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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Danielle Henderson, and we're here to.

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Speaker 1: Talk about film again with you today. What's up? And

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Speaker 1: in summer?

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Speaker 2: Shring you? Well?

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Speaker 3: Oh my god, summer. I love summer, do you? I

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Speaker 3: mean not the weather. I don't love the weather of summer.

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Speaker 3: I love the vibe of summer where it's like very relaxing.

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Speaker 3: And I've been I've been traveling a lot, Like I

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Speaker 3: went to Montreal a couple of weeks ago, had the

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Speaker 3: best time.

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Speaker 2: I god, damn wife, I love that city.

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Speaker 3: And going to travel again next month, and just I

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Speaker 3: don't know, it just seems like a good time to

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Speaker 3: get out in the world.

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Speaker 1: This is good news because I swear to go. The

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Speaker 1: last time we talked about summer, you were like, I

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Speaker 1: hate it. I only love winter.

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Speaker 3: I like.

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Speaker 1: But I feel like, because you're having a good summer,

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Speaker 1: you like summer, which is I like this summer.

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Speaker 2: I like this summer.

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Speaker 1: Yes.

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Speaker 3: How are you doing though? You've been doing some some stuff,

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Speaker 3: some summer stuff.

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Speaker 1: Yeah, a little bit, A little bit. I feel like

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Speaker 1: while you were in Montreal, I was in the woods

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Speaker 1: in Western Florida. I took my nephews I started. I

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Speaker 1: called it soft launch camping, but I think everybody knows it.

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Speaker 1: It's glamping, right, It's kind of like camping, but it's

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Speaker 1: there's a little bit more creature comfort Accoutremont type stuff.

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Speaker 3: Yeah, did you have like the tent with the beds

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Speaker 3: in it and like electricity and stuff?

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Speaker 1: Oh? Yeah, And honestly, probably if it was up to

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Speaker 1: me entirely, probably not my first choice. But I also

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Speaker 1: know that my nephews are eight and they've never been

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Speaker 1: camping before. So you know, I feel like, as their aunt,

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Speaker 1: I have to provide them with like an alternate, alternate,

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Speaker 1: you know, experience. Really I have to basically be the outdoorsy,

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Speaker 1: you know, hippie aunt or whatever. So but so that

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Speaker 1: because of that, I feel like I think I might

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Speaker 1: have put a little bit of pressure on the scenario

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Speaker 1: for myself to like give them a good time.

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Speaker 3: Right, Millie, I'm shocked, really, It's like, I mean, it's

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Speaker 3: like I've never met you.

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Speaker 2: I'm shocked that.

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Speaker 3: You put any pressure on this situation to be the

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Speaker 3: best time they've ever had in their life.

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Speaker 1: I know, I know, and cause I just was like,

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Speaker 1: I don't know. To me, I listen, I feel like

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Speaker 1: this probably is very obvious, and a lot of people

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Speaker 1: know this about going outside and going outdoors. It's it

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Speaker 1: presents a lot of reflection into your life in the

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Speaker 1: kind of person that you are. Like, that's why all

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Speaker 1: these stupid, fucking like corporations want their employees to like

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Speaker 1: go throw each other over walls in the woods and stuff.

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Speaker 3: They give everyone one of those Burt Reynolds leather vests

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Speaker 3: from Deliverance. Yes, they're like, make it fucking happen. Kirk, like,

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Speaker 3: go out there and do your fucking thing. Kirk's like, what,

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Speaker 3: I'm an accountant, what are you talking about.

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Speaker 2: That's so funny.

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Speaker 1: You say that too, because my sister when we were

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Speaker 1: driving home, my sister went as well, and she was like,

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Speaker 1: oh yeah, I went like whitewater rafting with my company.

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Speaker 1: And I was like what. And I know that that

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Speaker 1: happens a lot, Like people go on like weird kind

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Speaker 1: of like weekend trips with their departments and their companies,

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Speaker 1: And I was like, that seems so dangerous by my

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Speaker 1: modern eyes, Like to go white water rafting with your coworkers.

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Speaker 2: Have you ever seen white water summer.

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Speaker 1: No, but I've seen deliverance.

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Speaker 3: Oh no, I'll pick it for a thief. But it

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Speaker 3: is like white water rafting is not something you take lightly.

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Speaker 3: And I feel like from a liability standpoint, it's a

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Speaker 3: weird idea, but also from what you're talking about, which

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Speaker 3: is like the joy of being outside and the mix,

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Speaker 3: the mixture of the you know, the joy and the

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Speaker 3: staring into the abyss of being outside is that you

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Speaker 3: get to get in touch with yourself. So being there

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Speaker 3: with like seventeen people that you see every day in

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Speaker 3: a office building feels strange.

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Speaker 1: Yeah, And and I just feel like it's it's so

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Speaker 1: it's such a dangerous environment and people would fall out

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Speaker 1: of the boat. Like she even told me, like two

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Speaker 1: people from her department fell out of the raft. I'd

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Speaker 1: be like, uh, well, I guess they're dead. I don't

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Speaker 1: know how to save them. I don't know how to

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Speaker 1: go back and get them.

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Speaker 3: Like that is that how companies are downsizing now. They're like,

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Speaker 3: let's go to the woods, let's go on a hiking trip. Oops,

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Speaker 3: you fell over the fucking a fucking cliff by Janet, Like.

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Speaker 1: What if only they had taken me on a whitewater

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Speaker 1: rafting trip. When I got laid off, it would have

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Speaker 1: gone down much easier, I'll tell you that much. But

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Speaker 1: so it was only like two nights, and like I said,

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Speaker 1: it was comfortable, Like it was not the type of

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Speaker 1: camping that I've done in the past, which is like

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Speaker 1: you have to build a tent and you know you're

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Speaker 1: kind of now. I've never did true like multi day

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Speaker 1: backpack camping where you like hike into the woods and

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Speaker 1: set up like a primitive campsite type of thing. I've

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Speaker 1: only done a lot, like I've done car camping, and

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Speaker 1: then I've done like where I've walked like a mile

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Speaker 1: into the woods, but I've had like a wagon full

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Speaker 1: of my things. Like it wasn't like Sheryl straight level

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Speaker 1: type of.

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Speaker 3: Stuff fucking boots over into the fucking cavernous.

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Speaker 1: Yes, like I haven't had the pressure necessarily of having

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Speaker 1: to take everything I need to survive on my back,

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Speaker 1: you know what I'm saying. But you know, there was

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Speaker 1: still a lot of drama, a lot of like pain points.

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Speaker 1: Literally sitting in an air conditioned tent. It was air conditioned.

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Speaker 2: Yes, I don't even have air conditioning in my house.

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Speaker 3: Having a depressive episode in an air conditioned tin.

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Speaker 1: Now listen there. It wasn't like a full air air

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Speaker 1: condition I mean it was basically like an air conditioner

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Speaker 1: you would see in the Philippines that has like you know,

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Speaker 1: like it's been there forever. It's like a thing you

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Speaker 1: could buy at Costco and it probably we all probably

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Speaker 1: have Legionaire's disease now, like who knows. But it was

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Speaker 1: technicaler yes, yes, Sampler, it was technically air conditioned, which

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Speaker 1: I got to say was very comfortable to sleep, because honestly,

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Speaker 1: that is one thing about camping that I absolutely fucking

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Speaker 1: hate and makes me just enrages me is being hot

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Speaker 1: when sleeping, like sweating whiles. So it was a very

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Speaker 1: you know, soft launch like they It wasn't like too rough.

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Speaker 1: It had a little little bit of the kind of

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Speaker 1: like outdoors the elements, but there was just things about

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Speaker 1: it that I like starting a campfire, like we're so

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Speaker 1: we're camping in Florida and you know, it's really humid,

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Speaker 1: it rains a lot, you know, So I think that

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Speaker 1: what happened, and this is based on you know, the

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Speaker 1: other times that I've gone camping and have started fires.

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Speaker 1: I think the wood was wet or like it just

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Speaker 1: wasn't completely dry because all of the techniques that I

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Speaker 1: knew from starting fires in the past did not work.

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Speaker 1: And it was that kind of thing where the wood

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Speaker 1: was like essentially smoldering. It wasn't burning, the logs weren't catching,

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Speaker 1: and I was using tons and tons of tender kindling,

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Speaker 1: all that stuff I made, fucking petroleum jelly soaked cotton balls.

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Speaker 1: I mean, I was like prepared as fuck and this

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Speaker 1: was not catching. And you know, part of the issue

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Speaker 1: with even going glamping is that you don't have like

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Speaker 1: a kitchen, so you got to cook everything yourself. And

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Speaker 1: it was just that thing where it's like not being

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Speaker 1: able to start the fire just set me over the edge,

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Speaker 1: maybe like.

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Speaker 3: We're gonna starve, We're gonna I bought these babies out

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Speaker 3: here to fucking start.

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Speaker 1: There was there was like a moment where I was like,

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Speaker 1: God is punishing me because this fire won't light. It'll

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Speaker 1: start for like five seconds and then go out, or

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Speaker 1: it will it will burn all the kindling and then

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Speaker 1: of course go out because none of the logs are catching.

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Speaker 1: And I was like, oh, why is God punishing me?

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Speaker 1: He has brought me so much misery this year for

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Speaker 1: so many, Like it was like the avalanche of shit.

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Speaker 1: It was happening in real time. And my nephews were

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Speaker 1: like watching me spin out and they were completely flipped

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Speaker 1: and like they were just like who, like.

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Speaker 2: They've never seen they never met this bitch before.

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Speaker 1: And this is the other part too, So you know,

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Speaker 1: you're like so frustrated and you're and you're trying to

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Speaker 1: get something to work and it doesn't work, and you

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Speaker 1: feel like and even though because of course you know me,

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Speaker 1: I also had like two other methods with me to

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Speaker 1: prepare food. I had a fucking camp stove like a burner,

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Speaker 1: a buttane burner, and a jet boil, so we could

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Speaker 1: have oh.

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Speaker 2: My food, you could have made like a souv dinner.

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Speaker 2: My god, you're cooking better than most people are eating.

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Speaker 1: At home, I know. But I wanted the fire thing.

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Speaker 1: I wanted the campfire because what the fuck? Why go

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Speaker 1: camping if you can't have a fire. And so I

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Speaker 1: was just like I and I swear, this is this

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Speaker 1: really like like I'm spiraling out. And it was the

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Speaker 1: kind of thing where like anybody who gave me a suggestion,

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Speaker 1: I just decimated the fuck out of them like I

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Speaker 1: just be like, my sister's like what about trying, And

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Speaker 1: I'd be like, fuck you get the fuck away from me,

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Speaker 1: like leave me alone. And they were all like, we're

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Speaker 1: going home and we're leaving this bitch in the woods.

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Speaker 1: She was losing your shit.

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Speaker 2: Ah, you didn't just flip out.

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Speaker 3: You turned into a dad. Maybe not your dad, but

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Speaker 3: you turned into a dad.

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Speaker 1: Oh my god. It was rough, and I you know,

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Speaker 1: of course, of course, like after it was all said

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Speaker 1: and done, after both nights, the second night, we sort

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Speaker 1: of had a fire. I tried it in a different way,

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Speaker 1: like I tried, you know, forming the campfire in a

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Speaker 1: different way. Still didn't really catch, and we just basically

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Speaker 1: did the thing. We're like, all right, make all the

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Speaker 1: scores right now while we have a fire, because this

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Speaker 1: shit's going out in like ten minutes. So we managed

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Speaker 1: to actually like cook hot dogs and s'mores in the

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Speaker 1: time that we had a fire on the second night.

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Speaker 2: That's great.

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Speaker 1: That's the camping experience I want kids to have, I know,

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Speaker 1: but it would have been nice to have a fire

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Speaker 1: like all throughout the night we could tell stories and

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Speaker 1: it would have been like so great. Anyway, it was

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Speaker 1: probably the wood. Maybe it was a little bit of me,

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Speaker 1: but I was like, on my way home, all I

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Speaker 1: did was apologize. All I did was apologize. I was like, guys,

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Speaker 1: I'm really sorry. You saw a really dark side of

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Speaker 1: me back there. And it's it's because of a lot

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Speaker 1: of things. It's that A. I want to be good

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Speaker 1: at everything. B. I want you guys to have a

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Speaker 1: good time. I love you so much, and I felt

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Speaker 1: responsible for your good time. And see, I have been,

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Speaker 1: you know, considering the idea that I have maybe too

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Speaker 1: much of an independent nature and that I've gone past

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Speaker 1: this point where now nobody can tell me anything where

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Speaker 1: I'm just so self sufficient, don't need help, type of

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Speaker 1: type of woman that now nobody can even enter into

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Speaker 1: the equation and offer a suggestion, right, And that is

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Speaker 1: something that I'm trying to correct as we speak. And

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Speaker 1: have known that. I've known that about myself for a

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Speaker 1: long time, and it's something that I talk about in

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Speaker 1: therapy all obviously, But it was that thing of like

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Speaker 1: when you're frustrated and when you want to do something

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Speaker 1: and you want to please people and you want to

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Speaker 1: please yourself and somebody tries to help you, know, it

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Speaker 1: just was like this, like get the hell away from

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Speaker 1: e thing, and I don't need your help, like don't,

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Speaker 1: don't try to momy or whatever. And it was awful,

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Speaker 1: Like I saw myself at that moment being like what

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Speaker 1: are you doing. You're like yelling at people that you love,

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Speaker 1: like you need to like you know, apologize and and

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Speaker 1: you know, try to figure out what the hell is

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Speaker 1: actually going on beyond this. But you know what I mean,

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Speaker 1: So it's yeah.

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Speaker 2: And it sounds like you did figure out what was

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Speaker 2: going on beyond that.

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Speaker 3: It's not an easy or quick thing to correct, and

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Speaker 3: it's become like a survival instinct, you know, like if

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Speaker 3: you in your life, in my life of something, if

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Speaker 3: we don't do something, it doesn't happen. So it's really

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Speaker 3: hard to let people into help.

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Speaker 2: And I'm like that.

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Speaker 3: I mean, I put the absolute pulled the absolute brakes

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Speaker 3: on my brother helping me with any home improvement stuff

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Speaker 3: because the first two times, it's like, oh my god,

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Speaker 3: you scratched my fucking floor because you wouldn't pick.

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Speaker 2: Up the table.

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Speaker 3: I told you to pick up the table, you didn't

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Speaker 3: pick it up, and now my floor is scratched. And

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Speaker 3: that's what I get for accepting help and I'm like, no, no, no,

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Speaker 3: that's not the way. It's just he helped in other ways.

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Speaker 3: I have to recognize what he's good at. I have

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Speaker 3: to recognize what I'm good at, yeah, and let him

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Speaker 3: try and possibly fail. But it's it's a strange position

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Speaker 3: to be. And we're like, you're used to doing things

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Speaker 3: on your own, and now you have to give people

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Speaker 3: room to try and help or try and fail.

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Speaker 2: And you're like, the whole point is I don't want

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Speaker 2: to fail. I don't want to fail.

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Speaker 1: Yeah, I want to be good at everything, and it's impossible.

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Speaker 1: It's impossible to be good at everything. And yeah, and

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Speaker 1: this is like again like this is probably so obvious,

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Speaker 1: but like that is why. I think that's why people

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Speaker 1: should put themselves in uncomfortable situations challenge themselves, like and

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Speaker 1: that's what the outdoors is. It's basically like nature is

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Speaker 1: going to kill you. Like you're powerless against you know, nature,

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Speaker 1: and you have to feel that once in a while

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Speaker 1: in order to I don't know, really get yourself or

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Speaker 1: really you know, understand who you are. So it was

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Speaker 1: I just had that moment again where I was just like, wow, dude,

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Speaker 1: shit got really dark this weekend. I don't know how.

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Speaker 1: It was just such an innocent glamping trip that turned

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Speaker 1: into this like deep soul search.

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Speaker 3: Oh that's look, I haven't been camping in a while.

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Speaker 3: The camping will do that to you. And I used

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Speaker 3: to do that kind of camping where when I lived

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Speaker 3: in Alaska, I would hike in for a couple of

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Speaker 3: days somewhere with a friends and just like we'd have

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Speaker 3: our own food, we'd.

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Speaker 2: Have our own water, we'd be responsible for all our

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Speaker 2: own shit.

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Speaker 3: And I just remember the first time I had to

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Speaker 3: pack for one of those trips and I was like, oh.

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Speaker 3: She asked me like, oh, do you have iodine tablets?

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Speaker 3: And I'm like why, She's like, so that water won't

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Speaker 3: kill you. I'm like, oh, we're just going to like

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Speaker 3: fill our bottles from the stream. And she's like, and

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Speaker 3: there will be bacteria in there that could still kill you.

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Speaker 2: And I'm like, holy shit.

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Speaker 3: So just like those little things that you have to

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Speaker 3: do just to stay afloat, and then if one thing

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Speaker 3: doesn't work in that scenario, in that framework, it demolishes.

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Speaker 3: It's like a domino effect. It demolishes so much of

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Speaker 3: the intention of the trip. So I totally understand that,

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Speaker 3: but it's it is good to challenge yourself.

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Speaker 2: And I think it's.

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Speaker 3: Also a culmination of this year for you, where you've

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Speaker 3: been like up against it and like you know, you're

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Speaker 3: sick of shit not working out.

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Speaker 2: So that makes total sense that like.

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Speaker 1: You're you know, yeah, no, it's true, and you're so

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Speaker 1: right about it because that's the thing is that you know,

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Speaker 1: fire is the foundation of staying alive, like outside totally

304
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Speaker 1: and the fact that I couldn't get it to work

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Speaker 1: really just it just felt like the entire trip was

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Speaker 1: a wash, even though it wasn't in reality, but it

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Speaker 1: almost felt like, well, I can't provide for myself, and

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Speaker 1: that even in that moment, like what if I was

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Speaker 1: like fucking stuck out here and I didn't know how

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Speaker 1: to start a fire and I died, and then I'm

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Speaker 1: the idiot that walked into the woods died because I

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Speaker 1: didn't know how to survive, Like those are things like

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Speaker 1: and this is and this is the thing is that

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Speaker 1: I feel like, you know, I I did. I've had

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Speaker 1: a rough year definitely for sure, and you know, I

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Speaker 1: don't know, I just felt like in that moment everything

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Speaker 1: was just snowballing, like and it sounds so crazy to

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Speaker 1: think about it like that, but it really was. And

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Speaker 1: then I felt embarrassed that, you know, my family watched

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Speaker 1: me kind of struggle. You know.

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Speaker 3: Oh that's something I never fucking want because like, to

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Speaker 3: your family, you're like the one who has it all together.

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Speaker 1: Absolutely, And that was like a big thing because my

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Speaker 1: sister was the one that was like, she was like, oh,

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Speaker 1: we have to bring this. She was the one that

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Speaker 1: was like you in that moment in Alaska where like,

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Speaker 1: oh you have to you know, purify the water, sit

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Speaker 1: and really have like a sense of like all the

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Speaker 1: stuff that goes into you know, camping and hiking and

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Speaker 1: going outside. And I was telling her the entire you know,

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Speaker 1: the entire time we were planning the trip, like hey,

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Speaker 1: you need to remember to bring this. So I just

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Speaker 1: was embarrassed, and I was embarrassed that I didn't know

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Speaker 1: how to do it, but I was also embarrassed that

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Speaker 1: they had to see me like flip the fuck out.

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Speaker 1: And I felt in that moment I was being really

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Speaker 1: mean and I never want to be mean to my family,

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Speaker 1: but it was like it's easy to be mean to

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Speaker 1: your family too, which is also really embarrassing to think about,

340
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Speaker 1: because you know, there's just part they're your family, and

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Speaker 1: I take advantage of that sometimes in those situations where

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Speaker 1: I'm just like, well, I can say anything I want

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Speaker 1: to these people and they still love me. And I'm like, no,

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Speaker 1: that doesn't that's not They're you know, these people have

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Speaker 1: a reason to never talk to me again outter this weekend,

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Speaker 1: and I'm and I'm lucky if they want to so well.

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Speaker 3: I don't think it would ever get to that point,

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Speaker 3: but I understand the feeling of that, and that's just

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Speaker 3: that's just, you know, you're just having to spend some

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Speaker 3: time with yourself and remind yourself and find ways to

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Speaker 3: remind yourself in the moment that like, you know what,

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Speaker 3: I'm gonna walk away from this for ten minutes. I'm

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Speaker 3: just walking away from everybody for ten minutes. It's not

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Speaker 3: the end of the world. We're gonna eat everything. Even

355
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Speaker 3: if we eat raw hok dogs. It's fucking fine. We're

356
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Speaker 3: in an air conditioned tent. What's the We're not gonna

357
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Speaker 3: die a heat stroke, Like, what's the worst that's gonna happen?

358
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Speaker 3: Cause we eat some cheese sandwiches and those kids are

359
00:18:41,200 --> 00:18:42,760
Speaker 3: still gonna have an I bet they still had an

360
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Speaker 3: absolute blast.

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Speaker 1: I hope so, because like later that night we ended

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Speaker 1: up playing like cards and everybody was having a great

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Speaker 1: old time.

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Speaker 2: Yeah.

365
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Speaker 1: I was like, okay, hopefully, like things have calmed down.

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Speaker 1: And you know, there was some fighting, not just between

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Speaker 1: me and my sister, but like my nephews were fighting.

368
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Speaker 1: So there's always like fighting within families on a vacation.

369
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Speaker 1: But I think everybody's okay. We hung out today, so

370
00:19:09,720 --> 00:19:15,239
Speaker 1: everything should be cool. But anyway, so that was my

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Speaker 1: while you were in Montreal, I was learning about myself.

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Speaker 3: So look, I learned some things about myself too, but

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Speaker 3: they are not for the common ear. Ooh, I learned

374
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Speaker 3: some sexy things about myself in Montreal.

375
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Speaker 1: No one can see my face, but I've turned my

376
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Speaker 1: head like a dog like I I was like.

377
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Speaker 3: Well, the main thing I've learned is that, wow, maybe

378
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Speaker 3: I want to have sex again.

379
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Speaker 2: That was a news to me. News to me, I have.

380
00:19:47,160 --> 00:19:49,359
Speaker 3: Shut the fucking rolled the boulder in front of the

381
00:19:49,400 --> 00:19:52,639
Speaker 3: cave on that one. Now there's like a shaft of

382
00:19:52,720 --> 00:19:55,800
Speaker 3: light coming through and I was like, oh, really, still

383
00:19:56,000 --> 00:19:57,919
Speaker 3: we're still doing this in this economy.

384
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Speaker 1: I love it.

385
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Speaker 3: I I'm proud of you for going, and I think

386
00:20:01,760 --> 00:20:04,399
Speaker 3: those I think again, your nephews are so cute and

387
00:20:04,440 --> 00:20:06,879
Speaker 3: they love you so much, and you have done so

388
00:20:07,080 --> 00:20:10,520
Speaker 3: much to show them a good time and how you

389
00:20:10,600 --> 00:20:12,480
Speaker 3: like to live life and how they can live life.

390
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Speaker 3: And I don't think you are at all dismantling that

391
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Speaker 3: with one camping trip.

392
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Speaker 2: And also let them see another side of you.

393
00:20:22,760 --> 00:20:26,720
Speaker 3: Let them see that, like people are complex, you know

394
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Speaker 3: what I mean, especially women.

395
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Speaker 2: Let them learn that women can pop off.

396
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Speaker 3: I just think of like everything you've done with them

397
00:20:32,760 --> 00:20:35,120
Speaker 3: in terms of like especially when you were living in Florida,

398
00:20:35,200 --> 00:20:37,520
Speaker 3: like you know, take showing them how to garden and

399
00:20:37,560 --> 00:20:40,479
Speaker 3: taking them to like the park and on field trips

400
00:20:40,480 --> 00:20:42,200
Speaker 3: and stuff like you you've done so much good ship

401
00:20:42,240 --> 00:20:44,080
Speaker 3: with them, and this is just another layer of it.

402
00:20:44,160 --> 00:20:46,040
Speaker 3: Like they're getting older, so there you're gonna do more

403
00:20:46,040 --> 00:20:47,879
Speaker 3: stuff with them that and some of it's gonna be

404
00:20:47,880 --> 00:20:48,359
Speaker 3: real hard.

405
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Speaker 1: Yeah, yeah, I hope, I hope you're right. I am.

406
00:20:53,520 --> 00:20:55,960
Speaker 1: I just love I love them so much. I just

407
00:20:56,000 --> 00:20:59,320
Speaker 1: want to be a good influence on them. And hopefully

408
00:20:59,400 --> 00:21:02,800
Speaker 1: they haven't hopefully they haven't been traumatized by.

409
00:21:02,680 --> 00:21:04,399
Speaker 2: This carriage listen.

410
00:21:04,400 --> 00:21:06,400
Speaker 3: I'm at the point where I'm like about to get

411
00:21:06,440 --> 00:21:08,160
Speaker 3: all the kids in my life over to my house,

412
00:21:08,240 --> 00:21:10,640
Speaker 3: throw them in the backyard, and just be like good luck,

413
00:21:10,960 --> 00:21:13,040
Speaker 3: no tent, nothing, just like figure.

414
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Speaker 2: It out for the next week. Oh it's rain, and

415
00:21:14,520 --> 00:21:15,040
Speaker 2: figure it.

416
00:21:14,960 --> 00:21:18,760
Speaker 3: Out like survival wilderness camp in the backyard. I thought

417
00:21:18,760 --> 00:21:22,120
Speaker 3: we were gonna be glamping. No, you're gonna be cramping

418
00:21:22,240 --> 00:21:22,960
Speaker 3: or whatever you got.

419
00:21:23,680 --> 00:21:25,760
Speaker 1: You're gonna be bear grillsing it. You're gonna have to

420
00:21:25,800 --> 00:21:27,600
Speaker 1: like eat spiders and shit.

421
00:21:27,680 --> 00:21:31,280
Speaker 2: What if I open the bear grills children this adventure.

422
00:21:30,800 --> 00:21:34,040
Speaker 1: Park, then you can have a restaurant in it called

423
00:21:34,040 --> 00:21:39,000
Speaker 1: the bear Grills Grill where it's like just spiders and

424
00:21:39,040 --> 00:21:39,879
Speaker 1: worms and.

425
00:21:41,880 --> 00:21:45,480
Speaker 3: Or look if it comes, if theate intervenes, maybe we'll

426
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Speaker 3: cook one of the children.

427
00:21:46,400 --> 00:21:49,320
Speaker 2: Jesus Christ, we should cut that. I just cook a child?

428
00:21:51,320 --> 00:21:53,200
Speaker 2: What kind of Lord of the fucking flies?

429
00:21:53,400 --> 00:21:55,280
Speaker 1: Shit? Am I on? Like?

430
00:21:55,359 --> 00:21:58,000
Speaker 3: Come to my house survive in the backyard. Maybe we'll

431
00:21:58,000 --> 00:21:59,720
Speaker 3: cook one of your kids if they break their leg.

432
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Speaker 2: I don't know.

433
00:22:02,040 --> 00:22:05,520
Speaker 1: The information that you provided to me today is I

434
00:22:05,560 --> 00:22:08,440
Speaker 1: went on vacation. I want to get late again. Let's

435
00:22:08,520 --> 00:22:09,200
Speaker 1: cook children.

436
00:22:11,760 --> 00:22:13,560
Speaker 2: You know I'm always all over the place. I can't

437
00:22:13,560 --> 00:22:15,680
Speaker 2: help my brain.

438
00:22:16,280 --> 00:22:17,560
Speaker 1: Those two things are related.

439
00:22:18,600 --> 00:22:21,200
Speaker 3: My brain takes a starts running a marathon, and I

440
00:22:21,240 --> 00:22:22,919
Speaker 3: don't know where the fucking finish line is.

441
00:22:23,400 --> 00:22:27,520
Speaker 1: Every week, Yeah, we love that. We love that for you.

442
00:22:27,840 --> 00:22:30,000
Speaker 2: Well, you know what else I love is our fucking

443
00:22:30,080 --> 00:22:30,879
Speaker 2: theme this week?

444
00:22:31,359 --> 00:22:41,240
Speaker 1: Yo yo yo, yo yo yo. Is this officially the

445
00:22:41,280 --> 00:22:46,520
Speaker 1: beginning of our like summer blockbuster extravaganza.

446
00:22:46,880 --> 00:22:48,720
Speaker 3: I think this is the beginning of our We're gonna

447
00:22:48,720 --> 00:22:53,439
Speaker 3: stop traumatizing you with our Dowur Victorian movies from the winter.

448
00:22:54,400 --> 00:22:56,320
Speaker 3: We're gonna give you something to laugh about.

449
00:22:56,920 --> 00:22:58,360
Speaker 2: We're gonna give you something to.

450
00:22:58,320 --> 00:23:02,520
Speaker 3: Think about, but not heavily because you're out there in

451
00:23:02,520 --> 00:23:05,680
Speaker 3: these woods lamping. Yeah, this is I think this is it.

452
00:23:05,720 --> 00:23:08,040
Speaker 3: I think this is Actually last week was kind of no.

453
00:23:08,200 --> 00:23:10,240
Speaker 3: Last week we had Midnight Express. I'm gonna cut all

454
00:23:10,280 --> 00:23:10,439
Speaker 3: of that.

455
00:23:14,640 --> 00:23:17,720
Speaker 1: We talked about it waslamophobia last week.

456
00:23:18,080 --> 00:23:22,439
Speaker 3: So but this week, next week, I think for the

457
00:23:22,440 --> 00:23:26,440
Speaker 3: rest of the summer, we've got pretty great light fun shows.

458
00:23:26,960 --> 00:23:29,720
Speaker 1: Yeah. I think that, like over the years, we made

459
00:23:30,040 --> 00:23:33,159
Speaker 1: the executive decision to start having a little fun in

460
00:23:33,160 --> 00:23:37,199
Speaker 1: the summertime. That is that idea is what you know,

461
00:23:37,320 --> 00:23:41,919
Speaker 1: basically birthed the like Dante's Peak Joe Versus the Volcano episode,

462
00:23:42,000 --> 00:23:44,320
Speaker 1: Like we just want to get fun. Summer is a

463
00:23:44,320 --> 00:23:47,560
Speaker 1: fun time. I mean, we've talked about so many fun

464
00:23:47,600 --> 00:23:50,240
Speaker 1: summer topics and so many fun summer movies, and so

465
00:23:50,359 --> 00:23:52,600
Speaker 1: this week we wanted to kind of kick that off

466
00:23:52,640 --> 00:23:59,159
Speaker 1: again with two super fun films that I hope Daniel

467
00:23:59,359 --> 00:24:01,720
Speaker 1: will you know, talk about in terms of the theme.

468
00:24:01,800 --> 00:24:02,480
Speaker 1: So what's the theme?

469
00:24:02,800 --> 00:24:06,520
Speaker 3: Yeah, So our theme this week is honestly, we probably

470
00:24:06,560 --> 00:24:10,360
Speaker 3: deserve this, and we're focusing on alien comedies or comedies

471
00:24:10,400 --> 00:24:11,879
Speaker 3: where aliens fall to the earth.

472
00:24:12,560 --> 00:24:17,520
Speaker 1: Hell yeah, hell yeah, these two movies. I honestly haven't

473
00:24:17,600 --> 00:24:20,240
Speaker 1: had this much fun watching two movies in a long time.

474
00:24:20,920 --> 00:24:26,880
Speaker 1: The first watch for me for your film, and I

475
00:24:27,000 --> 00:24:32,440
Speaker 1: was literally like texting you, going, is this my favorite movie? Now?

476
00:24:32,960 --> 00:24:36,160
Speaker 3: I don't know love that You're like, goodbye Jean Delmand,

477
00:24:36,320 --> 00:24:39,800
Speaker 3: Hello Alien shdropped to Earth.

478
00:24:42,320 --> 00:24:42,720
Speaker 2: The list.

479
00:24:43,400 --> 00:24:46,960
Speaker 1: I totally like, I remember when this movie came out.

480
00:24:47,240 --> 00:24:49,199
Speaker 1: I feel like I might have gotten it confused with

481
00:24:49,280 --> 00:24:54,080
Speaker 1: another movie, and I don't know why that happened, but

482
00:24:54,640 --> 00:24:57,199
Speaker 1: I so first time watched and I loved it. I

483
00:24:57,200 --> 00:25:00,359
Speaker 1: thought it was so fun, so interesting, Like I just

484
00:25:00,400 --> 00:25:04,440
Speaker 1: thought it was really fresh, cool. Again, extremely late to

485
00:25:04,480 --> 00:25:06,359
Speaker 1: the party, but at least I'm at.

486
00:25:06,280 --> 00:25:08,479
Speaker 2: The party, that is. So I'm so glad you're at

487
00:25:08,480 --> 00:25:08,800
Speaker 2: the party.

488
00:25:08,840 --> 00:25:12,520
Speaker 3: I would I would say that this is it's possibly

489
00:25:12,520 --> 00:25:14,480
Speaker 3: a top ten, maybe even a top five for me.

490
00:25:14,960 --> 00:25:16,760
Speaker 1: Oh, I can track.

491
00:25:17,160 --> 00:25:20,680
Speaker 3: I cannot imagine like never watching this movie again, like

492
00:25:20,760 --> 00:25:21,760
Speaker 3: Desert Island style.

493
00:25:22,280 --> 00:25:23,000
Speaker 1: Yeah.

494
00:25:23,040 --> 00:25:27,040
Speaker 3: So I am just excited to bring it to the folks.

495
00:25:27,040 --> 00:25:28,560
Speaker 3: And I haven't seen your movie since I was like

496
00:25:28,600 --> 00:25:31,080
Speaker 3: a kid in it, well, so good.

497
00:25:31,400 --> 00:25:33,880
Speaker 1: Yeah, oh my god. So this this was kind of

498
00:25:33,920 --> 00:25:35,479
Speaker 1: like a thing that I think you and I had

499
00:25:35,520 --> 00:25:39,080
Speaker 1: been We've been wanting to talk about my movie for forever,

500
00:25:39,840 --> 00:25:41,879
Speaker 1: uh because I remember bringing it up once and I

501
00:25:41,920 --> 00:25:43,280
Speaker 1: was like, I haven't seen that movie since I was

502
00:25:43,320 --> 00:25:44,920
Speaker 1: a kid, and You're like, I haven't seen that movie

503
00:25:44,960 --> 00:25:46,960
Speaker 1: since I was a kid, and we're both like, huh,

504
00:25:47,160 --> 00:25:49,240
Speaker 1: wonder if we should do it for an episode. So

505
00:25:49,280 --> 00:25:52,399
Speaker 1: we finally got around to it, and uh, it was

506
00:25:52,440 --> 00:25:55,160
Speaker 1: also it was just so fun. I just like, I'm

507
00:25:55,200 --> 00:25:58,600
Speaker 1: so excited about these two. You're going first, I believe

508
00:25:59,240 --> 00:25:59,680
Speaker 1: I am.

509
00:25:59,680 --> 00:26:02,000
Speaker 2: In Let's get right into it.

510
00:26:02,080 --> 00:26:08,119
Speaker 3: Because my film was released in twenty eleven. It was

511
00:26:08,160 --> 00:26:11,919
Speaker 3: written and directed by Joe Krnish. My movie for the

512
00:26:11,920 --> 00:26:16,159
Speaker 3: theme of honestly we probably deserve this is attack the Block?

513
00:26:16,400 --> 00:26:17,200
Speaker 2: Where is that God?

514
00:26:17,680 --> 00:26:18,960
Speaker 1: Alien bro believe it?

515
00:26:19,000 --> 00:26:20,200
Speaker 2: And London in the wrong place?

516
00:26:20,240 --> 00:26:22,320
Speaker 1: Do you get me the wrong place?

517
00:26:22,440 --> 00:26:24,280
Speaker 2: I'm welcome to London, mo fucker.

518
00:26:24,640 --> 00:26:27,400
Speaker 3: One thing that's to know first and foremost is that

519
00:26:27,440 --> 00:26:31,800
Speaker 3: this was I think it was definitely my first introduction

520
00:26:31,880 --> 00:26:34,119
Speaker 3: to John Boyega, who's one of the stars of the film,

521
00:26:34,600 --> 00:26:38,399
Speaker 3: and I believe it's one of, if not his first film. Yeah,

522
00:26:38,440 --> 00:26:41,040
Speaker 3: so he'd done a couple of TV shows in the UK,

523
00:26:41,200 --> 00:26:43,280
Speaker 3: but I think this was his first film. His first

524
00:26:43,280 --> 00:26:45,040
Speaker 3: two films were released in the same year, so I'm

525
00:26:45,080 --> 00:26:47,719
Speaker 3: just not sure which came first. But from the minute

526
00:26:47,800 --> 00:26:50,640
Speaker 3: I saw him, especially in this film, the whole cast

527
00:26:50,680 --> 00:26:52,720
Speaker 3: is incredible, but I saw him and I'm like, I

528
00:26:52,760 --> 00:26:57,000
Speaker 3: don't know who this kid is, but he is fucking incredible.

529
00:26:57,359 --> 00:27:01,359
Speaker 3: He is an incredible actor. He's in drama, he's doing comedy,

530
00:27:01,359 --> 00:27:04,639
Speaker 3: he's doing action. This movie has it all and John

531
00:27:04,680 --> 00:27:07,480
Speaker 3: Boyega gave it to us. And Joe Cornish, who wrote

532
00:27:07,480 --> 00:27:10,479
Speaker 3: and directed the film, was actually a comedian. He had

533
00:27:10,520 --> 00:27:13,199
Speaker 3: a comedy partner for a long time, Adam Buxton in

534
00:27:13,200 --> 00:27:16,520
Speaker 3: the UK. But he's also a writer and this was

535
00:27:16,520 --> 00:27:20,120
Speaker 3: his directorial debut, but he went on to co write

536
00:27:20,200 --> 00:27:23,639
Speaker 3: things like the Adventures of ten ten Ant Man. Like

537
00:27:23,680 --> 00:27:26,280
Speaker 3: he's he's had a bigger career since this film. That's

538
00:27:26,320 --> 00:27:29,000
Speaker 3: really kicked off some stuff for him. But he's always

539
00:27:29,000 --> 00:27:32,520
Speaker 3: been a comedian screenwriter, and now he's you know, director,

540
00:27:32,720 --> 00:27:36,560
Speaker 3: directing and producing. So he also works closely with Simon

541
00:27:36,640 --> 00:27:39,639
Speaker 3: Pegg and you know Edgar Wright and Nick Frost and

542
00:27:39,720 --> 00:27:42,360
Speaker 3: kind of their production companies and you know, he's he's

543
00:27:42,359 --> 00:27:45,960
Speaker 3: a part of that big Talk Pictures, like you know,

544
00:27:46,040 --> 00:27:48,639
Speaker 3: that whole group of guys that came up in comedy

545
00:27:48,680 --> 00:27:51,760
Speaker 3: together around the same time in London. So yeah, he's

546
00:27:51,840 --> 00:27:55,879
Speaker 3: it's it's really to me a stunning debut. I think

547
00:27:56,000 --> 00:28:00,720
Speaker 3: that if this is going to be anyone's first, anyone's

548
00:28:00,720 --> 00:28:02,440
Speaker 3: first movie, that if they can come out like this,

549
00:28:02,640 --> 00:28:03,320
Speaker 3: I'm thrilled.

550
00:28:04,280 --> 00:28:04,840
Speaker 2: Yeah, I'm thrilled.

551
00:28:05,080 --> 00:28:09,760
Speaker 1: Oh, Dan, that's so so funny that you mentioned Edgar

552
00:28:09,760 --> 00:28:13,440
Speaker 1: Wright too, because you know them working together. That's kind

553
00:28:13,440 --> 00:28:16,480
Speaker 1: of how it felt about Like when I first watched

554
00:28:16,520 --> 00:28:19,720
Speaker 1: Space at that Edgar Wright show, like I guess was

555
00:28:19,720 --> 00:28:22,200
Speaker 1: that his first show Ye had not made a movie

556
00:28:22,240 --> 00:28:26,480
Speaker 1: before that. It felt like he like I feel like

557
00:28:26,560 --> 00:28:29,639
Speaker 1: Joe Cornish with this movie, felt like when I watched

558
00:28:29,640 --> 00:28:31,720
Speaker 1: Space for the first time, being like, oh, here's like

559
00:28:31,760 --> 00:28:35,920
Speaker 1: a young person who directed something and it's fully formed,

560
00:28:35,960 --> 00:28:39,360
Speaker 1: Like these are fully formed ideas. They it almost seems

561
00:28:39,400 --> 00:28:41,840
Speaker 1: like they just sort of know what they're doing immediately.

562
00:28:42,480 --> 00:28:46,880
Speaker 1: They have a ton of like talent and references and stuff,

563
00:28:46,880 --> 00:28:48,160
Speaker 1: and it just was like, That's how I felt when

564
00:28:48,200 --> 00:28:50,560
Speaker 1: I watched this movie, which I was like, this, I

565
00:28:50,560 --> 00:28:54,240
Speaker 1: can't believe it's his first movie. It's just so like good.

566
00:28:54,360 --> 00:28:55,800
Speaker 1: It was really good.

567
00:28:56,000 --> 00:28:58,920
Speaker 3: And sometimes I think it takes I think part of

568
00:28:58,920 --> 00:29:00,920
Speaker 3: the reason that a lot of first films that kind

569
00:29:00,920 --> 00:29:03,440
Speaker 3: of stand out in this way, I think the reason

570
00:29:03,480 --> 00:29:05,400
Speaker 3: that they're able to do that is because they've been

571
00:29:05,440 --> 00:29:09,840
Speaker 3: able to write or produce the film without any without

572
00:29:09,840 --> 00:29:12,200
Speaker 3: any notes, without any interaction, Like they were able to

573
00:29:12,240 --> 00:29:15,840
Speaker 3: work on the idea before any studios or like anyone

574
00:29:15,880 --> 00:29:17,240
Speaker 3: got a hold of it and tried to make it

575
00:29:17,280 --> 00:29:20,680
Speaker 3: something else. So when you're young and ambitious and you

576
00:29:20,760 --> 00:29:22,320
Speaker 3: kind of think, well, this is the idea, like this

577
00:29:22,400 --> 00:29:24,960
Speaker 3: is it entirely. You have time to make it good

578
00:29:25,000 --> 00:29:27,440
Speaker 3: before you start taking out into the world. And then

579
00:29:27,480 --> 00:29:30,680
Speaker 3: once you do, now either you become a trope or

580
00:29:30,760 --> 00:29:33,440
Speaker 3: they expect you to kind of live within certain guidelines,

581
00:29:33,480 --> 00:29:35,160
Speaker 3: like the thing that makes you fresh and new and

582
00:29:35,240 --> 00:29:39,440
Speaker 3: interesting eventually gets worn down unfortunately. So I kind of

583
00:29:39,480 --> 00:29:41,480
Speaker 3: love this too, where it just feels like something that

584
00:29:41,920 --> 00:29:43,440
Speaker 3: a bunch of like he and a bunch of friends

585
00:29:43,440 --> 00:29:45,800
Speaker 3: were probably sitting around talking about and joking about, and

586
00:29:45,880 --> 00:29:49,120
Speaker 3: he turned it into a fucking dope ast movie.

587
00:29:49,360 --> 00:29:51,760
Speaker 1: Yeah, it's impressive for sure.

588
00:29:52,000 --> 00:29:54,600
Speaker 3: Well, I'm going to give you a one sentence synopsis.

589
00:29:55,160 --> 00:29:59,560
Speaker 3: My one sentence synopsis is that a nurse, a gang

590
00:29:59,600 --> 00:30:03,440
Speaker 3: of teenage a drug dealer, a drug user, and two

591
00:30:03,520 --> 00:30:05,840
Speaker 3: jumped up little kids have the worst night of their

592
00:30:05,880 --> 00:30:09,040
Speaker 3: fucking lives and have to band together to protect their

593
00:30:09,040 --> 00:30:12,840
Speaker 3: council flat and fight a grip of glowy mouthed aliens

594
00:30:13,040 --> 00:30:15,160
Speaker 3: who drop to earth on Guy Fawkes night.

595
00:30:15,920 --> 00:30:16,520
Speaker 1: Wow.

596
00:30:17,600 --> 00:30:19,840
Speaker 3: Which is the long and short of it. So I'll

597
00:30:19,840 --> 00:30:21,920
Speaker 3: set it up first by letting you know who the

598
00:30:22,000 --> 00:30:24,680
Speaker 3: principles are in the movie, because one of the interesting

599
00:30:24,720 --> 00:30:26,960
Speaker 3: things to me about this movie to me is that

600
00:30:27,880 --> 00:30:31,080
Speaker 3: it kind of ebbs and flows in between characters, and

601
00:30:31,120 --> 00:30:36,200
Speaker 3: the way that their stories intersect throughout the film is incredibly.

602
00:30:35,560 --> 00:30:37,880
Speaker 2: Thoughtful and funny. And this could also be.

603
00:30:38,560 --> 00:30:40,960
Speaker 3: Happen in One Night movie because it's all set in

604
00:30:41,000 --> 00:30:43,760
Speaker 3: one night and kind of seeing the pace of the

605
00:30:43,800 --> 00:30:47,440
Speaker 3: film feels really good when you're watching, you know, sometimes

606
00:30:47,440 --> 00:30:49,600
Speaker 3: you just focused on one or two characters. Sometimes it's

607
00:30:49,640 --> 00:30:51,800
Speaker 3: all of them. Sometimes you know, not all the characters

608
00:30:51,840 --> 00:30:54,480
Speaker 3: get along. It's just it's a really interesting way to

609
00:30:54,560 --> 00:30:58,920
Speaker 3: kind of approach an ensemble cast where everyone is fucking amazing,

610
00:30:59,000 --> 00:31:00,400
Speaker 3: Like every actor is credible.

611
00:31:00,480 --> 00:31:03,320
Speaker 2: So we have the teens.

612
00:31:03,560 --> 00:31:07,880
Speaker 3: The teen gang is Pest, a guy named Pest. We

613
00:31:07,880 --> 00:31:14,200
Speaker 3: all knew him, We all knew one, Dennis, Jerome, Biggs

614
00:31:14,720 --> 00:31:18,480
Speaker 3: and Moses, and Bigs spends most of the movie trapped

615
00:31:18,520 --> 00:31:20,240
Speaker 3: in a bin, which we'll get to in a minute.

616
00:31:20,520 --> 00:31:22,440
Speaker 3: And Moses is kind of the leader of the group.

617
00:31:22,440 --> 00:31:26,280
Speaker 3: And that's the Jehn Boyega character. We also have Sam,

618
00:31:26,400 --> 00:31:29,000
Speaker 3: played by Jodi Whittaker. You probably know her from Raw

619
00:31:29,080 --> 00:31:35,080
Speaker 3: Church or as the first female doctor who, amongst many

620
00:31:35,160 --> 00:31:38,480
Speaker 3: many other incredible roles, she's such a fucking great actress.

621
00:31:39,720 --> 00:31:42,719
Speaker 3: She plays Sam, who's a nurse who lives in Wyndham Tower,

622
00:31:43,360 --> 00:31:47,720
Speaker 3: and Wyndham Tower is what everyone refers to as the

623
00:31:47,760 --> 00:31:50,480
Speaker 3: Block and it's in South London and it's a bunch

624
00:31:50,520 --> 00:31:53,160
Speaker 3: of council flats. If you're a US listener, you probably

625
00:31:53,160 --> 00:31:56,320
Speaker 3: know this style of building as a project, but it's

626
00:31:56,360 --> 00:31:58,200
Speaker 3: just a group of apartments, a group of people who

627
00:31:58,240 --> 00:32:02,920
Speaker 3: are living in you know, very close quarters, all in

628
00:32:03,000 --> 00:32:06,360
Speaker 3: one building. There's like hundreds of apartments in one building

629
00:32:06,800 --> 00:32:09,840
Speaker 3: or two buildings, and it makes up a whole area

630
00:32:10,280 --> 00:32:14,960
Speaker 3: of town. We also have Reginald and Gavin, but they

631
00:32:15,000 --> 00:32:17,600
Speaker 3: prefer to go by Probs and Mayhem, and they are

632
00:32:17,640 --> 00:32:20,240
Speaker 3: two little kids who are just they just want to

633
00:32:20,280 --> 00:32:23,040
Speaker 3: be part of the gang. They're just friends who want

634
00:32:23,080 --> 00:32:24,560
Speaker 3: to be part of the gang. But they're little kids

635
00:32:24,560 --> 00:32:27,120
Speaker 3: and these are all teenagers. And I love that dynamic

636
00:32:27,200 --> 00:32:29,719
Speaker 3: of like the annoying little brother or the annoying kid

637
00:32:29,760 --> 00:32:32,000
Speaker 3: in the neighborhood who just wants to be part of

638
00:32:32,000 --> 00:32:35,880
Speaker 3: what you're doing, and they won't let him. They won't

639
00:32:35,920 --> 00:32:38,440
Speaker 3: let them, and they won't even call them by the

640
00:32:38,800 --> 00:32:42,200
Speaker 3: nicknames that they've clearly made up for themselves, Probs and Mayhem,

641
00:32:42,480 --> 00:32:44,719
Speaker 3: which I think if I ever get future pets.

642
00:32:44,840 --> 00:32:46,320
Speaker 2: I am naming them Probs and Mayhem.

643
00:32:46,480 --> 00:32:48,040
Speaker 1: Oh you have to hello.

644
00:32:48,760 --> 00:32:52,680
Speaker 3: So funny these little kids, they don't appear, they appear sporadically,

645
00:32:52,720 --> 00:32:56,440
Speaker 3: but they are hilarious on screen whenever they do. And

646
00:32:56,640 --> 00:32:59,200
Speaker 3: we also have Ron who's played by Nick Frost. Again

647
00:32:59,240 --> 00:33:02,719
Speaker 3: you'll probably recoon him from several Simon Peg films, and

648
00:33:02,800 --> 00:33:06,680
Speaker 3: he works for High Hats, who's the drug dealer on

649
00:33:06,720 --> 00:33:10,520
Speaker 3: the block. And he's also a fledgling rapper. So High

650
00:33:10,560 --> 00:33:13,640
Speaker 3: Hats plays his own song repeatedly throughout the movie and

651
00:33:13,680 --> 00:33:15,920
Speaker 3: he here's just a sample of the lyrics from High

652
00:33:15,960 --> 00:33:18,520
Speaker 3: Hats and it's not singular, it's not high Hat, it's

653
00:33:18,560 --> 00:33:22,200
Speaker 3: High Hats with a Z. His lyrics are I'm so cold,

654
00:33:22,480 --> 00:33:27,480
Speaker 3: I shit snow and piss ice just you know, waiting

655
00:33:27,640 --> 00:33:29,400
Speaker 3: to snatch that rap crown.

656
00:33:32,400 --> 00:33:33,520
Speaker 2: And we also have.

657
00:33:33,600 --> 00:33:37,239
Speaker 3: A guy named Brewis b R E w I S.

658
00:33:37,680 --> 00:33:39,880
Speaker 2: And he is just coming to buy drugs.

659
00:33:39,880 --> 00:33:43,000
Speaker 3: But he's kind of this like entitled kid who's just

660
00:33:43,040 --> 00:33:46,360
Speaker 3: coming to this area to buy some pot. And my

661
00:33:46,440 --> 00:33:49,760
Speaker 3: favorite might be Tea and Dimples. They're part of this

662
00:33:49,800 --> 00:33:53,320
Speaker 3: group of girls who would be the love interests I

663
00:33:53,320 --> 00:33:55,960
Speaker 3: think in a lesser film, but in this film they

664
00:33:55,960 --> 00:34:01,120
Speaker 3: have their own hilarious badass arc So I love that

665
00:34:01,160 --> 00:34:05,520
Speaker 3: they weren't kind of folded into the background as you know,

666
00:34:05,520 --> 00:34:08,399
Speaker 3: the love interest or the flirt interest or whatever. Even

667
00:34:08,400 --> 00:34:10,359
Speaker 3: the way that the guys talk about them when they're

668
00:34:10,400 --> 00:34:12,920
Speaker 3: not there, like He'll like, you know, all the kids,

669
00:34:13,239 --> 00:34:15,360
Speaker 3: the teens will say things like, oh my god, you

670
00:34:15,360 --> 00:34:17,359
Speaker 3: think they're we're gonna be safe there? Have you seen

671
00:34:17,360 --> 00:34:19,319
Speaker 3: those girls fight? Or like, have you seen them talk

672
00:34:19,360 --> 00:34:21,560
Speaker 3: to each other? It's kind of great that they have

673
00:34:21,760 --> 00:34:25,800
Speaker 3: some autonomy in this film. So that's who we're dealing

674
00:34:25,840 --> 00:34:29,000
Speaker 3: with as the main principal cast. And the way that

675
00:34:29,040 --> 00:34:31,640
Speaker 3: they all intersect is that again, it's guy Fowx night,

676
00:34:31,760 --> 00:34:35,880
Speaker 3: so it's November and fireworks are going off and Moses

677
00:34:36,040 --> 00:34:38,719
Speaker 3: in company. The first thing we see them doing is

678
00:34:38,800 --> 00:34:41,959
Speaker 3: mugging poor Sam. So they snatch her ring, they snatch

679
00:34:41,960 --> 00:34:45,480
Speaker 3: her purse, they snatch your phone. She's completely shaken up.

680
00:34:45,920 --> 00:34:49,279
Speaker 3: And almost immediately after they mug her while she's kind

681
00:34:49,280 --> 00:34:52,680
Speaker 3: of on the ground, a boulder crashes to the earth

682
00:34:52,719 --> 00:34:55,680
Speaker 3: and lands on a car like demolishes a car, and

683
00:34:55,719 --> 00:34:58,600
Speaker 3: an alien pops out of his boulder and just scratches

684
00:34:58,640 --> 00:35:01,560
Speaker 3: the shit out of Moses's face, so Sam's able to

685
00:35:01,600 --> 00:35:04,280
Speaker 3: get away. And then they go from chasing this woman

686
00:35:04,680 --> 00:35:07,200
Speaker 3: to chasing this alien, which is such a teen boy

687
00:35:07,239 --> 00:35:11,400
Speaker 3: thing to do, like let's go chase it and kill it.

688
00:35:12,719 --> 00:35:18,640
Speaker 3: So again, hilarious script, funny lines. At one point, I think.

689
00:35:18,440 --> 00:35:20,759
Speaker 2: It's past two cents. It's raining monkeys, like.

690
00:35:23,440 --> 00:35:24,960
Speaker 3: They don't know what the hell it is, but they're

691
00:35:25,000 --> 00:35:27,280
Speaker 3: going after it, and they trap it in a shed,

692
00:35:27,320 --> 00:35:29,960
Speaker 3: this alien, and then they just shoot fireworks at it

693
00:35:30,040 --> 00:35:32,960
Speaker 3: and kill it. And then they just start dragging it

694
00:35:33,000 --> 00:35:37,880
Speaker 3: around town like it's just so they're just dragging it

695
00:35:37,920 --> 00:35:40,960
Speaker 3: around the street like it's I don't know, some kind

696
00:35:40,960 --> 00:35:44,200
Speaker 3: of wolf they've just murdered, or like they just drag

697
00:35:44,239 --> 00:35:47,919
Speaker 3: it around. Oh yeah, and they use it to show

698
00:35:47,960 --> 00:35:50,000
Speaker 3: off to the girls, like they're showing off the tea

699
00:35:50,040 --> 00:35:52,160
Speaker 3: and dimples and they're like, we are not having this shit.

700
00:35:53,120 --> 00:35:54,880
Speaker 3: But it's just kind of funny the way they're scaring

701
00:35:54,960 --> 00:35:58,360
Speaker 3: people and kind of like it's there like they're proud,

702
00:35:58,440 --> 00:36:01,160
Speaker 3: they're proud of having killed this thing. But then we

703
00:36:01,280 --> 00:36:03,839
Speaker 3: meet Bruis who's on his way to buy weed from

704
00:36:03,920 --> 00:36:07,400
Speaker 3: Ron because the kids want to leave the alien in

705
00:36:07,480 --> 00:36:12,000
Speaker 3: the weed room in High hats apartment for safety, because

706
00:36:12,280 --> 00:36:14,759
Speaker 3: they think this thing is gonna be worth money and

707
00:36:14,800 --> 00:36:16,839
Speaker 3: they think that the weed room is the safest place

708
00:36:16,840 --> 00:36:19,440
Speaker 3: in the block. So Ron, when we first meet the

709
00:36:19,520 --> 00:36:22,520
Speaker 3: Nick Frost character, Ron's looking at this alien kind of

710
00:36:22,560 --> 00:36:25,200
Speaker 3: hanging up in a shower and he goes, I don't know,

711
00:36:25,239 --> 00:36:26,799
Speaker 3: maybe there was a party at the zoo and a

712
00:36:26,840 --> 00:36:30,680
Speaker 3: monkey fuck to fish, Like nobody knows what this thing is.

713
00:36:31,320 --> 00:36:33,279
Speaker 3: They decide it's okay to leave it in the weed room.

714
00:36:33,360 --> 00:36:35,440
Speaker 3: High Hats relents and says you can leave it in

715
00:36:35,440 --> 00:36:38,719
Speaker 3: the weed room, but he wants to hire Moses to

716
00:36:38,760 --> 00:36:41,680
Speaker 3: be part of his crew and sell drugs as a

717
00:36:41,760 --> 00:36:42,120
Speaker 3: kind of.

718
00:36:42,040 --> 00:36:42,719
Speaker 2: A trade off.

719
00:36:43,040 --> 00:36:45,160
Speaker 3: So Moses sees it as like a big deal, like

720
00:36:45,200 --> 00:36:47,799
Speaker 3: he's been kind of he's been leveled up, and so

721
00:36:47,840 --> 00:36:49,880
Speaker 3: he gives him some weed and tells him to sell it,

722
00:36:49,920 --> 00:36:51,320
Speaker 3: and he's like, you know, this is my block and

723
00:36:51,360 --> 00:36:53,920
Speaker 3: blah blah blah, kind of pulls his mancho bullshit. And

724
00:36:53,960 --> 00:36:57,480
Speaker 3: so as they're discussing this, we suddenly see about twenty

725
00:36:57,520 --> 00:37:02,719
Speaker 3: five more boulders dropping to the earth and the kids

726
00:37:02,719 --> 00:37:07,480
Speaker 3: are like, it's raining gollumns. Those things are fucking pure coming.

727
00:37:07,280 --> 00:37:11,759
Speaker 2: Down out there. Yeah, and they all grab weapons, So

728
00:37:12,719 --> 00:37:14,359
Speaker 2: I like how this is.

729
00:37:14,320 --> 00:37:16,279
Speaker 1: Like the thing that I thought was really kind of

730
00:37:16,280 --> 00:37:19,359
Speaker 1: cool about the movie is that they don't there isn't

731
00:37:19,480 --> 00:37:23,520
Speaker 1: like a lot of explanation as to what is actually happening,

732
00:37:23,600 --> 00:37:24,640
Speaker 1: like what these things are?

733
00:37:25,160 --> 00:37:25,360
Speaker 3: You know?

734
00:37:25,760 --> 00:37:28,600
Speaker 1: Like, I think, I think you're right. In a lesser movie,

735
00:37:28,680 --> 00:37:31,800
Speaker 1: you might have had like a cut to like a

736
00:37:32,320 --> 00:37:36,680
Speaker 1: TV reporter being like, we've now found out that these

737
00:37:36,680 --> 00:37:38,319
Speaker 1: things are from this and then there were you know,

738
00:37:38,400 --> 00:37:40,879
Speaker 1: gives sort of the backstory as to like what is.

739
00:37:40,840 --> 00:37:42,160
Speaker 2: Being dropped exactly.

740
00:37:42,160 --> 00:37:45,640
Speaker 1: But I liked the idea that they didn't know what

741
00:37:45,680 --> 00:37:52,600
Speaker 1: it was. And there was a moment too where I thought,

742
00:37:53,320 --> 00:37:56,520
Speaker 1: are they the only kids who are seeing this?

743
00:37:56,920 --> 00:37:57,400
Speaker 2: Yes?

744
00:37:57,800 --> 00:37:59,799
Speaker 1: You know, so there was that kind of question for

745
00:37:59,880 --> 00:38:01,920
Speaker 1: me as well, which I thought was really really cool.

746
00:38:02,280 --> 00:38:04,279
Speaker 3: Yeah, like are they even the only people in South

747
00:38:04,320 --> 00:38:06,399
Speaker 3: London or all of London who are seeing this? Because

748
00:38:06,400 --> 00:38:08,960
Speaker 3: there's fireworks going off all over the place, it would

749
00:38:09,000 --> 00:38:12,200
Speaker 3: be really easy to explain away as something that was

750
00:38:12,280 --> 00:38:15,600
Speaker 3: part of a show or somebody was shooting off fireworks.

751
00:38:15,600 --> 00:38:18,640
Speaker 3: And I like that they left it ambiguous because even

752
00:38:18,640 --> 00:38:20,920
Speaker 3: when it comes to like you see the alien right away,

753
00:38:21,520 --> 00:38:22,960
Speaker 3: but you still don't know what they are, what they're

754
00:38:22,960 --> 00:38:23,560
Speaker 3: capable of.

755
00:38:23,719 --> 00:38:25,440
Speaker 2: And I really like that feeling.

756
00:38:25,480 --> 00:38:27,200
Speaker 3: I think it puts you right in the mix of

757
00:38:27,200 --> 00:38:29,520
Speaker 3: what the kids are feeling, because most kids don't know

758
00:38:29,560 --> 00:38:31,960
Speaker 3: what's going on anyway in the world, like they just

759
00:38:32,719 --> 00:38:34,560
Speaker 3: so the fact that they can even make that logical

760
00:38:34,640 --> 00:38:38,239
Speaker 3: leap to it's an alien invasion while watching these other

761
00:38:38,280 --> 00:38:41,279
Speaker 3: things fall to the earth is pretty spectacular. But they

762
00:38:41,280 --> 00:38:43,279
Speaker 3: don't have to go more in depth than that to

763
00:38:43,360 --> 00:38:45,520
Speaker 3: know that we got to take action. We've seen this

764
00:38:45,600 --> 00:38:48,000
Speaker 3: in fucking video games and TV shows and movies.

765
00:38:48,719 --> 00:38:49,680
Speaker 2: We know what this is.

766
00:38:49,800 --> 00:38:51,920
Speaker 3: So it's kind of cool that they have that modern

767
00:38:52,360 --> 00:38:55,480
Speaker 3: approach as well, like they don't need more convincing And

768
00:38:55,600 --> 00:38:58,080
Speaker 3: it's hilarious when they all start fucking. They all go

769
00:38:58,120 --> 00:39:01,480
Speaker 3: to their own apartments and start grabbing weapons, and I'm

770
00:39:01,480 --> 00:39:05,240
Speaker 3: talking like they're grabbing more fireworks, they're grabbing bats, chains.

771
00:39:05,360 --> 00:39:11,320
Speaker 3: Someone grabs like Katana, but then I think it's Dennis

772
00:39:11,320 --> 00:39:13,920
Speaker 3: grabs his dog, Pogo, who's a cute at little dog.

773
00:39:14,719 --> 00:39:16,560
Speaker 3: His dad's like, take the fucking dog out, And it's

774
00:39:16,640 --> 00:39:18,400
Speaker 3: kind of cute to see them all in their apartments,

775
00:39:18,400 --> 00:39:22,640
Speaker 3: because again there's not a lot of overwhelming exposition, but

776
00:39:22,680 --> 00:39:24,560
Speaker 3: you get to see how these kids live and who

777
00:39:24,560 --> 00:39:26,719
Speaker 3: they live with. So some of them are living with grandparents,

778
00:39:26,719 --> 00:39:28,960
Speaker 3: some of them are living, you know, with the traditional

779
00:39:28,960 --> 00:39:31,520
Speaker 3: family unit, or they have siblings, or you just kind

780
00:39:31,560 --> 00:39:34,080
Speaker 3: of get a glimpse of what their lives are without

781
00:39:34,080 --> 00:39:39,000
Speaker 3: getting too overwhelmed by the backstory. And what I also

782
00:39:39,040 --> 00:39:41,959
Speaker 3: love about that moment is you see Moses go into

783
00:39:42,000 --> 00:39:44,160
Speaker 3: his apartment, but you don't follow him in there, so

784
00:39:44,200 --> 00:39:46,320
Speaker 3: you know there's something going on with the way Moses

785
00:39:46,360 --> 00:39:49,920
Speaker 3: lives and it is explained later, and it is one

786
00:39:50,000 --> 00:39:52,680
Speaker 3: of those moments that just breaks my fucking heart and

787
00:39:52,760 --> 00:39:54,879
Speaker 3: makes me cry, Like makes me tear up. In every

788
00:39:55,160 --> 00:39:57,719
Speaker 3: goddamn action movie or sci fi movie I watch, there's

789
00:39:57,719 --> 00:40:00,560
Speaker 3: always a moment where I'm breaking down because of the

790
00:40:00,680 --> 00:40:01,400
Speaker 3: human condition.

791
00:40:02,480 --> 00:40:04,600
Speaker 2: But I love that the way that that scene.

792
00:40:04,400 --> 00:40:08,800
Speaker 3: Is shot because it's so mysterious and you think at first,

793
00:40:08,920 --> 00:40:10,560
Speaker 3: when I first saw this movie, I've seen it so

794
00:40:10,600 --> 00:40:13,080
Speaker 3: many times. When I first saw this movie, the way

795
00:40:13,120 --> 00:40:17,160
Speaker 3: that it shot gives you the feeling that something sinister

796
00:40:17,520 --> 00:40:19,960
Speaker 3: is happening, that maybe Moses is more dangerous than we

797
00:40:20,000 --> 00:40:23,200
Speaker 3: all thought. Yeah, so when the actual reveal happens, it's

798
00:40:23,200 --> 00:40:24,480
Speaker 3: really incredible.

799
00:40:25,239 --> 00:40:27,520
Speaker 1: Yeah, because that's does I think a big component to

800
00:40:27,560 --> 00:40:29,400
Speaker 1: the film is that. I mean, first of all, I

801
00:40:29,440 --> 00:40:31,319
Speaker 1: love the fact that they're teenagers, Like I thought that

802
00:40:31,400 --> 00:40:33,239
Speaker 1: was like a huge part of it for me. And

803
00:40:33,239 --> 00:40:35,360
Speaker 1: I kept thinking, oh my god, if I would have

804
00:40:35,760 --> 00:40:38,120
Speaker 1: seen this as a teenager, Like if this movie it

805
00:40:38,200 --> 00:40:40,160
Speaker 1: wasn't around when I was a teenager, but if I

806
00:40:40,320 --> 00:40:43,440
Speaker 1: if I was a teenager seeing this, I would be obsessed.

807
00:40:43,480 --> 00:40:46,800
Speaker 1: I would be obsessed with these these kids and this world.

808
00:40:47,040 --> 00:40:49,440
Speaker 1: It kind of has a goonies vibe to it, like

809
00:40:49,480 --> 00:40:52,719
Speaker 1: it's got that like they're very crude up but it's

810
00:40:52,760 --> 00:40:56,520
Speaker 1: that thing where they're also like kind of hardened. Right,

811
00:40:56,760 --> 00:41:00,960
Speaker 1: they obviously commit crimes, They kind of have their own

812
00:41:01,080 --> 00:41:03,879
Speaker 1: kind of language, and it's very you know, they're very

813
00:41:03,920 --> 00:41:07,040
Speaker 1: street wise, and a lot of that is like you're

814
00:41:07,080 --> 00:41:09,880
Speaker 1: wondering how do they get that way? And you obviously

815
00:41:09,960 --> 00:41:12,600
Speaker 1: know part of it is that it's their economic status.

816
00:41:12,840 --> 00:41:15,959
Speaker 1: But then yeah, with Moses in particular, you're like he's

817
00:41:16,000 --> 00:41:21,080
Speaker 1: the leader, he's the most stoic. M M. There's something

818
00:41:21,520 --> 00:41:23,480
Speaker 1: going on and you don't know what that is, and

819
00:41:23,520 --> 00:41:26,720
Speaker 1: so when that part happens, you're like, oh, okay, yeah,

820
00:41:26,760 --> 00:41:27,560
Speaker 1: that's confirmed.

821
00:41:27,880 --> 00:41:30,480
Speaker 3: And the fact that this is also that it's teenagers,

822
00:41:30,480 --> 00:41:33,279
Speaker 3: but then it's also taking place in council flats, like

823
00:41:33,280 --> 00:41:36,960
Speaker 3: in this block is a commentary on the class system

824
00:41:36,960 --> 00:41:39,280
Speaker 3: and like who's believed and who's not believed and who's

825
00:41:39,880 --> 00:41:42,160
Speaker 3: you know, who's fodder for the mill or not. So

826
00:41:42,160 --> 00:41:45,120
Speaker 3: it's kind of cool that they put these these kind

827
00:41:45,160 --> 00:41:48,319
Speaker 3: of low income kids essentially in a place where they

828
00:41:48,360 --> 00:41:49,960
Speaker 3: have to do something grandiose.

829
00:41:50,480 --> 00:41:52,960
Speaker 2: So they are just absolutely hilarious. Naill hop on.

830
00:41:52,960 --> 00:41:54,239
Speaker 3: One kid has a bike, but the rest of them,

831
00:41:54,280 --> 00:41:56,680
Speaker 3: ah have these little scooters and they're like, we're gonna

832
00:41:56,680 --> 00:41:58,839
Speaker 3: find every single one of those things that just drop

833
00:41:58,880 --> 00:42:00,319
Speaker 3: to the earth because you know, now it's like a

834
00:42:00,320 --> 00:42:02,840
Speaker 3: game for them, and they think it's a game because

835
00:42:03,000 --> 00:42:06,279
Speaker 3: the first alien they encounter they killed. So they're like,

836
00:42:06,520 --> 00:42:08,440
Speaker 3: let's just go do more of that shit, and the

837
00:42:08,440 --> 00:42:09,600
Speaker 3: more we get, the more money.

838
00:42:09,600 --> 00:42:12,360
Speaker 2: It is. Is like fucking Pokemon, Gotta catch them all and

839
00:42:12,400 --> 00:42:14,560
Speaker 2: then we'll be rich. Because again, from.

840
00:42:14,360 --> 00:42:20,000
Speaker 3: A class structure and a child's mind structure, that's the

841
00:42:20,400 --> 00:42:22,120
Speaker 3: highest hope for them, and that's why they tend to

842
00:42:22,160 --> 00:42:24,440
Speaker 3: you know, that's why these kids in this film kind

843
00:42:24,440 --> 00:42:28,480
Speaker 3: of idolize this drug dealer because they want some kind

844
00:42:28,520 --> 00:42:30,600
Speaker 3: of status or something that makes them feel better about

845
00:42:30,600 --> 00:42:32,880
Speaker 3: their situation and kind of can lift them out of

846
00:42:32,920 --> 00:42:35,880
Speaker 3: their situation. So they take off to find these aliens.

847
00:42:35,920 --> 00:42:39,960
Speaker 3: They find one boulder and it's cracked open, and they're like,

848
00:42:40,000 --> 00:42:42,799
Speaker 3: oh shit, these are three times the size of the

849
00:42:42,840 --> 00:42:45,920
Speaker 3: one that we saw fall on that car. And then

850
00:42:46,000 --> 00:42:49,600
Speaker 3: suddenly Pogo takes off. The dog gets killed. I'm sorry

851
00:42:49,680 --> 00:42:51,920
Speaker 3: to say, we don't see it, but we hear it,

852
00:42:52,320 --> 00:42:55,200
Speaker 3: and they start to see what these aliens are, and

853
00:42:55,200 --> 00:42:58,120
Speaker 3: they're kind of they're kind of plain when you think

854
00:42:58,160 --> 00:43:02,719
Speaker 3: about it. They're these black, sort of hair big they're

855
00:43:02,760 --> 00:43:05,319
Speaker 3: just kind of big forms, and they walk on all

856
00:43:05,360 --> 00:43:07,480
Speaker 3: fours or they run on all fours, and they have

857
00:43:07,960 --> 00:43:12,160
Speaker 3: no eyes and they're completely black except for their mouths,

858
00:43:12,200 --> 00:43:15,000
Speaker 3: which have like three rows of teeth and are glowing green,

859
00:43:15,520 --> 00:43:20,160
Speaker 3: which is like so scary, but also again, it seems

860
00:43:20,160 --> 00:43:22,920
Speaker 3: like one of those child's drawings of a monster come

861
00:43:22,960 --> 00:43:25,680
Speaker 3: to life from a kindergarten page, so it's very cool.

862
00:43:25,719 --> 00:43:27,640
Speaker 3: And they're just like fuck this, and they take off,

863
00:43:28,239 --> 00:43:31,960
Speaker 3: and Sam is at the same moment trying to find

864
00:43:32,040 --> 00:43:34,600
Speaker 3: these kids with the cops because she's been convinced that

865
00:43:35,360 --> 00:43:37,799
Speaker 3: she should call the cops and report the mugging, and

866
00:43:38,400 --> 00:43:41,120
Speaker 3: the van passes them as they're running from the aliens.

867
00:43:41,160 --> 00:43:44,319
Speaker 3: So this movie is essentially it's kind of made up

868
00:43:44,480 --> 00:43:47,400
Speaker 3: of what I think are four or five just great

869
00:43:47,480 --> 00:43:51,239
Speaker 3: chase scenes. This is one of them where the kids

870
00:43:51,280 --> 00:43:53,239
Speaker 3: are all splitting up and they're trying to get away

871
00:43:53,239 --> 00:43:56,120
Speaker 3: from the cops and Moses gets caught. The cops are

872
00:43:56,160 --> 00:43:57,640
Speaker 3: trying to put him in the back of the van,

873
00:43:58,400 --> 00:44:00,560
Speaker 3: and Sam moves from the back to the front of

874
00:44:00,600 --> 00:44:02,600
Speaker 3: the van, and while she's sitting in the front, she

875
00:44:02,600 --> 00:44:04,799
Speaker 3: looks in the rear view mirror and she sees one

876
00:44:04,800 --> 00:44:05,640
Speaker 3: of the aliens.

877
00:44:05,640 --> 00:44:07,920
Speaker 2: She doesn't know what she's looking at. But then the

878
00:44:07,960 --> 00:44:09,400
Speaker 2: cops get killed.

879
00:44:09,160 --> 00:44:11,200
Speaker 3: Because they're in the back trying to put you know,

880
00:44:11,200 --> 00:44:13,400
Speaker 3: they've locked they'd handcuffed Moses, locked him up, put him

881
00:44:13,400 --> 00:44:18,279
Speaker 3: in the back, and then they get killed. So all

882
00:44:18,320 --> 00:44:20,440
Speaker 3: hell is breaking loose. One of the kids comes to

883
00:44:20,480 --> 00:44:24,279
Speaker 3: save Moses. They steal the van. Sam is in it,

884
00:44:24,719 --> 00:44:27,160
Speaker 3: and they're like, you're a fucking snitch and they're all

885
00:44:27,200 --> 00:44:29,680
Speaker 3: pissed at her, and then they crash the van into

886
00:44:29,760 --> 00:44:35,200
Speaker 3: High hats car. And let me tell you that High

887
00:44:35,200 --> 00:44:39,040
Speaker 3: Hats is fucking mad because by this point, the cops

888
00:44:39,280 --> 00:44:42,359
Speaker 3: have also taken the weed and they arrested Moses with

889
00:44:43,000 --> 00:44:44,840
Speaker 3: weed and weapons on him. He had the weapons to

890
00:44:44,880 --> 00:44:46,839
Speaker 3: kill the alien and the weed to sell for for

891
00:44:47,040 --> 00:44:49,480
Speaker 3: High Hats, so he was he was going to go

892
00:44:49,520 --> 00:44:52,400
Speaker 3: down for some intense crimes, like it would not have

893
00:44:52,440 --> 00:44:55,040
Speaker 3: been like a teen charge. But High Hats doesn't give

894
00:44:55,040 --> 00:44:56,560
Speaker 3: a shit. He's and they're like trying to tell him

895
00:44:56,600 --> 00:44:59,719
Speaker 3: there's aliens. One of them drops behind the car and

896
00:44:59,760 --> 00:45:02,919
Speaker 3: he makes his lackey kind of go and check it out,

897
00:45:03,000 --> 00:45:05,439
Speaker 3: and one of the aliens just rips his throat out.

898
00:45:05,719 --> 00:45:08,160
Speaker 3: So there's also like a very nice balance of gore

899
00:45:08,760 --> 00:45:11,840
Speaker 3: in this film where I feel like they use it sparingly,

900
00:45:11,920 --> 00:45:14,760
Speaker 3: but when you do see it, it's to emphasize how

901
00:45:14,880 --> 00:45:18,640
Speaker 3: dangerous these beings are, right, So I love that, And

902
00:45:18,680 --> 00:45:21,200
Speaker 3: just that whole scene is so funny, and you know,

903
00:45:21,200 --> 00:45:23,600
Speaker 3: they kind of get the handcuffs off, but now they're

904
00:45:23,640 --> 00:45:26,680
Speaker 3: in it like they are. The aliens are chasing them.

905
00:45:26,840 --> 00:45:30,080
Speaker 3: The cops are looking for them. Hat wants high Hats

906
00:45:30,120 --> 00:45:33,040
Speaker 3: wants to kill him for getting caught, and just fucking up.

907
00:45:33,040 --> 00:45:35,799
Speaker 3: In general, everyone is after these kids, and these kids

908
00:45:35,840 --> 00:45:39,520
Speaker 3: are purely after the alien. So their plan is to

909
00:45:39,520 --> 00:45:42,080
Speaker 3: get back to the block where they can hunker down

910
00:45:43,160 --> 00:45:47,839
Speaker 3: and make shit happen. Bruis is a really funny He's

911
00:45:47,880 --> 00:45:51,160
Speaker 3: like a very comic relief character in the film. One

912
00:45:51,160 --> 00:45:53,080
Speaker 3: of the first moments with him that's so funny as

913
00:45:53,080 --> 00:45:54,879
Speaker 3: you see him on the phone with his dad and he's, yeah, yeah,

914
00:45:54,880 --> 00:45:56,520
Speaker 3: I'm gonna bring the car back in a second. And

915
00:45:56,520 --> 00:45:59,200
Speaker 3: then as he's walking down the street, he realizes, you

916
00:45:59,280 --> 00:46:02,200
Speaker 3: realize that the that fell was on his car, so

917
00:46:02,239 --> 00:46:04,799
Speaker 3: he just goes back to Ron's to smoke some weed.

918
00:46:04,840 --> 00:46:06,160
Speaker 3: He's like, I don't know what the fuck I should do,

919
00:46:06,440 --> 00:46:08,279
Speaker 3: but that's kind of how he gets caught up in this,

920
00:46:08,760 --> 00:46:11,160
Speaker 3: and it's just great chase after great chase, and then

921
00:46:11,280 --> 00:46:13,239
Speaker 3: you know, they as they're trying to get back to

922
00:46:13,280 --> 00:46:16,000
Speaker 3: the block, this is where we lose Bigs because he

923
00:46:16,040 --> 00:46:18,400
Speaker 3: splits off and gets trapped in a garbage bind for

924
00:46:18,440 --> 00:46:20,560
Speaker 3: most of the movie, and they kind of communicate with

925
00:46:20,640 --> 00:46:23,320
Speaker 3: him by phone, but you know, this. The rest of

926
00:46:23,360 --> 00:46:25,560
Speaker 3: the movie is taking place in you know, the windhom

927
00:46:25,560 --> 00:46:27,840
Speaker 3: Tower is taking place in the block, and it's them

928
00:46:27,880 --> 00:46:33,560
Speaker 3: trying to outwit these aliens and convince everyone else that

929
00:46:33,800 --> 00:46:37,040
Speaker 3: the aliens are real and that this is actually happening. So,

930
00:46:37,719 --> 00:46:39,920
Speaker 3: you know, it's just really beautiful the way I think,

931
00:46:40,040 --> 00:46:43,480
Speaker 3: especially they we've Sam into the story because she's pissed

932
00:46:43,480 --> 00:46:45,799
Speaker 3: at them. She's like, you fucking mugged me earlier, But

933
00:46:45,920 --> 00:46:48,240
Speaker 3: then they need her because one of them gets injured.

934
00:46:48,640 --> 00:46:51,719
Speaker 3: But like, it's just really interesting to see how these

935
00:46:51,840 --> 00:46:55,400
Speaker 3: disparate groups of people start to come together realize that

936
00:46:55,480 --> 00:46:59,080
Speaker 3: there's something intense happening and decide the only way to

937
00:46:59,120 --> 00:47:01,399
Speaker 3: fight it is to fight it together. And I will

938
00:47:01,400 --> 00:47:03,600
Speaker 3: not spoil the movie at all, but one of my

939
00:47:03,719 --> 00:47:07,440
Speaker 3: absolute favorite scenes from any film is one of the

940
00:47:07,520 --> 00:47:09,080
Speaker 3: last chase scenes in this movie.

941
00:47:09,840 --> 00:47:12,720
Speaker 1: Yeah, yeah, oh my god.

942
00:47:12,920 --> 00:47:14,200
Speaker 2: I so.

943
00:47:15,719 --> 00:47:19,799
Speaker 1: I, as everybody knows I am. I don't dabble in

944
00:47:19,840 --> 00:47:24,880
Speaker 1: the Star Wars universe at all. But I had heard

945
00:47:25,040 --> 00:47:29,640
Speaker 1: about John Boyega because of his kind of activism and

946
00:47:29,719 --> 00:47:32,839
Speaker 1: you know, his you know, during you know, the whole

947
00:47:32,960 --> 00:47:35,200
Speaker 1: Black Lives Matter thing when he was out, you know,

948
00:47:35,280 --> 00:47:37,960
Speaker 1: talking about it. But I knew, and I knew he

949
00:47:37,960 --> 00:47:41,880
Speaker 1: was affiliated with Star Wars, but I obviously hadn't seen it. Yeah,

950
00:47:41,880 --> 00:47:43,760
Speaker 1: so yeah, this was the first time I'd really seen

951
00:47:44,280 --> 00:47:48,919
Speaker 1: him act in anything. And now I was like, do

952
00:47:49,000 --> 00:47:50,680
Speaker 1: I want to watch a Star Wars thing?

953
00:47:50,719 --> 00:47:51,640
Speaker 2: That's how much I asked.

954
00:47:52,320 --> 00:47:55,759
Speaker 1: That's how great he was, and is any movie he

955
00:47:55,920 --> 00:47:56,320
Speaker 1: is great?

956
00:47:56,360 --> 00:47:58,719
Speaker 3: And I'll also say if it entices you even a

957
00:47:58,719 --> 00:48:01,960
Speaker 3: little bit more, one of the Star Wars movies that

958
00:48:02,000 --> 00:48:05,320
Speaker 3: he's in also stars Donald Gleeson.

959
00:48:06,239 --> 00:48:09,480
Speaker 1: Oh my gosh, I can knock all these people out.

960
00:48:09,640 --> 00:48:14,080
Speaker 1: One one sitting is Matt Michaelson in that movie too, Like,

961
00:48:14,239 --> 00:48:18,200
Speaker 1: come on, Pedro Pascal is Pedro Pascal in it.

962
00:48:18,400 --> 00:48:20,560
Speaker 3: He's in he becomes part of the universe. Later he's

963
00:48:20,560 --> 00:48:22,160
Speaker 3: in the Mandalorian, but that's not part of the mood.

964
00:48:22,400 --> 00:48:23,000
Speaker 2: But yeah, they.

965
00:48:22,920 --> 00:48:25,920
Speaker 3: Basically eventually they acquire every hot dude and they're like,

966
00:48:25,920 --> 00:48:27,520
Speaker 3: why don't you be in a Star Wars And they're like.

967
00:48:27,440 --> 00:48:32,440
Speaker 1: Okay, I know they tempted all these guys. Yeah it's funny.

968
00:48:32,520 --> 00:48:36,279
Speaker 1: I uh I, I you know, okay, Like, yeah, I

969
00:48:36,320 --> 00:48:39,239
Speaker 1: think maybe I'm gonna have to really have a chat

970
00:48:39,280 --> 00:48:40,680
Speaker 1: with myself about whether or not. I want to go

971
00:48:40,719 --> 00:48:42,799
Speaker 1: down this road for real. But I was like, I

972
00:48:42,840 --> 00:48:44,439
Speaker 1: was like, man, I should watch the Star Wars six.

973
00:48:44,480 --> 00:48:45,040
Speaker 1: He's so good.

974
00:48:45,320 --> 00:48:48,880
Speaker 2: That's how is he made you consider Star Wars?

975
00:48:49,480 --> 00:48:51,319
Speaker 1: I know that's you gotta be pretty good for that.

976
00:48:51,480 --> 00:48:53,960
Speaker 1: To be honest, I need and sir, we salute you

977
00:48:54,000 --> 00:48:57,000
Speaker 1: for that. But I uh, I really loved this movie.

978
00:48:57,000 --> 00:49:00,560
Speaker 1: I thought it was super entertaining. I loved the kind

979
00:49:00,600 --> 00:49:04,200
Speaker 1: of kids like and they also, by the way, call

980
00:49:04,280 --> 00:49:10,200
Speaker 1: me by your bro am I right, flag. I loved

981
00:49:10,280 --> 00:49:14,120
Speaker 1: them calling each other fam and blood and brum like

982
00:49:14,400 --> 00:49:15,120
Speaker 1: are you kidding me?

983
00:49:15,560 --> 00:49:16,440
Speaker 2: That was so fun.

984
00:49:17,239 --> 00:49:21,399
Speaker 3: But their whole all of the language in the film.

985
00:49:21,440 --> 00:49:23,520
Speaker 3: Because again, like Joe Cornish is a white dude, not

986
00:49:23,600 --> 00:49:26,239
Speaker 3: for nothing, but like you kind of get I kind

987
00:49:26,239 --> 00:49:28,000
Speaker 3: of get nervous when I see like, oh, a white guy.

988
00:49:28,000 --> 00:49:28,719
Speaker 2: I wrote about all.

989
00:49:28,719 --> 00:49:31,319
Speaker 3: These like poor kids living in a flat in a

990
00:49:31,400 --> 00:49:34,839
Speaker 3: council flat, little but he got he fucking nailed it. It

991
00:49:34,800 --> 00:49:38,359
Speaker 3: sounded like he just like hung out with kids for

992
00:49:38,400 --> 00:49:40,719
Speaker 3: a year and just like nailed the fucking language.

993
00:49:40,960 --> 00:49:44,440
Speaker 1: Well, I was reading about how didn't that actually happen?

994
00:49:44,560 --> 00:49:47,759
Speaker 1: Like didn't he basically like hang out with a bunch

995
00:49:47,840 --> 00:49:50,400
Speaker 1: of kids and was like, hey, what would happen if

996
00:49:50,400 --> 00:49:53,040
Speaker 1: you guys had to fight aliens? Like what right would

997
00:49:53,080 --> 00:49:56,520
Speaker 1: you do? And they kind of were like, told him

998
00:49:56,560 --> 00:49:57,520
Speaker 1: what happened.

999
00:49:57,600 --> 00:49:59,440
Speaker 2: So I'd grab a chain and I'd whip him in

1000
00:49:59,440 --> 00:50:00,000
Speaker 2: the fucking face.

1001
00:50:01,719 --> 00:50:05,120
Speaker 1: But it kind of reminded me of being young and

1002
00:50:05,520 --> 00:50:09,840
Speaker 1: being in those kind of groups with like girls and guys.

1003
00:50:10,320 --> 00:50:13,239
Speaker 1: The guys are off doing some kind of like weird

1004
00:50:13,600 --> 00:50:18,359
Speaker 1: clandestine guy stuff with their you know, mopeds and their

1005
00:50:18,360 --> 00:50:21,520
Speaker 1: bikes and their baseball bats, and you're just kind of like,

1006
00:50:22,040 --> 00:50:24,480
Speaker 1: what's going on? Tell me what's happening, you know, and

1007
00:50:24,480 --> 00:50:25,560
Speaker 1: they're like, we're on a mission.

1008
00:50:25,880 --> 00:50:26,080
Speaker 3: You know.

1009
00:50:26,120 --> 00:50:29,359
Speaker 1: It just felt very like kids stuff in a weird way,

1010
00:50:29,400 --> 00:50:33,480
Speaker 1: even though obviously they're doing things that are saving the

1011
00:50:33,560 --> 00:50:36,400
Speaker 1: human race essentially. But I loved it. I loved the

1012
00:50:36,560 --> 00:50:39,399
Speaker 1: energy of it. It was just such an exciting movie.

1013
00:50:39,440 --> 00:50:42,160
Speaker 1: I hadn't seen something like that in a long time.

1014
00:50:42,200 --> 00:50:45,239
Speaker 1: I just really really appreciated it. And I gotta say, like,

1015
00:50:45,280 --> 00:50:48,120
Speaker 1: I was like, this is such a fun fucking movie.

1016
00:50:48,200 --> 00:50:50,480
Speaker 1: This is like my favorite movie of this year, even

1017
00:50:50,520 --> 00:50:53,360
Speaker 1: though it came out like twelve years ago. How is

1018
00:50:53,360 --> 00:50:54,000
Speaker 1: that possible?

1019
00:50:54,200 --> 00:50:56,080
Speaker 3: I'm so glad you feel that way, and it's it

1020
00:50:56,160 --> 00:50:58,480
Speaker 3: truly is very like every time I watch it, I'm

1021
00:50:58,480 --> 00:51:00,319
Speaker 3: just kind of I see a different layer to it.

1022
00:51:00,360 --> 00:51:02,920
Speaker 3: And I love what you were just talking about in

1023
00:51:03,000 --> 00:51:05,000
Speaker 3: terms of, like you're just watching them be kids, because

1024
00:51:05,000 --> 00:51:07,759
Speaker 3: there's an element of danger in their lives, but it's

1025
00:51:07,800 --> 00:51:10,640
Speaker 3: kind of reactionary for them to be the way they are,

1026
00:51:10,680 --> 00:51:13,160
Speaker 3: and it's nice to see them still being like dumb

1027
00:51:13,239 --> 00:51:16,000
Speaker 3: kids in so many ways because you can tell that

1028
00:51:16,040 --> 00:51:19,080
Speaker 3: their life is pushing them in a way where they're

1029
00:51:19,080 --> 00:51:20,680
Speaker 3: not going to be able to be kids for much longer.

1030
00:51:20,800 --> 00:51:24,360
Speaker 3: So it's so beautiful and so funny. It's kind of

1031
00:51:24,360 --> 00:51:28,640
Speaker 3: the perfect mix of sci fi and humor and if

1032
00:51:28,640 --> 00:51:30,680
Speaker 3: you just want to laugh, if you just want to

1033
00:51:30,760 --> 00:51:33,480
Speaker 3: hang out, and just like I'm sure if any of

1034
00:51:33,480 --> 00:51:36,680
Speaker 3: you smoke pot, this seems like a great movie to

1035
00:51:36,719 --> 00:51:38,759
Speaker 3: watch when you just like want to laugh and hang

1036
00:51:38,760 --> 00:51:41,239
Speaker 3: out on the couch with your friends. But it's also

1037
00:51:41,280 --> 00:51:43,760
Speaker 3: a great summer movie because it's got so much action

1038
00:51:44,120 --> 00:51:46,680
Speaker 3: and it's it's just great. It's just great. It is

1039
00:51:46,760 --> 00:51:48,920
Speaker 3: one of my favorites. From the minute I saw it,

1040
00:51:48,960 --> 00:51:50,040
Speaker 3: I was just obsessed.

1041
00:51:51,400 --> 00:51:54,040
Speaker 1: Yeah yeah, And also if it's winter time and you

1042
00:51:54,080 --> 00:51:56,600
Speaker 1: want to get deep. There's deep elements to the film.

1043
00:51:56,640 --> 00:51:58,040
Speaker 1: It talks about class and race.

1044
00:51:58,320 --> 00:52:01,200
Speaker 3: Yeah, so there you go, watch it four times, watch

1045
00:52:01,200 --> 00:52:03,920
Speaker 3: it four time, watching that once a season, once the season,

1046
00:52:04,600 --> 00:52:06,719
Speaker 3: see how you feel about it. But yeah, John Boyega

1047
00:52:06,960 --> 00:52:10,319
Speaker 3: just blew me away in this movie and could not

1048
00:52:10,480 --> 00:52:13,400
Speaker 3: get over how just also how captivating he is. Like

1049
00:52:13,440 --> 00:52:15,000
Speaker 3: it's just and it's such a great cast. And again

1050
00:52:15,080 --> 00:52:17,560
Speaker 3: Jody Whittaker, like you've seen her do everything. She can

1051
00:52:17,600 --> 00:52:19,440
Speaker 3: do humor, she can do sci fi, she can do

1052
00:52:20,160 --> 00:52:23,759
Speaker 3: intense drama, and she's just so incredible to watch. But

1053
00:52:23,880 --> 00:52:28,759
Speaker 3: like Alex Smail and Leon Jones and Franz Dremae and

1054
00:52:28,840 --> 00:52:31,920
Speaker 3: Simon Howard, like they're all just fucking great actors. Like

1055
00:52:32,000 --> 00:52:34,520
Speaker 3: to get this kind of shit out of kids is hard.

1056
00:52:35,320 --> 00:52:37,880
Speaker 2: It's hard. So I'm glad you liked it.

1057
00:52:37,920 --> 00:52:42,239
Speaker 3: I'm glad you got to see it because I think

1058
00:52:42,280 --> 00:52:43,280
Speaker 3: it's right up your alley.

1059
00:52:44,239 --> 00:52:47,040
Speaker 1: Yeah, And that's again I always say that about this podcast.

1060
00:52:47,040 --> 00:52:49,840
Speaker 1: You make me watch stuff that I I guess I

1061
00:52:50,440 --> 00:52:52,920
Speaker 1: just kind of fell off my radar and I'm just

1062
00:52:53,320 --> 00:52:56,640
Speaker 1: so thankful for you again.

1063
00:52:56,920 --> 00:52:58,799
Speaker 3: And you make me watch things that I hadn't seen

1064
00:52:58,840 --> 00:53:01,600
Speaker 3: in ages and I love it.

1065
00:53:02,239 --> 00:53:05,560
Speaker 1: Okay, I gotta be honest. Well, let me let's just

1066
00:53:06,120 --> 00:53:10,360
Speaker 1: introduce my film right up top. So my movie for

1067
00:53:10,440 --> 00:53:13,520
Speaker 1: the theme honestly we deserve This is a movie from

1068
00:53:13,600 --> 00:53:16,400
Speaker 1: nineteen eighty eight. It was directed by Julian Temple, written

1069
00:53:16,440 --> 00:53:20,239
Speaker 1: by Julie Brown, Charlie Coffee and Terrence McNally, and it's

1070
00:53:20,239 --> 00:53:22,080
Speaker 1: called Earth Girls Are Easy.

1071
00:53:22,239 --> 00:53:24,400
Speaker 2: We can't go out with these guys. They're aliens.

1072
00:53:24,640 --> 00:53:28,040
Speaker 1: They could still be dates. So do you remember when

1073
00:53:28,680 --> 00:53:31,440
Speaker 1: we were talking about possibly doing this movie and we

1074
00:53:31,440 --> 00:53:36,040
Speaker 1: were like, here's a movie from our youth. Will it

1075
00:53:36,200 --> 00:53:44,680
Speaker 1: hold up in twenty twenty three? Question mark? And I

1076
00:53:44,760 --> 00:53:50,600
Speaker 1: have to say I am relieved. I don't know if

1077
00:53:50,600 --> 00:53:51,359
Speaker 1: you felt that way.

1078
00:53:51,480 --> 00:53:53,200
Speaker 2: I don't know. I was relieved. Don't worry.

1079
00:53:53,200 --> 00:53:55,759
Speaker 3: There's still a lot of like weird misogyny and like

1080
00:53:56,160 --> 00:53:59,160
Speaker 3: eighty shit in here, but it definitely holds up.

1081
00:53:59,440 --> 00:54:02,200
Speaker 1: Its horny as can be. But we'll get into it.

1082
00:54:03,000 --> 00:54:06,880
Speaker 1: But so, I don't know about you. I I have

1083
00:54:07,000 --> 00:54:10,040
Speaker 1: seen this movie so many times on cable as a child.

1084
00:54:10,719 --> 00:54:13,440
Speaker 1: It's kind of impossible to calculate how many times I

1085
00:54:13,480 --> 00:54:16,799
Speaker 1: actually have watched it. I'm pretty sure I watched it

1086
00:54:16,840 --> 00:54:19,840
Speaker 1: for the first time on Comedy Central in middle school,

1087
00:54:20,760 --> 00:54:24,640
Speaker 1: because for me, Earth Girls Are Easy is like one

1088
00:54:25,280 --> 00:54:29,960
Speaker 1: one of these like early days of Comedy Central movies,

1089
00:54:30,480 --> 00:54:38,680
Speaker 1: alongside stuff like Fatal Instinct, Staring armand Assante and uh ah,

1090
00:54:39,360 --> 00:54:47,479
Speaker 1: Dracula Dead and Loving It. You remember, I I'm gonna

1091
00:54:47,480 --> 00:54:49,960
Speaker 1: say this now, I insist that we do an episode

1092
00:54:50,000 --> 00:54:51,480
Speaker 1: on Dracula Dead Loving It.

1093
00:54:51,560 --> 00:54:53,600
Speaker 2: Oh my god, why the fuck not?

1094
00:54:53,840 --> 00:54:55,520
Speaker 1: At this point? Why fuck not?

1095
00:54:58,440 --> 00:55:00,000
Speaker 2: Halloween's coming up. Halloween's coming up.

1096
00:55:00,600 --> 00:55:02,560
Speaker 1: We will try to slide it in there, probably, okay,

1097
00:55:03,520 --> 00:55:05,319
Speaker 1: But I think when I was a kid, I like

1098
00:55:05,360 --> 00:55:10,600
Speaker 1: honed in on this movie because of Julie Brown, who

1099
00:55:11,320 --> 00:55:15,239
Speaker 1: not only stars in the movie as a character named

1100
00:55:15,320 --> 00:55:18,400
Speaker 1: Candy Pink, she is the best friend of the Geena

1101
00:55:18,480 --> 00:55:22,200
Speaker 1: Davis character, but she co wrote the movie with her

1102
00:55:22,280 --> 00:55:24,799
Speaker 1: husband at the time, Terence McNally and then one of

1103
00:55:24,840 --> 00:55:29,480
Speaker 1: her longtime collaborators, Charlie Coffee, right, And when this movie

1104
00:55:29,480 --> 00:55:34,000
Speaker 1: came out, it was essentially conceived as a vehicle for

1105
00:55:34,200 --> 00:55:38,799
Speaker 1: Julie Brown's music career, which you know, I don't know

1106
00:55:38,840 --> 00:55:42,319
Speaker 1: if a lot of people remember her music career, but

1107
00:55:42,680 --> 00:55:44,480
Speaker 1: she was kind of like a novelty act where she

1108
00:55:44,560 --> 00:55:46,640
Speaker 1: was kind of playing this valley girl character and she

1109
00:55:46,719 --> 00:55:49,480
Speaker 1: was making comedy songs and it was kind of like

1110
00:55:49,520 --> 00:55:56,160
Speaker 1: a weird al Judy Tanuda adjacent thing, right, which felt

1111
00:55:56,680 --> 00:56:00,400
Speaker 1: very in vogue when we were kids.

1112
00:56:00,600 --> 00:56:01,440
Speaker 2: Yeah, well it was, it was.

1113
00:56:01,480 --> 00:56:04,360
Speaker 3: It was very It was a product I think of

1114
00:56:05,120 --> 00:56:09,239
Speaker 3: MTV and you know, them kind of using comedic figures

1115
00:56:09,280 --> 00:56:13,000
Speaker 3: and comedic songs to round out their their repertoire. And

1116
00:56:13,400 --> 00:56:15,120
Speaker 3: you know, they were having shows that they were having

1117
00:56:15,160 --> 00:56:17,440
Speaker 3: these people host or co host and you know, the

1118
00:56:17,640 --> 00:56:21,680
Speaker 3: the kind of colorful, zany wackiness of it found a

1119
00:56:21,719 --> 00:56:23,200
Speaker 3: home there for a while.

1120
00:56:23,280 --> 00:56:25,319
Speaker 1: Yeah, And I think that was a lot of like

1121
00:56:25,440 --> 00:56:28,760
Speaker 1: early cable and early TV too, because it almost felt

1122
00:56:28,760 --> 00:56:31,560
Speaker 1: like these were all people who were like in the

1123
00:56:31,600 --> 00:56:34,560
Speaker 1: groundlings in LA and then they got TV shows, like

1124
00:56:34,640 --> 00:56:36,880
Speaker 1: it was kind of like this whole universe of like

1125
00:56:37,600 --> 00:56:41,480
Speaker 1: Pee Wee Herman el Vira like and honestly, like I

1126
00:56:41,520 --> 00:56:45,920
Speaker 1: remember hearing Julie Brown's songs for the first time on

1127
00:56:45,960 --> 00:56:51,359
Speaker 1: the Doctor Demento radio show, which I used to listen

1128
00:56:51,400 --> 00:56:56,520
Speaker 1: to on cassette at my next door neighbor Daniel's house,

1129
00:56:57,800 --> 00:57:01,719
Speaker 1: Like he he brought the Doctor Tomato tapes and we

1130
00:57:01,760 --> 00:57:03,520
Speaker 1: would listen to them in his garage.

1131
00:57:03,680 --> 00:57:07,160
Speaker 2: Where where is that biopic? Where's that biopic?

1132
00:57:09,000 --> 00:57:11,080
Speaker 3: I'm sure there's been a documentary or two, but where

1133
00:57:11,160 --> 00:57:15,520
Speaker 3: is that updated like gritty biopic about Doctor Demento?

1134
00:57:16,440 --> 00:57:21,880
Speaker 1: We need Eric Wareheim to play like a Scorsese esque

1135
00:57:23,000 --> 00:57:24,600
Speaker 1: version of Doctor Demento.

1136
00:57:26,160 --> 00:57:28,200
Speaker 3: He goes home and he takes off his hat and

1137
00:57:28,280 --> 00:57:31,480
Speaker 3: glasses and you find out his beard is fake, and

1138
00:57:31,560 --> 00:57:34,400
Speaker 3: like he's like sadly singing the fish Head song while

1139
00:57:34,440 --> 00:57:39,800
Speaker 3: he's taken off all like fake clothes, fake beard.

1140
00:57:40,800 --> 00:57:45,000
Speaker 1: He's doing like hot rails and it's just like, what

1141
00:57:45,200 --> 00:57:49,919
Speaker 1: is my life? What is meaning? Oh my god, we've

1142
00:57:50,000 --> 00:57:56,600
Speaker 1: darned out Doctor Demento. You're absolutely right about MTV because

1143
00:57:57,400 --> 00:58:01,480
Speaker 1: Julie Brown had a TV show on MTV named Just

1144
00:58:01,560 --> 00:58:06,760
Speaker 1: Say Julie, and like I said, it was very I

1145
00:58:06,800 --> 00:58:09,760
Speaker 1: watched it all the time. It was very Pewey Herman

1146
00:58:09,800 --> 00:58:13,600
Speaker 1: adjacent because there was like wacky sets and costumes and

1147
00:58:13,880 --> 00:58:17,120
Speaker 1: guests would appear. It'd be like famous musicians, but they

1148
00:58:17,160 --> 00:58:21,400
Speaker 1: would play characters within this world that she created, and

1149
00:58:21,440 --> 00:58:24,200
Speaker 1: then they would play her music videos like they would

1150
00:58:24,240 --> 00:58:27,400
Speaker 1: play the video for Because I'm a Blonde, which actually

1151
00:58:27,440 --> 00:58:31,320
Speaker 1: does appear and Earth Girls Are Easy, and they played

1152
00:58:31,320 --> 00:58:36,439
Speaker 1: the video for my personal favorite, the Homecoming Queen's Got

1153
00:58:36,440 --> 00:58:41,000
Speaker 1: a Gun, and I used to I remember like going

1154
00:58:41,040 --> 00:58:43,840
Speaker 1: around my house like singing both of those songs, like

1155
00:58:44,120 --> 00:58:47,439
Speaker 1: I would sing Julie Brown songs in my parents' house,

1156
00:58:47,480 --> 00:58:49,840
Speaker 1: and I just thought it was the height of comedy.

1157
00:58:49,960 --> 00:58:52,120
Speaker 1: Like I just thought all of this was so fucking funny.

1158
00:58:52,640 --> 00:58:55,840
Speaker 1: And just so you know, just so we don't get

1159
00:58:55,880 --> 00:58:57,840
Speaker 1: emails about this, because you know we're gonna get emails

1160
00:58:57,840 --> 00:59:01,320
Speaker 1: about this. Yes, there were two jewels Brown's on MTV

1161
00:59:01,440 --> 00:59:05,960
Speaker 1: at the same time. Okay, there was Miss Julie Brown,

1162
00:59:06,120 --> 00:59:08,520
Speaker 1: who is who I'm talking about right now, and then

1163
00:59:08,520 --> 00:59:11,880
Speaker 1: there was Downtown Julie Brown, who was British and black

1164
00:59:11,960 --> 00:59:15,120
Speaker 1: and hosted Club Mtvlabba blah blah bob bah goodbye and

1165
00:59:15,120 --> 00:59:17,560
Speaker 1: God bless that was. That was the other Julie Brown.

1166
00:59:20,440 --> 00:59:28,480
Speaker 3: We grew up in the fucking weirdest timeline. I just

1167
00:59:28,560 --> 00:59:33,520
Speaker 3: imagine people in spandex crop tops and bike shorts dancing

1168
00:59:33,680 --> 00:59:36,480
Speaker 3: for an hour with their fucking teased out hair, and

1169
00:59:36,520 --> 00:59:40,520
Speaker 3: then someone gets on fucking mic and says babbah, goodbye,

1170
00:59:40,520 --> 00:59:43,600
Speaker 3: God bless and it was totally nobody questioned it for

1171
00:59:43,720 --> 00:59:46,200
Speaker 3: like forty fucking years, nobody questioned it.

1172
00:59:48,600 --> 00:59:52,240
Speaker 1: I mean, I'm gonna I'm not gonna lie. I loved

1173
00:59:52,280 --> 00:59:54,919
Speaker 1: growing up in this era. I know now they got

1174
00:59:55,000 --> 00:59:56,280
Speaker 1: they got no wabba.

1175
00:59:55,960 --> 00:59:56,960
Speaker 2: Ba ba ba.

1176
00:59:58,160 --> 01:00:00,680
Speaker 1: And for shame, because it was great. It was a

1177
01:00:00,680 --> 01:00:03,920
Speaker 1: great time to be alive, I gotta say truly. I Oh,

1178
01:00:04,120 --> 01:00:06,840
Speaker 1: also too, I have to say about Julie Brown because

1179
01:00:06,880 --> 01:00:09,480
Speaker 1: I'm kind of a fangirl. As you can imagine, she

1180
01:00:09,560 --> 01:00:12,280
Speaker 1: used to imitate Madonna all the time. Yeah, I also

1181
01:00:12,400 --> 01:00:16,120
Speaker 1: loved right and and for the record, I swear to god,

1182
01:00:17,440 --> 01:00:22,040
Speaker 1: I tried very hard to program MEDUSA Dare to be

1183
01:00:22,080 --> 01:00:26,040
Speaker 1: truthful on TCO Underground, but I could not. I could

1184
01:00:26,040 --> 01:00:28,520
Speaker 1: not figure out who owned the TV rights to it.

1185
01:00:28,760 --> 01:00:32,560
Speaker 1: So I just want you all to know that I

1186
01:00:32,720 --> 01:00:36,120
Speaker 1: tried really hard to make that happen exactly.

1187
01:00:36,240 --> 01:00:36,720
Speaker 2: Yeah it is.

1188
01:00:36,760 --> 01:00:38,320
Speaker 3: And that is one of those things where it's like

1189
01:00:38,360 --> 01:00:41,680
Speaker 3: it was very much a very spoof heavy era.

1190
01:00:42,320 --> 01:00:45,520
Speaker 2: Yes, very spoof heavy, but I.

1191
01:00:45,600 --> 01:00:49,920
Speaker 1: Yeah, very spoof heavy, which to my like eleven and

1192
01:00:49,960 --> 01:00:52,880
Speaker 1: twelve year old brain, I thought that was like true comedy,

1193
01:00:52,920 --> 01:00:55,120
Speaker 1: like I just loved all this shit, loved it all.

1194
01:00:55,880 --> 01:00:58,760
Speaker 1: So I'm gonna do a one sense synopsis. If Earth

1195
01:00:58,800 --> 01:01:02,880
Speaker 1: Girls are easy aliens crash land into the swimming pool

1196
01:01:02,960 --> 01:01:06,480
Speaker 1: of a recently single woman and learn about human culture

1197
01:01:07,000 --> 01:01:11,240
Speaker 1: via the San Fernando Valley in the nineteen eighties. Okay,

1198
01:01:12,360 --> 01:01:15,040
Speaker 1: so we got a lot of meat on this bone.

1199
01:01:15,080 --> 01:01:17,360
Speaker 1: We got to hit it right now. So the two

1200
01:01:17,400 --> 01:01:21,440
Speaker 1: main stars of Earth Girls are easy. I think we

1201
01:01:21,520 --> 01:01:26,560
Speaker 1: know who they are. They're the tall, hot, married legends themselves,

1202
01:01:26,680 --> 01:01:32,840
Speaker 1: Gena Davis and Jeff Goldbloom. They had just come off

1203
01:01:32,880 --> 01:01:37,200
Speaker 1: of David Cronenberg's The Fly. We have an episode about that,

1204
01:01:37,360 --> 01:01:42,160
Speaker 1: please listen to it. But they actually had met on

1205
01:01:42,240 --> 01:01:47,360
Speaker 1: the set of Transylvania six five thousand, and I'm just

1206
01:01:47,400 --> 01:01:50,560
Speaker 1: saying that this is a Criterion collection box set that

1207
01:01:50,680 --> 01:01:55,240
Speaker 1: I need right now. I need the like Jeff Goldbloom

1208
01:01:55,280 --> 01:02:00,320
Speaker 1: Gena Davis were married three movie box set?

1209
01:02:00,480 --> 01:02:04,520
Speaker 3: Oh good, please directly put that directly in my veins.

1210
01:02:06,840 --> 01:02:09,920
Speaker 1: Can we get Translomania six five thousand on four K

1211
01:02:10,360 --> 01:02:12,560
Speaker 1: blu ray? I would appreciate that.

1212
01:02:12,800 --> 01:02:14,760
Speaker 3: From what I remember of that movie, I feel like

1213
01:02:14,760 --> 01:02:16,480
Speaker 3: there would be riots in the street if.

1214
01:02:18,360 --> 01:02:20,040
Speaker 2: Like look, we put up a lot, put up on

1215
01:02:20,040 --> 01:02:24,240
Speaker 2: a lot from you fuckers. This is where we draw

1216
01:02:24,280 --> 01:02:25,440
Speaker 2: the line.

1217
01:02:26,280 --> 01:02:31,520
Speaker 1: Yeah, I have not seen that movie since it came out, and.

1218
01:02:31,400 --> 01:02:37,680
Speaker 3: I guess what, no one has, so but I have

1219
01:02:37,720 --> 01:02:40,040
Speaker 3: to say, I mean, just like The Fly, or maybe

1220
01:02:40,160 --> 01:02:43,280
Speaker 3: just like the first half of The Fly, Earth Girls

1221
01:02:43,280 --> 01:02:48,000
Speaker 3: Are Easy is essentially just another vehicle to showcase how

1222
01:02:48,560 --> 01:02:51,800
Speaker 3: hot Jeff Goldblum was at this time in our history,

1223
01:02:52,720 --> 01:02:54,760
Speaker 3: although I must.

1224
01:02:54,600 --> 01:02:58,240
Speaker 1: Say Geena Davis is actually the number one hottie of

1225
01:02:58,280 --> 01:03:02,520
Speaker 1: this film for real. Like there's at one point in

1226
01:03:02,520 --> 01:03:06,240
Speaker 1: this movie where she's wearing a very skimpy bikini that

1227
01:03:06,400 --> 01:03:10,040
Speaker 1: is it's red, but it's essentially also see through, and

1228
01:03:10,120 --> 01:03:15,520
Speaker 1: I was like, holy shit, Like I can't believe it,

1229
01:03:15,560 --> 01:03:18,840
Speaker 1: Like you can see everything for the most part.

1230
01:03:18,480 --> 01:03:22,200
Speaker 3: The eighties, I like, like it kind of is covering, okay,

1231
01:03:22,760 --> 01:03:25,280
Speaker 3: and pleasant they're doing that Valley Girl thing where it's

1232
01:03:25,320 --> 01:03:26,800
Speaker 3: like all we do is hang up by the pool

1233
01:03:26,840 --> 01:03:29,040
Speaker 3: and do our nails and who cares if we're wearing

1234
01:03:29,080 --> 01:03:29,919
Speaker 3: clothes kind of.

1235
01:03:30,800 --> 01:03:32,160
Speaker 1: I know. I have to say, if I look like

1236
01:03:32,200 --> 01:03:34,160
Speaker 1: her at any point in my life, I would always

1237
01:03:34,160 --> 01:03:35,080
Speaker 1: wear sea through clothes.

1238
01:03:35,120 --> 01:03:36,480
Speaker 2: Oh completely, just put it out.

1239
01:03:36,320 --> 01:03:39,560
Speaker 1: There she looked. I mean, she's incredibly hot in this movie.

1240
01:03:40,000 --> 01:03:42,520
Speaker 3: And it's also made funnier to me by the fact

1241
01:03:42,560 --> 01:03:45,760
Speaker 3: that she's like a genius. Literally, she's like a Mensa

1242
01:03:46,000 --> 01:03:49,280
Speaker 3: member level genius. And she's like, I will also, I

1243
01:03:49,280 --> 01:03:51,400
Speaker 3: can do it all. I will wear a seat through bikini,

1244
01:03:51,920 --> 01:03:55,080
Speaker 3: i will shoot some fucking arrows at an Olympian level.

1245
01:03:56,040 --> 01:03:58,440
Speaker 3: And I'm a fucking genius.

1246
01:03:58,960 --> 01:04:02,040
Speaker 1: Beauty and brains. But so he is the other thing

1247
01:04:02,040 --> 01:04:05,360
Speaker 1: I didn't know as a kid. Right, So the director

1248
01:04:05,400 --> 01:04:08,880
Speaker 1: of this movie is Julian Temple, and I know him now,

1249
01:04:09,160 --> 01:04:11,760
Speaker 1: but at the time I obviously didn't. And if you

1250
01:04:11,760 --> 01:04:16,240
Speaker 1: don't know him, he pretty much directed every amazing cool

1251
01:04:16,360 --> 01:04:18,480
Speaker 1: music video in the nineteen eighties, like he did so

1252
01:04:18,600 --> 01:04:21,000
Speaker 1: many music videos. He directed like a ton of Depeche

1253
01:04:21,000 --> 01:04:24,960
Speaker 1: Mode videos. And he also did this movie called Absolute Beginners,

1254
01:04:25,320 --> 01:04:28,320
Speaker 1: which if you haven't seen it, see it. It's David

1255
01:04:28,320 --> 01:04:31,680
Speaker 1: Bowie's in it. It's it's really great, and if you

1256
01:04:31,720 --> 01:04:34,680
Speaker 1: have seen Absolute Beginners, you will kind of feel like

1257
01:04:34,760 --> 01:04:37,120
Speaker 1: Earth Girls are easiest sort of similar because it's basically

1258
01:04:37,160 --> 01:04:40,560
Speaker 1: just kind of this big fantasy musical. Both those movies

1259
01:04:40,560 --> 01:04:42,760
Speaker 1: are so when I found out like later in life.

1260
01:04:42,800 --> 01:04:44,880
Speaker 1: I was like, oh, yeah, Julian Temple made earth girls

1261
01:04:44,880 --> 01:04:46,320
Speaker 1: are easy. I was like, oh, it makes sense because

1262
01:04:46,320 --> 01:04:48,640
Speaker 1: he made absolute beginners. So there you go. So in

1263
01:04:48,720 --> 01:04:51,800
Speaker 1: terms of this cast, though, besides the like Gina and

1264
01:04:51,880 --> 01:04:58,600
Speaker 1: Jeff connection, you have these comedy fucking superstars and I'm

1265
01:04:58,640 --> 01:05:02,320
Speaker 1: talking about Jim Carrey and Damon Wayns and this is

1266
01:05:02,480 --> 01:05:04,920
Speaker 1: very early in their career. This is pre and living color,

1267
01:05:05,840 --> 01:05:07,520
Speaker 1: and I swear to god, I thought they were so

1268
01:05:07,960 --> 01:05:12,720
Speaker 1: fucking funny in this movie that what the fact that

1269
01:05:12,760 --> 01:05:16,960
Speaker 1: they had careers after this movie is only purely additional.

1270
01:05:17,040 --> 01:05:18,240
Speaker 1: Like I was like, this is it for me. This

1271
01:05:18,280 --> 01:05:20,880
Speaker 1: is the funniest movie I've ever seen by either two

1272
01:05:20,960 --> 01:05:23,080
Speaker 1: of these men, Like every.

1273
01:05:22,840 --> 01:05:25,919
Speaker 3: Oh good, and there you could see in the kind

1274
01:05:25,920 --> 01:05:30,640
Speaker 3: of burgeoning comedic styles for both of them that both

1275
01:05:30,680 --> 01:05:33,560
Speaker 3: of them would become famous for in this film, but

1276
01:05:33,640 --> 01:05:37,200
Speaker 3: it is just so weird, Like you could see Jim

1277
01:05:37,280 --> 01:05:40,000
Speaker 3: Carrey being like over emphatic with his facial movements, and

1278
01:05:40,280 --> 01:05:43,440
Speaker 3: you know, Damon Wayans is being like super bodily like dancing,

1279
01:05:43,640 --> 01:05:46,760
Speaker 3: and you could just see what's going to become and.

1280
01:05:46,720 --> 01:05:49,160
Speaker 1: It's really funny, Like I, you know, I had a

1281
01:05:49,280 --> 01:05:51,600
Speaker 1: very simple brain when I was eleven and twelve, and

1282
01:05:51,640 --> 01:05:53,840
Speaker 1: I just the fact that they were just imitating everything

1283
01:05:53,920 --> 01:05:55,600
Speaker 1: that they saw on TV and they were just kind

1284
01:05:55,640 --> 01:05:58,960
Speaker 1: of like bumbling around being horny aliens. I was like

1285
01:05:59,120 --> 01:06:01,800
Speaker 1: that they're the funny people of all time, and like

1286
01:06:02,000 --> 01:06:04,240
Speaker 1: the best part is that anytime they would scream. When

1287
01:06:04,280 --> 01:06:08,880
Speaker 1: Geena Davis screamed, I oh god, laughed so hard even

1288
01:06:09,000 --> 01:06:11,160
Speaker 1: to day, like in this modern.

1289
01:06:10,880 --> 01:06:15,800
Speaker 3: Era, when they imitate the Valley Girl accent, Like when

1290
01:06:15,800 --> 01:06:18,160
Speaker 3: they're in the car driving and Jim Carrey jumps into

1291
01:06:18,160 --> 01:06:20,440
Speaker 3: the other car and he's like, can we get to

1292
01:06:20,440 --> 01:06:25,560
Speaker 3: a party in the valet?

1293
01:06:29,400 --> 01:06:34,200
Speaker 1: Aren't you Terry Hepper's brother? That she fucking cracks me up.

1294
01:06:34,200 --> 01:06:37,439
Speaker 1: Oh my god. But so, speaking of the horniness, I mean, like, look,

1295
01:06:38,200 --> 01:06:41,160
Speaker 1: this movie is pretty horny as you can imagine, but

1296
01:06:41,200 --> 01:06:42,800
Speaker 1: I will say I don't think it's as horny as

1297
01:06:42,840 --> 01:06:46,000
Speaker 1: I thought it was gonna be from modern eyes, Like, yeah,

1298
01:06:46,040 --> 01:06:49,000
Speaker 1: it's horny, but it's not horribly horny.

1299
01:06:49,600 --> 01:06:51,400
Speaker 3: Well no, because they kind of take care of all

1300
01:06:51,400 --> 01:06:53,080
Speaker 3: the horniness in like big scenes.

1301
01:06:53,760 --> 01:06:59,640
Speaker 1: Yes. Additionally, I think maybe because this movie was co

1302
01:06:59,680 --> 01:07:02,600
Speaker 1: written a woman, I feel like it's cool that the

1303
01:07:02,640 --> 01:07:07,200
Speaker 1: alien babe characters are guys. Yeah, and they they really

1304
01:07:07,280 --> 01:07:09,720
Speaker 1: hone in on Jeff Goldblood, by the way, he is

1305
01:07:09,800 --> 01:07:14,640
Speaker 1: like pretty much a piece of meat in this film, Like,

1306
01:07:14,960 --> 01:07:17,640
Speaker 1: which on sub level, I appreciate that, right, I'm like,

1307
01:07:18,000 --> 01:07:21,800
Speaker 1: you know, like, but the guys are there, guys are

1308
01:07:21,840 --> 01:07:25,400
Speaker 1: getting I mean, there's like that whole scene where they're

1309
01:07:25,440 --> 01:07:30,880
Speaker 1: at the nightclub, which is actually the Griffith Observatory, and

1310
01:07:30,960 --> 01:07:33,520
Speaker 1: like all these women are like, you know, wanting to

1311
01:07:33,520 --> 01:07:36,120
Speaker 1: go home with the Jim Carrey alien because he's got

1312
01:07:36,120 --> 01:07:39,160
Speaker 1: this like five inch tongue. And I'm like, I did

1313
01:07:39,240 --> 01:07:40,280
Speaker 1: not remember that far.

1314
01:07:42,520 --> 01:07:44,000
Speaker 2: That was one of those things that I probably saw

1315
01:07:44,040 --> 01:07:45,440
Speaker 2: as a kid and was like I don't get it.

1316
01:07:45,640 --> 01:07:48,840
Speaker 1: Yeah, Like the fact that there's like an extended kind

1317
01:07:48,840 --> 01:07:51,240
Speaker 1: of linguist joke is I mean, I just appreciate that.

1318
01:07:51,280 --> 01:07:52,800
Speaker 1: Like I'm like, Okay, it's horny, but at least it's

1319
01:07:52,800 --> 01:07:56,640
Speaker 1: not like, you know, one sided horniness. You know, like

1320
01:07:56,720 --> 01:07:59,200
Speaker 1: everybody is horny in this film.

1321
01:07:59,400 --> 01:08:02,800
Speaker 2: Men, women, women have atonomy to be horny in this movie.

1322
01:08:03,280 --> 01:08:07,360
Speaker 1: Absolutely so. The basic gist of this film is that

1323
01:08:07,440 --> 01:08:10,240
Speaker 1: Geena Davis is a woman named Val and she's a

1324
01:08:10,320 --> 01:08:13,000
Speaker 1: nail technician in the valley, and she's about to get

1325
01:08:13,000 --> 01:08:18,080
Speaker 1: married to this philandering doctor who is played by Charles Rockett.

1326
01:08:19,439 --> 01:08:21,760
Speaker 1: So Val busts in on him about to cheat on

1327
01:08:21,800 --> 01:08:23,439
Speaker 1: her one night, and then she kind of you know,

1328
01:08:23,600 --> 01:08:25,960
Speaker 1: freaks out kicks him out of the house. And if

1329
01:08:25,960 --> 01:08:29,880
Speaker 1: that wasn't bad enough, the next day she's grief sunbathing,

1330
01:08:30,040 --> 01:08:37,120
Speaker 1: which I am now gonna try, and an alien spacecraft

1331
01:08:37,120 --> 01:08:40,320
Speaker 1: crashes into her fucking swimming pool right good, and out

1332
01:08:40,320 --> 01:08:43,679
Speaker 1: come these three aliens who are very colorful and very hairy,

1333
01:08:43,720 --> 01:08:46,360
Speaker 1: and they're played by, like I said, Jim Carrey, Damon Williams,

1334
01:08:46,479 --> 01:08:50,479
Speaker 1: and their their commander, who is Jeff Goldbloom. So, you know,

1335
01:08:51,200 --> 01:08:54,519
Speaker 1: after the initial shock of her screaming and then them

1336
01:08:54,560 --> 01:08:57,400
Speaker 1: like making fun of her screaming, which I thought was

1337
01:08:57,400 --> 01:09:00,880
Speaker 1: so fucking funny as an eleven year old, Val takes

1338
01:09:00,880 --> 01:09:04,280
Speaker 1: them to Candy, who is the Julie Brown character, and

1339
01:09:05,040 --> 01:09:07,240
Speaker 1: basically it's like, what do we do. I mean, these

1340
01:09:07,280 --> 01:09:09,800
Speaker 1: guys are aliens. We can't just like trape them around

1341
01:09:09,840 --> 01:09:12,000
Speaker 1: the valley. You gotta give them a makeover.

1342
01:09:13,920 --> 01:09:21,960
Speaker 3: They're just covered in like very colorful fur, like.

1343
01:09:20,439 --> 01:09:25,439
Speaker 1: Like some Steve Erkle slash Stefaan or kill spin around

1344
01:09:25,960 --> 01:09:30,320
Speaker 1: pod moment like they've come out and they're all like

1345
01:09:30,560 --> 01:09:35,439
Speaker 1: fucking hot La guys, which I'm like, okay, I don't

1346
01:09:35,479 --> 01:09:38,559
Speaker 1: know how that worked, but apparently they're all hot La

1347
01:09:38,640 --> 01:09:47,480
Speaker 1: guys now. And I gotta say, uh, I am mambivolot

1348
01:09:47,680 --> 01:09:51,920
Speaker 1: about Jeff Goldbloom whatever, Like I'm fine with like whatever,

1349
01:09:52,200 --> 01:09:56,160
Speaker 1: he's cool. But when he comes out of this curtain

1350
01:09:56,280 --> 01:09:58,160
Speaker 1: or pod or whatever it is, I don't even really

1351
01:09:58,160 --> 01:10:00,439
Speaker 1: remember what they step out from behind the curtain to

1352
01:10:00,479 --> 01:10:04,400
Speaker 1: reveal their like human forms. He is bathed in this

1353
01:10:04,560 --> 01:10:09,680
Speaker 1: like hot guy glow that is so insane, and you're like, oh,

1354
01:10:10,600 --> 01:10:15,200
Speaker 1: they're telegraphing to you that he will be the uber

1355
01:10:15,280 --> 01:10:17,719
Speaker 1: stud that's gonna sweep Valerie off of her feet.

1356
01:10:18,240 --> 01:10:20,880
Speaker 3: And it's kind of like a it's it's similar to

1357
01:10:21,280 --> 01:10:23,760
Speaker 3: his action of emerging is similar to his action of

1358
01:10:23,800 --> 01:10:24,639
Speaker 3: emerging from.

1359
01:10:24,479 --> 01:10:27,560
Speaker 1: The fly Boom yep, exactly.

1360
01:10:27,240 --> 01:10:29,160
Speaker 3: Except he doesn't puke on his hand and eat it

1361
01:10:31,800 --> 01:10:32,599
Speaker 3: moments later.

1362
01:10:34,680 --> 01:10:37,640
Speaker 1: Yes, there's like definitely allusions to the fly and but

1363
01:10:37,680 --> 01:10:39,040
Speaker 1: I thought that was so funny is that he just

1364
01:10:39,040 --> 01:10:41,599
Speaker 1: comes out and he's just like this, he's glowing he's

1365
01:10:41,680 --> 01:10:45,280
Speaker 1: just like glowing and hot, and I know, I know

1366
01:10:45,360 --> 01:10:49,160
Speaker 1: there's a lot of fans of him out there in

1367
01:10:49,200 --> 01:10:53,960
Speaker 1: this world. If you like a shirtless Jeff Goldbloom simulating

1368
01:10:54,240 --> 01:10:57,920
Speaker 1: sexual things to show you how hot he is, this

1369
01:10:57,960 --> 01:11:02,160
Speaker 1: is the movie for you, Sam. If you haven't seen it,

1370
01:11:03,479 --> 01:11:06,920
Speaker 1: watch it. Toot sweet. But the rest of this movie

1371
01:11:07,000 --> 01:11:09,559
Speaker 1: is basically like all the beats you would expect. Okay,

1372
01:11:09,640 --> 01:11:13,560
Speaker 1: The aliens learn how to be human via a barrage

1373
01:11:13,640 --> 01:11:17,960
Speaker 1: of like eighties LA stuff, like classic movie TV references.

1374
01:11:18,240 --> 01:11:20,760
Speaker 1: They're taken to that night club, they figure out how

1375
01:11:20,760 --> 01:11:23,760
Speaker 1: to dance fight with someone who kind of looks like

1376
01:11:23,840 --> 01:11:24,439
Speaker 1: lou Bega.

1377
01:11:24,880 --> 01:11:27,960
Speaker 2: I don't know oo, Like he looks like he came

1378
01:11:28,000 --> 01:11:30,120
Speaker 2: out of like a dark Wing Duck episode.

1379
01:11:30,720 --> 01:11:39,000
Speaker 1: Yeah, but you know that's like the joke of this

1380
01:11:39,120 --> 01:11:41,160
Speaker 1: film is that it's like, oh, here's some aliens that

1381
01:11:41,880 --> 01:11:45,880
Speaker 1: basically land in like, you know, greater Los Angeles than

1382
01:11:45,880 --> 01:11:48,240
Speaker 1: they're learning how to be valley girls, and it's very funny.

1383
01:11:48,400 --> 01:11:51,080
Speaker 1: Michael McKeon the actor Michael mccannon. He has a cameo.

1384
01:11:51,240 --> 01:11:54,479
Speaker 1: He plays this like surfer kind of pool guy. He

1385
01:11:54,520 --> 01:11:59,680
Speaker 1: accidentally like gets Jim Carrey and David Wayne's into like

1386
01:11:59,760 --> 01:12:04,040
Speaker 1: these wacky situations where they accidentally rob us a gas

1387
01:12:04,080 --> 01:12:06,519
Speaker 1: station and then they meet Angeline. Of course you have

1388
01:12:06,520 --> 01:12:09,839
Speaker 1: to have Angeline and Angeline cameo, and then they crash

1389
01:12:10,000 --> 01:12:12,760
Speaker 1: their car into the middle of like the Randy's Donut sign.

1390
01:12:12,800 --> 01:12:18,080
Speaker 1: It's very La reference, right, And then, of course, as

1391
01:12:18,120 --> 01:12:22,880
Speaker 1: you can probably imagine, VAL's philandering X figures out that

1392
01:12:22,960 --> 01:12:25,400
Speaker 1: these guys are aliens and then he wants to operate

1393
01:12:25,439 --> 01:12:27,880
Speaker 1: on them and become famous for discovering them. A Lah,

1394
01:12:27,960 --> 01:12:30,360
Speaker 1: the Elephant Man. I think we've seen this story before.

1395
01:12:31,880 --> 01:12:34,879
Speaker 1: And then probably you know, one of the most memorable

1396
01:12:34,920 --> 01:12:37,599
Speaker 1: parts of the film, certainly for the Jeff Goldblum fans,

1397
01:12:37,680 --> 01:12:41,000
Speaker 1: is that Val eventually has sex with him, and the

1398
01:12:41,040 --> 01:12:44,439
Speaker 1: scene is very much that one part of the True

1399
01:12:44,439 --> 01:12:50,000
Speaker 1: Colors video by Cindy Lauper. It's very like dream like.

1400
01:12:50,200 --> 01:12:54,400
Speaker 1: And then actually the sequence right afterwards where where Gina

1401
01:12:54,960 --> 01:12:57,960
Speaker 1: has this dream and the whole sequence is like this

1402
01:12:58,080 --> 01:13:01,559
Speaker 1: kind of cool like fifties sci fi influenced black and

1403
01:13:01,560 --> 01:13:04,680
Speaker 1: white thing, and she dreams that, you know, all of

1404
01:13:04,720 --> 01:13:08,519
Speaker 1: her neighbors are aliens, and it's kind of this like

1405
01:13:08,560 --> 01:13:10,800
Speaker 1: speaking of Elephant Man. So kind of like David Lynch

1406
01:13:10,880 --> 01:13:11,760
Speaker 1: meets like they live.

1407
01:13:11,880 --> 01:13:13,960
Speaker 2: It's kind of cool, It's and the whole there.

1408
01:13:14,000 --> 01:13:15,720
Speaker 3: There are definitely parts of the movie where you get

1409
01:13:15,720 --> 01:13:17,880
Speaker 3: that vibe, Like the neighbor has kind of a B

1410
01:13:17,960 --> 01:13:21,920
Speaker 3: fifty two style beehive, and like there's lots of nods

1411
01:13:22,000 --> 01:13:25,400
Speaker 3: to that kind of fifty sci fi like Edwards style

1412
01:13:25,439 --> 01:13:27,480
Speaker 3: of movie.

1413
01:13:27,680 --> 01:13:29,760
Speaker 1: Yeah, And I think, honestly, like I mean we've talked.

1414
01:13:29,760 --> 01:13:31,960
Speaker 1: I think we talked about this in like the episode

1415
01:13:32,080 --> 01:13:34,960
Speaker 1: I really talked about Tim Burton. But like, like any

1416
01:13:35,000 --> 01:13:39,040
Speaker 1: kind of like fifties and sixties via the eighties kind

1417
01:13:39,040 --> 01:13:44,479
Speaker 1: of like cultural mashup thing was so appealing to me

1418
01:13:44,880 --> 01:13:47,400
Speaker 1: even now, but even as a kid, like all that

1419
01:13:47,520 --> 01:13:53,679
Speaker 1: stuff was like early days of MTV, Nickelodeon, like kind

1420
01:13:53,680 --> 01:14:00,280
Speaker 1: of that Peewee's Playhouse meets Elvira meets you know, Judy Tanudeh,

1421
01:14:00,520 --> 01:14:03,439
Speaker 1: Julie Brown, like all of that stuff kind of formed

1422
01:14:03,479 --> 01:14:05,800
Speaker 1: me in a lot of ways completely. And the Bee

1423
01:14:05,800 --> 01:14:07,720
Speaker 1: fifty twos are a perfect example of that too. And

1424
01:14:07,760 --> 01:14:10,120
Speaker 1: they're actually on the soundtrack a bunch of times, so

1425
01:14:10,160 --> 01:14:12,519
Speaker 1: you hear like multiple Beef fifty two songs in this movie.

1426
01:14:13,720 --> 01:14:16,120
Speaker 1: You know, speaking of Depeche Mode, like they play Rout

1427
01:14:16,200 --> 01:14:19,040
Speaker 1: sixty six, the Depeche Mode Route sixty six song, and

1428
01:14:19,080 --> 01:14:22,360
Speaker 1: it's like just an assault of like kind of set

1429
01:14:22,360 --> 01:14:26,000
Speaker 1: pieces and costumes and sight gags, and it's just everything

1430
01:14:26,000 --> 01:14:28,680
Speaker 1: I loved about it as a kid. It's just like

1431
01:14:28,680 --> 01:14:32,920
Speaker 1: this big, goofy, un serious movie. It just still kind

1432
01:14:32,920 --> 01:14:35,919
Speaker 1: of holds water in that way. It's so fun perfect

1433
01:14:35,960 --> 01:14:42,080
Speaker 1: summer film, just dumb and fun and funny. And I'm

1434
01:14:42,120 --> 01:14:43,680
Speaker 1: just I'm glad I got to watch it again. I

1435
01:14:43,720 --> 01:14:45,840
Speaker 1: don't know, I was kind of nervous. I don't know why,

1436
01:14:45,880 --> 01:14:47,800
Speaker 1: but now I'm like, hey, it was actually kind of fun.

1437
01:14:48,120 --> 01:14:49,400
Speaker 2: You know, No, I think it was.

1438
01:14:49,640 --> 01:14:51,479
Speaker 3: You know, it's it's definitely I know what you mean

1439
01:14:51,520 --> 01:14:54,400
Speaker 3: in terms of going back to films that you even

1440
01:14:54,439 --> 01:14:57,040
Speaker 3: knew were dumb at the time when you were a kid,

1441
01:14:57,080 --> 01:14:59,760
Speaker 3: and trying to make make sure it still holds up.

1442
01:14:59,800 --> 01:15:02,400
Speaker 3: And I think it lives up to the expectation of

1443
01:15:02,400 --> 01:15:04,400
Speaker 3: what it is, which is just funny, and like you said,

1444
01:15:04,400 --> 01:15:09,639
Speaker 3: it's in that world of what it was for the time,

1445
01:15:09,760 --> 01:15:13,720
Speaker 3: which is just a lot of very absurdist humor that

1446
01:15:13,760 --> 01:15:16,599
Speaker 3: they took to the edge, they took to the corner

1447
01:15:16,760 --> 01:15:19,160
Speaker 3: of every fucking room they could take it to.

1448
01:15:19,240 --> 01:15:22,800
Speaker 1: Yeah, absolutely, in a weird way. I mean I hate that,

1449
01:15:22,880 --> 01:15:24,320
Speaker 1: I don't, you know. We talk about this all the time.

1450
01:15:24,360 --> 01:15:26,559
Speaker 1: It's really hard to kind of look back at films

1451
01:15:26,560 --> 01:15:29,280
Speaker 1: that were made like thirty forty however many years ago,

1452
01:15:29,360 --> 01:15:32,599
Speaker 1: even like ten years ago, and kind of hold them

1453
01:15:32,680 --> 01:15:35,280
Speaker 1: under the scrutiny of the modern era because it was

1454
01:15:35,320 --> 01:15:38,280
Speaker 1: just a different time, right, And so I think that

1455
01:15:38,400 --> 01:15:40,320
Speaker 1: is kind of what the nervousness came in, because knowing

1456
01:15:40,360 --> 01:15:43,040
Speaker 1: it was kind of like a sexy comedy anytime you

1457
01:15:43,360 --> 01:15:45,920
Speaker 1: feel like you're about to watch like an eighty sexy

1458
01:15:46,040 --> 01:15:50,040
Speaker 1: comedy or like, oh lord, this is gonna be like terrible.

1459
01:15:50,200 --> 01:15:52,600
Speaker 2: This is gonna be sexist and racist and awful.

1460
01:15:53,280 --> 01:15:56,360
Speaker 1: But it's not perfect by any means. But it's also

1461
01:15:56,560 --> 01:15:59,680
Speaker 1: like not I guess maybe I just wasn't. I just

1462
01:15:59,800 --> 01:16:01,880
Speaker 1: was please that I didn't have to come on here

1463
01:16:01,880 --> 01:16:07,400
Speaker 1: and present a bunch of horrible shit, Like all right, guys,

1464
01:16:08,200 --> 01:16:10,280
Speaker 1: we're gonna watch a movie that's.

1465
01:16:10,560 --> 01:16:16,480
Speaker 3: You know, or whatever offensive across the board.

1466
01:16:16,520 --> 01:16:18,920
Speaker 1: But even still, I mean, it's like, that's the thing

1467
01:16:18,920 --> 01:16:22,200
Speaker 1: about movies in general, I feel like, is that, you know,

1468
01:16:22,840 --> 01:16:27,280
Speaker 1: like it's movies history. You're always looking back, and you know,

1469
01:16:27,320 --> 01:16:28,600
Speaker 1: I don't know, I don't want to go into a

1470
01:16:28,640 --> 01:16:30,639
Speaker 1: big tangent about it, but it is that moment where

1471
01:16:30,640 --> 01:16:33,320
Speaker 1: I was like, oh, I'm relieved it wasn't as you

1472
01:16:33,360 --> 01:16:36,320
Speaker 1: know it kind of you know, it was so funny

1473
01:16:36,360 --> 01:16:39,040
Speaker 1: and enjoyable, and I just have to say, like, I

1474
01:16:39,120 --> 01:16:41,599
Speaker 1: love that world, that whole world of like that kind

1475
01:16:41,600 --> 01:16:45,880
Speaker 1: of eighties la and that felt very InVogue too during

1476
01:16:45,920 --> 01:16:49,240
Speaker 1: that time, like Valley Girl, that whole thing. I don't know,

1477
01:16:49,320 --> 01:16:51,800
Speaker 1: I just I loved it. Such a fun movie. Both

1478
01:16:51,840 --> 01:16:52,920
Speaker 1: of these movies were fun.

1479
01:16:53,160 --> 01:16:55,120
Speaker 3: Yeah, this is a really fun week. And I'm glad

1480
01:16:56,000 --> 01:16:58,160
Speaker 3: that you had us watch your film again. I hadn't

1481
01:16:58,160 --> 01:17:00,800
Speaker 3: seen it in ages, and I just it's so good.

1482
01:17:00,840 --> 01:17:07,040
Speaker 3: It's so weird. It's just as weird as I remembered. Yeah, fantastic, fantastic,

1483
01:17:07,040 --> 01:17:08,479
Speaker 3: and we got to finally do it, which I know

1484
01:17:08,600 --> 01:17:11,360
Speaker 3: we've been looking for ways to do.

1485
01:17:12,080 --> 01:17:16,680
Speaker 1: Yes, I feel like, you know, I need to go

1486
01:17:16,720 --> 01:17:19,479
Speaker 1: listen to Julie Brown's albums again. There was like that

1487
01:17:19,560 --> 01:17:21,720
Speaker 1: one part of Kauz I'm a Blonde that I used

1488
01:17:21,720 --> 01:17:23,599
Speaker 1: to imitate all the time is when what she's doing

1489
01:17:23,640 --> 01:17:26,280
Speaker 1: her whole like pageant space, and she's like, I'm in

1490
01:17:26,280 --> 01:17:29,120
Speaker 1: a freshman in my fourth year at UCLA, and I

1491
01:17:29,200 --> 01:17:31,959
Speaker 1: want to be a veterinarian because I really loved children.

1492
01:17:32,120 --> 01:17:35,439
Speaker 1: Like I thought that was so good fucking funny. Yeah,

1493
01:17:35,479 --> 01:17:40,280
Speaker 1: well anyway, so listen, if any of you would like

1494
01:17:40,320 --> 01:17:42,680
Speaker 1: to email us, we are at I Saw what you

1495
01:17:42,720 --> 01:17:43,920
Speaker 1: Did pot at gmail.

1496
01:17:43,600 --> 01:17:45,840
Speaker 3: Dot com, and you can find us on our social

1497
01:17:45,920 --> 01:17:48,360
Speaker 3: media at I Saw pot on Instagram and Twitter.

1498
01:17:49,360 --> 01:17:53,760
Speaker 1: Also, we have merch please go find it at the

1499
01:17:53,960 --> 01:17:56,519
Speaker 1: I Saw what You Did section of the Exactly Right shop.

1500
01:17:57,040 --> 01:17:59,320
Speaker 3: And you know our bonus episodes are the new ones

1501
01:17:59,320 --> 01:18:01,599
Speaker 3: are coming out the third Thursday of every month, and

1502
01:18:01,680 --> 01:18:04,559
Speaker 3: the old bonus episodes, which used to be behind a paywall,

1503
01:18:05,040 --> 01:18:06,840
Speaker 3: are now dropping once a week.

1504
01:18:07,120 --> 01:18:08,160
Speaker 2: It seems.

1505
01:18:09,520 --> 01:18:13,120
Speaker 1: Very exciting. Oh my god, speaking of exciting, will you

1506
01:18:13,280 --> 01:18:16,360
Speaker 1: tell them what the movies are for next episode?

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Speaker 3: I am trying to remember when I've been this fucking pumped. Yeah,

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Speaker 3: to prep for a fucking episode. I'm watching them as

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01:18:25,160 --> 01:18:27,519
Speaker 3: soon as we stop recording this at the outside that

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01:18:27,600 --> 01:18:32,080
Speaker 3: I am not this summer, because our movies next week

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Speaker 3: are Entered the Dragon from nineteen seventy three and blood

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Speaker 3: Sport from nineteen eighty eight.

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Speaker 1: Holy fucking shit, Welcome to Summer.

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Speaker 2: I love it.

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Speaker 1: Listen. Danielle is always a fucking pleasure doing this podcast.

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01:18:49,720 --> 01:18:50,639
Speaker 1: I love it.

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01:18:58,520 --> 01:19:01,599
Speaker 3: This has been an exactly right production. Produced by Ksey O'Brien,

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01:19:01,800 --> 01:19:04,360
Speaker 3: mixed by Edson Choi. Our theme song is by Tom

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Speaker 3: bry Fogel. Artwork by Garrett Ross. Our executive producers are

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Speaker 3: Georgia Hartstart Caring, Tile Gareff, and Daniel Kramer.

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Speaker 2: You can follow us on Instagram and Twitter at I

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01:19:13,439 --> 01:19:16,160
Speaker 2: Saw Pod, and you can email us at I Saw

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Speaker 2: What You Did Pod at gmail