1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more disgrace Land in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,320 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,360 --> 00:00:33,240 Speaker 1: a little thing we like to call the after party. 6 00:00:33,320 --> 00:00:35,600 Speaker 1: This is the show after the show, the party after 7 00:00:35,600 --> 00:00:37,120 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,120 --> 00:00:40,040 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:40,159 --> 00:00:43,720 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:43,760 --> 00:00:48,080 Speaker 1: about this week's subject to the Disgraceland full episode, The Exorcist, 11 00:00:48,440 --> 00:00:51,479 Speaker 1: the Scariest Books that You've Ever read, and our regular 12 00:00:51,560 --> 00:00:54,279 Speaker 1: update on Sean Diddy Combs. And of course we are 13 00:00:54,360 --> 00:00:58,200 Speaker 1: diving into your voicemails, text and more, and as always, 14 00:00:58,320 --> 00:01:01,560 Speaker 1: a whole lot of rosie. All Right, disc goes, let's 15 00:01:01,960 --> 00:01:19,919 Speaker 1: get into it. I don't know if you've been there before, 16 00:01:20,000 --> 00:01:23,600 Speaker 1: but I have. It's late, you're in bed, the lights 17 00:01:23,600 --> 00:01:26,840 Speaker 1: are off, the only light is the book light, and 18 00:01:26,920 --> 00:01:29,679 Speaker 1: the book that you're reading is dark. But you can 19 00:01:29,720 --> 00:01:33,960 Speaker 1: hang for ninety percent of it anyway. Inevitably, there's going 20 00:01:34,000 --> 00:01:36,400 Speaker 1: to be that part of the book, that ten percent 21 00:01:36,680 --> 00:01:40,080 Speaker 1: that gets you that sneaks up on you, that causes 22 00:01:40,120 --> 00:01:45,240 Speaker 1: you to cut from reality to think that maybe, just 23 00:01:45,880 --> 00:01:50,160 Speaker 1: maybe you did hear something, so you have to get 24 00:01:50,240 --> 00:01:53,440 Speaker 1: up and put on your robe and head downstairs and 25 00:01:54,080 --> 00:01:57,480 Speaker 1: go check. Maybe you're good with your fists, so you're 26 00:01:57,520 --> 00:02:01,720 Speaker 1: not that insecure, and maybe you've got to gun, or maybe, 27 00:02:01,760 --> 00:02:04,920 Speaker 1: like me, you're in your robe with the Louisville slugger 28 00:02:05,000 --> 00:02:08,640 Speaker 1: you keep near your bed, and now it's in your hand. 29 00:02:09,440 --> 00:02:13,280 Speaker 1: You've got two tactics. You can be loud and hope 30 00:02:13,320 --> 00:02:15,400 Speaker 1: to scare them away as you come down the stairs 31 00:02:15,440 --> 00:02:17,400 Speaker 1: like a bowl in a china shop, and hope that 32 00:02:17,480 --> 00:02:22,400 Speaker 1: whoever or whatever you heard, here's you and high tails 33 00:02:22,440 --> 00:02:27,280 Speaker 1: it out of there before you get downstairs. Or you 34 00:02:27,280 --> 00:02:30,840 Speaker 1: can go soft and slow, quiet and hope to sneak 35 00:02:30,960 --> 00:02:35,240 Speaker 1: up on the intruder or the intrusion. But what if 36 00:02:35,280 --> 00:02:38,920 Speaker 1: you succeed? What then? What if you do sneak up 37 00:02:38,960 --> 00:02:41,440 Speaker 1: on them? Are you going to fight someone off in 38 00:02:41,480 --> 00:02:44,160 Speaker 1: your robe with your baseball bat at eleven thirty on 39 00:02:44,200 --> 00:02:46,760 Speaker 1: a school night while your kids and your spouse sleep 40 00:02:46,919 --> 00:02:52,720 Speaker 1: quietly upstairs. This is ludicrous and you know it, but 41 00:02:52,800 --> 00:02:58,120 Speaker 1: you keep moving forward because you're freaked out because the 42 00:02:58,120 --> 00:03:01,320 Speaker 1: book you're reading freaked you out because you got so 43 00:03:01,560 --> 00:03:06,160 Speaker 1: into it, you disassociated from reality. You were sucked in, 44 00:03:06,720 --> 00:03:09,880 Speaker 1: and then the house breathed and something cracked, and you 45 00:03:09,919 --> 00:03:12,519 Speaker 1: snapped out of it, and your fear surged out into 46 00:03:12,560 --> 00:03:16,160 Speaker 1: the open. You get downstairs and you turn all the 47 00:03:16,240 --> 00:03:18,600 Speaker 1: lights on. You went for the bowl in the china 48 00:03:18,639 --> 00:03:22,360 Speaker 1: shop approach, and now thankfully there's no one here. There's 49 00:03:22,400 --> 00:03:26,320 Speaker 1: no intruder, and there's no supernatural phenomenon either that you 50 00:03:26,400 --> 00:03:31,800 Speaker 1: know of. But how can you tell? Really? What there is, though, 51 00:03:32,480 --> 00:03:36,240 Speaker 1: is bread and salami and cheese and mustard and lettuce 52 00:03:36,480 --> 00:03:39,480 Speaker 1: and those good chips your wife buys, and cold milk 53 00:03:39,920 --> 00:03:41,880 Speaker 1: so you can eat away your fear in the dark 54 00:03:41,880 --> 00:03:45,280 Speaker 1: at the kitchen table, and then head back upstairs and yes, 55 00:03:45,440 --> 00:03:50,280 Speaker 1: back into the pages of your book, because it's that good. 56 00:03:51,080 --> 00:03:54,760 Speaker 1: In Cold Blood by Truman Capoti, Salem's Lot by Stephen King, 57 00:03:55,160 --> 00:03:58,920 Speaker 1: Chaos by Tom and Neil, and yes, most definitely The 58 00:03:58,960 --> 00:04:03,920 Speaker 1: Exorcist William Peter Bladdie. All of these books that I've read, 59 00:04:04,560 --> 00:04:07,280 Speaker 1: they've scared me so bad that this what I just 60 00:04:07,360 --> 00:04:10,080 Speaker 1: explained has happened. Where I've gotten up from wherever I 61 00:04:10,120 --> 00:04:12,000 Speaker 1: was usually in my bed like I described, and walked 62 00:04:12,040 --> 00:04:13,720 Speaker 1: downstairs to try to figure out what the hell was 63 00:04:13,800 --> 00:04:17,479 Speaker 1: going on. And for good reason. Two of the authors 64 00:04:17,480 --> 00:04:19,280 Speaker 1: that I've mentioned here are the books that I've read 65 00:04:19,279 --> 00:04:21,479 Speaker 1: that I've found to be most scary. Two of these 66 00:04:21,520 --> 00:04:23,560 Speaker 1: authors are on the list of the top twenty scariest 67 00:04:23,600 --> 00:04:27,640 Speaker 1: movies of all time. Those authors would of course be 68 00:04:28,080 --> 00:04:32,080 Speaker 1: Exorcist author William Peter Bladdie and Stephen King. I'm going 69 00:04:32,160 --> 00:04:34,680 Speaker 1: to give you the list. I haven't read a lot 70 00:04:34,760 --> 00:04:37,719 Speaker 1: of them, but still I find this list interesting. This 71 00:04:37,760 --> 00:04:40,240 Speaker 1: is from goodreads dot com. All right, I'm going to 72 00:04:40,279 --> 00:04:42,039 Speaker 1: give you this list in reverse order, and I'm going 73 00:04:42,120 --> 00:04:44,280 Speaker 1: to give you my thoughts as I run through these. 74 00:04:44,279 --> 00:04:46,080 Speaker 1: On each of these books, if I've read them, if 75 00:04:46,080 --> 00:04:48,279 Speaker 1: I haven't noticed, breeze through. Unless I have a thought 76 00:04:48,360 --> 00:04:50,400 Speaker 1: on something I haven't read, but I don't know, who knows? Okay. 77 00:04:50,480 --> 00:04:54,039 Speaker 1: Number twenty American Psycho by Brett Easton Ellis. This book 78 00:04:54,120 --> 00:04:58,760 Speaker 1: is incredible and even though it's funny, it's a funny book, 79 00:04:59,279 --> 00:05:03,800 Speaker 1: unintentionally funny, I believe. But no, no, that sounds like 80 00:05:04,960 --> 00:05:08,240 Speaker 1: that sounds like I'm degrading the writing I'm not. There's 81 00:05:08,279 --> 00:05:11,239 Speaker 1: a great sense of humor to Brett Easton Ellis's writing, 82 00:05:11,360 --> 00:05:14,160 Speaker 1: and it's definitely present in American Psycho. It's a main 83 00:05:14,360 --> 00:05:17,320 Speaker 1: part of it. It's absurd, so to speak, but it's 84 00:05:17,360 --> 00:05:21,160 Speaker 1: also The book is also very, very scary. I found 85 00:05:21,160 --> 00:05:24,440 Speaker 1: it to be anyways. So Okay, nineteen The Other I 86 00:05:24,480 --> 00:05:27,279 Speaker 1: don't know what this book is. It's by Thomas Tyron. 87 00:05:27,880 --> 00:05:30,440 Speaker 1: I can tell you though the cover is incredible. I've 88 00:05:30,480 --> 00:05:33,920 Speaker 1: never read it, but I'm intrigued. Okay eighteen The Stranger 89 00:05:34,000 --> 00:05:36,200 Speaker 1: Beside Me. This is a book about Ted Bundy. I 90 00:05:36,200 --> 00:05:37,920 Speaker 1: I haven't read this either, but if it's on this 91 00:05:38,000 --> 00:05:40,159 Speaker 1: list and it's about Ted Bundy and it's in the 92 00:05:40,160 --> 00:05:42,039 Speaker 1: top twenty, then it sounds to me like this is 93 00:05:42,160 --> 00:05:44,480 Speaker 1: the book on Ted Bundy, and I could get into this. 94 00:05:44,800 --> 00:05:50,880 Speaker 1: I haven't read many serial killer true crime nonfiction, but 95 00:05:50,920 --> 00:05:53,919 Speaker 1: Ted Bundy has always fascinated me for obvious reasons, So 96 00:05:53,960 --> 00:05:55,480 Speaker 1: this looks like something that I could get into. If 97 00:05:55,480 --> 00:05:58,080 Speaker 1: any of you have read this one, The Stranger Beside Me, 98 00:05:58,520 --> 00:06:01,320 Speaker 1: Ted Bundy, The Shocking Inside Story, let me know because 99 00:06:01,360 --> 00:06:05,839 Speaker 1: I'm intrigued. Okay seventeen Swank Song, sixteen House of leaves, 100 00:06:06,040 --> 00:06:11,240 Speaker 1: never read either. Number fifteen, nineteen eighty four by George Orwell. 101 00:06:11,320 --> 00:06:13,839 Speaker 1: I read this in junior high I think, or early 102 00:06:13,880 --> 00:06:18,440 Speaker 1: in high school, and I don't remember it being scary. 103 00:06:18,520 --> 00:06:20,360 Speaker 1: I do need to reread it because I feel like 104 00:06:20,400 --> 00:06:23,320 Speaker 1: we're living it right now in the world, and I 105 00:06:23,360 --> 00:06:25,320 Speaker 1: would like to reread it as an adult with the 106 00:06:25,360 --> 00:06:27,920 Speaker 1: context of twenty twenty four. But I don't remember it 107 00:06:28,000 --> 00:06:30,479 Speaker 1: actually being scary. If you guys do, let me know, 108 00:06:30,760 --> 00:06:33,080 Speaker 1: get in touch. Let's talk about nineteen eighty four. I'm 109 00:06:33,120 --> 00:06:35,719 Speaker 1: here for it. Fourteen and I'm psyched. This is on 110 00:06:35,800 --> 00:06:39,400 Speaker 1: the list. Legion by William Peter Bladie, the author of 111 00:06:39,440 --> 00:06:42,920 Speaker 1: The Exorcist, which I think is a continuation of The Exorcist. 112 00:06:43,320 --> 00:06:46,400 Speaker 1: Hold on, I'm gonna check that out. Okay, Actually, Legion is. 113 00:06:47,160 --> 00:06:49,919 Speaker 1: It's kind of It's not really a sequel to the Exorcist, 114 00:06:50,400 --> 00:06:54,600 Speaker 1: but it is. It does follow a mystery with the 115 00:06:54,720 --> 00:06:58,640 Speaker 1: detective from The Exorcist, which is a great character, and 116 00:06:59,160 --> 00:07:01,440 Speaker 1: in volvezuz Zodiac Killer. This looks incredible and I love 117 00:07:01,560 --> 00:07:04,200 Speaker 1: I love William Peter Blady's writing, as you know. So 118 00:07:04,360 --> 00:07:06,400 Speaker 1: I'm probably gonna read this, probably gonna read this next 119 00:07:06,400 --> 00:07:09,680 Speaker 1: actually thirteen The Turn of the Screw by Henry James. 120 00:07:09,680 --> 00:07:12,720 Speaker 1: Read it in high school. Don't remember any of it 121 00:07:12,880 --> 00:07:15,520 Speaker 1: never mind, don't remember it being scary. Heart Shaped Box 122 00:07:15,560 --> 00:07:17,760 Speaker 1: by Joe Hill. Haven't read it. I believe that's Stephen 123 00:07:17,800 --> 00:07:21,119 Speaker 1: King's son. Okay. The Pit and the Pendulum by Edgar 124 00:07:21,160 --> 00:07:25,440 Speaker 1: Allan Poe, Dracula by Bram Stoker, Ghost Story by Peter 125 00:07:25,560 --> 00:07:29,520 Speaker 1: strab Those are eleven, ten to nine. Number eight is 126 00:07:29,600 --> 00:07:32,920 Speaker 1: Lord of the Flies by William Goading. Read that freshman 127 00:07:33,000 --> 00:07:36,920 Speaker 1: Year that I can say was actually scary. Sleeper, sleeper, scary. 128 00:07:36,920 --> 00:07:38,360 Speaker 1: That book kind of scared the hell out of me. 129 00:07:38,800 --> 00:07:41,480 Speaker 1: I don't think it was intentional. Number seven The Haunting 130 00:07:41,480 --> 00:07:43,680 Speaker 1: of Hill House by Shirley Jackson. There's a lot of 131 00:07:43,680 --> 00:07:46,520 Speaker 1: horror that I don't read. Okay, here we go. Number 132 00:07:46,560 --> 00:07:49,680 Speaker 1: six Carrie by Stephen King. Okay, I said on last 133 00:07:49,680 --> 00:07:53,720 Speaker 1: week's pod that the movie was not I did not 134 00:07:53,800 --> 00:07:57,320 Speaker 1: think the movie was scary. The book I can't. I 135 00:07:57,360 --> 00:07:59,240 Speaker 1: can't actually remember if I read it. I don't think 136 00:07:59,280 --> 00:08:04,080 Speaker 1: I read it. Five pet Cemetery by Stephen King. Horrifying, 137 00:08:04,560 --> 00:08:10,440 Speaker 1: horrifying book, truly truly scary. Number four The Exorcist. Number four. 138 00:08:10,480 --> 00:08:13,000 Speaker 1: I like how it's top five. Is it scarier than 139 00:08:13,040 --> 00:08:15,760 Speaker 1: pet Cemetery? Yes? Should it be number one? We're going 140 00:08:15,800 --> 00:08:18,920 Speaker 1: to talk about that in a minute. Number three Salem's 141 00:08:18,960 --> 00:08:23,720 Speaker 1: Lot also terrifying, terrifying book. First Stephen King book I read, 142 00:08:24,040 --> 00:08:27,160 Speaker 1: And maybe that's why it's the scariest to me, because 143 00:08:27,160 --> 00:08:28,480 Speaker 1: it was the first that I read, and I didn't 144 00:08:28,560 --> 00:08:31,640 Speaker 1: understand horror at that age. At that point, I think 145 00:08:31,720 --> 00:08:34,560 Speaker 1: pet Cemetery was the second book I read, Stephen King 146 00:08:34,559 --> 00:08:36,960 Speaker 1: book that I read. But Salem's Lot scared the hell 147 00:08:36,960 --> 00:08:39,240 Speaker 1: out of me. Anything that normalizes I said this in 148 00:08:39,240 --> 00:08:43,520 Speaker 1: the book club last night, Anything that normalizes vampires scares 149 00:08:43,559 --> 00:08:45,320 Speaker 1: the hell out of me. As part of me thinks 150 00:08:45,360 --> 00:08:47,280 Speaker 1: that vampires are real, I think, and I haven't really 151 00:08:47,320 --> 00:08:51,160 Speaker 1: admitted that to myself until right now. Just this notion 152 00:08:51,240 --> 00:08:55,320 Speaker 1: that these people in everyday life could in fact be 153 00:08:55,400 --> 00:08:57,760 Speaker 1: four hundred and fifty years old. I find that to 154 00:08:57,760 --> 00:09:04,079 Speaker 1: be incredibly horrifying. Number Two, The Shining definitely scary, very 155 00:09:04,200 --> 00:09:09,040 Speaker 1: very very scary. Scarier than Salem's Lot though nope, scarier 156 00:09:09,080 --> 00:09:13,200 Speaker 1: than The Exorcist, Scarier than pet Cemetery, even I don't 157 00:09:13,240 --> 00:09:15,200 Speaker 1: think so so I don't know that I would put 158 00:09:15,240 --> 00:09:20,320 Speaker 1: The Shining number two, the movie's definitely terrifying, and number one, 159 00:09:20,679 --> 00:09:22,760 Speaker 1: and I'm ashamed to say I have not read this book. 160 00:09:22,840 --> 00:09:26,840 Speaker 1: Stephen King's it. Okay, I need to read it, and 161 00:09:26,880 --> 00:09:29,280 Speaker 1: I need to read it soon. There's no excuse. I've 162 00:09:29,280 --> 00:09:31,480 Speaker 1: been talking about this book for about ten years now, 163 00:09:31,679 --> 00:09:34,480 Speaker 1: definitely the six years i've been doing this podcast with you, guys, 164 00:09:34,480 --> 00:09:37,920 Speaker 1: and I still haven't read it. So again, Number one, it, 165 00:09:38,200 --> 00:09:41,920 Speaker 1: number two, The Shining, number three, Salem's Lot, all three 166 00:09:41,920 --> 00:09:46,040 Speaker 1: spots occupied by Stephen King, Number four The Exorcist, and 167 00:09:46,120 --> 00:09:49,319 Speaker 1: number five also Stephen king pet Cemetery. So four of 168 00:09:49,400 --> 00:09:52,120 Speaker 1: the top five scariest books of all time according to 169 00:09:52,480 --> 00:09:56,800 Speaker 1: Goodreads are Stephen King books. And the other one is 170 00:09:56,840 --> 00:09:59,560 Speaker 1: the book that we discussed in the book club last night, 171 00:09:59,600 --> 00:10:02,040 Speaker 1: and the book we recorded a podcast on the film 172 00:10:02,120 --> 00:10:04,960 Speaker 1: adaptation of The Exorcist. Okay, so I think we're in 173 00:10:05,000 --> 00:10:07,360 Speaker 1: the right ballpark here, guys, And we talked a lot 174 00:10:07,480 --> 00:10:10,200 Speaker 1: last night about a bunch of these books in the 175 00:10:10,200 --> 00:10:12,600 Speaker 1: book club. That was awesome. Thank you. If you guys 176 00:10:12,600 --> 00:10:14,400 Speaker 1: weren't there, you missed out. Make sure you get in 177 00:10:14,400 --> 00:10:16,560 Speaker 1: the next one. It's a lot of fun. And I 178 00:10:16,600 --> 00:10:18,880 Speaker 1: said this last night. I really love seeing your faces. 179 00:10:19,160 --> 00:10:21,840 Speaker 1: It makes us the connectivity of this whole thing, the engagement, 180 00:10:21,880 --> 00:10:24,240 Speaker 1: It puts it over the top. For me. It's just 181 00:10:24,280 --> 00:10:26,600 Speaker 1: great to spend some FaceTime together. So if everybody was there, 182 00:10:26,679 --> 00:10:29,920 Speaker 1: thank you so much. Great conversation. We spent about ninety minutes. 183 00:10:30,120 --> 00:10:32,200 Speaker 1: You know, the first half hour we talked about The Exorcist, 184 00:10:32,240 --> 00:10:34,080 Speaker 1: and then really for the next hour we talked about 185 00:10:34,080 --> 00:10:36,720 Speaker 1: all kinds of shit and it was awesome. And we 186 00:10:36,760 --> 00:10:39,920 Speaker 1: figured out that we're going to try to do another 187 00:10:40,120 --> 00:10:43,560 Speaker 1: book club between now and Christmas if we deemed that 188 00:10:43,600 --> 00:10:46,240 Speaker 1: we have enough time in our schedule. I don't want 189 00:10:46,280 --> 00:10:49,559 Speaker 1: to impose upon everybody's busy time of the year. Were 190 00:10:49,600 --> 00:10:51,240 Speaker 1: looking for a book, though, here's the point. We're looking 191 00:10:51,240 --> 00:10:55,000 Speaker 1: for a book that is in our wheelhouse. Okay, so dark, 192 00:10:55,559 --> 00:10:59,880 Speaker 1: true crimey, entertainment, music world, whatever, but it is set 193 00:11:00,760 --> 00:11:02,719 Speaker 1: around in and around Christmas. Doesn't have to be a 194 00:11:02,800 --> 00:11:05,440 Speaker 1: Christmas book, obviously, but we want something with some sort 195 00:11:05,440 --> 00:11:08,040 Speaker 1: of Christmas theme. And I don't know what that book is. 196 00:11:08,080 --> 00:11:09,640 Speaker 1: We talked last night. The only thing I can think 197 00:11:09,640 --> 00:11:12,880 Speaker 1: about was The Godfather, because the Godfather has a heavy 198 00:11:13,280 --> 00:11:16,880 Speaker 1: Christmas element to it, you know. I mean, it's not 199 00:11:16,920 --> 00:11:19,319 Speaker 1: a Christmas book by any stretch, but I do want 200 00:11:19,360 --> 00:11:22,400 Speaker 1: some Christmas vibes in whatever book we read. I love 201 00:11:22,400 --> 00:11:24,520 Speaker 1: The Godfather. I don't want to push it upon anybody. 202 00:11:24,559 --> 00:11:26,280 Speaker 1: I want to make sure you guys are excited about 203 00:11:26,320 --> 00:11:28,559 Speaker 1: what we're reading as well. So if you have any 204 00:11:28,600 --> 00:11:34,320 Speaker 1: other examples of a good Christmas set novel, I should 205 00:11:34,320 --> 00:11:37,679 Speaker 1: say or something get Christmas adjacent is probably the better 206 00:11:37,720 --> 00:11:39,360 Speaker 1: way to put it. Let me know. We'll get into 207 00:11:39,400 --> 00:11:41,560 Speaker 1: that and that'll be our next book club book. Okay, 208 00:11:41,559 --> 00:11:42,840 Speaker 1: we're going to figure that out. We'll figure it out 209 00:11:42,880 --> 00:11:45,360 Speaker 1: on the Patreon chat, We'll figure it out on Instagram, 210 00:11:45,440 --> 00:11:49,360 Speaker 1: on x on Facebook, wherever we're having this conversation. All right, 211 00:11:49,400 --> 00:11:51,679 Speaker 1: back to scary books. We're gonna get to your answers 212 00:11:51,720 --> 00:11:53,680 Speaker 1: for this week's question of the Week on the scariest 213 00:11:53,679 --> 00:11:57,000 Speaker 1: book that you've read. But before we do that little 214 00:11:57,000 --> 00:12:01,160 Speaker 1: ditty update as promised the news this week, and there's 215 00:12:01,480 --> 00:12:04,719 Speaker 1: of course, you know Tony Busby laying out these lawsuits. 216 00:12:05,080 --> 00:12:09,480 Speaker 1: There's a new allegation, a new lawsuit alleging that Sean 217 00:12:09,559 --> 00:12:13,880 Speaker 1: Combs raped a ten year old, and I do not 218 00:12:14,080 --> 00:12:15,960 Speaker 1: know as of this date whether or not Shawn Combs 219 00:12:16,040 --> 00:12:19,280 Speaker 1: and his attorneys have denied these allegations. I'm sure they will, 220 00:12:19,800 --> 00:12:22,480 Speaker 1: that's important to note. I'm just going to assume they have, 221 00:12:22,880 --> 00:12:26,560 Speaker 1: so I'm saying that, and I have not gone through 222 00:12:26,720 --> 00:12:31,080 Speaker 1: the actual lawsuit, so I cannot speak to its veracity. 223 00:12:31,640 --> 00:12:33,800 Speaker 1: So it's just there. We're gonna get one of these 224 00:12:33,920 --> 00:12:36,480 Speaker 1: every single week, okay, and I'm not going to detail 225 00:12:36,480 --> 00:12:38,800 Speaker 1: every single one, at least not in this form. The 226 00:12:38,880 --> 00:12:41,839 Speaker 1: other news concerning Sewan Combs this week that is more 227 00:12:41,840 --> 00:12:45,640 Speaker 1: interesting to me, and check this out. Okay. You guys 228 00:12:45,720 --> 00:12:48,600 Speaker 1: know we've talked about who Jaguar right is. She's on TikTok, 229 00:12:48,640 --> 00:12:52,320 Speaker 1: she's saying all kinds of shit. She goes onto Piers Morgan, 230 00:12:52,360 --> 00:12:54,839 Speaker 1: as we discussed, and she starts laying out her conspiracy 231 00:12:54,880 --> 00:12:58,840 Speaker 1: theories relative to jay Z and Beyonce as they relate 232 00:12:58,880 --> 00:13:02,160 Speaker 1: to Diddy. Basically, she's alluding to the fact that jay 233 00:13:02,240 --> 00:13:06,480 Speaker 1: Z is culpable in the Sean Combs mess. And she's 234 00:13:06,760 --> 00:13:09,160 Speaker 1: been saying this all over TikTok, which is one thing, 235 00:13:09,200 --> 00:13:11,640 Speaker 1: but to go on television, to go on Piers Morgan's show, 236 00:13:12,000 --> 00:13:15,800 Speaker 1: and to make these allegations is another thing entirely. So 237 00:13:15,840 --> 00:13:19,080 Speaker 1: what happens is this is what prompts jay Z and 238 00:13:19,400 --> 00:13:23,080 Speaker 1: Beyonce to respond. They have their lawyer reach out to 239 00:13:23,080 --> 00:13:26,120 Speaker 1: Piers Morgan. Piers Morgan has to come on and apologize 240 00:13:26,280 --> 00:13:29,840 Speaker 1: for hosting Jaguar Right, and he has to basically pour 241 00:13:29,920 --> 00:13:33,000 Speaker 1: water all over Jaguar Right's allegations that she made because 242 00:13:33,000 --> 00:13:36,679 Speaker 1: they're unsubstantiated. It's her word against I guess jay Z 243 00:13:36,800 --> 00:13:39,840 Speaker 1: and Beyonce's. Jay Z and Beyonce have not spoken directly 244 00:13:39,880 --> 00:13:42,960 Speaker 1: to any of any of these allegations or conspiracies that 245 00:13:43,000 --> 00:13:46,400 Speaker 1: connect them to Diddy. So we knew that. We talked 246 00:13:46,400 --> 00:13:48,000 Speaker 1: about that a couple of weeks ago. So why am 247 00:13:48,000 --> 00:13:50,120 Speaker 1: I bringing it up again? Well, the reason is because 248 00:13:50,120 --> 00:13:54,280 Speaker 1: there's a security guard now. Hip hop security guards on TikTok. 249 00:13:54,320 --> 00:13:58,040 Speaker 1: It's a whole cottage industry. Okay, they've got secrets. They're 250 00:13:58,040 --> 00:14:00,040 Speaker 1: out there, they're putting themselves on camera, they're doing the 251 00:14:00,080 --> 00:14:03,520 Speaker 1: podcast circuit and they're talking about all kinds of crazy 252 00:14:03,520 --> 00:14:06,240 Speaker 1: behavior that happens in hip hop. This is not anything 253 00:14:06,280 --> 00:14:11,240 Speaker 1: new since these Diddy allegations. This this little security guard 254 00:14:12,600 --> 00:14:17,320 Speaker 1: interview cottage industry has really really caught some fire on TikTok, 255 00:14:17,400 --> 00:14:19,120 Speaker 1: and there's a lot of security guards who are out 256 00:14:19,120 --> 00:14:22,600 Speaker 1: there talking and they're sharing what they've seen, they've they're 257 00:14:22,640 --> 00:14:25,840 Speaker 1: taking you into the dark corners of the of the 258 00:14:25,920 --> 00:14:29,000 Speaker 1: entertainment industry. Now, whether or not you believe them, that's 259 00:14:29,080 --> 00:14:31,720 Speaker 1: up to you. They're not coming with any receipts. It's 260 00:14:31,760 --> 00:14:35,880 Speaker 1: all hearsay. So Homie Ceci, who I think I'm saying 261 00:14:35,880 --> 00:14:38,480 Speaker 1: that correctly is this security guard. He goes on to 262 00:14:38,520 --> 00:14:42,480 Speaker 1: talk about Jaguar Wright on one of these interviews let's 263 00:14:42,520 --> 00:14:45,040 Speaker 1: put on TikTok, and he says that she needs to 264 00:14:45,080 --> 00:14:47,560 Speaker 1: be quiet, saying that this isn't safe, saying that quote, 265 00:14:47,560 --> 00:14:50,680 Speaker 1: this is when people wind up dead unquote. Now I'm 266 00:14:50,720 --> 00:14:54,520 Speaker 1: telling you this because we learned end of last week, 267 00:14:54,560 --> 00:14:59,360 Speaker 1: I believe that another security guard, this one security guard 268 00:14:59,520 --> 00:15:02,920 Speaker 1: for Jays, for Beyonce and at one point for Diddy, 269 00:15:03,160 --> 00:15:07,680 Speaker 1: security guard named Uncle Ron. Uncle Ron, like I said, 270 00:15:07,720 --> 00:15:11,600 Speaker 1: it's recently been learned, has passed away and to this date, 271 00:15:12,000 --> 00:15:14,280 Speaker 1: his cause of death, as far as I can tell, 272 00:15:14,720 --> 00:15:18,800 Speaker 1: is unknown. Now why does this matter, Well, Uncle Ron 273 00:15:19,440 --> 00:15:22,120 Speaker 1: was part of this sort of TikTok security guard thing, 274 00:15:23,000 --> 00:15:26,880 Speaker 1: and Uncle Ron had about hundred and fifty thousand followers, 275 00:15:26,920 --> 00:15:29,520 Speaker 1: two hundred thousand something like that, not huge, but big enough. 276 00:15:29,880 --> 00:15:33,680 Speaker 1: And Uncle Ron was talking all kinds of shit about 277 00:15:33,800 --> 00:15:36,880 Speaker 1: jay Z and Diddy, and like I said, we just 278 00:15:37,000 --> 00:15:41,960 Speaker 1: learned Uncle Ron has died and we don't know how. Okay, 279 00:15:42,160 --> 00:15:47,200 Speaker 1: it seems strange. Why don't we know how? All right? 280 00:15:47,480 --> 00:15:50,960 Speaker 1: And of course nobody, jay Z, Beyonce, Diddy, none of 281 00:15:50,960 --> 00:15:52,920 Speaker 1: them have spoken on this death, and why would they. 282 00:15:53,040 --> 00:15:55,120 Speaker 1: But I'm just putting that out there now. I'm not 283 00:15:55,160 --> 00:15:58,280 Speaker 1: saying that Uncle Ron's death was caused in any way 284 00:15:58,320 --> 00:16:01,800 Speaker 1: by jay Z, by Beyonce by, but I'm not saying 285 00:16:01,840 --> 00:16:04,640 Speaker 1: that other people aren't saying that because they are. And 286 00:16:04,800 --> 00:16:09,000 Speaker 1: still to this day, when you look at the entertainment industry, 287 00:16:09,040 --> 00:16:13,720 Speaker 1: the music industry, the film industry, you're still not hearing 288 00:16:13,880 --> 00:16:16,960 Speaker 1: a lot in the way of denial when it comes 289 00:16:17,000 --> 00:16:22,800 Speaker 1: to these megastars who have associated with Ditty, who have 290 00:16:22,840 --> 00:16:25,680 Speaker 1: been at these parties, and who are being associated with 291 00:16:25,800 --> 00:16:29,040 Speaker 1: these allegations, at least in the conjecture that's going on 292 00:16:29,040 --> 00:16:32,720 Speaker 1: on social media. And I think that's strange. And here's why, 293 00:16:32,880 --> 00:16:35,840 Speaker 1: Because if it were me. Let's say it were me 294 00:16:36,200 --> 00:16:39,640 Speaker 1: and I were at one of these freakoffs, and let's 295 00:16:39,680 --> 00:16:44,200 Speaker 1: just say that I partook in a freakoff. Okay, but 296 00:16:44,320 --> 00:16:47,840 Speaker 1: in a I'm just having sex kind of way, and 297 00:16:47,880 --> 00:16:51,000 Speaker 1: I did nothing wrong, and I saw nothing wrong, and 298 00:16:51,040 --> 00:16:55,400 Speaker 1: I saw no underage ilicit behavior, nothing with minors, nothing 299 00:16:55,440 --> 00:17:00,400 Speaker 1: with illegal drugs, nothing with abuse. If I on none 300 00:17:00,440 --> 00:17:04,480 Speaker 1: of those things, and my name we're being bandied about 301 00:17:05,240 --> 00:17:08,879 Speaker 1: next to all these allegations, I would find myself in 302 00:17:08,880 --> 00:17:10,920 Speaker 1: front of a microphone telling the world that I had 303 00:17:10,960 --> 00:17:13,959 Speaker 1: nothing to do with this deplorable behavior that is being 304 00:17:14,480 --> 00:17:19,080 Speaker 1: accused of Sean Combs and the cohort of celebrities who 305 00:17:19,200 --> 00:17:24,600 Speaker 1: had regularly attended his parties. I find it strange that 306 00:17:24,680 --> 00:17:27,960 Speaker 1: we have not heard that. Okay, what it all means, 307 00:17:28,720 --> 00:17:32,240 Speaker 1: I think you can tell what I think we shall see. Okay, 308 00:17:32,680 --> 00:17:34,960 Speaker 1: this is the Little Diddy update. I'm trying not to 309 00:17:35,000 --> 00:17:38,359 Speaker 1: cannibalize the whole bonus episode here for disgrace slam. What 310 00:17:38,400 --> 00:17:39,920 Speaker 1: I think I'm going to do is I'm going to 311 00:17:40,000 --> 00:17:42,600 Speaker 1: move coming in January, right, I think what I'm going 312 00:17:42,680 --> 00:17:44,320 Speaker 1: to start doing is I'm going to be releasing this 313 00:17:44,400 --> 00:17:47,800 Speaker 1: weekly Diddy Dossier episode that's going to happen probably over 314 00:17:47,840 --> 00:17:49,920 Speaker 1: the weekend, and it's going to organize all the news 315 00:17:49,920 --> 00:17:52,919 Speaker 1: on Shawn Combs up to that point, all right, and 316 00:17:52,960 --> 00:17:54,920 Speaker 1: we're going to talk about all these things in an 317 00:17:55,040 --> 00:17:56,960 Speaker 1: organized way. We're going to give it the space that 318 00:17:57,000 --> 00:18:00,800 Speaker 1: it deserves once a week or maybe twice a month. 319 00:18:00,840 --> 00:18:04,040 Speaker 1: I'm not exactly sure. The amount of news that is 320 00:18:04,040 --> 00:18:08,480 Speaker 1: out there will dictate the volume for our conversation. I 321 00:18:08,560 --> 00:18:12,639 Speaker 1: am also, as of right now, researching and writing a 322 00:18:12,760 --> 00:18:15,520 Speaker 1: full disgrace ane episode on Shawn Combs that will come 323 00:18:15,520 --> 00:18:17,960 Speaker 1: out in the beginning of January. And this is going 324 00:18:18,000 --> 00:18:20,879 Speaker 1: to take us from where we left off in the 325 00:18:20,880 --> 00:18:24,360 Speaker 1: first Shawn Combs episode that we released last year, right 326 00:18:24,440 --> 00:18:27,360 Speaker 1: as the Cassie news was breaking. It's going to take 327 00:18:27,400 --> 00:18:31,359 Speaker 1: us from the point when Cassie Ventre makes her allegations 328 00:18:31,640 --> 00:18:34,160 Speaker 1: to when Shawn Colmes winds up in jail. And I'm 329 00:18:34,200 --> 00:18:37,359 Speaker 1: going to give you everything that is real. I'm going 330 00:18:37,400 --> 00:18:40,320 Speaker 1: to give you everything that is fact based. I'm going 331 00:18:40,359 --> 00:18:43,199 Speaker 1: to give you everything that is fact based in a dramatic, 332 00:18:43,680 --> 00:18:46,840 Speaker 1: edge of your seat storytelling way. That is going to 333 00:18:46,880 --> 00:18:49,360 Speaker 1: be the episode on seaw Colmes that will be releasing 334 00:18:49,400 --> 00:18:52,280 Speaker 1: in about six weeks. As I build that, as I 335 00:18:52,359 --> 00:18:55,520 Speaker 1: researched that out, I will also be keeping an eye 336 00:18:55,520 --> 00:18:58,280 Speaker 1: on the Sean Combs news that is breaking daily as 337 00:18:58,320 --> 00:19:00,479 Speaker 1: I have been, and I will be organized this for 338 00:19:00,520 --> 00:19:04,920 Speaker 1: you in some sort of weekly Diddy dossier package bonus 339 00:19:04,960 --> 00:19:07,280 Speaker 1: episode type of thing as we go. And then, like 340 00:19:07,320 --> 00:19:09,720 Speaker 1: I said, I'll release that full episode in January, and 341 00:19:09,760 --> 00:19:13,520 Speaker 1: there will likely be other Sean Combs full episodes throughout 342 00:19:13,560 --> 00:19:16,639 Speaker 1: next year as we speed toward the trial which is 343 00:19:16,720 --> 00:19:21,920 Speaker 1: happening in May. That's how at this moment, ten thirty 344 00:19:22,280 --> 00:19:27,480 Speaker 1: on October thirtieth, twenty twenty four, I am seeing how 345 00:19:27,520 --> 00:19:30,240 Speaker 1: I'm going to cover the Sean Combs story for you guys. 346 00:19:30,480 --> 00:19:32,639 Speaker 1: All right, enough on Diddy for right now. I'm going 347 00:19:32,720 --> 00:19:34,960 Speaker 1: to be back in a flash with your answers to 348 00:19:35,080 --> 00:19:37,639 Speaker 1: last week's question of the Week. But real quick, we 349 00:19:37,720 --> 00:19:41,560 Speaker 1: have this episode coming out next week on November fifth, 350 00:19:42,280 --> 00:19:45,919 Speaker 1: on the nineteen eighty six New York Mets. Now. Listen, 351 00:19:46,600 --> 00:19:50,240 Speaker 1: sometimes you try things, You take a swing, pun intended, 352 00:19:50,920 --> 00:19:53,119 Speaker 1: and things don't work out the way you want them to. 353 00:19:53,200 --> 00:19:55,720 Speaker 1: But it's a big swing, and you take that swing 354 00:19:55,840 --> 00:19:57,679 Speaker 1: just because you know what, fuck it, man, Sometimes you 355 00:19:57,720 --> 00:20:00,960 Speaker 1: got to just do it right. Mets fan, I'm a 356 00:20:01,000 --> 00:20:02,960 Speaker 1: Red Sox fan, but I'm a Mets fan. I've talked 357 00:20:02,960 --> 00:20:05,440 Speaker 1: to you guys about this before. They're my National League team. 358 00:20:05,480 --> 00:20:08,320 Speaker 1: They have been since before the nineteen eighty six Mets 359 00:20:08,440 --> 00:20:11,119 Speaker 1: met the Red Sox. In the nineteen eighty six World Series. 360 00:20:11,160 --> 00:20:13,080 Speaker 1: I rooted for the Red Sox and I was heartbroken 361 00:20:13,119 --> 00:20:15,639 Speaker 1: in that World Series. Okay, but the Mets are like 362 00:20:15,680 --> 00:20:18,520 Speaker 1: my second team and they always have been, in part 363 00:20:18,760 --> 00:20:21,320 Speaker 1: because they're not the Yankees and they hate the Yankees, 364 00:20:21,359 --> 00:20:24,160 Speaker 1: and Mets fans hate the Yankees, and Yankees fans hate 365 00:20:24,160 --> 00:20:28,119 Speaker 1: the Mets. I was really, really, really hoping for a 366 00:20:28,240 --> 00:20:32,000 Speaker 1: Mets appearance in the World Series, and the biggest swing 367 00:20:32,000 --> 00:20:34,480 Speaker 1: would have been for the Mets versus the Yankees, because 368 00:20:35,040 --> 00:20:39,000 Speaker 1: that's thematically part of what this episode is. It's also 369 00:20:39,119 --> 00:20:41,760 Speaker 1: about all the drugs and all the drinking, and all 370 00:20:41,800 --> 00:20:44,679 Speaker 1: the strippers and all the sex behind the dugout and 371 00:20:44,760 --> 00:20:47,720 Speaker 1: all the craziness that went on in nineteen eighty six 372 00:20:47,720 --> 00:20:51,359 Speaker 1: with Doc Goodin and Darryl Strawberry and Keith Hernandez just 373 00:20:51,400 --> 00:20:54,960 Speaker 1: a phenomenal team. But it's also a story about the 374 00:20:55,040 --> 00:20:57,440 Speaker 1: nineteen eighty six Mets and where they come from, which 375 00:20:57,480 --> 00:21:03,080 Speaker 1: is Queens, New York, which is different than Manhattan obviously. Okay, 376 00:21:03,400 --> 00:21:06,199 Speaker 1: So when you're listening to this episode next week and 377 00:21:06,240 --> 00:21:09,200 Speaker 1: you hear the themes that are coming out in this episode, 378 00:21:09,359 --> 00:21:12,040 Speaker 1: I want you guys to be thinking about this question. 379 00:21:12,520 --> 00:21:14,640 Speaker 1: What is the best sports town not just in America 380 00:21:14,720 --> 00:21:18,600 Speaker 1: but in the world and why? Okay, are you in Philly? 381 00:21:18,840 --> 00:21:21,480 Speaker 1: Is it Philadelphia? Is it La? The world series will 382 00:21:21,560 --> 00:21:23,600 Speaker 1: likely be decided by the time you hear this episode. 383 00:21:23,760 --> 00:21:26,399 Speaker 1: So is it La or is it New York? Is 384 00:21:26,440 --> 00:21:31,080 Speaker 1: it Boston? Is it Manchester? Man City? Liverpool? What is 385 00:21:31,119 --> 00:21:34,399 Speaker 1: it Salpoulo? Is that even a sports town? I don't know. 386 00:21:34,640 --> 00:21:36,480 Speaker 1: Let me know. Six one seven nine oh six sixty 387 00:21:36,480 --> 00:21:38,439 Speaker 1: six three eight. When you're listening to this Met's episode, 388 00:21:38,480 --> 00:21:39,800 Speaker 1: I want you guys to be thinking about what the 389 00:21:39,800 --> 00:21:41,480 Speaker 1: best sports town in the world is and I want 390 00:21:41,480 --> 00:21:43,720 Speaker 1: you to let me know why. Six one seven nine 391 00:21:43,720 --> 00:21:45,600 Speaker 1: oh six six six three eight, And let me know. 392 00:21:45,640 --> 00:21:47,200 Speaker 1: I'm going to take a quick break comping back in 393 00:21:47,240 --> 00:21:50,720 Speaker 1: a flash with answers from you guys on last week's 394 00:21:50,760 --> 00:22:13,080 Speaker 1: question of the week. All Right, we are back. Last 395 00:22:13,080 --> 00:22:15,320 Speaker 1: week's question of the week was what is the scariest 396 00:22:15,320 --> 00:22:17,160 Speaker 1: book that You've ever read? That's what we were talking 397 00:22:17,160 --> 00:22:18,960 Speaker 1: about in the B block here just a minute ago. 398 00:22:19,280 --> 00:22:22,240 Speaker 1: Obviously we're talking about it because of the Exorcist, which 399 00:22:22,359 --> 00:22:25,159 Speaker 1: was the subject the film, anyways, was the subject of 400 00:22:25,160 --> 00:22:27,240 Speaker 1: this week's episode of Disgrace Sland, and the book was 401 00:22:27,280 --> 00:22:30,159 Speaker 1: the subject of our book club meeting last week. So 402 00:22:30,720 --> 00:22:31,480 Speaker 1: what say you? 403 00:22:32,080 --> 00:22:35,320 Speaker 2: Seven to one six, hey Jacobs, And from the seven 404 00:22:35,359 --> 00:22:39,840 Speaker 2: to one to six, I still remember Pet Cemetery as 405 00:22:39,960 --> 00:22:42,560 Speaker 2: being the scariest book I've read. Nothing comes close to 406 00:22:42,640 --> 00:22:47,760 Speaker 2: the passage of when he thinks he's dreaming and he 407 00:22:47,800 --> 00:22:50,440 Speaker 2: wakes up and there's dirt all over his feet because 408 00:22:50,480 --> 00:22:53,440 Speaker 2: he wasn't dreaming. He actually went out into the cemetery. 409 00:22:53,960 --> 00:22:57,399 Speaker 2: But I know it's a long time ago and I 410 00:22:57,480 --> 00:22:59,919 Speaker 2: was in high school, but I remember clearly needing to 411 00:23:00,080 --> 00:23:02,600 Speaker 2: leave the lights on all night after I read Stephen 412 00:23:02,680 --> 00:23:03,640 Speaker 2: King's Pet Cemetery. 413 00:23:03,640 --> 00:23:04,400 Speaker 1: It was terrifying. 414 00:23:04,800 --> 00:23:07,800 Speaker 2: So anyway, just you know, I thought I would call it, 415 00:23:07,840 --> 00:23:09,840 Speaker 2: you know, okay, thanks go Bill. 416 00:23:10,280 --> 00:23:13,600 Speaker 1: Yes, pet Cemetery. And I remember that dream scene. I 417 00:23:13,680 --> 00:23:16,000 Speaker 1: really really, I really truly did. I didn't until you 418 00:23:16,040 --> 00:23:18,120 Speaker 1: mentioned it, and then I was like, damn, that's right, 419 00:23:18,119 --> 00:23:22,200 Speaker 1: and I remember being scared, crazy, crazy, crazy, crazy scene 420 00:23:22,720 --> 00:23:25,720 Speaker 1: and just an incredible book. I can't tell though, if 421 00:23:25,880 --> 00:23:28,480 Speaker 1: you know. With pet Cemetery, I think I'm kind of 422 00:23:28,520 --> 00:23:31,200 Speaker 1: burned by the movie, which I actually think is held 423 00:23:31,280 --> 00:23:35,159 Speaker 1: up better than than than it was received, if that 424 00:23:35,240 --> 00:23:38,640 Speaker 1: makes sense. Pet Cemetery as a as a pet Cemetery 425 00:23:38,640 --> 00:23:40,399 Speaker 1: as a movie is not awful, but maybe that's just 426 00:23:40,400 --> 00:23:44,760 Speaker 1: because of my affection for the book, but kind of 427 00:23:44,760 --> 00:23:49,080 Speaker 1: the goofiness that's the wrong word, but there's the movie 428 00:23:49,119 --> 00:23:54,200 Speaker 1: is missing the intensity that the book has. And maybe 429 00:23:54,280 --> 00:23:56,080 Speaker 1: I think in my mind that when I think of 430 00:23:56,119 --> 00:23:59,760 Speaker 1: pet Cemetery the book, I don't think of it as 431 00:23:59,760 --> 00:24:03,680 Speaker 1: being as scary as it actually was when I read it, 432 00:24:03,760 --> 00:24:07,000 Speaker 1: if that makes any sense. And real quick on dreams, 433 00:24:07,280 --> 00:24:09,960 Speaker 1: they tell you not to write dreams as a writer. 434 00:24:10,200 --> 00:24:14,160 Speaker 1: They tell you that it's lazy, that it's uninteresting, and 435 00:24:15,000 --> 00:24:18,679 Speaker 1: I disagree, and I think your point here prus my 436 00:24:18,840 --> 00:24:21,359 Speaker 1: point that that's not this is not true. I mean, 437 00:24:21,400 --> 00:24:23,960 Speaker 1: tell that to David Chase from The Sopranos and yeah, 438 00:24:24,000 --> 00:24:26,960 Speaker 1: go Pats, Okay, let's check out this one from The 439 00:24:27,000 --> 00:24:27,440 Speaker 1: Five one e. 440 00:24:28,080 --> 00:24:30,720 Speaker 3: Yeah, Drake, this is David the five on just Hope 441 00:24:30,720 --> 00:24:33,560 Speaker 3: it's not too late, but just listening. And you asked 442 00:24:33,600 --> 00:24:35,800 Speaker 3: about question of the week was going to be, what's 443 00:24:35,800 --> 00:24:38,200 Speaker 3: the scariest book you've ever read? I have to say 444 00:24:38,240 --> 00:24:42,440 Speaker 3: it was a book called The Scream by Skip Inspector 445 00:24:42,880 --> 00:24:45,560 Speaker 3: Greig Skipp and still Spector or something like that. And 446 00:24:45,680 --> 00:24:47,680 Speaker 3: I'll tell you what it was about Rock Band from 447 00:24:47,720 --> 00:24:53,680 Speaker 3: Hell and it was really really good, excellent and uh oh, 448 00:24:53,720 --> 00:24:56,280 Speaker 3: by the way, just one. I'm on the side. I'm 449 00:24:56,640 --> 00:25:00,639 Speaker 3: the Elroy fan that we talked about JFK book and 450 00:25:01,040 --> 00:25:03,800 Speaker 3: you didn't use bad back Jack when you lived an 451 00:25:03,800 --> 00:25:06,720 Speaker 3: episode on the AFK. Come on bad back Jack. That's 452 00:25:06,760 --> 00:25:08,720 Speaker 3: perfect for him. Keep it up. 453 00:25:08,800 --> 00:25:13,119 Speaker 1: Thanks, rock Band from Hell. I love that. I love that, 454 00:25:13,160 --> 00:25:16,840 Speaker 1: and I'm shocked that this isn't more well known. And yes, 455 00:25:16,960 --> 00:25:20,040 Speaker 1: I totally forgot about bad Backjack from James Elroy. Yeah, 456 00:25:20,040 --> 00:25:21,359 Speaker 1: I blew that. I left that one on them. I 457 00:25:21,440 --> 00:25:24,080 Speaker 1: left that that was a layout and I missed it. 458 00:25:24,480 --> 00:25:26,280 Speaker 1: Thanks for reminding me. I went with Jack the haircut, 459 00:25:26,320 --> 00:25:29,760 Speaker 1: which I've always I've always appreciated more than bad Backjack. 460 00:25:29,880 --> 00:25:32,399 Speaker 1: It stuck with me for whatever reason, Thanks for your 461 00:25:32,440 --> 00:25:34,880 Speaker 1: call five one eight. Let's check out this call from 462 00:25:34,880 --> 00:25:35,840 Speaker 1: the six four to seven. 463 00:25:36,960 --> 00:25:39,480 Speaker 4: Hey, Jake, my name is Sean from Toronto, and you 464 00:25:39,520 --> 00:25:42,600 Speaker 4: asked the question about the scariest book, and I say, 465 00:25:42,680 --> 00:25:45,240 Speaker 4: for me, I believe it was called Hell House and 466 00:25:45,320 --> 00:25:47,520 Speaker 4: it was about a bunch of people that are looking 467 00:25:47,560 --> 00:25:50,760 Speaker 4: into a haunted house. It's supposed to be a real house, 468 00:25:50,800 --> 00:25:53,479 Speaker 4: and there's this skeptic and you know, all this kind 469 00:25:53,520 --> 00:25:56,000 Speaker 4: of stuff that happens. I remember I was in Florida 470 00:25:56,040 --> 00:25:59,439 Speaker 4: when I read it, on a family trip and we 471 00:25:59,480 --> 00:26:03,600 Speaker 4: actually went to a psychic equip my sister's friend and 472 00:26:04,080 --> 00:26:07,240 Speaker 4: I'm reading this creepy book and the psychic actually says 473 00:26:07,359 --> 00:26:12,080 Speaker 4: that there's that if you're not careful, you could actually 474 00:26:12,160 --> 00:26:16,280 Speaker 4: be taken into the water by spirits. So you have 475 00:26:16,320 --> 00:26:18,960 Speaker 4: to be very careful because their spirits and the thought 476 00:26:19,000 --> 00:26:21,960 Speaker 4: of that was just horrifying. And I was reading this 477 00:26:22,440 --> 00:26:27,480 Speaker 4: very horrifying book, albeit from the seventies, but still and yeah, 478 00:26:27,520 --> 00:26:31,080 Speaker 4: so for me, that was I'd say my scariest book. 479 00:26:31,600 --> 00:26:34,159 Speaker 4: Thanks Jake. Loved the show And sorry for the beeping. 480 00:26:34,440 --> 00:26:36,680 Speaker 4: I have a door that doesn't work on my car, 481 00:26:37,400 --> 00:26:40,359 Speaker 4: so it does that sound. Thanks? Flat, have a great day. 482 00:26:40,400 --> 00:26:45,160 Speaker 1: All right, Yes, you are onto something. Oftentimes real life experiences, 483 00:26:45,240 --> 00:26:47,760 Speaker 1: things that you're going with in tandem with whatever media 484 00:26:47,800 --> 00:26:52,240 Speaker 1: you are consuming. It adds an intensity to the emotion 485 00:26:52,440 --> 00:26:54,560 Speaker 1: that that media is giving you. And I think you're 486 00:26:54,680 --> 00:26:58,800 Speaker 1: nailing it here. I remember reading Chaos. This is a 487 00:26:58,840 --> 00:27:01,480 Speaker 1: little different, but reading Chaos by Tom Tom O'Neill, and 488 00:27:01,520 --> 00:27:05,400 Speaker 1: we were on vacation and we were pretty remote, and 489 00:27:05,680 --> 00:27:08,400 Speaker 1: it just it just made the fear factor go through 490 00:27:08,520 --> 00:27:12,080 Speaker 1: the freakin roof six one seven nine oh six six 491 00:27:12,200 --> 00:27:14,280 Speaker 1: six three eight thanks to the voicemails. Guys, Let's check 492 00:27:14,280 --> 00:27:20,080 Speaker 1: out some texts. This text is truly crazy. This is 493 00:27:20,160 --> 00:27:22,280 Speaker 1: a I'm looking back at the history and the text 494 00:27:22,400 --> 00:27:29,600 Speaker 1: chain and this this gentleman has messaged me before. He's 495 00:27:29,680 --> 00:27:32,320 Speaker 1: messaged me about O. J. Simpson, He's messaged me about 496 00:27:32,359 --> 00:27:36,720 Speaker 1: Magnum p I and I appreciate, I appreciate. I appreciated 497 00:27:36,720 --> 00:27:40,920 Speaker 1: his text prior, but this one I have to read, 498 00:27:41,760 --> 00:27:44,240 Speaker 1: even though it's a little critical of me, and I 499 00:27:44,720 --> 00:27:48,040 Speaker 1: take that criticism and I get it, but that's not 500 00:27:48,080 --> 00:27:50,640 Speaker 1: why I'm reading it. Okay, So here you go. Hey, Jake, 501 00:27:50,920 --> 00:27:54,119 Speaker 1: I love the show and I've been listening since you started. 502 00:27:54,119 --> 00:27:55,800 Speaker 1: This is from the two one seven. By the way, 503 00:27:55,960 --> 00:27:58,400 Speaker 1: it's at the top of my list of favorite podcasts, 504 00:27:58,480 --> 00:28:01,879 Speaker 1: and I subscribed as soon as you started offering bonus 505 00:28:01,920 --> 00:28:04,840 Speaker 1: stuff for listeners. Okay, cool, thank you too. One seven. 506 00:28:04,880 --> 00:28:06,760 Speaker 1: I appreciate this. Two on seven goes on to say 507 00:28:06,760 --> 00:28:08,880 Speaker 1: I did want to comment on the latest show about 508 00:28:08,960 --> 00:28:12,239 Speaker 1: the exorcist. Obviously, there's no way that you could know 509 00:28:12,480 --> 00:28:14,560 Speaker 1: with all the listeners that you have that one of 510 00:28:14,600 --> 00:28:16,720 Speaker 1: us is an author who's written a lot of books, 511 00:28:16,920 --> 00:28:19,320 Speaker 1: but most particular is a book I wrote about the 512 00:28:19,359 --> 00:28:23,479 Speaker 1: true story behind the nineteen forty nine exorcism in Saint Louis. 513 00:28:24,240 --> 00:28:26,280 Speaker 1: I loved what you did with the show. It was 514 00:28:26,320 --> 00:28:28,960 Speaker 1: a great listen, but there was a lot of inaccuracies, 515 00:28:29,320 --> 00:28:32,520 Speaker 1: starting with the fact that Ronald Hunkler never remembered what 516 00:28:32,640 --> 00:28:36,920 Speaker 1: happened during the exorcism. Also, the exorcism with Father Hughes 517 00:28:36,960 --> 00:28:40,520 Speaker 1: at the hospital never actually happened. But there's a lot 518 00:28:40,520 --> 00:28:43,000 Speaker 1: of bad information out there, so that really can't fall 519 00:28:43,040 --> 00:28:46,200 Speaker 1: on you. I researched the case for twenty five years 520 00:28:46,200 --> 00:28:49,840 Speaker 1: and spoke to everyone who is still alive, including Ronald. 521 00:28:50,520 --> 00:28:53,080 Speaker 1: As it turned out, I was the one who revealed 522 00:28:53,080 --> 00:28:56,400 Speaker 1: his name after his death in May of twenty twenty. 523 00:28:56,920 --> 00:28:59,520 Speaker 1: When he and I had first spoken, I had promised 524 00:28:59,560 --> 00:29:02,880 Speaker 1: I would not reveal it until after he died. Sometimes 525 00:29:02,880 --> 00:29:05,120 Speaker 1: I get credit for it, and sometimes I don't, and 526 00:29:05,160 --> 00:29:07,520 Speaker 1: that's just the way it goes. If you ever decide 527 00:29:07,520 --> 00:29:09,040 Speaker 1: you'd like to read more about the story, I'd be 528 00:29:09,080 --> 00:29:12,560 Speaker 1: happy to send you one of my books. This is incredible. 529 00:29:12,800 --> 00:29:16,600 Speaker 1: This is from author Troy Taylor. His book is called 530 00:29:16,800 --> 00:29:19,960 Speaker 1: The Devil Came to Saint Louis. Great title, by the way, 531 00:29:20,200 --> 00:29:24,720 Speaker 1: great great great tyle, and I have so many thoughts here, 532 00:29:25,280 --> 00:29:30,520 Speaker 1: I really do so. First of all, the inaccuracies. You know, 533 00:29:31,880 --> 00:29:33,840 Speaker 1: I'm not one of these people who pretends it I 534 00:29:33,880 --> 00:29:35,680 Speaker 1: know everything, and I get everything right. We get things 535 00:29:35,720 --> 00:29:37,400 Speaker 1: wrong all the time. We're only as good as the 536 00:29:37,400 --> 00:29:40,320 Speaker 1: information that's out there. We try to get it as 537 00:29:40,400 --> 00:29:44,520 Speaker 1: right as possible. And I'm going to take Troy Taylor's 538 00:29:44,560 --> 00:29:47,360 Speaker 1: word for it here that we get some stuff wrong. Now, 539 00:29:47,400 --> 00:29:49,800 Speaker 1: I want to read this book because there is a 540 00:29:49,880 --> 00:29:53,120 Speaker 1: question as it pertains to Ronald Hunkler and whether or 541 00:29:53,120 --> 00:29:57,480 Speaker 1: not he was telling the truth about the exorcism, and 542 00:29:57,560 --> 00:29:59,720 Speaker 1: there was an article that I read. I believe it 543 00:29:59,720 --> 00:30:01,920 Speaker 1: was in the New York Post, and it might have 544 00:30:01,960 --> 00:30:03,400 Speaker 1: been one of these articles where the New York Post 545 00:30:03,440 --> 00:30:06,200 Speaker 1: didn't do the journalism themselves, but they're quoting from from 546 00:30:06,280 --> 00:30:10,760 Speaker 1: another journalist in another paper. I'm not sure, but I'm 547 00:30:10,760 --> 00:30:12,520 Speaker 1: pretty certain I read this in the New York Post 548 00:30:12,600 --> 00:30:16,920 Speaker 1: recently when I was researching this this real that we 549 00:30:16,960 --> 00:30:19,360 Speaker 1: put together, which goes further into the story of Ronald 550 00:30:19,440 --> 00:30:25,720 Speaker 1: Hunkler and whether or not he believed that he was 551 00:30:25,760 --> 00:30:29,760 Speaker 1: actually possessed. The story goes that he denies it at 552 00:30:29,800 --> 00:30:32,320 Speaker 1: the end of his life. But I would be interested 553 00:30:32,360 --> 00:30:35,800 Speaker 1: in talking to Troy here to know what Troy actually thinks. 554 00:30:35,840 --> 00:30:37,240 Speaker 1: And I should probably read his book, or maybe I 555 00:30:37,240 --> 00:30:38,480 Speaker 1: can get Troy to come on the show and we 556 00:30:38,480 --> 00:30:41,000 Speaker 1: can talk about it. That actually would be cool. Troy, 557 00:30:41,000 --> 00:30:43,640 Speaker 1: if you're listening, I'm going to message you back. Maybe 558 00:30:43,640 --> 00:30:45,720 Speaker 1: we can do that. But the question I'm interested in 559 00:30:45,760 --> 00:30:49,920 Speaker 1: knowing is, you know, you're saying here that Ronnie Hunkler 560 00:30:50,000 --> 00:30:55,000 Speaker 1: didn't remember what happened during the exorcism. So if that's 561 00:30:55,040 --> 00:30:57,640 Speaker 1: the case, how then would he know whether or not 562 00:30:57,680 --> 00:31:01,560 Speaker 1: he was actually possessed? And when I read that New 563 00:31:01,640 --> 00:31:03,880 Speaker 1: York Post article and when I read the research that 564 00:31:03,920 --> 00:31:07,560 Speaker 1: went into this episode that we're guys six one seven 565 00:31:07,640 --> 00:31:11,160 Speaker 1: nine six six six three eight voicemail and text. Get 566 00:31:11,160 --> 00:31:13,640 Speaker 1: in touch like Troy here. Even if you're an author, 567 00:31:14,240 --> 00:31:17,479 Speaker 1: authors are welcome, very welcome. Hit us up eight five 568 00:31:17,640 --> 00:31:20,040 Speaker 1: nine rights and Hey, Jake, your chat with Adam from 569 00:31:20,080 --> 00:31:22,800 Speaker 1: Lokuk Connie last week inspired me to finally reach out. 570 00:31:23,080 --> 00:31:25,480 Speaker 1: Anyone with a chance to catch Lokuk Connie live should 571 00:31:25,480 --> 00:31:28,400 Speaker 1: do so themselves. Do themselves a favor, get to their show. 572 00:31:29,120 --> 00:31:31,240 Speaker 1: Here's a goofy pick taken by a friend and this 573 00:31:31,360 --> 00:31:33,440 Speaker 1: is the the eight five to nine in a low 574 00:31:33,480 --> 00:31:36,920 Speaker 1: cut Kawnie T shirt looking cool. Looks like you're in 575 00:31:36,960 --> 00:31:41,000 Speaker 1: a bar having fun. Nine to two. Oh, scariest book ever. 576 00:31:41,200 --> 00:31:46,040 Speaker 1: House of Leaves by Mark Z Daniel Lawski, Daniel Luski. 577 00:31:46,240 --> 00:31:48,680 Speaker 1: I apologize Mark, I from fucking up your name. I 578 00:31:48,680 --> 00:31:51,640 Speaker 1: cannot read this at night. Super immersive reading experience. You 579 00:31:51,640 --> 00:31:53,920 Speaker 1: feel like you're going crazy as a protagonist is going 580 00:31:53,920 --> 00:31:56,440 Speaker 1: crazy trying to figure out his weird house. It keeps 581 00:31:56,480 --> 00:31:59,320 Speaker 1: morphing and changing. That sounds horrific, all right, guys six 582 00:31:59,360 --> 00:32:01,880 Speaker 1: one seven nine, six six six three eight Like I said, 583 00:32:01,960 --> 00:32:04,200 Speaker 1: hit me out voicemail and text. Also, you can always 584 00:32:04,280 --> 00:32:07,520 Speaker 1: DM me on X, on Instagram, hit me up on Facebook, 585 00:32:07,600 --> 00:32:13,240 Speaker 1: at Disgraceslam Pod, all those places. Budecca Underscore Rex writes, 586 00:32:13,400 --> 00:32:17,240 Speaker 1: listen to the Disgrace Slam podcast about Brian Jones. Wow, 587 00:32:17,360 --> 00:32:19,479 Speaker 1: that guy was a total horrible man. He beat up 588 00:32:19,480 --> 00:32:21,720 Speaker 1: all the women in his life, all except one. A 589 00:32:21,760 --> 00:32:24,160 Speaker 1: black girl from Chicago broke his ribs, his jaw on 590 00:32:24,200 --> 00:32:29,440 Speaker 1: his hand, and I love her for this. I love that, Budecca. Rix. 591 00:32:30,080 --> 00:32:33,400 Speaker 1: That's how you pronounce your name. Vet Halen writes a 592 00:32:33,400 --> 00:32:36,600 Speaker 1: great episode as always. I particularly like the background music 593 00:32:36,720 --> 00:32:39,000 Speaker 1: during the bag murder section. Reminded me of the American 594 00:32:39,040 --> 00:32:43,160 Speaker 1: Horror Story Season eleven. Guys, I've never watched American Horror Story. 595 00:32:43,280 --> 00:32:45,760 Speaker 1: I do need to read that. Vet Helen is talking 596 00:32:45,800 --> 00:32:50,320 Speaker 1: about our Exorcist episode at Disgraceslam Pod. Guys, hit me 597 00:32:50,440 --> 00:32:53,360 Speaker 1: up on anything you want to talk about in particular, though, 598 00:32:53,400 --> 00:32:55,800 Speaker 1: I'm looking for some Christmas book Rex. All right, if 599 00:32:55,800 --> 00:32:57,920 Speaker 1: you got any, let me know back in the Flash 600 00:32:57,960 --> 00:33:16,040 Speaker 1: with your emails and your reviews. Okay. Gene Nelson writes 601 00:33:16,080 --> 00:33:19,000 Speaker 1: Halloween Shirts. Hi, I'm a member through Patreon. I have 602 00:33:19,120 --> 00:33:22,920 Speaker 1: checked several ways via phone, laptop, web browser, and through 603 00:33:22,960 --> 00:33:25,160 Speaker 1: the Patreon app, but the limited edition T shirts are 604 00:33:25,200 --> 00:33:28,520 Speaker 1: not showing up under merch Is there a super secret 605 00:33:28,560 --> 00:33:30,200 Speaker 1: link that I've missed? Keep up the great work, By 606 00:33:30,240 --> 00:33:33,240 Speaker 1: the way, I love your podcast, Rock a rolla, Gene. 607 00:33:33,280 --> 00:33:37,240 Speaker 1: I hate to say this, but we're out. We've gone through. 608 00:33:37,280 --> 00:33:39,479 Speaker 1: They're available for a limited time. They are gone. They 609 00:33:39,480 --> 00:33:42,720 Speaker 1: are no longer available. We have a couple stashed away. 610 00:33:43,480 --> 00:33:46,080 Speaker 1: We're about to get them sent to my place and 611 00:33:46,280 --> 00:33:48,520 Speaker 1: I will be Uh. I don't know. I don't even 612 00:33:48,560 --> 00:33:51,440 Speaker 1: know what the sizes are. I think I have to 613 00:33:51,520 --> 00:33:53,960 Speaker 1: check it out, but we may be able to get 614 00:33:53,960 --> 00:33:56,640 Speaker 1: one to you, Gene. We shall see. We're gonna have 615 00:33:56,800 --> 00:34:01,880 Speaker 1: some additional limited edition merch come your way before Christmas. 616 00:34:01,960 --> 00:34:03,200 Speaker 1: I'm not sure what we're going to do. I'm not 617 00:34:03,200 --> 00:34:04,640 Speaker 1: sure if the T shirts are not. To everybody who 618 00:34:04,680 --> 00:34:07,520 Speaker 1: bought the Halloween theme merchandise, thank you very much. It 619 00:34:07,560 --> 00:34:11,640 Speaker 1: was a smashing success and we're super appreciative of the support. Gene. 620 00:34:11,640 --> 00:34:14,120 Speaker 1: I apologize that you didn't get one. That's just the 621 00:34:14,160 --> 00:34:17,480 Speaker 1: way the cookie crumbles. But Gene, I'll try to hook 622 00:34:17,520 --> 00:34:21,040 Speaker 1: you up with something, Okay, Dave Stembele writes in Scary Movies, Jake, 623 00:34:21,120 --> 00:34:23,600 Speaker 1: significant factor for any scary movie is did you first 624 00:34:23,680 --> 00:34:26,200 Speaker 1: watch it in a theater and during the first run? 625 00:34:26,239 --> 00:34:28,439 Speaker 1: The scary factor is much higher in the dark theater 626 00:34:28,520 --> 00:34:31,080 Speaker 1: and before any press about the movie and before we've 627 00:34:31,120 --> 00:34:33,560 Speaker 1: heard anything really about it. My all time scary movies 628 00:34:33,640 --> 00:34:36,560 Speaker 1: The Exorcist, the Night of Living Dead, Alien in that order, 629 00:34:36,600 --> 00:34:38,239 Speaker 1: actually had a couple of my face at times during 630 00:34:38,239 --> 00:34:42,359 Speaker 1: each of these, followed by nightmares. Whoo, Dave, Dave, You're 631 00:34:42,360 --> 00:34:44,360 Speaker 1: absolutely right. I agree with you fully, and I'm planning 632 00:34:44,360 --> 00:34:47,560 Speaker 1: on speaking about that with a little more context and 633 00:34:47,800 --> 00:34:50,000 Speaker 1: just sort of from my point of view, my experience 634 00:34:50,040 --> 00:34:53,800 Speaker 1: growing up. We'll get into the after party bonus section 635 00:34:54,000 --> 00:34:57,640 Speaker 1: of this episode coming up. Appreciate your email, guys, Disgrace 636 00:34:57,680 --> 00:35:00,640 Speaker 1: lampod at gmail dot com. Hit me up about whatever 637 00:35:00,680 --> 00:35:03,120 Speaker 1: it is you want to talk about. Gary Wildman writes 638 00:35:03,160 --> 00:35:04,759 Speaker 1: in Jake found the pot a few weeks ago and 639 00:35:04,800 --> 00:35:06,360 Speaker 1: can't get enough. In fact, I'm driving the wife and 640 00:35:06,440 --> 00:35:08,520 Speaker 1: kids crazy with facts that I learned from each pod. 641 00:35:08,560 --> 00:35:12,000 Speaker 1: After returning from walking our Golden Bella today, listen to 642 00:35:12,000 --> 00:35:15,200 Speaker 1: the Van Hamlin podcast where you mentioned the Cincinnati tragedy. 643 00:35:15,239 --> 00:35:18,440 Speaker 1: As a lifelong Hoo fan, seeing the band forty plus times, 644 00:35:18,480 --> 00:35:21,680 Speaker 1: including in Buffalo the night after the tragedy, I would 645 00:35:21,680 --> 00:35:24,400 Speaker 1: appreciate it very much if you'd consider making a podcast 646 00:35:24,440 --> 00:35:26,919 Speaker 1: on the Fateful Evening, consistent in the way you honor 647 00:35:26,960 --> 00:35:32,400 Speaker 1: the victims of the Hillsborough tragedy. Gary Wildman from Ontario, Canada. Gary, 648 00:35:33,400 --> 00:35:36,280 Speaker 1: it's in the works, dude. We're putting it together as 649 00:35:36,400 --> 00:35:38,200 Speaker 1: we speak, well, at least we're planning on it. I 650 00:35:38,200 --> 00:35:39,960 Speaker 1: should say it's going to be out in twenty twenty five. 651 00:35:40,000 --> 00:35:42,160 Speaker 1: It's a part of our slate of episodes we're releasing 652 00:35:42,239 --> 00:35:46,000 Speaker 1: next year. Love the new listeners. Thanks Gary, Appreciate the email. 653 00:35:46,600 --> 00:35:48,759 Speaker 1: So guys, you know the drill. The reviews help the 654 00:35:48,800 --> 00:35:51,440 Speaker 1: show with discovery. You guys leave reviews on Apple Podcasts. 655 00:35:51,440 --> 00:35:54,000 Speaker 1: You guys leave reviews on Spotify. I go in, I 656 00:35:54,080 --> 00:35:55,839 Speaker 1: check them every week here in the after party. If 657 00:35:55,840 --> 00:35:58,759 Speaker 1: I read your review, you guys get some free merch. 658 00:35:58,880 --> 00:36:01,160 Speaker 1: Might be a shirt, might be a p I don't know, 659 00:36:01,480 --> 00:36:03,600 Speaker 1: might be a peanut butter and Jolley sandwich. Point is, 660 00:36:03,640 --> 00:36:05,560 Speaker 1: we need the reviews. We love the reviews. The reviews 661 00:36:05,600 --> 00:36:08,560 Speaker 1: help people see the show. It helps drive the algorithm. Okay. 662 00:36:09,120 --> 00:36:13,600 Speaker 1: Marissa Chambers writes and response to the Misfits episode on Spotify. 663 00:36:13,760 --> 00:36:17,319 Speaker 1: I absolutely love this podcast. This guy, I think she's 664 00:36:17,320 --> 00:36:20,040 Speaker 1: talking about me. Guys, this guy has a real talent 665 00:36:20,080 --> 00:36:24,480 Speaker 1: for storytelling. Thank you, Marissa. I appreciate that, Marissa. Marissa Chambers, 666 00:36:24,480 --> 00:36:27,000 Speaker 1: get in touch. We'll get you some merch. Sounds like 667 00:36:27,000 --> 00:36:30,680 Speaker 1: you're a new listener too, so welcome. Welcome to Disgraceland. 668 00:36:30,960 --> 00:36:35,080 Speaker 1: All right. Joey Caveman writes, this disgraceful podcast is very 669 00:36:35,239 --> 00:36:38,240 Speaker 1: entertaining five stars on Apple. Joey writes, Hey, I stumbled 670 00:36:38,320 --> 00:36:40,640 Speaker 1: upon this podcast just browsing one day, and it's now 671 00:36:40,680 --> 00:36:43,640 Speaker 1: my favorite podcast that I listened to every episode and 672 00:36:43,640 --> 00:36:45,759 Speaker 1: I look forward to the bonus ones or the follow ups. 673 00:36:45,760 --> 00:36:47,520 Speaker 1: I'm even going back and listening to the ones I 674 00:36:47,560 --> 00:36:50,200 Speaker 1: missed before I knew about the podcast. Well, thanks, Joey. 675 00:36:50,320 --> 00:36:52,920 Speaker 1: Appreciate that. Joey goes on to say some really nice 676 00:36:52,960 --> 00:36:54,920 Speaker 1: things about me. I'm not going to read those to you, 677 00:36:54,960 --> 00:36:58,400 Speaker 1: because you know my egos. I got a full lid here, guys. Okay, 678 00:36:58,800 --> 00:37:01,560 Speaker 1: lots of love for the Misfit episode in the Black 679 00:37:01,560 --> 00:37:04,480 Speaker 1: Sabbath episode and from the punk rock kids and the 680 00:37:04,480 --> 00:37:07,399 Speaker 1: Skaters as well on Apple Podcasts. I appreciate you guys, 681 00:37:07,480 --> 00:37:09,480 Speaker 1: all of you guys, thank you for the review. If 682 00:37:09,520 --> 00:37:11,919 Speaker 1: you heard me read your review, let me know. Get 683 00:37:11,920 --> 00:37:14,600 Speaker 1: in touch disgracelandpod at gmail dot com, hit me up 684 00:37:14,600 --> 00:37:18,080 Speaker 1: on Instagram at disgrace lamdpod or x anywhere and I 685 00:37:18,160 --> 00:37:20,600 Speaker 1: will get your details and get you some merch. Well, 686 00:37:20,640 --> 00:37:23,200 Speaker 1: all right, this episode it's nearing its end, but the 687 00:37:23,239 --> 00:37:26,799 Speaker 1: after party continues for our all access members. Okay, sign 688 00:37:26,840 --> 00:37:31,040 Speaker 1: up today disgracelamdpod dot com slash membership and you can 689 00:37:31,080 --> 00:37:32,800 Speaker 1: sign up as well. You're going to get this extra 690 00:37:32,840 --> 00:37:35,200 Speaker 1: content in the bonus after party episode that I'm about 691 00:37:35,239 --> 00:37:37,200 Speaker 1: to get into here with some of you guys. You're 692 00:37:37,239 --> 00:37:39,880 Speaker 1: going to get ad free listening and an extra episode 693 00:37:40,080 --> 00:37:40,640 Speaker 1: per month. 694 00:37:40,760 --> 00:38:07,080 Speaker 5: All right, back in the flash. 695 00:37:55,600 --> 00:37:58,319 Speaker 1: All right, we are back. Listen, guys. We did a 696 00:37:58,320 --> 00:38:02,839 Speaker 1: little slight up there to the website. We rearranged the 697 00:38:02,960 --> 00:38:06,680 Speaker 1: archived episodes. You can check those out. You can swim 698 00:38:06,719 --> 00:38:09,160 Speaker 1: through it at a little more easily season to season. 699 00:38:09,200 --> 00:38:10,719 Speaker 1: I've got a list of my favorites up there. I 700 00:38:10,719 --> 00:38:13,720 Speaker 1: think I talked about that last week, but this week. 701 00:38:14,280 --> 00:38:16,480 Speaker 1: A couple of days ago, Phil Lesh died from The 702 00:38:16,520 --> 00:38:19,680 Speaker 1: Grateful Dead bass player for The Grateful Dead. He's obviously 703 00:38:20,120 --> 00:38:22,360 Speaker 1: a part of our Grateful Dead episode in the archive, 704 00:38:22,719 --> 00:38:25,960 Speaker 1: and I always love Phil Lesh as a character, just 705 00:38:26,000 --> 00:38:29,200 Speaker 1: a truly unique American. He never could have been from 706 00:38:29,280 --> 00:38:32,680 Speaker 1: anywhere else. And it's I'm not going to really go 707 00:38:32,719 --> 00:38:34,360 Speaker 1: into it here because we don't have the time, but 708 00:38:34,719 --> 00:38:37,399 Speaker 1: check out episode number twenty nine on The Grateful Dead, 709 00:38:37,440 --> 00:38:41,840 Speaker 1: Part one that was released back in April of twenty nineteen. 710 00:38:41,880 --> 00:38:44,399 Speaker 1: April sixteenth, twenty nineteen. Then we did a part two 711 00:38:44,400 --> 00:38:46,200 Speaker 1: on The Grateful Dead as well, this one on Pigpen, 712 00:38:46,560 --> 00:38:49,600 Speaker 1: and that we used Pigpen as really a way into 713 00:38:50,000 --> 00:38:54,640 Speaker 1: the earlier influence influences of the Grateful Dead, specific in 714 00:38:54,680 --> 00:38:58,359 Speaker 1: a way verse for Phil Lesh. That's episode sixty four 715 00:38:58,440 --> 00:39:01,960 Speaker 1: from October thirteenth to tenty twenty. The Dead a lot 716 00:39:02,000 --> 00:39:03,279 Speaker 1: of people, I don't know if they know this or not. 717 00:39:03,360 --> 00:39:06,120 Speaker 1: I'm sure if true Deadheads do know, they're heavily influenced 718 00:39:06,120 --> 00:39:09,120 Speaker 1: by by John Coltrane. We don't have a John Coltrane episode. 719 00:39:09,120 --> 00:39:12,000 Speaker 1: We do have some great jazz episodes though, in particular 720 00:39:12,040 --> 00:39:15,440 Speaker 1: the Chet Baker episode in our archive, episode sixty three 721 00:39:15,640 --> 00:39:19,200 Speaker 1: from September twenty nine, twenty twenty. In this episode, we 722 00:39:19,239 --> 00:39:22,840 Speaker 1: didn't talk too too much about subjects that have appeared 723 00:39:22,920 --> 00:39:26,960 Speaker 1: in our archive. A listener did bring up Brian Jones 724 00:39:26,960 --> 00:39:30,799 Speaker 1: from The Rolling Stones and that episode is episode eighteen, 725 00:39:31,280 --> 00:39:35,640 Speaker 1: released way back in August August twenty eight, twenty eighteen. Guys, 726 00:39:35,680 --> 00:39:38,200 Speaker 1: get into the archive, new listeners. We have over two 727 00:39:38,320 --> 00:39:44,120 Speaker 1: hundred episodes, full episodes on artists, musicians, mainly some from 728 00:39:44,120 --> 00:39:46,239 Speaker 1: the dark world of entertainment. If you're looking for a 729 00:39:46,280 --> 00:39:48,160 Speaker 1: good guide to good way in, go to the website 730 00:39:48,160 --> 00:39:52,480 Speaker 1: Disgrace lampod dot com. There's a listen page there, going 731 00:39:52,480 --> 00:39:54,759 Speaker 1: to drop down menu that'll help guide you. All right, 732 00:39:54,800 --> 00:39:57,120 Speaker 1: so thank you for the calls, thank you for the voicemails. 733 00:39:57,200 --> 00:39:58,600 Speaker 1: For those of you who joined in the book club 734 00:39:58,680 --> 00:40:00,239 Speaker 1: this week, thank you, thank you, thank you, thank you 735 00:40:00,280 --> 00:40:03,040 Speaker 1: for the reviews. Everything. I love, the engagement. I got 736 00:40:03,160 --> 00:40:04,839 Speaker 1: to get out of here. So let's recap all right, 737 00:40:04,920 --> 00:40:07,320 Speaker 1: number one right now in your feed. Our episode on 738 00:40:07,480 --> 00:40:10,960 Speaker 1: the Exorcist number two coming tomorrow, a special rewind episode 739 00:40:11,000 --> 00:40:13,640 Speaker 1: from our archive, and we are talking about the eighty 740 00:40:13,680 --> 00:40:15,840 Speaker 1: six mets In next week's episode, and the question of 741 00:40:15,840 --> 00:40:17,800 Speaker 1: the week is going to be which is the greatest 742 00:40:17,800 --> 00:40:20,240 Speaker 1: sports town, not just in America but in the world? 743 00:40:20,320 --> 00:40:20,920 Speaker 5: And why? 744 00:40:21,160 --> 00:40:23,800 Speaker 1: All right? Get in touch number three merch Winners. You 745 00:40:23,880 --> 00:40:26,040 Speaker 1: know who you are. You heard your name. Get in touch. 746 00:40:26,160 --> 00:40:27,279 Speaker 1: Let me know how to get some stuff to you. 747 00:40:27,320 --> 00:40:29,480 Speaker 1: Number four. Remember no one cares about great storytelling more 748 00:40:29,480 --> 00:40:31,239 Speaker 1: than you're doing. Well, that's a disgrace, all right. In 749 00:40:31,320 --> 00:40:34,759 Speaker 1: honor of this week's episode subject on The Exorcist, me 750 00:40:35,000 --> 00:40:38,640 Speaker 1: reading you. The Billboard charts from December twenty sixth, nineteen 751 00:40:38,840 --> 00:40:44,800 Speaker 1: seventy three, the week The Exorcist hit theaters Number one, 752 00:40:44,960 --> 00:40:49,440 Speaker 1: The most Beautiful Girl Charlie Rich last week one, peak 753 00:40:49,480 --> 00:40:55,600 Speaker 1: position one weeks on chart thirteen. Number two, Goodbye Yellow 754 00:40:55,640 --> 00:41:00,879 Speaker 1: Brick Road, Elton John last week two, peak position two 755 00:41:01,400 --> 00:41:06,040 Speaker 1: weeks on chart nine, Number three, Time in a Bottle 756 00:41:06,360 --> 00:41:11,840 Speaker 1: Jim Croache last week five, peak position number three weeks 757 00:41:11,840 --> 00:41:16,600 Speaker 1: on chart It's six, Number four, Leave me Alone, Ruby 758 00:41:16,640 --> 00:41:20,759 Speaker 1: Red Dress Number Helen Ready last week seven. Croach peak 759 00:41:20,800 --> 00:41:26,080 Speaker 1: positions four weeks on chart eight three number five Hello 760 00:41:26,400 --> 00:41:39,840 Speaker 1: Peak Talk last week six, peak position Quit talking and 761 00:41:40,080 --> 00:41:41,160 Speaker 1: start mixing.