1 00:00:00,560 --> 00:00:03,200 Speaker 1: Hey guys, thanks for checking out this bonus episode. Before 2 00:00:03,240 --> 00:00:05,040 Speaker 1: we get into it, wanted to fill you in on 3 00:00:05,120 --> 00:00:07,360 Speaker 1: all the great content that we've got for you this week. 4 00:00:07,640 --> 00:00:09,680 Speaker 1: Here in the disgrace Land Feed, we just released a 5 00:00:09,680 --> 00:00:13,480 Speaker 1: brand new episode on Jane's Addiction, and tomorrow we're releasing 6 00:00:13,480 --> 00:00:16,800 Speaker 1: a rewind episode from our archive on Juice World Over 7 00:00:16,840 --> 00:00:18,599 Speaker 1: in the bad Lands Feed, check out the new episode 8 00:00:18,600 --> 00:00:23,000 Speaker 1: on Dorothy Stratton, playboy playmate turned actress, Who's murder in 9 00:00:23,079 --> 00:00:26,759 Speaker 1: nineteen eighty cent shockwaves through the entertainment industry. In the 10 00:00:26,880 --> 00:00:29,480 Speaker 1: About a Girl Feed, we've got a new episode there 11 00:00:29,480 --> 00:00:33,199 Speaker 1: about the great songwriter Jackie DeShannon, Jimmy Page, and Elvis Presley. 12 00:00:33,280 --> 00:00:35,520 Speaker 1: And finally, we just launched the trailer for a brand 13 00:00:35,560 --> 00:00:38,519 Speaker 1: new kid show, Yes, that's right, a kid show that 14 00:00:38,600 --> 00:00:41,760 Speaker 1: we here at Double Elvis are creating in partnership with 15 00:00:41,920 --> 00:00:45,760 Speaker 1: Starglow Media. This show is called Music Lands Stories Parents. 16 00:00:46,120 --> 00:00:48,080 Speaker 1: If you're fans of music and you're looking to give 17 00:00:48,080 --> 00:00:50,600 Speaker 1: your kids a cool little podcast to hang out with 18 00:00:50,680 --> 00:00:52,519 Speaker 1: at night, go check this out. Search this up. Well, 19 00:00:52,720 --> 00:00:54,080 Speaker 1: doesn't have to be night, can be day as well. 20 00:00:54,320 --> 00:00:56,600 Speaker 1: Search it up wherever you're listening to your podcast it'll 21 00:00:56,600 --> 00:00:58,920 Speaker 1: be there, give it a follow, subscribe to it, and 22 00:00:58,920 --> 00:01:02,720 Speaker 1: then buckle up for a mystery tour incredible musical adventures 23 00:01:02,760 --> 00:01:06,520 Speaker 1: for the whole family, starting next week in music Land Stories. 24 00:01:06,840 --> 00:01:12,640 Speaker 1: All right, let's get into it, shall we, Hey, discos, 25 00:01:13,000 --> 00:01:15,600 Speaker 1: need a little more Disgraceland in your life, just to 26 00:01:15,600 --> 00:01:19,200 Speaker 1: touch to get you through. Yeah, me too. This is 27 00:01:19,240 --> 00:01:23,120 Speaker 1: the podcast that comes after the podcast. Welcome to Disgraceland, 28 00:01:23,360 --> 00:01:40,480 Speaker 1: the after party. Welcome to the Disgraceland bonus episode, a 29 00:01:40,520 --> 00:01:43,840 Speaker 1: little thing we like to call the after party. This 30 00:01:43,920 --> 00:01:46,360 Speaker 1: is the show after the show, the party after the party, 31 00:01:46,400 --> 00:01:48,680 Speaker 1: the bridge to get from one full episode of Disgraceland 32 00:01:48,720 --> 00:01:51,720 Speaker 1: to the other, the backyard to dig into the dirt. 33 00:01:52,080 --> 00:01:55,919 Speaker 1: On this episode, we are talking about, among other things, 34 00:01:56,000 --> 00:01:59,200 Speaker 1: our new full episode on Jeane's Addiction, this week's rewind 35 00:01:59,200 --> 00:02:03,120 Speaker 1: episode on June, and of course your voicemails, texts, dms 36 00:02:03,120 --> 00:02:06,080 Speaker 1: and more. And there's always a whole lot of rosie. 37 00:02:06,080 --> 00:02:20,640 Speaker 1: All right, disc goes. Let's get into it, all right, guys, 38 00:02:20,639 --> 00:02:22,839 Speaker 1: This week in Disgraceland. Like I said at the top, 39 00:02:22,880 --> 00:02:27,720 Speaker 1: brand new episode on Jane's Addiction. Groundbreaking confrontational rock band 40 00:02:27,720 --> 00:02:31,320 Speaker 1: from Los Angeles. If you were not around back in 41 00:02:31,360 --> 00:02:33,720 Speaker 1: the eighties and nineties, and you weren't there for a 42 00:02:33,800 --> 00:02:37,200 Speaker 1: Jane's addiction to hit your radar sort of show up 43 00:02:37,240 --> 00:02:40,640 Speaker 1: for you and your suburban bedroom there while you're comfortably 44 00:02:40,760 --> 00:02:43,400 Speaker 1: ensconced with your Metallica and your guns n' Roses, and 45 00:02:43,480 --> 00:02:45,640 Speaker 1: then all of a sudden, what the hell is this 46 00:02:46,400 --> 00:02:51,280 Speaker 1: Jane's addiction? Are you kidding me? There was nothing nothing, 47 00:02:51,639 --> 00:02:56,119 Speaker 1: I mean, nothing like them before. And you know, when 48 00:02:56,120 --> 00:02:58,640 Speaker 1: you're a kid, you get a record by a band. 49 00:02:58,680 --> 00:03:00,560 Speaker 1: I remember this with the Cult. I got the Cults 50 00:03:00,720 --> 00:03:03,720 Speaker 1: electric album and I was like, this band, Oh my god, 51 00:03:04,040 --> 00:03:07,520 Speaker 1: they're the next Beatles, They're the next Stones, the next Doors. 52 00:03:07,520 --> 00:03:10,400 Speaker 1: That's actually who they were, the next Doors. They were 53 00:03:11,560 --> 00:03:15,560 Speaker 1: just that album in particular was just just knocked blew 54 00:03:15,600 --> 00:03:17,480 Speaker 1: me away. And then I saw them live. I actually 55 00:03:17,520 --> 00:03:21,600 Speaker 1: saw them open from Metallica, and they were awful. They 56 00:03:21,639 --> 00:03:24,720 Speaker 1: were not good, and they just kind of had this 57 00:03:24,800 --> 00:03:27,720 Speaker 1: rep as not being good live. It was the opposite 58 00:03:27,760 --> 00:03:31,000 Speaker 1: with Jane' addiction. It was almost like when they were 59 00:03:31,000 --> 00:03:33,920 Speaker 1: coming for that first time where we were where I 60 00:03:33,960 --> 00:03:35,200 Speaker 1: was able to see them. I don't know if it's 61 00:03:35,240 --> 00:03:37,920 Speaker 1: the first time they played in Massachusetts. It was it 62 00:03:38,000 --> 00:03:41,040 Speaker 1: is that this this roller rink, No, not a roller rink. 63 00:03:41,080 --> 00:03:43,840 Speaker 1: It was like some small auditorium in Fitchburg, mass I 64 00:03:43,840 --> 00:03:45,680 Speaker 1: can't think of the name of it now, but anyways, 65 00:03:46,440 --> 00:03:50,240 Speaker 1: they just delivered, over delivered as a live band. They 66 00:03:50,240 --> 00:03:54,520 Speaker 1: were unbelievably good, uh just incredible. And then I saw 67 00:03:54,560 --> 00:03:56,600 Speaker 1: them later but a year later, I think, on the 68 00:03:56,680 --> 00:03:59,880 Speaker 1: Lallapalooza tour, and just also great then and they were 69 00:04:00,160 --> 00:04:01,800 Speaker 1: over it by then. They were packed in. That was 70 00:04:01,840 --> 00:04:04,400 Speaker 1: their last tour. They were done after that. Jane' Addiction 71 00:04:04,480 --> 00:04:07,280 Speaker 1: were just one of those bands, man, who just you 72 00:04:08,400 --> 00:04:10,920 Speaker 1: didn't expect them, you didn't know you wanted them, and 73 00:04:10,960 --> 00:04:12,680 Speaker 1: when you got them, you didn't want to let go. 74 00:04:12,800 --> 00:04:15,800 Speaker 1: And they were gone almost before they even seem to 75 00:04:15,800 --> 00:04:19,120 Speaker 1: get here. It just happens so fast for us on 76 00:04:19,160 --> 00:04:22,360 Speaker 1: the East Coast anyways. Of course, Jane's Addiction, led by 77 00:04:22,400 --> 00:04:25,279 Speaker 1: singer Perry Ferrell, much more than a singer. Just guy's 78 00:04:25,279 --> 00:04:29,960 Speaker 1: an artist, he's an impresario, he's a multi hyphen it. 79 00:04:30,400 --> 00:04:34,560 Speaker 1: He's just an incredible creative person that we're lucky to 80 00:04:34,600 --> 00:04:37,080 Speaker 1: be alive at the same time as this guy's That's 81 00:04:37,080 --> 00:04:38,919 Speaker 1: how good Jane's Addiction are. And that's how much of 82 00:04:38,920 --> 00:04:42,560 Speaker 1: a contribution he's made, obviously with Lollapalooza, Porner for Pyros, 83 00:04:42,640 --> 00:04:45,320 Speaker 1: everything the guy's done and continues to do. And of 84 00:04:45,320 --> 00:04:49,280 Speaker 1: course we cannot forget guitarist Dave Navarro, and that's kind of, 85 00:04:49,360 --> 00:04:51,440 Speaker 1: you know, the Dave is sort of the forefront of 86 00:04:51,480 --> 00:04:56,320 Speaker 1: our episode on Jane's Addiction. We talk a lot about 87 00:04:56,440 --> 00:04:59,719 Speaker 1: the true crime connected to Dave, connected to the murder 88 00:04:59,760 --> 00:05:03,680 Speaker 1: of Mom. We don't spend a lot of time in 89 00:05:03,720 --> 00:05:07,400 Speaker 1: the episode digging in to sort of the place and 90 00:05:07,520 --> 00:05:12,480 Speaker 1: time that Jane's Addiction inhabited alongside bands like Ram, the Pixies, 91 00:05:12,720 --> 00:05:16,440 Speaker 1: The Cure, all that kind of college stuff that was 92 00:05:16,480 --> 00:05:19,760 Speaker 1: percolating before Jane's Addiction, and that Jane's Addiction took from 93 00:05:19,760 --> 00:05:22,360 Speaker 1: the left of the dial and just like jammed down 94 00:05:22,360 --> 00:05:25,360 Speaker 1: the throat of the mainstream. It became what we now 95 00:05:25,400 --> 00:05:28,760 Speaker 1: call alternative rock, and it was a new thing and 96 00:05:28,839 --> 00:05:30,960 Speaker 1: Jane's Addiction were at the vanguard of that. And of 97 00:05:30,960 --> 00:05:34,680 Speaker 1: course Perry Ferrell in Lollapalooza, they're only around for a 98 00:05:34,680 --> 00:05:37,080 Speaker 1: short period of time, Like I mentioned, you know, in 99 00:05:37,080 --> 00:05:40,599 Speaker 1: their early days it was that that first album had 100 00:05:40,640 --> 00:05:43,359 Speaker 1: the live cuts on it. Live version of Jane says 101 00:05:43,960 --> 00:05:47,200 Speaker 1: rock and roll development, underground Cover, then of course the 102 00:05:47,279 --> 00:05:51,600 Speaker 1: Nothing Shocking album, and then Ritual de Lo Habitual, My Goodness, 103 00:05:52,040 --> 00:05:55,799 Speaker 1: My goodness, Great music. Six one seven, nine oh six, 104 00:05:56,200 --> 00:05:59,000 Speaker 1: six six three eight. Did Jane's Addiction hit you when 105 00:05:59,000 --> 00:06:01,640 Speaker 1: you were a kid? Is Jans addiction connect with you now? 106 00:06:01,880 --> 00:06:04,040 Speaker 1: Are you new to Janes Addiction? Are you like? What 107 00:06:04,080 --> 00:06:06,080 Speaker 1: the fuck is this Jane? Who's this Jens person that 108 00:06:06,120 --> 00:06:07,719 Speaker 1: this guy's talking to me about right now? Do you 109 00:06:07,720 --> 00:06:09,680 Speaker 1: know nothing about Jans addiction but want to know more? 110 00:06:09,960 --> 00:06:12,120 Speaker 1: Six one seven nine oh six six six three eight. 111 00:06:12,200 --> 00:06:13,880 Speaker 1: Hit me up. I'll tell you where to start, all right, 112 00:06:13,920 --> 00:06:17,320 Speaker 1: It's not it's not Ben Kott stealing. It's Mountain Song, okay, 113 00:06:17,440 --> 00:06:19,080 Speaker 1: maybe three days? You know? You know what it is. 114 00:06:19,120 --> 00:06:21,719 Speaker 1: It's Ocean Size. If you've never heard a Jeans Addiction 115 00:06:21,800 --> 00:06:24,479 Speaker 1: song before in your life, right now, go listen to 116 00:06:24,520 --> 00:06:26,920 Speaker 1: Ocean Size and then call me six one seven nine 117 00:06:26,960 --> 00:06:28,919 Speaker 1: oh six sixty six three eight and let me know 118 00:06:28,960 --> 00:06:30,960 Speaker 1: what you think about it. Let me know what you think. 119 00:06:31,160 --> 00:06:34,440 Speaker 1: The greatest rock band of the nineteen nineties is all right, 120 00:06:34,480 --> 00:06:36,000 Speaker 1: I know a lot of you are going to say Nirvana. 121 00:06:36,040 --> 00:06:37,120 Speaker 1: I know a lot of you are going to say 122 00:06:37,120 --> 00:06:39,599 Speaker 1: Pearl Jam. I don't know that I would say either 123 00:06:39,640 --> 00:06:42,480 Speaker 1: of those bands. I'm putting jans Addiction very high at 124 00:06:42,520 --> 00:06:44,880 Speaker 1: the top of that list. Six one seven, nine oh 125 00:06:44,880 --> 00:06:46,760 Speaker 1: six six six three eight. I know what I think. 126 00:06:46,880 --> 00:06:48,320 Speaker 1: I want to know what you think, so hit me 127 00:06:48,320 --> 00:06:52,200 Speaker 1: out voicemail and text tomorrow. Okay, We've got a rewind 128 00:06:52,240 --> 00:06:54,880 Speaker 1: episode in the feed on Juice World. This is one 129 00:06:54,880 --> 00:06:57,280 Speaker 1: of those guys, you know what, are you gonna call him? Emo? 130 00:06:57,400 --> 00:07:01,480 Speaker 1: Rap hip hop artist? He's just kind of like all 131 00:07:01,520 --> 00:07:06,240 Speaker 1: over the place young artists died way too soon. Developed 132 00:07:06,240 --> 00:07:10,000 Speaker 1: this global audience, also developed the attention of the FBI. 133 00:07:10,080 --> 00:07:12,560 Speaker 1: You're going to hear about that in the episode and 134 00:07:12,640 --> 00:07:16,480 Speaker 1: his sudden tragic death. All right, So to recap, that's 135 00:07:16,520 --> 00:07:19,200 Speaker 1: a brand new episode on Jane's Addiction, plus a rewind 136 00:07:19,200 --> 00:07:22,120 Speaker 1: episode on Juice World, all in the Disgrace lam feeds 137 00:07:22,120 --> 00:07:24,120 Speaker 1: this week. I don't know if you're following us on 138 00:07:24,160 --> 00:07:26,720 Speaker 1: Instagram at Disgrace Lamp Pod, but we've been doing these 139 00:07:26,760 --> 00:07:30,160 Speaker 1: little mini thirty to sixty second stories over there. Some 140 00:07:30,240 --> 00:07:32,640 Speaker 1: of the highlights, some of the holy shit learning moments 141 00:07:32,680 --> 00:07:36,040 Speaker 1: from the episodes. If you're not following us, get over 142 00:07:36,080 --> 00:07:38,880 Speaker 1: there at Disgrace lam Pod. Check us out. We're putting 143 00:07:38,880 --> 00:07:41,880 Speaker 1: those videos on TikTok as well. Also at Disgrace lam Pod, 144 00:07:42,360 --> 00:07:47,880 Speaker 1: and we've started populating the YouTube channel once again. Diy gritty, 145 00:07:48,120 --> 00:07:51,000 Speaker 1: I'm into it. Get over there if that's your chosen 146 00:07:51,040 --> 00:07:53,680 Speaker 1: place to consume content, we are there as well. We're 147 00:07:53,720 --> 00:07:56,760 Speaker 1: also on x We are everywhere at Disgrace lampod All 148 00:07:56,840 --> 00:08:01,120 Speaker 1: right six one seven nine oh six six eight voicemail 149 00:08:01,360 --> 00:08:03,720 Speaker 1: for the Old School six one seven nine oh six 150 00:08:03,840 --> 00:08:07,520 Speaker 1: six six three eight Text for the New School Disgrace 151 00:08:07,560 --> 00:08:10,440 Speaker 1: slampod at gmail dot com to email me. Let's do 152 00:08:10,480 --> 00:08:15,320 Speaker 1: an email right now from Martye. Subject is Hanoi Rocks 153 00:08:15,440 --> 00:08:18,320 Speaker 1: and New York Dolls. Jake, you might consider doing a 154 00:08:18,360 --> 00:08:21,440 Speaker 1: podcast about Honoi Rocks. They were the band that Guns n' 155 00:08:21,480 --> 00:08:24,080 Speaker 1: Roses got the term Welcome to the Jungle from via 156 00:08:24,120 --> 00:08:26,920 Speaker 1: the song Underwater World. Of course, you know that their 157 00:08:27,000 --> 00:08:30,600 Speaker 1: drummer Razzle, died in Vince Neil's infamous drunk driving accident 158 00:08:30,640 --> 00:08:33,400 Speaker 1: in late nineteen eighty four. The band were known for 159 00:08:33,440 --> 00:08:36,079 Speaker 1: their decadent ways. They were one of the first Western 160 00:08:36,120 --> 00:08:38,920 Speaker 1: bands to play behind the Iron Curtain, and we're very 161 00:08:38,960 --> 00:08:41,040 Speaker 1: influential on rock and roll in the eighties on both 162 00:08:41,080 --> 00:08:43,640 Speaker 1: sides of the Atlantic. You also could do a lot 163 00:08:43,679 --> 00:08:46,080 Speaker 1: worse than to do one about the New York Dolls 164 00:08:46,160 --> 00:08:48,440 Speaker 1: for far too many reasons for me to write here. 165 00:08:48,760 --> 00:08:54,680 Speaker 1: Keep up the great work, Marty E. Marty love the email, dude. Yeah, 166 00:08:54,679 --> 00:08:56,960 Speaker 1: I'd love to do one on Hanoi Rocks, as you 167 00:08:57,080 --> 00:09:01,000 Speaker 1: kind of alluded to you there. We did do a 168 00:09:01,000 --> 00:09:02,920 Speaker 1: a Vinced Nail episode, Maltley Crewe episode, and we got 169 00:09:02,920 --> 00:09:06,920 Speaker 1: into the death of Razzle in that. And I've known 170 00:09:06,960 --> 00:09:08,880 Speaker 1: about Hernoi Rocks forever with bass player in one of 171 00:09:08,880 --> 00:09:12,840 Speaker 1: my old bands, was obsessed with them and would love 172 00:09:12,920 --> 00:09:14,800 Speaker 1: to get into it. Just want to let you know. 173 00:09:14,840 --> 00:09:17,160 Speaker 1: We did, however, cover the New York Dollars. You can 174 00:09:17,160 --> 00:09:20,400 Speaker 1: find that episode in the archives to one more email here, 175 00:09:20,440 --> 00:09:24,480 Speaker 1: This one from Chris Woolcock says subject matter the Worst 176 00:09:24,679 --> 00:09:28,200 Speaker 1: Taxi Driver. Hey, Jake, loved the in Excess episode. You 177 00:09:28,240 --> 00:09:29,960 Speaker 1: really nailed it, and even though I knew a lot 178 00:09:29,960 --> 00:09:32,319 Speaker 1: about the subject, you and your team managed to unpack 179 00:09:32,440 --> 00:09:35,600 Speaker 1: more knowledge. Yes, a lot of Australians think that Michael 180 00:09:35,640 --> 00:09:39,360 Speaker 1: died from autoerotic asphyxiation. I guess because it's impossible to 181 00:09:39,400 --> 00:09:42,280 Speaker 1: imagine someone with so much could want to take their 182 00:09:42,320 --> 00:09:45,120 Speaker 1: own life. But it's just an image, a screenshot of 183 00:09:45,160 --> 00:09:47,720 Speaker 1: someone's true reality. It doesn't matter how rich or how 184 00:09:47,720 --> 00:09:50,320 Speaker 1: famous he was, he still felt pain, like the rest 185 00:09:50,320 --> 00:09:53,160 Speaker 1: of us, perhaps more just a sad, sad loss, a 186 00:09:53,200 --> 00:10:00,199 Speaker 1: total disgrace. Cheers Chris, Chris, thank you for the email there, dude. 187 00:10:00,240 --> 00:10:03,400 Speaker 1: I appreciate that it's reminding me, you know this. The 188 00:10:03,440 --> 00:10:07,120 Speaker 1: response for the Inexcess episode from you guys has been incredible, 189 00:10:08,640 --> 00:10:14,120 Speaker 1: really really moving and validating to us here at Double Elvis, 190 00:10:15,559 --> 00:10:17,959 Speaker 1: and it's just it's occurred to me, you know this, 191 00:10:17,960 --> 00:10:21,760 Speaker 1: This Michael Hutchins in Excess subject has been one that 192 00:10:21,800 --> 00:10:24,120 Speaker 1: you guys have been requesting for a long, long, long 193 00:10:24,200 --> 00:10:27,040 Speaker 1: long time, and uh, for whatever reason, it just took 194 00:10:27,080 --> 00:10:29,840 Speaker 1: us a while to get into it, and we did 195 00:10:29,880 --> 00:10:32,439 Speaker 1: get into it, and it just the response has been overwhelming, 196 00:10:32,440 --> 00:10:35,080 Speaker 1: and I'm kind of like, well, shit, man, I should 197 00:10:35,200 --> 00:10:38,360 Speaker 1: you know. There are a couple of these subjects that 198 00:10:38,440 --> 00:10:43,000 Speaker 1: you guys overwhelmingly have been asking for. Scott Wiland is 199 00:10:43,040 --> 00:10:45,080 Speaker 1: one of them. I am not the biggest Stone Temple 200 00:10:45,120 --> 00:10:49,120 Speaker 1: Pilots fan. I didn't grow up liking them at all, 201 00:10:49,440 --> 00:10:52,640 Speaker 1: and uh, it just doesn't appeal to me. They do now, 202 00:10:52,760 --> 00:10:56,480 Speaker 1: I guess musically, but the subject matter just not something 203 00:10:56,480 --> 00:10:59,719 Speaker 1: I'm too too interested in. But we dove in and 204 00:10:59,760 --> 00:11:02,080 Speaker 1: we are backbones into it and I'm pretty happy with 205 00:11:02,160 --> 00:11:03,840 Speaker 1: what we came up with. So that one's coming soon. 206 00:11:03,920 --> 00:11:06,160 Speaker 1: Another one, it strikes me as one. Another one that 207 00:11:06,200 --> 00:11:08,880 Speaker 1: you guys have been requesting a lot of similar terrain 208 00:11:09,280 --> 00:11:12,439 Speaker 1: to Scott Wiland is Laane Stalely from Alice in Chains. 209 00:11:12,880 --> 00:11:17,000 Speaker 1: We'll be getting into him soon as well, So I'm 210 00:11:17,040 --> 00:11:19,520 Speaker 1: gonna try. I'd like to think I'm pretty responsive to 211 00:11:20,040 --> 00:11:22,800 Speaker 1: the subjects you guys want. I tend to lean a 212 00:11:22,800 --> 00:11:25,200 Speaker 1: little more heavily into the stuff that's interesting to me 213 00:11:25,400 --> 00:11:28,720 Speaker 1: at the moment, and that is usually more obscure names. 214 00:11:28,760 --> 00:11:33,160 Speaker 1: But I'm gonna try to dig more fully into into 215 00:11:33,240 --> 00:11:36,080 Speaker 1: the artists that you guys have been clamoring for and 216 00:11:36,120 --> 00:11:37,920 Speaker 1: that that tends to be some of the bigger names, 217 00:11:37,960 --> 00:11:39,760 Speaker 1: So be able to lookout for that stuff next year 218 00:11:40,480 --> 00:11:44,320 Speaker 1: with the upcoming new episodes. Off the top of my head, 219 00:11:44,360 --> 00:11:47,720 Speaker 1: we've got one on the clash we've got. I don't 220 00:11:47,720 --> 00:11:49,079 Speaker 1: want to give it all away. We'll do a more 221 00:11:49,120 --> 00:11:54,600 Speaker 1: formal unveiling somewhere soon. All right, So Disgrace Slampod at 222 00:11:54,600 --> 00:11:57,280 Speaker 1: gmail dot com for the email six one seven nine 223 00:11:57,360 --> 00:12:00,200 Speaker 1: oh six six six three eight to get at me 224 00:12:00,280 --> 00:12:02,240 Speaker 1: on any subject. I'm gonna take a quick break back 225 00:12:02,240 --> 00:12:25,840 Speaker 1: in a flash. All right, guys, we are back. I'm 226 00:12:25,840 --> 00:12:27,559 Speaker 1: gonna do some DMS here before I get into the 227 00:12:27,600 --> 00:12:31,000 Speaker 1: voicemails in the text. Just want to shout out to 228 00:12:31,640 --> 00:12:37,960 Speaker 1: at Todd Kita on Twitter for the amazing, amazing zombie 229 00:12:37,960 --> 00:12:41,760 Speaker 1: Elvis art that he put together, really cool stuff. I'm 230 00:12:41,760 --> 00:12:44,440 Speaker 1: gonna be sending this out myself soon, but I just 231 00:12:44,480 --> 00:12:47,520 Speaker 1: woke up to this yesterday morning and love the fan art, 232 00:12:47,679 --> 00:12:52,240 Speaker 1: especially this Todd great work. Excited to show you guys. 233 00:12:52,720 --> 00:12:56,840 Speaker 1: Also want to shout out here Nan Humble, who hit 234 00:12:56,920 --> 00:13:00,760 Speaker 1: us up on Instagram and she's got You know, we've 235 00:13:00,800 --> 00:13:03,360 Speaker 1: been talking about pet dogs and our pets are dogs, 236 00:13:03,400 --> 00:13:05,040 Speaker 1: and you guys been sending the dog photos and I 237 00:13:05,080 --> 00:13:07,960 Speaker 1: love it and I'm here for it. But Nan sent 238 00:13:08,040 --> 00:13:11,880 Speaker 1: in the pictures of her two pet goats and their 239 00:13:12,000 --> 00:13:15,920 Speaker 1: names are Miles and Coltrane and you know, one is 240 00:13:15,920 --> 00:13:18,280 Speaker 1: a little more accessible than the other. That's how she 241 00:13:18,320 --> 00:13:22,200 Speaker 1: put it, which I thought was really funny. I also 242 00:13:22,240 --> 00:13:24,600 Speaker 1: want to shout out Spencer Lao. I think that's how 243 00:13:24,600 --> 00:13:28,720 Speaker 1: you pronounce his last name. Sent us his band's album. 244 00:13:29,120 --> 00:13:30,640 Speaker 1: The band is called Heat of the Night and the 245 00:13:30,640 --> 00:13:34,240 Speaker 1: album is called Wait What and nine songs, pretty good stuff. 246 00:13:34,400 --> 00:13:37,120 Speaker 1: Checked it out, was into it. So that's Spencer lau 247 00:13:37,320 --> 00:13:38,960 Speaker 1: in his band Heat of the Night. Checked that out. 248 00:13:39,000 --> 00:13:42,000 Speaker 1: If you guys are interested in that. Also, shout out 249 00:13:42,000 --> 00:13:44,840 Speaker 1: to my guy Matt Surley camera on Instagram was talking 250 00:13:44,840 --> 00:13:47,720 Speaker 1: about this book my friend Tiller hit me to the 251 00:13:47,760 --> 00:13:51,160 Speaker 1: other day, Rolling thunder Log book. It is Sam Sheppard, 252 00:13:51,520 --> 00:13:55,880 Speaker 1: the playwright and author who I absolutely love, follower of 253 00:13:55,920 --> 00:14:00,360 Speaker 1: the Fourth Way and Sam, of course his family on 254 00:14:00,400 --> 00:14:03,439 Speaker 1: the Rolling Thunder review tour with Bob Dylan, and he 255 00:14:03,480 --> 00:14:06,920 Speaker 1: published this Rolling thunder Log book that is way out 256 00:14:07,000 --> 00:14:09,920 Speaker 1: of print. You can get it digitally, but that's not fun. 257 00:14:10,320 --> 00:14:14,080 Speaker 1: And I get a pretty pretty cool book collection here 258 00:14:14,160 --> 00:14:18,000 Speaker 1: and I try to keep it all hardcover. The cheapest 259 00:14:18,120 --> 00:14:20,360 Speaker 1: hardcover of this book that I could find was about 260 00:14:20,400 --> 00:14:23,360 Speaker 1: five hundred bucks. But like I said, shout out to 261 00:14:23,400 --> 00:14:25,400 Speaker 1: my guy Matt who hit me with a fifty four 262 00:14:25,440 --> 00:14:28,600 Speaker 1: dollars version of it. So pretty stoked about that. Check 263 00:14:28,640 --> 00:14:30,960 Speaker 1: out the Rolling Thunder logbook. If you guys are interested 264 00:14:30,960 --> 00:14:34,440 Speaker 1: in that Dylan stuff, you'll dig it. Dallas Marie four 265 00:14:34,440 --> 00:14:37,120 Speaker 1: to one writes in love your shit keeps me entertained 266 00:14:37,120 --> 00:14:40,080 Speaker 1: at work, work in laundry and sometimes housekeeping at Hilton 267 00:14:40,120 --> 00:14:44,040 Speaker 1: Garden Inn. Keep it coming. Love you from North Dakota. Guys, 268 00:14:44,040 --> 00:14:47,640 Speaker 1: I love all the messages at disgrace slampod on Instagram, Twitter, 269 00:14:47,680 --> 00:14:53,360 Speaker 1: excuse me, X hit me on YouTube, TikTok TikTok. Oh God, 270 00:14:53,480 --> 00:14:56,240 Speaker 1: I gotta tell you guys about this. If you're on TikTok, 271 00:14:56,400 --> 00:14:59,360 Speaker 1: wait a minute, hold on, let me find it. So yeah, 272 00:14:59,360 --> 00:15:01,400 Speaker 1: if you're on tikto, I came across this the other day, 273 00:15:01,400 --> 00:15:03,120 Speaker 1: So this is what's going on. We noticed that our 274 00:15:03,160 --> 00:15:06,560 Speaker 1: Taylor Swift episode was that was released way back in 275 00:15:06,600 --> 00:15:09,840 Speaker 1: the beginning of twenty twenty two. We noticed yesterday that 276 00:15:09,880 --> 00:15:12,200 Speaker 1: it was creeping up the charts again, made it into 277 00:15:12,240 --> 00:15:14,840 Speaker 1: the top ten. We're like, what the hell is going on? 278 00:15:14,880 --> 00:15:18,240 Speaker 1: So I go on TikTok and I find that this. 279 00:15:19,160 --> 00:15:23,040 Speaker 1: You know, Taylor Swift, Swifty super fan was talking about 280 00:15:23,120 --> 00:15:26,400 Speaker 1: the episode and directing her audience to go check it 281 00:15:26,400 --> 00:15:30,560 Speaker 1: out and from there, and this is what I found. 282 00:15:30,640 --> 00:15:35,480 Speaker 1: I found there's this really nice woman on TikTok. Her 283 00:15:35,560 --> 00:15:40,240 Speaker 1: name is, her handle is at Sondra Underscore the Reecan Princess, 284 00:15:41,280 --> 00:15:45,040 Speaker 1: Don't Blame Me. That's literally her handle, verbatim. And she's 285 00:15:45,080 --> 00:15:50,120 Speaker 1: on there just reading the Disgraceland Taylor Swift episode and 286 00:15:50,160 --> 00:15:54,200 Speaker 1: then adding commentary and it's She's lovely. She's got an 287 00:15:54,240 --> 00:15:57,880 Speaker 1: incredible voice, and I'm just here for it. And look, 288 00:15:57,920 --> 00:15:59,360 Speaker 1: if any of y'all want to just go on to 289 00:15:59,440 --> 00:16:03,080 Speaker 1: TikTok and start reading Disgraceland, go for it and tag 290 00:16:03,160 --> 00:16:05,520 Speaker 1: me at Disgrace Lampod and I will hype the shit 291 00:16:05,560 --> 00:16:08,080 Speaker 1: out of you, because I think it's fucking awesome. All right, 292 00:16:08,160 --> 00:16:11,880 Speaker 1: at Disgrace Lampod on TikTok, at Disgrace Lampod on Instagram, 293 00:16:11,920 --> 00:16:15,040 Speaker 1: and X, let's do some voicemail six one seven nine 294 00:16:15,080 --> 00:16:19,280 Speaker 1: oh six six six three eight. This voicemail from the 295 00:16:19,760 --> 00:16:21,680 Speaker 1: nine to seven zero Jay. 296 00:16:22,080 --> 00:16:25,760 Speaker 2: This is Dylan from the nine to seven zero. I'd 297 00:16:25,760 --> 00:16:28,880 Speaker 2: have to say, listen, Like Thieves is a great album 298 00:16:28,960 --> 00:16:33,360 Speaker 2: for an next I did like Kick as well, but 299 00:16:33,600 --> 00:16:37,200 Speaker 2: I had listen like Thieves and I played it so much. 300 00:16:37,440 --> 00:16:42,400 Speaker 2: I love that album. Great songs on there, and yeah 301 00:16:42,440 --> 00:16:46,840 Speaker 2: that's about it. Love your show, love the episode. Keep 302 00:16:46,880 --> 00:16:47,680 Speaker 2: doing what you're doing. 303 00:16:48,320 --> 00:16:51,320 Speaker 1: See Dylan, what's up? Man? I love listening like these 304 00:16:51,360 --> 00:16:52,960 Speaker 1: as well. I hope I didn't give the impression that 305 00:16:53,000 --> 00:16:55,760 Speaker 1: I didn't. I probably gave more hype to Kick just 306 00:16:55,800 --> 00:16:59,600 Speaker 1: because there's more hits on it. But they're both great, 307 00:17:00,080 --> 00:17:02,600 Speaker 1: both great. I think I like Kick more. I think 308 00:17:02,600 --> 00:17:05,080 Speaker 1: I like the tunes on it more, but I don't know, 309 00:17:05,560 --> 00:17:07,920 Speaker 1: I don't know. I take your point. All right. Let's 310 00:17:07,960 --> 00:17:09,720 Speaker 1: check out this voicemail from the five O five. 311 00:17:10,600 --> 00:17:14,879 Speaker 3: Hey Sabby here, I've been listening to the beginning and 312 00:17:15,720 --> 00:17:17,800 Speaker 3: number one. I think it is a great idea of 313 00:17:18,080 --> 00:17:20,159 Speaker 3: all of your contasts under one speed. 314 00:17:20,680 --> 00:17:21,200 Speaker 2: Number two. 315 00:17:21,359 --> 00:17:24,679 Speaker 3: I just suggest that there are a lot of women 316 00:17:25,359 --> 00:17:28,760 Speaker 3: who are so influential in rock and roll and maybe 317 00:17:29,200 --> 00:17:31,679 Speaker 3: might pursue some of the most famous groupies. They have 318 00:17:31,760 --> 00:17:36,439 Speaker 3: some wonderful, amazing, wild crazy stories to tell, and that 319 00:17:36,560 --> 00:17:41,040 Speaker 3: might be an approach you want to look at. All right, 320 00:17:41,840 --> 00:17:42,640 Speaker 3: Thanks for the word. 321 00:17:42,800 --> 00:17:43,639 Speaker 2: Love it, love it. 322 00:17:43,680 --> 00:17:48,040 Speaker 1: Love it, Hey Abby, thanks for the call. Appreciate you guys, 323 00:17:48,080 --> 00:17:49,399 Speaker 1: Just so you know what I was talking about. I 324 00:17:49,480 --> 00:17:55,200 Speaker 1: floated the idea of combining all of our content into 325 00:17:55,440 --> 00:17:59,280 Speaker 1: just the Disgraceland feed, so basically bad Land subjects and 326 00:17:59,760 --> 00:18:04,959 Speaker 1: just Graceland subjects in just one feed. And there's a 327 00:18:05,080 --> 00:18:07,199 Speaker 1: lot of reasons I'm thinking about doing this. Let me 328 00:18:07,240 --> 00:18:08,919 Speaker 1: know what you think, Abby seems to be for this 329 00:18:08,960 --> 00:18:13,000 Speaker 1: would open up, uh, just focusing more more on icons 330 00:18:13,000 --> 00:18:17,320 Speaker 1: in general, from cross disciplines, not just music, not just actors. 331 00:18:17,320 --> 00:18:20,919 Speaker 1: We could do athletes like we were doing in Sportsland earlier. Uh, 332 00:18:21,160 --> 00:18:24,159 Speaker 1: we can do poets, we can do the beat writers, 333 00:18:24,200 --> 00:18:28,720 Speaker 1: we can do classical composers. I'm just I can tell 334 00:18:28,880 --> 00:18:32,040 Speaker 1: all of your interests are as varied as minor, and 335 00:18:32,080 --> 00:18:34,680 Speaker 1: I'm never not going to be music first. I am 336 00:18:34,720 --> 00:18:37,160 Speaker 1: so music focused. And I think even if we were 337 00:18:37,840 --> 00:18:40,480 Speaker 1: to do this, a lot of the episodes we would 338 00:18:40,600 --> 00:18:44,120 Speaker 1: we would actually produce that weren't necessarily on music subjects, 339 00:18:44,160 --> 00:18:48,040 Speaker 1: would still have a heavy music focus. For example, the 340 00:18:48,040 --> 00:18:51,600 Speaker 1: Steve McQueen episode that we just put together for bad 341 00:18:51,680 --> 00:18:54,560 Speaker 1: Lands is uh has a lot of music in it. 342 00:18:55,000 --> 00:18:57,360 Speaker 1: And it's just it's just what we do. It's it's 343 00:18:57,359 --> 00:18:59,560 Speaker 1: our it's our first gear, our second gear, our third 344 00:18:59,600 --> 00:19:01,639 Speaker 1: gear for worth gear, in our fifth gear, in our 345 00:19:01,680 --> 00:19:05,480 Speaker 1: sixth gear. If you're driving my car. So that's uh, yeah, 346 00:19:05,560 --> 00:19:07,800 Speaker 1: that's what we're thinking, Abby Stoke that you're into at 347 00:19:07,800 --> 00:19:09,720 Speaker 1: six one seven nine oh six six sixty three eight. 348 00:19:09,760 --> 00:19:13,359 Speaker 1: Interested to know what you guys would think about that. Uh, 349 00:19:13,800 --> 00:19:15,720 Speaker 1: if you haven't chimed in, let me know, send me 350 00:19:15,720 --> 00:19:18,280 Speaker 1: a text, send me a voicemail. Also, want to know 351 00:19:18,880 --> 00:19:24,160 Speaker 1: what you guys would want in terms of content, new content, 352 00:19:25,320 --> 00:19:29,240 Speaker 1: stuff that you don't have for me yet. I'm thinking 353 00:19:29,280 --> 00:19:31,800 Speaker 1: of doing a Patreon and this is not something where 354 00:19:31,800 --> 00:19:34,959 Speaker 1: you'd have to subscribe, like when I went exclusive to Amazon, 355 00:19:35,000 --> 00:19:36,560 Speaker 1: you had to download that app and it was the 356 00:19:36,560 --> 00:19:39,159 Speaker 1: only place you could get the episodes. I'm talking about 357 00:19:39,240 --> 00:19:44,840 Speaker 1: net new content, special content, exclusive content for these super fans, 358 00:19:44,920 --> 00:19:49,399 Speaker 1: for the Super Disgrace LAM community, the discos. Thinking about 359 00:19:49,400 --> 00:19:52,080 Speaker 1: doing I did this on Instagram. I floated out some ideas, 360 00:19:52,520 --> 00:19:57,240 Speaker 1: thinking about doing ad free episodes that you could access 361 00:19:57,280 --> 00:20:00,359 Speaker 1: through the subscription. Thinking about doing h I kind of 362 00:20:00,359 --> 00:20:04,399 Speaker 1: want to do a sleep like a nighttime podcast, like 363 00:20:04,480 --> 00:20:07,240 Speaker 1: just a real short one, just something that something that's 364 00:20:07,280 --> 00:20:12,199 Speaker 1: kind of my version of noir, perhaps fiction that is 365 00:20:13,240 --> 00:20:16,480 Speaker 1: just scored in a really kind of moody, moody way, 366 00:20:16,520 --> 00:20:18,919 Speaker 1: and I would perform it in a real kind of 367 00:20:18,960 --> 00:20:22,959 Speaker 1: low fi, low key voice that would hopefully lully you 368 00:20:23,000 --> 00:20:27,119 Speaker 1: guys to sleep. That's that's something that I kind of 369 00:20:27,160 --> 00:20:30,479 Speaker 1: want in my life from from one of my favorite 370 00:20:30,520 --> 00:20:33,119 Speaker 1: podcasters I don't know who. So that was an idea 371 00:20:33,119 --> 00:20:35,119 Speaker 1: that seemed to get a lot of traction. Surprisingly, I 372 00:20:35,119 --> 00:20:37,280 Speaker 1: didn't think it was going to. So those are the 373 00:20:37,320 --> 00:20:40,200 Speaker 1: two main offerings that we're thinking about from the subscription side. 374 00:20:40,240 --> 00:20:42,919 Speaker 1: Also exclusive merch. Oh, by the way, we have some 375 00:20:42,960 --> 00:20:45,160 Speaker 1: new merch right now. Go to the website Disgrace lampod 376 00:20:46,040 --> 00:20:49,159 Speaker 1: dot com and yeah, we got some new Zombielvis pins 377 00:20:49,480 --> 00:20:53,080 Speaker 1: and restocked the zombie Elvis shirts and I think we 378 00:20:53,160 --> 00:20:55,639 Speaker 1: got some double Elvis shirts to the cool double Elvis logo. 379 00:20:56,640 --> 00:20:58,840 Speaker 1: Those are gonna go fast. We're gonna clean those out 380 00:20:58,880 --> 00:21:00,000 Speaker 1: by the end of the year, and then we're gonna 381 00:21:00,440 --> 00:21:03,320 Speaker 1: entirely new merch run coming up the beginning of twenty 382 00:21:03,359 --> 00:21:07,280 Speaker 1: twenty four. So if you want those items, those three items, 383 00:21:07,359 --> 00:21:09,640 Speaker 1: the pin is back in stock, you can nab that, 384 00:21:09,720 --> 00:21:11,479 Speaker 1: and then I'm gonna have some new fresh stuff for 385 00:21:11,520 --> 00:21:14,720 Speaker 1: you beginning of the year, and perhaps we'll be doing 386 00:21:14,760 --> 00:21:19,520 Speaker 1: some exclusive merch in Patreon or in whatever subscription service 387 00:21:19,560 --> 00:21:22,880 Speaker 1: we end up going with. So that's what I'm thinking. 388 00:21:22,920 --> 00:21:23,960 Speaker 1: Let me know what you think, let me know what 389 00:21:24,000 --> 00:21:26,640 Speaker 1: you want. I don't want to waste time doing anything 390 00:21:26,640 --> 00:21:28,560 Speaker 1: that you guys don't want, so hit me up six 391 00:21:28,680 --> 00:21:32,040 Speaker 1: one seven nine oh six six six three eight voicemail 392 00:21:32,080 --> 00:21:34,760 Speaker 1: and text. Let's do some texts. Oh, by the way, 393 00:21:35,160 --> 00:21:37,160 Speaker 1: I've been talking about how I'm going to hit more 394 00:21:37,240 --> 00:21:39,679 Speaker 1: voicemails and more text and respond to you guys. I 395 00:21:39,680 --> 00:21:42,440 Speaker 1: think once a week on Instagram. I'm just going to 396 00:21:42,640 --> 00:21:45,960 Speaker 1: pull out the phone, start listening to voicemails, film myself 397 00:21:46,040 --> 00:21:48,200 Speaker 1: answering them to you right there. Okay, I'll be able 398 00:21:48,240 --> 00:21:50,000 Speaker 1: to bang through boom boom, boom, boom bom, a whole 399 00:21:50,000 --> 00:21:51,720 Speaker 1: ton of them, all right, so keep an eye out 400 00:21:51,760 --> 00:21:54,960 Speaker 1: for that. I think I'm going to do this today. 401 00:21:55,000 --> 00:21:56,639 Speaker 1: When you're hearing this, I think I'll be doing it 402 00:21:56,680 --> 00:21:59,960 Speaker 1: on Thursday. All right, We'll see how long that lasts. 403 00:22:00,080 --> 00:22:03,240 Speaker 1: Let's do some texts. Six' one nine writes In, hey 404 00:22:03,240 --> 00:22:05,880 Speaker 1: what about an episode On? Ramstein no idea if there's 405 00:22:05,880 --> 00:22:09,959 Speaker 1: anything scandalous about, them but goddamn they. Rock you, KNOW 406 00:22:10,040 --> 00:22:12,879 Speaker 1: i get a lot of requests From, ramstein AND i don't. Know, 407 00:22:13,119 --> 00:22:16,520 Speaker 1: UH i don't know if it's uh there's a crime, there, 408 00:22:16,600 --> 00:22:20,240 Speaker 1: man but uh there's usually always some dark way, in 409 00:22:20,440 --> 00:22:23,080 Speaker 1: So i'll check it. Out four to two three rights In, 410 00:22:23,200 --> 00:22:26,359 Speaker 1: jake my, Man this Is jeff texting from the four 411 00:22:26,480 --> 00:22:28,439 Speaker 1: to two, three But i'm from the sevenh. Six what 412 00:22:28,440 --> 00:22:31,040 Speaker 1: about an episode On? Mozart was he a fiend that 413 00:22:31,119 --> 00:22:33,480 Speaker 1: his Wife costanza labels him of being in the Movie 414 00:22:33,520 --> 00:22:36,840 Speaker 1: amadaeas just Watching, AMADEAS i THINK i mentioned that to you. Guys, 415 00:22:37,280 --> 00:22:40,000 Speaker 1: Hey i'm thinking about. THIS i can't decide IF i 416 00:22:40,000 --> 00:22:42,080 Speaker 1: want to Do amadas or IF i want to do Uh, 417 00:22:42,240 --> 00:22:46,160 Speaker 1: bach or IF i want to do someone someone even more. 418 00:22:46,160 --> 00:22:49,560 Speaker 1: OBSCURE i got real close back in the, day right 419 00:22:49,600 --> 00:22:53,440 Speaker 1: WHEN i Launched. DISGRACELAND i got real close to doing 420 00:22:53,480 --> 00:22:57,800 Speaker 1: an entire series on. Composers, uh it was gonna be 421 00:22:57,840 --> 00:23:02,399 Speaker 1: called decomposed steal, that and it's basically gonna be Disgrace 422 00:23:02,440 --> 00:23:04,959 Speaker 1: land up for. Composers we're gonna do WITH wnyc In New. 423 00:23:05,040 --> 00:23:07,280 Speaker 1: York LIKE i, SAID i came real, close and Then 424 00:23:07,280 --> 00:23:09,000 Speaker 1: disgraceland blew, up and THEN i never did. It But 425 00:23:09,040 --> 00:23:12,160 Speaker 1: i've always wanted to do get into the composer stuff 426 00:23:12,160 --> 00:23:14,439 Speaker 1: because some of it is so, dark And i'm Just 427 00:23:14,640 --> 00:23:16,560 Speaker 1: i'm interested in. IT i want to know more about, 428 00:23:16,600 --> 00:23:20,439 Speaker 1: it all. Right so the THREE o THREE i love you, 429 00:23:20,480 --> 00:23:23,359 Speaker 1: guys the THREE o three rights in your after party 430 00:23:23,359 --> 00:23:28,040 Speaker 1: discussion about Combining disgraceland and Bad lands inspired some. Creativity 431 00:23:28,359 --> 00:23:32,080 Speaker 1: here we go. Quote the stories From Double elvis are. 432 00:23:32,119 --> 00:23:36,080 Speaker 1: Insane they tell stories About Charles, Manson Big, lurch And Marilyn, 433 00:23:36,119 --> 00:23:40,160 Speaker 1: monroe all with the same podcast. Host Because Double elvis 434 00:23:40,160 --> 00:23:44,560 Speaker 1: makes great, podcasts unlike a lot of other. Podcasts those 435 00:23:44,640 --> 00:23:47,760 Speaker 1: aren't great podcasts that use preset loops from a. Mellotron 436 00:23:48,240 --> 00:23:50,680 Speaker 1: jake plays us those loops because he can't afford the 437 00:23:50,720 --> 00:23:53,520 Speaker 1: rights to the number one songs In. America and why 438 00:23:53,600 --> 00:23:55,639 Speaker 1: would you listen to a second rate true crime and 439 00:23:55,800 --> 00:23:58,919 Speaker 1: entertainment podcast if you don't have? To Because Double elvis 440 00:23:58,960 --> 00:24:01,560 Speaker 1: has the number one True i'm in music podcast on The. 441 00:24:01,640 --> 00:24:05,040 Speaker 1: INTERNET i love you THREE zho three love the. CREATIVITY 442 00:24:05,480 --> 00:24:07,639 Speaker 1: i already got an idea on HOW i would handle 443 00:24:07,640 --> 00:24:10,000 Speaker 1: THOSE a blocks if we do do the, combination we'll, 444 00:24:10,040 --> 00:24:13,240 Speaker 1: see all, Right mary writes in have you thought of 445 00:24:13,320 --> 00:24:16,280 Speaker 1: doing an episode On shane. McGowan there's a lot to 446 00:24:16,400 --> 00:24:18,200 Speaker 1: unpack there with all of his, arrests AND i heard 447 00:24:18,200 --> 00:24:20,600 Speaker 1: that he just passed away today eleven. Thirty what a. 448 00:24:20,640 --> 00:24:22,480 Speaker 1: Loss he was a great. Songwriter keep up the good, 449 00:24:22,480 --> 00:24:25,639 Speaker 1: work rock A. Rolla we have thought about, it and 450 00:24:26,520 --> 00:24:29,879 Speaker 1: we almost did it this year in time For. Christmas 451 00:24:30,680 --> 00:24:32,800 Speaker 1: and if you're a pokes fan you'll know why that's. 452 00:24:32,840 --> 00:24:35,240 Speaker 1: Relevant but we didn't do. It we ended up doing 453 00:24:35,240 --> 00:24:37,960 Speaker 1: A mariah carry one in time For christmas this. Year 454 00:24:38,000 --> 00:24:41,119 Speaker 1: and Now i'm kicking myself in the arts because Because 455 00:24:41,119 --> 00:24:46,000 Speaker 1: seamagwan just died a couple days, ago and, uh you, 456 00:24:46,040 --> 00:24:51,639 Speaker 1: Know Mariah carey can't. COMPARE i do love what we 457 00:24:51,680 --> 00:24:54,280 Speaker 1: did with that. Episode, also we got A diddy episode 458 00:24:54,320 --> 00:24:56,440 Speaker 1: coming up next. WEEK i should talk about this real. 459 00:24:56,480 --> 00:25:00,560 Speaker 1: Briefly we covered This ditty, story not the one that's 460 00:25:00,600 --> 00:25:02,920 Speaker 1: been going, on not the one that just hit today 461 00:25:02,960 --> 00:25:05,640 Speaker 1: where he's accused of gang raping a seventeen year old, 462 00:25:05,640 --> 00:25:09,720 Speaker 1: girl and not the one about THE rmb Singer cassie 463 00:25:09,720 --> 00:25:13,240 Speaker 1: that was settled a couple of weeks. Ago this our 464 00:25:13,320 --> 00:25:16,919 Speaker 1: episode goes way back to the nineties in the whole 465 00:25:17,160 --> 00:25:23,160 Speaker 1: nightclub shooting debacle Involving diddy And Jennifer, lopez and it's 466 00:25:23,200 --> 00:25:26,600 Speaker 1: more of a just a story Of Sean. Combs there 467 00:25:26,640 --> 00:25:29,399 Speaker 1: will be a heavy disclaimer at the head of that, 468 00:25:29,480 --> 00:25:33,000 Speaker 1: episode and then we'll get into all the other. Allegations 469 00:25:33,040 --> 00:25:35,879 Speaker 1: and however this plays, out we'll get into it next 470 00:25:35,960 --> 00:25:40,080 Speaker 1: year in a Subsequent diddy. Episode i'm. Sure so when you're, 471 00:25:40,160 --> 00:25:42,680 Speaker 1: like what the hell is This diddy? Episode even about? 472 00:25:42,840 --> 00:25:46,120 Speaker 1: Now you, know all right six one seven nine six 473 00:25:46,200 --> 00:25:50,000 Speaker 1: six six three eight voicemail in text Check disgraceland at 474 00:25:50,040 --> 00:25:53,000 Speaker 1: disgracelamd POD i think On. Thursday so if you're hearing 475 00:25:53,000 --> 00:25:55,040 Speaker 1: this on A, thursday that's. Today i'm going to be 476 00:25:55,040 --> 00:25:57,000 Speaker 1: doing more of these voicemails and more of these texts in. 477 00:25:57,040 --> 00:26:13,520 Speaker 1: There take a quick break back in the. Flash all, 478 00:26:13,640 --> 00:26:16,400 Speaker 1: right we are back six one seven nine oh six 479 00:26:16,520 --> 00:26:18,680 Speaker 1: six six three. Eight that's how you can hit me on. 480 00:26:18,760 --> 00:26:20,560 Speaker 1: Voicemail that's how you can hit me on. Text at 481 00:26:20,560 --> 00:26:23,320 Speaker 1: disgrace slampod he can hit me there as. WELL i 482 00:26:23,320 --> 00:26:25,760 Speaker 1: want to give you guys some music. Recommendations What i've 483 00:26:25,760 --> 00:26:28,080 Speaker 1: been listening to just you, know the most honest way 484 00:26:28,080 --> 00:26:30,919 Speaker 1: to do this is to just go through my listening history, 485 00:26:30,960 --> 00:26:33,840 Speaker 1: here And i've been listening to a lot Of air, 486 00:26:34,160 --> 00:26:37,680 Speaker 1: lately just the Album Moon, safari because my five year 487 00:26:37,720 --> 00:26:40,320 Speaker 1: old is obsessed with. It my five year, OLD i 488 00:26:40,359 --> 00:26:43,360 Speaker 1: Had air on in the car and he just got 489 00:26:43,560 --> 00:26:47,680 Speaker 1: sucked in, Immediately and the first thing he, said after 490 00:26:47,720 --> 00:26:51,879 Speaker 1: just listening for about five minutes straight, Was, DAD i 491 00:26:51,880 --> 00:26:56,720 Speaker 1: want a. Keyboard he's, five so he's got a, keyboard 492 00:26:56,800 --> 00:26:58,800 Speaker 1: but it's one of those keyboards that has like eight 493 00:26:59,040 --> 00:27:01,600 Speaker 1: zillion presets in, it one of those cheap ones you, 494 00:27:01,640 --> 00:27:03,399 Speaker 1: get and it's JUST i found that those are just 495 00:27:03,520 --> 00:27:06,960 Speaker 1: two DISTRACTING i want to. GET i was, Like i'm 496 00:27:07,000 --> 00:27:11,160 Speaker 1: just gonna get him like a vintage Electric worlitzer or 497 00:27:11,200 --> 00:27:14,120 Speaker 1: A rhodes piano or something similar that he's just he's 498 00:27:14,119 --> 00:27:18,040 Speaker 1: just forced to contend with the notes on the. Keyboard 499 00:27:19,400 --> 00:27:21,800 Speaker 1: SO i might do. THAT i don't. Know he's still 500 00:27:21,840 --> 00:27:24,560 Speaker 1: listening To. Air he requests it every. NIGHT i bought. 501 00:27:24,560 --> 00:27:26,439 Speaker 1: IT i bought thee my wife bought the record for. 502 00:27:26,560 --> 00:27:30,200 Speaker 1: Him but when he goes to take his shower every, 503 00:27:30,280 --> 00:27:33,880 Speaker 1: night he requests THAT i play air on the speaker 504 00:27:33,920 --> 00:27:37,199 Speaker 1: in the bathroom so he can wind. Down it's just 505 00:27:38,359 --> 00:27:41,160 Speaker 1: it's a. Hysterical he's Into french. Pop he'll be smoking 506 00:27:41,200 --> 00:27:43,600 Speaker 1: cigarettes by next. Week, so, uh if you guys have, 507 00:27:43,680 --> 00:27:45,360 Speaker 1: kids anyone has, kids this is WHAT i was gonna. 508 00:27:45,359 --> 00:27:48,800 Speaker 1: Ask anyone has kids and you got them playing, keyboards 509 00:27:48,840 --> 00:27:51,280 Speaker 1: piano or something early, on hit me up six one 510 00:27:51,359 --> 00:27:53,119 Speaker 1: seven nine six six six three. Eight let me know 511 00:27:53,119 --> 00:27:55,439 Speaker 1: how you did? It all? Right my, son my, YOUNGEST 512 00:27:55,480 --> 00:27:59,080 Speaker 1: i can tell he's he's very, musical and, UH i want, 513 00:27:59,119 --> 00:28:01,119 Speaker 1: to uh want. TO i don't want to force him 514 00:28:01,119 --> 00:28:03,400 Speaker 1: in any, direction but he, asked SO i just want, 515 00:28:03,400 --> 00:28:05,000 Speaker 1: to you, know want to be there for. Him, Also 516 00:28:05,320 --> 00:28:08,240 Speaker 1: i'm still BECAUSE i Watched The. Killer spotify is telling 517 00:28:08,280 --> 00:28:10,800 Speaker 1: ME i am still obsessed with The. Smiths this is. 518 00:28:10,840 --> 00:28:14,160 Speaker 1: True listening to a lot Of, smiths listening to The graduate, 519 00:28:14,240 --> 00:28:17,439 Speaker 1: soundtrack which if you're following me On, instagram, uh you 520 00:28:17,520 --> 00:28:19,800 Speaker 1: will know. Why listening to the New queens of The 521 00:28:19,800 --> 00:28:22,439 Speaker 1: Stone age album Not So. New it was released earlier 522 00:28:22,440 --> 00:28:26,000 Speaker 1: this year In Times New roman awesome. Record i'm loving. 523 00:28:26,000 --> 00:28:29,800 Speaker 1: It one of our listeners is in this in this 524 00:28:29,960 --> 00:28:32,720 Speaker 1: band Called Dark shores and he made this. Record it's 525 00:28:32,720 --> 00:28:37,600 Speaker 1: this real kind of, chill moody instrumental. Stuff hold on a. 526 00:28:37,640 --> 00:28:44,000 Speaker 1: Second the album excuse? Me? Yeah. Yeah the album is 527 00:28:44,040 --> 00:28:48,720 Speaker 1: called Night city and the artist is Called luke De. 528 00:28:48,880 --> 00:28:51,840 Speaker 1: May this will give you a. Taste it's. GOOD i 529 00:28:51,880 --> 00:28:54,040 Speaker 1: fucking dig. It i've been listening to it a. Lot thank. 530 00:28:54,080 --> 00:28:57,200 Speaker 1: YOU i don't want to get, sued, Though i'm shutting 531 00:28:57,200 --> 00:28:59,360 Speaker 1: that shit. Off what else we got? Here what Else 532 00:28:59,480 --> 00:29:04,479 Speaker 1: i've listened? To Bach Bing, Crosby, Pixies, Trumplomone, Yeah, Pixies. 533 00:29:04,520 --> 00:29:07,640 Speaker 1: Trumplemone we were talking about nineties nineteen ninety. One that 534 00:29:08,120 --> 00:29:09,880 Speaker 1: might be my favorite record of the. YEAR i think 535 00:29:09,920 --> 00:29:12,640 Speaker 1: it's also my Favorite pixies. Record And i'm pretty sure 536 00:29:12,640 --> 00:29:14,200 Speaker 1: that none of you are going to agree with me on. 537 00:29:14,200 --> 00:29:18,640 Speaker 1: That but, yeah that is What i'm listening. To you 538 00:29:18,720 --> 00:29:21,200 Speaker 1: guys are going to be listening To Juice world tomorrow 539 00:29:21,240 --> 00:29:23,520 Speaker 1: when we rewind it and we drop it in the 540 00:29:23,520 --> 00:29:26,360 Speaker 1: feed from our. Archive we originally released Our Juice world 541 00:29:26,400 --> 00:29:30,520 Speaker 1: episode On april, nineteenth twenty twenty, two as part of season. 542 00:29:30,600 --> 00:29:33,480 Speaker 1: NINE i believe it was our one hundredth. EPISODE i. 543 00:29:33,560 --> 00:29:36,440 Speaker 1: DO i think that's, true which reminds ME i have 544 00:29:36,440 --> 00:29:38,440 Speaker 1: a bunch of one hundred episode posters THAT i should 545 00:29:38,440 --> 00:29:41,479 Speaker 1: probably give to you. Guys this is how we described 546 00:29:41,480 --> 00:29:43,320 Speaker 1: the episode in the metadata when we released. It the 547 00:29:43,400 --> 00:29:46,240 Speaker 1: loss Of Emo Wrap. Trailblazer Juice world is one of 548 00:29:46,280 --> 00:29:49,719 Speaker 1: the most, sudden, tragic and graphics celebrity deaths in recent. 549 00:29:49,800 --> 00:29:53,720 Speaker 1: Memory his adolescence experimenting With Bold, beats prescription, pills and 550 00:29:53,800 --> 00:29:57,040 Speaker 1: lean set him up to become Gen z's new. Spokesperson 551 00:29:57,240 --> 00:30:00,000 Speaker 1: his music helped hit the reset button on popular, music 552 00:30:00,280 --> 00:30:05,280 Speaker 1: transforming a once bubbly genre into an all consuming wormhole of, depression, 553 00:30:05,680 --> 00:30:09,000 Speaker 1: tension and. Heartache but his music earned more than just 554 00:30:09,040 --> 00:30:10,920 Speaker 1: a global. Audience it also drew the attention of THE 555 00:30:11,000 --> 00:30:14,560 Speaker 1: fbi and going off book, here that's what we focus. 556 00:30:14,600 --> 00:30:17,920 Speaker 1: On all. Right so also timeline, wise this is relevant 557 00:30:17,920 --> 00:30:21,920 Speaker 1: because it was, Tomorrow december, eighth back in two thousand 558 00:30:21,960 --> 00:30:25,600 Speaker 1: and nine That Juice world died at the age of twenty, 559 00:30:25,600 --> 00:30:27,880 Speaker 1: one when the private jet that he was traveling in 560 00:30:27,960 --> 00:30:30,160 Speaker 1: landed In. Chicago all, right six, one, seven nine oh 561 00:30:30,240 --> 00:30:32,800 Speaker 1: six sixty six three, eight voicemail and, text talk to 562 00:30:32,840 --> 00:30:34,240 Speaker 1: me about anything you want to talk to me. About 563 00:30:34,360 --> 00:30:37,360 Speaker 1: hit me up at disgrace lampod At Disgrace lampod On 564 00:30:37,400 --> 00:30:40,400 Speaker 1: all The, Socials Disgrace lampod at gmail dot com to 565 00:30:40,440 --> 00:30:54,880 Speaker 1: take a quick break back in the. Flash all, right 566 00:30:54,960 --> 00:30:58,480 Speaker 1: welcome back. Again six one seven nine oh six sixty 567 00:30:58,520 --> 00:31:01,040 Speaker 1: six three. Eight hit me up At disgrace Slam pod 568 00:31:01,080 --> 00:31:04,360 Speaker 1: on The socials And Disgrace lampod at gmail dot com on. 569 00:31:04,400 --> 00:31:07,440 Speaker 1: Email let's. Recap shall We number one right now in your? 570 00:31:07,440 --> 00:31:09,800 Speaker 1: FEED a brand new episode On James. Addiction number two coming, 571 00:31:09,840 --> 00:31:13,400 Speaker 1: TOMORROW a rewind episode On Juice, world a previously exclusive 572 00:31:13,440 --> 00:31:16,880 Speaker 1: episode that we are finally releasing back into the. Wild 573 00:31:17,000 --> 00:31:19,000 Speaker 1: number three over in the Bad Lands. Feed we've got 574 00:31:19,000 --> 00:31:21,920 Speaker 1: a new episode on the murder of playboy playmate turned 575 00:31:22,080 --> 00:31:26,120 Speaker 1: Actress Dorothy. Stratton number four next week in The Disgraceland, 576 00:31:26,160 --> 00:31:30,400 Speaker 1: feed a brand new episode On Sean Diddy combs and number. 577 00:31:30,400 --> 00:31:32,880 Speaker 1: Five my number is six one seven nine oh six 578 00:31:32,960 --> 00:31:35,320 Speaker 1: six sixty three. Eight call me on the telephone or 579 00:31:35,440 --> 00:31:38,840 Speaker 1: text me number. Six, remember no one cares about the 580 00:31:38,920 --> 00:31:40,400 Speaker 1: music that you love more than you, do and well 581 00:31:40,480 --> 00:31:42,959 Speaker 1: that is a. Disgrace all. Right my moment of bliss 582 00:31:43,000 --> 00:31:46,360 Speaker 1: in honor of this Week's disgraceland episode On james, addiction 583 00:31:46,440 --> 00:31:49,120 Speaker 1: this is me reading you the phone book From Los, 584 00:31:49,120 --> 00:31:54,600 Speaker 1: angeles Well Santa, monica actually in nineteen eighty. Five KNOTS 585 00:31:55,360 --> 00:32:01,240 Speaker 1: f four five three one zero five Zero Now alfonso 586 00:32:01,880 --> 00:32:06,040 Speaker 1: two two two Two Suartro lane four seven three seven 587 00:32:06,080 --> 00:32:11,360 Speaker 1: two three, Six Nava felipe one zero seven four, Three 588 00:32:11,400 --> 00:32:16,120 Speaker 1: Palms boulevard eight three nine six eight zero Two Nava 589 00:32:16,600 --> 00:32:21,240 Speaker 1: irene one three nine zero, Four Fiji, Way marina Del 590 00:32:21,320 --> 00:32:26,120 Speaker 1: rey three zero six seven two zero three three, Zero 591 00:32:26,240 --> 00:32:31,760 Speaker 1: Navarette sylvester one seven two Four Centenita asue eight two 592 00:32:31,840 --> 00:32:36,040 Speaker 1: oh one nine two six eight. Zero novels ants one 593 00:32:36,240 --> 00:32:40,280 Speaker 1: one two zero two In washington two three nine zero one, 594 00:32:40,760 --> 00:32:52,560 Speaker 1: Zero Novels tours. Two quit talking and start mixing