1
00:00:02,320 --> 00:00:07,640
Speaker 1: No, no, you don't mind if you don't mind bringing

2
00:00:07,640 --> 00:00:09,760
Speaker 1: the micro from ray cles ed and you're asking a lot.

3
00:00:09,880 --> 00:00:12,360
Speaker 1: I know, I'm sorry. It was the it was the

4
00:00:12,440 --> 00:00:16,440
Speaker 1: vegan spot. I got very check check two, three, four, five,

5
00:00:16,560 --> 00:00:22,000
Speaker 1: six six. The hometown Hero is on Certified Lovable. The

6
00:00:22,079 --> 00:00:27,760
Speaker 1: hometown hero is on Certified lovabley about you check one

7
00:00:27,840 --> 00:00:30,760
Speaker 1: two three, one two three four. Miracle Watts is the

8
00:00:31,000 --> 00:00:36,440
Speaker 1: hometown hero. She is? Yes, indeed, how we recording? Yes

9
00:00:36,479 --> 00:00:39,839
Speaker 1: she is. Miracle Watts is the hometown hero. Absolutely my

10
00:00:39,920 --> 00:00:41,800
Speaker 1: fucking text, and I'm glad you said it on a

11
00:00:41,960 --> 00:00:44,440
Speaker 1: We need to set the records. Miracle Watts is the

12
00:00:44,479 --> 00:00:48,720
Speaker 1: hometown hero of Houston, Texas is fact. And Lea, I

13
00:00:48,760 --> 00:00:52,040
Speaker 1: don't think Lyric's from there, but she's the She's somewhere else. Well, yeah,

14
00:00:52,200 --> 00:00:54,800
Speaker 1: you've got to start giving the hometown heroes the flowers man.

15
00:00:55,240 --> 00:00:57,080
Speaker 1: We are sitting in real time looking at all this

16
00:00:57,160 --> 00:00:59,279
Speaker 1: CLB stuff. I know you guys have the album right now,

17
00:00:59,280 --> 00:01:01,960
Speaker 1: but we're living in real time looking at all the features,

18
00:01:02,400 --> 00:01:05,760
Speaker 1: debating amongst each other. Who is the hometown hero? Is

19
00:01:05,760 --> 00:01:10,080
Speaker 1: it Beyonce? Is it Scarface? Is it bum Bee? Traded truth?

20
00:01:10,319 --> 00:01:14,000
Speaker 1: Maybe could definitely see trade the truth? Is it JJ Watt? Maybe?

21
00:01:14,240 --> 00:01:17,120
Speaker 1: Is it PIMPC? Is it Devin the Dude? I can

22
00:01:17,160 --> 00:01:20,840
Speaker 1: see that. I could definitely see that. We're just a

23
00:01:20,840 --> 00:01:24,039
Speaker 1: bunch of New Yorkers. Sorry if we don't at Paul

24
00:01:24,080 --> 00:01:35,399
Speaker 1: Wall I like that. Chamellionaire, South Park, Mexican. Listen, man,

25
00:01:36,280 --> 00:01:38,680
Speaker 1: all right, listen, I'm I don't know out the spot

26
00:01:38,720 --> 00:01:41,200
Speaker 1: and no, I got you. I'm well versed. No, no, no,

27
00:01:41,240 --> 00:01:46,360
Speaker 1: I got you. I got you. Understand, Okay, now I'm

28
00:01:46,360 --> 00:01:50,120
Speaker 1: giving like real yeah, ship, Yeah, I could see that somehow,

29
00:01:50,160 --> 00:01:51,400
Speaker 1: I can see that. I can see I could see

30
00:01:51,440 --> 00:01:53,720
Speaker 1: DJ screw rest in peace. Listen. I know we we

31
00:01:53,800 --> 00:01:56,960
Speaker 1: know Drake and his uh love for Houston, so I'm

32
00:01:56,960 --> 00:02:00,600
Speaker 1: sure he's not saying that without it being something worthwhile.

33
00:02:01,320 --> 00:02:03,120
Speaker 1: Should we get right into that? Should we get into dondo?

34
00:02:03,160 --> 00:02:05,840
Speaker 1: Should try to get into both? Well? First of well,

35
00:02:05,920 --> 00:02:07,440
Speaker 1: let's talk about us a little bit first before we

36
00:02:07,440 --> 00:02:10,200
Speaker 1: get to the music. I'm excited. Yeah, music is out.

37
00:02:10,680 --> 00:02:12,399
Speaker 1: A lot of good music is out right now for sure,

38
00:02:12,400 --> 00:02:16,400
Speaker 1: and good music is on the way. We had who

39
00:02:16,440 --> 00:02:18,040
Speaker 1: do we get last week? We got west Side Gun,

40
00:02:18,080 --> 00:02:21,680
Speaker 1: west Side Gun like it Hitler wears her Ma six.

41
00:02:22,919 --> 00:02:26,320
Speaker 1: I think it was eight nine, ten eleven or something

42
00:02:26,360 --> 00:02:29,880
Speaker 1: like that. Six six, But yeah, would you do over

43
00:02:29,880 --> 00:02:32,840
Speaker 1: the weekend? Actually didn't do much at all. I didn't

44
00:02:32,840 --> 00:02:35,640
Speaker 1: have an eventful weekend. I stayed and looked at your

45
00:02:35,680 --> 00:02:37,560
Speaker 1: story to live vicariously through you. I got. I got

46
00:02:37,560 --> 00:02:39,480
Speaker 1: some text messages from some people. I don't usually get

47
00:02:39,480 --> 00:02:42,320
Speaker 1: text messages from that said, I spy with my little

48
00:02:42,320 --> 00:02:47,280
Speaker 1: I'm all in Magic City. I was. I was definitely

49
00:02:47,280 --> 00:02:50,520
Speaker 1: in Magic City. I was definitely a Magic City Monday night.

50
00:02:50,800 --> 00:02:52,400
Speaker 1: And then I tried and then I tried to like

51
00:02:52,680 --> 00:02:55,919
Speaker 1: con them into in like Machiavelly way of me saying,

52
00:02:55,960 --> 00:02:58,840
Speaker 1: I don't believe it. Show me a video, knowing I

53
00:02:58,840 --> 00:03:00,400
Speaker 1: know you would be in magic definitely, and I was

54
00:03:00,440 --> 00:03:02,680
Speaker 1: just trying to get a video. I was definitely in

55
00:03:02,760 --> 00:03:05,760
Speaker 1: Magic City. Uh. Went down to Atlanta for the LVR

56
00:03:05,840 --> 00:03:08,400
Speaker 1: in writers Camp back to back. Yeah. I took an

57
00:03:08,480 --> 00:03:10,680
Speaker 1: artist down there that that I'm helping, that I'm working with,

58
00:03:11,639 --> 00:03:13,480
Speaker 1: took it down there is to sit in with some

59
00:03:13,480 --> 00:03:15,760
Speaker 1: producers and some other artists and just you know, you

60
00:03:15,800 --> 00:03:19,320
Speaker 1: know how that those writer camps go find justice. You know.

61
00:03:19,360 --> 00:03:21,399
Speaker 1: It was really really dope shout out to justice, everybody,

62
00:03:21,520 --> 00:03:24,840
Speaker 1: everybody over at LVRN. It was a great weekend, a

63
00:03:24,880 --> 00:03:26,760
Speaker 1: lot of a lot of a lot of creative people,

64
00:03:26,919 --> 00:03:30,360
Speaker 1: cool people in the same building. Yeah, it was. It

65
00:03:30,360 --> 00:03:32,760
Speaker 1: was pretty dope. And then we went to Jermaine the

66
00:03:32,760 --> 00:03:36,560
Speaker 1: pre studio. I did, I did see that. Yeah. I

67
00:03:36,600 --> 00:03:38,120
Speaker 1: didn't want to jump right into I wanted to let

68
00:03:38,160 --> 00:03:40,920
Speaker 1: you tell me everything that happened before we got into. Oh. No,

69
00:03:40,960 --> 00:03:42,800
Speaker 1: we just went to the point of views of your

70
00:03:42,800 --> 00:03:45,320
Speaker 1: experience down there. No, we went to the studio because

71
00:03:45,480 --> 00:03:49,200
Speaker 1: Daniel's division is working with JD and Brian Michael Cox.

72
00:03:49,680 --> 00:03:51,320
Speaker 1: You know, some new music. They got some really really

73
00:03:51,400 --> 00:03:55,120
Speaker 1: dope shit coming. So we went by the studio. If

74
00:03:55,160 --> 00:03:57,400
Speaker 1: you would call that a studio, it's a compound. Yeah,

75
00:03:58,240 --> 00:04:00,920
Speaker 1: no disrespect, it's definitely not just a student full court

76
00:04:00,920 --> 00:04:04,360
Speaker 1: basket of warehouse shit. That shit is a warehouse. Uh.

77
00:04:04,480 --> 00:04:07,560
Speaker 1: While we watched the Jake Paul fight okay and lock

78
00:04:07,600 --> 00:04:10,160
Speaker 1: THEO yeah or whatever it was, and uh, and then

79
00:04:10,200 --> 00:04:11,680
Speaker 1: listen to a lot of a lot of new music

80
00:04:11,720 --> 00:04:15,360
Speaker 1: that's coming and hung out with I didn't even know

81
00:04:15,440 --> 00:04:18,720
Speaker 1: until JD pointed him out. And it sounds crazy that

82
00:04:18,760 --> 00:04:21,839
Speaker 1: he pointed him out, but Webster was there with us chilling.

83
00:04:22,160 --> 00:04:24,480
Speaker 1: I don't know if anybody knows Webster, the sitcom from

84
00:04:24,480 --> 00:04:26,760
Speaker 1: the eighties. I'm awareing Lewis, and I don't want to

85
00:04:26,760 --> 00:04:29,200
Speaker 1: call hi Webster Manuel Lewis. Yeah, he was in there

86
00:04:29,200 --> 00:04:30,880
Speaker 1: hanging out watching a fight with us, And I didn't

87
00:04:30,880 --> 00:04:33,960
Speaker 1: even know it was him until JD was like, yeah,

88
00:04:33,920 --> 00:04:35,560
Speaker 1: why you're acting like y'all not in here chilling with

89
00:04:36,160 --> 00:04:38,280
Speaker 1: well Webster, Like this is all of our like growing up.

90
00:04:38,320 --> 00:04:40,560
Speaker 1: This was the guy we all like watched on TV

91
00:04:40,600 --> 00:04:43,200
Speaker 1: because I was born in nineteen ninety JD. Yeah, well, yeah,

92
00:04:43,360 --> 00:04:45,239
Speaker 1: you know, there's a lot of nineties babies in there,

93
00:04:45,400 --> 00:04:47,680
Speaker 1: but for me, that was like, that was the ship.

94
00:04:47,720 --> 00:04:51,440
Speaker 1: I was like Webster like Emanuel Lewis, you know, but

95
00:04:51,520 --> 00:04:54,919
Speaker 1: of course still it's it's Webster. Yeah, so got it.

96
00:04:55,000 --> 00:04:58,760
Speaker 1: Got to meet Webster. A great guy, real cool. Definitely

97
00:04:58,760 --> 00:05:00,279
Speaker 1: didn't expect him be as cool as he was, but

98
00:05:00,320 --> 00:05:03,840
Speaker 1: he was super super cool. Yeah, man, And JD has

99
00:05:03,839 --> 00:05:05,720
Speaker 1: a I didn't. I didn't know JD was vegan for

100
00:05:05,760 --> 00:05:09,760
Speaker 1: sixteen fifteen years. Yes, I had no. I do only

101
00:05:09,839 --> 00:05:11,640
Speaker 1: know that this is becoming a very industry intro and

102
00:05:11,680 --> 00:05:13,440
Speaker 1: I don't like that. When I was at Sony, we

103
00:05:13,480 --> 00:05:16,880
Speaker 1: did this so also Deaf twenty five year anniversary, and

104
00:05:17,040 --> 00:05:20,400
Speaker 1: we were with JD for a while, and everyone knows

105
00:05:20,440 --> 00:05:23,440
Speaker 1: how much I admire the flesh of slaughtered animals. And

106
00:05:23,480 --> 00:05:28,440
Speaker 1: for that entire week we had to eat vegan. In

107
00:05:28,480 --> 00:05:30,760
Speaker 1: the beginning, I didn't like it, and I was confused

108
00:05:30,760 --> 00:05:32,120
Speaker 1: because I went to like where they put all the

109
00:05:32,120 --> 00:05:34,520
Speaker 1: trays of food, thinking that there was meat and things,

110
00:05:34,520 --> 00:05:37,159
Speaker 1: and I was like, this just feels like some unseasoned meat.

111
00:05:37,880 --> 00:05:39,800
Speaker 1: And I found out it was vegan. But I did

112
00:05:39,880 --> 00:05:42,520
Speaker 1: discover some stuff your lifestyle. I'm starting to understand a

113
00:05:42,600 --> 00:05:44,320
Speaker 1: bit more. Yeah, no, it was good man, he has

114
00:05:44,400 --> 00:05:46,800
Speaker 1: an ice cream that he's coming out with that. I

115
00:05:46,839 --> 00:05:49,600
Speaker 1: tried some strawberry ice whan. That was crazy. So what's

116
00:05:49,640 --> 00:05:52,160
Speaker 1: the point of vegans? Why do you guys name things

117
00:05:52,960 --> 00:05:57,200
Speaker 1: after meat? What do you mean? We were doing pre production,

118
00:05:58,040 --> 00:06:00,760
Speaker 1: we were talking about editing about what was pork pork

119
00:06:00,800 --> 00:06:03,440
Speaker 1: belly but it was vegan. Yeah. It was like, so

120
00:06:03,440 --> 00:06:05,680
Speaker 1: why would you call it pork belly? You're literally talking

121
00:06:05,720 --> 00:06:07,760
Speaker 1: about an animal and part of its body. Well, I

122
00:06:07,800 --> 00:06:10,960
Speaker 1: guess it's that's that's just to give you the it's

123
00:06:11,040 --> 00:06:13,560
Speaker 1: the style, it's it's it's not the actual pork, but

124
00:06:13,600 --> 00:06:17,320
Speaker 1: it's like the texture is similar, the sauce is similar

125
00:06:17,360 --> 00:06:22,320
Speaker 1: to So you do understand that that would be delicious

126
00:06:22,839 --> 00:06:24,840
Speaker 1: and that is what we all want. Yeah, well no,

127
00:06:25,080 --> 00:06:27,520
Speaker 1: that's probably like trick yourself. No, that's but that's what's

128
00:06:27,560 --> 00:06:32,119
Speaker 1: dope about, you know. Uh, the vegan ingredients and dishes now,

129
00:06:32,600 --> 00:06:36,480
Speaker 1: is that it replicates a lot of the the dishes

130
00:06:36,480 --> 00:06:38,279
Speaker 1: that you know, vegans want to move away from. They

131
00:06:38,520 --> 00:06:41,160
Speaker 1: want to go to a more plant based, a more healthier,

132
00:06:41,560 --> 00:06:44,120
Speaker 1: meat free diet. You can still get the same texture,

133
00:06:44,160 --> 00:06:46,960
Speaker 1: the same flavor, the same sauce. You know. It's like

134
00:06:47,000 --> 00:06:50,240
Speaker 1: when lesbians bisex toys that look like penises. It's like,

135
00:06:50,279 --> 00:06:52,960
Speaker 1: what I thought you didn't like this exactly? Gotcha? Well

136
00:06:53,040 --> 00:06:54,560
Speaker 1: this is why this is why they pay you the

137
00:06:54,560 --> 00:06:57,440
Speaker 1: big bucks as you know, how to all together and

138
00:06:57,520 --> 00:07:00,640
Speaker 1: give it to people. And I imagine that the lesbian

139
00:07:00,640 --> 00:07:02,240
Speaker 1: would say, well, it's for the feeling, but does it

140
00:07:02,279 --> 00:07:04,480
Speaker 1: have to look like a veiny dick? Yeah? Does it

141
00:07:04,520 --> 00:07:06,240
Speaker 1: have to look like pork belly and even just have

142
00:07:06,360 --> 00:07:08,360
Speaker 1: what it is? No, it would it helps that it

143
00:07:08,360 --> 00:07:10,440
Speaker 1: looks like a veiny dick, it would it would help

144
00:07:10,480 --> 00:07:11,960
Speaker 1: you know what I mean. It's like, listen, I know

145
00:07:11,960 --> 00:07:15,720
Speaker 1: you don't like these things, but you know, try it.

146
00:07:15,880 --> 00:07:19,480
Speaker 1: You might like. While we're on this topic, there was

147
00:07:19,520 --> 00:07:23,360
Speaker 1: some social media posts, uh, during your JD vegan experience,

148
00:07:24,200 --> 00:07:25,920
Speaker 1: and it said Maul is trying I don't know whatever

149
00:07:25,960 --> 00:07:28,760
Speaker 1: food it was. It was strawberry, it was it was

150
00:07:28,800 --> 00:07:33,480
Speaker 1: hashtag JD's vegans. Yes, So would you consider yourself one

151
00:07:33,520 --> 00:07:37,960
Speaker 1: of JD's vegans? No? No, I wouldn't consider myself. Was

152
00:07:38,040 --> 00:07:39,800
Speaker 1: that like Jerry's kid? No? No, no, no, no no.

153
00:07:40,280 --> 00:07:43,640
Speaker 1: Is that like tas angels? I didn't ask, but I'm

154
00:07:43,680 --> 00:07:48,000
Speaker 1: assuming that JD's vegan is his vegan vegan? You're not,

155
00:07:48,080 --> 00:07:50,280
Speaker 1: in fact, one of Jermaine PRIs. I'm not one of

156
00:07:50,600 --> 00:07:53,920
Speaker 1: these angels. No, I promise you I'm not. Definitely, no

157
00:07:54,200 --> 00:07:56,200
Speaker 1: great guy. That's that's that's you know, that's the that's

158
00:07:56,240 --> 00:07:58,920
Speaker 1: the legend, legendary Germaine Duprix. But no, I'm not a

159
00:07:59,000 --> 00:08:01,400
Speaker 1: I'm not a JD vegan. Yeah. I feel like how

160
00:08:01,480 --> 00:08:05,160
Speaker 1: the cult started in Georgetown was Jim Jones fans of

161
00:08:05,240 --> 00:08:07,360
Speaker 1: kool Aid. I just wanted to make sure you didn't

162
00:08:07,360 --> 00:08:11,280
Speaker 1: go into that warehouse and we're joining some tip like

163
00:08:11,920 --> 00:08:16,080
Speaker 1: Colleige here. Oh wait, Jay, you want me to commit suicide? No, no, no,

164
00:08:16,120 --> 00:08:19,239
Speaker 1: I just tried some strawberry, some vegan strawberry ice cream

165
00:08:19,520 --> 00:08:21,559
Speaker 1: and that it was. It was really good. And shout

166
00:08:21,560 --> 00:08:23,680
Speaker 1: out to jd Alway. Shout out to Jamy's whole vegan

167
00:08:23,720 --> 00:08:27,239
Speaker 1: line that he's he's coming out with soon. Uh some

168
00:08:27,240 --> 00:08:29,160
Speaker 1: some of the greatest debates of all time that you

169
00:08:29,200 --> 00:08:32,360
Speaker 1: will never hear happen in that studio. Oh yeah, really

170
00:08:32,360 --> 00:08:34,920
Speaker 1: start and you really start to find out what your

171
00:08:34,960 --> 00:08:36,920
Speaker 1: heroes and people you look up to, really think about

172
00:08:36,920 --> 00:08:39,320
Speaker 1: your other heroes that you look up to. And boy,

173
00:08:39,400 --> 00:08:42,120
Speaker 1: does no one like each other. It's a lot of shade.

174
00:08:42,200 --> 00:08:45,280
Speaker 1: It's a lot of like, you know, yeah, yeah, whatever,

175
00:08:45,320 --> 00:08:46,839
Speaker 1: get the fuck out of here, that type of energy.

176
00:08:46,920 --> 00:08:49,240
Speaker 1: Like I've heard some versus talks in there. Oh no, no,

177
00:08:49,280 --> 00:08:51,520
Speaker 1: it's it's it's it was a lot of that out there.

178
00:08:51,640 --> 00:08:54,360
Speaker 1: But you know the thing about it is they all

179
00:08:54,960 --> 00:08:57,120
Speaker 1: at the end of it have a mutual respect for

180
00:08:57,160 --> 00:08:58,720
Speaker 1: each other. Of course, they know what time it is

181
00:08:58,720 --> 00:09:02,719
Speaker 1: with their own craft and yeah, who actually does what right? Right?

182
00:09:02,720 --> 00:09:05,360
Speaker 1: And we went to Uh. We went to Magic City Monday,

183
00:09:05,559 --> 00:09:08,920
Speaker 1: Monday night. That was my first time on a Saturday

184
00:09:09,160 --> 00:09:11,480
Speaker 1: on No, it was on a Monday night, but that

185
00:09:11,559 --> 00:09:13,959
Speaker 1: was my first time in Magic City in years. Uh.

186
00:09:13,960 --> 00:09:15,439
Speaker 1: And Jad came out with us, and he doesn't know.

187
00:09:15,559 --> 00:09:17,320
Speaker 1: He doesn't even go out no more, so he came out.

188
00:09:17,480 --> 00:09:20,200
Speaker 1: But the most impressive part of the night, minus the

189
00:09:20,200 --> 00:09:22,880
Speaker 1: beautiful girl, it was one lady, young lady. I want

190
00:09:22,920 --> 00:09:25,440
Speaker 1: to get this right. She was a she's a performer.

191
00:09:25,440 --> 00:09:27,960
Speaker 1: I'm not gonna even call her a stripper. She's a performer.

192
00:09:28,520 --> 00:09:31,200
Speaker 1: And I don't know who she is, but people at

193
00:09:31,200 --> 00:09:34,199
Speaker 1: Magic City, I'm sure know she is. She was climbing

194
00:09:34,240 --> 00:09:37,800
Speaker 1: the poles and the ceiling and yo, she was doing

195
00:09:37,840 --> 00:09:41,560
Speaker 1: ship that I know that men, grown men couldn't do

196
00:09:41,559 --> 00:09:43,880
Speaker 1: any She was like Lionel Richie walking on the ceiling. No,

197
00:09:44,000 --> 00:09:48,680
Speaker 1: she was. She was like spider woman. Like I was

198
00:09:48,720 --> 00:09:50,360
Speaker 1: watching her to see how long she was gonna be

199
00:09:50,400 --> 00:09:53,000
Speaker 1: able to hold herself up. She had a whole other pole. Yeah,

200
00:09:53,160 --> 00:09:56,800
Speaker 1: looking at the behind the stripper, and everybody was laughing

201
00:09:56,840 --> 00:09:59,360
Speaker 1: at me because I'm staring at her. But I'm like,

202
00:09:59,559 --> 00:10:03,200
Speaker 1: I'm not staring, like getting horny or anything. Like that

203
00:10:03,240 --> 00:10:06,200
Speaker 1: I'm staring because I'm like it's art. No, I could

204
00:10:06,280 --> 00:10:08,559
Speaker 1: not believe that she was. She was holding herself up

205
00:10:08,600 --> 00:10:11,400
Speaker 1: for like thirty seconds with one hand. No, that's core,

206
00:10:11,520 --> 00:10:15,760
Speaker 1: hanging from the chilings, just swinging, and I'm like, there

207
00:10:15,800 --> 00:10:17,840
Speaker 1: are men in here that workout that cannot do that,

208
00:10:18,320 --> 00:10:19,680
Speaker 1: you know what I mean. So I was just she

209
00:10:19,800 --> 00:10:24,200
Speaker 1: was phenomenal. But that wasn't as impressive as JD still

210
00:10:24,240 --> 00:10:27,000
Speaker 1: goes to the DJ booth and gives the DJ new

211
00:10:27,080 --> 00:10:29,480
Speaker 1: music that he's working on to play in the clubs. Oh,

212
00:10:29,480 --> 00:10:32,160
Speaker 1: that's really dope. But like that was phenomenal to me.

213
00:10:32,240 --> 00:10:36,200
Speaker 1: I that was like, like I really admired that on

214
00:10:36,240 --> 00:10:39,160
Speaker 1: a whole different level. And that's why that's why Atlanta

215
00:10:39,240 --> 00:10:42,560
Speaker 1: is better than us. One of the reasons and justice

216
00:10:42,600 --> 00:10:44,160
Speaker 1: the hold us against me in our debates that we

217
00:10:44,160 --> 00:10:46,920
Speaker 1: always we still rule we're still better than you. But

218
00:10:47,440 --> 00:10:49,560
Speaker 1: this is why Lanta is better than us, because that

219
00:10:49,600 --> 00:10:51,920
Speaker 1: can happen Atlanta and it would be fine. People would

220
00:10:52,000 --> 00:10:53,920
Speaker 1: enjoy it, and the club would continue on and they'd

221
00:10:54,000 --> 00:10:57,480
Speaker 1: be intrigued, and the strippers would still dance. In New York.

222
00:10:57,960 --> 00:11:00,880
Speaker 1: Come on, imagine going to Starlet's with with your new song.

223
00:11:01,200 --> 00:11:06,840
Speaker 1: Yeah yeah, but then being a legendary songwriter, producer and

224
00:11:07,000 --> 00:11:11,240
Speaker 1: CEO like JD. Yeah, like that was I could not.

225
00:11:11,440 --> 00:11:14,400
Speaker 1: Like to me, that was just a life lesson in

226
00:11:14,440 --> 00:11:17,040
Speaker 1: those ten minutes, like just watching him go to the

227
00:11:17,080 --> 00:11:21,000
Speaker 1: DJ booth, shake the DJ's hand, pass him to hard drive,

228
00:11:21,559 --> 00:11:24,480
Speaker 1: play this new record. Like I was like, if JD

229
00:11:24,600 --> 00:11:27,079
Speaker 1: is still doing that at the level and success that

230
00:11:27,200 --> 00:11:29,760
Speaker 1: he's at, you should always be willing to do the

231
00:11:29,760 --> 00:11:32,040
Speaker 1: groundwork no matter how much success you attain in life.

232
00:11:32,040 --> 00:11:34,120
Speaker 1: I put it this way with Jamaine Dupree, out of

233
00:11:34,160 --> 00:11:36,200
Speaker 1: all the people that we put at that top tier

234
00:11:36,240 --> 00:11:40,280
Speaker 1: producer level right now, there's very very few out of

235
00:11:40,320 --> 00:11:42,680
Speaker 1: that very few that you could lock in a room

236
00:11:42,679 --> 00:11:46,079
Speaker 1: with just the NPC, no other key players, no other

237
00:11:46,120 --> 00:11:49,199
Speaker 1: guitar players, no other producers knowing the younger, younger dude

238
00:11:49,200 --> 00:11:51,960
Speaker 1: that he has under him and could come out with

239
00:11:52,040 --> 00:11:55,679
Speaker 1: a full record at the capacity and level that Jamain

240
00:11:55,720 --> 00:11:58,200
Speaker 1: Dupre could. I agree. I think a lot of other

241
00:11:58,280 --> 00:12:01,920
Speaker 1: producers at his cal which is the top, are gonna

242
00:12:01,920 --> 00:12:04,000
Speaker 1: need a lot more resources. Oh just him and an

243
00:12:04,080 --> 00:12:06,560
Speaker 1: MPC and him and a keyboard. Oh yeah, no, for sure.

244
00:12:06,800 --> 00:12:09,640
Speaker 1: You know, walking through the compound as you call it,

245
00:12:10,280 --> 00:12:12,040
Speaker 1: you know, just looking at the plaques on the wall

246
00:12:12,120 --> 00:12:15,400
Speaker 1: and you know, the posters on the floor, plaques on

247
00:12:15,400 --> 00:12:18,200
Speaker 1: the floor. It was just shit everywhere. And I was

248
00:12:18,240 --> 00:12:21,120
Speaker 1: just like, you know, this is you almost forget how

249
00:12:21,240 --> 00:12:25,040
Speaker 1: much Jermaine Duprie has accomplished in his career. Yeah, like

250
00:12:25,080 --> 00:12:27,520
Speaker 1: you literally almost forget because it's been so many years

251
00:12:27,559 --> 00:12:29,520
Speaker 1: of it that you forgot, Like damn he did that,

252
00:12:29,720 --> 00:12:31,880
Speaker 1: he did this. And it was just like I started

253
00:12:31,880 --> 00:12:33,439
Speaker 1: thinking about the whole versus shit and I'm like, I

254
00:12:33,480 --> 00:12:35,240
Speaker 1: don't know if anybody want to sit in the verses

255
00:12:35,240 --> 00:12:40,320
Speaker 1: with Jamae debris and once you really look at them credits, yeah,

256
00:12:40,480 --> 00:12:41,600
Speaker 1: I mean I don't want. I don't want to get

257
00:12:41,640 --> 00:12:43,840
Speaker 1: on the nerdy versus part once you start looking at

258
00:12:43,880 --> 00:12:47,560
Speaker 1: the credits of who produced what for real, I don't

259
00:12:47,559 --> 00:12:50,520
Speaker 1: know if anyone's really seen Jermain Dupris in that capacity. No,

260
00:12:50,559 --> 00:12:53,559
Speaker 1: I don't think so. I don't think that there's there's many,

261
00:12:53,640 --> 00:12:57,040
Speaker 1: if any, that can sit in the verses and you know,

262
00:12:57,559 --> 00:13:01,360
Speaker 1: defeat Jamaine Duprix. But yeah, great weekend, man, I had

263
00:13:01,400 --> 00:13:03,760
Speaker 1: great time in Atlanta. Again. Shout out to Justice for

264
00:13:03,840 --> 00:13:08,800
Speaker 1: so much hospitality. Shout out to Daniel eighty five, Brian

265
00:13:08,800 --> 00:13:11,240
Speaker 1: Michael Cox, everybody. Man. We just had it. We had to.

266
00:13:11,240 --> 00:13:15,200
Speaker 1: We had a good time. That's quite the crew. Yeah, well,

267
00:13:15,200 --> 00:13:19,080
Speaker 1: I guess we'd get right in music. Then Yes, let's

268
00:13:19,160 --> 00:13:20,760
Speaker 1: let's go out. So we got some new music. We

269
00:13:20,840 --> 00:13:25,760
Speaker 1: got some good music with what actually came out on Sunday. Huh, Donda,

270
00:13:25,960 --> 00:13:29,640
Speaker 1: Kanye West. Yeah, twenty seven records, an hour and forty

271
00:13:29,640 --> 00:13:34,800
Speaker 1: four minutes. How are we feeling? So I listened to

272
00:13:34,880 --> 00:13:37,959
Speaker 1: it for the first time in the car. I had

273
00:13:37,960 --> 00:13:42,240
Speaker 1: a long drive, which I made longer on purpose because

274
00:13:42,240 --> 00:13:44,000
Speaker 1: I was trying to finish this album in the car.

275
00:13:44,080 --> 00:13:46,319
Speaker 1: For the first listen, I didn't want to get distracted.

276
00:13:47,320 --> 00:13:52,040
Speaker 1: I did want to give it the proper respect that

277
00:13:52,080 --> 00:13:53,880
Speaker 1: I owe Kanye West for all the music he's put

278
00:13:53,880 --> 00:13:58,720
Speaker 1: out yeah before. And I really did enjoy that first listen.

279
00:13:58,920 --> 00:14:01,880
Speaker 1: I can't lie. It was really fucking long, and there

280
00:14:01,880 --> 00:14:04,120
Speaker 1: were times that I really did get a little bit bored,

281
00:14:05,040 --> 00:14:08,719
Speaker 1: but then it did come back up. I'll start with

282
00:14:08,840 --> 00:14:13,560
Speaker 1: what I liked. I liked that feature wise, for the

283
00:14:13,600 --> 00:14:17,520
Speaker 1: most part, he had everybody get personal on their verses

284
00:14:19,400 --> 00:14:22,200
Speaker 1: and just as me personally, as a fan, I always

285
00:14:22,320 --> 00:14:24,480
Speaker 1: like personal verses from artists. I just just who I

286
00:14:24,520 --> 00:14:29,280
Speaker 1: am called me a fucking depressed, manic person. But I

287
00:14:29,400 --> 00:14:31,880
Speaker 1: like when artists like tell me about themselves and what

288
00:14:31,880 --> 00:14:34,800
Speaker 1: they're going through. So I did appreciate that. Because there's

289
00:14:34,840 --> 00:14:37,880
Speaker 1: so many fucking features on this album, at least everyone

290
00:14:38,080 --> 00:14:40,480
Speaker 1: kind of puts something into each feature where it wasn't

291
00:14:40,520 --> 00:14:41,880
Speaker 1: just like, well let me put this on to put

292
00:14:41,920 --> 00:14:49,280
Speaker 1: it on, I did enjoy that. I think Fabio had

293
00:14:49,360 --> 00:14:54,760
Speaker 1: the best verse on the album. Really, yes, I think

294
00:14:54,800 --> 00:14:59,000
Speaker 1: as far as delivery, feeling in it, the actual beat,

295
00:14:59,040 --> 00:15:02,000
Speaker 1: it was on what he was saying in the theme

296
00:15:02,120 --> 00:15:04,600
Speaker 1: of the album and who he is matching that theme

297
00:15:05,320 --> 00:15:07,520
Speaker 1: was by far the best verse on the yaum okay,

298
00:15:07,640 --> 00:15:11,800
Speaker 1: I'm not mad at that. As far as somebody told

299
00:15:11,800 --> 00:15:14,080
Speaker 1: me that only Kanye West can make Little YACHTI sound

300
00:15:14,080 --> 00:15:17,800
Speaker 1: like Tupac, I thought that was hilarious, But yeah, me

301
00:15:17,840 --> 00:15:19,840
Speaker 1: to cut you off, didn't mean to cut you off.

302
00:15:19,840 --> 00:15:22,080
Speaker 1: It's funny heard the YACHTI verse and I didn't really

303
00:15:22,080 --> 00:15:26,600
Speaker 1: catch the hell Mary vibes. Yeah yeah, the number one

304
00:15:26,600 --> 00:15:34,360
Speaker 1: feature I didn't need. Jay Z listen, can you just pan?

305
00:15:34,840 --> 00:15:37,640
Speaker 1: Is this a rory? Solo shot is a right cool

306
00:15:38,320 --> 00:15:43,640
Speaker 1: hoo Venger himself, the protector of all things Rockefeller. I

307
00:15:43,720 --> 00:15:45,680
Speaker 1: did not need that jay Z Verse, nor did I

308
00:15:45,720 --> 00:15:48,240
Speaker 1: need all the hype around Jail Part two and the

309
00:15:48,280 --> 00:15:50,840
Speaker 1: real Jail without the drums and all this other bullshit

310
00:15:50,880 --> 00:15:53,360
Speaker 1: about the song Jail. Is it a good song? Yes,

311
00:15:53,400 --> 00:15:55,560
Speaker 1: of course it's Kanye West. Kanye West just typically does

312
00:15:55,560 --> 00:15:58,560
Speaker 1: not make bad music. Ever, it's a good record. Is

313
00:15:58,560 --> 00:16:00,520
Speaker 1: it to the caliber of Kanye West that we have

314
00:16:00,560 --> 00:16:03,760
Speaker 1: to put all this fucking talk around it? No? Is

315
00:16:03,800 --> 00:16:05,440
Speaker 1: it a good jay Z verse? Yes, of course it's

316
00:16:05,520 --> 00:16:07,920
Speaker 1: jay Z, but it's a jay Z caliber. No. It

317
00:16:07,960 --> 00:16:11,080
Speaker 1: felt like Kanye told him we're putting this shit out tonight,

318
00:16:11,080 --> 00:16:13,280
Speaker 1: and that was like a month ago, and Jay hurried

319
00:16:13,360 --> 00:16:15,800
Speaker 1: up and went to make sure that Kanye could play

320
00:16:15,800 --> 00:16:19,280
Speaker 1: that at that first Mercedes Benz shit and to do

321
00:16:19,440 --> 00:16:25,520
Speaker 1: more after and just rap real quick. I do like

322
00:16:25,560 --> 00:16:27,640
Speaker 1: to hear Jay without drums. I like when that happens,

323
00:16:27,680 --> 00:16:31,720
Speaker 1: but not save that. Save that. It's the same way

324
00:16:31,720 --> 00:16:33,360
Speaker 1: I felt about Black Republican. If y'all are going to

325
00:16:33,440 --> 00:16:37,240
Speaker 1: come back, wait, give me success, don't give me Black Republican.

326
00:16:37,680 --> 00:16:41,080
Speaker 1: Don't give me jail. Just the verse you don't like,

327
00:16:41,120 --> 00:16:43,720
Speaker 1: you don't or the actual song song is cool, Okay,

328
00:16:44,560 --> 00:16:47,120
Speaker 1: songs all right. I like Baby's verse on it, the

329
00:16:47,200 --> 00:16:51,000
Speaker 1: Baby not Little Baby. I just I didn't see what

330
00:16:51,040 --> 00:16:54,240
Speaker 1: all this hype around jail was like. I mean, I know,

331
00:16:54,520 --> 00:16:57,280
Speaker 1: Universal held it out and the babies people texted and

332
00:16:57,320 --> 00:17:00,840
Speaker 1: all that other bullshit. I don't really believe, but I

333
00:17:00,880 --> 00:17:02,600
Speaker 1: thought it was a lot of nonsense around a record

334
00:17:02,640 --> 00:17:05,879
Speaker 1: that was not one of the highlights of the album

335
00:17:05,920 --> 00:17:08,199
Speaker 1: at all. I don't think it's bad. I think there

336
00:17:08,280 --> 00:17:10,560
Speaker 1: was way better songs on that album, and especially I'm

337
00:17:10,600 --> 00:17:13,200
Speaker 1: not gonna go nuts off just to this may be

338
00:17:13,960 --> 00:17:15,920
Speaker 1: the return of the throne. I love that Kanye West

339
00:17:16,040 --> 00:17:18,160
Speaker 1: and Jay Z as friends are on a speaking level

340
00:17:18,160 --> 00:17:20,560
Speaker 1: and working together. I will always love that, but I

341
00:17:20,560 --> 00:17:24,000
Speaker 1: didn't need this as a return save it become friends

342
00:17:24,000 --> 00:17:25,760
Speaker 1: and really sit and work together. Don't call jay Z,

343
00:17:25,920 --> 00:17:27,679
Speaker 1: and I don't notice to be a fact, I'm speculating.

344
00:17:28,160 --> 00:17:29,879
Speaker 1: Don't call jay Z because you have to do with

345
00:17:29,960 --> 00:17:33,879
Speaker 1: Mercedes Benz concert in three hours and you want a

346
00:17:33,960 --> 00:17:36,440
Speaker 1: verse and yeah, and then Jay comes in and does

347
00:17:36,480 --> 00:17:38,000
Speaker 1: what Jay does because he could do a verse in

348
00:17:38,040 --> 00:17:40,639
Speaker 1: five fucking seconds and it'd be great, but that's not

349
00:17:40,720 --> 00:17:43,879
Speaker 1: the type of return I want, especially from two friends

350
00:17:43,920 --> 00:17:46,520
Speaker 1: that have not you know, they've had some differences. I'm

351
00:17:46,520 --> 00:17:49,040
Speaker 1: not gonna say they were ever beefing right, didn't need that,

352
00:17:49,080 --> 00:17:51,440
Speaker 1: so we could start on that point. Go back to

353
00:17:51,480 --> 00:17:53,200
Speaker 1: the track list. Just because it was twenty seven songs

354
00:17:53,240 --> 00:17:55,679
Speaker 1: and it's only been a few days. I'm not that

355
00:17:55,680 --> 00:18:01,639
Speaker 1: big of a Kanye stand as far as here's my thing.

356
00:18:01,680 --> 00:18:03,120
Speaker 1: This is a double disc, it's an hour and forty

357
00:18:03,119 --> 00:18:07,720
Speaker 1: four minutes. Because it's streaming era. Rarely do they break

358
00:18:07,760 --> 00:18:10,359
Speaker 1: them up and do it that way. I would have

359
00:18:10,359 --> 00:18:12,879
Speaker 1: preferred he'd done it that way, but if he didn't, cool,

360
00:18:12,960 --> 00:18:15,119
Speaker 1: we have a double disc here. Like I say, with

361
00:18:15,480 --> 00:18:18,159
Speaker 1: most double discs, now chop that and a half. You

362
00:18:18,160 --> 00:18:21,520
Speaker 1: could add a really, really solid album as a single disc. Yeah,

363
00:18:21,880 --> 00:18:25,920
Speaker 1: I think making this album in an arena and centering

364
00:18:25,920 --> 00:18:29,879
Speaker 1: it around these shows. All these little filler records that

365
00:18:29,960 --> 00:18:32,439
Speaker 1: feel like they're unfinished and are just mostly kind of

366
00:18:32,480 --> 00:18:36,560
Speaker 1: instrumental or just one verse or just kind of some

367
00:18:36,640 --> 00:18:40,720
Speaker 1: mumbles and shit, save that for the live show. Don't

368
00:18:40,760 --> 00:18:43,320
Speaker 1: put this on the album. You clearly made this for

369
00:18:43,359 --> 00:18:45,919
Speaker 1: the arena and for that show. It shouldn't be for

370
00:18:45,960 --> 00:18:50,680
Speaker 1: this album. It's a waste of our time. It should

371
00:18:50,720 --> 00:18:53,400
Speaker 1: make us want to go to the show. This shouldn't

372
00:18:53,480 --> 00:18:56,240
Speaker 1: know this is this is like having like that interlud

373
00:18:56,320 --> 00:18:59,560
Speaker 1: music at a Broadway play. But we're watching the Broadway play.

374
00:19:00,080 --> 00:19:02,000
Speaker 1: When I put this in on my car or in

375
00:19:02,080 --> 00:19:04,960
Speaker 1: my headphones, I'm not watching the Broadway play. Right, you're

376
00:19:05,080 --> 00:19:07,400
Speaker 1: you're just wasting records at this point. Are they bad?

377
00:19:07,440 --> 00:19:09,520
Speaker 1: Of course not. It's Kanye fucking West, right, No, no,

378
00:19:09,560 --> 00:19:12,080
Speaker 1: what you mean? Yeah, there's so many good full records

379
00:19:12,080 --> 00:19:14,720
Speaker 1: on here that if you put this to twelve, you

380
00:19:14,800 --> 00:19:16,919
Speaker 1: have a crazy album. Yeah, he could have cut some

381
00:19:16,960 --> 00:19:18,359
Speaker 1: of the fat. It was, it was, it was some

382
00:19:18,440 --> 00:19:21,840
Speaker 1: fat on the album. Again, I don't need an abund

383
00:19:21,920 --> 00:19:26,320
Speaker 1: forty four minutes of an album of music. I just

384
00:19:26,320 --> 00:19:29,720
Speaker 1: don't need that. But I was, you know, he gave

385
00:19:29,800 --> 00:19:31,760
Speaker 1: He gave a lot of good features. It's a lot

386
00:19:31,800 --> 00:19:33,639
Speaker 1: of people that I didn't expect to see on this

387
00:19:33,720 --> 00:19:37,280
Speaker 1: album that was on this album. I love the Jesus

388
00:19:37,280 --> 00:19:44,120
Speaker 1: Lord with Jay Electronica. I think his verse was insane incredible. Yeah,

389
00:19:44,160 --> 00:19:45,719
Speaker 1: I mean I like the album, you know what I mean.

390
00:19:45,720 --> 00:19:47,360
Speaker 1: I like it. I think it's some records. I love

391
00:19:47,560 --> 00:19:50,240
Speaker 1: the remote Control. I think that's my favorite song remote

392
00:19:50,240 --> 00:19:54,520
Speaker 1: on the album with Fire. That's what Roddy right, remote Control. No,

393
00:19:54,600 --> 00:19:58,160
Speaker 1: I think that's what young thug, Young thug. I'm sorry. Yeah.

394
00:19:58,960 --> 00:20:01,040
Speaker 1: I like the Moon record with Kit Cuddy and Don

395
00:20:01,119 --> 00:20:05,040
Speaker 1: Toliver also, I love it also felt like a filler

396
00:20:05,080 --> 00:20:07,560
Speaker 1: to me, though it also felt that that would be

397
00:20:07,600 --> 00:20:10,040
Speaker 1: for the show or if we're gonna do that. That's

398
00:20:10,040 --> 00:20:14,320
Speaker 1: a specific interlude that breaks up a twelve track album.

399
00:20:14,359 --> 00:20:17,120
Speaker 1: And listen, who the fuck am I to tell Kanye

400
00:20:17,160 --> 00:20:20,160
Speaker 1: West that to put album together? No, you can. You can.

401
00:20:20,280 --> 00:20:23,159
Speaker 1: You can speak freely about a piece of art that

402
00:20:23,160 --> 00:20:27,000
Speaker 1: you call pop smoke. I think it's phenomenal that pop

403
00:20:27,040 --> 00:20:31,679
Speaker 1: smoke is on a Kanye West album. I love that

404
00:20:33,240 --> 00:20:35,800
Speaker 1: these possible streams will go to his family. Level of

405
00:20:35,800 --> 00:20:40,360
Speaker 1: that could have been saved for something else. Don't think

406
00:20:40,400 --> 00:20:44,600
Speaker 1: it made sense on this album now, because again, it

407
00:20:44,640 --> 00:20:47,280
Speaker 1: felt it felt like it was just placed there. It

408
00:20:47,280 --> 00:20:50,360
Speaker 1: felt unfinished. It felt like Kanye was like, well, let's

409
00:20:50,359 --> 00:20:52,680
Speaker 1: just put this pop smoke record on there real quick.

410
00:20:53,400 --> 00:20:55,840
Speaker 1: It's just a lot of piecing together that didn't need,

411
00:20:55,920 --> 00:20:58,639
Speaker 1: Like when you have pure Souls Roddy Rich that felt

412
00:20:58,640 --> 00:21:01,359
Speaker 1: like a folk a real record. So then when you

413
00:21:01,400 --> 00:21:05,280
Speaker 1: place it in between three unfinished joints that you literally

414
00:21:05,320 --> 00:21:08,240
Speaker 1: only made or put there for the visual sense to

415
00:21:08,280 --> 00:21:10,200
Speaker 1: go in between. Because I watched the show. The show

416
00:21:10,280 --> 00:21:12,919
Speaker 1: is phenomenal. It's phenomenal visually, and in between all these

417
00:21:12,960 --> 00:21:15,480
Speaker 1: full records, they did these interludes with these songs, and

418
00:21:15,520 --> 00:21:17,919
Speaker 1: it was a visual thing. You were watching what he

419
00:21:18,040 --> 00:21:19,720
Speaker 1: was doing, and that was just kind of the score

420
00:21:19,760 --> 00:21:22,760
Speaker 1: of the background. Right. That doesn't need to be on

421
00:21:22,960 --> 00:21:26,400
Speaker 1: an album, a concise album to me, Yeah, I mean

422
00:21:26,560 --> 00:21:28,800
Speaker 1: I think that what he did around it, around the

423
00:21:28,840 --> 00:21:30,359
Speaker 1: album leading up to the album, I think he changed

424
00:21:30,400 --> 00:21:34,240
Speaker 1: the game as far as you know, rollouts and visually

425
00:21:34,280 --> 00:21:36,919
Speaker 1: things you can do around your album and things like that.

426
00:21:37,080 --> 00:21:39,920
Speaker 1: So it's a win as far as I'm concerned for

427
00:21:40,160 --> 00:21:43,320
Speaker 1: Kanye and his team, this is definitely a win. I

428
00:21:43,320 --> 00:21:46,120
Speaker 1: think it debuted number one in ninety three or ninety

429
00:21:46,119 --> 00:21:49,320
Speaker 1: four countries or some shit like that, some crazy shit. Yeah,

430
00:21:49,359 --> 00:21:51,520
Speaker 1: So it's a success. Man. I think what he wanted

431
00:21:51,560 --> 00:21:54,040
Speaker 1: to do, which is, you know, push the envelope and

432
00:21:54,040 --> 00:21:55,840
Speaker 1: push the needle and the culture and show that we

433
00:21:55,880 --> 00:21:58,280
Speaker 1: can do things that, you know, we could think outside

434
00:21:58,320 --> 00:21:59,960
Speaker 1: of the box. We can try different things with our

435
00:22:00,040 --> 00:22:02,320
Speaker 1: art in our culture. I think that's more so what

436
00:22:02,400 --> 00:22:04,760
Speaker 1: he was trying to accomplish here, and I think he

437
00:22:05,840 --> 00:22:08,680
Speaker 1: hit this one out the park for sure. I think

438
00:22:08,720 --> 00:22:12,760
Speaker 1: as far as what was the last album called Just

439
00:22:12,800 --> 00:22:17,480
Speaker 1: Sunday Servant No, what was the last gospel Jesus King,

440
00:22:17,640 --> 00:22:21,560
Speaker 1: Jesus King, Jesus King. Yes, I think the approach here

441
00:22:21,640 --> 00:22:24,880
Speaker 1: as far as the content, even directly from Kanye's versus,

442
00:22:25,680 --> 00:22:30,119
Speaker 1: is probably a better approach. Jesus King felt, for the

443
00:22:30,119 --> 00:22:35,960
Speaker 1: most part, really like Gospell, which I think probably deterred

444
00:22:36,119 --> 00:22:38,919
Speaker 1: a lot of his fan base away from it, because

445
00:22:38,960 --> 00:22:41,480
Speaker 1: obviously not everyone is Christian, and even Christians aren't always

446
00:22:41,480 --> 00:22:46,280
Speaker 1: trying to hear Christian music from their favorite rapper. This way,

447
00:22:46,359 --> 00:22:51,160
Speaker 1: it didn't feel preachy. It didn't feel like I want

448
00:22:51,160 --> 00:22:52,560
Speaker 1: to tell you it's It didn't feel like I was

449
00:22:52,560 --> 00:22:54,280
Speaker 1: walking down the street and someone tapped my shoulder and say,

450
00:22:54,320 --> 00:22:56,199
Speaker 1: can I tell you about Jesus Christ. Have you accepted

451
00:22:56,240 --> 00:22:58,560
Speaker 1: Jesus as your Lord and Savior? It didn't feel that

452
00:22:58,600 --> 00:23:00,600
Speaker 1: way on this album, so I have to get credit there.

453
00:23:00,600 --> 00:23:02,440
Speaker 1: I thought his approach on it, even with his own

454
00:23:02,480 --> 00:23:08,439
Speaker 1: personal verses, still stuck to what people would consider it

455
00:23:08,440 --> 00:23:12,240
Speaker 1: would be a Bible message in it in a more

456
00:23:12,280 --> 00:23:16,040
Speaker 1: relatable way, more of a hope feeling, more of a

457
00:23:16,040 --> 00:23:18,640
Speaker 1: faith feeling, more of things you go through every day

458
00:23:18,680 --> 00:23:21,440
Speaker 1: and how God can be interjected in those types of things.

459
00:23:21,480 --> 00:23:23,719
Speaker 1: So I did like his approach on this one as

460
00:23:23,800 --> 00:23:25,920
Speaker 1: far as a wider audience than Jesus King ges just

461
00:23:26,000 --> 00:23:29,280
Speaker 1: King was it was a gospel Yeah, it was good

462
00:23:29,320 --> 00:23:32,879
Speaker 1: gospel music. I thought his rapping was kind of lower

463
00:23:32,920 --> 00:23:34,639
Speaker 1: tier than it usually is, and I think on this

464
00:23:34,680 --> 00:23:38,240
Speaker 1: one it actually sounded like Kanye wrote most of his

465
00:23:38,320 --> 00:23:42,359
Speaker 1: verses on this. And I'm not saying that as a

466
00:23:42,359 --> 00:23:44,359
Speaker 1: as a bad thing, but I'm also not saying it

467
00:23:44,359 --> 00:23:46,320
Speaker 1: as a good thing. But for the you know, again,

468
00:23:47,119 --> 00:23:49,000
Speaker 1: I'm not mad at that album. I see some people

469
00:23:49,000 --> 00:23:50,840
Speaker 1: they're saying they don't like it. I mean, some people

470
00:23:50,840 --> 00:23:53,320
Speaker 1: saying this is a mass this is a classic already,

471
00:23:53,359 --> 00:23:55,600
Speaker 1: and you know it's all over the place. But for

472
00:23:55,640 --> 00:23:57,399
Speaker 1: the most part, I think if you know, cut some

473
00:23:57,440 --> 00:24:02,840
Speaker 1: of the fat, trimmed the album down some, I mean

474
00:24:03,000 --> 00:24:04,440
Speaker 1: I would have I would have enjoyed it more. I

475
00:24:04,480 --> 00:24:07,720
Speaker 1: didn't need the hour and forty something minutes of music. Yeah,

476
00:24:07,960 --> 00:24:11,520
Speaker 1: it definitely sounded expensive, like the Hurricane record with Weekend

477
00:24:11,560 --> 00:24:14,720
Speaker 1: and Baby Little Baby, I like a lot sounds really

478
00:24:14,720 --> 00:24:18,320
Speaker 1: fucking expensive. Yeah, it definitely has that polish feel, which

479
00:24:18,600 --> 00:24:21,960
Speaker 1: you know, I'm not not mad at, but you know,

480
00:24:22,000 --> 00:24:27,680
Speaker 1: you're making records in arena sometimes it makes it less

481
00:24:27,720 --> 00:24:31,280
Speaker 1: relatable to a human being sound wise. That's all. Yeah,

482
00:24:31,320 --> 00:24:34,480
Speaker 1: everything that everything that may work yeah in that Mercedes

483
00:24:34,520 --> 00:24:39,879
Speaker 1: Been are arena is not. It's yeah, it's different. So

484
00:24:40,040 --> 00:24:41,440
Speaker 1: like a lot of that fat and a lot of

485
00:24:41,440 --> 00:24:44,560
Speaker 1: those interludes and a lot of those records, we're not

486
00:24:44,560 --> 00:24:46,720
Speaker 1: gonna have the same feeling you had in that arena. Yeh.

487
00:24:46,760 --> 00:24:48,679
Speaker 1: When I'm just in my car, I'm like, this is

488
00:24:48,680 --> 00:24:50,240
Speaker 1: all right. This was a waste of four minutes on

489
00:24:50,240 --> 00:24:53,400
Speaker 1: this one. So I think the full records should stay

490
00:24:53,440 --> 00:24:55,160
Speaker 1: on streaming and a lot of that fat should stay

491
00:24:55,160 --> 00:24:57,320
Speaker 1: for the show because those records were built for an

492
00:24:57,359 --> 00:25:00,520
Speaker 1: arena and for visuals and for what Kanye does when

493
00:25:00,560 --> 00:25:03,000
Speaker 1: he tours, which I'm sure is going to be incredible.

494
00:25:03,040 --> 00:25:05,200
Speaker 1: Oh yeah, when he when he tours, that jail record

495
00:25:05,240 --> 00:25:07,840
Speaker 1: is going, that's gonna go. Of course, that that'll sound

496
00:25:08,160 --> 00:25:10,440
Speaker 1: great in an arena. Yeah, that's gonna go crazy, but

497
00:25:10,760 --> 00:25:14,840
Speaker 1: you know, it is what it is. Uh. I hate

498
00:25:14,840 --> 00:25:16,040
Speaker 1: to Sam's still going to live with it, but I

499
00:25:16,080 --> 00:25:17,720
Speaker 1: am because it is two hours and it came out

500
00:25:17,720 --> 00:25:22,160
Speaker 1: on Sunday. Yeah. Yeah, listen to it, and you know again,

501
00:25:22,359 --> 00:25:24,080
Speaker 1: I like it. You know, there's a lot of some

502
00:25:24,119 --> 00:25:27,280
Speaker 1: records on there that I really like a lot. But yeah,

503
00:25:27,280 --> 00:25:29,040
Speaker 1: you gotta live with it, man, gotta live with it

504
00:25:29,080 --> 00:25:32,480
Speaker 1: with the record and see how it ages. All right,

505
00:25:33,200 --> 00:25:35,359
Speaker 1: c LB, Let's get to it. I know, I know

506
00:25:35,480 --> 00:25:37,639
Speaker 1: it's Thursday now, so the people have heard it. We

507
00:25:37,680 --> 00:25:39,120
Speaker 1: want to get to that. I mean, there's other music

508
00:25:39,160 --> 00:25:41,200
Speaker 1: that came out already. Let's get to the nitty gritty,

509
00:25:41,200 --> 00:25:44,120
Speaker 1: we get rid of that. Let's do it. We'll be early.

510
00:25:44,200 --> 00:25:47,000
Speaker 1: I'm sure you've heard the album. I didn't. I'm sure

511
00:25:47,000 --> 00:25:49,400
Speaker 1: it's been d m to you by Ovo Mark Crew.

512
00:25:50,200 --> 00:25:52,639
Speaker 1: It has not been dm uh to me. Mall. I

513
00:25:52,720 --> 00:25:55,040
Speaker 1: was just driving in the Bronx and it said Hey,

514
00:25:55,119 --> 00:25:59,000
Speaker 1: Kingsbridge Road, Mall is on CLP. I was just there,

515
00:25:59,240 --> 00:26:01,800
Speaker 1: Hey for them, Hey for them all. It is on

516
00:26:01,960 --> 00:26:10,280
Speaker 1: prints of podcast, It's on COB that's hilarious. That's no, idn't.

517
00:26:10,320 --> 00:26:12,360
Speaker 1: I didn't hear nothing yet though, man, And I think

518
00:26:12,400 --> 00:26:15,080
Speaker 1: I like that. I think I like the fact that

519
00:26:15,160 --> 00:26:17,480
Speaker 1: I don't know what is going to be on this

520
00:26:17,520 --> 00:26:21,840
Speaker 1: album to the features. I like the rollout. I like

521
00:26:21,880 --> 00:26:23,880
Speaker 1: going to the different cities the artist is from and saying,

522
00:26:23,920 --> 00:26:25,879
Speaker 1: hey city, this person. But people on line I got

523
00:26:25,920 --> 00:26:27,360
Speaker 1: to relax. Some people are like, oh, this is the

524
00:26:27,400 --> 00:26:31,040
Speaker 1: most amazing thing ever. It's calm down. But I said

525
00:26:31,040 --> 00:26:33,119
Speaker 1: the same thing about the Mercedes been thing. I was like, no,

526
00:26:33,160 --> 00:26:34,800
Speaker 1: it's great, but he's also a billionaire and he's the

527
00:26:34,840 --> 00:26:37,000
Speaker 1: only one that could do this rollout. It's just like, uh,

528
00:26:37,600 --> 00:26:40,920
Speaker 1: this is I mean, it's cool. It's definitely a unique thing.

529
00:26:40,960 --> 00:26:43,760
Speaker 1: We've never seen this, But to call it the greatest

530
00:26:43,800 --> 00:26:47,040
Speaker 1: marketing ever is like wait wait till I go on

531
00:26:47,119 --> 00:26:50,000
Speaker 1: Hollis Ave and say yo, hey, Queen's my Homeboys on

532
00:26:50,040 --> 00:26:52,680
Speaker 1: my mixed teath just because I got a little bread

533
00:26:52,680 --> 00:26:55,960
Speaker 1: in my pocket. Yeah. Man, it was just like, I

534
00:26:56,000 --> 00:26:58,480
Speaker 1: don't know, man, But again, it's unique, so he knew

535
00:26:59,160 --> 00:27:02,359
Speaker 1: unique way. I like it in everach city that the

536
00:27:02,800 --> 00:27:04,680
Speaker 1: artist is from, Like, I get it. I understand. It's

537
00:27:04,680 --> 00:27:07,080
Speaker 1: definite a unique way of doing things. But you know,

538
00:27:07,119 --> 00:27:09,680
Speaker 1: I don't know. I haven't heard anything from the album.

539
00:27:09,880 --> 00:27:12,520
Speaker 1: I like that, I don't know, you know, some of

540
00:27:12,560 --> 00:27:14,640
Speaker 1: the some of the features in different cities is kind

541
00:27:14,640 --> 00:27:17,240
Speaker 1: of like, you know, again, Houston, we don't know who

542
00:27:17,320 --> 00:27:20,320
Speaker 1: it is. Everybody speculating and who it may be. I'm

543
00:27:20,359 --> 00:27:25,560
Speaker 1: gonna go with traded truth or I might even say Scarface.

544
00:27:25,600 --> 00:27:28,280
Speaker 1: Maybe I would love for Scarface to be on Yeah,

545
00:27:28,920 --> 00:27:31,560
Speaker 1: but sure, Houston's gonna tell us how ignorant we work

546
00:27:31,640 --> 00:27:35,320
Speaker 1: and everyone knows exactly the hometown eros. Yeah. Do you

547
00:27:35,320 --> 00:27:37,280
Speaker 1: think though, the amount of features because this has been

548
00:27:37,280 --> 00:27:38,920
Speaker 1: a lot of billboards and some of them have had

549
00:27:38,960 --> 00:27:43,880
Speaker 1: like five names on them. Yeah, but I just think

550
00:27:43,880 --> 00:27:45,960
Speaker 1: that's what we are now, Rory, I think we we

551
00:27:46,119 --> 00:27:48,399
Speaker 1: just you know, it's just we're going to start to

552
00:27:48,440 --> 00:27:51,719
Speaker 1: see a lot of features on albums because everything is streaming.

553
00:27:51,840 --> 00:27:55,800
Speaker 1: Everything is you know, artists names and click and people

554
00:27:55,880 --> 00:27:58,040
Speaker 1: want to So that's just that's the game now. I

555
00:27:58,040 --> 00:28:00,200
Speaker 1: think that we're going to see these albums that people

556
00:28:00,200 --> 00:28:01,760
Speaker 1: putting out, it's just going to be feature heavy from

557
00:28:02,640 --> 00:28:06,480
Speaker 1: for the net for the foreseeable foreseeable future for sure. Yeah,

558
00:28:06,480 --> 00:28:08,879
Speaker 1: but with artists like Drake, though I can see that

559
00:28:08,920 --> 00:28:11,159
Speaker 1: with streaming with with other artists. Yes, it helps to

560
00:28:11,200 --> 00:28:14,240
Speaker 1: have features because if you can make them an actual

561
00:28:14,280 --> 00:28:18,200
Speaker 1: clickable name on your ship, it goes on their Spotify

562
00:28:18,240 --> 00:28:20,600
Speaker 1: page too. That makes sense to me with a lot

563
00:28:20,600 --> 00:28:23,520
Speaker 1: of artists. Yeah, let's get primary feature. Let's make sure

564
00:28:23,600 --> 00:28:27,919
Speaker 1: that anyone that loves Missago, Let's have Massago be our feature.

565
00:28:28,359 --> 00:28:30,880
Speaker 1: And all Masago's fans are going to see when that

566
00:28:30,920 --> 00:28:33,200
Speaker 1: features uploaded because it'll be on his page. Does Drake

567
00:28:33,240 --> 00:28:35,880
Speaker 1: needs to do that? No, of course not. Drake can.

568
00:28:35,960 --> 00:28:38,440
Speaker 1: He can literally say he could have. He could have

569
00:28:38,480 --> 00:28:40,400
Speaker 1: put a billboard in every city with just a count

570
00:28:40,400 --> 00:28:42,800
Speaker 1: down to the album coming out, and that would have

571
00:28:42,840 --> 00:28:46,240
Speaker 1: been just as great as marketing as this is. I've

572
00:28:46,280 --> 00:28:49,480
Speaker 1: seen just because I love watching the Kanye and Drake

573
00:28:50,320 --> 00:28:52,560
Speaker 1: fans go back and forth. The a sexuals and the

574
00:28:52,600 --> 00:28:56,120
Speaker 1: Drake sexuals just go at each other like it's It's

575
00:28:56,440 --> 00:28:59,560
Speaker 1: worse than the gay Pride parade in Staten Island. It's

576
00:28:59,640 --> 00:29:03,200
Speaker 1: just the fucking it's a terrible fucking back and forth.

577
00:29:04,720 --> 00:29:08,160
Speaker 1: I saw all the Drakes stands say, Hey, we love Kanye,

578
00:29:08,280 --> 00:29:13,880
Speaker 1: but we need Kanye West. I don't need Kanye West

579
00:29:14,240 --> 00:29:17,440
Speaker 1: plus twenty seven. I like a Kanye West album. He

580
00:29:17,440 --> 00:29:20,760
Speaker 1: shouldn't rely on features. Kanye West is a god. Kanye

581
00:29:20,760 --> 00:29:23,600
Speaker 1: West does not need his album to be carried by features.

582
00:29:23,720 --> 00:29:26,360
Speaker 1: He don't need all those features. He's Kanye fucking West. Now.

583
00:29:26,400 --> 00:29:28,720
Speaker 1: I'm gonna watch them move the goalpost for Drake again.

584
00:29:28,720 --> 00:29:31,280
Speaker 1: I haven't heard any music, but I've seen about twenty

585
00:29:31,280 --> 00:29:33,600
Speaker 1: five fucking features named in every major city in the

586
00:29:33,640 --> 00:29:37,880
Speaker 1: country and in Nigeria. I mean, I think I think

587
00:29:38,080 --> 00:29:40,680
Speaker 1: him had Who's gonna move the goalpost? Him? Him having

588
00:29:40,760 --> 00:29:43,360
Speaker 1: Yebo on the album. I can't wait. That's the number

589
00:29:43,400 --> 00:29:45,520
Speaker 1: one feature I care. Yeah, I was hoping it was

590
00:29:45,560 --> 00:29:47,920
Speaker 1: the ye but I'm thinking of to hear that. That

591
00:29:48,120 --> 00:29:52,000
Speaker 1: to me, that certified lover boy. Yeah I'm a cry, Yeah, yeah, yeah.

592
00:29:52,200 --> 00:29:54,920
Speaker 1: The Yebba feature is definitely something that I'm definitely looking

593
00:29:54,960 --> 00:30:00,000
Speaker 1: forward to hearing. The Russell and I don't think Yeba's

594
00:30:00,080 --> 00:30:03,360
Speaker 1: from Memphis. I think she's from like a city in

595
00:30:03,560 --> 00:30:07,760
Speaker 1: Arkansas called Memphis. That's hilarious. No, I'm really not making

596
00:30:07,800 --> 00:30:12,320
Speaker 1: it up. That's hilarious because my man's found Yea And yeah,

597
00:30:12,320 --> 00:30:19,000
Speaker 1: I'm not bugging Memphis. Arkansas, West Memphis, Arkansas. Drake got

598
00:30:19,040 --> 00:30:26,440
Speaker 1: to do his wikipedias better. That's funny, Hey Memphis. And yeah,

599
00:30:26,480 --> 00:30:33,960
Speaker 1: but on cl B, why couldn't Arkansas get the billboard

600
00:30:34,080 --> 00:30:36,800
Speaker 1: Center Center billboard the Argansas for Yeva man? Why Little

601
00:30:36,880 --> 00:30:38,720
Speaker 1: Rock because that was dope? Why couldn't the Clintons put

602
00:30:38,720 --> 00:30:40,880
Speaker 1: that up? I didn't see I didn't see this, this

603
00:30:41,080 --> 00:30:44,440
Speaker 1: this feature coming. This was definitely caught me by surprise.

604
00:30:44,480 --> 00:30:46,000
Speaker 1: But I definitely want to hear that you're gonna call

605
00:30:46,040 --> 00:30:49,520
Speaker 1: me corny. This is probably for me as an R

606
00:30:49,560 --> 00:30:53,240
Speaker 1: and B fan, the most anticipated feature I've ever had

607
00:30:53,280 --> 00:30:56,320
Speaker 1: with Drake before. Ye, No, I'm with you on that,

608
00:30:56,480 --> 00:30:58,920
Speaker 1: because I definitely didn't this was This was like out

609
00:30:58,920 --> 00:31:00,840
Speaker 1: of the blue. I didn't see this happening more than

610
00:31:00,920 --> 00:31:02,800
Speaker 1: the static major and tied dole of ship when he

611
00:31:02,840 --> 00:31:07,120
Speaker 1: released that Scorpion track list and he saw that, Yeah,

612
00:31:07,120 --> 00:31:10,960
Speaker 1: this is this hopefully this is they did this right? Hopefully,

613
00:31:10,960 --> 00:31:13,320
Speaker 1: Well they didn't do the billboard right. Yeah, No, she's

614
00:31:13,360 --> 00:31:19,560
Speaker 1: from Arkansas, so uh give me on and Drake, I

615
00:31:19,600 --> 00:31:22,560
Speaker 1: may again may shed a tear that one. Yeah, but

616
00:31:22,600 --> 00:31:25,600
Speaker 1: he wrapped, he rapped, and most people thought that was

617
00:31:25,640 --> 00:31:28,440
Speaker 1: a sober if I get an R and B Certified

618
00:31:28,480 --> 00:31:32,800
Speaker 1: lover Boy Drake and giveon like, yeah, that could be hard,

619
00:31:33,760 --> 00:31:36,760
Speaker 1: that could be hard. Give said, so you want more

620
00:31:36,800 --> 00:31:40,960
Speaker 1: balloons are deflated like him? So you want the only

621
00:31:41,000 --> 00:31:43,320
Speaker 1: person that could write with Drake on that and that

622
00:31:43,400 --> 00:31:46,640
Speaker 1: on that? Ye? Yeah for sure? You so you want more?

623
00:31:46,920 --> 00:31:49,840
Speaker 1: You don't want any rapping from Drake on this. I

624
00:31:49,880 --> 00:31:53,320
Speaker 1: said almost a year ago when he announced this, that

625
00:31:53,400 --> 00:31:55,320
Speaker 1: I thought Certified Lover Boy was going to be an

626
00:31:55,360 --> 00:31:57,680
Speaker 1: album full of straight rap. It would just be wrapped

627
00:31:57,680 --> 00:31:59,880
Speaker 1: nothing else. I take it back once I see all

628
00:31:59,880 --> 00:32:08,480
Speaker 1: the features, but at this point, just I need Drake

629
00:32:08,520 --> 00:32:12,040
Speaker 1: to rap rap on the intro, wrap on the outro. Okay,

630
00:32:13,360 --> 00:32:16,719
Speaker 1: keep to keep the street going of intros with crazy bars.

631
00:32:17,320 --> 00:32:19,320
Speaker 1: I'm not mad at that, because he's pretty high on

632
00:32:19,320 --> 00:32:21,880
Speaker 1: that list. Whether I know everyone I've seen arguing all week,

633
00:32:21,880 --> 00:32:24,680
Speaker 1: if Drake is really hip hop, his intro game is

634
00:32:24,960 --> 00:32:27,720
Speaker 1: much higher than a lot of y'all favorite rappers. But

635
00:32:28,280 --> 00:32:30,560
Speaker 1: Drake should take this CLB on tour and just he

636
00:32:30,560 --> 00:32:34,520
Speaker 1: should take a page out of Teddy Pendergrass's documentary and

637
00:32:34,520 --> 00:32:38,040
Speaker 1: make this women's only tour, like only women can come

638
00:32:38,080 --> 00:32:41,520
Speaker 1: to the arena and see the show. Well, I mean,

639
00:32:41,560 --> 00:32:43,760
Speaker 1: as as a straight white male, I kind of feel

640
00:32:43,800 --> 00:32:45,800
Speaker 1: like I would be discriminated against if that type of

641
00:32:45,800 --> 00:32:50,200
Speaker 1: practice took place. Well, and I actually feel about I

642
00:32:50,200 --> 00:32:51,920
Speaker 1: feel a bit like a victim if Drake would do

643
00:32:52,000 --> 00:32:53,840
Speaker 1: something like that. I'm not allowed to come somewhere because

644
00:32:53,880 --> 00:32:55,360
Speaker 1: of who I am. Who the fuck do y'all think

645
00:32:55,400 --> 00:32:57,200
Speaker 1: y'all are? Yeah, no, you're not allowed. See that's how

646
00:32:57,240 --> 00:32:59,160
Speaker 1: that's how it feels like. You don't like that, right,

647
00:33:00,160 --> 00:33:02,160
Speaker 1: Drake could certainly sell out the same way he does

648
00:33:02,160 --> 00:33:05,320
Speaker 1: with Arenas, which absolutely and that would cause all fucking

649
00:33:05,320 --> 00:33:07,160
Speaker 1: Fox News would lose their mind. It'd be great, prece

650
00:33:07,560 --> 00:33:09,920
Speaker 1: it would be amazing. I could just already see these

651
00:33:09,960 --> 00:33:14,000
Speaker 1: those commentators. Yeah, look at these practice, these racial practices

652
00:33:14,400 --> 00:33:21,880
Speaker 1: about gender. So this is a yeah, I think you

653
00:33:21,880 --> 00:33:25,600
Speaker 1: should do that. But yeah, man, these uh these features

654
00:33:25,600 --> 00:33:31,040
Speaker 1: are interesting. And I just think that Drake is a

655
00:33:30,840 --> 00:33:33,840
Speaker 1: is an asshole though, Like he didn't have to release

656
00:33:33,880 --> 00:33:37,479
Speaker 1: his cover art Monday after Kanye came out Sunday. It's

657
00:33:37,520 --> 00:33:39,200
Speaker 1: just like, do you think that's really his cover art?

658
00:33:40,360 --> 00:33:42,040
Speaker 1: Do I think that's his cover art? I mean it's

659
00:33:42,200 --> 00:33:47,920
Speaker 1: Labor Day weekend and It's that's not They're not. No.

660
00:33:48,000 --> 00:33:50,040
Speaker 1: Labor Day weekend is not to celebrate people that have

661
00:33:50,040 --> 00:33:51,920
Speaker 1: been in labor. I know. It's people that did labor

662
00:33:52,160 --> 00:33:55,160
Speaker 1: I know, and West Indians I know, but it's still

663
00:33:55,200 --> 00:33:59,280
Speaker 1: like Labor Day. Listen, man, I don't write these. It

664
00:33:59,320 --> 00:34:02,880
Speaker 1: writes itself, Rory, I don't write this like. This is

665
00:34:02,920 --> 00:34:05,080
Speaker 1: just what the universe handed me today when I came

666
00:34:05,120 --> 00:34:07,640
Speaker 1: in here and I'm giving it to you live on air, like,

667
00:34:07,720 --> 00:34:10,440
Speaker 1: I absolutely hated that cover and then uh, who's I

668
00:34:10,480 --> 00:34:12,399
Speaker 1: hope that's not the cover though? Who's the artist that

669
00:34:12,520 --> 00:34:17,680
Speaker 1: they said I don't kill Damien Hirst? Damien Hurst was

670
00:34:17,920 --> 00:34:19,440
Speaker 1: they said did it? And I was like, all right,

671
00:34:19,480 --> 00:34:21,160
Speaker 1: what does that mean to me? I still think it.

672
00:34:21,520 --> 00:34:23,160
Speaker 1: You can't put a cool artist's name next to it

673
00:34:23,200 --> 00:34:24,759
Speaker 1: and think I'm gonna like it. Yeah, this is not

674
00:34:26,400 --> 00:34:28,239
Speaker 1: all right for all the people that love this this

675
00:34:28,480 --> 00:34:31,520
Speaker 1: uh trade cover? Do we owe Game and apology? Because

676
00:34:31,560 --> 00:34:33,960
Speaker 1: Game really got the pregnant joints? Yeah he's just an emoji.

677
00:34:34,000 --> 00:34:36,120
Speaker 1: He really had pregnant women in the studio like for

678
00:34:36,320 --> 00:34:38,279
Speaker 1: because he was born to rap exactly the same way

679
00:34:38,320 --> 00:34:39,799
Speaker 1: you said you thought it was ill with labored then

680
00:34:40,200 --> 00:34:42,080
Speaker 1: you never realized you was born to rap. No, I

681
00:34:42,160 --> 00:34:45,160
Speaker 1: wasn't born to rap. No, I know, I wasn't born interact.

682
00:34:45,200 --> 00:34:48,359
Speaker 1: Oh yeah, I was born interrap. But I hope this

683
00:34:48,440 --> 00:34:52,120
Speaker 1: is not the official artwork. I hope this was just

684
00:34:52,120 --> 00:34:57,040
Speaker 1: something to just get the Internet to do what it did. Yeah,

685
00:34:57,040 --> 00:35:00,880
Speaker 1: I hope this isn't the official artwork. Though. Do you

686
00:35:00,920 --> 00:35:04,600
Speaker 1: think Drake has put himself in a position as such

687
00:35:04,600 --> 00:35:06,800
Speaker 1: a pop star and as the biggest artist in the

688
00:35:06,840 --> 00:35:10,320
Speaker 1: world per se that he can't take any risks anymore?

689
00:35:11,080 --> 00:35:15,160
Speaker 1: Or has he really taken risks because all the things.

690
00:35:15,160 --> 00:35:17,399
Speaker 1: And I don't want to upset the Drake fans by

691
00:35:17,440 --> 00:35:22,879
Speaker 1: complimenting Kanye, but I will Kanye his entire career has

692
00:35:23,000 --> 00:35:25,040
Speaker 1: taken risks, and how his sound was going to be

693
00:35:25,040 --> 00:35:27,560
Speaker 1: eight Awaits and Heartbreaks absolutely was a risk and it

694
00:35:27,600 --> 00:35:30,840
Speaker 1: paid off, and that deemed a lot of Drake sound, Jesus,

695
00:35:30,920 --> 00:35:32,440
Speaker 1: whether you like it or not, was a risk. You're

696
00:35:32,440 --> 00:35:34,239
Speaker 1: the biggest artist in the world and you're making an

697
00:35:34,280 --> 00:35:38,920
Speaker 1: album that doesn't sound anything like what's going on right now. Again,

698
00:35:38,960 --> 00:35:41,160
Speaker 1: he got safe. He went back to being safe, and

699
00:35:41,200 --> 00:35:45,720
Speaker 1: that's why Yay sucks so much. And Donda I wouldn't

700
00:35:45,760 --> 00:35:47,520
Speaker 1: call it a risk, but I think making a Christian

701
00:35:47,560 --> 00:35:50,560
Speaker 1: album like Jesus King before and sticking to it with

702
00:35:50,600 --> 00:35:52,439
Speaker 1: the Donna thing is still a bit of a risk

703
00:35:52,560 --> 00:35:55,160
Speaker 1: to some degree. As one of the biggest artists. Has

704
00:35:55,239 --> 00:35:58,440
Speaker 1: Drake taken much risks and can he on this album

705
00:35:58,560 --> 00:36:03,520
Speaker 1: because he has such a large fan base that he

706
00:36:03,640 --> 00:36:06,160
Speaker 1: has to cater to each time, and I know Yay

707
00:36:06,200 --> 00:36:09,319
Speaker 1: does too, But Yay's fan base knows that he's going

708
00:36:09,360 --> 00:36:12,239
Speaker 1: to take risks and say outlandish things no matter what. Yeah,

709
00:36:12,280 --> 00:36:15,080
Speaker 1: if you're comparing the two artists and asking you know

710
00:36:15,239 --> 00:36:18,520
Speaker 1: who's the risk taker, it's definitely Kanye. I think, not

711
00:36:18,520 --> 00:36:21,040
Speaker 1: to say Drake plays it safe, but he plays it

712
00:36:21,200 --> 00:36:25,839
Speaker 1: safer than Kanye does. But again, we don't know what

713
00:36:25,880 --> 00:36:27,919
Speaker 1: this music sounds like on this project. This is something

714
00:36:27,960 --> 00:36:32,799
Speaker 1: that he's been working on for a long time, and

715
00:36:32,880 --> 00:36:34,520
Speaker 1: again we just got to wait and hear it. Like

716
00:36:34,560 --> 00:36:36,319
Speaker 1: you said, we were talking in real time, so we

717
00:36:36,360 --> 00:36:40,120
Speaker 1: haven't heard it yet. But to answer your question, no,

718
00:36:40,400 --> 00:36:45,279
Speaker 1: Drake doesn't take the risks that on the Kanye level. No,

719
00:36:45,480 --> 00:36:47,040
Speaker 1: I don't think in his music. I don't think he does.

720
00:36:47,120 --> 00:36:49,640
Speaker 1: I think he I think what he does is you know,

721
00:36:49,719 --> 00:36:53,400
Speaker 1: he's he's great at introducing the next sound or the

722
00:36:53,480 --> 00:36:56,440
Speaker 1: next waves to sure, you know, making it more popular.

723
00:36:56,480 --> 00:36:59,560
Speaker 1: I think he's he's great at that. He's great at

724
00:36:59,680 --> 00:37:02,600
Speaker 1: you know, pulling artists up that are on you know,

725
00:37:02,680 --> 00:37:06,160
Speaker 1: on the up and upcoming list and giving him a huge,

726
00:37:06,239 --> 00:37:08,600
Speaker 1: huge look. I think he's great. He does that a lot.

727
00:37:09,560 --> 00:37:11,600
Speaker 1: Like he has L Russell on his project, which is

728
00:37:11,719 --> 00:37:15,320
Speaker 1: you know, was that true Larrussell? L Russell's on this project?

729
00:37:15,360 --> 00:37:17,759
Speaker 1: He definitely is. Yeah, Okay, I wasn't sure if he

730
00:37:18,880 --> 00:37:22,480
Speaker 1: just like photos, I wasn't. It was a joking. Listen,

731
00:37:22,480 --> 00:37:25,240
Speaker 1: we're going it's a billboard in Vallet, Jill. I guess,

732
00:37:25,360 --> 00:37:27,480
Speaker 1: oh wow. I think he's a great rapper. Yeah, no,

733
00:37:27,800 --> 00:37:30,800
Speaker 1: L Russell is crazy. So things like that Drake does that,

734
00:37:30,880 --> 00:37:33,399
Speaker 1: I think is is you know, it's and you can

735
00:37:33,400 --> 00:37:34,960
Speaker 1: call that a risk. You can call that a risk

736
00:37:35,360 --> 00:37:37,960
Speaker 1: giving a feature to an upcoming artist, you know, suppose

737
00:37:38,440 --> 00:37:40,239
Speaker 1: you know what I mean? But you you're talking more

738
00:37:40,280 --> 00:37:43,040
Speaker 1: on a bigger scale as far as like the sound

739
00:37:43,280 --> 00:37:46,759
Speaker 1: and you know, yeah, I feel like, should we require

740
00:37:46,880 --> 00:37:51,680
Speaker 1: our our major artists like our artist artists? I don't

741
00:37:51,719 --> 00:37:54,640
Speaker 1: I don't want to put every rapper in that category,

742
00:37:55,440 --> 00:37:56,880
Speaker 1: and not to say rappers aren't arists. I want to

743
00:37:56,880 --> 00:37:59,080
Speaker 1: make that very clear. I'm talking about the artists that

744
00:37:59,120 --> 00:38:02,040
Speaker 1: have the ability to completely changed sound. A lot of

745
00:38:02,719 --> 00:38:05,920
Speaker 1: rappers feel the need to stick with hip hop, traditional

746
00:38:05,960 --> 00:38:10,600
Speaker 1: hip hop shit artists like No, No, he definitely hash

747
00:38:11,600 --> 00:38:13,920
Speaker 1: and he doesn't have to stick to rap, and we

748
00:38:14,000 --> 00:38:16,719
Speaker 1: know that to be true. So I think he has

749
00:38:16,760 --> 00:38:19,080
Speaker 1: the ability as a singer and as a rapper, and

750
00:38:19,120 --> 00:38:21,279
Speaker 1: some someone has a fan base that doesn't expect him

751
00:38:21,320 --> 00:38:24,640
Speaker 1: to stick to just rapping. He can take risks on

752
00:38:24,800 --> 00:38:27,359
Speaker 1: sound great. I think he sort of took a risk

753
00:38:27,400 --> 00:38:29,239
Speaker 1: with afrobeats. I won't say he took a big one

754
00:38:30,280 --> 00:38:32,480
Speaker 1: because afrobeats was already on its way. I love that

755
00:38:32,520 --> 00:38:35,200
Speaker 1: he shine light on it, but I don't know. I

756
00:38:35,280 --> 00:38:38,719
Speaker 1: just feel like with where we put the a's and

757
00:38:38,760 --> 00:38:42,319
Speaker 1: the princes and those people, I think we should have

758
00:38:42,360 --> 00:38:47,560
Speaker 1: our artists take more risks with sound. That's all. I'm

759
00:38:47,560 --> 00:38:50,319
Speaker 1: not mad at it, because sometimes that that shit can

760
00:38:50,360 --> 00:38:53,759
Speaker 1: be forced you very true and it could fail. Yeah,

761
00:38:54,239 --> 00:38:56,600
Speaker 1: that's the That's the beauty of risks, and what makes

762
00:38:56,640 --> 00:38:58,719
Speaker 1: them so great is that it didn't fail. Right, No,

763
00:38:58,920 --> 00:39:02,600
Speaker 1: I get it. But I mean again, I just don't

764
00:39:02,680 --> 00:39:05,759
Speaker 1: know if it's different risks, Like, you know, it's a

765
00:39:05,800 --> 00:39:08,600
Speaker 1: different level of risks. And I think that the risk

766
00:39:08,840 --> 00:39:13,719
Speaker 1: that Drake takes is, you know, he's willing to take

767
00:39:13,760 --> 00:39:17,120
Speaker 1: a sound that is not as popular yet and make

768
00:39:17,160 --> 00:39:19,719
Speaker 1: it popular. He's able to take artists that aren't as

769
00:39:19,760 --> 00:39:25,160
Speaker 1: popular popular yet and make them popular. And I just

770
00:39:25,200 --> 00:39:26,799
Speaker 1: think that's what he does. I think he sticks to that.

771
00:39:28,280 --> 00:39:31,600
Speaker 1: You know, he's not going to do nothing that's too

772
00:39:31,640 --> 00:39:33,960
Speaker 1: far out of his his wheelhouse. Like he's not gonna

773
00:39:34,640 --> 00:39:36,520
Speaker 1: you know, Drake is not going to run around with

774
00:39:36,560 --> 00:39:40,040
Speaker 1: a mask on the Cans Film Festival and stuff like that.

775
00:39:40,080 --> 00:39:41,359
Speaker 1: He's not going to do that. That's just not who

776
00:39:41,400 --> 00:39:42,840
Speaker 1: he is. No, and I don't want him to do

777
00:39:42,880 --> 00:39:46,080
Speaker 1: something outside of who he is. But I think he

778
00:39:46,120 --> 00:39:48,280
Speaker 1: has the ability now with the fan base that he's grown.

779
00:39:48,320 --> 00:39:53,000
Speaker 1: And how much uh leeway will we would ever give Drake?

780
00:39:53,440 --> 00:39:56,959
Speaker 1: He has leeway to fail. Oh, you know, for sure,

781
00:39:57,000 --> 00:39:58,799
Speaker 1: he has plenty of room to go try some ship

782
00:39:58,840 --> 00:40:00,520
Speaker 1: that's not going to work. For sure, even to the

783
00:40:00,560 --> 00:40:02,719
Speaker 1: point when I remember he was whatever interview was, I

784
00:40:02,760 --> 00:40:04,439
Speaker 1: think it was would be beat out in Elliott saying

785
00:40:04,480 --> 00:40:05,920
Speaker 1: that Forty has always told me, you know, why don't

786
00:40:05,920 --> 00:40:08,040
Speaker 1: we just make the classic rap album? Do ten Records

787
00:40:08,400 --> 00:40:13,040
Speaker 1: even said it on Sandra's Rose to a Classic, that's

788
00:40:13,040 --> 00:40:14,840
Speaker 1: just ten of these, Like he didn't even want to

789
00:40:14,880 --> 00:40:16,279
Speaker 1: do that because he was saying, I have so many

790
00:40:16,440 --> 00:40:18,680
Speaker 1: fans that I have to cater to, and not everyone

791
00:40:18,680 --> 00:40:21,120
Speaker 1: loves the rap. Shit, Oh take a risk, You're just

792
00:40:21,120 --> 00:40:24,719
Speaker 1: a straight rap album. Yeah, your fans will probably like you. Yeah.

793
00:40:24,840 --> 00:40:26,920
Speaker 1: And I don't even know if that's a risk. That's

794
00:40:26,920 --> 00:40:29,000
Speaker 1: not even a risk for him, Like who wouldn't love

795
00:40:29,040 --> 00:40:31,120
Speaker 1: a full Drake rap album, you know what I mean?

796
00:40:31,200 --> 00:40:33,640
Speaker 1: Like that's like he getting rast. He's really good at

797
00:40:33,680 --> 00:40:36,080
Speaker 1: He's really great at rapping. So it's like, you know,

798
00:40:36,480 --> 00:40:38,439
Speaker 1: we definitely want that. I don't know if that's a risk,

799
00:40:38,680 --> 00:40:41,360
Speaker 1: but you know, I'm just anxious to hear the music.

800
00:40:42,480 --> 00:40:44,480
Speaker 1: I hope this isn't the cover art again. I'm gonna

801
00:40:44,520 --> 00:40:48,520
Speaker 1: keep saying that I hope not. But yeah, man, it's

802
00:40:48,560 --> 00:40:51,000
Speaker 1: it's gonna it's gonna be interesting to see. It's it's

803
00:40:51,000 --> 00:40:54,000
Speaker 1: gonna be interesting to see these. Uh what the next

804
00:40:54,000 --> 00:40:57,960
Speaker 1: week looks like? Well, listen, before we got Donda, before

805
00:40:58,000 --> 00:41:02,160
Speaker 1: we got the release date, four c LB. We got,

806
00:41:02,160 --> 00:41:06,239
Speaker 1: we got Baby Keem and Kendrick. Somebody dropped music. How

807
00:41:06,320 --> 00:41:12,479
Speaker 1: do we really feel about that record? Uh, it's cool. Okay,

808
00:41:12,480 --> 00:41:16,960
Speaker 1: I'm gonna give it a solid It's cool, Okay. I

809
00:41:17,120 --> 00:41:20,160
Speaker 1: enjoyed it. It didn't make me stop in my fucking tracks.

810
00:41:20,360 --> 00:41:22,160
Speaker 1: I really like Baby Keem and I think he has

811
00:41:22,239 --> 00:41:26,440
Speaker 1: an extremely bright future. Yeah, and I'm looking forward to

812
00:41:26,480 --> 00:41:30,239
Speaker 1: a full, full project from him. Kendrick's verse. Yeah, I

813
00:41:30,360 --> 00:41:36,280
Speaker 1: liked it. It wasn't the stop me in my tracks

814
00:41:36,320 --> 00:41:38,640
Speaker 1: that I would usually expect from Kendrick when he comes

815
00:41:38,680 --> 00:41:41,839
Speaker 1: off a hiatus. I think he addressed some things that

816
00:41:41,920 --> 00:41:47,080
Speaker 1: were cool. I enjoyed it, I will say that, but

817
00:41:47,200 --> 00:41:49,000
Speaker 1: I kind of wanted to be stopped at my tracks.

818
00:41:50,920 --> 00:41:53,880
Speaker 1: I like it, you know again, it wasn't nothing that

819
00:41:54,480 --> 00:41:58,640
Speaker 1: I thought was like incredible or you know, amazing like

820
00:41:58,680 --> 00:42:00,640
Speaker 1: it was. It was. It was. It's good rapping. It's

821
00:42:00,680 --> 00:42:04,840
Speaker 1: really really really good rapping. The production, you know, the

822
00:42:04,960 --> 00:42:08,760
Speaker 1: energy and everything like it's it's it's refreshing, it's it's definitely, uh,

823
00:42:09,280 --> 00:42:12,560
Speaker 1: something that we weren't expecting to get, and you know,

824
00:42:13,560 --> 00:42:15,200
Speaker 1: we kind of got it and was like, oh shit, okay,

825
00:42:15,800 --> 00:42:20,040
Speaker 1: But I just I just think sometimes people just get

826
00:42:20,080 --> 00:42:21,880
Speaker 1: ahead of themselves with this, you know, the ship that

827
00:42:21,920 --> 00:42:25,399
Speaker 1: we're saying online, and you know, it's like everybody just

828
00:42:25,400 --> 00:42:27,400
Speaker 1: just just relax, calm down for a second, Like I

829
00:42:27,440 --> 00:42:30,520
Speaker 1: get it, but you know, just Kendrick purposely added keem

830
00:42:30,680 --> 00:42:34,319
Speaker 1: at the end and and aware of the times. And

831
00:42:34,400 --> 00:42:36,959
Speaker 1: I think this record came out imperfect timing with Donna

832
00:42:36,960 --> 00:42:38,520
Speaker 1: because he said, yeah, Kanye changed his life for me.

833
00:42:38,560 --> 00:42:42,880
Speaker 1: I'm an old school Gemini and Kim coming in and saying,

834
00:42:43,239 --> 00:42:46,719
Speaker 1: let me jump in this bitch smoking on top five

835
00:42:46,800 --> 00:42:49,080
Speaker 1: stopped playing I'm that guy, and then Kem came in

836
00:42:49,239 --> 00:42:55,719
Speaker 1: saying number two is dming my bitch. I just think,

837
00:42:55,840 --> 00:43:01,640
Speaker 1: like I think this. I think Kendrick's verse was really

838
00:43:01,680 --> 00:43:05,279
Speaker 1: a warning shot to everybody else but us. I think

839
00:43:05,360 --> 00:43:09,319
Speaker 1: everyone that knows knows about this verse and really took

840
00:43:09,360 --> 00:43:14,080
Speaker 1: it as Okay, this wasn't really for us to me No,

841
00:43:14,600 --> 00:43:17,880
Speaker 1: because who would number two be? I think he has

842
00:43:17,880 --> 00:43:19,920
Speaker 1: an album out today. Yeah, I wouldn't. I wouldn't throw

843
00:43:20,920 --> 00:43:24,440
Speaker 1: I wouldn't throw any names out there, but Drake, I've

844
00:43:24,440 --> 00:43:27,920
Speaker 1: said I wouldn't throw any names. Yeah, I mean, listen,

845
00:43:28,040 --> 00:43:31,879
Speaker 1: I get it. It is Kendrick one of the bitch.

846
00:43:32,320 --> 00:43:37,480
Speaker 1: Yeah no, I don't think so, but you know, I

847
00:43:37,560 --> 00:43:40,040
Speaker 1: get it. I understand there's a lot of I wasn't here.

848
00:43:40,080 --> 00:43:44,279
Speaker 1: I wasn't as blown away by this record as I

849
00:43:44,320 --> 00:43:47,000
Speaker 1: thought I would be, And I don't think it was

850
00:43:47,120 --> 00:43:49,359
Speaker 1: for us as far as Kendrick Spark, because the beat

851
00:43:49,440 --> 00:43:51,800
Speaker 1: changed everything. Keem Spark is more of like the up Temple,

852
00:43:51,800 --> 00:43:55,720
Speaker 1: you could play this outside type of shit. Kendrick beat changed,

853
00:43:55,760 --> 00:43:59,080
Speaker 1: he starts rapping. I think every last line in this

854
00:43:59,160 --> 00:44:02,360
Speaker 1: is a subliminal to the people that know what he's saying,

855
00:44:03,160 --> 00:44:06,480
Speaker 1: and it's it's not one of us as a fan.

856
00:44:06,680 --> 00:44:08,560
Speaker 1: Yeah no, it's it's subliminal and it is. It's a

857
00:44:08,560 --> 00:44:11,560
Speaker 1: lot of things going on behind the scenes. Yeah, yeah,

858
00:44:11,600 --> 00:44:15,719
Speaker 1: for sure. Listen, that's all I took away from the

859
00:44:15,760 --> 00:44:18,480
Speaker 1: Baby Keeam and Kendrick shit was No. Frederick knows everything

860
00:44:18,719 --> 00:44:21,680
Speaker 1: and he's coming back on some energy that is of

861
00:44:21,800 --> 00:44:24,359
Speaker 1: control and it's not so much. Hey, you guys are

862
00:44:24,360 --> 00:44:26,560
Speaker 1: my friends, but I want to beat you guys. Well, Kendrick,

863
00:44:26,760 --> 00:44:28,759
Speaker 1: I think this is a very angry human being. He's

864
00:44:28,800 --> 00:44:32,640
Speaker 1: not angry like angry rapper. Yeah, yeah, he's been one

865
00:44:32,719 --> 00:44:34,680
Speaker 1: and he's been wanting smoke for a while now, though,

866
00:44:35,480 --> 00:44:37,759
Speaker 1: I think Kendrick has been sitting at the at the

867
00:44:37,800 --> 00:44:40,600
Speaker 1: park with his basketball waiting for somebody to come to

868
00:44:40,640 --> 00:44:43,440
Speaker 1: the park and play in one on one. I agree

869
00:44:43,480 --> 00:44:46,040
Speaker 1: with you, and I feel like Big Sean is the

870
00:44:46,040 --> 00:44:48,520
Speaker 1: only one that's sort of stepped up to the plate

871
00:44:48,600 --> 00:44:52,439
Speaker 1: on that. I feel like everyone else has ran away

872
00:44:52,440 --> 00:44:54,640
Speaker 1: from that smoke. They went to the park, they did,

873
00:44:55,080 --> 00:44:56,759
Speaker 1: they said, I don't want to play, Like, yeah, I

874
00:44:56,760 --> 00:45:01,680
Speaker 1: don't like these rims. I don't even like you know,

875
00:45:01,719 --> 00:45:03,759
Speaker 1: that's always goes. I don't like these double rims. Now.

876
00:45:03,760 --> 00:45:05,520
Speaker 1: I don't like double rims. Man, I can't. I don't

877
00:45:05,560 --> 00:45:09,279
Speaker 1: like double rims. I hate double rims. Everyone has duck

878
00:45:09,320 --> 00:45:12,239
Speaker 1: the smoke, and I do we know Kendrick to even

879
00:45:12,280 --> 00:45:15,920
Speaker 1: be battle tested though. That's why I'm just curious why

880
00:45:15,920 --> 00:45:19,120
Speaker 1: everyone runs runs from the smoke with Kendrick well as

881
00:45:19,160 --> 00:45:22,080
Speaker 1: A as A, as another artist or rappers they know,

882
00:45:23,160 --> 00:45:27,160
Speaker 1: like who's who's who? They know, like you respect each

883
00:45:27,160 --> 00:45:29,680
Speaker 1: other's pens differently when that's what you do when you're

884
00:45:29,760 --> 00:45:33,040
Speaker 1: a rapper as well. You hear records, you hear flows,

885
00:45:33,040 --> 00:45:36,160
Speaker 1: cadences on tandras and all of that, and you know like,

886
00:45:36,200 --> 00:45:39,360
Speaker 1: oh nah, he's he gets busy, so you try to

887
00:45:39,400 --> 00:45:42,680
Speaker 1: avoid that and because you don't want to, you know

888
00:45:42,760 --> 00:45:47,040
Speaker 1: that that that could definitely, you know, tarnish your brand. Listen, man,

889
00:45:47,080 --> 00:45:48,799
Speaker 1: Big Sean came out and said, I don't care who

890
00:45:48,840 --> 00:45:51,080
Speaker 1: is who with the whooped, he whooped all that asthma

891
00:45:51,120 --> 00:45:53,080
Speaker 1: attack ship when I wrap it back, don't even know

892
00:45:53,120 --> 00:45:55,319
Speaker 1: what the fuck you said, Like, you ain't really say

893
00:45:55,360 --> 00:45:58,480
Speaker 1: nothing at all. Yeah, I'm just saying I don't and

894
00:45:58,520 --> 00:46:00,200
Speaker 1: I don't think that of Kendrick. I'm just saying, no,

895
00:46:00,320 --> 00:46:04,440
Speaker 1: I don't understand why why rappers jump you should I think,

896
00:46:04,480 --> 00:46:08,000
Speaker 1: I mean, I think I'd be a worthy opponent. I

897
00:46:08,000 --> 00:46:10,000
Speaker 1: would Wait, do you think Keem was maybe talking like

898
00:46:10,040 --> 00:46:14,279
Speaker 1: maybe I'm are you number two? I'm the goat, I'm

899
00:46:14,360 --> 00:46:17,480
Speaker 1: number two. I have not I don't think i've DM

900
00:46:17,800 --> 00:46:21,040
Speaker 1: maybe MS girl or let me let me see who

901
00:46:21,080 --> 00:46:22,600
Speaker 1: you DM it. Man, I need to figure this out

902
00:46:22,640 --> 00:46:24,720
Speaker 1: because if that was a shot to you, that's gonna

903
00:46:24,800 --> 00:46:27,439
Speaker 1: change everything for me. Then I love I love this record.

904
00:46:27,480 --> 00:46:29,480
Speaker 1: If that's the case, I feel like reason or Punch

905
00:46:29,560 --> 00:46:31,200
Speaker 1: would have told me if it was about me but

906
00:46:31,239 --> 00:46:33,520
Speaker 1: maybe they're in on it too. Yeah, No, I don't

907
00:46:33,560 --> 00:46:35,200
Speaker 1: I think you safe this time. Don't. Do you think

908
00:46:35,200 --> 00:46:37,560
Speaker 1: maybe they know my Fensta and it was from my Fensta?

909
00:46:37,800 --> 00:46:40,919
Speaker 1: They might They might have figured you out, do you Afensta? No?

910
00:46:41,080 --> 00:46:42,960
Speaker 1: I don't, Thank God, I don't. I don't. I don't

911
00:46:42,960 --> 00:46:45,080
Speaker 1: I would have really judged you. No, I should, though,

912
00:46:46,120 --> 00:46:48,879
Speaker 1: I need one. I actually might need one to add

913
00:46:48,920 --> 00:46:50,920
Speaker 1: money bags from a different account. No, I wouldn't. Of course,

914
00:46:50,920 --> 00:46:52,920
Speaker 1: I wouldn't do that. I'm giving myself away if I

915
00:46:52,960 --> 00:46:54,680
Speaker 1: do that. But no, I think I need one, though.

916
00:46:54,719 --> 00:47:00,239
Speaker 1: What would your emoji be from the Fensta? I don't

917
00:47:00,239 --> 00:47:07,839
Speaker 1: know what the world map? Pick your place, babe. I'm

918
00:47:07,840 --> 00:47:09,560
Speaker 1: trying to give you an idea. Who's talking to women

919
00:47:09,640 --> 00:47:13,280
Speaker 1: like that? Pick your place, babe. You'd be fucking surprised.

920
00:47:13,560 --> 00:47:17,120
Speaker 1: I would be. You'd be fucking and it might work. Listen.

921
00:47:17,160 --> 00:47:19,880
Speaker 1: I'm friends. I'm friends with ig chicks, like actual real friends,

922
00:47:19,920 --> 00:47:22,120
Speaker 1: not like oh you're trying to sleep with No, trust me.

923
00:47:22,120 --> 00:47:25,280
Speaker 1: I know a lot of y'all are nasty. Y'all are weirdos.

924
00:47:25,320 --> 00:47:29,080
Speaker 1: I've seen some of the d ms. Like, I don't ask.

925
00:47:29,400 --> 00:47:32,640
Speaker 1: I don't ask to see they can't know. Yeah, it's

926
00:47:32,680 --> 00:47:34,520
Speaker 1: it's nasty out there, that's why. And I get in

927
00:47:34,560 --> 00:47:36,080
Speaker 1: the room with some of these guys, I look like

928
00:47:36,719 --> 00:47:38,960
Speaker 1: that's why. I think Keem's saying, bro, I know, like

929
00:47:39,040 --> 00:47:42,000
Speaker 1: I've seen the d M, you should be scared. I

930
00:47:42,040 --> 00:47:44,440
Speaker 1: get it. I definitely get it. But again I was

931
00:47:44,520 --> 00:47:46,880
Speaker 1: pushing rapper, would I like it? I like the record.

932
00:47:46,920 --> 00:47:49,440
Speaker 1: I wasn't as blown away as you know. The Internet

933
00:47:49,800 --> 00:47:51,440
Speaker 1: seemed to be about this record, But I like the

934
00:47:51,480 --> 00:47:54,000
Speaker 1: record though it's not. It's definitely like prison of the moment.

935
00:47:54,040 --> 00:47:57,279
Speaker 1: Top level rapping, for sure is what it is. As

936
00:47:57,320 --> 00:47:59,600
Speaker 1: far as music, I mean, West Sides we didn't get

937
00:47:59,600 --> 00:48:03,880
Speaker 1: fully in too great project's. I don't really know what

938
00:48:03,960 --> 00:48:06,600
Speaker 1: to say about west Side album anymore. It's it's a

939
00:48:06,640 --> 00:48:09,640
Speaker 1: great project man. I think he makes the best albums,

940
00:48:09,800 --> 00:48:12,960
Speaker 1: actual albums, out of the whole Griselda crew. It's not

941
00:48:13,000 --> 00:48:15,319
Speaker 1: a slide because they all make amazing albums, but the

942
00:48:15,360 --> 00:48:18,880
Speaker 1: way West puts albums together is fucking It's kind of

943
00:48:18,920 --> 00:48:21,040
Speaker 1: on the Donda ship. It was ironic that they came

944
00:48:21,080 --> 00:48:22,840
Speaker 1: out around the same time because West just kind of

945
00:48:22,880 --> 00:48:27,160
Speaker 1: lets features be like, He's perfect at making sure the

946
00:48:27,160 --> 00:48:29,600
Speaker 1: feature is the star of each record. Yea putting on

947
00:48:29,680 --> 00:48:31,720
Speaker 1: talent that you may not know about. Not that Donda

948
00:48:31,800 --> 00:48:35,000
Speaker 1: was that, but west Side always does that in such

949
00:48:35,000 --> 00:48:38,640
Speaker 1: a great way and continues to make a similar sound,

950
00:48:38,680 --> 00:48:42,040
Speaker 1: which is the Griselda sound new every time. It just

951
00:48:42,360 --> 00:48:48,680
Speaker 1: conductors all over that album. They pass stove God uh stove?

952
00:48:48,680 --> 00:48:53,040
Speaker 1: Got where is where is the album? Yeah, he's He's

953
00:48:53,080 --> 00:48:56,000
Speaker 1: definitely one of my favorites for sure. Yeah that that

954
00:48:56,000 --> 00:48:58,080
Speaker 1: that that west Side album. Man. I you know I didn't.

955
00:48:58,120 --> 00:48:59,520
Speaker 1: I didn't. I didn't hit him yet, man, but I

956
00:48:59,800 --> 00:49:01,399
Speaker 1: meant to text him and just tell him, like, yo,

957
00:49:01,440 --> 00:49:04,799
Speaker 1: listen man, you he's definitely in a groove. That's just like,

958
00:49:05,040 --> 00:49:07,080
Speaker 1: you know, it's just fun to watch. Yeah, he's in,

959
00:49:07,200 --> 00:49:08,959
Speaker 1: He's in. He's in a groove. Man. And this this

960
00:49:08,960 --> 00:49:11,960
Speaker 1: this project is is up there with one of probably

961
00:49:11,960 --> 00:49:15,600
Speaker 1: one of his best projects. To me, I almost text

962
00:49:15,640 --> 00:49:19,640
Speaker 1: you on Friday morning whenever I listen to it when

963
00:49:19,680 --> 00:49:21,239
Speaker 1: I was driving of like, you know, can he just

964
00:49:21,239 --> 00:49:23,600
Speaker 1: make a whack album? Yeah? Like that's what I'm saying.

965
00:49:23,800 --> 00:49:25,520
Speaker 1: It's just it's just this need to be that guy.

966
00:49:25,520 --> 00:49:28,080
Speaker 1: But I was like, no, know what you mean. It's

967
00:49:28,160 --> 00:49:31,680
Speaker 1: just because when you think about it, He's not really

968
00:49:31,920 --> 00:49:36,480
Speaker 1: you know, he's not doing too many things differently from

969
00:49:36,520 --> 00:49:40,560
Speaker 1: project to project, maybe working closer with different producers. Maybe

970
00:49:40,560 --> 00:49:42,640
Speaker 1: he still sounds different. But yeah, but it's it's just

971
00:49:42,680 --> 00:49:45,840
Speaker 1: like it's it's still a different vibe. Uh. You know,

972
00:49:45,920 --> 00:49:51,719
Speaker 1: the bars are more current, but you can't lose with that.

973
00:49:51,760 --> 00:49:54,200
Speaker 1: With the formula. He just West just found a formula.

974
00:49:54,239 --> 00:49:57,839
Speaker 1: That's just you know, it's working. He's working it, man,

975
00:49:57,920 --> 00:50:00,800
Speaker 1: He's he's he's working his formula. And this is another

976
00:50:00,880 --> 00:50:02,960
Speaker 1: project that I think people are gonna have to look

977
00:50:02,960 --> 00:50:05,719
Speaker 1: at and respect on a high level. No, man, I

978
00:50:05,760 --> 00:50:07,680
Speaker 1: keep up, I keep up. Oh Simon, where's Kith? I

979
00:50:07,719 --> 00:50:14,000
Speaker 1: know all that ship Saddam Wis Birdbery. We could go

980
00:50:14,040 --> 00:50:22,560
Speaker 1: on for a long time. Joe War's a mirror. You

981
00:50:22,680 --> 00:50:24,120
Speaker 1: teeed it up? What the fuck you want from me?

982
00:50:25,160 --> 00:50:32,920
Speaker 1: Everyone's over it. We're fine. Yeah. Anyways, I saw that

983
00:50:33,000 --> 00:50:35,160
Speaker 1: Kid Cutty got a billboard in Cleveland, and I feel

984
00:50:35,200 --> 00:50:37,560
Speaker 1: like we're lad he's from Brookly. We're allowed to claim

985
00:50:37,600 --> 00:50:39,640
Speaker 1: Kid Cuttie. I feel like Kid Cuddy is from Brooklyn.

986
00:50:39,719 --> 00:50:41,600
Speaker 1: Man Cuddy is from the same block as showing Price.

987
00:50:41,960 --> 00:50:44,759
Speaker 1: My opinion, Yeah, kid Cuddy is from Brooklyn. I get it.

988
00:50:45,880 --> 00:50:47,839
Speaker 1: I get it. Respect to Cleveland, we love you all.

989
00:50:47,920 --> 00:50:50,520
Speaker 1: Respect to Cleveland. But Kid Cutty is from Brooklyn. He

990
00:50:50,600 --> 00:50:54,320
Speaker 1: is He's from Brooklyn, So yes, Bushwick. Yeah, Kid Cuddie

991
00:50:54,360 --> 00:50:58,399
Speaker 1: is on Yeah, he's definitely from from Brooklyn. Was there

992
00:50:58,400 --> 00:51:01,640
Speaker 1: Toronto billboards? We don't have to rehash. I just want

993
00:51:01,680 --> 00:51:03,040
Speaker 1: to make sure we hit it all. But I hope,

994
00:51:03,080 --> 00:51:06,160
Speaker 1: I hope Drake has some of the Toronto classic R

995
00:51:06,200 --> 00:51:08,080
Speaker 1: and B acts on this album. I would love to

996
00:51:08,080 --> 00:51:11,440
Speaker 1: hear something from Glenn Lewis, Hey, Scarborough Cardinal officials on

997
00:51:11,480 --> 00:51:13,680
Speaker 1: this one. Yeah, Cardinal, you know what I mean. Like

998
00:51:13,880 --> 00:51:17,360
Speaker 1: I said, that's so American and white Cardinal Official Official,

999
00:51:18,320 --> 00:51:24,759
Speaker 1: the Official Cardinal. Get Glenn Lewis on it, man. I

1000
00:51:24,800 --> 00:51:26,960
Speaker 1: love Glenn Lewis, and don't you forget to me. I

1001
00:51:27,000 --> 00:51:29,160
Speaker 1: think to me it's from Toronto as well too. She

1002
00:51:29,320 --> 00:51:32,200
Speaker 1: is not mistaken. She is good to me on it, man.

1003
00:51:32,239 --> 00:51:35,600
Speaker 1: Get some good Toronto R and B. On the speaking

1004
00:51:35,640 --> 00:51:41,000
Speaker 1: of Canada, Belly's album phenomenal really good project, has some really,

1005
00:51:41,000 --> 00:51:44,040
Speaker 1: really really good project. I know we talked about it

1006
00:51:44,080 --> 00:51:46,879
Speaker 1: right before it came out, obviously, but Belly Belly shit

1007
00:51:46,960 --> 00:51:50,919
Speaker 1: is really really good fronts of back. It's like got

1008
00:51:50,920 --> 00:51:53,759
Speaker 1: content and sit. You can listen to the car. Yeah

1009
00:51:53,800 --> 00:51:55,800
Speaker 1: that Died, which is the record, but the best compliment

1010
00:51:55,840 --> 00:51:57,680
Speaker 1: I think I could ever give an album. Yeah that

1011
00:51:57,840 --> 00:51:59,960
Speaker 1: Died for a record is crazy? Oh yeah, for sure.

1012
00:52:00,080 --> 00:52:01,839
Speaker 1: Like I like it every time. I like it more

1013
00:52:01,840 --> 00:52:03,239
Speaker 1: and more every time I hear the record. It sounds

1014
00:52:03,280 --> 00:52:06,680
Speaker 1: like a fucking under the new soundtrack for a new

1015
00:52:06,719 --> 00:52:09,800
Speaker 1: Batman movie or something. Yeah, I can definitely see that.

1016
00:52:09,800 --> 00:52:11,640
Speaker 1: I give you chat Man vibes whenever I hear it.

1017
00:52:11,719 --> 00:52:15,520
Speaker 1: Die for it. We can in belly make like movie soundtrack.

1018
00:52:15,719 --> 00:52:20,200
Speaker 1: Yeah records. Yeah, their records sound just like big scores

1019
00:52:20,400 --> 00:52:22,839
Speaker 1: for sure. What it sounds like for sure? Wow, we

1020
00:52:23,160 --> 00:52:27,000
Speaker 1: took a quick break versus Fat Joe Joe Rue is

1021
00:52:27,040 --> 00:52:29,880
Speaker 1: just an ounce m. I think it's a great fucking matchup.

1022
00:52:30,280 --> 00:52:33,320
Speaker 1: I can smell the dow rags now. It's gonna be

1023
00:52:33,320 --> 00:52:35,759
Speaker 1: a lot of do rags in the building, hopefully with

1024
00:52:35,840 --> 00:52:38,040
Speaker 1: masks on. Yeah. No, you just turn the du rag

1025
00:52:38,080 --> 00:52:40,160
Speaker 1: around and with a KPE. I'm sure everyone will have

1026
00:52:40,200 --> 00:52:42,960
Speaker 1: vaxcards in there for sure, with the same name. Hand

1027
00:52:43,000 --> 00:52:46,640
Speaker 1: them out out front, worry about it, selling them right there. Madison.

1028
00:52:46,680 --> 00:52:49,400
Speaker 1: Don't worry about it. It's gonna be the same guy

1029
00:52:49,680 --> 00:52:54,880
Speaker 1: all thirty thousand people. Absolutely get your vax car right there, Madison. Yeah, off,

1030
00:52:56,000 --> 00:52:57,400
Speaker 1: I think it's a great matchup. I don't want to

1031
00:52:57,400 --> 00:52:59,000
Speaker 1: get into a Fat Joe Jo rude debab, we can

1032
00:52:59,040 --> 00:53:01,120
Speaker 1: save that. But I do think this is a really

1033
00:53:01,120 --> 00:53:03,200
Speaker 1: really good matchup. Yeah, this is dope. We'll talk about

1034
00:53:03,200 --> 00:53:05,399
Speaker 1: this one in the past. This is dope. Another win

1035
00:53:05,480 --> 00:53:08,920
Speaker 1: for New York City. Just going off for just right now,

1036
00:53:08,960 --> 00:53:13,839
Speaker 1: throwing it out there. I got rule, well, yeah I was.

1037
00:53:13,920 --> 00:53:15,840
Speaker 1: I'm biased, so I was gonna go rule too. I

1038
00:53:15,880 --> 00:53:17,719
Speaker 1: love Fat Joe, but I got ruled on this one.

1039
00:53:18,200 --> 00:53:21,200
Speaker 1: Fat Joe. It's been a long career, oh no for

1040
00:53:21,400 --> 00:53:23,880
Speaker 1: one of the best beat pickers ever. Fat Joe's funny.

1041
00:53:23,920 --> 00:53:26,040
Speaker 1: Fat Joe had his store years ago and I was

1042
00:53:26,040 --> 00:53:29,920
Speaker 1: in elementary school and on Third Avenue in the Bronx.

1043
00:53:29,960 --> 00:53:33,359
Speaker 1: He had a store called I Think Halftime with Fat Joe,

1044
00:53:33,719 --> 00:53:36,799
Speaker 1: and he actually, Fat Joe himself actually sold me my

1045
00:53:36,840 --> 00:53:38,880
Speaker 1: first pair of O Lives that was like the basketball

1046
00:53:38,880 --> 00:53:41,440
Speaker 1: shorts that we used to wear. He actually sold me

1047
00:53:41,440 --> 00:53:44,720
Speaker 1: my first pair O list Yeah. No, I forget sometimes,

1048
00:53:44,800 --> 00:53:46,879
Speaker 1: but you know, it's just the age gap. I don't

1049
00:53:46,880 --> 00:53:48,520
Speaker 1: know if you knew what old lives were. I know,

1050
00:53:48,680 --> 00:53:50,879
Speaker 1: I know, but yeah, Fat Joe sold me my first

1051
00:53:50,960 --> 00:53:53,360
Speaker 1: pair of olives out of his halftime store in the

1052
00:53:53,400 --> 00:53:57,480
Speaker 1: Bronx years ago. That might have been like ninety I

1053
00:53:57,520 --> 00:54:01,520
Speaker 1: want to say ninety three, ninety four. Ja Rule had

1054
00:54:01,560 --> 00:54:04,720
Speaker 1: moved out of Queen's by the time I was eleven. Yes,

1055
00:54:06,040 --> 00:54:14,080
Speaker 1: he was no longer there. Maybe younger. Oh bab Okay,

1056
00:54:14,080 --> 00:54:15,719
Speaker 1: this is gonna be be really good. This is gonna

1057
00:54:15,760 --> 00:54:17,920
Speaker 1: be some some some big fucking records that night. I'll

1058
00:54:17,920 --> 00:54:22,520
Speaker 1: tell you that. No, for sure. Anyways, outside of music,

1059
00:54:22,880 --> 00:54:26,600
Speaker 1: mm hmm, outside of music, Uh, we run down with

1060
00:54:26,880 --> 00:54:29,120
Speaker 1: what did happen we never got into. Let's let's go

1061
00:54:29,200 --> 00:54:33,080
Speaker 1: back to our topics. We forgot about. OnlyFans is back. Yeah,

1062
00:54:33,120 --> 00:54:35,279
Speaker 1: that was a little They had a hiccup. They kind

1063
00:54:35,280 --> 00:54:36,799
Speaker 1: of gave us the pump fake and we thought it

1064
00:54:36,840 --> 00:54:38,880
Speaker 1: was over. And I think they sat down in the

1065
00:54:38,920 --> 00:54:40,480
Speaker 1: in the in the in the boardroom and said, hey,

1066
00:54:40,560 --> 00:54:43,799
Speaker 1: we can't lose the TNA yet. I just need to

1067
00:54:43,920 --> 00:54:47,640
Speaker 1: know what their plan was, like, what, what what did

1068
00:54:47,680 --> 00:54:50,960
Speaker 1: that meeting go by? What was that board meeting somebody

1069
00:54:51,040 --> 00:54:53,640
Speaker 1: was like, we're sick of making money. Yeah, And somebody

1070
00:54:53,719 --> 00:54:55,920
Speaker 1: was like, bro, we get rid of the TNA. We

1071
00:54:55,960 --> 00:54:58,240
Speaker 1: don't have much left here I'm talking about. With the announcement,

1072
00:54:58,360 --> 00:55:01,640
Speaker 1: it probably went through thirty or forty proved people to say, hey,

1073
00:55:01,680 --> 00:55:04,399
Speaker 1: we're no longer going to allow all the people that

1074
00:55:04,880 --> 00:55:07,840
Speaker 1: create income for us on our platform anymore. Yeah, without

1075
00:55:07,840 --> 00:55:10,399
Speaker 1: a plan. Yeah, I don't, I don't. I still don't

1076
00:55:10,440 --> 00:55:12,359
Speaker 1: understand what that was about. I don't know if it

1077
00:55:12,400 --> 00:55:16,440
Speaker 1: was some new guidelines they may have been handed down.

1078
00:55:16,440 --> 00:55:18,880
Speaker 1: I don't know what I don't. I don't know. We

1079
00:55:18,880 --> 00:55:20,520
Speaker 1: didn't understand it when they announced it. We didn't know

1080
00:55:20,520 --> 00:55:21,719
Speaker 1: what they were gonna do. Like, okay, so it's just

1081
00:55:21,760 --> 00:55:24,880
Speaker 1: gonna be like artists, like showing us the tour buses. Now,

1082
00:55:24,920 --> 00:55:27,439
Speaker 1: I don't. I don't care to see that. There's other

1083
00:55:28,600 --> 00:55:31,640
Speaker 1: paywall companies that don't have the stigma of OnlyFans already

1084
00:55:31,680 --> 00:55:35,840
Speaker 1: that exactly. So, Yeah, listen, man, just throw some pussy

1085
00:55:35,880 --> 00:55:37,080
Speaker 1: up there. I understand why you guys are not a

1086
00:55:37,120 --> 00:55:41,080
Speaker 1: real app. Don't don't change a game and a knife

1087
00:55:41,080 --> 00:55:43,440
Speaker 1: in it. I don't understand why they haven't leaned into

1088
00:55:43,480 --> 00:55:48,000
Speaker 1: it more. Yeah, Like, what what's wrong with just accepting

1089
00:55:48,040 --> 00:55:51,759
Speaker 1: that women are gonna pop pussy and pay you a

1090
00:55:51,800 --> 00:55:55,040
Speaker 1: hefty percentage in the process. Then you just give everybody

1091
00:55:55,120 --> 00:55:58,400
Speaker 1: like a week free trial to just run through OnlyFans

1092
00:55:58,480 --> 00:56:02,200
Speaker 1: and see everyone's pay age and profile and videos for

1093
00:56:02,239 --> 00:56:05,719
Speaker 1: like a week. They've reached out to us, like once

1094
00:56:05,719 --> 00:56:08,200
Speaker 1: we started our podcast, they've reached out to us content.

1095
00:56:08,200 --> 00:56:10,839
Speaker 1: They were very polite, very nice, just guys, I'm sorry

1096
00:56:10,880 --> 00:56:13,240
Speaker 1: you have the stigma, Like if Maul and I released

1097
00:56:13,280 --> 00:56:16,440
Speaker 1: the Only Fans, Yeah, they're going to be thinking that

1098
00:56:16,560 --> 00:56:18,120
Speaker 1: Mal and I are going to be doing some really

1099
00:56:18,120 --> 00:56:21,439
Speaker 1: weird and granted I think we both have nice feet,

1100
00:56:21,440 --> 00:56:23,800
Speaker 1: but I just don't think that's our calling. Yeah. No,

1101
00:56:23,880 --> 00:56:26,680
Speaker 1: I'm definitely not angling my feet. And it's not for

1102
00:56:26,719 --> 00:56:30,000
Speaker 1: me to say that your your platform isn't for us.

1103
00:56:30,120 --> 00:56:32,880
Speaker 1: It's I'm a subscriber, I'm a consumer. Yeah, let me

1104
00:56:32,920 --> 00:56:34,839
Speaker 1: just be a subscriber and consumer. I don't need to

1105
00:56:35,000 --> 00:56:38,480
Speaker 1: give the world. Yeah no, I definitely won't be on OnlyFans.

1106
00:56:39,719 --> 00:56:41,360
Speaker 1: But again, I don't know what they would with that

1107
00:56:41,440 --> 00:56:44,160
Speaker 1: whole thing was about, but it seems like things are

1108
00:56:44,200 --> 00:56:46,760
Speaker 1: back to normal, and uh, that was just a hiccup

1109
00:56:46,800 --> 00:56:50,520
Speaker 1: in there the infrastructure I saw. I saw a lot

1110
00:56:50,600 --> 00:56:54,200
Speaker 1: of different companies try to capitalize on that. So a

1111
00:56:54,200 --> 00:56:57,040
Speaker 1: lot of chicks announcing some weird like instead of only

1112
00:56:58,680 --> 00:57:02,840
Speaker 1: me and my crew dot com. It was very interesting.

1113
00:57:03,280 --> 00:57:06,239
Speaker 1: Chicks started sending them, Hey, big head Texas and they

1114
00:57:06,360 --> 00:57:08,440
Speaker 1: you know, they took them back two days later, like

1115
00:57:08,480 --> 00:57:11,319
Speaker 1: they was they stopped responding. It was popping for two

1116
00:57:11,400 --> 00:57:14,120
Speaker 1: days like, oh, he's only fans is back? Like you

1117
00:57:14,160 --> 00:57:17,160
Speaker 1: thought it was over? Well, yeah, has a chick ever

1118
00:57:17,480 --> 00:57:20,440
Speaker 1: shared her OnlyFans content with you like to get your

1119
00:57:20,440 --> 00:57:23,760
Speaker 1: suggestions or yeah, like to pick which one? How do

1120
00:57:23,760 --> 00:57:25,440
Speaker 1: you go about judging that? Are you? Are you one

1121
00:57:25,440 --> 00:57:27,640
Speaker 1: of those honest people that's Are you more of like

1122
00:57:27,680 --> 00:57:30,480
Speaker 1: a pitchfork where you'll be really critical and tell her

1123
00:57:30,520 --> 00:57:32,080
Speaker 1: certain things that she could change and needs to do

1124
00:57:32,160 --> 00:57:33,760
Speaker 1: for the art of it? Or are you more of

1125
00:57:33,880 --> 00:57:36,400
Speaker 1: like maybe a complex where it's like, oh, this was

1126
00:57:36,400 --> 00:57:38,520
Speaker 1: the greatest thing that ever existed. No, no, no, no, no.

1127
00:57:38,960 --> 00:57:41,960
Speaker 1: She she she used to send me pictures before she

1128
00:57:42,120 --> 00:57:44,600
Speaker 1: posted them on an OnlyFans and say is this too much?

1129
00:57:44,720 --> 00:57:47,840
Speaker 1: Is it? Because she wasn't doing like new stuff? She was,

1130
00:57:47,840 --> 00:57:51,520
Speaker 1: you know, she was she was a waste of fucking data. No, no, no,

1131
00:57:51,600 --> 00:57:53,480
Speaker 1: she was. She was just she was. She has a

1132
00:57:53,560 --> 00:57:55,320
Speaker 1: nice shape. She has an Instagram, Yeah, she has a

1133
00:57:55,400 --> 00:57:57,800
Speaker 1: nice it's one of those. Listen. She made a lot

1134
00:57:57,800 --> 00:58:00,720
Speaker 1: of money, but she didn't want to get to, you know,

1135
00:58:00,800 --> 00:58:03,000
Speaker 1: revealing she didn't. You know, it is just showing too much,

1136
00:58:03,080 --> 00:58:06,200
Speaker 1: but is just showing too much cleavage. But for the fans,

1137
00:58:07,000 --> 00:58:09,640
Speaker 1: I know, listen, man, she made a lot of money

1138
00:58:09,760 --> 00:58:12,080
Speaker 1: without taking a clothes off. So you weren't You weren't

1139
00:58:12,080 --> 00:58:14,920
Speaker 1: one of the you were, yes man, you weren't honest

1140
00:58:14,960 --> 00:58:16,760
Speaker 1: in the crew and saying this is no I was.

1141
00:58:17,080 --> 00:58:19,120
Speaker 1: Fans aren't gonna appreciate that they go to your Instagram

1142
00:58:19,120 --> 00:58:20,720
Speaker 1: for this. I don't need to see your knee. No, no,

1143
00:58:20,920 --> 00:58:23,440
Speaker 1: I was very paying thirteen ninety nine for this. I

1144
00:58:23,520 --> 00:58:25,120
Speaker 1: let her know that, yo, you can, no, you can

1145
00:58:25,120 --> 00:58:27,600
Speaker 1: show a little more cheek right there. That's okay. Yeah,

1146
00:58:27,600 --> 00:58:29,720
Speaker 1: I try to help come on minute streets gotta eat,

1147
00:58:29,720 --> 00:58:32,000
Speaker 1: you know that she gotta eat. Yeah, it gotta show

1148
00:58:32,040 --> 00:58:35,720
Speaker 1: more than that part of the streets exactly. That's the

1149
00:58:35,760 --> 00:58:39,320
Speaker 1: beauty of only fans. As far as uh subscription based,

1150
00:58:39,640 --> 00:58:41,439
Speaker 1: you really have to pay the first month to even

1151
00:58:41,880 --> 00:58:44,720
Speaker 1: find out. You be looking at a chick's ig page, like, nah,

1152
00:58:44,720 --> 00:58:47,240
Speaker 1: I can't see her busting it over. I think she's

1153
00:58:47,280 --> 00:58:50,760
Speaker 1: just gonna give me vacation picks that she's not posting here. Yeah,

1154
00:58:50,760 --> 00:58:52,640
Speaker 1: but the thing is, you get the you get the

1155
00:58:52,680 --> 00:58:55,080
Speaker 1: private DM and back and forth. You might get a

1156
00:58:55,160 --> 00:58:58,000
Speaker 1: nude in the private. I'm not doing that. I mean,

1157
00:58:58,240 --> 00:59:00,440
Speaker 1: you know, I'm some guys, and some guys go like that.

1158
00:59:01,320 --> 00:59:03,400
Speaker 1: If you spend, if you spend enough, No, I get

1159
00:59:03,400 --> 00:59:05,640
Speaker 1: those d ms because anytime you subscribe to a thing,

1160
00:59:05,760 --> 00:59:08,440
Speaker 1: they can DM you. Yeah, listen, I'm a sucker. I

1161
00:59:08,440 --> 00:59:10,960
Speaker 1: don't fall for the baby. I've been thinking about you

1162
00:59:11,000 --> 00:59:13,640
Speaker 1: all day, Like, do you want to see this? We've

1163
00:59:13,680 --> 00:59:16,160
Speaker 1: never met? Do you want to see this? Never? We

1164
00:59:16,200 --> 00:59:19,000
Speaker 1: don't know each other. They'd be asking if you want

1165
00:59:19,000 --> 00:59:22,560
Speaker 1: to see it? Yes, and that, like they took the

1166
00:59:22,560 --> 00:59:27,440
Speaker 1: picture from me. You look like you fall for the

1167
00:59:27,480 --> 00:59:30,000
Speaker 1: Do you want to see this? You like? Yes? Yes,

1168
00:59:30,040 --> 00:59:33,840
Speaker 1: I do. Not only fans, but I phoned for it.

1169
00:59:35,800 --> 00:59:38,800
Speaker 1: Oh man, the internet is a weird place for this

1170
00:59:38,840 --> 00:59:40,560
Speaker 1: is a weird play. And the dms too. I've phoned

1171
00:59:40,600 --> 00:59:45,640
Speaker 1: for it. Let me see it. But I think it's

1172
00:59:45,640 --> 00:59:48,560
Speaker 1: a simple question, like it is the same question, Okay,

1173
00:59:48,840 --> 00:59:51,520
Speaker 1: see it. Sure, I'm not doing nothing else. I'm just

1174
00:59:51,600 --> 00:59:54,400
Speaker 1: homewatching spontsor if i don't like it, then I'll shut

1175
00:59:54,400 --> 00:59:58,000
Speaker 1: my phone off. Asking a man do you want to

1176
00:59:58,040 --> 01:00:01,240
Speaker 1: see it? Is hilarious, but we want to see it.

1177
01:00:01,240 --> 01:00:03,600
Speaker 1: I'm gonna start asking you want to see it? We

1178
01:00:03,680 --> 01:00:07,480
Speaker 1: got a table. Don't do that, we turn the tables. No,

1179
01:00:07,560 --> 01:00:10,640
Speaker 1: it's a double standard that no, he can't do. I'm

1180
01:00:10,640 --> 01:00:13,280
Speaker 1: talking about women that we not just random women. Don't

1181
01:00:13,320 --> 01:00:15,560
Speaker 1: you should not ask a random No, I just want

1182
01:00:15,600 --> 01:00:19,840
Speaker 1: to make sure you're not advocating that men and do

1183
01:00:19,880 --> 01:00:22,160
Speaker 1: you want to see it? I'm talking about knocked them

1184
01:00:22,160 --> 01:00:25,760
Speaker 1: out myself. I'm talking about women that you know that

1185
01:00:25,840 --> 01:00:28,480
Speaker 1: you have a you know, some type of rapport with already.

1186
01:00:28,640 --> 01:00:30,160
Speaker 1: Oh yeah, I would say do you want to see it?

1187
01:00:30,200 --> 01:00:33,200
Speaker 1: Do you want to see it? But then I gotta

1188
01:00:33,200 --> 01:00:37,040
Speaker 1: get like she says what you were like it? Right? Right?

1189
01:00:37,360 --> 01:00:39,720
Speaker 1: You know what I'm saying. But then then you're trying

1190
01:00:39,720 --> 01:00:42,320
Speaker 1: to surprise her with something else that's not what we

1191
01:00:42,360 --> 01:00:45,680
Speaker 1: all know. Is just send us something totally different, like Baisley, Yeah,

1192
01:00:47,320 --> 01:00:52,720
Speaker 1: doing a trick. Why not fuck it, man, go for it.

1193
01:00:52,800 --> 01:00:55,240
Speaker 1: What if you want to send her it? Though, Oh no,

1194
01:00:55,320 --> 01:01:01,120
Speaker 1: I don't ask. Uh. We are women that you know? Yeah? Women? No,

1195
01:01:01,120 --> 01:01:03,400
Speaker 1: no, no to women. Come on, we have to keep saying that.

1196
01:01:03,600 --> 01:01:05,920
Speaker 1: I'm not kill me for continuing to say it. I'm

1197
01:01:05,960 --> 01:01:08,880
Speaker 1: not a random dick pick to a woman that I

1198
01:01:08,920 --> 01:01:11,520
Speaker 1: do not know. That's not happening. No, but no to

1199
01:01:11,600 --> 01:01:15,640
Speaker 1: women that I know, Oh yeah, I'll ask. I asked

1200
01:01:15,680 --> 01:01:17,080
Speaker 1: what you're doing? And when I know you're in a

1201
01:01:17,080 --> 01:01:18,919
Speaker 1: public spot, you would have said, now I'm at home chilling.

1202
01:01:18,920 --> 01:01:20,920
Speaker 1: I wouldn't have sent it if I know you out.

1203
01:01:21,360 --> 01:01:22,880
Speaker 1: That's when you got to add a little like the

1204
01:01:23,400 --> 01:01:27,040
Speaker 1: sparkly glitter effect. But you gotta rub the picture. The

1205
01:01:27,080 --> 01:01:28,840
Speaker 1: fact that you know how to do that. Come on,

1206
01:01:29,160 --> 01:01:30,720
Speaker 1: I'm gonna pro at this. I STI don't even know

1207
01:01:30,760 --> 01:01:32,520
Speaker 1: how to do it when on the receiving en come

1208
01:01:32,520 --> 01:01:34,800
Speaker 1: on sitting there playing that's your sketch. What the fuck

1209
01:01:34,880 --> 01:01:36,640
Speaker 1: is going? I can't get this. No, you gotta put

1210
01:01:36,640 --> 01:01:41,400
Speaker 1: the picture like a lottery ticket. Yeah, that's how on

1211
01:01:41,440 --> 01:01:43,960
Speaker 1: my phone, like it's a jackpot exactly. That's how you

1212
01:01:43,960 --> 01:01:45,720
Speaker 1: gotta rub it. You gotta rub all the good away,

1213
01:01:45,840 --> 01:01:47,800
Speaker 1: making work for it. Make it work for it, man,

1214
01:01:48,000 --> 01:01:49,320
Speaker 1: that's when you send it. When you don't, you don't

1215
01:01:49,320 --> 01:01:50,720
Speaker 1: even have to ask if she's in public or not.

1216
01:01:50,920 --> 01:01:53,480
Speaker 1: Just send it like that. No, I like, I like

1217
01:01:53,560 --> 01:01:56,840
Speaker 1: to know play yo. She says, good morning, Hamm a

1218
01:01:56,920 --> 01:02:03,120
Speaker 1: pick what you're doing, hamm a pick? But like's like

1219
01:02:03,200 --> 01:02:07,160
Speaker 1: women's nudes are beautiful because women's bodies are beautiful, and

1220
01:02:07,520 --> 01:02:10,120
Speaker 1: gay men would say that. Any people on earth would

1221
01:02:10,120 --> 01:02:14,120
Speaker 1: say women have beautiful bodies. Absolutely. People that like Dick

1222
01:02:14,200 --> 01:02:16,280
Speaker 1: and don't like Dick would say that dick pics are

1223
01:02:16,320 --> 01:02:18,720
Speaker 1: kind of fucking gross. No, but you got there's nothing

1224
01:02:18,760 --> 01:02:21,479
Speaker 1: that attractive about just the dick. No, you gotta jazz

1225
01:02:21,560 --> 01:02:23,720
Speaker 1: up the background though. Oh no, I've tried to get

1226
01:02:23,840 --> 01:02:26,040
Speaker 1: arty with my dick. Yeah, you gotta have like the

1227
01:02:26,200 --> 01:02:28,880
Speaker 1: arts up a little bit exactly. Come on, Roy, you're

1228
01:02:28,880 --> 01:02:30,320
Speaker 1: a pro with this. You know what you're doing. Man.

1229
01:02:30,640 --> 01:02:32,120
Speaker 1: You know what I'm saying, Clean up the clean up

1230
01:02:32,160 --> 01:02:34,680
Speaker 1: the living room, get everything nice. You know what I'm saying.

1231
01:02:35,000 --> 01:02:37,520
Speaker 1: I know I think my dick is on Reddit. No,

1232
01:02:37,680 --> 01:02:42,200
Speaker 1: my shit is Reddit edit get it embedded. My shit

1233
01:02:42,280 --> 01:02:44,120
Speaker 1: is everywhere. I know that for a fast shit is

1234
01:02:44,120 --> 01:02:47,600
Speaker 1: on aim whatever. Have a blast, man, it's all good.

1235
01:02:47,840 --> 01:02:49,160
Speaker 1: I don't know how we got on that sange of

1236
01:02:49,200 --> 01:02:52,160
Speaker 1: only fans. Maybe we should start the only fans shit. Listen, man,

1237
01:02:52,200 --> 01:02:55,000
Speaker 1: things get too rough out here. Listen. One of the

1238
01:02:55,040 --> 01:02:58,880
Speaker 1: funniest fifty bars of all time is if my record

1239
01:02:59,520 --> 01:03:03,640
Speaker 1: sell select, we'll show you my Dick. And then what happened?

1240
01:03:04,040 --> 01:03:06,240
Speaker 1: They slowed down and then he started Power. He said

1241
01:03:06,280 --> 01:03:12,680
Speaker 1: season one, Yo, here's what Dick. Seven scens later. Power

1242
01:03:12,720 --> 01:03:18,440
Speaker 1: is a successful show. I respect it. Speaking of that

1243
01:03:18,520 --> 01:03:21,480
Speaker 1: and nothing of that, I do have some condolences to

1244
01:03:21,520 --> 01:03:26,560
Speaker 1: give man what happened ed and inform me of of

1245
01:03:27,040 --> 01:03:32,120
Speaker 1: a staple, a landmark in New York City history. I

1246
01:03:32,160 --> 01:03:34,720
Speaker 1: don't care what borough you're from. I don't care if

1247
01:03:34,720 --> 01:03:37,000
Speaker 1: you're from New Jersey. I don't care if you're from Connecticut.

1248
01:03:38,480 --> 01:03:40,560
Speaker 1: I don't care if you're from around the world. Everyone

1249
01:03:40,600 --> 01:03:44,720
Speaker 1: on Earth knows the West fourth McDonald's acarst from the

1250
01:03:44,760 --> 01:03:47,840
Speaker 1: cage West fourth and sixth Avenue. It is one of

1251
01:03:47,840 --> 01:03:52,320
Speaker 1: the most iconic McDonald's on planet Earth. First time I

1252
01:03:52,320 --> 01:03:56,120
Speaker 1: saw it to Dyke's fight. Mm hmmm, I think I

1253
01:03:56,120 --> 01:03:59,680
Speaker 1: got punched too. Yeah, it's just eating my very violent

1254
01:03:59,720 --> 01:04:02,800
Speaker 1: era in the nineties. That was a very violent area

1255
01:04:03,280 --> 01:04:07,560
Speaker 1: two thousands as well, early two thousands. Yeah, listen, I

1256
01:04:07,600 --> 01:04:09,800
Speaker 1: put it this way, Rudy Giuliani took down the mob,

1257
01:04:11,120 --> 01:04:13,720
Speaker 1: cleaned up the entire city. There was one place in

1258
01:04:13,760 --> 01:04:16,120
Speaker 1: the entire city he could not clean up East New

1259
01:04:16,200 --> 01:04:19,880
Speaker 1: York and the West fourth McDonald's. Yeah, yeah, I'm surprised

1260
01:04:19,880 --> 01:04:21,880
Speaker 1: they were opened as long as they were, man because

1261
01:04:21,920 --> 01:04:24,800
Speaker 1: that that McDonald's was always a little shaky. The floors

1262
01:04:24,800 --> 01:04:30,080
Speaker 1: were always greasy, that was with people's fucking blood and spit. Yeah,

1263
01:04:30,120 --> 01:04:33,880
Speaker 1: it just was almost very very nasty place. But the

1264
01:04:33,920 --> 01:04:36,360
Speaker 1: fries were always fresh. Well, I mean they were seasoned

1265
01:04:36,440 --> 01:04:41,720
Speaker 1: with regret, yeah, disappointment. Yeah yeah, but I didn't know

1266
01:04:41,720 --> 01:04:43,520
Speaker 1: that though I didn't know they were closed. We found

1267
01:04:43,560 --> 01:04:46,000
Speaker 1: out about a month ago that they closed. I guess

1268
01:04:46,000 --> 01:04:49,560
Speaker 1: this means we all need to resort to. I guess

1269
01:04:49,560 --> 01:04:51,960
Speaker 1: the one on Essex and Delancey would be the next

1270
01:04:52,000 --> 01:04:57,280
Speaker 1: insane McDonald's on Essex and delance Yes, okay, mm hmm.

1271
01:04:57,840 --> 01:05:00,520
Speaker 1: City wise, is that still over that is definitely still

1272
01:05:00,520 --> 01:05:03,080
Speaker 1: have them. Just just caught a big mac over there,

1273
01:05:03,800 --> 01:05:08,400
Speaker 1: and I'm not say about the burger had nothing to

1274
01:05:08,440 --> 01:05:11,919
Speaker 1: do with the menu, but no condolences to west Ford

1275
01:05:12,000 --> 01:05:14,800
Speaker 1: McDonald's if you know, you know, I know our international

1276
01:05:14,840 --> 01:05:16,600
Speaker 1: listeners or outside of New York may I know what

1277
01:05:16,600 --> 01:05:18,760
Speaker 1: the fuck we're talking about. But it was an iconicic,

1278
01:05:19,000 --> 01:05:21,360
Speaker 1: iconic McDonald's in New York City. For it did not

1279
01:05:21,520 --> 01:05:25,960
Speaker 1: matter at all. Get fries, dope, crack weed, molly e

1280
01:05:27,360 --> 01:05:30,400
Speaker 1: happy meal, you know, you get whatever you need in

1281
01:05:30,400 --> 01:05:34,760
Speaker 1: this sneakers, bacon, you know, a haircut. It was just

1282
01:05:34,760 --> 01:05:39,000
Speaker 1: one of those McDonald's resulted. Yeah, Rob stabbed one of

1283
01:05:39,000 --> 01:05:41,560
Speaker 1: those McDonald's that really left the mark on you. I

1284
01:05:41,680 --> 01:05:44,200
Speaker 1: got a few questions, you feel like, I love your questions.

1285
01:05:44,760 --> 01:05:46,280
Speaker 1: My favorite part of this podc Yeah, I have. I

1286
01:05:46,320 --> 01:05:50,320
Speaker 1: have a few questions. Why does maybe just me? But

1287
01:05:50,400 --> 01:05:55,240
Speaker 1: why does head feel better when she's under the blanket

1288
01:05:55,240 --> 01:06:02,320
Speaker 1: and you can't see her? I can? Is it just me? Well,

1289
01:06:02,360 --> 01:06:04,760
Speaker 1: I was about to answer quickly, it's set in what

1290
01:06:04,800 --> 01:06:08,040
Speaker 1: you actually said. I mean, it's like it's warmer. It's

1291
01:06:08,040 --> 01:06:11,760
Speaker 1: a lot warmer, it's a lot wetter. It's like you

1292
01:06:11,800 --> 01:06:14,160
Speaker 1: feel like it's Houdini, like it's a magic trick. It's

1293
01:06:14,160 --> 01:06:17,080
Speaker 1: almost like you know, you can kind of pretend it's

1294
01:06:17,120 --> 01:06:18,600
Speaker 1: like one of the other chicks that's doing it because

1295
01:06:18,600 --> 01:06:20,760
Speaker 1: you can't really see it. So it's like, you know,

1296
01:06:20,800 --> 01:06:22,800
Speaker 1: you can play that mental mind game where it's like,

1297
01:06:23,440 --> 01:06:27,480
Speaker 1: oh you missed her, Yeah you had to pretend. Yeah, like, oh, yes,

1298
01:06:27,680 --> 01:06:29,959
Speaker 1: I haven't seen her so long. Oh that's a whole

1299
01:06:30,000 --> 01:06:33,040
Speaker 1: other topic. Yeah, let's one one step at a time.

1300
01:06:33,080 --> 01:06:36,240
Speaker 1: I see, I see you're wondering off. Oh god, yeah,

1301
01:06:36,440 --> 01:06:39,600
Speaker 1: I've definitely thought that chick, definitely thought of another dude. Well,

1302
01:06:39,600 --> 01:06:45,040
Speaker 1: I should forget it. Neither here nor there. Ye Oh,

1303
01:06:45,080 --> 01:06:49,120
Speaker 1: don't act like yeah, I haven't been there, never been. Sorry, No,

1304
01:06:49,240 --> 01:06:52,560
Speaker 1: you didn't know, you just didn't nothing good of mind.

1305
01:06:52,600 --> 01:06:56,240
Speaker 1: I'm cool with that too. I'm just an overthinker. I

1306
01:06:56,320 --> 01:06:59,760
Speaker 1: like I'm gonna I like the visual experience. I like

1307
01:06:59,760 --> 01:07:03,240
Speaker 1: the contact. I like to see what you're doing. I

1308
01:07:03,320 --> 01:07:05,800
Speaker 1: like to move the hair around. I may like to

1309
01:07:05,800 --> 01:07:08,000
Speaker 1: pull some hair, might might even put my hand on you,

1310
01:07:08,080 --> 01:07:10,560
Speaker 1: on your throat. I'm one of those type of people.

1311
01:07:11,760 --> 01:07:14,400
Speaker 1: If I'm a little white boy, No, it's no, it's

1312
01:07:14,400 --> 01:07:17,840
Speaker 1: done tenderly, it's done passionately, it's done. Listen. I've been

1313
01:07:17,880 --> 01:07:21,840
Speaker 1: said on this podcast. I'm a missionary face to face, Yeah, missionaries.

1314
01:07:21,880 --> 01:07:23,560
Speaker 1: I like to make love to people I don't love. Yeah,

1315
01:07:24,120 --> 01:07:26,240
Speaker 1: come on, that's the best love. That's the best love

1316
01:07:26,280 --> 01:07:30,560
Speaker 1: to make. You don't make love to people. The the

1317
01:07:30,640 --> 01:07:33,240
Speaker 1: cover thing is a cool surprise. I like that when

1318
01:07:33,520 --> 01:07:35,640
Speaker 1: I didn't see it coming, Like I was asleep and

1319
01:07:35,680 --> 01:07:37,280
Speaker 1: all of a sudden, I opened my eyes and I

1320
01:07:37,320 --> 01:07:39,920
Speaker 1: can't see nobody, but I could feel head Like that

1321
01:07:40,240 --> 01:07:43,760
Speaker 1: is a great way to wake up. But when head

1322
01:07:43,840 --> 01:07:47,760
Speaker 1: is expected, no, I need like I need the interludes

1323
01:07:47,800 --> 01:07:50,080
Speaker 1: on the Kanye album. I need to see the visual experience.

1324
01:07:50,800 --> 01:07:54,320
Speaker 1: I need the whole thing. Like I don't want to

1325
01:07:54,360 --> 01:07:57,320
Speaker 1: look at my down comforter from Target, like I need

1326
01:07:57,360 --> 01:08:00,120
Speaker 1: to see your face. I mean, it's just something I

1327
01:08:00,120 --> 01:08:01,959
Speaker 1: don't know, Like when you you know, you're laying down

1328
01:08:02,000 --> 01:08:04,840
Speaker 1: and watching TV, got you know, getting your cuddle game on,

1329
01:08:04,960 --> 01:08:08,320
Speaker 1: and and she just decides to like you know, go

1330
01:08:08,400 --> 01:08:11,080
Speaker 1: under the blankets and just start like it's just like

1331
01:08:11,160 --> 01:08:13,240
Speaker 1: that head is, that's that head is. That's that's some

1332
01:08:13,400 --> 01:08:15,120
Speaker 1: fire ahead right there. I mean I feel like if

1333
01:08:15,160 --> 01:08:17,320
Speaker 1: you're a multitasker, like you could be on your phone

1334
01:08:17,360 --> 01:08:20,360
Speaker 1: and do ship and she won't be offended. But yeah,

1335
01:08:20,479 --> 01:08:23,000
Speaker 1: or if you're enjoying, you were actually enjoying the movie, right,

1336
01:08:23,520 --> 01:08:25,360
Speaker 1: she could do that. But what if you was what

1337
01:08:25,439 --> 01:08:27,800
Speaker 1: if you was eating a girl out right and you

1338
01:08:27,840 --> 01:08:30,960
Speaker 1: looked up and she was on her phone. I would

1339
01:08:31,000 --> 01:08:34,280
Speaker 1: hope she would be taking a video of me, and

1340
01:08:34,280 --> 01:08:37,679
Speaker 1: I would convince myself otherwise because my ego is so fragile,

1341
01:08:40,240 --> 01:08:43,160
Speaker 1: like she just she is just taking a vain look

1342
01:08:43,160 --> 01:08:48,600
Speaker 1: at girl out. You know how crazy that is, but

1343
01:08:48,640 --> 01:08:51,880
Speaker 1: it's super crazy. I don't think I'm recording it eating pussy.

1344
01:08:51,920 --> 01:08:54,080
Speaker 1: I don't think I ever have fam Listen, a woman

1345
01:08:54,320 --> 01:08:57,680
Speaker 1: has never recorded me? Are you crazy? I wouldn't be

1346
01:08:58,120 --> 01:08:59,760
Speaker 1: to hit the wall so hard that shit will turn

1347
01:08:59,800 --> 01:09:02,960
Speaker 1: in this. But why didn't you filmed yourself having sex before?

1348
01:09:03,000 --> 01:09:08,360
Speaker 1: Right me? Yes, I'm saying she's never filmed you having sex. Yeah, yeah,

1349
01:09:08,400 --> 01:09:10,280
Speaker 1: she has my phone. Yeah, but I'm talking about, like

1350
01:09:10,320 --> 01:09:13,920
Speaker 1: if you eating your girl out and you look up

1351
01:09:13,960 --> 01:09:15,920
Speaker 1: and she got the she got it like this under

1352
01:09:15,920 --> 01:09:20,439
Speaker 1: the chin type tuck like this and like this. You

1353
01:09:20,479 --> 01:09:22,080
Speaker 1: know when they get like this, that means she's trying

1354
01:09:22,120 --> 01:09:24,880
Speaker 1: to get the angle. You feel that. I feel kind

1355
01:09:24,880 --> 01:09:27,600
Speaker 1: of flattered. Nah, bro, you can't do that and she

1356
01:09:27,640 --> 01:09:29,439
Speaker 1: had the light on. And that's what I'm saying. Like

1357
01:09:29,560 --> 01:09:32,280
Speaker 1: if you look at it, just see light and like titties.

1358
01:09:32,360 --> 01:09:36,120
Speaker 1: Like all you see it is like you get her

1359
01:09:36,120 --> 01:09:40,840
Speaker 1: shirt on? Is that a masculated girl out with her

1360
01:09:40,840 --> 01:09:43,960
Speaker 1: shirt on before I have before? Is that? White boy? Listen,

1361
01:09:44,040 --> 01:09:46,519
Speaker 1: I'm starting to do that. Sometimes you take her draws

1362
01:09:46,520 --> 01:09:51,080
Speaker 1: off first. Okay, I'll give you that, but you get

1363
01:09:51,120 --> 01:09:53,040
Speaker 1: right to it. You wanted them to tell you aggressive,

1364
01:09:53,040 --> 01:09:55,000
Speaker 1: white boy. You get right to let her take her

1365
01:09:55,000 --> 01:09:59,519
Speaker 1: shirt off. Here's the thing. I like to eat pussy first.

1366
01:10:01,439 --> 01:10:04,120
Speaker 1: Give me more context. Let's just say, because what does

1367
01:10:04,240 --> 01:10:06,439
Speaker 1: first mean? Like before y'all go out? Here's the thing,

1368
01:10:06,560 --> 01:10:09,760
Speaker 1: Because what you mean you like to eat pussy first? No,

1369
01:10:09,840 --> 01:10:12,160
Speaker 1: you have to give me more than just first, Like

1370
01:10:12,200 --> 01:10:14,000
Speaker 1: what do you mean I will eat pussy before we

1371
01:10:14,000 --> 01:10:17,479
Speaker 1: go out to eat? Okay, I like to epatize if

1372
01:10:17,479 --> 01:10:20,799
Speaker 1: we're doing the oral exchange, if you will, I would

1373
01:10:20,880 --> 01:10:24,280
Speaker 1: like to go first so I could focus better when

1374
01:10:24,280 --> 01:10:28,440
Speaker 1: I'm getting ahead, like if I because there's a possibility

1375
01:10:28,479 --> 01:10:31,680
Speaker 1: I could nut while you give me head. That's a

1376
01:10:31,720 --> 01:10:35,719
Speaker 1: possibility in my life. Okay. And because I'm a gentleman,

1377
01:10:36,040 --> 01:10:40,000
Speaker 1: I still owe you that and if I nut, I'm

1378
01:10:40,040 --> 01:10:44,639
Speaker 1: not eating your pussy, I would hope I gotta go first. Sick.

1379
01:10:45,120 --> 01:10:48,559
Speaker 1: That's sick. If you nut and they eat a girl out, yo,

1380
01:10:48,640 --> 01:10:50,759
Speaker 1: she should call the cops. I got like, I gotta

1381
01:10:50,800 --> 01:10:52,840
Speaker 1: go first. No, okay, I gotta go first, you know

1382
01:10:52,880 --> 01:10:54,639
Speaker 1: all right? So you know yourself. You know that. Yo,

1383
01:10:54,680 --> 01:10:57,920
Speaker 1: it's a possibility that I might you know, yeah, I

1384
01:10:58,000 --> 01:11:00,320
Speaker 1: might bust and it's over, like I'm sexy if the

1385
01:11:00,320 --> 01:11:02,559
Speaker 1: pussy tastes good, I mean pussy and then fuck. And

1386
01:11:03,040 --> 01:11:04,479
Speaker 1: I would hope So I would hope you're not just

1387
01:11:04,479 --> 01:11:06,439
Speaker 1: eating pussy and getting up going boy, you know I'm not.

1388
01:11:07,040 --> 01:11:10,679
Speaker 1: I hope that you are not a relaxed the mares.

1389
01:11:11,240 --> 01:11:13,080
Speaker 1: I hope that you bringing it. You know what's wrong

1390
01:11:13,120 --> 01:11:17,000
Speaker 1: with that? Thing's wrong with that date. We should take

1391
01:11:17,040 --> 01:11:19,200
Speaker 1: every man that just eats pussy, and then would you

1392
01:11:19,200 --> 01:11:22,439
Speaker 1: respect a man that just ate pussy and left? No? Never,

1393
01:11:22,439 --> 01:11:24,479
Speaker 1: they don't, she said she would. She wouldn't. They don't

1394
01:11:24,479 --> 01:11:26,559
Speaker 1: respect that, they don't respect. It would be a difference.

1395
01:11:26,560 --> 01:11:29,160
Speaker 1: It wouldn't be the respect that she really wants. Yeah,

1396
01:11:29,240 --> 01:11:31,760
Speaker 1: it would be I respect that I'm in control. It's

1397
01:11:31,800 --> 01:11:35,040
Speaker 1: not even respect. She appreciates it, like, okay, cool, But

1398
01:11:35,200 --> 01:11:37,160
Speaker 1: they don't know what a woman doesn't respect the god

1399
01:11:37,160 --> 01:11:40,479
Speaker 1: that just eats her out and then leaves. So let

1400
01:11:40,479 --> 01:11:42,759
Speaker 1: me flip the coin on that. Have you ate pussy

1401
01:11:42,840 --> 01:11:45,439
Speaker 1: under the covers with her above the covers? Oh yeah,

1402
01:11:46,400 --> 01:11:49,200
Speaker 1: I can't. I've started that way. I get claustrophobic and

1403
01:11:49,200 --> 01:11:51,200
Speaker 1: I get hot really easily, like my sweat glands. Ain't

1404
01:11:51,720 --> 01:11:52,960
Speaker 1: you just got to put your feet all way at

1405
01:11:52,960 --> 01:11:54,519
Speaker 1: the bottom of the cover. Oh no, of course, I'm

1406
01:11:54,520 --> 01:11:59,720
Speaker 1: the king of that. Get some type of Okay, I'm

1407
01:11:59,760 --> 01:12:03,320
Speaker 1: glad I'm not the only one. God. Yeah, we just

1408
01:12:03,360 --> 01:12:05,559
Speaker 1: have like a real relate. That's my ship. Put your legs.

1409
01:12:05,640 --> 01:12:06,920
Speaker 1: Let your legs hang off the edge of the bed.

1410
01:12:06,960 --> 01:12:12,000
Speaker 1: It's weird breezing Your feet will like the entire body immediately. Yeah,

1411
01:12:12,000 --> 01:12:14,559
Speaker 1: it's like thirty degree difference immediately. Yeah. Yeah, Put your

1412
01:12:14,640 --> 01:12:16,680
Speaker 1: legs out from under the blanket and continue doing what

1413
01:12:16,720 --> 01:12:18,599
Speaker 1: you was doing, for sure, but like the first half.

1414
01:12:18,600 --> 01:12:21,040
Speaker 1: Then after that, I'm pushing the cover. Do you put Paul?

1415
01:12:21,120 --> 01:12:22,439
Speaker 1: Do you put your ass up in the air when

1416
01:12:22,439 --> 01:12:26,120
Speaker 1: you eat pussy? No? Maybe maybe if I'm moving a

1417
01:12:26,160 --> 01:12:29,280
Speaker 1: little bit, nasty white boy, I don't arch, Okay, yeah,

1418
01:12:29,280 --> 01:12:31,320
Speaker 1: don't arch. You gotta do it like you're kind of

1419
01:12:31,320 --> 01:12:33,280
Speaker 1: looking for the remote under the bed, like, don't arch.

1420
01:12:33,360 --> 01:12:35,880
Speaker 1: I have. It's not an arch in your back when

1421
01:12:35,920 --> 01:12:38,120
Speaker 1: you do it. That's kind of wisdom that was phrased

1422
01:12:38,160 --> 01:12:40,559
Speaker 1: around men, like really, yeah you can't art. You get

1423
01:12:40,600 --> 01:12:42,960
Speaker 1: some male figures. Yeah, you can't art. You gotta have

1424
01:12:43,040 --> 01:12:45,920
Speaker 1: like the the iron board back, you know what I mean,

1425
01:12:45,960 --> 01:12:48,040
Speaker 1: like the ironing board that your back gotta be straight.

1426
01:12:48,920 --> 01:12:50,080
Speaker 1: You know what I'm saying. You gotta kind of like

1427
01:12:50,160 --> 01:12:52,680
Speaker 1: dip your share a very self conscious moment. This is

1428
01:12:52,720 --> 01:12:54,400
Speaker 1: a safe space. You can share whatever you need to

1429
01:12:54,439 --> 01:12:59,280
Speaker 1: share in. Sometimes I'm uncomfortable eating pussy butt naked. For

1430
01:12:59,400 --> 01:13:03,800
Speaker 1: when I kicked blanket off, Like now her view, I'm

1431
01:13:03,840 --> 01:13:07,040
Speaker 1: just thinking about her view, Like now you're staring at

1432
01:13:07,080 --> 01:13:08,920
Speaker 1: my face and the top of my head, of course,

1433
01:13:09,160 --> 01:13:11,320
Speaker 1: but then I feel like you're staring just like at

1434
01:13:11,400 --> 01:13:15,800
Speaker 1: my ass. Yeah, I'm not comfortable with it. You don't

1435
01:13:15,840 --> 01:13:17,920
Speaker 1: like like just don't know, like but you don't want

1436
01:13:17,920 --> 01:13:20,920
Speaker 1: your bad ass out. I just I'm not that guy. Yeah,

1437
01:13:21,080 --> 01:13:23,600
Speaker 1: I don't think I have the cheeks that like, let

1438
01:13:23,640 --> 01:13:25,479
Speaker 1: me stress that I are built for just to be

1439
01:13:25,479 --> 01:13:27,680
Speaker 1: stared at. Let me say something. You're thirty years old, right,

1440
01:13:27,760 --> 01:13:31,120
Speaker 1: thirty one? Thirty one, I'm thirty nine. I'm going to

1441
01:13:31,160 --> 01:13:33,519
Speaker 1: tell you something. When you hit like thirty six thirties,

1442
01:13:33,640 --> 01:13:35,479
Speaker 1: you don't care what your body looks like naked in

1443
01:13:35,640 --> 01:13:37,760
Speaker 1: Oh no, I don't don't give a fuck. It's not

1444
01:13:37,800 --> 01:13:40,519
Speaker 1: that at all. You will walk around the house I

1445
01:13:40,600 --> 01:13:42,400
Speaker 1: used to. I used to only get naked like after

1446
01:13:42,439 --> 01:13:43,960
Speaker 1: I was in the bed. Oh no, you're missing it.

1447
01:13:43,960 --> 01:13:46,640
Speaker 1: It's not an insecurity for me. I just want to

1448
01:13:46,640 --> 01:13:48,920
Speaker 1: give her the best experience. And I feel like there's

1449
01:13:49,040 --> 01:13:52,280
Speaker 1: other parts of my body that are esthetically pleasing that

1450
01:13:52,360 --> 01:13:56,120
Speaker 1: she could look at while I'm eating pussy. And it's

1451
01:13:56,160 --> 01:14:01,000
Speaker 1: not like my really really white cheeks, Like my arms

1452
01:14:01,040 --> 01:14:03,280
Speaker 1: and face sit in the sun daily and they're still

1453
01:14:03,320 --> 01:14:06,519
Speaker 1: really pasty. Yeah, Like my ass is really pasty, like

1454
01:14:06,520 --> 01:14:08,479
Speaker 1: it could light the room up. That's why sometimes I

1455
01:14:08,479 --> 01:14:11,080
Speaker 1: do keep the cover on. Okay, guys, Yeah, I don't

1456
01:14:11,080 --> 01:14:15,920
Speaker 1: want to raise her electric electricity, so like sometimes i'll

1457
01:14:15,960 --> 01:14:19,920
Speaker 1: keep my That's also why I like to keep to

1458
01:14:19,920 --> 01:14:22,000
Speaker 1: eat pussy first, because that means I could probably keep

1459
01:14:22,000 --> 01:14:25,559
Speaker 1: most most of my lower half and then they come

1460
01:14:25,640 --> 01:14:27,680
Speaker 1: time to go. No, but that's she. That's good. You

1461
01:14:27,720 --> 01:14:29,679
Speaker 1: know your strengths and your weekend shites, and you play

1462
01:14:29,800 --> 01:14:32,720
Speaker 1: to your to your strengths and for a productive game.

1463
01:14:32,800 --> 01:14:34,880
Speaker 1: I like that. That's like you know how chicks have

1464
01:14:35,000 --> 01:14:38,080
Speaker 1: like the tuning apps for their faces and all that

1465
01:14:38,120 --> 01:14:40,960
Speaker 1: type of yeah ship for Instagram. Yeah, the only time

1466
01:14:40,960 --> 01:14:43,840
Speaker 1: I would download that app would be for sex tapes.

1467
01:14:44,200 --> 01:14:46,000
Speaker 1: It would just to be like lower mute the light

1468
01:14:46,080 --> 01:14:49,680
Speaker 1: on the filter of my thighs. Okay, Yeah, that's good

1469
01:14:49,720 --> 01:14:52,439
Speaker 1: that you know that you recognize that. Like there's been

1470
01:14:52,439 --> 01:14:56,080
Speaker 1: intimate times where when they've sent me those screenshots or

1471
01:14:56,120 --> 01:14:58,240
Speaker 1: photos and videos like looking, I'm watching back on the

1472
01:14:58,280 --> 01:15:00,519
Speaker 1: sex tapes and then they'll send me it and I'll

1473
01:15:00,560 --> 01:15:02,800
Speaker 1: be like, wow, you really get off to that. Yeah,

1474
01:15:02,840 --> 01:15:05,360
Speaker 1: I feel really bad for you. Yeah no, but I would.

1475
01:15:05,400 --> 01:15:08,759
Speaker 1: I would. I would. That guy needs a tan. Filming

1476
01:15:08,880 --> 01:15:11,160
Speaker 1: a woman filming you eating her out though, is like

1477
01:15:11,479 --> 01:15:15,000
Speaker 1: top five, like most scariest thoughts ever. But why, what's

1478
01:15:15,040 --> 01:15:17,559
Speaker 1: what's bad about that? Because you would just let me

1479
01:15:17,640 --> 01:15:19,240
Speaker 1: know I don't want to be doing it and looking

1480
01:15:19,280 --> 01:15:21,439
Speaker 1: at me see a bright light in my fucking part

1481
01:15:21,439 --> 01:15:23,960
Speaker 1: of sexual So yeah, I don't want to don't do that, like,

1482
01:15:24,040 --> 01:15:27,280
Speaker 1: let's not ask me, you know, and then we can

1483
01:15:27,960 --> 01:15:32,800
Speaker 1: if she asks and you approve, would you like I

1484
01:15:32,840 --> 01:15:34,400
Speaker 1: don't know, like you like turn it up a little

1485
01:15:34,439 --> 01:15:37,040
Speaker 1: bit and a little But she no. She because that's

1486
01:15:37,040 --> 01:15:38,960
Speaker 1: why I don't like filming women when they give head,

1487
01:15:39,000 --> 01:15:40,960
Speaker 1: because for some reason, the same way, we all act

1488
01:15:40,960 --> 01:15:42,640
Speaker 1: different when the camera goes on in any part of

1489
01:15:42,680 --> 01:15:45,680
Speaker 1: our lives, Like I want the same head. I don't

1490
01:15:45,720 --> 01:15:47,559
Speaker 1: want you to do a crazy because I don't because

1491
01:15:47,600 --> 01:15:49,800
Speaker 1: the film is on. Yeah, no, I don't. She just

1492
01:15:49,840 --> 01:15:53,439
Speaker 1: can't start talking to me crazy. She's recording, like she

1493
01:15:53,479 --> 01:15:56,120
Speaker 1: can't tell you get that ship? But why not? No,

1494
01:15:56,120 --> 01:15:57,760
Speaker 1: I don't talk to me like that. Don't talk to

1495
01:15:57,760 --> 01:15:59,720
Speaker 1: me like that, shorty, can't tell you to get I

1496
01:15:59,800 --> 01:16:03,640
Speaker 1: don't talk to me, don't. I don't film if it

1497
01:16:03,640 --> 01:16:05,920
Speaker 1: ain't no cameras around, like we cool? Guh, get your

1498
01:16:05,920 --> 01:16:09,200
Speaker 1: ship off on film? But what if you getting it? Nah?

1499
01:16:09,240 --> 01:16:10,840
Speaker 1: But you can't. You can't tell me to get it

1500
01:16:10,920 --> 01:16:12,479
Speaker 1: if I'm already getting it. They don't tell me to

1501
01:16:12,479 --> 01:16:15,519
Speaker 1: get it. But she's she's confirming No, no, no, no, nah,

1502
01:16:15,560 --> 01:16:17,280
Speaker 1: don't do that. No, no, Why the cameras is on.

1503
01:16:17,760 --> 01:16:19,400
Speaker 1: What you know, what she's gonna do is is show

1504
01:16:19,439 --> 01:16:21,000
Speaker 1: that ship to her girls, Like, Yo, look at this nigga,

1505
01:16:21,040 --> 01:16:23,519
Speaker 1: Like I was felling this nigga, get that ship. What

1506
01:16:23,560 --> 01:16:26,280
Speaker 1: do you agree that she could film you eat and pussy?

1507
01:16:26,400 --> 01:16:29,000
Speaker 1: And then she said your full government name in the

1508
01:16:29,000 --> 01:16:30,720
Speaker 1: middle of the city. Come on, like, I get it.

1509
01:16:30,760 --> 01:16:33,360
Speaker 1: Take that phone and slam it against the wall and

1510
01:16:33,400 --> 01:16:35,679
Speaker 1: it's gonna be skittles everywhere. That's what I'm doing, Man,

1511
01:16:36,680 --> 01:16:42,680
Speaker 1: my government name. Nah, you can't. You can't, yo, my

1512
01:16:42,680 --> 01:16:45,400
Speaker 1: full name and the sex tape? Are you crazy? No, No, no,

1513
01:16:45,439 --> 01:16:47,519
Speaker 1: you can't do that. You can't do that. But yeah,

1514
01:16:47,560 --> 01:16:49,080
Speaker 1: head under the blanket, it's just I don't know, it's

1515
01:16:49,080 --> 01:16:51,519
Speaker 1: just it just feels so so it's just like so

1516
01:16:51,720 --> 01:16:54,640
Speaker 1: comforting and so warm and so like you know what

1517
01:16:54,640 --> 01:16:57,400
Speaker 1: I mean, It's like, what is happening under there? It's

1518
01:16:57,479 --> 01:16:59,280
Speaker 1: kind of like a surprise. Head, It's like, you know,

1519
01:17:00,760 --> 01:17:03,160
Speaker 1: you don't know what's gonna happen next. Yeah, but I

1520
01:17:03,160 --> 01:17:05,640
Speaker 1: feel like if she got lower, my knees will go

1521
01:17:05,720 --> 01:17:09,320
Speaker 1: up and then Lamborghini doors. What you want me to

1522
01:17:09,320 --> 01:17:13,840
Speaker 1: tell you, Rory, it's part of it. Embrace it. I

1523
01:17:13,920 --> 01:17:17,639
Speaker 1: embrace it because look, not Lamborghini. Listen, if a woman

1524
01:17:17,720 --> 01:17:20,640
Speaker 1: starts pushing your legs back right, if she starts just

1525
01:17:20,680 --> 01:17:23,479
Speaker 1: like you put Lamborghini doors on that escalator. Yeah for sure,

1526
01:17:23,520 --> 01:17:26,920
Speaker 1: are you kid? I was the first one. You're kidding me, Like, listen,

1527
01:17:26,960 --> 01:17:30,000
Speaker 1: you can't you can't fight it because then it's gonna

1528
01:17:30,040 --> 01:17:32,240
Speaker 1: like it's gonna nasty one. Oh why why can't I?

1529
01:17:32,600 --> 01:17:36,720
Speaker 1: She don't feel weird looking at the blanket, which your

1530
01:17:36,720 --> 01:17:39,559
Speaker 1: own need it turns to TP it's kind of like, oh,

1531
01:17:39,600 --> 01:17:41,559
Speaker 1: it's tpe time. I didn't know it's tepee time. Like

1532
01:17:42,720 --> 01:17:46,439
Speaker 1: you start giving like Native American chance, Absolutely, you have to.

1533
01:17:46,479 --> 01:17:49,080
Speaker 1: It's part of the look who motter fucked tradition up, Rory,

1534
01:17:49,840 --> 01:17:51,559
Speaker 1: you know what I'm saying. It was other guys before me.

1535
01:17:51,560 --> 01:17:55,000
Speaker 1: You had to walk this passage. It's my turn. Now

1536
01:17:55,120 --> 01:17:57,360
Speaker 1: I have to walk these streets. That's just what it is.

1537
01:17:58,160 --> 01:17:59,639
Speaker 1: But you wouldn't want to, like give her some type

1538
01:17:59,640 --> 01:18:02,640
Speaker 1: of breath, like no, that's when you you know the

1539
01:18:02,640 --> 01:18:04,920
Speaker 1: side of the blanket. Of course, you just waved that

1540
01:18:04,960 --> 01:18:07,680
Speaker 1: three times. Fresh get some fresh kool a under there,

1541
01:18:08,080 --> 01:18:14,479
Speaker 1: cool off a little bit. That's her snorkel not Scooba

1542
01:18:14,640 --> 01:18:18,040
Speaker 1: like you get a little air. Just wave that ship

1543
01:18:18,120 --> 01:18:20,120
Speaker 1: a couple three times, you know what I'm saying. That

1544
01:18:20,160 --> 01:18:22,920
Speaker 1: ship cools everything down. That's gonna be bout another three

1545
01:18:22,920 --> 01:18:26,320
Speaker 1: minute for sure. All right, Well with the Lamborghini doors,

1546
01:18:26,840 --> 01:18:31,680
Speaker 1: how far can they go up? Is it full suicide? No? No, no, no, no,

1547
01:18:31,720 --> 01:18:33,640
Speaker 1: these are these are more so like push and the

1548
01:18:33,760 --> 01:18:36,720
Speaker 1: pulling up or is it just it's more so like

1549
01:18:37,000 --> 01:18:40,519
Speaker 1: push and then pull up a little bit. But they

1550
01:18:40,520 --> 01:18:43,080
Speaker 1: don't completely just like you know, No, we're not we're

1551
01:18:43,120 --> 01:18:45,000
Speaker 1: not doing that. We can't turn into a butterfly. No,

1552
01:18:45,080 --> 01:18:51,400
Speaker 1: we're not doing that. Needs better kne's been knees bent, elevated,

1553
01:18:52,800 --> 01:18:55,960
Speaker 1: not needa gree angle. Okay, ill, that's the same question

1554
01:18:56,040 --> 01:18:59,800
Speaker 1: of eating pussy with the back arched. I will admit

1555
01:19:00,479 --> 01:19:03,840
Speaker 1: when a woman has gone down in that area I've

1556
01:19:03,880 --> 01:19:06,559
Speaker 1: been laying on my back. I may have perked up

1557
01:19:06,560 --> 01:19:07,880
Speaker 1: a little bit. It may have been a little one

1558
01:19:07,920 --> 01:19:10,479
Speaker 1: of these. Yeah, my back may have been arched. Yes,

1559
01:19:10,760 --> 01:19:14,640
Speaker 1: it's okay, So we're moving the goalpost on on on

1560
01:19:14,840 --> 01:19:18,720
Speaker 1: back arches. Well, you we have to unlearn this behavior more.

1561
01:19:19,000 --> 01:19:20,680
Speaker 1: Maybe it's okay for a man when he's with a

1562
01:19:20,720 --> 01:19:22,760
Speaker 1: woman to arch his back. Nah, but you can't put

1563
01:19:22,800 --> 01:19:24,920
Speaker 1: you can't have your ass in the air and arch

1564
01:19:25,000 --> 01:19:27,120
Speaker 1: your back though. That's just you know, we can't Well

1565
01:19:27,160 --> 01:19:30,439
Speaker 1: that's tooting. I would that as a tooth. Yeah, but yeah,

1566
01:19:30,479 --> 01:19:33,080
Speaker 1: don't do that. Don't do that. You shouldn't do that.

1567
01:19:34,320 --> 01:19:36,200
Speaker 1: You shouldn't do that. Actually, you should be laying down

1568
01:19:36,720 --> 01:19:38,599
Speaker 1: comfortable because you should be playing a long game at

1569
01:19:38,600 --> 01:19:39,920
Speaker 1: this point, so you want to be in the most

1570
01:19:39,920 --> 01:19:43,880
Speaker 1: comfortable position possible, which is usually laying flat, you know,

1571
01:19:44,439 --> 01:19:48,519
Speaker 1: heading between her thighs, that type of thing. And if

1572
01:19:48,560 --> 01:19:51,760
Speaker 1: she does it without request, how do you feel about

1573
01:19:51,800 --> 01:19:53,840
Speaker 1: yourself and how you're viewed, and how do you feel

1574
01:19:53,840 --> 01:19:57,200
Speaker 1: about her? If she does work without request? The Lamborghini doors,

1575
01:19:57,200 --> 01:19:58,720
Speaker 1: we know what we're talking about. Oh do we need

1576
01:19:58,760 --> 01:20:00,640
Speaker 1: to explain what we're talking about? I' about going as

1577
01:20:00,960 --> 01:20:02,439
Speaker 1: Oh No, that's when you that's when you look at

1578
01:20:02,479 --> 01:20:05,600
Speaker 1: her like, I had no idea, I didn't know that

1579
01:20:05,960 --> 01:20:09,280
Speaker 1: this was your this was in your wheelhouse. Yeah. But

1580
01:20:09,320 --> 01:20:11,320
Speaker 1: if she doesn't ask you, do you do you feel

1581
01:20:11,400 --> 01:20:16,720
Speaker 1: like a bit of a hoe Like she just thought

1582
01:20:16,760 --> 01:20:19,040
Speaker 1: she could do that to me without asking. She just

1583
01:20:19,120 --> 01:20:20,720
Speaker 1: thought this the type of time I was on Yeah,

1584
01:20:20,960 --> 01:20:23,560
Speaker 1: I'm like, okay, she thinks I'm just like a have

1585
01:20:23,680 --> 01:20:25,599
Speaker 1: your way with me kind of guy. Slam piece. Yeah,

1586
01:20:26,360 --> 01:20:28,680
Speaker 1: look through every time you say slam peace. That is

1587
01:20:28,720 --> 01:20:31,400
Speaker 1: the funniest. That is so that that phrase is like

1588
01:20:31,880 --> 01:20:35,920
Speaker 1: hysterical to me. But yeah, no, she it definitely says like,

1589
01:20:36,000 --> 01:20:39,080
Speaker 1: oh I know he's with it. I mean it's is

1590
01:20:39,120 --> 01:20:40,760
Speaker 1: the same thing for women. Like if you start doing

1591
01:20:40,800 --> 01:20:42,599
Speaker 1: it a woman and she's like, You're like, oh, yeah,

1592
01:20:42,600 --> 01:20:45,000
Speaker 1: she's nasty. Just let me do whatever I want to do.

1593
01:20:45,040 --> 01:20:48,160
Speaker 1: A standard for a woman. A woman standard for her

1594
01:20:48,200 --> 01:20:51,759
Speaker 1: to be nasty. No, if you're eating pussy to dabble

1595
01:20:51,920 --> 01:20:54,920
Speaker 1: around there to see if she's into it, and then

1596
01:20:55,160 --> 01:20:58,400
Speaker 1: typically usually are that's standard with the eating, Well, it's

1597
01:20:58,479 --> 01:21:02,120
Speaker 1: only standard with a women giving you head. It's not

1598
01:21:02,240 --> 01:21:05,559
Speaker 1: standard to go eat. Let's not standard. Let me, that's

1599
01:21:05,560 --> 01:21:07,400
Speaker 1: just a sick bucks that have finally admitted. Let me

1600
01:21:07,439 --> 01:21:10,320
Speaker 1: tell you something. You'll be very surprised at how many

1601
01:21:10,400 --> 01:21:16,639
Speaker 1: women really enjoy licking their man's ass. You'll be very surprised.

1602
01:21:16,640 --> 01:21:18,760
Speaker 1: I'll wait for the pole. Yeah no, I'll wait for

1603
01:21:18,840 --> 01:21:20,840
Speaker 1: the CDC pull up the ig. Now, let's let's make

1604
01:21:20,840 --> 01:21:22,320
Speaker 1: it up. Let's make it a poll story, right now,

1605
01:21:22,840 --> 01:21:25,839
Speaker 1: do it. Let's make it a pole story right now, Ladies,

1606
01:21:26,240 --> 01:21:29,679
Speaker 1: how many of y'all actually enjoy licking your man's ass?

1607
01:21:29,720 --> 01:21:31,200
Speaker 1: And I guarante what do you think it would be?

1608
01:21:31,200 --> 01:21:32,400
Speaker 1: First of all, let's just say what you think the

1609
01:21:32,479 --> 01:21:35,840
Speaker 1: percentage will be? Ninety? You think it will be ninety ten?

1610
01:21:36,560 --> 01:21:39,800
Speaker 1: Women say yes they do. I'm with Edding on this one,

1611
01:21:40,120 --> 01:21:42,920
Speaker 1: and I'm not against y'all. I'm a bit more concerned

1612
01:21:42,960 --> 01:21:47,240
Speaker 1: about the why what do you mean? Like thoughts go

1613
01:21:47,360 --> 01:21:50,479
Speaker 1: way deeper than the numbers. Mine is concerned with the

1614
01:21:50,720 --> 01:21:53,519
Speaker 1: why why do women like it? Goes? It goes back

1615
01:21:53,640 --> 01:21:56,400
Speaker 1: to what I was saying with everyone on earth would

1616
01:21:56,400 --> 01:22:00,760
Speaker 1: agree that women's bodies look amazing, including people that don't

1617
01:22:00,920 --> 01:22:05,519
Speaker 1: like women. There's nothing attractive about a man's ass, and

1618
01:22:05,680 --> 01:22:09,600
Speaker 1: that's probably coming from men that like men. Okay, we

1619
01:22:09,720 --> 01:22:14,639
Speaker 1: don't have attractive assholes. Okay, Now, granted, have I enjoyed

1620
01:22:14,680 --> 01:22:18,040
Speaker 1: getting my ass? Eight? Of course? Did I appreciate her

1621
01:22:18,120 --> 01:22:21,639
Speaker 1: more like than you would understand, because I know it's

1622
01:22:21,680 --> 01:22:28,400
Speaker 1: probably not the greatest experience. Now, women, it's a different

1623
01:22:28,439 --> 01:22:30,920
Speaker 1: type of Upkeep listen, I take care of my ass.

1624
01:22:31,160 --> 01:22:34,479
Speaker 1: But it's a different type of upkeep because the vagina

1625
01:22:34,600 --> 01:22:36,599
Speaker 1: hole is so close to that, Like, there's so much

1626
01:22:36,720 --> 01:22:41,400
Speaker 1: going on there that it's a cleanliness that is way different.

1627
01:22:42,040 --> 01:22:47,160
Speaker 1: It's waxed eating a woman's ass. And this isn't my

1628
01:22:47,320 --> 01:22:51,599
Speaker 1: preference thing, just a aesthetic thing makes way more sense

1629
01:22:51,640 --> 01:22:54,240
Speaker 1: to me, So of course I agree with y'all might

1630
01:22:54,320 --> 01:22:56,680
Speaker 1: be ninety to ten as far as women enjoying either

1631
01:22:56,760 --> 01:22:59,559
Speaker 1: man's ass. I just want to know why we're gonna

1632
01:22:59,560 --> 01:23:02,280
Speaker 1: pull that one. Fucking Let's pull that. Let's pull that,

1633
01:23:02,400 --> 01:23:04,120
Speaker 1: and let's let's get the numbers back and let's get

1634
01:23:04,120 --> 01:23:07,760
Speaker 1: the why next person, let's get the you know why.

1635
01:23:07,760 --> 01:23:09,680
Speaker 1: It is because women are fucking evil and they like

1636
01:23:09,720 --> 01:23:12,799
Speaker 1: to see their man squirm. Yeah you do, yeah, squirm

1637
01:23:13,080 --> 01:23:20,000
Speaker 1: only time we're vulnerable. Squirm me, squirm me, yeah, nigga.

1638
01:23:20,120 --> 01:23:23,920
Speaker 1: Fuck you mean like a beat on its back, like

1639
01:23:24,000 --> 01:23:27,240
Speaker 1: a turtle that flipped over his ship. I'm just here,

1640
01:23:27,760 --> 01:23:31,240
Speaker 1: squirm me. I wouldn't give a fuck case study you

1641
01:23:31,320 --> 01:23:36,000
Speaker 1: got going on? God, squirm me the hell. Yeah. But

1642
01:23:36,200 --> 01:23:38,160
Speaker 1: you had Donda. The Donda album was really I really,

1643
01:23:38,680 --> 01:23:40,840
Speaker 1: you know, Rory, I gotta tell you, Kanye, really, you

1644
01:23:40,920 --> 01:23:43,840
Speaker 1: know now I felt closer to God. God. I gotta

1645
01:23:43,880 --> 01:23:46,080
Speaker 1: tell you, man, remote control. I know, I know what

1646
01:23:46,200 --> 01:23:49,479
Speaker 1: the role control is. First of all, the Bible we

1647
01:23:49,560 --> 01:23:52,200
Speaker 1: need to revisit because I've never felt closer to God

1648
01:23:52,240 --> 01:23:55,719
Speaker 1: than when I had a woman's Oh my god, Lord,

1649
01:23:55,800 --> 01:23:59,600
Speaker 1: I know First Corinthians everything. Yeah, yeah, I get it.

1650
01:24:00,160 --> 01:24:03,200
Speaker 1: I get it. Genesis one, I get it. I get it.

1651
01:24:04,000 --> 01:24:09,280
Speaker 1: Oh man, we all sick. Anyways. With that said, I

1652
01:24:09,320 --> 01:24:11,000
Speaker 1: don't even know where my phone is with the topics,

1653
01:24:11,400 --> 01:24:14,599
Speaker 1: but we can keep rolling. Oh know how we got

1654
01:24:14,680 --> 01:24:16,679
Speaker 1: down there? You would have, but you have more questions.

1655
01:24:17,040 --> 01:24:22,240
Speaker 1: I'm sorry, Oh, there was a list of questions. What

1656
01:24:22,320 --> 01:24:25,000
Speaker 1: do you remember in that undisclosed city when we had

1657
01:24:25,080 --> 01:24:27,880
Speaker 1: multiple shows in one day and in between shows you

1658
01:24:27,960 --> 01:24:31,400
Speaker 1: came back and said you got your diaper change? What

1659
01:24:31,960 --> 01:24:34,800
Speaker 1: where was that. I'm not gonna say. I'm not gonna

1660
01:24:34,800 --> 01:24:38,280
Speaker 1: suck up whatever you was doing in your life. Sure

1661
01:24:38,560 --> 01:24:40,640
Speaker 1: sounds like sounds like me. He was like, how do

1662
01:24:40,680 --> 01:24:45,960
Speaker 1: you feel about marriage? Like, do you honestly think that? No, listen, listen,

1663
01:24:46,000 --> 01:24:49,960
Speaker 1: we're gonna we're gonna get a set up. Yeah, we're

1664
01:24:50,000 --> 01:24:54,080
Speaker 1: gonna get where does action cut you? No? For me,

1665
01:24:54,320 --> 01:25:02,240
Speaker 1: I think that marriage is a byproduct of love. Marriage Okay,

1666
01:25:02,600 --> 01:25:04,479
Speaker 1: I'm on board so far. I think if you love somebody,

1667
01:25:04,640 --> 01:25:06,960
Speaker 1: I think it gets to a point where you know,

1668
01:25:07,920 --> 01:25:12,439
Speaker 1: it's like, okay, well let's show our entire families how

1669
01:25:12,479 --> 01:25:14,120
Speaker 1: much we love each other and how much we're committed

1670
01:25:14,120 --> 01:25:17,599
Speaker 1: to each other, and let's join families and join bank

1671
01:25:17,640 --> 01:25:22,479
Speaker 1: accounts and let's join funds, and you know, marriage is

1672
01:25:22,479 --> 01:25:27,040
Speaker 1: the weirdest concept on earth. To me, I felt that

1673
01:25:27,080 --> 01:25:29,280
Speaker 1: way too, but I had to ask somebody that you know,

1674
01:25:29,439 --> 01:25:31,320
Speaker 1: had a little more experience as far as well, No,

1675
01:25:31,360 --> 01:25:33,599
Speaker 1: I mean, if you have a partner that really wants

1676
01:25:34,360 --> 01:25:38,240
Speaker 1: that experience. I don't think it's odd that a woman

1677
01:25:38,400 --> 01:25:41,240
Speaker 1: or anyone period would want to express or show the

1678
01:25:41,280 --> 01:25:43,920
Speaker 1: world how much they love their partner and celebrate it

1679
01:25:43,960 --> 01:25:48,360
Speaker 1: and have a ceremony and have some type of bond together,

1680
01:25:48,600 --> 01:25:51,720
Speaker 1: Like let's have all our family come together and watch

1681
01:25:51,800 --> 01:25:53,120
Speaker 1: us say how much we love each other. I don't

1682
01:25:53,120 --> 01:25:55,320
Speaker 1: think that's weird at all. I just think how we've

1683
01:25:55,400 --> 01:26:02,679
Speaker 1: connected this entire tornado of bullshit into marriage as far

1684
01:26:02,920 --> 01:26:08,200
Speaker 1: as money, feelings, expectations, how I'm valued, how I'm looked

1685
01:26:08,240 --> 01:26:11,720
Speaker 1: at to other people is the craziest thing on earth.

1686
01:26:12,439 --> 01:26:14,000
Speaker 1: Like you know how in other cultures they have it

1687
01:26:14,080 --> 01:26:18,120
Speaker 1: to where like the daughter is literally groomed to marry

1688
01:26:18,640 --> 01:26:21,200
Speaker 1: you of course, like from birth, Like she's literally she

1689
01:26:21,320 --> 01:26:23,720
Speaker 1: knows everything about you, she knows you know what you like,

1690
01:26:23,880 --> 01:26:27,400
Speaker 1: she knows everything. That to me is a little weird.

1691
01:26:28,960 --> 01:26:31,120
Speaker 1: And that's no disrespect to other cultures and nothing like that,

1692
01:26:31,240 --> 01:26:34,880
Speaker 1: but just to me, it's kind of like, uh, I

1693
01:26:34,960 --> 01:26:38,200
Speaker 1: think that I had to deal with families, that we're

1694
01:26:38,280 --> 01:26:43,120
Speaker 1: keeping societies going like that's air and bringing families together exactly.

1695
01:26:43,160 --> 01:26:45,840
Speaker 1: I think that's a survival tactic at the end of

1696
01:26:45,880 --> 01:26:49,519
Speaker 1: the day. In a much broader sense, that's really keeping

1697
01:26:49,600 --> 01:26:54,799
Speaker 1: a culture and a society moving and putting aside feelings.

1698
01:26:54,920 --> 01:26:59,920
Speaker 1: But that makes more sense to me than putting pressure

1699
01:27:00,160 --> 01:27:06,519
Speaker 1: on a society that doesn't feel valued unless someone says

1700
01:27:06,560 --> 01:27:10,240
Speaker 1: they want to marry them. To me, that's way more

1701
01:27:10,280 --> 01:27:14,120
Speaker 1: idiotic because our society does not rely on people getting married.

1702
01:27:14,240 --> 01:27:18,479
Speaker 1: People reproduce regardless, people can get jobs regardless, people can

1703
01:27:18,560 --> 01:27:23,200
Speaker 1: continue to move America or other countries like us anytime.

1704
01:27:23,240 --> 01:27:25,680
Speaker 1: We don't need marriage to do so. Some societies and

1705
01:27:26,160 --> 01:27:29,360
Speaker 1: cultures needed it. It's a different time and we're still

1706
01:27:29,400 --> 01:27:33,200
Speaker 1: going by the standards of times before us in this

1707
01:27:33,360 --> 01:27:36,560
Speaker 1: one with the same laws, and it's fucking weird and

1708
01:27:36,640 --> 01:27:38,400
Speaker 1: the same way of thinking. Yeah, I don't know if

1709
01:27:38,439 --> 01:27:40,240
Speaker 1: I'm ever getting married, I'd say, all has to say that,

1710
01:27:41,880 --> 01:27:44,320
Speaker 1: and I think that's actually mad regular to say, yeah,

1711
01:27:44,320 --> 01:27:46,519
Speaker 1: I don't. I just thought I don't know, like I

1712
01:27:46,720 --> 01:27:51,479
Speaker 1: you know, I want, you know, family, under the same house,

1713
01:27:52,479 --> 01:27:55,320
Speaker 1: you know, backyard, pick your friends, all of that shit,

1714
01:27:56,120 --> 01:27:59,519
Speaker 1: But marriage, I don't know about that. Yeah, I mean,

1715
01:27:59,520 --> 01:28:01,439
Speaker 1: because then if if you want to split, you're now

1716
01:28:01,560 --> 01:28:07,080
Speaker 1: looking at the government is now also involved in your divorce,

1717
01:28:07,240 --> 01:28:09,800
Speaker 1: like you're exactly us breaking up. We're breaking up because

1718
01:28:09,800 --> 01:28:13,920
Speaker 1: of a feeling, exactly exactly. Now I gotta put y'all

1719
01:28:14,000 --> 01:28:17,360
Speaker 1: back involved. It's fucking crazy. Yeah, all right, I just

1720
01:28:17,400 --> 01:28:19,680
Speaker 1: wanted your opinion. I don't even know if I made

1721
01:28:19,680 --> 01:28:21,200
Speaker 1: any sense. It made sense in my head. No, you

1722
01:28:21,280 --> 01:28:23,960
Speaker 1: made something. I got it, and I was asking a questions.

1723
01:28:24,000 --> 01:28:26,559
Speaker 1: So that's an important part. I just hope I articulated, right.

1724
01:28:26,560 --> 01:28:29,519
Speaker 1: I wish you would. I could have prepared. You didn't

1725
01:28:29,520 --> 01:28:33,160
Speaker 1: study for that. No, I just acted off emotion. It's okay. Sorry,

1726
01:28:33,200 --> 01:28:35,920
Speaker 1: you got a little chartruse is that hartrush in the face.

1727
01:28:36,840 --> 01:28:38,960
Speaker 1: It sounds like a seasoning. It's just chartreuse, right, little

1728
01:28:38,960 --> 01:28:40,720
Speaker 1: he got a little red. Feel like I would put

1729
01:28:40,760 --> 01:28:46,120
Speaker 1: some chartruse in my Chipotle. Try it. Yeah, chartruse is

1730
01:28:46,439 --> 01:28:51,120
Speaker 1: right red in the face. Well, that's my natural complexion. Yeah,

1731
01:28:51,160 --> 01:28:53,800
Speaker 1: about to say it's just just is natural complexion. But yes,

1732
01:28:53,880 --> 01:28:57,800
Speaker 1: I just in conclusion, I think marriage has just become

1733
01:28:57,920 --> 01:29:03,840
Speaker 1: a full circle cycle. And that's a cycle cycle double

1734
01:29:04,040 --> 01:29:08,240
Speaker 1: entendre of circle and cycle. Yeah. I just feelings feeling valued,

1735
01:29:09,400 --> 01:29:11,800
Speaker 1: and then let's add in the government to make sure

1736
01:29:11,840 --> 01:29:15,360
Speaker 1: we really look to them. Anytime you start talking about combining.

1737
01:29:15,840 --> 01:29:17,600
Speaker 1: I'm gonna get a tax break because I decided I

1738
01:29:17,680 --> 01:29:20,519
Speaker 1: really love this person. Thank you government for letting me

1739
01:29:20,600 --> 01:29:23,000
Speaker 1: know I really love them. Yeah, and we love that

1740
01:29:23,080 --> 01:29:27,000
Speaker 1: you love them, So here's a tax break. It's fucking crazy.

1741
01:29:27,240 --> 01:29:29,600
Speaker 1: And by the way, don't ever feel like you're not

1742
01:29:29,720 --> 01:29:32,320
Speaker 1: valued if you're not married. Yeah, that's that's just that's

1743
01:29:32,320 --> 01:29:34,880
Speaker 1: a whole it's not for some people. Yeah, we should

1744
01:29:34,960 --> 01:29:38,519
Speaker 1: normalize getting divorced and still being cool. I don't think

1745
01:29:38,560 --> 01:29:42,240
Speaker 1: that if you get a divorce it means that y'all

1746
01:29:42,280 --> 01:29:45,160
Speaker 1: are like enemies and you can't speak and you can't

1747
01:29:45,240 --> 01:29:47,160
Speaker 1: be around each other, and you can't because I know

1748
01:29:47,240 --> 01:29:50,760
Speaker 1: some people that were married gotten divorced and they're like

1749
01:29:51,680 --> 01:29:53,080
Speaker 1: cool to this day, Like you know what I'm saying,

1750
01:29:53,120 --> 01:29:55,040
Speaker 1: And I think that that we should normalize that, like

1751
01:29:55,439 --> 01:29:58,760
Speaker 1: that should be it's hard to normalize that when you

1752
01:29:58,920 --> 01:30:01,759
Speaker 1: add in that gu depending on how you break general,

1753
01:30:01,880 --> 01:30:04,800
Speaker 1: how and why you get divorced though, but again that

1754
01:30:04,920 --> 01:30:08,680
Speaker 1: comes down to that government aspect of it, where not

1755
01:30:08,920 --> 01:30:11,759
Speaker 1: only for the most part, I would hope people marry

1756
01:30:11,920 --> 01:30:13,519
Speaker 1: someone that they love and want to be with, and

1757
01:30:13,640 --> 01:30:17,439
Speaker 1: of course those feelings can change. So when you guys

1758
01:30:17,520 --> 01:30:21,680
Speaker 1: break up, there's some type of crushed feeling in there. Now,

1759
01:30:21,800 --> 01:30:23,960
Speaker 1: let me add in the government saying I have to

1760
01:30:24,040 --> 01:30:26,880
Speaker 1: give you half of my earnings or half of Like

1761
01:30:27,320 --> 01:30:30,320
Speaker 1: now we're getting into me not only feeling bad about

1762
01:30:30,360 --> 01:30:32,519
Speaker 1: breaking up. Now I'm resenting you as a fucking human

1763
01:30:32,600 --> 01:30:36,639
Speaker 1: being because you're trying to take not only my fucking soul,

1764
01:30:36,680 --> 01:30:39,360
Speaker 1: you're trying to take my money. So it is some

1765
01:30:39,640 --> 01:30:42,599
Speaker 1: divorces are hard to normalize because are to be cool

1766
01:30:43,000 --> 01:30:47,439
Speaker 1: because you're taking more than just my feelings at this point,

1767
01:30:47,960 --> 01:30:51,360
Speaker 1: now the government Yes, you're taking my way of living.

1768
01:30:51,479 --> 01:30:54,800
Speaker 1: You're taking my lively, my car. Yeah, Like, at least

1769
01:30:54,840 --> 01:30:56,400
Speaker 1: I was hurt enough and I could go drive to

1770
01:30:56,439 --> 01:30:58,400
Speaker 1: try to find another chick to make me feel better. No,

1771
01:30:58,560 --> 01:31:00,439
Speaker 1: now I can't do that, and now I'm broke, and

1772
01:31:00,520 --> 01:31:04,160
Speaker 1: now women won't even like me. I'm I'm gonna broke,

1773
01:31:04,240 --> 01:31:06,320
Speaker 1: divorce ee, and you're living in the house that I

1774
01:31:06,400 --> 01:31:09,680
Speaker 1: paid for. How am I not going to resent you? No?

1775
01:31:09,800 --> 01:31:11,680
Speaker 1: That's why I said. It depends on how and why

1776
01:31:11,760 --> 01:31:14,880
Speaker 1: you get divorced and things like that. But I've seen,

1777
01:31:15,120 --> 01:31:17,360
Speaker 1: you know, examples of people that were married and you know,

1778
01:31:17,720 --> 01:31:20,040
Speaker 1: it just didn't work out and they got divorced, and

1779
01:31:20,520 --> 01:31:22,920
Speaker 1: to this day they're like, they're cool. I mean, the

1780
01:31:23,000 --> 01:31:24,920
Speaker 1: worst thing is a scorn human and it's not even

1781
01:31:25,000 --> 01:31:30,160
Speaker 1: gender specific that has a divorce lawyer putting the battery

1782
01:31:30,200 --> 01:31:33,320
Speaker 1: in their back, because when you're hurt, you're obviously gonna

1783
01:31:33,320 --> 01:31:35,680
Speaker 1: say things you probably don't mean about the person you love,

1784
01:31:35,720 --> 01:31:39,000
Speaker 1: even if you don't particularly like them anymore. Adding a

1785
01:31:39,080 --> 01:31:42,559
Speaker 1: divorce lawyer that says, oh, you're entitled to this, You're

1786
01:31:42,600 --> 01:31:44,960
Speaker 1: gonna fucking hate that person for rest of your life.

1787
01:31:45,400 --> 01:31:48,000
Speaker 1: That's why I think it comes down to if you

1788
01:31:48,120 --> 01:31:50,160
Speaker 1: had a kid and you courtroom. Now I gotta add

1789
01:31:50,200 --> 01:31:53,559
Speaker 1: in a judge. Now got to sit with some dude

1790
01:31:53,600 --> 01:31:55,760
Speaker 1: I don't know in orders my kid know, and you're

1791
01:31:55,840 --> 01:32:00,200
Speaker 1: monitoring us. No, it's my child. Who the fuck are you? Right? Yeah,

1792
01:32:00,200 --> 01:32:01,760
Speaker 1: it get's nasty after a while, That's what I'm saying.

1793
01:32:01,760 --> 01:32:04,200
Speaker 1: It depends on how and why you get a divorce.

1794
01:32:04,280 --> 01:32:05,800
Speaker 1: But I think for the most part, if it's like

1795
01:32:05,920 --> 01:32:08,360
Speaker 1: just something where it's just like we're just not happy,

1796
01:32:08,479 --> 01:32:10,479
Speaker 1: this is just you know, maybe we weren't ready for

1797
01:32:10,560 --> 01:32:13,640
Speaker 1: this type of thing. I think that you know, you

1798
01:32:13,680 --> 01:32:16,639
Speaker 1: should normalize, like we can't have a divorce and still

1799
01:32:16,680 --> 01:32:18,680
Speaker 1: be cool after that. But you never really, for the

1800
01:32:18,760 --> 01:32:20,920
Speaker 1: most part, have to go down that path. Had you

1801
01:32:21,000 --> 01:32:24,759
Speaker 1: guys not put on paper that y'all were together, because

1802
01:32:24,800 --> 01:32:27,000
Speaker 1: we see people that have been in relationships for fucking

1803
01:32:27,080 --> 01:32:30,200
Speaker 1: twenty years breakup that weren't actually married. But yeah, of

1804
01:32:30,280 --> 01:32:32,479
Speaker 1: course it sucks, and it can get messy, and there's

1805
01:32:32,520 --> 01:32:34,479
Speaker 1: weird shit. There's so much time invested, but it's not

1806
01:32:34,680 --> 01:32:37,720
Speaker 1: everyone leaves with their shit, right right. There's nothing you

1807
01:32:37,760 --> 01:32:42,400
Speaker 1: can really weaponize to leave with to destroy that person further. Like, oh,

1808
01:32:42,479 --> 01:32:44,840
Speaker 1: now I'm really feeling petty. I can take that. I'm

1809
01:32:44,960 --> 01:32:51,000
Speaker 1: entitled to that. Yeah, that's all. Listen. My aunt, who

1810
01:32:51,240 --> 01:32:55,320
Speaker 1: has been not married to her boyfriend since I was

1811
01:32:55,600 --> 01:32:58,400
Speaker 1: two years old, has the best relationship I've ever seen

1812
01:32:58,439 --> 01:33:01,040
Speaker 1: min entire life. And they're not met, no live together

1813
01:33:01,320 --> 01:33:04,400
Speaker 1: kids at the other fucking I look at them as

1814
01:33:04,439 --> 01:33:07,920
Speaker 1: like the points essential couple ever. They are fucking amazing.

1815
01:33:08,120 --> 01:33:11,680
Speaker 1: See and they say like, we're not getting married, right,

1816
01:33:11,760 --> 01:33:14,120
Speaker 1: fuck is wrong with y'all? But that's more. Definitely more

1817
01:33:14,120 --> 01:33:16,080
Speaker 1: people should talk about it. I agree, Yeah, more people

1818
01:33:16,080 --> 01:33:18,360
Speaker 1: should talk about that. Let's and let's do the love ceremony,

1819
01:33:18,439 --> 01:33:20,280
Speaker 1: let's do the party, let's do that entire thing. I'm

1820
01:33:20,320 --> 01:33:22,280
Speaker 1: not saying, let's not do a wedding, right, just leave

1821
01:33:22,920 --> 01:33:24,800
Speaker 1: uncle Sam the fuck out of us, is right, right?

1822
01:33:24,840 --> 01:33:27,200
Speaker 1: I feel you. I like that. I think more more

1823
01:33:27,280 --> 01:33:29,880
Speaker 1: couples that are like that and that go through that.

1824
01:33:30,320 --> 01:33:32,479
Speaker 1: I think they should speak out more about that and

1825
01:33:32,600 --> 01:33:35,360
Speaker 1: let people know, like, listen, you don't have to, you know,

1826
01:33:35,520 --> 01:33:39,120
Speaker 1: get this certificate and notarizing all this shit and to

1827
01:33:39,520 --> 01:33:41,600
Speaker 1: be happy and in love and with each other for

1828
01:33:42,040 --> 01:33:45,000
Speaker 1: twenty thirty forty whatever minute that doubles back to the

1829
01:33:45,040 --> 01:33:47,960
Speaker 1: perception of what people think, like, oh, he can't really

1830
01:33:48,040 --> 01:33:50,280
Speaker 1: love you because y'all are not married, And it's like, well, you,

1831
01:33:50,439 --> 01:33:52,280
Speaker 1: first of all, you're not in a relationship. He does

1832
01:33:52,400 --> 01:33:55,720
Speaker 1: love me. No, we don't. We don't need the government. No,

1833
01:33:56,040 --> 01:33:58,200
Speaker 1: you can still have to still happen. You just still

1834
01:33:58,200 --> 01:33:59,720
Speaker 1: have a wedding. Yeah, like you know what I'm saying.

1835
01:33:59,760 --> 01:34:01,880
Speaker 1: You can have all of that, but like you know,

1836
01:34:01,960 --> 01:34:03,760
Speaker 1: as far as having the families come over and it's

1837
01:34:03,760 --> 01:34:05,880
Speaker 1: a party and we confess and I love to each other,

1838
01:34:06,000 --> 01:34:07,920
Speaker 1: and you can still do all of that. But like

1839
01:34:08,000 --> 01:34:10,679
Speaker 1: you said, keep the government out of it, because that's

1840
01:34:10,720 --> 01:34:16,400
Speaker 1: where she gets gets really crazy. Well with that said,

1841
01:34:17,840 --> 01:34:24,160
Speaker 1: Bishop Sycamore, Bishop Sycamore, what do you mean, Bishop, Sicle mode?

1842
01:34:25,040 --> 01:34:30,760
Speaker 1: Sicle mode, that's where I'm enrolling my children. What is

1843
01:34:30,800 --> 01:34:35,080
Speaker 1: that I'm missing something? You not catch the ESPN high

1844
01:34:35,080 --> 01:34:40,880
Speaker 1: school football games recently. No, Bishop Sycamore is a online

1845
01:34:40,960 --> 01:34:47,360
Speaker 1: high school that recently played a football game against another

1846
01:34:47,400 --> 01:34:50,400
Speaker 1: school which can we look into Bishop I Am or

1847
01:34:50,439 --> 01:34:54,800
Speaker 1: whatever the fuck the other school is called IMG. They

1848
01:34:54,840 --> 01:34:56,880
Speaker 1: are not a real high school. They're a group of

1849
01:34:57,000 --> 01:34:59,720
Speaker 1: twenty to thirty year olds with a head coach that

1850
01:34:59,760 --> 01:35:03,320
Speaker 1: has warrants out that played in a high school football

1851
01:35:03,360 --> 01:35:07,040
Speaker 1: game on TV on ESPN, have been playing high schools.

1852
01:35:07,040 --> 01:35:08,680
Speaker 1: They did three games, they got their asses whipped by

1853
01:35:08,680 --> 01:35:14,280
Speaker 1: a bunch of high school kids. Wait bis Ship Sycamore

1854
01:35:14,600 --> 01:35:18,000
Speaker 1: IMG in the high school football game that duped ESPN. Okay,

1855
01:35:18,120 --> 01:35:21,840
Speaker 1: so you're telling me there was thirty year olds, twenty

1856
01:35:21,920 --> 01:35:24,559
Speaker 1: year olds and thirty year olds playing for a high

1857
01:35:24,600 --> 01:35:27,920
Speaker 1: school quote unquote didn't exist, team that didn't exist, and

1858
01:35:28,080 --> 01:35:30,360
Speaker 1: the thirty year olds got their ass whooped by a

1859
01:35:30,479 --> 01:35:35,120
Speaker 1: legit high school Like, no, fifty to nothing, ass whooked

1860
01:35:36,400 --> 01:35:38,120
Speaker 1: twenty and thirty year old men, and they were they

1861
01:35:38,120 --> 01:35:41,240
Speaker 1: would drop out like juco like they played ball before.

1862
01:35:41,280 --> 01:35:44,559
Speaker 1: It wasn't like there were some bums and then played

1863
01:35:44,600 --> 01:35:47,720
Speaker 1: against a regular high school team and lost fifty to nothing.

1864
01:35:49,200 --> 01:35:52,360
Speaker 1: And these were twenty and thirty ye old men. Oh

1865
01:35:52,479 --> 01:35:57,280
Speaker 1: they need different on fucking what how does that even happen? No?

1866
01:35:57,320 --> 01:36:01,040
Speaker 1: All right, so no one's really asking the real questions

1867
01:36:01,080 --> 01:36:04,080
Speaker 1: on this. What was the main goal of Bishop Sycamore.

1868
01:36:06,360 --> 01:36:09,760
Speaker 1: What were they getting at this NFL? How you're not

1869
01:36:09,920 --> 01:36:12,679
Speaker 1: you're not making l from the high school to the NFL.

1870
01:36:13,000 --> 01:36:14,920
Speaker 1: So how you can't go to college. They're going to

1871
01:36:14,960 --> 01:36:19,040
Speaker 1: ask your social Security number? Yeah? No, and yeah, what

1872
01:36:19,200 --> 01:36:20,920
Speaker 1: were they trying to get out of this? Like? What

1873
01:36:21,120 --> 01:36:23,240
Speaker 1: was the main if you plot this hard like you have,

1874
01:36:23,439 --> 01:36:25,519
Speaker 1: you have uniforms, you got a coach, and you got

1875
01:36:25,760 --> 01:36:27,880
Speaker 1: ESPN to get you on. So nobody knew that you

1876
01:36:28,200 --> 01:36:32,720
Speaker 1: you registered a high school. What was the main goal? Wait,

1877
01:36:32,840 --> 01:36:34,880
Speaker 1: nobody knew that these these men were twenty and thirty

1878
01:36:34,960 --> 01:36:38,599
Speaker 1: years old. They just found out. They played three games.

1879
01:36:38,720 --> 01:36:46,599
Speaker 1: One was on ESPN. Anything is possible. And mind you again,

1880
01:36:46,720 --> 01:36:50,439
Speaker 1: someone that is a Catholic, A lot of high schools

1881
01:36:50,479 --> 01:36:54,040
Speaker 1: that a bishop come from Catholicism, and things that were

1882
01:36:54,040 --> 01:36:56,360
Speaker 1: in the Bible. Read the Bible like Sycamore. I don't

1883
01:36:56,400 --> 01:36:59,160
Speaker 1: know what chapter Sycamore is in. No, we just saw

1884
01:36:59,200 --> 01:37:01,240
Speaker 1: Sycamore last week. We get our last lap shout out

1885
01:37:01,280 --> 01:37:04,000
Speaker 1: to Sycamore. We just saw one of my favorite DJs.

1886
01:37:04,280 --> 01:37:08,320
Speaker 1: We just saw him last week at last lap. No.

1887
01:37:08,439 --> 01:37:09,880
Speaker 1: I just I really want to know, like what they

1888
01:37:09,920 --> 01:37:12,000
Speaker 1: were trying to do here. I don't know what it was,

1889
01:37:12,040 --> 01:37:15,280
Speaker 1: fifty eighth to zero, fifty eight to zero, but what

1890
01:37:15,600 --> 01:37:18,479
Speaker 1: was the goal. I'm not mad at at the scam

1891
01:37:18,680 --> 01:37:21,080
Speaker 1: I'm not mad at it at all. That's actually hysterical. Well,

1892
01:37:21,120 --> 01:37:22,920
Speaker 1: what was the scam? What did you want to what

1893
01:37:23,040 --> 01:37:25,360
Speaker 1: did you want to do? Yeah, like, I don't even.

1894
01:37:27,040 --> 01:37:29,200
Speaker 1: Thirty year old high school football player is just insane.

1895
01:37:29,200 --> 01:37:32,760
Speaker 1: It's like scamming Best Buy for a thousand MacBooks and

1896
01:37:32,880 --> 01:37:36,160
Speaker 1: then going to a parking lot and smashing the MacBooks, right, Like,

1897
01:37:36,240 --> 01:37:39,080
Speaker 1: what was why do we even do this? Yeah? I

1898
01:37:39,120 --> 01:37:41,679
Speaker 1: don't even. I don't know how a thirty old would

1899
01:37:41,800 --> 01:37:44,799
Speaker 1: be on a football team in high school and allowed

1900
01:37:45,240 --> 01:37:49,000
Speaker 1: sixteen and seventy year old kids to kick their ass.

1901
01:37:49,040 --> 01:37:53,719
Speaker 1: I don't. I mean, maybe ESPN gave the quote unquote

1902
01:37:53,760 --> 01:37:57,960
Speaker 1: Bishop Sycamore money to get on ESPN, like a donation

1903
01:37:58,120 --> 01:38:00,600
Speaker 1: to the school, but even and how much is that

1904
01:38:00,640 --> 01:38:02,560
Speaker 1: going to bust down on a full football team? So

1905
01:38:02,640 --> 01:38:04,360
Speaker 1: that means that the yeah, because the school would have

1906
01:38:04,439 --> 01:38:07,960
Speaker 1: to be behind this, Well there's no school. No school

1907
01:38:08,000 --> 01:38:15,360
Speaker 1: exis period. They also had a gofund me yeah wait man,

1908
01:38:15,439 --> 01:38:19,920
Speaker 1: wait wait a bitte, So the school is fake. It

1909
01:38:20,000 --> 01:38:23,120
Speaker 1: doesn't exist at all, grown men. That was just they

1910
01:38:23,200 --> 01:38:24,840
Speaker 1: found the address to the school. It was an apartment

1911
01:38:24,840 --> 01:38:31,200
Speaker 1: building and they ended up playing on ESPN, Yes against

1912
01:38:31,200 --> 01:38:34,920
Speaker 1: the high school team against a legit high school team.

1913
01:38:35,360 --> 01:38:37,600
Speaker 1: They played three legit high school games. One ended up

1914
01:38:37,600 --> 01:38:39,400
Speaker 1: on ESPN where they lost fifty eight to nothing, and

1915
01:38:39,720 --> 01:38:42,280
Speaker 1: nobody figured out that this was a fake high school

1916
01:38:42,320 --> 01:38:44,960
Speaker 1: before any of the entire time. The announcers kept trying

1917
01:38:45,000 --> 01:38:47,160
Speaker 1: to pull up. All right, number fifty two is not

1918
01:38:47,400 --> 01:38:50,400
Speaker 1: coming up in our system. It says here, Number eleven

1919
01:38:50,640 --> 01:38:53,840
Speaker 1: has a bunch of D one offers, but we can't

1920
01:38:53,880 --> 01:38:57,439
Speaker 1: find in our database which offers those are. Number seven's

1921
01:38:57,479 --> 01:39:00,439
Speaker 1: favorite movie is The Mighty Ducks et. It was going

1922
01:39:00,479 --> 01:39:02,880
Speaker 1: to that type of shit, and they should have known

1923
01:39:02,880 --> 01:39:05,160
Speaker 1: if his fair Moons is Mighty Ducks, he's not high school.

1924
01:39:05,160 --> 01:39:07,240
Speaker 1: He's not in high school like the Mighty Duck that

1925
01:39:07,360 --> 01:39:12,040
Speaker 1: was the nineties. Yeah man, yeah nah, this is that's

1926
01:39:12,080 --> 01:39:16,120
Speaker 1: some weird shit. I didn't hear about this though. It

1927
01:39:16,240 --> 01:39:19,479
Speaker 1: was all over the internet the past two days, and

1928
01:39:19,680 --> 01:39:22,719
Speaker 1: I was very much vegan ice cream with Jermain Dupres.

1929
01:39:22,760 --> 01:39:25,400
Speaker 1: I'm sorry, clearly no, But speaking of people being in

1930
01:39:25,479 --> 01:39:28,560
Speaker 1: their thirties, I didn't feel like I was in my

1931
01:39:28,600 --> 01:39:31,400
Speaker 1: thirties when I turned thirty, of course, or when I

1932
01:39:31,479 --> 01:39:37,400
Speaker 1: turned thirty one. Initially, I think I've officially found out.

1933
01:39:37,439 --> 01:39:42,960
Speaker 1: I'm in my thirties. Have two reasons. Okay, When I

1934
01:39:43,040 --> 01:39:45,000
Speaker 1: was a kid, I used to hear my dad breathe,

1935
01:39:45,200 --> 01:39:47,800
Speaker 1: like when he was just standing, and I thought it

1936
01:39:47,880 --> 01:39:51,040
Speaker 1: was the weirdest thing in the world, Like, why why

1937
01:39:51,120 --> 01:39:53,519
Speaker 1: can't I hear you breathe? I hear myself breathe all

1938
01:39:53,560 --> 01:39:55,880
Speaker 1: the time now to the point I'm almost embarrassed. M

1939
01:39:56,800 --> 01:39:59,960
Speaker 1: I just breathe very loud now. Yeah. Second one, speak

1940
01:40:00,120 --> 01:40:01,559
Speaker 1: to my father. I don't know if you know Steve

1941
01:40:01,640 --> 01:40:04,759
Speaker 1: Sizzling Steaks in New Jersey. It's right by Giants Stadium,

1942
01:40:05,800 --> 01:40:10,240
Speaker 1: legendary spot. If you know, you know, they like doused

1943
01:40:10,280 --> 01:40:12,360
Speaker 1: their steaks in this soy sauce, which I think is

1944
01:40:12,400 --> 01:40:14,840
Speaker 1: called Maggie sauce or some shit, right. My dad and

1945
01:40:14,880 --> 01:40:19,000
Speaker 1: I went, we had one beer each, went to sleep.

1946
01:40:19,479 --> 01:40:22,120
Speaker 1: I woke up with the worst hangover of my entire life,

1947
01:40:22,280 --> 01:40:24,760
Speaker 1: not from the one beer I had. My body can't

1948
01:40:24,840 --> 01:40:30,360
Speaker 1: take soy anymore. I was out of commission for a

1949
01:40:30,600 --> 01:40:33,240
Speaker 1: day because I ate a steak that had soy on it.

1950
01:40:35,160 --> 01:40:37,400
Speaker 1: You guys may be older and think that that's regular.

1951
01:40:37,760 --> 01:40:41,479
Speaker 1: I could not fucking move. I mean, for me, I

1952
01:40:41,560 --> 01:40:43,599
Speaker 1: didn't feel like I was thirty until I was about

1953
01:40:43,840 --> 01:40:47,280
Speaker 1: or in my thirties, until I was probably thirty seven.

1954
01:40:48,120 --> 01:40:51,479
Speaker 1: So today, No, a few years, a couple of years ago.

1955
01:40:51,520 --> 01:40:56,920
Speaker 1: But I felt it in my knees first, a soy hangover. Yeah,

1956
01:40:57,320 --> 01:40:59,280
Speaker 1: I could smell it. I woke up in the middle

1957
01:40:59,320 --> 01:41:01,160
Speaker 1: of my sleep, could smell it on my fingers. I

1958
01:41:01,200 --> 01:41:03,800
Speaker 1: went and washed my hands more, I was drinking water.

1959
01:41:04,760 --> 01:41:07,360
Speaker 1: I was dying. You might be allergic to so I'm not. No,

1960
01:41:07,479 --> 01:41:09,320
Speaker 1: I just think I'm starting to get old and I can't.

1961
01:41:09,600 --> 01:41:12,559
Speaker 1: I mean doubse my food. That's what that's sodium anymore.

1962
01:41:12,760 --> 01:41:15,120
Speaker 1: That's what happens as you get older, though, your body

1963
01:41:15,200 --> 01:41:17,920
Speaker 1: starts to like have reactions to certain foods and ship.

1964
01:41:18,240 --> 01:41:20,280
Speaker 1: I be near people like self conscious that I'm breathing

1965
01:41:20,320 --> 01:41:22,920
Speaker 1: too hard next to them. You got that heavy heavy

1966
01:41:23,120 --> 01:41:26,040
Speaker 1: I never had that until now. Yeah, you gotta get

1967
01:41:26,040 --> 01:41:29,280
Speaker 1: that checked out. What I mean, I'm gonna die, but

1968
01:41:29,439 --> 01:41:32,640
Speaker 1: not not soon, hopefully, like we got could. We got

1969
01:41:32,680 --> 01:41:34,240
Speaker 1: some work to do here. I don't want to want

1970
01:41:34,240 --> 01:41:37,520
Speaker 1: you to die too soon. It might be a Contract's

1971
01:41:37,560 --> 01:41:39,840
Speaker 1: cool that if you die, like we still get the money. Still,

1972
01:41:40,160 --> 01:41:43,200
Speaker 1: it's guaranteed, all right, cool, don't worry. Guarantee check out.

1973
01:41:43,200 --> 01:41:45,280
Speaker 1: If you and podcasting, it's like if you pop a handstring,

1974
01:41:45,320 --> 01:41:48,200
Speaker 1: guarantee full money. Okay, but you could die in as well,

1975
01:41:48,560 --> 01:41:51,200
Speaker 1: no problem. Sodium overdose. Yeah, but for me, it was

1976
01:41:51,240 --> 01:41:54,400
Speaker 1: my knees in my back, Okay, that's when I knew.

1977
01:41:54,439 --> 01:41:56,559
Speaker 1: I was like, oh yeah, I'm in my first time.

1978
01:41:56,600 --> 01:41:58,200
Speaker 1: You try to go on the court and think that

1979
01:41:58,320 --> 01:42:00,760
Speaker 1: you can just without stretching warming up, you can just

1980
01:42:00,760 --> 01:42:02,479
Speaker 1: go out there and start running up in then it

1981
01:42:02,560 --> 01:42:05,200
Speaker 1: doesn't happen anymore. In your thirties, you gotta warm that it.

1982
01:42:05,280 --> 01:42:07,599
Speaker 1: You got a woman that Cadillac up. Let it sit,

1983
01:42:08,200 --> 01:42:10,639
Speaker 1: you know what I mean, warm it up ten minutes,

1984
01:42:10,760 --> 01:42:14,160
Speaker 1: take it around the block exactly where you hit sixty exactly.

1985
01:42:14,320 --> 01:42:15,760
Speaker 1: That's what you gotta do. You can't just go out

1986
01:42:15,760 --> 01:42:17,400
Speaker 1: there and start running up and down, jumping and you're

1987
01:42:17,400 --> 01:42:20,600
Speaker 1: gonna break something, pull something. But yeah, you need to

1988
01:42:20,600 --> 01:42:23,080
Speaker 1: get that checked out. Though you might be allergic to soy,

1989
01:42:23,680 --> 01:42:26,960
Speaker 1: but I put soy sauce on everything. Yeah, now you

1990
01:42:27,080 --> 01:42:31,280
Speaker 1: know you can't. Maybe that's it. You're a soy boy. Now,

1991
01:42:32,560 --> 01:42:38,160
Speaker 1: don't call me a It's called Maggie sauce. Maggie sauce.

1992
01:42:38,320 --> 01:42:40,320
Speaker 1: Maybe I'm just lost at the fact I had the

1993
01:42:40,439 --> 01:42:42,920
Speaker 1: worst hangover of my life and it was because of Soy.

1994
01:42:43,840 --> 01:42:45,439
Speaker 1: I don't it might not have been that, though. I

1995
01:42:45,520 --> 01:42:46,960
Speaker 1: think you're thinking it might have been that, But it

1996
01:42:47,040 --> 01:42:49,519
Speaker 1: might not have had one beer and I felt like

1997
01:42:49,560 --> 01:42:51,920
Speaker 1: I got hit by a truck. Sometimes that's all it take.

1998
01:42:53,160 --> 01:42:58,439
Speaker 1: Maybe gluten I guzzled. I guzzled Hennessy for seven years. Yea,

1999
01:43:00,200 --> 01:43:05,240
Speaker 1: you took that thing on the road. Yeah. I don't know, man,

2000
01:43:05,280 --> 01:43:07,040
Speaker 1: you got but you should definitely get that checked out.

2001
01:43:07,120 --> 01:43:09,000
Speaker 1: Oh my god, just tell your doctor, like, yo, listen

2002
01:43:09,000 --> 01:43:11,400
Speaker 1: to had one beer and no like I like smell it.

2003
01:43:11,600 --> 01:43:14,560
Speaker 1: I had leftovers, I opened my fridge, I had like

2004
01:43:14,680 --> 01:43:17,880
Speaker 1: spidy senses on. SO was going soy crazy. I threw

2005
01:43:17,920 --> 01:43:20,599
Speaker 1: that ship in the trash immediately, fucking expensive ass steak.

2006
01:43:20,640 --> 01:43:22,880
Speaker 1: I was like, get this ship. So You're waking up

2007
01:43:22,920 --> 01:43:25,240
Speaker 1: in my sleep with my hands close to my nose, like,

2008
01:43:25,400 --> 01:43:28,320
Speaker 1: oh my god, there's still soy on here. Oh I die. Yeah, No,

2009
01:43:28,439 --> 01:43:31,560
Speaker 1: that's not good. That's not good. Oh yeah, get that

2010
01:43:31,640 --> 01:43:33,280
Speaker 1: checked out, man, I'm gonna make sure you are right,

2011
01:43:33,800 --> 01:43:39,800
Speaker 1: thank you. I got nothing else, man, I'm exhausted. I'll

2012
01:43:39,800 --> 01:43:41,479
Speaker 1: be a Made in America this weekend taking my mom

2013
01:43:41,560 --> 01:43:44,360
Speaker 1: to go see Maroon five at the same time. Yeah,

2014
01:43:44,479 --> 01:43:46,000
Speaker 1: I don't know how many don't throw mom and that

2015
01:43:46,080 --> 01:43:49,400
Speaker 1: you want to see Adam. You know you want to

2016
01:43:49,439 --> 01:43:51,519
Speaker 1: see Adam. You got your tat. You're gonna show Adam yourtat.

2017
01:43:51,560 --> 01:43:54,120
Speaker 1: You're gonna share tat stories. I mean, Adam, I got

2018
01:43:54,160 --> 01:43:58,719
Speaker 1: this one. This is my tribal tattoo of the tribe.

2019
01:43:58,760 --> 01:44:02,840
Speaker 1: I'm not in. You and Adam Levine are gonna share

2020
01:44:02,920 --> 01:44:05,720
Speaker 1: your Chinese emblem means peace. Yeah, you gotta you got it.

2021
01:44:05,760 --> 01:44:08,000
Speaker 1: You and Adam gotta do like a gotta share your

2022
01:44:08,120 --> 01:44:11,080
Speaker 1: tach story with each other. So I'm a little nervous,

2023
01:44:12,000 --> 01:44:16,120
Speaker 1: know me, shy Okay, I've shared stories with you publicly

2024
01:44:16,200 --> 01:44:18,960
Speaker 1: about me taking my mom to places like when my

2025
01:44:19,040 --> 01:44:22,840
Speaker 1: mom met Jay Leno with her best friend. How like

2026
01:44:22,920 --> 01:44:25,200
Speaker 1: I was a little uncomfortable with like how open they

2027
01:44:25,240 --> 01:44:30,439
Speaker 1: were to Jay. Jay All right, man, look at his chin.

2028
01:44:30,479 --> 01:44:32,760
Speaker 1: He's not attractive. You got like doing a little too.

2029
01:44:33,040 --> 01:44:37,360
Speaker 1: He's not that funny. So Adam Levine is like it's

2030
01:44:38,800 --> 01:44:43,600
Speaker 1: JFK Derek Jeter and Adam Levine from my mom like,

2031
01:44:44,000 --> 01:44:45,479
Speaker 1: those are guys that do it for your mom, that

2032
01:44:45,640 --> 01:44:48,080
Speaker 1: go go crazy. She goes crazy and then like mad

2033
01:44:48,160 --> 01:44:50,080
Speaker 1: black guys. But I don't want to get into that. Yeah,

2034
01:44:50,360 --> 01:44:54,800
Speaker 1: I'm sure Denzel is someone that lives. Most white women

2035
01:44:54,880 --> 01:44:58,719
Speaker 1: love Denzel, of course. I mean, yeah, listen, I love so. PJ.

2036
01:44:58,880 --> 01:45:02,439
Speaker 1: Morton is my guy. He's the keyboard player. Outside of

2037
01:45:02,479 --> 01:45:06,160
Speaker 1: his own amazing solo careers, he's keyboard player and Maroon five.

2038
01:45:07,320 --> 01:45:10,160
Speaker 1: So he said he could get me and my mom

2039
01:45:10,200 --> 01:45:14,479
Speaker 1: and her best friend passes to the show. Now, I

2040
01:45:14,640 --> 01:45:18,040
Speaker 1: don't know. Look how my mom reacted to Jay Leno,

2041
01:45:18,360 --> 01:45:21,920
Speaker 1: who's hideous. How is she gonna react in front of

2042
01:45:22,000 --> 01:45:24,760
Speaker 1: me to a man that I deem extremely handsome. Yeah,

2043
01:45:24,760 --> 01:45:27,600
Speaker 1: you're gonna have to strap moms and can sing like

2044
01:45:27,800 --> 01:45:30,840
Speaker 1: after the show, Like what am I gonna You're gonna

2045
01:45:30,840 --> 01:45:32,519
Speaker 1: have to watch moms, keep up, keep it close eye on.

2046
01:45:32,680 --> 01:45:35,840
Speaker 1: Should I flirt harder? No? No, no, no no, you

2047
01:45:35,880 --> 01:45:38,200
Speaker 1: should not flirt with Adam Levine? Like should I make

2048
01:45:38,240 --> 01:45:41,760
Speaker 1: my mom? I don't know the strategy I should no, no, no, no.

2049
01:45:42,120 --> 01:45:46,160
Speaker 1: What you should do is mom, this is Adam Levine. Hey, hi, hi,

2050
01:45:46,520 --> 01:45:48,719
Speaker 1: and way out of here. You gotta keep it short quick.

2051
01:45:49,439 --> 01:45:51,840
Speaker 1: I don't think she's gonna let me. And first of all,

2052
01:45:51,840 --> 01:45:53,680
Speaker 1: the project if I be after the show, after my

2053
01:45:53,760 --> 01:45:57,519
Speaker 1: mom's had a couple of shardonnays like the cheap, you

2054
01:45:57,960 --> 01:46:00,759
Speaker 1: might start feelingless. She's with her best friend, who's her neighbler.

2055
01:46:00,880 --> 01:46:03,280
Speaker 1: Oh man, they're gonna start texting each other in the

2056
01:46:03,320 --> 01:46:06,200
Speaker 1: same room. Who was asking jay Leno which room in

2057
01:46:06,240 --> 01:46:10,559
Speaker 1: the house they could live in? Yeah with Adam, Yeah

2058
01:46:10,800 --> 01:46:17,040
Speaker 1: that's a different monster. Yeah, this is gonna be like this. Yeah,

2059
01:46:17,080 --> 01:46:19,160
Speaker 1: this is this is gonna be bad. This is this.

2060
01:46:19,400 --> 01:46:22,000
Speaker 1: You're gonna learn a lot about your moms this weekend.

2061
01:46:22,600 --> 01:46:24,120
Speaker 1: You're gonna learn a lot. You're gonna know. You're gonna

2062
01:46:24,200 --> 01:46:26,120
Speaker 1: learn that I'm a lord. You were born. Your mom

2063
01:46:26,240 --> 01:46:28,840
Speaker 1: was a twenty year old harlot running around this mean

2064
01:46:28,880 --> 01:46:31,400
Speaker 1: streets of Queens. Though she was in the she was

2065
01:46:31,439 --> 01:46:34,880
Speaker 1: in your territory, in the bro craziness, was in Yonkers

2066
01:46:34,880 --> 01:46:37,320
Speaker 1: and Bronx going nuts. You're gonna learn You're gonna see

2067
01:46:37,360 --> 01:46:40,680
Speaker 1: remnants in that this weekend. Adam is gonna bring all

2068
01:46:40,680 --> 01:46:42,000
Speaker 1: of that out. He's gonna pull all of that out.

2069
01:46:42,080 --> 01:46:44,360
Speaker 1: I'm nervous, man, don't be nervous man. Just let Adam

2070
01:46:44,400 --> 01:46:45,880
Speaker 1: know you'll punch him in his face. That's all. You

2071
01:46:45,960 --> 01:46:48,000
Speaker 1: gotta threat at him, of course, Yeah, you gotta throw

2072
01:46:48,000 --> 01:46:50,479
Speaker 1: your Adam. Don't play with me, Adam know what's Yeah,

2073
01:46:50,560 --> 01:46:52,600
Speaker 1: you gotta don't play. Don't let the don't let the

2074
01:46:52,680 --> 01:46:54,880
Speaker 1: gap in my tats fool you. I have First of all,

2075
01:46:55,160 --> 01:46:58,599
Speaker 1: Adam Levine has really nice tattoos. I have shitty tattoos.

2076
01:46:58,920 --> 01:47:01,599
Speaker 1: That should let you know who could exactly the shitty

2077
01:47:01,680 --> 01:47:05,680
Speaker 1: tat guy. I'm rolling, yes, anytime, the shitty tag guy

2078
01:47:05,760 --> 01:47:09,880
Speaker 1: with his mom. Oh god, you can fight. Sorry, PJ.

2079
01:47:10,000 --> 01:47:13,400
Speaker 1: Your gospel music isn't gonna get it done. I'm definitely

2080
01:47:13,439 --> 01:47:15,760
Speaker 1: gonna calm me down. I'm definitely taking a shitty tag

2081
01:47:15,800 --> 01:47:18,200
Speaker 1: guy over the clean tat guy for sure any day.

2082
01:47:18,560 --> 01:47:21,640
Speaker 1: Look at this guy, he's beautiful. I'm definitely taking my

2083
01:47:21,840 --> 01:47:24,960
Speaker 1: dad bought in shitty tats over his beautiful body in

2084
01:47:25,040 --> 01:47:26,680
Speaker 1: great tattoos in a fight. This is gonna be a

2085
01:47:26,720 --> 01:47:28,439
Speaker 1: fun weekend for you, man. I'm praying for you. I

2086
01:47:28,520 --> 01:47:30,280
Speaker 1: hope that uh I literally have to drive to main

2087
01:47:30,320 --> 01:47:35,879
Speaker 1: in America. Oh the situate, my family for those tickets.

2088
01:47:36,280 --> 01:47:39,240
Speaker 1: Get back in a car, drive to South Jersey, get

2089
01:47:39,320 --> 01:47:41,479
Speaker 1: my mom and her best friend, who are driving down

2090
01:47:41,560 --> 01:47:43,600
Speaker 1: separately to the Tweeter Center where the fuck it is

2091
01:47:43,680 --> 01:47:48,560
Speaker 1: for this Maroon five show? Yeah m hm yeah, bleep that,

2092
01:47:50,360 --> 01:47:52,519
Speaker 1: and then drive back to Maine in America, and then

2093
01:47:52,560 --> 01:47:55,560
Speaker 1: on Sunday, go back to Maine, America again. Get my

2094
01:47:55,640 --> 01:47:58,120
Speaker 1: mom situated again. This is gonna be terrible. It's gonna

2095
01:47:58,120 --> 01:47:59,760
Speaker 1: be a great weekend. What happens if my mom runs

2096
01:47:59,800 --> 01:48:05,240
Speaker 1: in to uh Adam Levie press room Justin Bieber and

2097
01:48:05,439 --> 01:48:09,840
Speaker 1: Lloyd Banks in the same weekend. Oh, you're gonna learn

2098
01:48:09,840 --> 01:48:12,479
Speaker 1: a lot about moms this weekend. Well, listen, man, have fun.

2099
01:48:12,880 --> 01:48:15,240
Speaker 1: Hope moms and her best friend have a great time.

2100
01:48:15,280 --> 01:48:17,760
Speaker 1: Show them a great time. Get them sharden, made up.

2101
01:48:18,120 --> 01:48:21,680
Speaker 1: They will be sh up. Just don't you get shot up.

2102
01:48:22,640 --> 01:48:24,760
Speaker 1: Oh no, I'm gonna be. I'm gonna be sober. You

2103
01:48:24,800 --> 01:48:26,960
Speaker 1: gotta be on my p's and kids. Yeah, Adam, Adam

2104
01:48:27,040 --> 01:48:29,880
Speaker 1: works out, You gotta be. You gotta be sold your help.

2105
01:48:29,920 --> 01:48:31,880
Speaker 1: He's tired after the show. Oh no, that's when the

2106
01:48:31,920 --> 01:48:34,560
Speaker 1: adrenaline still flowing. You know that. Come well, I know

2107
01:48:34,760 --> 01:48:41,320
Speaker 1: kath muscle, Yeah know where he's vulnerable. Oh man, So listen, man,

2108
01:48:41,360 --> 01:48:45,639
Speaker 1: we got hopefully we got an amazing CLB album finally

2109
01:48:45,840 --> 01:48:48,320
Speaker 1: that the people are listening to right now, listening to this.

2110
01:48:48,920 --> 01:48:50,519
Speaker 1: We'll stop listening to the album to listen to this.

2111
01:48:51,080 --> 01:48:52,920
Speaker 1: I'm only dragging this podcast so I can try to

2112
01:48:52,920 --> 01:48:55,960
Speaker 1: stay up long enough for midnight to hear it. Oh,

2113
01:48:56,160 --> 01:48:57,679
Speaker 1: is that what you're trying to do. Oh, we're gonna

2114
01:48:57,680 --> 01:48:59,400
Speaker 1: wrap this thing up. Then you're gonna have to get

2115
01:48:59,439 --> 01:49:02,080
Speaker 1: some uh, find somewhere else to kill your time. Buddy.

2116
01:49:02,960 --> 01:49:06,960
Speaker 1: We held the listeners long enough, filed enough time. So yeah, man,

2117
01:49:08,240 --> 01:49:10,280
Speaker 1: got the Drake album. Is there any other albums coming out?

2118
01:49:10,560 --> 01:49:14,040
Speaker 1: Or is everybody avoided? I would hope they would, and

2119
01:49:14,280 --> 01:49:15,760
Speaker 1: all the artists I do love, and if they were

2120
01:49:15,840 --> 01:49:18,160
Speaker 1: putting out albums, you're fucking stupid. And I don't care

2121
01:49:18,160 --> 01:49:21,000
Speaker 1: about your album. I love you. Yeah, it's Drake time.

2122
01:49:21,200 --> 01:49:23,080
Speaker 1: I don't care who you are Strake Time. Even if

2123
01:49:23,120 --> 01:49:24,680
Speaker 1: you hate Drake, you're gonna stay up to hate them.

2124
01:49:25,640 --> 01:49:27,320
Speaker 1: Oh ship. We didn't even talk about the fact that

2125
01:49:28,600 --> 01:49:32,559
Speaker 1: Summer's I g her, I g live. He was happy,

2126
01:49:32,680 --> 01:49:36,240
Speaker 1: wasn't your parents? No? I wasn't. I wasn't happy. I

2127
01:49:36,880 --> 01:49:39,400
Speaker 1: was happy for different reasons. I was actually with you know,

2128
01:49:39,720 --> 01:49:43,519
Speaker 1: Justice and he is a bum, isn't he. No, I'm

2129
01:49:43,560 --> 01:49:45,720
Speaker 1: not that guy. I'm not that guy. But I was

2130
01:49:45,800 --> 01:49:49,920
Speaker 1: happy to you. I was happy because it's almost like

2131
01:49:50,479 --> 01:49:54,360
Speaker 1: it's almost like this was planned and it's not because

2132
01:49:54,439 --> 01:49:57,880
Speaker 1: everything that's happening is everything that she's addressing on the

2133
01:49:57,960 --> 01:50:01,760
Speaker 1: new album. So it's like this is it's almost like

2134
01:50:01,920 --> 01:50:06,040
Speaker 1: a perfect set up, roll out type of thing, and

2135
01:50:06,200 --> 01:50:09,599
Speaker 1: it's not planned, and it's unfortunate at the same time

2136
01:50:09,680 --> 01:50:13,680
Speaker 1: because you know, a baby is involved, but this, this

2137
01:50:14,120 --> 01:50:18,639
Speaker 1: is a This is one of the classic IG Live moments.

2138
01:50:18,680 --> 01:50:21,640
Speaker 1: Though it was just another moment for me where I'm like,

2139
01:50:22,760 --> 01:50:27,280
Speaker 1: if all if all parties involved. There are people that

2140
01:50:27,439 --> 01:50:31,120
Speaker 1: rely on these types of comments and messiness to continue

2141
01:50:31,160 --> 01:50:34,840
Speaker 1: their career. Plenty of people do summer in London or not.

2142
01:50:34,920 --> 01:50:37,200
Speaker 1: Two of those people I don't know. The baby mother

2143
01:50:37,240 --> 01:50:39,439
Speaker 1: would never put that on her or the other baby mothers.

2144
01:50:39,439 --> 01:50:41,960
Speaker 1: I have no idea, but it'd be so easy. The

2145
01:50:42,080 --> 01:50:44,960
Speaker 1: only reason these responses are coming is because not because

2146
01:50:44,960 --> 01:50:46,640
Speaker 1: of what people said online. It was because of the

2147
01:50:46,720 --> 01:50:52,640
Speaker 1: comments of what was said. Right once, everyone stops addressing

2148
01:50:52,760 --> 01:50:55,320
Speaker 1: the comments, because that's what's getting you out your ego

2149
01:50:55,400 --> 01:50:57,160
Speaker 1: and your pride. It ain't really what people are saying.

2150
01:50:57,160 --> 01:51:00,599
Speaker 1: It's because people are reacting to it. Right, stop happening

2151
01:51:00,680 --> 01:51:05,519
Speaker 1: and people can have these private conversations alone. Right well, listen,

2152
01:51:05,600 --> 01:51:08,479
Speaker 1: I again, it's nasty to me, it's gross. This album

2153
01:51:08,600 --> 01:51:13,479
Speaker 1: is phenomenal, and it's gonna it's gonna hit a little

2154
01:51:13,520 --> 01:51:15,439
Speaker 1: harder now after all of this is going on. And

2155
01:51:15,560 --> 01:51:17,720
Speaker 1: are you part of the rollout? No, I'm not part

2156
01:51:17,720 --> 01:51:21,320
Speaker 1: of is this there, Mercedes Benz? No, no, no, no, no, no, no, no,

2157
01:51:21,520 --> 01:51:24,000
Speaker 1: this is I'm not a part of rollout, but I do.

2158
01:51:24,439 --> 01:51:27,800
Speaker 1: I've heard the records, I know the content, and this

2159
01:51:28,000 --> 01:51:29,960
Speaker 1: is this is all part of the story, you know,

2160
01:51:30,120 --> 01:51:34,360
Speaker 1: this is all part of the the moment of things

2161
01:51:34,360 --> 01:51:36,560
Speaker 1: that are happening in real time right now. So I

2162
01:51:36,640 --> 01:51:38,800
Speaker 1: will say Summer is very funny and really good at

2163
01:51:38,840 --> 01:51:41,559
Speaker 1: telling stories and very charismatic when she says a lot

2164
01:51:41,600 --> 01:51:44,280
Speaker 1: of personality. Yeah, it's like, you know, I did laugh

2165
01:51:44,520 --> 01:51:47,160
Speaker 1: outside of the messiness, which I thought none of us

2166
01:51:47,240 --> 01:51:50,320
Speaker 1: need to hear this, this is amongst parents and their children. Yeah,

2167
01:51:51,760 --> 01:51:54,879
Speaker 1: I did enjoy. Was this a bathroom? Yeah? This bathroom

2168
01:51:55,760 --> 01:51:58,000
Speaker 1: tell tale of what happened that's where you get your

2169
01:51:58,000 --> 01:52:01,280
Speaker 1: ship off in the bathroom. Literally get your well yeah

2170
01:52:01,600 --> 01:52:04,680
Speaker 1: on Tondras. I'm here all weeknorry about it. You're not.

2171
01:52:04,760 --> 01:52:07,080
Speaker 1: You'll be in Atlanta again this weekend. I asked you

2172
01:52:07,160 --> 01:52:08,280
Speaker 1: to come to Philly with me, and you're like, no,

2173
01:52:08,360 --> 01:52:10,400
Speaker 1: I gotta go to a writing session. Get the fuck that.

2174
01:52:10,520 --> 01:52:12,560
Speaker 1: See you just like putting bullshit out there. That's not

2175
01:52:12,640 --> 01:52:14,680
Speaker 1: what happened. Cut it out, all right. I'll leave a

2176
01:52:15,040 --> 01:52:17,840
Speaker 1: Saturday morning. Yeah, but I don't with me. There's no

2177
01:52:17,840 --> 01:52:19,360
Speaker 1: one else in my car. My mom' driving separately with

2178
01:52:19,439 --> 01:52:23,720
Speaker 1: her front. It's just me and the Mazi. I don't know.

2179
01:52:23,800 --> 01:52:25,280
Speaker 1: I can throw someone in the back too. I don't

2180
01:52:25,320 --> 01:52:27,200
Speaker 1: want to question her. I don't. I don't want to

2181
01:52:27,200 --> 01:52:29,680
Speaker 1: go see Adam Levine though. Well, No, I'm driving a

2182
01:52:29,760 --> 01:52:34,840
Speaker 1: Maid first. Adam is at night. Okay, I'm driving a Maid. Okay.

2183
01:52:35,080 --> 01:52:37,080
Speaker 1: One Saturday morning, I'm driving right to Maid in America.

2184
01:52:38,160 --> 01:52:41,880
Speaker 1: I will leave you with Sean and your brothers. I

2185
01:52:42,000 --> 01:52:49,120
Speaker 1: will go to Sean. I just caught that. I will

2186
01:52:49,200 --> 01:52:52,040
Speaker 1: leave you with them, oh man. I will then take

2187
01:52:52,080 --> 01:52:54,160
Speaker 1: my mother to the Tweeter Center where the fuck it is?

2188
01:52:54,280 --> 01:52:57,080
Speaker 1: Uh huh? And then I will meet you Sunday morning

2189
01:52:57,120 --> 01:53:02,280
Speaker 1: again to go watch Griselda Bang Gibbs. Me and Gibbs

2190
01:53:02,320 --> 01:53:06,360
Speaker 1: could have a nice little Eskimo brother conversation. That's what

2191
01:53:06,400 --> 01:53:09,640
Speaker 1: it was. I didn't I didn't book my hotel. All right,

2192
01:53:09,640 --> 01:53:11,400
Speaker 1: I got your hotel and I got your tell I'm

2193
01:53:11,400 --> 01:53:15,519
Speaker 1: sure they're booked out. Philly, major city America, a major city. Yeah,

2194
01:53:15,520 --> 01:53:18,360
Speaker 1: but I don't want to be in the bullshit hotel. Noah.

2195
01:53:18,400 --> 01:53:20,479
Speaker 1: But like, I got money, so I'll put you in

2196
01:53:20,520 --> 01:53:21,599
Speaker 1: a nice one. First of all, don't have a look

2197
01:53:21,640 --> 01:53:22,960
Speaker 1: me in my eyes and tell me you got money

2198
01:53:23,600 --> 01:53:26,160
Speaker 1: like I'm some fucking I g vixen, Like, who do

2199
01:53:26,160 --> 01:53:27,880
Speaker 1: you think you're talking? I would have never said g

2200
01:53:28,040 --> 01:53:31,559
Speaker 1: vix it. I got money. I tell all every I'm broke. Here,

2201
01:53:31,600 --> 01:53:34,120
Speaker 1: I'm broke. What broke? Let me find I only tell

2202
01:53:34,200 --> 01:53:36,360
Speaker 1: chicks not asking for money that I have money. Let

2203
01:53:36,400 --> 01:53:38,920
Speaker 1: me find a hotel. If I can find a hotel,

2204
01:53:38,960 --> 01:53:41,800
Speaker 1: I'll go listen my nice little road trip. Yeah, no,

2205
01:53:41,880 --> 01:53:43,439
Speaker 1: I'm because listen to the West Side Gun all the

2206
01:53:43,439 --> 01:53:45,519
Speaker 1: way down. I'm down. I'm down. If I can find

2207
01:53:45,520 --> 01:53:47,680
Speaker 1: if I can find a hotel, the marriage gonna come.

2208
01:53:48,320 --> 01:53:54,560
Speaker 1: Oh yeah, She's like, oh, I don't know. If I

2209
01:53:54,600 --> 01:53:56,080
Speaker 1: can find a hotel, I'll go with you, all right.

2210
01:53:56,080 --> 01:53:58,240
Speaker 1: I haven't booked my hotel yet. This I booked my

2211
01:53:58,320 --> 01:54:01,040
Speaker 1: mom and their friends. One. I didn't know where I

2212
01:54:01,080 --> 01:54:03,400
Speaker 1: was gonna end up after the Adam Levine concert that's

2213
01:54:03,400 --> 01:54:05,600
Speaker 1: in South Jersey. Got you. I don't know if we

2214
01:54:05,720 --> 01:54:09,280
Speaker 1: go back to I got you so because my mom's Yeah,

2215
01:54:09,320 --> 01:54:11,200
Speaker 1: if I can find people, don't need to hear my

2216
01:54:11,280 --> 01:54:13,599
Speaker 1: mom's plans exactly. If I can find a hotel, I'll

2217
01:54:13,600 --> 01:54:16,040
Speaker 1: go with you. We'll make it a road trip, for sure.

2218
01:54:16,120 --> 01:54:18,960
Speaker 1: You could invite summer. She's all busy with her album

2219
01:54:19,040 --> 01:54:21,439
Speaker 1: roll out right now. She's she's she's gearing up for that.

2220
01:54:21,600 --> 01:54:24,880
Speaker 1: She's always invited to hang out with us anytime something

2221
01:54:24,880 --> 01:54:26,360
Speaker 1: should actually come on the sho don't kick with us.

2222
01:54:27,560 --> 01:54:29,800
Speaker 1: If only we knew her manager and her label, if only,

2223
01:54:30,120 --> 01:54:34,320
Speaker 1: if only we had if only I knew somewhere that yes, yeah,

2224
01:54:34,520 --> 01:54:39,280
Speaker 1: all weekend. I don't listen, man, we'll make it happen.

2225
01:54:40,240 --> 01:54:43,400
Speaker 1: We'll make it happen. I know some people will make

2226
01:54:43,440 --> 01:54:46,360
Speaker 1: it happen. All right, we'll make it happen. That's a

2227
01:54:46,400 --> 01:54:49,520
Speaker 1: great conversation. With Summer. I would love to. I don't

2228
01:54:49,560 --> 01:54:51,680
Speaker 1: know Summer war her. I don't even you do, I

2229
01:54:51,720 --> 01:54:55,120
Speaker 1: don't know. I don't know her. But I think that'd be, uh,

2230
01:54:55,480 --> 01:54:59,040
Speaker 1: that would be a great conversation. I think so plant

2231
01:54:59,080 --> 01:55:02,040
Speaker 1: the seats, Yeah, I think so. Ready when you are

2232
01:55:02,680 --> 01:55:06,360
Speaker 1: all right, well, listen man, y'all be safe. Have a

2233
01:55:06,440 --> 01:55:11,000
Speaker 1: great week. Uh great week of music. I guess only

2234
01:55:11,160 --> 01:55:13,640
Speaker 1: only Drake is dropping, so everybody else kind of got out.

2235
01:55:13,640 --> 01:55:16,560
Speaker 1: The next episode, I'm sure I'm gonna have ten thousand

2236
01:55:16,640 --> 01:55:20,640
Speaker 1: lyrical breakdowns. Oh you know, we gotta done. Next episode.

2237
01:55:20,680 --> 01:55:24,160
Speaker 1: You're either gonna really anticipate and can't wait for it,

2238
01:55:24,320 --> 01:55:25,840
Speaker 1: or just be like, I'm not gonna listen to this. Yeah,

2239
01:55:25,840 --> 01:55:27,400
Speaker 1: because it's gonna be either way. It's gonna be the

2240
01:55:27,480 --> 01:55:31,040
Speaker 1: CLB episode. It will be because this was a long

2241
01:55:31,120 --> 01:55:34,760
Speaker 1: time coming, and now that Kanye and Drake out, we

2242
01:55:34,800 --> 01:55:37,280
Speaker 1: gotta kind of you know, and don't don't let us

2243
01:55:37,320 --> 01:55:39,800
Speaker 1: hear some ship that we can make a quick sketch. Yeah,

2244
01:55:40,200 --> 01:55:42,600
Speaker 1: over the weekend from the CLB ship because mal is

2245
01:55:42,600 --> 01:55:44,760
Speaker 1: really gonna come to Philly's case. It's happening. We're gonna

2246
01:55:44,760 --> 01:55:48,200
Speaker 1: have to shoot something. It's happening. It's definitely happening. So yeah,

2247
01:55:48,280 --> 01:55:52,600
Speaker 1: y'all be safe, have a great week. Uh, download all

2248
01:55:52,640 --> 01:55:55,480
Speaker 1: of your favorite artists, stream all your favorite artists. Shout

2249
01:55:55,480 --> 01:55:58,080
Speaker 1: out to Belly, Shout out to the Westside. Gun. Uh,

2250
01:55:58,200 --> 01:56:00,200
Speaker 1: currency's put a project out too. I forgot the mention

2251
01:56:00,320 --> 01:56:04,720
Speaker 1: that I got to check out over the weekend. Yeah,

2252
01:56:04,760 --> 01:56:07,160
Speaker 1: have to check that out. Uh, if you want to

2253
01:56:07,240 --> 01:56:12,320
Speaker 1: text us nine one seven eight one oh two two

2254
01:56:12,440 --> 01:56:14,920
Speaker 1: nine five, I do. Let's add this to the next

2255
01:56:14,960 --> 01:56:17,960
Speaker 1: week episode. Like at the top, we don't have to

2256
01:56:18,080 --> 01:56:20,480
Speaker 1: edit this part, but nine one seven eight one oh

2257
01:56:20,600 --> 01:56:22,560
Speaker 1: two two nine five if you really want to text

2258
01:56:22,600 --> 01:56:24,320
Speaker 1: Mal and I and we'll get into what type of

2259
01:56:24,400 --> 01:56:27,480
Speaker 1: text messages you'll get from the both of us. Yeah,

2260
01:56:27,560 --> 01:56:29,480
Speaker 1: text is the entire thing, because I think this is

2261
01:56:29,520 --> 01:56:31,160
Speaker 1: a segment we need to do. Not right at the end,

2262
01:56:32,120 --> 01:56:34,120
Speaker 1: text us some questions that y'all want us to ask

2263
01:56:34,200 --> 01:56:36,440
Speaker 1: each other, like if you want the hammer pick quick?

2264
01:56:37,160 --> 01:56:42,640
Speaker 1: Oh rory right there? No, that's that's right, and ya,

2265
01:56:42,680 --> 01:56:47,320
Speaker 1: why are you throwing it out? That'll be funny though. Yeah,

2266
01:56:47,360 --> 01:56:48,960
Speaker 1: I want to get into a segment about that. Yeah,

2267
01:56:49,040 --> 01:56:50,560
Speaker 1: for sure, I would love to hear I would love

2268
01:56:50,600 --> 01:56:52,600
Speaker 1: to hear some of the questions that you know, y'all

2269
01:56:52,640 --> 01:56:55,680
Speaker 1: want to ask us and y'all want us to answer

2270
01:56:55,720 --> 01:57:00,040
Speaker 1: on air. But yeah, man, be safe this weekend and

2271
01:57:00,080 --> 01:57:05,040
Speaker 1: then we'll talk to y'all next week. Until then, Certified

2272
01:57:05,120 --> 01:57:12,320
Speaker 1: lover Boys out and Brory is out with Adam Peace.

2273
01:57:12,920 --> 01:57:20,440
Speaker 1: It's not funny, no, Willian Mound