1 00:00:10,640 --> 00:00:15,000 Speaker 1: Welcome to Unexplained Extra with me Richard McClain Smith, where 2 00:00:15,000 --> 00:00:17,320 Speaker 1: for the weeks in between episodes, we look at stories 3 00:00:17,320 --> 00:00:20,000 Speaker 1: and ideas that, for one reason or other, didn't make 4 00:00:20,040 --> 00:00:23,720 Speaker 1: it into the previous show. In last week's episode, A 5 00:00:23,920 --> 00:00:27,520 Speaker 1: Story of Ice and Fire, we explored the haunting tale 6 00:00:27,560 --> 00:00:30,680 Speaker 1: of the unknown woman whose burned body was found in 7 00:00:30,720 --> 00:00:34,000 Speaker 1: the mountains on the outskirts of Bergen and West Norway 8 00:00:34,280 --> 00:00:38,760 Speaker 1: in November nineteen seventy. Though the case was well documented 9 00:00:38,760 --> 00:00:41,639 Speaker 1: at the time, it was largely thanks to the tireless 10 00:00:41,640 --> 00:00:46,160 Speaker 1: work of a team from Norway's public broadcaster NRK, led 11 00:00:46,159 --> 00:00:49,600 Speaker 1: by journalist married Hegroff, that this story was brought back 12 00:00:49,600 --> 00:00:52,760 Speaker 1: into the public eye. You can read more about their 13 00:00:52,800 --> 00:00:57,800 Speaker 1: twenty sixteen investigation into the case on NRK's website NRK 14 00:00:58,120 --> 00:01:01,400 Speaker 1: dot No, but also so through a podcast of their 15 00:01:01,400 --> 00:01:05,040 Speaker 1: own titled Death in IDs Valley, which was released in 16 00:01:05,080 --> 00:01:10,480 Speaker 1: twenty eighteen. As part of their investigation, a more lifelike 17 00:01:10,640 --> 00:01:14,280 Speaker 1: compositate with the woman's face was released alongside a renewed 18 00:01:14,319 --> 00:01:18,160 Speaker 1: request of information from inter Pole. Though it failed to 19 00:01:18,200 --> 00:01:21,399 Speaker 1: solve the mystery, it did encourage one man from the 20 00:01:21,440 --> 00:01:25,360 Speaker 1: commune of fall Back in northeastern France to come forward 21 00:01:25,440 --> 00:01:29,200 Speaker 1: with an intriguing story. The man claimed that back in 22 00:01:29,319 --> 00:01:32,319 Speaker 1: nineteen seventy, when he was twenty two years old, he 23 00:01:32,360 --> 00:01:35,039 Speaker 1: embarked on a sum of romance with the unknown woman, 24 00:01:35,319 --> 00:01:39,279 Speaker 1: who he recognized from the composite image, only months before 25 00:01:39,280 --> 00:01:42,760 Speaker 1: her death. He even produced a photo of her to 26 00:01:42,880 --> 00:01:46,400 Speaker 1: prove it, which many believe is indeed the woman in question, 27 00:01:47,000 --> 00:01:50,800 Speaker 1: often referred to as the Isdall woman, He claimed she 28 00:01:50,880 --> 00:01:54,200 Speaker 1: had a Bulkan accent and was very secretive about her life. 29 00:01:55,000 --> 00:01:57,960 Speaker 1: What she did apparently reveal, however, was that she had 30 00:01:58,040 --> 00:02:01,720 Speaker 1: several papers that enabled her to travel freely between East 31 00:02:01,760 --> 00:02:05,440 Speaker 1: and West Germany. The man also claimed to have seen 32 00:02:05,560 --> 00:02:09,040 Speaker 1: numerous whigs inside one of the suitcases she was traveling. 33 00:02:09,080 --> 00:02:13,120 Speaker 1: With the strangeness of it all had even prompted him 34 00:02:13,200 --> 00:02:16,240 Speaker 1: to consider calling the police, believing that she might be 35 00:02:16,280 --> 00:02:21,280 Speaker 1: a spy, only to decide against it at the last minute. However, 36 00:02:21,720 --> 00:02:27,800 Speaker 1: her true identity remains elusive. There is an inevitable fascination 37 00:02:28,040 --> 00:02:32,920 Speaker 1: with the unidentified, whose identities we feel almost obligated to uncover, 38 00:02:33,520 --> 00:02:36,200 Speaker 1: whether it be to help solve a potential crime that 39 00:02:36,320 --> 00:02:39,880 Speaker 1: has been committed against them on their behalf, or simply 40 00:02:39,960 --> 00:02:42,440 Speaker 1: because we think it might honor them in some way 41 00:02:42,680 --> 00:02:46,760 Speaker 1: to not let their names be forgotten. And yet, as 42 00:02:46,800 --> 00:02:50,040 Speaker 1: in the case of the isdul woman, when someone seems 43 00:02:50,040 --> 00:02:53,639 Speaker 1: to work so hard to maintain their anonymity, it could 44 00:02:53,680 --> 00:02:57,720 Speaker 1: be argued that retaining their anonymity at all costs was 45 00:02:57,800 --> 00:03:01,520 Speaker 1: what they might have preferred. All of which brings to 46 00:03:01,600 --> 00:03:13,600 Speaker 1: mind one especially strange story about an unknown individual. It 47 00:03:13,680 --> 00:03:18,000 Speaker 1: was just approaching three pm on May tenth, nineteen seventy three, 48 00:03:18,560 --> 00:03:21,959 Speaker 1: on a bright but chilly spring day in the quiet 49 00:03:22,000 --> 00:03:26,000 Speaker 1: town of Canora and Southern Canada, when a man walked 50 00:03:26,000 --> 00:03:29,400 Speaker 1: into the Canadian Imperial Bank of Commerce on Main Street, 51 00:03:30,760 --> 00:03:33,680 Speaker 1: about five foot four in height and dressed in a 52 00:03:33,760 --> 00:03:37,320 Speaker 1: pink plaid bush jacket. It was hard to see much 53 00:03:37,320 --> 00:03:40,680 Speaker 1: of his face other than the sprawling red beard under 54 00:03:40,720 --> 00:03:44,119 Speaker 1: the small checkered for Dora that he pulled tightly over 55 00:03:44,200 --> 00:03:48,560 Speaker 1: his head. Bank manager our Reid was busy on a 56 00:03:48,640 --> 00:03:51,800 Speaker 1: call when the man, who had a large duffel bag 57 00:03:51,920 --> 00:03:55,360 Speaker 1: slung over one arm and a satchel over the other, 58 00:03:55,920 --> 00:03:59,120 Speaker 1: walked straight past the queue of people outside his office 59 00:03:59,400 --> 00:04:02,560 Speaker 1: and plumped himself down in the chair opposite his desk. 60 00:04:03,840 --> 00:04:07,840 Speaker 1: Despite hour's protestations that he was busy, the man refused 61 00:04:07,840 --> 00:04:11,600 Speaker 1: to budge. When now asked him what he wanted. He 62 00:04:11,720 --> 00:04:14,560 Speaker 1: pointed to a pistol peeking out of his top pocket 63 00:04:15,080 --> 00:04:18,720 Speaker 1: and said calmly to the startled manager that he wanted 64 00:04:18,760 --> 00:04:22,760 Speaker 1: all the money in the bank. The man then told 65 00:04:22,839 --> 00:04:26,200 Speaker 1: Reid to call the local police and inform them that 66 00:04:26,279 --> 00:04:31,440 Speaker 1: a robbery was taking place. A few minutes later, Constable 67 00:04:31,560 --> 00:04:36,880 Speaker 1: Bill Grinnell, Corporal John Letchkin, Inspector Walter my Callisian, and 68 00:04:37,040 --> 00:04:40,839 Speaker 1: Corporal Norm Baxter converged at the bank to find a 69 00:04:40,920 --> 00:04:45,279 Speaker 1: steady stream of people hastily leaving the building. The robber 70 00:04:45,320 --> 00:04:50,039 Speaker 1: had told them all to evacuate the premises. Unsure what 71 00:04:50,160 --> 00:04:54,279 Speaker 1: to do next, the four law enforcement officials stepped inside 72 00:04:54,320 --> 00:04:57,360 Speaker 1: the bank to find the robber, who by now had 73 00:04:57,400 --> 00:05:00,920 Speaker 1: pulled a silk stocking over his head, standing behind one 74 00:05:00,920 --> 00:05:04,440 Speaker 1: of the counters alongside al Reid with some kind of 75 00:05:04,480 --> 00:05:09,159 Speaker 1: contraption in his hands. The man addressed the police and 76 00:05:09,360 --> 00:05:12,880 Speaker 1: invited them one at a time to look inside his satchel, 77 00:05:13,360 --> 00:05:16,880 Speaker 1: which he'd placed on top of the counter. As they 78 00:05:16,920 --> 00:05:20,120 Speaker 1: each approached to take a look, he explained that What 79 00:05:20,240 --> 00:05:24,119 Speaker 1: he had in his hand was a dead man's switch, which, 80 00:05:24,160 --> 00:05:27,640 Speaker 1: as the officers soon realized, was wied up to not 81 00:05:27,760 --> 00:05:31,599 Speaker 1: only a detonation device inside the bag, but also the 82 00:05:31,720 --> 00:05:35,480 Speaker 1: six sticks of dynamite next to it, enough to blow 83 00:05:35,520 --> 00:05:38,640 Speaker 1: them all up in an instant and probably take the 84 00:05:38,680 --> 00:05:48,960 Speaker 1: bank down with them. As customers and staff from the 85 00:05:49,000 --> 00:05:53,360 Speaker 1: bank streamed into nearby bars and restaurants, it wasn't long 86 00:05:53,400 --> 00:05:56,760 Speaker 1: before word got round that a robbery was taking place 87 00:05:56,800 --> 00:06:01,520 Speaker 1: on Main Street. Dennis Belleville, the manager of the local 88 00:06:01,600 --> 00:06:05,360 Speaker 1: radio station c j r L, just so happened to 89 00:06:05,360 --> 00:06:08,159 Speaker 1: be walking down the street when he saw the stream 90 00:06:08,200 --> 00:06:11,599 Speaker 1: of people fleeing the building and the police turning up. 91 00:06:12,480 --> 00:06:15,720 Speaker 1: Having realized what was happening, he ran immediately to the 92 00:06:15,839 --> 00:06:20,080 Speaker 1: radio's offices, only a few buildings down, and gathered his 93 00:06:20,160 --> 00:06:24,560 Speaker 1: team to discuss what they should do about it. Minutes later, 94 00:06:24,600 --> 00:06:28,159 Speaker 1: the crew were busy threading cables through rooms as two 95 00:06:28,160 --> 00:06:32,240 Speaker 1: of the station's reporters, John Berry and Chris Paulson, took 96 00:06:32,320 --> 00:06:36,200 Speaker 1: up positions leaning out of two second floor windows in 97 00:06:36,320 --> 00:06:40,719 Speaker 1: order to commentate live on the drama unfolding below them. 98 00:06:41,560 --> 00:06:45,120 Speaker 1: Back inside the bank, with the robber having ordered three 99 00:06:45,160 --> 00:06:48,600 Speaker 1: of the police to leave the building. Only he Al 100 00:06:48,640 --> 00:06:53,040 Speaker 1: Reid and Corporal Letchkin remained. With the dead man's trigger 101 00:06:53,240 --> 00:06:56,799 Speaker 1: clutched tightly in the robber's hand. The other men could 102 00:06:56,800 --> 00:07:00,160 Speaker 1: only watch in horror as he casually transferred it from 103 00:07:00,200 --> 00:07:02,960 Speaker 1: his hand to his mouth so he could toss the 104 00:07:03,040 --> 00:07:07,440 Speaker 1: duffel bag to Corporal Letchkin. Then grabbing the trigger with 105 00:07:07,520 --> 00:07:10,360 Speaker 1: his hand again, he ordered him to empty the cash 106 00:07:10,440 --> 00:07:15,080 Speaker 1: draws into it. Then, turning to read, he told him 107 00:07:15,280 --> 00:07:19,040 Speaker 1: to open the vault. When the bank manager realized with 108 00:07:19,240 --> 00:07:22,080 Speaker 1: terror that he needed a second code to open it, 109 00:07:22,360 --> 00:07:24,920 Speaker 1: which he didn't have access to, there was a temp 110 00:07:25,080 --> 00:07:28,080 Speaker 1: standoff as Reid was forced to call up a colleague 111 00:07:28,080 --> 00:07:31,640 Speaker 1: to procure it, after which he was eventually able to 112 00:07:31,680 --> 00:07:36,200 Speaker 1: open it, and moments later he and the robber were inside, 113 00:07:36,200 --> 00:07:40,720 Speaker 1: emptying out the contents of its numerous cash boxes. Once 114 00:07:40,760 --> 00:07:44,320 Speaker 1: he'd gathered everything he needed, the robber ordered Letchkin out 115 00:07:44,360 --> 00:07:47,720 Speaker 1: of the premises and set about planning his next move. 116 00:07:53,760 --> 00:07:57,320 Speaker 1: We all deal with Sunday scaries, right. Sunday scaries are 117 00:07:57,320 --> 00:08:02,280 Speaker 1: those oh no, stressful, nervous, can't sleep, dreadful feelings to 118 00:08:02,400 --> 00:08:04,600 Speaker 1: hit you on a Sunday evening when you think about 119 00:08:04,640 --> 00:08:08,560 Speaker 1: the impending doom of work tomorrow, or school, or frankly, 120 00:08:08,640 --> 00:08:12,080 Speaker 1: just life. Unfortunately, you can feel that same pit in 121 00:08:12,120 --> 00:08:15,600 Speaker 1: your stomach any day of the week. Sunday Scaris CBD 122 00:08:15,760 --> 00:08:19,400 Speaker 1: Gummies were made to defeat the crap life throws at us. 123 00:08:19,480 --> 00:08:23,040 Speaker 1: These are the perfect CBD gummies for professionals on the grind, 124 00:08:23,320 --> 00:08:28,360 Speaker 1: super mums and dads, students, party animals, regretful drunk texters, 125 00:08:28,360 --> 00:08:31,560 Speaker 1: and everyone in between. Twenty twenty two is all about 126 00:08:31,600 --> 00:08:34,520 Speaker 1: self love and taking better care of yourself. So whether 127 00:08:34,559 --> 00:08:37,199 Speaker 1: you need to take the edge off, calm your racing mind, 128 00:08:37,480 --> 00:08:41,520 Speaker 1: sleep better, or just chill, Sunday Scaryes CBD gummies are 129 00:08:41,520 --> 00:08:43,880 Speaker 1: the answer. Look, we all have the right to live 130 00:08:43,960 --> 00:08:46,440 Speaker 1: scare free, so let me help with my twenty five 131 00:08:46,440 --> 00:08:50,160 Speaker 1: percent discount. Visit Sunday Scaris dot com and use my 132 00:08:50,240 --> 00:08:55,000 Speaker 1: promo code unexplained for your discount. That's promo code unexplained 133 00:08:55,120 --> 00:09:00,160 Speaker 1: for twenty five percent off at Sunday Scaris dot Com. 134 00:09:03,920 --> 00:09:07,880 Speaker 1: Officer Don Millard arrived at the Canora Police Station ready 135 00:09:07,920 --> 00:09:10,720 Speaker 1: for the evening shift, just in time to hear the 136 00:09:10,800 --> 00:09:15,360 Speaker 1: station Chief Charles Engstrom, relaying the robber's latest demands to 137 00:09:15,440 --> 00:09:19,640 Speaker 1: all those on duty at the time. As Engstrom explained, 138 00:09:20,000 --> 00:09:23,120 Speaker 1: the man was armed with at least two guns and 139 00:09:23,240 --> 00:09:26,400 Speaker 1: a bag full of dynamite, and had requested a driver 140 00:09:26,520 --> 00:09:28,559 Speaker 1: and pick up truck to pick him up from the 141 00:09:28,600 --> 00:09:32,239 Speaker 1: bank and take him to an as yet undecided location. 142 00:09:33,520 --> 00:09:37,040 Speaker 1: Engstrom wanted to know if anyone was willing to volunteer 143 00:09:37,280 --> 00:09:41,680 Speaker 1: to be the driver. Millard didn't hesitate to raise his hand. 144 00:09:42,800 --> 00:09:46,319 Speaker 1: A short time later, after a green Dodge was delivered 145 00:09:46,320 --> 00:09:49,920 Speaker 1: to the police station, Millard, after a quick stop off 146 00:09:49,960 --> 00:09:53,080 Speaker 1: to change into civilian clothes, was on his way to 147 00:09:53,160 --> 00:09:57,880 Speaker 1: Main Street to rendezvous with the robber. When he arrived, 148 00:09:58,040 --> 00:10:01,000 Speaker 1: a crowd of nearly a thousand people ball had gathered 149 00:10:01,000 --> 00:10:04,480 Speaker 1: in the freezing cold, held back by two police lines 150 00:10:04,640 --> 00:10:08,439 Speaker 1: at the north and south end of the road. Parking 151 00:10:08,480 --> 00:10:11,920 Speaker 1: the truck outside Woolworth's a few doors from the bank, 152 00:10:12,520 --> 00:10:17,240 Speaker 1: Millard surveyed the scene. Two sets of officers with guns 153 00:10:17,400 --> 00:10:20,880 Speaker 1: pointed at the bank, were crouched down behind two cruisers 154 00:10:21,280 --> 00:10:24,600 Speaker 1: parked each side of the building, while opposite the bank 155 00:10:24,720 --> 00:10:28,679 Speaker 1: a few doors down, two radio men hung out of windows, 156 00:10:28,720 --> 00:10:32,760 Speaker 1: clutching microphones in their hands and on the roof opposite 157 00:10:32,800 --> 00:10:36,160 Speaker 1: the bank, a marksman had also taken up a position. 158 00:10:37,679 --> 00:10:40,760 Speaker 1: Feeling a little boulder, Millard eased the truck to a 159 00:10:40,840 --> 00:10:44,920 Speaker 1: stop outside the bank's entrance, then swiftly jumped out and 160 00:10:45,000 --> 00:10:48,760 Speaker 1: made his way to the front door. After our red 161 00:10:48,920 --> 00:10:52,160 Speaker 1: let him in. The robber, with the dead man switch 162 00:10:52,400 --> 00:10:56,760 Speaker 1: still firmly in his grasp, immediately accosted him and demanded 163 00:10:56,800 --> 00:11:00,599 Speaker 1: to know if he was a police officer. Millard insisted 164 00:11:00,640 --> 00:11:05,880 Speaker 1: he wasn't, and the man quickly relaxed, precariously transferring the 165 00:11:05,960 --> 00:11:09,120 Speaker 1: dead man switch into his mouth again. He then handed 166 00:11:09,120 --> 00:11:12,120 Speaker 1: the now completely stuffed a duffle bag to Millard and 167 00:11:12,240 --> 00:11:17,040 Speaker 1: instructed him to take it outside. After a false start, 168 00:11:17,400 --> 00:11:20,240 Speaker 1: as the robber went back inside to collect a pistol 169 00:11:20,280 --> 00:11:23,640 Speaker 1: he'd found in al Reid's office, he and Millard stepped 170 00:11:23,640 --> 00:11:26,920 Speaker 1: out at the bank's front door, drawing gasps from the 171 00:11:26,960 --> 00:11:32,480 Speaker 1: assembled crowd. With the trigger device clamped between his teeth 172 00:11:32,720 --> 00:11:36,240 Speaker 1: and the pistol in one hand, the robber followed Millard 173 00:11:36,320 --> 00:11:39,480 Speaker 1: out to the truck. As Millard went to put the 174 00:11:39,520 --> 00:11:42,600 Speaker 1: bag in the passenger seat, the robber pulled the trigger 175 00:11:42,679 --> 00:11:45,200 Speaker 1: from his mouth and told him to put it in 176 00:11:45,200 --> 00:11:50,080 Speaker 1: the back instead. A little further up the street to 177 00:11:50,160 --> 00:11:53,920 Speaker 1: the north, Sergeant Robert Letaine had watched all of this 178 00:11:54,120 --> 00:11:57,400 Speaker 1: unfold from behind the scope of his rifle as he 179 00:11:57,480 --> 00:12:01,240 Speaker 1: kept low behind the door of a police cruiser. He 180 00:12:01,360 --> 00:12:05,600 Speaker 1: then watched, dumbfound it as Millart disappeared behind the back 181 00:12:05,640 --> 00:12:09,360 Speaker 1: of the truck and the robber simply walked away from him, 182 00:12:09,440 --> 00:12:12,240 Speaker 1: then stepped out alone into the middle of the road, 183 00:12:12,800 --> 00:12:16,840 Speaker 1: holding the dead man switch out in his hand. Then 184 00:12:16,880 --> 00:12:22,280 Speaker 1: Sergeant l'taine took the shot. Millard had just enough time 185 00:12:22,360 --> 00:12:25,480 Speaker 1: to see the robber's body crumpled to the floor before 186 00:12:25,520 --> 00:12:28,280 Speaker 1: he was sent high into the air and slammed back 187 00:12:28,360 --> 00:12:32,760 Speaker 1: hard onto the tarmac. The next thing he remembered was 188 00:12:32,760 --> 00:12:36,000 Speaker 1: a strange ringing in his ears and a hideous smell 189 00:12:36,040 --> 00:12:39,960 Speaker 1: of burned flesh as blood streamed down the side of 190 00:12:40,000 --> 00:12:44,520 Speaker 1: his face. Sergeant L'taine's bullet had struck the robber in 191 00:12:44,600 --> 00:12:49,280 Speaker 1: his chest, killing him almost instantly, in turn releasing the 192 00:12:49,360 --> 00:12:53,200 Speaker 1: dead man switch and setting off the dynamite inside his bag. 193 00:12:54,880 --> 00:12:59,560 Speaker 1: The explosion had blown Millard twenty feet away, obliterated most 194 00:12:59,600 --> 00:13:03,199 Speaker 1: of the windows of the surrounding buildings, and splattered their 195 00:13:03,240 --> 00:13:07,600 Speaker 1: facades in globules of flesh and blood, while all about 196 00:13:08,040 --> 00:13:12,200 Speaker 1: one hundred thousand Canadian dollars of cash reigned down onto 197 00:13:12,240 --> 00:13:16,520 Speaker 1: the street as the many observers streamed forward to try 198 00:13:16,559 --> 00:13:20,080 Speaker 1: and grab as much of it as they could. One witness, 199 00:13:20,160 --> 00:13:23,600 Speaker 1: standing a block away from the explosion, stood staring in 200 00:13:23,679 --> 00:13:27,840 Speaker 1: disbelief at the bloody, pulpy, severed hand that had just 201 00:13:28,000 --> 00:13:31,160 Speaker 1: landed with a smack on the road in front of her. 202 00:13:38,360 --> 00:13:42,800 Speaker 1: As detailed in Joe Ralco's twenty seventeen book The Devil's Gap, 203 00:13:43,120 --> 00:13:47,440 Speaker 1: which provides a speculative account of this extraordinary story, one 204 00:13:47,480 --> 00:13:50,560 Speaker 1: man who'd stayed to watch the attempted robbery was the 205 00:13:50,600 --> 00:13:55,600 Speaker 1: manager of Canora's ken Rissia Hotel. He'd watched with shock 206 00:13:55,840 --> 00:13:58,960 Speaker 1: when the robber exited the bank wearing the exact same 207 00:13:59,040 --> 00:14:02,240 Speaker 1: jacket that he had seen on one of his hotel guests. 208 00:14:03,200 --> 00:14:06,559 Speaker 1: As he swiftly informed the police, the man had checked 209 00:14:06,600 --> 00:14:11,080 Speaker 1: in seventeen days previously, on April twenty third, under the 210 00:14:11,160 --> 00:14:15,240 Speaker 1: name of Paul Higgins of four three five Glenn Drive 211 00:14:15,600 --> 00:14:20,080 Speaker 1: in Toronto, Ontario. The manager had thought it odd that 212 00:14:20,200 --> 00:14:22,840 Speaker 1: the man had booked to stay for two weeks only 213 00:14:22,880 --> 00:14:26,240 Speaker 1: to then disappear for ten days before returning on the 214 00:14:26,280 --> 00:14:30,840 Speaker 1: fifth of May, five days before the robbery. Officers were 215 00:14:30,880 --> 00:14:34,400 Speaker 1: dispatched immediately to the hotel to inspect the man's room, 216 00:14:34,840 --> 00:14:38,160 Speaker 1: where they found various bomb making materials in the bathroom, 217 00:14:38,520 --> 00:14:41,280 Speaker 1: as well as a number of maps and books which 218 00:14:41,280 --> 00:14:44,040 Speaker 1: suggested the man had been planning to hide out in 219 00:14:44,080 --> 00:14:48,000 Speaker 1: the wild for some time. A Nazi picture book was 220 00:14:48,040 --> 00:14:52,000 Speaker 1: also said to have been found among his possessions. One 221 00:14:52,120 --> 00:14:56,120 Speaker 1: particular oddity was that all the labels of Higgins's clothes 222 00:14:56,320 --> 00:15:02,000 Speaker 1: had been removed, Nonetheless, with everything they seemingly needed to 223 00:15:02,040 --> 00:15:07,440 Speaker 1: formally identify the man, Cunora Police promptly contacted their counterparts 224 00:15:07,440 --> 00:15:12,360 Speaker 1: in Toronto to confirm the details. Only, as it turned out, 225 00:15:13,000 --> 00:15:17,440 Speaker 1: Paul Higgins didn't exist, and neither did four three five 226 00:15:17,680 --> 00:15:21,840 Speaker 1: Glenn Drive. The man had made it all up, with 227 00:15:21,920 --> 00:15:25,400 Speaker 1: no evidence of him found listed on any public record, 228 00:15:25,760 --> 00:15:31,520 Speaker 1: from passport, the driver's license and taxes. Fingerprints taken from 229 00:15:31,520 --> 00:15:34,840 Speaker 1: the severed hand were checked against a database of over 230 00:15:34,880 --> 00:15:40,720 Speaker 1: forty five million individuals, but that also led nowhere. Despite 231 00:15:40,800 --> 00:15:44,280 Speaker 1: exhaustive efforts to find anyone that might know him, the 232 00:15:44,360 --> 00:15:49,320 Speaker 1: police were eventually forced to concede defeat. To this day, 233 00:15:49,360 --> 00:15:51,960 Speaker 1: the identity of the man who had become known as 234 00:15:52,000 --> 00:15:59,760 Speaker 1: effectively Canada's first suicide bomber remains a complete mystery. Thank 235 00:15:59,840 --> 00:16:04,200 Speaker 1: you to Jordan Dunford for suggesting this week's story. If 236 00:16:04,240 --> 00:16:06,960 Speaker 1: you enjoy Unexplained and would like to help supporters, you 237 00:16:07,000 --> 00:16:10,240 Speaker 1: can now do so via Patreon. To receive access to 238 00:16:10,280 --> 00:16:13,800 Speaker 1: add free episodes, just go to Patron dot com, Forward 239 00:16:13,840 --> 00:16:18,239 Speaker 1: Slash Unexplained Pod to sign up. Unexplained, the book and audiobook, 240 00:16:18,560 --> 00:16:21,320 Speaker 1: featuring ten stories that have never before been covered on 241 00:16:21,360 --> 00:16:24,920 Speaker 1: the show, is now available to buy worldwide. You can 242 00:16:24,960 --> 00:16:29,400 Speaker 1: purchase through Amazon, Barnes and Noble, and Waterstones, among other bookstores. 243 00:16:29,800 --> 00:16:33,480 Speaker 1: All elements of Unexplained, including the show's music, are produced 244 00:16:33,480 --> 00:16:36,760 Speaker 1: by me Richard McClain smith. Please subscribe and rate the 245 00:16:36,800 --> 00:16:39,720 Speaker 1: show wherever you listen to podcasts, and feel free to 246 00:16:39,760 --> 00:16:42,320 Speaker 1: get in touch with any thoughts or ideas regarding the 247 00:16:42,360 --> 00:16:45,080 Speaker 1: stories you've heard on the show. Perhaps you have an 248 00:16:45,080 --> 00:16:47,640 Speaker 1: explanation of your own you'd like to share. You can 249 00:16:47,640 --> 00:16:51,560 Speaker 1: reach us online at Unexplained podcast dot com, or Twitter 250 00:16:51,840 --> 00:16:56,520 Speaker 1: at Unexplained Pod and Facebook at Facebook dot com. Forward 251 00:16:56,600 --> 00:16:58,640 Speaker 1: Slash Unexplained podcast