WEBVTT - "Misandry" w/ Tammie Teclemariam

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<v Speaker 1>Um okay Um podcast starts now. Hello intellectuals out there,

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<v Speaker 1>my where my readers at. You are listening to Stradio

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<v Speaker 1>lab Um, the smartest podcast that is UM. Two gay guys.

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<v Speaker 1>You do not sound like you believe in what you're saying.

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<v Speaker 1>Will let me just say that first of all, huh

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<v Speaker 1>so now I'm supposed to believe in everything that I'm saying.

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<v Speaker 1>You know, this is news to me. I thought this

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<v Speaker 1>is entertainment and it's a facade and it's fake. Um.

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<v Speaker 1>You know, today Scarlett Johansson launched a skincare line, and

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<v Speaker 1>in her statement, she said, you know in the past

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<v Speaker 1>that I've been the face of different things that I

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<v Speaker 1>have not been my own. I felt like I was

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<v Speaker 1>playing a character, and I felt like it was time

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<v Speaker 1>to do something that really felt my own. And it

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<v Speaker 1>made me think how crazy it is that her past

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<v Speaker 1>spokesperson uh efforts had not been genuine. That's so disheartening.

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<v Speaker 1>I mean to all the customers out there that bought

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<v Speaker 1>a cream thinking I'm buying this because the real Starlett

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<v Speaker 1>Johanson told me too, they deserve a refund. They do. Actually,

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<v Speaker 1>we should do a class action lawsuit. That could be

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<v Speaker 1>so big and the reasoning is that she didn't really

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<v Speaker 1>believe in it. Yeah, I think there's something to it.

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<v Speaker 1>It's false advertising, really, and isn't that illegal? I'm pretty

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<v Speaker 1>sure that illegal. Isn't it interesting that by definition all

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<v Speaker 1>advertising is false advertising? And why is that because it's

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<v Speaker 1>um acting? You know? Sure? Sure, sure and not. I

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<v Speaker 1>think if someone was what we need is really really

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<v Speaker 1>self aware ads. We need no like no, no, no, no,

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<v Speaker 1>hear me out, hear me out, because just to make

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<v Speaker 1>sure it's not legally it's not false, like they need

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<v Speaker 1>to be like, Hey, I'm doing this ad and I'm

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<v Speaker 1>being paid this much money and I only believe in

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<v Speaker 1>this product of this much um but that's like better

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<v Speaker 1>than a lot of other products. And I actually, you know,

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<v Speaker 1>so take this with a grain of salt. But I

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<v Speaker 1>think you know, they're paying me to say this, but

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<v Speaker 1>I think you should buy it, you know what? Though,

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<v Speaker 1>Then that gets into I remember very specifically the Super

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<v Speaker 1>Bowl ad with Anna Kendrick where she made a joke

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<v Speaker 1>about she was like, oh, what you want me to

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<v Speaker 1>advertise this beer? Like the whole joke was that she

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<v Speaker 1>was getting ready to film the ad, but she didn't

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<v Speaker 1>believe in it. And she was like, what a fine shirt,

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<v Speaker 1>drink Newcastle beer. And I don't want that. I need

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<v Speaker 1>people to commit. Well, so you want the fake you

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<v Speaker 1>you think there's um the artifice is the beauty about

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<v Speaker 1>to what I'll say, I think every ad should be

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<v Speaker 1>kind of like a perfume ad, like a short film,

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<v Speaker 1>you know, directed by Denny Vedneuve for instance. Sure you

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<v Speaker 1>want someone to like repost the ad and just go mood, No,

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<v Speaker 1>this is what I want. I want ads to be

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<v Speaker 1>so fake that there's no confusion, Like when I watch

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<v Speaker 1>a Perfume add and it's like someone it's like a

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<v Speaker 1>it's you know, there was one where Adam Driver is

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<v Speaker 1>riding a horse on the beach. I'm under I'm under

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<v Speaker 1>no um delusion that I'm going to smell like Adam

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<v Speaker 1>Driver or a horse or a beach for that matter.

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<v Speaker 1>But I am just enjoying the visuals and I'm saying, well,

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<v Speaker 1>they they kind of gave it, They're all I like that.

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<v Speaker 1>So you think the ads should just be sort of

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<v Speaker 1>colors and images and uh, and then they list what

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<v Speaker 1>the product is at the very end. Maybe not even that.

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<v Speaker 1>I would say, leave the leave the viewer wanting more

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<v Speaker 1>I would say, as if you're watching let's you're watching, um,

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<v Speaker 1>you know, an NBC sitcom, then ads should actually then

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<v Speaker 1>the sitcom itself should be kind of lowest common denominator

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<v Speaker 1>humor targeted towards the imaginary middle class family that executives

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<v Speaker 1>are talking down to. Then you cut to the ads.

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<v Speaker 1>It's all art films. I guess I'm confused why, because

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<v Speaker 1>at what point do you like you have to even

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<v Speaker 1>the perfume example, there is a you do know it's

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<v Speaker 1>for perfume slightly Yeah, I guess that's true. So what's

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<v Speaker 1>your So what are you saying? For many ideas, I

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<v Speaker 1>just think it needs to be maybe more like um

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<v Speaker 1>almost like a drag race challenge. It can still be

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<v Speaker 1>completely nonsensical, but it does need to at some point

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<v Speaker 1>list the product. Do you like humor in ads? Do

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<v Speaker 1>I like humor in ads? This is a difficult and

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<v Speaker 1>complicated question, and because at this stage in my life,

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<v Speaker 1>absolutely not. I think I think every ad should be

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<v Speaker 1>as bland as possible. But you know, I feel like

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<v Speaker 1>you ten year old Sam watching a funny ad, I'm

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<v Speaker 1>all in. I I mean, that's where all comedy thrived

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<v Speaker 1>was Skittles ads from you know, two thousand five or whatever.

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<v Speaker 1>You've got to get them while they're young, and and

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<v Speaker 1>and and convince kids to purchase products primarily sugar filled ones. Yeah.

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<v Speaker 1>And so that's a funny ad can can work if

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<v Speaker 1>you're a child or a stunted adult, but as a

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<v Speaker 1>fully formed, um completely perfectly developed adults, I don't need

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<v Speaker 1>you to be funny to me. Just tell me what

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<v Speaker 1>it is. Yeah, Okay, So I want a series of

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<v Speaker 1>art films, you want a series of kind of robotic

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<v Speaker 1>voices saying please buy this product. Yeah, Because it's not

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<v Speaker 1>that I don't want to buy products. There's plenty of

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<v Speaker 1>products I loved, I love to buy. It's just tell

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<v Speaker 1>me straightforward, is this a good product? Do I need it?

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<v Speaker 1>And why? Okay, how are you feeling? How am I feeling? Um?

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<v Speaker 1>You know? And this is tough. It's what we talk

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<v Speaker 1>about sometimes. This is the weekday recording. So I feel

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<v Speaker 1>like I am having to put so much effort into,

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<v Speaker 1>say to saying a simple sentence. It's hard. Week days

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<v Speaker 1>are hard to go straight from like really trying to

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<v Speaker 1>focus and then being like okay, now be silly, now

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<v Speaker 1>be now be dumb. It is I would say, I

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<v Speaker 1>would say, I am. The effort I'm exerting right now

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<v Speaker 1>to have just a normal conversation is more than you know,

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<v Speaker 1>some people that have climbed Mount Everest. Yeah, they're lazy.

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<v Speaker 1>In comparison, I would say, you can climb out Everest,

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<v Speaker 1>But have you tried having a full time job and

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<v Speaker 1>then recording a podcast after? It's actually much harder. People

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<v Speaker 1>have died doing this. People have died doing what we're

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<v Speaker 1>doing right now, and and yet we're still spout to

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<v Speaker 1>do this. And by the way, we have no supervision.

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<v Speaker 1>No one's sort of waiting to save us. There's no

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<v Speaker 1>base camp, there's no intimacy coordinator, there's no Musy coordinator.

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<v Speaker 1>We just have to get through it and and live. Yeah,

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<v Speaker 1>I mean I think maybe it's like about trying less

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<v Speaker 1>hard and sort of letting the natural flows happen. Okay,

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<v Speaker 1>that's a great idea. Let's try less hard. Um, Okay,

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<v Speaker 1>how do we start now? Yeah? Okay, less hard less?

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<v Speaker 1>How do we try less hard? Okay? Well, not to

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<v Speaker 1>it's gonna be trying less hard? Is just this ready? Okay?

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<v Speaker 1>So George, how how how was your weekend? Um? It

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<v Speaker 1>was good? I am watched a movie called The Worst

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<v Speaker 1>Person in the World. Have you seen it? No, God,

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<v Speaker 1>damn it. I thought you had because you said something

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<v Speaker 1>about movies that have chapters, and I thought that's what

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<v Speaker 1>you're referring to, and so I thought maybe it would

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<v Speaker 1>be a productive line of questioning. Oh damn no, I

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<v Speaker 1>was watching kill Bill, which has chapters. You think of it? Yeah? Oh,

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<v Speaker 1>did you not like Worst Person in the World. I'm

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<v Speaker 1>just kind of like, Okay, that's enough. I often feel

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<v Speaker 1>like people get confused when, like when people go to

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<v Speaker 1>the movies and someone speaking of foreign language, they were

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<v Speaker 1>immediately like is this deep? And sometimes it's actually not

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<v Speaker 1>that deep. M I think there's something to that. I mean,

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<v Speaker 1>I can't I didn't see the movie, so I but

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<v Speaker 1>I can't say. When we, you know, did our screening

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<v Speaker 1>and we left that being like, well, was it that good?

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<v Speaker 1>It's interesting that you called us going to the movies

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<v Speaker 1>to watch a movie. Did doing a screening as we

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<v Speaker 1>actually we actually planned ourselves. We Yeah, we hosted a

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<v Speaker 1>screening at Williamsburg Cinemas. Great turnout. Um didn't know a

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<v Speaker 1>single person. Yeah, here's what all say. You're back in

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<v Speaker 1>New York after being stuck in Chile because you had

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<v Speaker 1>COVID for a full week. How does it feel? It

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<v Speaker 1>feels incredible? Um, yeah, I'm like I went to a

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<v Speaker 1>coffee shop on Sunday when I got back and I

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<v Speaker 1>was like, oh, yeah, this is the stuff, like just

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<v Speaker 1>like everyone's buying like twelve dollar egg and cheeses. And

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<v Speaker 1>I'm like, yeah, this feels really good right now. Like

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<v Speaker 1>they're playing songs that I know that are like sort

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<v Speaker 1>of like yeah but hearkening to dare I say the

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<v Speaker 1>Pitchfork listener and You're like, wow, yes, yes, my my

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<v Speaker 1>culture is here being pandered to. Yes, being pandered too,

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<v Speaker 1>And I understand how I'm being pandered too. And it

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<v Speaker 1>felt so good. Do you ever? I was in a

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<v Speaker 1>story the other day and the playlist was so catered

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<v Speaker 1>to my tastes that I actually became a offended. What

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<v Speaker 1>were they What were they hitting you with? They were

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<v Speaker 1>hitting it was? It was like weirdly, I would say,

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<v Speaker 1>it was a lot of like women singer songwriters and

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<v Speaker 1>and just not not deep cuts, but just off center

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<v Speaker 1>enough that it was always like the third or fourth

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<v Speaker 1>single from the respective albums. As I was kind of

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<v Speaker 1>going it was a bookstore as I was going through,

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<v Speaker 1>you know, right now, in bookstores, I'll do this cute

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<v Speaker 1>thing where rather than having just new fiction new nonfiction,

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<v Speaker 1>we'll have a little like you know, lgbt Q, you know, humor.

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<v Speaker 1>And it's like, are you talking to me? Sure? Sure?

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<v Speaker 1>I like being pandered too to an extent, do you

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<v Speaker 1>I get? I get? I mean, listen when it's not there,

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<v Speaker 1>you miss it, of course. But then but then sometimes

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<v Speaker 1>I'm like, is everything I'm doing just a version of

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<v Speaker 1>a personaliz like are our personalized algorithms extending to the

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<v Speaker 1>physical world, and just by a nature of how I

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<v Speaker 1>am controlled, how I am expected to act, I'm only

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<v Speaker 1>going into places that are basically, you know, the little

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<v Speaker 1>corner of Amazon that i'd be going to anyway. Right,

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<v Speaker 1>that's a good question. Did you watch SpongeBob as a child,

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<v Speaker 1>of course? Do you know the episode where squid Word

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<v Speaker 1>goes to the world where it's all squid words and

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<v Speaker 1>they all the same interests. Yes, that's it's kind of

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<v Speaker 1>how Brooklyn feels. Yeah, and it is sometimes you can

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<v Speaker 1>really backfire and you're like, I just I need to

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<v Speaker 1>be around like a normal suburban persons that I can

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<v Speaker 1>feel edgy and interesting. Sure, well that's what we were

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<v Speaker 1>talking about last week with hanging out with straight guys.

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<v Speaker 1>Mm hmmm. H You know, I was recently at a

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<v Speaker 1>party that was um it was a friend of mine who,

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<v Speaker 1>to our credit, has gay friends, but by complete coincidence,

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<v Speaker 1>all of them except me could not make it to

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<v Speaker 1>this party. And I'm not exaggerating. I literally started naming

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<v Speaker 1>off other people. I was like, is this person here?

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<v Speaker 1>Is this person here? Is this person here? And all

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<v Speaker 1>of them either were traveling or were unavailable, and I

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<v Speaker 1>found myself truly the sole the only gay person in

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<v Speaker 1>this entire birthday party. And um, I kept having these

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<v Speaker 1>conversations that I thought we're going to go one way

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<v Speaker 1>and then went like I was having a conversation about

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<v Speaker 1>you Guessed podcast with someone and I thought we were

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<v Speaker 1>on the same page, and she was like, oh, what's this?

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<v Speaker 1>What do you like? What do you like whatever? And

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<v Speaker 1>then at the end that I was like, so, which

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<v Speaker 1>ones do you listen to? And she goes, you know,

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<v Speaker 1>like pod save and so you were, And I was like,

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<v Speaker 1>you have to understand, I had just spent about seven

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<v Speaker 1>minutes explaining our podcast to this person, thinking that like

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<v Speaker 1>they were in the headspace where they would like kind

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<v Speaker 1>of yes and me, and then I kept asking and

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<v Speaker 1>it turned out that this is someone who listened to

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<v Speaker 1>the audio version of The Rachel Maddow Show to fall asleep.

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<v Speaker 1>Oh no, well that's tough. You know, podcasts a lot

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<v Speaker 1>of different podcasts out there and a lot of different

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<v Speaker 1>kinds of listeners. It is not a model. If Misha's

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<v Speaker 1>parents were like, how we listen to your podcast and

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<v Speaker 1>I'm like, nope, you're not allowed to. It's just I

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<v Speaker 1>know what you think, because it was because we were

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<v Speaker 1>shouted out on the NPR show of course who can so?

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<v Speaker 1>And Misa's parents are like, well, this must mean it's

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<v Speaker 1>for us, And I was like, did they listen to

0:13:16.280 --> 0:13:21.720
<v Speaker 1>the NPR show? They did? WHOA, yeah, But I really

0:13:21.920 --> 0:13:24.040
<v Speaker 1>I don't think it would be good for you know.

0:13:24.240 --> 0:13:26.680
<v Speaker 1>One of the most I would say, one of the

0:13:26.760 --> 0:13:29.360
<v Speaker 1>cruelest things you could do is when someone says they

0:13:29.520 --> 0:13:34.120
<v Speaker 1>have created something, ask how can I consume it? Yeah,

0:13:34.200 --> 0:13:36.200
<v Speaker 1>it's like if you can't find it, kind of like,

0:13:36.320 --> 0:13:38.360
<v Speaker 1>let them come to you if I want you to.

0:13:38.640 --> 0:13:40.400
<v Speaker 1>If I want you to witness something that I have

0:13:40.440 --> 0:13:43.079
<v Speaker 1>had involvement in, I will find a way to get

0:13:43.120 --> 0:13:49.520
<v Speaker 1>it to you. Yeah. Uh wait, should we bring a guest?

0:13:49.800 --> 0:13:53.560
<v Speaker 1>I think it's time. Okay, kick us off. Okay, folks,

0:13:54.040 --> 0:13:56.800
<v Speaker 1>here's the thing. This is a huge get for us

0:13:57.120 --> 0:13:59.760
<v Speaker 1>because we know we normally First of all, there are

0:13:59.760 --> 0:14:04.040
<v Speaker 1>many kind of intersecting themes here. One is this is

0:14:04.040 --> 0:14:06.000
<v Speaker 1>someone who is a former colleague of mine, and I

0:14:06.040 --> 0:14:07.840
<v Speaker 1>have said on this podcast that I will never have

0:14:07.920 --> 0:14:10.160
<v Speaker 1>my colleagues on the podcast because of course that would

0:14:10.160 --> 0:14:14.120
<v Speaker 1>create a toxic work environment wherein I choose certain people

0:14:14.160 --> 0:14:16.280
<v Speaker 1>say you are worthy, and do not choose other people

0:14:16.280 --> 0:14:20.920
<v Speaker 1>say flop, sit down and um. And so my rule

0:14:21.000 --> 0:14:23.360
<v Speaker 1>has always been, you know, if someone potentially leaves the

0:14:23.400 --> 0:14:27.640
<v Speaker 1>company that employs me, I will immediately have them on. Now,

0:14:27.680 --> 0:14:32.600
<v Speaker 1>this person, we normally never promote anything that anyone works

0:14:32.640 --> 0:14:35.880
<v Speaker 1>on because we don't believe in the economy. But this

0:14:35.920 --> 0:14:39.160
<v Speaker 1>person left Gawker in order to be New York Magazine's

0:14:39.200 --> 0:14:42.160
<v Speaker 1>diner at Large, meaning her job is literally to go

0:14:42.200 --> 0:14:46.400
<v Speaker 1>around dining largely around New York City and then write

0:14:46.440 --> 0:14:48.920
<v Speaker 1>about it in her own newsletter. And I have to

0:14:48.960 --> 0:14:51.520
<v Speaker 1>say it has been an absolute joy to read. And

0:14:51.560 --> 0:14:53.680
<v Speaker 1>I this is a one time I will ever promote

0:14:53.720 --> 0:14:56.760
<v Speaker 1>anything I guess has ever done. Go look her up

0:14:56.800 --> 0:15:03.440
<v Speaker 1>and subscribe, But for now, please put your gorgeous gloved

0:15:03.520 --> 0:15:10.800
<v Speaker 1>hands together for Tammy Techlo Marium. Hello everyone, what is up? Wow?

0:15:11.000 --> 0:15:14.840
<v Speaker 1>That was a great introduction and I really feel like

0:15:15.400 --> 0:15:20.000
<v Speaker 1>you gave me the respect of an entertainer and that's

0:15:20.000 --> 0:15:24.200
<v Speaker 1>not something that a writer is used to. Oh yeah, yeah,

0:15:24.240 --> 0:15:26.640
<v Speaker 1>Well when you're here, you have to step it up

0:15:26.720 --> 0:15:31.720
<v Speaker 1>and be an ault comedian. I'm ready. I this feels

0:15:31.800 --> 0:15:36.520
<v Speaker 1>like such an accomplishment for me because you know, I

0:15:36.640 --> 0:15:38.920
<v Speaker 1>sure like I watched a lot of stand up on

0:15:38.960 --> 0:15:42.520
<v Speaker 1>Comedy Central growing up, a lot of SNL, you know,

0:15:42.720 --> 0:15:45.920
<v Speaker 1>but I I I've never I've never had the cajones

0:15:46.040 --> 0:15:51.280
<v Speaker 1>to to to step up into a crowd and do it.

0:15:51.360 --> 0:15:54.920
<v Speaker 1>So just to just to be embraced, even in this

0:15:55.120 --> 0:16:00.400
<v Speaker 1>socially distant way by the comedy community, is really it's

0:16:00.440 --> 0:16:03.320
<v Speaker 1>a huge thing for me and I don't want to

0:16:03.320 --> 0:16:06.080
<v Speaker 1>mess it up. So and this is only the first

0:16:06.120 --> 0:16:08.920
<v Speaker 1>step I mean to do to do a zoom podcast,

0:16:08.960 --> 0:16:10.440
<v Speaker 1>I would say it is the first step towards a

0:16:10.480 --> 0:16:13.320
<v Speaker 1>long career. I'm seeing open mics in the future. I

0:16:13.320 --> 0:16:20.760
<v Speaker 1>am seeing potentially a mini tour opening for you know, wow,

0:16:23.880 --> 0:16:26.200
<v Speaker 1>I would say, you know, I would I could absolutely

0:16:26.200 --> 0:16:29.280
<v Speaker 1>see you opening for j would be so into my hair,

0:16:29.840 --> 0:16:33.240
<v Speaker 1>Oh my god, and he would just be like sassing

0:16:33.240 --> 0:16:36.960
<v Speaker 1>it up. Look, somebody has got to reign in Queer Eye.

0:16:37.400 --> 0:16:44.880
<v Speaker 1>Those are just a little too comfortable, a little too comfortable.

0:16:44.920 --> 0:16:49.240
<v Speaker 1>I actually have to admit something very very true is

0:16:49.280 --> 0:16:54.040
<v Speaker 1>that I started watching Queer Eye. This it's hidden for me.

0:16:54.200 --> 0:16:56.840
<v Speaker 1>I don't know what I'm going through, but it is

0:16:56.880 --> 0:17:01.000
<v Speaker 1>working so well. I'm all in. I moved. I can't

0:17:01.000 --> 0:17:05.439
<v Speaker 1>get enough on the stuff. Nationalist propaganda, it really is.

0:17:05.480 --> 0:17:07.760
<v Speaker 1>It is nationalist problem. And I would say it's honestly

0:17:07.840 --> 0:17:12.320
<v Speaker 1>straight propaganda because they're they're they're they're going there and

0:17:12.440 --> 0:17:16.720
<v Speaker 1>humiliating themselves and propping up straight people. Oh but someone

0:17:16.760 --> 0:17:18.520
<v Speaker 1>is the straight people need to be propped up. They

0:17:18.600 --> 0:17:22.360
<v Speaker 1>have such sad lives. But sometimes straight people are cops.

0:17:22.880 --> 0:17:26.080
<v Speaker 1>That's true most of the time. I think I read

0:17:26.119 --> 0:17:31.239
<v Speaker 1>somewhere the contestants career I are police officers. Yeah, it's

0:17:31.320 --> 0:17:36.119
<v Speaker 1>Queer Eye for the cop. I guy. Um. I do agree, though, Tammy,

0:17:36.160 --> 0:17:38.359
<v Speaker 1>that they need to be reined in. One of the

0:17:38.400 --> 0:17:42.120
<v Speaker 1>most difficult things in our culture is to say that's

0:17:42.280 --> 0:17:49.679
<v Speaker 1>enough to a queer influencer. God, you're telling me, you know,

0:17:50.000 --> 0:17:52.720
<v Speaker 1>you give them an inch and they take, and they

0:17:52.720 --> 0:17:56.560
<v Speaker 1>take and they take, and then all of a sudden

0:17:56.600 --> 0:17:58.760
<v Speaker 1>they've got a full sent of set of nails and

0:17:58.800 --> 0:18:01.560
<v Speaker 1>in your accent, I mean, not my accent, but like

0:18:01.720 --> 0:18:07.520
<v Speaker 1>somebody's accident. Definitely there. Yeah, the day that the day

0:18:07.600 --> 0:18:11.040
<v Speaker 1>that gay men start acting like me is the day

0:18:11.040 --> 0:18:15.840
<v Speaker 1>that I publicly say something about it. But they suddenly

0:18:15.960 --> 0:18:19.600
<v Speaker 1>if they suddenly started, you know, live blogging their restaurant

0:18:19.640 --> 0:18:23.320
<v Speaker 1>trips and talking about why, then you would have to

0:18:23.359 --> 0:18:27.840
<v Speaker 1>speak up and say that is appropriation. I should actually

0:18:27.880 --> 0:18:32.880
<v Speaker 1>just call out every gay person who does the same

0:18:32.920 --> 0:18:37.760
<v Speaker 1>thing I do as appropriation. I guess gay non poc.

0:18:38.040 --> 0:18:40.400
<v Speaker 1>I don't know. I mean it's like it's like when

0:18:40.400 --> 0:18:43.720
<v Speaker 1>you're when you're sifting it out, you know. I prefer

0:18:43.840 --> 0:18:46.320
<v Speaker 1>not to make large generalities. I like to go just

0:18:46.400 --> 0:18:49.359
<v Speaker 1>like digging into an example and then hope that people

0:18:49.359 --> 0:18:51.720
<v Speaker 1>can learn from it totally, you know, because you can

0:18:51.760 --> 0:18:55.240
<v Speaker 1>never really like, right, the commandments? What was it? What

0:18:55.560 --> 0:18:57.280
<v Speaker 1>can you think of an example where a gay man

0:18:57.440 --> 0:19:08.240
<v Speaker 1>copied you? Um? Wow? Uh god? Um no, I mean Okay,

0:19:08.280 --> 0:19:11.600
<v Speaker 1>Like I only like brought up myself because like it

0:19:11.680 --> 0:19:16.840
<v Speaker 1>would be ridiculous even like, you know, the stereotype is

0:19:16.880 --> 0:19:19.239
<v Speaker 1>that like gay men and in fact, like a lot

0:19:19.320 --> 0:19:22.239
<v Speaker 1>of people just like to steal their mannerisms from like

0:19:22.280 --> 0:19:26.240
<v Speaker 1>black women or like you know, black famin culture. Uh.

0:19:26.320 --> 0:19:30.240
<v Speaker 1>But I think it would be pretty impossible or maybe

0:19:30.280 --> 0:19:33.080
<v Speaker 1>just embarrassing for me if like a gay person tried

0:19:33.119 --> 0:19:34.960
<v Speaker 1>to do that and just like be me like, I

0:19:34.960 --> 0:19:38.520
<v Speaker 1>don't know, I'm just like I don't know, I'm yeah,

0:19:38.840 --> 0:19:44.040
<v Speaker 1>I'm not put you right right right, interesting, So like

0:19:44.080 --> 0:19:46.359
<v Speaker 1>it would be like it would be like copying friendly

0:19:46.440 --> 0:19:51.160
<v Speaker 1>bo its, right, and then someone being like that sexist. Yes,

0:19:52.359 --> 0:19:54.840
<v Speaker 1>I mean if someone were to steal your mannerisms, it

0:19:54.880 --> 0:19:57.719
<v Speaker 1>would be a very personal attack, and it would in

0:19:57.760 --> 0:20:01.440
<v Speaker 1>fact be an impression it was, yeah, and an honor.

0:20:01.520 --> 0:20:04.320
<v Speaker 1>Actually you should be so lucky for j v N

0:20:04.400 --> 0:20:08.480
<v Speaker 1>to steal your manner. This girl in high school really

0:20:08.480 --> 0:20:10.840
<v Speaker 1>looked up to me, and I remember somebody else being

0:20:10.840 --> 0:20:13.600
<v Speaker 1>like she's starting to talk to you, talk talk like you,

0:20:13.640 --> 0:20:16.760
<v Speaker 1>and like she says things the way you didn't. I

0:20:16.840 --> 0:20:20.439
<v Speaker 1>didn't really notice it until I did, and I didn't

0:20:20.480 --> 0:20:22.800
<v Speaker 1>get it, but I guess she just looked up to me,

0:20:22.880 --> 0:20:26.359
<v Speaker 1>and that's cool totally. I wonder I always wonder was

0:20:26.400 --> 0:20:29.560
<v Speaker 1>I Was I actually a follower when I was younger.

0:20:30.119 --> 0:20:33.720
<v Speaker 1>M M, it's so hard to tell. Was not even

0:20:33.720 --> 0:20:35.919
<v Speaker 1>a little You've been a trailblazer from the from the

0:20:35.960 --> 0:20:40.480
<v Speaker 1>get go. Look, it's not easy being Tammy. And I

0:20:40.520 --> 0:20:44.200
<v Speaker 1>think this is why I don't suffer from this, this

0:20:44.320 --> 0:20:46.160
<v Speaker 1>kind of thing where like I go into a place

0:20:46.200 --> 0:20:49.359
<v Speaker 1>and I'm just like, oh, like I I feel seen,

0:20:49.440 --> 0:20:51.760
<v Speaker 1>because like I've never felt seen, okay, And there's a

0:20:51.760 --> 0:20:57.080
<v Speaker 1>liberation in that, and all of a sudden it pays

0:20:57.119 --> 0:21:02.280
<v Speaker 1>off in that I just don't feel like anybody is

0:21:02.320 --> 0:21:05.800
<v Speaker 1>competing with me no matter what. Like I'm just like

0:21:05.920 --> 0:21:08.920
<v Speaker 1>a little crazier or like a little more deprived or

0:21:08.960 --> 0:21:13.000
<v Speaker 1>a little weirder, you know, like I I Yeah, it's

0:21:13.040 --> 0:21:16.960
<v Speaker 1>it's I'm a maverick. I'm a maverick. Wow, the last

0:21:16.960 --> 0:21:22.399
<v Speaker 1>true individual. Yeah, we found one. We found one, and

0:21:22.520 --> 0:21:28.320
<v Speaker 1>she said yes to doing a gay podcast. Yeah. I

0:21:28.359 --> 0:21:30.560
<v Speaker 1>do feel like that was always like a thing in

0:21:30.760 --> 0:21:33.760
<v Speaker 1>school though, it was always being like well, like everyone

0:21:33.760 --> 0:21:37.680
<v Speaker 1>wanted to claim like I invented that word, Like when

0:21:37.720 --> 0:21:41.200
<v Speaker 1>a new word would kind of fly around. Someone would

0:21:41.200 --> 0:21:43.240
<v Speaker 1>be like, well, actually that's mine. I came up with

0:21:43.280 --> 0:21:44.959
<v Speaker 1>that word. I was the one that came up with boa.

0:21:45.840 --> 0:21:49.080
<v Speaker 1>And it was like, well no, because my cousin say

0:21:49.160 --> 0:21:52.760
<v Speaker 1>it so like and he was saying it the last year,

0:21:53.600 --> 0:21:56.760
<v Speaker 1>and it was always a big debate who came up

0:21:56.760 --> 0:22:00.840
<v Speaker 1>with what. It's interesting the small boxes we put ourselves

0:22:00.880 --> 0:22:06.240
<v Speaker 1>in where saying booya is a cause for celebration. Well,

0:22:06.280 --> 0:22:12.480
<v Speaker 1>everyone's so desperate to own something, and especially when you're

0:22:12.480 --> 0:22:15.320
<v Speaker 1>a child and you have no no agency over your life,

0:22:15.359 --> 0:22:18.159
<v Speaker 1>I think all you can control is the fact that

0:22:18.200 --> 0:22:21.320
<v Speaker 1>you came up with the word buya. But even that's

0:22:21.359 --> 0:22:25.600
<v Speaker 1>a lie. Yeah. I used to really feel competitive in

0:22:25.720 --> 0:22:29.600
<v Speaker 1>like the indie music game in high school, you know,

0:22:29.760 --> 0:22:32.760
<v Speaker 1>just like especially like back in the day you know,

0:22:33.440 --> 0:22:37.840
<v Speaker 1>with c d s with illegal downloading, where like your

0:22:37.920 --> 0:22:41.840
<v Speaker 1>collection really meant something and all of that's been eradicated

0:22:42.119 --> 0:22:45.920
<v Speaker 1>with Spotify and stuff, but like, you know, back when

0:22:45.960 --> 0:22:49.919
<v Speaker 1>I was in high school, like music still was like

0:22:50.080 --> 0:22:53.679
<v Speaker 1>largely like along racial lines or like you know, you

0:22:53.760 --> 0:22:56.480
<v Speaker 1>just like we're defined by like the rap people listen

0:22:56.520 --> 0:22:59.120
<v Speaker 1>to wrap, the rock people listen to rock. And then

0:22:59.760 --> 0:23:06.200
<v Speaker 1>like I was just trying to download as much obscure

0:23:06.359 --> 0:23:09.240
<v Speaker 1>music as possible to just be an expert and something

0:23:09.280 --> 0:23:12.280
<v Speaker 1>that other people didn't know about. But also it's just

0:23:12.359 --> 0:23:14.320
<v Speaker 1>like you had to, like you had to listen to

0:23:14.440 --> 0:23:16.560
<v Speaker 1>music in order to know what it was like. It

0:23:16.640 --> 0:23:20.600
<v Speaker 1>was not easy to I don't know. Jonathan Richmond sounded

0:23:20.640 --> 0:23:22.760
<v Speaker 1>like like you would have to like find somebody who

0:23:22.840 --> 0:23:27.560
<v Speaker 1>had the b sides of Pavement or something, somebody's older brother.

0:23:27.720 --> 0:23:30.679
<v Speaker 1>Like it was just work. And I think, you know,

0:23:30.880 --> 0:23:32.720
<v Speaker 1>when you come from that kind of culture with a

0:23:32.760 --> 0:23:37.800
<v Speaker 1>work ethic, you just you take that with you everywhere

0:23:37.840 --> 0:23:44.240
<v Speaker 1>that you go Spotify playlists, you know, up from your

0:23:44.240 --> 0:23:47.959
<v Speaker 1>boot straps about it. I mean, you know, and and

0:23:48.000 --> 0:23:51.840
<v Speaker 1>I didn't necessarily like I wasn't allowed to like go

0:23:52.000 --> 0:23:54.439
<v Speaker 1>out all the time, you know, and like have the

0:23:54.480 --> 0:23:57.520
<v Speaker 1>experiences whatever. But at least, like you know, I was

0:23:57.600 --> 0:24:02.359
<v Speaker 1>like I was doing the work, as they said, right. Yeah,

0:24:02.560 --> 0:24:05.439
<v Speaker 1>it's interesting, you know, where do you put that energy

0:24:05.520 --> 0:24:09.639
<v Speaker 1>now that everything is so accessible? It's like, you know,

0:24:09.760 --> 0:24:14.280
<v Speaker 1>now that you can't be defined by your tastes, then

0:24:14.320 --> 0:24:17.200
<v Speaker 1>I guess you know everyone then I guess the only

0:24:17.240 --> 0:24:22.120
<v Speaker 1>thing left is to get lip filler. Well, see this

0:24:22.200 --> 0:24:25.840
<v Speaker 1>is where wine comes in. It was a very candy

0:24:26.000 --> 0:24:30.080
<v Speaker 1>replacement for my know at all addiction in music. Wow,

0:24:30.119 --> 0:24:34.400
<v Speaker 1>that is so interesting, um psychologically like you're like, this

0:24:34.440 --> 0:24:38.159
<v Speaker 1>is a one thing that still needs some form of

0:24:38.240 --> 0:24:41.080
<v Speaker 1>expertise to actually and and and where you still have

0:24:41.119 --> 0:24:44.760
<v Speaker 1>to actually put in work to to have a knowledge

0:24:44.760 --> 0:24:48.240
<v Speaker 1>to have knowledge of it always a physical medium. This

0:24:48.280 --> 0:24:52.800
<v Speaker 1>ship is analog like it's it's a record on my tongue,

0:24:53.800 --> 0:24:56.480
<v Speaker 1>just so everyone knows. At home, Tammy is pointing to

0:24:56.600 --> 0:24:59.200
<v Speaker 1>a glass of beautiful red wine that she's drinking out

0:24:59.200 --> 0:25:04.640
<v Speaker 1>of an expensive asked I this, this is actually so fascinating.

0:25:04.680 --> 0:25:06.680
<v Speaker 1>Sorry say I'm going ahead, but I'm like I love

0:25:06.720 --> 0:25:08.919
<v Speaker 1>this as a concept me too. And I've never really

0:25:08.920 --> 0:25:11.440
<v Speaker 1>been able to get into wine culture, and I've never

0:25:11.480 --> 0:25:14.919
<v Speaker 1>had a way in like I've never understood what I

0:25:14.960 --> 0:25:16.960
<v Speaker 1>would want to know about it because I'm just like,

0:25:17.000 --> 0:25:20.040
<v Speaker 1>that's like a whole world of just like does it matter?

0:25:20.640 --> 0:25:23.480
<v Speaker 1>And now that you say it in that way, I'm like, Oh,

0:25:23.600 --> 0:25:27.120
<v Speaker 1>the joy of like pretension and the joy of like

0:25:27.200 --> 0:25:31.840
<v Speaker 1>seeking things out. I do like that pretension. Yeah, And

0:25:31.880 --> 0:25:34.960
<v Speaker 1>it's the last form of condoseurship really that has any

0:25:35.040 --> 0:25:39.960
<v Speaker 1>value yeah, yeah, I mean it's it's interesting because it's

0:25:39.960 --> 0:25:45.720
<v Speaker 1>it's an investment. Like I I think about every time

0:25:45.720 --> 0:25:47.920
<v Speaker 1>I try to buy makeup or something. I'm just like,

0:25:48.080 --> 0:25:50.440
<v Speaker 1>how the fund do these girlies do it? And it's

0:25:50.520 --> 0:25:55.880
<v Speaker 1>just because they're not buying wine like I have to pick.

0:25:57.359 --> 0:26:00.480
<v Speaker 1>It's it has to be personal and or order to

0:26:00.920 --> 0:26:04.520
<v Speaker 1>to really work, Like I mean, I know that people

0:26:04.720 --> 0:26:07.560
<v Speaker 1>fake their interests or they're sort of like you know,

0:26:07.600 --> 0:26:10.679
<v Speaker 1>they sort of like get into wine and halfheartedly and

0:26:10.720 --> 0:26:14.119
<v Speaker 1>they aren't necessarily like reading books about it immediately or

0:26:14.160 --> 0:26:19.520
<v Speaker 1>like trying to make their taste systematic or something. Um,

0:26:19.600 --> 0:26:23.080
<v Speaker 1>but like your brain and your tongue and your body

0:26:23.240 --> 0:26:25.800
<v Speaker 1>is like processing all of this stuff and so ultimately,

0:26:26.160 --> 0:26:30.520
<v Speaker 1>like it's a very personal lexicon of like you know, taste,

0:26:30.520 --> 0:26:34.199
<v Speaker 1>sensations that you're getting, and feelings and emotions and it

0:26:34.280 --> 0:26:38.479
<v Speaker 1>ultimately always has to be personal. But people always do

0:26:38.600 --> 0:26:42.639
<v Speaker 1>manage to like make it about artifice and uh, and

0:26:42.720 --> 0:26:45.240
<v Speaker 1>that's fine. I mean, you know, look at the label

0:26:45.359 --> 0:26:50.360
<v Speaker 1>of this bottle, right, don't you want don't you want

0:26:50.359 --> 0:26:52.800
<v Speaker 1>to drink it? This is like the most like pop

0:26:53.320 --> 0:26:56.960
<v Speaker 1>fun label and wine didn't used to be like that,

0:26:57.680 --> 0:27:00.480
<v Speaker 1>you know, when it was exclusively just about like snobbery

0:27:00.480 --> 0:27:02.440
<v Speaker 1>and knowing what you're doing. But now it's a little

0:27:02.440 --> 0:27:05.240
<v Speaker 1>bit more open, and now it's like easier to participate in,

0:27:05.440 --> 0:27:07.960
<v Speaker 1>maybe in the way of like picking out an album

0:27:08.040 --> 0:27:12.159
<v Speaker 1>based on the cover, um, but still like you know,

0:27:12.400 --> 0:27:17.159
<v Speaker 1>just like with indie rock, everybody can tell if your opposer, wow,

0:27:17.200 --> 0:27:21.960
<v Speaker 1>I love Wine as the new indie rock. Well that's

0:27:22.119 --> 0:27:24.840
<v Speaker 1>and I guess it's like kind of that still makes

0:27:24.840 --> 0:27:27.800
<v Speaker 1>it intimidating because it's like, oh, wow, I remember that

0:27:28.000 --> 0:27:31.160
<v Speaker 1>constant fear around music of being like, am I being

0:27:31.200 --> 0:27:33.959
<v Speaker 1>authentic enough? Am I like, do I actually like this?

0:27:34.119 --> 0:27:36.320
<v Speaker 1>Or do I like this because Pitchford gave it a nine?

0:27:36.880 --> 0:27:40.320
<v Speaker 1>Or like how much am I like understanding the history

0:27:40.359 --> 0:27:43.320
<v Speaker 1>of this and what is Yeah? And the answer was

0:27:43.359 --> 0:27:47.399
<v Speaker 1>like to the lay person, yes, I was authentic. To

0:27:47.480 --> 0:27:50.480
<v Speaker 1>the real indie rock people, not at all. And to

0:27:50.680 --> 0:27:53.239
<v Speaker 1>like put myself in that world of wine, I'm like,

0:27:53.280 --> 0:27:57.080
<v Speaker 1>oh no, no, no, no, I'm not ready yet. But

0:27:57.200 --> 0:27:59.720
<v Speaker 1>the things that scare you the most should inspire you.

0:28:00.280 --> 0:28:03.960
<v Speaker 1>Exactly say that, And now we said it, and now

0:28:04.000 --> 0:28:06.720
<v Speaker 1>we said that. You know what my favor I used

0:28:06.760 --> 0:28:09.000
<v Speaker 1>to when I live in California. I would go to

0:28:09.200 --> 0:28:11.960
<v Speaker 1>Napa or Sonoma to go wine tasting, and there is

0:28:12.040 --> 0:28:16.080
<v Speaker 1>nothing more refreshing than the kind of California wine culture

0:28:16.200 --> 0:28:18.440
<v Speaker 1>that is so unpretentious because you would go to these

0:28:18.440 --> 0:28:21.680
<v Speaker 1>places that alleged you know, I'm not an expert at all,

0:28:21.680 --> 0:28:23.760
<v Speaker 1>but I these you know, these were places that came

0:28:23.840 --> 0:28:26.680
<v Speaker 1>highly recommended, had allegedly very good wine, and the people

0:28:26.760 --> 0:28:30.159
<v Speaker 1>serving it and talking to you about it and who

0:28:30.200 --> 0:28:34.080
<v Speaker 1>knew about it were like wearing you know, board shorts

0:28:34.080 --> 0:28:38.600
<v Speaker 1>and flip flops. They were like totally normal, random Californian

0:28:38.680 --> 0:28:43.080
<v Speaker 1>people had been like wine makers for three generations. And

0:28:43.920 --> 0:28:47.360
<v Speaker 1>I guess it just goes to show you, Um, I

0:28:47.360 --> 0:28:52.640
<v Speaker 1>don't know what point. Well, oh wow, no, no, this

0:28:52.760 --> 0:28:56.280
<v Speaker 1>is so I'm like malwatching today much more than I

0:28:56.360 --> 0:28:58.920
<v Speaker 1>ever had before, and I don't know why. It is humiliating.

0:28:59.600 --> 0:29:01.760
<v Speaker 1>Wow No, I mean we just got off a three

0:29:01.840 --> 0:29:07.040
<v Speaker 1>day weekend. I truly feel like embarrassed that I can't

0:29:07.120 --> 0:29:10.760
<v Speaker 1>form a sentence today. I guess him it's it's like

0:29:10.800 --> 0:29:13.400
<v Speaker 1>that thing of like seeing a parent like not be

0:29:13.520 --> 0:29:16.920
<v Speaker 1>able to like do the parent functions I know, and

0:29:16.920 --> 0:29:21.360
<v Speaker 1>it's I'm like, oh no, this is he's actually in trouble. No, No,

0:29:21.480 --> 0:29:24.240
<v Speaker 1>it's exactly like that. Yeah, I'm like, I don't, I

0:29:24.240 --> 0:29:26.760
<v Speaker 1>don't know. It's like not coming. It's it's not coming

0:29:26.800 --> 0:29:28.960
<v Speaker 1>to me today. And I feel like Tammy is bringing

0:29:29.000 --> 0:29:31.040
<v Speaker 1>so many concepts and ideas to the table, and I

0:29:31.120 --> 0:29:33.320
<v Speaker 1>like keep trying to yes, and and I'm like giving

0:29:33.400 --> 0:29:37.720
<v Speaker 1>up halfway through. This is my first day of comedy

0:29:37.880 --> 0:29:41.160
<v Speaker 1>and you're already doing doing comedy lapse around me. Let

0:29:41.200 --> 0:29:44.640
<v Speaker 1>me tell you that, Yeah, you know what might bring

0:29:44.640 --> 0:29:49.520
<v Speaker 1>you back, George. Yes, our first segment, Yeah, so Tammy.

0:29:49.560 --> 0:29:52.560
<v Speaker 1>Our first segment is called straight Shooters. And in this segment, meanwhile,

0:29:52.600 --> 0:29:54.440
<v Speaker 1>we'll cut all of the instances of me not knowing

0:29:54.440 --> 0:29:56.280
<v Speaker 1>what I'm talking about. It. I'm gonna sound so smart

0:29:56.320 --> 0:29:59.280
<v Speaker 1>when this airs. Our first segment is called straight Shooters.

0:29:59.320 --> 0:30:02.400
<v Speaker 1>And in this segment, we test your familiarity with and

0:30:02.480 --> 0:30:06.200
<v Speaker 1>complicity and straight culture by asking you a series of

0:30:06.280 --> 0:30:08.520
<v Speaker 1>rapid fire questions where we have to choose one thing

0:30:08.680 --> 0:30:10.720
<v Speaker 1>or another thing. And the one rule is you can't

0:30:10.720 --> 0:30:12.840
<v Speaker 1>ask any follow up questions and if you do, you

0:30:12.840 --> 0:30:18.680
<v Speaker 1>will be disqualified and forcibly uh exited off of this. Joe, Sam,

0:30:18.720 --> 0:30:22.800
<v Speaker 1>would you like to go first. Sure, I'll kick us all, okay.

0:30:22.960 --> 0:30:26.480
<v Speaker 1>The Love Song of j Alfred Prufrock or The Emancipation

0:30:26.520 --> 0:30:32.720
<v Speaker 1>of Me Me Mimi okay, Tammy MacBook Air or vitamin

0:30:32.840 --> 0:30:43.360
<v Speaker 1>water MacBook Air okay, like really undid vitamin water for me.

0:30:43.800 --> 0:30:47.120
<v Speaker 1>I can't get done with him. I just anyway, Yeah,

0:30:47.840 --> 0:30:50.520
<v Speaker 1>I did. I forgot how good of a song in

0:30:50.600 --> 0:30:54.280
<v Speaker 1>the club is. I was like, damn this, Yeah, it's

0:30:54.280 --> 0:30:57.120
<v Speaker 1>a great song. It's a classic for sure. The super

0:30:57.160 --> 0:30:59.800
<v Speaker 1>Bowl sort of. I was like, okay, I want to

0:30:59.800 --> 0:31:03.680
<v Speaker 1>hear at a party anyway. Tony Hawk or Jack Sparrow

0:31:04.720 --> 0:31:09.480
<v Speaker 1>Tony Hawk. Wow, that's a really good one. Um. Laurence

0:31:09.520 --> 0:31:17.080
<v Speaker 1>of Arabia or Florence in the Machine, Laurence of Arabia, okay.

0:31:17.080 --> 0:31:22.920
<v Speaker 1>Mermaids or milkmaids. Milkmaids because they carried chicken pox? Whoa

0:31:24.440 --> 0:31:29.400
<v Speaker 1>cow pox? I'm not sure, probably can't existed. I'm gonna

0:31:29.440 --> 0:31:33.640
<v Speaker 1>have to look like that, like milkmaids didn't have the disease.

0:31:33.800 --> 0:31:37.200
<v Speaker 1>I don't remember something like that. Death on the Nile

0:31:37.520 --> 0:31:41.840
<v Speaker 1>or a life on the fast Lane. Fast Lane, Baby,

0:31:42.240 --> 0:31:47.040
<v Speaker 1>you gotta okay? Flirting with disaster or flirting with ari

0:31:47.240 --> 0:31:54.120
<v Speaker 1>Astor to be in his next film. Uh, I don't

0:31:54.480 --> 0:31:59.960
<v Speaker 1>ask people for anything. Disaster, okay, Tammy being John Malkovitch

0:32:00.240 --> 0:32:07.280
<v Speaker 1>or coming out Colton, I love that. Thanks, Oh my god,

0:32:07.880 --> 0:32:13.360
<v Speaker 1>um god fuck Coulton being chill and Malgovitch talk about

0:32:13.760 --> 0:32:18.160
<v Speaker 1>talk about someone who, much like other queer influencers we've mentioned,

0:32:18.160 --> 0:32:24.160
<v Speaker 1>needs someone to say no, oh boy, him more than most.

0:32:24.720 --> 0:32:27.720
<v Speaker 1>He's really one where it's like, oh wow, like the

0:32:27.760 --> 0:32:31.880
<v Speaker 1>way that being gay can um just set you on

0:32:31.960 --> 0:32:35.440
<v Speaker 1>a path to be an influencer who has a TV

0:32:35.520 --> 0:32:39.000
<v Speaker 1>show for no reason. I'm like, we are actually trying

0:32:39.000 --> 0:32:41.920
<v Speaker 1>to have TV shows and yet do not, and and

0:32:41.960 --> 0:32:44.520
<v Speaker 1>it makes me feel like we are not to advantage

0:32:44.560 --> 0:32:47.680
<v Speaker 1>of what the Lord has blessed us. That's right. Yeah,

0:32:47.720 --> 0:32:53.720
<v Speaker 1>it is weird to be rewarded for um not being interesting. Okay,

0:32:53.760 --> 0:32:56.719
<v Speaker 1>but like and like, please cut this out if like

0:32:56.880 --> 0:33:01.000
<v Speaker 1>it's going to cancel me HiT's name, Like, don't you

0:33:01.120 --> 0:33:04.000
<v Speaker 1>think that like he could have plotted all of this

0:33:04.080 --> 0:33:07.960
<v Speaker 1>in a gay way. Well that's the thing, Tammy, He's

0:33:08.000 --> 0:33:14.720
<v Speaker 1>not gay, that's the take away. I'm I'm team Tammy

0:33:14.760 --> 0:33:16.800
<v Speaker 1>on this. I think I think it could be evil

0:33:17.200 --> 0:33:21.240
<v Speaker 1>gay villain plotting Oh, you're saying he has plotted this

0:33:21.280 --> 0:33:25.080
<v Speaker 1>in a gay way. Well, I just meant like, like

0:33:25.840 --> 0:33:30.000
<v Speaker 1>he he's always known that he was going to come

0:33:30.000 --> 0:33:34.640
<v Speaker 1>out later on I how can I? I mean, but

0:33:34.720 --> 0:33:36.959
<v Speaker 1>you still don't think he's gay? No. See, here's what

0:33:37.000 --> 0:33:39.400
<v Speaker 1>I thought you were saying. I thought like you were saying,

0:33:39.640 --> 0:33:42.000
<v Speaker 1>couldn't he have plotted it in a more gay way?

0:33:42.080 --> 0:33:45.200
<v Speaker 1>Like you're saying he's not gay enough? And I was like, well, yeah,

0:33:45.240 --> 0:33:47.360
<v Speaker 1>he's not really could have been more gay? Yeah, but

0:33:47.400 --> 0:33:52.480
<v Speaker 1>you're saying this now, Now that's a theory. So basically

0:33:52.560 --> 0:33:55.200
<v Speaker 1>you're saying that throughout this entire process, he wanted to

0:33:55.240 --> 0:33:58.160
<v Speaker 1>go on The Bachelor, get famous that way, and then

0:33:58.520 --> 0:34:02.840
<v Speaker 1>get the credit of being the first ever gay bachelor. Yeah.

0:34:02.880 --> 0:34:05.280
<v Speaker 1>I mean I think that like in and I can

0:34:05.360 --> 0:34:08.360
<v Speaker 1>only speculate as to what it's like to you know,

0:34:09.080 --> 0:34:12.120
<v Speaker 1>have the trauma of like being gay as a child

0:34:12.239 --> 0:34:14.359
<v Speaker 1>or something and having it covered up or whatever. But

0:34:14.600 --> 0:34:17.240
<v Speaker 1>you know, from my own traumas and like the ways

0:34:17.239 --> 0:34:20.000
<v Speaker 1>that they've inspired me to like live a big life,

0:34:20.719 --> 0:34:24.719
<v Speaker 1>I can see someone with you know, as many you

0:34:24.760 --> 0:34:28.960
<v Speaker 1>know American gifts as Colton, you know, seeing his position,

0:34:29.600 --> 0:34:34.600
<v Speaker 1>you know, his little like golden retriever face and just

0:34:34.600 --> 0:34:37.720
<v Speaker 1>just saying what can I do with this name? Another

0:34:37.880 --> 0:34:42.360
<v Speaker 1>like gay idol? I don't know, I don't know, No,

0:34:42.520 --> 0:34:44.840
<v Speaker 1>I see it. Well, it's like hell. He took stock

0:34:45.000 --> 0:34:47.959
<v Speaker 1>of the of the things that were handed to him

0:34:48.000 --> 0:34:51.719
<v Speaker 1>and he said, you know, I'm almost there because to

0:34:51.880 --> 0:34:54.080
<v Speaker 1>be a you know, he's a white man. His name

0:34:54.160 --> 0:34:59.360
<v Speaker 1>is Colton Um, he is. You know, he could have

0:34:59.480 --> 0:35:02.640
<v Speaker 1>just done hors that's true, that's true. But he did

0:35:02.640 --> 0:35:06.160
<v Speaker 1>it as far as we know. Sure, and you know,

0:35:06.600 --> 0:35:09.160
<v Speaker 1>judging on how coming out Colton does, there could be

0:35:09.200 --> 0:35:13.960
<v Speaker 1>a third act. I do think there's also like to

0:35:14.080 --> 0:35:16.960
<v Speaker 1>be to know you are closeted and gay and go

0:35:17.120 --> 0:35:22.439
<v Speaker 1>on the Bachelor is like you're like willing to make

0:35:22.440 --> 0:35:24.319
<v Speaker 1>a deal with the devil in a weird way, like

0:35:24.360 --> 0:35:28.000
<v Speaker 1>your life gets easier now. I'm starting to respect it

0:35:28.719 --> 0:35:32.799
<v Speaker 1>because it's psychotic. I certainly respect an evil plot more

0:35:32.840 --> 0:35:36.840
<v Speaker 1>than I respect you know, the data I have in hand.

0:35:39.840 --> 0:35:43.560
<v Speaker 1>At least there's some creativity involved in him, you know,

0:35:43.600 --> 0:35:45.839
<v Speaker 1>planning this, and in fact, I would say some media

0:35:45.880 --> 0:35:49.560
<v Speaker 1>criticism because he's taking advantage of these systems and kind

0:35:49.600 --> 0:35:52.280
<v Speaker 1>of like seeing where the culture is and it's like, Okay,

0:35:52.320 --> 0:35:54.960
<v Speaker 1>how can I use this to my advantage? I mean,

0:35:55.960 --> 0:35:58.360
<v Speaker 1>you know, call it performance art. I don't know. I

0:35:58.400 --> 0:36:01.759
<v Speaker 1>didn't say that, And I think I briefly discussed this

0:36:01.840 --> 0:36:05.120
<v Speaker 1>with my friend who watched the same season that he

0:36:05.160 --> 0:36:08.560
<v Speaker 1>did of The Bachelor, and she's like, no, he's too dumb.

0:36:08.960 --> 0:36:13.240
<v Speaker 1>But it's like him being gay makes him that much smarter.

0:36:13.360 --> 0:36:17.759
<v Speaker 1>Like that the gay intelligence like puts you ahead, Like yes,

0:36:17.840 --> 0:36:20.080
<v Speaker 1>like that does give you the capacity to like be

0:36:20.120 --> 0:36:23.919
<v Speaker 1>able to plan and like be conniving and like yeah,

0:36:24.040 --> 0:36:27.680
<v Speaker 1>and to put to put on a performance as straight stupid,

0:36:27.960 --> 0:36:30.120
<v Speaker 1>you have to be very gay smart in order to

0:36:30.840 --> 0:36:34.480
<v Speaker 1>put on a convincing performance of straight stupid. The only

0:36:34.680 --> 0:36:37.399
<v Speaker 1>hole in this plot I feel is like, didn't wasn't

0:36:37.440 --> 0:36:42.640
<v Speaker 1>he also like abusive and psychotic to the woman, And

0:36:42.680 --> 0:36:46.400
<v Speaker 1>that's straight okay, And so that like even as a

0:36:46.480 --> 0:36:48.759
<v Speaker 1>plot point, like it just doesn't help. It doesn't like

0:36:48.880 --> 0:36:52.600
<v Speaker 1>further the narrative I think he wanted in a sense.

0:36:52.760 --> 0:36:58.600
<v Speaker 1>But then again, you know, all press is good pressed

0:36:58.640 --> 0:37:01.480
<v Speaker 1>to come out and something that something that many gay

0:37:01.520 --> 0:37:05.880
<v Speaker 1>men know is all press is good pressed, and what

0:37:06.320 --> 0:37:12.600
<v Speaker 1>do gay men hate women? So there you go. It's

0:37:12.600 --> 0:37:16.840
<v Speaker 1>a full proof plan at all pretty much, and he

0:37:17.600 --> 0:37:23.719
<v Speaker 1>did it speaking of speaking of gender relations, Yeah, men

0:37:23.760 --> 0:37:26.480
<v Speaker 1>and women and the differences there. Should we get into

0:37:26.520 --> 0:37:28.600
<v Speaker 1>our topic. Yeah, this is a very rich topic and

0:37:28.600 --> 0:37:30.719
<v Speaker 1>I would like Tammy for you to introduce us to

0:37:30.800 --> 0:37:33.520
<v Speaker 1>what it is and why you chose it. I'm so

0:37:33.840 --> 0:37:37.800
<v Speaker 1>delighted to present the Stradio Lab listeners with my topic,

0:37:38.280 --> 0:37:42.920
<v Speaker 1>which is something that we don't talk about enough. Um,

0:37:42.960 --> 0:37:44.879
<v Speaker 1>maybe something we don't talk about at all. It's ms

0:37:44.920 --> 0:37:48.319
<v Speaker 1>Sandry and am I even saying that with the right

0:37:48.600 --> 0:37:54.680
<v Speaker 1>in I've heard it both ways and actually, um, I

0:37:54.760 --> 0:37:58.080
<v Speaker 1>don't think anyone has agreed upon what is a correct way.

0:37:58.480 --> 0:38:03.680
<v Speaker 1>It's you know, it's that type of word I think. Um, yeah,

0:38:03.760 --> 0:38:06.479
<v Speaker 1>I feel like miss Andrew would be a really good

0:38:06.560 --> 0:38:09.320
<v Speaker 1>that's a great drag name, maybe Colton. If he ever

0:38:09.480 --> 0:38:14.239
<v Speaker 1>does drag can go by Miss Andrew. People would would

0:38:14.719 --> 0:38:17.719
<v Speaker 1>and he would bring down the house, bring the house

0:38:17.760 --> 0:38:22.040
<v Speaker 1>down this as if he could give a performance. Come on,

0:38:22.360 --> 0:38:29.879
<v Speaker 1>I mean you have argued he already has, that's at all. Um. Yes,

0:38:30.880 --> 0:38:34.720
<v Speaker 1>I wanted to talk about Miss Andy, not just because

0:38:35.200 --> 0:38:37.560
<v Speaker 1>you know, it's something that I feel very strongly about,

0:38:38.000 --> 0:38:41.560
<v Speaker 1>but also because I got an email from a reader

0:38:41.600 --> 0:38:45.920
<v Speaker 1>of my newsletter last week, and it's pretty short. Um.

0:38:45.960 --> 0:38:49.640
<v Speaker 1>I wrote a newsletter about dining alone and how some

0:38:49.719 --> 0:38:51.560
<v Speaker 1>people sitting next to me at the bar at a

0:38:51.600 --> 0:38:57.920
<v Speaker 1>restaurant came up to me to congratulate me on dining alone. Basically,

0:38:57.920 --> 0:38:59.919
<v Speaker 1>this woman came up to me as she was leaving

0:39:00.080 --> 0:39:04.279
<v Speaker 1>ing and she said, I love your evening. And I

0:39:04.360 --> 0:39:08.200
<v Speaker 1>was like, huh, and she was like, I love your evening.

0:39:08.239 --> 0:39:10.880
<v Speaker 1>I just wanted to say that we noticed that you

0:39:10.920 --> 0:39:14.120
<v Speaker 1>were just having such a great night, and we you know,

0:39:14.280 --> 0:39:18.040
<v Speaker 1>I we just wanted to say, uh, great job something

0:39:18.080 --> 0:39:22.960
<v Speaker 1>like that, yeah, yeah, which you know feels great. Uh.

0:39:23.040 --> 0:39:25.239
<v Speaker 1>And so I wrote about it and just like you know,

0:39:25.480 --> 0:39:28.520
<v Speaker 1>how it's condescending and how you should just you know,

0:39:28.880 --> 0:39:31.760
<v Speaker 1>leave people alone when they're dining alone, unless you're really

0:39:31.800 --> 0:39:36.200
<v Speaker 1>hot and rich and you know, wanting want to have

0:39:36.719 --> 0:39:39.960
<v Speaker 1>want to have a gay conversation with me, but you're straight.

0:39:40.560 --> 0:39:46.640
<v Speaker 1>M Well, we'll talk about the meaning of that later anyway. Uh.

0:39:46.640 --> 0:39:50.520
<v Speaker 1>This guy emailed me in response after it went on

0:39:50.800 --> 0:39:53.399
<v Speaker 1>grab Street, and he said I'm not going to say

0:39:53.400 --> 0:39:57.520
<v Speaker 1>what his name is, but his his email icon appears

0:39:57.560 --> 0:40:04.320
<v Speaker 1>to be some office buildings architecture NERD potentially potentially um

0:40:04.840 --> 0:40:08.319
<v Speaker 1>read this and comma for someone who is supposed to

0:40:08.320 --> 0:40:12.520
<v Speaker 1>be sensitive to racial stereotyping. Comma. I can't help wondering

0:40:12.560 --> 0:40:15.840
<v Speaker 1>why you refer to males in your articles as dudes

0:40:16.239 --> 0:40:20.880
<v Speaker 1>bros and disparage their table talk while all caps the

0:40:21.000 --> 0:40:24.400
<v Speaker 1>females are all called women. Looks miss andres to me,

0:40:25.239 --> 0:40:28.440
<v Speaker 1>how about you getting with some gender symmetry. And I

0:40:28.480 --> 0:40:31.080
<v Speaker 1>just want to say that with is spelled w I

0:40:31.200 --> 0:40:35.799
<v Speaker 1>T wit as in like cheese steak wit whiz, just

0:40:35.840 --> 0:40:43.240
<v Speaker 1>saying wow. So so it's more, it's like, the accusation

0:40:43.520 --> 0:40:48.640
<v Speaker 1>of miss Andrey is a very straight thing. I I

0:40:48.680 --> 0:40:51.280
<v Speaker 1>would are it's interesting because the accusation of miss Andrew

0:40:51.440 --> 0:40:56.640
<v Speaker 1>is a straight thing, while also the kind of fetishization

0:40:56.719 --> 0:40:59.560
<v Speaker 1>of Miss Andrew is also a straight thing. Of like,

0:40:59.680 --> 0:41:03.040
<v Speaker 1>the the culture of like fuck like, the culture of

0:41:03.080 --> 0:41:06.440
<v Speaker 1>like men suck he like like the thing is like

0:41:06.560 --> 0:41:10.040
<v Speaker 1>you haven't even seen the tip of the iceberg on

0:41:10.440 --> 0:41:14.440
<v Speaker 1>fucking miss and calling. Calling the three guys having a

0:41:14.480 --> 0:41:18.800
<v Speaker 1>boring conversation next to me dudes is not miss Andrey.

0:41:18.880 --> 0:41:25.120
<v Speaker 1>Identifying finance guys, sorry, finance men almost sounds more offensive

0:41:25.160 --> 0:41:29.400
<v Speaker 1>to be honest, to be honest because like now that

0:41:29.480 --> 0:41:31.959
<v Speaker 1>we're really playing that game, like I almost just wanted

0:41:31.960 --> 0:41:35.200
<v Speaker 1>to position myself as the enemy to all bankers, Right,

0:41:35.400 --> 0:41:39.080
<v Speaker 1>what is your relationship to miss miss Andrews, Miss Andrey

0:41:39.160 --> 0:41:41.600
<v Speaker 1>or miss Andrew. I know I'm gonna be struggling the

0:41:41.600 --> 0:41:44.600
<v Speaker 1>whole time saying it now. See, I was thinking about

0:41:44.600 --> 0:41:47.840
<v Speaker 1>it today as I was taking my hot girl long walk,

0:41:47.920 --> 0:41:53.439
<v Speaker 1>which is my version of fitness. And um, we could

0:41:53.560 --> 0:41:57.520
<v Speaker 1>never really know what miss Andrey in a vacuum is

0:41:57.640 --> 0:42:02.560
<v Speaker 1>because politically, Miss Andrey is not at all comparable to misogyny.

0:42:02.600 --> 0:42:05.560
<v Speaker 1>At this point, miss Andry is just like you know,

0:42:05.840 --> 0:42:10.359
<v Speaker 1>it's just like like a toddler fighting an elephant, Like

0:42:10.520 --> 0:42:15.000
<v Speaker 1>it's it's just like this is all I have to

0:42:15.160 --> 0:42:20.200
<v Speaker 1>console myself for the abject state of heterosexuality. Like I'm

0:42:20.280 --> 0:42:26.000
<v Speaker 1>just protecting myself from the depression that comes with dealing

0:42:26.080 --> 0:42:30.760
<v Speaker 1>with my attraction to men. Sure it's a mitigating factor,

0:42:30.920 --> 0:42:35.640
<v Speaker 1>it makes it tolerable, and it's like I can love

0:42:35.640 --> 0:42:38.200
<v Speaker 1>a man, I know that, Like I can have like

0:42:38.239 --> 0:42:40.279
<v Speaker 1>a great relationship with a man and still be a

0:42:40.320 --> 0:42:43.680
<v Speaker 1>Miss Andres like I am. In fact that's important. But

0:42:44.520 --> 0:42:48.759
<v Speaker 1>a misogynist could not love me. I mean, misogynist can

0:42:48.960 --> 0:42:54.879
<v Speaker 1>love me for many reasons. Um, but it's it's just

0:42:55.640 --> 0:42:57.279
<v Speaker 1>it's just not the same, you know. It's the same

0:42:57.280 --> 0:43:01.759
<v Speaker 1>way that like feminism and men's right are never going

0:43:01.800 --> 0:43:05.560
<v Speaker 1>to be the same thing. Sure, right, right, But imagine

0:43:05.600 --> 0:43:09.560
<v Speaker 1>if we could experience Miss Sandry and a vacuum. Imagine

0:43:09.719 --> 0:43:13.720
<v Speaker 1>if we could really just like put men in their place.

0:43:15.880 --> 0:43:19.759
<v Speaker 1>It is the ultimate fantasy. As a funny, Um, I

0:43:19.760 --> 0:43:22.120
<v Speaker 1>feel like there could be like a very bad college

0:43:22.120 --> 0:43:25.319
<v Speaker 1>production of a play that that's the premise, Like a

0:43:25.440 --> 0:43:31.760
<v Speaker 1>world where miss injury is real and the consequences are severe.

0:43:33.120 --> 0:43:37.839
<v Speaker 1>Take me, take me to Miss Andry Island. I mean

0:43:38.160 --> 0:43:42.919
<v Speaker 1>that could be a place in Greece like that. Let's

0:43:42.960 --> 0:43:48.359
<v Speaker 1>let's get the Sappho hologram pop in and just just

0:43:48.719 --> 0:43:52.720
<v Speaker 1>chain up some men, preferably white, just you know, because

0:43:53.880 --> 0:43:58.600
<v Speaker 1>like gone out of like a preference. Just you know,

0:43:57.200 --> 0:44:01.400
<v Speaker 1>it's an optics issue. First thing, they don't have to

0:44:01.680 --> 0:44:03.640
<v Speaker 1>they don't have to be Greek because George is in

0:44:03.640 --> 0:44:07.920
<v Speaker 1>this conversation. But but since we are talking about Greece,

0:44:08.000 --> 0:44:10.920
<v Speaker 1>you know, we do have some linguistic roots here. I mean,

0:44:10.920 --> 0:44:15.120
<v Speaker 1>it's literally hatred of men, miss and Miss andrew I

0:44:15.160 --> 0:44:17.640
<v Speaker 1>want to say, Okay, first of all, I love that

0:44:17.719 --> 0:44:20.640
<v Speaker 1>this topic um doubles. That's sort of a docks thing

0:44:20.680 --> 0:44:25.640
<v Speaker 1>of this man um too. I I still am trying

0:44:25.640 --> 0:44:27.839
<v Speaker 1>to like put myself in the mindset of this person

0:44:27.920 --> 0:44:31.760
<v Speaker 1>that's talking this email, and it's really I can't imagine

0:44:31.760 --> 0:44:34.640
<v Speaker 1>being offended at the word dude and thinking that's like

0:44:34.680 --> 0:44:39.080
<v Speaker 1>a bad word, and it really makes me confused on

0:44:39.200 --> 0:44:43.279
<v Speaker 1>the mental state of this person. And if how you

0:44:43.280 --> 0:44:45.680
<v Speaker 1>could come to this conclusion, well, if I could, if

0:44:45.719 --> 0:44:48.120
<v Speaker 1>I could try to psychoanalyze a little bit. To me,

0:44:48.480 --> 0:44:54.720
<v Speaker 1>there is this kind of Internet lingo that is lightly

0:44:55.080 --> 0:44:59.240
<v Speaker 1>and almost semi ironically, Miss Andrews, And it's like calling

0:44:59.280 --> 0:45:03.960
<v Speaker 1>someone to do brow kind of saying things like this

0:45:04.080 --> 0:45:08.120
<v Speaker 1>kind of mean like, uh, internet language of being a

0:45:08.120 --> 0:45:12.279
<v Speaker 1>woman is a nightmare like men should all die like,

0:45:13.120 --> 0:45:16.000
<v Speaker 1>which is kind of like it is. It is a

0:45:16.040 --> 0:45:18.960
<v Speaker 1>way that people on the Internet speak that is of

0:45:19.000 --> 0:45:24.040
<v Speaker 1>course rooted in reality, like it is rooted in you know,

0:45:24.160 --> 0:45:28.680
<v Speaker 1>finding humorous ways to talk about like sexism and systemic

0:45:29.280 --> 0:45:32.440
<v Speaker 1>um inequalities and things like that. But then if you're

0:45:32.480 --> 0:45:35.200
<v Speaker 1>looking at that with no context and you're seeing someone

0:45:35.280 --> 0:45:38.880
<v Speaker 1>constantly making fun of men. Let's say, then in your mind,

0:45:39.120 --> 0:45:42.279
<v Speaker 1>not appreciating the context that this is all happening, only

0:45:42.320 --> 0:45:44.759
<v Speaker 1>looking at it be a horse blinders. You're like, oh,

0:45:45.040 --> 0:45:49.840
<v Speaker 1>oh no, there's a growing movement against men in this scenario.

0:45:50.040 --> 0:45:51.799
<v Speaker 1>Like when you say, the person who's looking at this

0:45:51.840 --> 0:45:53.920
<v Speaker 1>with no context, like that's only going to be a

0:45:53.920 --> 0:46:03.400
<v Speaker 1>straight man. Um, what's interesting is like it's not actually

0:46:03.480 --> 0:46:08.480
<v Speaker 1>no context. It's just that the context is his own subjectivity. Yeah, yeah,

0:46:08.520 --> 0:46:13.400
<v Speaker 1>And I mean it's it's also you're just always waiting

0:46:13.800 --> 0:46:16.640
<v Speaker 1>for this chance to like feel like somebody is like

0:46:16.719 --> 0:46:22.319
<v Speaker 1>talking about you, like like they they really haven't had

0:46:22.360 --> 0:46:25.120
<v Speaker 1>the spotlight in a while. And I think that for

0:46:25.160 --> 0:46:28.120
<v Speaker 1>it to be such a mundane thing, like this guy

0:46:28.200 --> 0:46:31.560
<v Speaker 1>just felt so comfortable checking me, you know, as though

0:46:31.800 --> 0:46:34.560
<v Speaker 1>he probably just he saw himself as like one of

0:46:34.560 --> 0:46:37.680
<v Speaker 1>those guys in the bar seat drinking an avocado cocktail

0:46:37.719 --> 0:46:41.920
<v Speaker 1>they didn't like, and oh my god. But then okay,

0:46:41.920 --> 0:46:44.160
<v Speaker 1>so then like it was three guys right, and then

0:46:44.239 --> 0:46:46.800
<v Speaker 1>one of them left, and then there were two guys left,

0:46:47.160 --> 0:46:50.440
<v Speaker 1>and the main one was just talking about his relationships.

0:46:50.800 --> 0:46:53.640
<v Speaker 1>And I swear to god, I have learned more from

0:46:53.680 --> 0:46:57.319
<v Speaker 1>just like listening to like rich men at bars on

0:46:57.400 --> 0:47:00.440
<v Speaker 1>this job that I haven't in all my time dating?

0:47:01.120 --> 0:47:04.000
<v Speaker 1>Was it two men talking to each other, yes, yes,

0:47:04.040 --> 0:47:06.000
<v Speaker 1>about light and then this guy is just like talking

0:47:06.000 --> 0:47:08.760
<v Speaker 1>about like how like you know, he like he knew

0:47:08.880 --> 0:47:11.120
<v Speaker 1>that he was being shitty to this girl, but he

0:47:11.239 --> 0:47:12.920
<v Speaker 1>still like let all these such and it's just like

0:47:13.400 --> 0:47:17.719
<v Speaker 1>it's it's everything you think they're thinking, you know, and

0:47:17.760 --> 0:47:20.359
<v Speaker 1>it's just like they're just as bad as you think

0:47:20.400 --> 0:47:25.239
<v Speaker 1>they are, you know. It's just like there's no there

0:47:25.360 --> 0:47:28.560
<v Speaker 1>is nothing more jarring than listening to two men talk

0:47:28.640 --> 0:47:31.839
<v Speaker 1>about dating it and it is exactly what you're saying,

0:47:31.840 --> 0:47:34.880
<v Speaker 1>where you're like, I thought we left this behind, Like

0:47:34.920 --> 0:47:38.000
<v Speaker 1>I thought we all kind of evolved together. And then

0:47:38.239 --> 0:47:41.000
<v Speaker 1>it's either I mean sometimes it is openly offensive like

0:47:41.040 --> 0:47:44.080
<v Speaker 1>you're saying, and then other times it's not offensive. It's

0:47:44.120 --> 0:47:49.080
<v Speaker 1>just like so belligerently simple minded, where you're like, oh no,

0:47:49.719 --> 0:47:53.520
<v Speaker 1>did you like have you kind of given any thought

0:47:53.600 --> 0:47:56.960
<v Speaker 1>to how other people's minds work? I mean this also

0:47:57.160 --> 0:48:00.000
<v Speaker 1>is like you see this in comedy as well, where

0:48:00.120 --> 0:48:02.879
<v Speaker 1>when you do like a club show, I did, I

0:48:02.920 --> 0:48:06.200
<v Speaker 1>did I performed at a comedy club last night, and

0:48:06.520 --> 0:48:09.279
<v Speaker 1>you think we've all grown together and we don't do

0:48:09.320 --> 0:48:12.319
<v Speaker 1>this these jokes. And there's multiple men going up and

0:48:12.360 --> 0:48:15.320
<v Speaker 1>being like, you know this girl I'm dating, she's a bitch,

0:48:15.600 --> 0:48:19.239
<v Speaker 1>like and it's like, whoa, whoa, you need to chill.

0:48:20.120 --> 0:48:23.080
<v Speaker 1>This is crazy, and you're saying it on stage. It's

0:48:23.080 --> 0:48:25.120
<v Speaker 1>one thing to say it as an asshole to your

0:48:25.120 --> 0:48:28.120
<v Speaker 1>asshole friend, but to be proud of it and think

0:48:28.160 --> 0:48:32.240
<v Speaker 1>it's worth shouting from the rooftops. It's um, it's crazy

0:48:32.320 --> 0:48:36.440
<v Speaker 1>to see that not not everybody has moved on. Yeah,

0:48:36.640 --> 0:48:39.480
<v Speaker 1>I mean I really feel like we're doing some like

0:48:39.560 --> 0:48:44.800
<v Speaker 1>antique Joe Rogan work right now. Sure, well especially you,

0:48:44.800 --> 0:48:51.839
<v Speaker 1>you know, leaning into the di slur dude because Diesler, Sorry,

0:48:51.840 --> 0:48:57.880
<v Speaker 1>I lost my tra thoughts. So Georgia, no, it is.

0:48:58.080 --> 0:49:01.120
<v Speaker 1>It is all about us lifting one another up because

0:49:01.280 --> 0:49:05.600
<v Speaker 1>it is a difficult night for brain capacity for me. Like,

0:49:07.840 --> 0:49:11.520
<v Speaker 1>so I want to get into like miss andres a

0:49:11.600 --> 0:49:15.600
<v Speaker 1>straight topic, Like are you are you basically saying that

0:49:15.640 --> 0:49:18.240
<v Speaker 1>like miss Andre can't exist? Then it is a figment

0:49:18.280 --> 0:49:21.719
<v Speaker 1>of the straight male man's imagination. Well, I think that

0:49:21.800 --> 0:49:23.759
<v Speaker 1>you kind of started to scratch at it a little

0:49:23.800 --> 0:49:26.560
<v Speaker 1>bit earlier when you were saying, when you were talking about,

0:49:26.600 --> 0:49:30.400
<v Speaker 1>you know, the sort of contemporary sort of general Miss Anderson,

0:49:30.480 --> 0:49:32.839
<v Speaker 1>of a lot of content on the Internet where it's

0:49:32.840 --> 0:49:37.800
<v Speaker 1>just like ha ha, male genocide. But like it's almost like, yeah,

0:49:38.080 --> 0:49:42.680
<v Speaker 1>like Miss Andrey is a joke, no matter what, basically,

0:49:42.840 --> 0:49:45.480
<v Speaker 1>no matter what, Like I could literally tweet ha ha

0:49:45.640 --> 0:49:51.759
<v Speaker 1>male genocide right now. That's so that that is exactly

0:49:51.880 --> 0:49:56.040
<v Speaker 1>it is. Like when you see something that is like sexist,

0:49:57.040 --> 0:49:59.760
<v Speaker 1>there can be some argument about whether it is earnest

0:49:59.880 --> 0:50:03.000
<v Speaker 1>or ironic. But when you see something that's misendest, what's

0:50:03.000 --> 0:50:05.480
<v Speaker 1>so frustrating is that it could never actually have any

0:50:05.520 --> 0:50:08.239
<v Speaker 1>power because it is inherently a joke because there is

0:50:08.280 --> 0:50:11.040
<v Speaker 1>no way to actually use it to harm anyone. I

0:50:11.080 --> 0:50:14.399
<v Speaker 1>wish somebody could show me a situation of it working, right,

0:50:15.200 --> 0:50:18.120
<v Speaker 1>I guess that woman that like bit that guy's dick off.

0:50:19.239 --> 0:50:23.480
<v Speaker 1>Oh sure, there's a couple of dick dick cutting off tails. Yes,

0:50:23.560 --> 0:50:26.279
<v Speaker 1>but like she had to do so much labor, that's right,

0:50:26.400 --> 0:50:29.400
<v Speaker 1>and it was ultimately not to get too much into it,

0:50:29.400 --> 0:50:31.799
<v Speaker 1>but it wasn't like she set out to do that,

0:50:31.840 --> 0:50:35.799
<v Speaker 1>like it was, I mean, it was in response, like

0:50:35.880 --> 0:50:38.640
<v Speaker 1>who is a woman that is going out and biting

0:50:38.800 --> 0:50:42.160
<v Speaker 1>the dicks off of innocent men. That would be Miss Andrey.

0:50:42.360 --> 0:50:45.560
<v Speaker 1>Like what I want to see. What I want to

0:50:45.560 --> 0:50:51.280
<v Speaker 1>see is like on the next Surprise Beyonce record, I

0:50:51.320 --> 0:50:54.000
<v Speaker 1>want to you know, in the same way that we

0:50:54.080 --> 0:50:58.319
<v Speaker 1>had like the feminism voiceover on Flawless, Like I want

0:50:58.320 --> 0:51:02.680
<v Speaker 1>to be reciting the definition of Miss Andrey on a

0:51:02.760 --> 0:51:12.120
<v Speaker 1>Beyonce song miss Andrews person who yeah, fights for the

0:51:12.200 --> 0:51:18.040
<v Speaker 1>subjugation of men. That would be really that would actually

0:51:18.080 --> 0:51:20.560
<v Speaker 1>be a pretty big if Beyonce came out as a

0:51:20.600 --> 0:51:24.360
<v Speaker 1>proponent of Miss Andrey and you yourself wrote a spoken

0:51:24.400 --> 0:51:29.400
<v Speaker 1>word poem in her latest Surprise release. I think then

0:51:29.480 --> 0:51:31.719
<v Speaker 1>we could start to talk about, you know, the sort

0:51:31.760 --> 0:51:36.080
<v Speaker 1>of equity between miss Andrey and misogyny. But right now, unfortunately,

0:51:36.440 --> 0:51:41.960
<v Speaker 1>Miss Andrey is like a trend on TikTok and and

0:51:42.280 --> 0:51:46.799
<v Speaker 1>a joke. Yeah yeah, um. I'm also thinking about miss

0:51:46.840 --> 0:51:49.759
<v Speaker 1>andre Is, Like, um, it's kind of funny to bring

0:51:49.840 --> 0:51:51.919
<v Speaker 1>up as a straight topic because I feel like, dare

0:51:51.960 --> 0:51:55.439
<v Speaker 1>I say, like the nineties, that would be like, that's

0:51:55.480 --> 0:51:59.160
<v Speaker 1>like the lesbian stereotype total is like lesbians are miss

0:51:59.160 --> 0:52:03.640
<v Speaker 1>Interests and hey, you're just a man hating lesbian. Um,

0:52:03.680 --> 0:52:08.839
<v Speaker 1>but I do think it's been reclaimed. Well, you know,

0:52:09.840 --> 0:52:18.200
<v Speaker 1>as uh Elive Icell said, the opposite hate is indifference. Yes,

0:52:18.280 --> 0:52:21.880
<v Speaker 1>that's right, right, But like, in order to like really

0:52:22.400 --> 0:52:27.400
<v Speaker 1>hate men, you have to love them. That I've always

0:52:27.400 --> 0:52:30.319
<v Speaker 1>thought that more as a lady sovereign in mindset love

0:52:30.400 --> 0:52:35.080
<v Speaker 1>me or hate me a slow obsession. Well, okay, so

0:52:35.600 --> 0:52:39.920
<v Speaker 1>you're God damn it, You're it's like truly dense with

0:52:40.800 --> 0:52:45.319
<v Speaker 1>theoretical heft um. So you're saying that in this in

0:52:45.360 --> 0:52:48.120
<v Speaker 1>this equation, it's like lesbians are indifferent to men, but

0:52:48.239 --> 0:52:51.040
<v Speaker 1>only straight women can be truly miss andres because their

0:52:51.120 --> 0:52:55.040
<v Speaker 1>hatred propels them towards men. Well, their love propels them

0:52:55.040 --> 0:52:58.320
<v Speaker 1>toward hatreds because like in the process of trying to

0:52:58.360 --> 0:53:05.600
<v Speaker 1>love a man, you will hate, yeah, and all of them. Currently,

0:53:05.600 --> 0:53:08.720
<v Speaker 1>I'm just in I'm not in the process of loving

0:53:08.719 --> 0:53:11.800
<v Speaker 1>a man. I I cannot remember what that's like. So

0:53:12.120 --> 0:53:14.840
<v Speaker 1>right now, I just you know, I'm just in the

0:53:14.880 --> 0:53:20.239
<v Speaker 1>process of learning to hate all men. Wow, I guess.

0:53:20.400 --> 0:53:23.480
<v Speaker 1>But it's funny. It's funny. It's funny, you know, it's funny.

0:53:23.600 --> 0:53:32.239
<v Speaker 1>It's so funny. Hilarious. Okay, she's a comedian. Um, I

0:53:32.280 --> 0:53:35.759
<v Speaker 1>guess I'm almost curious, like George, what's your personal experience

0:53:35.760 --> 0:53:41.319
<v Speaker 1>with hating men? Like I guess, like, what, what's the

0:53:41.400 --> 0:53:44.439
<v Speaker 1>perspective that's missing? Is like gay men? How do we feel?

0:53:44.719 --> 0:53:48.640
<v Speaker 1>Of course that is absolutely always the perspective that's missing. Well,

0:53:48.719 --> 0:53:50.719
<v Speaker 1>right now we've talked about the straight when we talking

0:53:50.760 --> 0:53:53.000
<v Speaker 1>to the lesbian, we haven't talked about and we are

0:53:53.040 --> 0:53:54.480
<v Speaker 1>too gay men, we can kind of speak on it.

0:53:54.600 --> 0:53:57.080
<v Speaker 1>I think it's important to bring up well, I just

0:53:57.200 --> 0:54:00.360
<v Speaker 1>I mean what Damny is describing of overhearing two straight

0:54:00.400 --> 0:54:03.799
<v Speaker 1>men speaking about speaking in general, but also speaking about

0:54:03.800 --> 0:54:07.920
<v Speaker 1>a woman. It really is one of the most um,

0:54:07.960 --> 0:54:13.239
<v Speaker 1>emotionally impactful experiences one can have. It feels like, um,

0:54:13.280 --> 0:54:14.680
<v Speaker 1>you know, you can't really say anything. What are you

0:54:14.719 --> 0:54:16.520
<v Speaker 1>gonna do go up to them and be like stop it,

0:54:16.640 --> 0:54:19.400
<v Speaker 1>you gross men? Like you can't do that. So you

0:54:19.480 --> 0:54:21.719
<v Speaker 1>kind of feel like, you know, Neo in the part

0:54:21.760 --> 0:54:24.399
<v Speaker 1>of the Matrix where his mouth is he can't open

0:54:24.480 --> 0:54:27.759
<v Speaker 1>his mouth, but he wants so badly to screen. Yeah,

0:54:27.920 --> 0:54:30.600
<v Speaker 1>and I would say, there is no you know, It's

0:54:30.640 --> 0:54:32.719
<v Speaker 1>funny because last episode we talked about how much we

0:54:32.800 --> 0:54:35.000
<v Speaker 1>loved hanging out with straight men, and of course this

0:54:35.080 --> 0:54:38.160
<v Speaker 1>is unfortunately the other side of that, where there is

0:54:38.280 --> 0:54:42.480
<v Speaker 1>no I love hanging out with straight men. I could sure.

0:54:46.239 --> 0:54:49.160
<v Speaker 1>That's the difference between like an individual and a community.

0:54:49.239 --> 0:54:52.440
<v Speaker 1>When you listen to two anonymous straight men talk, you

0:54:52.520 --> 0:54:56.080
<v Speaker 1>are reminded of all the ills of them as a community,

0:54:56.360 --> 0:54:58.200
<v Speaker 1>Whereas when you talk to someone one on one that

0:54:58.280 --> 0:55:00.319
<v Speaker 1>you are friends with or that you have I'm kind

0:55:00.320 --> 0:55:03.440
<v Speaker 1>of affection for, you're not thinking of them as a man.

0:55:03.520 --> 0:55:07.120
<v Speaker 1>You're thinking of them as an individual. Honestly, I'm thinking

0:55:07.120 --> 0:55:11.960
<v Speaker 1>of them as a projection of my best interests usually, right, Well,

0:55:12.320 --> 0:55:15.480
<v Speaker 1>the blankness of straight men can be used both ways, because, like,

0:55:15.520 --> 0:55:18.080
<v Speaker 1>on the one hand, it's it's an evil blankness. On

0:55:18.120 --> 0:55:19.960
<v Speaker 1>the other hand, it's a productive blankness because you can

0:55:20.000 --> 0:55:23.759
<v Speaker 1>project whatever you want onto it. This is why I

0:55:23.840 --> 0:55:27.160
<v Speaker 1>think the only safe kind of guy to pursue is

0:55:27.200 --> 0:55:31.640
<v Speaker 1>just a really really hot one like I and and

0:55:31.719 --> 0:55:35.760
<v Speaker 1>I think this is part of like, like why miss

0:55:35.840 --> 0:55:41.200
<v Speaker 1>andry is the foundation of feminism, because like I'm trying

0:55:41.200 --> 0:55:43.719
<v Speaker 1>to date out of my league, you know, like I

0:55:44.080 --> 0:55:46.600
<v Speaker 1>like I'm trying to just like date a guy who

0:55:46.600 --> 0:55:49.920
<v Speaker 1>like doesn't have thoughts, you know, like just like just

0:55:50.000 --> 0:55:54.239
<v Speaker 1>give me, just give me body, give me, like a

0:55:54.280 --> 0:55:59.040
<v Speaker 1>glass of water at my bedside, like like like do

0:55:59.280 --> 0:56:02.480
<v Speaker 1>some chores for me, like you know, just like just

0:56:02.600 --> 0:56:05.440
<v Speaker 1>please be a guy and like a body and just

0:56:05.520 --> 0:56:08.200
<v Speaker 1>not don't try to speak. They'll try to be a mind.

0:56:08.760 --> 0:56:15.719
<v Speaker 1>It's interesting because you're in this way objectifying men in fact, mm,

0:56:17.000 --> 0:56:19.840
<v Speaker 1>which I guess is the only power I do. It

0:56:19.960 --> 0:56:23.040
<v Speaker 1>is interesting objectifying men is the one thing that's still

0:56:23.120 --> 0:56:28.040
<v Speaker 1>legal to do. Look, you know, I um, I don't know.

0:56:28.800 --> 0:56:31.600
<v Speaker 1>We I don't know if we ever really claimed it

0:56:31.680 --> 0:56:33.920
<v Speaker 1>in in a good way, but I think that we

0:56:33.920 --> 0:56:36.280
<v Speaker 1>should just go back to trying to do that because

0:56:36.360 --> 0:56:42.680
<v Speaker 1>like guys with graduate degrees who are covering up their

0:56:42.719 --> 0:56:46.840
<v Speaker 1>inherited wealth are not it, Like they really really aren't.

0:56:47.239 --> 0:56:53.840
<v Speaker 1>Conversations with men who think that they're smart, like imagine

0:56:53.880 --> 0:56:57.880
<v Speaker 1>talking to Elon Musk and this is like peak for

0:56:57.920 --> 0:57:00.319
<v Speaker 1>a lot of people. Like this is like Matt saying

0:57:00.400 --> 0:57:04.440
<v Speaker 1>out the female heterosexual card for like as far as

0:57:04.480 --> 0:57:07.719
<v Speaker 1>the game is played, yeah, do you feel like there

0:57:07.800 --> 0:57:11.239
<v Speaker 1>it's this um, this ideal of an intelligent straight man

0:57:11.440 --> 0:57:13.960
<v Speaker 1>is is kind of the assom tote that can never

0:57:14.000 --> 0:57:18.800
<v Speaker 1>be reached. Well, the thing is like analyze the quote

0:57:18.840 --> 0:57:25.040
<v Speaker 1>unquote like intelligent straight man and he's he goes he

0:57:25.120 --> 0:57:28.000
<v Speaker 1>knows what he is on the market, like if he

0:57:28.120 --> 0:57:30.320
<v Speaker 1>if he has any intelligence at all, and he's just

0:57:30.400 --> 0:57:33.520
<v Speaker 1>playing it for like the same like dumb rocks as

0:57:33.560 --> 0:57:40.400
<v Speaker 1>any other guy. So women should just play the same way. Wow. Yeah,

0:57:40.440 --> 0:57:45.400
<v Speaker 1>well I'm glad I got a kicker on that. I mean,

0:57:45.600 --> 0:57:48.040
<v Speaker 1>in many ways, in many ways, what you are looking

0:57:48.120 --> 0:57:53.360
<v Speaker 1>for is Colton before he came out. M the slab

0:57:53.400 --> 0:58:00.040
<v Speaker 1>of me. No thoughts, no thoughts, vibes I have I

0:58:00.080 --> 0:58:06.680
<v Speaker 1>have tweeted often about wanting to be the next Bachelorette ABC.

0:58:06.880 --> 0:58:10.000
<v Speaker 1>I know you. I know you listen ABC Exacts. I

0:58:10.000 --> 0:58:13.040
<v Speaker 1>know you're listening to this episode, so you know hear

0:58:13.120 --> 0:58:19.320
<v Speaker 1>me out. I think you would get some viewers. The

0:58:19.360 --> 0:58:22.439
<v Speaker 1>franchise would really go out with the baby. New York

0:58:22.520 --> 0:58:27.560
<v Speaker 1>media would light up. Would be a great last season

0:58:27.680 --> 0:58:30.600
<v Speaker 1>of the Bachelotte because, in fact, end the ratings would

0:58:30.600 --> 0:58:35.360
<v Speaker 1>be so interesting that they would end it. But Sam,

0:58:35.400 --> 0:58:39.200
<v Speaker 1>where do you stand on all of this? I'm seeing

0:58:39.280 --> 0:58:42.520
<v Speaker 1>so much happening on your what do you mean? Well, no, no,

0:58:42.720 --> 0:58:48.080
<v Speaker 1>I'm more I'm now it's no, I'm being a George,

0:58:48.200 --> 0:58:51.040
<v Speaker 1>I would say, And I'm very self conscious of like

0:58:52.160 --> 0:58:56.080
<v Speaker 1>how I'm coming off in this episode today, Like I

0:58:56.080 --> 0:58:59.920
<v Speaker 1>feel like I'm well sure, but well, I mean you're

0:59:00.000 --> 0:59:04.120
<v Speaker 1>goin to the fact that it is Maybe maybe it's

0:59:04.160 --> 0:59:07.240
<v Speaker 1>that we are both implicated in this narrative about men.

0:59:08.800 --> 0:59:11.439
<v Speaker 1>Maybe maybe this is what we're struggling with. Is like

0:59:11.840 --> 0:59:15.520
<v Speaker 1>not as much as Colton, absolutely, but we can only

0:59:15.520 --> 0:59:18.920
<v Speaker 1>relate so much because it's like who knows what someone

0:59:19.000 --> 0:59:22.480
<v Speaker 1>thinks when they hear us talking as strangers in a bar.

0:59:22.560 --> 0:59:24.400
<v Speaker 1>I mean, we're not talking about women, but we are

0:59:24.440 --> 0:59:26.960
<v Speaker 1>potentially talking about things that make us sound very stupid.

0:59:27.280 --> 0:59:29.600
<v Speaker 1>Straight men. We are kind of on the sidelines with

0:59:29.920 --> 0:59:33.200
<v Speaker 1>you know, like we interact with them, but in like

0:59:33.240 --> 0:59:37.080
<v Speaker 1>a polite like hello. Like it's never like we're not

0:59:37.080 --> 0:59:41.720
<v Speaker 1>going to be in love with one unless they're friend yeah,

0:59:41.960 --> 0:59:46.960
<v Speaker 1>and they're down to have sex or whatever. But we're

0:59:47.000 --> 0:59:51.080
<v Speaker 1>always sort of on the sidelines. And and it's so

0:59:51.320 --> 0:59:54.520
<v Speaker 1>I guess maybe it's hard to not have like a

0:59:54.560 --> 0:59:57.880
<v Speaker 1>personal like yeah, funck. Then like I can't think of

0:59:58.480 --> 1:00:00.720
<v Speaker 1>a way in well, we have kind of the simplest

1:00:00.760 --> 1:00:06.440
<v Speaker 1>relationship to straight men because you know, like when you're out,

1:00:06.800 --> 1:00:11.920
<v Speaker 1>but like historically gay men have been like propagating the

1:00:12.040 --> 1:00:15.840
<v Speaker 1>same you know, patriarchy as ever. Like I mean, it's

1:00:15.880 --> 1:00:22.120
<v Speaker 1>it's you know, homosexuality has been an incredible part of civilization,

1:00:22.720 --> 1:00:27.800
<v Speaker 1>just really really really defining and important to all of

1:00:27.840 --> 1:00:30.320
<v Speaker 1>the things that have ruined my life. It is true

1:00:30.360 --> 1:00:34.200
<v Speaker 1>when you think about how much homosexuality has been instrumental

1:00:34.240 --> 1:00:37.840
<v Speaker 1>in creating literally the power dynamics that we are currently

1:00:38.120 --> 1:00:43.120
<v Speaker 1>allegedly trying to um collapse, you're like, wait a minute,

1:00:45.240 --> 1:00:47.680
<v Speaker 1>maybe we're not as different as we think. No, I

1:00:47.720 --> 1:00:52.760
<v Speaker 1>think that's that's a very good point. And wow, I

1:00:52.760 --> 1:00:54.560
<v Speaker 1>mean who has been there every step of the way,

1:00:54.600 --> 1:00:57.800
<v Speaker 1>decorating all the offices. You know what gay men are

1:00:58.520 --> 1:01:02.480
<v Speaker 1>like two straight men's journey. It's sort of the okay,

1:01:02.600 --> 1:01:05.680
<v Speaker 1>now this is me getting canceled. Um, you know, I'm

1:01:05.680 --> 1:01:08.439
<v Speaker 1>talking about like the evil of the white moderate. That's

1:01:08.440 --> 1:01:10.760
<v Speaker 1>like gay men who are like just like chill with

1:01:10.880 --> 1:01:15.640
<v Speaker 1>straight guys. Like it's just sort of like, yeah, well

1:01:15.640 --> 1:01:18.000
<v Speaker 1>we're not doing the bad thing. But and it's it

1:01:18.080 --> 1:01:20.760
<v Speaker 1>sucks that they are, like we just sort of like

1:01:20.800 --> 1:01:22.760
<v Speaker 1>go along for the ruck, right, and we can enter

1:01:22.920 --> 1:01:25.640
<v Speaker 1>in and out of those spaces as we see fit. Sure,

1:01:25.680 --> 1:01:28.640
<v Speaker 1>I can deepen my voice to go into the boardroom. Yeah,

1:01:28.720 --> 1:01:31.880
<v Speaker 1>and I'll make that salary. Sure, why not. And I'll

1:01:31.920 --> 1:01:34.960
<v Speaker 1>get the mail salary because I'm a man. But oh,

1:01:35.040 --> 1:01:37.680
<v Speaker 1>I don't think it's good what they do. No, No,

1:01:37.720 --> 1:01:41.360
<v Speaker 1>I would never watch the super Bowl. How tacky? Yeah

1:01:41.520 --> 1:01:48.960
<v Speaker 1>we have Yeah, so there you go. Of course, budda

1:01:49.000 --> 1:01:51.640
<v Speaker 1>judge made the mistake of trying to then ascend to

1:01:51.680 --> 1:01:55.480
<v Speaker 1>a higher role. But he didn't understand his position. No,

1:01:56.320 --> 1:02:01.240
<v Speaker 1>he can only be Secretary of Transportation. He's which is

1:02:01.240 --> 1:02:07.320
<v Speaker 1>so sad. He's the cabooze. He's the cabo Do you

1:02:07.400 --> 1:02:09.600
<v Speaker 1>think he should have been maybe more of like a

1:02:09.680 --> 1:02:13.120
<v Speaker 1>Coulton and sort of not come out until after he

1:02:13.400 --> 1:02:18.040
<v Speaker 1>was president. I think you pushed the Coulton card as much. Yeah,

1:02:18.320 --> 1:02:21.280
<v Speaker 1>I mean he came out when he was like thirty six. Yeah,

1:02:21.360 --> 1:02:25.920
<v Speaker 1>but like, okay, even he came out after Mackenzie totally,

1:02:26.040 --> 1:02:29.160
<v Speaker 1>I think. But you're allowed to be a gay consultant, right,

1:02:29.480 --> 1:02:34.640
<v Speaker 1>well in some cultures. No, and that's such a huge problem.

1:02:34.680 --> 1:02:41.240
<v Speaker 1>It would be so funny McKenzie, especially like companies like

1:02:41.320 --> 1:02:44.920
<v Speaker 1>that love having all of them have like a sticker

1:02:45.040 --> 1:02:49.120
<v Speaker 1>on their brochures and it's like rated one on LGBTQ

1:02:49.320 --> 1:02:53.520
<v Speaker 1>Friendly by Goldman by you know, out magazine and Goldman

1:02:53.600 --> 1:02:59.560
<v Speaker 1>sacks well, and that's why their sponsors of this podcast. Yeah,

1:02:59.560 --> 1:03:02.960
<v Speaker 1>he out the Golden sas thank you for Meanwhile, we

1:03:02.960 --> 1:03:07.880
<v Speaker 1>were rated in terms of our gay friendliness. I want

1:03:07.880 --> 1:03:10.480
<v Speaker 1>to thank Goldman for producing all of the bankers that

1:03:10.560 --> 1:03:13.800
<v Speaker 1>I can make fun of. That's right, m h. It

1:03:13.920 --> 1:03:16.440
<v Speaker 1>does make you think though, I mean, it's kind of

1:03:16.480 --> 1:03:18.400
<v Speaker 1>like what you were talking about before, like what would

1:03:18.440 --> 1:03:21.480
<v Speaker 1>the world look like if miss Andry could exist. It's like,

1:03:21.480 --> 1:03:23.720
<v Speaker 1>what would the world look like if those bankers didn't exist?

1:03:23.760 --> 1:03:27.360
<v Speaker 1>It would be unrecognizable? Would I get that money? I mean?

1:03:27.400 --> 1:03:31.480
<v Speaker 1>The thing about the the reason why it's not just

1:03:31.640 --> 1:03:36.280
<v Speaker 1>okay but important to make fun of finance guys in

1:03:36.320 --> 1:03:41.400
<v Speaker 1>New York and every major financial center, uh City Center

1:03:41.480 --> 1:03:45.800
<v Speaker 1>or whatever, is because they like they have too much

1:03:45.840 --> 1:03:51.520
<v Speaker 1>money for no fucking reason, you know, like many of

1:03:51.640 --> 1:03:55.880
<v Speaker 1>us living in poverty have. I mean, I guess I'm

1:03:55.920 --> 1:03:58.040
<v Speaker 1>not like, please, I'm not living in poverty now, but

1:03:58.320 --> 1:04:03.240
<v Speaker 1>two months ago I might have been there. Um, but

1:04:03.800 --> 1:04:07.880
<v Speaker 1>we were smarter than them. Uh, but we just like

1:04:08.040 --> 1:04:11.840
<v Speaker 1>aren't as you know, morally bankrupt or you know, boring,

1:04:12.440 --> 1:04:16.240
<v Speaker 1>and and they just you know, get to like live

1:04:16.280 --> 1:04:19.520
<v Speaker 1>their little lives like just you know, dating models and

1:04:19.560 --> 1:04:22.920
<v Speaker 1>feeling good about themselves for no reason. And as a

1:04:23.000 --> 1:04:26.480
<v Speaker 1>culture that really needs to be tamped down, maybe like

1:04:26.560 --> 1:04:32.040
<v Speaker 1>they are just the the the you know, core of

1:04:33.120 --> 1:04:36.000
<v Speaker 1>everything that's wrong with men right now. Maybe there's a

1:04:36.040 --> 1:04:40.160
<v Speaker 1>way to weaponize the models. Huh. I mean I don't

1:04:40.160 --> 1:04:44.720
<v Speaker 1>think so. I don't think so. I you know, people pretend,

1:04:45.160 --> 1:04:47.200
<v Speaker 1>people pretend, and you know, and then like you know,

1:04:47.240 --> 1:04:49.080
<v Speaker 1>you try to have like the little like special edition

1:04:49.160 --> 1:04:52.720
<v Speaker 1>magazines like oh, let's talk about all kinds of things

1:04:52.760 --> 1:04:55.240
<v Speaker 1>or whatever, and it's like no, like like as far

1:04:55.320 --> 1:04:58.600
<v Speaker 1>as America goes and like you know, Western culture, I

1:04:58.640 --> 1:05:02.080
<v Speaker 1>think like the as long as the models are starving themselves,

1:05:02.560 --> 1:05:07.800
<v Speaker 1>we're not going to have woke models. Yeah. And I'm

1:05:07.920 --> 1:05:12.320
<v Speaker 1>I'm diner at large. Like I really said that, you know,

1:05:12.600 --> 1:05:15.040
<v Speaker 1>I just want the girls to eat. I just want

1:05:15.080 --> 1:05:22.560
<v Speaker 1>the girls to eat. All. Get behind that. Yeah, tell,

1:05:22.600 --> 1:05:28.480
<v Speaker 1>that's what I am. G truly. It's Yeah, finance rows

1:05:28.520 --> 1:05:30.240
<v Speaker 1>are supposed to be made fun of. It's the trade off.

1:05:30.280 --> 1:05:31.760
<v Speaker 1>They get to be rich, they get a little made

1:05:31.800 --> 1:05:34.280
<v Speaker 1>fun of. That's like how it works. But it's like,

1:05:34.480 --> 1:05:36.800
<v Speaker 1>what what kind of bargain is it when like the

1:05:36.880 --> 1:05:40.720
<v Speaker 1>men who are paying for the dinners are the ones

1:05:40.760 --> 1:05:43.120
<v Speaker 1>who are enforcing the standards that the women don't eat.

1:05:43.640 --> 1:05:52.600
<v Speaker 1>Whoa dammy are you saying Western beauty standards are because

1:05:53.000 --> 1:05:56.240
<v Speaker 1>I'm trying to be a comedian. No, you are absolutely crushing.

1:05:57.000 --> 1:06:02.320
<v Speaker 1>You're unfortunately being a professor, And it's like, like classes, Really,

1:06:02.640 --> 1:06:04.720
<v Speaker 1>I keep forgetting I should speak because I'm like, and

1:06:04.760 --> 1:06:08.960
<v Speaker 1>then what you know, I don't know. I don't. I

1:06:08.960 --> 1:06:12.720
<v Speaker 1>I wasn't ascribing it to their their thrifty nous, their

1:06:12.800 --> 1:06:18.160
<v Speaker 1>their niggardliness if you will, um, but I mean and like,

1:06:18.360 --> 1:06:20.640
<v Speaker 1>I mean, they're still willing to pay for like drinks

1:06:20.640 --> 1:06:23.960
<v Speaker 1>and drugs and apartments and stuff. So it's not it's

1:06:23.960 --> 1:06:27.280
<v Speaker 1>not cheap. It's just you know, about controlling what can

1:06:27.320 --> 1:06:30.560
<v Speaker 1>give them pleasure. Yeah, And that's why I'm such a

1:06:30.600 --> 1:06:34.040
<v Speaker 1>miss Sandra's because I get pleasure from so many things

1:06:34.080 --> 1:06:37.800
<v Speaker 1>other than men, specifically my job, where I get an

1:06:37.840 --> 1:06:40.960
<v Speaker 1>expense account to go to fancy restaurants. So do you

1:06:41.040 --> 1:06:51.480
<v Speaker 1>think all women should have should be diners at large. Yes, okay,

1:06:52.520 --> 1:06:55.320
<v Speaker 1>now this is our platform. Now see now we're now

1:06:55.320 --> 1:07:01.880
<v Speaker 1>we're making moves towards rectifying these kind of social ills,

1:07:00.000 --> 1:07:06.480
<v Speaker 1>and all of the gay diner, the foe dinner is

1:07:06.520 --> 1:07:13.440
<v Speaker 1>at large. You know, the game in imitating me with

1:07:13.640 --> 1:07:18.080
<v Speaker 1>all women. Okay, yes, and then we'll see how the

1:07:18.160 --> 1:07:23.040
<v Speaker 1>straight guys react. Okay, no, no, it's this. I like this.

1:07:23.160 --> 1:07:26.800
<v Speaker 1>So it's every company should have a woman diner at

1:07:26.880 --> 1:07:30.120
<v Speaker 1>large funded by you know, the money is taken out

1:07:30.120 --> 1:07:32.200
<v Speaker 1>of the salaries of these men, and then those diners

1:07:32.240 --> 1:07:36.000
<v Speaker 1>at large making you know, six seven figures are out

1:07:36.040 --> 1:07:42.280
<v Speaker 1>on the streets getting paid to eat well and humiliate

1:07:42.760 --> 1:07:47.479
<v Speaker 1>those men in the pages of major New York publications. Okay,

1:07:47.680 --> 1:07:49.560
<v Speaker 1>I have a plan. I have a plan. Okay, what's

1:07:49.560 --> 1:07:51.720
<v Speaker 1>your plan? Okay, what if we make it just so

1:07:52.280 --> 1:08:00.920
<v Speaker 1>men aren't allowed to buy their own food? So that wow.

1:08:01.400 --> 1:08:04.520
<v Speaker 1>So the way it works is you have to find

1:08:04.640 --> 1:08:07.840
<v Speaker 1>a woman that is it's it's hinge, but taken to

1:08:07.920 --> 1:08:13.480
<v Speaker 1>sort of an extreme dystopian level. Um, we we've been

1:08:13.520 --> 1:08:17.240
<v Speaker 1>needing that, we've really needed that, so it can really

1:08:17.320 --> 1:08:20.160
<v Speaker 1>humble them and really teach them to be kind and

1:08:20.640 --> 1:08:23.840
<v Speaker 1>respectful because if not, they'll starve. But in this case,

1:08:23.920 --> 1:08:28.599
<v Speaker 1>like because we still live in an increase incredibly unbalanced world,

1:08:28.640 --> 1:08:32.479
<v Speaker 1>like the men have to venmo the women ahead of

1:08:32.560 --> 1:08:37.040
<v Speaker 1>time for dinner and then some and then like it's

1:08:37.040 --> 1:08:39.920
<v Speaker 1>still not certain if the women will ghost them. So

1:08:40.080 --> 1:08:44.200
<v Speaker 1>like they might still be at the restaurant waiting to eat,

1:08:44.680 --> 1:08:48.920
<v Speaker 1>waiting to eat for the first time that day, Okay,

1:08:49.120 --> 1:08:53.240
<v Speaker 1>so hungry. They haven't even gotten a bread basket because

1:08:53.840 --> 1:09:02.000
<v Speaker 1>the waitress saw that it was a man sitting alone

1:09:02.120 --> 1:09:04.760
<v Speaker 1>and she was like, nope, nope, I'm not going to

1:09:04.920 --> 1:09:07.280
<v Speaker 1>feed him. I'm not going to feed him. It really

1:09:07.360 --> 1:09:09.880
<v Speaker 1>is such a small, such a small difference, you know,

1:09:10.040 --> 1:09:14.439
<v Speaker 1>such a small tweak because we're not talking about redistributing wealth.

1:09:14.840 --> 1:09:18.960
<v Speaker 1>We're not talking about large scale UH solutions right now,

1:09:19.000 --> 1:09:22.400
<v Speaker 1>Like this is not universal health care. It's just one

1:09:22.439 --> 1:09:28.559
<v Speaker 1>small tweak. Only women can purchase food. I mean, the

1:09:28.600 --> 1:09:32.880
<v Speaker 1>world would change, you know if you want to what

1:09:33.000 --> 1:09:34.880
<v Speaker 1>you can even use it, Like to have you saying,

1:09:34.880 --> 1:09:36.880
<v Speaker 1>you know, you can venmo woman and ask her to

1:09:36.920 --> 1:09:38.639
<v Speaker 1>buy your food, but you're still gonna have to convince

1:09:38.680 --> 1:09:42.160
<v Speaker 1>a woman to feed you. Yeah, And I mean it's

1:09:42.920 --> 1:09:46.600
<v Speaker 1>it's so interesting because like that that actually is how

1:09:46.960 --> 1:09:53.839
<v Speaker 1>the goddess wanted it when you know, when she invented breastfeeding. Oh,

1:09:54.120 --> 1:09:58.120
<v Speaker 1>very interesting. Yeah, you know this is this is how

1:09:58.240 --> 1:10:06.559
<v Speaker 1>nature should be in instead of this, you know, perversion. Right,

1:10:06.680 --> 1:10:10.479
<v Speaker 1>So basically dining culture writ large should be more like

1:10:10.600 --> 1:10:18.960
<v Speaker 1>breastfeeding instead of sucking dick. Wow. I mean I think

1:10:19.000 --> 1:10:21.760
<v Speaker 1>we kind of got I'm there, I really do think

1:10:21.920 --> 1:10:25.639
<v Speaker 1>is I think so too. There's and I'm not seeing

1:10:25.680 --> 1:10:29.840
<v Speaker 1>this as a you know, empty catchphrase. I'm seeing this

1:10:29.920 --> 1:10:31.599
<v Speaker 1>with all my heart. There was a lot to think

1:10:31.640 --> 1:10:37.120
<v Speaker 1>about here. There's a lot to think about. Um. I

1:10:37.160 --> 1:10:38.880
<v Speaker 1>think as we wrap up, I just want to say,

1:10:39.040 --> 1:10:44.599
<v Speaker 1>if we said anything sort of stupid or embarrassing or um,

1:10:44.640 --> 1:10:46.920
<v Speaker 1>something that you disagree with, just keep in mind we

1:10:47.000 --> 1:10:49.559
<v Speaker 1>don't agree with it either, and I don't stand by it.

1:10:49.840 --> 1:10:53.839
<v Speaker 1>And we've already said whenever anyone tells us, whenever anyone

1:10:53.880 --> 1:10:55.840
<v Speaker 1>disagrees with us, we're going to release a notes ap

1:10:55.880 --> 1:11:00.559
<v Speaker 1>apology that just says never mind. H So, with that

1:11:00.560 --> 1:11:03.720
<v Speaker 1>being said, Tammy, did you have something you want to say?

1:11:05.160 --> 1:11:09.559
<v Speaker 1>Any conclusion? Conclusion concluding thoughts about miss Andrey, Well, I

1:11:09.600 --> 1:11:11.960
<v Speaker 1>was just gonna say, like, um, you know r E

1:11:12.520 --> 1:11:16.639
<v Speaker 1>potential cancelation, etcetera. You know, this is my first real

1:11:17.840 --> 1:11:24.599
<v Speaker 1>uh toe dip into professional comedy, and so you know, yes,

1:11:24.680 --> 1:11:27.000
<v Speaker 1>go easy on me. But like you know, if there's

1:11:27.040 --> 1:11:31.840
<v Speaker 1>a huge backlash, I understand, you know what happens to

1:11:31.960 --> 1:11:37.760
<v Speaker 1>every major comedian, and you know, on my rise, things

1:11:37.840 --> 1:11:45.479
<v Speaker 1>might happen, things might happen for it. Yeah, yeah, it's

1:11:45.479 --> 1:11:47.720
<v Speaker 1>a good way to get fans. I agree. And you know,

1:11:47.760 --> 1:11:50.320
<v Speaker 1>to come right out of the back, come out as

1:11:50.360 --> 1:11:52.519
<v Speaker 1>a canceled comedian before you even come out as a

1:11:52.560 --> 1:11:58.599
<v Speaker 1>comedian to begin with. Mm hmmm, that's kind of historic. Yeah,

1:11:58.640 --> 1:12:04.840
<v Speaker 1>it's it's almost like I'm postmail. Yeah, I was like

1:12:04.880 --> 1:12:09.360
<v Speaker 1>I'm going to say, I don't know. I was sitting

1:12:09.439 --> 1:12:12.760
<v Speaker 1>for it to work too, because you know, it's just

1:12:12.800 --> 1:12:17.439
<v Speaker 1>like it seems inevitable that every straight comedian is going

1:12:17.479 --> 1:12:20.000
<v Speaker 1>to be canceled, like they they're just not good like

1:12:20.000 --> 1:12:24.840
<v Speaker 1>like like because like already, like imagine like a funny

1:12:24.880 --> 1:12:28.479
<v Speaker 1>straight guy. He can't he can't have a clean record,

1:12:28.920 --> 1:12:34.920
<v Speaker 1>he can't. He just funny straight who who wants to

1:12:35.000 --> 1:12:38.280
<v Speaker 1>like tell people about it? Like no, like the evil

1:12:38.560 --> 1:12:41.320
<v Speaker 1>and I know some milk comedians. They are not They

1:12:41.320 --> 1:12:46.600
<v Speaker 1>are not good men. I mean you guys are I

1:12:46.640 --> 1:12:50.080
<v Speaker 1>mean I only know charge. That's right, yea, Sam, you

1:12:50.120 --> 1:12:56.840
<v Speaker 1>can vouch for me. Please give us money to eat please. Yeah,

1:12:56.840 --> 1:13:00.599
<v Speaker 1>we're hungry. We're hungry. We haven't eaten all that because

1:13:00.640 --> 1:13:04.160
<v Speaker 1>they've been waiting for this, for her to have a

1:13:04.200 --> 1:13:06.360
<v Speaker 1>woman guest on our podcast. If you can buy us

1:13:06.520 --> 1:13:10.800
<v Speaker 1>a burrito. Um, well, here's what I'll say. I think

1:13:10.840 --> 1:13:14.280
<v Speaker 1>it's time for a final segment. Yes, uh so. My

1:13:14.360 --> 1:13:16.280
<v Speaker 1>final second is called shout Outs, and in it we

1:13:16.320 --> 1:13:19.280
<v Speaker 1>pay homage to the classic straight tradition of a radio

1:13:19.360 --> 1:13:21.920
<v Speaker 1>shout out to anything that we are enjoying. I think

1:13:21.960 --> 1:13:23.720
<v Speaker 1>it's two thousand one. You're in time of Square at

1:13:23.760 --> 1:13:26.920
<v Speaker 1>TRL shouting out to your squad back home, just about

1:13:26.960 --> 1:13:33.440
<v Speaker 1>anything you like. George, do you have one? Oh God? Um,

1:13:33.600 --> 1:13:38.599
<v Speaker 1>I can make you okay. What's up? Freaks in those

1:13:38.640 --> 1:13:41.160
<v Speaker 1>days and perverts out there around the globe. I want

1:13:41.200 --> 1:13:44.639
<v Speaker 1>to give a huge shout out to New York City,

1:13:45.280 --> 1:13:50.599
<v Speaker 1>concrete jungle where dreams are made of. Yes, I am

1:13:50.680 --> 1:13:54.519
<v Speaker 1>so happy to be back in Brooklyn, New York. Back

1:13:54.560 --> 1:13:59.960
<v Speaker 1>to restaurants that are playing Indie rock Um and David

1:14:00.160 --> 1:14:03.680
<v Speaker 1>Bowie in a knowing and cool way. I'm happy to

1:14:03.720 --> 1:14:08.840
<v Speaker 1>be around stupid um minimal sort of white and gold

1:14:08.960 --> 1:14:15.000
<v Speaker 1>decorum with too many plants and pastel MUDs. I'm happy

1:14:15.040 --> 1:14:21.439
<v Speaker 1>to be in around girls in you know, cool jeans

1:14:21.520 --> 1:14:26.320
<v Speaker 1>and chunky shoes and big, big, big puffy coats. I

1:14:26.439 --> 1:14:29.839
<v Speaker 1>am so so happy to be back because this city

1:14:29.880 --> 1:14:32.639
<v Speaker 1>panders to me and it is beautiful. When I am

1:14:32.720 --> 1:14:34.960
<v Speaker 1>in New York, I feel like a fish that has

1:14:35.000 --> 1:14:38.519
<v Speaker 1>been dropped into a river. Suddenly I can move freely.

1:14:38.880 --> 1:14:42.559
<v Speaker 1>I am powerful, I am strong, and I go with

1:14:42.640 --> 1:14:46.280
<v Speaker 1>the flow. Baby girl, um, New York City, you are

1:14:47.360 --> 1:14:53.040
<v Speaker 1>the most beautiful city in the world. XO XO Sam. Wow,

1:14:53.520 --> 1:14:58.360
<v Speaker 1>what a tribute Alicia Keys found dead in a ditch Darling,

1:15:00.080 --> 1:15:03.639
<v Speaker 1>all right, I can I can attempt something. What's up,

1:15:03.680 --> 1:15:06.400
<v Speaker 1>Sexy Ladina's I want to give a quick shout out

1:15:06.439 --> 1:15:11.400
<v Speaker 1>to when a salad has a lot of cheese, Oh yeah,

1:15:11.640 --> 1:15:13.519
<v Speaker 1>and you don't expect that you see a giant bowl

1:15:13.520 --> 1:15:15.200
<v Speaker 1>of green salad. I was at a dinner party the

1:15:15.200 --> 1:15:18.599
<v Speaker 1>other night and there was an all vegetarian meal, and

1:15:18.960 --> 1:15:22.040
<v Speaker 1>I have such affection in my heart for everyone making

1:15:22.080 --> 1:15:25.880
<v Speaker 1>any kind of culinary decision period. But I didn't know

1:15:25.920 --> 1:15:27.599
<v Speaker 1>what to expect here. I didn't know if we were

1:15:27.600 --> 1:15:29.519
<v Speaker 1>doing dairy. I didn't know if you were doing cheese.

1:15:29.680 --> 1:15:31.280
<v Speaker 1>Look I look at the salad. It seems like a

1:15:31.320 --> 1:15:34.479
<v Speaker 1>pretty simple green salad. I kind of mixed things around.

1:15:34.800 --> 1:15:38.040
<v Speaker 1>I see provolone in there. I was recently. I recently,

1:15:38.080 --> 1:15:41.200
<v Speaker 1>in fact, learned that provolone is not just the cheese

1:15:41.200 --> 1:15:43.320
<v Speaker 1>from subway, and that it is actually a fancy cheese

1:15:43.320 --> 1:15:47.960
<v Speaker 1>that Italian people put in salads. Tammy looks shocked. You're Greek.

1:15:48.439 --> 1:15:51.280
<v Speaker 1>Greek people have sort of the best salad cheese is ever. Oh,

1:15:51.320 --> 1:15:53.040
<v Speaker 1>of course, I mean I love a feta. I love

1:15:53.840 --> 1:15:56.040
<v Speaker 1>I mean, I love Greek cheeses. But in my mind

1:15:56.439 --> 1:15:59.960
<v Speaker 1>I never provolone to me. So Sam, would you have

1:16:00.000 --> 1:16:03.760
<v Speaker 1>great people? You've never seen it? I would agree it's

1:16:03.800 --> 1:16:06.599
<v Speaker 1>a sandwich cheese. I and of course I have seen

1:16:06.640 --> 1:16:09.080
<v Speaker 1>it on menus, but it was always like, oh, I'm

1:16:09.080 --> 1:16:11.760
<v Speaker 1>not going to get a salad of provolone. And I

1:16:11.880 --> 1:16:13.360
<v Speaker 1>had the salad and it was one of the most

1:16:13.400 --> 1:16:15.760
<v Speaker 1>licious things I've ever tasted. And so I say, more

1:16:15.840 --> 1:16:18.800
<v Speaker 1>cheese on salads. In fact, if it's mostly cheese, maybe

1:16:18.840 --> 1:16:22.800
<v Speaker 1>with a little bit of pesto. I'm there. I want

1:16:22.840 --> 1:16:26.559
<v Speaker 1>to addend them that and also say Crutons are back, baby, Oh,

1:16:26.680 --> 1:16:29.360
<v Speaker 1>I love a cruton. Crutons are back in a big way,

1:16:29.560 --> 1:16:34.599
<v Speaker 1>and I'm so surprised. Um, but I'm grateful for it, Tammy,

1:16:34.680 --> 1:16:39.280
<v Speaker 1>whenever you are ready, I'd say, go for it all right. Um,

1:16:39.760 --> 1:16:42.800
<v Speaker 1>I have no hesitation about the thing that I'm ready

1:16:42.880 --> 1:16:45.640
<v Speaker 1>to shout out. I have so much love for it.

1:16:45.640 --> 1:16:48.519
<v Speaker 1>It's truly helped me out in my life in the

1:16:48.600 --> 1:16:51.559
<v Speaker 1>past few months more than anything else. And I'm going

1:16:51.640 --> 1:16:56.120
<v Speaker 1>to say that it's alka Seltzer. And I know that

1:16:56.360 --> 1:16:59.479
<v Speaker 1>like a lot of the young guns. I mean, okay,

1:16:59.680 --> 1:17:02.679
<v Speaker 1>I'm thirty one and about to turn thirty two next

1:17:02.760 --> 1:17:04.880
<v Speaker 1>month March fourteenth, if you want to send a little

1:17:04.880 --> 1:17:08.800
<v Speaker 1>B day message, But you know, um, and and I

1:17:09.720 --> 1:17:15.280
<v Speaker 1>never like it never fails to upset me the way

1:17:15.520 --> 1:17:18.920
<v Speaker 1>that like my body just like does not let me

1:17:19.120 --> 1:17:21.800
<v Speaker 1>do what I used to do. And I hate to

1:17:21.920 --> 1:17:24.759
<v Speaker 1>sound like an old person because like thirty one thirty

1:17:24.800 --> 1:17:29.240
<v Speaker 1>two is not old, but like actually, like I used

1:17:29.280 --> 1:17:35.560
<v Speaker 1>to run on a crazy amount of uh strong alcohol

1:17:35.880 --> 1:17:40.720
<v Speaker 1>and no compunction and I can't do that anymore, but

1:17:40.880 --> 1:17:43.599
<v Speaker 1>sometimes I still act up and even when I don't.

1:17:43.800 --> 1:17:48.200
<v Speaker 1>I've been learning about antacids as a class, and I

1:17:48.520 --> 1:17:51.439
<v Speaker 1>have been working my way through them. I haven't like

1:17:51.720 --> 1:17:54.400
<v Speaker 1>looked into the more serious ones, you know, your pilist,

1:17:54.439 --> 1:17:56.519
<v Speaker 1>sex or whatever. I don't think I really have heartburn.

1:17:56.760 --> 1:18:01.960
<v Speaker 1>As a diner at large, Um, I do a lot

1:18:02.080 --> 1:18:05.519
<v Speaker 1>of eating, and I eat for work, and I'm not

1:18:05.720 --> 1:18:08.479
<v Speaker 1>necessarily eating on a schedule that I want to. And

1:18:08.600 --> 1:18:11.920
<v Speaker 1>it's very interesting. I will wake up at two, three,

1:18:12.080 --> 1:18:15.640
<v Speaker 1>four in the morning after having, for example, the night

1:18:15.720 --> 1:18:17.880
<v Speaker 1>that I went to Astoria and I went to a

1:18:17.920 --> 1:18:21.080
<v Speaker 1>story of seafood and I ate plate on plate of fish,

1:18:21.479 --> 1:18:24.519
<v Speaker 1>French fries, etcetera. And then I smoked hookah, and then

1:18:24.720 --> 1:18:26.519
<v Speaker 1>I took a car home and then I woke up,

1:18:26.520 --> 1:18:28.880
<v Speaker 1>and it's like, of course I have to barth. Of course,

1:18:29.240 --> 1:18:33.240
<v Speaker 1>like I had fish and hookah, Like it's not okay,

1:18:33.400 --> 1:18:37.719
<v Speaker 1>it's not it's not okay. But then like you feel

1:18:38.080 --> 1:18:41.840
<v Speaker 1>terrible and you either don't barf or you do. But

1:18:42.360 --> 1:18:45.840
<v Speaker 1>Alca Seltzer makes a decision for you. Or when I'm

1:18:45.920 --> 1:18:49.120
<v Speaker 1>not feeling ready to party, you know, because lunch was

1:18:49.240 --> 1:18:51.720
<v Speaker 1>like too intense. I do a little Alca seltzer and

1:18:51.800 --> 1:18:53.880
<v Speaker 1>it just like it writes me. And I think that

1:18:54.040 --> 1:18:58.280
<v Speaker 1>younger people don't really know about the older people medications,

1:18:58.400 --> 1:19:03.200
<v Speaker 1>about the older people's solutions. Hums um. I mean pepto

1:19:03.320 --> 1:19:06.240
<v Speaker 1>has always kind of been in my arsenal um, but

1:19:06.400 --> 1:19:09.080
<v Speaker 1>that's more of like an emergency thing. Like pepto is

1:19:09.160 --> 1:19:11.880
<v Speaker 1>like for when you're sick and throwing up, but like

1:19:12.160 --> 1:19:16.839
<v Speaker 1>for the person who eats too much professionally Alka seltzer

1:19:17.360 --> 1:19:21.240
<v Speaker 1>buy some, and and also for the hangovers in the

1:19:21.320 --> 1:19:26.519
<v Speaker 1>morning because it's a combination of baking soda, aspirad and

1:19:26.680 --> 1:19:30.640
<v Speaker 1>like citric acid, so it like does the stomach, it

1:19:30.760 --> 1:19:35.600
<v Speaker 1>does the pain, everything everything, And like young people don't know.

1:19:37.080 --> 1:19:39.880
<v Speaker 1>I didn't know. I didn't know. I didn't know. I

1:19:40.040 --> 1:19:43.519
<v Speaker 1>didn't know. I'm still, in fact, getting used to just

1:19:43.640 --> 1:19:46.280
<v Speaker 1>the concept of self medicating. I almost I'm so afraid

1:19:46.320 --> 1:19:47.640
<v Speaker 1>of putting things in my body, but I have to

1:19:47.720 --> 1:19:51.479
<v Speaker 1>get over that and constantly ing substances. I also and

1:19:51.600 --> 1:19:53.240
<v Speaker 1>that was a beautiful shout out, Thank you, Jammy. I've

1:19:53.240 --> 1:19:55.840
<v Speaker 1>also been getting into I recently. I had a stomach

1:19:55.880 --> 1:19:59.000
<v Speaker 1>ache after drinking one night and I had an Alka

1:19:59.040 --> 1:20:02.200
<v Speaker 1>seltzer in it fixed me and I was like, oh wow,

1:20:02.479 --> 1:20:06.120
<v Speaker 1>so that's what that's for. It was incredible. You heard

1:20:06.160 --> 1:20:10.160
<v Speaker 1>it here first, folks. There you go, there you go. Well, Jammy,

1:20:10.640 --> 1:20:14.160
<v Speaker 1>this has been an absolute delight, really really an incredible episode.

1:20:14.200 --> 1:20:19.360
<v Speaker 1>I need to re listen and take notes. I'm sure

1:20:19.760 --> 1:20:22.400
<v Speaker 1>it sounds like you're going to be the one editing

1:20:22.479 --> 1:20:27.800
<v Speaker 1>this episode, then definitely, I'm gonna There are a few

1:20:27.840 --> 1:20:29.840
<v Speaker 1>things I need to take out on my end, but

1:20:32.200 --> 1:20:34.840
<v Speaker 1>I had a great time. Well, thank you so much

1:20:34.840 --> 1:20:37.760
<v Speaker 1>for doing it, and see you on the flip side.

1:20:39.439 --> 1:20:39.960
<v Speaker 1>Bye bye.