WEBVTT - Stranger Things Finale Reactions

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<v Speaker 1>Warning.

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<v Speaker 2>Today's episode cad spoilers for the final season and the

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<v Speaker 2>series finale of Stranger Things.

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<v Speaker 3>You warned.

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<v Speaker 1>O What Happy New Year.

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<v Speaker 2>My name is Jason Concepcion And on Mersey.

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<v Speaker 3>Night, We're back. We're back.

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<v Speaker 2>It's the new year. Everything's great, everything is perfect.

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<v Speaker 1>World is going on.

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<v Speaker 2>And welcome back to kes revision of the podcast where

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<v Speaker 2>we dive thee to your favorite shows, movies, comics of

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<v Speaker 2>pop culture coming from my heart. We're bringing you three

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<v Speaker 2>episodes week last News.

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<v Speaker 3>In today's episode, Joel and Aaron are joining us to

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<v Speaker 3>deep dive into the sensory deprivation tank to react to

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<v Speaker 3>Stranger Things season five finale. Together, we'll talk through what worked,

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<v Speaker 3>what didn't, the ambiguous ending, the cultural impact of the

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<v Speaker 3>show over the last ten years, and how it looked

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<v Speaker 3>in a fit, which is where I saw it. But

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<v Speaker 3>first into the century deprivation type.

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<v Speaker 2>We go in. Okay, let's bring in super producers Joe

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<v Speaker 2>Ellen Aaron to discuss the long I was actually stunned

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<v Speaker 2>when I realized how long this show has been crazy streaming.

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<v Speaker 2>It's been a decade.

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<v Speaker 3>A decade.

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<v Speaker 2>We dive into the final season. Aaron Jowell, Welcome.

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<v Speaker 3>How's he goesy?

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<v Speaker 4>Excited to be here and to talk about our favorite

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<v Speaker 4>upside down?

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<v Speaker 5>Is this the only upside down?

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<v Speaker 3>I guess it's the only one.

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<v Speaker 2>Yeah, it's the only?

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<v Speaker 1>Well is this?

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<v Speaker 2>I mean that's kind of my questions. Well, let's quickly discuss.

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<v Speaker 2>I will say there were no I personally, here's my

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<v Speaker 2>takeaway quick take. I have no issues that didn't exist

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<v Speaker 2>in previous seasons with the season finale, and I liked it.

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<v Speaker 2>I thought the finale worked well. I thought it probably

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<v Speaker 2>I thought it worked the best for me than almost

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<v Speaker 2>any episode of this season, probably almost any episode of

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<v Speaker 2>the season. I'm a sucker for nostalgia.

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<v Speaker 1>I liked it.

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<v Speaker 2>Uh, what is everybody's quick take? Rosie start?

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<v Speaker 3>I saw it in the movie theater at first. I

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<v Speaker 3>saw it in the Egyptian and on New Year's Day,

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<v Speaker 3>and I have to say, seeing it on the big screen,

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<v Speaker 3>and we'll get into this later, was an extremely different

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<v Speaker 3>experience and overall a very positive one. In that theater,

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<v Speaker 3>it was very clear that this was like endgame for

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<v Speaker 3>a lot of people, and also visually it looked so

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<v Speaker 3>much better on the big screen than the finale looked

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<v Speaker 3>on the TV. And that to me is a problem

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<v Speaker 3>which we'll get into later, but generally I went in

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<v Speaker 3>with lowish expectations and the spectacle of it all and

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<v Speaker 3>the huge big screen and taking my friends who loved

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<v Speaker 3>the show made me enjoy it a lot more, which

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<v Speaker 3>was a nice way to end it. Aaron and Joel,

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<v Speaker 3>how do you feel an act?

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<v Speaker 4>Yeah, I'm basically exactly the same as you, Jason. Like

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<v Speaker 4>anything that didn't work for me in the show before,

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<v Speaker 4>this didn't change that. But this worked really well within

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<v Speaker 4>the context of the show, and I thought, like Rosie,

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<v Speaker 4>you know you brought up endgame. I kind of thought

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<v Speaker 4>the final fight against Vecna the mind flare had hints

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<v Speaker 4>of the first Avengers movie, where we have very different

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<v Speaker 4>scopes of what everyone can do, but they all feel

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<v Speaker 4>somewhat useful at some point in that fight, which I enjoy, and.

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<v Speaker 3>They come together with that skills.

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<v Speaker 5>Yeah, so I was very happy with it.

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<v Speaker 4>It was the perfect thing to sit down at like

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<v Speaker 4>eleven am January first and watch.

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<v Speaker 3>On the couch.

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<v Speaker 5>I think, Joelle, what about you?

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<v Speaker 1>I'm met at all of you. I think it's rude

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<v Speaker 1>as hell. I like, I had a lot of issues.

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<v Speaker 1>I was not having fun.

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<v Speaker 6>I thought the length of a Finelle maybe want to scream.

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<v Speaker 6>And I had just seen fire and and I was like,

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<v Speaker 6>I've never met.

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<v Speaker 1>A person who's like, make it shorter, thank me. To

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<v Speaker 1>be sure. I love long pod. I'll listen to a

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<v Speaker 1>three hour pod. I love an epically long movie.

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<v Speaker 6>But these two experiences back to back was absolute torture.

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<v Speaker 6>And then on top of that, y'all not giving me

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<v Speaker 6>like answers. I'm just out here too, wondering if my

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<v Speaker 6>main character is alive or not. I it's sense, and

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<v Speaker 6>you brought brown people back to kill them.

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<v Speaker 3>Okay, we're gonna talk about that, so let's okay, let's

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<v Speaker 3>talk about that.

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<v Speaker 2>Let's talk about some of the unanswered questions, because I

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<v Speaker 2>think we got some nice closure. I quite enjoyed the

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<v Speaker 2>extended coda, but let's talk about the un well.

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<v Speaker 3>I want to no, no, no, I just want to

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<v Speaker 3>quickly bring something up about the coda, because I also

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<v Speaker 3>really enjoyed it.

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<v Speaker 1>I love it.

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<v Speaker 3>I thought it was actually so good and I was like, oh,

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<v Speaker 3>Lord of the Rings, blah blah blah. But then I

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<v Speaker 3>went back and rewatched it when I got home to

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<v Speaker 3>be like, okay, why do we leave everyone? And Erica

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<v Speaker 3>isn't in it again. I think this is another issue

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<v Speaker 3>about brown people in this show. And they're like, no,

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<v Speaker 3>she was at the how they no, she's at the graduation,

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<v Speaker 3>but she doesn't get like, what's happening next prologue And

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<v Speaker 3>she also isn't in the next generation of kids playing

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<v Speaker 3>D and D as their leader, so she basically just

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<v Speaker 3>gets left out of what happens next. That's a big oversight.

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<v Speaker 3>And then Duffer brothers were like, she's an independent woman.

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<v Speaker 3>We can't tell her what to do. It's like, she's

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<v Speaker 3>your character, what do you mean?

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<v Speaker 2>Her and Murray disappearing essentially from the extended nothing on

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<v Speaker 2>them is weird even keep in like I mean.

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<v Speaker 3>Murray had no no.

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<v Speaker 2>I agree Murray was weird to keep in, but if

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<v Speaker 2>you keep him in. He threw the fucking touchdown pass

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<v Speaker 2>with the grenade, like there's someone else did They could

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<v Speaker 2>have done that, and they should have maybe done that,

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<v Speaker 2>but like to have Murray involved to that level and

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<v Speaker 2>then he's gone is weird. And I will say, Okay, generally,

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<v Speaker 2>I think that I boil down to a lot of

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<v Speaker 2>the ambiguousness, the unanswered questions, the unclosed loops down to

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<v Speaker 2>a kind of core philosophy of Netflix, you know, with

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<v Speaker 2>with other streamers, other studios, HBO for instance, there's a

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<v Speaker 2>kind of ruthless ethos of you know, we're storytellers and

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<v Speaker 2>that means stakes, and that means your loved ones. Your

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<v Speaker 2>beloved ones will die occasionally, and maybe often Netflix is like,

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<v Speaker 2>we're here, We're up the panacea, We're here to make

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<v Speaker 2>you feel good. Like as a core philosophy, we're looking

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<v Speaker 2>at numbers to see what the fans love, and if

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<v Speaker 2>they love that, we want to give them more of it.

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<v Speaker 1>And so I feel like.

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<v Speaker 2>I think a lot of my enjoyment of the finale

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<v Speaker 2>is that I knew going in maybe ain't nobody to die.

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<v Speaker 2>It was weird, and they're gonna do some bullshit where

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<v Speaker 2>it's like they bring back the sister you never knew

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<v Speaker 2>about the sister of color that we have no like

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<v Speaker 2>character building on, and she's gonna die and you're not

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<v Speaker 2>gonna care about that because that's what we do here,

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<v Speaker 2>That's what the numbers told us is gonna work. And

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<v Speaker 2>I think a lot of it is lower is to

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<v Speaker 2>an extent, lowered expects.

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<v Speaker 3>Well, I y, I kind of like what you're saying

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<v Speaker 3>that too, because I do think that one of the

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<v Speaker 3>most interesting things coming out of strange of things is

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<v Speaker 3>gonna be like I mean, and there's gonna be books

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<v Speaker 3>written on this. But the notion of like TV made

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<v Speaker 3>via algorithm, and I think you touch on that because

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<v Speaker 3>we don't know how Netflix gets their data, and the

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<v Speaker 3>things that worked and that they see as working do

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<v Speaker 3>come from like my taste space. So for example, a

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<v Speaker 3>character I never usually like, right is Nancy. Don't have

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<v Speaker 3>any interest in her. I think the love interest the

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<v Speaker 3>love triangle is try like, never interested. I like that

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<v Speaker 3>she was a journalist, but it was derivative Lois Lane,

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<v Speaker 3>who cares no. In the finale on the big screen

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<v Speaker 3>in the upside down dimet well not upside down in

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<v Speaker 3>the dimension X planet, which many people have been rinsing

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<v Speaker 3>them for looking like Lincoln Park. When you watch it

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<v Speaker 3>on the Netflix, it looks like but not on the TV,

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<v Speaker 3>it actually didn't look like that. And you know what

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<v Speaker 3>worked really well for me is like Nancy in Eddie

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<v Speaker 3>Munson's old Wig, basically confirmed it's the same wig from

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<v Speaker 3>multiple shots at this point, her in that wig walking

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<v Speaker 3>through this dusty dystopian kind of landscape with her big

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<v Speaker 3>fucking gun just shooting people. That shit worked on the

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<v Speaker 3>big screen. I was watching her thinking you could be

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<v Speaker 3>in a Terminator movie. This is the nostalgia they learned

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<v Speaker 3>from and worked within that worked for me. I think

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<v Speaker 3>the problem is, as this is something we talked about

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<v Speaker 3>the original too It movies, I think often nostalgia is

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<v Speaker 3>a chore. Is also a chance for them to go, well,

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<v Speaker 3>you know what didn't work back then inclusion, or you

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<v Speaker 3>know what did work back then? Bringing back because look,

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<v Speaker 3>the other thing about the Carly situation, which for me

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<v Speaker 3>is a big issue because as we know, I'm one

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<v Speaker 3>of it, it was the fact was it sucks. It sucks,

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<v Speaker 3>and also not just that. I do not believe for

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<v Speaker 3>a second that that was ever the plan. I think

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<v Speaker 3>that they brought her back because everyone says, hey, why

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<v Speaker 3>didn't you bring her back? Who is she? She's useless,

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<v Speaker 3>and because people didn't like her, they killed her. I think,

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<v Speaker 3>in its own way, this is another fan service, and

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<v Speaker 3>I fucking hate that because actually, anything I think that's

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<v Speaker 3>really good about Lost Sister originally is we do get

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<v Speaker 3>the interior lives of all these different kids, and it's

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<v Speaker 3>not just about them fighting the minds flair. You actually

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<v Speaker 3>got to know who they were here. We know nothing

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<v Speaker 3>about Carli. She's just a sage brown woman who's gonna

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<v Speaker 3>kill herself for a white lady. And I think that

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<v Speaker 3>filmmaking by algorithm and the idea of nostalgia can both

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<v Speaker 3>push us forward into new cool versions of stuff, not

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<v Speaker 3>saying Stranger Things did that, honestly, but it can also

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<v Speaker 3>stick us in the old tropes. And I think the

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<v Speaker 3>Karli Erica stuff for me felt like that. But Joelle,

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<v Speaker 3>it was one thing that worked for you, and I

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<v Speaker 3>do want to hear about it because I think you

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<v Speaker 3>did a great job of laying out kind of how

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<v Speaker 3>well they built in the easter eggs that did work

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<v Speaker 3>and the long term stuff that came in from season

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<v Speaker 3>one onwards.

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<v Speaker 6>Yeah, So my holiday was spent mostly watching like Heated

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<v Speaker 6>Rivalry and The Stranger Things finale and going on the internet.

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<v Speaker 1>You want to talk nostalgia.

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<v Speaker 6>I was like, we're back, baby, We're talking TV twenty

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<v Speaker 6>four to seven, three sixty. I got new memes, I've

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<v Speaker 6>got hidden Easter eggs, I've got three good jillion interviews

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<v Speaker 6>to watch. It was an amazing time just to be

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<v Speaker 6>online and loving TV. And while I didn't have a

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<v Speaker 6>good time watching the andalely, rewatching it through the internet's

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<v Speaker 6>eyes was more rewarding.

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<v Speaker 1>Watching folks get excited. You know.

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<v Speaker 6>The thing I think I picked up most was dustin

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<v Speaker 6>graduation speech, which was kind of weird when you don't

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<v Speaker 6>know how they ended high school. Really there's like a.

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<v Speaker 5>Year and still graduated.

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<v Speaker 6>She studied so hard in Okay, she was still conscious.

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<v Speaker 1>She had all the time in the cave.

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<v Speaker 2>Hard knocks.

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<v Speaker 6>If she sat in classes when she was hanging out

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<v Speaker 6>with the parents back in their high school days, she

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<v Speaker 6>could easily graduate.

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<v Speaker 1>I digress. His speech is pretty.

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<v Speaker 6>Much forbade him what Eddie says he wished he would

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<v Speaker 6>be able to do when he would graduate a couple

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<v Speaker 6>of seasons ago. Uh, there were things like the clothing

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<v Speaker 6>that they imagine. L we're talking about clothing, but the

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<v Speaker 6>clothing elawares in that final scene, it's her same color

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<v Speaker 6>theory as when she first appears in their light. So

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<v Speaker 6>this idea of her innocence. And there's like a bunch

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<v Speaker 6>of like little moments like that where if you're a

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<v Speaker 6>deep fan and you've been watching regularly, like you, I

0:12:16.080 --> 0:12:18.480
<v Speaker 6>think hearing from the fans and how rewarded they felt.

0:12:18.520 --> 0:12:20.160
<v Speaker 1>I was like, well, it worked for the people it

0:12:20.240 --> 0:12:21.240
<v Speaker 1>needed to work for.

0:12:21.480 --> 0:12:24.760
<v Speaker 3>And that's how I felt about Five Nights of Freddy's too,

0:12:24.840 --> 0:12:27.719
<v Speaker 3>Like my literal review for Five Nights of Freddy's two

0:12:27.800 --> 0:12:31.040
<v Speaker 3>is like huge win for kids who watch YouTube blow videos,

0:12:31.200 --> 0:12:34.480
<v Speaker 3>and that is the demographic. So it's like, this is

0:12:34.559 --> 0:12:37.160
<v Speaker 3>why people love that movie. This is why people love

0:12:37.200 --> 0:12:39.160
<v Speaker 3>the show. I love that the one that I thought

0:12:39.200 --> 0:12:41.800
<v Speaker 3>was really funny that I'm not gonna lie my old head, Like,

0:12:41.840 --> 0:12:46.280
<v Speaker 3>if I was gonna have an Adjason aka Stephen A

0:12:46.360 --> 0:12:49.040
<v Speaker 3>Smith of X ray Vision Style BRANDT, mine would be

0:12:49.760 --> 0:12:55.520
<v Speaker 3>about the Beckner's like Castle Slash, kind of like Giant

0:12:55.559 --> 0:12:59.280
<v Speaker 3>Spider on the Dark Crystal POSTA bitch that one it is.

0:12:59.400 --> 0:13:01.880
<v Speaker 3>But also if you actually look in season one, it's

0:13:01.960 --> 0:13:03.760
<v Speaker 3>just the fucking dark Crystal poster.

0:13:03.840 --> 0:13:04.120
<v Speaker 1>Guys.

0:13:04.160 --> 0:13:06.840
<v Speaker 3>The Dark Crystal posters already always looked like that, and

0:13:06.880 --> 0:13:09.120
<v Speaker 3>they just made something that looked like that.

0:13:09.480 --> 0:13:11.960
<v Speaker 5>For anyone who doesn't know what Rosie's referring to.

0:13:12.160 --> 0:13:14.480
<v Speaker 4>In season one, they have the Dark Crystal poster and

0:13:14.480 --> 0:13:18.120
<v Speaker 4>people were showing screenshots of that saying, look, they planned

0:13:18.120 --> 0:13:19.880
<v Speaker 4>it all along. They knew this was going to be

0:13:20.000 --> 0:13:22.520
<v Speaker 4>in the final season and obviously not the case. It

0:13:22.679 --> 0:13:24.640
<v Speaker 4>just they designed it to look like I.

0:13:25.600 --> 0:13:27.520
<v Speaker 3>Love and I will say this is my defense of

0:13:27.559 --> 0:13:31.200
<v Speaker 3>the ambiguous ending too. I do think something they understand

0:13:31.240 --> 0:13:33.360
<v Speaker 3>about the show and why they can do stuff like

0:13:33.400 --> 0:13:36.480
<v Speaker 3>that and utilize stuff that they've put in before and

0:13:36.520 --> 0:13:38.560
<v Speaker 3>try and tie it together in a way that makes sense,

0:13:38.559 --> 0:13:39.840
<v Speaker 3>which is kind of what you should be doing with

0:13:39.880 --> 0:13:43.280
<v Speaker 3>the TV show. But you know, is just also because

0:13:43.360 --> 0:13:47.440
<v Speaker 3>like the love and the fandom of the show will

0:13:47.520 --> 0:13:50.439
<v Speaker 3>put those clues together, and I have to say that

0:13:50.559 --> 0:13:54.600
<v Speaker 3>ambiguous ending for me, I did think and look, maybe

0:13:54.600 --> 0:13:56.320
<v Speaker 3>this is because I'm someone who had to cover this

0:13:56.400 --> 0:13:59.440
<v Speaker 3>show extensively in its first few seasons and we were

0:13:59.480 --> 0:14:01.280
<v Speaker 3>up in the middle of the night our friend BJ.

0:14:01.720 --> 0:14:02.319
<v Speaker 3>We love her.

0:14:03.440 --> 0:14:05.679
<v Speaker 2>I love how you're discussing this like you were on

0:14:06.640 --> 0:14:07.480
<v Speaker 2>like an Alaskan.

0:14:08.480 --> 0:14:09.959
<v Speaker 3>It was like it was.

0:14:09.960 --> 0:14:13.440
<v Speaker 4>Like three weeks time you were in the Russian covering

0:14:13.559 --> 0:14:16.200
<v Speaker 4>with him the Stranger.

0:14:15.840 --> 0:14:22.160
<v Speaker 3>Things, covering Stranger Things first three seasons. Bro, they will

0:14:22.240 --> 0:14:24.640
<v Speaker 3>not send you a screen now, and I'm saying, we

0:14:24.680 --> 0:14:26.400
<v Speaker 3>didn't get screeners for the see the guys, this is

0:14:26.440 --> 0:14:28.280
<v Speaker 3>why we're doing it on New Year's Eve, some of

0:14:28.320 --> 0:14:31.280
<v Speaker 3>our other incredible podcast colleagues got up on Christmas Day

0:14:31.280 --> 0:14:34.120
<v Speaker 3>and podcasted in their pajamas. Stranger Things have been making

0:14:34.720 --> 0:14:36.840
<v Speaker 3>it hard for journalists to do their job for a

0:14:36.880 --> 0:14:39.920
<v Speaker 3>long fucking time. And back in the day, it was

0:14:39.960 --> 0:14:43.160
<v Speaker 3>like we would have a team of twenty people and

0:14:43.200 --> 0:14:45.040
<v Speaker 3>we would be there and each of us would be like, Okay,

0:14:45.080 --> 0:14:46.760
<v Speaker 3>you watched this episode one in the morning, and you

0:14:46.800 --> 0:14:49.440
<v Speaker 3>do this take, and da da da da. It was crazy,

0:14:50.080 --> 0:14:53.080
<v Speaker 3>And I think that did help, and also all the

0:14:53.120 --> 0:14:56.520
<v Speaker 3>fandom and everything that helped keep the show alive, and

0:14:56.560 --> 0:14:59.200
<v Speaker 3>in a way, I did think it was nice to

0:14:59.320 --> 0:15:03.400
<v Speaker 3>have Micis essentially and the show with a theory, like

0:15:03.480 --> 0:15:05.760
<v Speaker 3>a theory like everyone else has done.

0:15:06.200 --> 0:15:09.360
<v Speaker 2>When we come back, we're going to talk the open

0:15:09.440 --> 0:15:28.360
<v Speaker 2>ended ending of Stranger Things, the finality, Okay, we're back here.

0:15:28.400 --> 0:15:31.600
<v Speaker 2>In my mind are the biggest like kind of open

0:15:31.680 --> 0:15:39.480
<v Speaker 2>questions of the season. One is Vecna's main plan. It's

0:15:39.560 --> 0:15:43.280
<v Speaker 2>still kind of open ended to me, and in particular

0:15:43.560 --> 0:15:47.600
<v Speaker 2>whether it's Vecna or the Mind Flayer who's actually the boss,

0:15:47.720 --> 0:15:51.480
<v Speaker 2>because I think what we've I know and I think

0:15:51.520 --> 0:15:56.440
<v Speaker 2>what we learned in the final kind of reveals of Arthur.

0:15:56.640 --> 0:16:02.040
<v Speaker 2>Of mister Kreole's kind of biography is that it appears

0:16:02.600 --> 0:16:07.520
<v Speaker 2>that it was the mind Flare all along and two

0:16:07.800 --> 0:16:11.240
<v Speaker 2>and this is the big one. Eleven is she did,

0:16:11.800 --> 0:16:17.000
<v Speaker 2>I think because it's Netflix, No no, and.

0:16:17.000 --> 0:16:20.280
<v Speaker 3>She just signed six feel contract with them.

0:16:20.440 --> 0:16:23.680
<v Speaker 2>She's she's not dead until she turns down the contract

0:16:23.760 --> 0:16:26.640
<v Speaker 2>and then she and I'll be proud of her, and

0:16:26.800 --> 0:16:33.200
<v Speaker 2>she does. But in your minds, in everybody's minds, where

0:16:33.200 --> 0:16:35.440
<v Speaker 2>are we with that? And do you have any open

0:16:35.560 --> 0:16:37.200
<v Speaker 2>ended questions that you would love answer?

0:16:37.320 --> 0:16:40.440
<v Speaker 3>Rosie, I do want to start just with the notion

0:16:40.600 --> 0:16:44.320
<v Speaker 3>of who was behind it all, because again at home

0:16:44.760 --> 0:16:48.800
<v Speaker 3>absolutely did not understand and watched it twice at the

0:16:48.840 --> 0:16:52.440
<v Speaker 3>Egyptian cinema on the big screen. There is a big

0:16:52.520 --> 0:16:57.160
<v Speaker 3>focus on the moment when Will is connecting psychically with

0:16:57.200 --> 0:16:59.960
<v Speaker 3>Henry and saying, hey, we are you going to help us?

0:17:00.040 --> 0:17:03.080
<v Speaker 3>Blah blah blah, and he's like, you don't understand. It

0:17:03.400 --> 0:17:06.359
<v Speaker 3>was the mind Flayer and I was just a young kid,

0:17:06.600 --> 0:17:09.200
<v Speaker 3>but now we are one, and I think, like, because

0:17:09.240 --> 0:17:12.040
<v Speaker 3>his name is one. But I also think the implication

0:17:12.160 --> 0:17:15.520
<v Speaker 3>is at some point he chose to be part of

0:17:15.680 --> 0:17:18.879
<v Speaker 3>the mind flayer and so but it's it's like, but

0:17:18.960 --> 0:17:21.359
<v Speaker 3>also the thing to me is like that I really

0:17:21.359 --> 0:17:23.520
<v Speaker 3>want to know about And I understand that this is,

0:17:23.880 --> 0:17:26.080
<v Speaker 3>you know, explained in the play, and there are many

0:17:26.160 --> 0:17:28.080
<v Speaker 3>articles where you can write it, and a lot of

0:17:28.080 --> 0:17:29.720
<v Speaker 3>people had seen the play or read about the plane

0:17:29.760 --> 0:17:32.320
<v Speaker 3>knew that the particles in the suitcase were part of

0:17:32.359 --> 0:17:34.560
<v Speaker 3>the play. But I'm sorry, guys, there's only so much

0:17:34.640 --> 0:17:38.520
<v Speaker 3>mcguffining that you can do. And in my opinion, the

0:17:38.560 --> 0:17:41.680
<v Speaker 3>idea that all of this happened because a kid found

0:17:41.720 --> 0:17:44.480
<v Speaker 3>a suitcase in a cave. You didn't think that was

0:17:44.480 --> 0:17:48.920
<v Speaker 3>a supercase of mind that had just come from alien Like, No,

0:17:49.640 --> 0:17:52.040
<v Speaker 3>that's silly. I'm sorry. You would have been better off.

0:17:52.240 --> 0:17:54.520
<v Speaker 3>There was so much interesting stuff that could have been

0:17:54.560 --> 0:17:56.960
<v Speaker 3>done with the notion of like the kids and the

0:17:57.000 --> 0:17:59.560
<v Speaker 3>pied piper of it all and why he was you know,

0:17:59.680 --> 0:18:02.399
<v Speaker 3>but this notion of like kids' brains all week. But

0:18:02.440 --> 0:18:04.320
<v Speaker 3>it's like, but your brain wasn't weak when you were

0:18:04.320 --> 0:18:06.359
<v Speaker 3>a kid, because you were able to control the mind players,

0:18:06.440 --> 0:18:08.159
<v Speaker 3>So like, why did you get that? I did? Like,

0:18:08.200 --> 0:18:11.320
<v Speaker 3>that's the mind players mentality, Like it doesn't really make sense.

0:18:11.720 --> 0:18:14.080
<v Speaker 3>I so I but I do think, I do think

0:18:14.080 --> 0:18:16.520
<v Speaker 3>it's meant to be that the at one point he

0:18:16.680 --> 0:18:18.680
<v Speaker 3>chose to be part of it and so he could

0:18:18.720 --> 0:18:19.760
<v Speaker 3>never get out.

0:18:20.160 --> 0:18:23.960
<v Speaker 6>This is my main sticking point with this. The entire

0:18:24.040 --> 0:18:25.360
<v Speaker 6>finale really.

0:18:27.400 --> 0:18:27.760
<v Speaker 1>Okay.

0:18:28.400 --> 0:18:30.040
<v Speaker 6>If they had to boil it down to, like what

0:18:30.160 --> 0:18:33.280
<v Speaker 6>is the issue, Like, what's the problem with how this ends?

0:18:33.280 --> 0:18:36.240
<v Speaker 1>Why don't you enjoy it? It's this. I'm a person

0:18:36.280 --> 0:18:37.960
<v Speaker 1>who I love an open ended stories.

0:18:38.320 --> 0:18:42.399
<v Speaker 6>I was thinking about, Uh, what's that? Amy Adams HBO

0:18:42.600 --> 0:18:45.440
<v Speaker 6>show is based off a novel. She thinks her mom's

0:18:45.440 --> 0:18:47.520
<v Speaker 6>like an awful person, but it's her sister.

0:18:47.840 --> 0:18:51.760
<v Speaker 1>Sharp Objects, Thank you, Carmen. So Sharp Objects gives you both.

0:18:51.600 --> 0:18:55.520
<v Speaker 6>A definitive answer and a good jillion question, And it's

0:18:55.560 --> 0:19:00.800
<v Speaker 6>satisfactory because the main question has been answered and it

0:19:01.160 --> 0:19:04.840
<v Speaker 6>opens up a lot more questions. That's what an ambiguous

0:19:04.880 --> 0:19:08.000
<v Speaker 6>open ending does. And you're like, oh, I never thought

0:19:08.000 --> 0:19:08.920
<v Speaker 6>it could end that way?

0:19:09.000 --> 0:19:10.960
<v Speaker 1>What does that mean? For everything I've seen? Let me

0:19:11.000 --> 0:19:11.920
<v Speaker 1>go back and rewatch.

0:19:11.960 --> 0:19:16.280
<v Speaker 6>It is compelling and very interesting. I don't still know

0:19:16.400 --> 0:19:20.600
<v Speaker 6>next to nothing about Vecna. We saw his high school

0:19:20.640 --> 0:19:24.680
<v Speaker 6>classmate chop his head off, and there's no recognition between

0:19:24.880 --> 0:19:27.560
<v Speaker 6>him being like, wait, it's me or her being like.

0:19:27.520 --> 0:19:28.320
<v Speaker 1>Holy shit, it's you.

0:19:28.520 --> 0:19:32.080
<v Speaker 6>Like there's just there's so much threads they've built up

0:19:32.119 --> 0:19:35.640
<v Speaker 6>into a story that gives you no kind of catharsis

0:19:35.840 --> 0:19:40.760
<v Speaker 6>or conclusion or even a revelation about the person. And

0:19:40.800 --> 0:19:43.879
<v Speaker 6>because there's none of these like growth spaces for you

0:19:44.000 --> 0:19:44.880
<v Speaker 6>the viewer.

0:19:44.960 --> 0:19:47.200
<v Speaker 1>It lands like a thud. You're like, what are we?

0:19:47.400 --> 0:19:49.760
<v Speaker 1>Why did any of this just happen? Why does he

0:19:49.800 --> 0:19:50.320
<v Speaker 1>eat all?

0:19:51.119 --> 0:19:53.080
<v Speaker 6>That's a lot of kids t wrangle. What was the

0:19:53.440 --> 0:19:57.960
<v Speaker 6>point of all of them? And I just if the

0:19:57.960 --> 0:20:02.840
<v Speaker 6>whole thing is about, like it's confronting their trauma and

0:20:02.960 --> 0:20:06.800
<v Speaker 6>trying to figure out like who you are through your trauma,

0:20:07.440 --> 0:20:12.600
<v Speaker 6>I think retraumatizing the kids right exactly by losing their friend,

0:20:13.320 --> 0:20:15.600
<v Speaker 6>does it give us any kind and then not giving

0:20:15.680 --> 0:20:18.000
<v Speaker 6>us any kind of actual growth or confrontation of that.

0:20:18.040 --> 0:20:20.760
<v Speaker 6>But maybe it was this just I just felt so

0:20:20.960 --> 0:20:22.520
<v Speaker 6>like Bereft, I was like, I don't think these kids

0:20:22.520 --> 0:20:24.119
<v Speaker 6>are gonna be okay. I think we're just throwing them

0:20:24.160 --> 0:20:25.560
<v Speaker 6>back into the world with more trauma.

0:20:25.640 --> 0:20:26.240
<v Speaker 1>I would say.

0:20:26.280 --> 0:20:29.159
<v Speaker 3>I also, I also do think as much as I

0:20:29.240 --> 0:20:30.920
<v Speaker 3>love the epilogue and I'm a lord of the Rings

0:20:30.960 --> 0:20:33.879
<v Speaker 3>epilogue defender. I would also say, like, have a bit

0:20:33.920 --> 0:20:37.840
<v Speaker 3>of imagination, guys like your ending is that they get married,

0:20:37.920 --> 0:20:39.679
<v Speaker 3>and then the ending for another one is like he

0:20:39.720 --> 0:20:41.920
<v Speaker 3>writes a book based on this, Like, come on, we

0:20:42.000 --> 0:20:42.520
<v Speaker 3>knew that.

0:20:42.680 --> 0:20:45.919
<v Speaker 1>Guys like stand by me. Okay, see they don't have

0:20:45.960 --> 0:20:46.840
<v Speaker 1>to be nostalgia.

0:20:47.640 --> 0:20:50.800
<v Speaker 2>I have a lot more to say about that particular piece,

0:20:50.880 --> 0:20:53.680
<v Speaker 2>but Aaron, in terms of the open end and ending,

0:20:53.880 --> 0:20:57.480
<v Speaker 2>the unanswered questions, anything in particular sticking your craw on

0:20:57.520 --> 0:20:58.320
<v Speaker 2>how did it hit you?

0:20:58.720 --> 0:21:01.640
<v Speaker 4>I liked it a lot. I particularly love the way

0:21:01.640 --> 0:21:03.840
<v Speaker 4>that they tied again. I am someone who loves D

0:21:03.920 --> 0:21:06.600
<v Speaker 4>and D. I love that they sort of ham fisted

0:21:06.680 --> 0:21:08.639
<v Speaker 4>their way back into D and D at the end.

0:21:08.760 --> 0:21:11.720
<v Speaker 4>They really I have so many complaints, whether it be

0:21:12.000 --> 0:21:14.840
<v Speaker 4>he's not a sorcerer, because the sorcerer was not a

0:21:14.840 --> 0:21:16.440
<v Speaker 4>true class in D and D at this time in

0:21:16.480 --> 0:21:18.400
<v Speaker 4>the eighties, unless one of them is a time traveler.

0:21:18.840 --> 0:21:21.119
<v Speaker 5>So also he's probably more like a warlock if anything.

0:21:21.160 --> 0:21:26.000
<v Speaker 4>But all of that aside, I like this idea that yeah,

0:21:26.040 --> 0:21:28.720
<v Speaker 4>we're telling stories this whole time, and for the ending,

0:21:28.960 --> 0:21:31.800
<v Speaker 4>I'm going to come up with something. This is as

0:21:31.840 --> 0:21:34.800
<v Speaker 4>a DM that I think may have happened here, and

0:21:34.880 --> 0:21:36.640
<v Speaker 4>I'm going to use it in the D and D game.

0:21:36.680 --> 0:21:38.720
<v Speaker 4>I thought that worked so well. Now do I care

0:21:38.720 --> 0:21:39.760
<v Speaker 4>if Eleven's alive or not?

0:21:40.040 --> 0:21:40.200
<v Speaker 5>No?

0:21:40.280 --> 0:21:43.800
<v Speaker 4>Actually, like the story's over, I'm fine there not knowing

0:21:44.640 --> 0:21:46.000
<v Speaker 4>which side.

0:21:46.080 --> 0:21:49.160
<v Speaker 2>Is your heart can stop your heart to say.

0:21:50.160 --> 0:21:55.080
<v Speaker 4>My heart says that she is alive and that she's

0:21:55.160 --> 0:21:58.840
<v Speaker 4>walking by those two waterfalls, But I don't really that's

0:21:59.440 --> 0:22:03.600
<v Speaker 4>for me. What was there a third Okay, okay, so yeah,

0:22:03.600 --> 0:22:06.280
<v Speaker 4>the third waterfa but I don't really that's not changing

0:22:06.640 --> 0:22:09.119
<v Speaker 4>how I was impacted by the rest of the epilogue

0:22:09.119 --> 0:22:12.679
<v Speaker 4>by that end, because regardless she's making a sacrifice. It

0:22:12.680 --> 0:22:14.960
<v Speaker 4>doesn't matter if her sacrifice is she's actually dying or

0:22:15.000 --> 0:22:16.879
<v Speaker 4>she's choosing to just never be able to see her

0:22:16.880 --> 0:22:17.960
<v Speaker 4>friends and family again.

0:22:18.040 --> 0:22:19.480
<v Speaker 5>It's a sacrifice way.

0:22:19.359 --> 0:22:23.840
<v Speaker 2>Which is why like that? Why do that?

0:22:24.119 --> 0:22:25.760
<v Speaker 3>Can I just does she need to do that?

0:22:27.200 --> 0:22:29.879
<v Speaker 4>Because because she needs to avoid the military? Who I mean,

0:22:29.960 --> 0:22:31.919
<v Speaker 4>sure they couldn't find her the previous year when she

0:22:32.000 --> 0:22:37.240
<v Speaker 4>was hiding in the military zone, and they did so

0:22:37.320 --> 0:22:39.479
<v Speaker 4>well getting in and out of doors all season. They

0:22:39.520 --> 0:22:42.879
<v Speaker 4>were really the best at that. Let me tell you that, No,

0:22:42.960 --> 0:22:45.280
<v Speaker 4>I mean they just needed something. I don't know, I'm

0:22:45.280 --> 0:22:47.200
<v Speaker 4>not that concerned.

0:22:47.480 --> 0:22:50.600
<v Speaker 2>I am kind of with you in that I didn't

0:22:51.240 --> 0:22:57.520
<v Speaker 2>just kind of reiterate I didn't have these like high

0:22:57.560 --> 0:23:02.680
<v Speaker 2>expectations of the story telling, execution. I'm sure your things

0:23:02.720 --> 0:23:06.960
<v Speaker 2>before this. So I was not like feeling as if

0:23:07.000 --> 0:23:10.440
<v Speaker 2>the stakes were ever gonna be there fully, that they

0:23:10.440 --> 0:23:13.920
<v Speaker 2>were ever going to have the guts to kill somebody

0:23:14.520 --> 0:23:17.480
<v Speaker 2>that we had spent multiple seasons with, you know, like

0:23:17.480 --> 0:23:20.480
<v Speaker 2>and Eddie Munson is as far as they'd ever go. Yes,

0:23:20.880 --> 0:23:22.399
<v Speaker 2>you get to know him over a season, then we

0:23:22.520 --> 0:23:25.200
<v Speaker 2>off the guy and you love it too, But we're

0:23:25.200 --> 0:23:27.920
<v Speaker 2>never gonna give you a multi season core character death.

0:23:28.000 --> 0:23:30.840
<v Speaker 2>It's never not for real, like not in a way

0:23:30.880 --> 0:23:34.640
<v Speaker 2>that's explicit. And so I am kind of with you,

0:23:34.720 --> 0:23:40.280
<v Speaker 2>although rationally I agree with everything. Joelle is like, yeah,

0:23:40.520 --> 0:23:41.560
<v Speaker 2>I think go ahead.

0:23:41.600 --> 0:23:46.520
<v Speaker 3>Objectively, you're right, Joelle, I was gonna say, interestingly, the finale,

0:23:46.600 --> 0:23:50.760
<v Speaker 3>specifically the reveal that Owl was alive, people were like, ah, like,

0:23:50.880 --> 0:23:53.760
<v Speaker 3>but the one that people went crazy for, like the

0:23:53.800 --> 0:23:55.879
<v Speaker 3>moments that actually I feel like paid off in the

0:23:55.880 --> 0:24:00.760
<v Speaker 3>cinema Lest the Future, Steve is a sex teacher, people

0:24:00.800 --> 0:24:03.560
<v Speaker 3>love that and obviously they love that he's his coach

0:24:03.680 --> 0:24:07.480
<v Speaker 3>and everything, but also it was really ironically it was

0:24:07.480 --> 0:24:10.480
<v Speaker 3>a Steve moment. And I think again, this shows they

0:24:10.520 --> 0:24:13.160
<v Speaker 3>knew some of what fans want, but they didn't lean

0:24:13.200 --> 0:24:16.040
<v Speaker 3>into the biggest things they want, which is, you know,

0:24:16.160 --> 0:24:19.040
<v Speaker 3>family and friendship and community. There wasn't a lot of that.

0:24:19.320 --> 0:24:25.200
<v Speaker 3>But like, dude, when Steve fell off the big tower, yeah,

0:24:24.680 --> 0:24:28.560
<v Speaker 3>and then Jonathan saved him and it went black on

0:24:28.600 --> 0:24:30.960
<v Speaker 3>the screen. When it came back and he was alive

0:24:30.960 --> 0:24:33.840
<v Speaker 3>and it was Jonathan, people stood up and cheered like

0:24:33.960 --> 0:24:36.919
<v Speaker 3>they cared. That's the thing that's funny is like the

0:24:37.000 --> 0:24:39.360
<v Speaker 3>moments that were the huge moments, I don't even think

0:24:39.400 --> 0:24:43.240
<v Speaker 3>the Duffer brothers fully realized them because that was people

0:24:43.240 --> 0:24:47.680
<v Speaker 3>were more excited than that about Eleven. You know, the

0:24:47.800 --> 0:24:51.560
<v Speaker 3>people did like it when Eleven said I'm not Sarah

0:24:51.640 --> 0:24:55.200
<v Speaker 3>and gave back the bracelet, people were like, oh.

0:24:55.280 --> 0:24:58.240
<v Speaker 2>That was another thing that kind of pissed me off,

0:24:58.359 --> 0:25:02.720
<v Speaker 2>was like, why is this Why is this guy's entire motivation,

0:25:02.840 --> 0:25:07.040
<v Speaker 2>this character that we've never met, Like can you can

0:25:07.080 --> 0:25:10.480
<v Speaker 2>we can we build in something with people that existed

0:25:10.560 --> 0:25:16.360
<v Speaker 2>the fucking story I'm.

0:25:13.960 --> 0:25:16.080
<v Speaker 3>A hopper hater. I think it's a terrible character. I

0:25:16.119 --> 0:25:18.879
<v Speaker 3>wish he died. I think he should have died. I

0:25:19.280 --> 0:25:21.639
<v Speaker 3>don't know. I only the only reason that he should

0:25:21.680 --> 0:25:22.880
<v Speaker 3>have died he should have died.

0:25:22.960 --> 0:25:26.080
<v Speaker 2>I mean, I mean, his big his big epilogue thing

0:25:26.200 --> 0:25:28.320
<v Speaker 2>is like, I can't wait to be a cop, maybe

0:25:28.320 --> 0:25:29.960
<v Speaker 2>in a new city where they save me more.

0:25:30.920 --> 0:25:35.800
<v Speaker 3>Also, can I just say we got to talk. I

0:25:35.840 --> 0:25:38.600
<v Speaker 3>want to talk more about that moment too, but I

0:25:38.600 --> 0:25:43.080
<v Speaker 3>think we'll talk about it during our theory consideration. But

0:25:43.080 --> 0:25:46.040
<v Speaker 3>but yeah, I mean, I just thought that was incredibly disappointing.

0:25:46.080 --> 0:25:50.880
<v Speaker 3>I also think again the show not understanding think about

0:25:50.880 --> 0:25:53.480
<v Speaker 3>this right back in the first two seasons, the biggest

0:25:53.480 --> 0:25:56.920
<v Speaker 3>straw to that show were win On a writer obviously,

0:25:56.960 --> 0:25:59.120
<v Speaker 3>and David Harbor. He kind of became the breakout star.

0:25:59.320 --> 0:26:01.720
<v Speaker 3>Now people just about the kids. We don't care about them.

0:26:01.960 --> 0:26:04.119
<v Speaker 3>Her chopping off the head and saying, don't fuck with you,

0:26:04.160 --> 0:26:07.639
<v Speaker 3>fucked with the wrong family. It was so like Harry Potter,

0:26:07.800 --> 0:26:09.960
<v Speaker 3>like not my daughter, bitch coded, like it wasn't even

0:26:10.000 --> 0:26:12.800
<v Speaker 3>didn't have a power of its own moment. I think

0:26:13.040 --> 0:26:15.240
<v Speaker 3>that I could have done without the adults at all.

0:26:15.920 --> 0:26:19.920
<v Speaker 3>And I actually ironically think that the l stuff would

0:26:19.920 --> 0:26:21.320
<v Speaker 3>have been so much better if it was just her

0:26:21.359 --> 0:26:24.080
<v Speaker 3>and Carly. Hopper is the reason Carli is dead. Hopper

0:26:24.080 --> 0:26:26.199
<v Speaker 3>could have picked Cary up and put her on his

0:26:26.320 --> 0:26:29.320
<v Speaker 3>other shoulder, and he didn't. He just left her behind.

0:26:30.040 --> 0:26:32.360
<v Speaker 2>No, he went running to find bandages or whatever.

0:26:33.359 --> 0:26:36.840
<v Speaker 6>Yeah, yeah, yeah.

0:26:37.840 --> 0:26:38.280
<v Speaker 1>I'm gonna go.

0:26:38.520 --> 0:26:41.320
<v Speaker 3>I'm gonna go look for else back. Yeah, right, bro.

0:26:42.640 --> 0:26:46.040
<v Speaker 4>I did think emotional scene wise, I really liked Dustin

0:26:46.119 --> 0:26:49.040
<v Speaker 4>and Steve on the stairwell when Dustin is like I

0:26:49.080 --> 0:26:52.280
<v Speaker 4>can't afford to lose someone else. That really hit for

0:26:52.359 --> 0:26:53.840
<v Speaker 4>me in a way that I had been kind of

0:26:53.880 --> 0:26:56.320
<v Speaker 4>annoyed with Dustin early in the season, like going off

0:26:56.359 --> 0:26:58.679
<v Speaker 4>on his own and going to the graveyard, so that

0:26:58.960 --> 0:27:01.439
<v Speaker 4>I thought worked really really well, and especially because it

0:27:01.480 --> 0:27:06.040
<v Speaker 4>was in opposition to Nancy and Jonathan's proposal in the

0:27:06.080 --> 0:27:09.080
<v Speaker 4>melting Room that I just kind of thought didn't work

0:27:09.119 --> 0:27:09.359
<v Speaker 4>for me.

0:27:09.720 --> 0:27:12.240
<v Speaker 5>But I thought Dustin was crazy.

0:27:12.400 --> 0:27:19.919
<v Speaker 3>Okay, I did any emotional moment hit for you? Was

0:27:19.960 --> 0:27:20.959
<v Speaker 3>there one that worked?

0:27:24.359 --> 0:27:27.199
<v Speaker 1>Okay?

0:27:27.240 --> 0:27:29.240
<v Speaker 5>The credit and I got to change.

0:27:31.680 --> 0:27:34.840
<v Speaker 1>Okay, here's the thing. Their last game of D and D.

0:27:35.359 --> 0:27:39.840
<v Speaker 6>As somebody who regularly plays D and D hit stupid hard.

0:27:39.920 --> 0:27:41.560
<v Speaker 1>And they were like, oh, so we're just done.

0:27:41.560 --> 0:27:44.080
<v Speaker 6>I was like, there's always another way, boys, I know

0:27:44.160 --> 0:27:47.359
<v Speaker 6>you got like dig deep. I loved how excited Max

0:27:47.520 --> 0:27:50.199
<v Speaker 6>was and it feels like her first time playing and

0:27:50.240 --> 0:27:51.679
<v Speaker 6>it was really sweet. And I just thought they got

0:27:51.720 --> 0:27:53.440
<v Speaker 6>the chemistry. But it's when they put those books on

0:27:53.480 --> 0:27:55.199
<v Speaker 6>the shelves. We keep all of our books at my

0:27:55.200 --> 0:27:57.239
<v Speaker 6>friend's house, so all of our notes are together, all

0:27:57.240 --> 0:27:59.600
<v Speaker 6>of our figurines are together, they're on display. I was like,

0:28:00.600 --> 0:28:02.960
<v Speaker 6>this is accurate, this is right, this is real friendship,

0:28:03.000 --> 0:28:03.920
<v Speaker 6>and it's what it about.

0:28:03.920 --> 0:28:05.240
<v Speaker 1>It got to me.

0:28:05.400 --> 0:28:08.840
<v Speaker 6>I like the Dustin h moment on the stairs I

0:28:08.880 --> 0:28:11.560
<v Speaker 6>thought was good. I even thought, even though I found

0:28:11.560 --> 0:28:15.600
<v Speaker 6>it a little confusing, the unproposal worked pretty well. I

0:28:15.640 --> 0:28:18.239
<v Speaker 6>thought it was like some of the best writing in

0:28:18.880 --> 0:28:20.440
<v Speaker 6>these last couple of episodes.

0:28:21.040 --> 0:28:24.080
<v Speaker 3>I think it did set up one of the only

0:28:24.240 --> 0:28:26.960
<v Speaker 3>good choices, like one of the only I think, like

0:28:27.080 --> 0:28:30.399
<v Speaker 3>actually progressive choices that people can look back at this

0:28:30.480 --> 0:28:33.240
<v Speaker 3>show and say, hey, they did that, which sounds crazy

0:28:33.280 --> 0:28:36.400
<v Speaker 3>because it's not that crazy, but it's very fucking rare

0:28:36.800 --> 0:28:39.600
<v Speaker 3>in a YA show to have a love triangle and

0:28:39.840 --> 0:28:42.040
<v Speaker 3>end it with the women being able to just have

0:28:42.160 --> 0:28:45.520
<v Speaker 3>a life and not choose one of them that never happens.

0:28:45.600 --> 0:28:48.560
<v Speaker 3>That is actually pretty vanical. And I think that the

0:28:48.720 --> 0:28:52.400
<v Speaker 3>unproposal and the realization, and I really like the conversation

0:28:52.880 --> 0:28:55.440
<v Speaker 3>of Stephen Jonathan in the car where they were both like,

0:28:55.680 --> 0:28:58.720
<v Speaker 3>this isn't gonna work, Like, this is not gonna work

0:28:58.760 --> 0:29:02.120
<v Speaker 3>for us, this is not so like we just Nancy

0:29:02.200 --> 0:29:04.320
<v Speaker 3>just gets to go and live her own life. You know,

0:29:04.720 --> 0:29:08.240
<v Speaker 3>she's not our win, our prize.

0:29:08.280 --> 0:29:11.600
<v Speaker 2>That conversation was the one I listened a lot of

0:29:11.640 --> 0:29:16.840
<v Speaker 2>these let's have our final character resolution conversation moments felt

0:29:16.840 --> 0:29:20.280
<v Speaker 2>like a checklist, but most of them felt good for me.

0:29:20.760 --> 0:29:25.720
<v Speaker 2>The Jonathan that one Jonathan Steve, it felt a little

0:29:25.760 --> 0:29:27.280
<v Speaker 2>bit like guilding the lily.

0:29:27.080 --> 0:29:28.720
<v Speaker 5>To me, like a little bit too fast.

0:29:28.840 --> 0:29:33.640
<v Speaker 2>Fat guys, Yes, guys that have been rivals that long.

0:29:33.760 --> 0:29:37.200
<v Speaker 2>Like I loved their rivalry. It was very fun. I

0:29:37.200 --> 0:29:40.200
<v Speaker 2>think you could have it was a little bit too

0:29:40.280 --> 0:29:44.240
<v Speaker 2>like therapy speak, like let's put our cards on the

0:29:44.280 --> 0:29:53.560
<v Speaker 2>table for what felt like the previous kind of established

0:29:53.680 --> 0:29:57.280
<v Speaker 2>characters that those guys were. I like going to talk

0:29:57.320 --> 0:29:58.160
<v Speaker 2>about it that much.

0:29:58.320 --> 0:30:01.280
<v Speaker 3>But I also think this part of another problem that

0:30:01.280 --> 0:30:04.400
<v Speaker 3>we've talked about with Stranger Things, because the characters look

0:30:04.480 --> 0:30:07.400
<v Speaker 3>so old and are so old you kind of have

0:30:07.840 --> 0:30:12.440
<v Speaker 3>Jonathan and Steve. Those actors are like they're in their thirties,

0:30:12.520 --> 0:30:14.520
<v Speaker 3>you know they and they want to they.

0:30:14.360 --> 0:30:17.200
<v Speaker 2>Want to they're brushing that hair forward or brushing do

0:30:17.200 --> 0:30:19.360
<v Speaker 2>you know what I mean, they've been doing that. It's that.

0:30:19.840 --> 0:30:23.080
<v Speaker 3>It's that one really incredible tweet that somebody did and

0:30:23.120 --> 0:30:25.760
<v Speaker 3>it was like, I love Stranger Things, that young cast

0:30:25.880 --> 0:30:28.720
<v Speaker 3>and the retired Japanese detective who hangs around with them,

0:30:28.720 --> 0:30:29.680
<v Speaker 3>and it's just Jonathan.

0:30:30.520 --> 0:30:33.360
<v Speaker 1>It's like, yes, But.

0:30:33.360 --> 0:30:36.600
<v Speaker 3>Like I think that when the characters are older than

0:30:36.840 --> 0:30:39.720
<v Speaker 3>like that and they've actually aged up throughout, I bet

0:30:39.720 --> 0:30:42.720
<v Speaker 3>both of those guys were like, we're having this fucking conversation, Duffers,

0:30:42.720 --> 0:30:45.479
<v Speaker 3>like you're not having us out here as thirty year olds,

0:30:45.480 --> 0:30:48.479
<v Speaker 3>like oh, fight you for her? Like I think that

0:30:48.600 --> 0:30:51.840
<v Speaker 3>the whole aging out changes how the conversations have to

0:30:51.880 --> 0:30:56.280
<v Speaker 3>do as well. But yeah, okay, so I will say

0:30:56.360 --> 0:30:59.040
<v Speaker 3>and obviously you know I was. I was at this

0:30:59.120 --> 0:31:01.480
<v Speaker 3>with one of my nephews and one of my best

0:31:01.480 --> 0:31:04.160
<v Speaker 3>friends and we were we were there and having great time.

0:31:05.080 --> 0:31:07.240
<v Speaker 3>Nick was also there because he you know, and he

0:31:07.280 --> 0:31:09.880
<v Speaker 3>does not get stranger things. And we were talking about

0:31:09.920 --> 0:31:12.480
<v Speaker 3>the jis room and I just want to say I

0:31:12.600 --> 0:31:14.440
<v Speaker 3>have to say, and this is funny because Nick is

0:31:14.480 --> 0:31:16.720
<v Speaker 3>not like a he's not like a conspiracy theory person.

0:31:16.760 --> 0:31:20.239
<v Speaker 3>He's not like an online person particularly. But it was

0:31:20.400 --> 0:31:24.000
<v Speaker 3>so funny because watching the show with him anyway is hilarious.

0:31:24.200 --> 0:31:27.160
<v Speaker 3>Watching that finale, he had not seen the middle two episodes,

0:31:27.200 --> 0:31:30.360
<v Speaker 3>so he did not know about them, right, So he's

0:31:30.760 --> 0:31:33.200
<v Speaker 3>literally sitting next to he was two seats away from me,

0:31:33.880 --> 0:31:36.160
<v Speaker 3>and then he was looking at me and at the

0:31:36.280 --> 0:31:38.640
<v Speaker 3>end he was like, Okay, so now you're telling me

0:31:38.840 --> 0:31:42.120
<v Speaker 3>there's a room made of jizz and the kids are

0:31:42.120 --> 0:31:45.080
<v Speaker 3>having these phallic things pulled out of their mouths. He's like,

0:31:45.120 --> 0:31:46.920
<v Speaker 3>what are they doing to these kids? Why is it?

0:31:47.240 --> 0:31:49.760
<v Speaker 3>Why are they sexualizing the kids? Why does the thing

0:31:49.840 --> 0:31:51.280
<v Speaker 3>have to go in the mouth, Why can't they go

0:31:51.320 --> 0:31:52.960
<v Speaker 3>in the belly butt? And why is there a jiz room?

0:31:53.000 --> 0:31:54.320
<v Speaker 3>And I was like, you know what, You're not wrong.

0:31:54.440 --> 0:31:57.640
<v Speaker 3>I was like, actually, these are all weird questions. The

0:31:57.960 --> 0:31:59.040
<v Speaker 3>weird choice too.

0:31:58.960 --> 0:32:02.240
<v Speaker 6>Hide on the side sounds that were coming with the

0:32:02.440 --> 0:32:04.720
<v Speaker 6>little two things. I just think we could have gone

0:32:04.720 --> 0:32:06.560
<v Speaker 6>belly button, forehead, back.

0:32:06.320 --> 0:32:08.520
<v Speaker 1>Of the head. We have a lot of, like a

0:32:08.600 --> 0:32:11.760
<v Speaker 1>lot of options. I thought mouth was a weird choice.

0:32:11.440 --> 0:32:14.360
<v Speaker 3>There, especially with the kids staying it's always the like

0:32:14.440 --> 0:32:16.760
<v Speaker 3>eleven twelve year old babies.

0:32:17.560 --> 0:32:19.880
<v Speaker 4>It's And then on top of that, I think the

0:32:21.200 --> 0:32:23.440
<v Speaker 4>just with his hand as he does to eleven, as

0:32:23.480 --> 0:32:26.880
<v Speaker 4>he does to Will, he doesn't need to be attached

0:32:26.880 --> 0:32:27.320
<v Speaker 4>to them.

0:32:27.480 --> 0:32:28.120
<v Speaker 1>It's weird.

0:32:28.360 --> 0:32:31.000
<v Speaker 6>And then too, I think, you know, contextually within this show,

0:32:32.120 --> 0:32:36.320
<v Speaker 6>like Murray being there was strange. It's even weirder when

0:32:36.320 --> 0:32:39.720
<v Speaker 6>he starts making like so many sex jokes around literally children.

0:32:39.760 --> 0:32:41.520
<v Speaker 1>I'm like, wariy, this girl supposed to be twelve years old.

0:32:41.680 --> 0:32:44.040
<v Speaker 1>Why are we making dick jokes. It's weird.

0:32:44.440 --> 0:32:46.320
<v Speaker 3>Long here again, I didn't.

0:32:46.120 --> 0:32:48.000
<v Speaker 1>Age and totally what we were going for.

0:32:48.280 --> 0:32:50.200
<v Speaker 6>And maybe, you know, Jason, you mentioned in the group

0:32:50.280 --> 0:32:53.160
<v Speaker 6>chat that like, perhaps the audience has outgrown the show,

0:32:53.240 --> 0:32:55.640
<v Speaker 6>and the show made a very strong choice to say

0:32:56.040 --> 0:32:57.920
<v Speaker 6>we're not going to do a time jump. They wanted

0:32:57.960 --> 0:33:00.200
<v Speaker 6>to end like at the end of the eighties, so

0:33:00.240 --> 0:33:03.320
<v Speaker 6>they literally couldn't do a time jump and keep their

0:33:03.400 --> 0:33:04.080
<v Speaker 6>time frame.

0:33:05.280 --> 0:33:07.120
<v Speaker 1>And I think it messed with a lot of like

0:33:07.480 --> 0:33:12.520
<v Speaker 1>contextually and thematically with the show overall, I don't feel

0:33:12.600 --> 0:33:14.720
<v Speaker 1>quite right at the end.

0:33:14.760 --> 0:33:18.200
<v Speaker 2>Here, let's talk about the part of the epilogue. I

0:33:18.240 --> 0:33:20.760
<v Speaker 2>think that kind of hit the hardest and really is

0:33:20.800 --> 0:33:24.000
<v Speaker 2>like the meat of the thing, which is Mike's last

0:33:25.120 --> 0:33:28.840
<v Speaker 2>Dungeon Master campaign with the core group everybody in tears,

0:33:28.960 --> 0:33:31.840
<v Speaker 2>says he's revealing what happened, and then you discover he's

0:33:31.880 --> 0:33:33.560
<v Speaker 2>going to be a writer, and then we bring in

0:33:34.000 --> 0:33:38.680
<v Speaker 2>the spinoff kids for you know, for a story to

0:33:38.720 --> 0:33:42.240
<v Speaker 2>be told later. I found this to be a really

0:33:42.400 --> 0:33:48.800
<v Speaker 2>interesting framing and one that listen, I'm going to ignore

0:33:48.920 --> 0:33:51.920
<v Speaker 2>the fact that with so many open ended kind of

0:33:52.920 --> 0:33:58.160
<v Speaker 2>untied not like and strings that are just like left dangling,

0:33:58.440 --> 0:34:06.120
<v Speaker 2>I think including this Mike the writer piece opens the doorway,

0:34:06.640 --> 0:34:10.879
<v Speaker 2>I think to an interesting, slash confusing, slash, muddy and

0:34:11.000 --> 0:34:16.080
<v Speaker 2>potentially like unsatisfying perspective, which is, what if it was

0:34:16.120 --> 0:34:17.839
<v Speaker 2>in the mind Flare all along. What if it's Mike

0:34:17.960 --> 0:34:22.239
<v Speaker 2>all along and we are actually understanding this story through

0:34:22.320 --> 0:34:26.520
<v Speaker 2>Mike's gains, at which I think is clear they're kind

0:34:26.520 --> 0:34:27.279
<v Speaker 2>of going through.

0:34:27.400 --> 0:34:30.120
<v Speaker 3>I think that's the implication. But the important thing, the

0:34:30.719 --> 0:34:34.239
<v Speaker 3>important thing is to recognize the difference between us watching

0:34:34.640 --> 0:34:38.239
<v Speaker 3>what Mike's version was and then the argument that people

0:34:38.280 --> 0:34:40.440
<v Speaker 3>have been making online that because of the lighting you

0:34:40.440 --> 0:34:43.560
<v Speaker 3>couldn't see Nancy Wheeler's next cause the whole thing was

0:34:43.600 --> 0:34:45.480
<v Speaker 3>just an imaginary game and they were at the end

0:34:45.520 --> 0:34:47.000
<v Speaker 3>of it, and I was like, no.

0:34:46.800 --> 0:34:48.600
<v Speaker 1>It's not that. It's not that.

0:34:48.719 --> 0:34:51.680
<v Speaker 3>But my I think seeing Mike's version, yes.

0:34:52.120 --> 0:34:53.239
<v Speaker 1>And that's exactly right.

0:34:53.320 --> 0:34:56.560
<v Speaker 2>I think what we're seeing is Mike recounting this crazy

0:34:56.600 --> 0:34:58.239
<v Speaker 2>thing that happened when he was a kid to his

0:34:58.360 --> 0:35:04.959
<v Speaker 2>friends as part of a story that he's telling, whether

0:35:05.000 --> 0:35:08.359
<v Speaker 2>in the context of the D and D campaign or

0:35:08.400 --> 0:35:09.480
<v Speaker 2>he's written a book.

0:35:09.600 --> 0:35:14.399
<v Speaker 3>I can confirm yes, okay, because at the end of

0:35:14.440 --> 0:35:17.080
<v Speaker 3>the movie released version, you had to wait till all

0:35:17.120 --> 0:35:20.120
<v Speaker 3>the This may be the same in Netflix you make

0:35:20.200 --> 0:35:22.200
<v Speaker 3>you had to wait till all the credits were over.

0:35:22.680 --> 0:35:27.480
<v Speaker 3>There is a Stranger Things D and D handbook that

0:35:27.600 --> 0:35:30.080
<v Speaker 3>just says Stranger Things, and it says by Mike Wheeler.

0:35:30.200 --> 0:35:33.400
<v Speaker 3>So the implication is he wrote some kind of D

0:35:33.480 --> 0:35:38.640
<v Speaker 3>and D handbook, And I think, also, my guess I so, so,

0:35:38.800 --> 0:35:39.799
<v Speaker 3>I'm glad you brought up.

0:35:39.760 --> 0:35:40.920
<v Speaker 2>There's licensing issues.

0:35:40.960 --> 0:35:41.120
<v Speaker 1>There.

0:35:41.280 --> 0:35:45.719
<v Speaker 3>Licensing issues works, but you know what it is. It

0:35:45.800 --> 0:35:47.840
<v Speaker 3>just says Stranger Things. It doesn't say D and D.

0:35:47.960 --> 0:35:50.360
<v Speaker 3>It's like a role playing game, you know. But but

0:35:50.520 --> 0:35:52.400
<v Speaker 3>I would also say, like, I think this brings up

0:35:52.440 --> 0:35:56.080
<v Speaker 3>a good conversation point, which is what is the spinoff?

0:35:56.080 --> 0:35:58.279
<v Speaker 3>Because obviously the kids feel like the spin off, but

0:35:58.719 --> 0:36:00.960
<v Speaker 3>the Guffer Brothers have said the spin off is gonna

0:36:01.160 --> 0:36:06.759
<v Speaker 3>deal deal with the particles in the suitcase and also

0:36:09.120 --> 0:36:11.680
<v Speaker 3>but also it's also going to be new characters that

0:36:11.719 --> 0:36:14.000
<v Speaker 3>we haven't met. So I love the idea. This is

0:36:14.040 --> 0:36:16.520
<v Speaker 3>my my high concept theory. I don't think this is

0:36:16.520 --> 0:36:18.400
<v Speaker 3>what it is. I would love the idea that we

0:36:18.440 --> 0:36:22.800
<v Speaker 3>get kids in like the zeros playing the Stranger Things

0:36:22.840 --> 0:36:25.360
<v Speaker 3>game who live in Hawkins and start to put together

0:36:25.480 --> 0:36:27.640
<v Speaker 3>that this is actually based on real stuff that happened

0:36:27.640 --> 0:36:30.080
<v Speaker 3>in Hawkins. I think that's a cool I think that's

0:36:30.200 --> 0:36:33.040
<v Speaker 3>going to be the idea. But this is my current

0:36:33.200 --> 0:36:35.120
<v Speaker 3>even though the stuff of others have said it's about

0:36:35.120 --> 0:36:40.320
<v Speaker 3>the suitcase. My current theory is I don't think, unfortunately

0:36:40.760 --> 0:36:45.040
<v Speaker 3>that they set up the town of mon Talk and

0:36:45.960 --> 0:36:49.160
<v Speaker 3>win Owner and David Harbor going there for no reason.

0:36:49.239 --> 0:36:54.560
<v Speaker 3>The show was originally called The mon Talk Projects it's

0:36:54.560 --> 0:36:57.919
<v Speaker 3>in mont Talk. There is all this rumors about because

0:36:57.920 --> 0:37:01.200
<v Speaker 3>there's an old government space out there. It's very mk

0:37:01.400 --> 0:37:02.120
<v Speaker 3>ultra coded.

0:37:02.480 --> 0:37:08.520
<v Speaker 2>Also, let me there's Farm Island Disease Research Center that

0:37:09.040 --> 0:37:11.759
<v Speaker 2>is off the coast of Long Island and Montalk, and

0:37:11.840 --> 0:37:15.200
<v Speaker 2>many believe well Sumble there is an active conspiracy theory

0:37:15.239 --> 0:37:16.160
<v Speaker 2>that that's where lined.

0:37:16.000 --> 0:37:18.560
<v Speaker 3>Is eased in front and many other kind of things.

0:37:18.800 --> 0:37:23.640
<v Speaker 3>And also interestingly, the reason I felt like this was

0:37:24.000 --> 0:37:27.000
<v Speaker 3>very brazen is because if you have kept up with

0:37:27.040 --> 0:37:29.320
<v Speaker 3>the Stranger Things, and this is not me mid taking

0:37:30.080 --> 0:37:32.480
<v Speaker 3>either side, because me and Jason have talked about this extensively.

0:37:32.560 --> 0:37:35.040
<v Speaker 3>Many people have many different ideas. But there is a

0:37:35.040 --> 0:37:38.440
<v Speaker 3>guy who sued the Duffer brothers who said he presented

0:37:38.440 --> 0:37:41.800
<v Speaker 3>them a deck called Montalk that was essentially Stranger Things,

0:37:42.280 --> 0:37:44.960
<v Speaker 3>and then they basically later pitched it to Netflix. Right

0:37:45.200 --> 0:37:48.439
<v Speaker 3>the original pitch deck says Montalk. I think that this

0:37:48.880 --> 0:37:52.759
<v Speaker 3>is them saying, hey, what if we went to the

0:37:52.920 --> 0:37:56.640
<v Speaker 3>Sauce instead of Hawkins, instead of this pretend version. This

0:37:56.840 --> 0:37:59.600
<v Speaker 3>was so popular, we could do a version in Montalk.

0:37:59.719 --> 0:38:03.120
<v Speaker 3>Mont looks beautiful. There's lots of interesting class issues there

0:38:03.160 --> 0:38:05.320
<v Speaker 3>because it's like this part of Long island that super

0:38:05.480 --> 0:38:08.319
<v Speaker 3>boujiem loads of people who have rich lived there and

0:38:08.400 --> 0:38:10.319
<v Speaker 3>holiday there, but also these people who still live there

0:38:10.320 --> 0:38:13.120
<v Speaker 3>and work in the places. It could be really interesting.

0:38:13.160 --> 0:38:14.759
<v Speaker 3>I just don't want to see David Harbot. I don't

0:38:14.760 --> 0:38:16.480
<v Speaker 3>want to see I love Way out of Ryda. You

0:38:16.520 --> 0:38:18.319
<v Speaker 3>can be in it, but like, I don't need to

0:38:18.320 --> 0:38:20.640
<v Speaker 3>see the adult story. But I do think the mon

0:38:20.719 --> 0:38:25.040
<v Speaker 3>Talk thing is my most realistic version. And then they'll

0:38:25.040 --> 0:38:29.000
<v Speaker 3>find out, oh, the particles came from the Montalk lab,

0:38:29.320 --> 0:38:31.879
<v Speaker 3>like lime disease or whatever. That's my boring. I think

0:38:31.880 --> 0:38:34.440
<v Speaker 3>it's gonna happen. Theory, Aaron, you have one of my

0:38:34.480 --> 0:38:36.400
<v Speaker 3>favorite theories, so please just yeah.

0:38:36.520 --> 0:38:38.960
<v Speaker 4>So originally they were saying, you know, we will have

0:38:39.120 --> 0:38:41.719
<v Speaker 4>a scene that hints at what the spinoff is going

0:38:41.760 --> 0:38:44.040
<v Speaker 4>to be. And when they sat down to play that

0:38:44.200 --> 0:38:46.560
<v Speaker 4>final game of D and D and they're playing what

0:38:46.600 --> 0:38:48.840
<v Speaker 4>I assume is Curse of Strade, which is a campaign

0:38:48.920 --> 0:38:52.200
<v Speaker 4>where you're fighting about this legendary vampire, I was like,

0:38:52.320 --> 0:38:54.880
<v Speaker 4>oh my god, they're going to do a spinoff where

0:38:54.920 --> 0:38:58.239
<v Speaker 4>it's like vampiric creatures from the upside down, And I

0:38:58.280 --> 0:39:02.120
<v Speaker 4>think I love love that, And then you know, like.

0:39:04.960 --> 0:39:09.719
<v Speaker 6>On the planet, we didn't see any of the Okay.

0:39:09.480 --> 0:39:10.600
<v Speaker 3>Well, Joe, we're going to talk about that.

0:39:10.640 --> 0:39:10.839
<v Speaker 1>Aaron.

0:39:10.920 --> 0:39:13.759
<v Speaker 3>Let me quickly ask you then, I love this. I've

0:39:13.800 --> 0:39:17.200
<v Speaker 3>played a little bit of supernatural kind of coded D U,

0:39:17.560 --> 0:39:19.799
<v Speaker 3>D and D. Why you are more in that vampireic

0:39:20.000 --> 0:39:22.799
<v Speaker 3>space and there's like blood oaths and stuff. As somebody

0:39:22.800 --> 0:39:25.359
<v Speaker 3>who's actually played a lot of D and D and

0:39:25.400 --> 0:39:28.960
<v Speaker 3>that got you excited. What could we expect law wise

0:39:29.120 --> 0:39:31.759
<v Speaker 3>and world wise if they were going to pursue that

0:39:31.800 --> 0:39:32.880
<v Speaker 3>in a D and D space.

0:39:33.360 --> 0:39:35.360
<v Speaker 4>Yeah, I don't even want to go into it because

0:39:35.360 --> 0:39:37.600
<v Speaker 4>I think I just know I'm wrong because.

0:39:37.320 --> 0:39:39.400
<v Speaker 5>Of them talking so much about the briefcase.

0:39:39.520 --> 0:39:42.000
<v Speaker 4>I know, I know it would be amazing, and I think, hey,

0:39:42.239 --> 0:39:45.000
<v Speaker 4>it would explore a lot of really interesting things like

0:39:45.080 --> 0:39:47.680
<v Speaker 4>also they had you know, one of the biggest things

0:39:47.680 --> 0:39:49.600
<v Speaker 4>I think with any kind of like video game or

0:39:49.719 --> 0:39:52.400
<v Speaker 4>role playing game whatever with vampires is when a character

0:39:52.480 --> 0:39:54.920
<v Speaker 4>that is in your party is turned and you lose,

0:39:55.480 --> 0:39:57.560
<v Speaker 4>you lose someone to the enemy, And I think that

0:39:57.600 --> 0:39:59.239
<v Speaker 4>would be a really interesting thing for them to have

0:39:59.719 --> 0:40:02.920
<v Speaker 4>been able to sort of explore again, because they do

0:40:02.920 --> 0:40:06.080
<v Speaker 4>that a little with Will, but not quite Vampire would.

0:40:07.200 --> 0:40:11.279
<v Speaker 2>I really like Rosie's theory that it's going to be

0:40:11.320 --> 0:40:16.360
<v Speaker 2>about a new cast of kids who follow the breadcrumbs

0:40:16.400 --> 0:40:19.600
<v Speaker 2>in Mike's book or Mike's D and D campaign, licensing

0:40:19.640 --> 0:40:24.120
<v Speaker 2>issues aside, and uncover this mystery of this crazy thing

0:40:24.160 --> 0:40:28.120
<v Speaker 2>that happened that probably mirrors their own experiences. They contact

0:40:28.160 --> 0:40:31.520
<v Speaker 2>Mike or you know, adult and adult characters, and they

0:40:31.680 --> 0:40:35.000
<v Speaker 2>start unraveling the mystery. I like that idea. I will

0:40:35.000 --> 0:40:37.719
<v Speaker 2>say that one thing that I loved when the new

0:40:37.800 --> 0:40:42.080
<v Speaker 2>kids came in. I'm corny like that. Okay, he too works? Wow, perfect, perfect,

0:40:42.560 --> 0:40:45.520
<v Speaker 2>you know, spin off, jumping off point. If they decide

0:40:45.520 --> 0:40:47.040
<v Speaker 2>to use one of these kids and I don't believe

0:40:47.040 --> 0:40:49.360
<v Speaker 2>anything the Duffer brothers say, no, me not going to

0:40:49.400 --> 0:40:51.480
<v Speaker 2>be this or it's going to be that, I will say,

0:40:51.520 --> 0:40:53.520
<v Speaker 2>here's an issue I have though when they brought the

0:40:53.560 --> 0:40:56.560
<v Speaker 2>kids in. This show is so much about trauma and

0:40:57.239 --> 0:41:04.200
<v Speaker 2>how people grapple with it, how it can empower you,

0:41:04.640 --> 0:41:07.680
<v Speaker 2>but also how it's baggage if you don't figure out

0:41:07.760 --> 0:41:11.719
<v Speaker 2>how to put it down at some point, and I

0:41:11.760 --> 0:41:15.319
<v Speaker 2>think it's a little thematically now I'm gonna get like

0:41:15.480 --> 0:41:18.839
<v Speaker 2>to very licred and nerdy. I think it's weird thematically

0:41:19.520 --> 0:41:25.759
<v Speaker 2>this that as I'm watching these kids come in for

0:41:25.840 --> 0:41:30.839
<v Speaker 2>this new campaign, I'm not I felt no dread. Story Wise,

0:41:31.760 --> 0:41:35.120
<v Speaker 2>this should be like, oh no, see what happened.

0:41:35.120 --> 0:41:36.320
<v Speaker 3>I don't want these kids.

0:41:36.560 --> 0:41:38.880
<v Speaker 2>I don't want these kids to go through this again.

0:41:39.040 --> 0:41:43.319
<v Speaker 1>It should be that like the.

0:41:45.880 --> 0:41:47.240
<v Speaker 3>No no, no, no, yes.

0:41:47.560 --> 0:41:51.160
<v Speaker 2>But instead I'm like, and I was questioning it, I

0:41:51.200 --> 0:41:54.160
<v Speaker 2>was like, but instead I'm like, oh, a new adventure.

0:41:54.320 --> 0:41:55.640
<v Speaker 2>I shouldn't feel.

0:41:55.320 --> 0:41:59.680
<v Speaker 4>That like picking up some random piece. They should have

0:41:59.680 --> 0:42:02.399
<v Speaker 4>picked up the demo Gorgon and like, yeah, the mind

0:42:03.400 --> 0:42:05.319
<v Speaker 4>and he looks back and is like, oh, you know what,

0:42:05.360 --> 0:42:06.879
<v Speaker 4>We're not going to let you play with that one

0:42:07.040 --> 0:42:08.080
<v Speaker 4>that don't use that.

0:42:08.480 --> 0:42:08.880
<v Speaker 3>I think it.

0:42:09.040 --> 0:42:10.680
<v Speaker 2>I think it goes back to the fact that like

0:42:10.760 --> 0:42:14.920
<v Speaker 2>everybody lived sadly. Yes, what should have happened is like,

0:42:15.320 --> 0:42:23.600
<v Speaker 2>tell me how any character significantly changed meaningfully from it's

0:42:24.080 --> 0:42:27.480
<v Speaker 2>the time that it's only it really is only Steve.

0:42:28.200 --> 0:42:29.240
<v Speaker 5>Nobody Will.

0:42:30.760 --> 0:42:33.239
<v Speaker 2>Well, I mean Will came to terms with something. Yes,

0:42:33.320 --> 0:42:35.640
<v Speaker 2>I think Will sure Well, he was still gay.

0:42:37.000 --> 0:42:43.040
<v Speaker 6>He was as a cry baby, like Will evolved as

0:42:43.040 --> 0:42:45.960
<v Speaker 6>a human being. That best Will has figured out a

0:42:46.000 --> 0:42:48.759
<v Speaker 6>way to talk to his friends honestly, which is, you.

0:42:48.719 --> 0:42:50.359
<v Speaker 1>Know, maybe a difficult thing we all have to learn

0:42:50.400 --> 0:42:51.919
<v Speaker 1>how to do, but it.

0:42:51.840 --> 0:42:55.120
<v Speaker 6>Doesn't give oh my gosh, like look at the person

0:42:55.160 --> 0:42:56.000
<v Speaker 6>he's grown into.

0:42:56.320 --> 0:42:58.840
<v Speaker 4>You know, Robin's girlfriend went from just being a candy

0:42:58.880 --> 0:43:01.400
<v Speaker 4>striper to being a full on doctor part way through.

0:43:02.320 --> 0:43:10.320
<v Speaker 2>Yeah, graduated without going to say the education system is

0:43:10.400 --> 0:43:11.840
<v Speaker 2>fun up, we go out.

0:43:11.920 --> 0:43:16.479
<v Speaker 3>As somebody who you know, we want so much TV,

0:43:16.640 --> 0:43:19.200
<v Speaker 3>so many movies, that's what we do. And obviously, as

0:43:19.239 --> 0:43:22.399
<v Speaker 3>everyone knows in who listens to this podcast, who makes

0:43:22.440 --> 0:43:24.680
<v Speaker 3>this kind of stuff, there's just so much TV out there,

0:43:24.680 --> 0:43:26.959
<v Speaker 3>So obviously you were not the biggest lover of Stranger Things.

0:43:27.000 --> 0:43:32.040
<v Speaker 3>But what would they have to do after this to

0:43:32.200 --> 0:43:35.440
<v Speaker 3>get you excited? Like what is the trailer or the

0:43:35.560 --> 0:43:39.000
<v Speaker 3>concept where you're like, okay, wait, I thought I was out,

0:43:39.040 --> 0:43:41.600
<v Speaker 3>but they got me back in like that.

0:43:43.040 --> 0:43:46.920
<v Speaker 6>It's a max of three years later because I barely

0:43:47.000 --> 0:43:49.520
<v Speaker 6>remember it enough to like carry on through this. You

0:43:49.560 --> 0:43:51.919
<v Speaker 6>cannot give five six years of delay time.

0:43:52.320 --> 0:43:54.959
<v Speaker 1>We need to go. It's led by.

0:43:55.239 --> 0:43:57.520
<v Speaker 5>Story wise or actually release date wise.

0:43:57.719 --> 0:44:00.560
<v Speaker 1>Release date wise, it needs to be within the next

0:44:00.600 --> 0:44:02.160
<v Speaker 1>three years. Dipshit.

0:44:02.239 --> 0:44:04.680
<v Speaker 6>Derek needs to be at the forefront of whatever you're doing.

0:44:05.280 --> 0:44:06.840
<v Speaker 6>That kid is astorable.

0:44:10.080 --> 0:44:13.080
<v Speaker 3>Derek when he first appeared and now she loves him

0:44:13.520 --> 0:44:16.080
<v Speaker 3>Aaron Texas After the first group of episodes, he was like,

0:44:16.160 --> 0:44:17.280
<v Speaker 3>I love this kid, He's amazing.

0:44:17.360 --> 0:44:19.080
<v Speaker 6>Was like, what are you talking about? He's so annoying,

0:44:19.080 --> 0:44:21.080
<v Speaker 6>Like why do you care? But by the end I

0:44:21.160 --> 0:44:22.319
<v Speaker 6>was like, I would die for him.

0:44:22.360 --> 0:44:23.240
<v Speaker 1>He's perfect.

0:44:23.280 --> 0:44:26.560
<v Speaker 4>And when they're trying the scene when they're leaving the

0:44:26.640 --> 0:44:29.920
<v Speaker 4>upside Down and and what's his name is? With Levin

0:44:29.960 --> 0:44:35.400
<v Speaker 4>and Derek is waving at him from across the.

0:44:34.920 --> 0:44:37.319
<v Speaker 1>Love, my heart is so warm. I love them. Yeah.

0:44:37.360 --> 0:44:41.319
<v Speaker 6>So if it's Derek at the forefront and you put

0:44:41.360 --> 0:44:44.080
<v Speaker 6>Derek in a position where I'm like, oh no, oh

0:44:44.160 --> 0:44:49.880
<v Speaker 6>my god, don't bring back the military this time. I

0:44:49.960 --> 0:44:52.320
<v Speaker 6>have no idea why they were here at all except

0:44:52.360 --> 0:44:55.480
<v Speaker 6>to appear to be obstructions but not actually obstruct anything.

0:44:55.520 --> 0:44:56.800
<v Speaker 1>They're so annoying.

0:44:57.200 --> 0:45:00.880
<v Speaker 6>No military, just make it Mindflare and Derek, I'm back in.

0:45:01.040 --> 0:45:04.520
<v Speaker 3>Otherwise, Bro, Derek would terrorize him. It would just be

0:45:04.680 --> 0:45:07.960
<v Speaker 3>like you know that meme of the symptoms where it's

0:45:08.000 --> 0:45:11.439
<v Speaker 3>like my kidnapper throwing me away, and it's Ralph coming

0:45:11.480 --> 0:45:13.960
<v Speaker 3>back into the house. Yes, it's like after you talked

0:45:14.000 --> 0:45:16.799
<v Speaker 3>for three hours, that would be like five minutes of

0:45:17.120 --> 0:45:20.040
<v Speaker 3>Derek being with Vecna. Okay, I want to ask you guys,

0:45:20.160 --> 0:45:22.719
<v Speaker 3>what's your random MVP? Because I do have one that

0:45:22.760 --> 0:45:26.200
<v Speaker 3>I have had basic my random view MVP. Bro, it's

0:45:26.239 --> 0:45:31.560
<v Speaker 3>Holly's costume in Vecna Palace. Every time I saw her,

0:45:31.600 --> 0:45:34.600
<v Speaker 3>I was like, show me this fucking movie, like, I

0:45:34.680 --> 0:45:36.759
<v Speaker 3>want to be in this Camtoss, I want to be

0:45:37.040 --> 0:45:40.319
<v Speaker 3>put this girl in Legend, make a remake like she

0:45:40.440 --> 0:45:45.239
<v Speaker 3>looks like a magical, fantastical girl who can also kill

0:45:45.280 --> 0:45:46.280
<v Speaker 3>a bad guy with a knife.

0:45:46.320 --> 0:45:46.400
<v Speaker 1>Like.

0:45:46.480 --> 0:45:49.200
<v Speaker 3>I just thought that costuming was so much better than

0:45:49.320 --> 0:45:51.880
<v Speaker 3>ninety percent of the costuming and the show and on

0:45:51.920 --> 0:45:54.200
<v Speaker 3>the big screen two. I was like, yes, Holly, you

0:45:54.280 --> 0:45:57.080
<v Speaker 3>are a leading character in that costume. So that was mine. Jason,

0:45:57.120 --> 0:45:58.240
<v Speaker 3>what's your random MVP?

0:45:59.040 --> 0:46:05.360
<v Speaker 2>My random MVP? He is the nostalgia montages. I must

0:46:05.400 --> 0:46:07.799
<v Speaker 2>sucker for those, and I thought they worked. I thought that,

0:46:08.400 --> 0:46:17.120
<v Speaker 2>you know, the editing style seemed aimed at the like

0:46:17.440 --> 0:46:21.560
<v Speaker 2>TikTok fan editor to just be able to like rip

0:46:21.880 --> 0:46:26.120
<v Speaker 2>the montage directly from Netflix and put it on social media.

0:46:26.400 --> 0:46:31.240
<v Speaker 2>And I must. I'm a sucker for that kind of stuff.

0:46:31.600 --> 0:46:38.040
<v Speaker 2>I think, in absence of meaningful character evolution and progress,

0:46:38.760 --> 0:46:44.400
<v Speaker 2>the the simple esthetic physical evolution of seeing the characters

0:46:44.480 --> 0:46:47.560
<v Speaker 2>grow up over time on screen. Yeah, was a hit

0:46:47.640 --> 0:46:47.920
<v Speaker 2>for me.

0:46:48.680 --> 0:46:49.200
<v Speaker 1>It got me.

0:46:49.400 --> 0:46:52.440
<v Speaker 2>That got me to like to be like these forget

0:46:52.480 --> 0:46:56.160
<v Speaker 2>about the bat, These actual people spent ten years of

0:46:56.200 --> 0:47:01.680
<v Speaker 2>their lives doing this and we were all there, which,

0:47:01.719 --> 0:47:04.160
<v Speaker 2>by the way, and just let me just soft launch

0:47:04.200 --> 0:47:07.840
<v Speaker 2>another theory I have, and it's like, why does media

0:47:07.880 --> 0:47:11.239
<v Speaker 2>literacy kind of suck? Like? What is storytelling about in

0:47:11.280 --> 0:47:13.680
<v Speaker 2>the twenty twenties? And I think a lot of it

0:47:13.719 --> 0:47:16.040
<v Speaker 2>can be explained by Stranger Things. It's not about a

0:47:16.080 --> 0:47:21.760
<v Speaker 2>greater story arc development, plot movement anymore. It's about creating

0:47:21.760 --> 0:47:25.160
<v Speaker 2>a feeling of we all were there and watch this

0:47:25.239 --> 0:47:29.799
<v Speaker 2>thing happen, whether artificially or not. You know, Like there's

0:47:29.800 --> 0:47:33.160
<v Speaker 2>been a lot of talk about whether you know, monoculture

0:47:33.160 --> 0:47:34.680
<v Speaker 2>exists anymore, and it kind of doesn't.

0:47:35.239 --> 0:47:37.880
<v Speaker 1>But it's a lot of.

0:47:39.480 --> 0:47:46.080
<v Speaker 2>Storytelling following the Internet is about understanding what is going

0:47:46.120 --> 0:47:49.440
<v Speaker 2>on in a particular Internet conversation space, and I think

0:47:49.480 --> 0:47:53.600
<v Speaker 2>Stranger Things has managed to harness that in a way

0:47:53.640 --> 0:47:57.800
<v Speaker 2>that is really interesting and it probably tells us where

0:47:58.760 --> 0:48:03.759
<v Speaker 2>things are going, because it's significantly about capturing the conversation,

0:48:04.160 --> 0:48:07.440
<v Speaker 2>understanding what the fans are talking about, letting the fans

0:48:07.520 --> 0:48:13.160
<v Speaker 2>feel like we're all around the TV watching this thing,

0:48:13.320 --> 0:48:15.640
<v Speaker 2>talking about it, whether it sucks, whether it's good, whether

0:48:15.680 --> 0:48:18.600
<v Speaker 2>it's not, and it's let and it's about the journey

0:48:18.600 --> 0:48:22.280
<v Speaker 2>we take as an audience and less about who lives,

0:48:22.480 --> 0:48:23.920
<v Speaker 2>he dies, who made it.

0:48:24.239 --> 0:48:25.920
<v Speaker 3>I think you make a really great point in there.

0:48:25.960 --> 0:48:28.400
<v Speaker 3>I also think that the confluence of Stranger Things and

0:48:28.440 --> 0:48:31.760
<v Speaker 3>Game of Ferns coming out alongside each other really brought

0:48:31.800 --> 0:48:34.840
<v Speaker 3>back that notion of a shared viewing. I would also say,

0:48:35.080 --> 0:48:37.919
<v Speaker 3>I think that you are onto something very important it Jason,

0:48:37.920 --> 0:48:39.640
<v Speaker 3>and I also think this is part of the issue

0:48:39.640 --> 0:48:42.400
<v Speaker 3>with the rollout of the show, is that, yeah, that

0:48:42.560 --> 0:48:44.080
<v Speaker 3>is what it was, and it was an event for

0:48:44.200 --> 0:48:46.239
<v Speaker 3>many many people. I mean, I don't know if you

0:48:46.280 --> 0:48:49.560
<v Speaker 3>guys know, but the way that the movie was rolled

0:48:49.560 --> 0:48:53.320
<v Speaker 3>out is it was an RSVP event and you could

0:48:53.360 --> 0:48:56.560
<v Speaker 3>not buy a ticket to see the movie. You could

0:48:56.560 --> 0:49:00.440
<v Speaker 3>only buy a twenty dollar concessions ticket to see it

0:49:00.480 --> 0:49:04.239
<v Speaker 3>in theaters. You had to buy the concessions because Netflix

0:49:04.600 --> 0:49:07.120
<v Speaker 3>was not allowed to make money they had to pay

0:49:07.160 --> 0:49:10.200
<v Speaker 3>the theaters to put it in those concession vouchers. They

0:49:10.200 --> 0:49:14.879
<v Speaker 3>saw twenty five million dollars in concessions only, and that's

0:49:14.920 --> 0:49:17.640
<v Speaker 3>the numbers that the cinema gave us. This was a

0:49:17.719 --> 0:49:20.200
<v Speaker 3>huge event, and I will tell you guys from seeing

0:49:20.200 --> 0:49:22.560
<v Speaker 3>it on the cinema, it was optimized to be seen

0:49:22.640 --> 0:49:26.240
<v Speaker 3>in the cinema to be a monoculture moment, and Netflix

0:49:26.280 --> 0:49:28.680
<v Speaker 3>did not commit to it, and I think that is

0:49:28.760 --> 0:49:31.480
<v Speaker 3>ultimately going to see be seen as the biggest issue.

0:49:31.520 --> 0:49:33.920
<v Speaker 3>I think there's a version where if Netflix had had

0:49:33.920 --> 0:49:36.799
<v Speaker 3>better relationships with the cinema, not something they've ever been

0:49:36.800 --> 0:49:39.200
<v Speaker 3>interested in, but if they had done that, I think

0:49:39.200 --> 0:49:41.000
<v Speaker 3>there's a world where this rolls out and is a

0:49:41.080 --> 0:49:43.840
<v Speaker 3>five hundred million dollar release on the finale, if you

0:49:43.960 --> 0:49:47.640
<v Speaker 3>roll it out properly and it is seen as the

0:49:47.960 --> 0:49:51.880
<v Speaker 3>crossover that could have made TV film a thing. I

0:49:51.920 --> 0:49:54.359
<v Speaker 3>don't think Netflix cares about that, and I think that

0:49:54.480 --> 0:49:57.640
<v Speaker 3>is ultimately the issue is there is a monoculture, there

0:49:57.760 --> 0:50:01.360
<v Speaker 3>is a people wanting to be involved. Netflix just assumed

0:50:01.719 --> 0:50:04.759
<v Speaker 3>that doing it in the same space they'd been doing

0:50:04.800 --> 0:50:06.719
<v Speaker 3>it and for ten years with what even then it

0:50:06.760 --> 0:50:09.959
<v Speaker 3>had outgrown in my opinion the streaming space.

0:50:09.880 --> 0:50:12.279
<v Speaker 2>Just a quick thing. I think my conspiracy theory on

0:50:12.320 --> 0:50:17.399
<v Speaker 2>that is Netflix is you know, kind of like a

0:50:17.400 --> 0:50:20.839
<v Speaker 2>C student who gets a comment on their report card,

0:50:21.040 --> 0:50:24.120
<v Speaker 2>like has potential, just needs a try harder. I think

0:50:24.200 --> 0:50:29.920
<v Speaker 2>Netflix is very happy to present to theaters and the

0:50:30.080 --> 0:50:33.520
<v Speaker 2>entertainment industry at large. Hey, look what we could do

0:50:33.560 --> 0:50:34.520
<v Speaker 2>if we wanted to.

0:50:37.360 --> 0:50:38.320
<v Speaker 3>So real.

0:50:40.080 --> 0:50:41.120
<v Speaker 5>Deck mode they're going to.

0:50:42.920 --> 0:50:43.640
<v Speaker 3>We could do this.

0:50:43.600 --> 0:50:47.080
<v Speaker 2>If we wanted, and so play ball with us, because

0:50:47.120 --> 0:50:48.200
<v Speaker 2>we could if we.

0:50:48.120 --> 0:50:51.960
<v Speaker 4>Want real Speaking of locations like movie theaters, my MVP

0:50:52.160 --> 0:50:55.680
<v Speaker 4>Jimmy fast Hands, the fact that he ran before everything started,

0:50:55.800 --> 0:50:58.480
<v Speaker 4>gave up the radio station, gave our entire crew a

0:50:58.520 --> 0:51:01.120
<v Speaker 4>place to hang out. I guess it built in a

0:51:01.200 --> 0:51:05.160
<v Speaker 4>secret room already that just like existed there in the passages.

0:51:05.440 --> 0:51:09.319
<v Speaker 4>Jimmy fast Hands A plus, you were the best part

0:51:09.360 --> 0:51:11.839
<v Speaker 4>in that group project because you left and then came

0:51:11.880 --> 0:51:14.839
<v Speaker 4>back and then let Robin do the radio show and

0:51:14.880 --> 0:51:17.120
<v Speaker 4>you didn't even show up that day. We never meet

0:51:17.200 --> 0:51:20.239
<v Speaker 4>Jimmy fast Hands. It doesn't matter MVP.

0:51:21.320 --> 0:51:28.399
<v Speaker 6>That like, because my MVP is Ted Wheeler. He said,

0:51:28.440 --> 0:51:30.600
<v Speaker 6>I'm done with all of them, but family don't love me.

0:51:30.680 --> 0:51:33.480
<v Speaker 6>I don't get no bacon. I can't even hit these

0:51:33.520 --> 0:51:34.520
<v Speaker 6>golf balls in peace.

0:51:34.560 --> 0:51:36.000
<v Speaker 1>I'm get here.

0:51:36.200 --> 0:51:38.640
<v Speaker 2>I haven't three years.

0:51:41.680 --> 0:51:42.920
<v Speaker 3>Like sexy teenagers.

0:51:43.000 --> 0:51:44.479
<v Speaker 5>Like what did they tell Ted?

0:51:44.560 --> 0:51:47.160
<v Speaker 4>Because she got up in the middle of the hospital,

0:51:47.360 --> 0:51:49.680
<v Speaker 4>he we assume is still in the hospital. And then

0:51:49.719 --> 0:51:52.279
<v Speaker 4>at the end, like everyone comes back, he's at graduation.

0:51:52.560 --> 0:51:55.000
<v Speaker 5>What did they tell him anything? Did he ask? Does

0:51:55.000 --> 0:51:56.239
<v Speaker 5>he care? Yeah? Earthquake?

0:51:57.040 --> 0:51:59.160
<v Speaker 2>What did they tell anybody? But you know what they

0:51:59.200 --> 0:52:02.160
<v Speaker 2>tell What did they tell the families of the five

0:52:02.280 --> 0:52:11.280
<v Speaker 2>hundred soldiers who were getting down brutally in the letters?

0:52:11.320 --> 0:52:12.439
<v Speaker 1>Are they getting.

0:52:12.160 --> 0:52:18.640
<v Speaker 3>From from guys? What about the fucking Derek's family who

0:52:18.719 --> 0:52:21.040
<v Speaker 3>got kidnapped? Does Ian points out? Like what did not

0:52:21.160 --> 0:52:23.960
<v Speaker 3>have to do with the earth quake? Also, how about

0:52:24.239 --> 0:52:28.440
<v Speaker 3>the women? This is another thing like and I'm the

0:52:28.480 --> 0:52:35.839
<v Speaker 3>pregnant women who are just dead. But like, to me,

0:52:36.200 --> 0:52:39.160
<v Speaker 3>it's so funny too, because I'm just like guys, like

0:52:39.320 --> 0:52:42.120
<v Speaker 3>you made these problems for yourself. That's the funniest thing

0:52:42.239 --> 0:52:47.400
<v Speaker 3>is like you added every single thing. Here is TV.

0:52:47.760 --> 0:52:50.840
<v Speaker 4>Who killed more people? Vena or Hopper and Nancy combined.

0:52:51.080 --> 0:52:54.480
<v Speaker 2>Well on screen? Hopper and well, I think well, I

0:52:54.719 --> 0:52:57.920
<v Speaker 2>think Vecna theoretically, you you would expect that he killed

0:52:57.920 --> 0:52:59.279
<v Speaker 2>more and we didn't see it.

0:52:59.320 --> 0:53:00.719
<v Speaker 3>They just haven't.

0:53:02.440 --> 0:53:07.560
<v Speaker 2>Yeah, but like on screen, Harbor and Nancy are drenched an.

0:53:10.400 --> 0:53:13.400
<v Speaker 3>My favorite thing is like, then Nancy just like goes

0:53:13.400 --> 0:53:15.520
<v Speaker 3>and vis a journalist and she's like, yeah, I was

0:53:15.560 --> 0:53:18.919
<v Speaker 3>a child soldier for fifty years, but don't worry now,

0:53:19.000 --> 0:53:21.200
<v Speaker 3>I'm just the journalist, a journalist.

0:53:20.800 --> 0:53:23.600
<v Speaker 6>Who doesn't feel she needs an education to do that job.

0:53:23.719 --> 0:53:25.400
<v Speaker 6>She's like, look, I want school paper.

0:53:25.920 --> 0:53:26.920
<v Speaker 1>Good enough, guys.

0:53:27.000 --> 0:53:29.680
<v Speaker 3>I gotta say, look, as somebody who also did not

0:53:29.680 --> 0:53:32.759
<v Speaker 3>get a journalism degree, I'm on Nancy side for this one. Okay, guys.

0:53:32.880 --> 0:53:35.279
<v Speaker 3>Sometimes it just happens. Sometimes you just fall into it.

0:53:35.520 --> 0:53:38.760
<v Speaker 3>Sometimes you don't get a degree. Sometimes you get beaten

0:53:38.840 --> 0:53:41.040
<v Speaker 3>up by the demo dogs. Could Joelle, actually, before we

0:53:41.080 --> 0:53:45.239
<v Speaker 3>get to your final MVP, ask your question which did

0:53:45.280 --> 0:53:48.319
<v Speaker 3>not at any point come into my head when I

0:53:48.320 --> 0:53:49.960
<v Speaker 3>watched it on the big screen and was all I

0:53:49.960 --> 0:53:53.000
<v Speaker 3>could think about on TV? Who was missing in the

0:53:53.040 --> 0:53:55.719
<v Speaker 3>final battle, Joel? Which characters that have been like a

0:53:55.760 --> 0:53:58.799
<v Speaker 3>major antagonist throughout this entire thing, and we're able to

0:53:58.840 --> 0:54:01.959
<v Speaker 3>show up at every point otherwise in the film and show,

0:54:02.040 --> 0:54:02.879
<v Speaker 3>but which is not able.

0:54:02.960 --> 0:54:06.040
<v Speaker 6>Hit I have no idea like why the military like

0:54:06.360 --> 0:54:08.160
<v Speaker 6>was just not a part of Like we have no

0:54:08.239 --> 0:54:12.880
<v Speaker 6>final standoff with them. Really, the demo Gorgans are gone,

0:54:13.280 --> 0:54:16.240
<v Speaker 6>which is confusing. We're in the we're in their planet,

0:54:16.440 --> 0:54:17.720
<v Speaker 6>this is their whole where.

0:54:17.600 --> 0:54:20.239
<v Speaker 2>Is why aren't there five hundred of them swarming the

0:54:20.320 --> 0:54:21.080
<v Speaker 2>radio tower?

0:54:21.120 --> 0:54:25.719
<v Speaker 3>Where send them off? Ones like listen.

0:54:27.080 --> 0:54:28.560
<v Speaker 6>In D and D not that long ago if you

0:54:28.600 --> 0:54:32.960
<v Speaker 6>don't know, giant multi headed dragon legendary, the minions that

0:54:33.040 --> 0:54:35.279
<v Speaker 6>we had to get through to get to Tiamat, like

0:54:35.320 --> 0:54:37.520
<v Speaker 6>it was a really a flog.

0:54:37.320 --> 0:54:38.279
<v Speaker 1>Just to try to get there.

0:54:38.600 --> 0:54:41.680
<v Speaker 6>The fact that it's just Vecna being like wo like

0:54:41.880 --> 0:54:45.080
<v Speaker 6>just ship out his little fingers with his little castle,

0:54:45.239 --> 0:54:47.960
<v Speaker 6>like I was just incensed. And then on top of like,

0:54:48.000 --> 0:54:51.160
<v Speaker 6>this is what listen to have a failure of both

0:54:51.160 --> 0:54:53.879
<v Speaker 6>of your villains, both the military not a strong enough

0:54:53.880 --> 0:54:56.560
<v Speaker 6>for with a leader that we know nothing about and care.

0:54:56.800 --> 0:55:01.759
<v Speaker 2>About the best Yeah less said about doctor k that

0:55:01.880 --> 0:55:06.040
<v Speaker 2>was a ridiculous who cares? Who fucking cares?

0:55:06.080 --> 0:55:06.520
<v Speaker 1>Awful?

0:55:06.600 --> 0:55:09.080
<v Speaker 6>But then but then also to have the Demogorgans who

0:55:09.080 --> 0:55:11.239
<v Speaker 6>have been you know, really the last time we say

0:55:11.280 --> 0:55:13.560
<v Speaker 6>the Demogorghans is in the hospital when they're chasing down

0:55:13.920 --> 0:55:16.799
<v Speaker 6>Max and Lucas when they suddenly go dumb and they're like,

0:55:16.960 --> 0:55:20.279
<v Speaker 6>can't follow a sound for some reason, Like I was incensed.

0:55:20.320 --> 0:55:21.120
<v Speaker 1>I was like they.

0:55:23.200 --> 0:55:26.360
<v Speaker 3>Did. I would also say one of the things that

0:55:26.440 --> 0:55:29.480
<v Speaker 3>I want to know, guys, how would you feel if

0:55:29.480 --> 0:55:32.239
<v Speaker 3>you were the parents of one of the people that

0:55:32.360 --> 0:55:35.000
<v Speaker 3>Eddie Munson is still thought to have been a serial

0:55:35.120 --> 0:55:38.720
<v Speaker 3>killer of? And then a guy got up on stage

0:55:39.080 --> 0:55:41.400
<v Speaker 3>and did a speech in the style of the person

0:55:41.400 --> 0:55:44.520
<v Speaker 3>who killed your child and then took off a shirt

0:55:44.719 --> 0:55:47.320
<v Speaker 3>with the cult name that you think was in charge

0:55:47.360 --> 0:55:50.280
<v Speaker 3>of kill and everyone cheered that I would I would

0:55:50.280 --> 0:55:51.799
<v Speaker 3>not know what was going on there. I'd need to

0:55:51.800 --> 0:55:54.359
<v Speaker 3>know more. I feel like the whole never get never

0:55:54.440 --> 0:55:57.120
<v Speaker 3>letting people know Eddie wasn't a serial killer is one

0:55:57.120 --> 0:56:00.200
<v Speaker 3>of the craziest problems of the show. Also, who who

0:56:00.200 --> 0:56:03.000
<v Speaker 3>believes an earthquake did all of this? We gotta do

0:56:03.080 --> 0:56:05.560
<v Speaker 3>at least like a nuclear power upon Like that's why

0:56:05.600 --> 0:56:07.960
<v Speaker 3>you saw weird things. The power plant structure.

0:56:10.320 --> 0:56:12.520
<v Speaker 1>Earthquake happens in a matter of like a minute.

0:56:12.640 --> 0:56:17.080
<v Speaker 3>Max, like, like, why was the military taking over your

0:56:17.440 --> 0:56:20.360
<v Speaker 3>like neighborhood because of an earthquake. I live in California.

0:56:20.400 --> 0:56:22.200
<v Speaker 3>That never happens. Stupid.

0:56:22.280 --> 0:56:23.960
<v Speaker 2>All right, let's take a quick break and then we

0:56:24.040 --> 0:56:28.920
<v Speaker 2>will leave you with our final straight thoughts, but the

0:56:28.960 --> 0:56:49.920
<v Speaker 2>final season question mark of straight quick and we're back, okay,

0:56:50.480 --> 0:56:53.880
<v Speaker 2>straight thoughts. Leftover thoughts such as, like what was the

0:56:53.920 --> 0:56:56.160
<v Speaker 2>deal with doctor K. I was like, don't even care.

0:56:56.040 --> 0:56:58.560
<v Speaker 1>About Yeah, I don't care about Doctor K.

0:56:58.760 --> 0:56:59.800
<v Speaker 2>I don't care about it.

0:57:00.040 --> 0:57:00.879
<v Speaker 1>Didn't give enough.

0:57:01.040 --> 0:57:03.960
<v Speaker 3>I don't understand why they bought one of the most

0:57:04.200 --> 0:57:07.840
<v Speaker 3>iconic action actors of all time, Linda Hamilton in had

0:57:08.280 --> 0:57:11.799
<v Speaker 3>Nancy essentially just take on her role from Terminator Too

0:57:11.840 --> 0:57:14.560
<v Speaker 3>and never have them like team up or fight or battle.

0:57:14.600 --> 0:57:16.920
<v Speaker 3>Like it was so obvious that the parallels are that

0:57:17.280 --> 0:57:19.040
<v Speaker 3>they didn't know what to do with doctor K. They

0:57:19.040 --> 0:57:21.640
<v Speaker 3>obviously cost Linda and didn't know what to do with

0:57:21.680 --> 0:57:23.960
<v Speaker 3>her character. But it's a real shame, Like I thought,

0:57:24.200 --> 0:57:27.760
<v Speaker 3>what if she was like the original, Like she's also

0:57:27.800 --> 0:57:31.040
<v Speaker 3>a psychic and she was one of the earlies so

0:57:31.080 --> 0:57:33.800
<v Speaker 3>many ways, Like there were so many things that felt

0:57:33.840 --> 0:57:36.240
<v Speaker 3>like it could I never understood how motivation was.

0:57:36.960 --> 0:57:41.320
<v Speaker 2>Yeah, I think that they at My theory is they

0:57:41.320 --> 0:57:44.080
<v Speaker 2>got like data back. That's like people don't care about

0:57:44.080 --> 0:57:46.000
<v Speaker 2>doctor k so they just never pursued it.

0:57:46.720 --> 0:57:48.120
<v Speaker 3>That's what else like to.

0:57:48.120 --> 0:57:50.520
<v Speaker 6>Me, the whole show feels like cut her from the

0:57:50.560 --> 0:57:52.680
<v Speaker 6>show with respect.

0:57:52.880 --> 0:57:54.520
<v Speaker 1>I think it would have better for her and for us.

0:57:54.760 --> 0:57:56.400
<v Speaker 1>What A was also talking.

0:57:56.200 --> 0:57:58.880
<v Speaker 6>About spending money and not knowing what to do. Why

0:57:58.880 --> 0:58:00.000
<v Speaker 6>did you buy Prince's music?

0:58:00.240 --> 0:58:04.480
<v Speaker 5>And yes, this is all right, have a cool.

0:58:10.240 --> 0:58:12.160
<v Speaker 1>Damn it too cool? Mont?

0:58:13.440 --> 0:58:16.040
<v Speaker 2>It was that it was a feature.

0:58:16.720 --> 0:58:19.200
<v Speaker 4>I couldn't let them get away with the one but

0:58:19.480 --> 0:58:20.640
<v Speaker 4>using purple rain like that?

0:58:20.760 --> 0:58:25.280
<v Speaker 5>Which one? Offensive? Using purple which one? There in her

0:58:25.840 --> 0:58:26.680
<v Speaker 5>Goodbye kiss?

0:58:26.800 --> 0:58:30.080
<v Speaker 4>Yeah, it was horrible and like I wrote down, just

0:58:30.120 --> 0:58:32.200
<v Speaker 4>because you can get the rights to a song doesn't

0:58:32.200 --> 0:58:33.240
<v Speaker 4>mean you're using it right.

0:58:34.080 --> 0:58:34.560
<v Speaker 5>They did not.

0:58:35.600 --> 0:58:37.760
<v Speaker 3>I did look into this because I was like, how

0:58:37.760 --> 0:58:40.280
<v Speaker 3>the funk did they get the pretty right? And I know,

0:58:40.680 --> 0:58:42.360
<v Speaker 3>but it was no But it was Kate. It was

0:58:42.440 --> 0:58:46.400
<v Speaker 3>Kate Bush. Apparently Kate Bush was the one who encouraged

0:58:46.400 --> 0:58:48.960
<v Speaker 3>the Prince estate and was like, hey, this show was

0:58:49.000 --> 0:58:52.280
<v Speaker 3>great for me and look streaming money for me.

0:58:52.560 --> 0:58:55.320
<v Speaker 2>Like it's like, yeah, I got I got my castle

0:58:55.400 --> 0:58:56.720
<v Speaker 2>re roofed exactly.

0:58:57.400 --> 0:58:59.880
<v Speaker 3>She was like, bro, get some I'm like Prince you

0:59:00.040 --> 0:59:02.400
<v Speaker 3>have enough money the family. I do think this show

0:59:02.440 --> 0:59:03.520
<v Speaker 3>is okay.

0:59:03.400 --> 0:59:06.800
<v Speaker 4>For a show that like really revitalized Kate Bush's song

0:59:07.080 --> 0:59:09.919
<v Speaker 4>and Master of Puppets like had these huge boosts from

0:59:09.960 --> 0:59:12.480
<v Speaker 4>the show. I think they were really trying to get

0:59:12.520 --> 0:59:14.960
<v Speaker 4>another moment like that in the season and it raising

0:59:15.360 --> 0:59:16.680
<v Speaker 4>really Worriver.

0:59:16.680 --> 0:59:19.240
<v Speaker 3>Also as well. The difference between like this is not

0:59:19.280 --> 0:59:22.520
<v Speaker 3>to insult Kate Bush an icon in England where I

0:59:22.520 --> 0:59:24.600
<v Speaker 3>grew up, very famous pop star. Right, a lot of

0:59:24.680 --> 0:59:27.320
<v Speaker 3>kids had never heard of her, had never heard that song, bitch,

0:59:27.360 --> 0:59:30.400
<v Speaker 3>everyone knows Prince. That's the difference, Like you've actually play

0:59:30.440 --> 0:59:33.240
<v Speaker 3>a Prince song and be like it's purple Rain. And

0:59:33.280 --> 0:59:35.880
<v Speaker 3>also when Doves Cry, like two of the most famous songs.

0:59:35.880 --> 0:59:38.240
<v Speaker 3>When Doves cryes very famously in Romeo and Juliet too,

0:59:38.280 --> 0:59:40.720
<v Speaker 3>so like a lot of people know different versions of it.

0:59:40.800 --> 0:59:45.520
<v Speaker 3>Like I just don't think they should have done like

0:59:45.680 --> 0:59:47.760
<v Speaker 3>they should have even if they just had like nineteen

0:59:47.840 --> 0:59:50.680
<v Speaker 3>ninety nine when something had gone right and they'd all

0:59:50.720 --> 0:59:53.919
<v Speaker 3>celebrate it. I don't know. I just feel like other

0:59:54.440 --> 0:59:59.920
<v Speaker 3>other songs, a lot of it is correct.

1:00:00.120 --> 1:00:01.600
<v Speaker 1>That was a crazy song.

1:00:01.800 --> 1:00:03.320
<v Speaker 3>How dare You crazy?

1:00:03.440 --> 1:00:03.760
<v Speaker 1>Okay?

1:00:03.800 --> 1:00:06.760
<v Speaker 2>Straight straighty Final thoughts about Yeah.

1:00:06.600 --> 1:00:10.200
<v Speaker 3>I'm upset that they didn't do the meme where somebody said, well,

1:00:10.200 --> 1:00:12.840
<v Speaker 3>we've seen stranger things. I think at this point, just

1:00:12.840 --> 1:00:15.240
<v Speaker 3>do it. Just say it, like man Isaiah was saying

1:00:15.240 --> 1:00:17.560
<v Speaker 3>that the whole time, and just like fucking somebody say it,

1:00:17.560 --> 1:00:19.240
<v Speaker 3>say stranger things.

1:00:19.920 --> 1:00:22.440
<v Speaker 6>If you do a kid relaunch, let's keep the kid

1:00:22.800 --> 1:00:25.200
<v Speaker 6>the focus of the show on the new group of kids.

1:00:25.600 --> 1:00:28.480
<v Speaker 1>I think eighty seven new characters in the final season

1:00:28.560 --> 1:00:33.720
<v Speaker 1>was a choice. Enough time. I needed more Max.

1:00:33.560 --> 1:00:35.640
<v Speaker 6>And eleven times they were my favorite. I love seeing

1:00:35.640 --> 1:00:38.560
<v Speaker 6>the season three Hang, I thought it was super cute.

1:00:39.240 --> 1:00:41.840
<v Speaker 6>I needed more Justin always, just because I love Dustin.

1:00:41.920 --> 1:00:43.400
<v Speaker 6>I just felt like we didn't get enough of this

1:00:43.520 --> 1:00:46.640
<v Speaker 6>core group of kids at the end, all of their

1:00:46.720 --> 1:00:51.480
<v Speaker 6>various like connections, and it was really a problem. So

1:00:51.520 --> 1:00:53.360
<v Speaker 6>if we if we do this again, and I we're

1:00:53.440 --> 1:00:56.560
<v Speaker 6>gonna do it again, let's take the focus on the kids.

1:00:56.560 --> 1:00:58.400
<v Speaker 6>I think that's where the magic is.

1:00:58.720 --> 1:01:01.080
<v Speaker 3>I think you're right. I also think for me, like

1:01:01.440 --> 1:01:07.560
<v Speaker 3>I want them to stick to the character stuff that

1:01:07.760 --> 1:01:10.720
<v Speaker 3>works and building on it instead of always new, new,

1:01:10.760 --> 1:01:13.680
<v Speaker 3>new expansion. I think like they forget that what made

1:01:13.680 --> 1:01:15.680
<v Speaker 3>the show so popular in the first place was four

1:01:15.720 --> 1:01:18.400
<v Speaker 3>kids on bikes, very et very intimate, Like you can

1:01:18.440 --> 1:01:20.440
<v Speaker 3>have a big story, but you need the heart of it.

1:01:20.720 --> 1:01:23.040
<v Speaker 3>And I agree with you, Joelle. Other than Holly, I

1:01:23.040 --> 1:01:24.640
<v Speaker 3>didn't need any of the other kids. It could have

1:01:24.720 --> 1:01:29.080
<v Speaker 3>just been Holly. He didn't need twelve Holley like, you're fine,

1:01:29.120 --> 1:01:31.680
<v Speaker 3>like whatever, Like I think stuff like that. I also

1:01:31.760 --> 1:01:34.240
<v Speaker 3>would say for me, I think if you're gonna go

1:01:34.280 --> 1:01:37.240
<v Speaker 3>fan service, full fan service. I don't see why when

1:01:37.280 --> 1:01:39.520
<v Speaker 3>they went to Dimension X or the upside Down, we

1:01:39.520 --> 1:01:43.320
<v Speaker 3>couldn't have seen, you know, Billy come back and try

1:01:43.360 --> 1:01:46.480
<v Speaker 3>and help Max a little bit, or fucking you know

1:01:46.560 --> 1:01:48.960
<v Speaker 3>people that they'd killed off in the upside Down. I'm like,

1:01:48.960 --> 1:01:51.800
<v Speaker 3>if you're gonna do full fan service, like where's Eddie Mounch,

1:01:51.840 --> 1:01:54.720
<v Speaker 3>we gonna make the market. Yeah, they're the montage, but

1:01:54.800 --> 1:01:58.000
<v Speaker 3>I want to see the power. Jason, I'm now learning

1:01:58.240 --> 1:02:00.520
<v Speaker 3>that you love a montage. This is great. I'm gonna

1:02:00.520 --> 1:02:03.080
<v Speaker 3>be everything that I said to you.

1:02:03.200 --> 1:02:07.360
<v Speaker 2>Now let me say, first of all, difference, I don't

1:02:07.360 --> 1:02:11.080
<v Speaker 2>always love a montage. Here, let me preview it. Let

1:02:11.120 --> 1:02:12.840
<v Speaker 2>me preview a take that I think is going to

1:02:12.920 --> 1:02:17.560
<v Speaker 2>be divisive. Uh well, PENELTI whether I think it's either

1:02:17.600 --> 1:02:21.920
<v Speaker 2>the penultimate or the season finale of Heared Rivalry Montage

1:02:21.960 --> 1:02:30.120
<v Speaker 2>Too Long. We went through like the entire song along

1:02:30.160 --> 1:02:33.720
<v Speaker 2>with the montage to jump ahead for years. Yeah, but

1:02:33.840 --> 1:02:38.200
<v Speaker 2>like it was identical pacing. It was like each identical

1:02:39.240 --> 1:02:44.480
<v Speaker 2>constituent piece of each year in the montage, give us

1:02:44.560 --> 1:02:48.040
<v Speaker 2>you one, give us your one, and then speed through

1:02:48.080 --> 1:02:49.960
<v Speaker 2>two and three. It doesn't need to be the exactly

1:02:53.200 --> 1:03:00.280
<v Speaker 2>any one anyway, But I thought, listen, the nostalgia is

1:03:00.320 --> 1:03:04.600
<v Speaker 2>what works the best in strength the month, and so

1:03:04.680 --> 1:03:09.280
<v Speaker 2>the montages work. I think my straight thought and is

1:03:11.760 --> 1:03:14.760
<v Speaker 2>whether or not Eleven is alive and safe in the

1:03:14.800 --> 1:03:18.200
<v Speaker 2>place with the three waterfalls. I believe she is. I

1:03:18.280 --> 1:03:20.600
<v Speaker 2>believe that they don't have any idea what the three

1:03:21.040 --> 1:03:23.480
<v Speaker 2>waterfall location is. That they just were like, give us

1:03:23.520 --> 1:03:25.360
<v Speaker 2>a place, and they just did put that in there.

1:03:26.320 --> 1:03:28.560
<v Speaker 2>Maybe we get more of that in a in the

1:03:28.560 --> 1:03:33.919
<v Speaker 2>spin off. But my question is like, why did why

1:03:33.920 --> 1:03:35.920
<v Speaker 2>did Eleven go up that way? Now she has to

1:03:36.000 --> 1:03:38.120
<v Speaker 2>go like ten miles around this.

1:03:38.120 --> 1:03:43.400
<v Speaker 1>Huge to get to the fucking place. Why did she

1:03:43.560 --> 1:03:44.280
<v Speaker 1>go that way?

1:03:44.440 --> 1:03:45.959
<v Speaker 2>Go towards the.

1:03:45.920 --> 1:03:52.640
<v Speaker 7>Village, go towards the buildings, go up the side where

1:03:52.680 --> 1:03:55.600
<v Speaker 7>the buildings are. Why did you it be like I

1:03:55.680 --> 1:03:58.040
<v Speaker 7>want to go to the Like it'd be like you

1:03:58.160 --> 1:03:59.640
<v Speaker 7>have to go to a place on the other side

1:03:59.640 --> 1:04:01.600
<v Speaker 7>of the Grain Canyon, and you go from the other

1:04:01.720 --> 1:04:04.240
<v Speaker 7>side of the Grand Canyon and go look across at it.

1:04:04.600 --> 1:04:07.120
<v Speaker 3>Now you have to go across, like find a way across.

1:04:07.320 --> 1:04:11.120
<v Speaker 3>I would also say, let's think about this, right if

1:04:11.160 --> 1:04:13.840
<v Speaker 3>you think about like how we've seen eleven evolve over

1:04:13.880 --> 1:04:16.320
<v Speaker 3>the years. This girl only just learned how to speak

1:04:16.320 --> 1:04:20.280
<v Speaker 3>in like full sentences, and she's like sixteen. I imagine

1:04:20.320 --> 1:04:22.720
<v Speaker 3>she's going to roll into that finish town and be like,

1:04:22.880 --> 1:04:25.240
<v Speaker 3>where's my where's my where's the coulp? Can he be

1:04:25.360 --> 1:04:27.760
<v Speaker 3>my dad? Like she doesn't know how to like live

1:04:27.880 --> 1:04:31.320
<v Speaker 3>in normal we can't outside. Well, so I'm like very interested.

1:04:31.440 --> 1:04:33.240
<v Speaker 2>Can I get Can I get a waterfall count?

1:04:33.320 --> 1:04:33.840
<v Speaker 3>Really quick?

1:04:34.080 --> 1:04:34.280
<v Speaker 2>Yeah?

1:04:34.840 --> 1:04:35.360
<v Speaker 3>That is?

1:04:38.040 --> 1:04:39.680
<v Speaker 2>Yeah, so I wonder Aaron.

1:04:40.320 --> 1:04:42.480
<v Speaker 4>One of the things that I thought leading up to

1:04:42.480 --> 1:04:46.080
<v Speaker 4>the finale is, you know, Rosie talked about the original

1:04:46.080 --> 1:04:48.600
<v Speaker 4>pitch of the show Montak where it was going to

1:04:48.600 --> 1:04:51.320
<v Speaker 4>be an anthology, and after season one, people loved the

1:04:51.400 --> 1:04:53.400
<v Speaker 4>characters so much they kept them and they just decided

1:04:53.400 --> 1:04:55.680
<v Speaker 4>to do a show with all these characters, and leading

1:04:55.720 --> 1:04:57.760
<v Speaker 4>into the finale episode, I was like, you know, I

1:04:57.800 --> 1:05:00.320
<v Speaker 4>kind of would have loved if they had done an

1:05:00.280 --> 1:05:03.240
<v Speaker 4>anthology like we have seen White Lotus do it on TV.

1:05:03.400 --> 1:05:05.840
<v Speaker 4>We can do an anthology series that people will love.

1:05:06.800 --> 1:05:10.080
<v Speaker 4>But kind of like Jason, when those montages hit and

1:05:10.120 --> 1:05:13.040
<v Speaker 4>I saw all the little kids meeting eleven and I

1:05:13.080 --> 1:05:15.200
<v Speaker 4>saw them in the basement and I saw them like,

1:05:15.840 --> 1:05:18.600
<v Speaker 4>you know, she has to go change in the bathroom.

1:05:18.640 --> 1:05:20.680
<v Speaker 4>But once the door opened, I was like, you're right,

1:05:20.800 --> 1:05:22.120
<v Speaker 4>it was good that you kept these characters.

1:05:22.120 --> 1:05:24.400
<v Speaker 5>I like these characters, so that's my life.

1:05:24.440 --> 1:05:27.960
<v Speaker 4>Like I still would love a Stranger Things anthology where

1:05:27.960 --> 1:05:30.920
<v Speaker 4>they fight vampires or dragons or other classic D and

1:05:31.000 --> 1:05:31.520
<v Speaker 4>D villains.

1:05:31.560 --> 1:05:34.000
<v Speaker 5>I would love that. But this worked. I think you.

1:05:33.960 --> 1:05:43.040
<v Speaker 1>Felt like, yeah, mmm wow.

1:05:43.080 --> 1:05:45.480
<v Speaker 6>You know Max and Lucas the actors that play them,

1:05:45.800 --> 1:05:47.800
<v Speaker 6>Justine and we got a lot of good crid actors

1:05:47.800 --> 1:05:49.880
<v Speaker 6>out of this. He really helped the next generation of

1:05:49.880 --> 1:05:53.360
<v Speaker 6>American actors, which you know is always a struggle for us.

1:05:53.400 --> 1:05:55.080
<v Speaker 6>The Brits come over here take our jobs.

1:05:55.840 --> 1:06:02.200
<v Speaker 3>The Australia, it's all the countries where there is universal

1:06:02.240 --> 1:06:03.920
<v Speaker 3>healthcast so people can.

1:06:03.840 --> 1:06:04.680
<v Speaker 1>Like focus on the.

1:06:07.200 --> 1:06:10.440
<v Speaker 3>Yeah, why does Iceland have so much good music?

1:06:10.880 --> 1:06:15.880
<v Speaker 6>What it's It's a priority over there, It's not over here.

1:06:15.920 --> 1:06:17.880
<v Speaker 6>So thank you Duffer Brothers and Netflix for giving us

1:06:17.880 --> 1:06:19.080
<v Speaker 6>some American actors to.

1:06:19.000 --> 1:06:19.640
<v Speaker 1>Look forward to.

1:06:19.760 --> 1:06:21.360
<v Speaker 3>Yes, I like that, Joel.

1:06:21.760 --> 1:06:25.200
<v Speaker 2>Okay, Well, stranger things, let's put the pin in it

1:06:25.400 --> 1:06:25.880
<v Speaker 2>for now.

1:06:27.040 --> 1:06:32.960
<v Speaker 3>Clearly we're gonna will know.

1:06:35.800 --> 1:06:37.800
<v Speaker 2>But it's been wonderful to spend this time in the

1:06:37.880 --> 1:06:41.200
<v Speaker 2>upside down with you. On the next episode of Extra Vision,

1:06:41.200 --> 1:06:44.960
<v Speaker 2>We're diving to fall Out two four. This episode of

1:06:45.000 --> 1:06:49.760
<v Speaker 2>Thanks for Listening, Bye Bye x ray Vision is hosted

1:06:49.760 --> 1:06:52.000
<v Speaker 2>by Jason SEPs Young and Rosie Knight and is a

1:06:52.000 --> 1:06:53.480
<v Speaker 2>production of iHeart Podcast.

1:06:53.840 --> 1:06:57.400
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kolefman.

1:06:57.640 --> 1:06:59.720
<v Speaker 2>Our supervising producer is Abusafar.

1:07:00.120 --> 1:07:04.040
<v Speaker 3>Our producers are Common Laurent Dean Jonathan and Bay Wack.

1:07:04.160 --> 1:07:06.919
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

1:07:07.000 --> 1:07:08.240
<v Speaker 2>songs by Aaron Kaufman.

1:07:08.440 --> 1:07:11.800
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

1:07:11.880 --> 1:07:13.640
<v Speaker 3>Heidi our discord moderator.