1 00:00:00,120 --> 00:00:04,480 Speaker 1: Morning. Everybody is DJ Envy, Angela Yee, Charlomagne, the guy 2 00:00:04,519 --> 00:00:06,600 Speaker 1: were all the breakfast club. We got a special guest 3 00:00:06,640 --> 00:00:10,720 Speaker 1: in the building. Indeed, albums out right now, Little Baby, 4 00:00:10,760 --> 00:00:13,119 Speaker 1: welcome back, brother. So what's y'all doing. How are you 5 00:00:13,160 --> 00:00:16,120 Speaker 1: feeling this morning? Man? Good? We were just saying, it's 6 00:00:16,120 --> 00:00:17,919 Speaker 1: the most press we've ever seen a little Baby do 7 00:00:18,200 --> 00:00:23,400 Speaker 1: ever in life. You came a long tell me about it, 8 00:00:23,920 --> 00:00:27,160 Speaker 1: interview everybody. It's still hard to get me doing. Now 9 00:00:29,120 --> 00:00:31,560 Speaker 1: what's the hardest Yeah, what's the hardest part about them? Now? 10 00:00:32,560 --> 00:00:35,000 Speaker 1: I still just don't like interviewed and now I like 11 00:00:35,040 --> 00:00:38,280 Speaker 1: talking about because and I watched it Invies, I'm like, da, 12 00:00:38,360 --> 00:00:39,680 Speaker 1: I wish I would have said that. I wish I 13 00:00:39,720 --> 00:00:44,519 Speaker 1: would ye. Now I feel like if I am going 14 00:00:44,560 --> 00:00:47,160 Speaker 1: to do an interview, I'm trying to sell a little more. 15 00:00:47,560 --> 00:00:50,040 Speaker 1: And you got a lot going on, I think, even 16 00:00:50,120 --> 00:00:52,400 Speaker 1: just as far as in the world of activism, like 17 00:00:52,440 --> 00:00:54,920 Speaker 1: we talk about you in that space a lot too, 18 00:00:55,000 --> 00:00:56,880 Speaker 1: and I think originally you might not have thought about 19 00:00:56,920 --> 00:00:59,320 Speaker 1: yourself like that, but you can see that you are 20 00:00:59,400 --> 00:01:04,000 Speaker 1: somebody who is really active in the community. I saw 21 00:01:04,040 --> 00:01:07,160 Speaker 1: you talking about bringing arts to the schools with Jimmy 22 00:01:07,200 --> 00:01:09,640 Speaker 1: Ivan and Doctor Dry. Of course, the bigger picture was 23 00:01:09,640 --> 00:01:11,399 Speaker 1: a huge deal when you put that song out for 24 00:01:11,480 --> 00:01:13,600 Speaker 1: people to feel like they could relate to you and 25 00:01:13,640 --> 00:01:16,399 Speaker 1: other positive things that you've been doing. Is that something 26 00:01:16,440 --> 00:01:19,240 Speaker 1: that you felt like, what something you wanted to do, 27 00:01:19,360 --> 00:01:21,520 Speaker 1: or was that just kind of came about without you 28 00:01:21,560 --> 00:01:24,640 Speaker 1: even thinking about it. It's something that I actually been 29 00:01:24,640 --> 00:01:31,759 Speaker 1: on my mind the whole time. Like so from from 30 00:01:31,760 --> 00:01:34,039 Speaker 1: the beginning, I always knew like it's what I wanted 31 00:01:34,040 --> 00:01:35,480 Speaker 1: to do, or not even what I wanted to do. 32 00:01:35,520 --> 00:01:37,600 Speaker 1: What I've been doing far as a rapper up with 33 00:01:37,680 --> 00:01:40,479 Speaker 1: fiving maybe to man, I always like trying to take 34 00:01:40,560 --> 00:01:42,720 Speaker 1: care of my community and stuff. But then that's I 35 00:01:42,760 --> 00:01:46,039 Speaker 1: getting bigger. How how much you say I said take 36 00:01:46,080 --> 00:01:48,120 Speaker 1: care of my community or another thing you made doing 37 00:01:48,160 --> 00:02:00,480 Speaker 1: a million I wish I didn't hear that either something, 38 00:02:01,200 --> 00:02:02,800 Speaker 1: but go ahead, So you said you've always wanted to 39 00:02:02,800 --> 00:02:04,360 Speaker 1: take care of it. I always want to take care 40 00:02:04,400 --> 00:02:06,360 Speaker 1: of my community. Stiff like that something. Now I'm in 41 00:02:06,400 --> 00:02:08,359 Speaker 1: a position and I could like help take care of 42 00:02:08,360 --> 00:02:11,000 Speaker 1: the world. Well, imagine question you are you wanted to 43 00:02:11,240 --> 00:02:14,639 Speaker 1: humanitarian award recently? Right for your contributions in your hometown. 44 00:02:14,680 --> 00:02:17,080 Speaker 1: But then you ain't gonna just went diamond for for 45 00:02:17,160 --> 00:02:20,000 Speaker 1: drip too hard? So which feels better or do they 46 00:02:20,000 --> 00:02:23,960 Speaker 1: feel the same? Which means more to you? Hemanitar? What 47 00:02:24,080 --> 00:02:26,960 Speaker 1: mean more than me? You know what I'm saying? But 48 00:02:27,040 --> 00:02:30,679 Speaker 1: it record means a lot too. The oh yeah a lot, 49 00:02:31,080 --> 00:02:34,280 Speaker 1: but it's like two different fields. Yeah, all right, that 50 00:02:34,320 --> 00:02:37,240 Speaker 1: was a great music accompliment a little baby, and then 51 00:02:37,320 --> 00:02:41,359 Speaker 1: tearing war was a great accompliment. Yeah, your family probably 52 00:02:41,400 --> 00:02:43,440 Speaker 1: cares about one more, right, and your mom like, oh 53 00:02:43,520 --> 00:02:48,160 Speaker 1: humanitarian a ward apparently understand you have a really understand 54 00:02:48,200 --> 00:02:50,359 Speaker 1: the influence you have with these kids, Like you know 55 00:02:50,680 --> 00:02:52,760 Speaker 1: where you're from, of course your neighborhood. You're a huge 56 00:02:52,760 --> 00:02:55,000 Speaker 1: influence because they see somebody who made it. But then 57 00:02:55,040 --> 00:02:58,160 Speaker 1: when you travel this world, in this country and even overseas, 58 00:02:58,160 --> 00:03:00,440 Speaker 1: how much these kids really follow you and love you? 59 00:03:00,520 --> 00:03:05,359 Speaker 1: And does that ever hit you? Yeah? Definitely a lot. 60 00:03:05,560 --> 00:03:07,200 Speaker 1: And do you feel like you have to live up 61 00:03:07,200 --> 00:03:09,800 Speaker 1: to a certain way of living because you got these 62 00:03:09,880 --> 00:03:11,760 Speaker 1: kids following it all the time. I try how to 63 00:03:11,800 --> 00:03:13,760 Speaker 1: say certain stuff, I try how to post a certain stuff, 64 00:03:13,760 --> 00:03:15,800 Speaker 1: and like I know, for in fact and not even 65 00:03:15,840 --> 00:03:19,880 Speaker 1: just all the other kids because I think about them, 66 00:03:19,919 --> 00:03:22,720 Speaker 1: but my kids like they do everything I do, so 67 00:03:22,760 --> 00:03:24,680 Speaker 1: I had to like be honest. So they helped me 68 00:03:24,680 --> 00:03:28,520 Speaker 1: for like the other kids too, because you got the 69 00:03:28,520 --> 00:03:31,160 Speaker 1: new album. It's only me with the album covered with 70 00:03:31,160 --> 00:03:34,920 Speaker 1: all your faces on the Mount Rushmore break that down. Um, 71 00:03:37,280 --> 00:03:39,200 Speaker 1: you know, I like, I guess at the time I 72 00:03:39,200 --> 00:03:41,280 Speaker 1: made an album cover is just like people probably in 73 00:03:41,400 --> 00:03:45,520 Speaker 1: them that Mount Rushmore stage and posting. Everybody put their 74 00:03:45,600 --> 00:03:50,160 Speaker 1: own pitches and stuff, so I just thinking, like I'm 75 00:03:50,160 --> 00:03:54,720 Speaker 1: gonna just use my face follow them, um um. Ashley 76 00:03:55,240 --> 00:03:58,640 Speaker 1: man Cash from the eight So we came up with 77 00:03:58,680 --> 00:04:01,400 Speaker 1: the idea thinking about it too because it's like your 78 00:04:01,480 --> 00:04:04,720 Speaker 1: first generation millionaire in your family, so that that title 79 00:04:04,760 --> 00:04:08,320 Speaker 1: probably reflects your personal life too, right, Well, I ain't 80 00:04:08,360 --> 00:04:10,720 Speaker 1: really like think about it like in my personal life, 81 00:04:10,760 --> 00:04:13,840 Speaker 1: but it's more so on the fact of like I 82 00:04:13,840 --> 00:04:17,520 Speaker 1: don't really worry about nobody else. I'm only focused on me, 83 00:04:18,320 --> 00:04:21,120 Speaker 1: So it's like most or something like that. I would say, 84 00:04:21,120 --> 00:04:24,320 Speaker 1: you're one of the very few artists that have been 85 00:04:24,480 --> 00:04:28,800 Speaker 1: has super super success but still do records with a 86 00:04:28,800 --> 00:04:30,640 Speaker 1: lot of people, still fun with a lot of artists. 87 00:04:30,640 --> 00:04:33,400 Speaker 1: It's almost like you still challenge yourself to see if 88 00:04:33,400 --> 00:04:35,080 Speaker 1: you can challenge them a lot of times when when 89 00:04:35,080 --> 00:04:37,160 Speaker 1: when rappers get to a certain part in their life, 90 00:04:37,200 --> 00:04:38,960 Speaker 1: they don't want to do records with certain people, or 91 00:04:39,120 --> 00:04:41,640 Speaker 1: it's about the number what you or the course of 92 00:04:41,720 --> 00:04:43,359 Speaker 1: the price. But what you I see you do that 93 00:04:43,400 --> 00:04:46,760 Speaker 1: a lot more. Why is that? Um? It's just basically 94 00:04:46,839 --> 00:04:52,039 Speaker 1: like number one ain't no hater and number two. I 95 00:04:52,040 --> 00:04:56,360 Speaker 1: feel like it's a it's a it's a team sport, 96 00:04:56,680 --> 00:04:59,359 Speaker 1: just like it is like everybody's solo artists as a team. 97 00:04:59,400 --> 00:05:01,880 Speaker 1: I feel like we do more because you'll do an 98 00:05:02,200 --> 00:05:04,320 Speaker 1: you'll do an artist of course with you know, with 99 00:05:04,360 --> 00:05:06,760 Speaker 1: this artist with which is known, Like you do a 100 00:05:06,760 --> 00:05:08,560 Speaker 1: record with Doug or with Gunner, right, that's family. But 101 00:05:08,560 --> 00:05:10,720 Speaker 1: then you'll do a sleazy but then you do ice 102 00:05:10,800 --> 00:05:12,440 Speaker 1: with Vessel, But then you do this one. Like it 103 00:05:12,440 --> 00:05:15,000 Speaker 1: seems like you like the competitive sport of it for sure. 104 00:05:15,320 --> 00:05:21,840 Speaker 1: Definitely Vessel QC. Right now, But you got twenty three 105 00:05:21,839 --> 00:05:23,560 Speaker 1: songs on this album. No, you only got about six 106 00:05:23,600 --> 00:05:27,479 Speaker 1: or seven rap features though you kept them low for reason. 107 00:05:28,000 --> 00:05:29,680 Speaker 1: What do you mean that was a lot think for 108 00:05:29,720 --> 00:05:33,320 Speaker 1: twenty three three songs? Now it would be a feature 109 00:05:33,360 --> 00:05:36,880 Speaker 1: on every song, feel like from these rappers. I feel 110 00:05:36,920 --> 00:05:40,200 Speaker 1: like seven was a lot. Okay, okay, why I'm twenty 111 00:05:40,240 --> 00:05:41,840 Speaker 1: three songs too? That's a lot. And I know it's 112 00:05:41,839 --> 00:05:44,880 Speaker 1: been a while people have That's the reason I put 113 00:05:44,880 --> 00:05:47,160 Speaker 1: out a lot because i't so they say I plan 114 00:05:47,240 --> 00:05:50,159 Speaker 1: on dropping again like nine ten minutes something. I want 115 00:05:50,160 --> 00:05:52,880 Speaker 1: to have twenty three songs song. But since I ain't 116 00:05:52,960 --> 00:05:55,640 Speaker 1: dropping like almost two years, I just like it. But 117 00:05:55,760 --> 00:05:57,400 Speaker 1: why was it so long? Was it because those other 118 00:05:57,440 --> 00:06:00,719 Speaker 1: records were still ringing and still top new records? Well? 119 00:06:01,120 --> 00:06:03,760 Speaker 1: I think because COVID kind of like I dropped my 120 00:06:03,800 --> 00:06:05,680 Speaker 1: last album, like right, folks, So I was like a 121 00:06:05,760 --> 00:06:08,120 Speaker 1: year that I wasn't gonna drop none or even a 122 00:06:08,200 --> 00:06:10,479 Speaker 1: year and a half, and just like coming out of COVID, 123 00:06:10,480 --> 00:06:12,480 Speaker 1: trying to get my cell together, get back to working 124 00:06:12,839 --> 00:06:15,600 Speaker 1: stuff like that. This had a different title first two right, 125 00:06:15,960 --> 00:06:19,880 Speaker 1: originally I ain't never had no time at first? Okay, 126 00:06:20,839 --> 00:06:22,880 Speaker 1: how did they convince you to do a documentary? Man? 127 00:06:23,640 --> 00:06:26,640 Speaker 1: Because he seemed like you're very private. How did you 128 00:06:26,760 --> 00:06:28,800 Speaker 1: beat you to do a doctor? It really wasn't It 129 00:06:28,839 --> 00:06:33,240 Speaker 1: really wasn't right. But what you mean meaning like they 130 00:06:33,240 --> 00:06:35,599 Speaker 1: had a cameraman for like four five months. I don't 131 00:06:35,680 --> 00:06:37,679 Speaker 1: let him come with me, like two or three times, 132 00:06:38,320 --> 00:06:41,720 Speaker 1: you do know, you were wrapper down, like like I 133 00:06:41,800 --> 00:06:48,760 Speaker 1: get it what you're doing with nobody? He was like, 134 00:06:48,760 --> 00:06:54,320 Speaker 1: who did dude with this boy? Oh? He's young too. Still, 135 00:06:54,360 --> 00:06:56,239 Speaker 1: you know, I might be on the phone time to somebody. 136 00:06:56,440 --> 00:06:58,839 Speaker 1: I don't know. It's just my person in space. You 137 00:06:58,880 --> 00:07:01,400 Speaker 1: had to be in a house, that your house, me 138 00:07:01,440 --> 00:07:04,120 Speaker 1: and my children, stuff like that. But now I look 139 00:07:04,160 --> 00:07:05,760 Speaker 1: at that document, I kind of wish I would have 140 00:07:06,200 --> 00:07:10,960 Speaker 1: let him come with me a little more because streets, 141 00:07:11,000 --> 00:07:15,520 Speaker 1: you like, it's your career, it's your life. You gotta 142 00:07:15,520 --> 00:07:17,040 Speaker 1: be like squeez stuff though, Like ain't like I don't 143 00:07:17,040 --> 00:07:19,680 Speaker 1: want a round because we might do something just I 144 00:07:19,760 --> 00:07:24,360 Speaker 1: just ain't comfortable with. Yeah, I feel record me. Did 145 00:07:24,360 --> 00:07:29,360 Speaker 1: you know what he was there for? I don't. But 146 00:07:29,360 --> 00:07:32,200 Speaker 1: it's like natural. So it's like you just record all day, 147 00:07:32,400 --> 00:07:34,480 Speaker 1: I'm saying, or whenever you pick the phone or I 148 00:07:34,480 --> 00:07:36,640 Speaker 1: ain't really fun in that. Yeah, but like even being 149 00:07:36,640 --> 00:07:38,480 Speaker 1: in the studio or doing a show, that's a good 150 00:07:38,520 --> 00:07:40,800 Speaker 1: time to film stuff, just to see the business aspect 151 00:07:40,800 --> 00:07:45,080 Speaker 1: of things, right, And when it came to negotiating. Like 152 00:07:45,120 --> 00:07:47,840 Speaker 1: I saw before you were talking about how you get 153 00:07:47,840 --> 00:07:50,400 Speaker 1: three hundred and fifty thousand dollars for a feature now, 154 00:07:50,520 --> 00:07:53,880 Speaker 1: and I remember previously you had said it was like hundred, yeah, 155 00:07:53,960 --> 00:07:58,120 Speaker 1: one hundred thousand, So um, when people are asking you 156 00:07:58,160 --> 00:08:00,520 Speaker 1: for features, you just tell them it's three fifty. Like 157 00:08:00,680 --> 00:08:04,160 Speaker 1: I really only do features no more. I ain't in 158 00:08:04,240 --> 00:08:07,720 Speaker 1: that space right now because people getting afford them, people 159 00:08:07,760 --> 00:08:09,720 Speaker 1: could afford them. People called I turned her right, two 160 00:08:09,760 --> 00:08:15,679 Speaker 1: three features a day. Damn yeah, probably two fifty, I'm saying. 161 00:08:16,080 --> 00:08:20,880 Speaker 1: I ain't say three fitty either. I said like three 162 00:08:20,960 --> 00:08:24,480 Speaker 1: hundred to two fifty. Maybe I even take two hundred, 163 00:08:24,480 --> 00:08:26,840 Speaker 1: But I ain't really I ain't trying to do it. 164 00:08:26,880 --> 00:08:28,800 Speaker 1: So if you want me to do it, I got 165 00:08:28,800 --> 00:08:31,640 Speaker 1: a fee. What makes you during the reason for turning 166 00:08:31,680 --> 00:08:34,360 Speaker 1: them down? I ain't really trying to do them, but 167 00:08:34,480 --> 00:08:36,600 Speaker 1: like just because you have your project out or you 168 00:08:36,640 --> 00:08:39,079 Speaker 1: just don't. Yeah, maybe because like like recently, I've been 169 00:08:39,080 --> 00:08:41,440 Speaker 1: working on my project and I already had enough features 170 00:08:41,440 --> 00:08:43,559 Speaker 1: out and I knew you need to least drop a project. 171 00:08:44,120 --> 00:08:46,319 Speaker 1: I just keep doing feature So I just didn't want 172 00:08:46,320 --> 00:08:48,200 Speaker 1: to do them. Who's the one person you haven't worked 173 00:08:48,200 --> 00:08:50,280 Speaker 1: with that. You would love to get in the studio 174 00:08:50,320 --> 00:08:55,080 Speaker 1: with and and go back and forth with Really three stacks? 175 00:08:55,240 --> 00:08:56,960 Speaker 1: Have you reached out to them more? Yeah? I actually 176 00:08:57,040 --> 00:09:00,280 Speaker 1: could have been on an album for sure. He's send 177 00:09:00,320 --> 00:09:02,800 Speaker 1: him the song like, but I didn't feel like I 178 00:09:02,840 --> 00:09:04,240 Speaker 1: had the one for them. I really want to, like 179 00:09:04,720 --> 00:09:07,080 Speaker 1: you know that would versus like sending him the song. 180 00:09:07,880 --> 00:09:09,839 Speaker 1: He was an outcast fan of course grown up. No, 181 00:09:10,160 --> 00:09:13,160 Speaker 1: not really really, I like too young for that, But 182 00:09:13,400 --> 00:09:16,280 Speaker 1: I mean, of course, of course I'm a fan of 183 00:09:16,360 --> 00:09:18,440 Speaker 1: under thy Thousand. I'm saying once I got like older 184 00:09:18,679 --> 00:09:20,600 Speaker 1: and I went to like the bad story and stuff. 185 00:09:20,640 --> 00:09:23,160 Speaker 1: But growing up I knew they like big songs. I want, 186 00:09:23,200 --> 00:09:25,199 Speaker 1: like I had to get an album, I just look 187 00:09:25,320 --> 00:09:28,640 Speaker 1: under thoth thouans. But I love how the Doctor you 188 00:09:28,640 --> 00:09:32,080 Speaker 1: showed how I'm not getting the nomination for my Turn 189 00:09:32,120 --> 00:09:35,400 Speaker 1: for the Grammy impacted you. But what did you do 190 00:09:35,440 --> 00:09:38,040 Speaker 1: creatively around that time? After that? And I know you 191 00:09:38,080 --> 00:09:40,040 Speaker 1: did the performance, but how did that affect how you 192 00:09:40,040 --> 00:09:43,920 Speaker 1: approach this? Up? It? Then? I don't really think about 193 00:09:43,920 --> 00:09:47,440 Speaker 1: stuff like that. Honestly, I ain't never gonna be like, 194 00:09:47,440 --> 00:09:50,120 Speaker 1: I gotta get me a Grammy out of it. I 195 00:09:50,120 --> 00:09:52,280 Speaker 1: don't think I'm ever gonna be like that. What is 196 00:09:52,320 --> 00:09:55,560 Speaker 1: important to you when you put together a project and 197 00:09:55,679 --> 00:09:58,960 Speaker 1: they do well, you know what I'm saying That also 198 00:09:59,120 --> 00:10:01,320 Speaker 1: that they do well for a long period of time, Like, 199 00:10:01,480 --> 00:10:04,120 Speaker 1: that's what it matters to me. I wanted to stick. 200 00:10:04,520 --> 00:10:06,400 Speaker 1: That's how I really care about. I only care about 201 00:10:06,480 --> 00:10:09,079 Speaker 1: first week normous like all that type of style. I 202 00:10:09,160 --> 00:10:11,520 Speaker 1: wanted to stick. You know. You know, you're at the 203 00:10:11,520 --> 00:10:13,560 Speaker 1: point now where you've been winning so much they're waiting 204 00:10:13,559 --> 00:10:16,200 Speaker 1: on you to feel see that. Yeah, it's like, no 205 00:10:16,280 --> 00:10:17,960 Speaker 1: matter what you put out, they're gonna be like it 206 00:10:18,000 --> 00:10:21,640 Speaker 1: ain't ye. But that comes with the territory, you know that. 207 00:10:21,720 --> 00:10:23,800 Speaker 1: I guess so because I saw this video the other day. 208 00:10:23,840 --> 00:10:26,600 Speaker 1: Alan obviously was saying, I told Lebron, they love you now, 209 00:10:26,679 --> 00:10:31,880 Speaker 1: but eventually they're gonna hate you. It just comes with it. Though. 210 00:10:32,360 --> 00:10:34,560 Speaker 1: Oh yeah, they they've been Yeah, they've been that long 211 00:10:34,559 --> 00:10:36,960 Speaker 1: time ago. But it don't matter because he keep winning 212 00:10:36,920 --> 00:10:38,800 Speaker 1: and he keeps doing the thing right. How do you 213 00:10:38,840 --> 00:10:40,880 Speaker 1: handle that when you see when you see things people 214 00:10:40,920 --> 00:10:42,120 Speaker 1: saying like, oh I don't like that, I don't like 215 00:10:42,160 --> 00:10:46,360 Speaker 1: that record. Uh baby could have can't hard enough. I 216 00:10:46,400 --> 00:10:50,440 Speaker 1: just keep working. I gotta do. Everybody that's not gonna 217 00:10:50,480 --> 00:10:54,240 Speaker 1: not like it, everybody entire their own opinion. Do you 218 00:10:54,280 --> 00:10:57,839 Speaker 1: listen to your old music? I do? And so when 219 00:10:57,840 --> 00:10:59,719 Speaker 1: you reflect, like even looking at this album cover and 220 00:10:59,720 --> 00:11:01,600 Speaker 1: you look at the space that you were in in 221 00:11:01,720 --> 00:11:03,959 Speaker 1: each one of those pictures, what are your thoughts about, 222 00:11:04,000 --> 00:11:07,400 Speaker 1: like your growth as an artist, not even just my 223 00:11:07,600 --> 00:11:10,600 Speaker 1: music or anybody music. When I hear it, I automatically 224 00:11:10,600 --> 00:11:12,679 Speaker 1: go back to like the time I was at when 225 00:11:12,679 --> 00:11:17,679 Speaker 1: I like remember playing a song a lot, So I 226 00:11:17,720 --> 00:11:20,280 Speaker 1: don't ready just look at look at the album covern, 227 00:11:21,280 --> 00:11:23,400 Speaker 1: think about the time I was at something. But different 228 00:11:23,400 --> 00:11:25,960 Speaker 1: songs on the album put me back in the spot 229 00:11:26,480 --> 00:11:28,520 Speaker 1: from the last two years when I've been making a song, 230 00:11:28,679 --> 00:11:30,360 Speaker 1: because some of the songs from like two and a 231 00:11:30,360 --> 00:11:35,640 Speaker 1: half years ago then someone kind of recent. Were you 232 00:11:35,720 --> 00:11:40,199 Speaker 1: afraid to reveal so much about yourself in the documentary? No, 233 00:11:40,920 --> 00:11:44,800 Speaker 1: because I don't feel like I just reveal everything, right, 234 00:11:44,840 --> 00:11:50,880 Speaker 1: So maybe the documentary was like, well teaser to me then, 235 00:11:50,960 --> 00:11:53,840 Speaker 1: like I mean, you know what they're anges tell like 236 00:11:53,920 --> 00:11:56,240 Speaker 1: this this day I gave like major power points to 237 00:11:57,040 --> 00:11:59,280 Speaker 1: get you to understand the story. But even really like 238 00:11:59,679 --> 00:12:02,560 Speaker 1: a right down to my life, like I told you 239 00:12:02,640 --> 00:12:04,720 Speaker 1: how what I did and stuff, and ain't like getting 240 00:12:04,760 --> 00:12:07,000 Speaker 1: the details and I could have really gotten in details. 241 00:12:08,000 --> 00:12:10,520 Speaker 1: Do you own with everything that's going on in the world, right, 242 00:12:10,559 --> 00:12:13,679 Speaker 1: do you move differently? The reason I ask is, you know, 243 00:12:13,800 --> 00:12:16,360 Speaker 1: when I talk to other DJs, whether it's in other 244 00:12:16,360 --> 00:12:18,960 Speaker 1: cities and other markets, but like now, a little baby 245 00:12:19,040 --> 00:12:20,760 Speaker 1: was saying, I was talking to somebody in La there 246 00:12:20,800 --> 00:12:22,080 Speaker 1: was like Noah, a little baby came to the club 247 00:12:22,080 --> 00:12:25,000 Speaker 1: by himself. It was just him and look outside. No now, 248 00:12:26,080 --> 00:12:28,720 Speaker 1: But what do you mean differently now because of what's 249 00:12:28,720 --> 00:12:30,800 Speaker 1: going on in the world and recession and you know 250 00:12:30,840 --> 00:12:33,880 Speaker 1: what's happening with everybody or what's what's your mind frame 251 00:12:33,920 --> 00:12:38,440 Speaker 1: with that? All the way earnestly all the way I'm 252 00:12:38,480 --> 00:12:42,280 Speaker 1: on that. What you say i'd be by myself, you 253 00:12:42,280 --> 00:12:45,000 Speaker 1: would think i'd beat like I know, I'm going somewhere, 254 00:12:45,920 --> 00:12:47,600 Speaker 1: I'm with a lot of people. But when I just 255 00:12:47,640 --> 00:12:49,719 Speaker 1: go somewhere on my leisure, most of the time, I 256 00:12:49,880 --> 00:12:55,760 Speaker 1: myself and I hate secure. But p Ma sh Yes 257 00:12:56,080 --> 00:12:58,800 Speaker 1: is right. He is absolutely right. And you shouldn't be 258 00:12:58,800 --> 00:13:02,600 Speaker 1: sliding by yourself nowhere either because man, mother fucker's crazy. 259 00:13:02,640 --> 00:13:05,760 Speaker 1: Out of the story I heard about it, La, They said, 260 00:13:05,760 --> 00:13:07,760 Speaker 1: a little babies crazy, A little babies comfortable. They said, 261 00:13:07,760 --> 00:13:09,960 Speaker 1: don't worry, I'm good. I ain't saying nothing can't happen 262 00:13:09,960 --> 00:13:13,240 Speaker 1: to you think I'm saying like so like what I'm saying, like, man, 263 00:13:13,559 --> 00:13:16,680 Speaker 1: I want to live in my life. Yeah, you work 264 00:13:16,760 --> 00:13:18,680 Speaker 1: something though, you know Forty told me one time you said, Man, 265 00:13:18,679 --> 00:13:20,280 Speaker 1: when you work something, you gotta protect it. You gotta 266 00:13:20,320 --> 00:13:23,040 Speaker 1: protect it. But I ain't gonna just be at no where, 267 00:13:23,120 --> 00:13:26,000 Speaker 1: Lola yagging man me like I'm I'm not being do 268 00:13:26,080 --> 00:13:28,440 Speaker 1: what I gotta do. Get on even sometimes a lot 269 00:13:28,480 --> 00:13:31,079 Speaker 1: of people be a headache, should be stretched. Sometime I 270 00:13:31,160 --> 00:13:34,960 Speaker 1: just want to put my hoodie on. Then sometimes if 271 00:13:34,960 --> 00:13:36,640 Speaker 1: you know me, you know me, you know me like 272 00:13:36,720 --> 00:13:38,800 Speaker 1: I know how to I could come in the room 273 00:13:38,800 --> 00:13:41,400 Speaker 1: when y'all y'all want to know a man feel me like, 274 00:13:41,640 --> 00:13:44,040 Speaker 1: I don't gotta be loud. I could be by myself. Look, 275 00:13:44,080 --> 00:13:47,040 Speaker 1: I might don't even I don't know drip Like, yeah, 276 00:13:47,120 --> 00:13:48,959 Speaker 1: we've seen video. I've seen the video. You slide into 277 00:13:48,960 --> 00:13:57,200 Speaker 1: the store by yourself. One timebody was open the video. Okay, 278 00:13:57,440 --> 00:14:02,280 Speaker 1: actually somebody was in the car. Oh, I was walking out, 279 00:14:02,320 --> 00:14:05,000 Speaker 1: but I did go and stow by myself though that 280 00:14:05,120 --> 00:14:08,959 Speaker 1: We've seen your interview with with Loony and Loony, and 281 00:14:09,000 --> 00:14:11,080 Speaker 1: he said, I think in the interview said now you're 282 00:14:11,120 --> 00:14:14,280 Speaker 1: you're into skinny girls. You're not. You're not mad at 283 00:14:14,360 --> 00:14:16,679 Speaker 1: just talking to kicking it to skinny girls, right? What 284 00:14:16,720 --> 00:14:20,120 Speaker 1: made you start liking skinny girls? I don't know. At first, 285 00:14:20,160 --> 00:14:23,320 Speaker 1: I just like like a previce. I just like, I 286 00:14:23,400 --> 00:14:27,560 Speaker 1: like thick girls. Say you like thin girl now, I 287 00:14:27,640 --> 00:14:29,800 Speaker 1: just like, I don't know. I think I'm on my 288 00:14:30,000 --> 00:14:33,280 Speaker 1: supermodel phase. So all your thick girls got into your 289 00:14:33,360 --> 00:14:35,920 Speaker 1: d ms and started texting you like fuck you. Nah, 290 00:14:35,920 --> 00:14:40,760 Speaker 1: I ain't saying I don't like thick girls. I like girls. Now. 291 00:14:43,240 --> 00:14:44,800 Speaker 1: You got a couple of records for the ladies on 292 00:14:44,840 --> 00:14:48,480 Speaker 1: this on this project, what's the joint called? Uh? What 293 00:14:48,560 --> 00:14:54,840 Speaker 1: was it? What was what? I forgot? Which one? It was? Forever? Yeah? Yeah, yeah, 294 00:14:54,160 --> 00:14:58,560 Speaker 1: yeah Friday feature Friday? Who was that to somebody too? 295 00:14:58,720 --> 00:15:00,600 Speaker 1: We kind of fucked up on it. I already had 296 00:15:00,600 --> 00:15:05,760 Speaker 1: a song Ain't for Ever on another project. I ain't 297 00:15:05,800 --> 00:15:10,720 Speaker 1: catch the last project. Yeah, well wine, different type of 298 00:15:10,720 --> 00:15:13,400 Speaker 1: record though. Yeah. But when he had the same song, 299 00:15:16,800 --> 00:15:18,680 Speaker 1: changing your girl's name that you wrote it about. You 300 00:15:18,720 --> 00:15:21,320 Speaker 1: can tell ain't any about it? Girl? Something you talking 301 00:15:21,320 --> 00:15:23,680 Speaker 1: about a girl on that record? Maybe seven girls? Oh 302 00:15:23,760 --> 00:15:29,440 Speaker 1: so okay, all right, every particularly, It's just I when 303 00:15:29,480 --> 00:15:31,560 Speaker 1: I rapped, I kind of speak in general. I try 304 00:15:31,600 --> 00:15:34,640 Speaker 1: to say stuff that could go to like anybody's situation. 305 00:15:34,680 --> 00:15:37,280 Speaker 1: I don't really got to be my situation, but it 306 00:15:37,320 --> 00:15:38,680 Speaker 1: could be something that I went through that I know 307 00:15:38,720 --> 00:15:41,200 Speaker 1: everybody go through. You know what I'm saying. So anyway, 308 00:15:41,360 --> 00:15:44,200 Speaker 1: just like try to sing to one girl or like 309 00:15:44,360 --> 00:15:46,760 Speaker 1: sing to a personal because I know I got an audience, 310 00:15:46,800 --> 00:15:49,320 Speaker 1: so I try to make it like, well, talk about 311 00:15:49,400 --> 00:15:51,280 Speaker 1: stuff I know everybody go through. Yeah, so you're just 312 00:15:51,280 --> 00:15:53,760 Speaker 1: wrapping it's it's entertainment. So how do you How do 313 00:15:53,760 --> 00:15:55,880 Speaker 1: you feel about them trying to use lyrics in court 314 00:15:55,920 --> 00:16:01,760 Speaker 1: now days? I hate that sure that you think you 315 00:16:01,800 --> 00:16:06,640 Speaker 1: could love more than one girl at a time. UM, 316 00:16:06,680 --> 00:16:10,280 Speaker 1: be careful how you answer this. Probably not, probably not. 317 00:16:10,720 --> 00:16:14,080 Speaker 1: I mean you can have a love for everybody, but 318 00:16:14,280 --> 00:16:15,720 Speaker 1: in love, I don't think I could be in love 319 00:16:15,760 --> 00:16:18,000 Speaker 1: with two people at one time. I think I'm one 320 00:16:18,000 --> 00:16:23,560 Speaker 1: of the lyricism. I got a lot for you, but 321 00:16:23,640 --> 00:16:28,080 Speaker 1: you got a little for you. You could be with 322 00:16:28,120 --> 00:16:30,440 Speaker 1: a woman who was with other men too, like you said, 323 00:16:30,480 --> 00:16:32,640 Speaker 1: we could, we could share her or whatever. That's fine 324 00:16:32,640 --> 00:16:35,000 Speaker 1: with you, because you're not ready to settle down, right, 325 00:16:35,280 --> 00:16:37,400 Speaker 1: So you don't expect somebody to be committed to you 326 00:16:37,440 --> 00:16:40,640 Speaker 1: if you're not committed to them exactly, all right, that's 327 00:16:40,680 --> 00:16:43,240 Speaker 1: open minded. Some people feel like they don't. I'm with you. 328 00:16:43,280 --> 00:16:44,880 Speaker 1: I don't want you to be with anybody else. Did 329 00:16:44,880 --> 00:16:48,560 Speaker 1: you used to be like that? Ain't on it, ain't 330 00:16:48,600 --> 00:16:52,400 Speaker 1: on it like I do. Only make sense. I ain't selfish. No, 331 00:16:52,400 --> 00:16:55,400 Speaker 1: no kind of way that'll be selfish me. You ever 332 00:16:55,440 --> 00:16:57,560 Speaker 1: had a guy hit you up about you messing with 333 00:16:57,600 --> 00:16:59,680 Speaker 1: this girl I'm messing with and try to confront you. 334 00:17:00,760 --> 00:17:03,160 Speaker 1: How do you handle something like that? What's the conversation? 335 00:17:03,200 --> 00:17:06,040 Speaker 1: Like he missed a little baby? Can you please stop 336 00:17:06,119 --> 00:17:14,000 Speaker 1: knocking down my girl? Yeah, you don't have those I 337 00:17:14,080 --> 00:17:19,760 Speaker 1: had like that? It should be wow, give me one 338 00:17:19,800 --> 00:17:24,200 Speaker 1: more time next week. Sent it back home December, December, 339 00:17:24,200 --> 00:17:26,680 Speaker 1: you get it back into something. It's just a year 340 00:17:26,680 --> 00:17:32,000 Speaker 1: at least. I don't know. I feel like he went 341 00:17:32,000 --> 00:17:34,480 Speaker 1: in towel, like he's you know. I feel like you 342 00:17:34,520 --> 00:17:36,680 Speaker 1: gotta have those conversations, especially when you're dealing with two 343 00:17:36,680 --> 00:17:40,320 Speaker 1: brothers with money, because you might be doing stuff for 344 00:17:40,359 --> 00:17:42,480 Speaker 1: her financially and he might be doing it. They don't 345 00:17:42,480 --> 00:17:44,800 Speaker 1: need you. All the bump heads like that, right, they 346 00:17:44,800 --> 00:17:48,760 Speaker 1: ain't been I don't know nobody else. Do focus on 347 00:17:48,760 --> 00:17:53,440 Speaker 1: what I do? Yeah, that's everybody. Don't get a burke in, right, Hey, 348 00:17:53,840 --> 00:17:57,920 Speaker 1: I say so, Like a couple of times somebody wants 349 00:17:57,920 --> 00:18:00,240 Speaker 1: to ask you for a breakin. He was like, hell, no, don't. 350 00:18:00,760 --> 00:18:02,359 Speaker 1: I really only need to come out like ask me 351 00:18:02,400 --> 00:18:04,359 Speaker 1: for a breaking I don't talk, so it's kind of 352 00:18:04,359 --> 00:18:13,840 Speaker 1: harder like ask me for something. Relationship, you got kick it, 353 00:18:13,920 --> 00:18:15,520 Speaker 1: but we don't. We don't. We don't do too much 354 00:18:15,560 --> 00:18:19,199 Speaker 1: talking to the you know you gotta I'm certing. Sh up, 355 00:18:21,000 --> 00:18:23,960 Speaker 1: we ain't gonna make it that far. Are you talking bad? No, 356 00:18:25,280 --> 00:18:29,720 Speaker 1: I'm like a little awkward sex quietly. Yeah, I don't 357 00:18:29,800 --> 00:18:33,800 Speaker 1: say too much. I'm focused. I'm trying. I'm trying to talk. 358 00:18:34,000 --> 00:18:39,160 Speaker 1: You don't even say you give her nothing. You tell 359 00:18:39,200 --> 00:18:41,879 Speaker 1: her you call the uber. I ain't never called a girl. 360 00:18:42,119 --> 00:18:44,040 Speaker 1: I don't got uber and stuff like she needed that 361 00:18:44,119 --> 00:18:48,280 Speaker 1: stuff set up. She got to get her own car service. Ye. You, 362 00:18:49,359 --> 00:18:51,359 Speaker 1: I don't got that type of stuff. I just don't. 363 00:18:51,840 --> 00:18:54,320 Speaker 1: You got about a hundred cars, baby, I know you 364 00:18:54,359 --> 00:18:56,119 Speaker 1: can get somebody to drive home. He probably don't want 365 00:18:56,119 --> 00:18:58,240 Speaker 1: to put the address. I do all that type stuff. 366 00:18:58,359 --> 00:19:03,000 Speaker 1: I was saying, I ain't. I got my driver something. 367 00:19:03,040 --> 00:19:07,280 Speaker 1: But I just don't don't use stuff, right, I get 368 00:19:07,280 --> 00:19:08,840 Speaker 1: it because then you gotta put your address, and then 369 00:19:08,840 --> 00:19:11,879 Speaker 1: they know and then they see where you're getting somebody 370 00:19:11,960 --> 00:19:17,359 Speaker 1: dripping or I will get somebody to sing your all right. 371 00:19:18,040 --> 00:19:19,760 Speaker 1: I see you getting into TV too, man. You co 372 00:19:19,880 --> 00:19:22,959 Speaker 1: produced with the show to BT The Impact Impact Atlanta. 373 00:19:24,000 --> 00:19:28,119 Speaker 1: What got you getting into the TV now? Like we 374 00:19:28,119 --> 00:19:33,639 Speaker 1: got a new little film company? Yeah? What are your 375 00:19:33,640 --> 00:19:36,320 Speaker 1: baby moms on the show? Did you have any reservations 376 00:19:36,320 --> 00:19:39,720 Speaker 1: about putting her out there like that? I mean, I'm 377 00:19:39,760 --> 00:19:43,719 Speaker 1: not against whatever somebody want to do. It was an option. 378 00:19:45,119 --> 00:19:47,399 Speaker 1: You talked about it before she did what I'm saying. 379 00:19:48,040 --> 00:19:52,040 Speaker 1: I mean, we brought out and she's a bit Jada 380 00:19:52,080 --> 00:19:55,520 Speaker 1: is a businesswoman, sure, and she seems like a great mom. 381 00:19:55,600 --> 00:19:59,440 Speaker 1: Great most we've seen you had a couple of shouts 382 00:19:59,480 --> 00:20:03,440 Speaker 1: of academic on the album It's only two run shot, 383 00:20:03,640 --> 00:20:05,080 Speaker 1: I thought it was on two songs. I thought the 384 00:20:05,119 --> 00:20:08,359 Speaker 1: song was huge and on the turning point record academic 385 00:20:08,800 --> 00:20:11,520 Speaker 1: niggas that they can't get touched, meaning somebody who would 386 00:20:11,520 --> 00:20:15,080 Speaker 1: be on the computer all day. It wasn't really trolling, 387 00:20:15,240 --> 00:20:18,240 Speaker 1: wasn't add h him as an example. Man. But I 388 00:20:18,320 --> 00:20:21,040 Speaker 1: seen another interview he like rappers broke they least their 389 00:20:21,080 --> 00:20:25,440 Speaker 1: cards more money. To me, I never thought about it. 390 00:20:25,520 --> 00:20:27,400 Speaker 1: I never, never in my mind did I even think 391 00:20:27,480 --> 00:20:32,840 Speaker 1: to compare y'all financially time though, that's what I'm saying, 392 00:20:32,880 --> 00:20:34,800 Speaker 1: Like you say me, that's all you said? Your name, Yeah, 393 00:20:36,040 --> 00:20:38,520 Speaker 1: a little baby right like all their cards least they oh, 394 00:20:38,600 --> 00:20:42,280 Speaker 1: they labeled this they he had like a breakdown. My son, See, 395 00:20:42,280 --> 00:20:44,200 Speaker 1: this is what pissed me out with my son showed 396 00:20:44,240 --> 00:20:49,240 Speaker 1: me something. My son showed me something he liked, like 397 00:20:49,280 --> 00:20:54,480 Speaker 1: what he got more money than us? Man, He asked 398 00:20:54,600 --> 00:20:56,280 Speaker 1: that though he said it to you. He was just like, 399 00:20:56,680 --> 00:20:59,560 Speaker 1: pull it up and show me everything. I've seen the 400 00:20:59,560 --> 00:21:03,600 Speaker 1: titles about forty year cars. Now, I never had a 401 00:21:03,640 --> 00:21:07,080 Speaker 1: car on. You know, he doesn't wrap his you know, 402 00:21:07,119 --> 00:21:08,520 Speaker 1: people wrap the cars, you know, when you want to 403 00:21:08,520 --> 00:21:10,720 Speaker 1: wrap the cars. That's the difference. People don't know people 404 00:21:11,240 --> 00:21:15,880 Speaker 1: down all the card jobs like screen paint, Like man 405 00:21:16,400 --> 00:21:18,919 Speaker 1: is that smart though his hands, he don't want to 406 00:21:18,920 --> 00:21:21,040 Speaker 1: do what I'm saying. The cars already de appreciate with 407 00:21:21,119 --> 00:21:24,240 Speaker 1: value right his cars they're like they like go up 408 00:21:24,560 --> 00:21:28,480 Speaker 1: or even though they did appreciate their like collect them. Yeah, 409 00:21:29,080 --> 00:21:31,600 Speaker 1: but they don't appreciate for the most part of cars. 410 00:21:31,600 --> 00:21:34,600 Speaker 1: Are you sure he said that, I don't doesn't even 411 00:21:34,600 --> 00:21:36,720 Speaker 1: see that. Academics me more money in a a little baby. 412 00:21:37,119 --> 00:21:39,399 Speaker 1: I don't know if I said that. I know baby 413 00:21:39,440 --> 00:21:43,400 Speaker 1: said that on the record. Future though rappers, I don't 414 00:21:43,440 --> 00:21:46,720 Speaker 1: like that, you know what I like? I like that 415 00:21:46,960 --> 00:21:49,639 Speaker 1: people think rappers are broke because a lot of rappers 416 00:21:49,680 --> 00:21:52,639 Speaker 1: are broke. You are blessed. I think the majority of 417 00:21:53,119 --> 00:21:59,000 Speaker 1: artists I'm getting people to like benefit do like I 418 00:21:59,000 --> 00:22:02,560 Speaker 1: don't under estimate people. I try to like overestimate people, right, 419 00:22:02,600 --> 00:22:04,960 Speaker 1: but this ups and downs too. Like there sometimes it's open. 420 00:22:05,080 --> 00:22:08,760 Speaker 1: Don't care how much money you get for sure, And 421 00:22:08,800 --> 00:22:11,919 Speaker 1: it's also how you financially handle your money, because sometimes 422 00:22:12,000 --> 00:22:14,560 Speaker 1: it takes a lot to figure out investing, making sure 423 00:22:14,600 --> 00:22:16,560 Speaker 1: that you're good. During the pandemic, a lot of people 424 00:22:16,560 --> 00:22:19,320 Speaker 1: did struggle because they didn't have things put up and save. 425 00:22:19,480 --> 00:22:22,359 Speaker 1: So I think, but that that's across the board. That's 426 00:22:22,400 --> 00:22:25,560 Speaker 1: just not rappers, that's like anybody. Yeah, absolutely, but it's 427 00:22:25,560 --> 00:22:27,720 Speaker 1: just something about rappers. People got like a little because 428 00:22:27,840 --> 00:22:30,159 Speaker 1: rapper front the most, right, they floss the most, like 429 00:22:30,200 --> 00:22:32,920 Speaker 1: they talk about having the most image that people feel 430 00:22:32,960 --> 00:22:36,480 Speaker 1: like they have to. Now, I just like that you 431 00:22:36,520 --> 00:22:38,119 Speaker 1: call yourself a rapper because you got a lot of 432 00:22:38,160 --> 00:22:40,760 Speaker 1: people that I ain't no rapper on Muslim rapping it 433 00:22:41,400 --> 00:22:50,359 Speaker 1: all the way artists, that's right, artists, man's see, that's right. Now. 434 00:22:50,400 --> 00:22:52,639 Speaker 1: You also said, God watch my friends. I can handle 435 00:22:52,680 --> 00:22:56,159 Speaker 1: my enemies right on, never hating. And so do you 436 00:22:56,200 --> 00:22:57,680 Speaker 1: feel like part of the reason why you're a lone 437 00:22:57,720 --> 00:22:59,280 Speaker 1: is that you've had a lot of things happen with 438 00:22:59,320 --> 00:23:01,200 Speaker 1: your friends because of the people that can betray you 439 00:23:01,240 --> 00:23:04,680 Speaker 1: the most, the people closest to you. It's crazy. I 440 00:23:04,720 --> 00:23:10,359 Speaker 1: don't really get portrayed by my friends though, because you 441 00:23:10,440 --> 00:23:13,400 Speaker 1: kind of know people traits as the sun. So even 442 00:23:13,440 --> 00:23:15,320 Speaker 1: if they was to betray me, I kind of already 443 00:23:15,359 --> 00:23:17,960 Speaker 1: knew that I'd do that anyway, if you understand what 444 00:23:18,040 --> 00:23:22,840 Speaker 1: I'm saying. So like, I'm alone just because I'm alone 445 00:23:23,560 --> 00:23:25,560 Speaker 1: like I'm just used to being alone. I'm like kind 446 00:23:25,560 --> 00:23:29,240 Speaker 1: of product, and I can't. I can't take you where 447 00:23:29,280 --> 00:23:31,720 Speaker 1: I'm taking my money. I can't show you where my 448 00:23:31,760 --> 00:23:34,280 Speaker 1: baby moms stay. I can't. So like that's why I've 449 00:23:34,280 --> 00:23:37,119 Speaker 1: always been like alone, because that's how I live. Like product, 450 00:23:39,440 --> 00:23:43,320 Speaker 1: do you feel like um in certain ways coming from 451 00:23:43,359 --> 00:23:45,000 Speaker 1: where you came from that you need to open up 452 00:23:45,000 --> 00:23:48,679 Speaker 1: more in certain situations. What you mean, like, let's just 453 00:23:48,720 --> 00:23:52,119 Speaker 1: say going to events or maybe even befriending people and 454 00:23:52,240 --> 00:23:55,359 Speaker 1: having like interactions. It might not be a friendship, but 455 00:23:55,480 --> 00:23:57,639 Speaker 1: just being a little bit more open to those things, 456 00:23:58,800 --> 00:24:01,440 Speaker 1: right I would I wouldn't speak or nothing. You know 457 00:24:01,440 --> 00:24:03,560 Speaker 1: what I'm saying now, you know how trying to mean 458 00:24:04,640 --> 00:24:07,560 Speaker 1: And that's like a part of like for me, even 459 00:24:07,600 --> 00:24:09,800 Speaker 1: saying like I am a rapper, like not saying that 460 00:24:09,800 --> 00:24:13,080 Speaker 1: I'm screaming like me thinking like you're screaming and ship 461 00:24:13,119 --> 00:24:15,040 Speaker 1: like I don't want to kick any stuff, but like 462 00:24:15,080 --> 00:24:16,879 Speaker 1: as a rapper and it's my job and needs to 463 00:24:17,040 --> 00:24:18,639 Speaker 1: my co workers, you know what I mean. I need 464 00:24:18,680 --> 00:24:21,680 Speaker 1: to mingle a little, got to be friends or whatnot. 465 00:24:21,720 --> 00:24:24,360 Speaker 1: But I still take the time to see if I'm 466 00:24:24,400 --> 00:24:26,600 Speaker 1: interested in something and I'm sure the more you grow 467 00:24:26,680 --> 00:24:29,959 Speaker 1: like you, you kind of just naturally distance yourself from 468 00:24:30,000 --> 00:24:34,040 Speaker 1: people because there's folks who can't relate for sure. As 469 00:24:34,040 --> 00:24:36,200 Speaker 1: an executive, what type of relationships do you have with 470 00:24:36,400 --> 00:24:38,320 Speaker 1: artists that are you know that you want to sign 471 00:24:38,400 --> 00:24:41,320 Speaker 1: or that you work with? Um, I try to just 472 00:24:41,440 --> 00:24:44,720 Speaker 1: get I can keep a real relationship. I meaning like 473 00:24:45,400 --> 00:24:47,160 Speaker 1: I ain't gonna sugar color and I ain't gonna try 474 00:24:47,160 --> 00:24:49,159 Speaker 1: to make it sound what it ain't like. It is 475 00:24:49,200 --> 00:24:52,040 Speaker 1: what it is and everything on the table. That's that's 476 00:24:52,040 --> 00:24:53,560 Speaker 1: the way I like to keep out of this ship. 477 00:24:53,800 --> 00:24:56,280 Speaker 1: Out of this ship, understood. I just artist, just pick. 478 00:24:56,600 --> 00:24:58,639 Speaker 1: Like you said, you get your advice with Mike Rubin, 479 00:24:59,359 --> 00:25:01,480 Speaker 1: what advice is as Mike ruve been giving you, that's 480 00:25:01,520 --> 00:25:06,000 Speaker 1: help you up. I'm crease your empire. He gave me 481 00:25:06,119 --> 00:25:08,840 Speaker 1: a lot of advice understand in a short period of time. 482 00:25:09,320 --> 00:25:12,640 Speaker 1: Like main advice would be like it'd be something simple 483 00:25:13,600 --> 00:25:17,120 Speaker 1: about business that just we don't know could because when 484 00:25:17,240 --> 00:25:18,840 Speaker 1: into business, you know what I'm saying, it could be 485 00:25:18,880 --> 00:25:24,360 Speaker 1: like something real simple, like something simple simple you could 486 00:25:24,359 --> 00:25:27,840 Speaker 1: do a ten nine years change, like you get money, 487 00:25:27,840 --> 00:25:30,520 Speaker 1: you could clarify to care where you're gonna get the money, 488 00:25:31,000 --> 00:25:32,919 Speaker 1: and you could tell them what you're gonna buy, and 489 00:25:32,960 --> 00:25:34,159 Speaker 1: you could go on and buy it and then know 490 00:25:34,280 --> 00:25:36,639 Speaker 1: how to pay taxes on it until you sell it 491 00:25:36,720 --> 00:25:39,760 Speaker 1: for forty years before you sit like simple stuff. But 492 00:25:39,920 --> 00:25:42,639 Speaker 1: definitely I got a lot of advice from on this album. 493 00:25:42,640 --> 00:25:46,280 Speaker 1: You talk about having dinner with Chris Jenner and somebody else. 494 00:25:46,960 --> 00:25:51,000 Speaker 1: Corey Gamble, Corey my main man, I just what's what's 495 00:25:51,040 --> 00:25:54,359 Speaker 1: the conversations? Like, Man, Corey, we're just kicking on some 496 00:25:54,480 --> 00:25:58,560 Speaker 1: like cool shit. I just s immaggen just because that's 497 00:25:58,560 --> 00:26:01,679 Speaker 1: a girl. Whatever, right, Yeah, y'all can now you connect 498 00:26:01,680 --> 00:26:07,199 Speaker 1: with them kind of people. Um, it's crazy because the 499 00:26:07,200 --> 00:26:09,520 Speaker 1: people are connect with really be onest and like real 500 00:26:09,560 --> 00:26:12,639 Speaker 1: shit Like it's the people who can you can have 501 00:26:12,920 --> 00:26:15,280 Speaker 1: like a courtire conversation with it and it don't be weird. 502 00:26:15,520 --> 00:26:17,280 Speaker 1: You could just like feel like, damn, you're like me. 503 00:26:18,560 --> 00:26:21,280 Speaker 1: Thing like that. Sometimes you talk to somebody, it just 504 00:26:21,320 --> 00:26:23,720 Speaker 1: don't you just don't want you can laugh they laughing. 505 00:26:23,960 --> 00:26:27,360 Speaker 1: It just y'all don't really click. And sometimes you could 506 00:26:27,359 --> 00:26:29,399 Speaker 1: just talk and talk and talk and talk with the 507 00:26:29,480 --> 00:26:32,160 Speaker 1: person I love one the doc you know, a shoulder relationship, 508 00:26:32,440 --> 00:26:35,000 Speaker 1: of how you know, Pee and and Thug you know, 509 00:26:35,160 --> 00:26:37,760 Speaker 1: really really believed in you in a in a real way. 510 00:26:37,800 --> 00:26:39,719 Speaker 1: I think that was one of the most important takeaways 511 00:26:39,760 --> 00:26:41,879 Speaker 1: from the dock, Like if you believe in somebody, like 512 00:26:42,320 --> 00:26:45,040 Speaker 1: really pour into him. So so, so what that said, 513 00:26:45,080 --> 00:26:46,679 Speaker 1: you know, being at Thug's not here right now, how 514 00:26:46,680 --> 00:26:51,639 Speaker 1: did that? How does that impact you? Um, definitely impact man, 515 00:26:51,760 --> 00:26:54,399 Speaker 1: like you know, st my personal friend. So it's like 516 00:26:56,400 --> 00:26:58,679 Speaker 1: one of my friends being on tight situations, staning like 517 00:26:58,720 --> 00:27:02,119 Speaker 1: gunna what I'm saying it's not my personal friend, Well, 518 00:27:02,160 --> 00:27:05,320 Speaker 1: you're gonna talking more than me and sign probably probably, 519 00:27:05,600 --> 00:27:09,520 Speaker 1: So that kind of definitely put me in a little 520 00:27:10,800 --> 00:27:12,760 Speaker 1: I don't even know how to explain it feeling, honest, 521 00:27:13,000 --> 00:27:16,479 Speaker 1: like a little uneasy feeling. Then like even just then, 522 00:27:16,520 --> 00:27:18,600 Speaker 1: it wouldn't make it so uneasiest because it's them, Like 523 00:27:19,160 --> 00:27:21,280 Speaker 1: all right, and one of the guys go to gym, 524 00:27:21,400 --> 00:27:24,919 Speaker 1: so I feel a certain type of way. But like 525 00:27:25,000 --> 00:27:27,400 Speaker 1: with them, it's like you hear them everywhere, you see 526 00:27:27,400 --> 00:27:32,199 Speaker 1: their pigs like a reminder like, so it's kind of different. 527 00:27:32,280 --> 00:27:34,639 Speaker 1: You feel like it's an attack on the industry, especially 528 00:27:34,640 --> 00:27:36,639 Speaker 1: with the artists, Like you know, we've seen recently that 529 00:27:37,480 --> 00:27:39,159 Speaker 1: I don't think he's got nothing doing industry. It's just 530 00:27:39,160 --> 00:27:41,840 Speaker 1: not Atlanta. But in Atlanta. You feel like they're attacking 531 00:27:41,920 --> 00:27:43,440 Speaker 1: artist in Atlanta because you look at Gunna and said 532 00:27:43,440 --> 00:27:45,920 Speaker 1: there was nothing violent in this case and they still 533 00:27:45,960 --> 00:27:48,919 Speaker 1: didn't know we talk, which seems wild like in any 534 00:27:48,960 --> 00:27:50,880 Speaker 1: other case they would let him go immediately. So does 535 00:27:50,920 --> 00:27:53,760 Speaker 1: it feel like it's an attack on rappers in Atlanta? 536 00:27:52,760 --> 00:27:57,120 Speaker 1: For sure? For sure? And you think that's due to what, 537 00:27:57,160 --> 00:27:59,719 Speaker 1: because I mean it's it's due to the y'all got out, 538 00:27:59,800 --> 00:28:03,959 Speaker 1: y'all making the rise of violence. I don't don't understand 539 00:28:04,000 --> 00:28:06,960 Speaker 1: its people like them took working more, not in jail 540 00:28:07,560 --> 00:28:10,919 Speaker 1: to like and you stop the violet stuff like that, 541 00:28:11,040 --> 00:28:14,359 Speaker 1: Like yeah, I don't make sense because y'all providing an 542 00:28:14,400 --> 00:28:17,600 Speaker 1: opportunity and not even providing an opportunity. You just got 543 00:28:17,600 --> 00:28:24,840 Speaker 1: a voice, ye y'all wanted to. I feel like if 544 00:28:25,119 --> 00:28:27,520 Speaker 1: if if y'all wanted to be like on something and 545 00:28:27,680 --> 00:28:31,119 Speaker 1: like imprisonate somebody something, I just make them do what 546 00:28:31,160 --> 00:28:33,840 Speaker 1: you want them to do, versus meaning like all right, 547 00:28:33,880 --> 00:28:35,560 Speaker 1: y'all got to go to hunting schools. They y'all got 548 00:28:35,560 --> 00:28:37,439 Speaker 1: to do this. So y'all got like making them do 549 00:28:37,520 --> 00:28:41,480 Speaker 1: something that askca change or better the community. If y'all 550 00:28:41,520 --> 00:28:44,800 Speaker 1: felt like somebody was doing something wrong, whatever the case 551 00:28:44,840 --> 00:28:51,360 Speaker 1: may be, versus like clean in jail. Yn't really I'm saying, 552 00:28:51,360 --> 00:28:53,480 Speaker 1: I don't stopping. I saw a dog said, if you don't, 553 00:28:53,480 --> 00:28:55,840 Speaker 1: if you don't drop this album Friday, y'all ain't brothers 554 00:28:59,720 --> 00:29:03,320 Speaker 1: that it was a rule that you paid sixteen thousand 555 00:29:03,400 --> 00:29:07,840 Speaker 1: dollars to sleep with a porn star. And that's so untry, 556 00:29:08,280 --> 00:29:10,800 Speaker 1: so untry. I never paying I'm like, sixteen thousand to 557 00:29:10,920 --> 00:29:21,640 Speaker 1: do nothing. Where did that come from the star? Yeah? Yeah, 558 00:29:21,960 --> 00:29:27,440 Speaker 1: not sie. I ain't no sucker. What's the most you 559 00:29:27,480 --> 00:29:30,320 Speaker 1: don't pay? I you ain't pay the cat. By the way, 560 00:29:30,360 --> 00:29:32,080 Speaker 1: it's indirect to we have you buy the bag, you 561 00:29:32,400 --> 00:29:35,320 Speaker 1: buy the flight, take them shot. I still even sixteen 562 00:29:35,560 --> 00:29:37,920 Speaker 1: that's a lot. I ain't doing it. I ain't just 563 00:29:38,120 --> 00:29:41,560 Speaker 1: fining you out to take your shop, ain't. I ain't. Yeah, 564 00:29:42,520 --> 00:29:51,320 Speaker 1: I pay you to leave. What they say about hiring, 565 00:29:54,040 --> 00:29:56,320 Speaker 1: what's the most of the pay somebody to leave? Baby? 566 00:29:56,320 --> 00:30:01,880 Speaker 1: Coming down? When are you? You know what? I gotta go? Ha? 567 00:30:02,240 --> 00:30:08,480 Speaker 1: How quick I need you to leave? It depends on product. Man, 568 00:30:08,800 --> 00:30:11,760 Speaker 1: we saw that video of you paying accidentally. I guess 569 00:30:11,760 --> 00:30:14,080 Speaker 1: you got charged two hundred and fifty thousand instead of 570 00:30:14,120 --> 00:30:16,320 Speaker 1: twenty five thousand. People were like, damn, he got it 571 00:30:16,320 --> 00:30:20,360 Speaker 1: because he was like crazy, like who would like? You 572 00:30:20,480 --> 00:30:22,360 Speaker 1: know what I'm saying. I just let the dude to 573 00:30:22,440 --> 00:30:26,360 Speaker 1: just keep two hundred and twenty five thousands. I knew 574 00:30:26,400 --> 00:30:28,560 Speaker 1: he was joking. He knew I was joking. Man, like, 575 00:30:28,640 --> 00:30:30,680 Speaker 1: maybe you were joking. I ain't gonna front. I'm like, 576 00:30:31,000 --> 00:30:34,280 Speaker 1: that's They were like, you're not leaving here right now. 577 00:30:36,160 --> 00:30:39,800 Speaker 1: He made a mistake, so you don't even got the 578 00:30:39,800 --> 00:30:44,360 Speaker 1: store credit my car for two viny He just playing. 579 00:30:44,800 --> 00:30:47,640 Speaker 1: I know he was playing shit. The Internet got to 580 00:30:47,680 --> 00:30:49,880 Speaker 1: be a mind fucker, you know what I mean, because 581 00:30:50,680 --> 00:30:54,280 Speaker 1: the Internet believe whatever you want. If you learn that, 582 00:30:54,320 --> 00:30:57,240 Speaker 1: you know, I don't run the internet, how much attention 583 00:30:57,280 --> 00:30:59,120 Speaker 1: do you pay to that stuff? Like right, because I 584 00:30:59,200 --> 00:31:03,240 Speaker 1: know I don't feel like you be online to a minimum. 585 00:31:03,240 --> 00:31:04,920 Speaker 1: I try to try my bag now to see a 586 00:31:04,960 --> 00:31:07,600 Speaker 1: lot of stuff. You know, I'm on the internet, so 587 00:31:07,640 --> 00:31:09,920 Speaker 1: I see a little stuff, but I ain't trying to 588 00:31:09,920 --> 00:31:14,280 Speaker 1: go shad, ain't you know coming. I ain't trying to 589 00:31:14,280 --> 00:31:18,000 Speaker 1: do that that's good. I don't think sometimes you people 590 00:31:18,080 --> 00:31:20,600 Speaker 1: understand these these folks real life. They're dealing with them 591 00:31:20,600 --> 00:31:22,600 Speaker 1: because I feel like sometimes they talk about things online 592 00:31:22,600 --> 00:31:24,920 Speaker 1: they shouldn't be talking about, almost like wishing things on 593 00:31:25,000 --> 00:31:27,560 Speaker 1: people that they shouldn't be wishing things. I see people, 594 00:31:28,720 --> 00:31:31,280 Speaker 1: I see people, they say stuff they don't even believe, 595 00:31:31,960 --> 00:31:36,479 Speaker 1: but they just just coming. But somebody else could read 596 00:31:37,120 --> 00:31:42,080 Speaker 1: they got everything. I ain't into that. I don't really 597 00:31:43,360 --> 00:31:47,760 Speaker 1: I try to stay away from that's oh a little cycle. 598 00:31:49,240 --> 00:31:51,560 Speaker 1: You check your dms though I don't know. I used 599 00:31:51,560 --> 00:31:56,240 Speaker 1: to m I don't know why you stop. You stop, 600 00:31:56,280 --> 00:31:59,320 Speaker 1: I just stopped checking be so big and shit. Now 601 00:31:59,360 --> 00:32:03,240 Speaker 1: he's just like, I ain't looking for them. I was 602 00:32:03,240 --> 00:32:05,520 Speaker 1: just thinking about how t Pain missed all of these 603 00:32:05,920 --> 00:32:09,440 Speaker 1: dms from like, because I'm sure I'm missing a whole 604 00:32:09,520 --> 00:32:12,400 Speaker 1: I don't know. I'm your team ain't missing nothing, though 605 00:32:12,520 --> 00:32:16,080 Speaker 1: I'm sure you're probably not. Opportunities. I don't think opportunities 606 00:32:16,280 --> 00:32:17,880 Speaker 1: come in my DM like that. That's why I really 607 00:32:17,920 --> 00:32:22,920 Speaker 1: ain't looking anyway. But it'd be like brands and stuff 608 00:32:22,880 --> 00:32:25,080 Speaker 1: who will reach out to you. Pressure stuf too though 609 00:32:25,120 --> 00:32:27,520 Speaker 1: you know what I'm saying, Or like other other people. 610 00:32:27,880 --> 00:32:29,960 Speaker 1: It could be somebody supporting me or something. It'd be 611 00:32:30,040 --> 00:32:31,600 Speaker 1: like stuff I really wish I would have seen, you 612 00:32:31,680 --> 00:32:33,800 Speaker 1: know what I'm saying something like that was their pressure 613 00:32:33,880 --> 00:32:36,000 Speaker 1: making this album because so many people have been putting 614 00:32:36,000 --> 00:32:38,560 Speaker 1: you on like the top rappers list and stuff. Later. 615 00:32:38,800 --> 00:32:42,720 Speaker 1: I don't think like that. I don't. I don't. It's 616 00:32:42,720 --> 00:32:45,760 Speaker 1: like why I put myself like. I don't put myself 617 00:32:45,800 --> 00:32:47,880 Speaker 1: as a top rapper list or the bottom rapper lists. 618 00:32:47,920 --> 00:32:50,160 Speaker 1: I'm not on the list in my head. So I 619 00:32:50,240 --> 00:32:53,160 Speaker 1: just gotta do what I gotta do. That's it. So 620 00:32:53,160 --> 00:32:56,240 Speaker 1: I don't really be no pressure. For the only time 621 00:32:56,320 --> 00:33:00,640 Speaker 1: pressure colors weren't I do shit like get my label 622 00:33:00,680 --> 00:33:04,760 Speaker 1: a date, but then then we gotta get that we 623 00:33:04,800 --> 00:33:07,560 Speaker 1: got deadlines, but then it becomes pressure like that. But 624 00:33:07,640 --> 00:33:09,440 Speaker 1: as far as me making music still, I don't like 625 00:33:09,520 --> 00:33:12,240 Speaker 1: no pressure on that. What's your process like in the 626 00:33:12,280 --> 00:33:15,360 Speaker 1: studio when it comes to you putting us on together? 627 00:33:15,560 --> 00:33:17,880 Speaker 1: Is it? Do you write to the beat and then 628 00:33:18,040 --> 00:33:20,120 Speaker 1: um or do you get like an idea first right 629 00:33:20,160 --> 00:33:22,160 Speaker 1: at home bring it to the studio. How do you 630 00:33:22,160 --> 00:33:25,280 Speaker 1: work that with people around you? I don't like people 631 00:33:25,320 --> 00:33:29,120 Speaker 1: in the studio with me these people handing me every day, 632 00:33:29,120 --> 00:33:31,960 Speaker 1: they never seen me rap before. Like I'm like a 633 00:33:32,040 --> 00:33:34,840 Speaker 1: cat wrapper. Everybody go to sleep. I like sneaking rap. 634 00:33:34,960 --> 00:33:36,880 Speaker 1: You know what I'm saying. Why is that? I don't know. 635 00:33:36,880 --> 00:33:41,440 Speaker 1: It's just I feel comfortable. Wren't comfortable that way, and 636 00:33:41,520 --> 00:33:43,240 Speaker 1: I just listen to beats. The beat give me the 637 00:33:43,320 --> 00:33:45,040 Speaker 1: vibe when I if I hear the beat that I like, 638 00:33:45,520 --> 00:33:47,280 Speaker 1: and I'll just wrapped to it, like I don't write 639 00:33:47,280 --> 00:33:51,280 Speaker 1: a man like punching. Is that because early on that's 640 00:33:51,280 --> 00:33:53,880 Speaker 1: how you learned how to wrap. Probably it's probably just 641 00:33:53,920 --> 00:33:55,760 Speaker 1: how it used to rap, because I used to only 642 00:33:55,800 --> 00:33:58,640 Speaker 1: go to the studio, like I want the clock any 643 00:33:58,680 --> 00:34:02,000 Speaker 1: morning to like clock in the morning something that everybody 644 00:34:03,240 --> 00:34:07,440 Speaker 1: usually sleeping stuff. So now I go to the studio 645 00:34:07,480 --> 00:34:09,920 Speaker 1: at one and everybody else be there on one, you know, 646 00:34:09,960 --> 00:34:12,920 Speaker 1: like everybody hang't out your studios. So but I'll go 647 00:34:12,960 --> 00:34:14,640 Speaker 1: to sleep, and then I wake up at like four 648 00:34:14,719 --> 00:34:18,680 Speaker 1: or five where everybody going was up here. And see 649 00:34:18,719 --> 00:34:20,120 Speaker 1: when they did the record, they said that they all 650 00:34:20,200 --> 00:34:23,200 Speaker 1: to diverse and you were sleeping sleep. When I woke up, 651 00:34:23,239 --> 00:34:25,839 Speaker 1: everybody's gone. I heard the sound. I don't get. Yeah, 652 00:34:25,920 --> 00:34:29,160 Speaker 1: that's what they said your ceg on this album with 653 00:34:29,200 --> 00:34:33,560 Speaker 1: the back and Forth record. Detroit rappers are some of 654 00:34:33,560 --> 00:34:35,960 Speaker 1: your favorite people to collaborate with. It seemed like from 655 00:34:36,000 --> 00:34:38,759 Speaker 1: Kentucky though, Wait from Tucky. Yeah, I don't know why 656 00:34:39,040 --> 00:34:44,280 Speaker 1: from from all your friends ain't around right now. Dug 657 00:34:44,320 --> 00:34:47,200 Speaker 1: get out of day though, Dug get out of there. 658 00:34:47,880 --> 00:34:50,439 Speaker 1: That's what it is. Ain't nobody knew that? I told 659 00:34:50,440 --> 00:34:56,680 Speaker 1: you why nobody announced everyday. You probably got other stuff 660 00:34:56,719 --> 00:34:58,919 Speaker 1: going on too, though, But you know what I'm saying, Yeah, 661 00:34:59,080 --> 00:35:03,040 Speaker 1: this situation better. I think you gotta how're like nah, 662 00:35:03,120 --> 00:35:08,880 Speaker 1: like I ain't like half halfway? Do you stay in 663 00:35:08,920 --> 00:35:11,719 Speaker 1: contact with them like him thug? Yeah, okay, I try 664 00:35:11,719 --> 00:35:13,960 Speaker 1: to try to. I know how this shit get. Man. 665 00:35:14,360 --> 00:35:15,919 Speaker 1: You know, you can need help. It don't even matter 666 00:35:15,960 --> 00:35:18,879 Speaker 1: like any money here, Like you can just need shit. 667 00:35:19,400 --> 00:35:21,719 Speaker 1: I try to like hit them up and they don't 668 00:35:21,719 --> 00:35:24,359 Speaker 1: need nothing. So you don't feel any guilt just because 669 00:35:24,360 --> 00:35:26,759 Speaker 1: you're out here, like you know, you see your man. Okay. 670 00:35:27,560 --> 00:35:28,759 Speaker 1: You know, I'm just saying when some of your men 671 00:35:28,840 --> 00:35:30,719 Speaker 1: call you from jail and you damn having such a 672 00:35:30,719 --> 00:35:33,000 Speaker 1: good guilt, But it ain't the right word. They're probably 673 00:35:33,040 --> 00:35:36,080 Speaker 1: not the right word not guilt. What's the word guilt? 674 00:35:36,160 --> 00:35:39,799 Speaker 1: Either for a feeling, like a feeling maybe maybe like 675 00:35:41,120 --> 00:35:43,759 Speaker 1: uh nah, because I get it and they called, like 676 00:35:43,840 --> 00:35:45,320 Speaker 1: what you're doing? You know, we know we're turning the 677 00:35:45,400 --> 00:35:50,319 Speaker 1: fuck up. Ain't even gonna ship, you know what we're doing. Yeah, ship, 678 00:35:50,480 --> 00:35:53,640 Speaker 1: we're grown. Ain't like kids, and it's not like they're 679 00:35:53,640 --> 00:35:56,200 Speaker 1: gonna be in there forever they come out. Yeah, I 680 00:35:56,280 --> 00:35:59,600 Speaker 1: saw you with Stacey Abrams too. Right, do you feel 681 00:35:59,680 --> 00:36:03,160 Speaker 1: like you since you come from that environment that needs 682 00:36:03,239 --> 00:36:05,359 Speaker 1: that kind of assistance, you know, how to have those 683 00:36:05,400 --> 00:36:09,399 Speaker 1: conversations with politicians in ways that they probably don't get 684 00:36:09,440 --> 00:36:11,399 Speaker 1: from other people. That's why I feel like I come 685 00:36:11,480 --> 00:36:15,200 Speaker 1: in and I come in that like it's like a 686 00:36:15,320 --> 00:36:20,440 Speaker 1: bridge from the hood to like on a politician though, 687 00:36:21,120 --> 00:36:23,239 Speaker 1: so like I don't want to be a politician or 688 00:36:23,560 --> 00:36:27,719 Speaker 1: even get into politics, but I know that I understand 689 00:36:28,960 --> 00:36:33,640 Speaker 1: the hood or just say the minority, and then I 690 00:36:33,719 --> 00:36:36,160 Speaker 1: can understand what they're saying in politics, because we don't 691 00:36:36,160 --> 00:36:37,759 Speaker 1: know nothing about that and what I'm saying, we asked 692 00:36:37,800 --> 00:36:40,680 Speaker 1: the minority. I don't abody explaining politicians play this work. 693 00:36:40,719 --> 00:36:44,440 Speaker 1: Nobody don't really know that. Like if everybody in the community. 694 00:36:44,600 --> 00:36:47,359 Speaker 1: Won't seething that happening. It can happen, Like we got 695 00:36:47,440 --> 00:36:49,719 Speaker 1: control of that, but nobody don't know that for real, 696 00:36:49,960 --> 00:36:54,279 Speaker 1: Like nobody to tell you, Hey, long story short is 697 00:36:54,719 --> 00:36:57,239 Speaker 1: I'm gonna I'm gonna help them figure it out. When 698 00:36:57,280 --> 00:36:59,200 Speaker 1: you're talking to people like Stacy, you know, if she 699 00:36:59,280 --> 00:37:01,800 Speaker 1: becomes governor, like what would you what resources would you 700 00:37:02,080 --> 00:37:04,080 Speaker 1: tell her? Like this is what we need in order 701 00:37:04,120 --> 00:37:08,359 Speaker 1: to make our communities better. I'm all for the kids. 702 00:37:08,400 --> 00:37:12,680 Speaker 1: I feel like the kids control the community because older 703 00:37:12,719 --> 00:37:15,719 Speaker 1: people gonna die and the kid's gonna be older. He's 704 00:37:15,760 --> 00:37:19,160 Speaker 1: just gonna you know circus. So my focus be like 705 00:37:19,800 --> 00:37:22,120 Speaker 1: the youth, we get the problem, start with it you 706 00:37:22,239 --> 00:37:24,440 Speaker 1: and then you still helps it dus because anything we 707 00:37:24,560 --> 00:37:26,320 Speaker 1: get it youth doing. We still got to put ads 708 00:37:26,400 --> 00:37:28,360 Speaker 1: on in charge of this stuff. But I think it 709 00:37:28,360 --> 00:37:30,399 Speaker 1: would just start from the route. I mean, the youth. 710 00:37:31,320 --> 00:37:35,600 Speaker 1: Do you vote? Definitely? Okay, that's important and that's what 711 00:37:35,680 --> 00:37:37,440 Speaker 1: I'm on too. I'm not even more on so like 712 00:37:38,080 --> 00:37:41,440 Speaker 1: kind of getting a politicist say with him, I'm with her, 713 00:37:41,640 --> 00:37:43,920 Speaker 1: or I just want people to vote to know that 714 00:37:44,400 --> 00:37:47,160 Speaker 1: if you do vote, it can't make a difference and 715 00:37:47,239 --> 00:37:50,279 Speaker 1: then one vote. I know you're like, my vote ain't 716 00:37:50,280 --> 00:37:53,200 Speaker 1: gonna matter, but it's like collectively, it's like if we 717 00:37:53,280 --> 00:37:55,520 Speaker 1: could come together and with y'all vote, we really can 718 00:37:55,600 --> 00:37:58,840 Speaker 1: make a change. Absolutely, we can actually come up with 719 00:37:59,040 --> 00:38:02,160 Speaker 1: a law. Yeah I don't know that. We could come 720 00:38:02,239 --> 00:38:04,400 Speaker 1: up get somebody to sponsor it. You come up with 721 00:38:04,440 --> 00:38:07,879 Speaker 1: the idea. Now we gotta do it. Vote for people 722 00:38:07,920 --> 00:38:11,480 Speaker 1: don't know. It's like it's control for we can't win. 723 00:38:12,280 --> 00:38:14,879 Speaker 1: We do it right, and you can exercise your power 724 00:38:14,960 --> 00:38:18,040 Speaker 1: by everybody coming together, Like if you like, we're gonna all, 725 00:38:18,440 --> 00:38:20,319 Speaker 1: I have a whole group of us. We're all gonna 726 00:38:20,400 --> 00:38:23,319 Speaker 1: put our power behind this candidate if we get these 727 00:38:23,400 --> 00:38:27,719 Speaker 1: things done. And that's how you make it happen. Yeah, 728 00:38:27,719 --> 00:38:29,080 Speaker 1: we ain't gonna hold you much longer because we know 729 00:38:29,120 --> 00:38:30,400 Speaker 1: you don't want to be here. But I do have 730 00:38:30,520 --> 00:38:33,600 Speaker 1: one more question. How do you control your gambling? Because 731 00:38:33,640 --> 00:38:36,239 Speaker 1: you see I always hear you rap about gambling. You 732 00:38:36,320 --> 00:38:38,480 Speaker 1: see the documentary, We know you was a big gambler 733 00:38:39,000 --> 00:38:41,520 Speaker 1: more most people get more money and gamble more. How 734 00:38:41,560 --> 00:38:47,040 Speaker 1: do you control you're gambling habit? Well, I used to 735 00:38:47,080 --> 00:38:49,560 Speaker 1: be like a screet gamma, so I ain't even screet 736 00:38:49,600 --> 00:38:51,560 Speaker 1: no more so, I don't even got nobody to gamble. 737 00:38:53,200 --> 00:38:55,200 Speaker 1: I don't gamble with my friends like people I know. 738 00:38:55,320 --> 00:38:58,320 Speaker 1: I don't ain't go around. So I'm really good. But 739 00:38:59,520 --> 00:39:02,839 Speaker 1: now I got like a casino that's like way worse 740 00:39:02,920 --> 00:39:06,480 Speaker 1: than screak. But I don't. I haven't woke up one 741 00:39:06,560 --> 00:39:08,960 Speaker 1: day and like I'm going to the casino. I'm dear, 742 00:39:09,360 --> 00:39:12,360 Speaker 1: no I gam but I'm really over that stage in 743 00:39:12,440 --> 00:39:14,319 Speaker 1: my life. How you good at walking away when you're up? 744 00:39:14,480 --> 00:39:16,440 Speaker 1: Or do you just how to do it right? Now? 745 00:39:16,719 --> 00:39:18,359 Speaker 1: That's how I've been winning, and I don't know how 746 00:39:18,400 --> 00:39:20,320 Speaker 1: to do that. Like if I went to two hundred thousds, 747 00:39:20,320 --> 00:39:23,520 Speaker 1: I'm still trying to win a mill now, I'll just 748 00:39:23,680 --> 00:39:26,320 Speaker 1: be like I legit leave with a two hundred You 749 00:39:26,400 --> 00:39:28,160 Speaker 1: know this, dude, if you talk about losing but then 750 00:39:28,200 --> 00:39:31,799 Speaker 1: getting it back the same night, Yeah, like I didn't 751 00:39:32,480 --> 00:39:36,759 Speaker 1: been down million dollars man, all my money back in 752 00:39:36,840 --> 00:39:40,560 Speaker 1: the screet of the casino. Casino, Okay, we had we 753 00:39:40,680 --> 00:39:42,440 Speaker 1: had men and all dice game before the screek. Though 754 00:39:42,840 --> 00:39:45,160 Speaker 1: I ain't never went down man screaked. I don't went 755 00:39:45,239 --> 00:39:47,719 Speaker 1: down and screak like two hundred thousand down to a 756 00:39:47,800 --> 00:39:50,719 Speaker 1: thousand and then got my two hundred back one night. 757 00:39:51,560 --> 00:39:53,640 Speaker 1: You always gamble with the always lose that. It's just 758 00:39:53,719 --> 00:39:56,400 Speaker 1: to lick every telly. See, I ain't gonna put them 759 00:39:56,440 --> 00:40:07,759 Speaker 1: out there like you run. It's he wanted. I can't 760 00:40:07,800 --> 00:40:10,560 Speaker 1: for show him't got no him. He ain't no gambler 761 00:40:10,640 --> 00:40:12,680 Speaker 1: for real, Like I need somebody who's gonna I can't 762 00:40:12,719 --> 00:40:15,000 Speaker 1: lose five tenth thous. I don't want that. I'm trying 763 00:40:15,040 --> 00:40:18,600 Speaker 1: to like, fuck you up. Yeah, I'm trying. So when 764 00:40:18,600 --> 00:40:21,239 Speaker 1: you do, you know, usually when you when you bust 765 00:40:21,280 --> 00:40:22,640 Speaker 1: somebody down, you get him a little bit so he 766 00:40:22,680 --> 00:40:25,839 Speaker 1: could be happy on the way, pending on who it is, Yeah, 767 00:40:26,200 --> 00:40:27,919 Speaker 1: him a little bit like you do here you go, Yeah, 768 00:40:27,960 --> 00:40:31,080 Speaker 1: depending on who it is and something. Some people be 769 00:40:31,120 --> 00:40:33,960 Speaker 1: like suckers, like they won't give me nothing bad. Yeah, 770 00:40:34,520 --> 00:40:37,200 Speaker 1: So you talk to them to the point where they 771 00:40:37,239 --> 00:40:39,600 Speaker 1: want to cry for sure, for sure, so they want 772 00:40:39,600 --> 00:40:44,200 Speaker 1: to fight, shoot whatever. That's that's my goal. They shouldn't 773 00:40:44,200 --> 00:40:46,319 Speaker 1: be They shouldn't be asked betting what you then don't. 774 00:40:46,320 --> 00:40:48,960 Speaker 1: They shouldn't bet what they don't got. I ain't got it, okay, 775 00:40:49,200 --> 00:40:52,400 Speaker 1: Just nobody don't want to be what's the most somebody 776 00:40:52,400 --> 00:40:58,680 Speaker 1: don't hurt you for um, probably one time I lost, 777 00:40:58,760 --> 00:41:02,960 Speaker 1: like I don't know, and like two days to the 778 00:41:03,000 --> 00:41:05,680 Speaker 1: same person or just a couple of people. Yeah, like 779 00:41:05,760 --> 00:41:08,560 Speaker 1: in the house, it's a bad weekend. I gotta signed 780 00:41:08,600 --> 00:41:12,120 Speaker 1: it the next day. You gotta signed the next I 781 00:41:12,160 --> 00:41:20,479 Speaker 1: gotta be the record there gonna sign. Do you refer 782 00:41:20,600 --> 00:41:22,960 Speaker 1: to gamble against Drake or me? Because they both seem 783 00:41:23,040 --> 00:41:27,040 Speaker 1: like their gambles, like like man meet and kind of 784 00:41:27,320 --> 00:41:30,840 Speaker 1: build a person relationship that I was telling y'all, like 785 00:41:31,160 --> 00:41:32,800 Speaker 1: gam with my friends, but Meet used to shouting that 786 00:41:32,920 --> 00:41:36,600 Speaker 1: up on this ship. We didn't get them. But but Drake, 787 00:41:36,719 --> 00:41:38,919 Speaker 1: he won't. I won't to get them when he's like Drake, 788 00:41:39,520 --> 00:41:43,200 Speaker 1: he won't, he won't. I ain't saying they'd be scaring me, 789 00:41:43,800 --> 00:41:47,960 Speaker 1: but like stories and ship ain't like that. Drake more 790 00:41:48,040 --> 00:41:51,200 Speaker 1: like a casino gambler anyway, mh. Do you have to 791 00:41:51,239 --> 00:41:54,399 Speaker 1: tell somebody to stop? Like, look, I think we gotta 792 00:41:56,560 --> 00:41:58,320 Speaker 1: people try to Like my people don't even tell me 793 00:41:58,400 --> 00:42:01,680 Speaker 1: to stop though, because because I'm like a comeback kid, 794 00:42:02,480 --> 00:42:04,759 Speaker 1: feel me like, so telling me to stop really gonna 795 00:42:04,760 --> 00:42:07,239 Speaker 1: piss me off because I could get my money back. 796 00:42:08,239 --> 00:42:11,480 Speaker 1: So like I kind of like the casino because I 797 00:42:11,560 --> 00:42:14,239 Speaker 1: get I'm with the credit line. I mean, let's say, 798 00:42:14,239 --> 00:42:16,399 Speaker 1: if I get a credit line for twenty thous, I'm 799 00:42:16,480 --> 00:42:19,919 Speaker 1: only gonna be able to lose twenty thous. So I first, 800 00:42:19,960 --> 00:42:21,720 Speaker 1: it's like gambling in the street. You can lose everything 801 00:42:21,760 --> 00:42:23,480 Speaker 1: you got. You just keep going getting more and more. 802 00:42:23,800 --> 00:42:25,480 Speaker 1: Once you get to the casino and I get to 803 00:42:25,560 --> 00:42:27,239 Speaker 1: a certain match, it's like no other way for me 804 00:42:27,280 --> 00:42:30,040 Speaker 1: to get no more money now, Like I can't unless 805 00:42:30,160 --> 00:42:32,760 Speaker 1: like I can go to the bank nine times tens nighttime. 806 00:42:33,480 --> 00:42:35,640 Speaker 1: It's gonna be when I lose, It's just I'm done, Lece, 807 00:42:35,680 --> 00:42:36,960 Speaker 1: I go to sleep and wake up. I ain't gonna 808 00:42:36,960 --> 00:42:38,560 Speaker 1: wake up like I got to get my money back. 809 00:42:38,600 --> 00:42:41,560 Speaker 1: It's just gonna be yes today. All right, Well, let's 810 00:42:41,560 --> 00:42:43,040 Speaker 1: get into a jil off down. What you want here? 811 00:42:43,080 --> 00:42:48,839 Speaker 1: What you want to play? Man? M hm, I'm only 812 00:42:49,600 --> 00:42:54,359 Speaker 1: never never hating, never hate it. All right, Well we'll 813 00:42:54,360 --> 00:42:56,319 Speaker 1: get into that. Baby. It's only me out right now. 814 00:42:56,400 --> 00:42:58,440 Speaker 1: I'm out right now. And I always want to say 815 00:42:58,480 --> 00:43:00,920 Speaker 1: thank you because every time I do it cost whatever 816 00:43:01,000 --> 00:43:03,239 Speaker 1: I need. You open up the doors and you allow 817 00:43:03,360 --> 00:43:04,560 Speaker 1: me to ball you and use your car, so I 818 00:43:04,600 --> 00:43:06,480 Speaker 1: appreciate that. I just want to thank you for coming 819 00:43:06,480 --> 00:43:07,759 Speaker 1: doing an interview because I know it's gonna be a 820 00:43:07,800 --> 00:43:10,759 Speaker 1: point in your career where you ain't doing documentary to 821 00:43:10,840 --> 00:43:13,480 Speaker 1: appreciate it. Oh, absolutely absolutely, I know it's gonna be 822 00:43:13,480 --> 00:43:15,560 Speaker 1: a point where you ain't doing no more interviews, no more. Yeah, 823 00:43:15,600 --> 00:43:23,840 Speaker 1: it's being closer and closer yesterday. Yeah, my goodest little baby. 824 00:43:24,120 --> 00:43:25,560 Speaker 1: It's the Breakfast Club. Good morning,