weird in interviews. He's really like,

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<v Speaker 3>I don't know, he's just a very like truly like

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<v Speaker 3>weird little guy. But he's like beautiful in every single way. Yeah,

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<v Speaker 3>I don't know. I thought his role in it was

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<v Speaker 3>so fun like him, he was so I loved.

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<v Speaker 2>The kiss the kiss between him and where they where

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<v Speaker 2>he kissed him and I was like, oh, that was

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<v Speaker 2>kind of gay, and then like he kissed him back,

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<v Speaker 2>and I was like, oh, that's a realer guy.

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<v Speaker 3>No, I'm kidding. Well, you know this is interesting because

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<v Speaker 3>a long time ago we were talking to some trans girl.

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<v Speaker 3>I don't remember who it was, but she was asking us.

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<v Speaker 3>She was saying like, yeah, I love sci fi and

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<v Speaker 3>I think Sam was like a dueler Dune because Sam's

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<v Speaker 3>like an obsessed with Dune. And she was like, no, yeah,

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<v Speaker 3>She was like what's that? And I was like, how

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<v Speaker 3>do you not know what you just said? You're obsessed

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<v Speaker 3>with sci fi? Like how do you not like, how

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<v Speaker 3>have you never heard of Dune? That's crazy? But she

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<v Speaker 3>was like is it queer? I was like, it's and

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<v Speaker 3>I definitely has some like gender stuff.

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<v Speaker 4>Eda.

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<v Speaker 3>I mean, but if you need the media, you consume

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<v Speaker 3>to be queer, like kill me? No, I agree, you

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<v Speaker 3>know what I mean. But I do think that's an

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<v Speaker 3>interesting question because part was Paul. But Paul is like

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<v Speaker 3>non binary code very because.

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<v Speaker 2>Oh, and isn't his dad like a eunuch in the book?

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<v Speaker 2>Where am I making that up? Okaysky made that up.

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<v Speaker 2>I want to talk about Hodorowsky in a second.

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<v Speaker 3>Oh, I haven't watched that Hoskis too well, his dad

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<v Speaker 3>has a penis. Oh, okay, okay, No, there's a documentary

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<v Speaker 3>called Hodowski's Do.

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<v Speaker 2>Yeah, I watched it this morning. I want to talk

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<v Speaker 2>about it. So I at five o'clock in the morning,

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<v Speaker 2>when my dog was shitting blood out of his bee

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<v Speaker 2>hole and throwing up on my linen duvet cover, I

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<v Speaker 2>got up and I started watching Howderoski's Dune and it

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<v Speaker 2>blew my fucking socks off. Okay, this movie, the fact

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<v Speaker 2>that it was never made is so infuriating, and it

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<v Speaker 2>really just comes down to the fact that, like Hollywood

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<v Speaker 2>didn't trust Howtorowski to direct this huge movie. They gave

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<v Speaker 2>it to David Lynch later on. But the crazy thing

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<v Speaker 2>was is that he put together this entire team of

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<v Speaker 2>like artists and producers and and people that later went

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<v Speaker 2>on to these other productions like Alien and fucking Dune,

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<v Speaker 2>David Lynch's Dune and made it what it is. And

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<v Speaker 2>the thing that I wanted to talk about the most

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<v Speaker 2>that really blew my mind was do you know who

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<v Speaker 2>the Emperor and the Princess were supposed to be in

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<v Speaker 2>Holderowski's Dune.

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<v Speaker 3>Oh take a guess, crazy Spanish speaking crazy person. Fuck uh,

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<v Speaker 3>Javier Malay and Penelope Cruise. No, you have to think

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<v Speaker 3>of the era of the era. I don't know Gloria

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<v Speaker 3>Estefan and.

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<v Speaker 2>I don't know is going to be played by Salvador

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<v Speaker 2>Deli and the Princess was going to be played by Amandlayer.

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<v Speaker 2>And if you know anything about me.

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<v Speaker 3>You know that I'm waiting the trans woman.

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<v Speaker 2>Well, Janie, that's controversial, okay, because she, yes, is probably

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<v Speaker 2>definitely most likely a trans woman. She's never officially.

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<v Speaker 3>Yeah, people say that about me too.

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<v Speaker 2>Yeah, she never officially come out, but so for all

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<v Speaker 2>we know, she's a sis woman.

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<v Speaker 4>Bad.

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<v Speaker 2>She was in the documentary. She like she like spoke

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<v Speaker 2>in the documentary. She was interviewed. It's really good. You

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<v Speaker 2>should watch it.

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<v Speaker 3>I don't really like Kodowski.

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<v Speaker 2>It's oh my god, I actually thought we were gonna

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<v Speaker 2>I it's not I actually likes I have a complex

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<v Speaker 2>feelings because I enjoy The Holy Mountain. I think it

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<v Speaker 2>has a lot of cool visuals in it, but it's

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<v Speaker 2>I rarely say this about movies because I generally like

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<v Speaker 2>stuff like this, but it is very like I hate

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<v Speaker 2>using this word, but it's like it's very weird for

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<v Speaker 2>the sake of being weird, and it has a lot

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<v Speaker 2>of stuff in it that I just know is like

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<v Speaker 2>just there to be like weird.

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<v Speaker 3>And make you feel uncomfortably. Yeah. That being said, I

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<v Speaker 3>think there's a lot of cool shit in it that

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<v Speaker 3>I do like, but I just think he's up his

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<v Speaker 3>ass a little bit. And I also don't like that

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<v Speaker 3>he filmed a little literal like rape, like an actual

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<v Speaker 3>rape in one of his movies. I think, Yeah, in

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<v Speaker 3>the movie El Topo, there's a rape scene and they

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<v Speaker 3>like didn't like tell the actress like what they were

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<v Speaker 3>about to do.

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<v Speaker 4>End.

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<v Speaker 3>Yeah, it's really gross. It's really fucked up. So thank

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<v Speaker 3>you for educating me on. Yeah, I don't like him

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<v Speaker 3>for that. I think that's really bad, the same reason

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<v Speaker 3>I don't like Bertuluci. I think I think it's gross, but.

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<v Speaker 2>Actually explains a lot about he actually in the documentary

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<v Speaker 2>because he's still alive and he's interviewed in the documentary.

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<v Speaker 3>He's made some he's made a few movies in like

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<v Speaker 3>The Two Thousand Tons.

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<v Speaker 2>Yeah, I will I will say he's not my favorite

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<v Speaker 2>Spanish speaking director. That would go to the one who

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<v Speaker 2>uses red and everything. What's his fucking looking?

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<v Speaker 3>Oh my god, I'd tie me up, tie me down

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<v Speaker 3>and volvert that guy Pedrama Dovar. Yes, and he's got

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<v Speaker 3>that new movie with We talked about the skin I

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<v Speaker 3>live in with Hassa. I think, yeah, okay, anyway, or no,

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<v Speaker 3>we talk about it with Liz, I think yeah, yeah.

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<v Speaker 2>Well, you know what, this has been a fun little

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<v Speaker 2>ramble down dune, dune corner. We had a duney corner,

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<v Speaker 2>dune lane. Should we talk about about what we're getting

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<v Speaker 2>into today and who are guests is? Since we just

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<v Speaker 2>mentioned her, yes, I would love to. Liz Prischelle is

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<v Speaker 2>a queer film historian, film preservationist and you'll probably hear

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<v Speaker 2>me say a lot of this again in like a second,

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<v Speaker 2>but she's awesome. She was someone I followed on letterbox

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<v Speaker 2>for a long time. I really wanted to have her

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<v Speaker 2>on because we love movies here and this is a

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<v Speaker 2>very very heavy movie centric episode with a very very

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<v Speaker 2>knowledgeable guest. So I I highly recommend any any movie

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<v Speaker 2>heads that like.

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<v Speaker 3>Listening to us. I think this is going to be

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<v Speaker 3>a treat for you. She's going to give you a

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<v Speaker 3>lot of good education, a lot of very good recommendations.

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<v Speaker 3>And this is a really fun one. Hell yeah.

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<v Speaker 2>Finally, it's the episode we've been leading up to. It's

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<v Speaker 2>our Letterboxed episode, the big gay Letterboxed episode. So Michael

0:12:24.200 --> 0:12:29.000
<v Speaker 2>becoming letterbox Users. Okay, that's the title of the episode

0:12:29.080 --> 0:12:44.120
<v Speaker 2>right there. Well, everybody, enjoy our conversation with Liz Perschelle. Well,

0:12:44.200 --> 0:12:46.800
<v Speaker 2>we're very excited about our guest today. Please welcome to

0:12:46.800 --> 0:12:47.199
<v Speaker 2>the pod.

0:12:47.280 --> 0:12:47.679
<v Speaker 3>Everyone.

0:12:47.800 --> 0:12:51.760
<v Speaker 2>We have Brooklyn based queer film historian, programmer, filmmaker, and

0:12:52.120 --> 0:12:55.880
<v Speaker 2>creator of Ask Anybody. Her name is Liz Perschelle.

0:12:56.800 --> 0:12:59.200
<v Speaker 3>Hi, Liz, how are you doing good?

0:12:59.240 --> 0:12:59.800
<v Speaker 1>How are y'all?

0:13:00.800 --> 0:13:03.600
<v Speaker 3>I'm good. You're like the fifth person from Brooklyn we've

0:13:03.600 --> 0:13:05.120
<v Speaker 3>then this is just interviewing people.

0:13:05.200 --> 0:13:08.800
<v Speaker 2>Yeah, now, this is just the Atlanta Interviews Brooklyn podcast

0:13:09.200 --> 0:13:09.880
<v Speaker 2>quite literally.

0:13:10.360 --> 0:13:12.240
<v Speaker 1>I mean I was thinking going into this, I I

0:13:12.440 --> 0:13:15.319
<v Speaker 1>think it's funny to be on a podcast about transness

0:13:15.360 --> 0:13:17.480
<v Speaker 1>in the South, given that I just moved to New

0:13:17.559 --> 0:13:21.160
<v Speaker 1>York two months ago, you know where, from Austin, Texas,

0:13:21.160 --> 0:13:22.199
<v Speaker 1>and I'm from Campil, Florida.

0:13:22.920 --> 0:13:25.920
<v Speaker 3>So you've got you're a person of Southern experience.

0:13:26.240 --> 0:13:28.360
<v Speaker 1>Yeah, I had shared trauma.

0:13:28.960 --> 0:13:33.600
<v Speaker 3>Yeah yeah, I mean in like the show description it

0:13:33.679 --> 0:13:36.760
<v Speaker 3>says that, like you know all that, but since I

0:13:36.960 --> 0:13:40.840
<v Speaker 3>joined the show, we've really like derailed what this show's

0:13:41.040 --> 0:13:43.960
<v Speaker 3>supposed to be of. I single handedly of derailed like

0:13:44.480 --> 0:13:46.840
<v Speaker 3>all the like seriousness of what this show is supposed

0:13:46.880 --> 0:13:50.320
<v Speaker 3>to be about. So all her Twitter shooters, now, yeah,

0:13:50.320 --> 0:13:55.839
<v Speaker 3>it is just me interviewing my Twitter followers. But yeah,

0:13:55.880 --> 0:13:58.040
<v Speaker 3>so it's it's not really like I mean, me and

0:13:58.080 --> 0:14:00.920
<v Speaker 3>Carmen do like to talk about like local stuff and

0:14:01.000 --> 0:14:03.360
<v Speaker 3>like I don't know that that kind of but I

0:14:03.400 --> 0:14:06.200
<v Speaker 3>feel like at this point like we've covered it, like

0:14:06.280 --> 0:14:08.800
<v Speaker 3>we I feel like there's not too much to say

0:14:08.840 --> 0:14:13.560
<v Speaker 3>about like harrowing religious trauma of like living in the

0:14:13.600 --> 0:14:16.240
<v Speaker 3>South and stuff like it's like we get it, you

0:14:16.280 --> 0:14:18.240
<v Speaker 3>get it. I need to beat you over the head

0:14:18.280 --> 0:14:19.320
<v Speaker 3>with uh.

0:14:19.040 --> 0:14:22.000
<v Speaker 1>That's the stuff that gets the grants and the sponsorships.

0:14:22.280 --> 0:14:27.080
<v Speaker 3>True. Actually, actually, can you cut that out and replace

0:14:27.120 --> 0:14:27.560
<v Speaker 3>it with me.

0:14:27.600 --> 0:14:34.600
<v Speaker 2>Saying please, Atlanta is so bad. All these non binary

0:14:34.640 --> 0:14:37.040
<v Speaker 2>baristas are so mean to me and.

0:14:37.120 --> 0:14:41.920
<v Speaker 3>Made no one, no one has any rights, help us, No,

0:14:42.000 --> 0:14:46.760
<v Speaker 3>I got too many rights anyway, Hylas, how are you doing?

0:14:46.800 --> 0:14:51.200
<v Speaker 3>How are you doing. That's good. Good. Well, I've been

0:14:51.240 --> 0:14:55.760
<v Speaker 3>following your letterbox like almost like since I started my own.

0:14:56.000 --> 0:15:00.000
<v Speaker 3>You actually put me onto a movie that I really

0:15:00.120 --> 0:15:02.040
<v Speaker 3>loved that I know you're a big fan of called

0:15:02.600 --> 0:15:06.560
<v Speaker 3>Lady Terminator. And yeah, I don't know. I just I

0:15:06.920 --> 0:15:10.280
<v Speaker 3>wanted to talk to you about like movies, tran stuff.

0:15:10.400 --> 0:15:13.360
<v Speaker 3>I don't know, we keep it kind of loose around here.

0:15:13.440 --> 0:15:16.520
<v Speaker 3>Do you want to maybe introduce our audience to what

0:15:16.560 --> 0:15:16.920
<v Speaker 3>you do?

0:15:17.360 --> 0:15:20.640
<v Speaker 1>Sure, I do a lot of different things. My day

0:15:20.720 --> 0:15:22.960
<v Speaker 1>job is I work at the American Genre Film Archive,

0:15:23.160 --> 0:15:25.920
<v Speaker 1>which in and of itself does a lot of things.

0:15:25.960 --> 0:15:30.320
<v Speaker 1>We have a physical film archive collection of about three thousand,

0:15:30.560 --> 0:15:34.760
<v Speaker 1>thirty five milimeter film prints. We restore films, We release

0:15:34.840 --> 0:15:38.040
<v Speaker 1>films on home video on Blu Ray, and we also

0:15:38.400 --> 0:15:42.480
<v Speaker 1>distribute films that we own and also that other home

0:15:42.560 --> 0:15:45.360
<v Speaker 1>video labels have the rights for. So if you go

0:15:45.440 --> 0:15:48.760
<v Speaker 1>to see say Donnie Darko and a movie theater that

0:15:48.800 --> 0:15:50.680
<v Speaker 1>comes from us, if you go to see just about

0:15:50.680 --> 0:15:53.640
<v Speaker 1>any old horror movie in a theater, you'd probably.

0:15:54.320 --> 0:15:56.680
<v Speaker 3>Even the plaza. Yeah, I was gonna ask have you

0:15:56.720 --> 0:15:59.360
<v Speaker 3>been to Atlanta before? I have?

0:15:59.520 --> 0:16:02.360
<v Speaker 1>I mean, growing up in Tampa, I was in Tampa

0:16:02.360 --> 0:16:03.920
<v Speaker 1>and to I was I think like twenty six.

0:16:04.520 --> 0:16:05.200
<v Speaker 3>I'm so sorry.

0:16:05.640 --> 0:16:09.440
<v Speaker 1>I'd always I know I'm saying, I always have to

0:16:09.480 --> 0:16:11.880
<v Speaker 1>either go to Orlando or drive all the way up

0:16:11.920 --> 0:16:14.760
<v Speaker 1>to Atlanta to like to shows or movies or not

0:16:14.800 --> 0:16:17.440
<v Speaker 1>even a Savannah. I've never been to Savannah.

0:16:17.440 --> 0:16:23.080
<v Speaker 3>Now really for the first time. I love Savannah. It's

0:16:23.160 --> 0:16:27.400
<v Speaker 3>exactly like the way the movie May December like portrays it.

0:16:27.560 --> 0:16:31.960
<v Speaker 3>Like everyone is very everyone in Savannah is very weird.

0:16:32.240 --> 0:16:34.600
<v Speaker 3>Like it's a very weird place. But it's it's cool,

0:16:34.640 --> 0:16:38.640
<v Speaker 3>it's it's it's a little clear too. It is there's

0:16:38.680 --> 0:16:43.240
<v Speaker 3>a lot of like gay little like uh Art Savannah

0:16:43.240 --> 0:16:45.440
<v Speaker 3>College of Art and Design kids, and also night clubs

0:16:45.440 --> 0:16:47.680
<v Speaker 3>and stuff like that too. But yeah, we don't need

0:16:47.720 --> 0:16:50.840
<v Speaker 3>to talk about Yeah no, I just asked that because

0:16:51.000 --> 0:16:53.560
<v Speaker 3>in Atlanta we have the Plaza Theater, which is where

0:16:54.120 --> 0:16:57.360
<v Speaker 3>I'll go to a lot of like featured in Doctor Sleep, Yeah,

0:16:57.680 --> 0:17:00.400
<v Speaker 3>featured in the film Doctor Sleep, where there's a lot

0:17:00.440 --> 0:17:03.040
<v Speaker 3>of I don't know. They do a lot of very

0:17:03.080 --> 0:17:06.280
<v Speaker 3>like cool like showings and stuff and like restorations, and

0:17:06.760 --> 0:17:08.639
<v Speaker 3>they play a lot of cool like thirty five millimeter

0:17:08.760 --> 0:17:09.359
<v Speaker 3>prints of stuff.

0:17:09.359 --> 0:17:13.920
<v Speaker 2>They played Dracula last year visit. I was fucking what's

0:17:14.280 --> 0:17:19.720
<v Speaker 2>not brom Stoker, Francis Ford Copola. Francis Ford showed up too, Yeah,

0:17:19.960 --> 0:17:21.600
<v Speaker 2>brom the Stoker showed up.

0:17:22.040 --> 0:17:24.239
<v Speaker 3>Francis Bord Coppola is kind of doing that thing that

0:17:24.320 --> 0:17:26.840
<v Speaker 3>like Kanye did where he like it's just like taking

0:17:26.920 --> 0:17:33.840
<v Speaker 3>up a residency like in Atlanta, like filming his new movie. Literally, No,

0:17:34.000 --> 0:17:37.159
<v Speaker 3>I actually I actually know someone who's like working on

0:17:37.160 --> 0:17:41.000
<v Speaker 3>that movie. And uh, they said there was someone that

0:17:41.200 --> 0:17:43.840
<v Speaker 3>like got like hit by like a car or something,

0:17:43.960 --> 0:17:45.879
<v Speaker 3>and like they filming in Georgia.

0:17:45.960 --> 0:17:48.520
<v Speaker 2>I don't know, they like really like fucted her over,

0:17:48.680 --> 0:17:49.600
<v Speaker 2>like really badly.

0:17:50.640 --> 0:17:52.480
<v Speaker 3>I don't know. I don't know enough about it to

0:17:52.560 --> 0:17:54.679
<v Speaker 3>like go on like a full tangent about it. But

0:17:55.080 --> 0:17:55.680
<v Speaker 3>did he shot?

0:17:55.840 --> 0:17:58.080
<v Speaker 2>You're saying, fran you wait, hold on, what's that you said?

0:17:58.080 --> 0:17:59.800
<v Speaker 2>Francis Ford Coppola shot somebody?

0:18:00.280 --> 0:18:03.040
<v Speaker 1>She was driving the car.

0:18:05.359 --> 0:18:11.640
<v Speaker 3>Yeah. Yeah, they're making a movie about Caitlyn Jenner. They're

0:18:11.640 --> 0:18:15.720
<v Speaker 3>making speed Racer with Caitlyn Jenner. I'll get you there

0:18:15.720 --> 0:18:19.760
<v Speaker 3>in a jiffy, kid. Yeah, herb be fully loaded. Oh

0:18:19.760 --> 0:18:22.200
<v Speaker 3>my god, Kaitlyn Jenner just derailed.

0:18:22.560 --> 0:18:23.879
<v Speaker 1>I mean if you want to see the best Kaitlyn

0:18:23.920 --> 0:18:26.760
<v Speaker 1>Jenner thing. I would just say, watch Can't Stop the Music,

0:18:26.800 --> 0:18:31.119
<v Speaker 1>which is the Village People biopic, which trandition. She is

0:18:31.160 --> 0:18:33.600
<v Speaker 1>the co star, she is the male. She is the

0:18:33.600 --> 0:18:37.280
<v Speaker 1>male like romantic like lead of the movie. She's the

0:18:37.320 --> 0:18:38.280
<v Speaker 1>Village People's lawyer.

0:18:39.000 --> 0:18:42.520
<v Speaker 3>Oh my god, that is so fucking cool. Watch that.

0:18:43.040 --> 0:18:44.840
<v Speaker 3>Thank yeah, I do have to watch this. Thank you

0:18:44.840 --> 0:18:47.919
<v Speaker 3>for putting us onto this awesome. We talked about we

0:18:47.960 --> 0:18:50.640
<v Speaker 3>bring up Caitlyn a lot on the show. I think

0:18:50.680 --> 0:18:54.040
<v Speaker 3>I think every trans podcaster just always has Caitlyn on

0:18:54.080 --> 0:18:54.440
<v Speaker 3>the brain.

0:18:55.119 --> 0:19:01.440
<v Speaker 1>I just want to say about Can't Step the Music.

0:19:01.440 --> 0:19:04.080
<v Speaker 1>I mean, you think of the Village People, they're gay icons.

0:19:04.200 --> 0:19:06.040
<v Speaker 1>What is the Village People movie is gonna be like,

0:19:06.080 --> 0:19:08.520
<v Speaker 1>it's gonna be them hanging out. It's gonna be fun. Yeah,

0:19:08.760 --> 0:19:12.280
<v Speaker 1>it's actually about the straight people who created the Village People.

0:19:14.200 --> 0:19:16.639
<v Speaker 3>So it's kind of like the Bohemian Rhapsody movie.

0:19:17.160 --> 0:19:20.040
<v Speaker 1>It very much is, yeah, because the guy who produced

0:19:20.040 --> 0:19:23.480
<v Speaker 1>it was like, I'm gay, but we cannot make a

0:19:23.560 --> 0:19:25.480
<v Speaker 1>twenty million dollar gay movie. So we have to make

0:19:25.760 --> 0:19:27.840
<v Speaker 1>to sell the Village People just like straight America. So

0:19:27.840 --> 0:19:30.680
<v Speaker 1>we have to turn them into like friends to children.

0:19:31.359 --> 0:19:34.160
<v Speaker 1>So they try to so that that movie. They're trying

0:19:34.160 --> 0:19:36.320
<v Speaker 1>to like present the village people in the most like

0:19:36.400 --> 0:19:38.480
<v Speaker 1>hetero way they can. They try to make them straight.

0:19:38.520 --> 0:19:42.159
<v Speaker 2>They all have girlfriends, the leather daddy, yeah yeah, but

0:19:42.200 --> 0:19:47.520
<v Speaker 2>they all have such straight jobs firemen like cop.

0:19:49.280 --> 0:19:50.920
<v Speaker 1>So the first half of the movie it's them trying

0:19:50.920 --> 0:19:52.240
<v Speaker 1>so hard to be straight. And then when the village

0:19:52.240 --> 0:19:53.919
<v Speaker 1>people all get in the same room together and they

0:19:53.920 --> 0:19:56.200
<v Speaker 1>are finally the village people, it just becomes the gayest

0:19:56.240 --> 0:19:59.919
<v Speaker 1>fucking movie ever made. The YMC A musical number will

0:20:00.040 --> 0:20:01.879
<v Speaker 1>shot at a y m c A and it is

0:20:01.920 --> 0:20:06.640
<v Speaker 1>this like celebration of masculinity, Like they're trying to roticize

0:20:06.680 --> 0:20:11.280
<v Speaker 1>Caitlin Jenner, like doing like exercises in swimming and diving

0:20:11.359 --> 0:20:13.840
<v Speaker 1>and playing basketball and short shorts.

0:20:13.520 --> 0:20:17.120
<v Speaker 3>And that's so cool. Got to watch that. Yeah, we're

0:20:17.119 --> 0:20:18.160
<v Speaker 3>adding that to the list.

0:20:18.240 --> 0:20:20.679
<v Speaker 2>I mean, this is a big day for beauty translated

0:20:20.720 --> 0:20:22.880
<v Speaker 2>because we talk about movies a lot on the podcast

0:20:22.920 --> 0:20:25.760
<v Speaker 2>in general. So to have somebody who's a queer film historian,

0:20:26.480 --> 0:20:28.760
<v Speaker 2>big day for us, big day for us.

0:20:28.560 --> 0:20:34.040
<v Speaker 3>Here, Yeah for sure. Shit, Uh, is there is there

0:20:34.080 --> 0:20:35.959
<v Speaker 3>anything you guys are like working on now to like

0:20:36.040 --> 0:20:40.960
<v Speaker 3>restore or anything, like I don't know, like what's what's

0:20:41.040 --> 0:20:42.800
<v Speaker 3>kind of what's kind of going on in your world

0:20:42.800 --> 0:20:45.719
<v Speaker 3>in the world of queer film restorations and stuff.

0:20:46.320 --> 0:20:49.639
<v Speaker 1>Well, we have something that we just acquired fairly recently

0:20:49.640 --> 0:20:51.680
<v Speaker 1>that I can't really talk about, but it is a

0:20:51.800 --> 0:20:55.280
<v Speaker 1>very exciting trans movie from the seventies that I'm excited to.

0:20:55.760 --> 0:20:57.640
<v Speaker 3>Okay, get back out one.

0:20:57.960 --> 0:21:02.120
<v Speaker 1>Of course, I wish it was my reckin Ridge.

0:21:03.040 --> 0:21:06.040
<v Speaker 3>But I remember a long time ago we like I

0:21:06.119 --> 0:21:09.240
<v Speaker 3>mentioned something about how like I don't know, we've talked

0:21:09.240 --> 0:21:12.600
<v Speaker 3>about like like like representation and movies and stuff like that,

0:21:12.680 --> 0:21:16.639
<v Speaker 3>and I remember bringing up like how if you're willing

0:21:16.720 --> 0:21:20.439
<v Speaker 3>to just like look a little bit, like there's so

0:21:20.840 --> 0:21:24.760
<v Speaker 3>much like I don't know, there's just so many movies

0:21:24.920 --> 0:21:27.119
<v Speaker 3>like from like throughout the world, Like if you're just

0:21:27.200 --> 0:21:30.240
<v Speaker 3>willing to like look for it, like there's so much

0:21:30.240 --> 0:21:32.840
<v Speaker 3>good stuff out there, Like there's so like I don't know,

0:21:32.880 --> 0:21:35.439
<v Speaker 3>like there's probably people like like there's probably young people

0:21:35.440 --> 0:21:38.000
<v Speaker 3>that like get online and talk about like I want

0:21:38.000 --> 0:21:40.800
<v Speaker 3>to see like trans representation and movies and stuff, and

0:21:40.840 --> 0:21:42.760
<v Speaker 3>like I get that, but it's like, how have you

0:21:42.840 --> 0:21:46.239
<v Speaker 3>not like watched like Funeral Parade of Roses, you know, like, like,

0:21:46.280 --> 0:21:48.119
<v Speaker 3>how have you not like heard about like in a

0:21:48.200 --> 0:21:50.200
<v Speaker 3>year with thirteen moons or like like.

0:21:50.359 --> 0:21:52.000
<v Speaker 1>I mean, I think it's a combination the things. I

0:21:52.000 --> 0:21:53.520
<v Speaker 1>think part of it is just that this stuff is

0:21:53.560 --> 0:21:57.240
<v Speaker 1>not readily available. When I first saw a Funeral Parade

0:21:57.240 --> 0:22:03.000
<v Speaker 1>of Roses and twenty fifteen, twenty sixteen, twenty seventeen, it

0:22:03.040 --> 0:22:04.560
<v Speaker 1>was a very hard film to see in the US.

0:22:04.640 --> 0:22:07.000
<v Speaker 1>It had never been released on home video here. It

0:22:07.040 --> 0:22:09.639
<v Speaker 1>wasn't until it was restored and then like re released

0:22:09.640 --> 0:22:11.320
<v Speaker 1>theatrically and then put out on Blu Ray and then

0:22:11.320 --> 0:22:15.560
<v Speaker 1>on streaming that it has become this like canonical queer

0:22:15.560 --> 0:22:19.080
<v Speaker 1>film for sure, even like something like Paris Is Burning.

0:22:19.840 --> 0:22:22.720
<v Speaker 1>That's a film that was like on Netflix for a

0:22:22.720 --> 0:22:24.399
<v Speaker 1>while when I was first coming out like as a

0:22:24.400 --> 0:22:27.160
<v Speaker 1>gay guy, like a decade ago, and it was easy

0:22:27.200 --> 0:22:29.160
<v Speaker 1>to see, and then it got taken off a Netflix

0:22:29.200 --> 0:22:30.639
<v Speaker 1>and then DVD was out of print, so it was

0:22:30.640 --> 0:22:34.080
<v Speaker 1>impossible to see that unless you had a DVD or

0:22:34.119 --> 0:22:37.919
<v Speaker 1>a VHS or whatever. Yeah, So a lot of it

0:22:37.960 --> 0:22:40.240
<v Speaker 1>has to do with access, And I mean, I think

0:22:40.240 --> 0:22:41.800
<v Speaker 1>one of the things that drives all the work I

0:22:41.840 --> 0:22:44.240
<v Speaker 1>do is that I truly think that people want to

0:22:44.240 --> 0:22:46.920
<v Speaker 1>see this stuff. It's just they do help for sure

0:22:47.040 --> 0:22:47.640
<v Speaker 1>finding it.

0:22:48.280 --> 0:22:52.119
<v Speaker 3>Yeah. Yeah, And I do, like I don't want to

0:22:52.160 --> 0:22:55.439
<v Speaker 3>say that, like, like I don't know, I have like

0:22:55.520 --> 0:22:58.280
<v Speaker 3>mixed feelings on like the term like representation, because like

0:22:58.400 --> 0:23:01.440
<v Speaker 3>I feel like it's not you know, the end all

0:23:01.480 --> 0:23:05.240
<v Speaker 3>be all of like liberation, you know, like like it's

0:23:05.280 --> 0:23:08.800
<v Speaker 3>not the same thing. But I do think I think

0:23:08.800 --> 0:23:12.000
<v Speaker 3>we talked about this recently, how like it is like important,

0:23:12.040 --> 0:23:14.520
<v Speaker 3>you know, like it is like I do think, like

0:23:14.760 --> 0:23:17.879
<v Speaker 3>especially fucking Americans, like with how like much we like

0:23:18.359 --> 0:23:21.200
<v Speaker 3>identify with like art and like the content we consume,

0:23:21.480 --> 0:23:25.560
<v Speaker 3>Like it is like helpful in like empathizing with like

0:23:25.760 --> 0:23:28.480
<v Speaker 3>experiences that you're like unfamiliar with.

0:23:30.480 --> 0:23:33.040
<v Speaker 1>I think, especially with trans I think with trans people especially,

0:23:33.080 --> 0:23:36.840
<v Speaker 1>I think there is a power to seeing that people

0:23:36.920 --> 0:23:39.640
<v Speaker 1>like us existed seventy years ago or eighty years ago

0:23:39.720 --> 0:23:42.000
<v Speaker 1>or however many years ago. Yeah, and to see and

0:23:42.040 --> 0:23:46.840
<v Speaker 1>to see that, I mean, you know, I guess something

0:23:46.840 --> 0:23:49.879
<v Speaker 1>that I kind of struggle with sometimes is like this

0:23:50.000 --> 0:23:52.320
<v Speaker 1>idea that trans people are brand new or why why

0:23:52.320 --> 0:23:55.479
<v Speaker 1>are trans people suddenly in the news when you know

0:23:55.560 --> 0:23:58.439
<v Speaker 1>there were mainstream Hollywood movies about trans people from the

0:23:58.440 --> 0:24:01.040
<v Speaker 1>seventies eighty yeah.

0:24:00.920 --> 0:24:04.040
<v Speaker 3>Yeah, even before that, Like that's the movie that what's

0:24:04.040 --> 0:24:09.240
<v Speaker 3>his name? Uh? G I the g I like God,

0:24:09.760 --> 0:24:11.000
<v Speaker 3>the Christine Story.

0:24:11.600 --> 0:24:18.359
<v Speaker 2>Yes, sorry, yes, Glenda, Yes, who was the guy he

0:24:18.440 --> 0:24:19.600
<v Speaker 2>made fit planet?

0:24:19.800 --> 0:24:20.080
<v Speaker 4>Edward?

0:24:20.480 --> 0:24:21.120
<v Speaker 3>Yeah? God?

0:24:21.280 --> 0:24:26.560
<v Speaker 2>Yeah, yeah, hero famous crossy you know yeah.

0:24:26.800 --> 0:24:27.000
<v Speaker 3>Yeah.

0:24:27.040 --> 0:24:28.680
<v Speaker 1>One of my favorite one of my favorite things I

0:24:28.720 --> 0:24:33.000
<v Speaker 1>discovered last year is I was I've spent a lot

0:24:33.040 --> 0:24:35.199
<v Speaker 1>of time going through like old cross dressing and like

0:24:35.400 --> 0:24:38.040
<v Speaker 1>trans magazines and newsletters and stuff like that, and like

0:24:38.160 --> 0:24:40.040
<v Speaker 1>when I started getting into that a few years ago,

0:24:40.119 --> 0:24:41.320
<v Speaker 1>like I always had in the back of my mind,

0:24:41.320 --> 0:24:43.080
<v Speaker 1>like I wonder if I'll ever find Edwood in one

0:24:43.080 --> 0:24:46.359
<v Speaker 1>of these And I finally did under his under his

0:24:46.400 --> 0:24:49.399
<v Speaker 1>cross dresser named Shirley, including like a letter that he

0:24:49.440 --> 0:24:51.919
<v Speaker 1>wrote to the editor talking about how he loved being

0:24:51.920 --> 0:24:53.840
<v Speaker 1>a cross dresser and how he felt at ease and

0:24:53.920 --> 0:24:55.280
<v Speaker 1>like all these things.

0:24:55.080 --> 0:25:02.520
<v Speaker 3>That's that's iconic. Yeah, I I think like a lot

0:25:02.560 --> 0:25:05.240
<v Speaker 3>of like this is something that really like bothers me

0:25:05.440 --> 0:25:07.919
<v Speaker 3>a lot about, like especially a lot of like newer

0:25:08.040 --> 0:25:10.480
<v Speaker 3>kind of like trans movies and stuff is like how

0:25:11.520 --> 0:25:13.120
<v Speaker 3>I don't know like a lot of the times when

0:25:13.320 --> 0:25:16.760
<v Speaker 3>like people like want to make a trans movie, it's

0:25:16.840 --> 0:25:21.280
<v Speaker 3>like or queer movies too. We're just kind of like

0:25:21.320 --> 0:25:22.959
<v Speaker 3>now getting to the point where we can just have

0:25:23.040 --> 0:25:27.400
<v Speaker 3>like normal like queer relationships and shit like in movies.

0:25:27.440 --> 0:25:30.320
<v Speaker 3>But I think I think trans movies, like at least

0:25:30.320 --> 0:25:32.560
<v Speaker 3>in America, are still like set back a little bit

0:25:32.680 --> 0:25:37.760
<v Speaker 3>because like everything is just like this like depressing, like pornographic,

0:25:37.920 --> 0:25:42.040
<v Speaker 3>like trauma like movie. Like I like, I don't know,

0:25:42.200 --> 0:25:44.720
<v Speaker 3>I don't want to watch boys don't cry, Like, yeah

0:25:44.840 --> 0:25:48.000
<v Speaker 3>I would. I would rather watch a movie about like

0:25:48.000 --> 0:25:50.399
<v Speaker 3>like this is why someone like Fastbender like means a

0:25:50.400 --> 0:25:53.120
<v Speaker 3>lot to me, because all of his movies, like they're

0:25:53.160 --> 0:25:57.359
<v Speaker 3>not really about like the queer experience. They're more just

0:25:57.480 --> 0:26:02.720
<v Speaker 3>like queer characters that are with like melodramatic scenarios that

0:26:02.840 --> 0:26:05.960
<v Speaker 3>like you could apply to pretty much anyone's life.

0:26:06.440 --> 0:26:12.000
<v Speaker 1>And I one speak for yourself. My life is pornographic, depressing.

0:26:11.600 --> 0:26:16.720
<v Speaker 2>And yeah that's true, true, But that's maybe why I

0:26:16.760 --> 0:26:18.640
<v Speaker 2>don't want to see that I cry.

0:26:18.840 --> 0:26:20.879
<v Speaker 3>Like looking in the mirror every day, Jane, what are

0:26:20.920 --> 0:26:24.080
<v Speaker 3>you talking about? I just I would rather like watch

0:26:24.640 --> 0:26:28.159
<v Speaker 3>I don't know, I would rather watch like like Funeral

0:26:28.200 --> 0:26:31.520
<v Speaker 3>Parade of Roses is about like so much more than

0:26:31.680 --> 0:26:34.960
<v Speaker 3>just like this trans woman who had a horrible life

0:26:35.000 --> 0:26:37.920
<v Speaker 3>and then was beaten to death. Like I hate movies

0:26:38.000 --> 0:26:40.879
<v Speaker 3>like that. Like that is just so like I don't know,

0:26:40.960 --> 0:26:43.960
<v Speaker 3>like I just I never like find myself like wanting

0:26:44.040 --> 0:26:46.840
<v Speaker 3>to like seek out something like that. And I feel

0:26:46.840 --> 0:26:49.080
<v Speaker 3>like that is like I don't know, I feel like

0:26:49.080 --> 0:26:53.640
<v Speaker 3>that's just like a very uncreative way for like filmmakers

0:26:53.680 --> 0:26:56.720
<v Speaker 3>to be, Like this is how people will empathize with

0:26:56.840 --> 0:27:00.080
<v Speaker 3>these people that are weird. Like it's like if they

0:27:00.119 --> 0:27:02.600
<v Speaker 3>are threatened with violence, then the audience will be like,

0:27:02.680 --> 0:27:06.880
<v Speaker 3>oh no, don't kill that very feminine looking man.

0:27:07.640 --> 0:27:10.480
<v Speaker 1>Yeah. I mean I think the thing like that that

0:27:10.640 --> 0:27:13.840
<v Speaker 1>like really bugs me about a lot of new trans movies.

0:27:13.880 --> 0:27:16.960
<v Speaker 1>And I guess this kind of extends somewhat to like

0:27:17.000 --> 0:27:18.679
<v Speaker 1>new or queer movies too, is that so many of

0:27:18.720 --> 0:27:21.920
<v Speaker 1>them they're not actually about the transperson. They're about the

0:27:21.960 --> 0:27:26.280
<v Speaker 1>person reacting to the trans person movie Mutt about the

0:27:26.640 --> 0:27:29.440
<v Speaker 1>trans guy. And I think Brooklyn.

0:27:29.520 --> 0:27:30.600
<v Speaker 3>And it's not about him.

0:27:30.720 --> 0:27:33.560
<v Speaker 1>It's not about him or his transition or his you know,

0:27:33.600 --> 0:27:36.240
<v Speaker 1>his life. It's about him coming in contact with his

0:27:36.359 --> 0:27:39.159
<v Speaker 1>ex and his like father and like all these other people,

0:27:39.400 --> 0:27:42.880
<v Speaker 1>and it's about like them struggling to reconcile with him.

0:27:43.000 --> 0:27:44.760
<v Speaker 1>It's not about him, it's about them, And I hate that.

0:27:44.880 --> 0:27:47.359
<v Speaker 2>Yeah, well, how do we feel about Monica? That's like

0:27:47.400 --> 0:27:49.280
<v Speaker 2>a newer trans film that kind.

0:27:49.080 --> 0:27:55.399
<v Speaker 3>Of I haven't I haven't seen it. That movie got me.

0:27:55.520 --> 0:27:57.880
<v Speaker 3>I really do love to it a lot. That kind

0:27:57.880 --> 0:27:59.960
<v Speaker 3>of reminds me. I liked this movie, but that was

0:28:00.080 --> 0:28:02.840
<v Speaker 3>also kind of like A Fantastic Woman a little bit

0:28:03.840 --> 0:28:07.560
<v Speaker 3>where like it's more. But I don't know. I liked

0:28:07.600 --> 0:28:10.879
<v Speaker 3>that movie because, like I liked seeing like the way that,

0:28:11.000 --> 0:28:13.919
<v Speaker 3>like as a trans person, like a lot of like

0:28:14.720 --> 0:28:17.600
<v Speaker 3>normal things in life that everyone has to deal with,

0:28:17.720 --> 0:28:20.600
<v Speaker 3>like can be more difficult like as a trans person,

0:28:20.760 --> 0:28:23.359
<v Speaker 3>like her lover dies and then she's like has to

0:28:23.400 --> 0:28:26.359
<v Speaker 3>deal with like all the kind of like bureaucratic like

0:28:26.480 --> 0:28:29.879
<v Speaker 3>processes of like you know, like inheriting his will and

0:28:29.920 --> 0:28:31.800
<v Speaker 3>like dealing with his family and stuff like that. And

0:28:31.800 --> 0:28:34.720
<v Speaker 3>it's something I think that story is interesting because it's

0:28:34.760 --> 0:28:38.760
<v Speaker 3>something that like in a straight relationship and like a normal,

0:28:39.200 --> 0:28:42.160
<v Speaker 3>normal quote unquote relationship, it would be a fairly like

0:28:42.880 --> 0:28:47.840
<v Speaker 3>routine kind of experience. So I guess there is stuff

0:28:47.880 --> 0:28:49.640
<v Speaker 3>like that that I find, I find valuable.

0:28:49.960 --> 0:28:53.320
<v Speaker 1>If you look at movies, I think your your perception

0:28:53.400 --> 0:28:54.960
<v Speaker 1>of trans people is that all they do is stare

0:28:55.000 --> 0:29:01.640
<v Speaker 1>in the mirror and like softly caress fabricks. Yeah it's

0:29:01.680 --> 0:29:03.680
<v Speaker 1>not I have to wake up at six am to

0:29:03.720 --> 0:29:06.000
<v Speaker 1>go to the DMV to try to get my license changed,

0:29:06.120 --> 0:29:08.160
<v Speaker 1>or I have to do electrolysis, or I have to

0:29:08.160 --> 0:29:09.120
<v Speaker 1>do laser or.

0:29:09.520 --> 0:29:12.040
<v Speaker 3>Yeah, yeah, I know. I think stuff like that is

0:29:12.080 --> 0:29:15.760
<v Speaker 3>pretty interesting because that is something that like, uh yeah,

0:29:15.800 --> 0:29:18.440
<v Speaker 3>that like that that's a side of like the trans

0:29:18.440 --> 0:29:22.800
<v Speaker 3>experience that like this people like probably wouldn't be incredibly

0:29:22.800 --> 0:29:26.160
<v Speaker 3>aware of. And yeah, I don't know. I think I

0:29:26.440 --> 0:29:28.600
<v Speaker 3>think it's like like I said, like it's like it's

0:29:28.680 --> 0:29:33.320
<v Speaker 3>just uncreative to like paint. The trans experience has this

0:29:33.520 --> 0:29:39.720
<v Speaker 3>like just really like traumatic, Like I mean, it is

0:29:39.840 --> 0:29:42.280
<v Speaker 3>like traumatic in many ways, but like I feel like

0:29:42.280 --> 0:29:45.320
<v Speaker 3>there's just so much more to it than just like

0:29:45.880 --> 0:29:48.640
<v Speaker 3>I'm gonna get murdered for being trans. Like yeah, I mean,

0:29:48.680 --> 0:29:51.000
<v Speaker 3>sure that's a thing, but like I feel like there's

0:29:51.120 --> 0:29:52.360
<v Speaker 3>more we can talk about it.

0:29:52.360 --> 0:29:55.640
<v Speaker 2>It's overdone. It's like there's enough there's enough film and

0:29:55.680 --> 0:29:57.320
<v Speaker 2>content about that at this point. Like I think the

0:29:57.360 --> 0:30:00.760
<v Speaker 2>movie like for example, Soldiers Carl is a very important movie.

0:30:00.840 --> 0:30:03.560
<v Speaker 2>It is depressing, it is traumatizing, it is horrible, but

0:30:03.600 --> 0:30:05.280
<v Speaker 2>I think it's a very important movie because it tells a.

0:30:05.280 --> 0:30:08.440
<v Speaker 3>Real who's the guy in that he looks lee pace, Yeah,

0:30:09.520 --> 0:30:11.760
<v Speaker 3>says Calipoernia Adams. Yeah. Yeah.

0:30:11.800 --> 0:30:13.880
<v Speaker 2>And it's just to me, like that's an important movie

0:30:14.120 --> 0:30:16.760
<v Speaker 2>because it's a real story. But yeah, it's like traumatizing.

0:30:17.120 --> 0:30:20.560
<v Speaker 2>But to an extent, when do we start seeing things

0:30:20.560 --> 0:30:23.440
<v Speaker 2>that are more just normal and like uplifting.

0:30:32.520 --> 0:30:34.280
<v Speaker 3>You see, like in the early two thousands, you could

0:30:34.320 --> 0:30:36.240
<v Speaker 3>have like the L word and like queer as folk

0:30:36.360 --> 0:30:39.920
<v Speaker 3>and like just stuff that's like are a normal kind

0:30:39.960 --> 0:30:43.040
<v Speaker 3>of like mellow drama but with gay people. Yeah, and

0:30:43.080 --> 0:30:44.640
<v Speaker 3>now it's at the point where like you can have

0:30:44.760 --> 0:30:47.840
<v Speaker 3>like I mean, I can't there's so many horror movies

0:30:47.880 --> 0:30:50.160
<v Speaker 3>where it's like it happens to be a gay couple

0:30:50.320 --> 0:30:54.760
<v Speaker 3>and it's like it's not like really related to the plot.

0:30:55.080 --> 0:30:57.600
<v Speaker 3>It's just they happen to be gay because being gay

0:30:57.680 --> 0:31:01.120
<v Speaker 3>is a normal part of life, and that's kind of

0:31:01.280 --> 0:31:04.239
<v Speaker 3>I don't know, that's kind of what I want to

0:31:04.320 --> 0:31:06.959
<v Speaker 3>see out of like trans Like that's where like I

0:31:06.960 --> 0:31:10.240
<v Speaker 3>would like to inevitably end up where we have trans

0:31:10.320 --> 0:31:14.600
<v Speaker 3>characters that just are trans and it has nothing really

0:31:14.640 --> 0:31:17.400
<v Speaker 3>to do with the stories, just they're trands because people

0:31:17.400 --> 0:31:19.720
<v Speaker 3>in real life are trans, you know what I mean? Like,

0:31:20.480 --> 0:31:22.480
<v Speaker 3>what's her name? From alien? Would like to have a word?

0:31:23.520 --> 0:31:28.600
<v Speaker 2>Yeah, well, I guess there was that like, uh like

0:31:28.720 --> 0:31:32.160
<v Speaker 2>trans mask and on Evil Dead Rise. I thought that

0:31:32.200 --> 0:31:35.400
<v Speaker 2>was pretty interesting. But you'll know I'm talking about an alien, right,

0:31:35.440 --> 0:31:39.960
<v Speaker 2>there's that like seeing an alien the like it's very

0:31:40.080 --> 0:31:42.240
<v Speaker 2>very brief where they look at one of the women,

0:31:42.440 --> 0:31:45.200
<v Speaker 2>like and it says that she's female transsexual, and like.

0:31:45.200 --> 0:31:47.040
<v Speaker 3>Yeah, I do, I do know what you mean. Yeah,

0:31:47.040 --> 0:31:52.920
<v Speaker 3>she's just never mentioned normal Normalize it, you know, right right,

0:31:53.000 --> 0:31:54.240
<v Speaker 3>normalize the aliens?

0:31:54.600 --> 0:31:54.800
<v Speaker 5>Yeah?

0:31:55.360 --> 0:32:01.320
<v Speaker 3>Yeah, but what do we get our guest thoughts on that.

0:32:01.800 --> 0:32:03.520
<v Speaker 3>Let's see what let's have to say about it?

0:32:03.640 --> 0:32:07.360
<v Speaker 1>Yeah, I mean I guess of two minds about it,

0:32:07.400 --> 0:32:09.760
<v Speaker 1>like one, Yes, I'd love to see it more normalized.

0:32:09.760 --> 0:32:12.560
<v Speaker 1>I'd love to see more kinds of storylines and films.

0:32:13.280 --> 0:32:17.920
<v Speaker 1>I would love to see more messy trans characters. Yeah, perfect,

0:32:17.960 --> 0:32:20.640
<v Speaker 1>pretty little angels I'd love to see a trans woman

0:32:20.680 --> 0:32:26.080
<v Speaker 1>in a movie for once. Yeah, But at the same time,

0:32:26.120 --> 0:32:30.120
<v Speaker 1>I do think there is some power to seeing, you know,

0:32:30.240 --> 0:32:34.160
<v Speaker 1>those kinds of basic stories on screen. You know, I've

0:32:34.200 --> 0:32:38.640
<v Speaker 1>seen a lot of movies about transition. There's I Want

0:32:38.640 --> 0:32:42.080
<v Speaker 1>What I Want from the early seventies. There's Cambiota Sexo,

0:32:42.120 --> 0:32:45.560
<v Speaker 1>which is a Spanish movie from the late seventies. There's

0:32:45.600 --> 0:32:49.560
<v Speaker 1>a TV movie called Second Serve, which is about Une Richards.

0:32:50.000 --> 0:32:50.560
<v Speaker 1>Second Serve.

0:32:50.640 --> 0:32:54.440
<v Speaker 3>Yeah, Oh I love Second Yes Serve. It's about the

0:32:54.440 --> 0:32:56.160
<v Speaker 3>tennis player, tennis player.

0:32:56.160 --> 0:32:59.640
<v Speaker 1>Yeah, tennis player Renee Richards played Vanessa Redgrave. So like

0:32:59.800 --> 0:33:02.280
<v Speaker 1>I'm going back to like the idea that like trans

0:33:02.280 --> 0:33:03.640
<v Speaker 1>people were this new thing. It's like, no, this was

0:33:03.640 --> 0:33:06.000
<v Speaker 1>a TV movie from the late seventies, Like millions of

0:33:06.000 --> 0:33:07.720
<v Speaker 1>people saw this. It was a normal thing.

0:33:08.240 --> 0:33:11.400
<v Speaker 2>But then it's almost like it becomes both sensationalized by

0:33:11.440 --> 0:33:13.840
<v Speaker 2>like current modern day media, and then it also becomes

0:33:13.920 --> 0:33:19.280
<v Speaker 2>commodified in the sense of like, here's this trans character

0:33:19.320 --> 0:33:21.480
<v Speaker 2>that we're selling you as like a product for you

0:33:21.520 --> 0:33:24.480
<v Speaker 2>to buy. I feel like a lot of Disney and

0:33:24.880 --> 0:33:28.000
<v Speaker 2>like Marvel and shit like that, Like those nods often

0:33:28.120 --> 0:33:30.440
<v Speaker 2>ring hollow because it's like, Okay, you just want me

0:33:30.480 --> 0:33:32.120
<v Speaker 2>to go see this fucking movie, so you put a

0:33:32.120 --> 0:33:33.120
<v Speaker 2>trans character in it.

0:33:33.440 --> 0:33:33.640
<v Speaker 3>Yeah.

0:33:33.840 --> 0:33:35.239
<v Speaker 1>I think that's the thing for me is I want

0:33:35.280 --> 0:33:37.600
<v Speaker 1>there to be substance for the characters. I want them

0:33:37.920 --> 0:33:39.520
<v Speaker 1>to have something to do and not just kind of

0:33:39.680 --> 0:33:40.120
<v Speaker 1>be there.

0:33:40.760 --> 0:33:43.480
<v Speaker 3>I mean, I know people that went and saw the

0:33:43.480 --> 0:33:46.000
<v Speaker 3>New Hunger Games because Hunter Schaeffer wasn't and they'd never

0:33:46.000 --> 0:33:49.800
<v Speaker 3>seen The Hunger Games before, and I I get it.

0:33:51.080 --> 0:33:54.280
<v Speaker 3>I probably would watch it too. Yeah, but I don't know.

0:33:54.320 --> 0:33:57.120
<v Speaker 3>I guess like I'm not really entirely immune to that either.

0:33:57.560 --> 0:33:59.720
<v Speaker 3>I feel like we're also kind of like dancing around

0:33:59.720 --> 0:34:04.080
<v Speaker 3>the whole like evil trans woman archetype, which is something

0:34:04.120 --> 0:34:06.880
<v Speaker 3>that's kind of like horseshoed back to me to being

0:34:07.400 --> 0:34:08.040
<v Speaker 3>really fun.

0:34:10.719 --> 0:34:10.919
<v Speaker 4>Well.

0:34:10.960 --> 0:34:13.800
<v Speaker 1>I mean, that is a series that I've been trying

0:34:13.840 --> 0:34:16.520
<v Speaker 1>to that I've been kind of working through mentally over

0:34:16.560 --> 0:34:18.319
<v Speaker 1>the past couple of months that I want to find

0:34:18.320 --> 0:34:22.520
<v Speaker 1>a venue to do sometime this year. Call it trans Panic,

0:34:22.680 --> 0:34:26.480
<v Speaker 1>and it's five, six, seven, eight. Trans horror movies from

0:34:26.520 --> 0:34:30.640
<v Speaker 1>the seventies, eighties, nineties, Dressed to Kill, Dressed to Kill,

0:34:30.680 --> 0:34:33.560
<v Speaker 1>sleep Away Camp, Homicidal from the sixties, which I love.

0:34:35.080 --> 0:34:38.360
<v Speaker 1>Look this up Fatal Games, which is about trans people

0:34:38.360 --> 0:34:40.760
<v Speaker 1>in sports from the eighties at the slasher movie.

0:34:41.120 --> 0:34:45.240
<v Speaker 3>Oh my god, I think of anything more horrifying. Wow.

0:34:45.880 --> 0:34:47.239
<v Speaker 3>And of course Dressed to Kill is like the most

0:34:47.239 --> 0:34:50.880
<v Speaker 3>famous one. Of course, that's the well Psycho or Sounds

0:34:50.880 --> 0:34:54.399
<v Speaker 3>of the Lambs probably, well, yeah, Psycho too. You talked

0:34:54.400 --> 0:34:55.839
<v Speaker 3>about Sounds of the Lambs a long time.

0:34:56.520 --> 0:34:58.360
<v Speaker 1>Well, the funny the funny thing about Sounds of the

0:34:58.400 --> 0:35:01.400
<v Speaker 1>Lambs and Dressed to Kill both of them is that

0:35:01.440 --> 0:35:04.279
<v Speaker 1>both of them were controversial in their first release. But

0:35:04.520 --> 0:35:07.840
<v Speaker 1>the controversy wasn't about the killer trans women in them.

0:35:07.960 --> 0:35:11.799
<v Speaker 1>The controversy was these movies are endorsing violence against women

0:35:13.640 --> 0:35:17.080
<v Speaker 1>because because the killer trans woman in Dressed to Kill

0:35:17.160 --> 0:35:22.080
<v Speaker 1>kills Angie Dickinson. Right, Yeah, that means this is a

0:35:22.120 --> 0:35:26.080
<v Speaker 1>movie that is like eroticizing violence against women. Our sanso

0:35:26.200 --> 0:35:27.840
<v Speaker 1>Lamb is like, this is a serial killer who is

0:35:27.840 --> 0:35:32.719
<v Speaker 1>targeting women, and it is supporting violence against women. It's not,

0:35:32.920 --> 0:35:35.040
<v Speaker 1>you know, it's not this is bad representation, this is

0:35:35.239 --> 0:35:37.640
<v Speaker 1>you know, going to be hurting people. It's no, this

0:35:37.680 --> 0:35:38.680
<v Speaker 1>is violence against women.

0:35:39.719 --> 0:35:44.080
<v Speaker 3>That's interesting to me for two reasons because one, like

0:35:45.239 --> 0:35:49.440
<v Speaker 3>I mean, isn't like horror as a genre like killing

0:35:49.480 --> 0:35:53.440
<v Speaker 3>women is. It's bread and butter, right, we love our

0:35:53.480 --> 0:35:57.600
<v Speaker 3>screen queens. And Two, like I've always I've always thought

0:35:57.640 --> 0:36:03.319
<v Speaker 3>about this with the movie Cruising, like it was controversial

0:36:03.360 --> 0:36:06.120
<v Speaker 3>at the time because like I mean, correct me if

0:36:06.120 --> 0:36:09.000
<v Speaker 3>I'm wrong, but like it was controversial because right wing

0:36:09.040 --> 0:36:11.640
<v Speaker 3>people like just didn't want a gay movie, and then

0:36:11.800 --> 0:36:15.919
<v Speaker 3>like gay people were like, this is a horrible representation

0:36:16.280 --> 0:36:20.719
<v Speaker 3>of our culture. And I don't know, I just feel like,

0:36:21.160 --> 0:36:23.320
<v Speaker 3>at least with like Cruising, like that one's really interesting

0:36:23.320 --> 0:36:24.880
<v Speaker 3>to me because I don't know, I don't feel like

0:36:24.880 --> 0:36:27.600
<v Speaker 3>a movie like that would be I don't know, I

0:36:27.640 --> 0:36:30.160
<v Speaker 3>don't think that would be so controversial now, like from

0:36:30.320 --> 0:36:32.200
<v Speaker 3>like anyone. Really it might be.

0:36:32.120 --> 0:36:34.279
<v Speaker 2>Though, because there's a lot of the gin I hit

0:36:34.320 --> 0:36:36.960
<v Speaker 2>to be gen z I hate to calms, you know

0:36:37.000 --> 0:36:41.280
<v Speaker 2>how they're all against people cruising and having sex in public.

0:36:43.040 --> 0:36:47.120
<v Speaker 3>That's why it would be against cruising.

0:36:48.840 --> 0:36:54.759
<v Speaker 1>That's two things. One, I'm still waiting for someone to

0:36:54.760 --> 0:36:57.920
<v Speaker 1>make the transversion of cruising where Alpacino has to get

0:36:57.920 --> 0:37:05.239
<v Speaker 1>on hormones. There's a killer trans woman who was on

0:37:05.320 --> 0:37:09.799
<v Speaker 1>the street to New York targeting cisman. He likes to

0:37:09.800 --> 0:37:13.720
<v Speaker 1>get on hormones and go undercover, join in with the dolls.

0:37:14.040 --> 0:37:16.240
<v Speaker 1>Winds up in a teaper tea couple with the killer.

0:37:17.960 --> 0:37:21.200
<v Speaker 3>Before the sergeant can even like finish describing the case,

0:37:21.200 --> 0:37:22.839
<v Speaker 3>he's like, I'll get my dress.

0:37:22.880 --> 0:37:27.960
<v Speaker 2>I've got him the closet already. Maybe maybe start with

0:37:28.000 --> 0:37:31.080
<v Speaker 2>some surveillance or summer. He's like already putting on makeup.

0:37:31.160 --> 0:37:31.480
<v Speaker 4>Like what.

0:37:33.160 --> 0:37:38.240
<v Speaker 2>I'm talking. He's like looking up like voice training videos,

0:37:38.680 --> 0:37:40.680
<v Speaker 2>heat from fire, fire from heats.

0:37:41.000 --> 0:37:41.399
<v Speaker 3>It's like.

0:37:42.920 --> 0:37:43.600
<v Speaker 1>To use.

0:37:45.080 --> 0:37:47.000
<v Speaker 3>Like we caught the killer weeks ago.

0:37:47.200 --> 0:37:51.640
<v Speaker 1>It's like, I will give that movie to someone to make.

0:37:51.719 --> 0:37:54.800
<v Speaker 1>Please make that movie. I think that movie would be incredible.

0:37:55.120 --> 0:37:58.200
<v Speaker 3>Yeah, that movie sounds fucking awesome. I would love that.

0:37:59.719 --> 0:38:02.800
<v Speaker 1>But yeah, this is something that I was researching pretty heavily.

0:38:02.880 --> 0:38:05.000
<v Speaker 1>Last year. I did this series at the Almo in

0:38:05.040 --> 0:38:09.600
<v Speaker 1>Austin called Village of the Damned. The album a draft

0:38:09.600 --> 0:38:11.879
<v Speaker 1>house and it was called it's Village of the Damned.

0:38:11.920 --> 0:38:14.080
<v Speaker 1>And it's to bring all this full circle. It's the

0:38:14.160 --> 0:38:18.080
<v Speaker 1>four New York queer movies from nineteen eighty. There's Can't

0:38:18.080 --> 0:38:20.480
<v Speaker 1>Stop the Music, which is a village people movie. Yeah,

0:38:20.520 --> 0:38:23.280
<v Speaker 1>there's Dressed to Kill, which is a killer trans woman movie.

0:38:24.120 --> 0:38:27.920
<v Speaker 1>There's Cruising, which is the killer gay movie. And there's Windows,

0:38:28.400 --> 0:38:31.680
<v Speaker 1>which is a movie about this insane lesbian who has

0:38:31.719 --> 0:38:34.640
<v Speaker 1>her best friend raped so that she try to get

0:38:35.000 --> 0:38:36.480
<v Speaker 1>her best friend of fall in love with her.

0:38:36.960 --> 0:38:43.360
<v Speaker 2>Oh my forever. Yeah.

0:38:43.400 --> 0:38:45.160
<v Speaker 1>So the same year you have a killer gay movie,

0:38:45.160 --> 0:38:48.720
<v Speaker 1>a killer lesbian movie, killer trans movie, and the greatest

0:38:48.800 --> 0:38:52.239
<v Speaker 1>queer horror film of them all, the Village People straight Wow.

0:38:53.040 --> 0:38:55.480
<v Speaker 1>And it's interesting that, like all those movies were controversial

0:38:55.520 --> 0:38:58.200
<v Speaker 1>in different ways. Gay people hated Can't Stop the Music

0:38:58.239 --> 0:39:01.040
<v Speaker 1>because they thought it was trying to straight.

0:39:00.880 --> 0:39:04.360
<v Speaker 3>Wash the Village People, which it was. It was absolutely.

0:39:05.000 --> 0:39:08.760
<v Speaker 1>Uh. Lesbian hated Windows because it was a movie about

0:39:08.760 --> 0:39:12.239
<v Speaker 1>insane lesbian who is, you know, paying someone to rape

0:39:12.239 --> 0:39:14.640
<v Speaker 1>her friend so that she can get her in her arms.

0:39:15.560 --> 0:39:18.560
<v Speaker 1>Gay people hated Cruising for a couple of different reasons.

0:39:18.640 --> 0:39:21.239
<v Speaker 1>Like I think a lot of younger people look back

0:39:21.280 --> 0:39:23.040
<v Speaker 1>at the protests for Cruising and they're like, oh, they're

0:39:23.080 --> 0:39:25.680
<v Speaker 1>so wrong, their sex negative or whatever it was. It

0:39:25.719 --> 0:39:27.120
<v Speaker 1>was a couple of things. There were there were gay

0:39:27.120 --> 0:39:31.399
<v Speaker 1>serial killers targeting gay men in New York at the time.

0:39:31.880 --> 0:39:33.680
<v Speaker 3>The Highway right, Like.

0:39:33.640 --> 0:39:36.160
<v Speaker 1>There's the freeway Killers. There's a Doodler in San Francisco.

0:39:36.160 --> 0:39:37.800
<v Speaker 1>There's a couple of different gay serial killers.

0:39:38.040 --> 0:39:39.239
<v Speaker 3>I'm sorry, and the Doodler.

0:39:39.960 --> 0:39:41.840
<v Speaker 1>The Doodler. This guy is called the Doodler because in

0:39:41.880 --> 0:39:44.360
<v Speaker 1>San Francisco he would be hanging out at gay bars

0:39:44.360 --> 0:39:46.520
<v Speaker 1>and he would offer to like draw a portrait, like

0:39:46.640 --> 0:39:48.840
<v Speaker 1>let me let me draw you. I think you're handsome looking,

0:39:49.239 --> 0:39:51.600
<v Speaker 1>let me draw you. Here's the sketch. Now let's go

0:39:51.680 --> 0:39:52.800
<v Speaker 1>over to the beach or whatever.

0:39:53.000 --> 0:39:55.480
<v Speaker 3>And then I mean it's just most serial killers get

0:39:55.520 --> 0:39:58.440
<v Speaker 3>a name, like the Ripper, the.

0:39:58.400 --> 0:40:08.480
<v Speaker 2>Freeway Killer, the Doodler, sights than like the dude. Yeah,

0:40:08.920 --> 0:40:11.400
<v Speaker 2>that's all of these came out in nineteen eighty.

0:40:11.600 --> 0:40:13.520
<v Speaker 1>They all came out in nineteen eighty, which is insane.

0:40:14.560 --> 0:40:15.719
<v Speaker 3>That's interesting.

0:40:16.360 --> 0:40:19.480
<v Speaker 1>But I think to an extent, the gay community had

0:40:19.520 --> 0:40:23.320
<v Speaker 1>a point with the cruising stuff because this was coming

0:40:23.400 --> 0:40:26.080
<v Speaker 1>right after Anita Bryant, this was coming right after the

0:40:26.160 --> 0:40:30.840
<v Speaker 1>murder of Harvey Milk. Gay people were increasingly becoming the

0:40:30.880 --> 0:40:34.200
<v Speaker 1>targets of gay bashing, and to have this movie which

0:40:34.239 --> 0:40:38.040
<v Speaker 1>they thought would portray them in a bad light. And

0:40:38.239 --> 0:40:41.120
<v Speaker 1>I should say I've seen like an early draft of

0:40:41.120 --> 0:40:43.960
<v Speaker 1>the screenplay for Cruising, and it's so much worse. Like, really,

0:40:44.320 --> 0:40:46.759
<v Speaker 1>the protests made it a better movie because they had

0:40:46.760 --> 0:40:48.839
<v Speaker 1>to go back and rewrite some of this stuff, and

0:40:48.880 --> 0:40:50.320
<v Speaker 1>it made it a much better movie.

0:40:50.840 --> 0:40:53.239
<v Speaker 3>I've seen Cruising a lot. They actually played it at

0:40:53.280 --> 0:40:55.840
<v Speaker 3>Plaza like a few years ago, and I like dressed

0:40:55.920 --> 0:40:58.640
<v Speaker 3>up in like leather year like to go watch it.

0:40:58.840 --> 0:41:01.560
<v Speaker 3>And I remember they like did like a thing at

0:41:01.600 --> 0:41:04.040
<v Speaker 3>the beginning, and the girl was like, who here has

0:41:04.080 --> 0:41:06.359
<v Speaker 3>seen this movie before? I was like the only one

0:41:06.360 --> 0:41:10.400
<v Speaker 3>that raised my hand like in like a leather like suit.

0:41:10.840 --> 0:41:15.239
<v Speaker 3>I'm like, oh, this was a bit unnecessary. I'm kind

0:41:15.239 --> 0:41:18.040
<v Speaker 3>of unnecessarily sticking out here, but everyone else is in

0:41:18.040 --> 0:41:18.840
<v Speaker 3>there at leisure.

0:41:19.239 --> 0:41:19.359
<v Speaker 2>Like.

0:41:20.080 --> 0:41:20.920
<v Speaker 3>Yeah.

0:41:21.040 --> 0:41:23.120
<v Speaker 1>I showed it a few years ago in Austin and

0:41:24.320 --> 0:41:25.840
<v Speaker 1>it was the only time I've ever seen someone in

0:41:25.880 --> 0:41:27.600
<v Speaker 1>a leather jock strap at a movie theater.

0:41:28.040 --> 0:41:32.600
<v Speaker 2>Oh yow, yes, we would get along, hold on the

0:41:32.680 --> 0:41:33.560
<v Speaker 2>fucking seat.

0:41:33.920 --> 0:41:40.360
<v Speaker 3>Just yeah. More thinking about Cruising real quick, like every

0:41:40.360 --> 0:41:44.200
<v Speaker 3>time I've watched that movie, Like, I mean, I didn't

0:41:44.239 --> 0:41:46.520
<v Speaker 3>know that about like the like rewrites and stuff, because

0:41:46.560 --> 0:41:49.239
<v Speaker 3>like it always strikes me that that's like one of

0:41:49.280 --> 0:41:52.759
<v Speaker 3>the most anti cop movies like I've ever seen like.

0:41:52.719 --> 0:41:54.279
<v Speaker 1>It people didn't care at the time.

0:41:54.400 --> 0:41:58.360
<v Speaker 3>Yeah, yeah, like it is a seriously like uh, I

0:41:58.400 --> 0:42:00.920
<v Speaker 3>don't know, it's such an indictment of the police force

0:42:01.000 --> 0:42:04.880
<v Speaker 3>and like the way that they will like use like

0:42:05.239 --> 0:42:08.080
<v Speaker 3>minorities and just like step on them and I don't know,

0:42:08.120 --> 0:42:12.440
<v Speaker 3>I just I I find that interesting because like I

0:42:12.480 --> 0:42:14.480
<v Speaker 3>didn't know that about like the rewrites and stuff, but

0:42:14.520 --> 0:42:16.279
<v Speaker 3>like it always like struck out to me, like how

0:42:16.280 --> 0:42:19.000
<v Speaker 3>are people like protesting this? This is so just like

0:42:19.520 --> 0:42:21.360
<v Speaker 3>I don't know, this is like my thoughts on the

0:42:21.360 --> 0:42:24.120
<v Speaker 3>police force, like horrible, Like yeah, I don't know.

0:42:24.440 --> 0:42:26.400
<v Speaker 1>If you want to see the bad version of Cruising,

0:42:26.880 --> 0:42:28.840
<v Speaker 1>it's this movie I showed a few weeks ago in

0:42:28.920 --> 0:42:32.600
<v Speaker 1>New York called Partners from nineteen eighty two, and it's

0:42:32.640 --> 0:42:35.880
<v Speaker 1>the creators of Lakaje All Fall, which was remade in

0:42:35.920 --> 0:42:37.880
<v Speaker 1>the US. It's the bird Cage. It's the creators of

0:42:37.920 --> 0:42:41.800
<v Speaker 1>that saying what if? What if Cruising was a comedy?

0:42:43.040 --> 0:42:46.600
<v Speaker 1>It's about this. It's about this like macho straight cop

0:42:46.600 --> 0:42:50.520
<v Speaker 1>who has to be with night Rhin O'Neil as the

0:42:50.640 --> 0:42:53.239
<v Speaker 1>like macho straight cop who's partnered with John Hurt, who

0:42:53.280 --> 0:42:57.160
<v Speaker 1>is like this mousey, asexual gay cop and as a couple,

0:42:58.120 --> 0:42:58.680
<v Speaker 1>and it's.

0:42:59.239 --> 0:43:02.440
<v Speaker 3>It's it's it's a rush hour, but with a straight

0:43:02.480 --> 0:43:04.920
<v Speaker 3>guy and a gay guy. I love that.

0:43:05.000 --> 0:43:06.759
<v Speaker 2>I think I might have seen I feel like I've

0:43:06.800 --> 0:43:08.680
<v Speaker 2>seen clips from this or something.

0:43:09.360 --> 0:43:11.960
<v Speaker 1>I would recommend anyone listening to this watched the trailer

0:43:12.000 --> 0:43:14.600
<v Speaker 1>because I think the trailer is like a perfect, like

0:43:14.680 --> 0:43:17.080
<v Speaker 1>horrible piece of art because it's like three minutes long.

0:43:17.480 --> 0:43:20.040
<v Speaker 1>It's three minutes long. It opens with a card saying

0:43:20.040 --> 0:43:22.040
<v Speaker 1>this trailer has been a proof for all audiences, and

0:43:22.040 --> 0:43:24.600
<v Speaker 1>then within thirty seconds, Ryan O'Neill is calling someone a faggot.

0:43:25.680 --> 0:43:32.080
<v Speaker 3>Yeah. Ryan O'Neill is very hot too.

0:43:32.640 --> 0:43:35.400
<v Speaker 1>He just looks uncomfortable and miserable the entire movie, And

0:43:35.719 --> 0:43:37.520
<v Speaker 1>that's why we showed it a few weeks ago. It

0:43:37.600 --> 0:43:41.120
<v Speaker 1>was like my edge, lordy, like Ryan O'Neill memorial screening

0:43:41.400 --> 0:43:43.640
<v Speaker 1>to mourn his death.

0:43:44.120 --> 0:43:48.160
<v Speaker 3>He died recently. I didn't even know that. Oh I

0:43:48.719 --> 0:43:51.640
<v Speaker 3>love Paperman. That's like, yeah, amazing movie.

0:43:52.600 --> 0:43:56.560
<v Speaker 1>He was a great actor, a beautiful man, a terrible person. Okay,

0:43:57.080 --> 0:43:59.840
<v Speaker 1>so that's why we celebrated with partners. Yeah, more or

0:43:59.840 --> 0:44:00.960
<v Speaker 1>more and him with partners.

0:44:01.360 --> 0:44:05.600
<v Speaker 3>M huh, something you'd probably rather erase from his CEO.

0:44:14.080 --> 0:44:15.960
<v Speaker 2>Well, something I was going to ask you too, was

0:44:16.080 --> 0:44:17.600
<v Speaker 2>I mean, well, just I guess you were kind of

0:44:17.960 --> 0:44:20.080
<v Speaker 2>well we've moved past it already, but I was just

0:44:20.080 --> 0:44:21.800
<v Speaker 2>going to talk about how, like the whole gay liberation

0:44:21.960 --> 0:44:26.240
<v Speaker 2>movement pretty much depended on, or at the time, depended

0:44:26.320 --> 0:44:29.600
<v Speaker 2>on like gay people appearing as like normal and like

0:44:29.920 --> 0:44:34.440
<v Speaker 2>cis hetero normative as possible. So yeah, I can totally

0:44:34.480 --> 0:44:37.280
<v Speaker 2>see why people were like up in arms about cruising

0:44:37.440 --> 0:44:39.759
<v Speaker 2>and like you said, I need a Bryant. That's why

0:44:39.800 --> 0:44:43.120
<v Speaker 2>cruising is cool. Yeah, Like I don't know, it's like

0:44:43.239 --> 0:44:47.040
<v Speaker 2>it's like edgy. Like now I'm confused though, how did

0:44:47.040 --> 0:44:47.960
<v Speaker 2>it get an edit?

0:44:49.200 --> 0:44:49.600
<v Speaker 3>Before?

0:44:49.920 --> 0:44:52.640
<v Speaker 2>So people were aware of this film being made and

0:44:53.000 --> 0:44:57.439
<v Speaker 2>they demanded like so this is like pre social media.

0:44:57.480 --> 0:44:59.959
<v Speaker 2>That's where I'm thinking, like movies like Sonic and Shit

0:45:00.080 --> 0:45:03.200
<v Speaker 2>Today can get remade. I'm interested to know more about

0:45:03.200 --> 0:45:05.120
<v Speaker 2>that story, Like what do you know about that?

0:45:06.040 --> 0:45:08.239
<v Speaker 1>Yeah, there is a man named Arthur Bell who was

0:45:08.320 --> 0:45:11.759
<v Speaker 1>a journalist at the Village Voice, and he was the

0:45:11.800 --> 0:45:14.160
<v Speaker 1>one who was basically leading the protests for this and

0:45:14.200 --> 0:45:17.400
<v Speaker 1>someone leaked him an early draft of the script, and

0:45:17.440 --> 0:45:19.839
<v Speaker 1>he read it and like went to the Village Voice,

0:45:19.840 --> 0:45:22.960
<v Speaker 1>into the Advocate and all these other publications and like

0:45:23.000 --> 0:45:25.759
<v Speaker 1>wrote these pieces saying like, I have read this early

0:45:25.840 --> 0:45:27.160
<v Speaker 1>draft of the script, this is going to be the

0:45:27.400 --> 0:45:28.879
<v Speaker 1>most homophobic movie ever made.

0:45:29.520 --> 0:45:29.840
<v Speaker 3>Wow.

0:45:30.280 --> 0:45:32.040
<v Speaker 1>And he had a point.

0:45:32.160 --> 0:45:35.640
<v Speaker 3>Yeah, I mean the most homophobic movie ever made. I

0:45:35.640 --> 0:45:38.399
<v Speaker 3>feel like that's going to be a hard feat to accomplish. Yeah,

0:45:38.440 --> 0:45:40.680
<v Speaker 3>that's a big shoot a film.

0:45:40.920 --> 0:45:42.520
<v Speaker 1>I will I will say, Carmen, going off with what

0:45:42.560 --> 0:45:45.040
<v Speaker 1>you're saying. Something I love about gay liberation stuff from

0:45:45.040 --> 0:45:46.959
<v Speaker 1>the seventies is that they were so desperate to show

0:45:46.960 --> 0:45:49.560
<v Speaker 1>that being gay was like a natural, normal thing that

0:45:49.680 --> 0:45:52.040
<v Speaker 1>if you watch a lot of gay documentaries from the seventies,

0:45:52.080 --> 0:45:54.400
<v Speaker 1>they will interview people like out in nature to be like, no,

0:45:54.520 --> 0:45:57.640
<v Speaker 1>this is this is natural. This person is like sitting

0:45:57.719 --> 0:46:00.160
<v Speaker 1>by a lake, they're in a park like this, this

0:46:00.239 --> 0:46:01.480
<v Speaker 1>is normal and natural.

0:46:01.880 --> 0:46:05.200
<v Speaker 2>And that trickled down to plant in Today. We have

0:46:05.320 --> 0:46:09.160
<v Speaker 2>plant gays and fucking hiking gays and it's okay, you

0:46:09.200 --> 0:46:12.319
<v Speaker 2>can just be in the house gay, okay. Ari I

0:46:12.480 --> 0:46:16.479
<v Speaker 2>co op Yeah, the ARII co op gaze. You know, Wow,

0:46:16.520 --> 0:46:18.120
<v Speaker 2>that is funny. And that's like a little bit of

0:46:18.120 --> 0:46:22.040
<v Speaker 2>like subliminal messaging in a production there for you.

0:46:23.239 --> 0:46:26.200
<v Speaker 1>Yeah, there's this really great documentary from nineteen seventy seven

0:46:26.200 --> 0:46:28.600
<v Speaker 1>called Word is Out, and the whole the whole thing

0:46:28.600 --> 0:46:30.799
<v Speaker 1>with that movie is that they interviewed twenty six gay

0:46:30.840 --> 0:46:34.080
<v Speaker 1>men and lesbians and it's just bysically them talking for

0:46:34.239 --> 0:46:36.640
<v Speaker 1>two and a half hours telling you their stories. And

0:46:37.360 --> 0:46:39.239
<v Speaker 1>in the woods there's there is one person who's like

0:46:39.239 --> 0:46:41.600
<v Speaker 1>interviewed by a lake. There's someone else who's like in

0:46:41.640 --> 0:46:43.560
<v Speaker 1>a park. There's all these people and like some of

0:46:43.640 --> 0:46:45.319
<v Speaker 1>them are indoors and some of them are outdoors, and

0:46:45.320 --> 0:46:47.000
<v Speaker 1>they're trying to show that like this is a natural,

0:46:47.040 --> 0:46:47.600
<v Speaker 1>normal thing.

0:46:48.160 --> 0:46:48.879
<v Speaker 3>That's so cool.

0:46:49.000 --> 0:46:50.840
<v Speaker 2>That's you know how they should say, you know how

0:46:50.880 --> 0:46:52.719
<v Speaker 2>they should interview us. I should put us in like

0:46:52.760 --> 0:46:57.239
<v Speaker 2>a test tube and like a lab and like I

0:46:57.400 --> 0:47:00.359
<v Speaker 2>like have like twenty six trans women and has been

0:47:00.400 --> 0:47:03.480
<v Speaker 2>interviewed and like the most like clinical looking we could

0:47:03.520 --> 0:47:05.280
<v Speaker 2>be like we're not natural, we're.

0:47:05.160 --> 0:47:08.920
<v Speaker 3>Free, yeah, or or they make it like look like

0:47:09.000 --> 0:47:11.400
<v Speaker 3>it's just like a normal like house or something, and

0:47:11.440 --> 0:47:13.799
<v Speaker 3>then at the end it like pulls out and you

0:47:13.880 --> 0:47:18.839
<v Speaker 3>see like we're in like this like an invader type

0:47:18.880 --> 0:47:21.400
<v Speaker 3>of thing. It pulls behind you can see like and

0:47:21.560 --> 0:47:24.439
<v Speaker 3>the transsexuals were safely behind this one way mirror being

0:47:24.440 --> 0:47:28.600
<v Speaker 3>interviewed through the power of technology. None of the straight

0:47:28.640 --> 0:47:31.080
<v Speaker 3>people had to be around them. I mean the.

0:47:31.120 --> 0:47:33.120
<v Speaker 1>Version of that is like when you see like trans

0:47:33.120 --> 0:47:35.360
<v Speaker 1>girls on Twitter whose rooms are just like fucking filthy.

0:47:35.520 --> 0:47:40.160
<v Speaker 1>I'm just imagined. Yeah. The positive representation is to have

0:47:40.160 --> 0:47:41.239
<v Speaker 1>like a nice clean room.

0:47:42.120 --> 0:47:47.200
<v Speaker 3>Absolutely. Yeah. I mean my room's not looking too good.

0:47:47.280 --> 0:47:47.400
<v Speaker 2>Right.

0:47:48.640 --> 0:47:52.000
<v Speaker 3>You didn't turn on the sign either, I didn't. I fuck,

0:47:52.080 --> 0:47:55.239
<v Speaker 3>You're right for the listeners, I normally do have a

0:47:55.600 --> 0:47:58.680
<v Speaker 3>little neon bar sign behind me, and that's how she

0:47:58.880 --> 0:48:02.640
<v Speaker 3>signifies that she is on air. Yeah, that's that's how

0:48:02.680 --> 0:48:04.640
<v Speaker 3>my that's how you know my brain isn't working to

0:48:04.719 --> 0:48:07.759
<v Speaker 3>that she's not locked in the bar sign is not

0:48:07.880 --> 0:48:12.240
<v Speaker 3>turned on. Liz, have you seen the movie What Gender

0:48:12.360 --> 0:48:15.200
<v Speaker 3>Am I? From like nineteen eighty or something like that.

0:48:15.440 --> 0:48:15.960
<v Speaker 3>This sounds good.

0:48:15.960 --> 0:48:18.440
<v Speaker 1>It's like the documentary Sea.

0:48:18.920 --> 0:48:22.400
<v Speaker 3>Yeah, Oh yes, What Sex Am I? Yeah? I remember

0:48:22.400 --> 0:48:25.359
<v Speaker 3>I watched that on Criterion Channel a long time ago,

0:48:25.440 --> 0:48:28.359
<v Speaker 3>and I thought it was pretty good. But like there's

0:48:28.440 --> 0:48:31.800
<v Speaker 3>one story in that that has like always like stuck

0:48:31.840 --> 0:48:35.520
<v Speaker 3>out to me where this one they're like talking to

0:48:35.600 --> 0:48:37.960
<v Speaker 3>this one guy, and he's like telling a story about

0:48:37.960 --> 0:48:42.680
<v Speaker 3>how like uh yeah, like my my whole life, I

0:48:42.719 --> 0:48:45.080
<v Speaker 3>was like cross dressing and I thought I was like

0:48:45.160 --> 0:48:47.840
<v Speaker 3>trans and blah blah blah, and then I went to

0:48:47.920 --> 0:48:50.479
<v Speaker 3>like he describes like all these like hurdles he went

0:48:50.520 --> 0:48:55.600
<v Speaker 3>through to get like signed up for like sexual reassignment surgery,

0:48:56.000 --> 0:48:59.560
<v Speaker 3>and he says like and then all of a sudden,

0:48:59.680 --> 0:49:02.040
<v Speaker 3>when they about to put me under, I was like, no,

0:49:02.520 --> 0:49:06.000
<v Speaker 3>this isn't right. I'm a man, you can't do this

0:49:06.040 --> 0:49:06.279
<v Speaker 3>to me.

0:49:06.920 --> 0:49:09.080
<v Speaker 2>And then it was too late, and I felt the

0:49:09.120 --> 0:49:11.480
<v Speaker 2>gas and I woke up and I didn't have a

0:49:11.480 --> 0:49:13.719
<v Speaker 2>penis anymore, and now I just have to live like this.

0:49:13.920 --> 0:49:19.439
<v Speaker 3>I was like, what the fuck, Like, I mean, it's

0:49:19.480 --> 0:49:22.120
<v Speaker 3>like it's hard for me to like have sympathy because

0:49:23.239 --> 0:49:26.560
<v Speaker 3>you went through a lot to get to this point,

0:49:26.680 --> 0:49:29.319
<v Speaker 3>Like at any point you could have stopped, like, at

0:49:29.360 --> 0:49:31.320
<v Speaker 3>any point you could have thought about this a little

0:49:31.360 --> 0:49:34.080
<v Speaker 3>bit more until you're going on anesthesia.

0:49:34.280 --> 0:49:38.640
<v Speaker 1>Yeah, he was the first turf detrans person.

0:49:38.719 --> 0:49:42.400
<v Speaker 3>Yeah. Yeah, he was in the New York Times. Yeah,

0:49:42.880 --> 0:49:45.240
<v Speaker 3>like the first one of those like like British women.

0:49:45.400 --> 0:49:48.480
<v Speaker 3>That's like, like it says like I was coerced my

0:49:48.520 --> 0:49:52.799
<v Speaker 3>whole life getting my breasts removed, Like what are you

0:49:52.960 --> 0:49:57.040
<v Speaker 3>talking about? Like, I don't know, like that that's just

0:49:57.440 --> 0:50:01.080
<v Speaker 3>I Also, I always like you can also kind of

0:50:01.200 --> 0:50:12.319
<v Speaker 3>understand the visceral horror, like waking up and being like, no, oh, yeah,

0:50:12.440 --> 0:50:15.600
<v Speaker 3>that movie's cool. Well I have news for your sex

0:50:15.680 --> 0:50:17.480
<v Speaker 3>change is actually scheduled for this evening.

0:50:21.760 --> 0:50:22.920
<v Speaker 1>Whether you like it or.

0:50:23.000 --> 0:50:26.279
<v Speaker 3>Not, okay, depend depending on the day of the week.

0:50:26.320 --> 0:50:27.120
<v Speaker 3>I'll probably be like.

0:50:27.680 --> 0:50:29.960
<v Speaker 1>All right, I mean that's all. Motivar is the skin

0:50:30.040 --> 0:50:30.480
<v Speaker 1>I live in.

0:50:31.400 --> 0:50:34.480
<v Speaker 3>Yeah, yeah, I know. Do you like that movie?

0:50:35.440 --> 0:50:36.920
<v Speaker 1>The first time I saw it, I was like very

0:50:36.920 --> 0:50:39.760
<v Speaker 1>really into transition, and I went to see the local

0:50:39.800 --> 0:50:42.640
<v Speaker 1>theater and someone was like laughing through the whole thing,

0:50:42.680 --> 0:50:44.799
<v Speaker 1>and it made me feel really uncomfortable. Yeah, And then

0:50:44.960 --> 0:50:46.320
<v Speaker 1>like a few months later I found out it was

0:50:46.320 --> 0:50:48.719
<v Speaker 1>a transcirl who was laughing, so like I was.

0:50:48.680 --> 0:50:52.040
<v Speaker 3>Like, okay, I I thought that movie was pretty funny

0:50:52.080 --> 0:50:56.040
<v Speaker 3>and kind of stupid. Honestly, Like I had a lot

0:50:56.120 --> 0:51:00.000
<v Speaker 3>of like straight friends recommend it to me just because

0:51:00.080 --> 0:51:04.840
<v Speaker 3>they know I like movies. Well, yeah, they're like this

0:51:04.960 --> 0:51:07.120
<v Speaker 3>you should watch. This is great. It's really really good.

0:51:07.239 --> 0:51:10.600
<v Speaker 3>And then I don't know, Like I remember they were saying,

0:51:10.600 --> 0:51:12.879
<v Speaker 3>like it's like a really fucked up movie. And then

0:51:13.360 --> 0:51:16.960
<v Speaker 3>when I realized it's basically like it's basically like a

0:51:17.000 --> 0:51:21.040
<v Speaker 3>mad scientist movie, but like his mad scientist scheme is

0:51:21.080 --> 0:51:26.640
<v Speaker 3>to uh force feminize someone. I'm like, that's really funny,

0:51:26.840 --> 0:51:29.080
<v Speaker 3>Like I can't really take that too seriously.

0:51:29.400 --> 0:51:32.960
<v Speaker 1>Can I recommend another movie? Yeah, a film from the

0:51:33.120 --> 0:51:36.239
<v Speaker 1>late sixties by the director of a Christmas Story, and

0:51:37.200 --> 0:51:40.240
<v Speaker 1>it's called Bob Clark, right, Bob Clark. It's called she Man,

0:51:40.360 --> 0:51:45.520
<v Speaker 1>A Story of Fixation, and it's a black and white

0:51:45.600 --> 0:51:48.800
<v Speaker 1>forced them basically like erotic softcore film.

0:51:49.000 --> 0:51:53.279
<v Speaker 3>Whoa, this looks hot? Yeah, it's from this Oh this

0:51:53.360 --> 0:51:56.680
<v Speaker 3>looks cool, dude, Bob Clark was a freak. What was

0:51:56.719 --> 0:52:00.480
<v Speaker 3>that guy's do? Yeah, he loved Christmas. He made like

0:52:00.520 --> 0:52:01.960
<v Speaker 3>five movies about Christmas.

0:52:02.239 --> 0:52:03.880
<v Speaker 1>He made genius movies.

0:52:04.440 --> 0:52:08.319
<v Speaker 3>He made baby geniuses. Yeah, Like Porky's is one of

0:52:08.440 --> 0:52:10.719
<v Speaker 3>like the worst movies I've ever seen. Like that that

0:52:11.040 --> 0:52:14.520
<v Speaker 3>is easily like a contender for like like when people

0:52:14.520 --> 0:52:16.160
<v Speaker 3>ask me, like, what's the worst movie I've ever seen?

0:52:16.160 --> 0:52:18.160
<v Speaker 3>That's always one that pops into my brain.

0:52:18.560 --> 0:52:21.400
<v Speaker 2>I wanted to ask you about. Well, this is just

0:52:21.440 --> 0:52:23.359
<v Speaker 2>a movie I personally love, but have you ever seen

0:52:24.920 --> 0:52:25.680
<v Speaker 2>Southern Comfort?

0:52:25.719 --> 0:52:25.919
<v Speaker 1>Wait?

0:52:26.120 --> 0:52:28.399
<v Speaker 3>What is it called? Yeah, Southern Comfort?

0:52:29.960 --> 0:52:31.359
<v Speaker 1>Yeah, not the water able movie.

0:52:31.360 --> 0:52:35.960
<v Speaker 3>The documentary, a documentary. It's a really great documentary. I

0:52:36.000 --> 0:52:36.319
<v Speaker 3>love it.

0:52:36.360 --> 0:52:38.160
<v Speaker 2>And that's one that I would love to see back

0:52:38.200 --> 0:52:40.240
<v Speaker 2>in circulation and the in the theater.

0:52:41.360 --> 0:52:44.520
<v Speaker 3>But that's neither here nor there. What is that? It's

0:52:44.520 --> 0:52:47.480
<v Speaker 3>a great about bottom surgery getting comfort and you're no,

0:52:47.560 --> 0:52:51.040
<v Speaker 3>it's a traumatizing, sad It's a very documentary.

0:52:53.480 --> 0:52:55.400
<v Speaker 1>It's about this trans man from the South who was

0:52:55.560 --> 0:52:57.000
<v Speaker 1>dying Georgia.

0:52:57.080 --> 0:52:59.480
<v Speaker 3>Actually, oh gosh, that's awful.

0:52:59.600 --> 0:53:02.839
<v Speaker 1>And no one would give him a hysterectomy to save

0:53:02.880 --> 0:53:04.799
<v Speaker 1>his life. Basically, no one would treat him.

0:53:04.960 --> 0:53:08.920
<v Speaker 2>Yeah, he's like he called over twenty something doctors in

0:53:08.960 --> 0:53:11.440
<v Speaker 2>the state. Every one of them turned down because they

0:53:11.480 --> 0:53:13.480
<v Speaker 2>didn't want to work. They don't either want a trans

0:53:13.520 --> 0:53:16.400
<v Speaker 2>man in their office or they didn't want to be

0:53:16.440 --> 0:53:19.960
<v Speaker 2>associated at all. It's like, cool, Well that is terrifying

0:53:19.960 --> 0:53:22.520
<v Speaker 2>and depressing. But I think that that kind of falls

0:53:22.520 --> 0:53:25.800
<v Speaker 2>into like I don't know what, like we're saying earlier

0:53:25.840 --> 0:53:28.840
<v Speaker 2>about how like some of these stories like are important

0:53:29.000 --> 0:53:33.600
<v Speaker 2>even if they're I don't know, like like it's on YouTube.

0:53:33.719 --> 0:53:37.000
<v Speaker 2>I don't like watching a lot of like trends like

0:53:37.040 --> 0:53:40.200
<v Speaker 2>trauma porn. But I guess I can like see like

0:53:40.560 --> 0:53:42.560
<v Speaker 2>it's actually really cute too, because they actually portray a

0:53:42.560 --> 0:53:45.480
<v Speaker 2>lot of tea for tea couples from the nineties, not

0:53:45.520 --> 0:53:47.960
<v Speaker 2>portray what am I talking about. They it's a documentary.

0:53:47.960 --> 0:53:50.120
<v Speaker 2>They show a lot of tea for tea couples from

0:53:50.160 --> 0:53:53.120
<v Speaker 2>the nineties and just like that happening here in Atlanta

0:53:53.160 --> 0:53:55.440
<v Speaker 2>at the time was really cool. There's a scene where

0:53:55.480 --> 0:53:58.320
<v Speaker 2>they go driving to the Southern Comfort conference in Buckhead

0:53:58.640 --> 0:54:02.840
<v Speaker 2>and they drive down onto a past like the fucking

0:54:03.960 --> 0:54:05.440
<v Speaker 2>Linux mall. That's kind of funny.

0:54:06.000 --> 0:54:06.480
<v Speaker 3>That's cool.

0:54:07.080 --> 0:54:10.799
<v Speaker 1>Yeah, So it's kind of It's an incredible film. It's

0:54:10.880 --> 0:54:14.960
<v Speaker 1>very sad, of course, but I think things are things

0:54:15.000 --> 0:54:17.160
<v Speaker 1>like that are okay because they just make you angry

0:54:17.200 --> 0:54:19.239
<v Speaker 1>and they want you to they want they make you

0:54:19.280 --> 0:54:23.320
<v Speaker 1>want things to change, and I think that's powerful. Another

0:54:23.360 --> 0:54:26.520
<v Speaker 1>thing I would recommend is a documentary called Transsexual Menace

0:54:26.760 --> 0:54:31.600
<v Speaker 1>by one of my favorite filmmakers.

0:54:28.800 --> 0:54:30.360
<v Speaker 3>About the group.

0:54:30.480 --> 0:54:34.480
<v Speaker 1>Right so it's technically about the group, but it's basically

0:54:34.560 --> 0:54:36.480
<v Speaker 1>using the group as like a jumping off point to

0:54:36.560 --> 0:54:40.400
<v Speaker 1>explore you know, transnis in America in the nineties basically,

0:54:41.040 --> 0:54:44.120
<v Speaker 1>and a couple of the people from Southern Comfort are

0:54:44.160 --> 0:54:47.759
<v Speaker 1>in Transsexual Menace. And there's there's a section at the

0:54:47.800 --> 0:54:50.240
<v Speaker 1>beginning of the film which is basically about the Southern

0:54:50.239 --> 0:54:51.160
<v Speaker 1>Comfort Conference.

0:54:52.320 --> 0:54:55.960
<v Speaker 3>Yeah, yeah, which was I mean, I've had this on

0:54:56.040 --> 0:54:58.840
<v Speaker 3>my watch was for like a long in the movie.

0:54:58.920 --> 0:55:05.000
<v Speaker 2>That's hilarious. What nineties fucking trans movie? Was RuPaul not

0:55:06.560 --> 0:55:07.239
<v Speaker 2>yeah for real?

0:55:07.400 --> 0:55:14.919
<v Speaker 3>Forcing her way into have you seen Dressed in Blue? Yeah?

0:55:15.000 --> 0:55:17.680
<v Speaker 3>Dressed in Blue is awesome? Went to it. Yeah, we

0:55:17.719 --> 0:55:19.760
<v Speaker 3>went to a showing of it. There was a wasp

0:55:19.800 --> 0:55:20.320
<v Speaker 3>in the theater.

0:55:20.480 --> 0:55:22.680
<v Speaker 2>Oh my god, it was I was so scared the

0:55:22.719 --> 0:55:27.960
<v Speaker 2>whole time. I was terrible. It was scarier than what

0:55:28.120 --> 0:55:28.880
<v Speaker 2>was on the screen.

0:55:29.120 --> 0:55:29.600
<v Speaker 3>My god.

0:55:30.800 --> 0:55:32.520
<v Speaker 2>Okay, I did have to look away during the breast

0:55:32.560 --> 0:55:35.200
<v Speaker 2>and plant scene because I was not Oh yeah.

0:55:35.040 --> 0:55:36.960
<v Speaker 3>They got in there. They got in there for real.

0:55:37.160 --> 0:55:40.279
<v Speaker 2>I was not ready for a full on surgery, like

0:55:40.440 --> 0:55:43.000
<v Speaker 2>just out just like a surgery shot.

0:55:43.360 --> 0:55:46.120
<v Speaker 3>There's also I've mentioned this this movie on the show

0:55:46.160 --> 0:55:48.440
<v Speaker 3>a lot because a lot of it's in Atlanta, but

0:55:48.880 --> 0:55:51.880
<v Speaker 3>Cocomo City is kind of a I don't know, it's

0:55:51.920 --> 0:55:55.319
<v Speaker 3>kind of an interesting kind of like sister movie to

0:55:55.320 --> 0:55:57.759
<v Speaker 3>to Dressed in Blue, because it's like they're both kind

0:55:57.760 --> 0:56:01.600
<v Speaker 3>of like trans hangout document memories, you know, like they're

0:56:01.800 --> 0:56:05.160
<v Speaker 3>very like and I think I like that a lot

0:56:05.280 --> 0:56:08.799
<v Speaker 3>more like I feel like it's less dramatic, like there's

0:56:08.920 --> 0:56:11.680
<v Speaker 3>less to kind of like hang on too, but it's

0:56:11.760 --> 0:56:14.360
<v Speaker 3>like really nice, just like I don't know, it's just

0:56:14.480 --> 0:56:17.239
<v Speaker 3>nice seeing girls talking like I don't know, it's it's

0:56:17.320 --> 0:56:21.280
<v Speaker 3>nice hearing about like normal kind of like everyday problems

0:56:21.320 --> 0:56:25.120
<v Speaker 3>and stuff, and I don't know, it's very I guess,

0:56:25.480 --> 0:56:27.239
<v Speaker 3>I mean, at least in terms of like Cocomo City,

0:56:27.280 --> 0:56:31.080
<v Speaker 3>it's very like I don't know, it becomes very dark

0:56:31.120 --> 0:56:35.319
<v Speaker 3>because like the movie itself is fairly light and you know,

0:56:35.360 --> 0:56:37.480
<v Speaker 3>it's fairly easy to watch, like kind of like a

0:56:38.120 --> 0:56:42.160
<v Speaker 3>hangout Eat documentary. But I mean in real life, one

0:56:42.160 --> 0:56:45.920
<v Speaker 3>of the actress was like murdered like in Atlanta, and

0:56:45.920 --> 0:56:49.480
<v Speaker 3>it's like flash god damn. Like just like I appreciate

0:56:49.520 --> 0:56:53.160
<v Speaker 3>that they they they didn't want to do so much

0:56:53.160 --> 0:56:56.160
<v Speaker 3>of the like trauma porn stuff, but like, I mean,

0:56:56.239 --> 0:56:58.879
<v Speaker 3>god damn it, it's incredibly real.

0:56:59.120 --> 0:57:01.759
<v Speaker 2>Like I think that's the best way to get the

0:57:01.840 --> 0:57:07.759
<v Speaker 2>trans representation I mean is through documentaries, right obviously, And

0:57:07.800 --> 0:57:12.120
<v Speaker 2>then I don't think people really watch that many documentaries.

0:57:11.520 --> 0:57:17.600
<v Speaker 1>Though, I mean, I love trans documentaries. They're some of

0:57:17.600 --> 0:57:22.200
<v Speaker 1>my favorite things I did. So I have a series

0:57:22.240 --> 0:57:24.600
<v Speaker 1>that I've been doing in Austin that I'm still doing

0:57:24.600 --> 0:57:28.000
<v Speaker 1>even after I've moved. I've been doing it for two

0:57:28.400 --> 0:57:32.480
<v Speaker 1>full years now, and it's like a queer film. It's

0:57:32.480 --> 0:57:35.160
<v Speaker 1>like a general queer film series, but kind of focus

0:57:35.240 --> 0:57:37.720
<v Speaker 1>on like deeper cuts. And something they let me do

0:57:37.840 --> 0:57:41.600
<v Speaker 1>is to pair features with shorts. And I've, you know,

0:57:41.640 --> 0:57:43.440
<v Speaker 1>over the past couple of years, found all these little

0:57:43.760 --> 0:57:47.680
<v Speaker 1>short films where it's basically, you know, here's we've sat

0:57:47.720 --> 0:57:49.240
<v Speaker 1>a trans person down and they're just going to talk

0:57:49.240 --> 0:57:52.240
<v Speaker 1>about their life for ten or fifteen minutes. And sometimes

0:57:52.240 --> 0:57:54.560
<v Speaker 1>they show like glimpses of their life or like reenactments

0:57:54.560 --> 0:57:58.160
<v Speaker 1>of like things that they've done. But like those shorts

0:57:58.200 --> 0:58:00.760
<v Speaker 1>are always the ones that like get the best reactions.

0:58:00.760 --> 0:58:03.040
<v Speaker 1>I've had people come out to these screenings and hate

0:58:03.040 --> 0:58:06.160
<v Speaker 1>the movie but love the short and I think there's

0:58:06.160 --> 0:58:09.400
<v Speaker 1>such a power in just having someone sit down and

0:58:09.480 --> 0:58:12.720
<v Speaker 1>just talk and yeah, you hear their experience or you

0:58:12.760 --> 0:58:15.800
<v Speaker 1>see a little bit of their life. And I mean,

0:58:15.840 --> 0:58:17.320
<v Speaker 1>I guess that's the problem I have with a lot

0:58:17.320 --> 0:58:20.960
<v Speaker 1>of like narrative films is like, you know, we we

0:58:21.040 --> 0:58:24.439
<v Speaker 1>see trans people on the screen, but we don't really

0:58:25.600 --> 0:58:28.840
<v Speaker 1>what we see isn't really like their real life. We

0:58:29.160 --> 0:58:32.400
<v Speaker 1>see like a SIS person's interpretation of what like a

0:58:32.440 --> 0:58:34.880
<v Speaker 1>trans life is like or what the trans experience is like.

0:58:35.120 --> 0:58:38.480
<v Speaker 1>I would love more trans documentaries that just you know,

0:58:38.680 --> 0:58:39.520
<v Speaker 1>sit someone down.

0:58:40.480 --> 0:58:45.600
<v Speaker 3>Yeah. Yeah, those are definitely like my favorite's Like that's yeah,

0:58:45.760 --> 0:58:47.920
<v Speaker 3>that's why I like like Cokona City and Dress in

0:58:47.920 --> 0:58:53.160
<v Speaker 3>Blue so much. So you're gonna love Southern Comfort. Yeah,

0:58:53.200 --> 0:58:56.000
<v Speaker 3>I'll check that out for sure. So Liz, I have

0:58:56.120 --> 0:58:59.120
<v Speaker 3>well sorry, what was your question? Oh I was I

0:58:59.160 --> 0:59:01.400
<v Speaker 3>was gonna try to piv it to our little game,

0:59:01.440 --> 0:59:03.520
<v Speaker 3>but if you have a question, yeah, this.

0:59:03.480 --> 0:59:05.160
<v Speaker 2>Will be my last to my last little question, then

0:59:05.160 --> 0:59:06.880
<v Speaker 2>we can pivot to the game. I just wanted to

0:59:06.880 --> 0:59:11.160
<v Speaker 2>ask you, Liz, what made you want to get into

0:59:11.520 --> 0:59:13.960
<v Speaker 2>into this career field and like why did why did

0:59:14.000 --> 0:59:15.200
<v Speaker 2>you want to do what you do.

0:59:17.120 --> 0:59:22.720
<v Speaker 1>For me, it's just a being kind of obsessed with

0:59:22.840 --> 0:59:28.840
<v Speaker 1>movies and fascinated by movies and be like wanting to

0:59:28.880 --> 0:59:31.360
<v Speaker 1>help get them out there or help show them to people,

0:59:31.680 --> 0:59:35.680
<v Speaker 1>or I mean, the thing I've kind of built my

0:59:35.800 --> 0:59:38.720
<v Speaker 1>name off of is this project I do called Ask Anybody,

0:59:38.960 --> 0:59:45.880
<v Speaker 1>and Ask Anybody? Was anybody Buddy, b b U, D

0:59:46.000 --> 0:59:49.960
<v Speaker 1>D Y right, And it was basically just me researching

0:59:50.000 --> 0:59:54.400
<v Speaker 1>and exploring the history of gaye porn. And the thing

0:59:54.400 --> 0:59:55.280
<v Speaker 1>that got me into those.

0:59:55.120 --> 0:59:57.560
<v Speaker 3>Movies is that every night, every night.

0:59:57.640 --> 1:00:01.920
<v Speaker 1>Yeah, yeah, yeah, I know, I know, but I mean

1:00:01.920 --> 1:00:04.160
<v Speaker 1>this goes into everything we've been talking about. Gay porn

1:00:04.160 --> 1:00:08.240
<v Speaker 1>movies in the seventies and the eighties were the only

1:00:08.320 --> 1:00:12.520
<v Speaker 1>way that gay filmmakers could really make gay movies and

1:00:12.520 --> 1:00:16.720
<v Speaker 1>tell gay stories and actually explore like gay ideas in film.

1:00:17.760 --> 1:00:21.680
<v Speaker 1>You know, in gay porn we see the first coming

1:00:21.680 --> 1:00:24.240
<v Speaker 1>out stories, we see the first gay romances. We see

1:00:24.560 --> 1:00:27.360
<v Speaker 1>gay horror movies and gay westerns and gay comedies and

1:00:27.440 --> 1:00:31.840
<v Speaker 1>gay gay thrillers, gay everything. Yeah, as long as a

1:00:31.920 --> 1:00:34.240
<v Speaker 1>film had like a certain amount of sex scenes or

1:00:34.280 --> 1:00:36.720
<v Speaker 1>a certain amount of cumshots, you could do what you

1:00:36.720 --> 1:00:38.800
<v Speaker 1>could do whatever else you wanted. The sex doesn't even

1:00:38.840 --> 1:00:40.200
<v Speaker 1>have to be hot as long as it had sex

1:00:40.200 --> 1:00:42.960
<v Speaker 1>in it. A filmmaker could make a film, have the

1:00:43.000 --> 1:00:45.360
<v Speaker 1>money to make the film, get it released, and then

1:00:45.400 --> 1:00:47.840
<v Speaker 1>basically almost be guaranteed to make a profit, and then

1:00:47.880 --> 1:00:50.760
<v Speaker 1>be able to make more movies. And then the theaters

1:00:50.800 --> 1:00:52.600
<v Speaker 1>that the films would play at were like gay porn

1:00:52.680 --> 1:00:54.840
<v Speaker 1>theaters that were dedicated theaters where you could go any

1:00:54.920 --> 1:00:58.400
<v Speaker 1>day of the year and see a gay movie and

1:00:58.560 --> 1:01:01.920
<v Speaker 1>cruise and probably know fucker get fucked. Yeah, And I

1:01:01.960 --> 1:01:04.040
<v Speaker 1>think there's something really powerful about that. And like these

1:01:04.080 --> 1:01:06.600
<v Speaker 1>movies they were kind of a big deal in their time.

1:01:06.600 --> 1:01:10.200
<v Speaker 1>They were reviewed in gay newspapers and magazines, they had stars,

1:01:10.240 --> 1:01:13.720
<v Speaker 1>they had like well known directors, and then over the

1:01:13.720 --> 1:01:18.000
<v Speaker 1>past couple of decades, with you know, aids and respectability

1:01:18.040 --> 1:01:21.360
<v Speaker 1>politics and all this stuff, those films kind of just disappeared.

1:01:21.640 --> 1:01:24.080
<v Speaker 1>And ask anybody, it was me trying to like re

1:01:24.160 --> 1:01:27.520
<v Speaker 1>examine these films and see, like, you know, is me saying, like,

1:01:27.560 --> 1:01:29.920
<v Speaker 1>I think there's something here. I think people would be

1:01:29.920 --> 1:01:32.560
<v Speaker 1>into this stuff if they knew about it, and basically

1:01:32.560 --> 1:01:35.160
<v Speaker 1>trying to explore that.

1:01:36.000 --> 1:01:38.880
<v Speaker 3>Yeah, yeah, so I think that's what it's like. Uh,

1:01:39.240 --> 1:01:43.320
<v Speaker 3>Like Burt Reynolds and boogeyn Its. But yeah, yeah, like

1:01:43.600 --> 1:01:47.560
<v Speaker 3>I want to make actual arts. I think that's very cool.

1:01:47.800 --> 1:01:50.800
<v Speaker 3>I've noticed you and some other people. I've seen a

1:01:50.840 --> 1:01:53.920
<v Speaker 3>lot of like people reviewing, like a lot of these

1:01:53.960 --> 1:01:55.960
<v Speaker 3>movies have been added to the letterbox recently, and I've

1:01:55.960 --> 1:01:58.680
<v Speaker 3>seen a lot of people like, I don't know. I'm

1:01:58.680 --> 1:02:01.040
<v Speaker 3>glad you kind of explained that because it took me.

1:02:01.400 --> 1:02:03.840
<v Speaker 3>I didn't really understand how a lot of people were, like,

1:02:04.480 --> 1:02:06.360
<v Speaker 3>I don't know, even having like interests in a lot

1:02:06.400 --> 1:02:11.320
<v Speaker 3>of these like erotic like seventies sixties like movies. But

1:02:12.320 --> 1:02:16.040
<v Speaker 3>that that makes total sense. Yeah, So I think.

1:02:16.080 --> 1:02:17.920
<v Speaker 1>I think a lot of people when they think of

1:02:17.960 --> 1:02:19.440
<v Speaker 1>these things, they think it's just gonna be like an

1:02:19.440 --> 1:02:21.919
<v Speaker 1>internet porn video where it's just fucking yeah.

1:02:22.040 --> 1:02:22.320
<v Speaker 3>Yeah.

1:02:22.400 --> 1:02:25.720
<v Speaker 1>These film these films had stories, they had characters, and

1:02:25.840 --> 1:02:28.200
<v Speaker 1>the gay movies they were so little budget that they

1:02:28.360 --> 1:02:31.960
<v Speaker 1>often shot in like the actual spaces, so these movies

1:02:31.960 --> 1:02:34.640
<v Speaker 1>are the only places you can see certain like famous

1:02:34.640 --> 1:02:38.320
<v Speaker 1>gay bars or certain gay porn theaters or there were

1:02:38.440 --> 1:02:40.080
<v Speaker 1>a couple of movies that were shot at New York's

1:02:40.120 --> 1:02:44.080
<v Speaker 1>Cruising Peers, which are now long since demolished. And here

1:02:44.120 --> 1:02:46.360
<v Speaker 1>in this movie you can see a depiction of what

1:02:46.360 --> 1:02:48.320
<v Speaker 1>it was like to cruise the peers. Or here you

1:02:48.320 --> 1:02:49.560
<v Speaker 1>could see what it was like to be at a

1:02:49.600 --> 1:02:52.360
<v Speaker 1>gay bar in the mid seventies, or here's what a

1:02:52.400 --> 1:02:55.640
<v Speaker 1>gay porn theater was like. Yeah, and like these filmmakers

1:02:55.680 --> 1:02:58.880
<v Speaker 1>they you know, the ones that really cared and were

1:02:58.920 --> 1:03:01.280
<v Speaker 1>really trying to do good work. I think they were

1:03:02.080 --> 1:03:04.960
<v Speaker 1>using sex as a way of exploring these ideas of

1:03:05.000 --> 1:03:08.880
<v Speaker 1>gay liberation. You know, we have we're still arguing about

1:03:08.920 --> 1:03:12.760
<v Speaker 1>the merits of promiscuity versus monogamy or you know, polly

1:03:12.840 --> 1:03:15.439
<v Speaker 1>relationships or you know, I only have one part sex

1:03:15.440 --> 1:03:18.680
<v Speaker 1>scenes in films or even sex scenes in films. Yeah, yeah,

1:03:19.520 --> 1:03:21.600
<v Speaker 1>like none. None of this stuff is new, and I

1:03:21.640 --> 1:03:24.680
<v Speaker 1>think people don't realize that. And I think with the

1:03:24.720 --> 1:03:27.360
<v Speaker 1>advent of prep, you know, however long ago that was,

1:03:27.400 --> 1:03:30.160
<v Speaker 1>I think there has been this kind of revitalization and

1:03:30.200 --> 1:03:33.080
<v Speaker 1>cruising culture and sex culture, and people are I think

1:03:33.120 --> 1:03:35.160
<v Speaker 1>now maybe more in a mindset to look at back

1:03:35.200 --> 1:03:36.919
<v Speaker 1>at this stuff and kind of see the value there.

1:03:37.760 --> 1:03:39.960
<v Speaker 1>And again, this stuff, this stuff was seen as being

1:03:40.040 --> 1:03:43.640
<v Speaker 1>part of gay liberation. You know, sex gay liberation was

1:03:43.680 --> 1:03:46.280
<v Speaker 1>sex and to actually make a gay movie that had

1:03:46.280 --> 1:03:48.560
<v Speaker 1>a gay story and showed gay sex, which was a

1:03:48.560 --> 1:03:51.080
<v Speaker 1>crime at the time. I think there's something.

1:03:50.840 --> 1:03:52.920
<v Speaker 3>Powerful about that, yeah, for sure.

1:03:53.360 --> 1:03:56.600
<v Speaker 1>And for me, like as I was kind of like

1:03:56.600 --> 1:03:59.000
<v Speaker 1>like as when my egg cracked and I sort of transitioning,

1:03:59.640 --> 1:04:02.720
<v Speaker 1>seeing transporn from that time was really powerful to me

1:04:02.800 --> 1:04:05.560
<v Speaker 1>because you know, I think a lot of people nowadays

1:04:05.560 --> 1:04:06.840
<v Speaker 1>would look at that stuff and be like, oh, this

1:04:06.880 --> 1:04:09.320
<v Speaker 1>is made for cis people like who fucking cares about this?

1:04:09.360 --> 1:04:12.560
<v Speaker 1>It's gross, it's exploitative. But for me, when I see

1:04:12.560 --> 1:04:14.640
<v Speaker 1>that stuff, I'm like, here's like trans women who are

1:04:14.640 --> 1:04:18.160
<v Speaker 1>beautiful and who are like desired, And a lot of

1:04:18.160 --> 1:04:20.800
<v Speaker 1>those movies were made by people from like the community,

1:04:21.240 --> 1:04:24.880
<v Speaker 1>and people who were you know, had their hand both

1:04:24.960 --> 1:04:28.440
<v Speaker 1>in the sex stuff but also like drag pageants in

1:04:28.480 --> 1:04:31.840
<v Speaker 1>the drag world and magazines and publishing, so you see,

1:04:31.920 --> 1:04:36.360
<v Speaker 1>you know, these like it's clearly made by community or

1:04:36.400 --> 1:04:39.120
<v Speaker 1>people who are like related to community, and I think

1:04:39.160 --> 1:04:40.280
<v Speaker 1>those movies are so cool.

1:04:40.560 --> 1:04:42.600
<v Speaker 3>Thank you for that. I don't know, I really like, uh,

1:04:43.360 --> 1:04:47.680
<v Speaker 3>I don't know. We're very like discourse oriented a little

1:04:47.800 --> 1:04:51.120
<v Speaker 3>little subgroup of people now and I feel like just

1:04:51.280 --> 1:04:54.120
<v Speaker 3>so much of this is like I don't know, just

1:04:54.160 --> 1:04:56.440
<v Speaker 3>so much of this is so like unnecessary when like

1:04:56.440 --> 1:04:58.240
<v Speaker 3>you said, like a lot of these like arguments are

1:04:58.280 --> 1:05:02.080
<v Speaker 3>just very like sick look stuff that like has been

1:05:02.840 --> 1:05:06.680
<v Speaker 3>litigated and litigated long before like tumblr was ever invented.

1:05:07.360 --> 1:05:10.440
<v Speaker 3>And yeah, but I feel like if I feel like,

1:05:10.920 --> 1:05:15.200
<v Speaker 3>by like preserving this history and like like engaging with

1:05:15.320 --> 1:05:17.640
<v Speaker 3>like history and culture in that way, we can like

1:05:17.840 --> 1:05:22.240
<v Speaker 3>maybe hopefully in the future, break some of these like

1:05:22.480 --> 1:05:28.920
<v Speaker 3>cyclical argument cycles. Yeah, and that's what art is all about.

1:05:29.360 --> 1:05:31.680
<v Speaker 1>Yeah, I mean there's there were gay filmmakers in the

1:05:31.680 --> 1:05:34.919
<v Speaker 1>eighties complaining about how, in like mainstream movies, the camera

1:05:34.920 --> 1:05:39.440
<v Speaker 1>would always have to pander the window when people had sex. Yeah,

1:05:39.880 --> 1:05:41.800
<v Speaker 1>very very calmy by your name. It's like, why why

1:05:41.840 --> 1:05:45.560
<v Speaker 1>can't we show the people actually having sex or show

1:05:46.040 --> 1:05:48.520
<v Speaker 1>show their relationship in terms of the actual sex instead

1:05:48.520 --> 1:05:50.400
<v Speaker 1>of having to you know, be very tasteful and not

1:05:51.160 --> 1:05:52.480
<v Speaker 1>have it all be part of one thing.

1:05:52.760 --> 1:06:06.520
<v Speaker 3>Oh I love tastelessness. Yeah, huge fah speaking of tastelessness.

1:06:06.560 --> 1:06:09.240
<v Speaker 3>While if, if, if you still have time for it,

1:06:09.360 --> 1:06:12.200
<v Speaker 3>I put together a little game for us to play.

1:06:12.360 --> 1:06:17.280
<v Speaker 3>Sure would you like knowing knowing knowing you uh from

1:06:17.320 --> 1:06:23.640
<v Speaker 3>your letterbox presence. I went I went through UH. I

1:06:23.680 --> 1:06:27.080
<v Speaker 3>went through the task of combining a list in a

1:06:27.080 --> 1:06:30.760
<v Speaker 3>little game that I call porn comment or letterbox review.

1:06:31.520 --> 1:06:33.360
<v Speaker 3>And I've got a list here and I'm just gonna

1:06:33.400 --> 1:06:37.520
<v Speaker 3>read off some of these statements made by real people.

1:06:37.760 --> 1:06:40.200
<v Speaker 1>Can I just say something real quick? This reminds me

1:06:40.240 --> 1:06:42.360
<v Speaker 1>of one of my favorite old school games, which is

1:06:42.440 --> 1:06:43.560
<v Speaker 1>gay Bar or Steakhouse.

1:06:44.120 --> 1:06:47.440
<v Speaker 3>Oh, that's good. That's good. That's good.

1:06:47.600 --> 1:06:49.480
<v Speaker 1>And there was there was there was a website called

1:06:49.520 --> 1:06:51.680
<v Speaker 1>gay Bar or Steakhouse. I don't know if it still exists,

1:06:51.680 --> 1:06:55.160
<v Speaker 1>but it was like a game of like Longhorn the

1:06:55.240 --> 1:06:59.000
<v Speaker 1>Longhorn or like the Ramrod Is this steakhouse?

1:06:59.760 --> 1:06:59.800
<v Speaker 4>No?

1:07:00.400 --> 1:07:02.560
<v Speaker 3>I love games like the first one we played in

1:07:02.560 --> 1:07:06.080
<v Speaker 3>the first episode of the season. We had Domino, Presley

1:07:06.160 --> 1:07:10.240
<v Speaker 3>and like her girl group with us, and I found

1:07:10.400 --> 1:07:13.480
<v Speaker 3>a list of all the like saw traps, and I

1:07:13.600 --> 1:07:16.680
<v Speaker 3>found a list of just like weird like either sex

1:07:16.720 --> 1:07:20.040
<v Speaker 3>positions or like sexual objects. And it was called like

1:07:20.160 --> 1:07:23.760
<v Speaker 3>sex or saw and it was it was pretty good.

1:07:23.840 --> 1:07:25.480
<v Speaker 3>I think everyone had a pretty good time.

1:07:27.200 --> 1:07:30.000
<v Speaker 1>We've been we've been talking about movies to the past hour.

1:07:30.080 --> 1:07:31.760
<v Speaker 1>I am a little disappointed. We did not get to

1:07:31.800 --> 1:07:33.800
<v Speaker 1>talk about how trans the Saw franchise is.

1:07:34.160 --> 1:07:38.000
<v Speaker 3>Oh wow. We talked about Saw a lot on and there.

1:07:38.080 --> 1:07:41.640
<v Speaker 1>There was this period last year when I started dating

1:07:41.680 --> 1:07:43.880
<v Speaker 1>someone and she showed me all of the Saw movies

1:07:44.120 --> 1:07:46.240
<v Speaker 1>and this was like, right when you were watching all

1:07:46.280 --> 1:07:46.840
<v Speaker 1>the Saw movies?

1:07:47.600 --> 1:07:49.840
<v Speaker 3>Yeah, yeah, earlier friend.

1:07:49.800 --> 1:07:52.240
<v Speaker 1>My friend Vera Drew was watching all the Saw movies

1:07:52.360 --> 1:07:54.240
<v Speaker 1>and like, I knew three other people who are who

1:07:54.320 --> 1:07:57.440
<v Speaker 1>are all watching Saw movies and like losing their minds over.

1:07:58.040 --> 1:08:00.640
<v Speaker 3>Well, it was because Saw X was covering, so I

1:08:00.680 --> 1:08:02.680
<v Speaker 3>wanted to like brush up on the lore.

1:08:03.960 --> 1:08:06.040
<v Speaker 1>Because I see, I've.

1:08:05.920 --> 1:08:09.440
<v Speaker 3>Seen like up until three when I was like really young,

1:08:09.800 --> 1:08:13.720
<v Speaker 3>and then I don't know, My like taste is such

1:08:13.800 --> 1:08:15.480
<v Speaker 3>like a bell curve. It was like a lot of

1:08:15.480 --> 1:08:17.479
<v Speaker 3>stuff when I thought was really cool when I was

1:08:17.520 --> 1:08:20.840
<v Speaker 3>young that I as I grew more taste, I was like,

1:08:20.880 --> 1:08:24.000
<v Speaker 3>this is stupid, and now like now I've kind of

1:08:24.040 --> 1:08:27.240
<v Speaker 3>regressed into like a pre like hormonal state where I'm like,

1:08:27.320 --> 1:08:28.040
<v Speaker 3>this is awesome.

1:08:28.720 --> 1:08:32.160
<v Speaker 1>I saw one through three or fine Soft four through six,

1:08:32.600 --> 1:08:34.760
<v Speaker 1>Now that's that's no.

1:08:34.920 --> 1:08:37.280
<v Speaker 3>Yeah, I saw a lot of people hating on Soft four,

1:08:37.360 --> 1:08:40.559
<v Speaker 3>but it has one of the funniest scenes in any

1:08:40.600 --> 1:08:48.080
<v Speaker 3>movie ever when Donnie Wahlberg's headed the eyes blocked is

1:08:48.160 --> 1:08:51.679
<v Speaker 3>one of the funniest, like the truly like fall out

1:08:51.720 --> 1:08:55.160
<v Speaker 3>of my seat laughing moments I've ever had watching a movie.

1:08:55.600 --> 1:08:57.920
<v Speaker 1>The insane transition where the woman is thrown into the

1:08:57.960 --> 1:08:59.920
<v Speaker 1>mirror and the camera goes through the mirror.

1:08:59.720 --> 1:09:04.439
<v Speaker 2>And that is so cool. That's I know that is

1:09:04.439 --> 1:09:06.080
<v Speaker 2>that is that Saw four as well?

1:09:06.680 --> 1:09:06.840
<v Speaker 5>Four?

1:09:07.040 --> 1:09:09.760
<v Speaker 3>Yeah, oh yeah, dude, that ship is so cool. I

1:09:10.120 --> 1:09:13.160
<v Speaker 3>completely agree. It's very like, uh, I mean, I know

1:09:13.200 --> 1:09:15.439
<v Speaker 3>that one's not directed by James Wand, but that's like

1:09:15.479 --> 1:09:18.040
<v Speaker 3>something James Wand would do, like now, yeah, like in

1:09:18.080 --> 1:09:20.639
<v Speaker 3>like a like an upgrade type movie or something like that.

1:09:20.680 --> 1:09:22.040
<v Speaker 1>One of my projects that have had kind of on

1:09:22.040 --> 1:09:24.880
<v Speaker 1>the back burners, I want to recut the entire Soft

1:09:24.880 --> 1:09:27.880
<v Speaker 1>franchise in chronological order and just see how much of

1:09:27.880 --> 1:09:28.920
<v Speaker 1>a clusterfu that would be.

1:09:28.920 --> 1:09:32.599
<v Speaker 3>Oh my god, how much more confusing it would be.

1:09:33.280 --> 1:09:35.680
<v Speaker 3>I didn't really when I watched Saw X and I

1:09:35.760 --> 1:09:40.080
<v Speaker 3>realized that, like I like leaving the theater, my boyfriend's like,

1:09:40.080 --> 1:09:42.680
<v Speaker 3>you know, that's like supposed to be like before the

1:09:42.720 --> 1:09:44.680
<v Speaker 3>events of Saw two. I'm like what.

1:09:46.640 --> 1:09:51.599
<v Speaker 6>So before Saw two he went to Mexico and did

1:09:51.680 --> 1:09:54.800
<v Speaker 6>all of the what like, that's kind of easy. Letst

1:09:54.840 --> 1:09:57.840
<v Speaker 6>we forget Saw five. Saw five only exists to show

1:09:57.880 --> 1:09:59.680
<v Speaker 6>how the new character from saft wour was there the

1:09:59.800 --> 1:10:03.000
<v Speaker 6>entire or time and not my least favorite.

1:10:04.320 --> 1:10:07.559
<v Speaker 3>Saw five is my least favorite. That one just feels honestly,

1:10:07.600 --> 1:10:10.360
<v Speaker 3>all the like Hoffman centric ones are are not as

1:10:10.360 --> 1:10:15.839
<v Speaker 3>good for me. He's just such. He's so boring like franchise.

1:10:16.000 --> 1:10:19.360
<v Speaker 3>I like him and Saw Saw six obviously is the

1:10:19.400 --> 1:10:22.000
<v Speaker 3>real the real saw heads know that Saw six is

1:10:22.120 --> 1:10:26.640
<v Speaker 3>kind of the best one. I mean, seeing like healthcare

1:10:26.680 --> 1:10:29.080
<v Speaker 3>executives get like tortured is just.

1:10:29.360 --> 1:10:32.599
<v Speaker 2>That's the incredible because I've been battling and going getting

1:10:32.600 --> 1:10:34.519
<v Speaker 2>my fucking f fs covered by insurance.

1:10:34.640 --> 1:10:36.880
<v Speaker 1>I just hope that the next one, when it comes out,

1:10:36.920 --> 1:10:39.880
<v Speaker 1>will have a scene where Jigsaw force someone or Yea

1:10:40.360 --> 1:10:42.719
<v Speaker 1>causes someone to like do their first shot of estrogen.

1:10:44.080 --> 1:10:47.839
<v Speaker 3>You you've been gooning to get to transport your whole life.

1:10:48.240 --> 1:10:51.000
<v Speaker 3>You can name all these transport saws off the top

1:10:51.040 --> 1:10:53.679
<v Speaker 3>of your head, but can you cut your dick off

1:10:53.720 --> 1:10:57.559
<v Speaker 3>to save your life? The camera's like cutting like all

1:10:57.600 --> 1:11:00.200
<v Speaker 3>around him. He like picks up the scaff.

1:11:01.880 --> 1:11:05.280
<v Speaker 2>You have to perform a perfect vaginoplasty on yourself.

1:11:05.600 --> 1:11:09.479
<v Speaker 3>In front of you are two silicon breast implants. You

1:11:09.640 --> 1:11:12.840
<v Speaker 3>was standing on top of weight. You must have them

1:11:12.960 --> 1:11:15.519
<v Speaker 3>into your skin and sew them back up.

1:11:15.800 --> 1:11:18.000
<v Speaker 1>The key is in your testicle. You must give yourself a.

1:11:17.920 --> 1:11:27.439
<v Speaker 3>Working Yeah, there's there's a lot there ship. Yeah. Wow,

1:11:27.439 --> 1:11:31.120
<v Speaker 3>I shouldn't have brought up Saw. This happens every time

1:11:32.080 --> 1:11:34.200
<v Speaker 3>every time. While you guys were talking.

1:11:33.960 --> 1:11:36.200
<v Speaker 2>About Saw, I was checking my Instagram really quick and

1:11:36.200 --> 1:11:38.439
<v Speaker 2>fucking Dylan mulvaney started following me, and I was having

1:11:38.439 --> 1:11:41.400
<v Speaker 2>a mini heart attack. WHOA, she was gonna start looking

1:11:41.400 --> 1:11:44.040
<v Speaker 2>at me discoursing in my stories, but she didn't.

1:11:43.840 --> 1:11:47.799
<v Speaker 3>So, yeah, you better behave. I better behave.

1:11:48.200 --> 1:11:51.400
<v Speaker 2>I was discoursing about the fucking lesbian bar drama that

1:11:52.160 --> 1:11:55.280
<v Speaker 2>a bunch of teenagers who have never been to bars

1:11:55.439 --> 1:11:57.639
<v Speaker 2>seem to have a lot of opinions about.

1:11:58.080 --> 1:12:00.880
<v Speaker 3>I have no idea what you're talking about, but we can.

1:12:01.200 --> 1:12:02.880
<v Speaker 3>I feel like we can put a pen in this. Yeah,

1:12:02.880 --> 1:12:05.719
<v Speaker 3>we can put a pen in it. Sorry. Yeah, well, okay,

1:12:05.760 --> 1:12:07.720
<v Speaker 3>go to the game. Okay, you know we.

1:12:07.960 --> 1:12:09.639
<v Speaker 1>Made it a full hour. We did not start talking

1:12:09.640 --> 1:12:11.120
<v Speaker 1>about day fabs or whatever.

1:12:11.720 --> 1:12:14.160
<v Speaker 3>No, we yeah, no, we don't. We don't do that.

1:12:15.200 --> 1:12:18.040
<v Speaker 3>There's certain things that on this show that I know

1:12:18.120 --> 1:12:20.360
<v Speaker 3>if I bring up is just going to like really

1:12:20.439 --> 1:12:24.320
<v Speaker 3>like I mean, there's just there's certain trans discord stuff

1:12:24.320 --> 1:12:26.040
<v Speaker 3>like we're just talking about discourse a few minutes ago,

1:12:26.080 --> 1:12:30.040
<v Speaker 3>like this is it's so like it's just so toxic

1:12:30.120 --> 1:12:33.040
<v Speaker 3>because like yet, I have my own opinions on things,

1:12:33.120 --> 1:12:35.240
<v Speaker 3>but one, like I don't want to like piss off

1:12:35.280 --> 1:12:39.400
<v Speaker 3>anyone that like is ostensibly on my side. And two

1:12:39.800 --> 1:12:42.519
<v Speaker 3>it's just fucking stupid. Who cares. I don't want to

1:12:42.520 --> 1:12:45.879
<v Speaker 3>talk about like non binary seventeen year olds on TikTok

1:12:46.000 --> 1:12:48.519
<v Speaker 3>like this. I'm not I wasn't talking. I was talking

1:12:48.520 --> 1:12:52.519
<v Speaker 3>about the lesbian bar drama. I'm sorry, I'm sorry. Porn

1:12:52.560 --> 1:12:53.679
<v Speaker 3>comments or letter box.

1:12:56.040 --> 1:12:59.040
<v Speaker 2>All right, this one reads sometimes you just have to

1:12:59.080 --> 1:13:00.280
<v Speaker 2>bottom your way to the hop.

1:13:01.439 --> 1:13:03.960
<v Speaker 1>I'm gonna say that's a I think it's a letterbox.

1:13:04.680 --> 1:13:06.800
<v Speaker 3>What do you think, Carmen, I'm gonna go with that

1:13:07.000 --> 1:13:09.679
<v Speaker 3>sounds like a letterbox. It is it is. I started

1:13:09.720 --> 1:13:12.080
<v Speaker 3>off as an easy one. That is a review for Saltburn.

1:13:12.240 --> 1:13:14.000
<v Speaker 3>Fuck that movie. I knew that I was going to

1:13:14.040 --> 1:13:17.320
<v Speaker 3>be that all right. I love this girl. She's actually

1:13:17.360 --> 1:13:22.200
<v Speaker 3>an amazing actor. Fully believe her characters massive props, porn

1:13:22.240 --> 1:13:23.880
<v Speaker 3>comment or letterbox.

1:13:24.280 --> 1:13:26.280
<v Speaker 1>See porn comment on that one.

1:13:27.160 --> 1:13:30.280
<v Speaker 3>I'm also gonna go with porn comment. I started jewel

1:13:30.320 --> 1:13:34.320
<v Speaker 3>off easy and I've only I'm only adding one of these.

1:13:34.400 --> 1:13:36.360
<v Speaker 3>But I thought this was an interesting theme when I

1:13:36.439 --> 1:13:38.240
<v Speaker 3>was you need to tell us which porn video that's

1:13:38.280 --> 1:13:41.200
<v Speaker 3>about listen. Oh, I don't know. I did. I did

1:13:41.240 --> 1:13:44.840
<v Speaker 3>make a note when it was straight porn, but all

1:13:44.880 --> 1:13:47.920
<v Speaker 3>the good ones were on straight porn. Because people don't

1:13:47.960 --> 1:13:50.280
<v Speaker 3>really comment on like gay and trans porn. I feel

1:13:50.320 --> 1:13:53.240
<v Speaker 3>like they're a little too embarrassed, a shame of shame.

1:13:53.520 --> 1:13:55.920
<v Speaker 3>Although I did. There is a very running theme. I

1:13:55.920 --> 1:13:57.960
<v Speaker 3>had to look at quite a lot of porn to

1:13:57.960 --> 1:13:59.000
<v Speaker 3>make this list.

1:14:00.439 --> 1:14:03.840
<v Speaker 1>There running thank you for your Yeah, you know, I

1:14:03.920 --> 1:14:04.240
<v Speaker 1>do what.

1:14:04.200 --> 1:14:07.920
<v Speaker 3>I can for it's all for the show. There is

1:14:07.960 --> 1:14:11.759
<v Speaker 3>a running theme in a lot of transporn where people

1:14:11.760 --> 1:14:17.720
<v Speaker 3>are like, fuck, I'm gay. Now It's like, you know,

1:14:17.880 --> 1:14:21.680
<v Speaker 3>damn well, you didn't just like stumble in here, like

1:14:21.720 --> 1:14:24.120
<v Speaker 3>you know what you're doing, Like you didn't just trip

1:14:24.160 --> 1:14:29.799
<v Speaker 3>and fall and now you're like, yeah, yeah, you didn't,

1:14:29.880 --> 1:14:35.920
<v Speaker 3>just like yeah, anyway, hey guys, quick question. I'm stuck

1:14:35.960 --> 1:14:39.240
<v Speaker 3>in Stars and time. I'm currently in Act three. I

1:14:39.280 --> 1:14:41.880
<v Speaker 3>tried beating the king so many times and even helping

1:14:41.920 --> 1:14:44.599
<v Speaker 3>with friends, but for some reason, the act doesn't change.

1:14:44.800 --> 1:14:47.560
<v Speaker 3>Is there something I'm doing wrong? Any help is appreciated.

1:14:47.960 --> 1:14:50.880
<v Speaker 3>This is porn? Huh, This is absolutely porn. And this

1:14:50.960 --> 1:14:53.479
<v Speaker 3>is an interesting theme that I saw where there's a

1:14:53.479 --> 1:14:57.120
<v Speaker 3>lot of people that like to solicit like Reddit style

1:14:57.400 --> 1:15:04.160
<v Speaker 3>video game advice on porn comments. So I only included

1:15:04.200 --> 1:15:07.479
<v Speaker 3>this one just to note that there's a lot of that.

1:15:07.800 --> 1:15:12.639
<v Speaker 3>There's a lot of people just casually discussing like how

1:15:12.640 --> 1:15:14.120
<v Speaker 3>do you tame a horse? And minecraft?

1:15:14.479 --> 1:15:17.200
<v Speaker 1>Are there a lot of porn comments that are like

1:15:17.320 --> 1:15:20.120
<v Speaker 1>those YouTube comments were like I'm a thirteen year old

1:15:20.160 --> 1:15:21.920
<v Speaker 1>and I know this is real rock and roll.

1:15:22.520 --> 1:15:30.439
<v Speaker 5>Yeah, I didn't find I did find some that were like, yeah,

1:15:30.600 --> 1:15:34.600
<v Speaker 5>who's still jack into this in twenty three or like

1:15:34.920 --> 1:15:37.840
<v Speaker 5>who's who's busting to this during the pandemic?

1:15:38.160 --> 1:15:43.200
<v Speaker 3>Like who in lockdown right now? So, yeah, there's there's

1:15:43.240 --> 1:15:46.439
<v Speaker 3>a lot of solidarity in the in the porn community,

1:15:46.520 --> 1:15:50.439
<v Speaker 3>and there's a lot of more like social aspect to

1:15:50.600 --> 1:15:55.400
<v Speaker 3>it that I like. I think that's cool. It's very reddit, though.

1:15:55.439 --> 1:15:58.400
<v Speaker 3>I don't like how red it it is. But what

1:15:58.400 --> 1:16:02.599
<v Speaker 3>are you doing? All right? Uh? They are not getting

1:16:02.640 --> 1:16:07.760
<v Speaker 3>the cleaning deposit back on that cabin. Oh that's I'll

1:16:07.840 --> 1:16:08.639
<v Speaker 3>let you answer first.

1:16:08.760 --> 1:16:11.040
<v Speaker 1>I'm gonna go ahead and say that's a letterbox review.

1:16:11.920 --> 1:16:12.360
<v Speaker 1>It's pity.

1:16:12.960 --> 1:16:15.439
<v Speaker 3>I'm gonna say the same thing. It is a It

1:16:15.520 --> 1:16:19.639
<v Speaker 3>is a letterbox review for the film Antichrist. I love

1:16:19.760 --> 1:16:24.160
<v Speaker 3>that movie. Another Dafoe, Yeah that is I love that

1:16:24.240 --> 1:16:28.639
<v Speaker 3>movie too. All right, rat Now I'm hungry for food

1:16:28.800 --> 1:16:33.040
<v Speaker 3>and cock. It's gotta be porn and it's gotta be

1:16:33.120 --> 1:16:34.280
<v Speaker 3>some type of food.

1:16:35.120 --> 1:16:36.519
<v Speaker 1>I'm gonna say.

1:16:36.360 --> 1:16:41.960
<v Speaker 3>The letterbox Carmen was right. That was pornography. Was it

1:16:42.040 --> 1:16:44.880
<v Speaker 3>somebody like getting fucked with food or something? I'm gonna

1:16:45.000 --> 1:16:49.599
<v Speaker 3>I didn't like write down. I don't remember that. I

1:16:49.640 --> 1:16:52.800
<v Speaker 3>didn't really write that down. I wrote down the letterbox movie.

1:16:52.880 --> 1:16:55.360
<v Speaker 3>It was with the movie. I just wrote porn from

1:16:55.400 --> 1:16:59.840
<v Speaker 3>when it was porn. Uh, this makes me hungry for

1:17:00.080 --> 1:17:03.519
<v Speaker 3>let's see letterbox. That's gotta be a letterbox review for

1:17:03.600 --> 1:17:07.080
<v Speaker 3>the menu. This was porn. Okay, Damn, this was porn.

1:17:07.280 --> 1:17:11.360
<v Speaker 3>All right, you know what love making belongs in the kitchen.

1:17:11.880 --> 1:17:12.959
<v Speaker 1>I'm gonna say letterbox.

1:17:13.960 --> 1:17:18.760
<v Speaker 3>I'm gonna say, Okay, you're wrong. Correct. That was a

1:17:18.920 --> 1:17:24.599
<v Speaker 3>that was for the movie Tempopo. Oh I didn't. I

1:17:24.680 --> 1:17:29.559
<v Speaker 3>never even popped a boner. That is a letterbox review.

1:17:29.600 --> 1:17:31.560
<v Speaker 1>I bet there's a letterbox.

1:17:32.080 --> 1:17:34.559
<v Speaker 3>It's a letterbox for the movie the Gaspard Away film

1:17:34.640 --> 1:17:41.479
<v Speaker 3>Love that Sucks? More like? More like enter my ass?

1:17:46.560 --> 1:17:50.439
<v Speaker 3>Is that in a letterbox review? For Interstellar? Uh? It's

1:17:50.720 --> 1:17:58.320
<v Speaker 3>Enter the Void another gas Away film. Excellent cinematography, amazing

1:17:58.360 --> 1:18:01.360
<v Speaker 3>camera work and sound design. Somebody give the actress a

1:18:01.400 --> 1:18:04.080
<v Speaker 3>Grammy or something. Well done with the production.

1:18:05.280 --> 1:18:08.840
<v Speaker 2>Porn porn definitely, Yeah, when they don't say the name,

1:18:08.960 --> 1:18:11.040
<v Speaker 2>I tried to like work around that, but that was

1:18:11.600 --> 1:18:13.599
<v Speaker 2>a comment I did write down because this person had

1:18:13.600 --> 1:18:14.160
<v Speaker 2>a cool name.

1:18:14.200 --> 1:18:19.120
<v Speaker 3>This was Alpha Pussy Assassin. Whoa we need comments on pornhub?

1:18:19.240 --> 1:18:19.559
<v Speaker 4>Whoa?

1:18:20.640 --> 1:18:22.640
<v Speaker 3>That was another thing. I had to solicit most of

1:18:22.680 --> 1:18:26.519
<v Speaker 3>these from porn Hub, which wasn't a fan of doing.

1:18:26.680 --> 1:18:29.240
<v Speaker 3>But you know, again, the things I do for the show,

1:18:30.680 --> 1:18:34.680
<v Speaker 3>all right, this one I really like a lot. It

1:18:34.720 --> 1:18:37.040
<v Speaker 3>takes a long time to get into, but that's what

1:18:37.160 --> 1:18:39.759
<v Speaker 3>makes it. It's much like the Phil Collins song Something

1:18:39.800 --> 1:18:46.120
<v Speaker 3>in the Air Tonight, Letterbox, I'm gonna say porn. That

1:18:46.280 --> 1:18:49.800
<v Speaker 3>was pornography. That was that was pornography. They were thinking

1:18:49.800 --> 1:18:54.760
<v Speaker 3>about Phil Collins, what they were dooning. Pussy is just

1:18:54.840 --> 1:18:55.800
<v Speaker 3>not that interesting?

1:18:56.720 --> 1:19:00.880
<v Speaker 2>Is that a letterbox review for Benedetta Liz?

1:19:00.920 --> 1:19:01.760
<v Speaker 3>What do you say?

1:19:02.000 --> 1:19:03.440
<v Speaker 1>I'm gonna go ahead say letterbox.

1:19:04.000 --> 1:19:07.360
<v Speaker 3>Correct. It's for the movie Anatomy of Hell, which there's

1:19:07.439 --> 1:19:11.240
<v Speaker 3>another movie that I hate. It's way way too French,

1:19:11.520 --> 1:19:15.040
<v Speaker 3>way too French. Don't like that movie. Life sucks. And

1:19:15.080 --> 1:19:17.280
<v Speaker 3>then you come it's so.

1:19:17.360 --> 1:19:19.640
<v Speaker 1>Pity that, like, my mind immediately goes to letterbox. But

1:19:19.640 --> 1:19:20.439
<v Speaker 1>I'm gonna say porn.

1:19:20.920 --> 1:19:23.160
<v Speaker 3>Your mind is on the right track, and it is.

1:19:24.400 --> 1:19:27.360
<v Speaker 3>You're right, the pissiness it is. It is a one

1:19:27.400 --> 1:19:30.280
<v Speaker 3>sentence letterbox review. It's for the film the Todd Solon's

1:19:30.320 --> 1:19:34.120
<v Speaker 3>film Happiness Wow, which is which is an awesome movie,

1:19:34.960 --> 1:19:39.200
<v Speaker 3>hilarious film, way more come dialogue than initially expected.

1:19:41.960 --> 1:19:43.960
<v Speaker 1>Oh my god, letterbox.

1:19:45.280 --> 1:19:48.479
<v Speaker 3>That is also a review for the film Happiness Wow.

1:19:50.479 --> 1:19:54.759
<v Speaker 3>Uh that movie. Todd Solon's is h such a freak

1:19:54.760 --> 1:19:56.680
<v Speaker 3>he should be put in jail. But he makes some

1:19:56.760 --> 1:19:57.519
<v Speaker 3>cool movies.

1:19:59.000 --> 1:20:03.400
<v Speaker 2>All right, Uh, she's a Catholic, she'd be shunned in

1:20:03.400 --> 1:20:07.400
<v Speaker 2>the eyes of God. He's going wait, fuck, I wrote

1:20:07.400 --> 1:20:08.479
<v Speaker 2>this one weird, fucked.

1:20:10.600 --> 1:20:13.200
<v Speaker 3>I'm just gonna skip this one. It was porn, Okay,

1:20:14.400 --> 1:20:19.120
<v Speaker 3>I wrote that one weird. Uh, I'd kill myself if

1:20:19.160 --> 1:20:23.960
<v Speaker 3>I wasn't a part of that fire orgy. Letterbox Yeah,

1:20:24.000 --> 1:20:26.600
<v Speaker 3>which mode is that? That is a letterbox for the

1:20:26.640 --> 1:20:30.920
<v Speaker 3>film Ken Part another movie made by someone who should

1:20:30.920 --> 1:20:33.240
<v Speaker 3>be put in jail. That it is not very good.

1:20:34.240 --> 1:20:36.599
<v Speaker 3>This one was fucked up. I like, don't like this one,

1:20:36.680 --> 1:20:39.479
<v Speaker 3>but uh, I hope she gets locked in a dungeon

1:20:39.560 --> 1:20:43.400
<v Speaker 3>and fed dick and balls twenty four seven, three sixty five.

1:20:49.000 --> 1:20:52.320
<v Speaker 1>God the phrase dick and balls. I'm gonna say porn.

1:20:52.840 --> 1:20:56.800
<v Speaker 3>Yeah, this is fucked up. This is a one and

1:20:56.840 --> 1:21:05.160
<v Speaker 3>a half star review for the movie Megans. Really fucking stupid.

1:21:05.600 --> 1:21:08.200
<v Speaker 2>This person should be put in jail, Like, for real,

1:21:08.600 --> 1:21:09.360
<v Speaker 2>that's horrible.

1:21:11.920 --> 1:21:14.400
<v Speaker 3>I did not see one single person smile.

1:21:15.520 --> 1:21:17.400
<v Speaker 1>Porn letterbox.

1:21:17.680 --> 1:21:23.280
<v Speaker 3>This is a letterbox review for the Matrix Reloaded. And finally,

1:21:23.960 --> 1:21:26.200
<v Speaker 3>I feel like this guy wakes up every morning and

1:21:26.240 --> 1:21:29.200
<v Speaker 3>says to himself in the mirror, this is my swamp.

1:21:29.760 --> 1:21:30.679
<v Speaker 3>That's gotta be porn.

1:21:31.200 --> 1:21:31.559
<v Speaker 1>Porn.

1:21:31.920 --> 1:21:35.240
<v Speaker 3>It has to be porn, and in fact it is. Liz.

1:21:35.439 --> 1:21:38.559
<v Speaker 3>Thank you for joining us, Thank you for playing, Thank

1:21:38.560 --> 1:21:41.720
<v Speaker 3>you for playing a game. Do you have anything you

1:21:41.760 --> 1:21:44.599
<v Speaker 3>want to promote? Any any links you want to send,

1:21:44.640 --> 1:21:46.879
<v Speaker 3>will obviously keep in the show discribtion.

1:21:46.920 --> 1:21:52.320
<v Speaker 1>Sure early March. I am going to be well On

1:21:52.439 --> 1:21:56.160
<v Speaker 1>March six, I'm gonna be at Nighthawk Cinema in the

1:21:56.200 --> 1:21:59.840
<v Speaker 1>Prospect Park, Nighthawk in Brooklyn showing One of my favorite

1:21:59.840 --> 1:22:03.040
<v Speaker 1>movie is Pumping Iron to the Women, which is incredible,

1:22:03.360 --> 1:22:06.360
<v Speaker 1>incredible documentary a about like big strong women and b

1:22:08.160 --> 1:22:10.080
<v Speaker 1>it's a film that I think has a lot of

1:22:12.560 --> 1:22:14.639
<v Speaker 1>a lot of queer themes. It's about you know, who

1:22:14.680 --> 1:22:17.759
<v Speaker 1>defines what femininity is? What is too masculine for a woman?

1:22:18.320 --> 1:22:23.080
<v Speaker 1>You know what? What? What is? Uh? What is too masculine?

1:22:23.280 --> 1:22:23.360
<v Speaker 2>In?

1:22:24.600 --> 1:22:28.639
<v Speaker 1>What am I thinking? It's a film with big strong women,

1:22:28.720 --> 1:22:29.800
<v Speaker 1>and it's a film I.

1:22:32.840 --> 1:22:34.240
<v Speaker 3>Think you can enjoy.

1:22:34.280 --> 1:22:36.320
<v Speaker 1>You can enjoy as a film about big strong women,

1:22:36.320 --> 1:22:38.320
<v Speaker 1>but you can also enjoy it as a film that

1:22:38.600 --> 1:22:41.600
<v Speaker 1>has a lot of trans allegory. And it's incredible.

1:22:41.760 --> 1:22:47.479
<v Speaker 3>So yeah, that's great. Yeah, Yeah, go on out go

1:22:47.560 --> 1:22:51.880
<v Speaker 3>support our girl. Also, yeah, we can the links to

1:22:51.920 --> 1:22:55.439
<v Speaker 3>your website and everything down there. Follow Liz. She's great,

1:22:55.640 --> 1:22:58.479
<v Speaker 3>very knowledgeable all our movie heads out there. I hope

1:22:58.479 --> 1:23:01.240
<v Speaker 3>you enjoyed this one, and Liz, thank you for joining us.

1:23:01.280 --> 1:23:01.840
<v Speaker 3>It means a lot.

1:23:01.880 --> 1:23:04.559
<v Speaker 1>Thank you, No, thank you. It was a lot of fun.

1:23:13.640 --> 1:23:16.640
<v Speaker 2>So we just shot a music video this week for

1:23:16.800 --> 1:23:20.400
<v Speaker 2>Janie's new song on her new album, East Atlanta Sober

1:23:20.439 --> 1:23:22.960
<v Speaker 2>that comes out pinning.

1:23:22.560 --> 1:23:24.880
<v Speaker 3>This fall a summer summer.

1:23:24.880 --> 1:23:29.439
<v Speaker 2>Okay, it's going to why did.

1:23:29.360 --> 1:23:29.920
<v Speaker 3>I say fall?

1:23:30.240 --> 1:23:32.760
<v Speaker 2>I was literally thinking spring and I said fall? Why

1:23:32.800 --> 1:23:34.480
<v Speaker 2>did I Anyway.

1:23:34.200 --> 1:23:38.960
<v Speaker 3>Maybe spring mid spring, early summer. But yeah, new album

1:23:39.000 --> 1:23:42.160
<v Speaker 3>coming out. I have a new single. For all of

1:23:42.160 --> 1:23:45.800
<v Speaker 3>my albums, I want to have like one really really heavy, aggressive,

1:23:45.920 --> 1:23:49.360
<v Speaker 3>like grind corey song on it, and this is the

1:23:49.360 --> 1:23:55.040
<v Speaker 3>one for that. So it's it's very very aggressive, very short, blistering,

1:23:55.280 --> 1:24:01.720
<v Speaker 3>angry political and yeah, so I got a bunch of

1:24:01.720 --> 1:24:05.439
<v Speaker 3>girlies together there to help us tie up an effigy

1:24:05.479 --> 1:24:08.960
<v Speaker 3>of a man and kill him. And yeah, it's great.

1:24:09.040 --> 1:24:11.000
<v Speaker 3>I'm very excited about it. I'm very proud of it

1:24:11.040 --> 1:24:13.639
<v Speaker 3>and proud of our director. Shout out to Natasha Riiley

1:24:14.120 --> 1:24:17.200
<v Speaker 3>she's nominated for some sort of award right now because

1:24:17.240 --> 1:24:18.160
<v Speaker 3>she's very talented.

1:24:18.240 --> 1:24:22.160
<v Speaker 2>But yeah, shout out to her. She's really great. And yeah,

1:24:22.720 --> 1:24:25.320
<v Speaker 2>especially she did our photos.

1:24:25.280 --> 1:24:28.920
<v Speaker 3>Yes she did. Yeah, if you've enjoyed our little like

1:24:29.040 --> 1:24:32.360
<v Speaker 3>new like promotional like photos and stuff, she did those two.

1:24:32.439 --> 1:24:36.000
<v Speaker 3>So she's very talented. But yeah, it should be out

1:24:36.040 --> 1:24:40.280
<v Speaker 3>probably next week. So maybe by next week's episode, we'll

1:24:40.320 --> 1:24:43.120
<v Speaker 3>have it linked in the description for you to check out.

1:24:43.880 --> 1:24:46.160
<v Speaker 2>So yeah, keep an eye on the keep an eye

1:24:46.200 --> 1:24:48.760
<v Speaker 2>on the Jaming Danger YouTube channel. I'll link that in

1:24:48.840 --> 1:24:52.080
<v Speaker 2>the description below so that people can subscribe it and whatnot.

1:24:52.680 --> 1:24:58.880
<v Speaker 3>Yeah, yeah, do we have any desperate colors that need help?

1:24:59.120 --> 1:25:01.920
<v Speaker 3>We do have one desperate callers today.

1:25:02.160 --> 1:25:07.600
<v Speaker 4>Let's queue it up, he translated Beauty, recent listener of

1:25:07.640 --> 1:25:11.679
<v Speaker 4>the show love It. I don't really have a problem

1:25:11.960 --> 1:25:16.680
<v Speaker 4>or like a specific question, just wanted to share something

1:25:16.880 --> 1:25:22.360
<v Speaker 4>and get ill thoughts. Uh. So, I was assigned mail

1:25:22.439 --> 1:25:30.439
<v Speaker 4>at birth. I'm currently identifying as non binary, and you know,

1:25:30.560 --> 1:25:34.960
<v Speaker 4>experimenting with like different ways of like gender expression and

1:25:35.840 --> 1:25:39.400
<v Speaker 4>YadA YadA. I really learned here to talk about more

1:25:39.560 --> 1:25:45.960
<v Speaker 4>here to talk about you know, since beginning to identify

1:25:46.000 --> 1:25:50.960
<v Speaker 4>as non binary, I started to the past couple of

1:25:50.960 --> 1:25:55.599
<v Speaker 4>people I dated or hooked up with. That's right, Almost

1:25:55.640 --> 1:25:59.880
<v Speaker 4>all big trans women get which I which you know

1:26:00.080 --> 1:26:00.439
<v Speaker 4>I love?

1:26:00.880 --> 1:26:01.040
<v Speaker 2>Right?

1:26:03.800 --> 1:26:06.800
<v Speaker 4>I I think the thing I wanted to get your

1:26:06.880 --> 1:26:10.600
<v Speaker 4>thoughts on was a number of them have sort of

1:26:10.600 --> 1:26:15.599
<v Speaker 4>made comments about you know, unprompted.

1:26:15.160 --> 1:26:17.640
<v Speaker 3>Like I knew it. I knew it was like I

1:26:17.640 --> 1:26:19.519
<v Speaker 3>was about to have.

1:26:19.600 --> 1:26:25.720
<v Speaker 4>You considered transitioning you know, your gender? Right? Have you considered,

1:26:25.800 --> 1:26:29.080
<v Speaker 4>you know, taking hormones which you know? I don't I

1:26:29.200 --> 1:26:36.360
<v Speaker 4>take a compliment? Yeah, I mean I don't know magic

1:26:36.360 --> 1:26:41.160
<v Speaker 4>shouldn't I do? You know? There are times I enjoy

1:26:41.840 --> 1:26:45.000
<v Speaker 4>I enjoy like, you know, dressing up and like more

1:26:45.040 --> 1:26:48.439
<v Speaker 4>fun clothing, and it's kind of nice when like someone

1:26:48.680 --> 1:26:52.040
<v Speaker 4>like calls me like ma'am or something in the street.

1:26:54.840 --> 1:26:55.440
<v Speaker 1>Yeah.

1:26:55.439 --> 1:26:57.559
<v Speaker 4>I'm just curious if like this is like a thing

1:26:57.760 --> 1:26:59.320
<v Speaker 4>that you heard about.

1:26:59.200 --> 1:27:01.360
<v Speaker 3>Or oh, we've heard about it, honey.

1:27:01.600 --> 1:27:04.439
<v Speaker 4>I like this question people who have had similar attitude.

1:27:04.479 --> 1:27:05.799
<v Speaker 3>I have some thoughts that I want to get.

1:27:05.640 --> 1:27:08.120
<v Speaker 4>Out before you do great work with the show.

1:27:08.840 --> 1:27:11.479
<v Speaker 2>Okay, so first thing, I know that you're new at this,

1:27:11.880 --> 1:27:14.680
<v Speaker 2>Please stop saying assigned to mail at birth. We do

1:27:14.800 --> 1:27:18.320
<v Speaker 2>not need to know that you're a mab afab whatever

1:27:18.439 --> 1:27:23.519
<v Speaker 2>we can tell. Oh my god, it's just annoying, you

1:27:23.560 --> 1:27:25.000
<v Speaker 2>know what I mean. The whole point of being non

1:27:25.040 --> 1:27:29.200
<v Speaker 2>binary is to not like establish your sex in every conversation,

1:27:29.320 --> 1:27:30.519
<v Speaker 2>So stop doing that please.

1:27:31.960 --> 1:27:33.639
<v Speaker 4>And uh.

1:27:33.840 --> 1:27:36.960
<v Speaker 2>The other thing I would say is we're not changing

1:27:36.960 --> 1:27:39.599
<v Speaker 2>our gender, We're changing our sex, and that's an important

1:27:39.600 --> 1:27:42.160
<v Speaker 2>thing to keep in mind. Hormones change your sex.

1:27:42.840 --> 1:27:43.639
<v Speaker 3>We are.

1:27:45.000 --> 1:27:48.559
<v Speaker 2>Already i think, confident in our gender prior to that.

1:27:48.800 --> 1:27:52.120
<v Speaker 2>But it really just comes down to, Yeah, if you

1:27:52.160 --> 1:27:55.759
<v Speaker 2>feel like you like being referred to as a woman,

1:27:56.000 --> 1:27:59.120
<v Speaker 2>ma'am moving through life as a woman, and you see

1:27:59.160 --> 1:28:03.280
<v Speaker 2>yourself moving through life as a woman, then yeah, I

1:28:03.320 --> 1:28:06.479
<v Speaker 2>think that's something that you should pursue. I also don't

1:28:06.479 --> 1:28:09.320
<v Speaker 2>think hormones are that serious of a deal where you

1:28:09.360 --> 1:28:14.240
<v Speaker 2>need to be, like, you know, super afraid of trying

1:28:14.360 --> 1:28:16.800
<v Speaker 2>them for like a short period of time. I agree

1:28:16.800 --> 1:28:19.479
<v Speaker 2>with that, SOO, yeah, you could try them for a

1:28:19.479 --> 1:28:22.200
<v Speaker 2>period of time and see how that makes you feel.

1:28:22.240 --> 1:28:25.439
<v Speaker 2>If that makes you feel any affirmed, yeah, like in

1:28:25.479 --> 1:28:26.280
<v Speaker 2>one way or the other.

1:28:27.120 --> 1:28:29.280
<v Speaker 3>I'd say if you give it like six months or so,

1:28:29.600 --> 1:28:32.320
<v Speaker 3>you're not really going to get anything that you can't undo,

1:28:33.080 --> 1:28:35.160
<v Speaker 3>and you'll definitely be able to get like at least

1:28:35.160 --> 1:28:38.880
<v Speaker 3>like a taste of like what that experience is like

1:28:38.960 --> 1:28:40.439
<v Speaker 3>and be able to see if you like it or not.

1:28:40.840 --> 1:28:43.200
<v Speaker 2>But I will also say that, you know, hormones are

1:28:43.240 --> 1:28:46.600
<v Speaker 2>just one part of it, you know. I mean, I

1:28:46.600 --> 1:28:50.479
<v Speaker 2>would also experiment with, like, you know, presenting if that

1:28:50.560 --> 1:28:52.720
<v Speaker 2>is something that you want to do, because also keep

1:28:52.760 --> 1:28:56.840
<v Speaker 2>in mind that being a woman really does not come

1:28:56.880 --> 1:28:59.240
<v Speaker 2>down to the clothes you like to wear. It comes

1:28:59.280 --> 1:29:02.960
<v Speaker 2>down to how you feel about your sex at the

1:29:03.040 --> 1:29:05.400
<v Speaker 2>end of the day, you know, like do I you know,

1:29:06.080 --> 1:29:08.960
<v Speaker 2>and so you can wear whatever clothes you want to wear.

1:29:09.000 --> 1:29:12.080
<v Speaker 2>But I would I would practice with presenting more feminine

1:29:12.479 --> 1:29:15.360
<v Speaker 2>and just seeing how that makes you feel.

1:29:15.800 --> 1:29:18.280
<v Speaker 3>I support that as well. I have some kind of

1:29:18.960 --> 1:29:22.960
<v Speaker 3>maybe maybe differing opinions from my lovely co host here though,

1:29:23.080 --> 1:29:29.360
<v Speaker 3>please and that well, for one, I want to address

1:29:29.439 --> 1:29:34.600
<v Speaker 3>the uh like the trans people making comments, because this

1:29:34.680 --> 1:29:38.439
<v Speaker 3>is the thing that especially lots of younger trans women

1:29:38.760 --> 1:29:42.280
<v Speaker 3>like to do where they do this very like r

1:29:42.400 --> 1:29:46.719
<v Speaker 3>slash egg irl bullshit where they're like, oh, I'm cracking

1:29:46.760 --> 1:29:49.160
<v Speaker 3>the egg. And I also kind of want to talk

1:29:49.160 --> 1:29:53.040
<v Speaker 3>about the twitch streamer thing I don't know. Yeah, yeah,

1:29:53.120 --> 1:29:55.200
<v Speaker 3>we can get into that a little bit later because

1:29:55.280 --> 1:29:56.840
<v Speaker 3>this kind of ties into that in a way. But

1:29:58.160 --> 1:30:02.360
<v Speaker 3>I think, you know, contrary to what our haters might

1:30:02.439 --> 1:30:06.679
<v Speaker 3>say about us, we or at least me, for sure,

1:30:08.000 --> 1:30:11.760
<v Speaker 3>I like the idea of people being on binary. I

1:30:11.760 --> 1:30:15.320
<v Speaker 3>think it's great. I think if you are non binary

1:30:15.439 --> 1:30:19.000
<v Speaker 3>and you are comfortable with that as your label, I

1:30:19.040 --> 1:30:22.080
<v Speaker 3>think that's very cool and I think that's fine, and

1:30:22.400 --> 1:30:26.840
<v Speaker 3>I don't think anyone should try to like change that

1:30:27.160 --> 1:30:30.680
<v Speaker 3>about you if that's something you're very comfortable with. So

1:30:31.680 --> 1:30:32.240
<v Speaker 3>that's why I.

1:30:32.240 --> 1:30:36.240
<v Speaker 2>Would say, if you don't, like, if it makes you

1:30:36.320 --> 1:30:39.920
<v Speaker 2>uncomfortable that trans women that you're making up with or yeah,

1:30:39.960 --> 1:30:43.160
<v Speaker 2>are saying that too, I think you could you could

1:30:43.200 --> 1:30:45.360
<v Speaker 2>respond with some I think you're well within your right

1:30:45.400 --> 1:30:48.639
<v Speaker 2>to respond with some caddie bullshit like oh well, maybe

1:30:48.680 --> 1:30:51.360
<v Speaker 2>I'm happy with who I am or something like, because

1:30:51.840 --> 1:30:56.000
<v Speaker 2>that's not their business, Like that's not someone else's business

1:30:56.120 --> 1:30:59.080
<v Speaker 2>to like be your fucking indochronologists, you know.

1:30:59.560 --> 1:31:02.800
<v Speaker 3>Or you're like your fucking therapist. Yeah, yeah, like I

1:31:02.840 --> 1:31:05.639
<v Speaker 3>think if I think again, though, that's like a thing

1:31:05.680 --> 1:31:08.200
<v Speaker 3>that you have to decide. Like, I think you need

1:31:08.240 --> 1:31:11.719
<v Speaker 3>to decide, like, if you're happy with who you are

1:31:11.720 --> 1:31:14.960
<v Speaker 3>being non binary, then you should be happy with that.

1:31:14.960 --> 1:31:15.559
<v Speaker 3>That's fine.

1:31:15.800 --> 1:31:18.200
<v Speaker 2>But I always encouraged, like, if that's being said, yes,

1:31:18.240 --> 1:31:20.879
<v Speaker 2>I always encourage people just trying it out if they're curious.

1:31:21.000 --> 1:31:23.439
<v Speaker 3>But I was gonna say that too. There would be

1:31:23.479 --> 1:31:26.599
<v Speaker 3>nothing wrong with like identifying as trans for a while

1:31:27.120 --> 1:31:30.120
<v Speaker 3>just to try, Like, I don't I don't see anything

1:31:30.160 --> 1:31:32.400
<v Speaker 3>wrong with that. When I first came out, I said

1:31:32.439 --> 1:31:36.840
<v Speaker 3>I was like gender queer for like a year, and

1:31:37.520 --> 1:31:39.880
<v Speaker 3>to be honest, I kind of knew I was trans

1:31:39.960 --> 1:31:42.800
<v Speaker 3>like the whole time, but it was kind of my

1:31:42.880 --> 1:31:46.120
<v Speaker 3>way of like dipping my toes in the water before

1:31:46.280 --> 1:31:48.760
<v Speaker 3>I like actually like dived into the deep end.

1:31:49.240 --> 1:31:51.960
<v Speaker 2>Yeah, because you have so many like societal pressures to

1:31:52.120 --> 1:31:56.360
<v Speaker 2>be a man, you know, if that's what you're born

1:31:56.439 --> 1:32:00.599
<v Speaker 2>as or whatever. You have so many pressures to be person.

1:32:00.760 --> 1:32:06.599
<v Speaker 2>So really the first step in becoming a trans woman

1:32:06.880 --> 1:32:10.320
<v Speaker 2>for us is just like learning to accept that we're

1:32:10.320 --> 1:32:13.719
<v Speaker 2>not those people for anyone, and we have to be yeah,

1:32:13.760 --> 1:32:16.360
<v Speaker 2>who we are for ourselves. For you, Yeah, yeah, I

1:32:16.360 --> 1:32:18.760
<v Speaker 2>would also maybe disagree with you a little bit that,

1:32:18.880 --> 1:32:22.080
<v Speaker 2>like this is something I've kind of came around on

1:32:22.160 --> 1:32:24.519
<v Speaker 2>like I've always used to kind of be like very

1:32:24.560 --> 1:32:28.080
<v Speaker 2>hardlined about like no, like if you're like taking hormones,

1:32:28.120 --> 1:32:31.640
<v Speaker 2>you're like clearly like like trans. But I'm starting to

1:32:31.640 --> 1:32:35.000
<v Speaker 2>think maybe like you can identify as like non binary

1:32:35.080 --> 1:32:35.760
<v Speaker 2>or something else.

1:32:35.920 --> 1:32:40.599
<v Speaker 3>Yeah, I wouldn't call you sis quite, but like I

1:32:40.600 --> 1:32:42.320
<v Speaker 3>think if you're if I think, if you want to

1:32:42.400 --> 1:32:45.839
<v Speaker 3>experiment with like hormones and stuff and like consider yourself

1:32:45.880 --> 1:32:48.320
<v Speaker 3>like non binary or like like a thin boy or

1:32:48.360 --> 1:32:50.880
<v Speaker 3>something like, I mean, as long as you're not like

1:32:50.960 --> 1:32:54.120
<v Speaker 3>being annoying about it, like that's that's fine. I don't

1:32:54.160 --> 1:32:56.479
<v Speaker 3>see anything wrong with that. So I would also add

1:32:56.520 --> 1:32:59.200
<v Speaker 3>like if you want to like kind of keep that

1:32:59.320 --> 1:33:02.800
<v Speaker 3>like identity the label, but also like maybe experiment with

1:33:02.840 --> 1:33:10.040
<v Speaker 3>more like physical like you know, hormones, presentation, like voice training, whatever. Yeah,

1:33:10.080 --> 1:33:11.799
<v Speaker 3>try that, like try on different hats.

1:33:11.840 --> 1:33:12.000
<v Speaker 4>You know.

1:33:12.080 --> 1:33:16.600
<v Speaker 3>It's it's it's because I definitely relate to like the

1:33:16.680 --> 1:33:20.439
<v Speaker 3>confusion of kind of like when you realize, like when

1:33:20.439 --> 1:33:23.519
<v Speaker 3>you get that like splinter in your mind and you realize, like, Okay,

1:33:23.600 --> 1:33:26.960
<v Speaker 3>I'm definitely not like sis. I'm definitely not like being

1:33:27.040 --> 1:33:31.120
<v Speaker 3>comfortable being referred to as male as a man or whatever. Yeah,

1:33:31.160 --> 1:33:35.559
<v Speaker 3>and just like having this kind of like culture shock,

1:33:35.640 --> 1:33:38.679
<v Speaker 3>I guess of not being sure like what that means. Yeah,

1:33:38.680 --> 1:33:43.000
<v Speaker 3>Like I definitely like relate to that kind of like confusion,

1:33:43.040 --> 1:33:45.280
<v Speaker 3>and I think that's something that you should like guide

1:33:45.320 --> 1:33:49.600
<v Speaker 3>yourself through. And but I like talking talking with like

1:33:49.640 --> 1:33:51.840
<v Speaker 3>friends and stuff would help. But I think like talking

1:33:51.880 --> 1:33:54.479
<v Speaker 3>with like randos that you like hook up with or

1:33:54.520 --> 1:33:57.760
<v Speaker 3>like whatever, like they a lot a get A lot

1:33:57.760 --> 1:34:00.519
<v Speaker 3>of fucking trans girls are like very annoying this and

1:34:00.560 --> 1:34:01.840
<v Speaker 3>they like want to crack.

1:34:01.600 --> 1:34:04.120
<v Speaker 2>Your I'll be honest too, can I can I say,

1:34:04.240 --> 1:34:07.080
<v Speaker 2>like I'm sorry, well, just to like play Devil's advocate

1:34:07.120 --> 1:34:11.240
<v Speaker 2>here for the trans women, I will say, you know, uh,

1:34:12.280 --> 1:34:15.439
<v Speaker 2>just to say, like fucking like fucking trans women does

1:34:15.479 --> 1:34:20.439
<v Speaker 2>not make you trans, you know, and being trans. You know,

1:34:20.840 --> 1:34:23.439
<v Speaker 2>there's other and I can't we'd have to play it back.

1:34:23.479 --> 1:34:25.439
<v Speaker 2>But I can't remember if this person is even necessarily

1:34:25.560 --> 1:34:29.120
<v Speaker 2>questioning their gender or if other people are just questioning

1:34:29.560 --> 1:34:31.080
<v Speaker 2>their gender, you know what I mean. I think they

1:34:31.160 --> 1:34:34.240
<v Speaker 2>I think they are a little bit, yeah, because it

1:34:34.320 --> 1:34:37.040
<v Speaker 2>sounds to me more like it's like an external like

1:34:37.160 --> 1:34:43.960
<v Speaker 2>these trans women that you're fucking are being like, hey,

1:34:44.240 --> 1:34:47.639
<v Speaker 2>you know what's going on, And yeah, there are some

1:34:47.680 --> 1:34:50.800
<v Speaker 2>trans women that take a lot of like glory and

1:34:50.840 --> 1:34:51.519
<v Speaker 2>being like I'm.

1:34:51.360 --> 1:34:52.240
<v Speaker 3>Gonna crack the eg.

1:34:53.880 --> 1:34:56.320
<v Speaker 2>But honestly, it's like we just need to accept that

1:34:56.360 --> 1:35:00.759
<v Speaker 2>like nobody determines anyone's gender or secon expect themselves.

1:35:00.840 --> 1:35:03.720
<v Speaker 3>Yeah. Absolutely, Yeah, this is something we've talked about a

1:35:03.720 --> 1:35:07.680
<v Speaker 3>lot in regards to like, yes the Kirk. Yeah, that's

1:35:07.680 --> 1:35:12.120
<v Speaker 3>a classic example because it's something that like really goes

1:35:12.200 --> 1:35:18.639
<v Speaker 3>against the kind of modus operanda being trend. Yeah, you're

1:35:18.640 --> 1:35:22.200
<v Speaker 3>deciding for someone else, like like that's not like that's

1:35:22.320 --> 1:35:25.160
<v Speaker 3>you can't do that, and that's something that I will

1:35:25.200 --> 1:35:29.479
<v Speaker 3>always reject. So yeah, I think we can like cover

1:35:29.560 --> 1:35:32.120
<v Speaker 3>our bases here and answer and like help them with

1:35:32.200 --> 1:35:35.400
<v Speaker 3>like the the kind of like either one, because yeah,

1:35:35.560 --> 1:35:39.200
<v Speaker 3>it does seem like it could be like either they

1:35:39.240 --> 1:35:42.360
<v Speaker 3>are questioning this and are not sure about like the

1:35:42.400 --> 1:35:45.720
<v Speaker 3>external influences, or they're very very sure and are kind

1:35:45.760 --> 1:35:48.880
<v Speaker 3>of annoyed by the external influences. And I think we

1:35:48.920 --> 1:35:51.479
<v Speaker 3>can answer like both of those questions in an honest

1:35:51.520 --> 1:35:55.720
<v Speaker 3>way and maybe that that will help our help our

1:35:55.760 --> 1:36:01.519
<v Speaker 3>dear listener, because I just like try to shut out,

1:36:01.800 --> 1:36:04.840
<v Speaker 3>you know, I think so too. I would also agree, like,

1:36:04.920 --> 1:36:07.200
<v Speaker 3>and this is something that like an annoying, like egg

1:36:07.240 --> 1:36:11.759
<v Speaker 3>cracky trans woman probably would say. But it's true, Sis,

1:36:11.760 --> 1:36:16.920
<v Speaker 3>people don't buy and large don't really experiment with like

1:36:17.000 --> 1:36:20.680
<v Speaker 3>hormones or like even think about like doing stuff like that.

1:36:20.960 --> 1:36:24.080
<v Speaker 3>So if that's something that you like are really like

1:36:24.160 --> 1:36:27.200
<v Speaker 3>in your brain wanting to do, I mean, I don't

1:36:27.200 --> 1:36:29.400
<v Speaker 3>know what to tell you, girl, Like that's that sounds

1:36:29.439 --> 1:36:33.360
<v Speaker 3>like it might be something you would be worth trying out.

1:36:33.760 --> 1:36:36.360
<v Speaker 2>It just depends on you know, you gotta just break

1:36:36.400 --> 1:36:39.760
<v Speaker 2>through all those barriers of like I don't know just

1:36:39.800 --> 1:36:41.400
<v Speaker 2>what other people around you expect to you.

1:36:41.920 --> 1:36:43.599
<v Speaker 3>I mean I feel like one of the big things

1:36:43.680 --> 1:36:46.360
<v Speaker 3>is like, oh, like I'm gonna like sterilize myself. But

1:36:46.360 --> 1:36:49.360
<v Speaker 3>it's like it sounds like you're gay already, so I

1:36:49.360 --> 1:36:53.120
<v Speaker 3>mean it's kind of like God already did that for you.

1:36:53.720 --> 1:36:57.080
<v Speaker 3>I mean you can also like you could come in

1:36:57.120 --> 1:36:59.519
<v Speaker 3>a ziplock bag and keep it in your freezer, like

1:36:59.640 --> 1:37:02.920
<v Speaker 3>it's you can always do. I've heard that works. Oh,

1:37:02.960 --> 1:37:06.000
<v Speaker 3>I've got an ice tray full come from when I

1:37:06.040 --> 1:37:11.160
<v Speaker 3>was three at your house. Oh, it's clearly labeled it's

1:37:11.200 --> 1:37:18.479
<v Speaker 3>clearly labeled not ice. Something else, sir, it's not ice.

1:37:18.560 --> 1:37:20.760
<v Speaker 3>It's a secret more sinister second thing.

1:37:20.880 --> 1:37:24.800
<v Speaker 2>Oh my god, I'm terrified. I have a friend who

1:37:24.880 --> 1:37:27.080
<v Speaker 2>keeps a fucking dead cat in their freezer, and I

1:37:27.120 --> 1:37:29.760
<v Speaker 2>have a friend who keeps the fucking ice tray of

1:37:29.880 --> 1:37:30.799
<v Speaker 2>com in their freezer.

1:37:30.880 --> 1:37:33.040
<v Speaker 3>This is I don't Actually I do sometimes kind of

1:37:33.080 --> 1:37:36.519
<v Speaker 3>wish that I, like save my sperm, but it's a

1:37:36.840 --> 1:37:40.240
<v Speaker 3>very very expensive to do in Georgia. Yeah, don't you

1:37:40.240 --> 1:37:42.920
<v Speaker 3>have to like pay rent on that? Yeah? No, it's

1:37:43.120 --> 1:37:46.120
<v Speaker 3>really really it's like a monthly fee or some shit. Yeah,

1:37:46.200 --> 1:37:48.280
<v Speaker 3>I'm not sure. I know that. Like just like doing

1:37:48.320 --> 1:37:51.720
<v Speaker 3>the deposit is like incredibly expensive. It's like, I'm the

1:37:51.760 --> 1:37:52.679
<v Speaker 3>one who's coming.

1:37:53.280 --> 1:37:54.080
<v Speaker 1>I didn't want to wait.

1:37:54.240 --> 1:37:56.280
<v Speaker 3>I didn't want to wait. I was like, I'm just

1:37:56.320 --> 1:37:59.000
<v Speaker 3>gonna I'm just gonna start hormones. And I think having

1:37:59.080 --> 1:38:02.599
<v Speaker 3>kids like stupid. I'm just gonna say it. Also, I'm adopted.

1:38:02.640 --> 1:38:03.600
<v Speaker 3>I could adopt.

1:38:03.520 --> 1:38:04.840
<v Speaker 1>Exactly my point.

1:38:05.720 --> 1:38:09.760
<v Speaker 3>And also I've come to realize I'm more into like

1:38:09.840 --> 1:38:14.000
<v Speaker 3>long term relationships with men and uh just making out

1:38:14.000 --> 1:38:19.519
<v Speaker 3>with girls because they're pretty. But uh, yeah, can we

1:38:19.800 --> 1:38:22.479
<v Speaker 3>really quick talk about do you know about the twitch

1:38:22.479 --> 1:38:25.880
<v Speaker 3>streamer guy Finn girl be, I don't know. I mean

1:38:25.920 --> 1:38:29.960
<v Speaker 3>she's not. I think I think they're in any pronouns person. So,

1:38:30.760 --> 1:38:34.639
<v Speaker 3>but I think that's an interesting like cultural tie into

1:38:34.640 --> 1:38:39.400
<v Speaker 3>this conversation. Yeah, because people for so long have been saying, oh,

1:38:39.439 --> 1:38:41.200
<v Speaker 3>you're an egg, when are you gonna start a hormone?

1:38:41.200 --> 1:38:45.000
<v Speaker 3>Finn's on hormones. It turns out they were six months

1:38:45.160 --> 1:38:47.880
<v Speaker 3>they've been on hormones, but of course they were. If

1:38:47.920 --> 1:38:50.960
<v Speaker 3>you looked at that person, well, I'm with you. Can

1:38:50.960 --> 1:38:51.640
<v Speaker 3>I be honest with you?

1:38:52.360 --> 1:38:52.840
<v Speaker 1>Can I be mean?

1:38:52.880 --> 1:38:55.680
<v Speaker 2>For a second, I watched the coming out video and

1:38:55.720 --> 1:38:57.160
<v Speaker 2>I was I'm very happy for.

1:38:57.280 --> 1:38:59.479
<v Speaker 3>I was shocked that they were like Australian or whatever.

1:38:59.840 --> 1:39:03.160
<v Speaker 3>That was hard. I think, oh god, which is like

1:39:03.200 --> 1:39:05.320
<v Speaker 3>even worse. I thought they were America.

1:39:05.439 --> 1:39:08.240
<v Speaker 2>It's like even harder to get HRT and like, if

1:39:08.240 --> 1:39:11.320
<v Speaker 2>you're in America, try it out. But anyway, England, it's

1:39:11.360 --> 1:39:13.200
<v Speaker 2>a fucking arduous process to get.

1:39:13.200 --> 1:39:14.479
<v Speaker 3>HRT over there. I'm sure.

1:39:14.600 --> 1:39:17.559
<v Speaker 2>But it's all camera angles. Can I just say with

1:39:17.640 --> 1:39:19.360
<v Speaker 2>Finn it's all that camera angle.

1:39:19.520 --> 1:39:21.639
<v Speaker 3>It is the so it is all this.

1:39:21.600 --> 1:39:24.160
<v Speaker 2>Camera angle and I'm going to hold my my laptop

1:39:24.280 --> 1:39:25.360
<v Speaker 2>up like this.

1:39:26.040 --> 1:39:26.960
<v Speaker 3>That is all it is.

1:39:27.560 --> 1:39:32.400
<v Speaker 2>Because when Finn shoots to camera, there was like a

1:39:32.400 --> 1:39:35.040
<v Speaker 2>couple of shots where he she they were shooting a

1:39:35.080 --> 1:39:39.080
<v Speaker 2>camera like face on like this, bricky, bricky, bricky.

1:39:39.640 --> 1:39:42.880
<v Speaker 3>Wow. I don't really care about you being means of

1:39:42.920 --> 1:39:46.800
<v Speaker 3>herd because I'll be honest, there is someone I'm fine

1:39:46.800 --> 1:39:50.160
<v Speaker 3>with Finn. There was someone I was aware of on

1:39:50.200 --> 1:39:53.479
<v Speaker 3>Twitter for a long time because they there was a

1:39:53.520 --> 1:39:57.920
<v Speaker 3>lot of this is they they like, yes, like rage bait,

1:39:58.280 --> 1:40:00.280
<v Speaker 3>I want to get to that. But there was lot

1:40:00.280 --> 1:40:04.719
<v Speaker 3>of trans people that were very like annoying about him, Yeah,

1:40:04.800 --> 1:40:08.719
<v Speaker 3>because like they were annoyed that this is like I mean, honestly,

1:40:08.720 --> 1:40:10.720
<v Speaker 3>they were just jealous. They were annoyed that like a

1:40:11.080 --> 1:40:14.719
<v Speaker 3>quote unquote boy is like pretty and is like using

1:40:14.840 --> 1:40:18.439
<v Speaker 3>that to like get views. And personally, I think that's

1:40:18.479 --> 1:40:20.960
<v Speaker 3>something that also goes against the kind of mo o

1:40:21.360 --> 1:40:26.160
<v Speaker 3>of self identifying being trans, like choosing your own you know,

1:40:26.640 --> 1:40:31.360
<v Speaker 3>labels for yourself whatever. But when they started making videos

1:40:31.400 --> 1:40:34.559
<v Speaker 3>that were like I just tricked a bunch of blokes

1:40:34.560 --> 1:40:37.800
<v Speaker 3>into thinking that I'm a woman, I'm like, yeah, that's

1:40:37.880 --> 1:40:39.439
<v Speaker 3>fucked up, that's weird.

1:40:39.720 --> 1:40:42.599
<v Speaker 2>That's when I started to I don't care be a fimboy,

1:40:42.640 --> 1:40:46.280
<v Speaker 2>be a Twitter, be a whatever. But the rage bait

1:40:46.400 --> 1:40:50.400
<v Speaker 2>stuff at a time when got trans women are being murdered,

1:40:50.560 --> 1:40:52.559
<v Speaker 2>it's just goofy, you know what I mean.

1:40:52.600 --> 1:40:56.479
<v Speaker 3>It's insane. It's goofy. And it shows a really like

1:40:57.520 --> 1:41:01.760
<v Speaker 3>detached level of like privilege of like like not realizing

1:41:01.800 --> 1:41:06.160
<v Speaker 3>that like I'm like making like content off of something

1:41:06.240 --> 1:41:10.560
<v Speaker 3>that like gets trans people fucking killed. Like that's insane

1:41:10.640 --> 1:41:11.320
<v Speaker 3>to me, I know.

1:41:11.479 --> 1:41:13.479
<v Speaker 2>Yeah, And that's when I started to like was like

1:41:13.560 --> 1:41:15.559
<v Speaker 2>I don't know about that. But then I want to say,

1:41:16.280 --> 1:41:19.519
<v Speaker 2>you know, I don't want to be armchair psychologists here

1:41:19.560 --> 1:41:22.000
<v Speaker 2>because that's not our job. But some of that, I

1:41:22.000 --> 1:41:26.320
<v Speaker 2>feel like comes down to like internalized trans misogyny. You

1:41:26.439 --> 1:41:29.080
<v Speaker 2>learn for so long that trans women are so disgusting

1:41:29.240 --> 1:41:33.000
<v Speaker 2>they are the most vile, like worst person, type of

1:41:33.000 --> 1:41:35.720
<v Speaker 2>person that can't consist on the face of earth. So

1:41:36.960 --> 1:41:40.040
<v Speaker 2>what do you identify as well, I'll be a finboy

1:41:40.080 --> 1:41:42.719
<v Speaker 2>because that's not quite as nasty, and I'm not saying

1:41:42.720 --> 1:41:43.800
<v Speaker 2>that that's the case.

1:41:43.640 --> 1:41:46.120
<v Speaker 3>But no, I think I know what you're getting a yeah,

1:41:46.200 --> 1:41:49.800
<v Speaker 3>like being like, oh, well, I want to like cross

1:41:49.880 --> 1:41:52.200
<v Speaker 3>dress or I want to like present myself like this

1:41:52.240 --> 1:41:55.639
<v Speaker 3>because I like doing it. Yeah, but in a way

1:41:55.720 --> 1:41:59.679
<v Speaker 3>to like kind of like misdirect from like me saying

1:41:59.760 --> 1:42:02.400
<v Speaker 3>that I like this and I'm comfortable with it, I say,

1:42:02.479 --> 1:42:06.120
<v Speaker 3>I'm doing it for a joke. Yes, yes, it's Halloween.

1:42:06.280 --> 1:42:10.160
<v Speaker 3>I I had to dress up as it's like I don't.

1:42:10.960 --> 1:42:12.240
<v Speaker 2>When I went to Alta, we used to have this

1:42:12.280 --> 1:42:14.559
<v Speaker 2>creepy old guy who'd be like, hey, I lost a

1:42:14.600 --> 1:42:17.080
<v Speaker 2>bet with my wife and she she wants me to

1:42:17.120 --> 1:42:19.880
<v Speaker 2>go out this weekend dressed up like a woman. Do

1:42:19.920 --> 1:42:23.560
<v Speaker 2>you do like make up for drag there at Alta?

1:42:23.640 --> 1:42:26.960
<v Speaker 3>And I would be like, yeah, you can use makeup

1:42:26.960 --> 1:42:27.840
<v Speaker 3>for anything. Yeah.

1:42:27.960 --> 1:42:30.000
<v Speaker 2>I'm like in my head like cancer, Like I'm like

1:42:30.000 --> 1:42:32.639
<v Speaker 2>thinking to myself, like, dude, first of all, you there

1:42:32.680 --> 1:42:34.920
<v Speaker 2>was never a bet. You're just a fucking weirdo and

1:42:34.960 --> 1:42:40.519
<v Speaker 2>you want some type of like yeah wait, yeah that's awesome.

1:42:40.720 --> 1:42:41.080
<v Speaker 3>Yeah.

1:42:41.080 --> 1:42:42.639
<v Speaker 2>So a lot of it, I feel like comes down

1:42:42.680 --> 1:42:46.360
<v Speaker 2>to like just like internalized trans misogyny and just like

1:42:46.360 --> 1:42:50.240
<v Speaker 2>a hatred for a trans woman that like I can't

1:42:50.280 --> 1:42:51.280
<v Speaker 2>be I can't be that.

1:42:51.560 --> 1:42:55.040
<v Speaker 3>So yeah you know, yeah true, So I guess to

1:42:55.080 --> 1:42:57.639
<v Speaker 3>the club, Yeah, I guess. I guess we can tie

1:42:57.680 --> 1:43:01.320
<v Speaker 3>that back to uh, to the listener's question a little bit,

1:43:01.680 --> 1:43:04.280
<v Speaker 3>assuming there's still like an uncertainty there, which I'm not

1:43:04.640 --> 1:43:06.960
<v Speaker 3>entirely sure if there is or not. That's something you

1:43:07.000 --> 1:43:09.960
<v Speaker 3>have to like also kind of like deal with for yourself.

1:43:10.040 --> 1:43:11.479
<v Speaker 3>Like that was also the kind of part of the

1:43:11.520 --> 1:43:14.080
<v Speaker 3>reason that I probably like that was like a big

1:43:14.080 --> 1:43:15.560
<v Speaker 3>part of the reason why I didn't come out, And

1:43:15.600 --> 1:43:17.320
<v Speaker 3>I would like I would just like cross dress like

1:43:17.360 --> 1:43:21.960
<v Speaker 3>on Halloween or as a joke, because I was you're scared,

1:43:22.120 --> 1:43:24.679
<v Speaker 3>like you're because I'm going to be fucking buffalo Bill,

1:43:24.960 --> 1:43:26.400
<v Speaker 3>you know what I mean? Yeah, exactly.

1:43:27.960 --> 1:43:30.240
<v Speaker 2>Go back and listen to our very first episode together

1:43:30.400 --> 1:43:31.320
<v Speaker 2>when we talk.

1:43:31.240 --> 1:43:33.840
<v Speaker 3>All about that. We've actually talked about a lot of

1:43:33.880 --> 1:43:36.759
<v Speaker 3>those Yeah. So I don't know, I like that question,

1:43:37.000 --> 1:43:40.720
<v Speaker 3>and I like this listener. And if you uh, I

1:43:40.760 --> 1:43:42.519
<v Speaker 3>don't know, if you come to some sort of conclusion

1:43:42.640 --> 1:43:44.559
<v Speaker 3>or something, I'd like to hear back from you, even

1:43:44.560 --> 1:43:46.519
<v Speaker 3>if we just like play it off, even if we

1:43:46.600 --> 1:43:48.400
<v Speaker 3>just play it off air like I would like to,

1:43:49.479 --> 1:43:53.000
<v Speaker 3>I don't know, I care about you. Yeah, yeah, let

1:43:53.120 --> 1:43:57.400
<v Speaker 3>us know how things are going. Yeah, And if you

1:43:58.000 --> 1:44:00.839
<v Speaker 3>are a listener. With any sort of problem, sorry, anything

1:44:00.920 --> 1:44:03.840
<v Speaker 3>that you would like for us to address, you can

1:44:03.920 --> 1:44:07.559
<v Speaker 3>hit our line at six seven eight five six one

1:44:07.800 --> 1:44:10.599
<v Speaker 3>two seven eight five for whatever problems you have. We

1:44:10.640 --> 1:44:13.120
<v Speaker 3>will laugh at you and make fun of you and

1:44:13.200 --> 1:44:16.160
<v Speaker 3>say you're week and a failure, just because we love you.

1:44:16.560 --> 1:44:18.439
<v Speaker 3>We love you. We'll listen to them, we'll consider them,

1:44:18.439 --> 1:44:20.280
<v Speaker 3>we'll give him a very thoughtful response.

1:44:20.320 --> 1:44:21.840
<v Speaker 2>I think we did great today. I think we gave

1:44:22.000 --> 1:44:24.920
<v Speaker 2>I gave some constructive criticism. I gave some genuine love

1:44:24.960 --> 1:44:26.400
<v Speaker 2>and care and concern.

1:44:26.800 --> 1:44:30.080
<v Speaker 3>Yeah, I was very motherly of Yille. Yeah.

1:44:30.280 --> 1:44:32.799
<v Speaker 2>All right, y'all, thanks for listening to this week's episode

1:44:32.840 --> 1:44:35.519
<v Speaker 2>of Beauty Translated. Catch us next week we're going to

1:44:35.560 --> 1:44:39.920
<v Speaker 2>be speaking with oh h oh erm Yeah, we're having

1:44:39.960 --> 1:44:42.040
<v Speaker 2>a real political episode next week.

1:44:42.120 --> 1:44:46.240
<v Speaker 3>Oh yeah, another another smart one. Yeah no, I'm very

1:44:46.280 --> 1:44:47.519
<v Speaker 3>excited for next week's episode.

1:44:47.520 --> 1:44:47.680
<v Speaker 4>Two.

1:44:48.240 --> 1:44:52.720
<v Speaker 3>We have josh Aka et Injermentum from Twitter substack. You've

1:44:52.760 --> 1:44:55.960
<v Speaker 3>probably maybe heard him do appearances on Chabou Trapals and

1:44:56.120 --> 1:45:02.080
<v Speaker 3>the Hassanabi hasan Piker Broadcast. Really smart political analyst and

1:45:02.200 --> 1:45:06.120
<v Speaker 3>also this one's kind of for the fellas because he's

1:45:06.160 --> 1:45:12.040
<v Speaker 3>a fella fella a cis fella with a penis, and

1:45:13.520 --> 1:45:17.599
<v Speaker 3>he does amazing writing on the world of politics and

1:45:17.920 --> 1:45:22.880
<v Speaker 3>has a great article on trans legislation, and honestly, it's

1:45:23.280 --> 1:45:25.040
<v Speaker 3>it sounds like it's going to be something that's very,

1:45:25.120 --> 1:45:28.080
<v Speaker 3>very depressing, but it might make you feel at least

1:45:28.080 --> 1:45:31.559
<v Speaker 3>a tiny bit better about the world of politics and

1:45:31.720 --> 1:45:33.679
<v Speaker 3>trans stuff.

1:45:34.439 --> 1:45:37.439
<v Speaker 2>Actually it made me feel better. I went in feeling

1:45:37.560 --> 1:45:40.760
<v Speaker 2>very doom and gloom, but then at njer Josh he

1:45:40.840 --> 1:45:42.559
<v Speaker 2>put a lot of things in perspective for me that

1:45:42.600 --> 1:45:45.639
<v Speaker 2>made me feel a lot better and really made me

1:45:45.680 --> 1:45:48.680
<v Speaker 2>feel just kind of better about not covering all the

1:45:48.760 --> 1:45:52.280
<v Speaker 2>stupid legislation bullshit anymore, because it really is just intended

1:45:52.760 --> 1:45:55.479
<v Speaker 2>mostly to be rage rage bait.

1:45:55.640 --> 1:45:57.680
<v Speaker 3>We cover a lot of stuff in this episode that

1:45:58.200 --> 1:46:01.519
<v Speaker 3>we don't normally talk about. So if you've been kind

1:46:01.520 --> 1:46:04.800
<v Speaker 3>of waiting to hear us weigh in on Florida and

1:46:04.840 --> 1:46:09.040
<v Speaker 3>Ohio and all these presidential nominee yea, all these hell

1:46:09.160 --> 1:46:12.760
<v Speaker 3>places and hell topics, listen next week's episode. Those is

1:46:12.840 --> 1:46:14.559
<v Speaker 3>gonna be a fun one. Yeah, it's a good one.

1:46:15.040 --> 1:46:15.559
<v Speaker 1>Thanks y'all.

1:46:16.360 --> 1:46:22.320
<v Speaker 2>Thank you, say beautiful bye bye bye. Thank you for

1:46:22.360 --> 1:46:26.120
<v Speaker 2>listening to Beauty Translated Beauty Translated is hosted by me

1:46:26.320 --> 1:46:30.679
<v Speaker 2>Carmen Laurent and Janie Danger, produced by Kurt Garon and

1:46:30.840 --> 1:46:35.519
<v Speaker 2>Jess Cranchich, so special thanks to Ali Perry and Ali Cantor.

1:46:35.960 --> 1:46:39.120
<v Speaker 2>Our theme music is done by Aaron Kauffman and Beauty

1:46:39.160 --> 1:46:41.360
<v Speaker 2>Translated is proud to be a part of the Outspoken

1:46:41.400 --> 1:46:45.160
<v Speaker 2>network from iHeart Podcasts. For more iHeart podcast visit the

1:46:45.160 --> 1:46:49.440
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.