1 00:00:00,160 --> 00:00:03,160 Speaker 1: Well, it is great to be back together today at 2 00:00:03,200 --> 00:00:08,719 Speaker 1: the table. Today. It's a super special day. Southern California 3 00:00:08,880 --> 00:00:13,600 Speaker 1: is just magnificent, sunny but cool, and I get to 4 00:00:13,640 --> 00:00:18,360 Speaker 1: sit with you and with Kate Hudson. Kate is one 5 00:00:18,400 --> 00:00:22,040 Speaker 1: of those lights in life where if you can imagine 6 00:00:22,480 --> 00:00:26,279 Speaker 1: a beautiful ray of sun coming through a window that 7 00:00:26,440 --> 00:00:29,200 Speaker 1: just sort of cascades through the curtain and just gently 8 00:00:29,280 --> 00:00:33,640 Speaker 1: hits the room. She is funny, she's an adventurer, she's 9 00:00:33,640 --> 00:00:35,960 Speaker 1: super talented. So I think we're all gonna have a 10 00:00:35,960 --> 00:00:38,440 Speaker 1: really great lunch today. And I'm super happy you all 11 00:00:38,440 --> 00:00:42,840 Speaker 1: pulled up a chair. The Vision has walked into the room. 12 00:00:42,960 --> 00:00:52,239 Speaker 1: Hi wow. Kate is one of those sort of rare beauties, 13 00:00:52,360 --> 00:00:54,920 Speaker 1: those so cow beauties that just feels like she can 14 00:00:54,920 --> 00:00:56,960 Speaker 1: stumble out of bed throwing a pair of jeans and 15 00:00:57,000 --> 00:01:00,880 Speaker 1: a white T shirt and just rule the world. I'm 16 00:01:00,880 --> 00:01:03,440 Speaker 1: gonna have a rose. Can I get some ice on 17 00:01:03,480 --> 00:01:05,679 Speaker 1: the side to I'll do another one. But of course, 18 00:01:05,920 --> 00:01:08,399 Speaker 1: Kate goes above and beyond the white T shirt and 19 00:01:08,480 --> 00:01:11,920 Speaker 1: jeans today with a gorgeous black and blue niche rests 20 00:01:12,240 --> 00:01:15,240 Speaker 1: and a pair of sky high boots. So this boot, 21 00:01:15,640 --> 00:01:21,600 Speaker 1: it goes straight up to Kate's vagina vagina. It's yeah, 22 00:01:22,440 --> 00:01:25,280 Speaker 1: you're the shrimp cocktail. I love it. Okay, I'm gonna 23 00:01:25,319 --> 00:01:28,240 Speaker 1: need to beat salad. Thank you, Michael. Thanks, So grab 24 00:01:28,280 --> 00:01:31,520 Speaker 1: your rose and pull up a chair. We're having lunch 25 00:01:31,640 --> 00:01:38,920 Speaker 1: with Hollywood Royalty to you. I'm Bruce Bozzy and this 26 00:01:39,000 --> 00:01:49,200 Speaker 1: is my podcast table for two. Hi, Kate, I'm so excited. 27 00:01:49,440 --> 00:01:52,440 Speaker 1: I'm very excited. Well, and we've never really actually sat 28 00:01:52,520 --> 00:01:56,240 Speaker 1: down together. No, I mean we see each other all 29 00:01:56,280 --> 00:01:59,640 Speaker 1: the time and for years, so we've never had one 30 00:01:59,640 --> 00:02:01,560 Speaker 1: on one time. There's something I read that you said, 31 00:02:01,600 --> 00:02:03,960 Speaker 1: which is what this is all about, and I'm gonna 32 00:02:04,080 --> 00:02:07,400 Speaker 1: read it's abbreviated, but you said, happiness to me is 33 00:02:07,440 --> 00:02:10,720 Speaker 1: good conversation and lots of laughter. Yeah, that's what we're 34 00:02:10,720 --> 00:02:14,200 Speaker 1: having today, right that. I usually have that with you 35 00:02:14,360 --> 00:02:18,720 Speaker 1: anytime I see it. But yeah, I mean connecting brings 36 00:02:18,760 --> 00:02:20,960 Speaker 1: me the most joy I think. And I'm not in 37 00:02:21,000 --> 00:02:23,120 Speaker 1: like an extroverted way, you know, I'm not like a 38 00:02:23,160 --> 00:02:26,720 Speaker 1: big As much as I can handle a party, and 39 00:02:26,840 --> 00:02:28,920 Speaker 1: when I'm ready for it, I'm good at it. I 40 00:02:29,000 --> 00:02:32,520 Speaker 1: like I like intimate connection. I like sitting with a 41 00:02:32,560 --> 00:02:36,400 Speaker 1: couple of my favorite people and getting into it. Yeah, 42 00:02:36,440 --> 00:02:39,960 Speaker 1: I mean that just brings me so much joy. And also, 43 00:02:40,080 --> 00:02:42,000 Speaker 1: I mean, now they've done so much research on this 44 00:02:42,840 --> 00:02:47,200 Speaker 1: that we know now that it actually literally does bring joy. 45 00:02:47,400 --> 00:02:51,160 Speaker 1: I've interviewed on my podcast this wonderful man of the Mergery. 46 00:02:51,280 --> 00:02:55,040 Speaker 1: He was the President Obama's surgeon general. He's not bidens, 47 00:02:55,680 --> 00:02:58,919 Speaker 1: and he wrote a book called Together, and it's all 48 00:02:58,960 --> 00:03:01,799 Speaker 1: about how he feels that the real epidemic is lonely. 49 00:03:02,680 --> 00:03:06,000 Speaker 1: So the community that we create and that can be 50 00:03:06,040 --> 00:03:11,800 Speaker 1: created between people, to me, is everything. I have a 51 00:03:11,800 --> 00:03:13,639 Speaker 1: bunch of things I want to talk to you about. 52 00:03:14,040 --> 00:03:16,560 Speaker 1: First of all, I saw your movie Knives Out on 53 00:03:16,960 --> 00:03:20,040 Speaker 1: the Glass Onion, Glass Onion and Knives Out Mystery. So 54 00:03:20,160 --> 00:03:23,399 Speaker 1: on my question for you, how did you get the part? 55 00:03:23,840 --> 00:03:27,680 Speaker 1: Like what was the So I chased it? Yeah, okay, yeah, 56 00:03:27,960 --> 00:03:32,280 Speaker 1: And your husband was a big part of of, you know, 57 00:03:32,400 --> 00:03:37,920 Speaker 1: being a real cheerleader for pushing me and Ryan to 58 00:03:38,520 --> 00:03:41,600 Speaker 1: you know, really like take the opportunity to see what 59 00:03:41,600 --> 00:03:44,640 Speaker 1: I could do with the part um. But I read 60 00:03:44,680 --> 00:03:47,480 Speaker 1: it and chased it and got on a zoom with 61 00:03:47,600 --> 00:03:49,240 Speaker 1: Ryan and then got in a room and did a 62 00:03:49,280 --> 00:03:51,360 Speaker 1: work session. So can you explain and I'm going to 63 00:03:51,480 --> 00:03:53,240 Speaker 1: get all my notes that I've seen. Job here there 64 00:03:53,280 --> 00:03:56,160 Speaker 1: are who Ryan is. So people. Ryan Johnson is the 65 00:03:56,200 --> 00:04:01,960 Speaker 1: director of Glass Onion and he is um. He was 66 00:04:02,000 --> 00:04:04,200 Speaker 1: also the writer director of the first He's the writer director, 67 00:04:04,320 --> 00:04:06,760 Speaker 1: not just the director. But I've been a fan of 68 00:04:06,840 --> 00:04:10,160 Speaker 1: Ryan for Johnson forever, I mean so much so that 69 00:04:10,200 --> 00:04:13,960 Speaker 1: I actually actually screened one of his Breaking Bad episodes 70 00:04:13,960 --> 00:04:16,839 Speaker 1: that I loved so much. Yeah, so he did the Fly, 71 00:04:17,000 --> 00:04:18,760 Speaker 1: which is like a really famous every one of my 72 00:04:18,800 --> 00:04:22,200 Speaker 1: favorite breaking bad episodes, and then he did the Hank episode. 73 00:04:22,800 --> 00:04:24,240 Speaker 1: I wish people who have seen it know what I'm 74 00:04:24,279 --> 00:04:26,960 Speaker 1: talking about. And I screened the Hank episode at my 75 00:04:27,000 --> 00:04:30,320 Speaker 1: house with Hank with like, I mean, it was everyone 76 00:04:30,440 --> 00:04:37,040 Speaker 1: like filled screening. I had three televisions in different rooms. Yeah, 77 00:04:37,080 --> 00:04:39,960 Speaker 1: for Ryan and I didn't know right right, So then 78 00:04:39,960 --> 00:04:43,280 Speaker 1: I met his wife there and I met some other 79 00:04:43,320 --> 00:04:45,600 Speaker 1: great directors who were like doing the at that time, 80 00:04:45,640 --> 00:04:49,520 Speaker 1: like Game of Thrones and Breaking Bad. Vince the Gilly 81 00:04:49,560 --> 00:04:53,760 Speaker 1: Game was there and Ryan was the sweetest, kindest and 82 00:04:53,800 --> 00:04:57,719 Speaker 1: that's where I met him. So I feel like I 83 00:04:57,839 --> 00:05:00,680 Speaker 1: had a leg of and it's like she did screening 84 00:05:00,720 --> 00:05:06,159 Speaker 1: on for me. Maybe I should consider Kate Hudson for Bertie. No. 85 00:05:06,320 --> 00:05:09,039 Speaker 1: But seriously, as any actor knows, when you're working with 86 00:05:09,080 --> 00:05:13,640 Speaker 1: a great writer, director and you feel like that safety 87 00:05:13,760 --> 00:05:17,599 Speaker 1: for me loves to be uninhabited. It's like a trampoline 88 00:05:18,000 --> 00:05:19,920 Speaker 1: going into a phone pit, you know what I mean. 89 00:05:20,000 --> 00:05:23,880 Speaker 1: It's like, I mean, you really are uninhabited. You're the 90 00:05:24,000 --> 00:05:28,000 Speaker 1: moments in this film that you deliver epic. I mean, 91 00:05:28,080 --> 00:05:31,800 Speaker 1: Bertie is a character, she's bold. The hardest thing for 92 00:05:31,880 --> 00:05:35,880 Speaker 1: me with Bertie, other than grounding the character and somewhay, 93 00:05:35,920 --> 00:05:39,880 Speaker 1: was the pressure because those lines read as funny in 94 00:05:39,880 --> 00:05:44,080 Speaker 1: the script. So when those moments came, it was like 95 00:05:44,120 --> 00:05:47,080 Speaker 1: the cast all looking at me like, here we go. 96 00:05:51,240 --> 00:05:53,520 Speaker 1: Are you are you going to get it? Is this 97 00:05:53,600 --> 00:06:00,080 Speaker 1: gonna work? And Daniel, Daniel really loves you. When I 98 00:06:00,200 --> 00:06:03,400 Speaker 1: love and when we were working together, I mean, the 99 00:06:03,440 --> 00:06:05,960 Speaker 1: one reason why I love comedy so much is that 100 00:06:06,520 --> 00:06:09,160 Speaker 1: when you're enjoying it as an ensemble or when you're 101 00:06:09,200 --> 00:06:10,880 Speaker 1: enjoying it with the people that you're doing with, it 102 00:06:11,000 --> 00:06:13,440 Speaker 1: just is so much. I mean, it just talk about joy. 103 00:06:13,680 --> 00:06:17,240 Speaker 1: It's so much fun, you know. And then when you 104 00:06:17,320 --> 00:06:20,719 Speaker 1: make someone you really respect, who you know can keep 105 00:06:20,720 --> 00:06:24,240 Speaker 1: a straight face break like knowing that I could make 106 00:06:24,400 --> 00:06:27,640 Speaker 1: Daniel break. It was one of the great pleasures of 107 00:06:27,680 --> 00:06:31,479 Speaker 1: playing Bertie. Those moments were behind the camera I could 108 00:06:31,480 --> 00:06:35,000 Speaker 1: see him not being able to keep a straight face 109 00:06:35,160 --> 00:06:43,560 Speaker 1: with Were those great? Where those? So you obviously you 110 00:06:43,600 --> 00:06:47,360 Speaker 1: come from the family that you come from, which is stop, yes, 111 00:06:47,480 --> 00:06:52,279 Speaker 1: the stock, how Hollywood stock? You know Goldie Hall, who 112 00:06:52,320 --> 00:06:55,360 Speaker 1: I just a door and have been a huge fan 113 00:06:55,440 --> 00:06:58,840 Speaker 1: of so much so they're growing up. People would equate 114 00:06:58,880 --> 00:07:02,720 Speaker 1: me as Goldie sort of a fun oh my god. 115 00:07:05,800 --> 00:07:10,280 Speaker 1: It was like comment, you've talked about nepotism, and I 116 00:07:10,320 --> 00:07:12,600 Speaker 1: agree with the same thing, nepotism and get you in 117 00:07:12,680 --> 00:07:15,720 Speaker 1: the door, can't get your job back. When I started, 118 00:07:15,800 --> 00:07:18,160 Speaker 1: it was like I didn't want anybody to know because 119 00:07:18,960 --> 00:07:22,520 Speaker 1: I was concerned. I knew that once they found out 120 00:07:23,280 --> 00:07:27,280 Speaker 1: that they wouldn't want that as as like the thing 121 00:07:27,320 --> 00:07:30,720 Speaker 1: that everybody was talking really yeah, because it would be 122 00:07:30,760 --> 00:07:34,480 Speaker 1: distracting of a thousand percent. And I think you're right. 123 00:07:34,520 --> 00:07:38,160 Speaker 1: I think now, I mean, obviously you're not. You've had 124 00:07:38,200 --> 00:07:41,160 Speaker 1: this huge body of work. But now I think they 125 00:07:41,240 --> 00:07:44,200 Speaker 1: lean into it because they think of it as helping 126 00:07:44,200 --> 00:07:47,040 Speaker 1: the movie. So helping the thing, well, I think at 127 00:07:47,080 --> 00:07:50,280 Speaker 1: this point it's been two decades, so the work starts 128 00:07:50,320 --> 00:07:52,680 Speaker 1: to speak kind of for itself. But what's interesting is 129 00:07:52,760 --> 00:07:55,240 Speaker 1: my mom such a legend. I mean, she's such an 130 00:07:55,520 --> 00:07:58,600 Speaker 1: icon that, you know where there was a period in 131 00:07:58,640 --> 00:08:00,200 Speaker 1: my life or all I wanted to do is sort 132 00:08:00,200 --> 00:08:04,960 Speaker 1: of escape that shadow. As I've grown older, all I 133 00:08:05,040 --> 00:08:07,720 Speaker 1: want is to be close to my mom as long 134 00:08:07,760 --> 00:08:11,160 Speaker 1: as I possibly can. I don't have that feeling anymore. 135 00:08:11,280 --> 00:08:13,160 Speaker 1: People want to compare me to her. Great, you know, 136 00:08:13,600 --> 00:08:16,840 Speaker 1: such an honest But when I was younger, it was 137 00:08:16,920 --> 00:08:19,560 Speaker 1: really for me, like I was worried that I wouldn't 138 00:08:19,600 --> 00:08:24,440 Speaker 1: be taken seriously. I bet loved it. It was every 139 00:08:24,480 --> 00:08:29,840 Speaker 1: It's everything. I love being a performer. I met your mom. 140 00:08:29,880 --> 00:08:31,680 Speaker 1: This is so weird, this is so I am. This 141 00:08:31,840 --> 00:08:34,520 Speaker 1: is will show you that as much as I'd like 142 00:08:34,559 --> 00:08:36,280 Speaker 1: to be on a date with you, I'm a gay. 143 00:08:38,840 --> 00:08:43,040 Speaker 1: I went. I was friends for a period of my 144 00:08:43,280 --> 00:08:46,199 Speaker 1: life with Jason Gould, and I went to the Premier 145 00:08:46,360 --> 00:08:49,959 Speaker 1: of Prinsive Ties, and sitting next to me was your 146 00:08:50,480 --> 00:08:53,640 Speaker 1: mama and the miss I don't know her first name, 147 00:08:53,640 --> 00:08:59,520 Speaker 1: missus meckis Mariella my god mamating next to me she passed. 148 00:08:59,600 --> 00:09:01,880 Speaker 1: It was one, so I was super excited your mother was, 149 00:09:02,200 --> 00:09:04,640 Speaker 1: and funnily enough, because you were in a gold dress. 150 00:09:04,679 --> 00:09:07,640 Speaker 1: She was in a gold dress, really and that's how 151 00:09:07,679 --> 00:09:09,760 Speaker 1: I sam so gay because I can't remember what was 152 00:09:10,760 --> 00:09:12,880 Speaker 1: At the end of the movie, they both looked at 153 00:09:12,920 --> 00:09:16,280 Speaker 1: me because we're in like Jason's rowing, They're They're like, 154 00:09:16,679 --> 00:09:18,800 Speaker 1: so like, who are you like? What do you like? 155 00:09:18,880 --> 00:09:20,560 Speaker 1: How are you here? And they were so loving and 156 00:09:20,559 --> 00:09:25,360 Speaker 1: so in person. Side Doe not important. Mary Ellen mcas 157 00:09:25,800 --> 00:09:29,679 Speaker 1: Mariland Trainer was my godmother, my chosen godmother. Did you 158 00:09:29,800 --> 00:09:33,800 Speaker 1: my mom's best friend? And she was a goonies she 159 00:09:33,880 --> 00:09:36,800 Speaker 1: was and you people need to see Goonies if you 160 00:09:36,800 --> 00:09:42,480 Speaker 1: haven't seen she was. Mariann was really special. So okay. 161 00:09:42,559 --> 00:09:44,160 Speaker 1: We also have this twenty years span which you just 162 00:09:44,240 --> 00:09:48,400 Speaker 1: referenced between Almost Famous and this movie, and I feel 163 00:09:48,400 --> 00:09:52,439 Speaker 1: like there's so much in between. I haven't stopped so 164 00:09:52,480 --> 00:09:58,200 Speaker 1: many dads, children, businesses. When did you know, like, oh, 165 00:09:58,280 --> 00:10:00,640 Speaker 1: I got this, I got the goods it has It's 166 00:10:00,679 --> 00:10:03,480 Speaker 1: not them, it's it's you. I don't know if I 167 00:10:03,600 --> 00:10:06,920 Speaker 1: made up like that. I think, like most actors that 168 00:10:07,000 --> 00:10:11,040 Speaker 1: I know, I suffer for a little bit of imposter syndrome. 169 00:10:11,440 --> 00:10:14,640 Speaker 1: But but then as I've gotten older, it's it's changed. 170 00:10:15,160 --> 00:10:18,920 Speaker 1: I'm more aware of like, wow, I really am a 171 00:10:18,920 --> 00:10:22,720 Speaker 1: worker be I think that's kind of I love the work, 172 00:10:23,360 --> 00:10:26,000 Speaker 1: and I also don't I've never done the work to 173 00:10:26,600 --> 00:10:32,040 Speaker 1: be like seen as anything. Like, I just do what 174 00:10:32,120 --> 00:10:35,320 Speaker 1: I do because I like it, I love it, and 175 00:10:35,400 --> 00:10:38,840 Speaker 1: I want to There's never been any calculation in my career. 176 00:10:39,240 --> 00:10:41,280 Speaker 1: So like when I look back at like the steps, 177 00:10:41,280 --> 00:10:44,360 Speaker 1: how lucky I've been, I feel really lucky. You know. 178 00:10:44,480 --> 00:10:47,920 Speaker 1: It's like I started so young, I came up almost famous, 179 00:10:48,040 --> 00:10:51,880 Speaker 1: like really changed my career projectory. Then I was, you know, 180 00:10:51,960 --> 00:10:55,000 Speaker 1: doing so many movies for so long. I'm still making 181 00:10:55,040 --> 00:10:57,640 Speaker 1: movies twenty years later. But somehow in between, I've had 182 00:10:58,040 --> 00:11:00,559 Speaker 1: three children. My entire I mean my entire adult life, 183 00:11:00,600 --> 00:11:05,480 Speaker 1: I've been a mother. I've built three businesses. Let's talk 184 00:11:05,480 --> 00:11:09,880 Speaker 1: about the businesses, just the Sabletics, which was actually a 185 00:11:09,920 --> 00:11:13,880 Speaker 1: real risk because at the time tends a decade now 186 00:11:13,920 --> 00:11:16,520 Speaker 1: that I've started Babletics. At the time, it was like, 187 00:11:17,160 --> 00:11:20,120 Speaker 1: why are you going to go into a model a 188 00:11:20,200 --> 00:11:25,040 Speaker 1: business model that is selling affordable leggings. It was sort 189 00:11:25,080 --> 00:11:28,240 Speaker 1: of considered like not shouldn't you be doing a Gucci ad? 190 00:11:28,280 --> 00:11:29,959 Speaker 1: And I was like, well, why is one exclusive to 191 00:11:30,000 --> 00:11:32,200 Speaker 1: the other. Why can't you just why can't I build 192 00:11:32,200 --> 00:11:34,559 Speaker 1: this business so I can speak to something I'm passionate about. 193 00:11:34,840 --> 00:11:37,160 Speaker 1: I literally my business brain was like this could be 194 00:11:37,840 --> 00:11:42,280 Speaker 1: really interesting, and I went for it. And not a 195 00:11:42,320 --> 00:11:46,760 Speaker 1: lot of people at that time we're doing that started that. Yeah. 196 00:11:46,800 --> 00:11:49,160 Speaker 1: I was like me, Gwyneth, you know, Gwyneth and then 197 00:11:49,320 --> 00:11:51,640 Speaker 1: and and me and Jess were really kind of the 198 00:11:51,679 --> 00:11:57,960 Speaker 1: only girls that we're really founding businesses. And I realized, like, Okay, 199 00:11:58,000 --> 00:11:59,920 Speaker 1: I have these children in my life that are my 200 00:12:00,080 --> 00:12:05,439 Speaker 1: priority and going and spending six months in Australia, but 201 00:12:05,760 --> 00:12:15,679 Speaker 1: I have dad's multiple fathers that I'm juggling that the 202 00:12:15,760 --> 00:12:20,360 Speaker 1: whole other story. But like, but you know, I, for me, 203 00:12:20,440 --> 00:12:23,160 Speaker 1: it's all about my unit and those are my babies, 204 00:12:23,200 --> 00:12:26,640 Speaker 1: and there, you know, I'm the Why would I be 205 00:12:26,720 --> 00:12:29,280 Speaker 1: leaving for six months when I got this whole and 206 00:12:29,320 --> 00:12:31,400 Speaker 1: I'm the centner of it from their dodge or touring 207 00:12:31,480 --> 00:12:35,080 Speaker 1: musicians and I want to honor their work and what 208 00:12:35,160 --> 00:12:37,200 Speaker 1: they need to do. And I was like, I have 209 00:12:37,280 --> 00:12:40,240 Speaker 1: this opportunity to do something that could keep me more 210 00:12:40,280 --> 00:12:44,679 Speaker 1: grounded in the kids more grounded. So and it made 211 00:12:44,760 --> 00:12:47,280 Speaker 1: movies a little harder, you know. And then you add 212 00:12:47,320 --> 00:12:49,680 Speaker 1: on top of that, like the fact that my career 213 00:12:49,679 --> 00:12:53,280 Speaker 1: projectory went into like that, I was the romcom girl, 214 00:12:53,920 --> 00:12:56,319 Speaker 1: which to me was never what I what I got 215 00:12:56,360 --> 00:12:58,040 Speaker 1: into the industry to do. I was just got an 216 00:12:58,080 --> 00:13:03,359 Speaker 1: industry to act in a good movies. And you know, um, 217 00:13:03,360 --> 00:13:05,000 Speaker 1: so then the movies that I would really want to 218 00:13:05,040 --> 00:13:08,000 Speaker 1: do with the great filmmakers weren't really available to me. 219 00:13:09,000 --> 00:13:15,680 Speaker 1: And it just opened this whole world of opportunity to 220 00:13:15,760 --> 00:13:38,280 Speaker 1: be creative and do something completely different. Welcome back to 221 00:13:38,320 --> 00:13:41,640 Speaker 1: my conversation with Kate Hudson on Table for two. As 222 00:13:41,679 --> 00:13:45,040 Speaker 1: we dive into the stories and the shrimp cocktail, her 223 00:13:45,120 --> 00:13:48,720 Speaker 1: conversations keep coming back to the central elements of Kate's life, 224 00:13:49,520 --> 00:13:53,280 Speaker 1: her family and significantly older than you. So I remember 225 00:13:53,280 --> 00:13:55,680 Speaker 1: when your mom did Private Benjamin. I remember how important 226 00:13:55,720 --> 00:13:57,880 Speaker 1: it was, not because she started in the movie, but 227 00:13:58,000 --> 00:14:01,240 Speaker 1: also how she produced the movie than Katherine Hepburn and 228 00:14:01,240 --> 00:14:04,559 Speaker 1: it wasn't even the same. She was the first female 229 00:14:04,600 --> 00:14:07,600 Speaker 1: movie start to produce her own films in this town. Yes, 230 00:14:07,800 --> 00:14:12,080 Speaker 1: and that was not that long that was that. Yes, 231 00:14:12,320 --> 00:14:15,360 Speaker 1: I mean, what the hell exactly so, And I remember 232 00:14:15,440 --> 00:14:18,120 Speaker 1: going like wow, like, look at this, you saw that 233 00:14:18,240 --> 00:14:20,960 Speaker 1: you go up witnessing that when I sort of fantasized 234 00:14:21,000 --> 00:14:24,000 Speaker 1: about you. I see a person growing up in a 235 00:14:24,040 --> 00:14:26,120 Speaker 1: town that's not an easy town, in a family that 236 00:14:26,240 --> 00:14:30,680 Speaker 1: is very successful, who was also very connected to the family. 237 00:14:31,600 --> 00:14:35,160 Speaker 1: So that's clearly very in you, who's also clearly connected 238 00:14:35,200 --> 00:14:40,200 Speaker 1: to being truthful, business work like you have all that. Yeah, 239 00:14:40,200 --> 00:14:43,880 Speaker 1: And Kurt's interesting because Kurt's not really like it's so 240 00:14:43,920 --> 00:14:48,280 Speaker 1: funny that he's been in Hollywood so long, longer than 241 00:14:48,360 --> 00:14:51,600 Speaker 1: any of his contemporaries. I mean other than Ron Howard, 242 00:14:51,640 --> 00:14:56,120 Speaker 1: I mean and Ron Howard are really the only childhood actors. 243 00:14:56,520 --> 00:14:58,600 Speaker 1: Maybe there's a couple that I'm missing, but there's not 244 00:14:58,640 --> 00:15:03,200 Speaker 1: that many that had had that kind of career. Um. 245 00:15:03,240 --> 00:15:05,960 Speaker 1: I mean, Kurt's first gig was he was nine years 246 00:15:05,960 --> 00:15:10,520 Speaker 1: old in a movie where he kicked Elvis's ships, you know, 247 00:15:10,800 --> 00:15:14,920 Speaker 1: Like that's Kurt. So he's as Hollywood as Hollywood, like 248 00:15:15,000 --> 00:15:19,840 Speaker 1: the Hollywood story gets, and yet he's so far removed 249 00:15:20,040 --> 00:15:23,200 Speaker 1: from being a part of whatever the business or scene is, 250 00:15:24,160 --> 00:15:28,120 Speaker 1: and he's had this incredible career but Kurt only cares 251 00:15:28,160 --> 00:15:31,240 Speaker 1: about one thing and one thing only. It's his family. 252 00:15:32,160 --> 00:15:35,920 Speaker 1: And even you know, even in moments where you know, 253 00:15:37,360 --> 00:15:40,960 Speaker 1: as any family is where you have you know, challenges, 254 00:15:41,120 --> 00:15:43,000 Speaker 1: right or you know, you get into it with your 255 00:15:43,040 --> 00:15:46,920 Speaker 1: dad a little bit. Right, here's the most steadfast, loyal 256 00:15:47,320 --> 00:15:52,200 Speaker 1: present father. Any young girl who didn't have a father ever, 257 00:15:53,080 --> 00:15:56,600 Speaker 1: I was so lucky. Is amazing. It's like, so it's 258 00:15:56,600 --> 00:16:01,200 Speaker 1: not about the biology, it's about the connection being there 259 00:16:01,280 --> 00:16:03,320 Speaker 1: and staying in the room. As I say, I only 260 00:16:03,400 --> 00:16:06,320 Speaker 1: felt the biology as I got older, Like I started 261 00:16:06,360 --> 00:16:09,640 Speaker 1: to see the Hudson in me, right, yeah, yeah, because 262 00:16:09,680 --> 00:16:12,040 Speaker 1: I know my cousins, like you know, you you start 263 00:16:12,120 --> 00:16:15,120 Speaker 1: to like a mama. I mean, I definitely have Hudson. 264 00:16:15,640 --> 00:16:22,680 Speaker 1: But well I'm Italian, half Italian. I'm half Italian, which 265 00:16:22,760 --> 00:16:27,200 Speaker 1: is so people would never guess that I'm Sicilian and 266 00:16:28,120 --> 00:16:32,040 Speaker 1: I'm a I'm a songwriter or make music music. It's 267 00:16:32,080 --> 00:16:36,080 Speaker 1: all the Hudson. It's like all that side. Really. Oh yeah, 268 00:16:36,160 --> 00:16:38,280 Speaker 1: I think the reason why I never really connected to 269 00:16:38,400 --> 00:16:41,040 Speaker 1: music is something that I mean I did earlier on 270 00:16:41,080 --> 00:16:43,120 Speaker 1: in my career. I thought I would definitely do music, 271 00:16:43,160 --> 00:16:45,800 Speaker 1: but then I but then almost famous happened, but later 272 00:16:45,840 --> 00:16:47,520 Speaker 1: like I kind of rejected it because I was like, 273 00:16:47,520 --> 00:16:50,880 Speaker 1: you know what, as you do when you're dealing with 274 00:16:50,960 --> 00:16:53,920 Speaker 1: daddy issues, I don't want to connect to that part 275 00:16:53,920 --> 00:16:57,520 Speaker 1: because that's my dad. That's all dad. Like if someone 276 00:16:58,120 --> 00:17:00,720 Speaker 1: if I put that out in the world and people 277 00:17:00,760 --> 00:17:06,240 Speaker 1: didn't like it, it would destroy me because I don't 278 00:17:06,840 --> 00:17:10,119 Speaker 1: and that's just my familial you know. With with with 279 00:17:10,119 --> 00:17:13,800 Speaker 1: with my father was like, you know that one connection 280 00:17:13,840 --> 00:17:16,520 Speaker 1: I have to him, I failed miserably at would be 281 00:17:16,560 --> 00:17:20,200 Speaker 1: like devastating to me. I wasn't ready for that. Can 282 00:17:20,200 --> 00:17:24,119 Speaker 1: you get older and you're like, oh right, okay, I 283 00:17:24,200 --> 00:17:26,840 Speaker 1: have the hudgen. I was raised by this incredible father. 284 00:17:28,119 --> 00:17:32,199 Speaker 1: You know. I I love my real father too. You know, 285 00:17:32,200 --> 00:17:35,840 Speaker 1: I'm being able to heal that and and that's it. 286 00:17:35,840 --> 00:17:38,399 Speaker 1: It's all about to our family and that the end 287 00:17:38,440 --> 00:17:43,120 Speaker 1: of the day. It's always been about family. First. I 288 00:17:43,200 --> 00:17:49,240 Speaker 1: was speaking to your very handsome fiance, so good Danny. 289 00:17:49,320 --> 00:17:51,680 Speaker 1: I mean, I was like, you're at the premiere, you're 290 00:17:51,720 --> 00:17:54,240 Speaker 1: doing your thing, and I'm talking to him. So he 291 00:17:54,320 --> 00:17:57,200 Speaker 1: was talking about Christmas, So you guys have this epic 292 00:17:58,080 --> 00:18:01,080 Speaker 1: holiday thing, and he was like, I wonder who's going 293 00:18:01,119 --> 00:18:02,920 Speaker 1: to play Santa this year, you know what I mean, 294 00:18:04,000 --> 00:18:06,159 Speaker 1: you guys go for it. We go for him. The 295 00:18:06,240 --> 00:18:08,880 Speaker 1: Santa is the best. And I can say this because 296 00:18:08,920 --> 00:18:11,720 Speaker 1: it's an adult. You know, kids won't hear that. The 297 00:18:11,840 --> 00:18:15,440 Speaker 1: Santa thing is for the little kids. And there's always 298 00:18:15,440 --> 00:18:17,760 Speaker 1: one person that's a dress up at Santa and run 299 00:18:18,200 --> 00:18:21,920 Speaker 1: as fast as they can in our on our ranch 300 00:18:22,800 --> 00:18:25,960 Speaker 1: through the snow, which if it's a real snow year, 301 00:18:27,640 --> 00:18:32,639 Speaker 1: it's not easy. Like you're in altitude wearing a Santa 302 00:18:32,720 --> 00:18:35,919 Speaker 1: outfit and you gotta run your fucking ass off so 303 00:18:35,960 --> 00:18:41,240 Speaker 1: that the kids don't know it's you, right, And so whoever, 304 00:18:41,359 --> 00:18:45,200 Speaker 1: it's always like, whoever the kids outside like that, why 305 00:18:45,240 --> 00:18:48,760 Speaker 1: are my brother almost like like straight up fainting brother 306 00:18:49,119 --> 00:18:52,320 Speaker 1: was like Oliver should never do it because he's just 307 00:18:52,760 --> 00:18:55,480 Speaker 1: you know, already a little probably drunk at the time. 308 00:18:55,720 --> 00:18:58,440 Speaker 1: But like it's always, you know, it was always Kurt, 309 00:18:59,000 --> 00:19:01,800 Speaker 1: and then Kurt one year was like, I'm not doing 310 00:19:01,800 --> 00:19:10,280 Speaker 1: anything's retiring from this, you know, only for Netflix, and 311 00:19:10,280 --> 00:19:12,879 Speaker 1: it was like he was done, and so it become 312 00:19:13,000 --> 00:19:17,199 Speaker 1: it became everyone else. It's gonna be Danny's turn one 313 00:19:17,200 --> 00:19:20,119 Speaker 1: of these, Oh yeah, and he's going to fail miserably 314 00:19:20,320 --> 00:19:22,919 Speaker 1: with the running because he is not yeah he's been 315 00:19:22,960 --> 00:19:25,720 Speaker 1: like in a studio producing right now, and he's there's no, 316 00:19:25,800 --> 00:19:28,080 Speaker 1: there is no he has not been on a treadmill. 317 00:19:28,440 --> 00:19:33,800 Speaker 1: But usually it's it's wyat and it's so funny. Do 318 00:19:33,840 --> 00:19:38,640 Speaker 1: the kids know half of them? Now? The hardest year 319 00:19:39,480 --> 00:19:42,480 Speaker 1: is that year when the kids might or might not 320 00:19:42,640 --> 00:19:46,399 Speaker 1: know that Santa Claus isn't real. That's the hardest because 321 00:19:46,440 --> 00:19:48,359 Speaker 1: you really have to fake them out. And if you 322 00:19:48,400 --> 00:19:50,720 Speaker 1: do a good job, you got like one or two 323 00:19:50,720 --> 00:19:53,520 Speaker 1: more years left. They go and they tell her. He 324 00:19:53,560 --> 00:19:56,960 Speaker 1: was like, no, you don't understand. I've seen Santa Claus. 325 00:19:58,240 --> 00:20:00,639 Speaker 1: I love what you guys doing. Call too. I think 326 00:20:02,200 --> 00:20:06,040 Speaker 1: we grew up there her my mom got in this 327 00:20:06,119 --> 00:20:08,280 Speaker 1: big fight and he said, if it wasn't for you, 328 00:20:08,320 --> 00:20:10,960 Speaker 1: I'd be living. And ask him, which is where's you've 329 00:20:11,000 --> 00:20:14,600 Speaker 1: been going there since? And my mom just called just bluff, 330 00:20:15,160 --> 00:20:19,639 Speaker 1: really moved to ask him, and he was like, okay, 331 00:20:20,119 --> 00:20:22,720 Speaker 1: when we moved to ask him. It was the best 332 00:20:22,720 --> 00:20:27,080 Speaker 1: thing they ever did. Loved it. How many to high school? 333 00:20:28,000 --> 00:20:33,920 Speaker 1: I was like four or five to high school? What 334 00:20:33,960 --> 00:20:39,440 Speaker 1: were you? What were you like in high school? There's 335 00:20:39,440 --> 00:20:41,280 Speaker 1: probably a couple of people that you know who could 336 00:20:41,359 --> 00:20:46,600 Speaker 1: tell you, Um, I didn't like the party scene. I 337 00:20:46,680 --> 00:20:49,679 Speaker 1: was always ready to start my life. I was like 338 00:20:49,960 --> 00:20:51,840 Speaker 1: I was a person in high school that was like 339 00:20:52,800 --> 00:20:54,360 Speaker 1: I just don't want to do this high school thing. 340 00:20:54,600 --> 00:20:56,359 Speaker 1: I don't want to like there's no keg stand you're 341 00:20:56,359 --> 00:21:00,080 Speaker 1: gonna find me on. At the same time, I'm a 342 00:21:00,440 --> 00:21:04,800 Speaker 1: I'm a party girl, but without the like drugs and 343 00:21:04,920 --> 00:21:09,200 Speaker 1: like dumb throwing up alcohol moments. Like I was always 344 00:21:09,320 --> 00:21:12,040 Speaker 1: very much I wanted to be in control of my body. 345 00:21:12,119 --> 00:21:15,119 Speaker 1: So like if my friends wanted to shrom, I was 346 00:21:15,200 --> 00:21:17,840 Speaker 1: the designated driver, you know. I was always the one 347 00:21:18,640 --> 00:21:23,879 Speaker 1: like who controlled the party, always having super fun. I 348 00:21:23,960 --> 00:21:25,879 Speaker 1: always ready to have fun, but like I'm going to 349 00:21:25,960 --> 00:21:28,600 Speaker 1: make sure everybody's going getting her safe. That was always 350 00:21:28,600 --> 00:21:31,720 Speaker 1: my I was always mom. I was always mommy, you know. Um. 351 00:21:31,760 --> 00:21:34,000 Speaker 1: And then like I didn't smoke weed, like I was 352 00:21:34,080 --> 00:21:36,520 Speaker 1: really straight. I went to dance class, I played, so 353 00:21:36,720 --> 00:21:39,800 Speaker 1: I was a very intense soccer player, really yeah, and 354 00:21:39,960 --> 00:21:42,640 Speaker 1: I and I was in conservatory, so I was I 355 00:21:42,680 --> 00:21:47,000 Speaker 1: was I think it's my nature for sure. For sure. 356 00:21:47,320 --> 00:21:50,240 Speaker 1: I came out like a rocket ship, like okay, now, 357 00:21:50,280 --> 00:21:53,679 Speaker 1: what right you came out. I mean you did come 358 00:21:53,720 --> 00:21:56,760 Speaker 1: out like a rocket Yeah. I was listening to Like 359 00:21:56,840 --> 00:21:58,679 Speaker 1: and he said, you know, you came out and you 360 00:21:58,840 --> 00:22:01,280 Speaker 1: brought to interpret it like you came out like your mom, 361 00:22:01,400 --> 00:22:04,040 Speaker 1: like a rocket ship in this big world he was 362 00:22:04,080 --> 00:22:06,760 Speaker 1: talking about almost famous, and you came out like a 363 00:22:06,840 --> 00:22:10,159 Speaker 1: rocket ship in life, in life. Yeah. I mean I 364 00:22:10,280 --> 00:22:12,320 Speaker 1: also really good at doing nothing, So I don't want 365 00:22:12,320 --> 00:22:15,960 Speaker 1: to like lie and say I'm also like I love 366 00:22:16,040 --> 00:22:19,080 Speaker 1: to work, but like people don't understand because like I've 367 00:22:19,080 --> 00:22:20,760 Speaker 1: got all the stuff going on and then I'm like, no, 368 00:22:20,960 --> 00:22:24,560 Speaker 1: I'm I'm out, I'm out, I'm getting weird. I'm at home. 369 00:22:24,800 --> 00:22:27,520 Speaker 1: I'm doing nothing. When you've done a lot, I do 370 00:22:27,680 --> 00:22:30,000 Speaker 1: think you kind of enjoy that and the kids and 371 00:22:30,240 --> 00:22:33,119 Speaker 1: it's nice to do nothing. Yeah, it's also good, Like 372 00:22:33,160 --> 00:22:35,040 Speaker 1: I guess that's that purpose thing, like I like to 373 00:22:35,080 --> 00:22:37,679 Speaker 1: be driven to do things. Maybe it's also being an aries. 374 00:22:37,760 --> 00:22:40,440 Speaker 1: I don't know, I know we talked about that. Yeah, 375 00:22:41,119 --> 00:22:43,760 Speaker 1: and Aries likes to we do. I mean we're not 376 00:22:43,800 --> 00:22:47,720 Speaker 1: great at following through right now, but but as we 377 00:22:47,760 --> 00:22:50,360 Speaker 1: get older, we're better at it. I think. So, Yeah, 378 00:22:50,720 --> 00:22:53,760 Speaker 1: you know I've gotten better as I've gotten older. Yeah, 379 00:22:53,880 --> 00:22:56,960 Speaker 1: but you I was not as clear as you were. Yeah, 380 00:22:57,000 --> 00:22:58,400 Speaker 1: I knew what I wanted to do. Yeah, I threw 381 00:22:58,440 --> 00:23:02,080 Speaker 1: up with a couple of parties. I was not like that. 382 00:23:02,840 --> 00:23:05,520 Speaker 1: People always thought I was, which I thought was really interesting, 383 00:23:06,359 --> 00:23:09,120 Speaker 1: you know, because of my personality. Everybody was like, oh, 384 00:23:09,359 --> 00:23:11,719 Speaker 1: she's the one that you know I could party with. 385 00:23:11,800 --> 00:23:14,840 Speaker 1: And I was always like, I'm happy to see everybody, 386 00:23:14,880 --> 00:23:17,919 Speaker 1: like do whatever they need to do. But I was 387 00:23:18,240 --> 00:23:21,760 Speaker 1: never like that. Did you have boyfriends in high school? Yeah, 388 00:23:22,680 --> 00:23:24,320 Speaker 1: I mean I couldn't have a boyfriend. I had a 389 00:23:24,320 --> 00:23:26,919 Speaker 1: couple of girlfriends, but it was different. But yeah, I 390 00:23:26,920 --> 00:23:31,040 Speaker 1: didn't even like I mean my boy my boyfriends. I 391 00:23:31,040 --> 00:23:33,439 Speaker 1: mean I did, but not like in high school like 392 00:23:33,480 --> 00:23:37,520 Speaker 1: my boyfriend's. Actually I liked older guys. Yeah, I was 393 00:23:37,560 --> 00:23:41,280 Speaker 1: that girl. High school for me was I had some 394 00:23:41,400 --> 00:23:45,280 Speaker 1: amazing friends, but I just I was so raring and 395 00:23:45,280 --> 00:23:47,840 Speaker 1: ready to go. Like sometimes I talked to my parents 396 00:23:47,880 --> 00:23:49,760 Speaker 1: about this and they're like, I'm the one that they 397 00:23:49,800 --> 00:23:52,680 Speaker 1: had to like hold the rope, right, It's like, let 398 00:23:52,720 --> 00:24:15,040 Speaker 1: me go. Welcome back to the table for two. We're 399 00:24:15,080 --> 00:24:18,120 Speaker 1: here with Kate Hudson, and I swear there's not enough 400 00:24:18,119 --> 00:24:21,080 Speaker 1: time in the day to cover her career, family, and 401 00:24:21,160 --> 00:24:24,399 Speaker 1: dreams for the future. We're going to try starting with 402 00:24:24,440 --> 00:24:29,040 Speaker 1: her breakout role as Penny Lane and almost famous. So 403 00:24:29,240 --> 00:24:31,520 Speaker 1: like in two thousand, when you get almost famous, you're 404 00:24:31,600 --> 00:24:34,679 Speaker 1: super young, but it actually kind of makes sense, like 405 00:24:34,760 --> 00:24:38,760 Speaker 1: that's when something like this thing happened, Like you were 406 00:24:38,800 --> 00:24:42,199 Speaker 1: actually kind of preparing yourself in a weird way to 407 00:24:42,240 --> 00:24:44,840 Speaker 1: be able to take on that responsibility. Yeah, I mean, 408 00:24:44,920 --> 00:24:47,679 Speaker 1: I yes, and I mean I got into n y U. 409 00:24:47,800 --> 00:24:49,800 Speaker 1: I really was. It was a hard decision for me 410 00:24:49,880 --> 00:24:52,720 Speaker 1: because I wanted to be in New York and I 411 00:24:52,760 --> 00:24:56,080 Speaker 1: remember saying that my parents, like, just give me a year. 412 00:24:56,320 --> 00:24:58,840 Speaker 1: I want to be able to see if I can 413 00:24:58,960 --> 00:25:04,040 Speaker 1: just do way and act and audition. And I just 414 00:25:04,200 --> 00:25:07,240 Speaker 1: the second it started, I just didn't stop working. I mean, 415 00:25:07,520 --> 00:25:10,560 Speaker 1: nineteen years old. I look at my son now. And 416 00:25:10,560 --> 00:25:13,640 Speaker 1: at that time, I remember I was doing a film 417 00:25:13,680 --> 00:25:18,560 Speaker 1: called about Adam in Ireland alone. I was like just 418 00:25:19,000 --> 00:25:23,040 Speaker 1: nineteen and and I was alone in Ireland. I had 419 00:25:23,080 --> 00:25:26,720 Speaker 1: been in Toronto before that. From the time I graduated 420 00:25:26,800 --> 00:25:30,040 Speaker 1: high school, I was traveling all over the world making 421 00:25:30,040 --> 00:25:32,320 Speaker 1: these movies. I didn't even think about it until that 422 00:25:32,400 --> 00:25:34,640 Speaker 1: about Adam movie and I was flying back and fork 423 00:25:34,760 --> 00:25:37,840 Speaker 1: I was auditioning. I had auditioned like four times for 424 00:25:37,920 --> 00:25:42,000 Speaker 1: Cameron for Penny Lane, and I remember flying back from 425 00:25:42,160 --> 00:25:44,280 Speaker 1: l A. I had seen my parents for like five seconds, 426 00:25:44,280 --> 00:25:45,919 Speaker 1: and I was flying back and it was it was 427 00:25:45,960 --> 00:25:48,960 Speaker 1: like the fourth time I'd flown and I hadn't seen 428 00:25:49,000 --> 00:25:50,760 Speaker 1: my family at all. It was the only time in 429 00:25:50,800 --> 00:25:54,320 Speaker 1: my life I felt so just like out of out 430 00:25:54,320 --> 00:25:57,320 Speaker 1: of body and called my mom crying, going like I 431 00:25:57,320 --> 00:26:02,120 Speaker 1: don't even know what that where I am. And She's like, no, no, no, no, no, 432 00:26:02,359 --> 00:26:05,240 Speaker 1: how do you just get on that plane and squint 433 00:26:05,280 --> 00:26:07,800 Speaker 1: your eyes and I want you to look at everything 434 00:26:07,840 --> 00:26:10,280 Speaker 1: like your little baby and you're seeing it for the 435 00:26:10,320 --> 00:26:13,160 Speaker 1: first time. I guess that's also the great thing about 436 00:26:13,200 --> 00:26:20,520 Speaker 1: having a mom who's been through it. So you bought 437 00:26:20,560 --> 00:26:23,080 Speaker 1: the house you grew up in, which I think is 438 00:26:23,119 --> 00:26:27,119 Speaker 1: a really I love when life becomes the circle of 439 00:26:27,160 --> 00:26:30,359 Speaker 1: life and you know you bought home next to it, 440 00:26:30,400 --> 00:26:33,040 Speaker 1: and like you brought the family together. At the time, 441 00:26:33,080 --> 00:26:36,000 Speaker 1: I was pregnant with writer and I was looking for 442 00:26:36,040 --> 00:26:38,960 Speaker 1: a house. I was actually looking to live in Malibu 443 00:26:39,040 --> 00:26:44,360 Speaker 1: because I like Malibu and everything. I was looking at 444 00:26:44,480 --> 00:26:46,480 Speaker 1: was like had an easement on it where like someone 445 00:26:46,520 --> 00:26:48,639 Speaker 1: could be on my property or like, you know, like 446 00:26:48,920 --> 00:26:51,639 Speaker 1: everything was wrong. My mom called me and said, well, 447 00:26:51,640 --> 00:26:53,120 Speaker 1: I don't know if you'd want to do this, but 448 00:26:53,800 --> 00:26:56,560 Speaker 1: I think that old house is going up for sale. 449 00:26:56,600 --> 00:26:58,280 Speaker 1: It's not on the market yet. And I was like, 450 00:26:58,400 --> 00:27:02,160 Speaker 1: oh my God, like runnedall walk when in there. Wanted 451 00:27:02,200 --> 00:27:04,360 Speaker 1: to see it because I haven't seen it for so long. 452 00:27:05,119 --> 00:27:09,240 Speaker 1: And my house is like the sweetest, really pretentious about 453 00:27:09,240 --> 00:27:12,160 Speaker 1: my house, Like it's just like it's an old thirties house. 454 00:27:12,160 --> 00:27:14,359 Speaker 1: It was built by James Wales, who he is Gods 455 00:27:14,359 --> 00:27:18,080 Speaker 1: and Monsters. Did you see that movie? That's who That's 456 00:27:18,119 --> 00:27:21,639 Speaker 1: the house he built it. He was the director of Frankenstein, 457 00:27:21,720 --> 00:27:26,920 Speaker 1: creator Franken and whose old thirties house. You can feel 458 00:27:26,920 --> 00:27:30,720 Speaker 1: it that house when he built it. You love to host. 459 00:27:31,040 --> 00:27:32,680 Speaker 1: And the reason why he lives so far away because 460 00:27:32,680 --> 00:27:35,000 Speaker 1: at the time the palate where I live in the 461 00:27:35,040 --> 00:27:40,080 Speaker 1: Palisades was so far removed from Hollywood. But he wasn't 462 00:27:40,119 --> 00:27:44,439 Speaker 1: openly again and he lived with his partner, so he 463 00:27:44,560 --> 00:27:46,760 Speaker 1: lived outside of the center of everything so we could 464 00:27:46,760 --> 00:27:50,600 Speaker 1: feel more free. And he hosted I mean Betty Davis 465 00:27:50,800 --> 00:27:54,040 Speaker 1: Ronald Reagan, like the parties that he had in this house. 466 00:27:54,560 --> 00:27:59,159 Speaker 1: You know, this house has held real Hollywood history. And 467 00:27:59,200 --> 00:28:02,680 Speaker 1: then there was two other owners or three other owners 468 00:28:02,680 --> 00:28:05,600 Speaker 1: into my mom when my mom had never redid it. 469 00:28:06,400 --> 00:28:10,119 Speaker 1: One other owner, I bought it back. This house was 470 00:28:10,200 --> 00:28:12,480 Speaker 1: like I was. I was brought home to this house 471 00:28:13,400 --> 00:28:15,920 Speaker 1: until I was twelve years old. When I walked in there, 472 00:28:15,920 --> 00:28:18,760 Speaker 1: I saw I felt my grandma, I felt my granddaddy, 473 00:28:19,320 --> 00:28:21,840 Speaker 1: I felt my uncle Charlie. All the people that are gone, 474 00:28:22,400 --> 00:28:25,040 Speaker 1: they were just like surrounding me in this house. And 475 00:28:25,160 --> 00:28:26,879 Speaker 1: I was like, I have to have I got it. 476 00:28:27,000 --> 00:28:29,920 Speaker 1: It was just I couldn't afford it. I didn't care. 477 00:28:31,040 --> 00:28:34,320 Speaker 1: I was like, I'll go broke whatever, right, I'll go broke, 478 00:28:34,400 --> 00:28:37,679 Speaker 1: and then I'll figure it out again, choosing family and 479 00:28:37,760 --> 00:28:43,280 Speaker 1: life and like, what a gift. And I thought I 480 00:28:43,360 --> 00:28:45,000 Speaker 1: thought I'd only be in it for a couple of years, 481 00:28:45,040 --> 00:28:47,240 Speaker 1: but it'll it'll never leave it. Yeah, I don't think 482 00:28:47,240 --> 00:28:52,120 Speaker 1: it sounds like it's like a little Do you have 483 00:28:52,240 --> 00:28:54,640 Speaker 1: any of the imagery and the photographs from when he 484 00:28:54,720 --> 00:28:56,960 Speaker 1: had it and the people that were in that Okay, 485 00:28:57,080 --> 00:28:59,840 Speaker 1: that was a great I do not think I've never 486 00:29:00,440 --> 00:29:04,800 Speaker 1: looked for that, Kate. This is a big thing that 487 00:29:04,960 --> 00:29:08,600 Speaker 1: the history because you know it exists. There are photographs. 488 00:29:08,640 --> 00:29:13,120 Speaker 1: There is still in the dining room a wire that 489 00:29:13,280 --> 00:29:18,240 Speaker 1: was a bell a football that goes into the kitchen. Wow, 490 00:29:18,800 --> 00:29:22,480 Speaker 1: does it work? No, it's just the wire. The bell 491 00:29:22,640 --> 00:29:24,520 Speaker 1: is gone, but it's still you can see the wire 492 00:29:24,600 --> 00:29:29,080 Speaker 1: underneath the floor parts. Really interesting that is there's a 493 00:29:29,120 --> 00:29:31,440 Speaker 1: lot of stuff that's documented about that house and a 494 00:29:31,440 --> 00:29:32,960 Speaker 1: lot of stuff that went down in that house. And 495 00:29:33,120 --> 00:29:39,000 Speaker 1: just remember he drowned and he drowned, but his he 496 00:29:39,040 --> 00:29:41,760 Speaker 1: owned a lot of property, so the property that my 497 00:29:41,800 --> 00:29:44,160 Speaker 1: house is on, it was bigger than that. He actually 498 00:29:44,200 --> 00:29:48,880 Speaker 1: died in the house below me in the pool because 499 00:29:48,960 --> 00:29:56,120 Speaker 1: the pool that I had wasn't there. Well. Interesting, So 500 00:29:56,320 --> 00:29:58,760 Speaker 1: I wanted to know about Kate and high school because 501 00:29:58,880 --> 00:30:00,400 Speaker 1: I feel like if I knew you in I was 502 00:30:00,440 --> 00:30:02,360 Speaker 1: also like the girl that got sent home because I'd 503 00:30:02,400 --> 00:30:08,240 Speaker 1: be wearing c through dress like my girlfriend Sarah Foster 504 00:30:08,360 --> 00:30:11,320 Speaker 1: and my and Jen right we went to high school together, 505 00:30:11,680 --> 00:30:14,200 Speaker 1: and they love to remind me of how I'd be 506 00:30:14,240 --> 00:30:18,080 Speaker 1: sent home all the time, very nicely, like I would 507 00:30:18,120 --> 00:30:19,960 Speaker 1: just show I wouldn't be thinking about it like a 508 00:30:20,040 --> 00:30:25,600 Speaker 1: white ship like dope, like vintage kind of see through 509 00:30:25,720 --> 00:30:28,120 Speaker 1: flower dress and were like a little pant, like a 510 00:30:29,040 --> 00:30:32,320 Speaker 1: like a boy short panty right right, And then they 511 00:30:32,440 --> 00:30:34,760 Speaker 1: say and like maybe I wouldn't wear bra I never 512 00:30:34,760 --> 00:30:37,480 Speaker 1: wear bras, but like whatever, you know, I would put 513 00:30:37,480 --> 00:30:39,600 Speaker 1: on like a little thing. At the time, it didn't matter. 514 00:30:39,760 --> 00:30:42,000 Speaker 1: You know, no one cared about nipples as much as they. 515 00:30:42,120 --> 00:30:48,640 Speaker 1: I guess they're not carry about nip thanks than like 516 00:30:48,720 --> 00:30:51,720 Speaker 1: you talk about Jen. You talked about like you're all 517 00:30:51,800 --> 00:30:54,600 Speaker 1: really good friends and the Foster sisters and it's great 518 00:30:56,280 --> 00:31:01,520 Speaker 1: the family at this point, Sarah and I have known 519 00:31:01,560 --> 00:31:06,280 Speaker 1: each other since we were young teenagers and then even 520 00:31:06,320 --> 00:31:08,200 Speaker 1: if we're not like hanging out all the time, like, 521 00:31:08,240 --> 00:31:11,960 Speaker 1: she's always my family and her mother was with my partner, 522 00:31:12,040 --> 00:31:17,920 Speaker 1: Danny's father, so Rebecca Rebecca, Sarah's mom and Danny's father 523 00:31:17,960 --> 00:31:22,960 Speaker 1: were together for twelve years. So they're basically step their 524 00:31:23,040 --> 00:31:27,240 Speaker 1: step brothers. So I'm I am engaged to my best 525 00:31:27,240 --> 00:31:31,120 Speaker 1: friends step the so okay, which I have two questions, 526 00:31:31,160 --> 00:31:33,120 Speaker 1: asked you one to so as you got as you 527 00:31:33,240 --> 00:31:36,760 Speaker 1: all sort of grew up into like career people, was 528 00:31:36,800 --> 00:31:40,320 Speaker 1: it ever conflicting in regard to like, oh, Jena or 529 00:31:40,360 --> 00:31:43,080 Speaker 1: anybody like, you know, work was it always just like 530 00:31:43,120 --> 00:31:45,440 Speaker 1: the great good for you? You got that movie, A 531 00:31:45,520 --> 00:31:47,920 Speaker 1: great for me? I got this. Oh yeah, yeah, there's 532 00:31:47,920 --> 00:31:52,520 Speaker 1: no stuff like no, I mean not that I'm aware of. No. 533 00:31:52,720 --> 00:31:56,680 Speaker 1: I've always felt so unbelievably supported by my girlfriends. I 534 00:31:56,720 --> 00:31:59,840 Speaker 1: feel really lucky that way. You know. It's like we 535 00:32:00,080 --> 00:32:02,800 Speaker 1: was such a great, solid group of girlfriends. But my 536 00:32:02,880 --> 00:32:07,440 Speaker 1: girlfriend group is like Sarah and Jen. We I mean 537 00:32:07,560 --> 00:32:12,080 Speaker 1: Jen is my oldest friend. I mean Jen's dad, ron Meyer, 538 00:32:12,200 --> 00:32:17,440 Speaker 1: was my mom's agent before I was born. So Ronnie was, um, 539 00:32:17,480 --> 00:32:20,920 Speaker 1: you know, holding me as a baby, and Jen was there, 540 00:32:21,000 --> 00:32:23,160 Speaker 1: and I mean so we we really grew up. I mean, 541 00:32:23,320 --> 00:32:26,200 Speaker 1: we really grew up together. How's your posse? Like you 542 00:32:26,320 --> 00:32:29,120 Speaker 1: keep a posse. That's the thing that Kate Hudson does 543 00:32:29,200 --> 00:32:31,560 Speaker 1: that I see one more together. It's why that I 544 00:32:31,600 --> 00:32:34,600 Speaker 1: feel there's a connection, like we just are like, yeah, 545 00:32:34,680 --> 00:32:40,920 Speaker 1: there's yeah, And I think to like, you know, I 546 00:32:40,920 --> 00:32:44,640 Speaker 1: think that happens when you don't engage in gossip, Like 547 00:32:44,680 --> 00:32:47,000 Speaker 1: if you don't engage in the gossip or the drama 548 00:32:47,000 --> 00:32:49,640 Speaker 1: of anything, like I've never had any interest in being 549 00:32:49,680 --> 00:32:54,200 Speaker 1: a part like you know, dramas that happened. I think 550 00:32:54,280 --> 00:32:58,320 Speaker 1: in any industry there's always people who love to cause 551 00:32:58,360 --> 00:33:03,080 Speaker 1: the drama. I am. I I so don't engage in 552 00:33:03,080 --> 00:33:05,480 Speaker 1: that ship. And I think that's why I've been able 553 00:33:05,520 --> 00:33:08,520 Speaker 1: to keep so many friends too. You know, it's like 554 00:33:09,320 --> 00:33:15,360 Speaker 1: I just don't don't I know, the second starts, I'm 555 00:33:15,360 --> 00:33:21,160 Speaker 1: out to me. You're such a free spirit and an adventurer. 556 00:33:21,720 --> 00:33:25,080 Speaker 1: You know that. You know you have three kids, right, 557 00:33:25,120 --> 00:33:28,600 Speaker 1: you know you have a very unique family situation. It's 558 00:33:28,640 --> 00:33:33,040 Speaker 1: like you good, It's like it's like, okay, you you're 559 00:33:33,080 --> 00:33:35,440 Speaker 1: living your life by your term. Yeah, I am. And 560 00:33:35,520 --> 00:33:37,920 Speaker 1: I've been able to do that because I have the means. 561 00:33:38,920 --> 00:33:41,800 Speaker 1: I think that, Like what's really interesting is that's very 562 00:33:41,880 --> 00:33:44,240 Speaker 1: much of a male thing that you hear more about. 563 00:33:45,200 --> 00:33:47,760 Speaker 1: There's a couple of things, like, you know, it's also 564 00:33:48,040 --> 00:33:54,560 Speaker 1: my impulse. I'm impulsive. That's the areas. Yeah, I jumped 565 00:33:54,640 --> 00:33:57,320 Speaker 1: right in. I love love. But as you get older, 566 00:33:57,360 --> 00:33:59,000 Speaker 1: you kind of get to that place where you're like, 567 00:33:59,320 --> 00:34:03,440 Speaker 1: you know that you learn, you learn. But but it 568 00:34:03,520 --> 00:34:06,600 Speaker 1: was like as hard as the decisions were in my life, 569 00:34:06,640 --> 00:34:08,719 Speaker 1: and the and the and the depth in which I 570 00:34:08,760 --> 00:34:12,839 Speaker 1: felt like I had failed relationships and family with my 571 00:34:12,960 --> 00:34:16,919 Speaker 1: partners throughout those years, whether it be Chris or Matt, 572 00:34:17,280 --> 00:34:19,560 Speaker 1: I knew it was the right thing to not be 573 00:34:19,640 --> 00:34:22,720 Speaker 1: in those relationships. I knew that we'd all be happier. 574 00:34:23,640 --> 00:34:26,840 Speaker 1: And it's a choice. You either stay in them wondering 575 00:34:26,880 --> 00:34:28,600 Speaker 1: what your life would have been like if you would 576 00:34:28,640 --> 00:34:34,920 Speaker 1: have left them, or I choose to leave. And you know, 577 00:34:34,960 --> 00:34:41,120 Speaker 1: whatever makeup in my life allows me that moment to 578 00:34:41,160 --> 00:34:43,919 Speaker 1: be like, oh no, I'm actually going to choose to 579 00:34:43,960 --> 00:34:49,480 Speaker 1: not be, to not feel constricted in this or unhappy. 580 00:34:50,080 --> 00:34:53,320 Speaker 1: I had the courage to do. It's not It's really 581 00:34:53,360 --> 00:34:57,520 Speaker 1: not an easy thing. In the moment, in reflection, I'm 582 00:34:57,560 --> 00:35:00,279 Speaker 1: so grateful at the family that I have and the 583 00:35:00,320 --> 00:35:03,520 Speaker 1: relationships that I have, Like I'm so close with my 584 00:35:03,719 --> 00:35:08,319 Speaker 1: with Matt, my ex being's dad, Like I love him 585 00:35:08,360 --> 00:35:12,120 Speaker 1: so much and a completely like I'm exactly where we 586 00:35:12,120 --> 00:35:15,280 Speaker 1: were supposed to be. You know, I think he feels 587 00:35:15,280 --> 00:35:20,120 Speaker 1: the same way about me. And and for whatever whatever 588 00:35:20,200 --> 00:35:24,680 Speaker 1: however I was raised, whenever environment, whatever dysfunction, however anyone 589 00:35:24,719 --> 00:35:27,840 Speaker 1: wants to look at it, it's created a very harmonious 590 00:35:27,880 --> 00:35:32,480 Speaker 1: family life for me. It's interesting. Yeah, I mean it's 591 00:35:32,719 --> 00:35:36,560 Speaker 1: totally unconventional, it doesn't make any sense. It goes against 592 00:35:36,560 --> 00:35:41,040 Speaker 1: every religious grain in the book. And yet I'm happy, 593 00:35:41,280 --> 00:35:44,520 Speaker 1: and I and and my kids are happy, and um 594 00:35:44,560 --> 00:35:49,240 Speaker 1: and there's there's there's. It feels liberated. I don't feel 595 00:35:50,320 --> 00:35:54,640 Speaker 1: I don't feel the failure well in your truth, I 596 00:35:55,400 --> 00:35:59,800 Speaker 1: feel and in yours. And you said it's not easy 597 00:36:00,000 --> 00:36:02,600 Speaker 1: in the moment, and none of that's ever easy in 598 00:36:02,640 --> 00:36:05,399 Speaker 1: the moment you have the realization, oh, you know, what 599 00:36:05,719 --> 00:36:08,480 Speaker 1: I think are forever is done and it's now going 600 00:36:08,520 --> 00:36:12,080 Speaker 1: to be something else. So it takes a lot of 601 00:36:12,800 --> 00:36:16,359 Speaker 1: balls to get through that door. It really does. It's 602 00:36:16,400 --> 00:36:18,799 Speaker 1: really not easy. And then when you do it, but 603 00:36:18,840 --> 00:36:22,520 Speaker 1: what you do it with Kate Hudson, which is how 604 00:36:22,560 --> 00:36:24,160 Speaker 1: I think you also live your life, is with your 605 00:36:24,239 --> 00:36:28,520 Speaker 1: arms open wide say okay, and it might be bumpy, 606 00:36:28,600 --> 00:36:32,680 Speaker 1: and it might not be, but it's going to be 607 00:36:33,200 --> 00:36:37,359 Speaker 1: embraced compassion right. And I think that is like what 608 00:36:37,400 --> 00:36:44,839 Speaker 1: I call compassionate detachments. Yeah, it's like it's like I'm 609 00:36:44,840 --> 00:36:51,160 Speaker 1: going to compassionately detach from whatever this scenario is, meaning 610 00:36:51,200 --> 00:36:56,759 Speaker 1: that no matter what is causing the headbutting or this 611 00:36:56,880 --> 00:37:01,480 Speaker 1: inability to move forward, I'm going to stay compassionate towards 612 00:37:01,560 --> 00:37:04,879 Speaker 1: the partner, and that is a lesson. I think You're 613 00:37:05,040 --> 00:37:07,719 Speaker 1: like as people are here and they pulled up a chair, 614 00:37:07,880 --> 00:37:13,040 Speaker 1: and that bleeds into so many aspects of our lives. 615 00:37:14,560 --> 00:37:17,799 Speaker 1: When one is unhappy to say, Okay, how do I 616 00:37:18,000 --> 00:37:22,239 Speaker 1: extricate myself because you've also discussed and I feel like 617 00:37:22,520 --> 00:37:28,879 Speaker 1: it ends. Yeah, journey does end. We're not here forever. Yeah, 618 00:37:28,960 --> 00:37:32,400 Speaker 1: it's I think that's the cause of most suffering is 619 00:37:33,000 --> 00:37:34,879 Speaker 1: at the at the core of it. It's just all 620 00:37:35,000 --> 00:37:40,640 Speaker 1: this great intense fear of mortality, you know, and and 621 00:37:40,640 --> 00:37:44,600 Speaker 1: and and so you hold all these expectations is the 622 00:37:44,600 --> 00:37:46,280 Speaker 1: how it's supposed to be or what your life supposed 623 00:37:46,320 --> 00:37:48,200 Speaker 1: to be because God forbid you fucking die and it 624 00:37:48,280 --> 00:37:51,080 Speaker 1: wasn't what you expected. And that's why they say that 625 00:37:51,120 --> 00:37:56,520 Speaker 1: the great you know, some say that like suffering, great 626 00:37:56,520 --> 00:38:04,000 Speaker 1: suffering really really comes from you know, your expectations. You 627 00:38:04,000 --> 00:38:07,320 Speaker 1: you you you know, this expectation that I'm supposed to 628 00:38:07,360 --> 00:38:09,680 Speaker 1: be with someone forever. If I held on so deeply 629 00:38:09,719 --> 00:38:13,600 Speaker 1: to that, i'd be I'd be quite depressed, clearly, I 630 00:38:13,640 --> 00:38:17,560 Speaker 1: mean really depressed right now, you know, instead of realizing 631 00:38:17,600 --> 00:38:19,640 Speaker 1: that that expectation is just not going to be my 632 00:38:19,680 --> 00:38:23,280 Speaker 1: life story. It's just not and by I'm more okay 633 00:38:23,320 --> 00:38:26,640 Speaker 1: with it now than ever, which you know, actually is 634 00:38:26,680 --> 00:38:29,680 Speaker 1: making for a much better relationship in my life. This 635 00:38:29,760 --> 00:38:34,680 Speaker 1: idea that you can only really, you know, get the 636 00:38:34,719 --> 00:38:38,680 Speaker 1: relationship you want by risking losing it. You know, it's 637 00:38:38,719 --> 00:38:46,840 Speaker 1: like you have to be okay, you can't. So we 638 00:38:46,960 --> 00:38:50,200 Speaker 1: go into the next great decades ahead? What's the next? 639 00:38:50,560 --> 00:38:53,120 Speaker 1: Like where did you think like that? Or are you 640 00:38:53,480 --> 00:38:57,439 Speaker 1: I only think that that way now? Like what's next now? 641 00:38:58,239 --> 00:39:01,440 Speaker 1: And for me it's my music. You're finishing my record, right, 642 00:39:01,480 --> 00:39:03,719 Speaker 1: So I did that. Yes, I wanted to talk about that. 643 00:39:03,800 --> 00:39:08,400 Speaker 1: You haven't a amazing boy. I'm really excited because I 644 00:39:08,480 --> 00:39:10,960 Speaker 1: just realized that I just have to do it and 645 00:39:11,000 --> 00:39:14,319 Speaker 1: I'm no expectation about what it needs to be. It's 646 00:39:14,360 --> 00:39:16,879 Speaker 1: just like it needed to come out and needed all 647 00:39:16,920 --> 00:39:18,760 Speaker 1: of it needed to come out. And when we started, 648 00:39:19,239 --> 00:39:22,040 Speaker 1: I wrote with Linda Perry and Danny. When we started, 649 00:39:22,640 --> 00:39:27,600 Speaker 1: we wrote twenty six songs. Wow, not two months were 650 00:39:27,640 --> 00:39:29,400 Speaker 1: just like wrote it was just like it was like 651 00:39:30,360 --> 00:39:32,960 Speaker 1: all of this just was so prolific. We just kept writing. 652 00:39:37,000 --> 00:39:39,279 Speaker 1: It was all the same vibe and we were just 653 00:39:39,320 --> 00:39:43,520 Speaker 1: like in it, and you know, I've been writing songs 654 00:39:43,520 --> 00:39:45,719 Speaker 1: in my whole life. Linda didn't want any of those. 655 00:39:45,800 --> 00:39:49,240 Speaker 1: She was like, after we had written all of the songs, 656 00:39:49,280 --> 00:39:51,920 Speaker 1: then she we went back looked and she asked me 657 00:39:51,960 --> 00:39:53,840 Speaker 1: to play her some songs that had written and we 658 00:39:53,960 --> 00:39:59,080 Speaker 1: picked a couple of them, expanded on them, and and 659 00:39:59,080 --> 00:40:01,840 Speaker 1: then it's been about a year and a half and 660 00:40:03,520 --> 00:40:05,640 Speaker 1: from where we were when we started to where we 661 00:40:05,680 --> 00:40:09,200 Speaker 1: are now, like we're almost there. We're like seventy I 662 00:40:09,200 --> 00:40:11,759 Speaker 1: would say seventy there. I mean pretty soon we're gonna 663 00:40:11,760 --> 00:40:17,040 Speaker 1: be like there. And it's just been the great and 664 00:40:18,600 --> 00:40:21,799 Speaker 1: not yet no, but but I I still have to 665 00:40:21,840 --> 00:40:25,360 Speaker 1: pick the twelve songs. Attended twelve songs, but this is 666 00:40:25,400 --> 00:40:27,839 Speaker 1: really excited. I was like a memoir for me. Those 667 00:40:27,920 --> 00:40:30,120 Speaker 1: to me was like writing a book. You know, it's 668 00:40:30,160 --> 00:40:34,560 Speaker 1: like my version and it's so personal. I've never done 669 00:40:34,600 --> 00:40:37,839 Speaker 1: anything like this, but that's fully, you know, just me 670 00:40:38,120 --> 00:40:41,200 Speaker 1: putting it out there. I was so terrified of doing that, 671 00:40:42,200 --> 00:40:44,040 Speaker 1: and now I was like during COVID, I was like 672 00:40:44,040 --> 00:40:46,319 Speaker 1: if I don't, if I don't do that, it will 673 00:40:46,360 --> 00:40:49,799 Speaker 1: be the only regret. So I'm gonna just do it. 674 00:40:49,920 --> 00:40:52,239 Speaker 1: I'm so excited because the music has turned out really 675 00:40:52,280 --> 00:40:54,600 Speaker 1: wonderful and yeah, I can't wait for people to hear it. 676 00:40:57,800 --> 00:41:00,680 Speaker 1: Before letting k go, I have to ask her about 677 00:41:00,680 --> 00:41:04,880 Speaker 1: her fiance and the gorgeous ring that I've been eyeing 678 00:41:04,920 --> 00:41:09,719 Speaker 1: on her for our entire lunch. So Kate, you talk 679 00:41:09,760 --> 00:41:12,480 Speaker 1: about you know we mentioned your fiance. What's the plan 680 00:41:12,960 --> 00:41:15,760 Speaker 1: with our life? For our marriage? You're with your marriage? 681 00:41:16,840 --> 00:41:18,520 Speaker 1: Am I going to get married? Right? Like? Are you 682 00:41:18,520 --> 00:41:20,759 Speaker 1: getting married? I see a beautiful ring on your finger? 683 00:41:22,520 --> 00:41:26,279 Speaker 1: Major as he really is. He's good. I'm a guy 684 00:41:26,320 --> 00:41:28,600 Speaker 1: that loves jewelry. As you could tell, I really wanted 685 00:41:28,640 --> 00:41:32,640 Speaker 1: a flat stone and he really delivered. So what's the plane? 686 00:41:32,800 --> 00:41:36,440 Speaker 1: Where where should I worshiped? Brian and I plan on? Well, 687 00:41:40,120 --> 00:41:44,640 Speaker 1: right now, planning a wedding feels insane, okay, but I'm 688 00:41:44,719 --> 00:41:47,640 Speaker 1: excited to plan a wedding. And I go back and 689 00:41:47,680 --> 00:41:51,000 Speaker 1: forth between like a small wedding and a large wedding. 690 00:41:51,920 --> 00:42:01,239 Speaker 1: And my first wedding the first time married Danning, I 691 00:42:02,400 --> 00:42:06,040 Speaker 1: it was so small. So there's a part of me 692 00:42:06,120 --> 00:42:09,239 Speaker 1: that wants like the big bash. You know, there's like 693 00:42:09,280 --> 00:42:11,560 Speaker 1: two sides. It's like you know, two sides to me, 694 00:42:11,640 --> 00:42:14,840 Speaker 1: the big bash or the small intimate. I think somewhere 695 00:42:14,840 --> 00:42:18,440 Speaker 1: in there I'm going to come up with the other 696 00:42:18,480 --> 00:42:20,160 Speaker 1: thing I really want to make sure is that I 697 00:42:20,239 --> 00:42:24,080 Speaker 1: honor Danny's heritage and my daughter's heritage. So like we 698 00:42:24,160 --> 00:42:28,520 Speaker 1: do sometimes go back and forth the traditional Japanese wedding ceremony, 699 00:42:28,920 --> 00:42:33,480 Speaker 1: which would be really beautiful and quite emotional for Danny 700 00:42:33,520 --> 00:42:37,480 Speaker 1: scenes that his dad has gone. You have a destination. 701 00:42:37,560 --> 00:42:40,200 Speaker 1: It'll totally be. It will be like, let's go, this 702 00:42:40,280 --> 00:42:43,200 Speaker 1: is a part. It will be. It will be such 703 00:42:43,239 --> 00:42:46,040 Speaker 1: an adventure that people will have to really want to come. 704 00:42:47,000 --> 00:42:50,719 Speaker 1: Those are always, to me, the most fun wedding, Like like, 705 00:42:51,200 --> 00:42:52,960 Speaker 1: if you really want to be there, you'll be there. 706 00:42:54,360 --> 00:42:56,640 Speaker 1: If someone's like I can't really be there, then you're 707 00:42:56,680 --> 00:43:00,600 Speaker 1: like I don't want you there? Right Wow, Well so 708 00:43:01,120 --> 00:43:03,719 Speaker 1: that's all I got right now, That's good. That's all 709 00:43:03,760 --> 00:43:12,759 Speaker 1: I got for the wedding. You are truly um, you 710 00:43:12,840 --> 00:43:16,280 Speaker 1: are a full blown artist. You are an incredible humanitarian. 711 00:43:16,360 --> 00:43:20,799 Speaker 1: You are an incredible friend. Kate Hudson. Having lunch with 712 00:43:20,920 --> 00:43:30,080 Speaker 1: you today is really meaningful to me and nice. Your movie, Um, 713 00:43:30,120 --> 00:43:33,440 Speaker 1: if you're listening, get your ass to Netflix and watching 714 00:43:33,520 --> 00:43:37,239 Speaker 1: your performance is really beyond anything, and I hope to 715 00:43:37,239 --> 00:43:39,040 Speaker 1: see you so much more in the rest of our lives. 716 00:43:39,080 --> 00:43:42,680 Speaker 1: I don't know journey to you and I love you 717 00:43:42,760 --> 00:43:48,280 Speaker 1: so much. Kidding yes, thank you for joining me today 718 00:43:48,280 --> 00:43:56,320 Speaker 1: on Table for two. Table for two with Bruce Bozzy 719 00:43:56,440 --> 00:43:59,640 Speaker 1: is produced by I Heart Radio seven seven Park and 720 00:43:59,680 --> 00:44:03,720 Speaker 1: A out. Our Executive producers are Bruce Bozzy, Jonathan Hoss, 721 00:44:03,800 --> 00:44:06,880 Speaker 1: Dressler and Nathan King. Table for two is edited and 722 00:44:06,880 --> 00:44:09,960 Speaker 1: written by Tina Mullen and researched and written by Bridget 723 00:44:10,120 --> 00:44:14,600 Speaker 1: arsenalt Our sound engineers are Emil B. Klein, Paul Bowman 724 00:44:14,880 --> 00:44:17,760 Speaker 1: and Melissa Midcalf. Table for two is l A production 725 00:44:17,800 --> 00:44:22,480 Speaker 1: team is Danielle Romo and Lorraine viz. Our music supervisor 726 00:44:22,600 --> 00:44:25,680 Speaker 1: is Randall poster Our talent booking is by Jane Sarkin. 727 00:44:25,920 --> 00:44:30,560 Speaker 1: Special thanks to Amy Sugarman, Uni Share, Kevin Uvane, Bobby Bauer, 728 00:44:30,719 --> 00:44:34,280 Speaker 1: Alison Cantor, Graber Barber and Jen Jen and Jeff Klein 729 00:44:34,440 --> 00:44:36,399 Speaker 1: and the staff at the Tower Bar in the world 730 00:44:36,480 --> 00:44:40,120 Speaker 1: famous Sunset Tower Hotel. For more podcasts from I Heart Radio, 731 00:44:40,440 --> 00:44:43,800 Speaker 1: visit the I Heart Radio app, Apple Podcast, or wherever 732 00:44:43,880 --> 00:44:45,520 Speaker 1: you listen to your favorite shows,