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Speaker 1: Big Man and DJ Screen bring you the hottest podcast

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Speaker 1: in the streets. Visit the new website today www dot

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Speaker 1: Big fact spot dot com Live first Class Sounds. You

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Speaker 1: know what it is, DJ Screen, Big Bang, Baby Jay,

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Speaker 1: this is Big Facts. We have a special guest today.

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Speaker 1: I think it is safe to call him the hottest

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Speaker 1: producer in the game because I can't think of a

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Speaker 1: producer hot in the game right now. Give it up

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Speaker 1: at l Jacob on Big Facts. Good man, what's something

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Speaker 1: I keep running into you? Man? I think that's good

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Speaker 1: fortune and good favor because you're doing some amazing things.

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Speaker 1: Definitely just working working my way out from different mindsets

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Speaker 1: to the next level. What what? Why? Why production? Because

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Speaker 1: I feel like, you know, everybody's like you're talented, your intelligent,

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Speaker 1: all that good ship. Like why production for you? Like

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Speaker 1: when you was coming up, why was it that the

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Speaker 1: thing that you said, I want to kind of just

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Speaker 1: mesh with it and make history. Actually I was rapping first,

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Speaker 1: and um this was a round time player CARDI actually

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Speaker 1: started rapping. I was in high school. I wanted to

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Speaker 1: wrap on my own beats. I didn't want to use

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Speaker 1: YouTube beats, so I was like, man, I want to

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Speaker 1: I want to make beats that I can wrap for

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Speaker 1: and that's why I started producing. So you started producing

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Speaker 1: to make the beats for yourself. Yeah, but didn't you

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Speaker 1: I'm sorry, didn't you like get a background for knowing

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Speaker 1: the different instruments and stuff like that because you went

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Speaker 1: the marching band. Yeah? I was in marching bad from

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Speaker 1: uh six I joined. I was actually playing with the

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Speaker 1: high school marching band since sixth grade. So yeah, I

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Speaker 1: actually just you were like advanced. Yeah, I was advanced

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Speaker 1: and bad. I was first cheering everything like over the

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Speaker 1: older and I actually just donated ten thousand to the

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Speaker 1: to my band. To my high school. Bad school was

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Speaker 1: a creasy high school. Yeah, okay, headed out where you

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Speaker 1: come from, Like what's side time? South side? You know,

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Speaker 1: uh Old National, say, the Union City, all of that

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Speaker 1: down there. So you know most kids down there with

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Speaker 1: the creek side or banners now not West Late. That's

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Speaker 1: when the rich kids went to the He's ready with

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Speaker 1: your mom and dad just my mama, my uh my

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Speaker 1: dad was always moving around and stuff, you know, So

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Speaker 1: I just didn't work out, you know how they go

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Speaker 1: how your relationship Now we're cool. I talked to him sometime.

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Speaker 1: You'd be like your owner soon. No, I don't nobody, man, oh,

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Speaker 1: my mama, everything not for sure? Your dad yeah all

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Speaker 1: the time. You know, throw a couple of Huntred got

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Speaker 1: siblings sid some of us and told them on my

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Speaker 1: mama's side and my dad. I can't even tell you

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Speaker 1: how many kids he got. I don't know. I know

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Speaker 1: I met one, I don't know the rest. What was

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Speaker 1: what was your first okay, what was your first like

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Speaker 1: I guess you could say local hit, and what was

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Speaker 1: your first big hit that reached like gold and black status?

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Speaker 1: My first local here I say, like spend the block. Yeah,

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Speaker 1: it's spend the block, Grandy Crib with dirt, spending block

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Speaker 1: with the Dirk comcludo. Uh in my mainstream you know, super,

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Speaker 1: I feel like, well they say it was I and

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Speaker 1: then but I say, like to me, I feel like

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Speaker 1: it was super because that's that's so When when you

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Speaker 1: was making these beats for yourself, when when when did

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Speaker 1: it hit you that, man, I had to start giving

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Speaker 1: some of these beats to some other people because it's

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Speaker 1: that ship gonna make some income. Um. Actually what happened?

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Speaker 1: I always felt like my beats wasn't ready. I was like, man,

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Speaker 1: I don't want tobody hear these yet, like maybe like

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Speaker 1: first in my hood and said, I used to be like, man,

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Speaker 1: listen to it. I just made this. That's like in

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Speaker 1: the beginning. But like I always felt like I was

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Speaker 1: never ready yet, Like even even like now, I still

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Speaker 1: be like, man, I need to go harder. So I

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Speaker 1: always felt like nobody was ready to wrap on my

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Speaker 1: beats here because I was still perfected it. But it

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Speaker 1: came to the point where people was hearing my beats

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Speaker 1: they wanted it. So by the time I met Casino,

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Speaker 1: and I was still felt like I wasn't ready. I

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Speaker 1: met Casino, Casino was hopping on everything. So then that's

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Speaker 1: when you took me PLU and I was like, well,

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Speaker 1: I gotta gotta turn up faster even more because I

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Speaker 1: still feel like it ain't ready. You're in the game now, yeah, yeah,

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Speaker 1: in fact, so how is that? How is that moment? Man?

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Speaker 1: Like the phone line changes. I'm sure you still get

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Speaker 1: your homies and your family and all that ship, but

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Speaker 1: now the phone and adn't given moment can be your call.

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Speaker 1: I d will read Future or Drake or Kanye or

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Speaker 1: whoever else is calling your phone, Like, yeah, thats kind

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Speaker 1: of surreal and how you deal with it. At first,

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Speaker 1: it used to be like damn bro calling, let me

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Speaker 1: answer this. They would be like, oh yeah bro calling ship.

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Speaker 1: Okay I am Sometimes I missed the call, you know,

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Speaker 1: always hit him back, always still be humble. It's just um.

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Speaker 1: But that anxiety of like, oh my god, isn't It's

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Speaker 1: like it's not there like it used to be, like yeah,

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Speaker 1: back then it was like the future calling me, he

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Speaker 1: wants a beats man, let me make gonna pull up

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Speaker 1: right now. Like sometimes I when you have beats ready,

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Speaker 1: I'm he'll's coming to pull up a song and I

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Speaker 1: make like ten beats and like and like two hours

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Speaker 1: right before I pull up on and be like man

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Speaker 1: and he'll go crazy on the whole path. How did

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Speaker 1: it feel like getting your first hit? Like it's still

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Speaker 1: motivates me to go harder now. I feel like because

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Speaker 1: you know, like when you get your first hit, it

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Speaker 1: would be so many people chasing that money. Like they say,

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Speaker 1: you can't make a hit until everybody coming for the check.

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Speaker 1: So like you got this person saying they did this,

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Speaker 1: this person saying they did that, and then just sucking

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Speaker 1: up the money or like not sucking it up. I'm

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Speaker 1: really just holding it back, like where you gotta wait longer.

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Speaker 1: So it's like, Dawn, I gotta go even harder. Get

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Speaker 1: another hit, because this money can take a long time

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Speaker 1: because you folks saying this and then then like you

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Speaker 1: get another hit. You got another person saying something. You know,

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Speaker 1: like you think you don't did the business perfect, it's

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Speaker 1: like they're another one. So now I feel like I

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Speaker 1: get another hit. So when you say like like these

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Speaker 1: folks are saying this, you mean like other people are

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Speaker 1: staking claim to helping you make the beat. Yeah. Yeah,

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Speaker 1: That's why I rarely used loops unless it's like I

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Speaker 1: was there and when they made it, or I just

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Speaker 1: know for sure that they did it. Because the business

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Speaker 1: it would be like stuff for like up and coming producers.

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Speaker 1: You'll give them a chance and like they it will

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Speaker 1: be like, man, I need eight thousand advance and it's

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Speaker 1: the first placement, and they'd be like, what burn my

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Speaker 1: first place and I got a thousand others. Yeah, So

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Speaker 1: it's like the business of it just makes you want

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Speaker 1: you know, I want to work with only people that

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Speaker 1: you're familiar with. That's why it's that's why I just

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Speaker 1: think in the circle with my producers. Yeah, that's what

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Speaker 1: I was just about to ask you. So do you have, like, um,

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Speaker 1: a team of producers that you work with that like

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Speaker 1: kind of helped rejuvenate your creativity. Yeah, it's um, we

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Speaker 1: can many family my label. It's UM we got like producers. Yeah,

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Speaker 1: I'd like eleven of them in total, but they're all

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Speaker 1: doing good, so we just got to get them to

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Speaker 1: do great. Fat. Yeah, you collad with another producer, like

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Speaker 1: another popular producer, um, yeah, but don't be like the

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Speaker 1: homies like you know Meto Southside, don't like my brothers

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Speaker 1: T M D Y. But outside of that, I never can.

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Speaker 1: I never collad one another big producer if you had,

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Speaker 1: if you had one collab you can collad with, But

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Speaker 1: who would it be? Well? Coming up always one of

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Speaker 1: my sound sound like Metro, So I would have said Metro,

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Speaker 1: but like we already yeah, so m I say like

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Speaker 1: maybe uh, maybe Templary, Oh definitely Manny Fresh too. Yeah. Man.

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Speaker 1: So let me ask you this because a lot of

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Speaker 1: people that aren't from Atlanta and that aren't familiar probably

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Speaker 1: want to know how did you come up with your

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Speaker 1: famous producer tag Um. It was actually a young school.

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Speaker 1: Who came up? What did he? Uh? He had a

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Speaker 1: song called Real Talk. That first thing he said, a

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Speaker 1: TL Jacob ETL Jacob shout up to the ox, so

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Speaker 1: I knew those the tag soon as he did it.

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Speaker 1: Just start throwing all the beats, shout out of the street,

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Speaker 1: Oh God. And one of the most touchiest moments and

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Speaker 1: with shouts of sunny digital what he was here? We

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Speaker 1: talked about it. But one of the most touchiest moments

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Speaker 1: as a producer is when you get that call from

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Speaker 1: them fouls and the stems and all that ship. So

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Speaker 1: how does a T. L. Jacob balance that? Because sometimes

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Speaker 1: you got the homies men, I need, I need to

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Speaker 1: make you man, sent the fouls, sent the stems, and

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Speaker 1: then some producers like, hell no, I ain't. It ain't

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Speaker 1: gonna happen. And sometimes that's strange relations and ship. So

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Speaker 1: how do you deal with it? Uh? Sometimes, to be honest,

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Speaker 1: I hate sending the fouls because they never knowlready missed

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Speaker 1: my beats. So my my secret, and I'm about to

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Speaker 1: gift to everybody, is I missed my own beats and

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Speaker 1: I sitting in the wave foul, So it's still hits.

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Speaker 1: That's why, right, on still hits the way and it

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Speaker 1: sounds like it sound like the way when I made it,

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Speaker 1: because I'm not getting them fouls just in case they

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Speaker 1: need him. We're not using fouls on them. Find the Master,

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Speaker 1: my my Way foul. Yeah. That's so when it comes

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Speaker 1: to sending fouls, it's just yeah, Like to be honest,

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Speaker 1: like me and Pluto Learning, we use two tracks the

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Speaker 1: whole album to track, just we don't need fouls no more.

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Speaker 1: That's like, that's like going by the books, man, we

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Speaker 1: go by vibe. Yeah, and it hit every time. What

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Speaker 1: what what do you think because you're artists as well, Like,

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Speaker 1: what do you think is some of the formal of

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Speaker 1: the producers or artists falling off with some of the

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Speaker 1: things that you think happens to make them fall off.

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Speaker 1: I feel like sometimes they go by the books by saying,

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Speaker 1: like a lot of artists, especially well, I'm gonna say

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Speaker 1: like a lot of upcoming artists, they go, Okay, I'm

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Speaker 1: starting this song, what's the hook? First? What does the

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Speaker 1: beat sound like? You don't even need a hook, so

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Speaker 1: you're just forcing the hook, and then you you're just

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Speaker 1: doing bars and you're calling these eight bars the hook

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Speaker 1: because you just said something. You form at it as

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Speaker 1: a hook and that's not even like there's not even

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Speaker 1: a vibe of the song. So sometimes they will mess

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Speaker 1: up the whole song because they're thinking that's the hook,

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Speaker 1: and it's like, sometimes you don't need a hook. Sometimes

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Speaker 1: your hook might come after the verse. Sometimes the hook

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Speaker 1: might come sit steen bars later exactly, and it's just

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Speaker 1: a vibe. Is all about the vibe of the song.

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Speaker 1: So that's why a lot of upcoming artists mess up.

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Speaker 1: And where the upcoming producers messed up is they don't

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Speaker 1: produce records. They just make the beating let the artist.

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Speaker 1: They don't think about the entire total picture of the

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Speaker 1: whole entire ship. Yeah, and that's where and and that's

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Speaker 1: that's not what you want to do, because what you

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Speaker 1: want to do is like work so great where it's

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Speaker 1: like the rappers calling you back, like come back, I

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Speaker 1: need you, like where they actually need you instead of

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Speaker 1: where they just want you. I want you to send

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Speaker 1: some ship and then like that's it. That's why I like,

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Speaker 1: I respect every artist that like that respects the way

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Speaker 1: I worked, Like Blue though he was the first one

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Speaker 1: to you know, to really let me work high work

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Speaker 1: and like, play with songs, not play with him, you know,

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Speaker 1: do my thing on the songs instead of him just

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Speaker 1: saying this is the song. If he ever said this

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Speaker 1: is the song, he probably gave me the session to

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Speaker 1: do something with it. Yeah, that's why I always respecting

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Speaker 1: him for that, but respect your insight into the whole crafty.

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Speaker 1: And it makes me and and like, that makes it

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Speaker 1: hard for me to work with up and coming artists

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Speaker 1: because a lot of these artists don't listen. They just

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Speaker 1: want to rap and they don't want to make songs.

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Speaker 1: I'll be like, man, I'm trying to make songs, and

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Speaker 1: I don't understand that. It's both of your songs collected effort,

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Speaker 1: Like my beat, you just putting the lyrics on it,

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Speaker 1: but I know I know what I hear on my beat. Yeah,

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Speaker 1: And they will never understand that. They just think everything

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Speaker 1: they think is right because they made a uh a

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Speaker 1: little a small accumulated song that's going crazy a little

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Speaker 1: bit and it's bigger than that. You want to, Yeah,

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Speaker 1: you want to song that's gonna like stick forever, like

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Speaker 1: stick for a long time and least yeah, so you

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Speaker 1: so you brought the idea already with um with the

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Speaker 1: girl already on the wait for you. Yeah. Yeah, so

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Speaker 1: that's actually one of my favorite songs. It's called higher

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Speaker 1: Yeah so. Uh when I sampled it, fan z said

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Speaker 1: it would have chopped up on it already, but I

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Speaker 1: just placed it around differently. I was like, man, so

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Speaker 1: I was treating the vocals as a song already. That's

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Speaker 1: why when Pluto was like he heard the song, he

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Speaker 1: just listened to the when he heard the beat, just

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Speaker 1: listen to beat a much straight without wrapping on it,

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Speaker 1: because they already sounded like a song. So he just

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Speaker 1: we are new as a smashes because of the vibe

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Speaker 1: of it. That's but that's like my favorite beat I

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Speaker 1: ever made so far. What's your dream feature? My dream feature?

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Speaker 1: You got it? I ain't got it yet. Wow, I'm

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Speaker 1: gonna get it though. Uh you know how crazy that

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Speaker 1: would be? Yeah? Right, exactly, exactly sure, Like Jacob, are

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Speaker 1: you serious right now? Imagine justin Bieber to imagine or

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Speaker 1: it's already imagined. Yeah, facts right, Like that's gonna be

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Speaker 1: a vibe. It's gonna be a little minute, but it's coming.

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Speaker 1: It's coming now, damn it. You are right? Just might

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Speaker 1: be what are he going to night just to be outside.

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Speaker 1: O god, I know that's coming real soon. Have you

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Speaker 1: have you planned as a producer your next sound, because

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Speaker 1: a lot of producer homies tell me one frustrating part

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Speaker 1: is that when you create a sound, obviously the upcoming

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Speaker 1: producers they all So if you already planning your next sound, yeah,

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Speaker 1: my next sound was the way for you vibe. Man,

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Speaker 1: It's like I'm making a new sound. We already made it. Uh,

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Speaker 1: I'm just finding the right vibe of artists to get

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Speaker 1: on it where it just sounds like where it's just

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Speaker 1: a masterpiece because you don't want to get the wrong

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Speaker 1: person on it. But I got some stuff, some crazy stuff,

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Speaker 1: and it's like it's simpler than you think. You're just

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Speaker 1: a vibe though. So I've definitely been practicing. I take

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Speaker 1: breaks from making beats to get my mom right to

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Speaker 1: make the next way. So that's what I want. Everything

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Speaker 1: I do. I'm making the next way. I'm make a

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Speaker 1: tent packing this way, ten packing the next way, tim

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Speaker 1: packing the next way. Keep going. They said, any else,

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Speaker 1: we're not get big. You got kids it, Yeah, I

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Speaker 1: got three of them. You feel like you want your

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Speaker 1: kids being music. They love music. That's a crazy thing,

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Speaker 1: like since they were since they was like months old.

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Speaker 1: Like my daughter she used I used to make beats.

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Speaker 1: She'll be dancing while I make beat, Like she couldn't

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Speaker 1: even walt me dancing. And my son hill ratch, he'd

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Speaker 1: be like doing this. One'll be having him with uh

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Speaker 1: hind he played with hinders a little bit sometimes and

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Speaker 1: uh he was trying to teach hinders how to wrap im.

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Speaker 1: So he just got the swag already. So I know

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Speaker 1: what he's gonna do. Uh he like to chose the one. Yeah, Yeah,

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Speaker 1: what's the best and the worst thing about your success?

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Speaker 1: At this point, you believe, I mean the worst the

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Speaker 1: worst thing is always the entitlement. But if you don't

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Speaker 1: got people feeling entitled to your success, then you ain't

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Speaker 1: doing it right. Because everybody want to sing, everybody want

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Speaker 1: to be part of the winning team, so that means

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Speaker 1: that you're doing something right. So it's like the worst thing,

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Speaker 1: but then it's you gotta look at it as a

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Speaker 1: good thing because they entitled because you're doing it right. Then,

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Speaker 1: Like the best thing to my success is seeing how

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Speaker 1: far I'm going versus how far I can go, Like

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Speaker 1: keep reaching out to go further so like, what's your

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Speaker 1: the whole like relationship status right now? I got like,

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Speaker 1: judging from the freestyle he came to my showing spit,

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Speaker 1: that's a wild boy. Yeah what was that line? What's

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Speaker 1: the one I'm gonna make him do something and do

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Speaker 1: something with so and so and something. Yeah this man?

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Speaker 1: Why oh yeah? It's like my god, because it's like

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Speaker 1: like the way I look at the relationship, you know,

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Speaker 1: he keeping around, keeping around, Not the way little bush

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Speaker 1: he feln't tell you what it is man, The way

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Speaker 1: I look at relationship, like it's not about entitlement, like

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Speaker 1: feeling like I own you. It should be like I'm

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Speaker 1: adding on to your happiness. So it's not like I'm

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Speaker 1: trying to control you. Like like growing up like I don't,

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Speaker 1: it's been crazy ship like where like I'll be fuking

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Speaker 1: with the girls, you know, for all my partners and

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Speaker 1: I ain't even know and I found out later, but

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Speaker 1: like at that time, I'm in high school, so that

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Speaker 1: type of ship would be like, damn, bitch, you could

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Speaker 1: have told me. But now it's like not that I

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Speaker 1: expect that from a girl. But like if that happened,

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00:17:14,720 --> 00:17:16,720
Speaker 1: it like ship, what it did? Man? So I still

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Speaker 1: funt with you for you rather you whole. It could

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Speaker 1: be a girl selling pussy like if she's a great person,

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Speaker 1: I'm gonna still funk with her, like because that's you,

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Speaker 1: but not saying I'm a cover liken the You're gonna

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Speaker 1: be my little friend. Like so it's like I just

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Speaker 1: know me, And relationships right now is probably like beet

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Speaker 1: locking in like just ain't the thing right now, But

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Speaker 1: being a having a genuine friend that's or a genuine

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Speaker 1: friend or two next to you, like yeah, you know,

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Speaker 1: benefit takeing wrong, trip bound or something you know, or

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Speaker 1: like god, just vibing with each other. That's like more

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Speaker 1: of the thing because it's more of like finding the

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Speaker 1: girl who understands you as a man and that you successful.

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Speaker 1: So like as long as yeah, that's what it should be.

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Speaker 1: As long as y'are vibing and happy with each other,

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Speaker 1: that's all. It shoudn't matter. It shouldn't matter like nothing else. Yeah,

335
00:18:12,000 --> 00:18:14,480
Speaker 1: Like if I'm working with you, I ain't gonna get

336
00:18:14,520 --> 00:18:17,520
Speaker 1: mad if you like would have nothing to get like

337
00:18:17,760 --> 00:18:19,639
Speaker 1: that that's what you chose to do. So I get it,

338
00:18:19,680 --> 00:18:22,360
Speaker 1: like I ain't tripping, but ship you might not get

339
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Speaker 1: treated the same, but like as they're like what I'm doing,

340
00:18:25,480 --> 00:18:27,840
Speaker 1: but like I'm still in a long term. Yeah, in

341
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Speaker 1: the long term, but I'm still a funk with you

342
00:18:30,000 --> 00:18:32,359
Speaker 1: for you because you're a great person. But like so

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Speaker 1: if you ever see me, I don't get discouraged because

344
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Speaker 1: I still love you to say just like, don't get discouraged.

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Speaker 1: I should love you to say, just I'm vibing right

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Speaker 1: here for now. I would see you later because you

347
00:18:43,600 --> 00:18:45,800
Speaker 1: were vibing right there and I didn't have a problem

348
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Speaker 1: with this. Yeah yeah, yeah. People say keeping the player,

349
00:18:50,760 --> 00:18:53,240
Speaker 1: keeping it p I just say, man being yourself. Yeah,

350
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Speaker 1: letting female sept for them, that's your story where he

351
00:18:59,280 --> 00:19:01,080
Speaker 1: is now, Like my yes, from now, he can have

352
00:19:01,119 --> 00:19:06,919
Speaker 1: a completely different story. Like there's just one and that's

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Speaker 1: just because I saw like some little I saw some

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Speaker 1: little um some little stuff like on the blogs, maybe

355
00:19:13,560 --> 00:19:17,560
Speaker 1: about one girl that you were in love with. Then

356
00:19:17,560 --> 00:19:21,879
Speaker 1: now you're maybe having a couple of issues. Yeah you

357
00:19:21,920 --> 00:19:23,720
Speaker 1: know what I mean. So you wanna you want to

358
00:19:23,720 --> 00:19:26,160
Speaker 1: talk about that or we want to I break that down,

359
00:19:26,200 --> 00:19:28,760
Speaker 1: so like because you got call on names or no

360
00:19:28,840 --> 00:19:30,879
Speaker 1: ship like that, but just you know, speak on the

361
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Speaker 1: situation because we're all aware. So so we're gonna call

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Speaker 1: the first girl girl one for the second one girl too.

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Speaker 1: So okay, so they got it missed up. I was

364
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Speaker 1: what girl wanted for almost two years. So we um,

365
00:19:47,800 --> 00:19:50,600
Speaker 1: you know, she caught me cheating and stuff this and that,

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Speaker 1: and we we broke up like maybe for for five

367
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Speaker 1: months after I said she couldn't get over, but we

368
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Speaker 1: know what really happened. She turned up. I wanted to

369
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Speaker 1: see what's outside, and it's like, you can't come back

370
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Speaker 1: after that. You can't come back inside once you go outside. Yeah,

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00:20:05,600 --> 00:20:08,920
Speaker 1: but like not saying we can't be cool, it's just this,

372
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Speaker 1: ain't you So it's like once you dick bit Yeah yeah, god,

373
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Speaker 1: hey man, but I ain't tripping I was. I want

374
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Speaker 1: to tripping about it. It's just like if that's what

375
00:20:25,680 --> 00:20:28,720
Speaker 1: you choose, like then go that route, like not saying

376
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Speaker 1: like I'm gonna hate you. I'm still a funk with you,

377
00:20:31,000 --> 00:20:33,960
Speaker 1: but not the way I was, Not the way I was. Yeah,

378
00:20:34,840 --> 00:20:37,439
Speaker 1: So now then it's like having a girl, like how

379
00:20:37,480 --> 00:20:40,280
Speaker 1: the girl to get in the mix. I actually met

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Speaker 1: her in Miami, um way after we broke up, like

381
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Speaker 1: after my birthday actually this year, um earlier this year.

382
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Speaker 1: So man, Miami. We just vibe off back like since

383
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Speaker 1: the first day and we were just kicking it. So

384
00:20:53,160 --> 00:20:57,440
Speaker 1: Drake Drake had rented me to his house. He was

385
00:20:57,560 --> 00:21:01,800
Speaker 1: house house like crazy like, so I just had to

386
00:21:01,840 --> 00:21:03,600
Speaker 1: stay at the house and I flew my mama down there.

387
00:21:03,680 --> 00:21:05,920
Speaker 1: So we had the house vibing for like a good

388
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Speaker 1: week and we were just you know, Valentine's. They came up.

389
00:21:12,160 --> 00:21:14,560
Speaker 1: Some stuff happened when in the in the d M

390
00:21:14,680 --> 00:21:19,000
Speaker 1: s and I was, yeah, so I ain't going to

391
00:21:19,119 --> 00:21:23,639
Speaker 1: Jamaica and you to a girl three. No, it was

392
00:21:23,720 --> 00:21:27,879
Speaker 1: girl girl Too Jamaica, and like the blocks picked up

393
00:21:27,880 --> 00:21:29,760
Speaker 1: on it. But they never knew what they were talking

394
00:21:29,760 --> 00:21:31,480
Speaker 1: about because they were saying that I cheated on a

395
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Speaker 1: Girl one with Girl Too, when you actually new Girl

396
00:21:34,000 --> 00:21:36,359
Speaker 1: Too from the beginning a new Girls. I met a

397
00:21:36,359 --> 00:21:38,320
Speaker 1: girl too after we broke up. Oh but you never

398
00:21:38,400 --> 00:21:40,440
Speaker 1: cheated because you guys a girl you and Girl one

399
00:21:40,480 --> 00:21:43,600
Speaker 1: were already like pretty much done. Yeah, so they was,

400
00:21:43,960 --> 00:21:47,639
Speaker 1: so they never knew, but they you know, I how

401
00:21:47,720 --> 00:21:49,840
Speaker 1: the blogs go, They always met stuff up. But yeah,

402
00:21:49,840 --> 00:21:52,159
Speaker 1: they stretched it to the max for no reason. But

403
00:21:52,960 --> 00:21:55,439
Speaker 1: I mean me and girl two weeks we're good. We're close.

404
00:21:56,400 --> 00:22:09,240
Speaker 1: You know that's that's like a wild boy she taught prospect.

405
00:22:09,600 --> 00:22:14,840
Speaker 1: Yeah basically, Yeah, she definitely priorities. Girl, tell you know

406
00:22:14,880 --> 00:22:17,680
Speaker 1: who you are man, you need to typen up. Yeah,

407
00:22:17,720 --> 00:22:20,440
Speaker 1: so she she's a great girls. I feel like she

408
00:22:20,560 --> 00:22:23,960
Speaker 1: just added on to me. You know, that's and we

409
00:22:23,960 --> 00:22:28,280
Speaker 1: don't need no exclusive ship because we u and it's

410
00:22:28,359 --> 00:22:32,080
Speaker 1: great vibe. That's just life stuff. That's just life stuff.

411
00:22:32,200 --> 00:22:35,080
Speaker 1: But she understands me as a man, like that's what,

412
00:22:35,240 --> 00:22:39,800
Speaker 1: that's what and that shows her maturity and like and

413
00:22:39,880 --> 00:22:44,879
Speaker 1: like really understanding the man facts. What if he was

414
00:22:44,920 --> 00:22:48,120
Speaker 1: on some other bullshit like just lying to the female

415
00:22:48,640 --> 00:22:51,359
Speaker 1: stringing them alone. You gotta respect to that man telling

416
00:22:51,840 --> 00:22:54,960
Speaker 1: his truth and where he is right now. Yeah, like yeah,

417
00:22:55,240 --> 00:22:57,040
Speaker 1: like my as like that really taught me, like not

418
00:22:57,160 --> 00:22:59,359
Speaker 1: a lot of girls no more so it's like I

419
00:22:59,440 --> 00:23:01,240
Speaker 1: tell like me girl telling what it is, not like

420
00:23:01,320 --> 00:23:03,680
Speaker 1: I'm just out here a lot of holes, car, I'm

421
00:23:03,680 --> 00:23:06,240
Speaker 1: really not Like after my break up really made me

422
00:23:06,280 --> 00:23:08,760
Speaker 1: look at like a lot of these bits like right bad,

423
00:23:08,840 --> 00:23:10,800
Speaker 1: this is what made me look at him like I

424
00:23:10,800 --> 00:23:13,080
Speaker 1: don't even want to even And that's just like the vibe.

425
00:23:13,160 --> 00:23:17,080
Speaker 1: So that could that could that could play a part

426
00:23:17,080 --> 00:23:18,880
Speaker 1: of that. What was talking about the earlier following off

427
00:23:18,880 --> 00:23:22,000
Speaker 1: to just getting too overconsumed into what you have access to?

428
00:23:22,080 --> 00:23:24,440
Speaker 1: That because I was got plenty of access, but don't

429
00:23:24,440 --> 00:23:27,639
Speaker 1: mean you gotta use all the access facts, I mean

430
00:23:28,520 --> 00:23:30,800
Speaker 1: too many like little famous ship that dar me, I

431
00:23:30,840 --> 00:23:34,560
Speaker 1: don't even spun unless I gotta know you in person.

432
00:23:34,600 --> 00:23:36,560
Speaker 1: Maybe if we're in person and maybe you know you'd

433
00:23:36,560 --> 00:23:38,840
Speaker 1: be one. So with some of the should you do

434
00:23:38,880 --> 00:23:43,320
Speaker 1: to stay focusing grounded and humble and ship? Um? Actually,

435
00:23:44,000 --> 00:23:45,879
Speaker 1: I think when keating your humble is my drive to

436
00:23:46,119 --> 00:23:49,040
Speaker 1: um want more because I always feel like I don't

437
00:23:49,119 --> 00:23:51,280
Speaker 1: don't do enough, Like yeah, I got number one on

438
00:23:51,320 --> 00:23:53,800
Speaker 1: the charts, I got nine songs on the billboard, but

439
00:23:54,520 --> 00:23:57,119
Speaker 1: I want more. So it's like I gotta go harder

440
00:23:58,240 --> 00:24:00,639
Speaker 1: and I ain't gonna stop till I get all the

441
00:24:00,680 --> 00:24:05,480
Speaker 1: songs on the charts. Hundred mm. Yeah, it's hard. You're

442
00:24:05,480 --> 00:24:09,840
Speaker 1: in the right company, Yeah, I mean I'm only twenty three.

443
00:24:10,119 --> 00:24:11,960
Speaker 1: I got now per cent of the charts, so I

444
00:24:11,960 --> 00:24:13,640
Speaker 1: feel I could do I can get a hundred percent

445
00:24:13,680 --> 00:24:18,560
Speaker 1: of charts at least fifty. I don't make its possible here,

446
00:24:18,640 --> 00:24:20,840
Speaker 1: you put your minds over for real. Definitely, what's some

447
00:24:20,920 --> 00:24:25,480
Speaker 1: ship you got coming up that people might not know? Um?

448
00:24:25,520 --> 00:24:28,560
Speaker 1: I got, of course, you know the Kanye songs coming

449
00:24:28,560 --> 00:24:31,800
Speaker 1: out on his album. I got a single with Gucci

450
00:24:31,880 --> 00:24:35,400
Speaker 1: Man that me and thirty Rock did. I got, Uh,

451
00:24:36,080 --> 00:24:39,000
Speaker 1: me and cord ain't been locked in. We um we

452
00:24:39,040 --> 00:24:41,159
Speaker 1: have to make some good music. He called it the

453
00:24:41,200 --> 00:24:45,720
Speaker 1: Grammar Grammy nominated album. So mostly gonna be produced by me.

454
00:24:45,800 --> 00:24:50,119
Speaker 1: So that's that's my focus right now. On the Cornea album.

455
00:24:50,200 --> 00:24:53,399
Speaker 1: What artists would you bring back that has passed away

456
00:24:54,680 --> 00:24:57,040
Speaker 1: back to life the work? It's it's it's for sure.

457
00:24:58,119 --> 00:25:02,080
Speaker 1: That's probably hard to X and J man. What I

458
00:25:02,400 --> 00:25:04,879
Speaker 1: don't I ain't never cried with nobody died but I

459
00:25:04,920 --> 00:25:07,359
Speaker 1: didn't even know that man. But I really broke down

460
00:25:07,400 --> 00:25:13,000
Speaker 1: like that was crazy because Bro was like, uh, putting

461
00:25:13,000 --> 00:25:15,720
Speaker 1: out you know, positivity, no matter his past. He was

462
00:25:15,720 --> 00:25:19,040
Speaker 1: still putting out like positive vibes and stuff. So then

463
00:25:19,080 --> 00:25:21,879
Speaker 1: away Brodad was on the street ship when he was

464
00:25:21,880 --> 00:25:26,280
Speaker 1: just going there to go by motorcycle. Yeah, but like

465
00:25:26,440 --> 00:25:29,280
Speaker 1: you know, ship happens. That would be definitely like one

466
00:25:29,320 --> 00:25:32,800
Speaker 1: out bringing back to work with he uh, he definitely

467
00:25:32,840 --> 00:25:37,680
Speaker 1: like he didn't even comparable. He like, uh, I don't

468
00:25:37,680 --> 00:25:39,760
Speaker 1: even know what's the big artist like which is different?

469
00:25:39,800 --> 00:25:45,520
Speaker 1: Like uh, you said Michael Jackson types like he definitely

470
00:25:45,600 --> 00:25:48,359
Speaker 1: like he definitely was gonna be one of the greats. No,

471
00:25:48,560 --> 00:25:50,439
Speaker 1: he I didn't know how hard he was he passed.

472
00:25:50,480 --> 00:25:54,680
Speaker 1: I felt bad about every song on his album Multi

473
00:25:54,840 --> 00:25:59,639
Speaker 1: it's multi platinum, every song like from song once to nine,

474
00:25:59,720 --> 00:26:03,960
Speaker 1: like every song multiple platinum. So that's big. And it's

475
00:26:04,000 --> 00:26:07,240
Speaker 1: his first album. Who to goat to you like in

476
00:26:07,320 --> 00:26:11,320
Speaker 1: the wrap ship right now in the wrap like completely overall.

477
00:26:13,800 --> 00:26:17,959
Speaker 1: That's a hard one because it's like, honestly, it's like

478
00:26:18,440 --> 00:26:21,080
Speaker 1: what to me is like out of Kanye and Drake.

479
00:26:21,160 --> 00:26:24,320
Speaker 1: It's like Kanye just because of creativity, and then what

480
00:26:24,440 --> 00:26:27,120
Speaker 1: he did in the fashion world just him, just him

481
00:26:27,160 --> 00:26:29,639
Speaker 1: overalls and business man then it's drape because the charts

482
00:26:29,800 --> 00:26:32,960
Speaker 1: man don't be running the charts over a decade. So

483
00:26:33,680 --> 00:26:37,360
Speaker 1: if I had to pick one, it will be uh,

484
00:26:37,520 --> 00:26:39,719
Speaker 1: I can't even really pick. It's like it's like they

485
00:26:39,880 --> 00:26:45,480
Speaker 1: it's like the good business move. It's two different, two

486
00:26:45,520 --> 00:26:48,160
Speaker 1: different day up there in two different, two different ways

487
00:26:48,160 --> 00:26:52,080
Speaker 1: like businessman art and then with Draco businessman too. So

488
00:26:52,520 --> 00:26:56,439
Speaker 1: you can't forget about your face. Definitely yeah, and then

489
00:26:56,920 --> 00:27:01,280
Speaker 1: definitely flute up for show that man running like man,

490
00:27:01,400 --> 00:27:04,200
Speaker 1: I'm like you can running Atlanta for minute? And then

491
00:27:05,040 --> 00:27:07,240
Speaker 1: baby one of my favorite appitude that man hard but

492
00:27:08,359 --> 00:27:12,600
Speaker 1: greats overall, Like that's crazy. Ye, So lifestyle ship, your

493
00:27:12,680 --> 00:27:15,280
Speaker 1: day has just started. What's the ship Jacob got to have?

494
00:27:16,080 --> 00:27:18,359
Speaker 1: Like just around or just ship you gotta have for

495
00:27:18,400 --> 00:27:21,000
Speaker 1: your day to go right from top to bottom, Like

496
00:27:21,080 --> 00:27:22,680
Speaker 1: the first thing you do when you wake up, got

497
00:27:22,680 --> 00:27:26,920
Speaker 1: to have is jewelry and mall certain female whatever. You

498
00:27:26,960 --> 00:27:30,960
Speaker 1: know what I'm saying, um my day to day definitely

499
00:27:31,000 --> 00:27:33,960
Speaker 1: like at least make beats at least once to day,

500
00:27:34,040 --> 00:27:36,760
Speaker 1: even if I don't, at least write some right lyrics

501
00:27:36,960 --> 00:27:42,240
Speaker 1: write music, So do music every day? Yeah, definitely, Um,

502
00:27:42,280 --> 00:27:44,600
Speaker 1: I really be chilling, honestly, I fly out a lot

503
00:27:44,800 --> 00:27:47,119
Speaker 1: on beards in Atlanta. So so what some like some

504
00:27:47,160 --> 00:27:49,760
Speaker 1: ship you like to do in your free time to

505
00:27:49,920 --> 00:27:52,320
Speaker 1: like have fun or like to wind down and relax

506
00:27:52,400 --> 00:27:56,000
Speaker 1: and enjoy yourself now like bowling anything you want to

507
00:27:56,000 --> 00:28:01,760
Speaker 1: get him with bowling? Man called me like, uh, I

508
00:28:01,840 --> 00:28:05,760
Speaker 1: like driving fast at right? So I just like driving.

509
00:28:06,000 --> 00:28:09,080
Speaker 1: You know you're gonna track sometimes drive fast. Yeah, yeah,

510
00:28:11,080 --> 00:28:16,320
Speaker 1: that's about it. What's your favorite food mm hmmm, I'm

511
00:28:16,320 --> 00:28:19,080
Speaker 1: wonna say a favorite foods, a favorite restaurant. It's probably

512
00:28:19,720 --> 00:28:26,120
Speaker 1: Commodo in Miami. Yeah, yeah, yeah, And they're having some

513
00:28:26,480 --> 00:28:29,560
Speaker 1: bad ship. And that's the first time you spent a

514
00:28:29,560 --> 00:28:31,359
Speaker 1: lot of money on. You got your first check, my

515
00:28:31,440 --> 00:28:33,480
Speaker 1: first check I think I spent. I was in London.

516
00:28:33,520 --> 00:28:36,160
Speaker 1: I had gout like a hundred, ten thousands something like that.

517
00:28:36,560 --> 00:28:39,480
Speaker 1: It was from uh, I just got paid from future album.

518
00:28:39,840 --> 00:28:43,320
Speaker 1: I spent like twenty thousand of my kids. Soon as

519
00:28:43,360 --> 00:28:45,720
Speaker 1: I woke up, that's all right, seen the check hit.

520
00:28:45,840 --> 00:28:48,760
Speaker 1: I went at sleep Now, I'm like, what the fuck

521
00:28:49,160 --> 00:28:51,360
Speaker 1: that one? I was at the malling like ten minutes.

522
00:28:51,920 --> 00:28:53,960
Speaker 1: I got dressed so fast, and I just I knew

523
00:28:53,960 --> 00:28:56,440
Speaker 1: I was spent like kids, but I didn't know. You

524
00:28:56,440 --> 00:28:58,600
Speaker 1: had my first time in the country. So you gotta

525
00:28:58,640 --> 00:29:01,320
Speaker 1: pay to pay the brain of ship back and they

526
00:29:01,400 --> 00:29:04,280
Speaker 1: taxt me another like another four thousand just to bring

527
00:29:04,280 --> 00:29:09,320
Speaker 1: all that ship back. Yeah, I get back home from

528
00:29:09,320 --> 00:29:14,000
Speaker 1: now A. Yeah, that was the first thing I spent.

529
00:29:14,320 --> 00:29:18,080
Speaker 1: It's a big money on the second part of no century.

530
00:29:19,640 --> 00:29:22,800
Speaker 1: Everybody spending money on ju. When I spoke to you

531
00:29:22,880 --> 00:29:25,719
Speaker 1: last you said you feel like, um, you're gonna be

532
00:29:25,720 --> 00:29:28,800
Speaker 1: one of the biggest on the miss cultes, biggest artists

533
00:29:28,840 --> 00:29:31,520
Speaker 1: in the world. I think that's what you told me definitely,

534
00:29:31,600 --> 00:29:34,479
Speaker 1: So talk to us about you know, what supports that

535
00:29:34,520 --> 00:29:37,080
Speaker 1: feeling and why you feel like that. Just the vibe

536
00:29:37,080 --> 00:29:42,320
Speaker 1: of music I'm making from my album in general, um,

537
00:29:42,480 --> 00:29:45,960
Speaker 1: plus the connections I have but just my artistry and

538
00:29:45,960 --> 00:29:49,080
Speaker 1: and and told them because a lot of people don't

539
00:29:49,080 --> 00:29:50,840
Speaker 1: know what's going on in my head. But now I'm

540
00:29:50,840 --> 00:29:53,200
Speaker 1: putting it all Like we'll just put it all out there,

541
00:29:53,240 --> 00:29:58,040
Speaker 1: right it's visually or even in the music and everything.

542
00:29:58,160 --> 00:30:00,600
Speaker 1: So I'll be able to do that where be even

543
00:30:00,680 --> 00:30:05,560
Speaker 1: where was what I'm thinking about? So like everybody gonna

544
00:30:05,760 --> 00:30:07,480
Speaker 1: be like I already know what they're on there like

545
00:30:08,000 --> 00:30:10,640
Speaker 1: this man, just what is this? Folks? They're gonna look

546
00:30:10,680 --> 00:30:12,760
Speaker 1: at it crazy and first than they're gonna it's gonna

547
00:30:12,760 --> 00:30:14,600
Speaker 1: be the way why do you say looking at the crazy?

548
00:30:14,640 --> 00:30:19,720
Speaker 1: Like what kind of music is? Because we pous the

549
00:30:20,600 --> 00:30:25,200
Speaker 1: just the vision and all, you know, because I'm growing up,

550
00:30:25,280 --> 00:30:29,000
Speaker 1: you know, I was always like like all my bros

551
00:30:29,000 --> 00:30:30,960
Speaker 1: and stuff is in the streets on the crazy stuff.

552
00:30:31,000 --> 00:30:33,840
Speaker 1: But I was the one, like I was the one

553
00:30:33,880 --> 00:30:37,240
Speaker 1: at home make it beace like not doing the crazy stuff.

554
00:30:37,560 --> 00:30:42,120
Speaker 1: Now say they don't comfort That's just I was thinking

555
00:30:42,120 --> 00:30:46,560
Speaker 1: differently than them. So it's like I always had ideas

556
00:30:46,600 --> 00:30:49,080
Speaker 1: just growing up from back from that then that that

557
00:30:49,120 --> 00:30:52,720
Speaker 1: I just want to put out now. But it still represents, like,

558
00:30:52,800 --> 00:30:54,480
Speaker 1: you know, doing the right thing at the same time,

559
00:30:55,120 --> 00:30:57,040
Speaker 1: do you feel like people be sleeping on you as

560
00:30:57,040 --> 00:31:01,640
Speaker 1: an artist because you you are successful as a producer. Definitely.

561
00:31:01,680 --> 00:31:05,640
Speaker 1: They it's like they're gonna expect a certain thing when

562
00:31:05,720 --> 00:31:09,360
Speaker 1: they hear my project or hear me wrap as an

563
00:31:09,440 --> 00:31:12,240
Speaker 1: artist who like, I'm gonna give everybody what they don't

564
00:31:12,240 --> 00:31:16,160
Speaker 1: expect because what they don't expect is what you're here.

565
00:31:17,120 --> 00:31:20,720
Speaker 1: All right, they spent what's already out there, We were

566
00:31:20,840 --> 00:31:25,080
Speaker 1: doing that. We're going to the other route, they said,

567
00:31:26,560 --> 00:31:32,600
Speaker 1: we're not getting big back to a little bit of lifestyle.

568
00:31:32,680 --> 00:31:35,440
Speaker 1: Like when you kind of told us your favorite restaurant,

569
00:31:35,600 --> 00:31:41,560
Speaker 1: but what's your favorite food? My favorite food like, um, yeah, chickenwing.

570
00:31:43,400 --> 00:31:46,080
Speaker 1: It'd be so silful for artists and producers. I love

571
00:31:46,120 --> 00:31:56,000
Speaker 1: it fast, uh sweet sweet chili pepper springs, okay American, Okay, sweet, Yeah,

572
00:31:56,400 --> 00:31:58,000
Speaker 1: you can mix it. You can mix some meingle and

573
00:31:58,120 --> 00:32:00,240
Speaker 1: wings jay, just a new just a new day. I

574
00:32:00,360 --> 00:32:02,200
Speaker 1: might have to try that to see what it's like.

575
00:32:02,680 --> 00:32:05,280
Speaker 1: Sweet chili. I've had sweet chili alone. That's good. Yeah,

576
00:32:05,320 --> 00:32:10,840
Speaker 1: that's what I've never had pepper ranch or even if

577
00:32:10,840 --> 00:32:13,680
Speaker 1: you ain't got sweet chili, tried braids wing with pepper

578
00:32:13,720 --> 00:32:17,880
Speaker 1: spre Now that sounds a little bit more doable. Yeah,

579
00:32:18,120 --> 00:32:20,640
Speaker 1: you gotta your three kids by your same by the

580
00:32:20,680 --> 00:32:26,040
Speaker 1: same moment. Oh it's two girls. I got two baby

581
00:32:26,080 --> 00:32:33,600
Speaker 1: mamas with it probably a hum yeah deal. One Now

582
00:32:33,680 --> 00:32:38,400
Speaker 1: we like we yeah, we cords him like we barely talk.

583
00:32:38,560 --> 00:32:40,800
Speaker 1: So it's like just speak to him when you have to.

584
00:32:40,960 --> 00:32:43,360
Speaker 1: But they know it ain't no beef, Like they ain't

585
00:32:43,360 --> 00:32:46,760
Speaker 1: gonna put me on child's everything, ain't taking carol. So

586
00:32:46,920 --> 00:32:51,200
Speaker 1: like it's just cords. It good good relationship though, like

587
00:32:52,000 --> 00:32:55,120
Speaker 1: that it ain't unhealthy. You don't feel like you never

588
00:32:55,120 --> 00:32:58,280
Speaker 1: get bad with that one. Ana, I look at I

589
00:32:58,360 --> 00:33:03,320
Speaker 1: just look at women so different now, like in a

590
00:33:03,400 --> 00:33:06,640
Speaker 1: good way. Like we're like I'm just so picky now.

591
00:33:07,600 --> 00:33:10,120
Speaker 1: So it's like I want to like it's like women

592
00:33:10,120 --> 00:33:12,160
Speaker 1: I used to touch I wouldn't even touch me more so,

593
00:33:12,720 --> 00:33:19,600
Speaker 1: it's just it's just they followed that category. Yeah, they

594
00:33:19,640 --> 00:33:24,800
Speaker 1: just followed that category. I want. He said he's ascended,

595
00:33:24,880 --> 00:33:30,520
Speaker 1: he's elevated. He's like, no, shades, you're on some equally yolkship. Yeah,

596
00:33:30,560 --> 00:33:35,960
Speaker 1: like just on your birthday. That's right here. I understand

597
00:33:35,960 --> 00:33:39,840
Speaker 1: what the man saying, capital but I get it. December,

598
00:33:41,320 --> 00:33:45,360
Speaker 1: get it just like you would get it of a gymnil. Yeah,

599
00:33:45,640 --> 00:33:49,640
Speaker 1: my son and we exactly sits months apart. Okay, my

600
00:33:50,160 --> 00:33:53,680
Speaker 1: simme to his June too. He's saying he wants someone

601
00:33:53,720 --> 00:33:56,920
Speaker 1: equally yoke. Yeah, there's nothing wrong with that. You're just

602
00:33:56,920 --> 00:33:59,600
Speaker 1: saying you're just making cole of bad decision when you

603
00:33:59,640 --> 00:34:02,840
Speaker 1: were definitely like I got one pregnant and was like

604
00:34:03,080 --> 00:34:06,120
Speaker 1: I got the other one pregnant like weeks later. So like,

605
00:34:06,320 --> 00:34:10,920
Speaker 1: are your kids saying they get Yeah, they're three weeks apart. Damn.

606
00:34:13,280 --> 00:34:16,680
Speaker 1: I mean somebody was getting busy said because they're gonna

607
00:34:16,680 --> 00:34:21,120
Speaker 1: get older and said anyway, so yeah, that's what's up.

608
00:34:22,320 --> 00:34:25,239
Speaker 1: So do y'all have like joint birthdays or like do

609
00:34:25,360 --> 00:34:27,719
Speaker 1: that each get separate or like it's actually just way

610
00:34:27,760 --> 00:34:29,880
Speaker 1: too close to make a big deal out about the

611
00:34:29,880 --> 00:34:32,360
Speaker 1: altim or they get separate birthdays. I would like to

612
00:34:32,400 --> 00:34:36,160
Speaker 1: do you know, one big birthday, which would be firing. Yah,

613
00:34:36,960 --> 00:34:40,239
Speaker 1: it's probably best. You know, they mom's young, so the

614
00:34:40,360 --> 00:34:50,560
Speaker 1: probably best to keep separated right now. Yeah, they do?

615
00:34:50,480 --> 00:34:55,560
Speaker 1: Do they know their siblings? Okay, you didn't know that, Like, um,

616
00:34:55,680 --> 00:34:58,400
Speaker 1: my my daughter know that's her brother. My brother know

617
00:34:58,560 --> 00:35:04,120
Speaker 1: that's his sister. So they'd be knowing, like they're smartest him.

618
00:35:04,239 --> 00:35:07,160
Speaker 1: My daughter just spoiled my son just he spoiled too,

619
00:35:07,239 --> 00:35:09,640
Speaker 1: or so they just know how to My son is

620
00:35:09,680 --> 00:35:14,040
Speaker 1: a manipulator. My daughter just don't listen how you bounding?

621
00:35:14,239 --> 00:35:16,879
Speaker 1: Like being so busy in the avasa for your kids.

622
00:35:17,160 --> 00:35:21,440
Speaker 1: That's the hard part, um especially I got like two

623
00:35:21,560 --> 00:35:23,840
Speaker 1: kids live out of state, and you know, one to

624
00:35:23,880 --> 00:35:26,399
Speaker 1: live here, so and make it hard because you gotta,

625
00:35:26,560 --> 00:35:29,400
Speaker 1: um like, go get them from out of town, bring

626
00:35:29,480 --> 00:35:31,560
Speaker 1: him somewhere. Sometimes I when I'm out of town, fly

627
00:35:31,719 --> 00:35:35,640
Speaker 1: them down. We're like with their grandma or with my mom.

628
00:35:36,320 --> 00:35:38,600
Speaker 1: Fly down with them somewhere, like if I'm in Miami,

629
00:35:38,600 --> 00:35:41,400
Speaker 1: and so bring them down. And that makes it easier

630
00:35:41,440 --> 00:35:43,680
Speaker 1: too because I can still spend time with them didn't

631
00:35:43,680 --> 00:35:47,040
Speaker 1: gonna work, spend time, gonna go work until they go

632
00:35:47,120 --> 00:35:52,319
Speaker 1: back home. But it's a process some sort. How many

633
00:35:52,320 --> 00:35:54,720
Speaker 1: people you lost alone on on the way your journey,

634
00:35:54,760 --> 00:35:59,000
Speaker 1: Like Famine Man was a friend m family members. That's

635
00:35:59,040 --> 00:36:01,960
Speaker 1: the crazy thing I growing up, Like I met my cousin,

636
00:36:02,000 --> 00:36:04,680
Speaker 1: but I was never close with him, so like it's

637
00:36:04,760 --> 00:36:07,799
Speaker 1: still love. There're just I ain't really talked to him,

638
00:36:07,840 --> 00:36:10,920
Speaker 1: but like it's just the lack of a relationship. Yeah,

639
00:36:11,080 --> 00:36:13,799
Speaker 1: like like we don't hanging around each other as much.

640
00:36:13,840 --> 00:36:16,400
Speaker 1: It was a lot of beef in the family about

641
00:36:16,680 --> 00:36:22,640
Speaker 1: who knows what. But then you got like friends, people don't.

642
00:36:22,680 --> 00:36:25,440
Speaker 1: My friends are lost a lot because they don't understand.

643
00:36:25,440 --> 00:36:28,200
Speaker 1: They'd be like they always quit to pull the Hollywood

644
00:36:28,440 --> 00:36:31,879
Speaker 1: car or you ain't never got time to do nothing. Yeah,

645
00:36:32,280 --> 00:36:35,640
Speaker 1: like I don't even understand like Nigga trying to really

646
00:36:35,680 --> 00:36:37,759
Speaker 1: be a billionaire, Like I ain't put to be a

647
00:36:37,760 --> 00:36:39,839
Speaker 1: billion and sent on the block talking to y'all all

648
00:36:39,960 --> 00:36:44,640
Speaker 1: day about what's going on in the hood. Yeah, it's like, yeah,

649
00:36:44,719 --> 00:36:47,400
Speaker 1: that's probably cool, like probably being the video bring you

650
00:36:47,400 --> 00:36:49,840
Speaker 1: all out. But then you got you got homeboys that

651
00:36:50,000 --> 00:36:53,399
Speaker 1: understand that. So it's like they know that you don't

652
00:36:53,440 --> 00:36:55,000
Speaker 1: talk every day, but when you talk to him, it's

653
00:36:55,040 --> 00:36:58,880
Speaker 1: all love. Yeah, And it was just like you know,

654
00:36:59,040 --> 00:37:00,840
Speaker 1: niggas will be doing a little bitch ass ship like

655
00:37:02,200 --> 00:37:06,319
Speaker 1: like you changing this and that. Like, man, you' don't

656
00:37:06,360 --> 00:37:13,840
Speaker 1: never get it never ever. They never understand to them. Yeah,

657
00:37:14,280 --> 00:37:18,560
Speaker 1: you gott any regrets? Actually don't. You would think that

658
00:37:18,600 --> 00:37:20,960
Speaker 1: I do. But I feel like I'm I feel like

659
00:37:20,960 --> 00:37:22,920
Speaker 1: it's a reason for everything and why I did it.

660
00:37:24,040 --> 00:37:28,640
Speaker 1: Um Like, even if its a mistake, like I said,

661
00:37:28,920 --> 00:37:31,520
Speaker 1: I don't take loss. You know, I learned lessons. So

662
00:37:32,280 --> 00:37:34,080
Speaker 1: I just feel like, even if it feels a bad mistake,

663
00:37:34,120 --> 00:37:37,000
Speaker 1: it was probably a lesson to be learned because I

664
00:37:37,080 --> 00:37:40,680
Speaker 1: won't ever do it again. Do it twice? Who taught

665
00:37:40,760 --> 00:37:45,800
Speaker 1: your mores? Um? Well me, it was you know, learning

666
00:37:45,840 --> 00:37:49,719
Speaker 1: a lot stuff and then my mentor uh I g

667
00:37:49,960 --> 00:37:54,280
Speaker 1: over there he uh just like giving me like stuff,

668
00:37:54,440 --> 00:37:58,279
Speaker 1: stuff that I wouldn't really think of, like really think

669
00:37:58,320 --> 00:38:04,600
Speaker 1: of it. He more like, uh like say what's example,

670
00:38:04,680 --> 00:38:07,600
Speaker 1: like saying I'm going through like baby mama issues here? Man,

671
00:38:07,760 --> 00:38:10,960
Speaker 1: Then what you do? You're norm both and I don't

672
00:38:11,000 --> 00:38:13,399
Speaker 1: talk to him, and then they'll be they'll be trying

673
00:38:13,400 --> 00:38:16,120
Speaker 1: to let's see it can do whatever you want, you

674
00:38:16,200 --> 00:38:19,800
Speaker 1: do it and it worked, So that just be like

675
00:38:19,880 --> 00:38:22,919
Speaker 1: little stuff like that, like the help out. I'll be learning.

676
00:38:23,400 --> 00:38:25,760
Speaker 1: It's your love for making music and being a producer

677
00:38:25,760 --> 00:38:29,200
Speaker 1: and then artist so deep that if tomorrow you can

678
00:38:29,239 --> 00:38:31,200
Speaker 1: no longer make money off of it, you would still

679
00:38:31,200 --> 00:38:34,520
Speaker 1: do it. Yeah, because I didn't do it for the money.

680
00:38:34,880 --> 00:38:36,480
Speaker 1: I don't even know. I mean, I knew you even

681
00:38:36,520 --> 00:38:39,200
Speaker 1: made money, but I ain't. No producers like riches hell,

682
00:38:40,360 --> 00:38:43,239
Speaker 1: I thought that was just like there's a few. Yeah,

683
00:38:43,800 --> 00:38:47,520
Speaker 1: we get more than for real on the songs. And

684
00:38:47,560 --> 00:38:49,880
Speaker 1: it's like when you start making beat the only thing

685
00:38:50,000 --> 00:38:52,799
Speaker 1: that you're just like, man, he beats hardest, but you

686
00:38:52,920 --> 00:38:56,160
Speaker 1: just you're just listening to him. And then like once

687
00:38:56,200 --> 00:38:58,239
Speaker 1: you started making money, you still don't even see it

688
00:38:58,239 --> 00:39:01,600
Speaker 1: because you're like a couple. Thats cool. And when ship

689
00:39:01,640 --> 00:39:05,680
Speaker 1: really rolling in and you get like like over like

690
00:39:05,680 --> 00:39:08,960
Speaker 1: six figures every every quarter, and you're like, man, this

691
00:39:09,040 --> 00:39:12,520
Speaker 1: ship ye be something else? What you do? What you

692
00:39:12,600 --> 00:39:15,480
Speaker 1: do If you're sending a beat off and the artists

693
00:39:15,480 --> 00:39:18,600
Speaker 1: send a song back and you don't like it, um,

694
00:39:18,719 --> 00:39:26,279
Speaker 1: I lie cool. But then like sometimes this song that

695
00:39:26,320 --> 00:39:28,800
Speaker 1: I don't like, but I'll take so much out and

696
00:39:29,200 --> 00:39:31,520
Speaker 1: restarts to the song and then make them redo it.

697
00:39:31,640 --> 00:39:33,799
Speaker 1: That's it, like if I really see potential in there.

698
00:39:34,000 --> 00:39:36,080
Speaker 1: But sometimes i'd be like it's cool and stuff or

699
00:39:36,239 --> 00:39:40,080
Speaker 1: sometimes a lit and be like the beat taking because

700
00:39:40,480 --> 00:39:43,040
Speaker 1: it's all about Yeah, it's your art, my art too,

701
00:39:43,640 --> 00:39:47,760
Speaker 1: and I and I rarely like music, like like songs

702
00:39:47,800 --> 00:39:50,399
Speaker 1: that artists do. So how you deal with like ind

703
00:39:50,440 --> 00:39:54,279
Speaker 1: this like if in the artist wanted to work with you. Um,

704
00:39:54,440 --> 00:39:56,600
Speaker 1: I always telling it ain't about the money, even know

705
00:39:56,680 --> 00:39:59,440
Speaker 1: they still gotta pay me, but it's more about it

706
00:39:59,480 --> 00:40:02,239
Speaker 1: ain't about you just giving them a beat even if

707
00:40:02,280 --> 00:40:04,359
Speaker 1: their end yards. I still want to touch the song,

708
00:40:04,600 --> 00:40:07,239
Speaker 1: just like they gotta have a budget, like like bring

709
00:40:07,280 --> 00:40:10,319
Speaker 1: me a dog real quick, and uh, we're gonna lock

710
00:40:10,360 --> 00:40:13,160
Speaker 1: it in for real. I'm just not gonna get his

711
00:40:13,239 --> 00:40:15,319
Speaker 1: beat for the dog and like you're gonna run off

712
00:40:15,320 --> 00:40:18,560
Speaker 1: and drop the song to him. We ain't doing that song,

713
00:40:18,719 --> 00:40:20,759
Speaker 1: Like what is the song? Bad and blow Up? And

714
00:40:20,800 --> 00:40:25,200
Speaker 1: it's like, damn, you got this right? Did this with him?

715
00:40:25,239 --> 00:40:28,960
Speaker 1: Hell like you said bad and blow up? So you

716
00:40:29,040 --> 00:40:34,760
Speaker 1: got a little bulls up little somebody like you said

717
00:40:36,239 --> 00:40:44,920
Speaker 1: went up like, yeah, yeah, because that now I was

718
00:40:44,960 --> 00:40:46,440
Speaker 1: I was saying, I wonder where the nigga is that,

719
00:40:46,480 --> 00:40:48,080
Speaker 1: because I ain't seen nothing from But I get what

720
00:40:48,120 --> 00:40:51,479
Speaker 1: you're saying though, because it's like, even if the song

721
00:40:51,600 --> 00:40:55,600
Speaker 1: is whack your Name and it's like the artist part

722
00:40:55,640 --> 00:40:57,919
Speaker 1: of it is whacking, the beat was dope your Name

723
00:40:58,000 --> 00:41:01,239
Speaker 1: is still on the whack niggas first. Yeah, you know

724
00:41:01,239 --> 00:41:04,920
Speaker 1: what I'm saying, it's still a collaborative whack effort between

725
00:41:04,960 --> 00:41:07,120
Speaker 1: you and whoever. The niggad is like they might do

726
00:41:07,400 --> 00:41:09,759
Speaker 1: both of us put this together and they're like, like

727
00:41:09,840 --> 00:41:12,680
Speaker 1: you had input on the whack part. Yeah, yeah, yeah.

728
00:41:13,880 --> 00:41:16,719
Speaker 1: It was like, hey, we're gonna we're gonna do this

729
00:41:16,800 --> 00:41:20,520
Speaker 1: the right way. Then session bringing the cash and we

730
00:41:20,560 --> 00:41:22,600
Speaker 1: ain't leaving until until we got a good song. You

731
00:41:23,080 --> 00:41:25,359
Speaker 1: came and did the ship show that time wherever Man

732
00:41:28,680 --> 00:41:31,040
Speaker 1: he taught me because at that time, you know, I

733
00:41:31,080 --> 00:41:33,240
Speaker 1: was making a certain type of music, but I'm definitely

734
00:41:33,239 --> 00:41:35,759
Speaker 1: stepping away from that image of music I was making

735
00:41:35,800 --> 00:41:39,120
Speaker 1: at that time. So now it's like, now I would

736
00:41:39,239 --> 00:41:43,120
Speaker 1: do it, But I got all the way up to

737
00:41:43,160 --> 00:41:46,040
Speaker 1: the same day. It was crazy. I had a video

738
00:41:46,040 --> 00:41:49,160
Speaker 1: shoot at the same time. It was a video shoot

739
00:41:49,160 --> 00:41:52,160
Speaker 1: that day. I want I want to I want to

740
00:41:52,160 --> 00:41:57,319
Speaker 1: hear the super griming story like making it. Why did

741
00:41:57,360 --> 00:41:58,799
Speaker 1: you send in the code that or did you cook

742
00:41:58,800 --> 00:42:00,400
Speaker 1: it up in front of cod that. I want to

743
00:42:00,440 --> 00:42:04,200
Speaker 1: hear the old story behind it. So the beat originally, Um,

744
00:42:04,239 --> 00:42:06,440
Speaker 1: of course, of course Future get every beat that I do,

745
00:42:06,520 --> 00:42:09,320
Speaker 1: like every beat that's out Future though heard it before,

746
00:42:09,760 --> 00:42:13,960
Speaker 1: But I really made the beat for a little baby. Um.

747
00:42:14,000 --> 00:42:16,520
Speaker 1: I think that's when me and baby they uh really

748
00:42:16,520 --> 00:42:19,000
Speaker 1: isn't get And I played it for him that day

749
00:42:19,680 --> 00:42:22,880
Speaker 1: and he he actually didn't pick that beat like I

750
00:42:22,920 --> 00:42:25,759
Speaker 1: went through like honey beats. Maybe because he was sleepy though,

751
00:42:25,800 --> 00:42:29,240
Speaker 1: but I ain't think no ano it. I just went along.

752
00:42:29,760 --> 00:42:32,960
Speaker 1: Maybe a few months later, Um me and call that

753
00:42:33,040 --> 00:42:37,160
Speaker 1: lot down for his album. We didn't get nothing. So

754
00:42:37,239 --> 00:42:40,480
Speaker 1: I'm chilling the studio. I'm like, man, I call that

755
00:42:40,560 --> 00:42:44,200
Speaker 1: pull up, like randomly just said pull up. I told

756
00:42:44,239 --> 00:42:47,160
Speaker 1: him pull up. He didn't pull up. He told me

757
00:42:47,160 --> 00:42:48,560
Speaker 1: he was on the way. He was stilling on when

758
00:42:48,560 --> 00:42:52,480
Speaker 1: he probably came like six hours later, and we did

759
00:42:52,480 --> 00:42:56,200
Speaker 1: super Grammar going through beat. He just heard it. That's

760
00:42:56,200 --> 00:42:58,000
Speaker 1: how we did super Grammar. Just like that. I didn't

761
00:42:58,000 --> 00:42:59,800
Speaker 1: even know it was a hit. So I was like this,

762
00:43:00,000 --> 00:43:01,760
Speaker 1: I felt like the song was cool. But my engineer

763
00:43:01,800 --> 00:43:03,960
Speaker 1: from Miami, so he was like, prest a hit song.

764
00:43:04,840 --> 00:43:08,120
Speaker 1: Hmm yeah, so end up being the hit. And I

765
00:43:08,160 --> 00:43:10,640
Speaker 1: was like, damn. He knew. That's always the case though,

766
00:43:10,920 --> 00:43:12,440
Speaker 1: like people say that ship all the time, like I

767
00:43:12,480 --> 00:43:15,080
Speaker 1: ain't gonna be that. I knew it sound good, but

768
00:43:15,080 --> 00:43:17,120
Speaker 1: I ain't ye and then it turns out to be that.

769
00:43:18,320 --> 00:43:20,640
Speaker 1: He feels like it's a recipe for hits or magic.

770
00:43:21,760 --> 00:43:24,320
Speaker 1: I want to say, yeah, you definitely it is a recipe.

771
00:43:24,480 --> 00:43:28,400
Speaker 1: You just gotta learn that recipe. But uh, it's definitely

772
00:43:28,480 --> 00:43:32,520
Speaker 1: like you still never know. At the same time, it's

773
00:43:32,600 --> 00:43:35,719
Speaker 1: like you might vote with this song a lot, then

774
00:43:35,760 --> 00:43:38,440
Speaker 1: it might not be like might not go big. Like

775
00:43:38,480 --> 00:43:40,880
Speaker 1: one of my favorite songs in Future Did was Nowhere

776
00:43:41,160 --> 00:43:43,600
Speaker 1: We Did on the Super Flush soundtrack. I thought that

777
00:43:43,640 --> 00:43:45,439
Speaker 1: song was just crazy. I thought that was like wait

778
00:43:45,480 --> 00:43:50,360
Speaker 1: for you, It just ain't you know it slept on. Yeah,

779
00:43:50,840 --> 00:43:54,200
Speaker 1: that the recipe changed for hits. Um definitely do because

780
00:43:54,239 --> 00:43:58,520
Speaker 1: the infra music changed at the same time. So just

781
00:43:58,640 --> 00:44:00,719
Speaker 1: keeping it up, keeping up with the hands and what

782
00:44:00,760 --> 00:44:03,200
Speaker 1: they like. But you never know. What they like. That's

783
00:44:03,200 --> 00:44:06,239
Speaker 1: a crazy part. So it's like it's a recipe. Is

784
00:44:06,400 --> 00:44:10,440
Speaker 1: just it's a hidden recipe. You just gotta figured out

785
00:44:10,760 --> 00:44:12,680
Speaker 1: how you deal with rappers that might be an eyes

786
00:44:12,760 --> 00:44:16,440
Speaker 1: with each other as a producer, like like like rappers

787
00:44:16,440 --> 00:44:18,520
Speaker 1: and beating with each other. Man, I stay out of

788
00:44:19,040 --> 00:44:21,640
Speaker 1: I'm a business man. What y'all got going on? As

789
00:44:21,719 --> 00:44:25,080
Speaker 1: y'all like you did that act funny with you though,

790
00:44:25,160 --> 00:44:30,400
Speaker 1: like if you it is some rappers that that that

791
00:44:30,600 --> 00:44:34,880
Speaker 1: like tend like I said, like too, like they don't

792
00:44:35,400 --> 00:44:37,759
Speaker 1: look at me. It's like all of something, but they

793
00:44:37,800 --> 00:44:39,880
Speaker 1: do tend to like move away just because at the

794
00:44:39,920 --> 00:44:42,360
Speaker 1: same time, you never know. You never know because the

795
00:44:42,360 --> 00:44:45,600
Speaker 1: streets the streets, so you never know. Like that's like

796
00:44:45,680 --> 00:44:47,719
Speaker 1: me into it with a nigga that's that's over there.

797
00:44:48,080 --> 00:44:51,000
Speaker 1: But I'm cool with one nigga over there, and it's

798
00:44:51,080 --> 00:44:53,920
Speaker 1: like ship. He might pull up and drop the pin

799
00:44:54,000 --> 00:44:56,799
Speaker 1: one day, so I'll be understanding. I don't never look

800
00:44:56,800 --> 00:44:59,640
Speaker 1: at it like um, like they're changing and I just

801
00:44:59,680 --> 00:45:01,719
Speaker 1: look that like man, I'm standing out. They deal with

802
00:45:01,719 --> 00:45:04,600
Speaker 1: their circumstances. But I feel like something like when it

803
00:45:04,600 --> 00:45:08,080
Speaker 1: comes to that kind of ship, like some artists have

804
00:45:08,320 --> 00:45:13,319
Speaker 1: the power to like I don't want to say squash

805
00:45:13,640 --> 00:45:17,520
Speaker 1: ship between whoever and whatever, but just like for instance,

806
00:45:17,560 --> 00:45:20,680
Speaker 1: just like on Pluto's new album, like Kodak and south

807
00:45:20,719 --> 00:45:24,680
Speaker 1: Side have had their issues or whatever, but Kodak killed

808
00:45:24,760 --> 00:45:28,480
Speaker 1: Voodoo like murdered it, and it was the perfect combination,

809
00:45:28,920 --> 00:45:31,799
Speaker 1: you know what I'm saying with south Side beat and

810
00:45:32,200 --> 00:45:34,319
Speaker 1: his vocals and Shipped on the hook and you know

811
00:45:34,400 --> 00:45:37,719
Speaker 1: Pluto's verse like that that's really like one of like

812
00:45:37,760 --> 00:45:40,319
Speaker 1: another outside of like wait for You. That's really one

813
00:45:40,320 --> 00:45:43,040
Speaker 1: of my favorite songs that like really touched my soul

814
00:45:43,120 --> 00:45:45,120
Speaker 1: off of the album. And if it would have been

815
00:45:45,160 --> 00:45:46,960
Speaker 1: like a whole bunch of bullshit in the mix or

816
00:45:47,120 --> 00:45:49,439
Speaker 1: you know what I'm saying. However, the ship worked out

817
00:45:49,480 --> 00:45:51,720
Speaker 1: for them to make it. If that never would have happened,

818
00:45:51,719 --> 00:45:54,360
Speaker 1: then we never would have had that song facts, And

819
00:45:54,440 --> 00:45:57,040
Speaker 1: I was I was actually really happy when they when

820
00:45:57,040 --> 00:46:01,120
Speaker 1: they when they actually end up talking, because it's like, man,

821
00:46:02,280 --> 00:46:04,920
Speaker 1: we know yet, yeah, yeah, I got a mouth somehow,

822
00:46:05,000 --> 00:46:07,759
Speaker 1: yeah got you know, but he is a good dude

823
00:46:07,760 --> 00:46:10,520
Speaker 1: and he definitely got a good heart. So I did

824
00:46:10,600 --> 00:46:12,600
Speaker 1: see like how he used to add first and now

825
00:46:12,680 --> 00:46:14,520
Speaker 1: like he did change a lot in a good way.

826
00:46:14,719 --> 00:46:18,839
Speaker 1: He Um definitely been more positive since I've been with him,

827
00:46:18,960 --> 00:46:21,880
Speaker 1: So he has a good person work with two shout

828
00:46:21,880 --> 00:46:24,640
Speaker 1: out about them, Yeah, shout out about them for being

829
00:46:24,680 --> 00:46:27,520
Speaker 1: grown man about the ship. Great music can be made,

830
00:46:28,160 --> 00:46:32,239
Speaker 1: you know what I'm saying? Good energy? Yeah? Yeah? What's

831
00:46:32,239 --> 00:46:35,320
Speaker 1: something you want to say to the big facts fans, supporters,

832
00:46:35,360 --> 00:46:38,840
Speaker 1: your fans as an artist, as a producer, and upcoming producers.

833
00:46:38,840 --> 00:46:43,240
Speaker 1: Give him some game and some motivation before you slap um. Definitely.

834
00:46:43,239 --> 00:46:46,799
Speaker 1: I say this every every every interview, every you know,

835
00:46:46,840 --> 00:46:50,480
Speaker 1: every time something never stopped, even if you think you're

836
00:46:50,480 --> 00:46:54,440
Speaker 1: doing it wrong. Just there's always think of what you're

837
00:46:54,440 --> 00:46:57,960
Speaker 1: doing the uh you know correctly and keep going. But

838
00:46:58,040 --> 00:47:02,359
Speaker 1: just never stopped, because if you stop everything you work for,

839
00:47:02,760 --> 00:47:07,080
Speaker 1: you'll be starting over. You never know how far. You

840
00:47:07,080 --> 00:47:09,920
Speaker 1: never know, you never know how closer with to getting

841
00:47:09,920 --> 00:47:13,640
Speaker 1: what you want. Interesting way to look at it, but

842
00:47:13,680 --> 00:47:15,720
Speaker 1: I imagine if I stopped making beats the day before

843
00:47:15,719 --> 00:47:20,359
Speaker 1: we made Super Grid, I could like this because I'm

844
00:47:20,400 --> 00:47:23,560
Speaker 1: sure you had them these days. Actually, no, I have.

845
00:47:24,160 --> 00:47:27,000
Speaker 1: I love music. It's been times while I was like

846
00:47:27,760 --> 00:47:30,920
Speaker 1: working with this artist, but it's always like never like

847
00:47:31,320 --> 00:47:34,880
Speaker 1: fun working period. Yeah, I love it, like I'll just

848
00:47:34,960 --> 00:47:37,200
Speaker 1: do it for free if I if it was it

849
00:47:37,200 --> 00:47:40,480
Speaker 1: feels for no money, I'll still be doing it. No, No,

850
00:47:40,880 --> 00:47:44,600
Speaker 1: I'm saying, like a big fast ground, I ain't having

851
00:47:44,600 --> 00:47:47,920
Speaker 1: no money. I need to read. No, I'm not doing it.

852
00:47:48,280 --> 00:47:53,560
Speaker 1: But like I like, if it was it was making music,

853
00:47:53,680 --> 00:47:56,040
Speaker 1: had no revenue game, I would still be doing it

854
00:47:56,600 --> 00:48:00,279
Speaker 1: just because I love it. Like artists like that painting ship,

855
00:48:00,360 --> 00:48:02,560
Speaker 1: Like they don't know that they ship might become our bossle.

856
00:48:02,600 --> 00:48:04,319
Speaker 1: They're just painting the ship and the next thing, you know,

857
00:48:04,560 --> 00:48:10,759
Speaker 1: they don't talk about that offline. We're trying to be

858
00:48:10,760 --> 00:48:13,680
Speaker 1: a billionaire. Like, you don't need to get paid to

859
00:48:13,719 --> 00:48:18,200
Speaker 1: reach a billionaire. Fact, Jacob, we appreciate you pulling up

860
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Speaker 1: so much continuous success to you. We need that Big

861
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Speaker 1: Facts into two. We're gonna put that out there. Oh yeah,

862
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Speaker 1: come on, I can't wait. Oh god, I do it, okay,

863
00:48:26,000 --> 00:48:30,560
Speaker 1: he said on Guys what t w dot Big Facts

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Speaker 1: big fat hey man, it's alway up that merch y. Yeah,

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