WEBVTT - The Artifact: Cones!

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radio. Hi, my name is Joe McCormick, and

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<v Speaker 1>this is the Artifact, a short form series from Stuff

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<v Speaker 1>to Blow Your Mind, focusing on particular objects, ideas, and

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<v Speaker 1>moments in time. If you look at ancient Egyptian artwork

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<v Speaker 1>starting around the early New Kingdom period so about b c. E,

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<v Speaker 1>you might notice a weird recurring feature. Sometimes people have

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<v Speaker 1>little cones on top of their heads. They don't look

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<v Speaker 1>like hats exactly. They're a little small for that, usually

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<v Speaker 1>about the size of a drinking cup, but turned upside down.

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<v Speaker 1>When I see them, I think of a huge, rounded

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<v Speaker 1>alligator tooth. Sometimes they're white all over. Sometimes they're pale

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<v Speaker 1>with red and brown colorations that look like inverted flames.

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<v Speaker 1>In paintings and ba relief spanning more than a thousand years,

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<v Speaker 1>you can find them in all kinds of scenes. People

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<v Speaker 1>wear the cones when they're worshiping the gods or playing

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<v Speaker 1>musical instruments. Cones appear on the heads of men who

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<v Speaker 1>are being prepared for funerary rituals or receiving a blessing

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<v Speaker 1>from the king. Sometimes they show up in scenes of

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<v Speaker 1>childbirth or on guests being welcomed and served at a feast.

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<v Speaker 1>People are even shown with these head cones and other

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<v Speaker 1>planes of existence, for example, while hunting or fishing in

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<v Speaker 1>the afterlife. For decades, Egyptologists have debated what these objects were.

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<v Speaker 1>One of the most popular hypotheses is that the cones

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<v Speaker 1>were actually lumps of perfumed ngwent. So imagine a softball

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<v Speaker 1>sized conical mound of animal fat infused with a fragrant

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<v Speaker 1>resin like mirr. As the cone melted under the sun

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<v Speaker 1>or from the body's heat, it would turn into an

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<v Speaker 1>oozing bath of sweet smelling grease that infused the hair

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<v Speaker 1>and the scalp. This fragrance was meant to cleanse the

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<v Speaker 1>person both physically and spiritually, to make them fit to

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<v Speaker 1>interact with the gods. The Danish egyptologist Lisa Manicky discusses

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<v Speaker 1>evidence for the unguin interpretation in her book Sacred Luxuries, Fragrance,

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<v Speaker 1>Aromatherapy and Cosmetics in Ancient Egypt from Cornell University Press.

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<v Speaker 1>Quote paintings and reliefs from the beginning of the New

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<v Speaker 1>Kingdom and On show men and women with a lump

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<v Speaker 1>of solid unguin perched on top of their head either

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<v Speaker 1>on a bald skull, on the hair, or on top

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<v Speaker 1>of a wig. There is little doubt that the material

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<v Speaker 1>is supposed to be scented matter, for in some contexts

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<v Speaker 1>we see servants carrying bowls of the same white mass

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<v Speaker 1>streaked with red or yellow, whilst at the same time

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<v Speaker 1>they position it on men and women seated at a banquet.

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<v Speaker 1>She writes that these images are sometimes accompanied by texts

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<v Speaker 1>that mentions placing a scented resin on top of the head.

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<v Speaker 1>But one difficulty with any physical explanation of the cones

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<v Speaker 1>is that, despite how often they appear in art, no

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<v Speaker 1>one had ever found physical evidence of one. In the

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<v Speaker 1>absence of physical examples from archaeology, some experts came to

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<v Speaker 1>a different conclusion. Maybe the cones never existed as three

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<v Speaker 1>dimensional objects at all. Instead, maybe they were an artistic convention,

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<v Speaker 1>a symbol like the halos of saints in medieval Christian artwork.

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<v Speaker 1>There was no need to assume that Christian saints and

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<v Speaker 1>martyrs literally wore wide brimmed gold hats. Instead, the halos

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<v Speaker 1>told us something about the hidden qualities of the person.

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<v Speaker 1>A holiness that was invisible to the naked eye was

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<v Speaker 1>revealed in painting. Could it be that the cones served

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<v Speaker 1>a similar purpose within Egyptian religious psychography. But Incember twenty nineteen,

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<v Speaker 1>a report was published in the journal Antiquity by Anna Stephens,

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<v Speaker 1>Karina E. Rogi, Yolanda E. M. F. Bosch, and Gretchen

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<v Speaker 1>our Dabs, and this report added interesting new evidence to

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<v Speaker 1>help answer the mystery of the cones. This evidence takes

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<v Speaker 1>the form of two recently excavated graves from the ancient

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<v Speaker 1>city of Akatatum, now known as Amarna. Amarna plays a

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<v Speaker 1>strange and interesting role in Egyptian history. It was something

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<v Speaker 1>of a religious boom town created by the eighteenth dynasty

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<v Speaker 1>pharaoh Akatan, who tried to change the official religion of Egypt,

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<v Speaker 1>forsaking its long time polytheistic pantheon and replacing it with

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<v Speaker 1>what is sometimes considered an early example of monotheism or monolatry,

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<v Speaker 1>the special reverence for and worship of only one god,

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<v Speaker 1>in particular, in this case, the Sun deity Aten. When

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<v Speaker 1>Accinatin struck out to cement his new religion, he founded

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<v Speaker 1>a city to become the home base of the Otton cult.

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<v Speaker 1>This city was a Marna. One of the reasons a

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<v Speaker 1>Marna has been important from an archaeological standpoint is the

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<v Speaker 1>quality of its cemeteries, where we can find evidence of

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<v Speaker 1>how common people of the time, and not just rich

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<v Speaker 1>elites with elaborate tombs, were laid to rest and commemorated.

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<v Speaker 1>It's two of these common graves from a Marna that

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<v Speaker 1>are the focus of the twenty nineteen study. What Stevens

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<v Speaker 1>at all described in the report are the graves of

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<v Speaker 1>two fourteenth century b C. Egyptians who were buried wearing

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<v Speaker 1>head cones, the first three dimensional head cones ever discovered.

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<v Speaker 1>The more intact example measured about eight centimeters in height

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<v Speaker 1>and ten centimeters across. The cones were cream colored and brittle,

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<v Speaker 1>with what the authors described as a silky feeling exterior surface.

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<v Speaker 1>They were ridden with little tunnels made by insects over

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<v Speaker 1>the cent trees. The cones were not solid, but hollow,

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<v Speaker 1>and criss crossing patterns on the inner walls indicate that

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<v Speaker 1>the wax domes were probably shaped around an inner core

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<v Speaker 1>made of textile Spectroscopic analysis revealed that the cones were

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<v Speaker 1>made of biological wax, almost certainly bees wax. These discoveries

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<v Speaker 1>didn't seem perfectly consistent with either of the two interpretations

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<v Speaker 1>we've previously discussed. Obviously, these were physical, three dimensional objects

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<v Speaker 1>and not merely an artistic convention like a halo. As

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<v Speaker 1>for the unguint interpretation, Stevens and co authors found no

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<v Speaker 1>chemical or physical evidence that these cones would have melted

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<v Speaker 1>into the hair and released perfume. They seem more like tiny,

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<v Speaker 1>rigid wax hats. Speaking to Colin Barris for an article

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<v Speaker 1>in Science, Lisa Manicky mentioned the possibility that the cones

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<v Speaker 1>worn by the people in these graves were dummy cones.

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<v Speaker 1>If the true cones were in fact melting lumps of

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<v Speaker 1>animal fat infused with expensive perfumes, it's possible that less

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<v Speaker 1>wealthy members of society could attempt to imitate the appearance

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<v Speaker 1>of the cones without the olfactory function. It's also possible

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<v Speaker 1>that the kinds of cones worn with the grave clothes

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<v Speaker 1>would be different from what was used in life. So

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<v Speaker 1>what can we conclude from this discovery? A lot of

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<v Speaker 1>questions remain, but the authors of the study claim that

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<v Speaker 1>at the very least, the analysis of the Amarna graves

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<v Speaker 1>quote confirms that three dimensional wax based head cones were

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<v Speaker 1>sometimes worn by the dead in ancient Egypt and that

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<v Speaker 1>access to these objects was not restricted to the upper elite.

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<v Speaker 1>Beyond that, they say that the cones may have had

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<v Speaker 1>religious significance related to fertility, and that they could reasonably

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<v Speaker 1>be interpreted as part of quote a suite of personal

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<v Speaker 1>accouterments deemed appropriate for use in a range of cell

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<v Speaker 1>librations and rituals for and involving the living, the dead,

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<v Speaker 1>the autun and other deities, which, as they acknowledge, doesn't

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<v Speaker 1>narrow things down too much. In his article for Science,

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<v Speaker 1>Barris also quotes run Njord of Emory University, who raises

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<v Speaker 1>the critique that sometimes modern scholars can read too much

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<v Speaker 1>religious or afterlife significance into artifacts from ancient Egypt. It's

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<v Speaker 1>worth keeping open the possibility that these were just little hats.

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<v Speaker 1>Tune into future editions of the artifact each week, hosted

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<v Speaker 1>by either Robert or myself. As always, you can email

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<v Speaker 1>us at contact at stuff to Blow your Mind dot com.

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<v Speaker 1>Stuff to Blow Your Mind is production of I Heart Radio.

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