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Speaker 1: So I said, it a sherry, it goes cats, it

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Speaker 1: on the window sill, children fit in the snow. It's

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Speaker 1: not children on the windowsill. And if you're gonna be Pippin,

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Speaker 1: you gotta get this right. And she was like what

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Speaker 1: was I doing? And I was like, you're getting rebounds

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Speaker 1: and played good defense because clearly you think that this

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Speaker 1: is about Scottie Pippen and it's not even about a boy.

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Speaker 2: Yeah, and she and so she really didn't find her

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Speaker 2: a corner of the sky.

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Speaker 1: In that respect.

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Speaker 2: In that respects just say reference to the you know,

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Speaker 2: the sort of refrain of.

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Speaker 1: That show in retrospect. Also, who was playing Charlemagne? I'm

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Speaker 1: sorry it was the whole It was all former view panelists.

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Speaker 1: So it was Elizabeth formerly Felarski now Hasslbeck. Yes, you know,

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Speaker 1: because it's funny because Charlman has to like, you know,

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Speaker 1: like yes, the lower right, sir, but that she's coming

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Speaker 1: in at the Yes, that works, that works very well.

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Speaker 1: And then Behar is the leading player. Mm hmm.

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Speaker 2: I'm so sorry I couldn't.

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Speaker 1: I'm so sorry I couldn't make those rehearsals. You know

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Speaker 1: you were I'm not going to say that you weren't missed.

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Speaker 1: I'm not gonna like, well, I'm not going to act

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Speaker 1: like it couldn't have been better if you weren't there.

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Speaker 1: I'm not going to say that. I'm not going to

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Speaker 1: pretend at all. People, I mean, I mean, you didn't

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Speaker 1: need me, well I didn't need me. Well, I'm not,

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Speaker 1: as I said, I'm not going to pretend there's things

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Speaker 1: I would have done differently. But yeah, no, it's great.

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Speaker 1: It's great. Hey, welcome to Hollywood, Hambok and inside his

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Speaker 1: guys are kicking button dropping games in the red carpet

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Speaker 1: lamp back of this industry. I just finished that, And

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Speaker 1: then what did you say the poor people wound up

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Speaker 1: liking this?

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Speaker 3: Well?

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Speaker 1: Yes, because there's that element in the play where I

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Speaker 1: think there are some poor people in the cast. Yes, No,

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Speaker 1: there in rags? What up? What up?

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Speaker 2: So the show starting now and Hayes and I are

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Speaker 2: doing it?

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Speaker 1: Uh? We we wanted to talk about last week's episode

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Speaker 1: is when we were very excited for having someone.

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Speaker 2: We're excited for it to get in your ears. Yes,

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Speaker 2: And what I love times when I'm doing this I'm thinking, oh,

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Speaker 2: this is gonna sound so good in their ears. Yes,

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Speaker 2: I'm thinking about you. Guys, we're not excited. We're never

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Speaker 2: excited for us.

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Speaker 1: We're excited for thinking about you listening to the show

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Speaker 1: and saying, oh, all right, I see what they did there.

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Speaker 1: Trust me.

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Speaker 2: I don't do it for me. I don't need this,

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Speaker 2: So it is we are doing it for you.

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Speaker 1: And so imagine our being surprised when we turn on

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Speaker 1: the TV the next day and we read all the

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Speaker 1: comments because it's being projected from the computer up there, yes,

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Speaker 1: and smart TVs, and we read all the comments, and

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Speaker 1: we're expecting people to be saying, hooray, and you did

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Speaker 1: a nice job. I like the show.

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Speaker 2: Well, I don't drive halfway across town to look at

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Speaker 2: his a's smart TV.

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Speaker 1: To get disappointed with bad news because we read the

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Speaker 1: comments and it's just what's obvious to me is that

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Speaker 1: some people did not get it. They didn't understand what

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Speaker 1: was happening with the show.

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Speaker 2: They and they took it out on someone else, and

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Speaker 2: they're frustrating themselves and it's well, and it's and it's sugar.

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Speaker 2: Their lizard brains are just having them feel left out.

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Speaker 2: Oh if I don't get it, then it must be

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Speaker 2: someone else's fault, and so we have to do a

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Speaker 2: segment that we wished we would never do again.

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Speaker 1: And it's called ant wrong and this is the poly edition.

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Speaker 2: It's golle it wrong about Pully Shore and you guys

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Speaker 2: better really listen up and learn.

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Speaker 1: That's the end of the title now.

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Speaker 2: So so we're starting now, we're not doing the title anymore.

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Speaker 1: And we're in the segment. So we've had our intern

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Speaker 1: Andy say something short. Oh yeah, you know what would

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Speaker 1: have been.

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Speaker 2: Something about comedy you should know, And I think he's

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Speaker 2: gonna give you the same.

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Speaker 1: Here's a little quick lesson when someone tells you to

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Speaker 1: say like for example, when I say say something short,

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Speaker 1: you should have said the words don't say it, let

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Speaker 1: me do it. You should have said the words something short,

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Speaker 1: and that's it and then short. That makes me so

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Speaker 1: angry that you would try to do something. Do you

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Speaker 1: even let him fucking finish? And I Martin short, because

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Speaker 1: you wouldn't have been able to come up with something

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Speaker 1: that good if I hadn't given you the earlier something short,

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Speaker 1: And to act like that was all your idea is

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Speaker 1: very mad making for me.

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Speaker 2: And trying to one up and trying to one up

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Speaker 2: Hayes and acting like that was and embarrass him in

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Speaker 2: front of me to say something really funny, and then

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Speaker 2: to be like, oh, like I have all the credit

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Speaker 2: for that, when like, I was the one who gave

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Speaker 2: you the idea to even make a joke, to even

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Speaker 2: make a joke, right, We were trying to help you

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Speaker 2: say something funny. Now say something funny, Martin short.

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Speaker 1: That's pretty good fun Yeah, that is good. That's pretty good.

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Speaker 3: Anyway, I got all the bad reviews off of the

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Speaker 3: go ahead. I got all the I searched online, and

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Speaker 3: I got all the reviews that people didn't like the show.

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Speaker 3: For you guys, thank you, Andy, You're welcome, and do

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Speaker 3: you say hi to your dad. We do appreciate you

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Speaker 3: being here.

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Speaker 1: Yeah, definitely. So we'll just go through some of these

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Speaker 1: different reviews.

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Speaker 2: Let's start that more short thing was really good the

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Speaker 2: second time.

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Speaker 1: Yeah, that's really good, because and that one and that

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Speaker 1: one I honestly had nothing to do with the first one.

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Speaker 1: I think was mostly me because I was the one

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Speaker 1: who even reminded him to make a joke.

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Speaker 2: I didn't think of it, right, am I losing a step?

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Speaker 2: I tell you what happened the other day.

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Speaker 1: Oh no, I woke up up.

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Speaker 2: Yeah, and my sheets are so oh Sean, I don't

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Speaker 2: think I peeded, but there shouldn't be that much sweat.

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Speaker 1: Yeah, and my throat's all dry. Did I tell you

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Speaker 1: from Thursday? No, I fell on the tub. Oh hayes,

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Speaker 1: I told you to get the bar. Put that bar.

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Speaker 1: I know, I did get it and I tried to

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Speaker 1: grab for it, but the bar was all slippery because

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Speaker 1: you didn't tell me the bar gets Really what you

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Speaker 1: got to get a bar guard? You have to you

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Speaker 1: do have to put a grip on it. So I

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Speaker 1: hit my head of a bar first going down and

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Speaker 1: then on the faucet and then on the tub. Well,

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Speaker 1: you know, I understand.

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Speaker 2: That's why I am God, That's why I knew to

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Speaker 2: tell you get the bar.

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Speaker 1: I mean I did it. Who found you can cheat it?

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Speaker 2: Yeah?

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Speaker 1: And she actually handled it really, she handled it really

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Speaker 1: well because she was she was Vlatti Dvas person a

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Speaker 1: while ago. Ye, so she's had to clean up a

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Speaker 1: lot of like bigger messes than just like me, you know,

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Speaker 1: European stuff. So yeah, so.

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Speaker 2: It's uh, I have these, I have these ready to go.

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Speaker 1: We can just do it. Good, Thank you. I fucking

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Speaker 1: am so out of it. So there's some on this

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Speaker 1: reddit and it's not you said, it's not the main one.

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Speaker 1: It's a special like like a miniature.

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Speaker 3: Yeah, it's a subreddit. It's the Earwolf subreddit, and they're

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Speaker 3: big fans of you guys there.

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Speaker 1: Well, not to read some of these things that you

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Speaker 1: put together for me to read. Yeah, you never know

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Speaker 1: if I'm with some of what I'm looking at. I'm sorry.

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Speaker 2: Some of the names on this table. You know, people

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Speaker 2: write their names on this table and this thing.

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Speaker 1: Yeah we should.

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Speaker 2: Yeah, but I'm just looking at because I got sad

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Speaker 2: for a minute when I was just thinking about kind

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Speaker 2: of what's.

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Speaker 1: Going on this way. You're looking down and I'm looking

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Speaker 1: down at these names.

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Speaker 2: And I don't know who the fuck these people are,

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Speaker 2: and they've written their name down and I'm and what

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Speaker 2: makes it occur to me is somebody asked these people

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Speaker 2: to do their podcast, Like these people got invited to

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Speaker 2: be on another show.

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Speaker 1: Yeah, and I didn't. Mm hmmm, have you have you

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Speaker 1: lost this? I'm thinking the same thing. You know, whose

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Speaker 1: name you don't find on this table?

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Speaker 2: I don't see it anywhere and it's not mine.

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Speaker 1: And there's somebody name. I mean, I'm just gonna look

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Speaker 1: at some of these. There's one right in front of you,

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Speaker 1: the Danielle Schneider.

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Speaker 2: Never in my life, don Dana Rafael, Alisa Skinner or

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Speaker 2: something Dan.

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Speaker 1: This one looks like Overton, Rick Overton, Chris Thayer.

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Speaker 2: Literally, none of these names. I have no content. I

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Speaker 2: don't know if they've done Chucky Coleman. It is very upset.

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Speaker 2: This is it. It's user all these people, one of us.

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Speaker 2: All these people were more appealing to have his guests

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Speaker 2: than me on the various shows apparently. And they write

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Speaker 2: these big and they don't have the same last name

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Speaker 2: as other hosts, because then I go, oh, it's your

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Speaker 2: sister or something. But that's not what's going on.

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Speaker 1: Yeah, they were right. It huge.

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Speaker 2: I guess there's one chance I fucking have put my name.

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Speaker 2: I've signed plenty of shit.

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Speaker 1: Anyway, let's do the uh yes, let's read some of

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Speaker 1: these comments. This is one on on the small Reddit

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Speaker 1: from Slayer and it says Polly Shore was bad. Lol,

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Speaker 1: he just didn't fit in at all. That's completely wrong.

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Speaker 1: The truth is Pauly Shore was actually really good. And

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Speaker 1: I don't know if you're saying ol because the idea

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Speaker 1: of being him being bad is a funny trick, but

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Speaker 1: the actual truth of what happened was he came on

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Speaker 1: the show as a nice present for us and for you,

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Speaker 1: and he turned out to be very good.

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Speaker 2: Slayer. Here's a tip for you, and that is if

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Speaker 2: that lol, like what Hayes said, is meant to be sarcastic,

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Speaker 2: the irony doesn't really read.

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Speaker 1: There's no tone in your writing.

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Speaker 2: So when you do write something like that, you do

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Speaker 2: open yourself up to really take a sound drubbing.

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Speaker 1: And that's what you're getting from me. And he put

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Speaker 1: the lol in quotes please, and then we'll talk.

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Speaker 2: Because he actually did get it and was very good.

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Speaker 2: And I hope that your name is not that you're

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Speaker 2: somehow the child of Bobby Slayton and you know Florence

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Speaker 2: Griffith Joiner and Florence Griffith Joiner, because I respect both

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Speaker 2: of them so much and I would hate to think

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Speaker 2: that I'm insulting their son. And that's how you got

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Speaker 2: your name is you combined your two parents' last names

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Speaker 2: because I think they're great.

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Speaker 1: Here's a comment from Homo Mix regarding Polly Shore. This

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Speaker 1: was straight up painful This was straight up painful to

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Speaker 1: listen to it points. The entire poly Shore part of

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Speaker 1: the episode is one of those points. It was really bad,

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Speaker 1: eh wrong. It just so happens that the episode was

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Speaker 1: actually very good. He had a good energy, he was

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Speaker 1: being funny, he was willing to cooperate with us. Eh.

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Speaker 2: Here you go, here's what's aunt wrong. Here's my review

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Speaker 2: of your review. This was straight up painful to read

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Speaker 2: at points. The whole time you were writing is one

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Speaker 2: of those points. And I'm having to read it. So

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Speaker 2: it actually was funny and nice, and he was being

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Speaker 2: cool and good and engaged, and I was actually crushing

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Speaker 2: too with him, and Hayes actually made me laugh even

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Speaker 2: harder and some of my stuff did.

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Speaker 1: And so let's go down the list. Paully Shore did

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Speaker 1: a good job, Hayes was very good, Sean did a

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Speaker 1: really great job. That's everybody who's even being on the show.

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Speaker 1: So when you put that all together, one plus one

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Speaker 1: pump plus one equals one good show.

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Speaker 2: The math checks out, Professor, and that's the nerd character.

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Speaker 1: Let's go to one of these other parts where there's

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Speaker 1: people talking in a list and it says something awful

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Speaker 1: at the top and it's like a bunch of it

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Speaker 1: looks like the Earwolf one, but it's gray. What's the

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Speaker 1: story with this? Is this just another it's just yeah,

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Speaker 1: another message for another system, another website where they talk

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Speaker 1: about podcasts and stuff and they talk about you. Okay,

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Speaker 1: here's a comment I guess from someone called help I'm

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Speaker 1: alive and the comment is man. The guest segment of

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Speaker 1: Today's Hollywood, A book is painful? Once again wrong. Continue

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Speaker 1: to use of the word painful.

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Speaker 2: Is there some Internet meaning for painful that I don't

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Speaker 2: know about? Because it's literally the opposite of what you're saying.

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Speaker 2: Listening to this episode, it should feel like a full

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Speaker 2: body massage.

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Speaker 1: Yes, it should be. I'm wonderful your brain and humor.

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Speaker 1: I wonder if it means happy where it should be

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Speaker 1: like this was straight up happy to listen to at points,

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Speaker 1: or like the guest segment Day's Hollywood, Hamburg is happy

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Speaker 1: or thrilling?

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Speaker 2: Yes, because I almost think of our show as a

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Speaker 2: high speed car chase for your ears, but with jokes,

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Speaker 2: so like the chase and smart stuff.

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Speaker 1: M hmm, the movie Charlie Sheen and a Babe. Yes,

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Speaker 1: while they're going so fast, so it's like Flea is

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Speaker 1: chasing in the monster dry and so it's like you

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Speaker 1: do the it, you do the do the driving, okay, yeah, yeah,

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Speaker 1: and you don't even get to hear the music of

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Speaker 1: that part, which is the coolest part of it all.

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Speaker 2: Well, yeah, they had all great musicians are in the

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Speaker 2: movie and then so some of them get their songs.

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Speaker 1: And so speaking of other things that were good the

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Speaker 1: poly Shor episode, he had a good time. We had

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Speaker 1: a good time. Everything that happened, and it went exactly

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Speaker 1: according to plan, and it was a nice way to

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Speaker 1: spend just a few minutes of your life.

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Speaker 2: Oh and before people pile on me for only making

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Speaker 2: the women's side of the sex noises and the sex

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Speaker 2: noises part of the show, I just want to say

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Speaker 2: that I don't do man sex noises in my play

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Speaker 2: acting because when I do that shit, it's fucking real

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Speaker 2: and it's and there is always and I am hearing

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Speaker 2: a woman's one way and I do it even though

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Speaker 2: even what Polly Shore said it's not true about me.

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Speaker 1: When he called me an H word. Yeah, people talking

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Speaker 1: about this, people talk about oh like probably sure wasn't

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Speaker 1: making enough jokes on the show. What do you think

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Speaker 1: was a joke when he called Shot a hobo, you

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Speaker 1: think that, and we don't use necessarily use that word,

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Speaker 1: and it's that's a joke of all, you think that

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Speaker 1: that wouldn't even be a joke when he would say that,

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Speaker 1: of course he was making a joke. Just because he

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Speaker 1: wasn't smiling and he said it in a mean way

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Speaker 1: doesn't mean it's not a joke.

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Speaker 2: He's and I'm and I'm dripping with you know what,

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Speaker 2: and I and I do mean pussy juice. And so

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Speaker 2: there's no way that I would be that, and it

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Speaker 2: would be fa I love that kind of people.

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Speaker 1: Can I explain another thing? Sean sounding scared after he

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Speaker 1: said that was also a joke and you're not in

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Speaker 1: on it?

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Speaker 2: Yes, and yes, and it's that guy. I hope it

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Speaker 2: wasn't painful to listen to. And that's the nerd character's

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Speaker 2: brother Dweeby. And we'd like those people a lot, and

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Speaker 2: we actually want to and we go to a lot

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Speaker 2: of their weddings.

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Speaker 1: Now I think I think it's more fun than normal weddings. Yes,

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Speaker 1: here's another place from online. It's called Absolute Punk. It's

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Speaker 1: another list. It looks the same way where it's the

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Speaker 1: name and then what they want to say and is

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Speaker 1: this what is this sort of a is this a

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Speaker 1: different system or is it part of the same connection?

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Speaker 3: Right, yeah, it's no, this is well it's the same

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Speaker 3: Internet connection, but it's a different website.

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Speaker 1: Okay, where, but it's still talking about the exact same thing.

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Speaker 1: Wouldn't it be nice if they just put it all

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Speaker 1: in one place? Yeah, wouldn't that just be a little

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Speaker 1: more convenient for everyone, so you wouldn't even have to

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Speaker 1: skip around They're all talking about the same thing. Why

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Speaker 1: don't they just do it on the one screen.

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Speaker 2: Yeah, I've been saying this. I don't know why we

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Speaker 2: even need the internet for this, right, Just have it

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Speaker 2: be all just your phone screen is just every whatever

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Speaker 2: people are saying. And if it's about you, then you

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Speaker 2: get it on your phone if you like. Yes, and

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Speaker 2: I probably i'd be turning some of these people.

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Speaker 1: Off instead of having to do Internet Facebook texting. Just

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Speaker 1: put it all on the screen. Well it hasen, you know.

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Speaker 2: And yeah, people ask why I don't want a TV

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Speaker 2: and it's like, I mean, hello.

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Speaker 1: Here's a comment from Kem Petty John. He says that

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Speaker 1: poly shorre interview on hh was pretty painful to listen to.

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Speaker 1: And so here's that word again. And now I hesitate

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Speaker 1: to even say at wrong because I'm wondering if I'm

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Speaker 1: on the end of some kind of online joke, because

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Speaker 1: where everyone got together and decided Okay, Now this is

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Speaker 1: a different word today than what it normally means. Normally

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Speaker 1: it means to be sad and hurting, but today it

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Speaker 1: means to have a happy, pleasant sensation, fun and learning

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Speaker 1: and cool.

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Speaker 2: And I had a thing when I was a kid,

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Speaker 2: and I don't know if this got out to where

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Speaker 2: you guys grew up, but with the on the farm.

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Speaker 2: As a kid, we had a thing called opposite day.

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Speaker 2: And I would do something where I'd go like, boy,

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Speaker 2: I really want to milk the goose today, and and

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Speaker 2: what it meant was I don't want to do that.

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Speaker 2: That's a bad chore. But you do it and say

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Speaker 2: that the goose is.

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Speaker 1: Not the opposite of the cow. That is the real party.

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Speaker 1: Huh oh. I was just making sure because I didn't

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Speaker 1: grow up as part of this. I was in an

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Speaker 1: urban firehouse. You are saying that it's not like the

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Speaker 1: goose is an opposite opposite cow as a frog. What

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Speaker 1: it's goose opposite up or is that a real part goose? Yeah, hmm,

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Speaker 1: opposite goose.

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Speaker 2: It's been so long since I studied this, probably a

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Speaker 2: caterpillar because it's because that can't fly yet, but it's

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Speaker 2: going to So anyway, that sort of opposite saying stuff

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Speaker 2: had gone out of style as far as I knew,

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Speaker 2: But maybe it's coming back in the way kids do

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Speaker 2: it now.

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Speaker 1: Sick means fun. Now when they say sick, it means fun. Oh,

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Speaker 1: to believe me, I found that out the hard way.

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Speaker 1: So if that's being serious, then it's at wrong. But

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Speaker 1: if it's being opposite, then okay, it's you know, somebody

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Speaker 1: explained us please. And here's a guy on Twitter which

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Speaker 1: I do know, and this is this is one of

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Speaker 1: the tweets, and this is from Mikey Roberts, and the

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Speaker 1: tweet is, well, Polly Shore on Hollywood Handbook was interesting.

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Speaker 1: And before you say like, well, yeah, of course he

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Speaker 1: was interesting, I'm detecting a certain tone in that which

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Speaker 1: is exactly like you're saying before that he is using

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Speaker 1: it to mean not interesting, and to say that some

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Speaker 1: like Polly Shore, who's been in all these movies and

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Speaker 1: who came on the show and was engaging and he

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Speaker 1: wanted to talk to us, and he was having a

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Speaker 1: good time. Is to me being very mean and it's wrong.

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Speaker 1: And also to use Twitter for something like this, I

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Speaker 1: think constitutes online abuse, which you can be reported for.

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Speaker 2: And oh yes, and the level of legal hot water

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Speaker 2: some of these people would be in if I wanted

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Speaker 2: to get my Internet lawyer.

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Speaker 1: Yes, And I can actually look at it right now

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Speaker 1: and it says block or report, and I have my finger. Oh,

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Speaker 1: it's getting so close to the click. Oh, it's right

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Speaker 1: on the click. Oh what if it slips that I

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Speaker 1: hit block or report?

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Speaker 2: Imagine getting reported for something like that and all your

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Speaker 2: relatives know, and all everyone you went to elementary school

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Speaker 2: with finds out.

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Speaker 1: Immediately if you get Yeah. Yeah, And so I guess

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Speaker 1: who's not going to be online anymore after that? Yeah?

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Speaker 2: And guess who's not invited Thanksgiving dinner either? And not

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Speaker 2: next year's. I mean, the other one just happened.

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Speaker 1: So in retrospect, a lot of people seem to think

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Speaker 1: that that segment was very painful, and at the same

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Speaker 1: time a lot of people were also wrong. Oh what

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Speaker 1: a coincidence. I bet maybe they were the same people,

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Speaker 1: did you have any wrapping up you wanted to do?

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Speaker 2: Well? One thing, I don't even know if we want

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Speaker 2: to say it, but there's somebody on our forums who

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Speaker 2: were a pretty long dissection.

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Speaker 1: Of why it wasn't very good guest.

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Speaker 2: Yes, you know, good kid means well, I think so.

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Speaker 2: He kind of was saying, kind of gently suggesting that

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Speaker 2: maybe we just shouldn't get that guest. Instead, we should

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Speaker 2: get a guest who plays along better. And it kind

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Speaker 2: of implied that we have a lot of choices and

400
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Speaker 2: booking guests, yes, and that it's very easy and we

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Speaker 2: kind of just can pick from any one who might

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Speaker 2: be funny and good in that when someone has some

403
00:22:03,800 --> 00:22:06,640
Speaker 2: level of visibility that maybe you started in four back

404
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Speaker 2: to back motion pictures.

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Speaker 1: Yes, and that's sixty sixty Twitter followers is somehow below

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Speaker 1: our immediate threshold of acceptance rather than fifteen times that threshold.

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Speaker 2: You know what, we shouldn't talk about it, and let's

408
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Speaker 2: not even have talked about that. Let's not even have

409
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Speaker 2: talked about him, okay, because it just will give him

410
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Speaker 2: too much power. And I'd rather pretend I'd rather he

411
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Speaker 2: wonder if I even.

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Speaker 1: Saw it now? The so you asked me if I

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Speaker 1: had anything to wrap up with. Yeah, just is there anything?

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Speaker 1: Are you feeling any better?

415
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Speaker 2: I'm just even remembering that I lock my I locked

416
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Speaker 2: my keys in my car and the cars running, and

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Speaker 2: I don't know where the spirit set is and I'm

418
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Speaker 2: just literally going like where, like what is happening to memm.

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Speaker 1: Hmm, because you've been even like watching you like you've

420
00:23:01,119 --> 00:23:04,520
Speaker 1: been twirling, like you're twirling something on your finger, and

421
00:23:04,600 --> 00:23:06,360
Speaker 1: it was like, does he think his keys are on there?

422
00:23:06,680 --> 00:23:11,280
Speaker 1: But there's nothing. You weren't twirling anything. Well, it's worse

423
00:23:11,280 --> 00:23:13,920
Speaker 1: than that. There's not nothing. There's some kind of growth.

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Speaker 1: I don't know if.

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Speaker 2: Yeah that is, and I'm and I didn't never thought

426
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Speaker 2: i'd say this. Hopefully it's a bone thing because that

427
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Speaker 2: you've been through that you know how to deal with

428
00:23:27,359 --> 00:23:32,000
Speaker 2: the devil. I know, you know the playbook for bone stuff. Yeah,

429
00:23:32,560 --> 00:23:35,160
Speaker 2: it looks like a bone big it does, right, You're

430
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Speaker 2: not just saying that.

431
00:23:35,880 --> 00:23:38,119
Speaker 1: It looks like the other one. It's a little bigger

432
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Speaker 1: than the other one, but yeah, it looks but it

433
00:23:42,760 --> 00:23:46,119
Speaker 1: has the same texture. Yeah, yeah, colors a little different.

434
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Speaker 2: Yeah, but that's good just because it's bigger. The skin stretched.

435
00:23:51,480 --> 00:23:56,480
Speaker 1: I think it could. Yeah, we have a great guest today,

436
00:23:57,640 --> 00:24:01,360
Speaker 1: shared Paul is here. Don't know who that is? Oh,

437
00:24:01,480 --> 00:24:05,480
Speaker 1: you better stick around to find out, babe, Hollywood handbook.

438
00:24:08,720 --> 00:24:12,080
Speaker 1: So I'm there with Stevie, Yeah, wonders.

439
00:24:11,680 --> 00:24:16,200
Speaker 2: Yeah, yeah, and uh and Stevie next Yeah, he's pretending

440
00:24:16,240 --> 00:24:19,480
Speaker 2: to be blind, she's pretending to be a woman. And

441
00:24:19,840 --> 00:24:22,399
Speaker 2: Stephie walks by in that little red number that I got.

442
00:24:22,480 --> 00:24:27,439
Speaker 1: Oh, yes, and they both turn their heads like on

443
00:24:27,600 --> 00:24:33,639
Speaker 1: a swivel, and I'm like, busted. I busted, you know.

444
00:24:35,520 --> 00:24:36,120
Speaker 1: I mean, I'm not.

445
00:24:36,080 --> 00:24:39,520
Speaker 2: Gonna do anything with the information. But Stephie's a honey trap.

446
00:24:39,880 --> 00:24:42,800
Speaker 2: Steffie is, yes, and she trapped me with that honey

447
00:24:42,840 --> 00:24:49,000
Speaker 2: and it's her uh woman Lee m area.

448
00:24:50,560 --> 00:24:53,200
Speaker 1: Hey, welcome by a handbook and it's guy to kicking

449
00:24:53,200 --> 00:24:55,240
Speaker 1: button dropping names in the red carpet lineback hallways of

450
00:24:55,280 --> 00:24:57,720
Speaker 1: this industry we call show. But let me tell you

451
00:24:57,720 --> 00:25:00,440
Speaker 1: a little something about our guest. I can't tell you.

452
00:25:00,560 --> 00:25:02,359
Speaker 1: I can't even find the words or how important this

453
00:25:02,359 --> 00:25:05,920
Speaker 1: person has been in my career, in Sean's, in the

454
00:25:05,960 --> 00:25:08,080
Speaker 1: careers of so many of us who are working today.

455
00:25:08,480 --> 00:25:11,399
Speaker 2: Mentor is a small word for it. Is there something

456
00:25:11,440 --> 00:25:12,960
Speaker 2: for a giant mentor.

457
00:25:13,720 --> 00:25:16,720
Speaker 1: Like the word ginormous? I love the word ginormous. Do

458
00:25:16,760 --> 00:25:20,119
Speaker 1: you know that word genormous?

459
00:25:20,480 --> 00:25:22,880
Speaker 2: If you ever read Magister Lootie in The Glass Bead

460
00:25:23,000 --> 00:25:26,840
Speaker 2: Game by Ruman Hess, Oh yeah, sure, the dynamic in there.

461
00:25:28,119 --> 00:25:32,480
Speaker 1: Possibly apply. Did you know the pot philosopher hesh. Well,

462
00:25:32,920 --> 00:25:37,000
Speaker 1: let's let's introduce our guests. Yeah, his name is Jared Paul.

463
00:25:37,200 --> 00:25:39,920
Speaker 1: He's on a very tight schedule, so we have him

464
00:25:40,480 --> 00:25:42,440
Speaker 1: sort of remotely. Can you hear us?

465
00:25:42,600 --> 00:25:43,000
Speaker 4: I can hear?

466
00:25:43,080 --> 00:25:45,720
Speaker 1: Yeah, Okay, where are you guys? We're in our studio.

467
00:25:45,880 --> 00:25:46,680
Speaker 4: Oh that's cool.

468
00:25:46,760 --> 00:25:48,960
Speaker 1: Where where where are you? You're sound you're coming through

469
00:25:49,040 --> 00:25:49,880
Speaker 1: so clearly.

470
00:25:50,119 --> 00:25:53,360
Speaker 4: Yeah. Yeah, I don't even know. I don't even know.

471
00:25:53,640 --> 00:25:54,760
Speaker 1: You don't know where you are.

472
00:25:55,359 --> 00:25:57,280
Speaker 4: I don't want to know, like we are where we

473
00:25:57,880 --> 00:26:00,720
Speaker 4: are flying over? But yeah, I'm happy to be here.

474
00:26:00,800 --> 00:26:01,520
Speaker 4: Thanks for you guys.

475
00:26:01,600 --> 00:26:03,320
Speaker 2: Look out the window, do you see sky?

476
00:26:04,200 --> 00:26:06,439
Speaker 4: I see? All I see is all I see is

477
00:26:06,760 --> 00:26:10,000
Speaker 4: his ocean. So I don't know, sure, Mark.

478
00:26:09,760 --> 00:26:12,120
Speaker 1: Where where are we? Where are we?

479
00:26:12,359 --> 00:26:19,119
Speaker 4: Where are we flying over? He didn't hear me anyway. Yeah, so,

480
00:26:19,720 --> 00:26:22,280
Speaker 4: but thanks for hooking up on the id N line.

481
00:26:22,359 --> 00:26:24,920
Speaker 2: Thank you even busier than we are, and we don't

482
00:26:24,960 --> 00:26:27,600
Speaker 2: get a chance to say that much. Yeah, we're in

483
00:26:27,640 --> 00:26:29,560
Speaker 2: your old stomping grounds, just Hollywood.

484
00:26:30,080 --> 00:26:33,560
Speaker 1: Yeah, yeah, let's talk about let's fill some people in

485
00:26:33,720 --> 00:26:36,000
Speaker 1: your background in case they don't know. Okay, a lot

486
00:26:36,000 --> 00:26:39,280
Speaker 1: of people know you as Monk's friend in your acting capacity.

487
00:26:39,440 --> 00:26:42,320
Speaker 4: Correct, Oh god, I guess.

488
00:26:42,119 --> 00:26:43,760
Speaker 1: The photographer from the Yes Man.

489
00:26:44,200 --> 00:26:47,760
Speaker 4: That's yep. Yeah, best known for it.

490
00:26:48,160 --> 00:26:48,400
Speaker 2: Yeah?

491
00:26:48,560 --> 00:26:54,840
Speaker 1: Sure, But along with your acting yeah, writing, producing, yeah, directing,

492
00:26:57,359 --> 00:26:59,760
Speaker 1: Which do you find most fulfilling or do you do

493
00:27:00,000 --> 00:27:03,440
Speaker 1: even differentiate them at this point? Like what, I don't

494
00:27:03,440 --> 00:27:04,359
Speaker 1: have a favorite child.

495
00:27:04,400 --> 00:27:06,879
Speaker 4: It's all want. No, that's the thing. You can't really

496
00:27:07,760 --> 00:27:09,679
Speaker 4: you can't really pick a favorite child, can you.

497
00:27:09,880 --> 00:27:13,400
Speaker 1: Yeah, it's filmmaking, it's a film and TV making and

498
00:27:13,480 --> 00:27:15,440
Speaker 1: it's yeah, it's all part of it.

499
00:27:15,560 --> 00:27:19,200
Speaker 4: I think that no matter what, you should do everything.

500
00:27:19,440 --> 00:27:22,800
Speaker 1: Can you imagine being a stone carver, an ancient stone carver, yeah,

501
00:27:22,880 --> 00:27:26,159
Speaker 1: and saying, okay, I'm gonna be the one who just

502
00:27:26,240 --> 00:27:28,600
Speaker 1: writes what the stone is going to be carved like,

503
00:27:29,200 --> 00:27:32,160
Speaker 1: and then you be the one who like directs this

504
00:27:32,400 --> 00:27:34,760
Speaker 1: the guy what to do with his hands?

505
00:27:34,760 --> 00:27:36,800
Speaker 2: Oh yeah, I get the chisel man, I'll get you.

506
00:27:36,880 --> 00:27:38,600
Speaker 1: And then I'm going to be acting like I'm a

507
00:27:38,640 --> 00:27:42,800
Speaker 1: stone carver. Like it just doesn't like like it just

508
00:27:42,800 --> 00:27:45,320
Speaker 1: makes more sense to just do all the carving.

509
00:27:45,080 --> 00:27:50,280
Speaker 2: And in order or a gammy the Japanese ancient art

510
00:27:50,280 --> 00:27:53,760
Speaker 2: of paper folds folding art. Yes, if you can imagine

511
00:27:53,840 --> 00:27:56,439
Speaker 2: those paper folders, if instead one of them just said oh,

512
00:27:56,440 --> 00:27:58,760
Speaker 2: I'm just going to write what the folds of paper

513
00:27:58,800 --> 00:28:02,760
Speaker 2: will look like, and other one, you know, in a

514
00:28:02,800 --> 00:28:06,040
Speaker 2: similar way, similar to the stone carving analogy, really would

515
00:28:06,119 --> 00:28:12,879
Speaker 2: say like, well, I'm going to act like I'm yeah, yes, yeah.

516
00:28:12,400 --> 00:28:14,520
Speaker 1: But you don't you know, an artist does all of it?

517
00:28:15,000 --> 00:28:17,840
Speaker 4: Yeah, I think you have to. So what are some

518
00:28:17,920 --> 00:28:19,960
Speaker 4: of the things and not just one thing?

519
00:28:20,040 --> 00:28:22,399
Speaker 1: Jared? What are some of the things? Is there a lag?

520
00:28:23,200 --> 00:28:23,439
Speaker 1: Is there?

521
00:28:23,480 --> 00:28:23,560
Speaker 2: What?

522
00:28:23,640 --> 00:28:23,840
Speaker 5: Now?

523
00:28:24,119 --> 00:28:24,879
Speaker 1: Is there a lag?

524
00:28:25,520 --> 00:28:26,200
Speaker 4: I'm not sure?

525
00:28:26,320 --> 00:28:28,040
Speaker 1: Okay, it sounds like there's a slight.

526
00:28:27,840 --> 00:28:29,680
Speaker 2: Lag with the timing of it.

527
00:28:30,040 --> 00:28:34,399
Speaker 4: There might be a lag.

528
00:28:36,160 --> 00:28:36,920
Speaker 1: We'll figure it out.

529
00:28:36,960 --> 00:28:37,399
Speaker 2: Press up.

530
00:28:37,480 --> 00:28:41,120
Speaker 4: Yeah, yeah, yeah please Jared.

531
00:28:41,400 --> 00:28:43,920
Speaker 1: Yeah, So you talk about with the things working on

532
00:28:43,960 --> 00:28:45,520
Speaker 1: the things, what are some of the things you're working

533
00:28:45,560 --> 00:28:47,400
Speaker 1: on now lately?

534
00:28:49,720 --> 00:28:51,680
Speaker 4: You know what it is? You know what? Honestly, right now,

535
00:28:52,320 --> 00:28:54,920
Speaker 4: it's just it's it's about it's juggling a lot of

536
00:28:54,920 --> 00:28:59,240
Speaker 4: different things. It's like, you know, you have to be

537
00:28:59,360 --> 00:29:02,360
Speaker 4: at if you're doing multiple things at once. It's like

538
00:29:02,400 --> 00:29:06,160
Speaker 4: you're doing pre production for this, Okay, you're you're talking

539
00:29:06,160 --> 00:29:08,400
Speaker 4: about what You're on a mixed stage for this.

540
00:29:08,360 --> 00:29:10,040
Speaker 1: Yes, and that is going to be something that you're

541
00:29:10,560 --> 00:29:11,240
Speaker 1: going into.

542
00:29:11,120 --> 00:29:14,040
Speaker 4: A screening for a press tour of this. You know

543
00:29:14,080 --> 00:29:16,920
Speaker 4: what I mean. You have a charity event here, so

544
00:29:16,960 --> 00:29:18,360
Speaker 4: it's hard to you know what I mean, Sometimes it's

545
00:29:18,360 --> 00:29:19,080
Speaker 4: hard to We.

546
00:29:19,400 --> 00:29:21,200
Speaker 2: Didn't prep you properly for this because a lot of

547
00:29:21,200 --> 00:29:27,680
Speaker 2: our listeners are not big Hollywood you know, yeah stars. Yeah,

548
00:29:27,720 --> 00:29:30,920
Speaker 2: a lot of them are just people with their fucking

549
00:29:30,920 --> 00:29:32,480
Speaker 2: thumb in their ass, trying to keep.

550
00:29:32,400 --> 00:29:35,040
Speaker 4: It warm, right, who.

551
00:29:35,360 --> 00:29:37,120
Speaker 1: Don't know ship from ship.

552
00:29:37,800 --> 00:29:40,320
Speaker 2: So a lot of what we do is sort of

553
00:29:40,640 --> 00:29:44,040
Speaker 2: educated and form them.

554
00:29:44,040 --> 00:29:46,479
Speaker 4: Honestly though, that is so great to hear that you

555
00:29:46,520 --> 00:29:49,320
Speaker 4: guys are doing this, because my biggest thing is giving back.

556
00:29:50,400 --> 00:29:55,160
Speaker 1: He is he dropping out for me? I am getting

557
00:29:55,160 --> 00:29:58,720
Speaker 1: I'm getting him in one in You on the left end.

558
00:29:58,720 --> 00:30:00,720
Speaker 1: You respond, I'll drop out, hope when it comes back

559
00:30:00,720 --> 00:30:02,080
Speaker 1: in for me and.

560
00:30:02,120 --> 00:30:03,840
Speaker 4: My later, I'll tell you guys this, and I don't

561
00:30:03,840 --> 00:30:05,240
Speaker 4: know if you guys can relate to it in my

562
00:30:06,080 --> 00:30:08,840
Speaker 4: In my later years, I am coming to a point

563
00:30:08,840 --> 00:30:12,440
Speaker 4: of it's not about necessarily the work for me anymore.

564
00:30:13,040 --> 00:30:15,840
Speaker 4: It's not my top priority. It's really helping others and

565
00:30:15,880 --> 00:30:18,520
Speaker 4: it's really giving back. And so to hear that you

566
00:30:18,600 --> 00:30:23,440
Speaker 4: guys are doing this show to kind of help people get,

567
00:30:23,800 --> 00:30:25,960
Speaker 4: you know, their foot in the door, I think that's

568
00:30:26,040 --> 00:30:29,440
Speaker 4: really commendable. I think that you guys just congratulates a great,

569
00:30:29,520 --> 00:30:30,720
Speaker 4: great job, guys, really great.

570
00:30:30,760 --> 00:30:33,560
Speaker 1: He says, a great job. He's saying that he's congratulating us.

571
00:30:34,960 --> 00:30:35,080
Speaker 4: Hear.

572
00:30:35,880 --> 00:30:37,680
Speaker 1: I'm trying to I'm trying to educate the public.

573
00:30:38,480 --> 00:30:41,000
Speaker 4: I can get this, I s DM your media. I

574
00:30:41,000 --> 00:30:43,280
Speaker 4: can get this hot IDM line in better shape. I

575
00:30:43,280 --> 00:30:43,920
Speaker 4: think they might.

576
00:30:44,360 --> 00:30:46,880
Speaker 1: Well, now he's not responding, give you hear what I'm saying.

577
00:30:47,120 --> 00:30:49,520
Speaker 1: I'm in the dark over here, guys, are you holding

578
00:30:49,520 --> 00:30:52,480
Speaker 1: the conversation? But I say you and I are in

579
00:30:52,520 --> 00:30:54,600
Speaker 1: the same room and you're looking at me. You can't.

580
00:30:54,760 --> 00:30:58,480
Speaker 1: And you're also stopping, okay, stopping when I spoke. So

581
00:30:59,000 --> 00:31:02,160
Speaker 1: they're just making sure I got Hayes. Now, Okay, do

582
00:31:02,200 --> 00:31:02,560
Speaker 1: you have me.

583
00:31:02,640 --> 00:31:04,920
Speaker 4: Can you hear me, Sean can share it?

584
00:31:05,160 --> 00:31:07,120
Speaker 1: That's me there, Okay, I've got everybody.

585
00:31:07,160 --> 00:31:08,400
Speaker 2: We're back online.

586
00:31:08,760 --> 00:31:11,400
Speaker 1: Uh jar. So stuff like you talk about a press tour.

587
00:31:11,920 --> 00:31:14,880
Speaker 1: When you say press tour, the people listening probably think

588
00:31:15,040 --> 00:31:19,240
Speaker 1: like pressing their face to like a sheet of ice,

589
00:31:19,840 --> 00:31:23,000
Speaker 1: and then they tore it off trying to well, you.

590
00:31:22,960 --> 00:31:24,240
Speaker 4: Guys should have prepped. I don't.

591
00:31:24,280 --> 00:31:24,520
Speaker 1: I don't.

592
00:31:24,520 --> 00:31:26,680
Speaker 4: I don't have time to, you know, kind of walk

593
00:31:26,720 --> 00:31:27,400
Speaker 4: everybody through.

594
00:31:27,680 --> 00:31:29,440
Speaker 1: Right, So I'm saying, maybe we just don't go that

595
00:31:29,600 --> 00:31:32,560
Speaker 1: deep as well, let's not. Maybe we stay We'll stay

596
00:31:32,560 --> 00:31:33,480
Speaker 1: in the shower and.

597
00:31:33,560 --> 00:31:35,640
Speaker 4: Stay on the service. Great. Great, I love that.

598
00:31:35,920 --> 00:31:38,240
Speaker 2: I love that, just because when you say press tour,

599
00:31:38,360 --> 00:31:40,840
Speaker 2: they don't know what to picture right right right?

600
00:31:40,960 --> 00:31:42,120
Speaker 1: You know, I don't know if.

601
00:31:42,480 --> 00:31:45,160
Speaker 4: I guess just next time, yeah that's the thing next time,

602
00:31:45,280 --> 00:31:48,240
Speaker 4: But if next time, I don't know if Hayes, if

603
00:31:48,240 --> 00:31:51,080
Speaker 4: that's Hayes's thing, like to basically prep the audience and

604
00:31:51,200 --> 00:31:52,680
Speaker 4: just a glossary of terms.

605
00:31:52,960 --> 00:31:55,120
Speaker 1: Well that's actually because maybe.

606
00:31:54,840 --> 00:31:57,440
Speaker 4: Next time a glossary of terms just to provide before

607
00:31:57,560 --> 00:32:00,840
Speaker 4: to the audience that I exactly when guest comes on

608
00:32:00,960 --> 00:32:02,120
Speaker 4: and says something like pressed to her.

609
00:32:02,120 --> 00:32:03,680
Speaker 2: They know you've been trying to do it, because what

610
00:32:03,840 --> 00:32:05,719
Speaker 2: happens is when you do say something like that, they

611
00:32:05,800 --> 00:32:10,440
Speaker 2: might picture just, you know, just pressing their hip up

612
00:32:10,440 --> 00:32:11,200
Speaker 2: against a stove.

613
00:32:11,280 --> 00:32:14,360
Speaker 1: Really huh right, let me let me bring let me

614
00:32:14,360 --> 00:32:17,720
Speaker 1: mention this is there someone in the room who might

615
00:32:17,760 --> 00:32:20,640
Speaker 1: be responsible for that kind of thing like putting together

616
00:32:20,680 --> 00:32:23,720
Speaker 1: a glassy of turns? And if you, if you are

617
00:32:23,800 --> 00:32:25,600
Speaker 1: that person, maybe say I should have.

618
00:32:25,560 --> 00:32:29,440
Speaker 3: Done that, I should have done That's.

619
00:32:31,200 --> 00:32:33,720
Speaker 1: That's the voice of our intern. Andy. He's in the

620
00:32:33,800 --> 00:32:35,520
Speaker 1: room as well, and he has no very good job

621
00:32:35,560 --> 00:32:39,720
Speaker 1: of being quiet. Thank you, Andy. Andy is Rob Reiner's son.

622
00:32:40,000 --> 00:32:45,080
Speaker 4: Oh amazing. I love I love Rob. Tell him, I said, uh,

623
00:32:45,200 --> 00:32:48,240
Speaker 4: tell him? I said hello, when you when you when

624
00:32:48,280 --> 00:32:49,560
Speaker 4: you see him? Absolutely yeah?

625
00:32:49,600 --> 00:32:53,440
Speaker 1: Tell him? I said hello, meathead. I saw him last

626
00:32:53,440 --> 00:32:55,000
Speaker 1: time I was a sack of house. Do you ever

627
00:32:55,000 --> 00:32:56,280
Speaker 1: see him play the piano there?

628
00:32:56,360 --> 00:32:58,400
Speaker 4: I haven't gone to the seahous in eighteen months?

629
00:32:58,600 --> 00:32:58,760
Speaker 5: Oh?

630
00:32:59,720 --> 00:33:02,320
Speaker 1: Why what happened? I used to see you there, used

631
00:33:02,360 --> 00:33:03,120
Speaker 1: to post up.

632
00:33:03,680 --> 00:33:06,480
Speaker 4: Yeah, yeah, yeah, it's just yeah, it's just yeah. Where

633
00:33:06,480 --> 00:33:07,560
Speaker 4: do you go to spot anymore?

634
00:33:07,560 --> 00:33:08,200
Speaker 1: Where do you go?

635
00:33:08,480 --> 00:33:11,800
Speaker 4: Yeah? That's other it's other places anyway.

636
00:33:12,720 --> 00:33:13,720
Speaker 1: Maybe I've been there.

637
00:33:14,600 --> 00:33:18,080
Speaker 4: I don't know. You haven't seen idea, you haven't seen you.

638
00:33:18,360 --> 00:33:20,959
Speaker 1: I don't think you have it that place at those places,

639
00:33:21,000 --> 00:33:22,200
Speaker 1: do you do? You know what it is?

640
00:33:23,360 --> 00:33:25,360
Speaker 4: I think I have a pretty good idea, yeah, sews.

641
00:33:26,160 --> 00:33:28,600
Speaker 1: Yeah, what neighborhood is it in?

642
00:33:28,840 --> 00:33:34,040
Speaker 4: Oh my god? Zero, what neighborhood?

643
00:33:34,160 --> 00:33:39,440
Speaker 1: It's in Los Angeles? Okay, no, but it's nice, it's

644
00:33:39,440 --> 00:33:40,640
Speaker 1: so nice. Still nice.

645
00:33:40,880 --> 00:33:42,240
Speaker 4: Yeah, you know, it's great.

646
00:33:42,520 --> 00:33:47,000
Speaker 1: They have a great fake crab there. Yeah it's fake.

647
00:33:47,480 --> 00:33:50,040
Speaker 4: Yeah, No, it's great though, it really is great.

648
00:33:51,400 --> 00:33:58,760
Speaker 1: But they comes in the show. It's not real. You're

649
00:33:58,800 --> 00:33:59,480
Speaker 1: making a scene.

650
00:33:59,640 --> 00:34:00,920
Speaker 4: Yeah.

651
00:34:01,600 --> 00:34:03,640
Speaker 1: Oh I never want to go there again.

652
00:34:06,200 --> 00:34:11,959
Speaker 4: You haven't haven't been there. That's where the oh that's

653
00:34:11,960 --> 00:34:16,759
Speaker 4: where that is not the new place does have a

654
00:34:16,800 --> 00:34:19,600
Speaker 4: fake did you drop out for a while?

655
00:34:19,719 --> 00:34:22,360
Speaker 2: And that's the and that's the thing with these you know,

656
00:34:22,400 --> 00:34:25,480
Speaker 2: these pieces of technology that we're relying on, the communicating

657
00:34:26,040 --> 00:34:31,520
Speaker 2: and Jared, you have a really great perspective on technology.

658
00:34:31,920 --> 00:34:33,880
Speaker 4: Well it's not even.

659
00:34:33,760 --> 00:34:37,759
Speaker 1: No, I mean you said you've said some really ship

660
00:34:38,080 --> 00:34:39,200
Speaker 1: they were just well.

661
00:34:39,040 --> 00:34:40,880
Speaker 4: We were just you know, look, guys, we're in a

662
00:34:40,920 --> 00:34:44,239
Speaker 4: time where I think we're giving all these devices you know,

663
00:34:44,480 --> 00:34:47,840
Speaker 4: the phones and the iPads and the iPad minis and

664
00:34:47,880 --> 00:34:54,319
Speaker 4: the notes surface and the and the blessed sorry, and yeah,

665
00:34:54,719 --> 00:34:57,320
Speaker 4: what the fuck was that?

666
00:34:57,400 --> 00:35:00,359
Speaker 1: A little sneeze in me is that I'm I'm sorry,

667
00:35:00,440 --> 00:35:03,520
Speaker 1: Dard for someone who leaves the room at the slightest

668
00:35:03,719 --> 00:35:09,680
Speaker 1: provocation to do almost to do almost to do anything,

669
00:35:09,760 --> 00:35:13,160
Speaker 1: to go to the fridge to I.

670
00:35:13,080 --> 00:35:14,800
Speaker 2: Don't know what he does out there, because I'm in

671
00:35:14,880 --> 00:35:17,279
Speaker 2: your recording, but I've come in and some of the

672
00:35:17,280 --> 00:35:21,000
Speaker 2: stuff that he's doing out there, it's not stuff you

673
00:35:21,040 --> 00:35:22,120
Speaker 2: do when you're at work.

674
00:35:22,960 --> 00:35:26,400
Speaker 1: But to make a horrific noise like that you decide

675
00:35:26,400 --> 00:35:27,799
Speaker 1: to do in the room, I just want to make

676
00:35:27,840 --> 00:35:28,759
Speaker 1: sure that's what you just decide.

677
00:35:28,760 --> 00:35:30,440
Speaker 2: I've seen him out there doing a little bit of

678
00:35:30,440 --> 00:35:32,480
Speaker 2: a press tour, if you catch my meaning. And I

679
00:35:32,520 --> 00:35:36,880
Speaker 2: mean he's pressing his fist into his buttocks in a

680
00:35:36,880 --> 00:35:39,320
Speaker 2: way that seems to and he's breathing heavy in a

681
00:35:39,360 --> 00:35:42,120
Speaker 2: way that seems to excite him. Now, I hate, I

682
00:35:42,160 --> 00:35:45,880
Speaker 2: hesitate to accuse him of masturbating, but I believe that

683
00:35:45,920 --> 00:35:49,440
Speaker 2: he's developed a method which is acceptable to do in public,

684
00:35:49,520 --> 00:35:53,120
Speaker 2: although it is very strange to watch, So you would

685
00:35:53,200 --> 00:35:56,200
Speaker 2: assume that someone who would leave the room for, you know,

686
00:35:56,400 --> 00:36:03,759
Speaker 2: essentially to ejaculate. Yeah, who was gonna sneeze might think

687
00:36:03,800 --> 00:36:06,719
Speaker 2: they should leave the room. And you interrupted one of

688
00:36:06,760 --> 00:36:10,000
Speaker 2: the great minds of our time who was about to

689
00:36:10,080 --> 00:36:13,680
Speaker 2: launch into a real Dennis Miller style rant.

690
00:36:14,680 --> 00:36:20,839
Speaker 1: Technology. Yeah, yeah, continue, I'm sorry, I don't talk. You're

691
00:36:20,840 --> 00:36:23,120
Speaker 1: talking about notes. Can you get your Irish back up?

692
00:36:23,280 --> 00:36:27,480
Speaker 1: You're you're on iPad minis Yeah, yeah, notes, iPad minis.

693
00:36:27,520 --> 00:36:28,399
Speaker 1: I think I know so.

694
00:36:28,400 --> 00:36:30,799
Speaker 4: Many of you said that, and I was just gonna yeah,

695
00:36:31,000 --> 00:36:35,879
Speaker 4: you know, look, it's we're all tweeting, Yes, this is it.

696
00:36:35,960 --> 00:36:40,680
Speaker 4: We're all tumblring, we're all facebooking, and you know, it

697
00:36:40,719 --> 00:36:43,080
Speaker 4: was all all of these things were supposed to get

698
00:36:43,200 --> 00:36:47,520
Speaker 4: us to connect more. But if you think about it,

699
00:36:48,600 --> 00:36:51,640
Speaker 4: they're kind of causing a disconnect. They're kind of putting

700
00:36:51,719 --> 00:36:54,600
Speaker 4: distance between us because we're not talking to each other.

701
00:36:54,600 --> 00:36:57,040
Speaker 4: We're talking into our into our phone.

702
00:36:57,080 --> 00:36:57,840
Speaker 1: Now that's interesting.

703
00:36:57,880 --> 00:37:01,799
Speaker 4: How do you mean, Well, we're we're like, you know,

704
00:37:01,920 --> 00:37:05,799
Speaker 4: texting and stuff all the time. Yeah, and tweeting, and

705
00:37:05,840 --> 00:37:10,080
Speaker 4: we're writing stuff on on on Facebook instead of talking

706
00:37:10,120 --> 00:37:10,600
Speaker 4: to each other.

707
00:37:10,760 --> 00:37:12,600
Speaker 1: Yes, And then there's a part where you just close

708
00:37:12,680 --> 00:37:13,000
Speaker 1: it out.

709
00:37:13,800 --> 00:37:16,200
Speaker 4: Yeah, you close it out. Oh you do that, Yeah,

710
00:37:16,239 --> 00:37:22,520
Speaker 4: I do it. And it's it really just it gets

711
00:37:22,600 --> 00:37:23,320
Speaker 4: it gets.

712
00:37:23,080 --> 00:37:27,120
Speaker 2: Bad, and it's you're right because in a way, the intended,

713
00:37:27,320 --> 00:37:30,320
Speaker 2: you know, the stated intention of these devices and these

714
00:37:30,360 --> 00:37:34,040
Speaker 2: websites and these different things that you type into or

715
00:37:34,080 --> 00:37:38,839
Speaker 2: look at is to connect us, and it is disconnecting us.

716
00:37:38,920 --> 00:37:41,359
Speaker 1: Now, if I gave you a banana and.

717
00:37:41,320 --> 00:37:43,359
Speaker 2: I said, hey, the purpose of this is that you

718
00:37:43,719 --> 00:37:46,839
Speaker 2: eat it, and you know it's good, right, sure, But

719
00:37:46,880 --> 00:37:50,360
Speaker 2: then but then what it actually did was you couldn't

720
00:37:50,400 --> 00:37:53,680
Speaker 2: eat it. Yeah, and it doesn't be food. You'd stop

721
00:37:53,719 --> 00:37:56,399
Speaker 2: going to that banana tree or to me, I'm I.

722
00:37:56,320 --> 00:37:59,880
Speaker 4: Mean, I guess causing yeah, starvation now.

723
00:37:59,760 --> 00:38:01,000
Speaker 1: This causing convation.

724
00:38:01,160 --> 00:38:03,239
Speaker 4: Yeah, tree makes you starve it, this tree makes you

725
00:38:03,239 --> 00:38:03,960
Speaker 4: starve now, and.

726
00:38:03,920 --> 00:38:06,240
Speaker 1: So you don't go to that tree or that vendor.

727
00:38:06,320 --> 00:38:08,160
Speaker 4: But people are still going the tree. People still going,

728
00:38:08,440 --> 00:38:11,719
Speaker 4: well there, they moved in there, they've moved into the tree.

729
00:38:11,760 --> 00:38:13,560
Speaker 1: Yes, and they have a tree house in there.

730
00:38:13,600 --> 00:38:18,080
Speaker 2: And it's so I think that, you know, one of

731
00:38:18,160 --> 00:38:20,200
Speaker 2: the things we wanted to do because we do have

732
00:38:20,239 --> 00:38:23,680
Speaker 2: Andy here, who's kind of a young and Andy, how

733
00:38:23,680 --> 00:38:24,200
Speaker 2: old are.

734
00:38:24,040 --> 00:38:28,320
Speaker 3: You I'm twenty six, okay.

735
00:38:27,000 --> 00:38:28,920
Speaker 1: Uh, and we do have a kind we did. It's

736
00:38:28,920 --> 00:38:29,960
Speaker 1: a kind of a young.

737
00:38:29,960 --> 00:38:32,960
Speaker 4: And what's your what's your what's your background? Edie Reiner?

738
00:38:33,120 --> 00:38:35,040
Speaker 4: Is your did you go to?

739
00:38:35,640 --> 00:38:39,840
Speaker 1: I think for these purposes because Rob, to his credit,

740
00:38:40,239 --> 00:38:41,680
Speaker 1: is having any do it himself.

741
00:38:42,239 --> 00:38:43,840
Speaker 4: Yeah, you know that makes sense.

742
00:38:44,320 --> 00:38:46,560
Speaker 1: And the same way Carl did for him. Now we're

743
00:38:46,560 --> 00:38:49,080
Speaker 1: doing it for Andy, right, am I wrong?

744
00:38:49,400 --> 00:38:49,560
Speaker 4: No?

745
00:38:49,640 --> 00:38:51,040
Speaker 3: Yeah, that's that's what he tells me.

746
00:38:51,640 --> 00:38:51,879
Speaker 5: Uh.

747
00:38:51,920 --> 00:38:55,640
Speaker 1: And so for these purposes, Yeah, we just forget maybe

748
00:38:55,680 --> 00:38:58,880
Speaker 1: about that absolutely Rob, because I think as you can't would.

749
00:38:59,239 --> 00:39:01,120
Speaker 4: Well because you know, if I could, if I could

750
00:39:01,200 --> 00:39:04,400
Speaker 4: jump in here, Andy, You're not You're not in the

751
00:39:04,400 --> 00:39:06,000
Speaker 4: business because your dad's in the business, are you?

752
00:39:06,600 --> 00:39:08,520
Speaker 3: Oh no, No, this is a passion of mine. This

753
00:39:08,560 --> 00:39:10,880
Speaker 3: is something I've been interested in, you know since I

754
00:39:10,920 --> 00:39:12,640
Speaker 3: was Yeah, young man.

755
00:39:12,520 --> 00:39:14,480
Speaker 4: You wouldn't be able to be in the business just

756
00:39:14,520 --> 00:39:16,680
Speaker 4: because your dad's in the business. That It doesn't it

757
00:39:16,680 --> 00:39:19,520
Speaker 4: doesn't work like that. No, you have to have that

758
00:39:19,600 --> 00:39:23,440
Speaker 4: passion or else you know what or what what are

759
00:39:23,480 --> 00:39:23,839
Speaker 4: we doing?

760
00:39:23,920 --> 00:39:24,560
Speaker 1: It doesn't work?

761
00:39:24,640 --> 00:39:25,319
Speaker 4: It doesn't work.

762
00:39:25,400 --> 00:39:29,000
Speaker 1: Yeah, yeah, And you see in the what gave.

763
00:39:28,920 --> 00:39:32,000
Speaker 4: You that passion? What what when you when you look back, Andy,

764
00:39:32,040 --> 00:39:35,480
Speaker 4: when you look back, what what was it that first?

765
00:39:35,719 --> 00:39:37,759
Speaker 4: What was it that first that you made you first

766
00:39:37,840 --> 00:39:40,320
Speaker 4: say I need to be in this business.

767
00:39:40,360 --> 00:39:41,520
Speaker 1: You've got to be able to answer this.

768
00:39:41,600 --> 00:39:43,799
Speaker 4: You have to be able to People will ask you

769
00:39:43,920 --> 00:39:45,960
Speaker 4: this is a question, but ask you what made you.

770
00:39:46,400 --> 00:39:46,920
Speaker 1: Can answer this?

771
00:39:46,960 --> 00:39:51,920
Speaker 2: Alison Williams, Yeah, she's not. Yes, you would hardly know

772
00:39:52,640 --> 00:39:55,640
Speaker 2: no BETTERR daddy did the news No no no, or

773
00:39:55,680 --> 00:39:57,719
Speaker 2: that Gwyneth Paltrow's dad was.

774
00:39:57,719 --> 00:40:01,839
Speaker 4: The cowboy No no, no, no idea right.

775
00:40:01,920 --> 00:40:04,360
Speaker 6: I think it was probably when my dad was Jessica Capshaw,

776
00:40:05,200 --> 00:40:08,920
Speaker 6: she's a series regular on Grey's Anatomy.

777
00:40:09,640 --> 00:40:15,440
Speaker 4: That happened because Jessica Capshaw knows how to fucking act.

778
00:40:15,840 --> 00:40:19,239
Speaker 4: It didn't happen because of the household she grew up in.

779
00:40:19,600 --> 00:40:23,319
Speaker 4: It happens because you have talent. It happens because you

780
00:40:23,400 --> 00:40:25,600
Speaker 4: are interesting, and it happens because you know how to

781
00:40:25,640 --> 00:40:31,960
Speaker 4: combine those things in front of camera. So, and what

782
00:40:32,040 --> 00:40:35,120
Speaker 4: was the thing that made you think I needed I

783
00:40:35,160 --> 00:40:35,799
Speaker 4: need to do this?

784
00:40:36,360 --> 00:40:39,040
Speaker 3: I think it was when my dad was making North

785
00:40:39,200 --> 00:40:41,839
Speaker 3: if you remember that yeah film. Yeah, and so I

786
00:40:41,960 --> 00:40:44,160
Speaker 3: he let me be in the background in one of

787
00:40:44,640 --> 00:40:48,200
Speaker 3: a crowd scene and I just said, I gotta, I

788
00:40:48,239 --> 00:40:49,279
Speaker 3: gotta get more of this.

789
00:40:49,600 --> 00:40:52,440
Speaker 4: Yeah, it's just I got the bug, you got the body.

790
00:40:52,480 --> 00:40:53,120
Speaker 4: On North.

791
00:40:54,560 --> 00:40:55,560
Speaker 1: We talked about you know what.

792
00:40:55,719 --> 00:40:57,080
Speaker 4: You know what I think the problem with Andy is

793
00:40:57,080 --> 00:40:59,759
Speaker 4: and what I'm what I'm sensing. Andy's biggest problem is

794
00:41:00,840 --> 00:41:04,680
Speaker 4: over the over the waves. Here is he comes from here.

795
00:41:05,200 --> 00:41:09,560
Speaker 4: I'm pointing it, okay, head right now, I'm putting my

796
00:41:09,560 --> 00:41:12,400
Speaker 4: head right now. He's coming from here. And you have

797
00:41:12,400 --> 00:41:16,520
Speaker 4: to come from here. Point where is Okay, point in

798
00:41:16,520 --> 00:41:18,279
Speaker 4: my chest right now, okay, And that's where you have

799
00:41:18,360 --> 00:41:20,279
Speaker 4: to come from. That's where every decision has to be.

800
00:41:20,239 --> 00:41:25,600
Speaker 4: As every decision. And Andy, you're you're not making enough

801
00:41:25,640 --> 00:41:28,439
Speaker 4: decisions from your from your heart.

802
00:41:29,280 --> 00:41:32,680
Speaker 1: Mm hmmm. You're thinking too much. You're too much of

803
00:41:32,680 --> 00:41:33,440
Speaker 1: a brainiac.

804
00:41:33,719 --> 00:41:35,640
Speaker 4: Yeah.

805
00:41:35,800 --> 00:41:39,200
Speaker 2: Now, when I was first starting out, yeah, I got

806
00:41:39,239 --> 00:41:42,080
Speaker 2: some good advice from somebody who's you know in this

807
00:41:42,200 --> 00:41:46,400
Speaker 2: room via technology right now, and it's you, Jared, Okay,

808
00:41:46,440 --> 00:41:48,600
Speaker 2: and you, to me, you were a figure like if

809
00:41:48,640 --> 00:41:50,960
Speaker 2: you've seen the movie Wedding Crashers, and if you haven't

810
00:41:51,040 --> 00:41:54,440
Speaker 2: seen it, scoop troop, go out rent it. Anything you

811
00:41:54,480 --> 00:41:57,600
Speaker 2: need to do. Watch this movie you probably have seen

812
00:41:57,640 --> 00:42:02,040
Speaker 2: it walk. Yes, it's it's got a hunting scene with

813
00:42:02,080 --> 00:42:05,800
Speaker 2: Bradley Cooper. Yes, that Bradley Cooper, and it's so funny

814
00:42:06,400 --> 00:42:07,480
Speaker 2: and Doc.

815
00:42:07,800 --> 00:42:10,479
Speaker 1: Gets taken down with the big tackle in the football part.

816
00:42:11,280 --> 00:42:14,919
Speaker 1: It's physical comedy and it's verbal comedy.

817
00:42:14,560 --> 00:42:17,440
Speaker 4: And well but again, but again, you know what's great

818
00:42:17,480 --> 00:42:22,440
Speaker 4: about that film is it starts off these guys are

819
00:42:22,440 --> 00:42:25,959
Speaker 4: crashing weddings, they're fucking around. But in the end, what's

820
00:42:25,960 --> 00:42:29,240
Speaker 4: it about. In the end, it's not about crashing weddings.

821
00:42:29,480 --> 00:42:32,440
Speaker 4: It's about story. It's about relationship. It's about him and

822
00:42:32,480 --> 00:42:35,200
Speaker 4: the It's about their friendship. It's about their friendship. It's

823
00:42:35,200 --> 00:42:38,680
Speaker 4: about him and the girl. It's no longer about going

824
00:42:38,680 --> 00:42:40,120
Speaker 4: into a wedding and finding girls.

825
00:42:40,160 --> 00:42:42,719
Speaker 1: It's about the one girl wants to fuck the guy.

826
00:42:42,920 --> 00:42:46,279
Speaker 1: She gotta have it. The mom she wants to get

827
00:42:46,320 --> 00:42:50,799
Speaker 1: it too, and she yeah, the grandma, she's kind of

828
00:42:52,000 --> 00:42:53,520
Speaker 1: empty and must be filled.

829
00:42:53,520 --> 00:42:55,759
Speaker 2: The women in this film and even if they and

830
00:42:55,800 --> 00:42:58,399
Speaker 2: if they can't get it, what they're doing is even

831
00:42:58,480 --> 00:43:01,399
Speaker 2: just trying to jerk you off. That's satisfying to them.

832
00:43:02,320 --> 00:43:06,680
Speaker 2: When is doing it so that he and he said

833
00:43:06,680 --> 00:43:10,200
Speaker 2: he I think pissed blood or came blood is one

834
00:43:10,200 --> 00:43:12,319
Speaker 2: of the jokes, not a joke. He just says that thing.

835
00:43:12,440 --> 00:43:15,880
Speaker 2: But but for me, the reason I bring the movie

836
00:43:15,960 --> 00:43:18,480
Speaker 2: up is about one relationship in particular, which is the

837
00:43:18,520 --> 00:43:21,799
Speaker 2: mentor relationship, which is their mentor is played by someone

838
00:43:21,920 --> 00:43:27,200
Speaker 2: named Will Ferrell, and he do improv in the scene.

839
00:43:27,200 --> 00:43:31,840
Speaker 2: I think, yes with the other characters, and it's so funny,

840
00:43:31,880 --> 00:43:35,719
Speaker 2: but it also is a and he's a surprise, yes,

841
00:43:37,040 --> 00:43:39,160
Speaker 2: and it's and he's young and his mom and that's

842
00:43:39,200 --> 00:43:41,359
Speaker 2: not something you did, but that's just a funny thing.

843
00:43:42,719 --> 00:43:46,840
Speaker 2: And you did tell me and Hayes some good advice.

844
00:43:47,960 --> 00:43:52,160
Speaker 1: Yeah, specifically, Jared, do you have your six rules? The

845
00:43:52,200 --> 00:43:53,520
Speaker 1: six rules of filmmaking?

846
00:43:53,600 --> 00:43:57,000
Speaker 2: And what we've promised Andy is that he can get

847
00:43:57,320 --> 00:44:01,279
Speaker 2: two rules now, two rules the end of the podcast,

848
00:44:02,440 --> 00:44:04,640
Speaker 2: and two more if he shows that he's responsible enough

849
00:44:04,680 --> 00:44:05,319
Speaker 2: to handle them.

850
00:44:05,600 --> 00:44:09,439
Speaker 4: Well, one I already gave you Andy, which is the chest. Yeah,

851
00:44:09,520 --> 00:44:12,279
Speaker 4: go everything from the heart, from the chest, everything from

852
00:44:12,280 --> 00:44:17,719
Speaker 4: the heart. What was what was what was number two?

853
00:44:17,960 --> 00:44:21,279
Speaker 4: Number two? Sean Hayes, you guys remember what number two was?

854
00:44:21,800 --> 00:44:23,399
Speaker 1: I can get you started. How about that?

855
00:44:23,520 --> 00:44:25,879
Speaker 4: Get me started? I want to make sure that.

856
00:44:25,840 --> 00:44:30,680
Speaker 1: You guys, you can't have a story.

857
00:44:30,960 --> 00:44:33,720
Speaker 4: Unless you have a past? Am I right? Andy?

858
00:44:33,880 --> 00:44:34,200
Speaker 1: Wow?

859
00:44:34,480 --> 00:44:35,960
Speaker 3: Yeah, I haven't thought of it like that.

860
00:44:36,160 --> 00:44:39,239
Speaker 1: Yeah, unless you have a past, Dandy. Now, can you

861
00:44:39,280 --> 00:44:42,480
Speaker 1: speak on that, Andy.

862
00:44:41,600 --> 00:44:43,439
Speaker 3: Like what it means to me? What I think that means?

863
00:44:43,600 --> 00:44:43,799
Speaker 7: Yeah?

864
00:44:44,560 --> 00:44:46,960
Speaker 3: Yeah, I think it just means that, you know, you

865
00:44:47,000 --> 00:44:48,480
Speaker 3: have to write.

866
00:44:47,680 --> 00:44:50,400
Speaker 4: What you know? What it is? Andy. What I'm not

867
00:44:50,480 --> 00:44:53,440
Speaker 4: buying from you is if you to have a story,

868
00:44:53,480 --> 00:44:56,200
Speaker 4: you need to have a past. You're twenty six, twenty

869
00:44:56,239 --> 00:44:59,640
Speaker 4: six a story. I didn't have a story at twenty six.

870
00:45:00,280 --> 00:45:02,520
Speaker 4: At twenty six? What am I doing at twenty six?

871
00:45:03,040 --> 00:45:07,200
Speaker 4: You know? Yes, I'm going around. I'm at hide, you know,

872
00:45:08,719 --> 00:45:12,400
Speaker 4: all night, I'm at hide. When I'm twenty six, I

873
00:45:12,560 --> 00:45:16,000
Speaker 4: was at hide, That's what I was doing. Yes, you know,

874
00:45:16,080 --> 00:45:17,040
Speaker 4: I don't think.

875
00:45:17,200 --> 00:45:19,000
Speaker 1: Hyde is like club Deviate.

876
00:45:19,280 --> 00:45:21,600
Speaker 4: Yeah, and I don't think you know, a twenty six

877
00:45:21,680 --> 00:45:28,480
Speaker 4: year old, I mean has the has the emotional you know,

878
00:45:29,120 --> 00:45:32,960
Speaker 4: step to kind of come at it from a personal.

879
00:45:33,680 --> 00:45:38,120
Speaker 1: Because you're constantly rolling. You're almost never not rolling.

880
00:45:38,200 --> 00:45:42,239
Speaker 2: Oh yeah, I mean, and that's something that's number three.

881
00:45:42,440 --> 00:45:46,200
Speaker 4: Always roll, always be able to roll, that's number three rule.

882
00:45:47,400 --> 00:45:48,440
Speaker 1: And can you expand on that.

883
00:45:48,520 --> 00:45:51,880
Speaker 3: Are we talking about like on a like a skateboard

884
00:45:52,280 --> 00:45:53,160
Speaker 3: or a bike or something.

885
00:45:53,160 --> 00:45:55,799
Speaker 4: We are not. We are not talking about that. We're

886
00:45:55,840 --> 00:46:00,520
Speaker 4: talking about always being able to roll, like you gotta be.

887
00:46:01,400 --> 00:46:07,839
Speaker 4: If a director says, Andy, I need you to sam

888
00:46:07,960 --> 00:46:12,120
Speaker 4: this table. You have to know how to sand that table,

889
00:46:12,160 --> 00:46:15,080
Speaker 4: and you have to do do it in a real way.

890
00:46:15,280 --> 00:46:19,080
Speaker 2: Fill this paper, tear out this stop sign, you know,

891
00:46:19,200 --> 00:46:20,200
Speaker 2: remove this stop sign.

892
00:46:20,360 --> 00:46:22,880
Speaker 4: Right, that's right. Take You have to be able to

893
00:46:22,920 --> 00:46:26,440
Speaker 4: know how to do these things. Yes, uh so again

894
00:46:26,520 --> 00:46:28,640
Speaker 4: always always, you know, be able to roll, be able

895
00:46:28,680 --> 00:46:29,239
Speaker 4: to roll with it.

896
00:46:30,480 --> 00:46:30,680
Speaker 7: Yeah.

897
00:46:31,200 --> 00:46:33,480
Speaker 1: Yeah, And that's why they say roll tape. And did

898
00:46:33,480 --> 00:46:34,200
Speaker 1: you ever notice that?

899
00:46:34,400 --> 00:46:36,520
Speaker 3: Yeah? I did know that they say rolling on movies.

900
00:46:36,760 --> 00:46:37,080
Speaker 4: They do.

901
00:46:37,160 --> 00:46:39,000
Speaker 1: I didn't know that. We'll get used to it.

902
00:46:39,400 --> 00:46:42,760
Speaker 4: Yeah, yeah, your dad didn't teach you that what rolling meant.

903
00:46:43,360 --> 00:46:45,359
Speaker 4: So I guess I had a different made a bunch

904
00:46:45,400 --> 00:46:46,040
Speaker 4: of movies. Your dad.

905
00:46:46,440 --> 00:46:49,440
Speaker 3: Yeah, he just would say it. He didn't never explain it, explain.

906
00:46:49,280 --> 00:46:49,600
Speaker 4: What it meant.

907
00:46:49,719 --> 00:46:50,279
Speaker 1: Yeah. Wow.

908
00:46:50,440 --> 00:46:52,239
Speaker 4: Yeah, how many fas? How many films has he made?

909
00:46:52,280 --> 00:46:56,480
Speaker 4: He's made? Oh, at least ten, at least ten? Yeah, yeah,

910
00:46:56,480 --> 00:46:59,000
Speaker 4: I was gonna say more than that. I think probably, Yeah,

911
00:46:59,440 --> 00:47:01,919
Speaker 4: what's your faceavorite of his? It was it north because

912
00:47:01,920 --> 00:47:03,600
Speaker 4: you were on the ceenter? Was it something else?

913
00:47:03,680 --> 00:47:04,160
Speaker 1: That one is?

914
00:47:04,760 --> 00:47:06,520
Speaker 3: It's really special to me, But I think I might

915
00:47:06,560 --> 00:47:08,160
Speaker 3: have to say stand by Me is.

916
00:47:09,680 --> 00:47:11,240
Speaker 1: My top favorite.

917
00:47:11,680 --> 00:47:11,879
Speaker 4: Yeah.

918
00:47:12,120 --> 00:47:14,360
Speaker 2: He tells a story about the kid they called lard

919
00:47:14,400 --> 00:47:17,440
Speaker 2: Ass and he goes you can contest, and he throws

920
00:47:17,520 --> 00:47:20,480
Speaker 2: up on everyone and he was just a storyteller and

921
00:47:20,520 --> 00:47:21,680
Speaker 2: that just lived him.

922
00:47:21,719 --> 00:47:24,480
Speaker 1: Did you relate to that in any way? Yeah, I

923
00:47:24,480 --> 00:47:25,759
Speaker 1: mean it made me.

924
00:47:26,080 --> 00:47:29,480
Speaker 2: I mean, here was a young boy and his friends

925
00:47:29,520 --> 00:47:34,160
Speaker 2: want to hear him. And that's how what they do

926
00:47:34,239 --> 00:47:37,960
Speaker 2: to a lack They didn't have iPhones, they didn't have

927
00:47:38,000 --> 00:47:42,680
Speaker 2: a surface, no iPad mini, No. You know what they

928
00:47:42,760 --> 00:47:46,400
Speaker 2: do is they would have him tell story. Has anyone

929
00:47:46,400 --> 00:47:47,560
Speaker 2: ever asked you to do that?

930
00:47:48,480 --> 00:47:48,640
Speaker 1: No?

931
00:47:48,680 --> 00:47:52,000
Speaker 3: Actually, nobody's ever explicitly asked me to tell a story.

932
00:47:52,040 --> 00:47:55,600
Speaker 6: Tell a story, tell a story, tell us a story.

933
00:47:54,760 --> 00:47:59,160
Speaker 4: Tell us a story right now in eight words or less?

934
00:48:00,320 --> 00:48:04,160
Speaker 1: Okay? Great? Like for example, you know the famous well, yeah,

935
00:48:04,160 --> 00:48:06,319
Speaker 1: it's gonna say, well, you shouldn't say that one because

936
00:48:06,320 --> 00:48:08,839
Speaker 1: it's already famous. But the one that's like, I have

937
00:48:08,960 --> 00:48:11,520
Speaker 1: some baby shoes for you, who died.

938
00:48:13,320 --> 00:48:20,840
Speaker 3: Yep, how okay? Maybe like adult shoes? How okay too, guys.

939
00:48:21,000 --> 00:48:24,600
Speaker 4: I gotta say, guys, is there a secure line Sean Hayes.

940
00:48:24,640 --> 00:48:26,359
Speaker 4: Is there a secure secure thing?

941
00:48:26,440 --> 00:48:27,439
Speaker 1: Yes, we can patch you through.

942
00:48:27,640 --> 00:48:30,680
Speaker 4: I'm feeling like Andy is not.

943
00:48:32,200 --> 00:48:33,400
Speaker 5: It's not the guy.

944
00:48:33,840 --> 00:48:37,920
Speaker 4: I'm feeling like I'm This is just my opinion. This

945
00:48:37,960 --> 00:48:40,399
Speaker 4: is my opinion. You guys, run your business what you want.

946
00:48:40,760 --> 00:48:42,920
Speaker 4: I'm not getting from Andy what I would like.

947
00:48:43,360 --> 00:48:45,919
Speaker 1: Yeah, and if we could give you some background, yes, yeah,

948
00:48:46,840 --> 00:48:50,840
Speaker 1: this our relationship with him, yeah is ideally yeah, the

949
00:48:50,960 --> 00:48:53,600
Speaker 1: result in a relationship with his father, got It, where

950
00:48:53,600 --> 00:48:55,360
Speaker 1: he plays Shawn's dad.

951
00:48:55,360 --> 00:48:58,640
Speaker 4: Got It, got into movie, got It, got It? Got Okay, okay,

952
00:48:58,680 --> 00:49:03,600
Speaker 4: never mind. Back to the line. Hey, Andy, Hey, I'm

953
00:49:04,200 --> 00:49:04,560
Speaker 4: are you.

954
00:49:04,920 --> 00:49:06,319
Speaker 1: Nothing's coming through on my end?

955
00:49:06,760 --> 00:49:10,239
Speaker 4: Are you still you're still got problems working going there?

956
00:49:10,320 --> 00:49:10,640
Speaker 1: Hello?

957
00:49:12,000 --> 00:49:19,600
Speaker 4: Hello, Test, I'm here, Test, Test.

958
00:49:19,120 --> 00:49:23,560
Speaker 1: Test, I'm on. I can hear Cody typing. I've got

959
00:49:23,560 --> 00:49:25,640
Speaker 1: Cody in mine And is that Jared?

960
00:49:25,800 --> 00:49:26,040
Speaker 2: Yes?

961
00:49:26,080 --> 00:49:29,000
Speaker 1: This is me okay, Jared. Yeah. I thought we could

962
00:49:29,040 --> 00:49:32,439
Speaker 1: do a variation on a on something we normally do.

963
00:49:32,960 --> 00:49:36,680
Speaker 1: We normally have the popcorn gallery, which is where we

964
00:49:37,280 --> 00:49:39,239
Speaker 1: ask questions of celebrities.

965
00:49:39,360 --> 00:49:42,680
Speaker 4: Andy's still on board? Are we we? You guys? Fix

966
00:49:42,800 --> 00:49:46,400
Speaker 4: you guys? Okay with that? Andy still with us? Yeah, no,

967
00:49:46,520 --> 00:49:50,440
Speaker 4: it's good if he's and we're good on Andy.

968
00:49:51,360 --> 00:49:55,040
Speaker 1: I'm leaving. That's a wrap on Andy. Oh wow, well.

969
00:49:54,840 --> 00:49:57,040
Speaker 3: This was so this was great you guys, thank you

970
00:49:57,080 --> 00:49:58,760
Speaker 3: so much for all the help.

971
00:49:59,080 --> 00:50:02,640
Speaker 1: I really appreciate it. And just and the short of

972
00:50:02,640 --> 00:50:05,200
Speaker 1: the better with an exit line, you know, it just

973
00:50:05,200 --> 00:50:08,480
Speaker 1: should be like a boom, just like such a strong So.

974
00:50:08,440 --> 00:50:10,320
Speaker 4: You guys are talking about popcorn galleries.

975
00:50:10,480 --> 00:50:16,720
Speaker 1: Yes, we ask questions of celebrities and then they answer back.

976
00:50:17,719 --> 00:50:20,279
Speaker 1: But in a lot of cases, the more interesting thing

977
00:50:20,320 --> 00:50:23,879
Speaker 1: I think would be to ask you to answer questions

978
00:50:24,120 --> 00:50:26,920
Speaker 1: like we we we ask a celebrity a question, but

979
00:50:26,960 --> 00:50:29,840
Speaker 1: then you answer it because you are something of I

980
00:50:29,840 --> 00:50:31,479
Speaker 1: guess this kind of glue guy.

981
00:50:32,360 --> 00:50:36,520
Speaker 2: Yes, yes, Hollywood's glue guy, the straw that stirs the drink.

982
00:50:37,800 --> 00:50:41,720
Speaker 1: So where any question that we have for a celebrity,

983
00:50:41,719 --> 00:50:43,920
Speaker 1: we could ask you and you can respond like sort

984
00:50:43,960 --> 00:50:46,560
Speaker 1: of what they would say and also kind of what

985
00:50:46,640 --> 00:50:47,600
Speaker 1: the truth is.

986
00:50:48,800 --> 00:51:02,040
Speaker 6: Okay, I'm ready for it, Like for example, yep, what's oh,

987
00:51:02,080 --> 00:51:04,680
Speaker 6: it's a popcorn Okay, you hear it?

988
00:51:04,960 --> 00:51:08,160
Speaker 2: Yeah, Oh, it's.

989
00:51:10,160 --> 00:51:18,040
Speaker 1: Hat from a guy. Oh that and for this, can

990
00:51:18,120 --> 00:51:20,800
Speaker 1: I say that? Okay, can give me one second, because

991
00:51:21,040 --> 00:51:24,440
Speaker 1: I'm disappointed with that result for this episode, which I

992
00:51:24,680 --> 00:51:27,800
Speaker 1: would prefer to be of a little higher standard for Jared.

993
00:51:27,880 --> 00:51:31,440
Speaker 2: Can I say this though, Mark, who does our sounddrops,

994
00:51:31,600 --> 00:51:34,160
Speaker 2: My high school friend, Mark does our soundrops, has been

995
00:51:34,320 --> 00:51:38,759
Speaker 2: really really sick, like throwing up, going to the bathroom

996
00:51:39,680 --> 00:51:41,080
Speaker 2: and can't stop.

997
00:51:41,400 --> 00:51:45,640
Speaker 1: Okay, Well, in that case, I'm just thankful that he

998
00:51:46,120 --> 00:51:49,360
Speaker 1: got one got a sound drop prepared for the show,

999
00:51:49,920 --> 00:51:52,280
Speaker 1: because we could have just had nothing there and imagine

1000
00:51:52,280 --> 00:51:53,480
Speaker 1: how embarrassing that would have been.

1001
00:51:53,680 --> 00:51:56,719
Speaker 2: Yes, oh, so they're a little weaker and it's he

1002
00:51:56,840 --> 00:51:59,040
Speaker 2: sounds kind of you can hear it that he's not.

1003
00:51:59,320 --> 00:52:01,040
Speaker 1: So my apologies to Mark.

1004
00:52:02,040 --> 00:52:03,560
Speaker 4: What's happening, guys, I don't I'm not.

1005
00:52:03,600 --> 00:52:05,600
Speaker 1: Oh, yes, I'm sorry. We're back with you. We just

1006
00:52:05,640 --> 00:52:08,800
Speaker 1: pulled a question out of a popcorn back. Oh, I

1007
00:52:09,000 --> 00:52:13,200
Speaker 1: to ask you. And this is a question for Kieranan Chipka. Okay, okay,

1008
00:52:13,360 --> 00:52:14,160
Speaker 1: you know Kieranan.

1009
00:52:14,400 --> 00:52:15,560
Speaker 4: Yeah, who is that again?

1010
00:52:15,960 --> 00:52:19,000
Speaker 1: She's the girl from mad Men, the little girl you

1011
00:52:19,000 --> 00:52:22,439
Speaker 1: guys had the little run okay.

1012
00:52:22,800 --> 00:52:24,919
Speaker 2: And she's a go get them tiger on launchmon a lot.

1013
00:52:24,960 --> 00:52:26,600
Speaker 4: That's right, go ahead.

1014
00:52:27,680 --> 00:52:31,080
Speaker 1: And the question for Kiernan is and you answer, you

1015
00:52:31,440 --> 00:52:34,319
Speaker 1: tell us how she would answer, and then maybe like

1016
00:52:34,400 --> 00:52:36,640
Speaker 1: what the secret answer is for her? Okay, you know

1017
00:52:36,760 --> 00:52:39,080
Speaker 1: since you know her so well? Okay, uh. And the

1018
00:52:39,160 --> 00:52:43,440
Speaker 1: question for Kiernan is what's the most exciting thing about

1019
00:52:43,800 --> 00:52:45,080
Speaker 1: being a TV star?

1020
00:52:47,800 --> 00:52:54,600
Speaker 4: Well, if I were Kiernan, I would probably say nothing

1021
00:52:55,040 --> 00:53:01,600
Speaker 4: m is good about being a TV star. What I'm

1022
00:53:01,719 --> 00:53:06,080
Speaker 4: doing it for is the work. Guys, you know what.

1023
00:53:06,120 --> 00:53:08,840
Speaker 4: It's a good question. Honestly, it is. It is. It

1024
00:53:08,960 --> 00:53:12,880
Speaker 4: is a good question. Yeah, you know, I don't. I don't.

1025
00:53:13,440 --> 00:53:17,839
Speaker 4: I don't know how Kiernan would I would answer it, but.

1026
00:53:18,239 --> 00:53:20,120
Speaker 1: Yes you do, and I appreciate you protecting her in

1027
00:53:20,160 --> 00:53:20,720
Speaker 1: this way.

1028
00:53:21,280 --> 00:53:23,120
Speaker 2: Now, this has been an issue a little bit with

1029
00:53:23,239 --> 00:53:24,799
Speaker 2: this recently, so we do want to clear it up.

1030
00:53:25,040 --> 00:53:27,319
Speaker 2: There's two more questions coming and that's it. Then you

1031
00:53:27,360 --> 00:53:30,840
Speaker 2: get to leave. Yes, some guests have been doing a

1032
00:53:30,920 --> 00:53:32,880
Speaker 2: sort of wrap it up gesture.

1033
00:53:34,640 --> 00:53:37,319
Speaker 1: And that's okay, but it's you know, partially our fault.

1034
00:53:37,320 --> 00:53:39,960
Speaker 2: We didn't communicate. So I'm going to reach back in

1035
00:53:39,960 --> 00:53:40,480
Speaker 2: the bag and.

1036
00:53:51,719 --> 00:53:57,320
Speaker 1: Gatorade, and now it sounds like it's actually getting a

1037
00:53:57,360 --> 00:53:58,000
Speaker 1: lot worse.

1038
00:53:58,840 --> 00:54:01,080
Speaker 2: Yes, he was a Yes, he recorded the first one,

1039
00:54:01,239 --> 00:54:03,319
Speaker 2: and he's sort of something was off with him.

1040
00:54:03,440 --> 00:54:04,840
Speaker 1: I was with I visited him this weekend.

1041
00:54:04,920 --> 00:54:10,759
Speaker 2: I went back and the next one he was rapidly declining,

1042
00:54:10,800 --> 00:54:12,920
Speaker 2: and we we wound up running in ivy and.

1043
00:54:14,560 --> 00:54:16,279
Speaker 1: Which I shouldn't be doing. I don't want to do

1044
00:54:16,320 --> 00:54:20,719
Speaker 1: that stuff. Well, I guess we should. He would want

1045
00:54:20,800 --> 00:54:23,960
Speaker 1: us to ask the question for sure. Okay, this is

1046
00:54:23,960 --> 00:54:27,279
Speaker 1: a question for Chris Pratt. Okay, friend of yours, would

1047
00:54:27,280 --> 00:54:27,640
Speaker 1: you say?

1048
00:54:28,600 --> 00:54:34,319
Speaker 4: Yeah, I guess I mean we I mean we've been

1049
00:54:34,440 --> 00:54:37,200
Speaker 4: we were for you know, listen, it's Hollywood friends are

1050
00:54:37,360 --> 00:54:39,440
Speaker 4: are you know? They're your friend one second and then

1051
00:54:39,480 --> 00:54:42,759
Speaker 4: you see him and it's like, oh, hey, we were

1052
00:54:42,960 --> 00:54:45,360
Speaker 4: hanging out at one point, but now we don't you

1053
00:54:45,400 --> 00:54:47,719
Speaker 4: know what I mean, like their Hollywood friends.

1054
00:54:47,360 --> 00:54:51,560
Speaker 1: But we're the way it cycles through. If you're on

1055
00:54:51,640 --> 00:54:53,400
Speaker 1: the same lot, now we're best friends.

1056
00:54:53,480 --> 00:54:55,560
Speaker 4: Now we're best friends. Oh if we're if we're at

1057
00:54:55,560 --> 00:54:57,879
Speaker 4: a press john doing a press junk in the same

1058
00:54:58,280 --> 00:55:00,520
Speaker 4: fucking hotel, that's yeah.

1059
00:55:00,560 --> 00:55:04,239
Speaker 1: But yeah, So the question we want to know from

1060
00:55:04,280 --> 00:55:07,960
Speaker 1: Chris Pratt is, how did you get so strong for

1061
00:55:08,160 --> 00:55:10,720
Speaker 1: the space movie star Lord?

1062
00:55:12,040 --> 00:55:14,680
Speaker 4: Yeah, which we loved.

1063
00:55:14,719 --> 00:55:17,319
Speaker 1: I don't want to nerd out about that movie. It's

1064
00:55:17,320 --> 00:55:17,920
Speaker 1: from a comic.

1065
00:55:18,200 --> 00:55:21,640
Speaker 4: Yeah.

1066
00:55:21,719 --> 00:55:23,040
Speaker 1: I love comic comics.

1067
00:55:23,160 --> 00:55:24,120
Speaker 4: Yeah, you know star Lord.

1068
00:55:24,239 --> 00:55:27,879
Speaker 1: I love the funniness. I love the girl. I love

1069
00:55:28,280 --> 00:55:31,120
Speaker 1: that whole romance story. Meerkat guy.

1070
00:55:31,280 --> 00:55:34,200
Speaker 4: Yes, why you know, I thought, guys, I thought you're

1071
00:55:34,239 --> 00:55:36,200
Speaker 4: missing on the music.

1072
00:55:36,840 --> 00:55:41,960
Speaker 1: Oh, the music brought me back. That soundtrack.

1073
00:55:42,120 --> 00:55:45,560
Speaker 4: The music brought me back to a place of wait

1074
00:55:45,600 --> 00:55:48,000
Speaker 4: a second, I'm having fun and movies again.

1075
00:55:48,160 --> 00:55:51,640
Speaker 1: Oh god? How is the song of the Summer for twenty.

1076
00:55:51,360 --> 00:55:56,439
Speaker 2: Fourteen a song from freaking nineteen eighty one? But it's

1077
00:55:56,480 --> 00:55:58,680
Speaker 2: just a good song, doesn't go out of.

1078
00:55:58,600 --> 00:56:01,319
Speaker 1: Style, and you forget it that you do and you do, and.

1079
00:56:01,280 --> 00:56:04,479
Speaker 2: When they're playing that, it's like, holy shit, I'm having

1080
00:56:04,520 --> 00:56:05,600
Speaker 2: fun in movies again.

1081
00:56:05,680 --> 00:56:07,439
Speaker 4: That's right, you know what I say?

1082
00:56:07,600 --> 00:56:10,600
Speaker 1: All the music in these other movies in the Batman's is.

1083
00:56:10,520 --> 00:56:14,080
Speaker 7: Like boom boom.

1084
00:56:12,719 --> 00:56:13,360
Speaker 5: Boom boom.

1085
00:56:16,680 --> 00:56:19,719
Speaker 4: All sounds you're talking about You're just talking about sound. Yeah,

1086
00:56:19,840 --> 00:56:24,120
Speaker 4: it's just it's just yeah, it's just like it's it's

1087
00:56:24,120 --> 00:56:26,879
Speaker 4: not music. Is a guy it's yeah.

1088
00:56:27,040 --> 00:56:29,000
Speaker 2: Just and just because you can hear it doesn't make

1089
00:56:29,000 --> 00:56:31,400
Speaker 2: it music. Yeah, let me try to explain that to

1090
00:56:31,480 --> 00:56:31,879
Speaker 2: my Just.

1091
00:56:31,960 --> 00:56:34,440
Speaker 4: Because I can buy it on iTunes for a dollar

1092
00:56:34,520 --> 00:56:38,640
Speaker 4: twenty nine doesn't mean it's music. Honestly, No, it could be.

1093
00:56:38,719 --> 00:56:39,840
Speaker 1: It honestly could be part of.

1094
00:56:39,840 --> 00:56:41,520
Speaker 4: That's what you always you have to remember.

1095
00:56:43,880 --> 00:56:46,200
Speaker 1: But so, and what do you think about how he

1096
00:56:46,239 --> 00:56:47,000
Speaker 1: got so strong?

1097
00:56:47,120 --> 00:56:49,839
Speaker 4: I think he probably ate a lot of protein. I

1098
00:56:49,880 --> 00:56:55,239
Speaker 4: think that he probably uh, he probably worked out a lot.

1099
00:56:55,600 --> 00:56:57,560
Speaker 4: And there are some listen, you know, look, there are

1100
00:56:57,560 --> 00:57:03,040
Speaker 4: some trainers out there. Yeah. Uh that that that the

1101
00:57:03,080 --> 00:57:07,120
Speaker 4: movie studios know that those guys can do it. Those

1102
00:57:07,160 --> 00:57:09,920
Speaker 4: guys can They're on retainer, and those guys do it

1103
00:57:09,960 --> 00:57:12,160
Speaker 4: in a much less amount of a much much less

1104
00:57:12,200 --> 00:57:15,480
Speaker 4: amount of time, you know what I mean. So, Chris Pratt,

1105
00:57:15,800 --> 00:57:17,920
Speaker 4: they have this special trainer that they can give him

1106
00:57:17,960 --> 00:57:19,600
Speaker 4: and he and you know, he can get him into

1107
00:57:19,600 --> 00:57:20,880
Speaker 4: that shape in about eight days.

1108
00:57:21,240 --> 00:57:27,760
Speaker 1: Detour, Have you ever been pushed to your limit physically? Sorry,

1109
00:57:27,800 --> 00:57:29,600
Speaker 1: I should have signaled before I made that left turn.

1110
00:57:31,000 --> 00:57:34,120
Speaker 4: I put. Let me put it this way. I push

1111
00:57:34,200 --> 00:57:39,400
Speaker 4: myself to the limit every single way, every single day.

1112
00:57:40,680 --> 00:57:42,360
Speaker 2: How else can you write some of the characters you

1113
00:57:42,400 --> 00:57:44,520
Speaker 2: write if you haven't experienced that the guy who was

1114
00:57:44,640 --> 00:57:49,040
Speaker 2: on K two and uh, which is a famous mountain,

1115
00:57:49,400 --> 00:57:53,800
Speaker 2: and was trying to blow up a balloon didn't have

1116
00:57:53,920 --> 00:57:56,320
Speaker 2: enough air stripped, and then slid it all the way

1117
00:57:56,360 --> 00:58:00,080
Speaker 2: down on his belly and then yeah.

1118
00:57:59,040 --> 00:58:00,080
Speaker 1: I mean, how can you write that?

1119
00:58:00,080 --> 00:58:02,960
Speaker 2: It seems very funny scene, But if you haven't experienced

1120
00:58:03,000 --> 00:58:06,480
Speaker 2: something like that where you are just so exhausted that

1121
00:58:06,520 --> 00:58:08,600
Speaker 2: you can't blow up the balloon and as you're sliding down,

1122
00:58:08,680 --> 00:58:10,600
Speaker 2: you're saying we but you're also.

1123
00:58:10,400 --> 00:58:14,800
Speaker 4: Saying, yeah, exactly, exactly.

1124
00:58:14,920 --> 00:58:17,200
Speaker 1: Oh, but I don't bump, you know, into anything, And

1125
00:58:17,240 --> 00:58:19,960
Speaker 1: of course he did. He bumped into a big pile

1126
00:58:20,000 --> 00:58:22,880
Speaker 1: of coconuts, right, And you wrote yes, man, So you

1127
00:58:22,880 --> 00:58:26,040
Speaker 1: talk about pushing yourself. I like, I wonder if people

1128
00:58:26,080 --> 00:58:28,720
Speaker 1: are asking themselves how much red Bull did you have

1129
00:58:28,760 --> 00:58:34,160
Speaker 1: to drink? A scene where Jim tries red Bull, because

1130
00:58:34,200 --> 00:58:37,320
Speaker 1: it was very true and how he gets crazy, well,

1131
00:58:37,600 --> 00:58:38,360
Speaker 1: very really true.

1132
00:58:38,400 --> 00:58:44,080
Speaker 4: You know, Jim came in that morning and said, what

1133
00:58:44,200 --> 00:58:49,720
Speaker 4: if I drank red Bull? I've never had red Bull?

1134
00:58:50,360 --> 00:58:51,240
Speaker 1: And you're thinking, and.

1135
00:58:53,280 --> 00:58:57,640
Speaker 4: Jim, Jim, carry on red Bull. That's a comedic conceit

1136
00:58:58,800 --> 00:59:03,720
Speaker 4: that audience members all over the world want to see. So, yeah,

1137
00:59:03,760 --> 00:59:06,800
Speaker 4: that's how that came about. That we you know, and

1138
00:59:06,920 --> 00:59:11,240
Speaker 4: Red Bull was really supportive of it. It was really

1139
00:59:11,280 --> 00:59:13,040
Speaker 4: big for they were they were kind of you know,

1140
00:59:13,720 --> 00:59:15,760
Speaker 4: on the rise at the time. Yes, and so it

1141
00:59:15,880 --> 00:59:19,040
Speaker 4: put them as an energy drink. It put them on

1142
00:59:19,080 --> 00:59:21,320
Speaker 4: the on the on the map a little bit. It

1143
00:59:21,400 --> 00:59:23,680
Speaker 4: was like them and rock Star they you know there

1144
00:59:23,680 --> 00:59:25,760
Speaker 4: it was kind of head to head right around there

1145
00:59:25,800 --> 00:59:35,040
Speaker 4: and yes, man brings.

1146
00:59:32,520 --> 00:59:34,040
Speaker 1: Oh yeah yeah. And do you have to hide the

1147
00:59:34,120 --> 00:59:36,280
Speaker 1: year sort of that you're not much a Red Bull guy.

1148
00:59:36,320 --> 00:59:38,160
Speaker 1: You sort of mix amp and monster together.

1149
00:59:39,560 --> 00:59:42,240
Speaker 4: I you know, I was, Yeah, that was a that

1150
00:59:42,320 --> 00:59:44,800
Speaker 4: was an issue. That was a tricky thing to get

1151
00:59:44,840 --> 00:59:47,080
Speaker 4: around in the in the.

1152
00:59:46,960 --> 00:59:50,920
Speaker 1: Pre you do the monster like the monster lattes.

1153
00:59:52,360 --> 00:59:58,040
Speaker 4: The yeah mean being yeah, oh yeah, yeah, yeah, yeah

1154
00:59:58,640 --> 00:59:59,200
Speaker 4: you have to.

1155
01:00:00,680 --> 01:00:02,600
Speaker 1: Yeah, you have to those are healthier.

1156
01:00:02,880 --> 01:00:03,120
Speaker 4: Yeah.

1157
01:00:03,640 --> 01:00:10,479
Speaker 1: Uh, let's reach back into the bag. I could hear

1158
01:00:10,560 --> 01:00:12,760
Speaker 1: you checking your watch. Is that what that sound was?

1159
01:00:12,800 --> 01:00:14,800
Speaker 1: It really sounded like you were No.

1160
01:00:14,840 --> 01:00:19,960
Speaker 4: I think that the popcorn just making sure yeah.

1161
01:00:20,200 --> 01:00:31,240
Speaker 7: Oh oh god, oh Jesus, I don't oh, I don't

1162
01:00:31,240 --> 01:00:34,600
Speaker 7: know if I Mark just just.

1163
01:00:36,080 --> 01:00:39,320
Speaker 2: Mark, just do the bad thing and then anything you

1164
01:00:39,360 --> 01:00:41,520
Speaker 2: want you have to do it.

1165
01:00:41,600 --> 01:00:43,600
Speaker 1: I can, I can't do it. We do, We pay

1166
01:00:43,680 --> 01:00:44,280
Speaker 1: you to do it.

1167
01:00:44,320 --> 01:01:00,880
Speaker 5: That's the okay.

1168
01:01:02,280 --> 01:01:03,800
Speaker 4: So he just pulled up the popcorn on the back.

1169
01:01:04,160 --> 01:01:08,440
Speaker 1: Yeah again, I'm sorry that that sorry that it happened

1170
01:01:08,440 --> 01:01:11,200
Speaker 1: for this episode and we did. Haven't be anything but popcorn.

1171
01:01:11,280 --> 01:01:14,160
Speaker 1: But anyway, Uh, this is a question for Dennis Quaid.

1172
01:01:14,960 --> 01:01:16,479
Speaker 1: Are you still friends with Meg?

1173
01:01:18,040 --> 01:01:20,360
Speaker 4: Yeah, they are good friends.

1174
01:01:20,400 --> 01:01:22,120
Speaker 1: Yeah, that's that's nice.

1175
01:01:22,160 --> 01:01:24,240
Speaker 4: Oh no, I don't know. I'm just answering as he

1176
01:01:24,440 --> 01:01:25,360
Speaker 4: I think would answer.

1177
01:01:25,480 --> 01:01:28,280
Speaker 1: Oh, but you just knowing there? Oh okay, so that's

1178
01:01:28,280 --> 01:01:30,560
Speaker 1: how he would answer. But you know, in that relationship,

1179
01:01:30,600 --> 01:01:31,959
Speaker 1: is that the case? Is that for real?

1180
01:01:32,120 --> 01:01:36,800
Speaker 4: I don't know. You know what, who are you protecting? List?

1181
01:01:37,920 --> 01:01:40,520
Speaker 1: Okay, we said if you come on here, you gotta

1182
01:01:40,680 --> 01:01:41,280
Speaker 1: spill it.

1183
01:01:42,040 --> 01:01:43,920
Speaker 4: You asked me a question about that. You asked me

1184
01:01:43,960 --> 01:01:48,600
Speaker 4: a question. How would Dennis Quaid answer it? You know,

1185
01:01:48,880 --> 01:01:56,120
Speaker 4: that's tricky if you are in the Ryan camp, you know.

1186
01:01:56,600 --> 01:01:59,920
Speaker 1: I understand, you get what I'm saying. So you've changed

1187
01:02:00,120 --> 01:02:01,040
Speaker 1: camps recently.

1188
01:02:01,720 --> 01:02:04,280
Speaker 4: It wasn't recently because you used to be Oh okay,

1189
01:02:04,320 --> 01:02:06,680
Speaker 4: it wasn't recently, it was a yeah, No, I mean

1190
01:02:06,880 --> 01:02:07,760
Speaker 4: it was a while ago.

1191
01:02:08,280 --> 01:02:11,360
Speaker 2: No, that's right because we yes, because I yes, the

1192
01:02:11,400 --> 01:02:14,200
Speaker 2: three of us all were at the not the Soho house,

1193
01:02:14,200 --> 01:02:15,439
Speaker 2: but the one that we go to now.

1194
01:02:15,560 --> 01:02:18,480
Speaker 4: Yeah, well three the three of us, me, you and

1195
01:02:18,520 --> 01:02:19,520
Speaker 4: you weren't there.

1196
01:02:19,640 --> 01:02:22,480
Speaker 1: No, me, no, Jared, myself and Meg Ryan.

1197
01:02:22,640 --> 01:02:24,560
Speaker 4: Yeah, you weren't at the place because you were at

1198
01:02:24,560 --> 01:02:25,040
Speaker 4: the Oh.

1199
01:02:25,160 --> 01:02:27,560
Speaker 1: I think I was with a. So I was with

1200
01:02:27,720 --> 01:02:33,720
Speaker 1: Dennis adds up. That checks out eating the crab.

1201
01:02:34,600 --> 01:02:38,880
Speaker 4: Mm hm, I don't think you don't think I was,

1202
01:02:39,800 --> 01:02:42,600
Speaker 4: so you know, it doesn't sound right.

1203
01:02:42,560 --> 01:02:45,600
Speaker 2: Now looking back, I think Jared might be right.

1204
01:02:45,320 --> 01:02:48,920
Speaker 4: I don't know. I'm just saying it doesn't sound.

1205
01:02:50,440 --> 01:02:53,360
Speaker 1: Well. Thank you for coming on the show, Jared. Guys,

1206
01:02:53,560 --> 01:02:54,160
Speaker 1: it's been.

1207
01:02:56,640 --> 01:03:00,920
Speaker 4: This has been just to hear such amazing, amazing experience

1208
01:03:01,360 --> 01:03:03,760
Speaker 4: for me and I and I hope I was able

1209
01:03:03,800 --> 01:03:07,640
Speaker 4: to provide your listeners with some insight into UH in

1210
01:03:07,760 --> 01:03:08,320
Speaker 4: the business.

1211
01:03:08,600 --> 01:03:10,400
Speaker 1: Yeah, you know, and we do. Hope you have a

1212
01:03:10,400 --> 01:03:11,840
Speaker 1: safe flight and wherever you're going.

1213
01:03:11,920 --> 01:03:16,560
Speaker 4: Thank you. You've been traveling a lot, it's honestly, I yeah,

1214
01:03:16,720 --> 01:03:18,919
Speaker 4: what do you take on planes? What do I take?

1215
01:03:19,240 --> 01:03:21,880
Speaker 1: But do you like take anything to like you know, Oh.

1216
01:03:21,760 --> 01:03:24,840
Speaker 4: It's a cocktail of some serious stuff. Yeah, but.

1217
01:03:26,320 --> 01:03:30,080
Speaker 1: Uh so and listeners. You can rate us on iTunes

1218
01:03:30,360 --> 01:03:32,400
Speaker 1: and you can talk to us on the forums.

1219
01:03:32,760 --> 01:03:34,120
Speaker 2: I can pro version. Do you know.

1220
01:03:34,320 --> 01:03:37,480
Speaker 1: Velvet Revolver and Nico? Yes? Nice? Yes?

1221
01:03:37,600 --> 01:03:41,080
Speaker 2: What Velvet Revolver and Nico. What do your prizes you get?

1222
01:03:41,320 --> 01:03:42,920
Speaker 1: Sorry? I tried to pat you up for a second.

1223
01:03:42,920 --> 01:03:43,800
Speaker 1: You could still hear us.

1224
01:03:43,960 --> 01:03:45,880
Speaker 4: I thought, yeah I can. I'm still in.

1225
01:03:46,000 --> 01:03:47,280
Speaker 1: Velvet Revolver and Nico.

1226
01:03:48,080 --> 01:03:48,640
Speaker 4: What is that?

1227
01:03:49,400 --> 01:03:49,760
Speaker 1: Please?

1228
01:03:51,440 --> 01:03:55,680
Speaker 2: These names, these fucking internet names. Everybody's got to one

1229
01:03:55,760 --> 01:03:57,320
Speaker 2: up each other with their weird ship.

1230
01:03:57,640 --> 01:03:59,000
Speaker 4: Oh but we.

1231
01:03:58,960 --> 01:04:02,280
Speaker 2: Love our fans, it's great, But just guys, quit dicking around.

1232
01:04:02,280 --> 01:04:07,800
Speaker 2: We can't remember. Names should be real. People have some

1233
01:04:07,880 --> 01:04:09,800
Speaker 2: variation in your real name, your name, and then you

1234
01:04:09,840 --> 01:04:12,320
Speaker 2: add some funny like sort of rapper spin on it.

1235
01:04:12,720 --> 01:04:16,480
Speaker 1: Now your pro version, Jary is going to give you

1236
01:04:16,520 --> 01:04:20,360
Speaker 1: the last tip for the day of the last rule

1237
01:04:20,400 --> 01:04:22,920
Speaker 1: of filmmaking. It's the rule of filmmaking and this is Revolver,

1238
01:04:23,160 --> 01:04:24,320
Speaker 1: Revolver and Nico.

1239
01:04:27,120 --> 01:04:33,960
Speaker 4: Uh you know the most important thing is go with your.

1240
01:04:33,800 --> 01:04:38,200
Speaker 2: Gut, your heart, but with you you have to listen

1241
01:04:38,240 --> 01:04:40,200
Speaker 2: to your heart, but but you have to go with

1242
01:04:40,240 --> 01:04:40,600
Speaker 2: your gut.

1243
01:04:40,760 --> 01:04:45,680
Speaker 1: Thank you bye.

1244
01:04:49,800 --> 01:04:52,800
Speaker 8: This has been an Earwolf Media production. Executive producers Jeff

1245
01:04:52,840 --> 01:05:04,040
Speaker 8: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1246
01:05:00,520 --> 01:05:11,240
Speaker 1: Ear Warf Radio, Boom dot com, The Wolf Dead