1 00:00:01,480 --> 00:00:05,920 Speaker 1: I guess episode to seventy one. We'll talk to Russell Dickerson. 2 00:00:06,120 --> 00:00:09,280 Speaker 1: You're stopped him by the house. Bobby and Eddie's music school. 3 00:00:09,320 --> 00:00:12,360 Speaker 1: I'll tell you some surprising stories about TV theme songs, 4 00:00:12,400 --> 00:00:17,280 Speaker 1: and Eddie talks about Chris Gaines, who was Garth Brooks character. Obviously, 5 00:00:17,280 --> 00:00:19,640 Speaker 1: we do the new Music Top five every week. My 6 00:00:19,800 --> 00:00:24,520 Speaker 1: top five things elements, albums that I'm most excited about. 7 00:00:24,760 --> 00:00:29,319 Speaker 1: At number five, these Sons of Stone, Temple Pilots, Guns 8 00:00:29,360 --> 00:00:32,159 Speaker 1: and Roses and Metallica members have formed a new band 9 00:00:32,600 --> 00:00:35,600 Speaker 1: called Suspect two oh eight. Not to me, this is 10 00:00:35,600 --> 00:00:37,839 Speaker 1: just interesting, maybe a little too hard for you, but 11 00:00:37,920 --> 00:00:40,800 Speaker 1: they released their first song this week called Long Awaited. 12 00:00:53,600 --> 00:00:56,560 Speaker 1: It's just coold that all those guys sons are now 13 00:00:56,560 --> 00:00:58,160 Speaker 1: in a band together. It sounds pretty good, I mean, 14 00:00:58,200 --> 00:01:01,080 Speaker 1: if that's your style of music. At number four, Miranda 15 00:01:01,160 --> 00:01:04,160 Speaker 1: Lambert has a new song called Champion. It's from the 16 00:01:04,200 --> 00:01:07,080 Speaker 1: Make It Up as We Go podcast soundtrack Here You 17 00:01:07,120 --> 00:01:23,160 Speaker 1: Go Again, Everything has you lose every time I say It's. 18 00:01:26,280 --> 00:01:29,360 Speaker 1: At number three, Morgan Wallen released a few new songs. 19 00:01:29,720 --> 00:01:31,920 Speaker 1: Here is a clip of one of them called Living 20 00:01:31,959 --> 00:01:51,560 Speaker 1: the Dream. Okadra, the song because Dragon go Back a 21 00:01:51,560 --> 00:01:53,600 Speaker 1: couple episodes and here the Talk with Morgan Wallon is 22 00:01:53,640 --> 00:01:57,520 Speaker 1: really good. At number two, new artist Nikita Carmen has 23 00:01:57,560 --> 00:02:00,600 Speaker 1: a new song out called Pirates Tonight You Left Film 24 00:02:00,640 --> 00:02:08,200 Speaker 1: This Small Town Whimpire Snight, and then number one Matt 25 00:02:08,240 --> 00:02:10,760 Speaker 1: Carney put out a song recently called Grand Canyon, which 26 00:02:10,800 --> 00:02:12,639 Speaker 1: is a jam, but he just released another one it's 27 00:02:12,680 --> 00:02:16,960 Speaker 1: called Can't Look Back and here it is Goheas because 28 00:02:17,040 --> 00:02:26,280 Speaker 1: you Can't Kill. Also music from Wolfgang van Halen, Eddie 29 00:02:26,320 --> 00:02:35,079 Speaker 1: van Halen's son his first single called Distance, the Distances, 30 00:02:35,080 --> 00:02:39,800 Speaker 1: the Distancings, It'll Be Okay. And Walker Burrows has a 31 00:02:39,800 --> 00:02:43,680 Speaker 1: new Christmas song called Christmas Lights, Still Waiting for the 32 00:02:43,680 --> 00:02:50,800 Speaker 1: sort for doesn't Granny Feel Like? Chris Taylor Eightcorn has 33 00:02:50,800 --> 00:02:53,239 Speaker 1: a new song called Somebody Else. Tim McGraw has the 34 00:02:53,280 --> 00:02:56,440 Speaker 1: Greatest Hits album, and Sean Mindez and Justin Bieber have 35 00:02:56,480 --> 00:03:03,360 Speaker 1: a new song called Monster and Mothers albums coming out 36 00:03:03,400 --> 00:03:06,400 Speaker 1: this week. Garth Brooks released Fun and Triple Live Deluxe, 37 00:03:06,760 --> 00:03:08,800 Speaker 1: but you can't get that on the streaming services unless 38 00:03:08,800 --> 00:03:11,520 Speaker 1: you go to Amazon, Right, that's it. Sarah Buxton has 39 00:03:11,520 --> 00:03:14,000 Speaker 1: a new EP out called Signs of Life and Lady 40 00:03:14,040 --> 00:03:16,919 Speaker 1: A released deluxe addition to Ocean, so check that out. 41 00:03:17,200 --> 00:03:21,400 Speaker 1: And Music News Scooter Braun sells the Masters of Taylor Swift. 42 00:03:21,560 --> 00:03:23,680 Speaker 1: I wouldn't say they're Taylor Swifts masters because she doesn't 43 00:03:23,680 --> 00:03:26,480 Speaker 1: own them, true, but she sold that. He sold the 44 00:03:26,520 --> 00:03:30,640 Speaker 1: masters that he bought that Taylor Swift wants to buy back. 45 00:03:30,840 --> 00:03:34,160 Speaker 1: She's not happy. It's a whole situation. I don't want 46 00:03:34,200 --> 00:03:37,920 Speaker 1: anybody to camp busting me on Instagram for saying anything, 47 00:03:38,160 --> 00:03:43,000 Speaker 1: you know, because I don't care. But it's the most 48 00:03:43,080 --> 00:03:46,000 Speaker 1: in the weeds music conversation that I've ever seen be 49 00:03:46,080 --> 00:03:48,520 Speaker 1: so public. You know. I know Kanye was trying to 50 00:03:48,520 --> 00:03:50,320 Speaker 1: buy his, but it's nothing compared to this. Yeah, there's 51 00:03:50,360 --> 00:03:52,600 Speaker 1: a lot. Yeah, it's a lot. So good luck to 52 00:03:52,640 --> 00:03:54,520 Speaker 1: both of them. Let them both be very happy in 53 00:03:54,520 --> 00:03:57,520 Speaker 1: their life with their go billions of dollars. The Waffle 54 00:03:57,560 --> 00:04:00,800 Speaker 1: House Jukebox top songs are in at number five, The 55 00:04:00,800 --> 00:04:08,600 Speaker 1: Weekend Can't Fill My Face at number four, Tevin Campbell, 56 00:04:08,680 --> 00:04:13,720 Speaker 1: can we Talk Old School Jam? At number three, justin 57 00:04:13,760 --> 00:04:16,359 Speaker 1: Bieber Yummy, which is what I seeing every time I 58 00:04:16,400 --> 00:04:25,960 Speaker 1: get that waffle location by Khalide at number two, and 59 00:04:25,960 --> 00:04:34,599 Speaker 1: the number one Tennessee Whiskey by Chris Stapleton. Other music news, 60 00:04:34,800 --> 00:04:38,200 Speaker 1: Dolly Pardon helped fund the vaccine from Maderna donated a 61 00:04:38,200 --> 00:04:42,000 Speaker 1: million dollars to Vanderbilt and that's where it went. Now 62 00:04:42,000 --> 00:04:45,560 Speaker 1: they got a vaccines about effective. Let's Go Baby. Gwen 63 00:04:45,600 --> 00:04:48,800 Speaker 1: Stefani is leaving the Voice Little Nozex says he got 64 00:04:48,800 --> 00:04:51,680 Speaker 1: tired of Old Town Road. Hey joined the club. But 65 00:04:52,240 --> 00:04:53,880 Speaker 1: although I do like it again now it comes on, 66 00:04:54,240 --> 00:04:57,120 Speaker 1: I'm still tired of it until I realize, Like, I'm like, 67 00:04:57,279 --> 00:04:58,719 Speaker 1: I'm tired of that song, but when it comes on, 68 00:04:58,839 --> 00:05:00,560 Speaker 1: I'm not expecting it to be and I'm always like, 69 00:05:00,680 --> 00:05:02,359 Speaker 1: I'm going to set and I'm like, oh, I forgot 70 00:05:02,360 --> 00:05:04,360 Speaker 1: I'm tired of the song. Yeah, there you go. That's 71 00:05:04,360 --> 00:05:06,359 Speaker 1: you know music and your music news. Thank you guys. 72 00:05:11,160 --> 00:05:16,880 Speaker 1: Bobby and Eddie's Music School is now in session, open 73 00:05:16,960 --> 00:05:20,520 Speaker 1: the morning and out all right, and my side of 74 00:05:20,600 --> 00:05:25,320 Speaker 1: music school, I'm gonna teach you about the five surprising 75 00:05:25,440 --> 00:05:30,359 Speaker 1: stories behind TV theme songs that you know At number 76 00:05:30,400 --> 00:05:36,760 Speaker 1: five the most surprising number five for Cheers, the original 77 00:05:36,839 --> 00:05:41,000 Speaker 1: theme was more about Ted Danson's character Sam and then 78 00:05:41,360 --> 00:05:42,960 Speaker 1: instead of the lines like you hear here for the 79 00:05:43,080 --> 00:05:45,240 Speaker 1: thing you've got. This is not the original, No, this 80 00:05:45,320 --> 00:05:48,440 Speaker 1: is the one that we're here now. The original said 81 00:05:48,440 --> 00:05:50,880 Speaker 1: stuff like singing the blues when the Red Sox lose. 82 00:05:51,640 --> 00:05:54,480 Speaker 1: It's a crisis in your life, on the run because 83 00:05:54,520 --> 00:05:57,160 Speaker 1: all your girlfriends want to be your wife. I'm nice. 84 00:05:57,200 --> 00:05:59,720 Speaker 1: It's all about him. Yeah, right, so because the show was, 85 00:06:00,000 --> 00:06:02,920 Speaker 1: even though it's very much about Sam, it was all 86 00:06:02,920 --> 00:06:06,400 Speaker 1: about Sam at the beginning. So cheers. That's not the 87 00:06:06,400 --> 00:06:08,159 Speaker 1: original song. This is the one they went with though. 88 00:06:09,960 --> 00:06:12,440 Speaker 1: Number four the Andy Griffiths show. Do you know that theme? 89 00:06:12,720 --> 00:06:16,240 Speaker 1: That's it? Whistle nice? You better now because he payed already. 90 00:06:17,760 --> 00:06:21,120 Speaker 1: The composer named Earl Hagen, who also did the themes 91 00:06:21,120 --> 00:06:23,039 Speaker 1: for a Dick van Dyke show and that girl, was 92 00:06:23,120 --> 00:06:25,320 Speaker 1: struggling with this until he goes, all right, we just 93 00:06:25,320 --> 00:06:28,520 Speaker 1: gotta keep it simple. He said, quote, I thought that 94 00:06:28,560 --> 00:06:30,760 Speaker 1: thing ought to be simple enough to whistle, and it 95 00:06:30,800 --> 00:06:33,120 Speaker 1: took him about ten minutes to write it. He whistled 96 00:06:33,120 --> 00:06:36,000 Speaker 1: it himself on the track, despite the fact he never 97 00:06:36,040 --> 00:06:38,720 Speaker 1: whistled before in his life. So this is the guy 98 00:06:38,920 --> 00:06:42,000 Speaker 1: just recording to a microphone. That's cool and he's never 99 00:06:42,000 --> 00:06:44,960 Speaker 1: whistled before. I don't know how to whistle. I have 100 00:06:45,000 --> 00:06:46,960 Speaker 1: a rough whistle. Do you have to put a lot 101 00:06:46,960 --> 00:06:49,000 Speaker 1: of pressure in that one? Get two whistles? Right? I 102 00:06:49,000 --> 00:06:52,960 Speaker 1: can do the high pitched one that one week. It's 103 00:06:52,960 --> 00:06:57,400 Speaker 1: a little airy. That's actually stronger one. I'm like, I 104 00:06:57,400 --> 00:07:00,839 Speaker 1: don't even do the next one. Or I can do 105 00:07:00,880 --> 00:07:07,520 Speaker 1: this one. It's pretty good. That's like a train. That's 106 00:07:07,520 --> 00:07:11,920 Speaker 1: like my lips going to an Oh. Yeah, Number three, 107 00:07:12,640 --> 00:07:15,480 Speaker 1: The Fresh Prince of bel Air. You probably know this one. 108 00:07:15,520 --> 00:07:19,680 Speaker 1: It's already a song. When it wasn't, I thought it 109 00:07:19,720 --> 00:07:22,440 Speaker 1: was like a Will Smith song or something. They wanted 110 00:07:22,440 --> 00:07:24,400 Speaker 1: to embrace that. They were basically doing the hip hop 111 00:07:24,440 --> 00:07:26,920 Speaker 1: Beverly Hillbillies, and they wanted the theme to tell the 112 00:07:26,920 --> 00:07:29,040 Speaker 1: story of how Will ended up in bell Air. They 113 00:07:29,080 --> 00:07:31,680 Speaker 1: had only about three weeks before the show premiered. Will 114 00:07:31,720 --> 00:07:34,440 Speaker 1: Smith didn't have that much time. He wrote in fifteen minutes. 115 00:07:34,440 --> 00:07:36,600 Speaker 1: It was like, just tell the story. Just tell the story. 116 00:07:36,960 --> 00:07:38,560 Speaker 1: So don't make it such a song to tell the story. 117 00:07:39,040 --> 00:07:42,760 Speaker 1: There's no chorus to it. That's it, and all shooting 118 00:07:42,800 --> 00:07:46,400 Speaker 1: some bee ball outside of the school. All right, don't 119 00:07:46,400 --> 00:07:48,360 Speaker 1: play that this one. Yeah, I'm me tell the story first. 120 00:07:48,720 --> 00:07:53,880 Speaker 1: Gilligan's Island. Yeah. The original theme was composed by John Williams, 121 00:07:53,880 --> 00:07:57,640 Speaker 1: who later did Star Wars, Jaws, Albon and Jones. Yeah, 122 00:07:57,680 --> 00:08:00,400 Speaker 1: all that in that version The Profess so it is 123 00:08:00,440 --> 00:08:04,680 Speaker 1: just a high school teacher. Ginger and Maryanne are two secretaries, 124 00:08:05,080 --> 00:08:07,600 Speaker 1: and the passengers take a six hour ride instead of 125 00:08:07,600 --> 00:08:11,120 Speaker 1: a three hour tour. Even after they changed their minds, 126 00:08:11,120 --> 00:08:13,360 Speaker 1: that theme was tweaked in the version that aired during 127 00:08:13,400 --> 00:08:17,200 Speaker 1: season one. It aired it into with the Movie Star 128 00:08:17,920 --> 00:08:22,000 Speaker 1: and the Rest, but then it turned into the Movie Star, 129 00:08:22,480 --> 00:08:27,160 Speaker 1: the Professor and Marry Anne, so it made changes. Here's 130 00:08:27,160 --> 00:08:33,680 Speaker 1: the Gilligan's Island team just like back, a bagful trip 131 00:08:34,360 --> 00:08:38,360 Speaker 1: that stared from this tropic part aboard this tiny ship, 132 00:08:39,040 --> 00:08:48,040 Speaker 1: the sailing my passengers sail for three hours, gonna be 133 00:08:48,080 --> 00:08:51,680 Speaker 1: a six hour ride? No, don't sound good, three hour tour. 134 00:08:52,200 --> 00:08:56,720 Speaker 1: And then finally the Friends theme song. Oh now you 135 00:08:56,760 --> 00:09:03,360 Speaker 1: know fan, here's the clip from the rem brands. You 136 00:09:03,400 --> 00:09:06,600 Speaker 1: know that song, right, yes, of course, be this way. 137 00:09:08,240 --> 00:09:10,640 Speaker 1: So this was the song they originally wanted to use. 138 00:09:11,240 --> 00:09:12,760 Speaker 1: R A. M. It's the end of the world as 139 00:09:12,760 --> 00:09:15,640 Speaker 1: we know it, same feel, so that was the vibe 140 00:09:15,640 --> 00:09:19,000 Speaker 1: the aim before, like we want to use the Rembrandts 141 00:09:19,280 --> 00:09:21,520 Speaker 1: were surprised when the theme premiered on the show because 142 00:09:21,559 --> 00:09:24,080 Speaker 1: they didn't add the four claps. The things that's dang 143 00:09:24,120 --> 00:09:27,240 Speaker 1: songs known most for, of course the claps, so the 144 00:09:27,400 --> 00:09:31,560 Speaker 1: producers had tacked them on whenever adding that song to 145 00:09:31,559 --> 00:09:34,360 Speaker 1: the theme Crazy I like that. There you go. That's 146 00:09:34,360 --> 00:09:36,840 Speaker 1: from Mental flaws dot com. So the surprising stories behind 147 00:09:36,840 --> 00:09:39,640 Speaker 1: TV theme songs. Do you have I Have? Twenty one 148 00:09:39,720 --> 00:09:43,680 Speaker 1: years ago, Garth Brooks host Saturday Night Live, but there's 149 00:09:43,679 --> 00:09:46,000 Speaker 1: a special show because he did it as a dual guest. 150 00:09:46,240 --> 00:09:50,280 Speaker 1: Garth Brooks was the guest. Chris Gaines was the musical guest, 151 00:09:50,720 --> 00:09:52,280 Speaker 1: so he did a ska. Here's the clip here of 152 00:09:52,360 --> 00:09:55,679 Speaker 1: him doing a skit with Tracy Morgan. Chris Gary. The 153 00:09:55,720 --> 00:09:58,320 Speaker 1: first time you see a night you're gonna stay one man, 154 00:09:59,320 --> 00:10:03,880 Speaker 1: dude chicken and he fat to what he's fat? You 155 00:10:03,920 --> 00:10:06,120 Speaker 1: can see the gut do that outfit? Man, If you 156 00:10:06,160 --> 00:10:09,920 Speaker 1: were that big, they'd be calling you girth Brooks. You 157 00:10:10,000 --> 00:10:13,280 Speaker 1: know what you've got this soup can with you tonight? Man? 158 00:10:13,320 --> 00:10:17,560 Speaker 1: You should have Willie Nelson. Hello, you like Willie Nelson? 159 00:10:17,640 --> 00:10:21,360 Speaker 1: He smoke queen, Right, that's what I'm talking about man, 160 00:10:21,520 --> 00:10:25,200 Speaker 1: Chris Gaines. Ain't man. It's insides of pink. That's funny. Yeah. 161 00:10:25,240 --> 00:10:28,240 Speaker 1: So Chris Gaines was the musical guest and it's been 162 00:10:28,360 --> 00:10:31,000 Speaker 1: the video clip of of this performance has been pulled 163 00:10:31,040 --> 00:10:33,240 Speaker 1: up YouTube. But don't worry. I found a clip. Really. 164 00:10:33,240 --> 00:10:43,360 Speaker 1: Oh yeah, I hear it is. Now, what do you 165 00:10:43,400 --> 00:10:45,559 Speaker 1: know about this whole Chris gain because this is a 166 00:10:45,559 --> 00:10:47,559 Speaker 1: big deal. I mean, I think it's supposed to be 167 00:10:47,640 --> 00:10:50,600 Speaker 1: a movie, and this Chris Gaines project was the soundtrack 168 00:10:50,640 --> 00:10:52,319 Speaker 1: to that movie, so it wasn't just a character he 169 00:10:52,360 --> 00:10:54,920 Speaker 1: invented to do a record for the movie fell out. 170 00:10:55,240 --> 00:10:58,480 Speaker 1: I think Chris Gaines was in an accident and his 171 00:10:58,559 --> 00:11:00,439 Speaker 1: face was messed up a little bit, and that's why 172 00:11:00,440 --> 00:11:02,840 Speaker 1: he played was like dark can cover. But that's that's 173 00:11:02,840 --> 00:11:04,960 Speaker 1: what I know about it. Yeah, that you nailed it. 174 00:11:04,960 --> 00:11:06,800 Speaker 1: I mean, it was supposed to be a movie, obviously, 175 00:11:06,960 --> 00:11:09,920 Speaker 1: and they want to publicize the movie. They said, let's 176 00:11:09,920 --> 00:11:12,160 Speaker 1: do a record first and this will be the publicity. 177 00:11:12,240 --> 00:11:15,080 Speaker 1: But dude, honestly, when this came out, I don't know 178 00:11:15,120 --> 00:11:18,120 Speaker 1: if they intended it to be, but I think me included, 179 00:11:18,480 --> 00:11:21,720 Speaker 1: we were all confused, like what is happening. I didn't. 180 00:11:21,760 --> 00:11:23,319 Speaker 1: I was like Guarth Brooks playing on the character. It's 181 00:11:23,320 --> 00:11:25,360 Speaker 1: more ways to hear Garth Brooks. I know, I know. 182 00:11:25,480 --> 00:11:27,320 Speaker 1: And it's funny too because I saw a documentary with 183 00:11:28,080 --> 00:11:30,199 Speaker 1: the Garth documentary that's an A and E doc or whatever, 184 00:11:30,240 --> 00:11:32,320 Speaker 1: and Tricia Year was talking about Chris Gaines. She's like, 185 00:11:32,440 --> 00:11:34,520 Speaker 1: anyone that doesn't understand what Garth was trying to do 186 00:11:34,559 --> 00:11:36,720 Speaker 1: with Chris Gaines, you're out of your mind. It was 187 00:11:36,920 --> 00:11:39,120 Speaker 1: genius what he was trying to do. And she she's 188 00:11:39,160 --> 00:11:41,480 Speaker 1: got his back on that. And I just and I 189 00:11:41,480 --> 00:11:43,120 Speaker 1: don't think it's a bad It was a bad thing. 190 00:11:43,160 --> 00:11:45,000 Speaker 1: I just didn't understand. And I think that was the 191 00:11:45,000 --> 00:11:47,679 Speaker 1: problem with most of America, was like we didn't understand 192 00:11:47,720 --> 00:11:49,200 Speaker 1: what he was trying to do. And I was like, 193 00:11:49,280 --> 00:11:51,840 Speaker 1: is he trying to go rock? Well, if you have 194 00:11:51,920 --> 00:11:54,400 Speaker 1: to explain it, you need to dumb it down. All 195 00:11:54,480 --> 00:11:57,120 Speaker 1: that's the problem with just in general, withal. You know, 196 00:11:57,200 --> 00:11:58,880 Speaker 1: if you're known for something and you have to explain 197 00:11:58,920 --> 00:12:00,760 Speaker 1: what you're doing, people are gonna list for an explanation. 198 00:12:00,800 --> 00:12:02,520 Speaker 1: They just want to know and see if they like 199 00:12:02,559 --> 00:12:04,040 Speaker 1: it or not. Yeah, So I can think they just 200 00:12:04,120 --> 00:12:05,840 Speaker 1: chucked that one down as a loss. But here's his 201 00:12:05,920 --> 00:12:08,240 Speaker 1: single that he really is called Lost in You. That's 202 00:12:08,960 --> 00:12:21,680 Speaker 1: them about you when you get lost. That's good, honestly, dude. 203 00:12:21,679 --> 00:12:23,480 Speaker 1: If Garth wasn't a country superstar and this is what 204 00:12:23,559 --> 00:12:25,880 Speaker 1: he did, we had all accepted. Absolutely. And he's singing 205 00:12:25,960 --> 00:12:28,120 Speaker 1: love it and that higher registered too, So it doesn't 206 00:12:28,120 --> 00:12:31,880 Speaker 1: sound like I got friends. That's all. I remember that all. 207 00:12:31,960 --> 00:12:36,120 Speaker 1: I like, do you remember the Saturday Night live performance? Oh? Yeah, 208 00:12:36,120 --> 00:12:40,560 Speaker 1: I remember it, being very confused about it. There you go, 209 00:12:40,640 --> 00:12:45,280 Speaker 1: all right, that's music school class goodness. That was Bobby 210 00:12:45,320 --> 00:12:52,440 Speaker 1: and Eddie's music school. I was just recording some stuff 211 00:12:52,440 --> 00:12:55,679 Speaker 1: with the Opry, and what happened was, you're playing the 212 00:12:55,679 --> 00:13:00,160 Speaker 1: Opry next this weekend, next weekend. Okay, what happen? Way, 213 00:13:00,480 --> 00:13:04,160 Speaker 1: whatever the cases. I was recording promos for you, and 214 00:13:04,200 --> 00:13:07,160 Speaker 1: I was doing some stuff backstage too, because some weekends 215 00:13:07,200 --> 00:13:08,640 Speaker 1: I'm not able to be there because I'm shooting my 216 00:13:08,760 --> 00:13:11,640 Speaker 1: Nagio show. So I go on, we're shooting that's makeup 217 00:13:11,679 --> 00:13:15,920 Speaker 1: cup and so we're off and I'm reading your script 218 00:13:15,920 --> 00:13:19,360 Speaker 1: and it's like, hey, Russell Dickerson, and it says, don't 219 00:13:19,400 --> 00:13:23,880 Speaker 1: crect no, no, it says Russell Dickerson, so many number ones, 220 00:13:23,880 --> 00:13:26,600 Speaker 1: he's got three number ones, and I stopped him. I go, whoa, whoa, guys, 221 00:13:26,679 --> 00:13:29,200 Speaker 1: we need to fix the script here because I know 222 00:13:29,240 --> 00:13:32,600 Speaker 1: for a fact I was four now and they were like, 223 00:13:32,920 --> 00:13:35,400 Speaker 1: you're welcome. I was looking out for you and they 224 00:13:35,440 --> 00:13:37,360 Speaker 1: were like, oh he does well. Last time we looked, 225 00:13:37,360 --> 00:13:39,240 Speaker 1: I said, well, this week has got the number one 226 00:13:39,280 --> 00:13:43,240 Speaker 1: songam So I was thinking about you and you can't congratulations. 227 00:13:43,280 --> 00:13:45,480 Speaker 1: I appreciate that, man, Thanks for looking out for you. Boy. 228 00:13:45,600 --> 00:13:48,439 Speaker 1: Do you feel though now with four number ones, like 229 00:13:48,520 --> 00:13:53,040 Speaker 1: you can take a breath, not in a way of relaxing, 230 00:13:53,520 --> 00:13:58,840 Speaker 1: but in not worrying that you won't stay? Yeah, a 231 00:13:58,880 --> 00:14:01,920 Speaker 1: little bit. I mean with everyone that gets that way. 232 00:14:02,640 --> 00:14:04,920 Speaker 1: And I think why this one is so special because 233 00:14:04,920 --> 00:14:07,640 Speaker 1: it's off album too, you know, and I think this 234 00:14:07,760 --> 00:14:10,920 Speaker 1: kind of nips the sophomore slump in the bud. You know. 235 00:14:11,360 --> 00:14:13,480 Speaker 1: This is the first song from the second album, but 236 00:14:13,559 --> 00:14:18,840 Speaker 1: the four record is and right it's called Southern Yeah. 237 00:14:18,880 --> 00:14:23,160 Speaker 1: I'm the biggest Russell Dickerson to stand there is. So 238 00:14:23,680 --> 00:14:26,480 Speaker 1: the song is out, the record is not yet, and 239 00:14:26,480 --> 00:14:28,320 Speaker 1: you already have a number one before the records even 240 00:14:28,320 --> 00:14:30,040 Speaker 1: out come on. What else can you ask? But I 241 00:14:30,040 --> 00:14:32,640 Speaker 1: don't know. I don't know. That's like best case scenario. 242 00:14:33,040 --> 00:14:35,280 Speaker 1: So it comes out December four. Let me play your 243 00:14:35,280 --> 00:14:36,600 Speaker 1: four number one in the case we have some brand 244 00:14:36,640 --> 00:14:44,800 Speaker 1: new Russell Dee fans. All right, yours here you go first, which, 245 00:14:45,440 --> 00:14:49,680 Speaker 1: by the way, funny story. I of course I'm just 246 00:14:49,680 --> 00:14:51,760 Speaker 1: gonna go ahead and interrupt you there. Yes, I will 247 00:14:51,800 --> 00:15:00,360 Speaker 1: come sing at your wedding. Wasn't the question? That's funny. 248 00:15:00,480 --> 00:15:03,720 Speaker 1: Caitlin and I were listening to songs last night because 249 00:15:04,440 --> 00:15:06,400 Speaker 1: she's trying to find a song to walk down the 250 00:15:06,440 --> 00:15:09,440 Speaker 1: aisle too. She doesn't want to walk down to Dada, 251 00:15:10,600 --> 00:15:12,640 Speaker 1: and we wanted to pick a song that meant a 252 00:15:12,640 --> 00:15:15,160 Speaker 1: lot to us. But we were scrolling. And why I 253 00:15:15,200 --> 00:15:17,560 Speaker 1: think about yours is because there's a whole wedding mix 254 00:15:17,600 --> 00:15:19,520 Speaker 1: of this song too that I didn't even know. It's 255 00:15:19,640 --> 00:15:22,440 Speaker 1: how is it different? Though it's just stripped back. There's 256 00:15:22,480 --> 00:15:25,880 Speaker 1: no drums, there's no you know, there's no big guitar solo. 257 00:15:25,960 --> 00:15:29,120 Speaker 1: It's like a kind of piano cello. We vibe. But 258 00:15:29,240 --> 00:15:30,720 Speaker 1: we didn't pick it, but it was up there in 259 00:15:30,760 --> 00:15:34,480 Speaker 1: the top ten. We just but I was like, hey, 260 00:15:34,480 --> 00:15:36,680 Speaker 1: this song is really great. I was like, I love Russell. 261 00:15:36,920 --> 00:15:39,800 Speaker 1: We just didn't have a story to it as a couple. 262 00:15:39,920 --> 00:15:42,320 Speaker 1: Absolutely happen to like defend myself and I'm like, hey man, 263 00:15:42,320 --> 00:15:44,440 Speaker 1: that's a great song, trust me. So that was your 264 00:15:44,440 --> 00:15:55,000 Speaker 1: first number one. Here is Blue Tacomah, here is every 265 00:15:55,000 --> 00:16:00,720 Speaker 1: little thing. I mean, that's a jam. Listen of all 266 00:16:00,760 --> 00:16:02,720 Speaker 1: of your listen, they're all good, right, but that's the 267 00:16:02,720 --> 00:16:04,480 Speaker 1: one that it comes on. I can't get it out 268 00:16:04,480 --> 00:16:07,080 Speaker 1: of my head. Yes, that's the goal. I mean, that's 269 00:16:07,080 --> 00:16:11,280 Speaker 1: the ultimate goal. And you know it's not a slow 270 00:16:11,320 --> 00:16:13,240 Speaker 1: love song. So your sets, one of your big hits 271 00:16:13,240 --> 00:16:16,000 Speaker 1: has got an energy, got to Yeah. That's what was 272 00:16:16,040 --> 00:16:18,480 Speaker 1: so huge about this song actually taken off, was like 273 00:16:18,760 --> 00:16:21,080 Speaker 1: we finally have more than I mean, I remember having 274 00:16:21,120 --> 00:16:23,760 Speaker 1: to teach people Blue Tacoma in the crowd, you know, 275 00:16:23,840 --> 00:16:25,240 Speaker 1: and so to have that, you know, it's kind of 276 00:16:25,320 --> 00:16:27,160 Speaker 1: mid ish. But then every little thing bro and that 277 00:16:27,280 --> 00:16:30,400 Speaker 1: was a yeah. So and every little thing was just 278 00:16:30,440 --> 00:16:33,120 Speaker 1: like I felt so good to having the set and 279 00:16:33,200 --> 00:16:36,480 Speaker 1: this I love you like I used to, which it 280 00:16:36,520 --> 00:16:39,560 Speaker 1: feels like just looking at the title, like you're saying 281 00:16:39,800 --> 00:16:41,160 Speaker 1: I don't love you like I used to in a 282 00:16:41,200 --> 00:16:42,760 Speaker 1: bad way. Do you know that? Do you know that? 283 00:16:42,760 --> 00:16:44,880 Speaker 1: When you absolutely right? So, but it doesn't mean that 284 00:16:44,920 --> 00:16:47,240 Speaker 1: at all. No, So in the first verse we kind 285 00:16:47,240 --> 00:16:50,400 Speaker 1: of wanted that to be the kind of fake out. 286 00:16:50,560 --> 00:16:53,600 Speaker 1: It's like I've always loved you, but something's changed, Blame 287 00:16:53,680 --> 00:16:56,880 Speaker 1: it on time, whatever, But it's not the same, you 288 00:16:56,880 --> 00:16:59,680 Speaker 1: know what I mean, it's up until the core is 289 00:16:59,720 --> 00:17:02,000 Speaker 1: just punches you in the face. That's what we wanted 290 00:17:02,040 --> 00:17:04,040 Speaker 1: you to think that it was a breakup song. But 291 00:17:04,119 --> 00:17:06,320 Speaker 1: it's like this gets better every time you kissed me 292 00:17:06,440 --> 00:17:08,560 Speaker 1: like this, you know what I mean. So I'm such 293 00:17:08,600 --> 00:17:11,239 Speaker 1: a melody guy that it took me a while. I 294 00:17:11,359 --> 00:17:13,439 Speaker 1: was like, okay, well he's said about something. But then 295 00:17:13,440 --> 00:17:16,080 Speaker 1: I just knew na no no no, no, no, no no 296 00:17:16,080 --> 00:17:19,359 Speaker 1: no no. But then it took me a little bit 297 00:17:19,359 --> 00:17:22,480 Speaker 1: as just the guy that doesn't know lyrics. Good good though. 298 00:17:22,520 --> 00:17:26,560 Speaker 1: Congratulations man, this is a big week. Is all of 299 00:17:26,600 --> 00:17:29,520 Speaker 1: these songs? Were they written with all four of them 300 00:17:29,560 --> 00:17:32,040 Speaker 1: written with the same folks, same folks, Yeah, Casey Brown 301 00:17:32,080 --> 00:17:36,400 Speaker 1: and Parker Welling, my Belmont friends. That was like I 302 00:17:36,440 --> 00:17:39,040 Speaker 1: tried the I tried to hit songwriter a out, you know, 303 00:17:39,080 --> 00:17:40,600 Speaker 1: I wrote with I mean, I don't have to name 304 00:17:40,600 --> 00:17:41,960 Speaker 1: all the people, but I wrote with all the who's 305 00:17:42,000 --> 00:17:45,360 Speaker 1: who's the songwriters, and it just didn't the magic wasn't there? 306 00:17:45,880 --> 00:17:49,240 Speaker 1: Do they have? Because I don't know either one of them, 307 00:17:49,320 --> 00:17:52,760 Speaker 1: and I'm I'm saying it's the most respectful way. There's 308 00:17:52,800 --> 00:17:55,400 Speaker 1: obviously something that clicks with the battery of you three. 309 00:17:56,200 --> 00:17:59,000 Speaker 1: Have they written other massive hits or big hits? This 310 00:17:59,119 --> 00:18:01,600 Speaker 1: is all our first four number one. That's awesome, so 311 00:18:01,640 --> 00:18:05,280 Speaker 1: cool man, it's I mean, even if like yours the 312 00:18:05,320 --> 00:18:07,200 Speaker 1: first number one we all had together. Dude, I was 313 00:18:07,240 --> 00:18:08,720 Speaker 1: just like standing up there, you know how you have 314 00:18:08,760 --> 00:18:11,359 Speaker 1: the number one parties and everybody gather around, there's chips 315 00:18:11,359 --> 00:18:13,919 Speaker 1: and salsa and everything, and I'm just like standing up 316 00:18:13,920 --> 00:18:16,440 Speaker 1: on the stage is crying because like it's been, it's 317 00:18:16,440 --> 00:18:18,480 Speaker 1: been a long journey to get to this point into 318 00:18:18,520 --> 00:18:21,120 Speaker 1: all for all three of us who went to Belmont 319 00:18:21,160 --> 00:18:23,840 Speaker 1: together and all had our first number one together. It's 320 00:18:23,880 --> 00:18:27,000 Speaker 1: just like one of those so super special moments. Is that? 321 00:18:27,040 --> 00:18:30,120 Speaker 1: How you and Tyler Hubbard are friends from Columne. Yeah, 322 00:18:30,640 --> 00:18:34,560 Speaker 1: they came to one of my first shows ever, Brian 323 00:18:34,560 --> 00:18:37,600 Speaker 1: and Tyler. So they came and I was probably playing 324 00:18:37,960 --> 00:18:40,720 Speaker 1: to like eight people at twelfth and quarter and to it. 325 00:18:40,720 --> 00:18:43,400 Speaker 1: Then we're Brian and ty Yeah. Yeah, so they were 326 00:18:43,440 --> 00:18:46,320 Speaker 1: literally a quarter of the crowd and uh man, it's 327 00:18:46,320 --> 00:18:48,680 Speaker 1: just like they came up to me afterwards and we're like, hey, bro, 328 00:18:48,800 --> 00:18:51,240 Speaker 1: cool vibe cool songs. Well, they weren't friends with yours 329 00:18:51,280 --> 00:18:54,960 Speaker 1: then they saw you play, yeah, and so they were. 330 00:18:55,000 --> 00:18:57,119 Speaker 1: They were like songwriters at the time. They were just like, 331 00:18:57,119 --> 00:18:59,199 Speaker 1: we want to write. We've been writing songs together. So 332 00:18:59,240 --> 00:19:02,120 Speaker 1: they invited me her. We wrote my pretty much first 333 00:19:02,160 --> 00:19:05,400 Speaker 1: EP together with F G L. And that was like 334 00:19:06,040 --> 00:19:09,360 Speaker 1: the start of it all. I mean, not not for me, 335 00:19:09,480 --> 00:19:13,000 Speaker 1: and then it was started for them because they went 336 00:19:13,080 --> 00:19:16,520 Speaker 1: from just nothing too. They played me the demo for 337 00:19:16,560 --> 00:19:19,399 Speaker 1: Cruise and I was like, well see you all later, bro, 338 00:19:19,440 --> 00:19:22,560 Speaker 1: because y'all are gone taking off and you guys are 339 00:19:22,600 --> 00:19:25,720 Speaker 1: like close family friends. Yeah, you and Tyler, Yeah, we're 340 00:19:25,800 --> 00:19:28,320 Speaker 1: very close. I feel like every second Instagram pictures you 341 00:19:28,320 --> 00:19:31,000 Speaker 1: want his or his on yours? Right. Yeah, he's coronaing 342 00:19:31,119 --> 00:19:33,520 Speaker 1: right now. He is, bro and the bus he is. 343 00:19:33,840 --> 00:19:36,480 Speaker 1: He's straight up quarantining. Have you talked to him? Yeah? 344 00:19:37,000 --> 00:19:38,639 Speaker 1: Is he playing? Like? Was he playing video? Guess? What 345 00:19:38,680 --> 00:19:40,119 Speaker 1: I would do. I put myself in the mindset I 346 00:19:40,320 --> 00:19:41,879 Speaker 1: was playing video games, or if I was chopped in 347 00:19:41,920 --> 00:19:44,600 Speaker 1: a bus up the video games. I would have all 348 00:19:44,640 --> 00:19:46,000 Speaker 1: the time in the world to work, but I would 349 00:19:46,040 --> 00:19:47,320 Speaker 1: keep going. Well, since I have all this time, I'm 350 00:19:47,320 --> 00:19:49,320 Speaker 1: not gonna work yet, and my work would continue to 351 00:19:49,440 --> 00:19:52,040 Speaker 1: put off. What is he doing the same way? He too. 352 00:19:52,200 --> 00:19:54,880 Speaker 1: He told me he's written like five songs by himself already, 353 00:19:55,240 --> 00:19:57,399 Speaker 1: and he's just like that's him though he just like 354 00:19:57,520 --> 00:20:00,159 Speaker 1: never stops. I mean, you never stop either. But I 355 00:20:00,200 --> 00:20:02,800 Speaker 1: don't have a talent, like I don't have a skill 356 00:20:02,920 --> 00:20:08,000 Speaker 1: that stone. I'm telling you this is the truth my podcast, 357 00:20:08,040 --> 00:20:11,400 Speaker 1: let me talk. I don't have something that I can 358 00:20:11,480 --> 00:20:14,119 Speaker 1: just bet all the chips on and go. This is 359 00:20:14,160 --> 00:20:18,439 Speaker 1: my talent. I stand behind it. My my skill is 360 00:20:18,520 --> 00:20:22,320 Speaker 1: knowing that my grind is going to keep me here. 361 00:20:23,240 --> 00:20:25,560 Speaker 1: I've worked, We've all worked extremely hard. But at least 362 00:20:25,560 --> 00:20:27,680 Speaker 1: you can sing. I can do nothing. I go out 363 00:20:27,720 --> 00:20:30,119 Speaker 1: and I fail and figure things out slowly but shortly. 364 00:20:31,119 --> 00:20:33,080 Speaker 1: But thank you for saying that. But I think I 365 00:20:33,119 --> 00:20:36,000 Speaker 1: think you're never gonna convince me I'm talented. And when 366 00:20:36,040 --> 00:20:38,439 Speaker 1: people tell me, if people like man you're you're very talented. 367 00:20:38,480 --> 00:20:44,200 Speaker 1: I get offended, like me and you're you're you're so talented, yeah, 368 00:20:44,200 --> 00:20:47,240 Speaker 1: because I'm like, no, I'm not talented at all. I 369 00:20:47,359 --> 00:20:50,679 Speaker 1: just show up. Yeah, Which is weird that I get 370 00:20:50,840 --> 00:20:52,920 Speaker 1: upset at folks for telling me I'm talented. Like even 371 00:20:53,040 --> 00:20:56,960 Speaker 1: Russell said that triggered me. I was like, that's not true. 372 00:20:57,760 --> 00:21:00,880 Speaker 1: I was reading your your wife's instagram, which, by the way, 373 00:21:00,920 --> 00:21:03,639 Speaker 1: if you want to hear Russell's whole origin story because 374 00:21:03,640 --> 00:21:07,399 Speaker 1: you are basically an X man. Basically, there's one of 375 00:21:07,440 --> 00:21:09,359 Speaker 1: these with Russell and his wife the first time, maybe 376 00:21:09,359 --> 00:21:12,399 Speaker 1: the first time we met. That's when that was no 377 00:21:13,200 --> 00:21:15,879 Speaker 1: right around, right around then, because your wife saved me 378 00:21:15,960 --> 00:21:18,960 Speaker 1: outside of the rheman doing a show, and then you 379 00:21:18,960 --> 00:21:21,560 Speaker 1: guys came up a couple of days later. All I 380 00:21:21,600 --> 00:21:23,520 Speaker 1: know is there, I'm going to the back door with 381 00:21:23,560 --> 00:21:25,919 Speaker 1: the ryman. There are a lot of folks and a 382 00:21:25,960 --> 00:21:28,920 Speaker 1: lot of those autographed people that want you to sign 383 00:21:28,920 --> 00:21:31,240 Speaker 1: something so I can sell it immediately. And I'm being 384 00:21:31,280 --> 00:21:34,960 Speaker 1: hounded and a voice jumps in from the clouds and 385 00:21:35,000 --> 00:21:38,280 Speaker 1: goes stop, he has to get inside. And I looked 386 00:21:38,280 --> 00:21:40,000 Speaker 1: over and I was like, who is this master figure. 387 00:21:40,240 --> 00:21:41,920 Speaker 1: And it was your wife. And she has scored me 388 00:21:41,960 --> 00:21:44,280 Speaker 1: in the in the in the rhyman for the an 389 00:21:44,280 --> 00:21:46,400 Speaker 1: opera show that me, you and Michael Ray did. Yeah, 390 00:21:46,400 --> 00:21:47,959 Speaker 1: we were there for that show. Yeah, all right enough, 391 00:21:47,960 --> 00:21:50,239 Speaker 1: I'm gonna read you something she wrote. This was on 392 00:21:50,320 --> 00:21:53,400 Speaker 1: his on her Instagram. This man is celebrating his fourth 393 00:21:53,480 --> 00:21:55,840 Speaker 1: number one on count Radio this week. I'll never stop 394 00:21:55,880 --> 00:22:00,399 Speaker 1: celebrating your accomplishments at Russell d the little ones, the 395 00:22:00,400 --> 00:22:02,800 Speaker 1: big ones, and this is a big one. I'll never 396 00:22:02,800 --> 00:22:04,880 Speaker 1: stop celebrating because I know what it costs to get 397 00:22:04,960 --> 00:22:08,440 Speaker 1: us here, sleeping on seat belts and vans, watching you 398 00:22:08,800 --> 00:22:11,199 Speaker 1: put on an arena worthy show to six people in 399 00:22:11,200 --> 00:22:14,359 Speaker 1: a field who would listen, barely getting by being told 400 00:22:14,400 --> 00:22:17,600 Speaker 1: no over and over again. All of it. You never wavered, 401 00:22:17,720 --> 00:22:20,320 Speaker 1: not in your dreams, your work, ethic, or in your character. 402 00:22:20,920 --> 00:22:23,160 Speaker 1: Some people are giving success in spite of who they are, 403 00:22:23,440 --> 00:22:25,040 Speaker 1: and you are giving it because of who you are. 404 00:22:25,320 --> 00:22:27,119 Speaker 1: I'm so thankful our son has you to look up 405 00:22:27,160 --> 00:22:30,960 Speaker 1: to in every way. Four for four baby, Let's celebrate 406 00:22:30,960 --> 00:22:33,960 Speaker 1: with some corrabas. Thank you Jesus. There are a lot 407 00:22:33,960 --> 00:22:36,680 Speaker 1: of things like to talk about, and this paragraph for sure. 408 00:22:36,920 --> 00:22:39,080 Speaker 1: I think your wife's fantastic. By the way, Oh my gosh, dude, 409 00:22:39,119 --> 00:22:43,159 Speaker 1: she's such a writer, man, she is lover. Okay, up, first, 410 00:22:43,640 --> 00:22:47,399 Speaker 1: let's talk about the sleeping on seatbelts and vans straight up, 411 00:22:47,480 --> 00:22:49,280 Speaker 1: because when you have to lay down in a van 412 00:22:49,400 --> 00:22:51,800 Speaker 1: and you can't get the seat belt all, there's nowhere 413 00:22:51,840 --> 00:22:53,760 Speaker 1: to put it. We'll go into the seat. Yeah, there's 414 00:22:53,800 --> 00:22:56,439 Speaker 1: there's the seatbelt, like the actual belt with the buckle, 415 00:22:56,760 --> 00:22:59,080 Speaker 1: and then there's what you bug into that literally is 416 00:22:59,200 --> 00:23:01,359 Speaker 1: up your crack. You can try, you can put a 417 00:23:01,400 --> 00:23:04,800 Speaker 1: pillow over it never stays still, your hit bones just 418 00:23:04,840 --> 00:23:08,439 Speaker 1: digging into it. It's the God bless any and everyone 419 00:23:08,520 --> 00:23:10,840 Speaker 1: still touring in vans. I'd like to tell her that 420 00:23:10,920 --> 00:23:13,359 Speaker 1: was a really fantastic reference that I could feel in 421 00:23:13,400 --> 00:23:16,000 Speaker 1: my body because when I first started touring doing comedy, 422 00:23:16,040 --> 00:23:18,679 Speaker 1: I just slept in a sprinter van in the middle 423 00:23:18,720 --> 00:23:21,760 Speaker 1: seat because the back seat had crap in it. The 424 00:23:21,760 --> 00:23:26,040 Speaker 1: middle seats that seatboats there. Tell me about a because 425 00:23:26,080 --> 00:23:28,760 Speaker 1: she must be talking about a show specifically. She remembers, 426 00:23:29,440 --> 00:23:32,320 Speaker 1: were you ever in a field and there was oh yeah, absolutely, 427 00:23:32,560 --> 00:23:34,480 Speaker 1: we were opening up. I bet the one she's talking 428 00:23:34,520 --> 00:23:40,159 Speaker 1: about is due there's been a lot. Actually I have 429 00:23:40,240 --> 00:23:43,280 Speaker 1: go pro footage of this show. It was it's so 430 00:23:43,320 --> 00:23:46,040 Speaker 1: we did the knack a Circuit, which is national collegiate 431 00:23:46,640 --> 00:23:50,320 Speaker 1: whatever association of whatever. So they put on shows. So 432 00:23:50,359 --> 00:23:54,159 Speaker 1: they brought us in for like maybe twoucks. So we 433 00:23:54,359 --> 00:23:58,280 Speaker 1: drive eight hours, the whole band, everybody, and it's further 434 00:23:58,520 --> 00:24:04,679 Speaker 1: like you name it, like registration day, but like nobody cares, 435 00:24:05,280 --> 00:24:07,199 Speaker 1: you know what I mean, Like nobody came to this 436 00:24:07,320 --> 00:24:11,320 Speaker 1: function and they just like they had like cotton candy 437 00:24:11,400 --> 00:24:15,520 Speaker 1: and popcorn and everything, and there was legit maybe twenty 438 00:24:15,640 --> 00:24:18,440 Speaker 1: total people just scattered around these little stations and like 439 00:24:19,359 --> 00:24:22,160 Speaker 1: zero people up at the stage watching us. And so 440 00:24:22,640 --> 00:24:26,240 Speaker 1: you know, that was normal for us. What goes on 441 00:24:26,359 --> 00:24:30,040 Speaker 1: in your mind whenever you've been paid to do a 442 00:24:30,119 --> 00:24:36,040 Speaker 1: show but nobody cares. My honestly, my mindset was will 443 00:24:36,119 --> 00:24:40,000 Speaker 1: get there one day, Like I just I just if 444 00:24:40,040 --> 00:24:43,679 Speaker 1: I had gained six new fans that show she's talking about, 445 00:24:43,720 --> 00:24:46,280 Speaker 1: then great, Like that was my mindset of like we 446 00:24:46,359 --> 00:24:49,080 Speaker 1: will get there one day, six people at a time 447 00:24:49,119 --> 00:24:51,680 Speaker 1: if we have to, you know, And like it was 448 00:24:51,760 --> 00:24:55,399 Speaker 1: just in my mind, it was just arenas And you know, 449 00:24:55,520 --> 00:24:58,920 Speaker 1: I watched Garth Brooks DVDs. I watched Keith Urban's DVDs 450 00:24:59,000 --> 00:25:02,199 Speaker 1: of their their live show, and I'm just like, in 451 00:25:02,280 --> 00:25:05,480 Speaker 1: my mind, I would just kinda go there when there's 452 00:25:06,119 --> 00:25:08,680 Speaker 1: no one, when no one cares and there's six people 453 00:25:08,920 --> 00:25:11,600 Speaker 1: in a field. Isn't it crazy too? You mentioned Keith 454 00:25:12,080 --> 00:25:13,720 Speaker 1: he used to plan in an airport. He would stand 455 00:25:13,760 --> 00:25:17,080 Speaker 1: on that that thing where the bags went around and 456 00:25:17,160 --> 00:25:19,439 Speaker 1: he would say people would be annoyed that they were 457 00:25:19,440 --> 00:25:22,880 Speaker 1: playing and he had to visualize something like there's something 458 00:25:22,920 --> 00:25:24,919 Speaker 1: that he had to focus on just to get to 459 00:25:24,960 --> 00:25:27,159 Speaker 1: that next step. Now here you are, and we have 460 00:25:27,160 --> 00:25:28,879 Speaker 1: a lot of new artists that listened to this podcast 461 00:25:28,920 --> 00:25:31,760 Speaker 1: specifically because we put on producers, we put on managers. 462 00:25:32,000 --> 00:25:33,840 Speaker 1: It's a little more on the weeds. But what's great 463 00:25:33,920 --> 00:25:35,280 Speaker 1: is you're talking about this because there are a lot 464 00:25:35,320 --> 00:25:38,760 Speaker 1: of new artists right now listening who feel like they 465 00:25:38,800 --> 00:25:42,320 Speaker 1: can't get that full step forward. It's it's constantly a 466 00:25:42,320 --> 00:25:45,240 Speaker 1: step backward. What do you tell them? You just gotta 467 00:25:45,320 --> 00:25:47,320 Speaker 1: keep showing Like you said, you gotta keep showing up. 468 00:25:47,359 --> 00:25:50,639 Speaker 1: That was what and you have to you have to 469 00:25:50,680 --> 00:25:54,119 Speaker 1: do it humbly. You can't you can't rush trying to 470 00:25:54,280 --> 00:25:56,920 Speaker 1: You can't be too good for that two doll show, 471 00:25:57,240 --> 00:25:58,600 Speaker 1: you know what I mean, Like there comes to a 472 00:25:58,640 --> 00:26:00,879 Speaker 1: point where it financially doesn't make sense, and it didn't, 473 00:26:01,240 --> 00:26:05,280 Speaker 1: but you know I was. You just have to show 474 00:26:05,359 --> 00:26:08,639 Speaker 1: up and show up humbly and keep showing up taking 475 00:26:08,640 --> 00:26:11,000 Speaker 1: two fifty because two fifty will turn into five hundred 476 00:26:11,200 --> 00:26:15,879 Speaker 1: to a thousand to five, you know, until you're opening 477 00:26:15,960 --> 00:26:18,439 Speaker 1: up for Thomas Rhett, opening up for Kane Brown, and 478 00:26:18,760 --> 00:26:21,360 Speaker 1: you know that was. I know. I don't take any 479 00:26:21,359 --> 00:26:24,240 Speaker 1: show for granted because I've been I've been there. You know. 480 00:26:24,240 --> 00:26:27,959 Speaker 1: It's like it's like rich people who used to be homeless, 481 00:26:28,000 --> 00:26:31,680 Speaker 1: like they know they came from nothing and now they 482 00:26:31,720 --> 00:26:35,800 Speaker 1: have every I'm not saying I'm rich. I'm saying you know, listen, 483 00:26:35,840 --> 00:26:38,280 Speaker 1: I know because I'm living it right like I was 484 00:26:38,280 --> 00:26:41,359 Speaker 1: a welfare food stamp kid, and so I appreciate what 485 00:26:41,400 --> 00:26:44,320 Speaker 1: I have even more than that the same way that 486 00:26:44,359 --> 00:26:46,520 Speaker 1: you're talking about. Um, I want to mention one of thing, 487 00:26:46,560 --> 00:26:48,600 Speaker 1: and I want to go back, but corrab Is that 488 00:26:48,720 --> 00:26:51,200 Speaker 1: is also a place that Caitlin and we'll do Olive 489 00:26:51,200 --> 00:26:54,000 Speaker 1: Garden on normal nights, but when we get fancy, we 490 00:26:54,040 --> 00:26:57,800 Speaker 1: go to Corrabs because we're speaking our language, because Crab 491 00:26:57,920 --> 00:27:01,880 Speaker 1: is like nicer. Both are great, love them both, but Corrabs. 492 00:27:01,960 --> 00:27:07,679 Speaker 1: I might wear pants. I can wear sweats to all gardens. 493 00:27:07,680 --> 00:27:10,040 Speaker 1: I feel like I need something with a scene. Yeah, well, 494 00:27:10,040 --> 00:27:13,000 Speaker 1: because the first of all, the wait staff is dressed 495 00:27:13,000 --> 00:27:17,200 Speaker 1: a little night, they're dress. You know what I'm saying, Yeah, 496 00:27:17,400 --> 00:27:19,680 Speaker 1: crap is fantastic. Um. The thing I was gonna ask 497 00:27:19,760 --> 00:27:23,200 Speaker 1: is professionally speaking, and then we'll talk personally in a second, 498 00:27:23,200 --> 00:27:26,760 Speaker 1: but professionally speaking, what's the what's the one moment? Well, 499 00:27:26,800 --> 00:27:29,120 Speaker 1: you're like, oh, it all changed right then, look what's 500 00:27:29,160 --> 00:27:31,199 Speaker 1: the what's the one moment you look back and go. 501 00:27:31,800 --> 00:27:33,960 Speaker 1: That is where my career took a big pivot in 502 00:27:34,000 --> 00:27:39,199 Speaker 1: the right direction. I think the first one, uh was 503 00:27:39,240 --> 00:27:41,440 Speaker 1: the first time I got asked to play the Opery, 504 00:27:41,480 --> 00:27:45,800 Speaker 1: because that is you know, that was the I mean 505 00:27:45,840 --> 00:27:50,159 Speaker 1: every country artist dreamed to play the Opery eventually, and 506 00:27:50,240 --> 00:27:53,040 Speaker 1: so I remember, I mean I cried when I found 507 00:27:53,080 --> 00:27:54,600 Speaker 1: out that I was going to play the opera because 508 00:27:54,600 --> 00:27:59,120 Speaker 1: it's it was it was so long of turned down 509 00:27:59,200 --> 00:28:02,080 Speaker 1: by every record, like well, turned down by you know everything. 510 00:28:02,200 --> 00:28:05,439 Speaker 1: Still playing these six to these six people shows and 511 00:28:05,480 --> 00:28:09,520 Speaker 1: all that stuff for years and and this was this 512 00:28:09,600 --> 00:28:11,960 Speaker 1: was like I think yours my first song had come 513 00:28:11,960 --> 00:28:16,520 Speaker 1: out that me and my manager released independently, and that 514 00:28:16,720 --> 00:28:20,120 Speaker 1: was when I got asked to play on the Opery. 515 00:28:20,280 --> 00:28:24,480 Speaker 1: That was like, oh my gosh, somebody recognized, somebody took 516 00:28:24,720 --> 00:28:28,439 Speaker 1: notice of what I've been doing for years, and that 517 00:28:28,480 --> 00:28:31,800 Speaker 1: was like the first step. Uh, that was kind of 518 00:28:31,800 --> 00:28:37,040 Speaker 1: the first one who invited you to play the Opery? Um, 519 00:28:37,080 --> 00:28:39,200 Speaker 1: I remember my agent telling me, But I guess it 520 00:28:39,280 --> 00:28:44,720 Speaker 1: was Pete when he was so Pete before, because yeah, 521 00:28:44,960 --> 00:28:50,760 Speaker 1: I played Sally was the big and for me, who 522 00:28:50,920 --> 00:28:52,480 Speaker 1: was like, hey, come play the opera a bunch because 523 00:28:52,520 --> 00:28:54,640 Speaker 1: they wanted to bring comedy back. I guess for Pete 524 00:28:54,640 --> 00:28:57,960 Speaker 1: that's when watched the Opery And then now Dan is 525 00:28:58,000 --> 00:29:02,120 Speaker 1: running it. Yeah in his fantastic Yeah, yeah, it absolutely is. 526 00:29:02,160 --> 00:29:04,680 Speaker 1: And he said, yeah it was because this was at 527 00:29:04,680 --> 00:29:08,280 Speaker 1: the Grand O Opery House that I got invited to play. 528 00:29:08,400 --> 00:29:10,920 Speaker 1: But have you you played the Rieman? I did that 529 00:29:11,040 --> 00:29:14,680 Speaker 1: night was the first time, so do you That was 530 00:29:14,680 --> 00:29:18,320 Speaker 1: the first time I played the Rheman. Wait wait wait 531 00:29:18,320 --> 00:29:20,880 Speaker 1: wait wait wait that's right. That was I just told 532 00:29:20,880 --> 00:29:22,400 Speaker 1: the whole story and then I lost it. That was 533 00:29:22,440 --> 00:29:24,520 Speaker 1: the first time you played the Rheman first time? Yeah, 534 00:29:24,560 --> 00:29:26,920 Speaker 1: have you haven't played a show there yourself. You're ready 535 00:29:26,960 --> 00:29:28,600 Speaker 1: for You're ready for it. And I'm telling you talking 536 00:29:28,600 --> 00:29:31,840 Speaker 1: about crying get invited the opery. You're gonna be like 537 00:29:32,160 --> 00:29:34,320 Speaker 1: I've been in here, I've played the opery. But now 538 00:29:34,320 --> 00:29:36,479 Speaker 1: that people are coming to this building to watch me, 539 00:29:36,640 --> 00:29:38,120 Speaker 1: it's gonna be a moment that you haven't got to 540 00:29:38,160 --> 00:29:41,040 Speaker 1: have yet, that you're gonna have and really appreciate because 541 00:29:41,040 --> 00:29:42,680 Speaker 1: you can sell the operight now. Sure, I don't know 542 00:29:42,680 --> 00:29:46,720 Speaker 1: if you heard you have four number one new baby 543 00:29:46,760 --> 00:29:50,720 Speaker 1: you have because I watch I watched, Like I said, 544 00:29:50,720 --> 00:29:54,600 Speaker 1: I'm a Russell Dickerson stand and it seems like you're 545 00:29:54,640 --> 00:29:58,280 Speaker 1: really enjoying it. Now. Social media can can sometimes skew 546 00:29:59,600 --> 00:30:02,160 Speaker 1: how much do you love it? First and then tell 547 00:30:02,200 --> 00:30:06,840 Speaker 1: me the difficult parts about it? Okay? Uh, dude, it is. 548 00:30:07,080 --> 00:30:09,440 Speaker 1: I mean it is. Everybody tells you. It's life changing. 549 00:30:09,440 --> 00:30:11,960 Speaker 1: Everybody tells you, but I mean you just can't. You 550 00:30:11,960 --> 00:30:15,200 Speaker 1: don't know until you're holding a human being that you created. 551 00:30:15,680 --> 00:30:19,520 Speaker 1: And so, dude, it is. It's obviously the best thing ever. 552 00:30:19,560 --> 00:30:24,280 Speaker 1: It's bet I not being on tour and not you know, 553 00:30:24,720 --> 00:30:28,360 Speaker 1: careers being it stands stills everything like this is worth it. 554 00:30:28,400 --> 00:30:31,840 Speaker 1: I wouldn't trade this year that we've had for first 555 00:30:31,840 --> 00:30:33,560 Speaker 1: of all, her to be pregnant this whole year, and 556 00:30:33,600 --> 00:30:37,120 Speaker 1: then September ten, this guy comes and rocks our world. 557 00:30:37,720 --> 00:30:40,720 Speaker 1: And you know, like I thought in the middle of 558 00:30:40,760 --> 00:30:42,800 Speaker 1: the night when I got to change up, wake up 559 00:30:42,800 --> 00:30:45,200 Speaker 1: and changes poopy diapers and all that stuff, that I 560 00:30:45,200 --> 00:30:47,840 Speaker 1: would be like like here we go again, Like please 561 00:30:47,880 --> 00:30:50,040 Speaker 1: just go back to sleep, but like I'll find myself 562 00:30:50,080 --> 00:30:52,760 Speaker 1: just like can I keep him awake a little longer 563 00:30:52,800 --> 00:30:55,000 Speaker 1: and just like rock him at three in the morning. 564 00:30:55,040 --> 00:30:59,240 Speaker 1: You know what I mean When sleep is just who cares? 565 00:30:59,520 --> 00:31:03,280 Speaker 1: Because this dude, he's already growing up, He's already changing, 566 00:31:03,440 --> 00:31:06,200 Speaker 1: and I'm like I want every second to look into 567 00:31:06,240 --> 00:31:09,120 Speaker 1: his eyes and for him to smile, and like that 568 00:31:09,280 --> 00:31:12,640 Speaker 1: is like I went to run the other day, like 569 00:31:12,720 --> 00:31:14,920 Speaker 1: to work out, and like you know, I get fifteen 570 00:31:14,920 --> 00:31:19,600 Speaker 1: maybe thirty minutes, and it's like the fastest fastest time 571 00:31:19,600 --> 00:31:21,719 Speaker 1: I've ever run ever, because I'm like, I gotta get 572 00:31:21,720 --> 00:31:23,080 Speaker 1: back to my son, like I miss him so bad. 573 00:31:23,080 --> 00:31:25,200 Speaker 1: I gotta get back. I gotta go go, go go, 574 00:31:25,440 --> 00:31:27,440 Speaker 1: you know what I mean. And it's just like that real. 575 00:31:28,840 --> 00:31:32,280 Speaker 1: I was talking with Caitlin and we're getting married early 576 00:31:32,320 --> 00:31:36,480 Speaker 1: summer next year, yes, and we were talking about because 577 00:31:36,480 --> 00:31:39,440 Speaker 1: I figured we'll have kids a little over a year 578 00:31:39,480 --> 00:31:42,720 Speaker 1: after that. Right, she's not pregnant now, right, I don't 579 00:31:42,720 --> 00:31:44,800 Speaker 1: think she is as of this moment. We do not 580 00:31:44,920 --> 00:31:49,440 Speaker 1: think she's pregnant now. Um. And I was talking. I said, hey, 581 00:31:50,120 --> 00:31:53,240 Speaker 1: you know, why don't we get like a night nurse 582 00:31:53,520 --> 00:31:55,600 Speaker 1: or night nanny. And she's like, I don't want that. 583 00:31:55,680 --> 00:31:58,080 Speaker 1: She goes, I don't want I want to be a 584 00:31:58,120 --> 00:32:00,720 Speaker 1: mom to this kid, and you like, well, there's nothing 585 00:32:00,720 --> 00:32:02,840 Speaker 1: wrong with that. I want to sleep through the night. 586 00:32:03,120 --> 00:32:05,720 Speaker 1: I don't care about a day in right, how about 587 00:32:05,720 --> 00:32:08,680 Speaker 1: a night? When she's like, no, I think that's our 588 00:32:08,760 --> 00:32:10,240 Speaker 1: job as parents to get up in the middle of 589 00:32:10,240 --> 00:32:12,360 Speaker 1: the night. But I was thinking last night, it's funny 590 00:32:12,360 --> 00:32:13,560 Speaker 1: you bring up the night. I was like, I'm gonna 591 00:32:13,560 --> 00:32:15,640 Speaker 1: be miserable. I'm gonna be I don't want to wake 592 00:32:15,720 --> 00:32:17,640 Speaker 1: up and change a diaper. I'll wake up and spend 593 00:32:17,640 --> 00:32:20,240 Speaker 1: all the love, loving sunshine hours with him. But you're 594 00:32:20,240 --> 00:32:21,560 Speaker 1: telling me I'm not going to hit it as much 595 00:32:21,560 --> 00:32:24,760 Speaker 1: as I think you're the Other thing she wants me 596 00:32:24,760 --> 00:32:26,760 Speaker 1: to do is watch the baby come out of her vagina. 597 00:32:27,320 --> 00:32:32,200 Speaker 1: I did that and I don't and I'm anti seeing 598 00:32:32,240 --> 00:32:35,560 Speaker 1: that because they don't think I can handle that. What 599 00:32:35,640 --> 00:32:40,480 Speaker 1: would you recommend physically, like like vomit, pass out. I 600 00:32:40,480 --> 00:32:43,080 Speaker 1: don't know about vombit, but maybe pass out, but also 601 00:32:43,160 --> 00:32:47,960 Speaker 1: like right like it's like skin ripping. I don't need. 602 00:32:48,000 --> 00:32:51,440 Speaker 1: That's just not what I can Nobody likes it, but 603 00:32:51,560 --> 00:32:54,680 Speaker 1: not what I can think I can take healthily. Yeah, 604 00:32:55,280 --> 00:32:59,560 Speaker 1: but I mean as far as attraction to your wife, 605 00:32:59,720 --> 00:33:04,960 Speaker 1: don't even it's so much hotter like afterwards, what are 606 00:33:05,000 --> 00:33:08,320 Speaker 1: you talking about? You see, when you see a woman 607 00:33:09,160 --> 00:33:13,040 Speaker 1: do that, she is she is now superwoman in your 608 00:33:13,080 --> 00:33:17,920 Speaker 1: mind and she can do anything. But I I recommend it. Bro. 609 00:33:18,080 --> 00:33:20,040 Speaker 1: I feel like I've been told I'm wrong in two things. 610 00:33:20,120 --> 00:33:22,840 Speaker 1: One shut up and wake up and go change the 611 00:33:22,880 --> 00:33:25,520 Speaker 1: baby because you'll like it. Into here comes the head. 612 00:33:25,760 --> 00:33:28,680 Speaker 1: I need to be right there, prow I suggest that, 613 00:33:29,920 --> 00:33:32,240 Speaker 1: but the go prow in my head. Here we go, baby. 614 00:33:33,760 --> 00:33:36,480 Speaker 1: I'm not saying you're wrong, I'm just that's just my suggestions. 615 00:33:36,840 --> 00:33:40,360 Speaker 1: How was labor for you? For me? Yeah, I know, 616 00:33:40,800 --> 00:33:43,040 Speaker 1: I almost needed to get epidural. I'm I'm gonna be 617 00:33:43,080 --> 00:33:45,760 Speaker 1: really right, like how stressed out? Were you was in 618 00:33:45,800 --> 00:33:48,800 Speaker 1: a long process? It was, dude, it was so it 619 00:33:48,840 --> 00:33:51,520 Speaker 1: was quick. We checked in at five am. She got 620 00:33:51,520 --> 00:33:56,760 Speaker 1: induced though, So uh, she got induced and she started 621 00:33:56,800 --> 00:33:59,840 Speaker 1: having like crazy because I didn't know. This is my 622 00:34:00,000 --> 00:34:04,000 Speaker 1: own ignorance. I didn't know that. Like the contractions the 623 00:34:04,040 --> 00:34:06,880 Speaker 1: whole time leading up were like crazy painful too. I 624 00:34:06,880 --> 00:34:08,759 Speaker 1: thought it was just like pushing the baby out and 625 00:34:08,800 --> 00:34:12,080 Speaker 1: that's when you know, everybody's screaming and whatever. But it's 626 00:34:12,080 --> 00:34:15,759 Speaker 1: like she started having contractions and she was like she's 627 00:34:15,760 --> 00:34:18,400 Speaker 1: a tough girl, and she was like, baby, I don't know, 628 00:34:18,520 --> 00:34:21,040 Speaker 1: I can't. I can't do this much longer. I mean, 629 00:34:21,080 --> 00:34:25,520 Speaker 1: she's like leaning over the bed and like I was like, okay, 630 00:34:25,600 --> 00:34:28,920 Speaker 1: wall let's get get you here epidural. And you calm 631 00:34:28,920 --> 00:34:30,880 Speaker 1: and collected or were you like oh my god, No, 632 00:34:31,000 --> 00:34:33,080 Speaker 1: I was calm. I was gone. Were definitely we're both 633 00:34:33,080 --> 00:34:35,080 Speaker 1: pretty calm and so too. As soon as she got 634 00:34:35,120 --> 00:34:38,200 Speaker 1: the epidural, she passed out. We watched New Girl for 635 00:34:38,280 --> 00:34:41,960 Speaker 1: like three or four hours. The nurse came in and 636 00:34:42,080 --> 00:34:44,920 Speaker 1: was like, uh, you're at nine and a half centimeters. 637 00:34:44,960 --> 00:34:49,600 Speaker 1: Time to go. So came in, pushed for maybe thirty minutes, 638 00:34:50,360 --> 00:34:54,440 Speaker 1: and watched the baby come out of her vagina. You 639 00:34:54,480 --> 00:34:58,960 Speaker 1: don't make it sound anymore appealing the epidural because it's 640 00:34:58,960 --> 00:35:02,120 Speaker 1: still hurt even though you have an epidural. Is it 641 00:35:02,200 --> 00:35:04,839 Speaker 1: just less of a hurt? No, I think from your 642 00:35:05,600 --> 00:35:10,560 Speaker 1: like ribs down is completely numb. And so she I 643 00:35:10,600 --> 00:35:12,360 Speaker 1: was like, baby, you made that look so like thirty 644 00:35:12,400 --> 00:35:14,160 Speaker 1: minutes after, I was like, baby, look you made that 645 00:35:14,200 --> 00:35:17,239 Speaker 1: look so easy. She was like, honestly, it kind of was. 646 00:35:17,800 --> 00:35:20,880 Speaker 1: I was like, wow, but that's not the case for everybody, 647 00:35:20,920 --> 00:35:26,040 Speaker 1: but she is again superwoman. Well congratulations, thanks bro, you 648 00:35:26,080 --> 00:35:29,400 Speaker 1: made me jealous. I watched the baby come out of vagina. 649 00:35:29,880 --> 00:35:31,320 Speaker 1: That's what I hear. That's what I'm hearing. Well just 650 00:35:31,360 --> 00:35:34,000 Speaker 1: from you, but that's what I hear. December four today, 651 00:35:34,040 --> 00:35:37,480 Speaker 1: the big record. Huh so stoked? Yeah? Are you happy 652 00:35:37,480 --> 00:35:39,879 Speaker 1: with it? Or no? I'm blown away? Like I'm so 653 00:35:39,920 --> 00:35:44,040 Speaker 1: proud of it. Uh. You know uh as a songwriter, 654 00:35:44,200 --> 00:35:46,319 Speaker 1: and I just I feel like record one. You know, 655 00:35:46,400 --> 00:35:49,880 Speaker 1: you have so many years to write songs for your 656 00:35:49,880 --> 00:35:52,759 Speaker 1: first record, and this one was so short, but I 657 00:35:52,760 --> 00:35:55,200 Speaker 1: mean there was no short at mean. I got two 658 00:35:55,200 --> 00:35:57,080 Speaker 1: songs with Charles Kelly on there when we were on 659 00:35:57,120 --> 00:35:59,520 Speaker 1: tour with Lady A. You mean you wrote with Charles Yeah, 660 00:36:00,520 --> 00:36:04,720 Speaker 1: and uh yeah, I just feel like it came so naturally, 661 00:36:04,760 --> 00:36:07,560 Speaker 1: and the song choice was so because there was like 662 00:36:07,560 --> 00:36:10,600 Speaker 1: a certain vein that we're headed towards and lovely like 663 00:36:10,600 --> 00:36:12,560 Speaker 1: I used to really set off that tone and the 664 00:36:12,560 --> 00:36:16,319 Speaker 1: title track so then Symphony really uh drives at home too, 665 00:36:16,360 --> 00:36:17,600 Speaker 1: and so I don't know, it was just like it 666 00:36:17,680 --> 00:36:20,360 Speaker 1: was such a fun process. Is so proud of every 667 00:36:20,360 --> 00:36:23,719 Speaker 1: single song here is Never Get Old, which I believe 668 00:36:23,760 --> 00:36:27,160 Speaker 1: is the first track. Yeah, first track there you go, 669 00:36:28,719 --> 00:36:46,879 Speaker 1: yes something? So is so you doing air guitar there? 670 00:36:47,320 --> 00:36:51,080 Speaker 1: Dan Huff? Not me? I wish Dan Huff. Dude, he's that. 671 00:36:51,280 --> 00:36:53,120 Speaker 1: That's one of my favorite guitar solos of all time. 672 00:36:53,120 --> 00:36:55,840 Speaker 1: Did he produce your record? Yeah? And the great thing 673 00:36:55,880 --> 00:36:58,719 Speaker 1: about Dannis he's also the best guitar player period, So yeah, yeah, 674 00:36:58,800 --> 00:37:01,040 Speaker 1: I mean he just played on Michael's Action record. It's cool. Yeah, 675 00:37:01,520 --> 00:37:04,800 Speaker 1: don't worry about that. Yeah, Okay, what do you have 676 00:37:04,840 --> 00:37:08,440 Speaker 1: you announced the next thingle yet? Uh No, But I 677 00:37:08,440 --> 00:37:12,880 Speaker 1: mean it's not official, but it's probably gonna be Home Sweet, 678 00:37:13,840 --> 00:37:17,600 Speaker 1: which uh, it's number two, track two, And here's the clip. 679 00:37:17,760 --> 00:37:23,319 Speaker 1: I wouldn't have a clip that maybe later we'll end 680 00:37:23,440 --> 00:37:25,360 Speaker 1: we'll insert it. Hey, the song come to Jesus, I 681 00:37:25,400 --> 00:37:28,920 Speaker 1: haven't heard it, but I'm assuming come to Jesus, I'm 682 00:37:28,960 --> 00:37:31,680 Speaker 1: gonna assume just by looking at a title isn't going 683 00:37:31,719 --> 00:37:34,240 Speaker 1: to be like a come to Jesus moment. It's probably 684 00:37:34,280 --> 00:37:38,239 Speaker 1: a song about your relationship with God, true or false 685 00:37:39,040 --> 00:37:43,719 Speaker 1: it is. It's honestly more of surprise, like a love song. 686 00:37:43,960 --> 00:37:46,959 Speaker 1: It's like she's might come to Jesus because I feel 687 00:37:46,960 --> 00:37:49,319 Speaker 1: like Kales and I like I feel like I'm like 688 00:37:49,800 --> 00:37:52,879 Speaker 1: the d h D all over the place, super hype crazy. 689 00:37:53,280 --> 00:37:56,239 Speaker 1: She's she has to call me down and get my 690 00:37:56,239 --> 00:37:58,840 Speaker 1: head straight, and you know I'll make crazy decisions and 691 00:37:59,280 --> 00:38:03,000 Speaker 1: any time of the day. And it's that a bead 692 00:38:03,080 --> 00:38:08,600 Speaker 1: with her, like calm, steady, wise countenance that as we 693 00:38:08,680 --> 00:38:13,280 Speaker 1: all know she carries. Did you celebrate your fourth number 694 00:38:13,280 --> 00:38:15,279 Speaker 1: one with it? Because I know you love wine, have 695 00:38:15,400 --> 00:38:17,160 Speaker 1: been to your house, you have wine quirks from everybody. 696 00:38:17,400 --> 00:38:20,320 Speaker 1: You're just wine guy. Did you celebrate with an extremely 697 00:38:20,360 --> 00:38:24,320 Speaker 1: nice bottle of wine that you normally wouldn't celebrate with. Absolutely, yeah, 698 00:38:25,200 --> 00:38:28,439 Speaker 1: it was a I don't know it was a two 699 00:38:28,440 --> 00:38:36,400 Speaker 1: thousand eleven Oh no, no, no, no way, only if 700 00:38:36,440 --> 00:38:40,080 Speaker 1: it was a gift. Have you been gifted more than 701 00:38:40,120 --> 00:38:42,360 Speaker 1: a thousand dollar bottle of wine? I think so. Dustin 702 00:38:42,480 --> 00:38:46,440 Speaker 1: Lynch gave me a let's this. It's a six liter bottle, 703 00:38:46,520 --> 00:38:48,960 Speaker 1: like it almost comes up to my waist at the 704 00:38:49,040 --> 00:38:52,000 Speaker 1: end of Thomas Rhett tour. Do you have a palette 705 00:38:52,000 --> 00:38:54,760 Speaker 1: that can tell the difference between expensive and cheap wine? 706 00:38:56,160 --> 00:38:59,920 Speaker 1: I would like to think so, I, but I don't know. 707 00:39:00,400 --> 00:39:02,920 Speaker 1: I can mainly if I if I know that I'm 708 00:39:02,920 --> 00:39:05,880 Speaker 1: tasting expensive wood and tasting like, oh yeah, this was 709 00:39:05,920 --> 00:39:09,480 Speaker 1: way better. Is there a club for artists that have 710 00:39:09,680 --> 00:39:11,879 Speaker 1: topped the charge with every release since their debut single? 711 00:39:11,880 --> 00:39:14,200 Speaker 1: Because like, Luke Combs did it, you did it? You 712 00:39:14,200 --> 00:39:17,120 Speaker 1: know you guys? I think that's talk amongst each other. 713 00:39:17,400 --> 00:39:21,000 Speaker 1: But I haven't talked to him about it. But my 714 00:39:21,000 --> 00:39:23,760 Speaker 1: my manager just told me that me and Luke Combs 715 00:39:23,760 --> 00:39:27,239 Speaker 1: are the only two solo solo males to have for 716 00:39:27,680 --> 00:39:30,640 Speaker 1: debut in a row. How does that make you feel? Insane? 717 00:39:31,080 --> 00:39:34,040 Speaker 1: Makes me want to jump out that window with excitement, 718 00:39:34,640 --> 00:39:37,239 Speaker 1: and you would. You are the most excited, life loving 719 00:39:37,280 --> 00:39:39,279 Speaker 1: guy I've ever met. I mean, I drove up, I 720 00:39:39,320 --> 00:39:40,880 Speaker 1: was coming home when the operating was dark, and I'm 721 00:39:41,000 --> 00:39:43,720 Speaker 1: driving in and to Russell's credit, becase there ten minutes earlier, 722 00:39:43,719 --> 00:39:45,560 Speaker 1: which I loved, and I see just a tall guy 723 00:39:45,600 --> 00:39:48,200 Speaker 1: wondering in the dark when it was his hands up 724 00:39:48,239 --> 00:39:51,359 Speaker 1: in the air, like what what's up? Like? What's up? 725 00:39:51,920 --> 00:39:54,640 Speaker 1: Your wife? She gave you a lot of direction, would 726 00:39:54,640 --> 00:39:57,319 Speaker 1: love you? Like I used to no chance on getting 727 00:39:57,320 --> 00:40:01,640 Speaker 1: her a songwriting credit. I mean, saying a song sucks 728 00:40:01,719 --> 00:40:05,279 Speaker 1: doesn't really give you songwriting credit. You know, I've heard 729 00:40:05,320 --> 00:40:07,719 Speaker 1: that a lot. I'd have a lot of writers if 730 00:40:07,760 --> 00:40:10,759 Speaker 1: that was true. But she did. Yeah, I appreciate it 731 00:40:10,760 --> 00:40:13,000 Speaker 1: because it was not good. It was not what it 732 00:40:13,040 --> 00:40:15,719 Speaker 1: is now. Yeah, oh not at all. I wish I 733 00:40:15,760 --> 00:40:20,799 Speaker 1: had a clip clip the same like uh yeah, I 734 00:40:20,800 --> 00:40:23,640 Speaker 1: mean like I used too as about this that's it 735 00:40:23,840 --> 00:40:26,960 Speaker 1: that we kept And so you took her her feedback 736 00:40:27,000 --> 00:40:29,040 Speaker 1: and said, Okay, we're gonna rewrite a song. Yeah, after 737 00:40:29,160 --> 00:40:31,640 Speaker 1: I calmed down. What do you rather writers say? Though? 738 00:40:31,640 --> 00:40:33,200 Speaker 1: When they're like, what's your wife doing? Tell us how 739 00:40:33,200 --> 00:40:35,040 Speaker 1: to write a song. We'll see we're I mean, we're 740 00:40:35,040 --> 00:40:37,560 Speaker 1: all like college friends. We go way back. And then 741 00:40:37,840 --> 00:40:40,000 Speaker 1: she used to write songs that called at Belmont Cayley did. 742 00:40:40,160 --> 00:40:41,520 Speaker 1: And she's a good singer by the way to a 743 00:40:41,560 --> 00:40:43,560 Speaker 1: great singer, and so she write. She has this cute 744 00:40:43,600 --> 00:40:46,960 Speaker 1: little indie pop kind of vibe that she writes and stuff, 745 00:40:46,960 --> 00:40:49,239 Speaker 1: and so you know, she's got a great ear for it. 746 00:40:49,360 --> 00:40:52,040 Speaker 1: And uh yeah, she told me, she was like, the 747 00:40:52,480 --> 00:40:55,040 Speaker 1: title of this song is better than the song you 748 00:40:55,120 --> 00:40:57,600 Speaker 1: just played me. I was so mad. I was like, 749 00:40:59,880 --> 00:41:02,080 Speaker 1: that was like, I worked my butt off all seventeen 750 00:41:02,160 --> 00:41:05,200 Speaker 1: is the first song I wrote in and and I 751 00:41:05,239 --> 00:41:07,120 Speaker 1: was just like excited to get back in the saddle 752 00:41:07,239 --> 00:41:10,760 Speaker 1: and just even you know, just appease me and say okay, cool. 753 00:41:11,080 --> 00:41:13,880 Speaker 1: But she was like, no, just like the title of 754 00:41:13,960 --> 00:41:15,920 Speaker 1: the song is better than this. So we did. We 755 00:41:15,920 --> 00:41:17,680 Speaker 1: we were at with Lady A and I brought Casey 756 00:41:17,680 --> 00:41:21,600 Speaker 1: and Parker out and completely just stripped it down and 757 00:41:21,760 --> 00:41:25,720 Speaker 1: rewrote the entire thing. Where did the name Rimington Edward 758 00:41:25,760 --> 00:41:31,640 Speaker 1: come from? So, uh, Kale's has a friend. So Kale's 759 00:41:32,040 --> 00:41:33,759 Speaker 1: kind of like prayed for a bunch of dreams like 760 00:41:33,800 --> 00:41:36,560 Speaker 1: she's a dreamer. She has these crazy prophetic dreams, and 761 00:41:36,600 --> 00:41:39,520 Speaker 1: so she'll like text Laarenakins be like, hey, I had 762 00:41:39,520 --> 00:41:42,800 Speaker 1: a dream that you named your kids something, you know 763 00:41:42,800 --> 00:41:45,000 Speaker 1: what I mean. And she's like, oh my gosh, that's 764 00:41:45,120 --> 00:41:47,319 Speaker 1: what we were going to name our kids stuff like that, 765 00:41:47,680 --> 00:41:50,080 Speaker 1: Like I don't even know. So she was like, I 766 00:41:50,080 --> 00:41:52,000 Speaker 1: want to I want some dreams about getting ready to 767 00:41:52,040 --> 00:41:55,600 Speaker 1: have kids and when should we start and um, so 768 00:41:55,680 --> 00:41:57,279 Speaker 1: she did. She had a few dreams. She was like, 769 00:41:57,320 --> 00:41:59,719 Speaker 1: but I also want other people to tell me that 770 00:41:59,760 --> 00:42:02,879 Speaker 1: they've been having dreams too. So of course, like are 771 00:42:03,000 --> 00:42:05,359 Speaker 1: some friends are texting her every once in a while, 772 00:42:05,400 --> 00:42:09,560 Speaker 1: like random, random people, like one of our redneck friends. 773 00:42:09,880 --> 00:42:12,080 Speaker 1: This dude was like, hey had a dream, all are pregnant. 774 00:42:12,120 --> 00:42:14,840 Speaker 1: Weird cool, talk to you later. She was like wow. 775 00:42:15,239 --> 00:42:17,279 Speaker 1: And so one of our friends said she had a 776 00:42:17,360 --> 00:42:22,719 Speaker 1: dream and then came back two weeks later and was like, Okay, 777 00:42:22,760 --> 00:42:25,920 Speaker 1: I have a confession. She's like, in the dream it 778 00:42:25,960 --> 00:42:28,799 Speaker 1: was a boy and his name. I didn't tell you 779 00:42:28,880 --> 00:42:31,600 Speaker 1: because I wanted to name our kid that, but some 780 00:42:31,640 --> 00:42:33,719 Speaker 1: one of our one of our friends had just named 781 00:42:33,760 --> 00:42:36,279 Speaker 1: their kid that and it was like in the dream, 782 00:42:36,360 --> 00:42:39,399 Speaker 1: his name was Remington's and we were like, oh, that's 783 00:42:39,440 --> 00:42:43,200 Speaker 1: kind of sick. I love that. And what what's confirmation 784 00:42:43,239 --> 00:42:47,040 Speaker 1: for me? Was so I'm Russell Edward. My dad's Richard Edward. 785 00:42:48,280 --> 00:42:51,000 Speaker 1: His dad is William Edward. Missed the R there, but 786 00:42:51,080 --> 00:42:55,040 Speaker 1: then Robert Edward was my dad's my great granddad, and 787 00:42:55,120 --> 00:42:58,640 Speaker 1: so R E. D. It's all Edward middle names. And 788 00:42:58,680 --> 00:43:00,440 Speaker 1: I was like, I want to do R. E D 789 00:43:00,719 --> 00:43:03,759 Speaker 1: to keep that tradition going. And it was our name. 790 00:43:03,800 --> 00:43:07,120 Speaker 1: I was like, doning, that's that's it. That's great, love it. 791 00:43:07,719 --> 00:43:11,200 Speaker 1: And so he comes out and he's like ten pounds, right, dude, 792 00:43:11,280 --> 00:43:14,360 Speaker 1: that's what I'm saying. Back to the vagina, Sorry is 793 00:43:14,360 --> 00:43:20,120 Speaker 1: this too much? Because I can't get enough back to that. 794 00:43:20,320 --> 00:43:26,399 Speaker 1: So watching watching, while I'm holding my wife's right leg, 795 00:43:27,440 --> 00:43:29,879 Speaker 1: I saw this little little head like I'm like, oh 796 00:43:29,920 --> 00:43:33,160 Speaker 1: my gosh, it's it's freaking happening. It's like, what is that. 797 00:43:33,200 --> 00:43:35,319 Speaker 1: I'm trying to give a visual for the people three 798 00:43:35,320 --> 00:43:38,280 Speaker 1: inches and around it's like, oh wow, a little cute 799 00:43:38,280 --> 00:43:42,480 Speaker 1: guy and his head comes out and it's like and 800 00:43:42,560 --> 00:43:46,799 Speaker 1: it's just like, oh my dude. It rocked my world 801 00:43:46,840 --> 00:43:48,760 Speaker 1: because I thought, you know, we have this little baby 802 00:43:48,800 --> 00:43:50,880 Speaker 1: going out and dude, he came out ten pounds. For 803 00:43:51,120 --> 00:43:54,080 Speaker 1: the nurses were freaking out too, the biggest, biggest baby 804 00:43:54,080 --> 00:43:56,360 Speaker 1: one of the nurses has ever delivered. They have to 805 00:43:56,360 --> 00:43:58,080 Speaker 1: get a net like a big fish. It's like, all right, 806 00:43:58,320 --> 00:44:03,799 Speaker 1: we got that. We put him in a cooler, two long, 807 00:44:04,719 --> 00:44:06,840 Speaker 1: twenty two and a half. No idea what to compare 808 00:44:06,880 --> 00:44:09,279 Speaker 1: that to? Because you're an extremely tall guy. Is he tall? 809 00:44:09,320 --> 00:44:11,680 Speaker 1: A tall baby? Yeah? Very tall? How tall are you? 810 00:44:12,120 --> 00:44:15,680 Speaker 1: Six four? So? He? Uh, we took him to the 811 00:44:15,719 --> 00:44:18,279 Speaker 1: doctor like his two week check up. He said, this 812 00:44:18,320 --> 00:44:23,400 Speaker 1: baby is bigger than my two month olds. He's a monster. 813 00:44:23,880 --> 00:44:28,680 Speaker 1: He's huge. When did you grow like twenty or twenty one? Bro? 814 00:44:28,880 --> 00:44:32,600 Speaker 1: You weren't towering every everyone. No, no, no, I was 815 00:44:32,680 --> 00:44:35,400 Speaker 1: like maybe six ft in high school. Never made the 816 00:44:35,400 --> 00:44:37,160 Speaker 1: basketball team. I was a late bloomer. I was a 817 00:44:37,200 --> 00:44:40,640 Speaker 1: late bloomer. You know. I tried out for basketball team 818 00:44:41,000 --> 00:44:43,759 Speaker 1: all the time, never made it. I don't know. I 819 00:44:43,760 --> 00:44:46,720 Speaker 1: can't jump high. I was in the marching band. Dude, 820 00:44:47,080 --> 00:44:49,560 Speaker 1: it's in the marching band. Okay, I'm gonna ask you 821 00:44:50,760 --> 00:44:53,319 Speaker 1: a somewhat deep question, and we're gonna end on this 822 00:44:53,800 --> 00:44:57,000 Speaker 1: because we've already We've done forty minutes already listening for 823 00:44:57,000 --> 00:44:59,440 Speaker 1: two hours. Are you doing? Are you going to c 824 00:44:59,600 --> 00:45:04,120 Speaker 1: m as? Are you watching them as we watch them? 825 00:45:04,160 --> 00:45:06,279 Speaker 1: It's listen. I don't really want to be anywhere, and 826 00:45:06,320 --> 00:45:07,960 Speaker 1: I get COVID tested three or four times a week. 827 00:45:08,000 --> 00:45:09,799 Speaker 1: But I'm going in the back door when to present 828 00:45:09,840 --> 00:45:11,400 Speaker 1: an award, and I'm going right out in the back 829 00:45:11,440 --> 00:45:15,080 Speaker 1: door again, I'll do the exact same thing. I think 830 00:45:15,200 --> 00:45:17,799 Speaker 1: next year could be a good year for you, though. 831 00:45:18,560 --> 00:45:20,839 Speaker 1: When When about the c m S, Yeah, I hope 832 00:45:20,840 --> 00:45:22,759 Speaker 1: so yeah. I mean, are the a cms just just 833 00:45:22,840 --> 00:45:25,600 Speaker 1: that industry, you know, because as soon as you pull 834 00:45:25,640 --> 00:45:28,439 Speaker 1: the string on that sweater, then the first person gives 835 00:45:28,440 --> 00:45:31,719 Speaker 1: you some little nods somewhere, then everybody's like, oh yeah, yeah, 836 00:45:31,800 --> 00:45:33,680 Speaker 1: yeah right, well yah yeah, I don't think about that. 837 00:45:34,719 --> 00:45:37,120 Speaker 1: That's you know, That's what I'm excited for about this 838 00:45:37,160 --> 00:45:39,080 Speaker 1: album is I mean, it's been three years since I 839 00:45:39,080 --> 00:45:41,680 Speaker 1: put out my first one, you know, because the singles 840 00:45:41,680 --> 00:45:44,520 Speaker 1: take so long at radio for for a new artist, 841 00:45:44,520 --> 00:45:46,920 Speaker 1: and now I feel like we've kind of come to 842 00:45:46,960 --> 00:45:51,040 Speaker 1: that point of, you know, maybe they'll go a little faster. 843 00:45:51,160 --> 00:45:53,000 Speaker 1: I don't know, Yeah, I think you've earned that right. 844 00:45:53,040 --> 00:45:54,520 Speaker 1: That's I don't control it, but I think you've earned 845 00:45:54,560 --> 00:45:58,040 Speaker 1: that right. So here's my question, what are you trying 846 00:45:58,120 --> 00:46:02,319 Speaker 1: to say with this new album? Mm hmm, it's a 847 00:46:02,400 --> 00:46:11,480 Speaker 1: fantastic question. Wow, that is deep. I'm trying. I mean, 848 00:46:11,560 --> 00:46:14,200 Speaker 1: I think I'm just I think I'm learning how to 849 00:46:14,280 --> 00:46:18,600 Speaker 1: tell my story more honestly. Of you know, I'm not 850 00:46:18,640 --> 00:46:22,320 Speaker 1: afraid to brag all my wife obviously with love you 851 00:46:22,400 --> 00:46:25,400 Speaker 1: like I used to and and homesuite and just to 852 00:46:25,600 --> 00:46:28,600 Speaker 1: really I don't. I'm just trying to tell my story. 853 00:46:28,640 --> 00:46:31,720 Speaker 1: Like Southern Symphony the title track is is all about 854 00:46:32,080 --> 00:46:35,560 Speaker 1: um these sounds from my childhood and that's what that's 855 00:46:35,560 --> 00:46:38,480 Speaker 1: what makes the Southern Symphony is. Uh, you know where 856 00:46:38,560 --> 00:46:41,799 Speaker 1: I come from. We wash up before supper, you don't 857 00:46:41,840 --> 00:46:43,680 Speaker 1: talk back to your mother, or you get your butt 858 00:46:43,680 --> 00:46:47,640 Speaker 1: worn out. And just like I feel like as a songwriter, 859 00:46:47,719 --> 00:46:52,319 Speaker 1: I've matured a lot and an artist, and what I'm 860 00:46:52,320 --> 00:46:57,359 Speaker 1: trying to say is just tell my story better. You 861 00:46:57,400 --> 00:47:00,799 Speaker 1: are a unicorn that you grew up in Nashville. Yea, 862 00:47:01,080 --> 00:47:06,080 Speaker 1: most folks don't know. Most folks that do don't pursue 863 00:47:06,160 --> 00:47:09,319 Speaker 1: music because they've been around it their whole lives the 864 00:47:09,440 --> 00:47:11,560 Speaker 1: artist side. I know too. You could probably help me 865 00:47:11,560 --> 00:47:13,720 Speaker 1: out on this to know more. But I know too 866 00:47:14,719 --> 00:47:16,680 Speaker 1: you And who's the other one that do you think? 867 00:47:16,680 --> 00:47:20,160 Speaker 1: I want to mention Tucker Bath heard No. I guess 868 00:47:20,160 --> 00:47:23,279 Speaker 1: his dad being here as a writer that influenced that. Okay, 869 00:47:23,280 --> 00:47:27,879 Speaker 1: I'm gonna know another one name go oh gosh, I'm 870 00:47:27,920 --> 00:47:30,560 Speaker 1: trying to think of I don't know who else. No 871 00:47:30,640 --> 00:47:35,799 Speaker 1: other Nashville, Mike. Who can your name from Nashville? I 872 00:47:35,800 --> 00:47:38,120 Speaker 1: can't think of one? You can't. Let me make sure. 873 00:47:38,120 --> 00:47:40,960 Speaker 1: I'm gonna give you. Here's your first hint. His his 874 00:47:41,040 --> 00:47:45,120 Speaker 1: a girlfriend that's a Canadian country singer. She's American too, 875 00:47:45,320 --> 00:47:53,120 Speaker 1: she lives here, but she's uh Canadian? Any idea? Okay? 876 00:47:53,920 --> 00:48:01,040 Speaker 1: He I think has two number ones now. Uh. He 877 00:48:01,080 --> 00:48:05,880 Speaker 1: did a song with Thomas No Thomas Rhett. But his dad, yeah, 878 00:48:05,960 --> 00:48:10,239 Speaker 1: I guess all the kids of writers. Um, it's like 879 00:48:10,280 --> 00:48:12,799 Speaker 1: he hasn't way before the two number I'm trying to 880 00:48:12,800 --> 00:48:14,600 Speaker 1: give you better hinds because this is the game we're 881 00:48:14,640 --> 00:48:18,360 Speaker 1: gonna end on. He Um. He had a song that 882 00:48:18,480 --> 00:48:22,120 Speaker 1: was a bad word start with a b oh. Mitchell Timpenny, 883 00:48:23,000 --> 00:48:26,160 Speaker 1: he's a native. He's a Nashville native. So basically you 884 00:48:26,239 --> 00:48:29,879 Speaker 1: and him are guys that didn't come from lineage country music, 885 00:48:30,160 --> 00:48:32,160 Speaker 1: born in Nashville, race here and decided I want to 886 00:48:32,200 --> 00:48:36,800 Speaker 1: do this crazy job. I remember Josh Turner saying in 887 00:48:36,880 --> 00:48:41,319 Speaker 1: my dad's church choir, long blood, you know what I mean? 888 00:48:42,000 --> 00:48:45,200 Speaker 1: And I just remember I was like, dude, if this 889 00:48:45,320 --> 00:48:48,160 Speaker 1: long he had long, dude hair down to his but 890 00:48:49,320 --> 00:48:50,800 Speaker 1: and I was like, if this dude can make it, 891 00:48:52,360 --> 00:48:55,680 Speaker 1: should have had long here. Oh yeah at Belmont, Yeah, 892 00:48:56,360 --> 00:48:58,960 Speaker 1: like crazy long. Who did you see at Bellmont that 893 00:48:59,000 --> 00:49:03,080 Speaker 1: you were like, Oh, I mean for sure gonna make it? Anybody? 894 00:49:03,200 --> 00:49:07,440 Speaker 1: Uh you know Jordan Reynolds Tequila? Yeah yeah, I know 895 00:49:07,560 --> 00:49:10,560 Speaker 1: from Dan. Yeah. So he there's a country music showcase 896 00:49:11,080 --> 00:49:14,160 Speaker 1: and you know, you you audition and everything and then 897 00:49:14,160 --> 00:49:17,399 Speaker 1: you do like this big student production. It's like it's 898 00:49:17,400 --> 00:49:20,120 Speaker 1: like an arena show and everything goes wrong every time 899 00:49:20,400 --> 00:49:23,200 Speaker 1: because the students running it. But there's a winner. And 900 00:49:23,239 --> 00:49:25,120 Speaker 1: it was like me and a couple of people. Jordan 901 00:49:25,200 --> 00:49:27,080 Speaker 1: was one of them, and like I go out in 902 00:49:27,120 --> 00:49:30,120 Speaker 1: the crowd and I'm like shredding my guitar, like playing everything. 903 00:49:30,200 --> 00:49:33,520 Speaker 1: I was like, dude, we crushed that, and then like 904 00:49:33,600 --> 00:49:37,360 Speaker 1: there's industry judges and Jordan Reynolds beat me, you beat me. 905 00:49:37,480 --> 00:49:40,520 Speaker 1: Do you remember who the industry judges were? Was anybody cool? 906 00:49:40,719 --> 00:49:42,719 Speaker 1: I'm sure they're all cool, but anyone that someone who 907 00:49:42,840 --> 00:49:49,759 Speaker 1: isn't inside the industry I think was cool. My gosh, No, 908 00:49:49,920 --> 00:49:54,279 Speaker 1: it's like an intern at some startup publishing company, you 909 00:49:54,320 --> 00:49:57,880 Speaker 1: know what I mean. Well, congratulations, man, dude. I appreciate you, bro. 910 00:49:57,960 --> 00:49:59,879 Speaker 1: Thanks for having me on. No, it's pumped and when 911 00:49:59,880 --> 00:50:02,239 Speaker 1: you hit number one again. I was just told mikeels like, 912 00:50:02,239 --> 00:50:03,719 Speaker 1: I want to get Russell up. I know this week 913 00:50:03,800 --> 00:50:06,520 Speaker 1: is pretty nutty for everybody, so I appreciate you driving 914 00:50:06,600 --> 00:50:08,600 Speaker 1: up and doing it. All right, Mikey, I think you 915 00:50:08,640 --> 00:50:10,960 Speaker 1: like said Russell. I think the tagline for this episode 916 00:50:11,000 --> 00:50:16,560 Speaker 1: now is back to the Vagina. Alright, that's it, thanks Russell. Wait, wait, 917 00:50:16,600 --> 00:50:20,279 Speaker 1: everybody follow Russell. It's a Russell. It's just spelt a 918 00:50:20,280 --> 00:50:22,360 Speaker 1: little weird. Let me walk you through it. Are you 919 00:50:22,760 --> 00:50:27,360 Speaker 1: S S E L L E D. That's it Russell 920 00:50:27,840 --> 00:50:30,400 Speaker 1: middle initial, last initial. That was all that was available 921 00:50:30,400 --> 00:50:33,759 Speaker 1: at the time, you know, and I had. It's not us. 922 00:50:34,080 --> 00:50:38,279 Speaker 1: It looks like Russell Russell E D trying to make 923 00:50:38,360 --> 00:50:42,359 Speaker 1: up a slogan Russell rectile this function. Yeah, that's it. 924 00:50:42,400 --> 00:50:44,160 Speaker 1: Well in there, all right there he is Russell dicks 925 00:50:44,160 --> 00:50:45,959 Speaker 1: and everybody