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Just a quick film session today. 41 00:02:04,120 --> 00:02:06,800 Speaker 1: I have about fifteen seventeen clips. 42 00:02:06,400 --> 00:02:07,000 Speaker 2: To go through. 43 00:02:07,360 --> 00:02:10,040 Speaker 1: We're going to be focusing in on the run that 44 00:02:10,200 --> 00:02:13,280 Speaker 1: took the Boston Celtics from fifty to forty nine, a 45 00:02:13,360 --> 00:02:16,320 Speaker 1: one point lead in the early third quarter to a 46 00:02:16,400 --> 00:02:19,079 Speaker 1: Peyton purchad three along the left wing, a very nice 47 00:02:19,120 --> 00:02:21,239 Speaker 1: read from Jalen Brown in a ball screen that put 48 00:02:21,240 --> 00:02:23,520 Speaker 1: them up fifteen and put them in control of the game. 49 00:02:23,720 --> 00:02:26,360 Speaker 1: Just gonna focus on some specific matchup stuff. Not a 50 00:02:26,400 --> 00:02:30,040 Speaker 1: ton of really advanced schematics taking place in the series, 51 00:02:30,080 --> 00:02:32,360 Speaker 1: just with the sheer degree of switching that is occurring. 52 00:02:32,400 --> 00:02:33,359 Speaker 2: But we're gonna look in in. 53 00:02:33,320 --> 00:02:35,800 Speaker 1: Some of the specific dynamics, some of the specific types 54 00:02:35,800 --> 00:02:39,160 Speaker 1: of switches that are getting attacked, and also going to 55 00:02:39,200 --> 00:02:43,079 Speaker 1: have some fun highlighting some high level one on one basketball. 56 00:02:43,200 --> 00:02:44,960 Speaker 1: You guys are the joke before we get started. Subscribe 57 00:02:45,000 --> 00:02:46,600 Speaker 1: to the Hoops Tonight YouTube channels. You don't miss any 58 00:02:46,600 --> 00:02:49,000 Speaker 1: more of our videos. Follow me on Twitter at Underscore JCNLTS. 59 00:02:49,000 --> 00:02:51,200 Speaker 1: You guys don't miss you announcements. Don't forget about our 60 00:02:51,440 --> 00:02:53,280 Speaker 1: podcast few where we get your podcast on our Hoops Tonight. 61 00:02:53,320 --> 00:02:54,919 Speaker 1: It's also super helpful we leave a rating and a 62 00:02:54,960 --> 00:02:57,799 Speaker 1: review on that front. We also have social media fia 63 00:02:57,800 --> 00:03:00,239 Speaker 1: is on Twitter, Instagram, and Facebook, where Jackson's doing great 64 00:03:00,240 --> 00:03:01,840 Speaker 1: work this year. Make sure you guys follow us there 65 00:03:02,040 --> 00:03:04,079 Speaker 1: and then keep dropping mail bag questions and the YouTube 66 00:03:04,080 --> 00:03:05,680 Speaker 1: comments so that we can get to him in our 67 00:03:05,720 --> 00:03:09,520 Speaker 1: mail bags throughout the remainder of the season. All right, 68 00:03:09,600 --> 00:03:13,360 Speaker 1: let's talk some basketball, So we're gonna get right into 69 00:03:13,440 --> 00:03:16,160 Speaker 1: it here with a I talked last night about how 70 00:03:16,440 --> 00:03:19,360 Speaker 1: primarily Jalen Brown was looking to attack centers, and as 71 00:03:19,400 --> 00:03:21,120 Speaker 1: you can see, look at all the screens being switched. 72 00:03:21,320 --> 00:03:23,240 Speaker 1: They fight through that first one, but they're gonna end 73 00:03:23,280 --> 00:03:24,959 Speaker 1: up giving it up as soon as they have an opportunity. 74 00:03:25,000 --> 00:03:28,120 Speaker 1: Here we have a switch on the two man game 75 00:03:28,160 --> 00:03:31,600 Speaker 1: between Porzingis and Jalen Brown. We have seven seconds on 76 00:03:31,639 --> 00:03:33,800 Speaker 1: the shot clock. And the key here is watch how 77 00:03:33,919 --> 00:03:37,280 Speaker 1: Jalen Brown, right when he gets the switch, he takes 78 00:03:37,320 --> 00:03:40,920 Speaker 1: the step back here because he knows his best opportunity 79 00:03:40,960 --> 00:03:43,560 Speaker 1: to get this big dude off balance is to really 80 00:03:43,600 --> 00:03:46,240 Speaker 1: make an aggressive driving move towards the basket. Now, as 81 00:03:46,240 --> 00:03:48,520 Speaker 1: you can see, watches Jalen Brown. What I want you 82 00:03:48,560 --> 00:03:51,080 Speaker 1: to see is look at where Wendell Carter Junior's feet 83 00:03:51,200 --> 00:03:54,040 Speaker 1: end up on this really aggressive driving move from Jalen Brown. 84 00:03:54,320 --> 00:03:57,600 Speaker 1: So he gets downhill with that hard hesitation move. 85 00:03:57,640 --> 00:03:58,440 Speaker 2: Look at where. 86 00:03:58,280 --> 00:04:00,760 Speaker 1: Wendell Carter Junior's right foot end. It ends up all 87 00:04:00,760 --> 00:04:03,200 Speaker 1: the way down almost at the third block, and so 88 00:04:03,320 --> 00:04:05,560 Speaker 1: as a result, you can see his weight on that 89 00:04:05,760 --> 00:04:09,600 Speaker 1: last crossover move shift way back and that gives Jalen 90 00:04:09,680 --> 00:04:12,600 Speaker 1: plenty of opportunity to get into his step back. And 91 00:04:12,640 --> 00:04:14,680 Speaker 1: then this is the athleticism piece. I talk about it 92 00:04:14,720 --> 00:04:17,039 Speaker 1: all the time. The hardest piece of pull up shooting 93 00:04:17,440 --> 00:04:18,839 Speaker 1: is getting straight up and down. If you look at 94 00:04:18,880 --> 00:04:20,400 Speaker 1: the end of the shot, if you look at him, 95 00:04:20,600 --> 00:04:23,440 Speaker 1: he's going pretty much straight up and down. That's at 96 00:04:23,480 --> 00:04:25,039 Speaker 1: the end of the shot. It's more or less just 97 00:04:25,040 --> 00:04:27,400 Speaker 1: to catch and shoot jump shot right. But in order 98 00:04:27,440 --> 00:04:29,120 Speaker 1: to get there, he's got to take his body from 99 00:04:29,160 --> 00:04:31,359 Speaker 1: all the way down in this athletic position, jumping all 100 00:04:31,400 --> 00:04:32,960 Speaker 1: the way back, and he's got to use both of 101 00:04:33,000 --> 00:04:35,800 Speaker 1: his feet to catch his weight and to shoot all 102 00:04:35,800 --> 00:04:38,920 Speaker 1: that momentum straight up. It's all about the legs when 103 00:04:38,960 --> 00:04:41,400 Speaker 1: it gets into that tough three point shot making Pollo 104 00:04:41,480 --> 00:04:45,240 Speaker 1: obviously doing a healthy amount of attacking Orlando's smalls in 105 00:04:45,279 --> 00:04:47,680 Speaker 1: the post. This is an excellent example of the Celtics 106 00:04:47,720 --> 00:04:49,520 Speaker 1: just rotating out of it really well, kind of like 107 00:04:49,520 --> 00:04:52,120 Speaker 1: a windshield. Wiper type of rotation. To what I'm looking 108 00:04:52,120 --> 00:04:54,240 Speaker 1: at there is just everybody kind of going to the 109 00:04:54,279 --> 00:04:56,279 Speaker 1: next step in the line right so as you can see, 110 00:04:56,279 --> 00:04:59,479 Speaker 1: Horford's basically bring in the double Wen Delle Carter Jr. 111 00:04:59,560 --> 00:05:02,960 Speaker 1: Setting hin in the screen on chrisops porzingis so he 112 00:05:02,960 --> 00:05:04,919 Speaker 1: can't close out right, So that's going to put the 113 00:05:04,920 --> 00:05:07,360 Speaker 1: onus on Jalen Brown to get there. That's where we're 114 00:05:07,360 --> 00:05:09,880 Speaker 1: gonna get our windshield wiper rotation. Jalen Brown's gonna go 115 00:05:09,880 --> 00:05:12,000 Speaker 1: to Franz, Drew Holliday is going to go to kcp al, 116 00:05:12,040 --> 00:05:14,360 Speaker 1: Horford's going to go to Corey Joseph, and the advantage 117 00:05:14,400 --> 00:05:14,920 Speaker 1: is going to be gone. 118 00:05:15,000 --> 00:05:15,560 Speaker 2: See boom. 119 00:05:15,640 --> 00:05:18,520 Speaker 1: Just like that, you successfully doubled Palo out of a 120 00:05:18,560 --> 00:05:21,600 Speaker 1: double team or out of a post mismatch without having 121 00:05:21,640 --> 00:05:23,719 Speaker 1: to give up anything. This is one of the things 122 00:05:23,720 --> 00:05:26,679 Speaker 1: that gets difficult about having hesitant catch and shoot shooters 123 00:05:26,680 --> 00:05:29,320 Speaker 1: out of doubles. This just has to be a jump 124 00:05:29,360 --> 00:05:30,920 Speaker 1: shot right here, especially if you look at the type 125 00:05:30,960 --> 00:05:34,080 Speaker 1: of close out Jalen Brown's offering. Franz is already looking 126 00:05:34,080 --> 00:05:37,280 Speaker 1: to the next pass in the line, and what's ending 127 00:05:37,360 --> 00:05:39,919 Speaker 1: up happening here is Casep's not really in a position 128 00:05:39,960 --> 00:05:42,800 Speaker 1: to shoot because he's an extra two feet behind the line. 129 00:05:43,120 --> 00:05:45,640 Speaker 1: Franz has no interest in shooting that. This is where 130 00:05:45,640 --> 00:05:47,640 Speaker 1: it's like, if you really want to create opportunity for 131 00:05:48,240 --> 00:05:50,200 Speaker 1: Palo to be able to attack mismatches, you've got to 132 00:05:50,240 --> 00:05:51,960 Speaker 1: have guys on the floor that are willing to shoot 133 00:05:51,960 --> 00:05:53,960 Speaker 1: off the catch and shoot quickly off the catch. 134 00:05:54,240 --> 00:05:55,920 Speaker 2: Another Jaylen Brown pull up three. The main thing I'm 135 00:05:55,960 --> 00:05:56,919 Speaker 2: highlighting here, like we. 136 00:05:56,960 --> 00:06:00,599 Speaker 1: Talked about yesterday, is just how easy this is on 137 00:06:00,680 --> 00:06:03,960 Speaker 1: Jaln Brown's legs as a way to get a relatively 138 00:06:04,040 --> 00:06:07,280 Speaker 1: high value possession without having to over exert himself physically. 139 00:06:07,600 --> 00:06:09,440 Speaker 1: And if you watch Franz, like look at where Franz 140 00:06:09,520 --> 00:06:11,880 Speaker 1: is defending. He's on his heels the whole way left. 141 00:06:12,120 --> 00:06:14,000 Speaker 1: His left foot is all the way down near the 142 00:06:14,080 --> 00:06:16,599 Speaker 1: elbow here on the left side. Al hoeverd It gets 143 00:06:16,600 --> 00:06:19,120 Speaker 1: a really nice offensive rebound here over Franz Wagner. Look 144 00:06:19,160 --> 00:06:21,200 Speaker 1: at this bit of shot making from Derek White. So 145 00:06:21,320 --> 00:06:23,520 Speaker 1: on the offensive rebound, he makes the kick out to 146 00:06:23,560 --> 00:06:25,760 Speaker 1: Jalen Brown. Jalen Brown had the three point shot going, 147 00:06:25,800 --> 00:06:28,440 Speaker 1: but we get a really nice close out from Pallo 148 00:06:28,560 --> 00:06:31,960 Speaker 1: here and on the closeout that leads to Derek White 149 00:06:31,960 --> 00:06:34,200 Speaker 1: being the next read. Look at KCP sprinting at him. 150 00:06:34,200 --> 00:06:37,280 Speaker 1: Watch the footwork of Derek White once again to get 151 00:06:37,279 --> 00:06:40,760 Speaker 1: his feet established and to get the lift to knock 152 00:06:40,800 --> 00:06:42,280 Speaker 1: down the shot. And if you look at where he 153 00:06:42,320 --> 00:06:44,599 Speaker 1: took off, he took off with his left foot right 154 00:06:44,640 --> 00:06:46,680 Speaker 1: in between the three point line in the corner and 155 00:06:46,720 --> 00:06:49,000 Speaker 1: it lands right in the exact same spot. So once again, 156 00:06:49,040 --> 00:06:51,400 Speaker 1: exact same concept I was just talking about with Jaylen Brown. 157 00:06:51,920 --> 00:06:55,800 Speaker 1: This is literally the athleticism piece of movement shooting, getting 158 00:06:55,839 --> 00:06:58,280 Speaker 1: off of a sprint into a straight up and down 159 00:06:58,360 --> 00:07:00,880 Speaker 1: jump shot. As a right handed shooter, we always talk 160 00:07:00,880 --> 00:07:02,560 Speaker 1: about how when you're a right handed shooter, you got 161 00:07:02,560 --> 00:07:05,480 Speaker 1: to swing that right leg around to square up your momentum. 162 00:07:06,000 --> 00:07:09,240 Speaker 1: Watch watch that right leg from Derek White as he's 163 00:07:09,240 --> 00:07:10,760 Speaker 1: squaring up in mid air. Look at how it just 164 00:07:10,840 --> 00:07:12,840 Speaker 1: kind of kicks up and swings around a little bit. 165 00:07:13,160 --> 00:07:15,280 Speaker 1: That is part of that momentum of the right handed 166 00:07:15,280 --> 00:07:19,640 Speaker 1: shooter squaring up as he's moving towards his right. This 167 00:07:19,760 --> 00:07:22,080 Speaker 1: was an interesting little late double from Jalen Brown. Jalmbar 168 00:07:22,080 --> 00:07:24,440 Speaker 1: I got himself in some trouble here, because KCP is 169 00:07:24,480 --> 00:07:26,720 Speaker 1: a good corner three point shooter that you don't necessarily 170 00:07:26,760 --> 00:07:29,800 Speaker 1: want to leave open. But look at how Jalen's athleticism 171 00:07:29,960 --> 00:07:31,960 Speaker 1: makes a huge difference on the close out anyway. 172 00:07:32,000 --> 00:07:32,440 Speaker 2: So we get a. 173 00:07:32,440 --> 00:07:36,040 Speaker 1: Little kickback here from Paalo Pallo goes Jalen Brown brings 174 00:07:36,080 --> 00:07:38,160 Speaker 1: the late double. There's two point seven on the shot clock, 175 00:07:38,240 --> 00:07:41,120 Speaker 1: so I don't necessarily hate the double because Paolo has 176 00:07:41,480 --> 00:07:43,480 Speaker 1: a tendency to miss some of these reads. I mean 177 00:07:43,480 --> 00:07:45,960 Speaker 1: he's even missing just Corey Joseph standing wide open here 178 00:07:46,000 --> 00:07:48,720 Speaker 1: on the left wing, but he makes the kickback to KCP. 179 00:07:49,160 --> 00:07:51,800 Speaker 1: Watch this close out from Jaylen Brown. He identifies it 180 00:07:51,800 --> 00:07:54,120 Speaker 1: at the last second, starts his momentum, and then gets 181 00:07:54,120 --> 00:07:56,000 Speaker 1: out there. Now what I want you to look at 182 00:07:56,040 --> 00:07:58,800 Speaker 1: here is casep. This is not a movement three CACP 183 00:07:58,960 --> 00:08:01,560 Speaker 1: is standing still. But watch what KCP does with his 184 00:08:01,680 --> 00:08:04,200 Speaker 1: right leg on the jump shot. He brings it up. 185 00:08:04,400 --> 00:08:06,360 Speaker 1: He brings it up and like kind of lands off 186 00:08:06,360 --> 00:08:08,560 Speaker 1: of one foot like he's taking a one leg fade away. 187 00:08:08,840 --> 00:08:11,680 Speaker 1: That is literally the effect of the Jalen Brown close out. 188 00:08:11,960 --> 00:08:15,560 Speaker 1: He has literally spooked KCP into tweaking the lower half 189 00:08:15,600 --> 00:08:17,800 Speaker 1: of his form. A little bit, so it doesn't seem 190 00:08:17,880 --> 00:08:20,920 Speaker 1: like much, but Jalen Brown made just a little bit 191 00:08:20,960 --> 00:08:23,160 Speaker 1: of an impact on that shot with his close out 192 00:08:23,440 --> 00:08:25,880 Speaker 1: by bringing that level of intensity caused KCP. 193 00:08:26,000 --> 00:08:27,960 Speaker 2: You're clearly in kcp's. 194 00:08:27,400 --> 00:08:28,920 Speaker 1: Head a little bit with the way he swung his 195 00:08:29,000 --> 00:08:30,880 Speaker 1: right leg around even though he wasn't on the move. 196 00:08:31,040 --> 00:08:33,360 Speaker 1: This is actually an earlier possession of going backwards a 197 00:08:33,360 --> 00:08:35,080 Speaker 1: little bit here, just because I wanted to highlight Jalen 198 00:08:35,120 --> 00:08:39,000 Speaker 1: Brown's closeouts. He's on the ball here against Pallo, and 199 00:08:39,040 --> 00:08:40,920 Speaker 1: he's conceding the three as he should. He's going to 200 00:08:40,960 --> 00:08:42,720 Speaker 1: go under this ball screen if I remember correctly, he 201 00:08:42,760 --> 00:08:45,920 Speaker 1: goes under. Let's see just Wendell Carter slips out of it. 202 00:08:45,960 --> 00:08:48,640 Speaker 1: But notice he's not necessarily pressuring over the screen. So 203 00:08:48,760 --> 00:08:51,000 Speaker 1: Pallo settles into the shot. It seems like he's in 204 00:08:51,040 --> 00:08:54,400 Speaker 1: that position where this is basically a concession. But look 205 00:08:54,400 --> 00:08:57,000 Speaker 1: at the closeout. It's a great contest. Look it at 206 00:08:57,040 --> 00:08:59,400 Speaker 1: the top of the shot. He's right there. That's an 207 00:08:59,440 --> 00:09:02,560 Speaker 1: insane bit of recovery defense. And if you listen to 208 00:09:02,559 --> 00:09:04,439 Speaker 1: the live broadcast, obviously we don't have sound on, but 209 00:09:04,480 --> 00:09:06,640 Speaker 1: if you listen to the live broadcast, Jalen let out 210 00:09:06,679 --> 00:09:09,160 Speaker 1: like this huge yell right as he was doing that 211 00:09:09,520 --> 00:09:10,959 Speaker 1: close out like you could tell he was like, man, 212 00:09:11,000 --> 00:09:11,719 Speaker 1: I almost got it. 213 00:09:12,320 --> 00:09:12,440 Speaker 2: Uh. 214 00:09:12,600 --> 00:09:14,960 Speaker 1: This was a nasty one on one move from Pala 215 00:09:14,960 --> 00:09:18,120 Speaker 1: Bancaro against Drew Holliday. So the big thing here is 216 00:09:18,160 --> 00:09:19,840 Speaker 1: I want you to look at the way that Palo 217 00:09:20,000 --> 00:09:22,480 Speaker 1: sets up the driving move with a pullback like he's 218 00:09:22,520 --> 00:09:24,800 Speaker 1: gonna go back behind the three point line. Watch his feet. 219 00:09:24,840 --> 00:09:27,800 Speaker 1: So he's on the catch, he's ripping to the left, 220 00:09:28,520 --> 00:09:30,280 Speaker 1: and then on the left he's gonna step back like 221 00:09:30,320 --> 00:09:31,400 Speaker 1: he's gonna take a jump shot. 222 00:09:31,480 --> 00:09:33,840 Speaker 2: Right, so he steps back. Look at his weight. 223 00:09:34,200 --> 00:09:35,960 Speaker 1: Look where his left foot goes all the way back 224 00:09:36,000 --> 00:09:38,640 Speaker 1: to the three point line. Watch what happens with Drew 225 00:09:38,640 --> 00:09:41,120 Speaker 1: Holliday's feet right when that happens. Okay, so he's sliding. 226 00:09:41,480 --> 00:09:43,720 Speaker 1: As soon as Pala goes back, watch Drew boom that 227 00:09:43,760 --> 00:09:46,760 Speaker 1: little hop. See that little hop just with both feet. 228 00:09:46,760 --> 00:09:50,160 Speaker 1: He hops up instead of back. And because of that hop, 229 00:09:50,240 --> 00:09:52,680 Speaker 1: that hop is biting on the step back here from Palo. 230 00:09:52,760 --> 00:09:55,600 Speaker 1: As Palo sets up the step back, that left foot 231 00:09:55,640 --> 00:09:58,080 Speaker 1: gets back there. That's what causes Drew to step up. 232 00:09:58,640 --> 00:10:01,600 Speaker 1: Drew steps up immediate at the same time as Pollo 233 00:10:01,760 --> 00:10:03,800 Speaker 1: makes his aggressive move, and so he just toasts him 234 00:10:03,840 --> 00:10:06,240 Speaker 1: off the dribble and ends up getting this nice dunk 235 00:10:06,280 --> 00:10:08,120 Speaker 1: with two hands through the lane as the help isn't 236 00:10:08,120 --> 00:10:09,960 Speaker 1: set up. But once again, it's just how you can 237 00:10:10,000 --> 00:10:11,959 Speaker 1: set up these kinds of moves. He rips through first 238 00:10:11,960 --> 00:10:14,120 Speaker 1: of all, don't mess around with trying to dribble in 239 00:10:14,120 --> 00:10:16,880 Speaker 1: front of a guy like Drew Holliday, right this is 240 00:10:16,920 --> 00:10:19,320 Speaker 1: a smart attack. He just catches and rips right away 241 00:10:19,320 --> 00:10:22,360 Speaker 1: to protect the ball, steps back to set up a 242 00:10:22,480 --> 00:10:26,640 Speaker 1: four driving for driving opportunity, gets him to bite on it. 243 00:10:27,600 --> 00:10:28,320 Speaker 1: Nice dunk there. 244 00:10:28,640 --> 00:10:29,240 Speaker 2: I've talked about. 245 00:10:29,240 --> 00:10:30,840 Speaker 1: This is a concept I wanted to highlight because we 246 00:10:30,880 --> 00:10:33,280 Speaker 1: talked about this a lot during the regular season. This 247 00:10:33,360 --> 00:10:36,720 Speaker 1: is the problem with trying to drive the basketball in 248 00:10:36,880 --> 00:10:40,600 Speaker 1: five out spacing when you don't occupy the dunker spot. 249 00:10:40,760 --> 00:10:43,640 Speaker 1: So theoretically you're like, oh, Chris hops porzingis great three 250 00:10:43,640 --> 00:10:45,960 Speaker 1: point shooter, Al Horford, great three point shooter, Drew Holiday, 251 00:10:45,960 --> 00:10:47,640 Speaker 1: Derek White, like, this is a lineup where we can 252 00:10:47,679 --> 00:10:50,480 Speaker 1: space the floor, but because of the way the floor 253 00:10:50,520 --> 00:10:52,640 Speaker 1: is situated with all five guys out at the three 254 00:10:52,679 --> 00:10:55,360 Speaker 1: point line. Look what happens when Jalen Brown tries to drive. 255 00:10:55,840 --> 00:10:58,040 Speaker 1: He tries to drive, but look at where CACP is. 256 00:10:58,280 --> 00:11:00,920 Speaker 1: He's digging right down into the drive. Now Derek White's 257 00:11:00,920 --> 00:11:04,840 Speaker 1: trying to compensate for that by spacing further out. So like, yeah, 258 00:11:04,880 --> 00:11:07,200 Speaker 1: he could pitch this back to Derek White for three, 259 00:11:07,320 --> 00:11:10,200 Speaker 1: but that's a you know, tough shot to get in 260 00:11:10,240 --> 00:11:12,800 Speaker 1: this type of situation with five out spacing. So as 261 00:11:12,800 --> 00:11:15,840 Speaker 1: you can see, KCP can dig and that forces Jalen 262 00:11:15,840 --> 00:11:18,520 Speaker 1: Brown to take that retreat dribble right Now, watch how 263 00:11:18,520 --> 00:11:21,760 Speaker 1: they reconfigure the spacing. Now, in theory, what you'd rather 264 00:11:21,840 --> 00:11:25,200 Speaker 1: do here is you could just slide Drew Holliday through 265 00:11:25,400 --> 00:11:28,120 Speaker 1: down here to this block and then you move Derek 266 00:11:28,160 --> 00:11:30,320 Speaker 1: White down to this corner. Now we have our four 267 00:11:30,360 --> 00:11:32,800 Speaker 1: out one in spacing with Drew Holliday in the dunker spot. 268 00:11:33,200 --> 00:11:37,560 Speaker 1: That creates a either a clear help side defense advantage 269 00:11:37,559 --> 00:11:40,679 Speaker 1: where Corey Joseph would be the help defender on the drive, 270 00:11:41,360 --> 00:11:46,000 Speaker 1: or Franz Wagner would switch with switch with Corey Joseph, 271 00:11:46,000 --> 00:11:48,240 Speaker 1: which would put Horford on Corey Joseph, which would create 272 00:11:48,280 --> 00:11:50,920 Speaker 1: a rebounding mismatch as he comes in through the lane, 273 00:11:51,000 --> 00:11:52,600 Speaker 1: but instead what they do and this kind of more 274 00:11:52,720 --> 00:11:54,920 Speaker 1: or less accomplishes the same thing just because of the 275 00:11:54,920 --> 00:11:59,120 Speaker 1: way Orlando is defending. But Derek just clears that angle. Now, Now, 276 00:11:59,160 --> 00:12:01,920 Speaker 1: look at all the space here. As Derek White is 277 00:12:01,920 --> 00:12:05,120 Speaker 1: moving through here, Jalen Brown doesn't even wait for the 278 00:12:05,160 --> 00:12:08,520 Speaker 1: spacing to reset. Now because Derek White has cleared that side, 279 00:12:08,559 --> 00:12:11,400 Speaker 1: there's no dig down from KCP that gives him the 280 00:12:11,440 --> 00:12:13,680 Speaker 1: driving angle and he's able to turn the corner. He 281 00:12:13,760 --> 00:12:17,000 Speaker 1: draws the help. The pass is just a little low. 282 00:12:17,040 --> 00:12:19,320 Speaker 1: This is another example of that on time on target 283 00:12:19,320 --> 00:12:22,200 Speaker 1: passing that I always talk about. If Jalen can put 284 00:12:22,200 --> 00:12:24,959 Speaker 1: this into the shooting pocket, that can turn into an 285 00:12:24,960 --> 00:12:27,480 Speaker 1: easy extra pass here or an easy extra pass there, 286 00:12:27,520 --> 00:12:29,920 Speaker 1: but it ends up being fumbled. Still get a decent 287 00:12:29,960 --> 00:12:31,920 Speaker 1: look for Derek White. But I just think that's an 288 00:12:31,920 --> 00:12:35,800 Speaker 1: interesting example of the spacing. Again, Look, Jalen Brown tries 289 00:12:35,840 --> 00:12:39,440 Speaker 1: to drive at five out easy dig down, clear that 290 00:12:39,920 --> 00:12:42,280 Speaker 1: side and create a bigger driving angle. Now he's able 291 00:12:42,320 --> 00:12:44,160 Speaker 1: to turn the corner. That sort of stuff matters when 292 00:12:44,200 --> 00:12:45,920 Speaker 1: it comes to try, when it comes to playing driving 293 00:12:46,000 --> 00:12:48,600 Speaker 1: kick basketball. Now, in this possession, Franz Wagner is going 294 00:12:48,640 --> 00:12:51,080 Speaker 1: to hit a little mid range jumper. But the key 295 00:12:51,160 --> 00:12:54,640 Speaker 1: here is the defense of Al Horford on these forwards. 296 00:12:54,640 --> 00:12:58,080 Speaker 1: Look at Al Horford as he's containing the ball against Franz, 297 00:12:58,120 --> 00:13:01,240 Speaker 1: giving ground, staying in front, meeting him at the basket. 298 00:13:01,480 --> 00:13:03,800 Speaker 1: Really really nice defense. This gets worked around and now 299 00:13:03,800 --> 00:13:06,640 Speaker 1: he's gonna have to do it again against Paolo little scream. 300 00:13:06,760 --> 00:13:07,960 Speaker 2: Franz gets the switch. 301 00:13:08,559 --> 00:13:10,600 Speaker 1: I thought chrisps Porzingis threw a little bit of an 302 00:13:10,679 --> 00:13:13,040 Speaker 1: unnecessary double here, but they're just crowding him because he's 303 00:13:13,080 --> 00:13:15,920 Speaker 1: not passing super well. Right swing swing gets back to 304 00:13:15,960 --> 00:13:18,480 Speaker 1: Franz and then also Franz take the three. There's two 305 00:13:18,480 --> 00:13:20,880 Speaker 1: seconds on the shot clock. Take the three. You're dribbling 306 00:13:20,920 --> 00:13:23,440 Speaker 1: into a lower percentage, well higher percentage, but a lower 307 00:13:23,520 --> 00:13:25,920 Speaker 1: value shot. I talked last night about the two man 308 00:13:25,960 --> 00:13:29,280 Speaker 1: game with Porzingis, how he's slipping into like little high 309 00:13:29,280 --> 00:13:34,680 Speaker 1: post catches, switches and short role possessions. Wendell Carter Junior 310 00:13:34,679 --> 00:13:38,080 Speaker 1: hangs out too high on the screen, Cacp's chasing that 311 00:13:38,200 --> 00:13:42,439 Speaker 1: leaves KCP over the top, That leaves a Porzingis over 312 00:13:42,480 --> 00:13:44,200 Speaker 1: the top, and then Palo's a little bit slow on 313 00:13:44,240 --> 00:13:47,000 Speaker 1: his rotation. But this is just a power move from porzingis. 314 00:13:47,000 --> 00:13:49,120 Speaker 1: This is the classic old man vet move. Instead of 315 00:13:49,160 --> 00:13:51,040 Speaker 1: like going into the lane to try to dunk on 316 00:13:51,080 --> 00:13:53,360 Speaker 1: Palo or make an extra pass, he just shoots the 317 00:13:53,400 --> 00:13:55,040 Speaker 1: sweet little bank shot off the glass. 318 00:13:55,040 --> 00:13:57,120 Speaker 2: There. Another example of. 319 00:13:58,280 --> 00:14:01,040 Speaker 1: Chrisops porzingis attacking a double team in the post, so 320 00:14:01,360 --> 00:14:04,160 Speaker 1: we get ball scream with Jaylen Brown forces the switch. 321 00:14:04,240 --> 00:14:07,920 Speaker 1: This gets Polo onto Jalen post entry is made after 322 00:14:07,920 --> 00:14:10,880 Speaker 1: they swing. Notice also because they're fronting the post. Because 323 00:14:11,600 --> 00:14:14,360 Speaker 1: Corey Joseph is fronting Jalen, Brown's not the guy who's 324 00:14:14,360 --> 00:14:15,880 Speaker 1: gonna make the post entry, so he swings it to 325 00:14:15,920 --> 00:14:19,120 Speaker 1: Derek White. That gives Chris aps Porzingis the opportunity to 326 00:14:19,160 --> 00:14:22,120 Speaker 1: flip the post position and then Polo doubles as soon 327 00:14:22,120 --> 00:14:24,760 Speaker 1: as he turns his back. Chris hops gets it out 328 00:14:24,960 --> 00:14:26,760 Speaker 1: and they end up getting a clean look for Al 329 00:14:26,760 --> 00:14:27,840 Speaker 1: Horford out of the right corner. 330 00:14:27,840 --> 00:14:29,960 Speaker 2: He just happens to miss it. This was funny. 331 00:14:30,080 --> 00:14:33,040 Speaker 1: Do you remember that move that Plo Boncaro hit Drew 332 00:14:33,040 --> 00:14:36,960 Speaker 1: Holliday with? How about some sweet revenge from Drew Holliday 333 00:14:37,080 --> 00:14:39,920 Speaker 1: hitting Pallo with the exact same move. Drive to the 334 00:14:40,000 --> 00:14:42,480 Speaker 1: left fake like he's gonna just that little head fake, 335 00:14:42,520 --> 00:14:45,360 Speaker 1: like he's gonna go into the dho Oh you want it, 336 00:14:45,440 --> 00:14:49,040 Speaker 1: Jalen Brown. Nope, go and turn the corner. And then 337 00:14:49,080 --> 00:14:51,000 Speaker 1: this is the really smart move here. If he just 338 00:14:51,040 --> 00:14:53,920 Speaker 1: goes to the rim, Palo's probably gonna block him. But 339 00:14:54,000 --> 00:14:56,560 Speaker 1: watch how Drew Holliday creates that last bit of separation 340 00:14:56,760 --> 00:14:59,840 Speaker 1: just by bumping Pallo off. Just that little bump there. 341 00:15:00,240 --> 00:15:03,200 Speaker 1: This is a fun little Steve Nash like sequence from 342 00:15:03,240 --> 00:15:05,640 Speaker 1: Derek White as he just dribbles through the lane. We 343 00:15:05,680 --> 00:15:10,400 Speaker 1: get a little swirl around Horford as he gets this layup. 344 00:15:10,400 --> 00:15:12,040 Speaker 1: But what I want you to watch is the cut here, 345 00:15:12,080 --> 00:15:14,400 Speaker 1: because the cut here is what messes up the help defense. 346 00:15:14,800 --> 00:15:18,120 Speaker 1: So right here, Drew Holliday is flashing through the lane 347 00:15:18,160 --> 00:15:21,400 Speaker 1: and as he goes through, Wendell Carter Jr. Is staying 348 00:15:21,440 --> 00:15:24,360 Speaker 1: with him, and it basically functions as a lead blocker 349 00:15:24,800 --> 00:15:27,600 Speaker 1: that takes Franz out of the play. Now Franz can't 350 00:15:27,640 --> 00:15:31,560 Speaker 1: help because, as you can see, Franz can't go there 351 00:15:31,600 --> 00:15:33,720 Speaker 1: with Wendell Carter Jr. In the way that allows Derek 352 00:15:33,760 --> 00:15:35,800 Speaker 1: White to turn the corner get all the way to 353 00:15:35,800 --> 00:15:38,560 Speaker 1: the front of the rimd. This is just a really 354 00:15:38,640 --> 00:15:43,120 Speaker 1: nice move from Jalen Brown against Pallo in ISO a 355 00:15:43,120 --> 00:15:45,480 Speaker 1: little bit of a detail. Pallo I thought was defending 356 00:15:45,480 --> 00:15:47,600 Speaker 1: with too much of an open stance. Here as we 357 00:15:47,680 --> 00:15:51,160 Speaker 1: work our way back to Jalen, watch how Paolo concedes 358 00:15:51,160 --> 00:15:53,400 Speaker 1: the drive with his stance. See the stance. See how 359 00:15:53,400 --> 00:15:55,600 Speaker 1: he's opening up to the left, And like, here's the thing. 360 00:15:55,960 --> 00:15:57,960 Speaker 1: If you're going to open up, first of all, you 361 00:15:58,000 --> 00:16:00,240 Speaker 1: don't want to let Jalen Brown get to his wrong 362 00:16:00,280 --> 00:16:02,480 Speaker 1: hand like that. But secondly, if you're going to open up, 363 00:16:02,520 --> 00:16:04,280 Speaker 1: you want to open up towards the sideline and you 364 00:16:04,280 --> 00:16:06,440 Speaker 1: want to have help planned. This is a clean one 365 00:16:06,440 --> 00:16:08,600 Speaker 1: on one with no help and so for you to 366 00:16:08,680 --> 00:16:12,480 Speaker 1: just concede the driving lane is in my opinion, bad defense. 367 00:16:12,520 --> 00:16:14,920 Speaker 1: And then Jaln Brown really nice two a sequence. Watch 368 00:16:14,920 --> 00:16:17,840 Speaker 1: how he's aggressive with the switch instead of passive with 369 00:16:17,880 --> 00:16:21,760 Speaker 1: the switch. He lunges out and brings some contact and 370 00:16:21,800 --> 00:16:24,960 Speaker 1: actually forces Corey Joseph to spin beats him to that spot, 371 00:16:25,280 --> 00:16:27,080 Speaker 1: takes the ball away. And then this was the play 372 00:16:27,080 --> 00:16:29,360 Speaker 1: that makes you just think Jalen's got a little bit 373 00:16:29,400 --> 00:16:30,760 Speaker 1: more juice in the legs than we thought. 374 00:16:31,000 --> 00:16:32,440 Speaker 2: At this point in the postseason run. 375 00:16:32,920 --> 00:16:35,360 Speaker 1: I thought this was some really nice defense from uh 376 00:16:35,360 --> 00:16:38,240 Speaker 1: Prichard on Palo. And then this is an example of 377 00:16:38,280 --> 00:16:40,800 Speaker 1: a couple of those kickout raids that Palo is missing earlier. 378 00:16:41,080 --> 00:16:43,320 Speaker 1: So we get a transition cross match against Pritchard. He 379 00:16:43,360 --> 00:16:46,960 Speaker 1: backs him down, Celtics are crowding him. Watch the kickout raids. 380 00:16:46,960 --> 00:16:49,800 Speaker 1: This was funny. So again, not a terrible shot, but like, 381 00:16:49,880 --> 00:16:53,160 Speaker 1: I've got two shooters here on the weak side, both 382 00:16:53,280 --> 00:16:55,200 Speaker 1: with their hands out ready to catch and shoot with 383 00:16:55,240 --> 00:16:58,440 Speaker 1: six seconds on the shot clock. Instead we get the 384 00:16:58,440 --> 00:17:01,600 Speaker 1: lower value little right shoulder face and that was also 385 00:17:01,640 --> 00:17:04,720 Speaker 1: the Goga bitad's ages net look at just for fun, 386 00:17:05,440 --> 00:17:05,919 Speaker 1: look at them. 387 00:17:06,080 --> 00:17:11,480 Speaker 2: This is a nasty elbow. Good god, some wwe shit 388 00:17:11,560 --> 00:17:11,920 Speaker 2: right there. 389 00:17:13,280 --> 00:17:15,400 Speaker 1: And then the last one here, the shot that put 390 00:17:15,440 --> 00:17:18,600 Speaker 1: the Celtics up fifteen, just the classic lowman read from 391 00:17:18,640 --> 00:17:21,160 Speaker 1: Jalen Brown. So we're setting up a little ball screen 392 00:17:21,200 --> 00:17:22,560 Speaker 1: here on the left side of the floor. Some good 393 00:17:22,560 --> 00:17:25,400 Speaker 1: ball pressure from Orlando gets him into a later clock situation, 394 00:17:25,520 --> 00:17:28,520 Speaker 1: but the Celtics do eventually get over there. Now we 395 00:17:28,560 --> 00:17:33,840 Speaker 1: have our setup, okay, so watch specifically Anthony Black as 396 00:17:33,840 --> 00:17:36,920 Speaker 1: he sinks in as the lowman. So good screen from 397 00:17:36,920 --> 00:17:41,960 Speaker 1: Cornette that gets Jaylen Brown downhill, that puts Cornette behind Goga. 398 00:17:42,400 --> 00:17:45,280 Speaker 1: As soon as Cornett is behind Goga, that triggers the 399 00:17:45,320 --> 00:17:48,640 Speaker 1: low man, and Jalen Brown just takes the read that's 400 00:17:48,640 --> 00:17:52,800 Speaker 1: available to Pritchard. Pritchard confident playoff jump shooting against a 401 00:17:52,800 --> 00:17:55,880 Speaker 1: good closeout puts a Celtics up fifteen. They're able to 402 00:17:55,920 --> 00:17:58,919 Speaker 1: stiff arm the Magic from there. So yeah, just a 403 00:17:59,080 --> 00:18:01,680 Speaker 1: kind of a fun example of matchup attacking, some nice 404 00:18:01,680 --> 00:18:05,240 Speaker 1: ISO moves, some quality defense, just some fun basketball there. 405 00:18:05,240 --> 00:18:07,600 Speaker 1: As the Celtics get a big win without Jason Tatum 406 00:18:07,640 --> 00:18:10,160 Speaker 1: at home against the Magic. That's all we have for tonight, guys. 407 00:18:10,160 --> 00:18:12,680 Speaker 1: We will be back tonight for another night of NBA 408 00:18:12,760 --> 00:18:15,720 Speaker 1: Playoff reactions on YouTube after the final buzzer of Nuggets Clippers. 409 00:18:15,760 --> 00:18:17,280 Speaker 2: I will see you guys though. What's up guys? 410 00:18:17,280 --> 00:18:20,080 Speaker 1: As always, I appreciate you for listening to and supporting 411 00:18:20,119 --> 00:18:22,719 Speaker 1: oops tonight. They would actually be really helpful for us 412 00:18:22,720 --> 00:18:24,600 Speaker 1: if you guys would take a second and leave a 413 00:18:24,760 --> 00:18:26,159 Speaker 1: rating and a review. 414 00:18:26,200 --> 00:18:27,159 Speaker 2: As always, I appreciate you. 415 00:18:27,119 --> 00:18:28,840 Speaker 1: Guys supporting us, but if you could take a minute 416 00:18:28,840 --> 00:18:31,000 Speaker 1: to do that, I really appreciate it. 417 00:18:32,840 --> 00:18:33,520 Speaker 2: The volume