1 00:00:00,080 --> 00:00:01,720 Speaker 1: You'ress like curious George too today. 2 00:00:01,800 --> 00:00:06,040 Speaker 2: So a man in the yellow hat. This is a mark. 3 00:00:06,080 --> 00:00:07,480 Speaker 2: We made T shirts for her birthday. 4 00:00:07,760 --> 00:00:09,840 Speaker 3: Oh see now that's cool. See that's a cool shirt. 5 00:00:10,000 --> 00:00:10,600 Speaker 2: I'm a counselor. 6 00:00:10,600 --> 00:00:12,920 Speaker 3: You should have said that. You should You're not a counselor. 7 00:00:14,040 --> 00:00:35,440 Speaker 2: You're on accounts. 8 00:00:49,000 --> 00:00:51,760 Speaker 4: You want to take in the conversations we have. 9 00:00:51,920 --> 00:00:52,880 Speaker 1: This is not a mega star. 10 00:00:53,000 --> 00:00:56,680 Speaker 5: Let's argue. Wait, bleep that so we don't get demonetized. 11 00:00:58,240 --> 00:00:59,200 Speaker 2: Don't put your hat down. 12 00:01:00,160 --> 00:01:01,880 Speaker 3: Huh oh, I didn't know we started my bad. 13 00:01:01,960 --> 00:01:02,440 Speaker 2: No, we're here. 14 00:01:02,760 --> 00:01:05,440 Speaker 1: You and demeris ten minutes ago. We're going at it 15 00:01:05,440 --> 00:01:06,479 Speaker 1: for a smooth half hour. 16 00:01:06,640 --> 00:01:08,600 Speaker 6: So and while she got on Mary J. Bloche, I 17 00:01:08,600 --> 00:01:11,160 Speaker 6: don't want to rob no more glasses because she was 18 00:01:11,200 --> 00:01:11,840 Speaker 6: wrong and. 19 00:01:11,800 --> 00:01:13,520 Speaker 3: He was killing on the internet for the last forty 20 00:01:13,520 --> 00:01:14,080 Speaker 3: eight hours. 21 00:01:14,120 --> 00:01:17,520 Speaker 5: The first thing Maul says when we walk in is 22 00:01:17,560 --> 00:01:19,800 Speaker 5: are you guys here to apologize? 23 00:01:20,040 --> 00:01:21,559 Speaker 2: And I am not here to apologize. 24 00:01:21,800 --> 00:01:23,240 Speaker 3: I am here too, double leon. 25 00:01:23,280 --> 00:01:23,960 Speaker 2: That asked you that? 26 00:01:24,240 --> 00:01:26,800 Speaker 1: Okay he to apologize. Yeah, I asked you. 27 00:01:26,880 --> 00:01:28,960 Speaker 6: I said, oh, y'all gonna double down, And he was like, yeah, 28 00:01:28,959 --> 00:01:30,200 Speaker 6: you know, you put your hands on you hip yeah, 29 00:01:30,200 --> 00:01:30,959 Speaker 6: I'm going to double down. 30 00:01:31,360 --> 00:01:32,679 Speaker 5: And first of all, I tried to forget that that 31 00:01:32,760 --> 00:01:34,760 Speaker 5: was Julian that asked that question. Talk about throwing a 32 00:01:34,840 --> 00:01:35,760 Speaker 5: rock and hiding your hands. 33 00:01:35,840 --> 00:01:36,680 Speaker 4: Oh his hands hate this. 34 00:01:37,080 --> 00:01:39,640 Speaker 5: Wait, Me and Demeras need to apologize. If we need 35 00:01:39,680 --> 00:01:41,920 Speaker 5: to apologize, you need to apologize as well. But we'll 36 00:01:41,920 --> 00:01:42,240 Speaker 5: get to that. 37 00:01:42,319 --> 00:01:44,840 Speaker 6: Like you, you yelled yeah, you and DeMars with vomanazing 38 00:01:44,880 --> 00:01:46,399 Speaker 6: over there with everything, Rory was the. 39 00:01:46,360 --> 00:01:49,400 Speaker 1: Best thing about this is the big libs. The clip 40 00:01:49,480 --> 00:01:51,640 Speaker 1: came like you know, usually when people clip things and 41 00:01:51,680 --> 00:01:53,559 Speaker 1: it's out of context in it, but it's like someone 42 00:01:53,560 --> 00:01:55,880 Speaker 1: else that clips it. The clip came from us. 43 00:01:56,400 --> 00:01:59,480 Speaker 2: So oh for sure, like the clip came from Peach, 44 00:02:00,160 --> 00:02:02,920 Speaker 2: So it's peace fault. Like love and hip hop. They 45 00:02:02,920 --> 00:02:05,080 Speaker 2: can only edit and clip what you say, but shout out. 46 00:02:05,040 --> 00:02:08,400 Speaker 1: Page because I didn't look bad in the clip. So 47 00:02:08,639 --> 00:02:11,360 Speaker 1: for that, you and Demaris need to defend yourself. 48 00:02:11,520 --> 00:02:14,000 Speaker 3: No, but you was you was yeah, yeah, you right, 49 00:02:14,560 --> 00:02:17,440 Speaker 3: yeah yeah, because I'm not. 50 00:02:17,440 --> 00:02:20,760 Speaker 7: On their side still all right, was barely getting killed. 51 00:02:20,800 --> 00:02:22,359 Speaker 7: They were on my ass. 52 00:02:22,440 --> 00:02:24,720 Speaker 6: Well it was because of this the boys sweet sixteen 53 00:02:24,760 --> 00:02:26,000 Speaker 6: bar that you got off at the end. 54 00:02:26,080 --> 00:02:27,880 Speaker 2: And we'll get to then let's get it. Then you 55 00:02:28,000 --> 00:02:28,560 Speaker 2: was like, I was. 56 00:02:28,480 --> 00:02:30,840 Speaker 6: Like, based off of what you was like, well, the 57 00:02:30,919 --> 00:02:33,480 Speaker 6: migos are bigger in name and recognition than Chris I 58 00:02:33,560 --> 00:02:34,040 Speaker 6: think people. 59 00:02:34,200 --> 00:02:35,640 Speaker 2: Was like, no, that's wrong. 60 00:02:35,400 --> 00:02:39,320 Speaker 5: Too, Let's get people some context because that clip sure 61 00:02:39,360 --> 00:02:43,639 Speaker 5: didn't Was it our Patreon episode or was our Patreon 62 00:02:43,680 --> 00:02:45,320 Speaker 5: episode suscribed to our Patreon right now? 63 00:02:45,560 --> 00:02:47,600 Speaker 1: You want to see the actual full conversation? Is there? 64 00:02:47,919 --> 00:02:51,040 Speaker 5: Forward slash new Roy Maure We were having a conversation 65 00:02:51,120 --> 00:02:54,000 Speaker 5: about Chris Brown and Quavo being at the Rude Fashion 66 00:02:54,040 --> 00:02:56,840 Speaker 5: Show and there being a possible TIF between the two 67 00:02:56,880 --> 00:02:58,440 Speaker 5: of them. They had to sit next to each other. 68 00:02:58,600 --> 00:03:00,480 Speaker 5: Then we argued who would have to get up if 69 00:03:00,520 --> 00:03:02,519 Speaker 5: they didn't want to sit next to each other, which 70 00:03:02,639 --> 00:03:05,880 Speaker 5: put us down an entire Quavo versus Chris Brown rabbit hole. 71 00:03:06,680 --> 00:03:10,680 Speaker 5: It was clipped by our beloved Peage that made it 72 00:03:10,720 --> 00:03:14,519 Speaker 5: seem like we were arguing Quavo in Chris Brown, who 73 00:03:14,600 --> 00:03:15,480 Speaker 5: is more relevant? 74 00:03:15,800 --> 00:03:16,519 Speaker 2: Music wise? 75 00:03:17,360 --> 00:03:19,800 Speaker 5: Left out that Damaris and I were making a point 76 00:03:19,919 --> 00:03:26,120 Speaker 5: that Quavo to gen Z Fashion World is status is 77 00:03:26,240 --> 00:03:29,400 Speaker 5: just as relevant as Chris Brown's right, Rude Rude. 78 00:03:29,120 --> 00:03:31,160 Speaker 7: FA and I want to bring up that again, we're 79 00:03:31,200 --> 00:03:35,080 Speaker 7: not talking about Gucci. We're not talking We're talking about rude. 80 00:03:35,280 --> 00:03:38,480 Speaker 1: It's funny because my friend in fashion said Quavo's also 81 00:03:38,760 --> 00:03:41,119 Speaker 1: more favored in Gucci and Louis Vuittan as well. 82 00:03:41,240 --> 00:03:43,960 Speaker 5: So now do we think Quavo and Chris Brown should 83 00:03:43,960 --> 00:03:46,320 Speaker 5: even be in the same sentence as far as music goes, No, 84 00:03:46,560 --> 00:03:50,520 Speaker 5: absolutely not. But for some reason we still argue before 85 00:03:50,520 --> 00:03:52,560 Speaker 5: we got on this microphone, and I'm still here to 86 00:03:52,600 --> 00:03:55,240 Speaker 5: stand on every last point that I say, and Dumars 87 00:03:55,280 --> 00:03:59,760 Speaker 5: getting killed for the sweet sixteen thing, I still think 88 00:04:00,640 --> 00:04:02,760 Speaker 5: somebody that has a sweet sixteen and twenty twenty. 89 00:04:02,680 --> 00:04:05,200 Speaker 7: Let's take sweet sweet is driving them all fucking crazy. 90 00:04:05,200 --> 00:04:06,280 Speaker 7: So let's just say sixteen. 91 00:04:07,280 --> 00:04:10,160 Speaker 6: You said that, you said boys have You said boys 92 00:04:10,200 --> 00:04:13,520 Speaker 6: have sweet? You said you know what I'm going about 93 00:04:13,560 --> 00:04:16,320 Speaker 6: what you said, you said boys have sweet. 94 00:04:16,000 --> 00:04:17,880 Speaker 4: Sixte Okay, So if I take the sweet. 95 00:04:17,640 --> 00:04:20,800 Speaker 6: Out of it, every every boy that's seventeen has had 96 00:04:20,800 --> 00:04:21,960 Speaker 6: a sixteenth birthday party. 97 00:04:21,960 --> 00:04:24,560 Speaker 3: We know that that's how numbers go. You said boys 98 00:04:24,600 --> 00:04:25,240 Speaker 3: have sweets. 99 00:04:25,320 --> 00:04:29,080 Speaker 6: There is a whole type of fucking difference between sweet 100 00:04:29,080 --> 00:04:31,159 Speaker 6: sixteen and sixteenth birthday party. 101 00:04:31,200 --> 00:04:32,840 Speaker 1: Well, I had a sixteenth birthday party. I don't have 102 00:04:32,839 --> 00:04:33,279 Speaker 1: a sweete. 103 00:04:33,360 --> 00:04:37,480 Speaker 2: Let's say a boys Kin Sierra that's definitely fifteen fifteen somewhere. 104 00:04:37,839 --> 00:04:41,040 Speaker 5: Okay about Mitzvah, do you think they want to have 105 00:04:41,360 --> 00:04:44,000 Speaker 5: Quavo or Chris Browner boys? 106 00:04:45,640 --> 00:04:48,679 Speaker 2: Huh, never mind, Yeah. 107 00:04:48,560 --> 00:04:51,800 Speaker 6: Can't see as a thing. But yeah, Aweso, I'm right again. 108 00:04:51,880 --> 00:04:54,360 Speaker 6: I'm writing Spanish. 109 00:04:54,480 --> 00:04:55,760 Speaker 2: What do you know, I'm writing Latin. 110 00:04:57,640 --> 00:05:06,240 Speaker 5: Cuevo's name sounds Spanish, though, So I think I'm right 111 00:05:06,279 --> 00:05:08,799 Speaker 5: on that one. 112 00:05:09,960 --> 00:05:13,600 Speaker 3: That's hold of this. Thanks for that, young it's quabo. 113 00:05:13,760 --> 00:05:15,360 Speaker 2: Do you have to pause if I say past the cuabo? 114 00:05:16,080 --> 00:05:18,119 Speaker 3: It depends on what It depends on what you're asking 115 00:05:18,160 --> 00:05:18,719 Speaker 3: him the past. 116 00:05:20,880 --> 00:05:25,360 Speaker 5: But I loved our screaming match that we had off camera. 117 00:05:25,960 --> 00:05:28,080 Speaker 5: I just don't know if Damaris Damaris, I'm here to 118 00:05:28,160 --> 00:05:30,920 Speaker 5: stand Tantant's with you. If Maul wants to bring his 119 00:05:30,960 --> 00:05:34,120 Speaker 5: points up, I argue your side. I'm all right, so 120 00:05:34,160 --> 00:05:35,360 Speaker 5: lemmit to Damaris's point. 121 00:05:35,440 --> 00:05:38,320 Speaker 6: But Rude the fashion, the kids at that weird rule, 122 00:05:38,360 --> 00:05:39,880 Speaker 6: whatever that means, I don't know what that means. 123 00:05:39,880 --> 00:05:42,520 Speaker 3: But so you think that if Rude had if. 124 00:05:42,440 --> 00:05:45,800 Speaker 6: Rud was doing the next campaign for their spring line, 125 00:05:46,520 --> 00:05:49,560 Speaker 6: and they reached out to Chris Brown and Quavo, and 126 00:05:49,600 --> 00:05:51,920 Speaker 6: then Chris Brown caught when that Quavo was going to 127 00:05:51,960 --> 00:05:55,040 Speaker 6: be a part of the new campaign. If Chris Brown 128 00:05:55,080 --> 00:05:57,440 Speaker 6: hits Ruigi and says, yo, I am not going to 129 00:05:57,440 --> 00:05:59,479 Speaker 6: be a part of that campaign if Quava's a part 130 00:05:59,480 --> 00:06:02,640 Speaker 6: of it, you think Ruigi would not say, okay, cool, 131 00:06:02,680 --> 00:06:05,279 Speaker 6: We'll take Quaidle out of it to have Chris Brown, 132 00:06:05,320 --> 00:06:06,280 Speaker 6: who is the bigger star. 133 00:06:06,640 --> 00:06:08,560 Speaker 5: No, I don't well one, I don't think he would 134 00:06:08,560 --> 00:06:10,240 Speaker 5: reach out to both of them knowing that they have 135 00:06:10,279 --> 00:06:14,080 Speaker 5: beasts together. But let's go with the hypothetical. Even when 136 00:06:14,160 --> 00:06:16,000 Speaker 5: Chris Brown was at his peak. And I hate that 137 00:06:16,120 --> 00:06:18,360 Speaker 5: this has just made me someone that is shitting on 138 00:06:18,839 --> 00:06:19,520 Speaker 5: a legend. 139 00:06:19,800 --> 00:06:20,359 Speaker 2: None of this. 140 00:06:20,360 --> 00:06:22,679 Speaker 5: When has anyone ever tried to dress like Chris Brown? 141 00:06:23,760 --> 00:06:25,120 Speaker 5: And this is called I'm not a fashion guy. I'm 142 00:06:25,120 --> 00:06:26,880 Speaker 5: wearing a yellow T shirt with my daughter's name on 143 00:06:26,920 --> 00:06:30,200 Speaker 5: it and corduroys. I know I'm not the fashion guy 144 00:06:30,240 --> 00:06:32,080 Speaker 5: and I shouldn't really be, but it's not a one 145 00:06:33,360 --> 00:06:35,720 Speaker 5: people like these kids try to dress like the migos. 146 00:06:35,720 --> 00:06:37,000 Speaker 2: But this is what I'm saying. They have a. 147 00:06:36,960 --> 00:06:40,080 Speaker 5: Fashion part of their brand where Chris Brown is not 148 00:06:40,120 --> 00:06:42,400 Speaker 5: a bad dresser, but no one's been like yo, Chris 149 00:06:42,480 --> 00:06:43,479 Speaker 5: was the style icon. 150 00:06:43,600 --> 00:06:45,360 Speaker 7: Now it was in my inbox saying Chris put that 151 00:06:45,400 --> 00:06:47,440 Speaker 7: ship on, so you know, Okay. 152 00:06:47,480 --> 00:06:49,760 Speaker 5: So I had on a big button up at the 153 00:06:49,760 --> 00:06:51,520 Speaker 5: same time, but that was because of whole That wasn't 154 00:06:51,920 --> 00:06:52,360 Speaker 5: ok brow. 155 00:06:52,440 --> 00:06:55,920 Speaker 3: But what you're missing is I was singing yo, okay. 156 00:06:55,920 --> 00:06:58,039 Speaker 6: But what you're missing is if you have a fashion 157 00:06:58,080 --> 00:07:02,080 Speaker 6: line and you are trying to out a campaign, naturally 158 00:07:02,120 --> 00:07:05,280 Speaker 6: you would want the bigger star a part of your camp. 159 00:07:05,320 --> 00:07:07,760 Speaker 5: I would rather have someone that's a little bit lower 160 00:07:07,800 --> 00:07:10,840 Speaker 5: of a star, lower of a star, because Quavid was 161 00:07:10,880 --> 00:07:12,200 Speaker 5: lower as a star. 162 00:07:12,320 --> 00:07:15,880 Speaker 2: You said a little bit in the world. I changed, Okay, I. 163 00:07:15,800 --> 00:07:17,880 Speaker 5: Stopped myself, how mu, because we're talking about the whole world, 164 00:07:19,000 --> 00:07:21,600 Speaker 5: not just the fashion world. I would rather take someone 165 00:07:21,640 --> 00:07:25,560 Speaker 5: that is a lower star that is known for fashion 166 00:07:25,680 --> 00:07:28,760 Speaker 5: and is in the fashion world and can touch the 167 00:07:28,800 --> 00:07:29,360 Speaker 5: younger kids. 168 00:07:29,480 --> 00:07:29,800 Speaker 1: Pause. 169 00:07:30,480 --> 00:07:32,920 Speaker 5: Then I would just a superstar that has no ties 170 00:07:32,960 --> 00:07:33,880 Speaker 5: to fashion whatsoever. 171 00:07:34,160 --> 00:07:37,480 Speaker 6: But but that doesn't make sense because you're selling fashion 172 00:07:37,640 --> 00:07:38,280 Speaker 6: to the world. 173 00:07:39,160 --> 00:07:41,680 Speaker 5: So yeah, so let me go with the person that's 174 00:07:41,480 --> 00:07:42,920 Speaker 5: that's known for dressing to the kids. 175 00:07:42,960 --> 00:07:47,040 Speaker 6: Right now, you're selling fashion to the world. You don't 176 00:07:47,080 --> 00:07:49,600 Speaker 6: want just kids buying your clothes. You want the world 177 00:07:49,680 --> 00:07:50,440 Speaker 6: to buy it when kids. 178 00:07:50,480 --> 00:07:51,400 Speaker 2: I don't want just children. 179 00:07:51,440 --> 00:07:54,000 Speaker 5: I mean I mean people in their twenties two I'm 180 00:07:54,040 --> 00:07:55,920 Speaker 5: a kid, to the worldly thirties, to the world. 181 00:07:56,160 --> 00:07:58,440 Speaker 6: You create clothes, you want to sell it to the world. 182 00:07:58,880 --> 00:08:03,040 Speaker 6: Adults buy clothes, adult spot clothes for younger children, whatever. Plus, 183 00:08:03,080 --> 00:08:05,600 Speaker 6: what I'm saying is you would want the bigger star, 184 00:08:06,280 --> 00:08:10,840 Speaker 6: that's a biggert start to the world to push your 185 00:08:10,880 --> 00:08:12,520 Speaker 6: product versus somebody. 186 00:08:12,520 --> 00:08:17,560 Speaker 7: It's just cooler in certain every fashion house has a 187 00:08:17,600 --> 00:08:18,320 Speaker 7: target audience. 188 00:08:18,360 --> 00:08:19,960 Speaker 4: They all have target audiences. 189 00:08:20,120 --> 00:08:22,840 Speaker 5: All right, you actually beat me to it, you know, 190 00:08:23,000 --> 00:08:24,480 Speaker 5: if they were doing a target. 191 00:08:24,120 --> 00:08:25,400 Speaker 2: Clothing or J. C. Penny. 192 00:08:25,400 --> 00:08:27,040 Speaker 5: And it's not me shitting on Chris Brown as far 193 00:08:27,040 --> 00:08:29,120 Speaker 5: as how he dresses. But if you were doing a 194 00:08:29,200 --> 00:08:32,760 Speaker 5: target ad campaign, Chris Brown, yes, would be your go 195 00:08:32,880 --> 00:08:36,319 Speaker 5: to because he is a star amongst the world. He's 196 00:08:36,360 --> 00:08:38,920 Speaker 5: a recognizable face. He would look good in the clothes. 197 00:08:39,559 --> 00:08:42,680 Speaker 5: Rude is a huge company, but it's of the culture. 198 00:08:42,760 --> 00:08:45,800 Speaker 1: Yeah, they're selling six hundred dollars basketball short Yeah, this isn't. 199 00:08:45,720 --> 00:08:47,960 Speaker 2: That's where you would maybe want to lean more to 200 00:08:48,080 --> 00:08:49,079 Speaker 2: the Quavo side. 201 00:08:49,240 --> 00:08:52,920 Speaker 8: Do you do you realize that this show was in Paris. Yes, 202 00:08:53,120 --> 00:08:55,479 Speaker 8: and also walked. 203 00:08:55,200 --> 00:08:57,320 Speaker 1: At the Louis show in twenty twenty one, so there's 204 00:08:57,360 --> 00:09:01,880 Speaker 1: that too, and any Queva like the point is more 205 00:09:01,880 --> 00:09:03,080 Speaker 1: integrated in that scene. 206 00:09:03,160 --> 00:09:05,040 Speaker 2: It's harder to sell rude if you're doing a backflip 207 00:09:05,080 --> 00:09:09,080 Speaker 2: instead of walking. You can't see the clothes. 208 00:09:09,240 --> 00:09:11,480 Speaker 7: Like Kuavo ever did a back up front flip the 209 00:09:11,559 --> 00:09:13,160 Speaker 7: March Mad and it's on b I said, y'all, don't 210 00:09:13,160 --> 00:09:14,760 Speaker 7: get the fuck out in my inbox. 211 00:09:14,360 --> 00:09:17,880 Speaker 5: Bro so and we don't have to, like, you know, 212 00:09:18,000 --> 00:09:20,920 Speaker 5: continue this conversation too much further because it is on Patreon. 213 00:09:21,000 --> 00:09:23,440 Speaker 3: And yeah, I'm not giving this topic normal energy. 214 00:09:23,520 --> 00:09:24,080 Speaker 1: Y'all are wrong. 215 00:09:24,360 --> 00:09:24,960 Speaker 2: Y'all were wrong. 216 00:09:25,160 --> 00:09:27,680 Speaker 6: Y'all are wrong now. But it is what it is, y'all. 217 00:09:27,679 --> 00:09:29,920 Speaker 6: I am not making no sense. Chris Brown is a 218 00:09:29,960 --> 00:09:33,760 Speaker 6: bigger star. He's a super at that star, you would 219 00:09:33,800 --> 00:09:36,840 Speaker 6: want your product on a superstar because they have more 220 00:09:36,920 --> 00:09:41,079 Speaker 6: eyes on the superstar than a guy that's just famous 221 00:09:41,280 --> 00:09:42,280 Speaker 6: and popular. 222 00:09:42,600 --> 00:09:45,360 Speaker 3: In certain circles of the industry. 223 00:09:44,960 --> 00:09:47,160 Speaker 7: Like the circles of the circles of the industry, like 224 00:09:47,160 --> 00:09:48,680 Speaker 7: the circles that are wearing rude clothing. 225 00:09:48,720 --> 00:09:50,720 Speaker 3: They were both invited to the show the marriage. 226 00:09:50,720 --> 00:09:52,920 Speaker 6: They were both sitting in front rowact which means this 227 00:09:53,000 --> 00:09:56,800 Speaker 6: proves your point. No, no, it doesn't, because my initial 228 00:09:56,840 --> 00:09:59,079 Speaker 6: point was if Chris Brown had that much of an 229 00:09:59,080 --> 00:10:01,760 Speaker 6: issue with Quavo and he didn't want Quavo sitting here, 230 00:10:01,920 --> 00:10:04,679 Speaker 6: I can promise you and one thousand percent guarantee you 231 00:10:04,880 --> 00:10:07,800 Speaker 6: that Ruigi himself would have came out and asked Kuavo 232 00:10:07,920 --> 00:10:10,480 Speaker 6: to move to another side if Chris was If that 233 00:10:10,520 --> 00:10:12,080 Speaker 6: meant Chris was going to walk out of that show, 234 00:10:12,440 --> 00:10:16,120 Speaker 6: I guarantee y'all that Ruigi would have asked Quavo, Yo, bro, 235 00:10:16,240 --> 00:10:18,480 Speaker 6: I don't want no issues, can you just move over here? 236 00:10:19,320 --> 00:10:22,680 Speaker 6: If Chris Brown requested. Because Chris Brown is the biggest star, 237 00:10:22,840 --> 00:10:24,640 Speaker 6: and he wants Chris Brown at his. 238 00:10:24,640 --> 00:10:27,160 Speaker 4: Show, and he wants Quavo there too, that's why he does. 239 00:10:27,240 --> 00:10:29,760 Speaker 6: He was so obviously, But if it meant that Chris 240 00:10:29,760 --> 00:10:31,840 Speaker 6: Brown was gonna turn and walk out of that door 241 00:10:31,920 --> 00:10:34,320 Speaker 6: if they if he asked to move Quavo and they didn't, 242 00:10:34,640 --> 00:10:36,920 Speaker 6: I guarantee you Ruigi would have stopped everything he was 243 00:10:36,960 --> 00:10:39,680 Speaker 6: doing and went to Quevo personally and asked him to 244 00:10:39,720 --> 00:10:40,880 Speaker 6: move guaranteed. 245 00:10:41,080 --> 00:10:42,080 Speaker 3: And that's all I was saying. 246 00:10:42,080 --> 00:10:44,920 Speaker 6: And only a superstar or a star that is bigger 247 00:10:44,960 --> 00:10:47,560 Speaker 6: than Quavo can request that and do that. 248 00:10:47,640 --> 00:10:49,920 Speaker 5: If I was trying to try to sell hockey geared, 249 00:10:50,360 --> 00:10:52,480 Speaker 5: is Chris Brown gonna be my best option to sell 250 00:10:52,520 --> 00:10:53,160 Speaker 5: it as a model? 251 00:10:54,559 --> 00:10:56,880 Speaker 2: No, he's a star, but that's not his worlds Like, 252 00:10:57,920 --> 00:11:00,400 Speaker 2: I don't understand what your Your point was that you 253 00:11:00,440 --> 00:11:02,679 Speaker 2: should always go with the bigger star, the more recognizable 254 00:11:02,720 --> 00:11:04,400 Speaker 2: person if you're trying to sell something. And I'm saying 255 00:11:04,640 --> 00:11:06,160 Speaker 2: not that rude is niche per. 256 00:11:06,040 --> 00:11:09,120 Speaker 5: Se, but it is a specific type of fashion in 257 00:11:09,160 --> 00:11:12,600 Speaker 5: a specific culture. Doesn't mean you should just go with 258 00:11:12,600 --> 00:11:14,600 Speaker 5: the biggest superstar. If I'm trying to sell hockey gear, 259 00:11:14,640 --> 00:11:18,760 Speaker 5: that's a specific culture. You don't just grab the recognizable star. 260 00:11:19,400 --> 00:11:21,320 Speaker 2: You want someone that's right, but when that's close to 261 00:11:21,440 --> 00:11:23,719 Speaker 2: your consumer and what they also want to do. Right. 262 00:11:23,760 --> 00:11:27,439 Speaker 6: But as you know, with any campaign, they always go 263 00:11:27,520 --> 00:11:32,040 Speaker 6: with a star, a superstar. We see campaigns Calvin Klan 264 00:11:32,440 --> 00:11:35,520 Speaker 6: all up and down Fifth Avenue, Madison Avenue. They're not 265 00:11:35,640 --> 00:11:38,559 Speaker 6: getting somebody that's just like they're gonna aim for the 266 00:11:38,920 --> 00:11:41,640 Speaker 6: biggest star they can get at the moment. That's all 267 00:11:41,679 --> 00:11:47,600 Speaker 6: I'm saying. Now, Quavo was invited, Wahlberg whoever, Quavo was invited, 268 00:11:48,120 --> 00:11:50,160 Speaker 6: and Chris was invited. All I was saying was if 269 00:11:50,240 --> 00:11:52,440 Speaker 6: Chris had a real issue and didn't want to sit 270 00:11:52,640 --> 00:11:55,560 Speaker 6: next to Quavo and he requested that they moved Quavo, 271 00:11:56,200 --> 00:11:59,040 Speaker 6: Ruigi personally would have moved Quavo or asked him yo, 272 00:11:59,120 --> 00:12:00,320 Speaker 6: because I don't want to make a se like it 273 00:12:00,400 --> 00:12:01,480 Speaker 6: was like, we'll get the fuck out of it. 274 00:12:01,520 --> 00:12:03,160 Speaker 3: We don't want to be distracful. That's Quavo. 275 00:12:03,520 --> 00:12:06,120 Speaker 6: But Ruigi would have asked, Yo, Quavo, do me a favor, bro, 276 00:12:07,040 --> 00:12:08,920 Speaker 6: just sit on this side, because I don't want it 277 00:12:08,960 --> 00:12:10,160 Speaker 6: to be, you know, any issue. 278 00:12:10,200 --> 00:12:10,840 Speaker 2: That's all I'm saying. 279 00:12:10,840 --> 00:12:13,520 Speaker 6: And only a superstar or a star bigger than Quavo 280 00:12:13,760 --> 00:12:15,400 Speaker 6: to request that, That's all I was saying. 281 00:12:15,640 --> 00:12:19,360 Speaker 5: Well, Amar's first actual birthday couldn't have came at a 282 00:12:19,400 --> 00:12:23,720 Speaker 5: better time. I was completely off my phone for this 283 00:12:24,040 --> 00:12:27,160 Speaker 5: entire exchange. I checked my mentions sort of last night. 284 00:12:27,240 --> 00:12:29,840 Speaker 5: Can you guys fill me in on what happens on 285 00:12:29,880 --> 00:12:31,240 Speaker 5: the internet. 286 00:12:31,600 --> 00:12:33,800 Speaker 3: Regard in regards to what this going viral. 287 00:12:34,320 --> 00:12:36,599 Speaker 5: No I understand, Quavo replied, I got a bunch of 288 00:12:36,679 --> 00:12:38,560 Speaker 5: understand Chris Brown replied. 289 00:12:38,360 --> 00:12:39,920 Speaker 6: I got a bunch of calls from people that work 290 00:12:39,920 --> 00:12:42,920 Speaker 6: in the industry asking if the conversation was real. They 291 00:12:42,960 --> 00:12:44,680 Speaker 6: thought it was like something we were just doing just 292 00:12:44,720 --> 00:12:46,960 Speaker 6: for clicks and shit like that, and I was like, no, 293 00:12:47,000 --> 00:12:47,880 Speaker 6: it was a real conversation. 294 00:12:47,960 --> 00:12:50,240 Speaker 1: There's so much more context to it and nuance to it, 295 00:12:50,280 --> 00:12:51,719 Speaker 1: which we're not going to get into here, because the 296 00:12:51,760 --> 00:12:53,960 Speaker 1: actual conversation was had on Patreon. Go find it and 297 00:12:54,000 --> 00:12:56,720 Speaker 1: if you want it there. But yeah, the clip wasn't 298 00:12:56,760 --> 00:12:59,000 Speaker 1: addressing what we were actually talking at all at all. 299 00:12:59,200 --> 00:13:01,679 Speaker 1: But I think it just you're defensing those comments and 300 00:13:01,720 --> 00:13:03,280 Speaker 1: you coming in here and like coming and be like 301 00:13:03,320 --> 00:13:05,400 Speaker 1: I told him, it doesn't apply because it wasn't what 302 00:13:05,400 --> 00:13:07,840 Speaker 1: we were no idea what we were talking about. 303 00:13:08,480 --> 00:13:11,079 Speaker 6: Well, I think based on the slips, if you say 304 00:13:11,120 --> 00:13:13,960 Speaker 6: that Chris Brown, as you said, the Migos is a 305 00:13:13,960 --> 00:13:16,520 Speaker 6: bigger name than Chris Brown, people don't care what the 306 00:13:16,559 --> 00:13:17,200 Speaker 6: context is. 307 00:13:17,760 --> 00:13:18,160 Speaker 2: They're not. 308 00:13:18,600 --> 00:13:19,800 Speaker 4: But that wasn't the argument. 309 00:13:19,760 --> 00:13:20,840 Speaker 1: It wasn't the argument, but. 310 00:13:20,800 --> 00:13:23,000 Speaker 6: That was something that was said, and people are responding 311 00:13:23,040 --> 00:13:24,480 Speaker 6: to what they saw that was said. 312 00:13:24,600 --> 00:13:25,920 Speaker 4: Okay, but that doesn't make them. 313 00:13:25,920 --> 00:13:28,720 Speaker 6: That was for our argument, But that was full The 314 00:13:28,760 --> 00:13:30,920 Speaker 6: Migos is not a bigger name in Chris Brown had not. 315 00:13:31,080 --> 00:13:33,240 Speaker 1: They had to run more recent than Chris. 316 00:13:34,080 --> 00:13:36,000 Speaker 6: You told about to run. That doesn't mean you're a 317 00:13:36,120 --> 00:13:39,320 Speaker 6: big Chris Brown. I'm never gonna take that away from 318 00:13:39,400 --> 00:13:41,120 Speaker 6: Chris Brown. But that just wasn't the argument. 319 00:13:41,200 --> 00:13:43,360 Speaker 7: So people in my inbox yelling at me talking about 320 00:13:43,360 --> 00:13:45,920 Speaker 7: front flips, the march madness on beat. That has nothing 321 00:13:45,920 --> 00:13:48,040 Speaker 7: to do with the nuance of the conversation that we 322 00:13:48,040 --> 00:13:48,560 Speaker 7: were having. 323 00:13:48,760 --> 00:13:49,840 Speaker 4: So the ship went viral. 324 00:13:49,920 --> 00:13:52,640 Speaker 7: It was out all the blogs and everybody's giving their 325 00:13:52,679 --> 00:13:55,400 Speaker 7: opinions and calling me and Roy all types of dumb fucks. 326 00:13:55,640 --> 00:13:58,880 Speaker 7: That's fine, but for a lot of people who got 327 00:13:58,920 --> 00:14:00,760 Speaker 7: the actual conversation, it was like, oh, I get what 328 00:14:00,840 --> 00:14:02,680 Speaker 7: y'all talking about. There were plenty of people who weren't 329 00:14:02,720 --> 00:14:04,880 Speaker 7: backing us up, but there were all I had the 330 00:14:04,960 --> 00:14:08,640 Speaker 7: carbs whatever, Uh, the male barbs are the carbs like 331 00:14:08,760 --> 00:14:09,480 Speaker 7: they were in my fuck? 332 00:14:09,600 --> 00:14:11,240 Speaker 2: I thought that was crazy when you texted that. 333 00:14:11,400 --> 00:14:13,160 Speaker 4: No, the carbs, they're fucking like. 334 00:14:13,320 --> 00:14:15,640 Speaker 7: I don't know what it is about Chris Brown's fan 335 00:14:15,720 --> 00:14:17,160 Speaker 7: base up because it wasn't women. 336 00:14:17,240 --> 00:14:18,000 Speaker 4: The crazy shit was. 337 00:14:18,040 --> 00:14:21,440 Speaker 7: I expected it to be women in between the ages 338 00:14:21,480 --> 00:14:24,760 Speaker 7: of like twenty five and like thirty five, right, that's 339 00:14:24,760 --> 00:14:27,360 Speaker 7: who I thought. No, it was thirty something year old 340 00:14:27,400 --> 00:14:30,360 Speaker 7: men that were on my ass and I was like, oh, like, 341 00:14:30,960 --> 00:14:33,440 Speaker 7: these are breezy fans, Like the fucking can you. 342 00:14:33,400 --> 00:14:35,240 Speaker 6: Speak to the fact that the math that you did 343 00:14:35,280 --> 00:14:37,200 Speaker 6: with the with the social media follow because I thought 344 00:14:37,200 --> 00:14:37,760 Speaker 6: that was funny. 345 00:14:39,120 --> 00:14:40,120 Speaker 2: That was in the episode. 346 00:14:40,320 --> 00:14:42,400 Speaker 4: This in the episode, it's not just want to. 347 00:14:42,400 --> 00:14:45,240 Speaker 6: Talk about that, bring it up because Jamara said, Nah, 348 00:14:45,280 --> 00:14:47,720 Speaker 6: those are people that subscribed that followed Chris in two 349 00:14:47,800 --> 00:14:49,680 Speaker 6: thousand and eight and they don't even have their accounts. 350 00:14:49,720 --> 00:14:52,000 Speaker 7: No, that was a that was a very obvious joke 351 00:14:52,040 --> 00:14:53,560 Speaker 7: though in the episode you could tell that it was 352 00:14:53,560 --> 00:14:53,920 Speaker 7: a joke. 353 00:14:55,000 --> 00:14:57,880 Speaker 2: They rolled over from Facebook. Yeah, it's fun Yeah. Also, 354 00:14:57,920 --> 00:15:01,720 Speaker 2: for he had his Instagram longer, I ain't even do 355 00:15:01,800 --> 00:15:02,120 Speaker 2: that matter. 356 00:15:02,200 --> 00:15:05,520 Speaker 7: He's also been a star for for what fucking fifteen years, 357 00:15:05,560 --> 00:15:06,600 Speaker 7: longer than the fucking ego. 358 00:15:07,080 --> 00:15:08,160 Speaker 2: I ain't do that math either. 359 00:15:08,400 --> 00:15:09,680 Speaker 4: Yes, he's gonna have more followers. 360 00:15:09,720 --> 00:15:12,080 Speaker 5: Do you think there's a world where someone can be 361 00:15:12,400 --> 00:15:15,480 Speaker 5: hotter but not greater than an artist at the moment. 362 00:15:16,040 --> 00:15:17,880 Speaker 6: Of course, there's a little bit. There's a lot of 363 00:15:17,960 --> 00:15:20,000 Speaker 6: rappers hotter than jay Z right now, none of them 364 00:15:20,040 --> 00:15:20,400 Speaker 6: are greatest. 365 00:15:20,440 --> 00:15:22,240 Speaker 4: Ice Spice is hotter than everybody right now. 366 00:15:22,280 --> 00:15:25,440 Speaker 5: And do you think at certain events, especially for younger people, 367 00:15:25,960 --> 00:15:27,960 Speaker 5: that could play a role in what is happening? 368 00:15:29,320 --> 00:15:31,760 Speaker 6: I think but hot, but hot only means that Seker's 369 00:15:31,800 --> 00:15:34,880 Speaker 6: hot is if you're if you're if you're more, if 370 00:15:34,880 --> 00:15:37,240 Speaker 6: you're seeing more, like if you're out more, you're more accessible, 371 00:15:37,280 --> 00:15:39,560 Speaker 6: you have more events, you're more doing. That means you're hot. 372 00:15:39,560 --> 00:15:41,480 Speaker 6: You got features that are currently in the market space. 373 00:15:41,600 --> 00:15:43,480 Speaker 6: But Chris Brown has one of the biggest songs out 374 00:15:43,520 --> 00:15:46,920 Speaker 6: right now with Davy though Da Vido think no disrepect. 375 00:15:47,360 --> 00:15:48,760 Speaker 6: So I'm saying, like, so what does it mean when 376 00:15:48,800 --> 00:15:51,640 Speaker 6: y'all say that it's like Chris Brown's record right now 377 00:15:51,720 --> 00:15:53,240 Speaker 6: is hotter than any record quable happened. 378 00:15:53,600 --> 00:15:55,880 Speaker 5: Also, we were trying and explain in the full conversation 379 00:15:56,840 --> 00:15:59,880 Speaker 5: the times we're in now, and we've had this combo separately. 380 00:16:00,920 --> 00:16:03,160 Speaker 2: Music isn't what makes you the most relevant now. 381 00:16:04,680 --> 00:16:07,920 Speaker 5: Sometimes it's just brand recognition, who you're dating, what you're 382 00:16:07,920 --> 00:16:10,200 Speaker 5: doing online, like yeah. 383 00:16:10,000 --> 00:16:11,960 Speaker 3: That's bells and whistles, though that's how you dress it up. 384 00:16:11,960 --> 00:16:12,560 Speaker 2: We always got to. 385 00:16:12,520 --> 00:16:16,400 Speaker 5: Access, and hotter doesn't have much value compared to greatness. 386 00:16:16,440 --> 00:16:18,520 Speaker 2: Because we were arguing too that there. 387 00:16:18,440 --> 00:16:23,080 Speaker 5: Was a time when Migo's run music wise was significantly 388 00:16:23,120 --> 00:16:25,120 Speaker 5: hotter than Chris Brown. At one point, Fetti Walk was 389 00:16:25,160 --> 00:16:28,360 Speaker 5: hotter than everybody. But Chris Brown's been a lot like 390 00:16:28,440 --> 00:16:30,920 Speaker 5: around for twenty years, so that's what speaks to greatness. 391 00:16:31,360 --> 00:16:34,000 Speaker 5: Our point was based off who was hot at the moment, 392 00:16:34,320 --> 00:16:37,520 Speaker 5: and that changes things. If Ice Spice would have walked 393 00:16:37,560 --> 00:16:42,400 Speaker 5: into that rude fashion show, she would be royalty. She'd 394 00:16:42,400 --> 00:16:45,640 Speaker 5: take precedent, because that's just how marketing in the world 395 00:16:45,680 --> 00:16:47,960 Speaker 5: works right now with face recognition. 396 00:16:48,200 --> 00:16:49,880 Speaker 2: But I don't even do with a younger generation. 397 00:16:49,640 --> 00:16:50,840 Speaker 3: As hot as Ice Spice is. 398 00:16:50,960 --> 00:16:52,880 Speaker 6: I don't think that if she walks into a fashion 399 00:16:52,880 --> 00:16:56,000 Speaker 6: event in Paris right now, she still is a hotter 400 00:16:56,240 --> 00:17:00,920 Speaker 6: or a bigger conversation than if Chris Brown, only because 401 00:17:01,000 --> 00:17:02,960 Speaker 6: Chris Brown is not seen at these events like that. 402 00:17:03,120 --> 00:17:04,720 Speaker 6: So if he decides to come out and goes to 403 00:17:04,760 --> 00:17:06,320 Speaker 6: these events, just like, oh shit, Chris is here. 404 00:17:06,400 --> 00:17:07,960 Speaker 5: And also I don't want to put that on rudes 405 00:17:08,520 --> 00:17:10,959 Speaker 5: as a brand's jacket. They have much more integrity as 406 00:17:10,960 --> 00:17:13,400 Speaker 5: far as that goes. But there is plenty of huge 407 00:17:13,480 --> 00:17:16,840 Speaker 5: brands that do not care. As long as that person 408 00:17:17,359 --> 00:17:20,680 Speaker 5: is famous that week they are going to. 409 00:17:21,080 --> 00:17:21,560 Speaker 1: Come on in. 410 00:17:21,680 --> 00:17:22,680 Speaker 2: Yeah, but it's a difference. 411 00:17:22,680 --> 00:17:24,919 Speaker 5: Look at the people that now get invited to the 412 00:17:24,960 --> 00:17:26,520 Speaker 5: met Gala out of nowhere. 413 00:17:26,280 --> 00:17:27,680 Speaker 4: Influencers who like who is it? 414 00:17:27,720 --> 00:17:29,439 Speaker 2: Cardi B? Bringing up like how long it took her 415 00:17:29,480 --> 00:17:31,840 Speaker 2: to get there? And then now people, yeah, you could 416 00:17:31,840 --> 00:17:33,840 Speaker 2: be hot that week and Anna Winter's like come on in? 417 00:17:33,880 --> 00:17:36,200 Speaker 1: Didn't Ana winor take ice Pice to the neck out? Yes, 418 00:17:36,560 --> 00:17:39,200 Speaker 1: that's crazy, which is like, that's what we were saying. 419 00:17:39,240 --> 00:17:40,040 Speaker 2: What speaks to. 420 00:17:41,480 --> 00:17:45,360 Speaker 5: What's happening right now? Sometimes it does not matter how 421 00:17:45,400 --> 00:17:48,119 Speaker 5: great you are. It matters are you relevant this week? 422 00:17:48,280 --> 00:17:50,320 Speaker 5: Which is fucked up, But that's the world we live in. 423 00:17:50,440 --> 00:17:52,160 Speaker 6: Yeah, but that's why I said. It always goes back 424 00:17:52,200 --> 00:17:54,960 Speaker 6: to the product though the music, like cool, you could 425 00:17:55,000 --> 00:17:57,359 Speaker 6: have us going on to us, So sure, I'm saying too, 426 00:17:58,160 --> 00:18:00,560 Speaker 6: just in period, that's what matters. It's like cool, you 427 00:18:00,560 --> 00:18:03,080 Speaker 6: can be hot and have a viral moment and have 428 00:18:03,200 --> 00:18:05,399 Speaker 6: this going on, but like, okay, what is it that 429 00:18:05,440 --> 00:18:05,679 Speaker 6: you do. 430 00:18:05,720 --> 00:18:08,320 Speaker 3: You're an artist, what is your music sounding like? What 431 00:18:08,400 --> 00:18:09,919 Speaker 3: is your impact in that world? 432 00:18:10,320 --> 00:18:14,119 Speaker 6: If your impact in that world is subpar, then it's like, Okay, 433 00:18:14,119 --> 00:18:16,080 Speaker 6: you may get invited to an event here and then, 434 00:18:16,119 --> 00:18:18,400 Speaker 6: but it's like when a person that is like a 435 00:18:18,520 --> 00:18:22,240 Speaker 6: legend in that field in there, in their craft walks 436 00:18:22,280 --> 00:18:24,800 Speaker 6: into a room, there's gonna be a bigger talk about 437 00:18:25,040 --> 00:18:29,080 Speaker 6: that person because that is a solidified, certified legend standard 438 00:18:29,119 --> 00:18:31,480 Speaker 6: right there. That's not just somebody that's hot. That is 439 00:18:31,520 --> 00:18:34,920 Speaker 6: somebody that is a legend. Legends cool off and just 440 00:18:34,960 --> 00:18:37,240 Speaker 6: disappear and go live life. And doing that doesn't mean 441 00:18:37,280 --> 00:18:39,480 Speaker 6: that when they decide to come out, that's not still 442 00:18:39,480 --> 00:18:40,760 Speaker 6: a legend that's standing there. 443 00:18:40,920 --> 00:18:42,720 Speaker 2: And to us, I agree with you. 444 00:18:42,800 --> 00:18:47,119 Speaker 5: But right now, the environment we live in hot is 445 00:18:47,160 --> 00:18:48,359 Speaker 5: more relevant than legend. 446 00:18:48,960 --> 00:18:49,840 Speaker 4: That's just what it is. 447 00:18:49,880 --> 00:18:49,920 Speaker 8: Like. 448 00:18:49,960 --> 00:18:51,840 Speaker 7: I don't like I don't support it. I don't like 449 00:18:51,880 --> 00:18:54,200 Speaker 7: that as but that is what it is. 450 00:18:54,720 --> 00:18:57,879 Speaker 2: Not in the long run. Really, I'm saying, for short term, who's. 451 00:18:57,600 --> 00:18:59,520 Speaker 4: Gonna get more shared? That's what it's about. 452 00:18:59,680 --> 00:19:00,879 Speaker 6: I think it was fun though. I think it was 453 00:19:00,920 --> 00:19:03,240 Speaker 6: fun for the Internet to have fun with the clip 454 00:19:03,320 --> 00:19:05,480 Speaker 6: and laugh about it and people to curse people out 455 00:19:05,480 --> 00:19:08,639 Speaker 6: in the comments and things like that, but they do 456 00:19:08,680 --> 00:19:10,120 Speaker 6: think that y'all have some stupid motherfuckers. 457 00:19:10,160 --> 00:19:11,159 Speaker 2: I just want to let you all know that right. 458 00:19:11,200 --> 00:19:13,080 Speaker 2: Wouldn't be the first time I was called that me either. 459 00:19:13,920 --> 00:19:16,080 Speaker 7: Nobody under the age of twenty five was calling me stupid, 460 00:19:16,080 --> 00:19:16,600 Speaker 7: So I don't care. 461 00:19:16,680 --> 00:19:19,879 Speaker 4: But anyway, I can go the when we pick our clips, 462 00:19:19,880 --> 00:19:21,760 Speaker 4: we pick our clips till you know, do their thing. 463 00:19:21,840 --> 00:19:24,040 Speaker 7: We never know which one is gonna really really do 464 00:19:24,160 --> 00:19:26,800 Speaker 7: it's thing, and we deal with the aftermath it would come. 465 00:19:26,880 --> 00:19:28,639 Speaker 7: So if people want to laugh and call it stupid, 466 00:19:28,720 --> 00:19:29,520 Speaker 7: that's perfectly fine. 467 00:19:29,560 --> 00:19:31,440 Speaker 6: But before we get off of the store and you're 468 00:19:31,520 --> 00:19:33,440 Speaker 6: heart of hearts, like right here and it caught us song, 469 00:19:34,080 --> 00:19:36,440 Speaker 6: you really feel like sixty year old girls would rather 470 00:19:36,880 --> 00:19:41,240 Speaker 6: wa Chris Brown. Seriously though, you really start throwing in 471 00:19:41,359 --> 00:19:43,920 Speaker 6: your heart. You feel like sixteen year old girls would 472 00:19:44,000 --> 00:19:45,960 Speaker 6: rather see kwave O than Chris Brown. 473 00:19:46,000 --> 00:19:46,440 Speaker 1: Seriously. 474 00:19:47,240 --> 00:19:48,560 Speaker 2: We just saw some white girls. 475 00:19:48,280 --> 00:19:50,879 Speaker 6: Say she would suck and fuck Chris every day she 476 00:19:50,960 --> 00:19:51,560 Speaker 6: was eighteen. 477 00:19:51,880 --> 00:19:54,560 Speaker 3: Chris was like, y're on flattered, you're too young. It's eighteen. 478 00:19:56,400 --> 00:19:57,800 Speaker 2: Yeah, but what platform. 479 00:19:57,440 --> 00:19:58,479 Speaker 1: Was she on? Twitch? 480 00:19:59,440 --> 00:20:02,359 Speaker 2: Had some No, it's not a. She was a platform. 481 00:20:02,400 --> 00:20:04,960 Speaker 6: Aiden Ross and Chris Brown had a stream and she 482 00:20:04,960 --> 00:20:06,760 Speaker 6: didn't think it was real. She thought it was pre recorded, 483 00:20:06,800 --> 00:20:08,080 Speaker 6: and then when she saw that they were really like 484 00:20:08,160 --> 00:20:10,320 Speaker 6: on camera with her, she just decided to get her 485 00:20:10,320 --> 00:20:12,320 Speaker 6: ship off and she said, I'm dead series. I was 486 00:20:12,320 --> 00:20:16,160 Speaker 6: sucking fuck you every day. Chris was like, WHOA, like flattered, 487 00:20:16,160 --> 00:20:17,200 Speaker 6: but you're too young. 488 00:20:17,400 --> 00:20:20,240 Speaker 5: But but you telling me that a woman would want 489 00:20:20,240 --> 00:20:21,720 Speaker 5: to suck and fuck Chris Brown, like. 490 00:20:21,800 --> 00:20:22,760 Speaker 4: Does surprise me? 491 00:20:22,960 --> 00:20:24,920 Speaker 2: No, I'm just saying that he's not a young girl 492 00:20:25,320 --> 00:20:26,000 Speaker 2: that blew me away. 493 00:20:26,080 --> 00:20:26,199 Speaker 1: No. 494 00:20:26,280 --> 00:20:29,399 Speaker 6: But to what Damaris is saying, young girls would like 495 00:20:29,440 --> 00:20:32,280 Speaker 6: to see the light skinned, handsome guy that can sing 496 00:20:32,320 --> 00:20:34,960 Speaker 6: and dance before the rapper that's gonna. 497 00:20:34,680 --> 00:20:37,679 Speaker 2: Come to the party, wars would anybody that's saying there. 498 00:20:37,760 --> 00:20:40,119 Speaker 8: Who WHOA, I'm not calling you, I'm not calling them. 499 00:20:40,320 --> 00:20:43,320 Speaker 8: I'm just saying younger. If you get on any generation. 500 00:20:43,000 --> 00:20:45,520 Speaker 2: Say I'll suck and you you're a horn training and 501 00:20:45,760 --> 00:20:46,080 Speaker 2: you need to. 502 00:20:47,160 --> 00:20:49,520 Speaker 6: But I'm saying, Rory, say it privately. What I'm saying, 503 00:20:49,560 --> 00:20:51,720 Speaker 6: Rory like a real hoe. What I'm saying is or 504 00:20:51,800 --> 00:20:54,919 Speaker 6: just young girls or just sucking fucking just do it No, 505 00:20:54,960 --> 00:20:58,040 Speaker 6: we're not promoting that. What I'm saying is young girls 506 00:20:58,400 --> 00:21:01,040 Speaker 6: would rather see a guy that can sing and dance. 507 00:21:02,280 --> 00:21:05,159 Speaker 6: Any generation. When a guy can sing, If you was 508 00:21:05,200 --> 00:21:07,520 Speaker 6: a guy in school that could rap, it was like, 509 00:21:07,640 --> 00:21:10,479 Speaker 6: oh that's school he could rap. If you could sing 510 00:21:10,520 --> 00:21:13,359 Speaker 6: and dance, every girl in the school would one to 511 00:21:13,400 --> 00:21:13,679 Speaker 6: date you. 512 00:21:13,720 --> 00:21:15,320 Speaker 4: And Mom, this is where I want to bring up 513 00:21:15,359 --> 00:21:16,160 Speaker 4: your age. 514 00:21:16,640 --> 00:21:20,959 Speaker 6: And I just said any generation, any generation generation, singing 515 00:21:21,000 --> 00:21:23,639 Speaker 6: and dancing is more attractive than rapping with jewelry on. 516 00:21:24,800 --> 00:21:26,159 Speaker 4: And that's what she don't understand. 517 00:21:26,600 --> 00:21:29,879 Speaker 6: Yea generation is more attractive to singing and dancing. 518 00:21:30,400 --> 00:21:30,800 Speaker 1: That thing. 519 00:21:30,960 --> 00:21:32,720 Speaker 3: It takes more skills to sing and dance. 520 00:21:32,760 --> 00:21:35,600 Speaker 1: Okay, okay, let the Maria speak for younger generation. 521 00:21:36,200 --> 00:21:37,600 Speaker 4: What I'm trying to she can't speak. 522 00:21:37,600 --> 00:21:39,520 Speaker 2: She's thirty, she's not thirty. 523 00:21:39,760 --> 00:21:40,240 Speaker 4: Not thirty. 524 00:21:40,320 --> 00:21:43,200 Speaker 7: Hold twenty nine, okay, she's twenty nine. What I'm saying, 525 00:21:43,200 --> 00:21:45,560 Speaker 7: I'm not even speaking for myself. What I'm saying is 526 00:21:45,600 --> 00:21:48,320 Speaker 7: I don't understand how you can't see the difference in 527 00:21:48,400 --> 00:21:51,560 Speaker 7: how rap has really really taken up. Rap was always 528 00:21:51,680 --> 00:21:55,359 Speaker 7: has It's always been big. Rap has gotten bigger since 529 00:21:55,480 --> 00:21:57,320 Speaker 7: you were in high school. Are you seeing what I'm saying, 530 00:21:57,359 --> 00:22:00,879 Speaker 7: these young girls now love rappers, singers. 531 00:22:01,320 --> 00:22:02,960 Speaker 4: They were saying for so long that R and B 532 00:22:03,160 --> 00:22:03,840 Speaker 4: was fucking dead. 533 00:22:04,040 --> 00:22:06,719 Speaker 7: That's not for no reason, there's that's literally they're not 534 00:22:06,720 --> 00:22:10,920 Speaker 7: saying that A has taken over the rap star taking 535 00:22:10,960 --> 00:22:14,679 Speaker 7: over marriage. 536 00:22:14,760 --> 00:22:16,439 Speaker 6: Chris Brown is not just an R and B C, 537 00:22:16,520 --> 00:22:20,119 Speaker 6: but he's a pop star. Brown, I'm not even exactly 538 00:22:20,119 --> 00:22:21,880 Speaker 6: what we're talking about. You're talking. 539 00:22:22,240 --> 00:22:23,800 Speaker 7: I said, take their names out of it, because I 540 00:22:23,840 --> 00:22:25,640 Speaker 7: don't even want to make this about them anymore. 541 00:22:25,680 --> 00:22:27,800 Speaker 3: Okay, so a pop star a pop star? 542 00:22:28,280 --> 00:22:32,080 Speaker 7: He's not a pop star. Oh my god, Chris Brown's 543 00:22:32,040 --> 00:22:32,720 Speaker 7: got a pop star? 544 00:22:33,560 --> 00:22:33,919 Speaker 1: What are you? 545 00:22:35,000 --> 00:22:35,960 Speaker 2: What are you talking about? 546 00:22:36,000 --> 00:22:39,800 Speaker 4: What makes Chris Brown a pop star? Quickly, chriss Chris. 547 00:22:40,320 --> 00:22:41,560 Speaker 2: Chris Brown is not a pop star? 548 00:22:41,840 --> 00:22:42,040 Speaker 1: Chris? 549 00:22:42,280 --> 00:22:47,160 Speaker 6: What makes what are you star? What are you talking about? 550 00:22:47,359 --> 00:22:48,240 Speaker 6: What are you talking about? No? 551 00:22:48,359 --> 00:22:49,760 Speaker 4: I'm asking you what you think? 552 00:22:49,840 --> 00:22:51,080 Speaker 2: Chris Brown is not a pop star? 553 00:22:51,160 --> 00:22:53,439 Speaker 4: What makes him a pop star? What makes him a 554 00:22:53,440 --> 00:22:54,959 Speaker 4: pop star? What makes him? 555 00:22:55,440 --> 00:22:57,360 Speaker 2: You got it? You speak for all sixteen year olds. Bro. 556 00:22:58,320 --> 00:23:00,760 Speaker 6: You just sat here, you just said here said Chris 557 00:23:00,800 --> 00:23:02,080 Speaker 6: Brown is not a pop star. 558 00:23:02,240 --> 00:23:04,160 Speaker 4: Can you tell me what makes him a pop star? 559 00:23:04,359 --> 00:23:04,800 Speaker 4: You can't. 560 00:23:05,040 --> 00:23:06,280 Speaker 3: Can I get some help on this or you used 561 00:23:06,320 --> 00:23:07,560 Speaker 3: to? Don't like let her get a ship off? 562 00:23:07,760 --> 00:23:08,280 Speaker 1: Well? What makes? 563 00:23:08,640 --> 00:23:10,159 Speaker 2: If you guys are yelling, I didn't want to interrupt. 564 00:23:10,160 --> 00:23:11,160 Speaker 3: It's Chris Brown a pop star. 565 00:23:11,320 --> 00:23:11,840 Speaker 2: I think he is. 566 00:23:12,000 --> 00:23:13,320 Speaker 3: It's Chris Brown a popstar. 567 00:23:13,119 --> 00:23:15,880 Speaker 1: Julie, But it is Chris Brown a pop star? 568 00:23:16,040 --> 00:23:18,560 Speaker 5: What makes That's the only time I've disagreed with Themarican 569 00:23:19,359 --> 00:23:19,960 Speaker 5: a pop star? 570 00:23:20,040 --> 00:23:22,399 Speaker 6: What the fuck are you asking me? I'm asking a question. 571 00:23:22,560 --> 00:23:27,080 Speaker 6: It's Chris brownie popstar? Kind of I agree that Chris 572 00:23:27,119 --> 00:23:29,920 Speaker 6: Brown makes pop. I agree that Chris Brown makes pop? 573 00:23:32,320 --> 00:23:33,200 Speaker 2: What are you talking about? 574 00:23:33,320 --> 00:23:35,840 Speaker 5: Chris Brown is a pop star? But you did glide 575 00:23:35,960 --> 00:23:38,840 Speaker 5: over an amazing point that she made and changed the subject. 576 00:23:38,880 --> 00:23:41,320 Speaker 2: That was a little gas lady. These girls listen to 577 00:23:41,320 --> 00:23:43,760 Speaker 2: moody R and B. No R and B, but they 578 00:23:43,800 --> 00:23:46,200 Speaker 2: love that they dance. They don't dance, they don't really 579 00:23:46,200 --> 00:23:48,280 Speaker 2: even sing. I like it. 580 00:23:48,320 --> 00:23:50,960 Speaker 3: But actually, direct question is Chris brownie popstar? 581 00:23:51,040 --> 00:23:54,160 Speaker 2: But before that said you changed the subject, changed the subject. 582 00:23:54,560 --> 00:23:56,600 Speaker 2: But it's what I'm saying question though, and you said, no, 583 00:23:56,640 --> 00:24:00,280 Speaker 2: he's not a pop star. But okay, you deflected off 584 00:24:00,280 --> 00:24:00,760 Speaker 2: a great point. 585 00:24:00,800 --> 00:24:03,760 Speaker 7: She mean, what was the point you made conversation we 586 00:24:03,760 --> 00:24:05,720 Speaker 7: were having where you said that young girls these days 587 00:24:05,760 --> 00:24:08,479 Speaker 7: are in high school would rather see what what are 588 00:24:08,560 --> 00:24:10,600 Speaker 7: more attracted to a guy that can sing a dance 589 00:24:10,760 --> 00:24:12,520 Speaker 7: than a rapper? And I'm telling you that that's an 590 00:24:12,520 --> 00:24:15,959 Speaker 7: outdated concept because R and B has become outdated. 591 00:24:16,359 --> 00:24:17,760 Speaker 4: That's what I'm trying to out. 592 00:24:17,680 --> 00:24:19,120 Speaker 2: Right cool, that type of cool. 593 00:24:19,119 --> 00:24:21,280 Speaker 6: I heard that point and then I said, Chris Brown 594 00:24:21,320 --> 00:24:23,160 Speaker 6: is not just R and B. He's a pop star. 595 00:24:23,320 --> 00:24:25,360 Speaker 7: That's what I said, right, Okay, now let me let 596 00:24:25,400 --> 00:24:26,480 Speaker 7: me say what I'm saying. 597 00:24:27,080 --> 00:24:28,520 Speaker 4: So let's clarify this. 598 00:24:28,920 --> 00:24:30,920 Speaker 2: Pop stars don't dance it and Chris Brown. 599 00:24:30,800 --> 00:24:34,639 Speaker 7: Makes pop music and good pop music. Yes, I do 600 00:24:34,760 --> 00:24:37,600 Speaker 7: not think that Chris Brown is considered a pop star. 601 00:24:37,920 --> 00:24:41,200 Speaker 7: I also think that Beyonce makes pop music. Does Beyonce 602 00:24:41,320 --> 00:24:44,680 Speaker 7: get awarded Pop fucking Grammys or does she get awarded 603 00:24:44,800 --> 00:24:47,359 Speaker 7: R and B Grammys? Does Chris Brown get nominated for 604 00:24:47,480 --> 00:24:50,240 Speaker 7: Pop Grammys? Or does he get nominated for R and 605 00:24:50,280 --> 00:24:53,040 Speaker 7: B Grammys. We have had this fucking argument the same 606 00:24:53,040 --> 00:24:55,919 Speaker 7: way that they kept saying that Doja Cat was rapped 607 00:24:55,920 --> 00:24:57,880 Speaker 7: when she back, when she was popped, not this last 608 00:24:57,880 --> 00:24:59,879 Speaker 7: album but before that, Doja Cat was popped. 609 00:24:59,880 --> 00:25:00,720 Speaker 4: She he was not rap. 610 00:25:01,000 --> 00:25:04,040 Speaker 7: But us as black artists do not get classified as 611 00:25:04,080 --> 00:25:06,440 Speaker 7: pop stars, even when we make pop music. So when 612 00:25:06,440 --> 00:25:09,720 Speaker 7: you're asking me, it's Chris Brown a pop star? To me, yes, 613 00:25:10,280 --> 00:25:12,600 Speaker 7: but no, he is not an Ariana. 614 00:25:12,119 --> 00:25:16,520 Speaker 6: Grande favorite favorite, pop favorite, pop rock mal artists. 615 00:25:16,520 --> 00:25:17,840 Speaker 2: He won that of two thousand and eight. 616 00:25:18,800 --> 00:25:22,639 Speaker 4: Uh okay, keep scrolling because that was two thousand and eight. 617 00:25:22,680 --> 00:25:24,880 Speaker 3: That was what Favid sol R and B Artist one 618 00:25:25,000 --> 00:25:25,680 Speaker 3: Artist of the Year. 619 00:25:27,359 --> 00:25:29,960 Speaker 1: He won one award that has popping in one out 620 00:25:29,960 --> 00:25:30,920 Speaker 1: of all his awards. 621 00:25:31,000 --> 00:25:32,840 Speaker 4: He's not considered a pop star. I don't say that. 622 00:25:32,920 --> 00:25:35,399 Speaker 4: I love Chris Brown's music. He makes pop music, but 623 00:25:35,480 --> 00:25:37,440 Speaker 4: he is not considered a pop star. I'm not fucking 624 00:25:37,480 --> 00:25:38,439 Speaker 4: crazy for saying that. 625 00:25:38,480 --> 00:25:41,200 Speaker 3: Who's a pop star? In your opinion, pop stars. 626 00:25:40,840 --> 00:25:43,720 Speaker 4: Are people like, uh, let me think, let me think, 627 00:25:44,119 --> 00:25:45,600 Speaker 4: white women, thank you. 628 00:25:47,440 --> 00:25:51,000 Speaker 7: They're the only ones that get labeled as pop That's 629 00:25:51,040 --> 00:25:51,720 Speaker 7: what I'm saying. 630 00:25:53,160 --> 00:25:54,480 Speaker 2: But Beyonce is a pop star. 631 00:25:54,520 --> 00:25:57,240 Speaker 4: Beyonce is a pop star, but she's not considered. 632 00:25:56,760 --> 00:26:00,000 Speaker 5: That to this day. I think to this consider her. 633 00:26:00,160 --> 00:26:03,000 Speaker 5: Her last two albums were extremely R and B. 634 00:26:03,960 --> 00:26:04,920 Speaker 2: But she's a pop star. 635 00:26:05,080 --> 00:26:06,720 Speaker 4: Yes, but she was she will never be. 636 00:26:06,760 --> 00:26:08,639 Speaker 5: And Chris Brown is one of those that his single 637 00:26:08,720 --> 00:26:10,439 Speaker 5: is usually pop and then he has a lot of 638 00:26:10,520 --> 00:26:11,600 Speaker 5: R and B on the album. 639 00:26:11,880 --> 00:26:16,320 Speaker 7: I agree, white people, it's like like little when you 640 00:26:16,359 --> 00:26:21,400 Speaker 7: say pop, it's little team white people. That's what's considered pop. So, yes, 641 00:26:21,440 --> 00:26:23,480 Speaker 7: he makes pop music. Yes, I enjoyed pop music. Yes, 642 00:26:23,480 --> 00:26:26,080 Speaker 7: he's a superstar. He'll never be labeled a pop star. 643 00:26:26,200 --> 00:26:27,040 Speaker 4: That just is what it is. 644 00:26:27,040 --> 00:26:29,920 Speaker 5: I didn't create, okay, But right to Jamaris's point though, 645 00:26:30,080 --> 00:26:32,120 Speaker 5: like I'm looking here, if Adele was black, she would 646 00:26:32,200 --> 00:26:34,440 Speaker 5: not be considered pop, but I consider her pop. 647 00:26:35,119 --> 00:26:36,600 Speaker 2: How what do you mean if she was black? 648 00:26:37,640 --> 00:26:40,840 Speaker 5: If if Adele was black and made the last four albums, 649 00:26:40,880 --> 00:26:41,520 Speaker 5: they would call. 650 00:26:41,440 --> 00:26:43,959 Speaker 2: It R and B. Yes, and that's that's just how 651 00:26:44,000 --> 00:26:44,560 Speaker 2: they moved the gold. 652 00:26:44,640 --> 00:26:46,880 Speaker 4: You've been complaining about that on this exact. 653 00:26:46,440 --> 00:26:48,200 Speaker 5: Adel to me is a pop star and makes incredible 654 00:26:48,280 --> 00:26:50,200 Speaker 5: R and B. She's one of my favorite artists. But 655 00:26:50,280 --> 00:26:51,520 Speaker 5: that's where race does. 656 00:26:53,000 --> 00:26:56,440 Speaker 3: Rihanna, those are black woman on the pop star. 657 00:26:56,600 --> 00:26:58,280 Speaker 1: Well, that was just a general Google search. 658 00:26:58,320 --> 00:27:03,720 Speaker 2: I think siss A recently became a yell pop star. Control. 659 00:27:03,800 --> 00:27:05,560 Speaker 2: That was a straight up R and B album and 660 00:27:05,600 --> 00:27:06,399 Speaker 2: it went pops. 661 00:27:06,680 --> 00:27:08,440 Speaker 7: Since I had to fight? Does it have to fight 662 00:27:08,480 --> 00:27:10,760 Speaker 7: to be considered a pop star? But you know, Rihanna 663 00:27:10,800 --> 00:27:12,679 Speaker 7: has never really made R and B. She hasn't made 664 00:27:12,760 --> 00:27:13,440 Speaker 7: R and B in years. 665 00:27:13,480 --> 00:27:15,159 Speaker 6: All right, But you you agree that Chris Brown is 666 00:27:15,160 --> 00:27:17,320 Speaker 6: a pop star? I do, Julie, do you agree that 667 00:27:17,359 --> 00:27:18,240 Speaker 6: Chris buns a pop star? 668 00:27:18,520 --> 00:27:20,960 Speaker 1: Demerius made I agree with Demarra said in terms of 669 00:27:21,040 --> 00:27:23,240 Speaker 1: he makes music that is pop a categorically he's. 670 00:27:23,119 --> 00:27:24,680 Speaker 3: Not abou So you don't think that Chris Brown is 671 00:27:24,680 --> 00:27:25,200 Speaker 3: a pop star. 672 00:27:26,119 --> 00:27:28,000 Speaker 1: He has records that are popular that. 673 00:27:28,440 --> 00:27:30,000 Speaker 2: I won't answer the question do you think Chris Brown 674 00:27:30,040 --> 00:27:30,520 Speaker 2: is a pop star? 675 00:27:30,960 --> 00:27:35,679 Speaker 1: I think there's nuance to it. There's a nuance to it, 676 00:27:35,720 --> 00:27:37,560 Speaker 1: which is what Demeras said. I don't want to repeat 677 00:27:37,560 --> 00:27:39,120 Speaker 1: her whole point, but I like what she said. 678 00:27:39,160 --> 00:27:41,399 Speaker 2: What do you think the song I can transform you? 679 00:27:42,359 --> 00:27:45,399 Speaker 1: But that's the pop like someone that you can Drake 680 00:27:45,440 --> 00:27:48,680 Speaker 1: makes pop music. He's not a pop star. All of 681 00:27:48,720 --> 00:27:51,000 Speaker 1: our favorite artists can make pop music, but also do others. 682 00:27:51,040 --> 00:27:53,639 Speaker 5: Drake is normally because he's in every genre, and that's 683 00:27:53,680 --> 00:27:56,040 Speaker 5: not fair. I think people that tease the line of 684 00:27:56,119 --> 00:27:57,879 Speaker 5: pop and R and B and have the numbers in 685 00:27:57,920 --> 00:28:00,720 Speaker 5: the icon sets are allowed to be called pop stars. 686 00:28:01,200 --> 00:28:02,200 Speaker 2: Chris Brown is one of those. 687 00:28:02,359 --> 00:28:05,399 Speaker 6: Chris Brown is a pop How is this and this 688 00:28:05,440 --> 00:28:07,040 Speaker 6: is what the internet is saying, How is this a 689 00:28:07,080 --> 00:28:10,480 Speaker 6: real conversation? I actually direct I asked you a direct question. 690 00:28:10,600 --> 00:28:12,200 Speaker 6: Is Chris Brown a pop star? And you can't even 691 00:28:12,400 --> 00:28:13,480 Speaker 6: that The answer. 692 00:28:13,280 --> 00:28:16,560 Speaker 2: Is yes, answers yes, The answer is yes. 693 00:28:16,520 --> 00:28:20,119 Speaker 7: Chris Brown is a and nobody dispute Chris Brown is 694 00:28:20,160 --> 00:28:23,720 Speaker 7: at the argument that star Chris Brown is a pop 695 00:28:23,840 --> 00:28:24,800 Speaker 7: dispute what I start? 696 00:28:25,280 --> 00:28:28,320 Speaker 6: It's no conversation and it's okay, that's not a knock. 697 00:28:28,960 --> 00:28:31,400 Speaker 6: It's actually like yo, that he's a popular star. He's 698 00:28:31,440 --> 00:28:34,880 Speaker 6: a pop star, he makes popular music. How is this 699 00:28:35,320 --> 00:28:36,600 Speaker 6: a fucking argument? 700 00:28:37,400 --> 00:28:40,840 Speaker 5: Like how would you consider prince of pop star or 701 00:28:40,960 --> 00:28:42,640 Speaker 5: rock and roll star that? 702 00:28:42,680 --> 00:28:44,400 Speaker 4: But see that goes into a whole different thing. 703 00:28:44,520 --> 00:28:47,240 Speaker 2: But I think I'm not comparing persons and Chris. I 704 00:28:47,240 --> 00:28:48,120 Speaker 2: want to make that very clear. 705 00:28:48,480 --> 00:28:50,920 Speaker 5: But somebody that teetered the line and the music that 706 00:28:50,960 --> 00:28:53,680 Speaker 5: they made you could really consider as rock and roll, 707 00:28:54,240 --> 00:28:55,560 Speaker 5: but it was it was pop. 708 00:28:56,040 --> 00:28:57,680 Speaker 2: Michael, in my opinion, had a few R. 709 00:28:57,640 --> 00:29:00,480 Speaker 5: And B records, but he defined what a popped that's 710 00:29:00,640 --> 00:29:03,600 Speaker 5: pop popular fucking music. That's pop chords, it's pop writing, 711 00:29:03,600 --> 00:29:03,920 Speaker 5: it's pop. 712 00:29:05,200 --> 00:29:07,000 Speaker 6: I'm gonna just go out I think it's a good 713 00:29:07,000 --> 00:29:08,640 Speaker 6: example of that though. I'm gonna just go out on 714 00:29:08,640 --> 00:29:11,000 Speaker 6: their limp and say that if you're on a white 715 00:29:11,000 --> 00:29:13,160 Speaker 6: guys stream and an eighteen year old white girl says 716 00:29:13,440 --> 00:29:15,840 Speaker 6: she would sucking fuck you, it's probably because you're a 717 00:29:15,840 --> 00:29:18,360 Speaker 6: pop star. So it's blue it's blue face a pop star, 718 00:29:18,760 --> 00:29:20,480 Speaker 6: not not not because not because. 719 00:29:20,280 --> 00:29:22,440 Speaker 2: You're putting way too much on eighteen year old on. 720 00:29:22,680 --> 00:29:26,240 Speaker 6: I'm just saying, because white girls love pop stars, white 721 00:29:26,240 --> 00:29:27,400 Speaker 6: girls like rich people. 722 00:29:27,200 --> 00:29:29,280 Speaker 4: White girls like black men. What the heck are we 723 00:29:29,400 --> 00:29:32,240 Speaker 4: talking about? What are we talking about? Bro? That's a 724 00:29:32,280 --> 00:29:32,560 Speaker 4: good like. 725 00:29:33,760 --> 00:29:35,240 Speaker 3: Yeah, But she's not saying she wants to. 726 00:29:35,240 --> 00:29:36,880 Speaker 7: Black man that would have been on there there to 727 00:29:36,880 --> 00:29:37,640 Speaker 7: offer the sucking fun. 728 00:29:38,760 --> 00:29:41,760 Speaker 6: That's that's not that's not true. I'm not saying that. 729 00:29:42,920 --> 00:29:46,080 Speaker 6: I'm not saying. I'm not I'm not I'm not saying. 730 00:29:46,120 --> 00:29:48,160 Speaker 6: I'm not saying she wouldn't have. But nine times out 731 00:29:48,200 --> 00:29:52,040 Speaker 6: of ten, little young white girls are attracted to pop stars. 732 00:29:52,560 --> 00:29:55,440 Speaker 6: They only know about these gentlemen because they're pop stars. 733 00:29:55,480 --> 00:29:58,240 Speaker 6: They're popular stars. They make popular music. 734 00:29:58,400 --> 00:30:00,720 Speaker 7: How is this you can make popular our music that's 735 00:30:00,760 --> 00:30:02,880 Speaker 7: not pop? And like, why are we acting? Why are 736 00:30:02,920 --> 00:30:03,600 Speaker 7: we all acting? 737 00:30:03,680 --> 00:30:07,440 Speaker 2: Dense? Y know? They they literally what I'm saying. There 738 00:30:07,480 --> 00:30:09,080 Speaker 2: was young white girls at Gunners show. 739 00:30:09,680 --> 00:30:13,640 Speaker 6: I'm not I'm not I'm not. I'm not saying they 740 00:30:13,680 --> 00:30:15,960 Speaker 6: can't be. But I'm just saying, man, I'm not saying 741 00:30:15,960 --> 00:30:17,800 Speaker 6: they can't be at a rap show. I'm not saying that. 742 00:30:18,680 --> 00:30:22,200 Speaker 6: I'm just saying this kid, Chris not kid. This Chris Brown, 743 00:30:22,560 --> 00:30:26,160 Speaker 6: since his inception into the industry, has been compared to 744 00:30:26,280 --> 00:30:29,760 Speaker 6: the King of Pop. He's been compared to Michael Jackson 745 00:30:30,040 --> 00:30:31,120 Speaker 6: since we've known about him. 746 00:30:31,160 --> 00:30:34,880 Speaker 5: Trying not to say negative things about Chris Brown, but 747 00:30:35,040 --> 00:30:38,880 Speaker 5: I have feel now that that was an awful take. 748 00:30:39,520 --> 00:30:41,720 Speaker 3: Feel how you want to feel? Was it not a thing? 749 00:30:42,040 --> 00:30:42,560 Speaker 3: Not a real thing. 750 00:30:42,640 --> 00:30:45,280 Speaker 5: I liked that conversation people were having who was more talented. 751 00:30:45,560 --> 00:30:47,080 Speaker 5: I know a lot of people thought that was blasphemis. 752 00:30:47,160 --> 00:30:50,600 Speaker 5: I thought that was a fair conversation who was more talented? 753 00:30:50,600 --> 00:30:53,240 Speaker 5: If you see what Chris can do art wise, everything, 754 00:30:54,240 --> 00:30:56,960 Speaker 5: he should never be in a sentence with Michael Jackson, 755 00:30:56,960 --> 00:30:58,000 Speaker 5: as far as the pop star. 756 00:30:57,880 --> 00:30:58,160 Speaker 2: It's not. 757 00:30:58,320 --> 00:31:00,479 Speaker 6: But it's not that he's in this. I think what 758 00:31:00,520 --> 00:31:03,680 Speaker 6: people are saying was because he was so young, so 759 00:31:03,920 --> 00:31:08,560 Speaker 6: talented and dance, can sing, can perform at the level 760 00:31:08,600 --> 00:31:11,040 Speaker 6: that he can perform one of the greatest. We may 761 00:31:11,120 --> 00:31:14,600 Speaker 6: not have seen somebody do that at at such a 762 00:31:14,640 --> 00:31:18,479 Speaker 6: young age and demand an audience and captivate an audience 763 00:31:18,600 --> 00:31:22,200 Speaker 6: from with their performance as Michael Jackson. There's nobody that 764 00:31:22,240 --> 00:31:26,040 Speaker 6: you can compare to Michael Jackson. Nobody. Michael Jackson is 765 00:31:26,080 --> 00:31:29,000 Speaker 6: the bar. He's the one that if you're compared to him, 766 00:31:29,040 --> 00:31:30,720 Speaker 6: that means you're fucking great. 767 00:31:31,400 --> 00:31:34,120 Speaker 3: He's the bar. So I'm not saying. 768 00:31:34,200 --> 00:31:37,440 Speaker 5: Artists in the beginning that just got the the nod 769 00:31:37,480 --> 00:31:39,120 Speaker 5: of oh, this is the next Michael. 770 00:31:38,840 --> 00:31:40,680 Speaker 4: Because I sure the next Michael too. 771 00:31:40,760 --> 00:31:42,840 Speaker 2: For a while when My Way came out, that was 772 00:31:42,880 --> 00:31:44,720 Speaker 2: another legend. Oh for sure. 773 00:31:44,720 --> 00:31:49,240 Speaker 5: But you see that they're both icons, but drastically different 774 00:31:49,400 --> 00:31:52,480 Speaker 5: careers in how they even perform or make music like 775 00:31:52,480 --> 00:31:54,880 Speaker 5: it shouldn't even be in the same Michael is Michael 776 00:31:55,040 --> 00:31:57,840 Speaker 5: like Mike is Mike. I agree with you, And guess 777 00:31:57,840 --> 00:31:59,840 Speaker 5: what I listened to Usher more than I listened to Michael, 778 00:32:00,400 --> 00:32:01,880 Speaker 5: but Mike is over here. 779 00:32:02,280 --> 00:32:04,440 Speaker 6: We know that that's not even I'm just saying, when 780 00:32:04,480 --> 00:32:09,640 Speaker 6: you're compared to a Michael Jackson, it's not because you're 781 00:32:09,800 --> 00:32:12,680 Speaker 6: just a R and B Like who's. 782 00:32:12,520 --> 00:32:15,040 Speaker 2: Star did Quincy like? Who didn't? 783 00:32:15,720 --> 00:32:16,000 Speaker 4: I don't. 784 00:32:16,480 --> 00:32:19,080 Speaker 2: I'm just saying that was the general consensus I remember. 785 00:32:19,200 --> 00:32:20,160 Speaker 2: So that's all I'm saying. 786 00:32:20,200 --> 00:32:22,040 Speaker 6: I don't know, I can't name the names of exactly 787 00:32:22,080 --> 00:32:24,280 Speaker 6: who was saying it, but we all know that they 788 00:32:24,400 --> 00:32:24,920 Speaker 6: was compared. 789 00:32:25,080 --> 00:32:27,240 Speaker 3: Anytime it was a tribute to Michael Jackson who was. 790 00:32:27,160 --> 00:32:30,680 Speaker 6: Performing, well, we didn't get the one we wanted. I'm 791 00:32:30,720 --> 00:32:32,640 Speaker 6: just saying, when there was a tribute, it should be 792 00:32:32,680 --> 00:32:35,040 Speaker 6: it should be Chris Brown. This is what I'm saying, 793 00:32:35,040 --> 00:32:37,520 Speaker 6: And it's a reason for that. There's a reason for them. 794 00:32:37,560 --> 00:32:41,080 Speaker 6: I think that that's it's his talent left. It's attributed 795 00:32:41,120 --> 00:32:44,000 Speaker 6: a lot because of how well he can dance, not 796 00:32:44,040 --> 00:32:45,960 Speaker 6: only how well he can dance performing A lot of 797 00:32:46,000 --> 00:32:48,120 Speaker 6: people can dance. Can you perform? 798 00:32:48,160 --> 00:32:50,080 Speaker 1: Though, yes, also weren't arguing. 799 00:32:50,720 --> 00:32:53,239 Speaker 6: I'm just saying there there's a reason that he is 800 00:32:53,320 --> 00:32:55,960 Speaker 6: in these conversations because of his talent level. 801 00:32:56,600 --> 00:33:02,040 Speaker 5: They similar Barrytown and see That's why it makes so 802 00:33:02,120 --> 00:33:05,360 Speaker 5: much sense because there's back to the Prince point. Who's 803 00:33:05,360 --> 00:33:09,640 Speaker 5: the one they always say should do the Prince Tribute? 804 00:33:09,640 --> 00:33:11,040 Speaker 5: Why am I Blanket other than her? 805 00:33:11,560 --> 00:33:12,120 Speaker 4: Somebody else? 806 00:33:12,240 --> 00:33:12,960 Speaker 2: It was someone else. 807 00:33:12,960 --> 00:33:16,280 Speaker 5: But either way, it's not always like somebody that's comparable 808 00:33:16,760 --> 00:33:19,280 Speaker 5: to them or even the best at the current moment 809 00:33:19,760 --> 00:33:22,520 Speaker 5: or their era. It's someone that just kind of mirrors 810 00:33:22,560 --> 00:33:27,160 Speaker 5: what their abilities were. He Chris Brownet tribute. Yeah, like 811 00:33:28,040 --> 00:33:31,320 Speaker 5: they're not comparable, but we know Sierra could smoke all 812 00:33:31,400 --> 00:33:34,920 Speaker 5: Janet choreography, could sing to the best of her ability 813 00:33:34,960 --> 00:33:38,880 Speaker 5: to perform that tribute. That's why that's the comparison. It's 814 00:33:38,880 --> 00:33:40,240 Speaker 5: not like they should be in the same sentence. 815 00:33:40,480 --> 00:33:41,920 Speaker 2: And that's not not because I don't think anyone on 816 00:33:41,920 --> 00:33:43,080 Speaker 2: earth should be compared to my day. 817 00:33:43,600 --> 00:33:46,000 Speaker 7: If they're if they're giving a tribute to Mariah, they're 818 00:33:46,040 --> 00:33:47,960 Speaker 7: not gonna go get Adele who can sing, right, They're 819 00:33:47,960 --> 00:33:49,160 Speaker 7: gonna go get Arian Grande. 820 00:33:49,360 --> 00:33:50,680 Speaker 4: Like it's a mirroring thing. 821 00:33:50,720 --> 00:33:53,440 Speaker 7: It has nothing to do with you being as good 822 00:33:53,440 --> 00:33:56,560 Speaker 7: as that artist or even being the next from that artist. 823 00:33:56,720 --> 00:33:58,280 Speaker 7: But again, I want to move off of this because 824 00:33:58,280 --> 00:34:00,240 Speaker 7: it's sounds you're making it not like we're shit on 825 00:34:00,360 --> 00:34:01,840 Speaker 7: Chris Brown, and I really don't like that. 826 00:34:01,960 --> 00:34:04,960 Speaker 2: Should give Chris no just listening. 827 00:34:05,000 --> 00:34:05,720 Speaker 3: I've never said that. 828 00:34:05,760 --> 00:34:09,680 Speaker 6: I was asking his his his flowers that he deserves 829 00:34:09,680 --> 00:34:10,719 Speaker 6: for his artistries. 830 00:34:11,000 --> 00:34:13,840 Speaker 2: You're gonna have to protect from That's all I'm saying. No, 831 00:34:14,000 --> 00:34:18,320 Speaker 2: you're good. He's like one of the few big artists 832 00:34:18,320 --> 00:34:19,480 Speaker 2: I run into every time in the. 833 00:34:21,160 --> 00:34:25,240 Speaker 1: Way, are you every time? You never seen him? 834 00:34:25,360 --> 00:34:27,120 Speaker 2: Oh? And it was always love before. 835 00:34:28,040 --> 00:34:30,600 Speaker 5: It's just like two times he's commented and both times 836 00:34:30,600 --> 00:34:31,680 Speaker 5: has been me saying something. 837 00:34:32,400 --> 00:34:34,520 Speaker 2: Oh, he commented on something before when we were talking 838 00:34:34,560 --> 00:34:36,319 Speaker 2: about the selling out an arena thing. 839 00:34:36,760 --> 00:34:37,480 Speaker 4: Oh, I didn't know that. 840 00:34:38,800 --> 00:34:41,279 Speaker 2: Ya said he needed little baby to sell. That's not 841 00:34:41,320 --> 00:34:45,120 Speaker 2: what we said either. All right, anyways, did anybody now 842 00:34:45,160 --> 00:34:46,640 Speaker 2: you want to get over it? Like, don't do that, 843 00:34:46,719 --> 00:34:48,960 Speaker 2: stand on business, stand on a big We already had 844 00:34:48,960 --> 00:34:52,319 Speaker 2: the convo. It's available. You needed a little baby. You 845 00:34:52,360 --> 00:34:53,719 Speaker 2: were talking about support, that's all. 846 00:34:54,200 --> 00:34:56,799 Speaker 7: Yeah, you'll to Bruno Mars. Let's not leave that out. 847 00:34:56,800 --> 00:34:58,520 Speaker 7: But okay, there's. 848 00:34:58,320 --> 00:34:59,040 Speaker 1: So much more. 849 00:35:00,400 --> 00:35:01,960 Speaker 2: Did anyone see that we are the world duck? 850 00:35:02,239 --> 00:35:03,840 Speaker 5: Before we get into some more messy shit, I do 851 00:35:03,960 --> 00:35:06,120 Speaker 5: want to take I want to cleanse with we are 852 00:35:06,160 --> 00:35:07,359 Speaker 5: the world dot before we get. 853 00:35:07,280 --> 00:35:09,840 Speaker 2: To fuck that. 854 00:35:10,120 --> 00:35:12,840 Speaker 6: We standing on business this shit, we ain't moving on. 855 00:35:13,520 --> 00:35:15,759 Speaker 6: Stay what y'all said the whole year? We're doing Chris 856 00:35:15,840 --> 00:35:17,000 Speaker 6: Brown exactly. 857 00:35:18,120 --> 00:35:21,280 Speaker 1: Did you guys hear any of the nicky spaces uh 858 00:35:21,400 --> 00:35:23,279 Speaker 1: where she was talking about Meg? 859 00:35:24,120 --> 00:35:24,520 Speaker 4: I heard some. 860 00:35:24,880 --> 00:35:26,680 Speaker 5: Yeah, I did not see the full what I think 861 00:35:26,800 --> 00:35:31,320 Speaker 5: was a thirty minute conversation, but I did see the moments. 862 00:35:31,760 --> 00:35:32,000 Speaker 2: Uh. 863 00:35:32,040 --> 00:35:35,040 Speaker 1: The biggest takeaway I saw from it was she specifically 864 00:35:35,040 --> 00:35:38,040 Speaker 1: said with Meg sitting down with Gail, she was looking 865 00:35:38,040 --> 00:35:40,759 Speaker 1: for her Rihanna moment, and that seemed to be the 866 00:35:41,280 --> 00:35:43,120 Speaker 1: snippet that people were running with most. It was a 867 00:35:43,160 --> 00:35:46,359 Speaker 1: lot of her denying coke and then saying she has 868 00:35:46,360 --> 00:35:50,240 Speaker 1: more records and all that, but the biggest piece regarding 869 00:35:50,239 --> 00:35:53,680 Speaker 1: this was her making this job and including Rihanna into 870 00:35:53,719 --> 00:35:54,680 Speaker 1: the thing. 871 00:35:55,200 --> 00:35:57,560 Speaker 3: So she said that Meg was looking for a Rihanna 872 00:35:57,640 --> 00:35:58,880 Speaker 3: moment after being shot. 873 00:35:58,920 --> 00:36:00,960 Speaker 7: Well, she cried on Gail, she was looking for her 874 00:36:01,040 --> 00:36:04,120 Speaker 7: Rihanna moment because domestic violence is just like, yeah, you 875 00:36:04,120 --> 00:36:04,920 Speaker 7: should get a moment. 876 00:36:06,080 --> 00:36:08,120 Speaker 4: That's what's. 877 00:36:09,080 --> 00:36:09,360 Speaker 1: It was. 878 00:36:09,480 --> 00:36:09,800 Speaker 4: Listen. 879 00:36:11,280 --> 00:36:15,960 Speaker 5: It was a little distasteful, a little a little and 880 00:36:16,080 --> 00:36:19,160 Speaker 5: I was on the side. Even though I didn't like Bigfoot. 881 00:36:19,239 --> 00:36:21,960 Speaker 5: I was on the side of Nicki is allowed to 882 00:36:22,000 --> 00:36:26,719 Speaker 5: say whatever she wants to Meg, but like Rihanna is 883 00:36:26,760 --> 00:36:29,960 Speaker 5: mine in her business with two kids, why are you 884 00:36:30,000 --> 00:36:33,960 Speaker 5: bringing me up? And Nicki knows her power, she's a 885 00:36:33,960 --> 00:36:35,719 Speaker 5: star as well, Like you can't just don't bring me 886 00:36:35,760 --> 00:36:36,040 Speaker 5: into this. 887 00:36:36,520 --> 00:36:39,200 Speaker 2: What the fuck? Like, I've moved on, I'm married with kids, 888 00:36:40,280 --> 00:36:40,960 Speaker 2: Leave me alone. 889 00:36:44,640 --> 00:36:45,200 Speaker 1: It was weird. 890 00:36:45,360 --> 00:36:47,960 Speaker 5: It was fucking weird. And I don't want to continue 891 00:36:47,960 --> 00:36:50,719 Speaker 5: to ship on Nicki either. But it's just been a 892 00:36:50,760 --> 00:36:53,120 Speaker 5: weird week to say the least. 893 00:36:53,480 --> 00:36:56,960 Speaker 4: It's just shaming somebody for abuse. Wow. 894 00:36:59,640 --> 00:36:59,960 Speaker 1: Okay. 895 00:37:00,760 --> 00:37:02,759 Speaker 5: On the wrap side of it, though, I did see 896 00:37:02,760 --> 00:37:06,440 Speaker 5: there was a leak of the original beat to Bigfoot. 897 00:37:06,719 --> 00:37:10,600 Speaker 5: Can we look up who produced the real Bigfoot? Like, actually, 898 00:37:10,600 --> 00:37:15,520 Speaker 5: little jew I'm sorry what it's and if the. 899 00:37:15,520 --> 00:37:18,400 Speaker 7: Beat live you know little jew made it? Megan's producer. 900 00:37:18,760 --> 00:37:24,840 Speaker 5: The words sometimes that you have to use little Jewish defensive. 901 00:37:26,600 --> 00:37:27,760 Speaker 2: No, you just made it offensive. 902 00:37:28,600 --> 00:37:30,240 Speaker 1: Okay, sorry. 903 00:37:30,719 --> 00:37:33,759 Speaker 2: Anyways, he's the real he's the culprit here. 904 00:37:34,320 --> 00:37:36,279 Speaker 5: Bigfoot was not as bad when I heard it on 905 00:37:36,280 --> 00:37:39,319 Speaker 5: the other beat he made he made one of the 906 00:37:39,320 --> 00:37:41,439 Speaker 5: worst This records of all time based off the beat 907 00:37:41,440 --> 00:37:43,600 Speaker 5: that he did and whoever mixed it, because it wasn't 908 00:37:43,600 --> 00:37:44,160 Speaker 5: that bad. 909 00:37:44,000 --> 00:37:46,080 Speaker 2: On the on the new beat, it. 910 00:37:45,960 --> 00:37:47,399 Speaker 3: Was not great, just a new beat. 911 00:37:47,400 --> 00:37:49,839 Speaker 7: You're missing, you're missing, okay, So mal let me give 912 00:37:49,880 --> 00:37:54,680 Speaker 7: you some backstory. Meg's producer and her friend and let 913 00:37:54,719 --> 00:37:57,840 Speaker 7: you hear her her like her. His drop is literally 914 00:37:57,920 --> 00:37:59,759 Speaker 7: and if the beat live, you know low Jew made it. 915 00:38:00,040 --> 00:38:02,640 Speaker 7: It says it all the time. That's literally her producer 916 00:38:02,760 --> 00:38:05,279 Speaker 7: from when she was coming up. He made a beat 917 00:38:05,320 --> 00:38:08,640 Speaker 7: six years ago, or however many years ago. Nicki has 918 00:38:08,719 --> 00:38:12,960 Speaker 7: had that beat. Nicki attempted to do her Meghan Dish 919 00:38:13,040 --> 00:38:14,360 Speaker 7: track on that beat. 920 00:38:15,560 --> 00:38:16,759 Speaker 4: You wasn't clear to beat. 921 00:38:16,840 --> 00:38:20,840 Speaker 7: That's my my homie, like that's my lot of artists said, yeah, 922 00:38:21,120 --> 00:38:23,799 Speaker 7: like that's my wouldn't clear it. 923 00:38:26,400 --> 00:38:30,560 Speaker 2: You just wouldn't clear it. Okay, you can say that. 924 00:38:32,280 --> 00:38:34,560 Speaker 1: Legal is always the toughest part to get through all 925 00:38:34,600 --> 00:38:35,399 Speaker 1: every single time. 926 00:38:36,520 --> 00:38:39,760 Speaker 2: Copyright no my question. I know he produced the original. 927 00:38:39,880 --> 00:38:42,000 Speaker 4: Catching them all up, That's what I'm telling you. 928 00:38:42,000 --> 00:38:42,640 Speaker 1: Catch up. 929 00:38:42,680 --> 00:38:43,879 Speaker 4: So yes, Jory is just. 930 00:38:43,800 --> 00:38:45,960 Speaker 3: Trying to make awkward jokes right now. 931 00:38:46,080 --> 00:38:47,239 Speaker 2: I know. No, I'm really I'm really not. 932 00:38:47,239 --> 00:38:48,880 Speaker 5: I'm trying to get to who produced the one that 933 00:38:48,920 --> 00:38:51,319 Speaker 5: we heard on streaming that I don't know, That's what 934 00:38:51,360 --> 00:38:54,080 Speaker 5: I was asking. I know the backstory that he didn't 935 00:38:54,120 --> 00:38:56,799 Speaker 5: clear it. And then NICKI was on live saying that's 936 00:38:56,840 --> 00:38:59,279 Speaker 5: the guy. Party was saying, you were fucking for a beat. 937 00:38:59,320 --> 00:39:00,799 Speaker 2: If you want to, you could fuck roll. 938 00:39:00,880 --> 00:39:01,279 Speaker 1: I get it. 939 00:39:02,160 --> 00:39:06,120 Speaker 2: Whoever produced the one we heard first is who I 940 00:39:06,120 --> 00:39:07,480 Speaker 2: think we should direct our anger at. 941 00:39:07,719 --> 00:39:09,680 Speaker 7: Why would you direct your anger to him? She just 942 00:39:09,719 --> 00:39:13,319 Speaker 7: picked another beat that she had. She picked another beat 943 00:39:13,360 --> 00:39:16,200 Speaker 7: and put her bars on that new beat. That ain't 944 00:39:16,239 --> 00:39:17,400 Speaker 7: the fucking producer's fault. 945 00:39:17,640 --> 00:39:19,960 Speaker 5: No, I would see a world where she just sent 946 00:39:20,160 --> 00:39:21,880 Speaker 5: him the a cappella and he made the beat around it. 947 00:39:22,400 --> 00:39:24,240 Speaker 2: No, that's the only world. 948 00:39:23,560 --> 00:39:26,000 Speaker 7: I obviously that didn't happen. She picked another beat that 949 00:39:26,040 --> 00:39:27,880 Speaker 7: she had in the stash. That's what happened. 950 00:39:27,880 --> 00:39:28,960 Speaker 2: It's the same flow. 951 00:39:29,239 --> 00:39:32,640 Speaker 5: You're just listening to the mix and the awful beat, like, yeah, 952 00:39:32,680 --> 00:39:34,600 Speaker 5: I think they he just did a shitty job of 953 00:39:34,920 --> 00:39:37,680 Speaker 5: taking an a cappella. I think Nikki sent that appella 954 00:39:37,719 --> 00:39:39,880 Speaker 5: out to a bunch of producers and that was the 955 00:39:39,880 --> 00:39:43,760 Speaker 5: one she chose, which is just a shitty, shitty beat. 956 00:39:43,880 --> 00:39:49,000 Speaker 2: But if you hear the original, it's not great, but 957 00:39:49,080 --> 00:39:52,320 Speaker 2: it would have hit way fucking different, like way differently. 958 00:39:53,640 --> 00:39:56,160 Speaker 2: She wouldn't had to post the lyrics. She wouldn't like. 959 00:39:56,800 --> 00:39:59,920 Speaker 5: It was just bad. So that's I don't want to 960 00:40:00,120 --> 00:40:02,239 Speaker 5: on Nikki too much. I'll give her some Well, let 961 00:40:02,239 --> 00:40:03,839 Speaker 5: me not give her any bail there because you put 962 00:40:03,840 --> 00:40:04,239 Speaker 5: that out, you. 963 00:40:04,200 --> 00:40:08,719 Speaker 2: Picked that beat, and you approve the mix. So all right, 964 00:40:08,960 --> 00:40:10,799 Speaker 2: all that, where do we think this is going from here? 965 00:40:13,360 --> 00:40:13,480 Speaker 4: So? 966 00:40:14,480 --> 00:40:16,239 Speaker 2: Does she release the five records? 967 00:40:16,920 --> 00:40:22,120 Speaker 1: She put out eight versions of Bigfoot. 968 00:40:20,400 --> 00:40:21,800 Speaker 2: Got ten versions of Pink Friday. 969 00:40:21,920 --> 00:40:23,680 Speaker 1: She just put out uh what was it the last 970 00:40:23,719 --> 00:40:25,600 Speaker 1: one that came out to shorten loaded? 971 00:40:25,920 --> 00:40:28,799 Speaker 7: She has the rap, the wrap, only the clean. But 972 00:40:28,840 --> 00:40:30,520 Speaker 7: Megan is doing the same thing. Megan has a chopping 973 00:40:30,560 --> 00:40:33,040 Speaker 7: screw for his They do that to try to chart 974 00:40:33,080 --> 00:40:34,880 Speaker 7: because it's for some people who already listen to the 975 00:40:34,920 --> 00:40:36,759 Speaker 7: original record to go listen to the new version and 976 00:40:36,800 --> 00:40:38,120 Speaker 7: it's all chart games. 977 00:40:38,600 --> 00:40:41,239 Speaker 1: Well at the point Tomal's point, does magant. 978 00:40:40,960 --> 00:40:42,880 Speaker 3: All games with beef records is hilarious? 979 00:40:43,160 --> 00:40:44,200 Speaker 1: Does Megan respond? 980 00:40:44,520 --> 00:40:50,520 Speaker 2: Especially when Ben Shapiro outcharted both that's a sick game 981 00:40:50,560 --> 00:40:51,439 Speaker 2: they played right there? 982 00:40:51,640 --> 00:40:54,279 Speaker 1: Does Megan respond. I don't think Megican respond, not even 983 00:40:54,280 --> 00:40:55,160 Speaker 1: after the Twitter face. 984 00:40:56,000 --> 00:40:59,440 Speaker 6: No, it's just yo, man, I'm telling you man, it's 985 00:40:59,440 --> 00:41:01,279 Speaker 6: just we got We're gonna have to study this type 986 00:41:01,280 --> 00:41:03,920 Speaker 6: of ship like being shot. And I know people like 987 00:41:04,080 --> 00:41:07,520 Speaker 6: she didn't get shot bullet fragmented, that's still considered being shot. 988 00:41:07,560 --> 00:41:09,120 Speaker 4: Now there's people that said she wasn't shot at all. 989 00:41:09,400 --> 00:41:11,960 Speaker 6: Well, those don't we know that. People still think, you 990 00:41:12,000 --> 00:41:14,080 Speaker 6: know whatever they want. They think tupackets and Cuba. 991 00:41:14,160 --> 00:41:14,560 Speaker 2: We know that. 992 00:41:14,960 --> 00:41:17,719 Speaker 6: What I'm saying is, if somebody fires a weapon and 993 00:41:17,760 --> 00:41:19,840 Speaker 6: bullet fragments hit you, you were shot. 994 00:41:21,400 --> 00:41:22,479 Speaker 2: Oh I can tell you guys. 995 00:41:22,560 --> 00:41:24,960 Speaker 5: Now, if bullet fragments hit me, I'm coming in here 996 00:41:25,120 --> 00:41:26,640 Speaker 5: on this microphone and bragging about how. 997 00:41:26,600 --> 00:41:26,959 Speaker 2: It was shot. 998 00:41:27,560 --> 00:41:30,240 Speaker 5: I mean, but you and I would continually tell everyone, 999 00:41:30,280 --> 00:41:32,960 Speaker 5: even out of context, no conversation, like listen, you don't 1000 00:41:32,960 --> 00:41:34,160 Speaker 5: even know what it's like to get shot. 1001 00:41:33,920 --> 00:41:36,040 Speaker 2: Though, Yeah, Like I would be that. But if I 1002 00:41:36,080 --> 00:41:38,320 Speaker 2: just got hit by a little fragment, it's just a little. 1003 00:41:38,080 --> 00:41:39,319 Speaker 6: Bit, and you would be and you would be in 1004 00:41:39,320 --> 00:41:41,359 Speaker 6: your right to say that a mosquito didn't bite you. 1005 00:41:41,719 --> 00:41:43,759 Speaker 3: I'd be I would fucking bullet fragment hit you, I'd 1006 00:41:43,760 --> 00:41:43,920 Speaker 3: be a. 1007 00:41:43,960 --> 00:41:48,080 Speaker 2: Ludlow like, yo, yeah you see this little scar? Yeah exactly, 1008 00:41:48,200 --> 00:41:50,719 Speaker 2: they kick yours. I just don't know. I was trying 1009 00:41:50,719 --> 00:41:51,600 Speaker 2: to shoot at a girl. 1010 00:41:51,840 --> 00:41:54,640 Speaker 8: It's just suck how many people are fragmented, Like next year, 1011 00:41:57,080 --> 00:41:59,640 Speaker 8: what Saint Roy would have a bullet hole next to 1012 00:41:59,680 --> 00:42:01,759 Speaker 8: like his ten. 1013 00:42:03,040 --> 00:42:07,040 Speaker 2: Listen, I'll get shot before I. 1014 00:42:08,760 --> 00:42:13,239 Speaker 4: You know what? Anyway, I don't want to. I don't know. 1015 00:42:13,320 --> 00:42:14,040 Speaker 4: I don't everybody. 1016 00:42:14,080 --> 00:42:16,120 Speaker 7: Every time I talk, they say I'm keeping for Meg, 1017 00:42:16,760 --> 00:42:19,799 Speaker 7: but I just I just think you should be able 1018 00:42:19,880 --> 00:42:22,200 Speaker 7: to just get shot and actually have sympathy. 1019 00:42:22,239 --> 00:42:24,640 Speaker 2: But you know, in conclusion, if no one really replies 1020 00:42:24,680 --> 00:42:27,600 Speaker 2: after this, this was just a cool moment for a 1021 00:42:27,640 --> 00:42:32,080 Speaker 2: few days. That's going to pass. I thought this was 1022 00:42:32,120 --> 00:42:34,840 Speaker 2: gonna be a bigger deal. It was forty eight hours. 1023 00:42:35,120 --> 00:42:37,600 Speaker 6: Nobody cares. Things don't have the shelf life that they 1024 00:42:37,680 --> 00:42:39,800 Speaker 6: used to. People move on soon as they click, refreshed, 1025 00:42:39,800 --> 00:42:41,719 Speaker 6: like we don't care. That's why I get I made 1026 00:42:41,719 --> 00:42:44,279 Speaker 6: a statement to y'all a few months ago. I said, bro, 1027 00:42:44,320 --> 00:42:47,920 Speaker 6: if we was to see president former president Trump killed, 1028 00:42:48,320 --> 00:42:50,359 Speaker 6: people would talk about it for forty eight hours and 1029 00:42:50,440 --> 00:42:52,520 Speaker 6: move right the fuck on that's just the world we 1030 00:42:52,560 --> 00:42:52,920 Speaker 6: live in now. 1031 00:42:52,920 --> 00:42:55,160 Speaker 3: People don't give a fuck about anything anymore. 1032 00:42:55,280 --> 00:42:55,360 Speaker 2: Now. 1033 00:42:55,440 --> 00:42:57,680 Speaker 5: If they went back and forth and Nikki had five 1034 00:42:57,760 --> 00:43:03,279 Speaker 5: records on ice and Meg replied to one, yeah, this 1035 00:43:03,320 --> 00:43:05,320 Speaker 5: would go for another two weeks, which in two weeks 1036 00:43:05,320 --> 00:43:06,440 Speaker 5: and internet times. 1037 00:43:06,200 --> 00:43:08,240 Speaker 2: Like, I don't even think it would go two weeks. 1038 00:43:08,400 --> 00:43:11,640 Speaker 3: It wouldn't last if both of these records came out today, 1039 00:43:11,680 --> 00:43:14,920 Speaker 3: which is basically Friday, right, I don't think we're talking 1040 00:43:14,920 --> 00:43:16,680 Speaker 3: about this past Tuesday. 1041 00:43:17,480 --> 00:43:17,839 Speaker 2: All right. 1042 00:43:17,840 --> 00:43:21,120 Speaker 5: My last point to Meg has to reply. She's put 1043 00:43:21,120 --> 00:43:24,800 Speaker 5: out two singles, she's shedding the snake skin or whatever, 1044 00:43:25,360 --> 00:43:25,799 Speaker 5: and his. 1045 00:43:26,320 --> 00:43:27,520 Speaker 4: Not a bite any one bite. 1046 00:43:28,239 --> 00:43:30,800 Speaker 2: No, that's two back to back singles. This is a rollout. 1047 00:43:31,000 --> 00:43:32,000 Speaker 4: Oh no, her album's coming. 1048 00:43:32,440 --> 00:43:33,200 Speaker 2: I don't even think she. 1049 00:43:33,160 --> 00:43:35,120 Speaker 5: Was really anticipating that Nicky was going to reply or 1050 00:43:35,200 --> 00:43:36,759 Speaker 5: drag it the way she did. I think this was 1051 00:43:36,800 --> 00:43:39,560 Speaker 5: a rollout that the label and her were putting together already. 1052 00:43:40,200 --> 00:43:43,799 Speaker 5: She's gonna have to show face and answer to shit, 1053 00:43:44,040 --> 00:43:47,600 Speaker 5: so she doesn't reply to NICKI are we about to say, 1054 00:43:47,640 --> 00:43:48,719 Speaker 5: Meg the Stallion doesn't need to. 1055 00:43:49,680 --> 00:43:52,200 Speaker 4: She does, she has an album coming out. 1056 00:43:53,520 --> 00:43:56,080 Speaker 6: She's not gonna reply because the one thing y'all are mission. 1057 00:43:56,400 --> 00:43:57,839 Speaker 6: She never said nobody's name. 1058 00:43:59,280 --> 00:44:00,960 Speaker 1: Please come on, come on. 1059 00:44:01,040 --> 00:44:02,759 Speaker 3: That's what she's gonna stand by. She's gonna stand behind it. 1060 00:44:02,800 --> 00:44:03,480 Speaker 3: She didn't say no name. 1061 00:44:03,560 --> 00:44:05,279 Speaker 4: She is she she already said that, though she said 1062 00:44:05,360 --> 00:44:06,200 Speaker 4: hit dogs gon holla. 1063 00:44:06,400 --> 00:44:07,760 Speaker 3: Yeah, she didn't say no names. 1064 00:44:08,080 --> 00:44:12,120 Speaker 6: This is Takeover in Ether, even though Jay said names, 1065 00:44:12,160 --> 00:44:13,200 Speaker 6: but it was like it was a song. 1066 00:44:13,239 --> 00:44:17,000 Speaker 2: On his hook on Ether was fuck jay Z, you 1067 00:44:17,120 --> 00:44:18,760 Speaker 2: bet on my dick love my style? 1068 00:44:18,800 --> 00:44:21,319 Speaker 6: No, no, no, no, no no, you're missing what I'm saying. 1069 00:44:21,360 --> 00:44:23,160 Speaker 2: The first the first bar. 1070 00:44:23,280 --> 00:44:25,840 Speaker 3: You're missing what I'm saying. Takeover was on an album. 1071 00:44:26,040 --> 00:44:26,239 Speaker 1: Yeah. 1072 00:44:26,400 --> 00:44:28,760 Speaker 6: Ether was a record that that NAS just put together 1073 00:44:28,800 --> 00:44:33,399 Speaker 6: and throughout. In response to that record, he's wait, First 1074 00:44:33,400 --> 00:44:36,360 Speaker 6: of all, Jay said names on tape. No, you know 1075 00:44:36,400 --> 00:44:38,520 Speaker 6: what I'm saying, But this version is Meg has an 1076 00:44:38,560 --> 00:44:42,000 Speaker 6: album cut. This is an album cut. Niggi's response is 1077 00:44:42,040 --> 00:44:43,759 Speaker 6: just a response to that. She's I don't think she's 1078 00:44:43,880 --> 00:44:45,240 Speaker 6: She's not putting that on that project. 1079 00:44:45,280 --> 00:44:48,040 Speaker 5: I consider Meg an MC and a rapper, and she 1080 00:44:48,080 --> 00:44:50,080 Speaker 5: would look super funny in the light the same way 1081 00:44:50,160 --> 00:44:52,680 Speaker 5: any other MC a rapper would if you put out 1082 00:44:52,719 --> 00:44:54,960 Speaker 5: his Someone directly replied back to you. Then you went 1083 00:44:55,000 --> 00:44:58,239 Speaker 5: on a press run and your response to Charlemagne and 1084 00:44:58,360 --> 00:45:00,800 Speaker 5: Envy was, I didn't say any names, but why not 1085 00:45:00,960 --> 00:45:03,279 Speaker 5: you Look, she didn't say he would call any real 1086 00:45:03,360 --> 00:45:05,360 Speaker 5: rapper pussy, Like, let's get gender out of it. But 1087 00:45:06,160 --> 00:45:08,200 Speaker 5: what I'm saying is she did not say any names. 1088 00:45:08,239 --> 00:45:12,200 Speaker 2: Though hit dogs, don't throw a stone out of your hands. Whoever, whoever. 1089 00:45:12,280 --> 00:45:14,759 Speaker 6: Yeah, but whoever you decide to attach those bars to, 1090 00:45:15,200 --> 00:45:18,920 Speaker 6: that's on you, because you can totally be wrong about that. 1091 00:45:18,960 --> 00:45:20,640 Speaker 6: Like a lot of things that the marsh was saying, 1092 00:45:20,800 --> 00:45:22,000 Speaker 6: this ball was about that person. 1093 00:45:22,200 --> 00:45:24,520 Speaker 2: She could be wrong in a lot of that. She 1094 00:45:24,560 --> 00:45:25,640 Speaker 2: could be wrong in a lot of that. 1095 00:45:26,040 --> 00:45:28,000 Speaker 6: I think it's safe to assume that the Megan's Law 1096 00:45:28,040 --> 00:45:31,399 Speaker 6: bar is directed at Nikki. I think that's a very 1097 00:45:31,440 --> 00:45:33,520 Speaker 6: safe assumption. But at the end of the day, she 1098 00:45:33,600 --> 00:45:36,720 Speaker 6: didn't make She didn't say anybody's name, is what I'm saying. 1099 00:45:36,800 --> 00:45:37,520 Speaker 3: So to go on a. 1100 00:45:37,480 --> 00:45:40,920 Speaker 6: Press run and be sitting there grilled about Nicki, Nicki, Nicki, 1101 00:45:41,920 --> 00:45:45,120 Speaker 6: I could see a world where she's absolutely like, Okay, yeah, 1102 00:45:45,120 --> 00:45:46,799 Speaker 6: that's what you Okay, But if you think that's what 1103 00:45:46,840 --> 00:45:48,759 Speaker 6: I was talking about, I didn't say anybody's name, and. 1104 00:45:48,680 --> 00:45:49,520 Speaker 1: We don't have to. 1105 00:45:50,120 --> 00:45:52,600 Speaker 5: I'm saying, if she does a press run and her 1106 00:45:52,640 --> 00:45:55,239 Speaker 5: response to the nicky stuff, if she does not reply 1107 00:45:55,280 --> 00:45:58,600 Speaker 5: to the disc is I didn't say any names, she 1108 00:45:58,800 --> 00:46:01,200 Speaker 5: is going to look nuts and that's not going to 1109 00:46:01,239 --> 00:46:02,360 Speaker 5: be a good press friend. 1110 00:46:02,520 --> 00:46:05,719 Speaker 6: She's gonna look so And I think I think female 1111 00:46:05,719 --> 00:46:07,080 Speaker 6: female rappers have. 1112 00:46:07,800 --> 00:46:09,719 Speaker 5: If she does that, I think Nikki puts out four 1113 00:46:09,760 --> 00:46:12,799 Speaker 5: disses in a row if she gets on any publications 1114 00:46:12,840 --> 00:46:13,840 Speaker 5: like I didn't say any names. 1115 00:46:14,200 --> 00:46:15,600 Speaker 2: If I'm nicky, I'm putting off four out. 1116 00:46:15,880 --> 00:46:17,719 Speaker 7: I know Meg's gonna come out and say hit dogs, 1117 00:46:17,719 --> 00:46:19,960 Speaker 7: holler and brush it off. And I don't blame her 1118 00:46:20,000 --> 00:46:22,520 Speaker 7: for that. I don't blame her for that because I 1119 00:46:22,560 --> 00:46:25,120 Speaker 7: think her ship is I put I said, I said 1120 00:46:25,200 --> 00:46:27,120 Speaker 7: the funk. I was gonna say, like she said in 1121 00:46:27,160 --> 00:46:29,359 Speaker 7: the disc, I don't really know what the problem is, 1122 00:46:29,520 --> 00:46:32,960 Speaker 7: but like, go ahead, jealous jealousy for opposition, like I don't. 1123 00:46:32,960 --> 00:46:34,040 Speaker 7: I don't know what your problem is. 1124 00:46:34,040 --> 00:46:36,359 Speaker 6: But go ahead, and in the same way the opposite way, 1125 00:46:36,440 --> 00:46:38,399 Speaker 6: I don't. Nikki didn't say her name and her. 1126 00:46:38,320 --> 00:46:42,000 Speaker 3: Dish either, did she She just like ma, did she? 1127 00:46:42,880 --> 00:46:45,680 Speaker 1: I mean, come on, no, she said I'm. 1128 00:46:45,480 --> 00:46:46,319 Speaker 3: Asking you, come on. 1129 00:46:46,360 --> 00:46:47,960 Speaker 6: I'm not saying she wasn't talking about I'm saying she 1130 00:46:48,000 --> 00:46:50,280 Speaker 6: said her government name. But like, did Drake say Niek's 1131 00:46:50,320 --> 00:46:52,759 Speaker 6: name in back back? He's say push his name in 1132 00:46:52,840 --> 00:46:53,560 Speaker 6: Duffy freestyle. 1133 00:46:53,640 --> 00:46:54,040 Speaker 2: No, I'm not. 1134 00:46:54,280 --> 00:46:57,399 Speaker 6: I'm not saying that. I'm just asking Push. I'm asking 1135 00:46:57,480 --> 00:46:59,560 Speaker 6: because this is going on her album. So she's great 1136 00:46:59,560 --> 00:47:01,920 Speaker 6: to go on, she's great to do. Yeah, album media 1137 00:47:01,960 --> 00:47:04,520 Speaker 6: to support this, this album. So I'm saying if she 1138 00:47:04,600 --> 00:47:07,400 Speaker 6: goes up there and says, oh, I didn't say nobody's name, 1139 00:47:07,520 --> 00:47:09,880 Speaker 6: She's going to be absolutely right in saying that she 1140 00:47:09,920 --> 00:47:13,879 Speaker 6: didn't say anybody's name. She never mentioned Nikki at all. 1141 00:47:13,960 --> 00:47:16,200 Speaker 6: She didn't mention Drake or whoever else people are saying 1142 00:47:16,239 --> 00:47:18,560 Speaker 6: bars are attached to, and she didn't mention nobody's name. 1143 00:47:18,560 --> 00:47:20,560 Speaker 5: Even though that's true. My point in response to that 1144 00:47:20,600 --> 00:47:22,640 Speaker 5: is she will look insane. Nah, I don't think she 1145 00:47:22,719 --> 00:47:23,239 Speaker 5: should hold. 1146 00:47:23,320 --> 00:47:26,600 Speaker 6: I think female mc is getting pass in that now. 1147 00:47:26,680 --> 00:47:29,000 Speaker 6: Men I don't think they get a passing that women. 1148 00:47:29,040 --> 00:47:31,080 Speaker 6: I think they have the luxury of saying I didn't 1149 00:47:31,080 --> 00:47:34,279 Speaker 6: say no names. I think women female mcs have that luxury. 1150 00:47:34,320 --> 00:47:36,759 Speaker 6: It's just a difference what's the difference females have. The 1151 00:47:36,840 --> 00:47:38,960 Speaker 6: luxury is saying I didn't say nobody's name, whoever I 1152 00:47:38,960 --> 00:47:39,680 Speaker 6: think I'm talking about. 1153 00:47:39,680 --> 00:47:41,719 Speaker 3: I believe you can't say a woman is pussy. You 1154 00:47:41,719 --> 00:47:42,319 Speaker 3: can't say that. 1155 00:47:42,640 --> 00:47:43,120 Speaker 1: Oho jay Z. 1156 00:47:43,160 --> 00:47:45,040 Speaker 5: Again, I'm not talking to anybody in it. But she 1157 00:47:45,120 --> 00:47:47,799 Speaker 5: was definitely talking about mad people. He Oh jay Z 1158 00:47:47,840 --> 00:47:49,640 Speaker 5: states that I'm not talking to anybody in particularly, he 1159 00:47:49,680 --> 00:47:52,960 Speaker 5: was talking to everybody. We knew every single person he 1160 00:47:53,040 --> 00:47:54,040 Speaker 5: was talking about. 1161 00:47:54,360 --> 00:47:55,080 Speaker 1: But that was a bar. 1162 00:47:55,200 --> 00:47:58,800 Speaker 6: I mean, not you know whatever, but he said names 1163 00:47:58,800 --> 00:48:03,400 Speaker 6: though on other records, just not that particular well record. 1164 00:48:03,440 --> 00:48:07,279 Speaker 6: He came out of said names after that. Yeah, sure, so, 1165 00:48:07,480 --> 00:48:10,279 Speaker 6: I mean Nicki Meg has that luxury. I think if 1166 00:48:10,280 --> 00:48:11,680 Speaker 6: she wants to go on president, I'm not taught to 1167 00:48:11,760 --> 00:48:13,840 Speaker 6: you whoever I think I'm talking to. I'm not making 1168 00:48:13,840 --> 00:48:16,520 Speaker 6: this press run about anybody else other than Meghan the 1169 00:48:16,560 --> 00:48:19,360 Speaker 6: Stallion and my album that's out now whatever whatever, I 1170 00:48:19,400 --> 00:48:20,520 Speaker 6: could totally see her doing. 1171 00:48:20,600 --> 00:48:22,880 Speaker 5: And if and we're gonna move on right after this, 1172 00:48:22,920 --> 00:48:26,600 Speaker 5: I promise, And if whoever she sits with lets her 1173 00:48:26,640 --> 00:48:29,879 Speaker 5: get away with that, you are now going to see 1174 00:48:29,920 --> 00:48:34,960 Speaker 5: me siding with Nicki in that everyone is in on 1175 00:48:35,640 --> 00:48:38,840 Speaker 5: destroying her. If any interviewer lets Meg get that line 1176 00:48:38,880 --> 00:48:40,920 Speaker 5: off and moves on to, well, tell me about the 1177 00:48:40,960 --> 00:48:45,400 Speaker 5: producers on the project, I'm with Nicki saying, Lo, I 1178 00:48:45,440 --> 00:48:48,279 Speaker 5: am with Nicki Minaj on this entire thing. This industry 1179 00:48:48,640 --> 00:48:50,439 Speaker 5: is focused on getting me the fuck out of here, 1180 00:48:50,680 --> 00:48:54,319 Speaker 5: because no one would let Nicki get that off or 1181 00:48:54,360 --> 00:48:55,400 Speaker 5: any other rapper periods. 1182 00:48:55,640 --> 00:48:58,239 Speaker 2: Yes, Yes, rock Nation is the boogie. Rock Nation is 1183 00:48:58,239 --> 00:49:00,600 Speaker 2: the Boogeyman. If Meg can get that off off in 1184 00:49:00,640 --> 00:49:02,440 Speaker 2: an interview that. 1185 00:49:02,440 --> 00:49:04,799 Speaker 7: Doesn't correlate, and second of all, they let her get 1186 00:49:04,840 --> 00:49:06,920 Speaker 7: that off, They let her get that if you're not no, 1187 00:49:07,080 --> 00:49:08,919 Speaker 7: if you have somebody First of all, we've had people 1188 00:49:08,960 --> 00:49:11,880 Speaker 7: on our show, and it's certain ship. If a motherfucker 1189 00:49:11,880 --> 00:49:14,319 Speaker 7: say they're not talking about something, they're not talking about it, 1190 00:49:14,400 --> 00:49:17,399 Speaker 7: either you're gonna lose the interview because you're insistent I'm 1191 00:49:17,400 --> 00:49:19,560 Speaker 7: making them talk about something that their pr rep told 1192 00:49:19,560 --> 00:49:20,720 Speaker 7: you that they don't want to talk about. 1193 00:49:20,840 --> 00:49:22,640 Speaker 4: Or are you going to sit down and stick to 1194 00:49:22,680 --> 00:49:23,400 Speaker 4: the questions? 1195 00:49:23,920 --> 00:49:28,600 Speaker 5: But where not the slatious podcast? Whereas Meg needs to 1196 00:49:28,680 --> 00:49:32,440 Speaker 5: go two platforms that are based off solationship. 1197 00:49:32,520 --> 00:49:33,960 Speaker 7: Why do you think that Meg needs to go to 1198 00:49:33,960 --> 00:49:35,960 Speaker 7: the platforms that are based off relationship. 1199 00:49:36,040 --> 00:49:38,480 Speaker 4: I'm asking, I'm looking at you, why you. 1200 00:49:38,480 --> 00:49:40,600 Speaker 5: Don't think Meg the Stallion needs to go to platforms 1201 00:49:40,640 --> 00:49:41,719 Speaker 5: that are based off relationship. 1202 00:49:41,800 --> 00:49:45,120 Speaker 4: Why does she need to go what I'm what I'm saying, 1203 00:49:45,160 --> 00:49:45,400 Speaker 4: so she. 1204 00:49:45,400 --> 00:49:47,440 Speaker 2: Should just go do rap? Genius in us. 1205 00:49:47,520 --> 00:49:48,359 Speaker 4: Know what I'm saying. 1206 00:49:48,640 --> 00:49:49,280 Speaker 2: Everyone else. 1207 00:49:50,960 --> 00:49:52,200 Speaker 4: What I'm saying is and. 1208 00:49:53,040 --> 00:49:55,359 Speaker 7: Meg's what met from what I see, from what Meg 1209 00:49:55,480 --> 00:49:58,120 Speaker 7: is trying to do with her career and trying to 1210 00:49:58,160 --> 00:50:01,280 Speaker 7: go towards the pop community. That's what I've been seeing 1211 00:50:01,320 --> 00:50:02,319 Speaker 7: her career going to. 1212 00:50:02,440 --> 00:50:03,200 Speaker 2: She's trying to. 1213 00:50:03,160 --> 00:50:06,000 Speaker 7: Go to the pop Okay, I didn't say that she was. 1214 00:50:06,280 --> 00:50:08,480 Speaker 7: What I'm saying is she's trying to go towards the 1215 00:50:08,480 --> 00:50:11,840 Speaker 7: pop community. She just did a fucking song with Renee Rap. 1216 00:50:12,360 --> 00:50:14,160 Speaker 7: One of her other songs was with a pop star. 1217 00:50:14,360 --> 00:50:17,280 Speaker 7: She's been doing fucking songs with K pop artists. Mega's 1218 00:50:17,320 --> 00:50:19,600 Speaker 7: trying to go towards the pop scene because the young 1219 00:50:19,600 --> 00:50:20,480 Speaker 7: white girls love meta. 1220 00:50:20,880 --> 00:50:22,640 Speaker 2: That can be true, but that's not where she is. 1221 00:50:22,680 --> 00:50:24,200 Speaker 2: So she needs to go to cultural. 1222 00:50:24,440 --> 00:50:25,960 Speaker 4: Why would she go to the culture. She needs to 1223 00:50:25,960 --> 00:50:29,200 Speaker 4: go see Jason Lee when the Cultural The Cultural podcast. 1224 00:50:29,920 --> 00:50:32,000 Speaker 6: The podcast y'all do know there's a world where she 1225 00:50:32,040 --> 00:50:33,879 Speaker 6: can do all of that. She can't, of course, But. 1226 00:50:33,880 --> 00:50:35,880 Speaker 7: What I'm saying is she doesn't have He's saying it 1227 00:50:35,960 --> 00:50:37,600 Speaker 7: like she has to do that for her career. No, 1228 00:50:37,719 --> 00:50:39,520 Speaker 7: she hasn't, because she's gonna be going to all the 1229 00:50:39,520 --> 00:50:42,040 Speaker 7: fucking publications that have been kicking her fucking back in 1230 00:50:42,360 --> 00:50:44,160 Speaker 7: through that whole entire trial. You think she don't got 1231 00:50:44,400 --> 00:50:46,400 Speaker 7: she don't feel a certain way about that. Oh, and 1232 00:50:46,440 --> 00:50:49,359 Speaker 7: she has every right not to go what's publication on her? 1233 00:50:49,760 --> 00:50:49,880 Speaker 1: Oh? 1234 00:50:49,960 --> 00:50:52,160 Speaker 6: Yeah, well of course. But I think I think she 1235 00:50:52,200 --> 00:50:54,319 Speaker 6: can go do Hollywood and locked. I think she can 1236 00:50:54,360 --> 00:50:56,080 Speaker 6: go do something with was ain't low. 1237 00:50:56,120 --> 00:50:58,000 Speaker 2: I think she can reckface club is based on club. 1238 00:50:58,080 --> 00:50:58,680 Speaker 2: I think she can do. 1239 00:50:58,760 --> 00:51:01,399 Speaker 1: Yeah. But to combat your point, Rory, even if it's 1240 00:51:01,440 --> 00:51:05,640 Speaker 1: those types of like salacious platforms, you still can have 1241 00:51:05,680 --> 00:51:07,640 Speaker 1: your publicists go in there and say we're not talking 1242 00:51:07,680 --> 00:51:09,680 Speaker 1: about these three things, shut the fuck up. 1243 00:51:09,880 --> 00:51:12,520 Speaker 2: Yeah, And I'm saying that's going to make her look crazy. 1244 00:51:12,640 --> 00:51:13,239 Speaker 2: I don't think not. 1245 00:51:13,280 --> 00:51:15,960 Speaker 1: If it's not brought off, then it's not even I'm. 1246 00:51:15,800 --> 00:51:18,600 Speaker 3: Telling you there's a difference. I think female artists they get. 1247 00:51:18,400 --> 00:51:21,080 Speaker 1: That pass and you're like, don't bring up certain ship, 1248 00:51:21,120 --> 00:51:22,840 Speaker 1: and they won't bring it up, and then it'll go 1249 00:51:22,880 --> 00:51:24,440 Speaker 1: out on YouTube and people like, huh, they didn't talk 1250 00:51:24,440 --> 00:51:24,680 Speaker 1: about it. 1251 00:51:25,680 --> 00:51:26,280 Speaker 2: But it's different. 1252 00:51:26,320 --> 00:51:28,920 Speaker 6: And for fucking a male MC comes in here and 1253 00:51:28,920 --> 00:51:30,840 Speaker 6: he's he made a record like that where we know 1254 00:51:30,880 --> 00:51:32,560 Speaker 6: who he's talking about, and I'm like, yo, so what 1255 00:51:32,640 --> 00:51:34,600 Speaker 6: about that bar? He's like, you know, nah, like I 1256 00:51:34,640 --> 00:51:39,040 Speaker 6: wasn't talking to nobody, and it's like, no, said, she 1257 00:51:39,040 --> 00:51:41,160 Speaker 6: ain't talking. I'm not pushing an issue. I'm like, okay, 1258 00:51:41,200 --> 00:51:43,160 Speaker 6: then let me mind my fucking business then. 1259 00:51:43,040 --> 00:51:46,479 Speaker 5: And we're also not that pod that wants and goes 1260 00:51:46,560 --> 00:51:50,319 Speaker 5: after all salacious ship like. But then again, when in 1261 00:51:50,360 --> 00:51:52,400 Speaker 5: our world, when Benny and Gibbs were going at it, 1262 00:51:52,480 --> 00:51:55,760 Speaker 5: we consider Benny an associate. We went directly at Benny 1263 00:51:55,800 --> 00:51:57,360 Speaker 5: and disagree with him about a lot of shit that 1264 00:51:57,440 --> 00:51:59,400 Speaker 5: was going on with that entire thing and wanted to 1265 00:51:59,400 --> 00:52:01,840 Speaker 5: resolve it. But that's different because bast Club taking a 1266 00:52:01,880 --> 00:52:05,600 Speaker 5: meg interview and not asking about this makes everybody look no, no, no, 1267 00:52:05,640 --> 00:52:05,880 Speaker 5: no no. 1268 00:52:06,040 --> 00:52:06,560 Speaker 2: But it's different. 1269 00:52:06,560 --> 00:52:10,480 Speaker 6: Though it's different because fred Bennie and Freddy the situation 1270 00:52:10,560 --> 00:52:12,400 Speaker 6: turned physical, it. 1271 00:52:12,440 --> 00:52:16,080 Speaker 2: Turned people had we didn't avoid so at that point. 1272 00:52:16,120 --> 00:52:19,520 Speaker 6: At that point, clearly they have a you understand what 1273 00:52:19,520 --> 00:52:22,400 Speaker 6: I'm saying this whole Nikki and Meg shit? Do we 1274 00:52:22,400 --> 00:52:26,319 Speaker 6: think there's something there? Obviously, but it's not physical. Meg 1275 00:52:26,360 --> 00:52:28,759 Speaker 6: didn't say nobody's name in this record. So there's things 1276 00:52:28,800 --> 00:52:30,839 Speaker 6: that she could hide behind, Like whoever you'll think I'm 1277 00:52:30,840 --> 00:52:31,839 Speaker 6: talking about, that's on y'all. 1278 00:52:32,120 --> 00:52:34,400 Speaker 3: She can definitely stand on that. She can hide behind that. 1279 00:52:35,480 --> 00:52:37,600 Speaker 6: Now, whether or not you think it's it makes her 1280 00:52:37,680 --> 00:52:40,520 Speaker 6: look good or bad, that's objective, but she can definitely 1281 00:52:40,520 --> 00:52:41,040 Speaker 6: get away with that. 1282 00:52:42,719 --> 00:52:44,879 Speaker 5: I guess are we going to more of rap beef? 1283 00:52:44,920 --> 00:52:46,640 Speaker 5: Because I really want to get to UMG and to talk. 1284 00:52:46,760 --> 00:52:47,880 Speaker 5: You can get through this. 1285 00:52:47,920 --> 00:52:50,840 Speaker 4: So so much beef. We're putting so many people against 1286 00:52:50,880 --> 00:52:51,440 Speaker 4: each other. 1287 00:52:51,640 --> 00:52:55,520 Speaker 3: And his Black History Month? What are we doing? Martin 1288 00:52:55,560 --> 00:52:56,120 Speaker 3: had a dream? 1289 00:52:56,640 --> 00:52:57,240 Speaker 2: Had dream? 1290 00:52:57,680 --> 00:52:58,959 Speaker 3: This is not Martin's dream? 1291 00:52:59,120 --> 00:53:00,839 Speaker 4: Were your great? Why ain't I beefing? What the fuck 1292 00:53:00,920 --> 00:53:01,719 Speaker 4: Jack Carlow doing? 1293 00:53:02,280 --> 00:53:04,040 Speaker 2: Yeah? Did see how I killed JFK? What are you 1294 00:53:04,040 --> 00:53:04,520 Speaker 2: talking about? 1295 00:53:05,040 --> 00:53:06,200 Speaker 1: Sounds like one hundred years ago? 1296 00:53:07,239 --> 00:53:10,200 Speaker 2: Yeah, y'all do for a new one? A white white 1297 00:53:10,200 --> 00:53:10,680 Speaker 2: being murdered? 1298 00:53:10,800 --> 00:53:14,920 Speaker 1: Yeah. Jeffrey Epstein, he was one of their goats. You 1299 00:53:15,000 --> 00:53:17,840 Speaker 1: really break it down to a lot of people, Epstein 1300 00:53:17,880 --> 00:53:20,480 Speaker 1: was him. Yeah, to a lot of people that have 1301 00:53:20,560 --> 00:53:22,960 Speaker 1: money and influence, he was the one. 1302 00:53:23,080 --> 00:53:24,520 Speaker 3: Yeah, he wasn't the Kennedy though. 1303 00:53:25,560 --> 00:53:27,440 Speaker 2: Y'all are sick for bringing up Jack Harlow, like you 1304 00:53:27,440 --> 00:53:28,560 Speaker 2: want harm to happen. 1305 00:53:29,400 --> 00:53:29,960 Speaker 1: Who's y'all? 1306 00:53:31,040 --> 00:53:32,680 Speaker 2: Hebody wants to happen to anybody. 1307 00:53:33,239 --> 00:53:36,920 Speaker 5: I did not expect y'all seen Bay to get on 1308 00:53:36,960 --> 00:53:38,480 Speaker 5: Instagram and discuss the strake thing. 1309 00:53:38,800 --> 00:53:44,000 Speaker 2: But what what is he doing? More press for y'all? See, Yeah, 1310 00:53:44,280 --> 00:53:44,880 Speaker 2: this is press. 1311 00:53:44,960 --> 00:53:48,560 Speaker 5: Him sitting on a lot compared to doing no press 1312 00:53:48,680 --> 00:53:50,080 Speaker 5: or getting on Instagram for twenty years. 1313 00:53:50,120 --> 00:53:52,040 Speaker 2: Yeah, I would say so. After putting out an amazing 1314 00:53:52,080 --> 00:53:54,919 Speaker 2: I think the Star album, No, he few years ago, 1315 00:53:55,000 --> 00:53:56,000 Speaker 2: he sat any press. 1316 00:53:56,120 --> 00:53:58,120 Speaker 3: No, he sat down is he the Quality podcast? 1317 00:53:58,120 --> 00:54:00,120 Speaker 6: He sat down on a podcast and he made the 1318 00:54:00,200 --> 00:54:02,640 Speaker 6: comment about one of the biggest recording artists in the world. 1319 00:54:03,280 --> 00:54:05,840 Speaker 6: And I think that he started receiving some backlash for 1320 00:54:05,920 --> 00:54:08,120 Speaker 6: it and starting to see his name be attached to 1321 00:54:08,160 --> 00:54:11,160 Speaker 6: some things, and he felt like what he said was 1322 00:54:11,280 --> 00:54:13,840 Speaker 6: like taken out of context. Maybe, so he wanted to 1323 00:54:13,840 --> 00:54:16,840 Speaker 6: add more context to it and then letting people know 1324 00:54:16,880 --> 00:54:21,799 Speaker 6: he reached out to Drake Uh via dm UH, via 1325 00:54:22,080 --> 00:54:25,200 Speaker 6: Dave Chappelle and other people that probably have access and 1326 00:54:25,520 --> 00:54:28,959 Speaker 6: communication with Drake to basically clear up. 1327 00:54:28,880 --> 00:54:30,000 Speaker 3: And make sure that you know. 1328 00:54:30,040 --> 00:54:33,040 Speaker 6: He didn't want to seem like he was disrespecting Drake's 1329 00:54:33,080 --> 00:54:38,080 Speaker 6: talent or Drake's craft. And I understand that because sometimes 1330 00:54:38,160 --> 00:54:41,200 Speaker 6: you say things somewhere and it grows legs and you're like, WHOA, 1331 00:54:41,280 --> 00:54:43,080 Speaker 6: that's not what I was. Kind of like what you 1332 00:54:43,200 --> 00:54:45,920 Speaker 6: was saying about Chris Brown, right, same shit, but this 1333 00:54:46,080 --> 00:54:48,680 Speaker 6: was a little more direct and personal. So I think 1334 00:54:48,680 --> 00:54:50,840 Speaker 6: that this is like that most most of when you 1335 00:54:50,880 --> 00:54:53,080 Speaker 6: say things and it goes viral and it was taken 1336 00:54:53,120 --> 00:54:54,880 Speaker 6: out of context, and now is it? 1337 00:54:54,920 --> 00:54:56,480 Speaker 1: Now is it? See what I'm saying? 1338 00:54:56,480 --> 00:54:57,880 Speaker 6: And now you have a Now you think that the 1339 00:54:58,000 --> 00:54:59,759 Speaker 6: artist may have an issue with what you said and 1340 00:55:00,040 --> 00:55:02,000 Speaker 6: and feels a way about what you said. So this 1341 00:55:02,080 --> 00:55:03,759 Speaker 6: is most like like, not hold up, I want to 1342 00:55:03,760 --> 00:55:05,600 Speaker 6: clear this up. I don't want it to seem like 1343 00:55:05,600 --> 00:55:08,799 Speaker 6: I'm discrediting Drake and saying he's not talented and he's 1344 00:55:08,840 --> 00:55:12,000 Speaker 6: not dope. I just think that I, well, what he 1345 00:55:12,000 --> 00:55:16,239 Speaker 6: said is he requires more to say. Somebody is hip 1346 00:55:16,239 --> 00:55:18,160 Speaker 6: hop he need requires. 1347 00:55:17,760 --> 00:55:19,320 Speaker 2: You to walk it all the way that. Yeah, he 1348 00:55:19,320 --> 00:55:19,840 Speaker 2: didn't walk up. 1349 00:55:19,880 --> 00:55:21,520 Speaker 6: He was just trying to give more context to what 1350 00:55:21,600 --> 00:55:24,640 Speaker 6: he was saying, like certain substance during certain times of 1351 00:55:24,719 --> 00:55:26,080 Speaker 6: the world, things that are going on. 1352 00:55:26,680 --> 00:55:28,280 Speaker 3: Hip hop is a voice of the people. 1353 00:55:28,280 --> 00:55:32,040 Speaker 6: You should address certain things culturally, certain things politically, and 1354 00:55:32,080 --> 00:55:33,960 Speaker 6: things like that that are going on that are happening, 1355 00:55:34,239 --> 00:55:35,719 Speaker 6: which is what he was saying he would like to 1356 00:55:35,760 --> 00:55:36,920 Speaker 6: see Drake do more of. 1357 00:55:37,280 --> 00:55:41,000 Speaker 5: And this is another one of those part in my 1358 00:55:41,040 --> 00:55:45,560 Speaker 5: face moments while I speak. I did disagree a bit 1359 00:55:45,640 --> 00:55:50,480 Speaker 5: with y'all seen on that, like if Drake's not that guy, 1360 00:55:50,760 --> 00:55:54,040 Speaker 5: should he force certain type of substance or speak for 1361 00:55:54,160 --> 00:55:54,960 Speaker 5: a certain community. 1362 00:55:55,000 --> 00:55:57,600 Speaker 6: I would rather not because if you're not that guy, 1363 00:55:57,719 --> 00:55:59,080 Speaker 6: you're not from that, don't speak. 1364 00:55:58,880 --> 00:56:00,239 Speaker 1: On it same way. 1365 00:56:01,520 --> 00:56:03,000 Speaker 2: And I'm not comparing the two situations. 1366 00:56:03,040 --> 00:56:07,160 Speaker 5: I've come on here and said really dumb political points 1367 00:56:07,520 --> 00:56:09,920 Speaker 5: like I shouldn't. I shouldn't be the one to do that, 1368 00:56:10,160 --> 00:56:13,399 Speaker 5: Like sometimes I should do more research before I spew shit, 1369 00:56:14,080 --> 00:56:16,200 Speaker 5: But sometimes that comes from a place of I feel pressure. 1370 00:56:16,200 --> 00:56:19,880 Speaker 5: If we have a platform, things should be talked about. 1371 00:56:20,600 --> 00:56:21,920 Speaker 5: I just don't know if I'm the guy all the 1372 00:56:21,960 --> 00:56:24,040 Speaker 5: time after I've even tried to be that guy. 1373 00:56:24,160 --> 00:56:25,560 Speaker 1: Yeah, so respect that. 1374 00:56:25,840 --> 00:56:27,960 Speaker 5: I feel what I feel, what I seems saying. But 1375 00:56:28,000 --> 00:56:30,040 Speaker 5: if Drake is not that guy, he has a lot 1376 00:56:30,080 --> 00:56:31,920 Speaker 5: of substance and the shit he knows about. 1377 00:56:32,560 --> 00:56:33,399 Speaker 1: Yeah, keep it there. 1378 00:56:33,520 --> 00:56:35,680 Speaker 6: You can't force him to want to talk about things 1379 00:56:35,680 --> 00:56:39,719 Speaker 6: that he probably is not well informed on, or you know, 1380 00:56:39,760 --> 00:56:42,799 Speaker 6: things that he doesn't really feel passionate about, and things 1381 00:56:42,840 --> 00:56:44,960 Speaker 6: like that. Like, I respect that, I respect if an 1382 00:56:45,000 --> 00:56:47,440 Speaker 6: artists like I don't touch that because it's kind of 1383 00:56:47,480 --> 00:56:52,080 Speaker 6: like when in the Jordan documentary when the people were 1384 00:56:52,120 --> 00:56:55,080 Speaker 6: mad when Mike didn't support the local official that was 1385 00:56:55,160 --> 00:56:58,200 Speaker 6: running for some type of position and they were like, damn, well, 1386 00:56:58,200 --> 00:57:00,279 Speaker 6: why you didn't support him or why you're not like 1387 00:57:00,360 --> 00:57:03,000 Speaker 6: backing him and MJ said, yo, I don't. 1388 00:57:03,200 --> 00:57:05,759 Speaker 1: I don't get involved in that, and people were mad. 1389 00:57:05,800 --> 00:57:07,640 Speaker 6: But he's saying like, yo, I don't because I don't 1390 00:57:07,680 --> 00:57:10,440 Speaker 6: know much about that. I don't know what his policies are, 1391 00:57:10,440 --> 00:57:12,560 Speaker 6: what he's doing. I don't, so I'd rather just stay 1392 00:57:12,560 --> 00:57:14,560 Speaker 6: away from it. I'm not going to support it, and 1393 00:57:14,560 --> 00:57:16,680 Speaker 6: and and and you know, and give them my blessings 1394 00:57:16,680 --> 00:57:17,280 Speaker 6: and things like that. 1395 00:57:17,360 --> 00:57:19,440 Speaker 3: If I don't even I'm not into that. I don't. 1396 00:57:19,520 --> 00:57:21,280 Speaker 3: That's not what I do. I'm into this, this is 1397 00:57:21,280 --> 00:57:21,720 Speaker 3: what I do. 1398 00:57:21,960 --> 00:57:25,520 Speaker 6: So sometimes people yeah, but that's because people of that 1399 00:57:25,600 --> 00:57:29,000 Speaker 6: caliber are expected because they're putting such a high position. 1400 00:57:29,400 --> 00:57:31,920 Speaker 1: Because influence that you can have the amount of influence 1401 00:57:31,960 --> 00:57:32,120 Speaker 1: you can. 1402 00:57:32,200 --> 00:57:33,800 Speaker 6: But but what Jordan said was I don't want to 1403 00:57:33,880 --> 00:57:36,200 Speaker 6: use my influence in that way because I don't really 1404 00:57:36,280 --> 00:57:38,160 Speaker 6: know about that. Yeah, I don't, so I'm not going 1405 00:57:38,240 --> 00:57:40,400 Speaker 6: to use my influence there. So I think that, you know, 1406 00:57:40,440 --> 00:57:42,520 Speaker 6: you just got to look at what people's passions are 1407 00:57:42,880 --> 00:57:45,200 Speaker 6: and what they're into and things like that, and it's like, okay, 1408 00:57:45,280 --> 00:57:47,720 Speaker 6: so you can't expect this artist to create art based 1409 00:57:47,760 --> 00:57:50,760 Speaker 6: around the things that you're passionate about because they have 1410 00:57:50,800 --> 00:57:52,520 Speaker 6: a bigger platform and you would love to see them 1411 00:57:52,520 --> 00:57:54,560 Speaker 6: talk about it. But if that person's not into that, 1412 00:57:54,880 --> 00:57:57,240 Speaker 6: then they're totally in their right to not speak on that. 1413 00:57:57,320 --> 00:57:59,680 Speaker 1: And sometimes it's about the money, because Jordan even said, 1414 00:57:59,800 --> 00:58:01,680 Speaker 1: and I believe in that doc as well, he's like 1415 00:58:01,720 --> 00:58:03,840 Speaker 1: Republicans buy shoes too. When people are like, why aren't 1416 00:58:03,840 --> 00:58:06,880 Speaker 1: you more vocal about politics, and he's like, some people 1417 00:58:07,280 --> 00:58:11,960 Speaker 1: just want to build wealth and to play both parties 1418 00:58:12,000 --> 00:58:14,360 Speaker 1: and to not be associated in one way or another, 1419 00:58:14,360 --> 00:58:19,280 Speaker 1: because just basically a side, pick aside and split your audience, 1420 00:58:19,320 --> 00:58:21,080 Speaker 1: you lose money. And if you're really trying to build 1421 00:58:21,080 --> 00:58:24,240 Speaker 1: an empire, in Drake's case, I think he's about his money, 1422 00:58:24,640 --> 00:58:26,640 Speaker 1: you shut up and just play the good guy. 1423 00:58:26,760 --> 00:58:30,080 Speaker 3: I want Republicans, Democrats and whoever else to support my 1424 00:58:30,200 --> 00:58:32,720 Speaker 3: music if they like it, to buy my sneakers if 1425 00:58:32,760 --> 00:58:35,000 Speaker 3: they like it. So I'm not picking a side because 1426 00:58:35,280 --> 00:58:38,200 Speaker 3: I'm not into politics. There's nothing wrong with that. And 1427 00:58:38,400 --> 00:58:39,800 Speaker 3: everybody's not into politics. 1428 00:58:39,800 --> 00:58:44,080 Speaker 5: We know that Drake studies the landscape constantly. He saw 1429 00:58:44,440 --> 00:58:46,680 Speaker 5: Ja Cole put out a freestyle of saying, hey, I 1430 00:58:46,680 --> 00:58:49,080 Speaker 5: don't know everything. I'd love to learn more, and then 1431 00:58:49,240 --> 00:58:51,760 Speaker 5: all of the internet said, shut the fuck up, he misogynists, 1432 00:58:51,760 --> 00:58:57,360 Speaker 5: piece of shit. That was like, Jake hole, I'm never 1433 00:58:57,400 --> 00:59:02,240 Speaker 5: going to say a word. Then that looks at fucking 1434 00:59:02,240 --> 00:59:02,920 Speaker 5: cold crazy. 1435 00:59:03,000 --> 00:59:08,040 Speaker 6: I saw something the other day on Instagram. They asked 1436 00:59:08,040 --> 00:59:11,160 Speaker 6: Snoop something about Trump and he said, yo, Trump ain't 1437 00:59:11,160 --> 00:59:13,360 Speaker 6: never did nothing to me. And I was like, oh, 1438 00:59:13,360 --> 00:59:14,760 Speaker 6: they're about to try to cancel Snoop. 1439 00:59:14,800 --> 00:59:16,880 Speaker 7: Now, they're not about to try to cancel him. He 1440 00:59:16,920 --> 00:59:19,440 Speaker 7: just sounds stupid, but they Yeah. 1441 00:59:19,240 --> 00:59:20,960 Speaker 5: Because even in the same breadth of what we're saying, 1442 00:59:21,000 --> 00:59:23,960 Speaker 5: you can also just flat out say I don't know. 1443 00:59:24,680 --> 00:59:29,800 Speaker 5: Speaking of canceling artists, though, TikTok just had all of 1444 00:59:29,840 --> 00:59:34,720 Speaker 5: the Universal Music Group artists canceled for possibly eternity. 1445 00:59:34,640 --> 00:59:36,080 Speaker 6: A right that means nothing to me because I'm not 1446 00:59:36,080 --> 00:59:38,000 Speaker 6: on TikTok, But I do recognize that is a big 1447 00:59:38,000 --> 00:59:40,960 Speaker 6: deal because most TikTok videos, if not all, have music 1448 00:59:40,960 --> 00:59:41,280 Speaker 6: in them. 1449 00:59:42,600 --> 00:59:46,880 Speaker 5: To me, this is I like music industry wise, the 1450 00:59:47,000 --> 00:59:52,000 Speaker 5: biggest thing to happen since Spotify introduced streaming on a 1451 00:59:52,040 --> 00:59:52,600 Speaker 5: mass level. 1452 00:59:52,760 --> 00:59:59,400 Speaker 8: Yeah, it's crazy. This effects this, This affects over ninety 1453 00:59:59,400 --> 01:00:00,760 Speaker 8: percent of ticks, I think. 1454 01:00:00,680 --> 01:00:01,520 Speaker 2: For those that don't know. 1455 01:00:01,840 --> 01:00:07,360 Speaker 5: As of Wednesday, January thirty first UMG Universal Music Group, 1456 01:00:07,640 --> 01:00:11,680 Speaker 5: all of their artists, catalog songs and for the foreseeable 1457 01:00:11,720 --> 01:00:18,720 Speaker 5: future cannot participate in the biggest tech company known to 1458 01:00:18,800 --> 01:00:19,479 Speaker 5: man right now. 1459 01:00:19,720 --> 01:00:21,440 Speaker 3: And this hurts nobody but the artists. 1460 01:00:22,360 --> 01:00:26,160 Speaker 5: So TikTok proposed paying artists and songwriters a rate that 1461 01:00:26,320 --> 01:00:29,360 Speaker 5: is a fraction of the rate that they similarly similarly 1462 01:00:29,400 --> 01:00:33,520 Speaker 5: see I can even similarly close enough situated major social platforms, 1463 01:00:33,760 --> 01:00:39,440 Speaker 5: UMG said. TikTok accused UMG of putting their own greed 1464 01:00:39,480 --> 01:00:42,760 Speaker 5: above the interests of their artists and songwriters. UMG then 1465 01:00:42,800 --> 01:00:46,920 Speaker 5: replied to TikTok in the press that TikTok only accounts 1466 01:00:46,960 --> 01:00:50,600 Speaker 5: for one percent of its advertising revenue, which to me 1467 01:00:50,800 --> 01:00:57,160 Speaker 5: kind of like prove TikTok's point. But this is fucking nuts. 1468 01:00:58,600 --> 01:01:03,280 Speaker 5: Did you guys ever see these Spotify TV series, like 1469 01:01:03,400 --> 01:01:05,120 Speaker 5: just about the creation of Spotify. 1470 01:01:06,840 --> 01:01:09,120 Speaker 1: I think it was on Hulu, Yeah it was, you 1471 01:01:09,160 --> 01:01:10,720 Speaker 1: mentioned it before. I never got it. 1472 01:01:10,720 --> 01:01:11,560 Speaker 2: It's a really good series. 1473 01:01:11,600 --> 01:01:13,400 Speaker 5: If you haven't seen it, it's up there, like with 1474 01:01:13,440 --> 01:01:15,880 Speaker 5: the Uber series. It's just one of those if you're 1475 01:01:16,040 --> 01:01:18,280 Speaker 5: into this type of shit, you need to go see it. 1476 01:01:19,840 --> 01:01:23,440 Speaker 5: So in the series, which is pretty accurate, that's a 1477 01:01:23,440 --> 01:01:25,600 Speaker 5: good representation if you want to get a back history 1478 01:01:25,840 --> 01:01:30,080 Speaker 5: of how tech companies and the music industry have combined. 1479 01:01:30,680 --> 01:01:33,840 Speaker 5: So Spotify had this great idea, created all these routers 1480 01:01:33,880 --> 01:01:36,919 Speaker 5: and all this shit that made it capable to stream 1481 01:01:36,960 --> 01:01:40,720 Speaker 5: all music from a computer. But they needed the music, 1482 01:01:40,880 --> 01:01:43,040 Speaker 5: so naturally they went to the major labels, which all 1483 01:01:43,120 --> 01:01:45,240 Speaker 5: laughed in their fucking faces because they own all the 1484 01:01:45,280 --> 01:01:48,160 Speaker 5: back catalogs of every fucking artist ever, and it's like, 1485 01:01:48,160 --> 01:01:49,880 Speaker 5: why would we move to the beat of your drum 1486 01:01:49,880 --> 01:01:52,840 Speaker 5: and what you want and license this shit when we 1487 01:01:52,960 --> 01:01:55,760 Speaker 5: own what you need to even create. This entire thing 1488 01:01:56,040 --> 01:01:57,960 Speaker 5: was a back and forth. Looked like Spotify was never 1489 01:01:58,000 --> 01:02:02,320 Speaker 5: going to exist. The result was the three majors all 1490 01:02:02,320 --> 01:02:05,680 Speaker 5: have ownership with in Spotify. That was the only conclusion 1491 01:02:05,720 --> 01:02:07,440 Speaker 5: that they could all come to, which to me is 1492 01:02:07,440 --> 01:02:10,000 Speaker 5: a fair one. At the end of the day, Spotify 1493 01:02:10,040 --> 01:02:12,800 Speaker 5: is a tech company, but they revolutionized how the masses 1494 01:02:12,840 --> 01:02:16,000 Speaker 5: can get music with their phones and their computers, but 1495 01:02:16,080 --> 01:02:18,840 Speaker 5: also why the majors are so important, whether we like 1496 01:02:18,840 --> 01:02:21,200 Speaker 5: it or not, own all the music that we listen to. 1497 01:02:21,600 --> 01:02:24,400 Speaker 5: If I'm a major, I'm definitely telling Spotify no, I'm 1498 01:02:24,440 --> 01:02:26,000 Speaker 5: just not licensing some shit to. 1499 01:02:25,960 --> 01:02:26,680 Speaker 1: You for a fee. 1500 01:02:27,240 --> 01:02:29,160 Speaker 5: I need to be a part of your tech company, 1501 01:02:29,920 --> 01:02:33,680 Speaker 5: which to me is completely fair. Spotify had no leverage 1502 01:02:33,680 --> 01:02:35,600 Speaker 5: because they were the first. I mean, there was other 1503 01:02:35,640 --> 01:02:39,920 Speaker 5: streaming sites, but this was one that obviously changed everything. 1504 01:02:40,880 --> 01:02:42,560 Speaker 2: They had no leverage. 1505 01:02:42,680 --> 01:02:45,480 Speaker 5: TikTok now being who they are and who they're backed by, 1506 01:02:46,600 --> 01:02:50,240 Speaker 5: has a little bit more leverage than the average tech company. 1507 01:02:51,120 --> 01:02:54,360 Speaker 5: So them going in to negotiate with say a Universal 1508 01:02:54,440 --> 01:02:57,240 Speaker 5: Warner or whatever is not looking at it the same 1509 01:02:57,280 --> 01:03:01,440 Speaker 5: way as Spotify. But the Majors, and as arrogant as 1510 01:03:01,440 --> 01:03:03,360 Speaker 5: they've always been and as late to the party as 1511 01:03:03,360 --> 01:03:05,760 Speaker 5: they've always been, still thinks the whole world needs to 1512 01:03:05,760 --> 01:03:07,760 Speaker 5: beat to their drum because they have the catalog right 1513 01:03:08,720 --> 01:03:13,000 Speaker 5: And TikTok did not budge and said, fuck it cool, 1514 01:03:13,560 --> 01:03:16,640 Speaker 5: we won't need to use your catalog. And the majors 1515 01:03:16,640 --> 01:03:19,920 Speaker 5: have never been treated that way in their entire existence, 1516 01:03:21,160 --> 01:03:23,120 Speaker 5: whether it be movies, because they went through this with 1517 01:03:23,520 --> 01:03:26,520 Speaker 5: you know, Universal is not just you and Universal Music Group. 1518 01:03:26,560 --> 01:03:27,520 Speaker 2: They owned movies. 1519 01:03:27,640 --> 01:03:31,320 Speaker 5: We've seen it with Disney buying up every last other 1520 01:03:31,360 --> 01:03:34,880 Speaker 5: streaming site. They've never been treated this way or ever 1521 01:03:35,000 --> 01:03:41,040 Speaker 5: met their match before. I appreciate them not budging, but 1522 01:03:41,120 --> 01:03:45,680 Speaker 5: I think they're in a lose lose situation if they budge. 1523 01:03:46,800 --> 01:03:49,240 Speaker 5: Now whatever the next tech company. Of course, TikTok is 1524 01:03:49,280 --> 01:03:52,520 Speaker 5: here to stay. No one's trying to argue that. But inevitably, 1525 01:03:52,600 --> 01:03:56,919 Speaker 5: like the world turns because it's flat, there will always 1526 01:03:56,960 --> 01:03:58,880 Speaker 5: be a new tech company that's going to need music. 1527 01:04:00,040 --> 01:04:02,040 Speaker 5: And UMG has never feared that because they always had 1528 01:04:02,040 --> 01:04:06,120 Speaker 5: the leverage if they cave to TikTok. Now we're now, 1529 01:04:06,120 --> 01:04:09,080 Speaker 5: we're in a situation where our negotiations aren't the same 1530 01:04:09,160 --> 01:04:11,720 Speaker 5: as they were with Spotify, with Apple, with everybody else. 1531 01:04:13,160 --> 01:04:15,800 Speaker 5: But if you don't cave, and you stand on your 1532 01:04:15,800 --> 01:04:20,640 Speaker 5: business as arrogant as the majors are, and TikTok continues 1533 01:04:20,880 --> 01:04:24,240 Speaker 5: to move the fuck on, and your artists are affected, 1534 01:04:24,440 --> 01:04:27,560 Speaker 5: now you've lost all leverage that you've ever had because 1535 01:04:27,600 --> 01:04:31,640 Speaker 5: clearly you're not needed for these tech companies anymore when 1536 01:04:31,680 --> 01:04:35,400 Speaker 5: it comes to back catalog or future relationships with artists. 1537 01:04:35,440 --> 01:04:36,760 Speaker 3: How does this How does this help? 1538 01:04:38,080 --> 01:04:40,480 Speaker 2: The only people that suffer in this entire thing are artists. 1539 01:04:40,920 --> 01:04:43,440 Speaker 3: But how does this help independent artists? 1540 01:04:46,160 --> 01:04:47,880 Speaker 2: I think in a good way. I mean, if you 1541 01:04:47,920 --> 01:04:49,320 Speaker 2: take away I mean. 1542 01:04:49,360 --> 01:04:51,920 Speaker 3: Umg, we don't even ness everybody. 1543 01:04:51,960 --> 01:04:54,480 Speaker 5: We don't need to say Taylor, Swift, Drake, et cetera 1544 01:04:54,600 --> 01:05:00,520 Speaker 5: like they have almost everybody. I think it helps independent artists. 1545 01:05:00,960 --> 01:05:04,160 Speaker 5: I think it takes some leverage away from the majors 1546 01:05:04,200 --> 01:05:08,000 Speaker 5: too with doing deals with other artists. If I'm looking 1547 01:05:08,040 --> 01:05:11,080 Speaker 5: to sign and I'm the hottest thing moving right now 1548 01:05:11,120 --> 01:05:15,320 Speaker 5: on YouTube or whatever, and you take away my music 1549 01:05:15,400 --> 01:05:17,360 Speaker 5: being able to be promoted on TikTok. 1550 01:05:17,400 --> 01:05:19,280 Speaker 2: Do you think I'd ever fucking sign with you? Right? 1551 01:05:19,760 --> 01:05:22,440 Speaker 1: And I'm also thinking from like a younger artist perspective, 1552 01:05:22,720 --> 01:05:26,360 Speaker 1: where younger artists are being discovered is on TikTok. So say, yeah, 1553 01:05:26,440 --> 01:05:29,320 Speaker 1: I'm a young artist that has a following, I blow 1554 01:05:29,400 --> 01:05:31,600 Speaker 1: up on TikTok as most are doing now, and then 1555 01:05:31,640 --> 01:05:36,960 Speaker 1: I sign to Universal. Universal and their legal team before 1556 01:05:37,000 --> 01:05:40,960 Speaker 1: the inks dry will own your back catalog. So immediately 1557 01:05:41,280 --> 01:05:43,480 Speaker 1: you're telling me, is the day I signed with you, 1558 01:05:43,480 --> 01:05:45,120 Speaker 1: You're going to now have the right to my back 1559 01:05:45,120 --> 01:05:47,080 Speaker 1: catalog and then rip it off a platform that I 1560 01:05:47,360 --> 01:05:50,280 Speaker 1: got my name from. And then what I'm pretty much 1561 01:05:50,280 --> 01:05:52,680 Speaker 1: starting from square zero because say I have a million 1562 01:05:52,840 --> 01:05:55,840 Speaker 1: on TikTok, but my Instagram as like one hundred thousand. 1563 01:05:56,600 --> 01:06:00,920 Speaker 1: My following's over here. Now we're isolating, we're depriving my 1564 01:06:01,000 --> 01:06:03,320 Speaker 1: audience that got me to this point, and now I 1565 01:06:03,320 --> 01:06:06,960 Speaker 1: have to do this on Instagram and Twitter or wherever now. 1566 01:06:07,040 --> 01:06:09,560 Speaker 3: So it's basically like creating another I have to go 1567 01:06:09,600 --> 01:06:10,160 Speaker 3: to this label. 1568 01:06:10,160 --> 01:06:14,040 Speaker 1: You're just robbing artists of it is the real losers 1569 01:06:14,040 --> 01:06:14,520 Speaker 1: of the artists. 1570 01:06:14,520 --> 01:06:18,040 Speaker 5: I mean to the point, because now we're losing all promotion, 1571 01:06:18,240 --> 01:06:21,960 Speaker 5: like no matter what to some degree. And I'm not 1572 01:06:22,760 --> 01:06:25,360 Speaker 5: I've been on record not being a fuck majors type 1573 01:06:25,360 --> 01:06:27,560 Speaker 5: of person. I think with certain artists, majors are actually 1574 01:06:27,560 --> 01:06:30,400 Speaker 5: great for you. I think it's awesome, and I think 1575 01:06:30,440 --> 01:06:34,080 Speaker 5: independence are great for other artists. But if you rob 1576 01:06:34,160 --> 01:06:38,439 Speaker 5: me not only of my masters and probably the fair 1577 01:06:38,480 --> 01:06:41,800 Speaker 5: share of profit outside of what you put up for. 1578 01:06:41,880 --> 01:06:44,040 Speaker 2: Me, it is what it is. 1579 01:06:44,080 --> 01:06:47,000 Speaker 5: That's the industry standard. It sucks, but that's cool. Now 1580 01:06:47,000 --> 01:06:50,560 Speaker 5: you're robbing me of my promotion. Now I can't even 1581 01:06:50,560 --> 01:06:53,520 Speaker 5: promote my record to get the pennies off the dollar 1582 01:06:53,560 --> 01:06:58,600 Speaker 5: that I'm getting. Now tell me now, you're legitimately. 1583 01:06:58,160 --> 01:06:59,439 Speaker 2: A bank of America. 1584 01:06:59,320 --> 01:07:02,160 Speaker 5: Yeah, you're not even in a company as far as 1585 01:07:02,200 --> 01:07:04,480 Speaker 5: promoting my music. Like you go to a major because 1586 01:07:04,960 --> 01:07:07,520 Speaker 5: they can help make you a star, and whether we 1587 01:07:07,600 --> 01:07:09,880 Speaker 5: like it or not, TikTok is a huge fucking part 1588 01:07:09,880 --> 01:07:10,080 Speaker 5: of that. 1589 01:07:10,120 --> 01:07:12,960 Speaker 2: Now, Julie, you take that out. It's like there was 1590 01:07:13,000 --> 01:07:14,000 Speaker 2: a Pharrell. 1591 01:07:13,800 --> 01:07:16,240 Speaker 6: Just did an interview where he was saying that if 1592 01:07:16,240 --> 01:07:18,600 Speaker 6: you could find it, he was sitting down with a podcast, 1593 01:07:18,720 --> 01:07:20,840 Speaker 6: I believe, or he did an interview somewhere he was 1594 01:07:20,880 --> 01:07:25,040 Speaker 6: saying that he doesn't feel like artists have to sign 1595 01:07:25,440 --> 01:07:28,440 Speaker 6: to labels anymore more than ever now, Like there's no 1596 01:07:28,520 --> 01:07:32,520 Speaker 6: need for the artists to uh to sign a major 1597 01:07:32,880 --> 01:07:33,600 Speaker 6: recording deal. 1598 01:07:33,800 --> 01:07:37,000 Speaker 5: And I think that was a premature statement based off 1599 01:07:37,600 --> 01:07:41,520 Speaker 5: the major's relationship with Spotify, i e. Being part owners 1600 01:07:42,120 --> 01:07:45,560 Speaker 5: and with TikTok, and with platforms like Instagram. If you 1601 01:07:45,640 --> 01:07:50,640 Speaker 5: erase that, then at this point find a drug dealer 1602 01:07:50,680 --> 01:07:52,439 Speaker 5: to financial dreams like. 1603 01:07:53,360 --> 01:07:54,320 Speaker 2: What do we do? What are we doing it? 1604 01:07:54,840 --> 01:07:55,680 Speaker 1: What's happened before? 1605 01:07:56,520 --> 01:07:56,800 Speaker 2: I know? 1606 01:07:57,840 --> 01:08:01,800 Speaker 5: But it's different when taking so many resources. And on 1607 01:08:01,840 --> 01:08:06,200 Speaker 5: top of that, we just watched Universal Warner all these 1608 01:08:06,240 --> 01:08:08,640 Speaker 5: reports that they're laying off half their staff. Right now, 1609 01:08:08,640 --> 01:08:10,480 Speaker 5: the music industry is laying off more people than any 1610 01:08:10,520 --> 01:08:12,760 Speaker 5: other industry at all. So now I don't have a staff, 1611 01:08:12,960 --> 01:08:15,720 Speaker 5: I don't have access to the biggest platform. Okay, you're 1612 01:08:15,760 --> 01:08:19,040 Speaker 5: going to give me one hundred grand to record an 1613 01:08:19,080 --> 01:08:21,439 Speaker 5: album that I don't own that You're gonna give me 1614 01:08:21,680 --> 01:08:22,559 Speaker 5: pennies off the dollar? 1615 01:08:23,320 --> 01:08:23,599 Speaker 1: Why? 1616 01:08:24,040 --> 01:08:27,519 Speaker 7: Yeah, what I'm seeing So I'm seeing some financial people 1617 01:08:27,560 --> 01:08:31,519 Speaker 7: who are talking about that. So basically, TikTok paid UMG 1618 01:08:32,120 --> 01:08:34,280 Speaker 7: one hundred and ten million. They're paying them around one 1619 01:08:34,360 --> 01:08:38,160 Speaker 7: hundred and ten million dollars per year. TikTok is comparable 1620 01:08:38,200 --> 01:08:42,800 Speaker 7: to Facebook Meta, with whom UMG had a multi year 1621 01:08:42,920 --> 01:08:46,680 Speaker 7: deal with in twenty twenty two, who they're paying I 1622 01:08:46,680 --> 01:08:49,080 Speaker 7: think three times as much. They're paying two hundred to 1623 01:08:49,240 --> 01:08:53,680 Speaker 7: three hundred million per year to license the content, so 1624 01:08:53,960 --> 01:08:57,320 Speaker 7: doubling damn their tripling what TikTok is paying. 1625 01:08:57,479 --> 01:08:57,639 Speaker 1: Right. 1626 01:08:58,040 --> 01:09:02,240 Speaker 7: However, they're not gonna you can advertise on Meta in 1627 01:09:02,360 --> 01:09:05,040 Speaker 7: Facebook and Instagram, all of that, it's never gonna get 1628 01:09:05,080 --> 01:09:08,240 Speaker 7: the type of coverage that it's gonna get on TikTok. 1629 01:09:08,280 --> 01:09:10,519 Speaker 7: So I don't blame TikTok for not wanting to pay 1630 01:09:10,560 --> 01:09:13,080 Speaker 7: as much, but that is a big difference. 1631 01:09:13,320 --> 01:09:15,400 Speaker 2: I don't think this is my personal opinion. 1632 01:09:15,600 --> 01:09:19,679 Speaker 5: I read all the articles and I have no inside information. 1633 01:09:20,400 --> 01:09:22,920 Speaker 2: I think UMG went in for. 1634 01:09:24,560 --> 01:09:27,640 Speaker 5: An actual percentage of TikTok the same way they have 1635 01:09:27,720 --> 01:09:31,839 Speaker 5: done with every other tech company, how they've dealt with YouTube, 1636 01:09:31,880 --> 01:09:35,639 Speaker 5: how they've dealt with everyone, and they were needed. TikTok 1637 01:09:35,720 --> 01:09:38,320 Speaker 5: is a platform that of course we know Taylor Swift 1638 01:09:38,360 --> 01:09:41,200 Speaker 5: Records go crazy on there. We know there's dances with 1639 01:09:41,280 --> 01:09:45,200 Speaker 5: every artist they don't live and die by a back 1640 01:09:45,240 --> 01:09:46,920 Speaker 5: catalog or future music. 1641 01:09:47,600 --> 01:09:48,200 Speaker 2: They just don't. 1642 01:09:48,240 --> 01:09:50,919 Speaker 5: People are going to generate videos because they love TikTok 1643 01:09:50,920 --> 01:09:55,679 Speaker 5: and like making tiktoks. They'll dance to anything. That's actually 1644 01:09:55,760 --> 01:09:58,800 Speaker 5: kind of the beauty of TikTok where they almost treat 1645 01:09:58,800 --> 01:10:01,759 Speaker 5: it like SoundCloud of a rabbit hole, where those sounds 1646 01:10:01,760 --> 01:10:03,439 Speaker 5: and that shit, like, even if you don't have a 1647 01:10:03,479 --> 01:10:08,400 Speaker 5: huge following, your shit can pop on TikTok. So if 1648 01:10:08,400 --> 01:10:10,920 Speaker 5: you take that away where the kids are not focused 1649 01:10:10,960 --> 01:10:14,439 Speaker 5: on trying to dance to what the hottest song is 1650 01:10:14,520 --> 01:10:17,920 Speaker 5: right now, or have a back catalog, yeah, some random 1651 01:10:17,920 --> 01:10:19,800 Speaker 5: fucking DJ could just make a beat and if it 1652 01:10:19,840 --> 01:10:22,920 Speaker 5: has the right dance, it's out of here. We've seen 1653 01:10:22,960 --> 01:10:25,960 Speaker 5: it a million times with TikTok. I think Universal finally 1654 01:10:26,000 --> 01:10:28,519 Speaker 5: met their match because they have every right to deal 1655 01:10:28,520 --> 01:10:31,120 Speaker 5: with Vivo and YouTube that way, every single right to 1656 01:10:31,160 --> 01:10:35,439 Speaker 5: deal with Spotify, Apple Music in that capacity because when 1657 01:10:35,439 --> 01:10:37,840 Speaker 5: we use those things, we need back catalog and we 1658 01:10:37,880 --> 01:10:43,559 Speaker 5: need future catalog because those are strictly sort of music platforms, 1659 01:10:43,600 --> 01:10:44,360 Speaker 5: their tech companies. 1660 01:10:44,360 --> 01:10:47,599 Speaker 2: But it's music TikTok is that's just a portion. 1661 01:10:47,840 --> 01:10:51,120 Speaker 5: Sure, they don't they find Universal finally met their fucking match, 1662 01:10:51,640 --> 01:10:54,800 Speaker 5: and I think Universal, I don't think it's caving. I 1663 01:10:54,840 --> 01:10:58,640 Speaker 5: know you've been big brother forever. But adjust with the times, 1664 01:10:59,120 --> 01:11:00,400 Speaker 5: Adjust with the fuck That's. 1665 01:11:00,240 --> 01:11:00,840 Speaker 2: What I was gonna say. 1666 01:11:00,880 --> 01:11:03,720 Speaker 6: I think it's just time for the big brother to 1667 01:11:03,760 --> 01:11:05,519 Speaker 6: just adjust to the new times and the things that 1668 01:11:05,560 --> 01:11:07,680 Speaker 6: are going on. The way people discover music, the way 1669 01:11:07,720 --> 01:11:10,080 Speaker 6: people share music, the way people fall in love with artists, 1670 01:11:10,120 --> 01:11:10,840 Speaker 6: and things like that. 1671 01:11:11,280 --> 01:11:13,880 Speaker 3: It's a more organic way of doing it. 1672 01:11:13,920 --> 01:11:17,600 Speaker 6: With TikTok, people post videos, people like the video, the 1673 01:11:17,640 --> 01:11:19,760 Speaker 6: video goes viral, people like damn, that song is dope. 1674 01:11:19,800 --> 01:11:21,640 Speaker 6: I like that song with songs that I've done it, 1675 01:11:21,920 --> 01:11:23,640 Speaker 6: I've seen the clips and things like that. 1676 01:11:23,680 --> 01:11:26,160 Speaker 3: I'm like, yo, what songs that? So it's just a 1677 01:11:26,200 --> 01:11:27,400 Speaker 3: sign of the time's changing. 1678 01:11:27,439 --> 01:11:29,400 Speaker 6: And I think Universe was still trying to stand there 1679 01:11:29,479 --> 01:11:32,679 Speaker 6: ground and say we're the most dominant figure on the block. 1680 01:11:33,400 --> 01:11:35,439 Speaker 6: That may be true, but there are other ways that 1681 01:11:35,600 --> 01:11:38,240 Speaker 6: artists are spreading their music and growing their music now 1682 01:11:38,280 --> 01:11:39,880 Speaker 6: that I think you want to be a part of 1683 01:11:40,080 --> 01:11:43,080 Speaker 6: and help to grow it in that direction as well. 1684 01:11:43,640 --> 01:11:46,200 Speaker 5: But straight up too, before you go to Maris, do 1685 01:11:46,400 --> 01:11:50,680 Speaker 5: Universal not straight up say not even cryptically, we do 1686 01:11:50,840 --> 01:11:56,200 Speaker 5: not give a single fuck about music. Their response was, 1687 01:11:56,520 --> 01:11:59,599 Speaker 5: TikTok is one percent of our fucking revenue. We don't 1688 01:11:59,640 --> 01:12:03,439 Speaker 5: care about that. So one percent of your revenue is 1689 01:12:03,479 --> 01:12:04,800 Speaker 5: coming from TikTok and music. 1690 01:12:05,200 --> 01:12:06,080 Speaker 2: Cool. I get that. 1691 01:12:07,040 --> 01:12:09,120 Speaker 5: So now you're going to take away the biggest promotional 1692 01:12:09,120 --> 01:12:12,960 Speaker 5: thing ever for your music division. You are saying we 1693 01:12:13,040 --> 01:12:15,519 Speaker 5: do not give a single fuck about music. It means 1694 01:12:15,560 --> 01:12:17,960 Speaker 5: nothing to us. It means nothing at all. We're telling 1695 01:12:17,960 --> 01:12:20,040 Speaker 5: you it's one percent of revenue over here, it's biggest 1696 01:12:20,040 --> 01:12:20,720 Speaker 5: promotional shit. 1697 01:12:21,640 --> 01:12:24,479 Speaker 2: So fuck y'all. Well that's saying that's saying fuck music. 1698 01:12:24,800 --> 01:12:26,559 Speaker 2: The music, Yes, saying fuck you to music. 1699 01:12:26,600 --> 01:12:29,960 Speaker 1: It is you're speaking shareholder language because that you're looking 1700 01:12:30,000 --> 01:12:33,160 Speaker 1: at it because they want Yeah, but I'm saying it's 1701 01:12:33,200 --> 01:12:36,599 Speaker 1: not obviously I would imagine that the label. The people 1702 01:12:36,640 --> 01:12:38,479 Speaker 1: at the label are like, well, shit, now what are 1703 01:12:38,479 --> 01:12:38,960 Speaker 1: we going to do? 1704 01:12:39,200 --> 01:12:39,439 Speaker 4: Yeah? 1705 01:12:39,479 --> 01:12:41,800 Speaker 1: But yeah, if you're looking at it holistically, if you're 1706 01:12:41,800 --> 01:12:43,880 Speaker 1: looking at a pie chart and you see one percent, 1707 01:12:43,920 --> 01:12:45,000 Speaker 1: you're like, fuck it, we'll eat that. 1708 01:12:45,520 --> 01:12:48,600 Speaker 2: If I'm losing, I'm looking like, yo, y'all, y'all just 1709 01:12:48,600 --> 01:12:50,720 Speaker 2: said fuck me for real? 1710 01:12:50,920 --> 01:12:52,080 Speaker 1: Yeah, you said fuck me. 1711 01:12:52,120 --> 01:12:55,360 Speaker 5: And everything that I've brought to this company. Yeah, and 1712 01:12:55,400 --> 01:12:59,320 Speaker 5: even though it is one percent whatever, back to perception 1713 01:12:59,400 --> 01:13:02,479 Speaker 5: as well, Like you guys had to start three to 1714 01:13:02,520 --> 01:13:06,200 Speaker 5: sixty deal because we know where you can leverage celebrity. 1715 01:13:07,080 --> 01:13:11,160 Speaker 5: Taylor Swift changed the economy. It was based off of music. 1716 01:13:11,560 --> 01:13:15,400 Speaker 5: Everyone's saying, fuck music. Now, fuck our artists, fuck their promotion. 1717 01:13:15,960 --> 01:13:18,440 Speaker 5: It's barely a penny. 1718 01:13:18,160 --> 01:13:18,400 Speaker 1: To do us. 1719 01:13:19,120 --> 01:13:19,639 Speaker 2: Fuck y'all. 1720 01:13:20,640 --> 01:13:23,160 Speaker 4: But I don't. I mean, that's like, that's. 1721 01:13:23,000 --> 01:13:25,559 Speaker 5: To me admitting we are eventually and have been planning 1722 01:13:25,560 --> 01:13:27,479 Speaker 5: on dissolving this entire thing. 1723 01:13:27,600 --> 01:13:28,559 Speaker 2: Okay, this is a fun hobby. 1724 01:13:28,640 --> 01:13:30,840 Speaker 4: I think I think you're going really far with that. 1725 01:13:31,520 --> 01:13:33,880 Speaker 7: I think you're taken to what they when they said 1726 01:13:33,920 --> 01:13:35,400 Speaker 7: TikTok pays one percent. 1727 01:13:35,520 --> 01:13:36,479 Speaker 4: I think you're taking that. 1728 01:13:36,680 --> 01:13:38,760 Speaker 5: I'm not saying that. I know it's one percent of 1729 01:13:38,800 --> 01:13:40,960 Speaker 5: their revenue. What they get paid out by TikTok one. 1730 01:13:40,880 --> 01:13:43,760 Speaker 2: Hundred million dollars is which makes so much sense to 1731 01:13:43,760 --> 01:13:44,120 Speaker 2: get rid of. 1732 01:13:44,200 --> 01:13:46,400 Speaker 5: But if the future is going into tech companies, and 1733 01:13:46,439 --> 01:13:48,720 Speaker 5: TikTok is the biggest one that was the only one 1734 01:13:48,720 --> 01:13:50,679 Speaker 5: that was gonna make them budget, stood on their fucking 1735 01:13:50,720 --> 01:13:53,839 Speaker 5: business and they decided to say fuck you to TikTok. 1736 01:13:54,040 --> 01:13:56,519 Speaker 5: To me, that's saying fuck you to the future of 1737 01:13:56,600 --> 01:13:58,360 Speaker 5: music because no matter what music is gonna be with 1738 01:13:58,439 --> 01:14:01,840 Speaker 5: tech companies, no matter what, I think, they're gonna have 1739 01:14:01,840 --> 01:14:03,920 Speaker 5: to do these deals again and when they say no here, 1740 01:14:04,800 --> 01:14:06,320 Speaker 5: it's just gonna get worse the next time. 1741 01:14:06,520 --> 01:14:08,160 Speaker 2: And they're saying fuck this music department. 1742 01:14:09,200 --> 01:14:11,479 Speaker 4: But I think it's this is the thing with I 1743 01:14:11,520 --> 01:14:12,960 Speaker 4: think they're they're not saying fuck. 1744 01:14:13,000 --> 01:14:14,439 Speaker 2: They didn't say fuck there. 1745 01:14:14,600 --> 01:14:17,000 Speaker 4: No, I think they're standing on their business. 1746 01:14:17,080 --> 01:14:21,320 Speaker 7: And this is why because out of everything that TikTok 1747 01:14:21,360 --> 01:14:24,560 Speaker 7: pays to the labels, TikTok paid last year to the 1748 01:14:24,600 --> 01:14:28,599 Speaker 7: labels around four hundred to five hundred million dollars. TikTok 1749 01:14:28,720 --> 01:14:32,639 Speaker 7: made eighteen billion dollars. Are you seeing what I'm saying? 1750 01:14:32,680 --> 01:14:37,320 Speaker 7: So to them, it's like, I take up about my 1751 01:14:37,479 --> 01:14:40,360 Speaker 7: my catalog is about thirty percent of the music that's 1752 01:14:40,400 --> 01:14:43,439 Speaker 7: being used on this app that is majority majority based 1753 01:14:43,479 --> 01:14:45,960 Speaker 7: on music. And you're gonna tell me that you're only 1754 01:14:45,960 --> 01:14:47,920 Speaker 7: paying me one hundred and ten million dollars a year 1755 01:14:48,280 --> 01:14:50,360 Speaker 7: that I have to you have to stand out all 1756 01:14:50,360 --> 01:14:50,840 Speaker 7: around on that. 1757 01:14:51,200 --> 01:14:52,640 Speaker 2: You have to. I agree with you. 1758 01:14:52,680 --> 01:14:57,559 Speaker 5: That's why I started with saying UMG is in a 1759 01:14:57,600 --> 01:15:00,599 Speaker 5: situation there's no win for losing, Like either way, you're 1760 01:15:00,680 --> 01:15:03,800 Speaker 5: losing all your leverage. You finally met your match. I 1761 01:15:03,840 --> 01:15:05,800 Speaker 5: think I think UMG is worth more than one hundred 1762 01:15:05,800 --> 01:15:07,400 Speaker 5: million dollars from TikTok. 1763 01:15:07,400 --> 01:15:10,160 Speaker 2: You crazy. Of course, I believe that they should definitely go. 1764 01:15:10,400 --> 01:15:12,320 Speaker 5: They should ask for somewhat of a stake, even if 1765 01:15:12,320 --> 01:15:13,799 Speaker 5: it's a point zero zero one percent. 1766 01:15:14,040 --> 01:15:14,639 Speaker 2: We bring a. 1767 01:15:14,600 --> 01:15:18,479 Speaker 5: Lot of shit here, but TikTok in China is looking 1768 01:15:18,479 --> 01:15:21,160 Speaker 5: at this ship like these kids making their own sounds 1769 01:15:21,200 --> 01:15:21,960 Speaker 5: and they're going viral. 1770 01:15:22,040 --> 01:15:24,840 Speaker 2: We don't need your ship. Yeah, but if I'm an artist, 1771 01:15:24,880 --> 01:15:27,000 Speaker 2: I think it feels like a fuck you. 1772 01:15:27,280 --> 01:15:28,599 Speaker 3: Isn't TikTok bandage China? 1773 01:15:29,520 --> 01:15:32,920 Speaker 6: No TikTok is banned somewhere in one of those countries 1774 01:15:32,960 --> 01:15:34,080 Speaker 6: over there in North Korea. 1775 01:15:34,640 --> 01:15:35,920 Speaker 1: Well, nothing's allowed there. 1776 01:15:36,439 --> 01:15:39,320 Speaker 2: I'm you sure TikTok has banned. 1777 01:15:39,040 --> 01:15:40,519 Speaker 1: Some Chinese own company. 1778 01:15:40,680 --> 01:15:41,840 Speaker 2: Definitely Chinese own company. 1779 01:15:42,320 --> 01:15:47,920 Speaker 1: H full bands on TikTok. Afghanistan damn it, India, Iran, Krazikstan, 1780 01:15:48,120 --> 01:15:53,040 Speaker 1: Nepal and Somalia damn. The pirates can't scroll on there. 1781 01:15:53,240 --> 01:15:55,840 Speaker 7: Just to give you crazy and just to give you 1782 01:15:55,880 --> 01:15:58,680 Speaker 7: that instead of giving you like percentages, just for the 1783 01:15:58,720 --> 01:16:00,960 Speaker 7: listeners to make this a little bit east here. So 1784 01:16:01,120 --> 01:16:05,280 Speaker 7: there's a UMG has a recording they have recording music, 1785 01:16:05,320 --> 01:16:08,519 Speaker 7: and they have publishing rights music. So from today, the 1786 01:16:08,640 --> 01:16:11,759 Speaker 7: recording music, which is three million over around three million 1787 01:16:11,800 --> 01:16:16,320 Speaker 7: songs have disappeared. The publishing music is an additional four 1788 01:16:16,400 --> 01:16:20,080 Speaker 7: million songs. So like there is, these are sick. I 1789 01:16:20,120 --> 01:16:21,920 Speaker 7: want to give you all numbers instead of just percentages. 1790 01:16:21,960 --> 01:16:24,759 Speaker 7: This is a lot of music, like a lot of music. 1791 01:16:25,400 --> 01:16:29,120 Speaker 1: So and TikTok won't suffer, doesn't need that shit. Yeah, 1792 01:16:29,160 --> 01:16:32,559 Speaker 1: So this is my question, like, if you're a universal rory, if. 1793 01:16:32,439 --> 01:16:35,200 Speaker 5: It's one, if it's one percent of your revenue, yeah, 1794 01:16:35,880 --> 01:16:40,440 Speaker 5: I'm saying for future business and for the overall big picture. 1795 01:16:40,640 --> 01:16:41,320 Speaker 2: You should cave. 1796 01:16:42,680 --> 01:16:44,360 Speaker 1: Yes, one hundred percent, you should cave. 1797 01:16:44,439 --> 01:16:46,240 Speaker 3: Yeah, But that's easy to say when you're not I'm 1798 01:16:46,240 --> 01:16:47,080 Speaker 3: Monday morning quarterback. 1799 01:16:47,080 --> 01:16:48,760 Speaker 1: I don't know, no, but this is also going to 1800 01:16:48,840 --> 01:16:50,599 Speaker 1: hurt their bottom line, Like now I've never won. 1801 01:16:50,640 --> 01:16:50,960 Speaker 2: To the public. 1802 01:16:51,240 --> 01:16:52,479 Speaker 1: The initial conversation, it's like. 1803 01:16:52,439 --> 01:16:54,160 Speaker 6: Well, why do you think they didn't cave though, because, 1804 01:16:54,200 --> 01:16:55,960 Speaker 6: like you said, if you cave. Now you're gonna have 1805 01:16:55,960 --> 01:16:56,400 Speaker 6: to cave to. 1806 01:16:56,760 --> 01:16:58,800 Speaker 1: Oh you made they're the big brother. They were like, 1807 01:16:58,880 --> 01:17:00,800 Speaker 1: fuck it, We've never had to been the knee before. 1808 01:17:00,920 --> 01:17:01,880 Speaker 1: Why would we start now? 1809 01:17:02,120 --> 01:17:05,360 Speaker 5: And I'm saying quietly they could have just done it 1810 01:17:05,360 --> 01:17:07,320 Speaker 5: because to me, this back and forth QUSS. 1811 01:17:07,080 --> 01:17:10,320 Speaker 2: Shit is an ego thing. Yeah, for sure, if you 1812 01:17:10,320 --> 01:17:12,280 Speaker 2: would have quietly caved. 1813 01:17:12,360 --> 01:17:15,000 Speaker 5: And you're also now saying, which you're snitching on yourself 1814 01:17:15,040 --> 01:17:16,479 Speaker 5: to me and listen, I'm just a dumb guy in 1815 01:17:16,479 --> 01:17:19,519 Speaker 5: a yellow T shirt oneeron. You don't have to laugh 1816 01:17:19,560 --> 01:17:24,639 Speaker 5: on me. One percent of your revenue comes from TikTok Okay, 1817 01:17:24,680 --> 01:17:27,960 Speaker 5: So for the betterment, if I believe in UMG and 1818 01:17:28,160 --> 01:17:30,680 Speaker 5: music and my artists and want people to continue to 1819 01:17:30,720 --> 01:17:33,000 Speaker 5: sign in my label and continue to care about music, 1820 01:17:33,200 --> 01:17:35,960 Speaker 5: I have Sir Lucian Grange over here, I may cave 1821 01:17:36,520 --> 01:17:40,639 Speaker 5: and come to a compromise based off one percent of 1822 01:17:40,680 --> 01:17:45,120 Speaker 5: my revenue. Yes, for the future of UMG, I will 1823 01:17:45,160 --> 01:17:51,400 Speaker 5: cave to some degree with TikTok. Now, if there's real politics, 1824 01:17:51,439 --> 01:17:53,439 Speaker 5: because it's China and there's some other shit that is 1825 01:17:53,479 --> 01:17:56,840 Speaker 5: way deeper than we know about, then I should shut 1826 01:17:56,880 --> 01:17:59,439 Speaker 5: the fuck up because they they made all of the 1827 01:17:59,520 --> 01:18:01,160 Speaker 5: NBA show up when they said the word China. 1828 01:18:01,400 --> 01:18:02,280 Speaker 2: So I don't really know. 1829 01:18:02,960 --> 01:18:04,840 Speaker 6: I mean we we do know this though, in this 1830 01:18:04,920 --> 01:18:09,679 Speaker 6: type of business situation, if if one side doesn't kind 1831 01:18:09,680 --> 01:18:12,600 Speaker 6: of adhere a cave, like you said, it's really just 1832 01:18:12,640 --> 01:18:16,720 Speaker 6: all ego based. Yeah, I think because they have to 1833 01:18:17,240 --> 01:18:19,640 Speaker 6: they have this, you have to. Well that's a negotiation. 1834 01:18:19,840 --> 01:18:21,840 Speaker 6: We're gonna see who caves caves. 1835 01:18:21,479 --> 01:18:25,120 Speaker 1: First, need to care, it's gonna have to be youll 1836 01:18:25,120 --> 01:18:26,000 Speaker 1: hold on with the. 1837 01:18:26,040 --> 01:18:28,360 Speaker 2: Position they've never been in the Spotify had the cave. 1838 01:18:28,600 --> 01:18:31,840 Speaker 4: I'm going to name some eu MG artists. 1839 01:18:32,160 --> 01:18:33,000 Speaker 2: You don't even have to. 1840 01:18:33,080 --> 01:18:35,280 Speaker 6: You don't have to what I'm saying, just just we 1841 01:18:35,320 --> 01:18:38,880 Speaker 6: can we know we know that too, Just to just 1842 01:18:38,960 --> 01:18:39,479 Speaker 6: name two. 1843 01:18:39,320 --> 01:18:40,920 Speaker 4: Of them, Taylor Swift and Bad Buddy. 1844 01:18:41,040 --> 01:18:41,479 Speaker 2: There you go. 1845 01:18:41,960 --> 01:18:43,000 Speaker 3: You don't even have to name the thing. 1846 01:18:44,120 --> 01:18:44,640 Speaker 1: You don't have to. 1847 01:18:45,080 --> 01:18:48,960 Speaker 6: You have to go there this Harry styles Like we're 1848 01:18:49,000 --> 01:18:52,040 Speaker 6: saying names that to TikTok don't mean ship who gives 1849 01:18:52,040 --> 01:18:53,799 Speaker 6: a fun TikTok doesn't need these people. 1850 01:18:54,120 --> 01:18:56,280 Speaker 5: And I could see UMG being arrogant enough to say, 1851 01:18:56,320 --> 01:18:59,920 Speaker 5: like Taylor Swift moves the economy without TikTok. I'm saying, 1852 01:19:00,160 --> 01:19:05,040 Speaker 5: ruins the future opportunity to have the next superstars if 1853 01:19:05,080 --> 01:19:08,000 Speaker 5: you're eliminating the biggest promotional. 1854 01:19:07,439 --> 01:19:09,679 Speaker 3: Tool on the next generation. 1855 01:19:09,840 --> 01:19:12,120 Speaker 5: Drake is not going to suffer. Taylor's not going to suffer. 1856 01:19:12,400 --> 01:19:14,479 Speaker 5: A lot of artists aren't going to suffer. You're closing, 1857 01:19:14,520 --> 01:19:17,320 Speaker 5: And I also think UMG really focuses the most on them. 1858 01:19:17,560 --> 01:19:20,599 Speaker 5: But do you think this company is gonna die with Taylor, 1859 01:19:20,640 --> 01:19:23,679 Speaker 5: Swift and Drake? Like Universe has been around for how long? 1860 01:19:24,360 --> 01:19:26,280 Speaker 5: Do you not see a future in this that could 1861 01:19:26,280 --> 01:19:28,880 Speaker 5: be something too? Same way everyone's selling their catalogs. There's 1862 01:19:28,880 --> 01:19:32,200 Speaker 5: probably a lot going on that we're Monday morning quarterback like, 1863 01:19:32,240 --> 01:19:34,920 Speaker 5: we don't know what the fuck is happening. We're going 1864 01:19:34,920 --> 01:19:37,839 Speaker 5: based off what we see here. But that could Universal 1865 01:19:37,880 --> 01:19:40,040 Speaker 5: could think they had the they made the best decision 1866 01:19:40,040 --> 01:19:42,400 Speaker 5: they ever could have because the music industry as we 1867 01:19:42,439 --> 01:19:44,479 Speaker 5: see it is over, So why the fuck would we 1868 01:19:44,520 --> 01:19:44,920 Speaker 5: cave there. 1869 01:19:45,080 --> 01:19:47,559 Speaker 7: I know you guys are saying that this doesn't affect TikTok. 1870 01:19:47,600 --> 01:19:49,920 Speaker 7: TikTok is unaffected by this, right, And I get where 1871 01:19:49,960 --> 01:19:52,400 Speaker 7: you're coming from with that, because TikTok, I get where 1872 01:19:52,400 --> 01:19:53,160 Speaker 7: you're coming from with that. 1873 01:19:53,320 --> 01:19:55,519 Speaker 4: But what I will also say is okay. 1874 01:19:55,560 --> 01:20:01,080 Speaker 7: For example, Drake, Drake's album dropped, every TikTok on the 1875 01:20:01,120 --> 01:20:06,520 Speaker 7: timeline I'll speak for American adult TikTok was Drake songs 1876 01:20:06,640 --> 01:20:09,839 Speaker 7: with dances and other stuff. Whatever you do on TikTok 1877 01:20:09,920 --> 01:20:12,400 Speaker 7: with the Drake plan in the background. If Drake's album 1878 01:20:12,479 --> 01:20:15,920 Speaker 7: drops and you can't do TikTok's to Drake's music, that 1879 01:20:15,960 --> 01:20:19,280 Speaker 7: will force people to go to reels like people will make. 1880 01:20:19,320 --> 01:20:21,960 Speaker 2: Real people will still be addicted to TikTok. 1881 01:20:22,000 --> 01:20:26,280 Speaker 5: The same way if Drake, Taylor Swift all the huge 1882 01:20:26,320 --> 01:20:30,599 Speaker 5: artists were talking about came together and boycotted and was like, Yo, 1883 01:20:30,720 --> 01:20:34,519 Speaker 5: fuck TikTok. All our fans delete that shit because we 1884 01:20:34,560 --> 01:20:37,599 Speaker 5: can't use our catalog on this, then I could see 1885 01:20:37,640 --> 01:20:41,160 Speaker 5: an effect happen. Yeah, these kids don't care. If Lucian 1886 01:20:41,240 --> 01:20:43,559 Speaker 5: Grange was like, oh man, they don't even know who 1887 01:20:43,640 --> 01:20:45,760 Speaker 5: that is. And I'm telling you now, Drake Taylor Swift, 1888 01:20:45,800 --> 01:20:47,000 Speaker 5: none of them are ever going to say a bad 1889 01:20:47,000 --> 01:20:49,880 Speaker 5: word about TikTok. The kids are just gonna be like, well, 1890 01:20:49,920 --> 01:20:51,519 Speaker 5: I can't do a Drake song. I guess I'll move 1891 01:20:51,560 --> 01:20:52,280 Speaker 5: on to the next. 1892 01:20:52,080 --> 01:20:55,599 Speaker 1: Sound, to the next one. Yeah, but what if they. 1893 01:20:55,560 --> 01:20:57,880 Speaker 5: All came in solidarity and Taylor Swift was at the 1894 01:20:57,920 --> 01:21:01,040 Speaker 5: Super Bowl in the fucking the and like had a 1895 01:21:01,720 --> 01:21:04,320 Speaker 5: sign like the way Prince had slave over his mouth 1896 01:21:04,320 --> 01:21:06,760 Speaker 5: and was like fuck TikTok. Because Taylor Swift and Prints 1897 01:21:06,760 --> 01:21:09,360 Speaker 5: are the same. Mm hmm, then maybe you could have 1898 01:21:09,400 --> 01:21:12,040 Speaker 5: some effect, a tiny effect on what's going on with TikTok. 1899 01:21:12,960 --> 01:21:15,439 Speaker 5: Taylor Swift and Drake are just as afraid of China 1900 01:21:15,800 --> 01:21:18,160 Speaker 5: as Joe Biden, so they're gonna shut up. 1901 01:21:18,240 --> 01:21:20,519 Speaker 7: But what I'm what I'm saying is you're saying, Okay, 1902 01:21:20,560 --> 01:21:24,519 Speaker 7: onto the next song, onto the next sound, saying so 1903 01:21:24,600 --> 01:21:26,840 Speaker 7: much of the market share, so who's the next? 1904 01:21:26,880 --> 01:21:27,840 Speaker 4: Are you seeing what I'm saying? 1905 01:21:27,880 --> 01:21:30,800 Speaker 2: Like Drake and tailoring on the gallows? No, I'm talking 1906 01:21:30,840 --> 01:21:32,280 Speaker 2: about why would they go to bat for you? 1907 01:21:32,320 --> 01:21:34,960 Speaker 3: And what happens with TikTok? What happens when TikTok decides 1908 01:21:34,960 --> 01:21:35,679 Speaker 3: to become a label. 1909 01:21:37,479 --> 01:21:40,240 Speaker 1: They should have been signing artists, but they don't need to. 1910 01:21:40,439 --> 01:21:43,680 Speaker 5: That's what you like that to them, that's ass backwards, 1911 01:21:43,760 --> 01:21:45,160 Speaker 5: Like kids. 1912 01:21:45,120 --> 01:21:48,040 Speaker 6: I'm not label, they don't need they don't need to do. 1913 01:21:48,120 --> 01:21:50,840 Speaker 6: But now what if TikTok says, you know what in 1914 01:21:51,240 --> 01:21:55,439 Speaker 6: response to this, like we're going to create an artist division, 1915 01:21:55,560 --> 01:21:58,080 Speaker 6: like we're gonna we're gonna become a label. It was 1916 01:21:58,080 --> 01:22:01,240 Speaker 6: to find these kids that they TikTok's going crazy, sign 1917 01:22:01,280 --> 01:22:02,720 Speaker 6: them to deals, give them. 1918 01:22:03,400 --> 01:22:05,800 Speaker 1: That approach made sense to what we argued in the 1919 01:22:05,800 --> 01:22:08,320 Speaker 1: past about what SoundCloud should have done. Yeah, because that 1920 01:22:08,400 --> 01:22:10,960 Speaker 1: was a more so take a page out of that book. 1921 01:22:11,320 --> 01:22:14,040 Speaker 1: But this is TikTok is so self sufficient that it 1922 01:22:14,120 --> 01:22:16,960 Speaker 1: doesn't like it. To Roy's point, it's peanuts to them. 1923 01:22:17,160 --> 01:22:19,080 Speaker 1: What is an artist making music to them? 1924 01:22:19,200 --> 01:22:20,960 Speaker 2: I don't have the answer to your question. 1925 01:22:21,320 --> 01:22:25,280 Speaker 5: I have a question to your question, same reason why 1926 01:22:25,280 --> 01:22:28,280 Speaker 5: Apple Music never did it, same reason why Spotify has 1927 01:22:28,320 --> 01:22:28,800 Speaker 5: never done it. 1928 01:22:30,479 --> 01:22:32,519 Speaker 2: What would be the point to them the. 1929 01:22:32,479 --> 01:22:34,720 Speaker 5: Way I watched Apple Music do that exclusive deal with 1930 01:22:34,840 --> 01:22:37,760 Speaker 5: Chance and a few other rappers and then stop, and 1931 01:22:37,760 --> 01:22:41,719 Speaker 5: then Spotify never signing a single artist ever, because like imagine, 1932 01:22:41,800 --> 01:22:45,480 Speaker 5: I mean what we've been exclusively signed there, But imagine 1933 01:22:45,520 --> 01:22:48,120 Speaker 5: signing to Spotify and they're guaranteeing me the front page 1934 01:22:48,160 --> 01:22:51,880 Speaker 5: everything a major does. I could sign directly to the 1935 01:22:51,920 --> 01:22:54,960 Speaker 5: tech company that owns the hardware. Of course, I will, 1936 01:22:55,320 --> 01:22:56,960 Speaker 5: but the tech company is looking like, why would I 1937 01:22:57,040 --> 01:23:01,160 Speaker 5: do this? Is you're an advertisement. You're an advertisement, so 1938 01:23:01,200 --> 01:23:02,880 Speaker 5: someone can buy this to listen to your ship. You 1939 01:23:02,920 --> 01:23:05,400 Speaker 5: don't care about that, Like, why would I? Why would 1940 01:23:05,400 --> 01:23:06,040 Speaker 5: I do a label? 1941 01:23:07,640 --> 01:23:11,240 Speaker 8: Sounds like somebody has a monopoly on the game. Well, Chinese, 1942 01:23:11,240 --> 01:23:13,559 Speaker 8: what if this is the only question? Because Okay, so 1943 01:23:13,800 --> 01:23:16,000 Speaker 8: Universal they tried. 1944 01:23:16,120 --> 01:23:18,400 Speaker 1: They this doesn't look good to them, at least from 1945 01:23:18,439 --> 01:23:20,679 Speaker 1: our perspective. Maybe you're right, Maybe they have another play 1946 01:23:20,760 --> 01:23:25,000 Speaker 1: that they can leverage. What if Warner, like what if 1947 01:23:25,040 --> 01:23:27,720 Speaker 1: all the majors? What if Universal goes shit, goes to 1948 01:23:27,760 --> 01:23:30,439 Speaker 1: the other majors and goes, hey, take I don't know 1949 01:23:30,479 --> 01:23:33,280 Speaker 1: what your deals are, but if we can all agree 1950 01:23:33,360 --> 01:23:35,800 Speaker 1: to take all of our artists down, do you think 1951 01:23:35,880 --> 01:23:38,160 Speaker 1: then something like TikTok would have to better? 1952 01:23:38,200 --> 01:23:41,919 Speaker 5: Or something tiktoks that are An article I read suggested 1953 01:23:41,960 --> 01:23:45,080 Speaker 5: that all the other majors have already resigned and came 1954 01:23:45,120 --> 01:23:46,120 Speaker 5: to a fair negotiation. 1955 01:23:46,200 --> 01:23:48,880 Speaker 1: Oh that's hilarious, Well Universals fucked themselves. 1956 01:23:48,960 --> 01:23:52,559 Speaker 5: Yeah, and also at the same time, like back to this, 1957 01:23:52,640 --> 01:24:00,240 Speaker 5: Ego and big Brother Shit, Warner, Sony and Universal are 1958 01:24:00,320 --> 01:24:07,840 Speaker 5: all arguing about Disney plus right now Netflix, Like shit, 1959 01:24:07,920 --> 01:24:12,280 Speaker 5: that's way bigger than Drake albums. Like they're not gonna 1960 01:24:12,280 --> 01:24:14,880 Speaker 5: come together for the art of music. 1961 01:24:16,600 --> 01:24:17,000 Speaker 2: At all. 1962 01:24:17,080 --> 01:24:22,240 Speaker 5: Like their fight is with owning streaming and monetizing their 1963 01:24:22,280 --> 01:24:25,200 Speaker 5: back catalogs and using that as leverage to continue to 1964 01:24:25,240 --> 01:24:28,080 Speaker 5: own the tech. And they all look at each other 1965 01:24:28,120 --> 01:24:32,679 Speaker 5: as competitors. They're not coming together. They're competitors with ego. 1966 01:24:33,520 --> 01:24:36,320 Speaker 5: That shit would never happen. They don't even let artists. 1967 01:24:36,360 --> 01:24:38,360 Speaker 5: Sometimes shit doesn't get cleared because you have a feature 1968 01:24:38,800 --> 01:24:41,640 Speaker 5: from a Sony artist in your own universal right, and 1969 01:24:41,960 --> 01:24:46,559 Speaker 5: they will legitimately block what would help you, which internally 1970 01:24:46,560 --> 01:24:48,720 Speaker 5: helps them. They would block it because they don't fuck 1971 01:24:48,720 --> 01:24:51,080 Speaker 5: with Sony. See it happened a bunch of times that 1972 01:24:51,120 --> 01:24:53,120 Speaker 5: feature is not getting clear. We don't have a relationship 1973 01:24:53,120 --> 01:24:53,360 Speaker 5: with them. 1974 01:24:53,360 --> 01:24:54,920 Speaker 2: Fuck them. They're a competitor. Why would you work with 1975 01:24:54,960 --> 01:24:56,360 Speaker 2: somebody like that? Well, I don't know. I thought it 1976 01:24:57,040 --> 01:25:00,320 Speaker 2: help all of us. Nah, we don't work that way, bro. 1977 01:25:00,360 --> 01:25:03,240 Speaker 7: I watched How to Watch the what Disney did to 1978 01:25:03,280 --> 01:25:05,640 Speaker 7: the Hulk just because they couldn't get the rights to 1979 01:25:05,720 --> 01:25:08,519 Speaker 7: his solo movie, and the way that they destroyed an 1980 01:25:08,680 --> 01:25:12,360 Speaker 7: entire character and his entire character arc made him so 1981 01:25:12,560 --> 01:25:15,000 Speaker 7: unlikable because they could not get the rights to his 1982 01:25:15,040 --> 01:25:15,839 Speaker 7: solo movie. 1983 01:25:16,280 --> 01:25:21,639 Speaker 5: You know, it's the same reason Fox News fired Tucker Carlson. 1984 01:25:22,320 --> 01:25:26,360 Speaker 5: Nobody's bigger than the program. Like, I don't care that 1985 01:25:26,400 --> 01:25:30,719 Speaker 5: you're the number one TV guy. We have been around forever. 1986 01:25:31,160 --> 01:25:33,120 Speaker 5: You're just the hottest thing moving right now. We don't 1987 01:25:33,120 --> 01:25:36,200 Speaker 5: give a fuck. And in UMG world, I think that's 1988 01:25:36,200 --> 01:25:40,200 Speaker 5: how they've been viewing music at this point. How do 1989 01:25:40,240 --> 01:25:43,400 Speaker 5: we own everything that an artist does outside of music 1990 01:25:43,439 --> 01:25:46,880 Speaker 5: so we can leverage their celebrity where the real money is. 1991 01:25:47,200 --> 01:25:49,160 Speaker 6: So let's asks the real questions the marriage. How scared 1992 01:25:49,160 --> 01:25:50,800 Speaker 6: are you now? But you can't use some of your 1993 01:25:50,800 --> 01:25:52,280 Speaker 6: favorite hardest music on TikTok. 1994 01:25:53,040 --> 01:25:55,519 Speaker 7: I don't use artists. I don't really use music on TikTok. 1995 01:25:55,560 --> 01:25:59,200 Speaker 7: I talk on TikTok a lot. Oh, that's that's the point. Yeah, 1996 01:25:59,320 --> 01:26:01,599 Speaker 7: that's actually what gets pushed the most now is people 1997 01:26:01,640 --> 01:26:02,400 Speaker 7: talking on TikTok. 1998 01:26:02,400 --> 01:26:03,840 Speaker 4: I can't remember the last time I used the song 1999 01:26:03,920 --> 01:26:04,439 Speaker 4: on TikTok. 2000 01:26:04,560 --> 01:26:10,160 Speaker 5: And to be quite honest, tiktok'st a better promotion for 2001 01:26:10,320 --> 01:26:13,160 Speaker 5: artists when they do the dances and those songs than 2002 01:26:13,200 --> 01:26:15,719 Speaker 5: it is for TikTok. It's more lucrative for the artists 2003 01:26:15,760 --> 01:26:19,080 Speaker 5: from a promotional Yeah, absolutely, Like TikTok will just have somebody, 2004 01:26:19,560 --> 01:26:22,479 Speaker 5: you know, mouse this sound, just talk real quick. 2005 01:26:23,200 --> 01:26:25,080 Speaker 2: That's what's lucrative for that. How to have us talking 2006 01:26:25,080 --> 01:26:25,599 Speaker 2: to our phones. 2007 01:26:25,640 --> 01:26:28,679 Speaker 5: I was like, I don't know, like, how much money 2008 01:26:28,640 --> 01:26:31,160 Speaker 5: do you think TikTok made off Meg's sassy dance? 2009 01:26:32,640 --> 01:26:35,519 Speaker 2: Hold on? Okay? Now, wait a contempared to what TikTok makes. 2010 01:26:35,640 --> 01:26:37,840 Speaker 2: No obviously compared to what I don't even think it. 2011 01:26:37,880 --> 01:26:40,080 Speaker 2: I don't even think it made it to But that management. 2012 01:26:40,040 --> 01:26:42,479 Speaker 7: What made no, you're bugging That's what made a lot 2013 01:26:42,520 --> 01:26:44,640 Speaker 7: of people join TikTok. That's what made a lot of 2014 01:26:44,720 --> 01:26:47,240 Speaker 7: kids join TikTok is when that danced with viral. So 2015 01:26:47,320 --> 01:26:48,800 Speaker 7: I'm not gonna I'm not gonna take that from you. 2016 01:26:48,880 --> 01:26:51,719 Speaker 7: It's a lot, really really big moment people. 2017 01:26:53,280 --> 01:26:56,639 Speaker 2: Yeah, but at the time, but this is a lot 2018 01:26:56,680 --> 01:26:58,280 Speaker 2: to a lot to me. 2019 01:26:58,360 --> 01:27:01,839 Speaker 7: That is when that happened, That happened during the pandemic. 2020 01:27:02,040 --> 01:27:05,000 Speaker 7: TikTok was nowhere nearest busies it is now when that happened. 2021 01:27:05,160 --> 01:27:08,000 Speaker 7: So for them, that was a moment me personally, That's 2022 01:27:08,040 --> 01:27:10,800 Speaker 7: what I think. But now it has turned because that 2023 01:27:10,840 --> 01:27:12,479 Speaker 7: was back when TikTok was a dancing app. 2024 01:27:12,520 --> 01:27:15,200 Speaker 4: Remember when TikTok first came out, it was TikTok. 2025 01:27:15,320 --> 01:27:15,519 Speaker 2: Drake. 2026 01:27:15,760 --> 01:27:19,160 Speaker 5: Drake conformed to TikTok. During the pandemic. TikTok did not 2027 01:27:19,160 --> 01:27:19,880 Speaker 5: conform to Drake. 2028 01:27:20,080 --> 01:27:20,600 Speaker 2: TikTok. 2029 01:27:20,640 --> 01:27:22,800 Speaker 5: He was in his He was tootsy sliding in his 2030 01:27:22,960 --> 01:27:23,640 Speaker 5: fucking living room. 2031 01:27:23,720 --> 01:27:27,800 Speaker 7: Y'all do know that TikTok was originally originally the musically app, 2032 01:27:27,840 --> 01:27:30,960 Speaker 7: right do you guys remember musically? Okay, so you can't 2033 01:27:31,000 --> 01:27:33,559 Speaker 7: sit it there and say yes, TikTok has always been no, no, no, 2034 01:27:33,720 --> 01:27:35,200 Speaker 7: TikTok was a music app. 2035 01:27:35,280 --> 01:27:38,559 Speaker 4: It started as a music app, right sure, so. 2036 01:27:38,520 --> 01:27:41,240 Speaker 7: Where people can mouth other mouth over songs and things 2037 01:27:41,280 --> 01:27:44,040 Speaker 7: like that and different artists. It got the reputation for 2038 01:27:44,120 --> 01:27:47,680 Speaker 7: a dancing app because music dancing obviously goes together. It 2039 01:27:47,760 --> 01:27:50,920 Speaker 7: has grown over recent years into a whole different monster, 2040 01:27:51,200 --> 01:27:54,320 Speaker 7: but that is still where where its roots were. So yes, 2041 01:27:54,439 --> 01:27:58,200 Speaker 7: back in those days. 2042 01:27:56,720 --> 01:28:01,880 Speaker 5: A bashing woman website now and now now and now 2043 01:28:02,000 --> 01:28:03,280 Speaker 5: owns my thoughts. 2044 01:28:03,160 --> 01:28:04,320 Speaker 2: Like things change. 2045 01:28:05,439 --> 01:28:08,480 Speaker 3: Those are the days back all my life. 2046 01:28:08,680 --> 01:28:09,920 Speaker 2: Like I feel you, I feel you. 2047 01:28:09,920 --> 01:28:13,280 Speaker 5: But things change so drastic once you get to fucking 2048 01:28:14,000 --> 01:28:18,439 Speaker 5: San Francisco and it becomes backed by billion dollar investors. 2049 01:28:18,520 --> 01:28:20,360 Speaker 4: Yes, of course, I see, we see. You can build 2050 01:28:20,360 --> 01:28:21,160 Speaker 4: a community, We. 2051 01:28:21,080 --> 01:28:23,960 Speaker 2: Can own that community. Yeah, things change drastically. 2052 01:28:24,439 --> 01:28:30,120 Speaker 8: You have the software five or by you and any 2053 01:28:30,200 --> 01:28:32,640 Speaker 8: own that will buy, and anyone that uses that we 2054 01:28:32,720 --> 01:28:33,120 Speaker 8: own them. 2055 01:28:33,160 --> 01:28:35,400 Speaker 2: Now sick, where are we living? 2056 01:28:36,880 --> 01:28:37,880 Speaker 1: Plays some voicemails? 2057 01:28:38,400 --> 01:28:39,200 Speaker 2: You've got mail? 2058 01:28:39,320 --> 01:28:41,280 Speaker 3: Oh ship, I forgot we have voicemails. Just give us 2059 01:28:41,280 --> 01:28:41,799 Speaker 3: a voicemail? 2060 01:28:42,840 --> 01:28:46,679 Speaker 1: All right? Pivot into uh a sexual one man. 2061 01:28:46,479 --> 01:28:53,680 Speaker 2: Winning in court is crazy knowing everybody quaw from you 2062 01:28:53,720 --> 01:28:54,360 Speaker 2: know how much? 2063 01:28:54,400 --> 01:28:54,880 Speaker 1: Love to y'all. 2064 01:28:56,800 --> 01:29:00,840 Speaker 9: But I had a question and it's uhbody year but 2065 01:29:01,400 --> 01:29:04,920 Speaker 9: mostly Ferora because you know we let's say we have 2066 01:29:04,960 --> 01:29:08,439 Speaker 9: a similar past. You know what I'm saying, which I 2067 01:29:08,439 --> 01:29:10,400 Speaker 9: ain't gona traumba, don't any of that, but which led 2068 01:29:10,439 --> 01:29:15,840 Speaker 9: to issues hypersexuality and things in that nature. And I 2069 01:29:15,960 --> 01:29:20,960 Speaker 9: just want to know, you know, how did you get 2070 01:29:21,000 --> 01:29:26,080 Speaker 9: past that? You know what I'm saying, Like, obviously now 2071 01:29:26,080 --> 01:29:28,880 Speaker 9: I have a problem getting women, meeting women, you know 2072 01:29:28,920 --> 01:29:31,240 Speaker 9: what I'm saying talking to women whatever. It's just that 2073 01:29:32,400 --> 01:29:34,439 Speaker 9: most of my relationships with women are sexual, you know 2074 01:29:34,479 --> 01:29:38,080 Speaker 9: what I'm saying. And very recently I met somebody, a 2075 01:29:38,080 --> 01:29:40,720 Speaker 9: young woman who I wanted to be more with, like 2076 01:29:40,760 --> 01:29:44,120 Speaker 9: you know what I'm saying, like more than just you 2077 01:29:44,320 --> 01:29:49,240 Speaker 9: want my own lady type shit. And I feel like 2078 01:29:49,320 --> 01:29:52,000 Speaker 9: my over sexuality kind of messed that, kind of fucked 2079 01:29:52,000 --> 01:29:52,680 Speaker 9: that up a little bit. 2080 01:29:53,560 --> 01:29:57,559 Speaker 1: So I kind of just want to know, like this's therapists. 2081 01:29:57,560 --> 01:30:01,519 Speaker 9: Obviously obvious intent was likely, but how did you how 2082 01:30:01,520 --> 01:30:03,479 Speaker 9: did you get over that? Like you know what I'm saying, 2083 01:30:04,439 --> 01:30:06,960 Speaker 9: Like I feel like when I told a physical touches 2084 01:30:07,000 --> 01:30:09,200 Speaker 9: my love language, he kind of like that turned off crazy, 2085 01:30:09,280 --> 01:30:11,720 Speaker 9: Like you know what I'm saying, I appreciate the help. 2086 01:30:11,840 --> 01:30:12,360 Speaker 2: You know what I'm saying. 2087 01:30:12,439 --> 01:30:13,519 Speaker 4: Love y'all, love what y'all do. 2088 01:30:13,600 --> 01:30:15,639 Speaker 1: But listen for a minute. 2089 01:30:16,840 --> 01:30:19,240 Speaker 2: Physical touch can be a love language, right, It is 2090 01:30:19,280 --> 01:30:20,040 Speaker 2: a love language. 2091 01:30:20,080 --> 01:30:21,599 Speaker 1: Yeah, if I'm But. 2092 01:30:21,560 --> 01:30:23,960 Speaker 6: He's trying to say, since you're such a honey devil, No, 2093 01:30:24,040 --> 01:30:24,920 Speaker 6: he's a hony del. 2094 01:30:24,800 --> 01:30:26,000 Speaker 2: He's saying he's been molested before. 2095 01:30:26,360 --> 01:30:28,920 Speaker 5: Yeah, hyper sexual, and he has trouble having real relationships 2096 01:30:28,920 --> 01:30:31,680 Speaker 5: because he's focused just on physical because he has a 2097 01:30:31,760 --> 01:30:33,960 Speaker 5: hyper sexual brain. Because he was introduced to sex way 2098 01:30:34,000 --> 01:30:36,080 Speaker 5: before he should have been introduced to sex. And when 2099 01:30:36,120 --> 01:30:39,560 Speaker 5: you have a mind that is mush and is developing 2100 01:30:39,720 --> 01:30:42,120 Speaker 5: and someone introduces something that should come way later in 2101 01:30:42,120 --> 01:30:44,800 Speaker 5: your life, it takes over most of your brain, which 2102 01:30:44,840 --> 01:30:47,040 Speaker 5: can fuck up all relationships. I understand what he's trying 2103 01:30:47,040 --> 01:30:50,679 Speaker 5: to say. I don't want to give the Clee Shade 2104 01:30:50,720 --> 01:30:53,080 Speaker 5: answer because he already brought up like I understand therapy. 2105 01:30:53,160 --> 01:30:55,599 Speaker 5: I will say for me what worked was talking about 2106 01:30:55,640 --> 01:30:57,680 Speaker 5: it in therapy and understanding the root of it and 2107 01:30:57,680 --> 01:31:02,160 Speaker 5: making yourself more aware of it and seeing the behavior 2108 01:31:02,200 --> 01:31:04,879 Speaker 5: you have and where it's caused makes you more conscious 2109 01:31:04,920 --> 01:31:08,040 Speaker 5: of it, which allows you to change it a bit. 2110 01:31:08,600 --> 01:31:10,720 Speaker 5: You become more patient with stuff. You don't view things 2111 01:31:10,760 --> 01:31:13,400 Speaker 5: the same way once you understand the root of it. 2112 01:31:13,600 --> 01:31:17,840 Speaker 5: But I mean he's he's made somewhat progress already of 2113 01:31:17,920 --> 01:31:20,960 Speaker 5: understanding is hyper sexuality based off what happened to him 2114 01:31:21,080 --> 01:31:23,759 Speaker 5: when he was young. It takes the work on changing 2115 01:31:23,800 --> 01:31:27,880 Speaker 5: that because once you realize it, that doesn't make anything 2116 01:31:27,880 --> 01:31:28,080 Speaker 5: you do. 2117 01:31:28,160 --> 01:31:30,960 Speaker 2: Okay, I'm still on that side. 2118 01:31:31,000 --> 01:31:36,440 Speaker 5: I understand if you've been abused before, it is unfortunately 2119 01:31:37,200 --> 01:31:40,000 Speaker 5: your job as an adult to make sure you don't 2120 01:31:40,080 --> 01:31:42,960 Speaker 5: not to say he's gonna abuse anyone, but that you 2121 01:31:43,200 --> 01:31:45,640 Speaker 5: do the work to change yourself, and that takes some 2122 01:31:45,720 --> 01:31:48,439 Speaker 5: time and you should get some grace through that. But 2123 01:31:48,520 --> 01:31:50,160 Speaker 5: you have to do the work if you don't want 2124 01:31:50,160 --> 01:31:54,640 Speaker 5: it to affect the rest of your life, because once 2125 01:31:54,680 --> 01:31:58,920 Speaker 5: you're forty years old and you've been through sexual abuse, 2126 01:32:00,160 --> 01:32:02,599 Speaker 5: nobody is going to look at that as an excuse 2127 01:32:02,760 --> 01:32:06,599 Speaker 5: if you are lashing out or treating people poorly, Like, 2128 01:32:06,640 --> 01:32:07,720 Speaker 5: we'll get where it comes from. 2129 01:32:07,960 --> 01:32:09,439 Speaker 2: But you're in a don't know it's. 2130 01:32:10,960 --> 01:32:13,680 Speaker 5: It's time to change, and that sucks because it's like 2131 01:32:13,840 --> 01:32:16,360 Speaker 5: damn like you have that feeling of like, oh, well, 2132 01:32:16,360 --> 01:32:18,559 Speaker 5: no one protected me or cared about me at that time. 2133 01:32:18,920 --> 01:32:21,120 Speaker 5: Now it's my job to fucking pick up the pieces 2134 01:32:21,160 --> 01:32:23,480 Speaker 5: and not be a shitty person unfortunately. 2135 01:32:23,840 --> 01:32:25,680 Speaker 1: Yeah, yeah, and. 2136 01:32:25,640 --> 01:32:27,360 Speaker 5: I know it's like the tough love version of it, 2137 01:32:27,760 --> 01:32:31,240 Speaker 5: but you will just continue to have awful relationships that 2138 01:32:31,280 --> 01:32:33,360 Speaker 5: will affect you in a terrible way at the end 2139 01:32:33,360 --> 01:32:33,720 Speaker 5: of the day. 2140 01:32:33,800 --> 01:32:35,240 Speaker 2: It's a selfish act as well. 2141 01:32:35,640 --> 01:32:37,200 Speaker 5: If you want to have a real connection with somebody, 2142 01:32:37,200 --> 01:32:39,760 Speaker 5: you have to do the work and realize where your 2143 01:32:39,800 --> 01:32:45,280 Speaker 5: actions are coming from and disconnect yourself from that experience 2144 01:32:45,320 --> 01:32:48,040 Speaker 5: the best you can so you can have a healthy 2145 01:32:48,080 --> 01:32:50,960 Speaker 5: relationship with people and understand it wasn't your fault, but 2146 01:32:51,200 --> 01:32:54,439 Speaker 5: you are now in control for the first time. That's 2147 01:32:54,479 --> 01:32:55,840 Speaker 5: the beauty of it when you look at it. You 2148 01:32:55,880 --> 01:32:59,200 Speaker 5: were never in control at that time. Now I'm in control, 2149 01:32:59,400 --> 01:33:02,679 Speaker 5: and it was fucked up, but I can control now 2150 01:33:02,840 --> 01:33:03,920 Speaker 5: how I can work with people. 2151 01:33:04,120 --> 01:33:07,479 Speaker 2: Right, So that's my advice. Is that good? I think 2152 01:33:07,520 --> 01:33:10,519 Speaker 2: you got it? And if these are sensitive topics, so 2153 01:33:10,560 --> 01:33:10,880 Speaker 2: I don't know. 2154 01:33:10,880 --> 01:33:14,040 Speaker 4: If you did a very good job, I agree with you. 2155 01:33:14,479 --> 01:33:16,360 Speaker 7: The only thing I'll add is as far as her 2156 01:33:16,400 --> 01:33:20,320 Speaker 7: getting turned off by physical touch. You can have physical 2157 01:33:20,320 --> 01:33:23,000 Speaker 7: touches your love language, but that doesn't always mean sex. 2158 01:33:23,200 --> 01:33:25,920 Speaker 7: So if you didn't make that clear to her, because 2159 01:33:26,000 --> 01:33:29,200 Speaker 7: a lot of times, a lot of men's love language 2160 01:33:29,240 --> 01:33:33,160 Speaker 7: they think it's physical touch because they think sexual wise, right, 2161 01:33:33,200 --> 01:33:34,680 Speaker 7: when a lot of them they don't know that their 2162 01:33:34,720 --> 01:33:37,439 Speaker 7: love language is actually words of affirmation and a whole 2163 01:33:37,479 --> 01:33:39,280 Speaker 7: bunch of other shit, So they will mostly will say 2164 01:33:39,360 --> 01:33:41,200 Speaker 7: physical touch. So that's why it turns a lot of 2165 01:33:41,240 --> 01:33:44,120 Speaker 7: women off. But yours probably is physical touch because of 2166 01:33:44,120 --> 01:33:46,759 Speaker 7: what you've been through. But you need to learn how 2167 01:33:46,800 --> 01:33:50,840 Speaker 7: to channel that physical touch into other ways, because when 2168 01:33:50,880 --> 01:33:53,559 Speaker 7: physical touches your love language, it doesn't mean that you 2169 01:33:53,680 --> 01:33:55,800 Speaker 7: like sex. We all like sex. It means that you 2170 01:33:55,920 --> 01:34:00,679 Speaker 7: like handholding, you like hugs, you like cuddling, So that's 2171 01:34:00,680 --> 01:34:03,640 Speaker 7: physical touches your love language. You being hypersexual is not 2172 01:34:03,680 --> 01:34:06,080 Speaker 7: physical touch being your love language, because there's actually no 2173 01:34:06,160 --> 01:34:08,200 Speaker 7: love involved in that. But I do hope that you 2174 01:34:08,200 --> 01:34:09,680 Speaker 7: get the help you need. I was just giving you 2175 01:34:09,680 --> 01:34:11,640 Speaker 7: some insights into why she was probably turned off by that. 2176 01:34:11,680 --> 01:34:13,840 Speaker 3: I like cuddling too, until it gets too hot. 2177 01:34:14,120 --> 01:34:15,519 Speaker 4: You look like you get hot when you sleep. 2178 01:34:15,680 --> 01:34:18,720 Speaker 6: Yeah, you do hot, sleep naked. I got to I 2179 01:34:18,720 --> 01:34:22,240 Speaker 6: can't sleep with clothes on. I wake up shirt soaking wet. 2180 01:34:22,240 --> 01:34:26,280 Speaker 6: Everything is wet m my dream or just so not 2181 01:34:26,400 --> 01:34:28,000 Speaker 6: just hot, just you know. 2182 01:34:28,760 --> 01:34:31,719 Speaker 7: My most comfortable relationship as long as our feet like our. 2183 01:34:31,680 --> 01:34:33,120 Speaker 2: Sold You never had a wet dream. 2184 01:34:33,120 --> 01:34:36,000 Speaker 1: I never was that having to soak shirt from a 2185 01:34:36,040 --> 01:34:36,599 Speaker 1: wet dreams? 2186 01:34:37,560 --> 01:34:38,960 Speaker 2: Were were you in your dream? 2187 01:34:39,160 --> 01:34:42,120 Speaker 6: He was a dawnty park and that means you had 2188 01:34:42,160 --> 01:34:46,760 Speaker 6: no bottom zon in the shirt or miss be nasty wrangler, ooh, 2189 01:34:46,880 --> 01:34:48,559 Speaker 6: miss be nasty, shout out to be nasty. 2190 01:34:48,560 --> 01:34:49,920 Speaker 2: I want to shout out every episode. 2191 01:34:50,280 --> 01:34:52,840 Speaker 5: But also I think it's brave that you called into 2192 01:34:52,880 --> 01:34:55,040 Speaker 5: a podcast to have that conversation, especially this one. 2193 01:34:55,160 --> 01:34:58,200 Speaker 2: Yeah, those are tough things to have conversations about. But well, 2194 01:34:58,200 --> 01:34:59,760 Speaker 2: I mean, you know, he feels like he shared that 2195 01:35:00,080 --> 01:35:03,400 Speaker 2: with you. Yeah, it's just something that's you're able to 2196 01:35:03,439 --> 01:35:03,760 Speaker 2: get over. 2197 01:35:04,880 --> 01:35:07,880 Speaker 1: How often, Rory, do you feel you guys bring it 2198 01:35:07,920 --> 01:35:10,280 Speaker 1: up every day? So yeah, not us obviously. Well we're 2199 01:35:10,360 --> 01:35:12,519 Speaker 1: doing it as a PSA, so people like this gentleman 2200 01:35:12,560 --> 01:35:15,200 Speaker 1: can call in and share and feel comfortable. But how 2201 01:35:15,280 --> 01:35:17,880 Speaker 1: often do you like feel d ms or or you know, 2202 01:35:18,080 --> 01:35:20,040 Speaker 1: messages from people about that stuff? 2203 01:35:22,040 --> 01:35:24,200 Speaker 3: But they think Rory is like lying about it most 2204 01:35:24,240 --> 01:35:25,320 Speaker 3: of the time, so joking about it. 2205 01:35:26,880 --> 01:35:29,800 Speaker 2: But yeah, well joking, but they just make jokes because 2206 01:35:29,840 --> 01:35:32,560 Speaker 2: y'all make jokes. Well, I think sometimes that's like, what 2207 01:35:32,760 --> 01:35:32,960 Speaker 2: is that. 2208 01:35:34,600 --> 01:35:37,599 Speaker 4: Mechanism coping mechanism of affirmation? 2209 01:35:38,800 --> 01:35:41,000 Speaker 1: No, making fun of him being touched? I think that's 2210 01:35:41,040 --> 01:35:41,960 Speaker 1: a word of affirmation. 2211 01:35:43,080 --> 01:35:46,200 Speaker 7: Yeah, well, actually, can you and Irish household? Yeah, the 2212 01:35:46,240 --> 01:35:49,040 Speaker 7: love languages for me? Can you give me a demonstration, 2213 01:35:49,160 --> 01:35:51,000 Speaker 7: like an example of the love languages? I would love 2214 01:35:51,120 --> 01:35:53,360 Speaker 7: to see what you think showing love and it if 2215 01:35:53,360 --> 01:35:54,040 Speaker 7: I show. 2216 01:35:53,840 --> 01:35:56,360 Speaker 3: You physical touch, we might get canceled. I'm not gonna 2217 01:35:56,360 --> 01:35:56,519 Speaker 3: do that. 2218 01:35:56,640 --> 01:35:58,960 Speaker 4: Okay, we cannot do that. What are words of affirmation? 2219 01:35:59,080 --> 01:36:02,519 Speaker 2: You are beautiful, you are powerful, you are confident. You 2220 01:36:02,600 --> 01:36:05,439 Speaker 2: know what I mean? Like I support you, things like that. 2221 01:36:05,920 --> 01:36:09,439 Speaker 4: Okay, what there's nothing you can't do that's not yes, 2222 01:36:09,640 --> 01:36:11,040 Speaker 4: but in love, like. 2223 01:36:11,280 --> 01:36:13,320 Speaker 2: Like whatever their stuff you can in love? Shut up, 2224 01:36:13,800 --> 01:36:16,080 Speaker 2: you can't cook. I'm affirming that you cannot cook. 2225 01:36:16,280 --> 01:36:19,600 Speaker 7: Affirm that nobody maybe, But and love, it's more like 2226 01:36:20,080 --> 01:36:23,360 Speaker 7: and love. Words in relationships, words of affirmation are more like, 2227 01:36:24,400 --> 01:36:27,560 Speaker 7: I love you, I appreciate you you. 2228 01:36:28,000 --> 01:36:32,240 Speaker 4: Yeah, thank you for making my life easier through all 2229 01:36:32,280 --> 01:36:32,400 Speaker 4: of that. 2230 01:36:32,520 --> 01:36:33,880 Speaker 3: Like when they give you a head, I'm like, that 2231 01:36:34,040 --> 01:36:34,360 Speaker 3: is good. 2232 01:36:34,400 --> 01:36:36,599 Speaker 2: You're doing a great job. Keep doing it. No more 2233 01:36:36,640 --> 01:36:37,240 Speaker 2: of that spit. 2234 01:36:37,360 --> 01:36:39,160 Speaker 1: No, that's a two fir because that's physical touch and 2235 01:36:39,960 --> 01:36:42,559 Speaker 1: exactly and acts of service quality time. 2236 01:36:42,640 --> 01:36:44,280 Speaker 3: If you're paying for it, I'm knocked over. 2237 01:36:45,320 --> 01:36:46,280 Speaker 1: You're receiving a gift. 2238 01:36:46,479 --> 01:36:48,680 Speaker 8: That's all five of the come on, I'm not a 2239 01:36:48,800 --> 01:36:52,920 Speaker 8: legend over here. Head is the ultimately marriage acts for 2240 01:36:53,040 --> 01:36:53,760 Speaker 8: one I gave all. 2241 01:36:54,960 --> 01:36:56,880 Speaker 1: I think it is the ultimate love language. That is 2242 01:36:56,880 --> 01:36:57,400 Speaker 1: the ultimate. 2243 01:36:57,680 --> 01:37:00,360 Speaker 2: So many words of affirmation in physical Oh my god, 2244 01:37:01,000 --> 01:37:02,440 Speaker 2: when I was talking, that's quality. 2245 01:37:02,240 --> 01:37:05,960 Speaker 3: Time, quality times, acts of service is everything you have said. 2246 01:37:06,240 --> 01:37:07,880 Speaker 2: That's the best gift you can. We got to stop 2247 01:37:07,920 --> 01:37:12,000 Speaker 2: letting women think head is a gift. Well I'll take it. 2248 01:37:12,080 --> 01:37:13,840 Speaker 4: Did you have it before? If you didn't have it before, 2249 01:37:13,880 --> 01:37:14,320 Speaker 4: it's a gift. 2250 01:37:14,360 --> 01:37:15,599 Speaker 1: I love that gift. That's a gift. 2251 01:37:15,600 --> 01:37:17,760 Speaker 5: You wouldn't say, Roy, what gifts do you expect from? 2252 01:37:17,960 --> 01:37:20,679 Speaker 5: From what I'm saying? Like, if it's my birthday, don't 2253 01:37:20,680 --> 01:37:23,160 Speaker 5: give me head and that's the gift. You are more 2254 01:37:23,280 --> 01:37:26,280 Speaker 5: than Just give me head on arbor Day? Yeah, that 2255 01:37:26,360 --> 01:37:27,559 Speaker 5: should be What is arbor Day? 2256 01:37:27,600 --> 01:37:29,280 Speaker 2: Rory? When the trees? 2257 01:37:29,479 --> 01:37:30,639 Speaker 4: Uh no, when is it though? 2258 01:37:30,680 --> 01:37:32,040 Speaker 2: What date in the spring? 2259 01:37:32,200 --> 01:37:33,200 Speaker 1: Yeah, April twenty six. 2260 01:37:33,560 --> 01:37:34,200 Speaker 2: Everyone knows that. 2261 01:37:34,400 --> 01:37:34,599 Speaker 1: Yeah. 2262 01:37:35,439 --> 01:37:37,400 Speaker 2: I didn't think I needed to say that because everyone. 2263 01:37:37,160 --> 01:37:39,120 Speaker 3: Knows because everyone gets special head on Arbor Day. 2264 01:37:44,720 --> 01:37:46,720 Speaker 2: My seed sprouts every Arbor Day. 2265 01:37:48,320 --> 01:37:50,479 Speaker 3: Head is a gift and I want it every day. 2266 01:37:50,680 --> 01:37:51,880 Speaker 3: Keep giving me that gift, please. 2267 01:37:52,000 --> 01:37:53,760 Speaker 5: Isn't love kind of like all five of these though? 2268 01:37:54,120 --> 01:37:55,520 Speaker 5: Outside of receiving gifts. 2269 01:37:55,720 --> 01:37:57,280 Speaker 1: Well, that's why it's called love languages. 2270 01:37:57,800 --> 01:38:00,920 Speaker 7: It's way, there's ways. Shouldn't love and not always to 2271 01:38:01,000 --> 01:38:03,400 Speaker 7: show love. There how you receive love best. Your love 2272 01:38:03,520 --> 01:38:06,240 Speaker 7: language is how you receive love best. For example, you 2273 01:38:06,320 --> 01:38:08,280 Speaker 7: could go buy me you well, now I won't say me. 2274 01:38:08,560 --> 01:38:11,680 Speaker 7: Some girls you can buy them a burkin. Right, some 2275 01:38:11,840 --> 01:38:13,360 Speaker 7: girls you can buy them a burkin. But if you 2276 01:38:13,439 --> 01:38:15,840 Speaker 7: don't tell them that you love them, they will not 2277 01:38:16,000 --> 01:38:17,000 Speaker 7: believe that you love them. 2278 01:38:17,240 --> 01:38:19,000 Speaker 5: That's why I said receiving gifts was the one I 2279 01:38:19,080 --> 01:38:20,439 Speaker 5: was taking out. The rest of these, though, I think 2280 01:38:20,520 --> 01:38:23,240 Speaker 5: should all be part of love. 2281 01:38:23,360 --> 01:38:25,040 Speaker 4: No, it's not. 2282 01:38:25,240 --> 01:38:29,320 Speaker 7: Yes, yes, a good relationship encompasses all of the love languages, 2283 01:38:29,400 --> 01:38:33,280 Speaker 7: of course, But some people receive love different, and you 2284 01:38:33,360 --> 01:38:36,680 Speaker 7: know differently, like you will prefer acts of service over 2285 01:38:36,840 --> 01:38:40,280 Speaker 7: words of affirmation, correct people Showing people doing things to 2286 01:38:40,360 --> 01:38:43,760 Speaker 7: make your life easier is how you would prefer to 2287 01:38:43,840 --> 01:38:46,120 Speaker 7: receive your love over somebody just saying I love you. 2288 01:38:46,320 --> 01:38:49,639 Speaker 2: Okay, But isn't love a compromise to some degree? Rory? 2289 01:38:50,080 --> 01:38:50,200 Speaker 5: Is it? 2290 01:38:50,280 --> 01:38:50,320 Speaker 2: Not? 2291 01:38:50,400 --> 01:38:52,000 Speaker 4: Philosopher with a fucking ten hat. 2292 01:38:51,880 --> 01:38:55,080 Speaker 2: On every should love is a compromise? 2293 01:38:55,200 --> 01:38:55,320 Speaker 1: Right? 2294 01:38:55,520 --> 01:38:59,160 Speaker 7: No, love is not a Relationships are compromises. Love is 2295 01:38:59,200 --> 01:39:01,360 Speaker 7: not a compromise. Relationships are compromises. 2296 01:39:01,520 --> 01:39:02,400 Speaker 2: Now you're the philosopher. 2297 01:39:03,640 --> 01:39:07,519 Speaker 5: If somebody's not great at giving words of affirmation, and 2298 01:39:07,640 --> 01:39:09,479 Speaker 5: that's the best way I receive love, but I love 2299 01:39:09,520 --> 01:39:11,479 Speaker 5: this person, I'm not going to be mad at them 2300 01:39:11,520 --> 01:39:11,680 Speaker 5: for that. 2301 01:39:11,760 --> 01:39:13,479 Speaker 2: They're just not good at words of affirmation. 2302 01:39:14,000 --> 01:39:15,680 Speaker 4: No, but that might not be the person. Okay, but 2303 01:39:15,760 --> 01:39:17,040 Speaker 4: that might not be the person for you. 2304 01:39:17,360 --> 01:39:19,920 Speaker 7: That's that's the purpose, and that's the reason why people 2305 01:39:20,000 --> 01:39:23,680 Speaker 7: do these relationship tests, because you're supposed to a relationship 2306 01:39:23,760 --> 01:39:25,800 Speaker 7: is not just about I love you and you love me. 2307 01:39:26,040 --> 01:39:27,800 Speaker 4: That won't keep a relationship going. 2308 01:39:28,040 --> 01:39:30,439 Speaker 7: When it comes to relationships, our puzzle pieces have to 2309 01:39:30,560 --> 01:39:33,280 Speaker 7: fit and we have to understand each other and be 2310 01:39:33,360 --> 01:39:35,719 Speaker 7: able to gel well. So if I am a person 2311 01:39:35,760 --> 01:39:37,920 Speaker 7: who needs to hear I love you, and you're not 2312 01:39:38,040 --> 01:39:40,000 Speaker 7: comfortable saying I love you, but you'll buy me every 2313 01:39:40,040 --> 01:39:43,000 Speaker 7: gift and touch me and spend quality time, none of 2314 01:39:43,080 --> 01:39:44,840 Speaker 7: that will matter to me if I never hear you 2315 01:39:44,960 --> 01:39:46,880 Speaker 7: say the words, So we are not a good fit. 2316 01:39:47,400 --> 01:39:48,360 Speaker 2: Alce, I want to say I love you? 2317 01:39:48,479 --> 01:39:50,679 Speaker 5: Is that means my love language is words of affirmation. 2318 01:39:50,760 --> 01:39:54,400 Speaker 5: It's like one on one shit, not saying I love you. 2319 01:39:54,400 --> 01:39:56,920 Speaker 5: You know, I'm not really trying to debate. 2320 01:39:57,000 --> 01:39:57,799 Speaker 2: I'm trying to understand. 2321 01:39:57,840 --> 01:39:59,840 Speaker 7: Okay, not just and I'm not I don't want to 2322 01:40:00,160 --> 01:40:02,320 Speaker 7: use I love you, but it's a good example not 2323 01:40:02,760 --> 01:40:04,599 Speaker 7: Some people don't say, you know how I tell y'all 2324 01:40:04,600 --> 01:40:05,439 Speaker 7: I love y'all all the time? 2325 01:40:05,720 --> 01:40:06,880 Speaker 4: Like all the time, I tell y'all love it. 2326 01:40:07,000 --> 01:40:09,639 Speaker 2: You say you love everybody, so we don't. It doesn't much. 2327 01:40:09,640 --> 01:40:10,160 Speaker 2: It doesn't. 2328 01:40:11,520 --> 01:40:12,280 Speaker 4: At the end of the day. 2329 01:40:12,520 --> 01:40:15,719 Speaker 7: Some people are not comfortable saying how they feel period, 2330 01:40:15,720 --> 01:40:17,800 Speaker 7: and let's not just say I love you. They're more 2331 01:40:17,880 --> 01:40:21,720 Speaker 7: comfortable showing you how I feel. You're dating y'all, don't 2332 01:40:21,760 --> 01:40:23,680 Speaker 7: date man, I datement. You'll hear the lot. Well, I 2333 01:40:23,680 --> 01:40:25,000 Speaker 7: didn't What do you mean I didn't tell you that 2334 01:40:25,080 --> 01:40:26,519 Speaker 7: I appreciate you? Or what do you mean I didn't 2335 01:40:26,520 --> 01:40:27,040 Speaker 7: tell you I love you. 2336 01:40:27,240 --> 01:40:29,000 Speaker 4: I did this for you. I did this for you. 2337 01:40:29,240 --> 01:40:31,559 Speaker 7: This proves my love to you. And it's like, okay, 2338 01:40:31,600 --> 01:40:33,880 Speaker 7: but that's not my love language. I need to hear 2339 01:40:34,040 --> 01:40:36,160 Speaker 7: you say these words. I need to hear you say 2340 01:40:36,200 --> 01:40:37,680 Speaker 7: that you think I'm beautiful. I need to hear you 2341 01:40:37,800 --> 01:40:39,720 Speaker 7: say that you need me and that you appreciate me, 2342 01:40:39,960 --> 01:40:41,720 Speaker 7: or else I won't feel it no matter how else 2343 01:40:41,760 --> 01:40:42,040 Speaker 7: you do it. 2344 01:40:42,120 --> 01:40:42,400 Speaker 1: That's why. 2345 01:40:42,439 --> 01:40:45,439 Speaker 7: I just think that people should if you want to 2346 01:40:45,520 --> 01:40:48,360 Speaker 7: be with somebody and you want that relationship to last 2347 01:40:48,439 --> 01:40:52,280 Speaker 7: and have that passion and that heat and that happiness throughout. 2348 01:40:52,479 --> 01:40:54,640 Speaker 7: I personally think you have to learn to show love 2349 01:40:54,720 --> 01:40:56,559 Speaker 7: in your partner's love language period. 2350 01:40:56,960 --> 01:40:59,400 Speaker 2: Okay again, I wasn't trying to, Yeah, but that's. 2351 01:40:59,400 --> 01:41:02,160 Speaker 7: Yeah, it's just you know, it's it is as far 2352 01:41:02,280 --> 01:41:04,879 Speaker 7: as showing those like, Yes, a relationship is a compromise, 2353 01:41:04,920 --> 01:41:07,240 Speaker 7: and you do need to learn how to love your 2354 01:41:07,320 --> 01:41:11,200 Speaker 7: partner the way that your partner that receives love or 2355 01:41:11,240 --> 01:41:13,080 Speaker 7: else the relationship is not going to last that long. 2356 01:41:13,600 --> 01:41:16,560 Speaker 1: Yeah, I agree, we know. 2357 01:41:16,560 --> 01:41:19,800 Speaker 3: I mean had on ourbor day also Man April twenty six, 2358 01:41:19,840 --> 01:41:20,360 Speaker 3: I can't wait. 2359 01:41:20,640 --> 01:41:27,120 Speaker 5: Yeah, to answer your earlier question, Julian, people that dm me. 2360 01:41:27,520 --> 01:41:30,400 Speaker 5: I stole about depression on the old pod, and people 2361 01:41:30,600 --> 01:41:32,600 Speaker 5: dm me all the time, and I reply, it was 2362 01:41:32,680 --> 01:41:35,200 Speaker 5: making me more depressed and making me more anxious, and 2363 01:41:35,400 --> 01:41:37,800 Speaker 5: like people would dump their problems and I, you know, 2364 01:41:38,360 --> 01:41:40,479 Speaker 5: I would reply because I felt some type of way 2365 01:41:40,479 --> 01:41:42,200 Speaker 5: and they were saying, yo, you made me feel seen, 2366 01:41:42,280 --> 01:41:44,320 Speaker 5: and like podcasting doesn't talk about this shit. 2367 01:41:44,680 --> 01:41:45,760 Speaker 2: It was before Charlotte Mane. 2368 01:41:47,400 --> 01:41:53,840 Speaker 5: So I enjoyed it until like it became a not 2369 01:41:53,920 --> 01:41:56,000 Speaker 5: a burden because that's a bad thing. I don't like 2370 01:41:56,600 --> 01:41:59,320 Speaker 5: doing that anymore because it's going to affect my life, 2371 01:41:59,400 --> 01:42:01,800 Speaker 5: like I'll lose leap thinking about a stranger that DM 2372 01:42:01,960 --> 01:42:05,200 Speaker 5: me that I replied to of how they're doing it 2373 01:42:05,280 --> 01:42:07,280 Speaker 5: put me in a bad place. So I'm cool with 2374 01:42:07,360 --> 01:42:11,040 Speaker 5: like voicemails and having this conversation because it's here. But 2375 01:42:11,120 --> 01:42:12,920 Speaker 5: if I'm on the on my phone and like I 2376 01:42:12,960 --> 01:42:16,040 Speaker 5: see a notification and then I see that unread shit 2377 01:42:16,080 --> 01:42:17,840 Speaker 5: and I was having a conversation about depression and some 2378 01:42:17,920 --> 01:42:22,040 Speaker 5: other shit, I don't want to be this stranger's call. Yeah, 2379 01:42:22,360 --> 01:42:25,120 Speaker 5: like and then what if something happens and like, yeah, 2380 01:42:25,200 --> 01:42:26,760 Speaker 5: I just don't need that in my life. 2381 01:42:26,840 --> 01:42:29,040 Speaker 6: We talked about that a lot, like sometimes that these 2382 01:42:29,120 --> 01:42:31,600 Speaker 6: Lives shows you meet people and they say, oh, you know, 2383 01:42:31,680 --> 01:42:34,360 Speaker 6: you saved my life. I was contemplating suicide and this 2384 01:42:34,479 --> 01:42:38,040 Speaker 6: that that's that's heavy, man, that's heavy to just throw 2385 01:42:38,080 --> 01:42:41,479 Speaker 6: on somebody because it's like whoa, Like you were thinking 2386 01:42:41,520 --> 01:42:44,880 Speaker 6: about suicide, but I'm the person that was like the 2387 01:42:45,000 --> 01:42:46,639 Speaker 6: voice of reason in your head and you were looking 2388 01:42:46,640 --> 01:42:49,000 Speaker 6: forward to like listening to me every week, like, that's 2389 01:42:49,120 --> 01:42:51,800 Speaker 6: that's heavy. People don't understand how heavy that is. But 2390 01:42:51,920 --> 01:42:53,920 Speaker 6: that's like a really really heavy thing to tell somebody, 2391 01:42:53,920 --> 01:42:57,880 Speaker 6: because I know me, I'm not well I am, But. 2392 01:42:58,080 --> 01:42:59,760 Speaker 7: Do you tell people to kill themselves every other day? 2393 01:42:59,800 --> 01:43:01,160 Speaker 7: So I don't know why they will ever want to 2394 01:43:01,200 --> 01:43:01,920 Speaker 7: listen to you to keep you. 2395 01:43:02,600 --> 01:43:05,200 Speaker 1: Probably tell people you have a mental illness. 2396 01:43:07,120 --> 01:43:07,160 Speaker 2: Me. 2397 01:43:07,320 --> 01:43:08,839 Speaker 1: Yeah, that's true, probably more accurate. 2398 01:43:08,880 --> 01:43:11,479 Speaker 2: Well they do, that's true and most e fact. 2399 01:43:11,479 --> 01:43:13,439 Speaker 5: I mean, I've watched people say that tomorrow and I 2400 01:43:13,520 --> 01:43:16,360 Speaker 5: think it's cool when not cool, but I think I 2401 01:43:16,439 --> 01:43:18,280 Speaker 5: appreciate it when people say it at live shows and 2402 01:43:18,280 --> 01:43:21,920 Speaker 5: meet and Greece and everything. To what Julian's question was, though, 2403 01:43:21,920 --> 01:43:24,040 Speaker 5: I had to stop with the d M ship because 2404 01:43:24,040 --> 01:43:26,000 Speaker 5: then I started feeling responsible. 2405 01:43:25,479 --> 01:43:29,479 Speaker 1: For Yeah, you started wearing people's trying Yeah. 2406 01:43:29,320 --> 01:43:30,000 Speaker 2: Like what the fuck? 2407 01:43:30,080 --> 01:43:34,840 Speaker 5: And now I'm like unread messages and they're like about 2408 01:43:35,000 --> 01:43:37,720 Speaker 5: possible suicide and then it's like, all right, what I 2409 01:43:37,800 --> 01:43:39,080 Speaker 5: can't attach this to my life. 2410 01:43:39,320 --> 01:43:40,600 Speaker 3: I took a page out of it turn in the 2411 01:43:40,600 --> 01:43:43,599 Speaker 3: book when Time with a God told me if you die, 2412 01:43:43,600 --> 01:43:44,000 Speaker 3: I kill you. 2413 01:43:45,400 --> 01:43:50,519 Speaker 4: He was looking at me like, you know, yeah, but 2414 01:43:50,600 --> 01:43:52,840 Speaker 4: this they're a great black hope for That's that's why. 2415 01:43:54,240 --> 01:43:57,720 Speaker 2: And they love me. They love me. Oh yeah, they 2416 01:43:57,760 --> 01:43:57,960 Speaker 2: love you. 2417 01:43:58,280 --> 01:43:59,720 Speaker 1: They do blackhead through mind. 2418 01:44:00,479 --> 01:44:02,040 Speaker 6: Shout out the black history, you know. Shout out the 2419 01:44:02,080 --> 01:44:04,080 Speaker 6: Rabbit movers. Shout out to my guy Anthony and his 2420 01:44:04,240 --> 01:44:08,120 Speaker 6: uh his partner Mercedes. They helped me move my stuff yesterday. 2421 01:44:08,360 --> 01:44:09,000 Speaker 4: I loved them. 2422 01:44:09,320 --> 01:44:11,839 Speaker 2: Tell yeah, they was, well, can't. 2423 01:44:11,680 --> 01:44:12,439 Speaker 1: Wait to not see it. 2424 01:44:12,479 --> 01:44:13,800 Speaker 3: It's a bunch of boxes right now. 2425 01:44:13,920 --> 01:44:15,519 Speaker 2: But you know, can we go to the old spot 2426 01:44:15,920 --> 01:44:17,559 Speaker 2: that we never want to now? Oh? 2427 01:44:17,640 --> 01:44:20,320 Speaker 1: Sure over there now that it's vacant, Yeah, go over there. 2428 01:44:20,360 --> 01:44:22,200 Speaker 4: So you know they would have unpacked for you if 2429 01:44:22,200 --> 01:44:24,120 Speaker 4: you rabbit does that, they unpacked. 2430 01:44:24,160 --> 01:44:24,320 Speaker 8: You know. 2431 01:44:24,400 --> 01:44:26,280 Speaker 6: I didn't need them do I just need to move 2432 01:44:26,600 --> 01:44:28,920 Speaker 6: move the boxes. But shout out the Rabbit movers. If 2433 01:44:28,920 --> 01:44:32,160 Speaker 6: you ever need anything moved, please give Rabbit movers. 2434 01:44:32,200 --> 01:44:35,120 Speaker 3: You can follow them. I g Rabbit Movers uh website 2435 01:44:35,160 --> 01:44:36,120 Speaker 3: rabbit moves dot com. 2436 01:44:36,920 --> 01:44:38,800 Speaker 1: Very efficient, very quick. I was, I was. 2437 01:44:38,880 --> 01:44:40,320 Speaker 6: I was surprised at how fast they got the old 2438 01:44:40,360 --> 01:44:42,599 Speaker 6: boxes out of it, like they I was sitting there 2439 01:44:42,680 --> 01:44:44,560 Speaker 6: like trying to look at like the method and like 2440 01:44:45,439 --> 01:44:47,680 Speaker 6: that ship was impressive, Like they moved that ship really 2441 01:44:47,720 --> 01:44:49,840 Speaker 6: really quick and if you pack everything up. 2442 01:44:50,640 --> 01:44:52,960 Speaker 2: I packed most of the stuff over. 2443 01:44:53,000 --> 01:44:54,160 Speaker 1: They would have. 2444 01:44:54,600 --> 01:44:55,000 Speaker 2: They would have. 2445 01:44:55,080 --> 01:44:58,000 Speaker 6: They helped pack some of the stuff, but like you know, 2446 01:44:58,400 --> 01:45:00,280 Speaker 6: because I knew I was moving, so I've been taking 2447 01:45:00,320 --> 01:45:01,560 Speaker 6: like a couple of days out of the week the 2448 01:45:01,600 --> 01:45:03,840 Speaker 6: past two three months to just kind of sort sort 2449 01:45:03,880 --> 01:45:04,840 Speaker 6: of start packing it up. 2450 01:45:04,840 --> 01:45:07,120 Speaker 4: But you better than me. They packed my whole closet 2451 01:45:07,240 --> 01:45:07,799 Speaker 4: and everything. 2452 01:45:08,000 --> 01:45:09,400 Speaker 1: Really yeah, yeah, they would have. 2453 01:45:09,479 --> 01:45:09,960 Speaker 2: They helped too. 2454 01:45:10,040 --> 01:45:12,160 Speaker 1: My friends move. I put them by the way of 2455 01:45:12,200 --> 01:45:15,400 Speaker 1: DeMars I gotten they contacted me. I put them in 2456 01:45:15,439 --> 01:45:16,960 Speaker 1: touch on my friends. They just helped them move. 2457 01:45:17,680 --> 01:45:22,240 Speaker 3: Really really efficient, quick, really cool, good people. 2458 01:45:22,360 --> 01:45:26,280 Speaker 6: So anywhere if you need any anything moved, anybody needs to, 2459 01:45:26,479 --> 01:45:29,160 Speaker 6: you know, have their stuff packed and ship or whatever. 2460 01:45:29,320 --> 01:45:33,680 Speaker 6: Rabbit movers on Instagram, rabbit moves dot com, give them 2461 01:45:33,720 --> 01:45:36,200 Speaker 6: a call and they definitely get the job done. 2462 01:45:36,280 --> 01:45:40,080 Speaker 2: Super dope. So thank y'all. Appreciate y'all. New spot. Does 2463 01:45:40,120 --> 01:45:41,080 Speaker 2: it feel like a new chapter? 2464 01:45:41,240 --> 01:45:45,639 Speaker 6: Do you feel, oh my God, like I'm gonna say, yes, 2465 01:45:45,720 --> 01:45:47,720 Speaker 6: I'm gonna save I'm gonna like clean out all of 2466 01:45:47,760 --> 01:45:49,960 Speaker 6: the evil spirits that were there before me. Even though 2467 01:45:50,000 --> 01:45:52,479 Speaker 6: it's a new spot. Nobody ever lived there before you 2468 01:45:52,600 --> 01:45:52,720 Speaker 6: go and. 2469 01:45:52,800 --> 01:45:55,599 Speaker 4: Bring mad new evil spirits in that bitch. Valentine's Day 2470 01:45:55,600 --> 01:45:55,880 Speaker 4: come in. 2471 01:45:55,920 --> 01:45:58,559 Speaker 2: Please, you're gonna have evil spirits helping you unpack. 2472 01:45:59,280 --> 01:46:03,759 Speaker 1: No, when the official day the move in the first yesterday? Mmmm? 2473 01:46:04,000 --> 01:46:06,240 Speaker 1: You take a big did you like Christen the toilet? Yeah? 2474 01:46:06,720 --> 01:46:08,599 Speaker 2: I didn't have any wipes with me. No, I couldn't. 2475 01:46:08,880 --> 01:46:09,080 Speaker 1: Damn. 2476 01:46:09,479 --> 01:46:11,360 Speaker 8: Yeah, it's gonna be good tonight though, So you just 2477 01:46:11,400 --> 01:46:13,880 Speaker 8: held it. No, I took a ship at the old spot. 2478 01:46:14,280 --> 01:46:14,840 Speaker 8: They're still happen. 2479 01:46:15,320 --> 01:46:17,000 Speaker 4: I'm not leaving a gift. 2480 01:46:18,439 --> 01:46:20,040 Speaker 1: Ye upper decker. I didn't. 2481 01:46:20,040 --> 01:46:21,080 Speaker 2: I didn't flush. It's still there. 2482 01:46:24,080 --> 01:46:24,720 Speaker 1: Yeah, thank you? 2483 01:46:24,880 --> 01:46:25,880 Speaker 2: Housewarming men do that? 2484 01:46:26,720 --> 01:46:27,160 Speaker 1: Single man? 2485 01:46:27,560 --> 01:46:27,760 Speaker 9: Sure? 2486 01:46:28,080 --> 01:46:31,439 Speaker 2: Really, I excuse to have a kickback and get a blunder. 2487 01:46:33,720 --> 01:46:35,519 Speaker 1: Housewarmings dude, coming in this espresso? 2488 01:46:36,160 --> 01:46:38,240 Speaker 2: How many blenders do are somebody gonna bring you? Like? 2489 01:46:38,280 --> 01:46:39,519 Speaker 3: I have seven of those already, thank you. 2490 01:46:40,439 --> 01:46:42,880 Speaker 2: Yeah. People that they don't coordinate, you usually get a 2491 01:46:42,920 --> 01:46:44,599 Speaker 2: lot of the same. Then I'm not doing a registry 2492 01:46:44,600 --> 01:46:45,200 Speaker 2: for a house woman. 2493 01:46:45,360 --> 01:46:47,439 Speaker 4: About say, you're supposed to do a registry for our household. 2494 01:46:47,560 --> 01:46:50,280 Speaker 2: Yeah that sounds pretty that's a lot. Well, I do 2495 01:46:50,400 --> 01:46:53,240 Speaker 2: I bring you a scarface poster? Please know. 2496 01:46:54,000 --> 01:46:55,760 Speaker 6: I hate when I walk into guys obtusly he has 2497 01:46:56,200 --> 01:46:57,360 Speaker 6: al Pacino on his wall. 2498 01:46:57,520 --> 01:47:01,040 Speaker 1: What the fuck are you doing? It's not a real character. 2499 01:47:02,320 --> 01:47:03,080 Speaker 2: The scene. 2500 01:47:03,280 --> 01:47:05,720 Speaker 7: The gifts I always buy for like, so I keep 2501 01:47:05,760 --> 01:47:09,400 Speaker 7: this rule period for like new married couples, so wedding 2502 01:47:09,479 --> 01:47:12,080 Speaker 7: gifts and house swimming gifts. I bring something that I'm 2503 01:47:12,120 --> 01:47:14,080 Speaker 7: going to use when I go to your house. So 2504 01:47:14,400 --> 01:47:17,320 Speaker 7: I always buy people like really nice crystal wine glasses 2505 01:47:17,439 --> 01:47:20,240 Speaker 7: or crystal champagne glasses, like things that I'm gonna use. 2506 01:47:20,320 --> 01:47:22,439 Speaker 7: I don't know why I've always done that. I mean, 2507 01:47:22,479 --> 01:47:24,280 Speaker 7: they need them still, and they're still nice gifts. 2508 01:47:24,320 --> 01:47:26,280 Speaker 5: But it was like the time I told you guys 2509 01:47:26,280 --> 01:47:29,040 Speaker 5: that my dad got my mom a Belgium waffle maker 2510 01:47:29,120 --> 01:47:31,280 Speaker 5: for Christmas, and then he never spent another Christmas there again. 2511 01:47:32,040 --> 01:47:34,200 Speaker 3: Fire, that's hard with your dad. 2512 01:47:35,200 --> 01:47:35,320 Speaker 2: Yea. 2513 01:47:35,479 --> 01:47:36,719 Speaker 1: I always get people plants. 2514 01:47:37,760 --> 01:47:38,320 Speaker 2: Yeah, that's that. 2515 01:47:38,400 --> 01:47:40,760 Speaker 3: Big ass, dumb ass plant you got sitting out in. 2516 01:47:40,760 --> 01:47:42,880 Speaker 1: The reception area. Get that out of it. 2517 01:47:43,240 --> 01:47:46,640 Speaker 3: Looks like something that ship is so fucking big and obnoxious. 2518 01:47:46,640 --> 01:47:50,000 Speaker 3: Put you dig it out. 2519 01:47:50,320 --> 01:47:52,479 Speaker 1: Yeah. I wasn't gonna not was he needed. 2520 01:47:52,520 --> 01:47:54,400 Speaker 3: I think that belongs downstairs in the lobby. 2521 01:47:55,880 --> 01:47:58,360 Speaker 4: Enough that big ass that ship is huge. 2522 01:47:58,479 --> 01:47:58,840 Speaker 2: I hate it. 2523 01:47:59,280 --> 01:48:01,679 Speaker 3: I mean it's the obvious, bigger than that space over. 2524 01:48:01,560 --> 01:48:02,200 Speaker 1: There for sure. 2525 01:48:02,880 --> 01:48:04,559 Speaker 2: Yeah, we didn't really think it through. 2526 01:48:04,640 --> 01:48:07,120 Speaker 6: Yeah, that was just an obnoxious, big ass plant for 2527 01:48:07,200 --> 01:48:09,880 Speaker 6: no reason. Well, that plant belongs like in the wild. 2528 01:48:10,520 --> 01:48:10,800 Speaker 5: It was. 2529 01:48:11,280 --> 01:48:15,519 Speaker 3: Yeah, that's why you need to leave it there like glows. 2530 01:48:16,720 --> 01:48:18,599 Speaker 2: Yeah, we dug it out. 2531 01:48:19,640 --> 01:48:21,439 Speaker 4: I'll have a perfect place for it in my house though, 2532 01:48:21,600 --> 01:48:23,240 Speaker 4: I'll take it in the house. 2533 01:48:24,600 --> 01:48:26,800 Speaker 8: Movers are going to take it live with the White house. 2534 01:48:27,000 --> 01:48:29,760 Speaker 8: How big is your house? That's a big ass fucking plant. 2535 01:48:30,080 --> 01:48:31,479 Speaker 5: If you want to take it in the meantime, yet 2536 01:48:31,479 --> 01:48:36,120 Speaker 5: it's it's too much here. Yeah, rabbit moovers dot com. 2537 01:48:36,240 --> 01:48:39,679 Speaker 1: I like it. Do you want to do another voicemail? 2538 01:48:40,200 --> 01:48:41,040 Speaker 2: Sure do we. 2539 01:48:42,760 --> 01:48:45,960 Speaker 1: Let's see. Oh this is actually fun. This is so 2540 01:48:46,080 --> 01:48:49,320 Speaker 1: we have the Iraq collar calling uh the guy that 2541 01:48:49,479 --> 01:48:51,840 Speaker 1: was crazy. He has a name. What was his name, Rory? 2542 01:48:51,920 --> 01:48:53,160 Speaker 2: I don't know, but he I don't think of it 2543 01:48:53,240 --> 01:48:54,000 Speaker 2: as the Iraq collar. 2544 01:48:54,160 --> 01:48:55,720 Speaker 1: I just think, well, that's how we said we have 2545 01:48:55,800 --> 01:48:57,840 Speaker 1: two listeners out there. He's one of them, so people 2546 01:48:57,920 --> 01:49:01,479 Speaker 1: know who we're frigging. So he did the quick recap 2547 01:49:01,760 --> 01:49:03,519 Speaker 1: his girl wasn't sure if she wanted to commit to 2548 01:49:03,640 --> 01:49:05,800 Speaker 1: doing the program in the States. It's too difficult. So 2549 01:49:05,840 --> 01:49:07,040 Speaker 1: he's like, what do I do. Do I stay with 2550 01:49:07,080 --> 01:49:08,439 Speaker 1: her and go somewhere else, or do I leave her 2551 01:49:08,479 --> 01:49:10,920 Speaker 1: and come to the States. We have a caller, another 2552 01:49:10,960 --> 01:49:15,519 Speaker 1: guy from Iraq who did that, and he's here currently 2553 01:49:15,600 --> 01:49:17,360 Speaker 1: doing what this guy's doing. So he's calling to give 2554 01:49:17,400 --> 01:49:17,880 Speaker 1: him advice. 2555 01:49:18,360 --> 01:49:19,679 Speaker 2: Spoken to two of two already. 2556 01:49:20,040 --> 01:49:24,080 Speaker 10: Julian, my name is Taha. I'm just leaving a voicemail 2557 01:49:24,200 --> 01:49:26,640 Speaker 10: or I don't know if it's just a message. I 2558 01:49:26,680 --> 01:49:31,200 Speaker 10: don't want to DM you or anything. So regarding you, 2559 01:49:31,479 --> 01:49:36,400 Speaker 10: you played a voicemail on the pod about this Iraqi 2560 01:49:36,520 --> 01:49:41,000 Speaker 10: guy that's a resident, that's a doctor that wants to 2561 01:49:41,439 --> 01:49:42,160 Speaker 10: so AnyWho. 2562 01:49:42,280 --> 01:49:43,120 Speaker 1: So I have some. 2563 01:49:44,600 --> 01:49:48,000 Speaker 10: Tools, I have some information. I'm actually a resident as well. 2564 01:49:48,000 --> 01:49:51,040 Speaker 10: I go to U A MS and I'm Iraqi as well. 2565 01:49:51,080 --> 01:49:53,479 Speaker 10: I was just over there not too long ago. So 2566 01:49:53,640 --> 01:49:55,599 Speaker 10: I just wanted to get in touch with that guy. 2567 01:49:56,200 --> 01:49:59,880 Speaker 10: I might have some resources to help him, because the 2568 01:50:00,080 --> 01:50:02,120 Speaker 10: know there's just something I would like to do. So 2569 01:50:02,280 --> 01:50:04,759 Speaker 10: if you can get me in touch or contact information 2570 01:50:04,960 --> 01:50:07,960 Speaker 10: or something with him, maybe his email or whatever, I 2571 01:50:08,120 --> 01:50:12,120 Speaker 10: really appreciate it. But yeah, I just I just want 2572 01:50:12,160 --> 01:50:14,080 Speaker 10: to see if I can help or anything like that 2573 01:50:14,600 --> 01:50:17,320 Speaker 10: in terms of his medical residency here in the US 2574 01:50:17,800 --> 01:50:21,360 Speaker 10: and his papers and stuff like that. So yeah, just 2575 01:50:21,520 --> 01:50:24,360 Speaker 10: please if you can just sit me back through my 2576 01:50:24,479 --> 01:50:26,479 Speaker 10: email or something, that would be great. 2577 01:50:26,800 --> 01:50:31,120 Speaker 2: Thanks. That was cool. Julian misheard. I think he's from 2578 01:50:31,160 --> 01:50:33,360 Speaker 2: left Rack City. Yeah, I Rack. I know that it's 2579 01:50:33,360 --> 01:50:34,800 Speaker 2: from the same Iraq that nor he's from. 2580 01:50:34,920 --> 01:50:36,800 Speaker 3: Yeah, he's so sour in the weakness. 2581 01:50:38,720 --> 01:50:41,559 Speaker 1: On the weekend, so well, yeah, I wanted to play 2582 01:50:41,600 --> 01:50:43,320 Speaker 1: that on a him. So if the other guy hears that, 2583 01:50:43,439 --> 01:50:46,880 Speaker 1: he can also maybe leave a voicemail, leave a phe 2584 01:50:46,920 --> 01:50:48,559 Speaker 1: number and we can make the connection. But I thought 2585 01:50:48,600 --> 01:50:51,360 Speaker 1: that was cool. Yeah, that was cool, beautiful and something 2586 01:50:51,400 --> 01:50:53,680 Speaker 1: to help him get through his process. That ship has 2587 01:50:53,720 --> 01:50:56,720 Speaker 1: got to be brutal, Yeah, without moving I. 2588 01:50:56,760 --> 01:50:58,479 Speaker 3: Mean it's not more brutal than living over there. 2589 01:50:59,600 --> 01:51:04,360 Speaker 2: You know what, I don't ever win yo A Rabbit 2590 01:51:04,640 --> 01:51:05,439 Speaker 2: Movers International. 2591 01:51:06,280 --> 01:51:07,559 Speaker 1: They are Rabbit Iraq. 2592 01:51:07,800 --> 01:51:10,080 Speaker 2: Yeah, Rabbit Iraq is crazy Iraqi Rabbit. 2593 01:51:11,720 --> 01:51:15,320 Speaker 3: They can help you move if you're stuck in the rubble. 2594 01:51:15,520 --> 01:51:16,519 Speaker 3: There's no trouble, you know. 2595 01:51:18,240 --> 01:51:18,799 Speaker 2: End episode. 2596 01:51:19,080 --> 01:51:21,280 Speaker 4: Please stop say. 2597 01:51:21,479 --> 01:51:23,040 Speaker 2: Yeah, we still haven't moved troops out. 2598 01:51:22,960 --> 01:51:29,160 Speaker 1: Of there, h ship. Speaking of conspiracy, this is definitely 2599 01:51:29,160 --> 01:51:31,040 Speaker 1: where we should transition. But the Jordan troops. 2600 01:51:31,680 --> 01:51:34,840 Speaker 2: Oh, we can talk about that on patroon ye America's back. 2601 01:51:35,080 --> 01:51:39,080 Speaker 7: Do you want to make Patreon the politics POD's politics 2602 01:51:39,120 --> 01:51:40,439 Speaker 7: and religion because we owe them the rest of that 2603 01:51:40,520 --> 01:51:41,280 Speaker 7: conversation too. 2604 01:51:42,439 --> 01:51:44,360 Speaker 2: Oh yeah, I forgot about that question. 2605 01:51:44,479 --> 01:51:46,200 Speaker 1: That's happening. We're doing it all. 2606 01:51:46,880 --> 01:51:48,639 Speaker 3: You got more context to your answer. 2607 01:51:49,000 --> 01:51:50,600 Speaker 1: I sent you guys a pod to listen to. I 2608 01:51:50,680 --> 01:51:51,600 Speaker 1: know no one listened to it. 2609 01:51:52,600 --> 01:51:54,280 Speaker 2: Well, I was moving. I had had an excuse not 2610 01:51:54,320 --> 01:51:54,599 Speaker 2: to listen. 2611 01:51:54,680 --> 01:51:57,640 Speaker 7: That's actually an actual birthday, y, Yeah, it was a 2612 01:51:58,080 --> 01:51:59,679 Speaker 7: what did you guys do for her actual birthday? 2613 01:52:00,160 --> 01:52:01,639 Speaker 4: I called you. You ignored me. It's fine. 2614 01:52:02,000 --> 01:52:05,120 Speaker 5: We went to the aquarium and then we went to lunch, 2615 01:52:05,920 --> 01:52:08,439 Speaker 5: and then we ate dinner, and then I prayed for 2616 01:52:08,680 --> 01:52:09,880 Speaker 5: all the family to leave. 2617 01:52:10,360 --> 01:52:13,479 Speaker 2: Yes, you know, a birthday, a birthday. Everyone get the 2618 01:52:13,520 --> 01:52:18,240 Speaker 2: fuck out please. Yeah, it's tough, it's okay. 2619 01:52:18,439 --> 01:52:19,200 Speaker 1: Ready for next year? 2620 01:52:21,600 --> 01:52:23,679 Speaker 2: I mean, is everyone invited? Is everyone invited? 2621 01:52:24,320 --> 01:52:24,679 Speaker 1: Again? 2622 01:52:25,240 --> 01:52:27,360 Speaker 2: I gave in to all the family for the first birthday? 2623 01:52:28,200 --> 01:52:29,160 Speaker 3: Yeah, next year, you can skip. 2624 01:52:29,240 --> 01:52:30,040 Speaker 2: I can send the cards. 2625 01:52:30,240 --> 01:52:32,560 Speaker 6: Yeah, next year you can skip the first birthday is 2626 01:52:32,600 --> 01:52:35,760 Speaker 6: the one, and then like maybe do it again around five. 2627 01:52:36,680 --> 01:52:38,639 Speaker 7: No, don't have her next birthday party. And so she's 2628 01:52:38,640 --> 01:52:40,400 Speaker 7: old enough to ask and say, I want a birthday party. 2629 01:52:41,520 --> 01:52:43,920 Speaker 5: I actually want to make it the next birthday about 2630 01:52:44,000 --> 01:52:46,720 Speaker 5: Amara instead of the entire fucking family. It was ever, 2631 01:52:46,880 --> 01:52:49,840 Speaker 5: it was everyone else's ship that I had to deal with. 2632 01:52:50,920 --> 01:52:53,439 Speaker 5: We're not even here to you guys buy your fifty 2633 01:52:53,479 --> 01:52:56,479 Speaker 5: dollars aquarium tickets, Like me and Kiya and Amara would 2634 01:52:56,520 --> 01:52:58,639 Speaker 5: have went to the aquarium without Joe and I gotta 2635 01:52:58,760 --> 01:53:02,000 Speaker 5: now everyone has to come. Yeah, yeah, which next year 2636 01:53:02,080 --> 01:53:05,519 Speaker 5: is about Amara? It's not about everybody else? Fuck there 2637 01:53:05,560 --> 01:53:08,360 Speaker 5: was It wasn't even a cool aquerium fifty fucking bucks. 2638 01:53:08,360 --> 01:53:09,200 Speaker 5: I didn't see one dolphins. 2639 01:53:09,200 --> 01:53:10,840 Speaker 1: Where was the aquarium at uh? 2640 01:53:12,960 --> 01:53:13,559 Speaker 4: Mad as fuck? 2641 01:53:14,240 --> 01:53:16,160 Speaker 3: Or thought he was gonna see dolphins with fifty dollars 2642 01:53:16,520 --> 01:53:17,280 Speaker 3: in New York City? 2643 01:53:17,920 --> 01:53:20,800 Speaker 2: So so, oh my god. 2644 01:53:21,160 --> 01:53:24,200 Speaker 5: First of all, at the Atlanta Aquarium that I've been 2645 01:53:24,280 --> 01:53:26,479 Speaker 5: to twice, they have a full dolphins show. 2646 01:53:27,080 --> 01:53:28,360 Speaker 2: Yeah, because thank yous. 2647 01:53:28,400 --> 01:53:29,920 Speaker 1: Aquariums in the world that. 2648 01:53:30,040 --> 01:53:32,519 Speaker 3: Is not an aquarium the world. Atlanta has the best 2649 01:53:33,240 --> 01:53:33,960 Speaker 3: it's a prison. 2650 01:53:34,439 --> 01:53:36,040 Speaker 1: It is a praglay in the country. 2651 01:53:36,600 --> 01:53:39,280 Speaker 6: Fucking prison, guys, it's a water prison. But I used 2652 01:53:39,320 --> 01:53:42,240 Speaker 6: to pay for the Q to rikers three three the 2653 01:53:42,320 --> 01:53:47,640 Speaker 6: guys three, the guys three. Why would I want to 2654 01:53:47,640 --> 01:53:49,559 Speaker 6: three them three to dolphins? I want them to get 2655 01:53:49,560 --> 01:53:50,040 Speaker 6: out of prison. 2656 01:53:50,160 --> 01:53:52,639 Speaker 2: Fu man. They had like nothing. 2657 01:53:53,360 --> 01:53:56,559 Speaker 5: There was that American dream, you know, the mall that's like, yeah, 2658 01:53:56,560 --> 01:53:59,720 Speaker 5: I know, I've been worth negative eight hundred dollars. No, 2659 01:54:00,080 --> 01:54:02,560 Speaker 5: was actually an article I read that whole mall is 2660 01:54:02,640 --> 01:54:05,280 Speaker 5: in the biggest debt. And the one in Jersey, Yeah, 2661 01:54:05,320 --> 01:54:07,720 Speaker 5: the one next to the MetLife yea, which is like, 2662 01:54:07,800 --> 01:54:11,560 Speaker 5: I mean, it was a nice aquarium, but I don't know, 2663 01:54:12,760 --> 01:54:15,280 Speaker 5: it's just it wasn't Atlanta. Yeah, And I took a 2664 01:54:16,520 --> 01:54:19,240 Speaker 5: took them to the aquarium in Seattle, and you guys know, 2665 01:54:19,320 --> 01:54:23,000 Speaker 5: I'm obsessed with otters. The entire thing was otters and 2666 01:54:23,720 --> 01:54:29,240 Speaker 5: like actual real fucking water life like this was I 2667 01:54:29,320 --> 01:54:32,000 Speaker 5: saw a seahorse. None of those sharks were there. 2668 01:54:33,840 --> 01:54:36,480 Speaker 1: But yeah, so Georgia, the Atlanta aquariums on all the 2669 01:54:36,600 --> 01:54:40,400 Speaker 1: top aquariums in the country. It's one of the best. 2670 01:54:40,640 --> 01:54:44,000 Speaker 1: So I wouldn't think New Jersey is going to compete. 2671 01:54:45,680 --> 01:54:46,240 Speaker 2: Definitely not. 2672 01:54:47,360 --> 01:54:49,040 Speaker 5: I mean, I'm not here to defend New Jersey, but 2673 01:54:49,080 --> 01:54:50,840 Speaker 5: it's like one of the biggest ports in the United States. 2674 01:54:50,960 --> 01:54:52,440 Speaker 5: They can't get a shark there, but they get one 2675 01:54:52,480 --> 01:54:53,080 Speaker 5: to Atlanta. 2676 01:54:53,640 --> 01:54:55,600 Speaker 7: They probably don't have the the You just said that 2677 01:54:55,760 --> 01:54:58,440 Speaker 7: the mall is in debt. I don't think they can 2678 01:54:58,520 --> 01:54:59,680 Speaker 7: afford sharky. 2679 01:54:59,720 --> 01:55:02,360 Speaker 5: There debt because they put that mall is incredible. I'm 2680 01:55:02,400 --> 01:55:05,080 Speaker 5: not here to shoot on the mall. It's insane, Like 2681 01:55:05,200 --> 01:55:07,600 Speaker 5: it's actually insane, but there's like four people there. 2682 01:55:08,160 --> 01:55:10,160 Speaker 2: Like no one goes to it. They put so much 2683 01:55:10,200 --> 01:55:10,680 Speaker 2: money into it. 2684 01:55:10,800 --> 01:55:13,800 Speaker 5: And there's like real roller coasters in that ship the 2685 01:55:14,000 --> 01:55:17,080 Speaker 5: real water park ski resort all inside. 2686 01:55:17,640 --> 01:55:20,440 Speaker 2: They couldn't get a fucking bluke a whale there. No, 2687 01:55:20,920 --> 01:55:25,760 Speaker 2: they got a ski lift. Yeah, actual roller coaster inside. 2688 01:55:25,840 --> 01:55:27,440 Speaker 3: I think I'm gonna go to the Bronx soon. I 2689 01:55:27,480 --> 01:55:28,800 Speaker 3: haven't been in so I've never been. 2690 01:55:28,880 --> 01:55:30,960 Speaker 2: Can you take me. We can do that. Actually, let's 2691 01:55:30,960 --> 01:55:32,240 Speaker 2: do that. I haven't been there since I lost my 2692 01:55:32,320 --> 01:55:35,000 Speaker 2: virginity in two thousand and four. You should go back 2693 01:55:35,000 --> 01:55:36,680 Speaker 2: to the same spot you were. I know I didn't 2694 01:55:36,720 --> 01:55:38,200 Speaker 2: fucking animal, but like. 2695 01:55:38,560 --> 01:55:42,480 Speaker 4: Like your actual virginity or like your molestation virginity. 2696 01:55:42,680 --> 01:55:49,000 Speaker 2: See there's two different virginities you got. If you were 2697 01:55:49,040 --> 01:55:50,760 Speaker 2: to get molested, it might happen to this. 2698 01:55:51,080 --> 01:55:54,800 Speaker 1: That sounds like a movie. That's like a Curious George book. 2699 01:55:56,360 --> 01:56:02,040 Speaker 4: You're sick, You're actually you're at the Bronx. That was dark, Julian. 2700 01:56:02,560 --> 01:56:04,440 Speaker 2: Did you just call him sick and dark? After what 2701 01:56:04,560 --> 01:56:05,720 Speaker 2: you just asked me to my face? 2702 01:56:06,200 --> 01:56:08,680 Speaker 4: Because I really wanted to know you said, did you. 2703 01:56:08,720 --> 01:56:12,040 Speaker 1: Lose your dressed like Curious George too? Today? 2704 01:56:13,240 --> 01:56:16,360 Speaker 2: A man in the yellow hut? This is a mark. 2705 01:56:16,440 --> 01:56:17,760 Speaker 2: We made t shirts for her birthday. 2706 01:56:18,360 --> 01:56:20,480 Speaker 6: See not as cool. See that's a cool shirt. I'm 2707 01:56:20,520 --> 01:56:22,600 Speaker 6: a counselor you should have said that. You should You're 2708 01:56:22,640 --> 01:56:23,560 Speaker 6: not a counselor. 2709 01:56:33,200 --> 01:56:39,160 Speaker 2: Not at not at I just wanted to see otters. 2710 01:56:43,240 --> 01:56:46,000 Speaker 3: You know that is fucking wild? 2711 01:56:46,240 --> 01:56:48,839 Speaker 2: Bro, Holy ship, No Damarus. 2712 01:56:48,840 --> 01:56:52,320 Speaker 5: When I lost my actual virginity, we went on a 2713 01:56:52,400 --> 01:56:56,320 Speaker 5: field trip to the Bronx Zoo and then afterwards. 2714 01:56:58,000 --> 01:57:01,960 Speaker 2: Same day. No, yeah, no, I didn't know and that 2715 01:57:02,040 --> 01:57:08,240 Speaker 2: wasn't he wasn't molested the Bronx Zoo day. Okay, Bro, 2716 01:57:09,200 --> 01:57:12,160 Speaker 2: who was the guy that called in help? How you 2717 01:57:12,240 --> 01:57:12,640 Speaker 2: lost your. 2718 01:57:14,680 --> 01:57:19,320 Speaker 3: Hey, tah, help Rory. He's gonna hit you back and 2719 01:57:19,440 --> 01:57:20,080 Speaker 3: you help him. 2720 01:57:21,800 --> 01:57:26,000 Speaker 2: No, the first time I had consensual sex was the 2721 01:57:26,080 --> 01:57:28,200 Speaker 2: day you left the Bronx were on a field trip. 2722 01:57:28,440 --> 01:57:29,640 Speaker 2: Then afterwards got you. 2723 01:57:31,160 --> 01:57:31,600 Speaker 1: Great day. 2724 01:57:32,480 --> 01:57:34,200 Speaker 4: I'm sorry, Rory, I love you and I'm sorry that 2725 01:57:34,280 --> 01:57:34,840 Speaker 4: you went through that. 2726 01:57:35,080 --> 01:57:38,320 Speaker 1: No, you're not. No, that was the good all right, 2727 01:57:38,360 --> 01:57:39,280 Speaker 1: well let's finish the snacker. 2728 01:57:39,320 --> 01:57:41,760 Speaker 2: I lost my virginity to a Lloyd Banks mixtape, so 2729 01:57:42,240 --> 01:57:42,640 Speaker 2: it wasn't that. 2730 01:57:43,040 --> 01:57:44,760 Speaker 1: That is fucking crazy. 2731 01:57:48,240 --> 01:57:51,880 Speaker 6: Now how that makes sense now on the actual fact, Now, 2732 01:57:51,920 --> 01:57:54,560 Speaker 6: I understand your affinity for Lloyd Bank before that. 2733 01:57:54,720 --> 01:57:56,400 Speaker 3: No, no, no, no, no, well obviously you lost your 2734 01:57:56,440 --> 01:57:57,360 Speaker 3: virginity to his music. 2735 01:57:57,480 --> 01:57:59,560 Speaker 2: So yeah, but I was I played the mixtape? 2736 01:57:59,840 --> 01:58:01,680 Speaker 4: Was you say let me set the move? 2737 01:58:02,120 --> 01:58:05,000 Speaker 2: No, you're trying to Uh it was. 2738 01:58:05,240 --> 01:58:06,240 Speaker 1: Which money in the bank? 2739 01:58:08,120 --> 01:58:09,600 Speaker 2: I don't think it was money in the bank? No, yeah, 2740 01:58:09,600 --> 01:58:10,960 Speaker 2: it once been more money in the bank. 2741 01:58:11,000 --> 01:58:14,360 Speaker 1: Part three. That is a sick cashing in. You definitely 2742 01:58:14,400 --> 01:58:15,120 Speaker 1: cashed in that day. 2743 01:58:15,160 --> 01:58:16,440 Speaker 2: Good job or wow? 2744 01:58:16,880 --> 01:58:20,160 Speaker 3: Did you ever tell Lloyd Banks that? No, you should 2745 01:58:20,200 --> 01:58:20,800 Speaker 3: tell Lloyd Banks. 2746 01:58:21,040 --> 01:58:23,600 Speaker 6: I would actually we should record Roy telling Lloyd Banks 2747 01:58:23,640 --> 01:58:25,520 Speaker 6: he lost his virginity to his mixtape. 2748 01:58:25,280 --> 01:58:27,400 Speaker 7: We should Oh my god, that'd be a perfect ticktime 2749 01:58:27,680 --> 01:58:30,600 Speaker 7: saw Banks put her in the mood. 2750 01:58:32,040 --> 01:58:34,840 Speaker 5: You're talking about a classic mixtape series, by the way. 2751 01:58:34,800 --> 01:58:36,920 Speaker 8: Yeah, it's a great series, but not the fun too, 2752 01:58:37,600 --> 01:58:40,720 Speaker 8: Like I think that's the We're not saying the music 2753 01:58:40,840 --> 01:58:42,840 Speaker 8: is bad, but I was just wouldn't put that on 2754 01:58:42,960 --> 01:58:43,280 Speaker 8: my head. 2755 01:58:43,360 --> 01:58:45,200 Speaker 4: You lose your virginity to the Beatles. 2756 01:58:45,320 --> 01:58:46,320 Speaker 2: It was a commercial plan. 2757 01:58:46,560 --> 01:58:46,960 Speaker 1: I don't know. 2758 01:58:48,200 --> 01:58:49,840 Speaker 3: It might have been no, actually, might have been sucking 2759 01:58:50,080 --> 01:58:50,680 Speaker 3: the Price Is Right. 2760 01:58:50,800 --> 01:58:51,440 Speaker 2: Might have been on TV. 2761 01:58:51,840 --> 01:58:53,480 Speaker 4: Yo, I'm screaming because I. 2762 01:58:53,520 --> 01:58:56,440 Speaker 2: Was watching TV. I was watching TV and Price. I 2763 01:58:56,520 --> 01:58:57,520 Speaker 2: think Price is Right or something. 2764 01:58:57,880 --> 01:59:00,920 Speaker 1: Early next there's no music. Yeah, the TV was on, 2765 01:59:02,360 --> 01:59:05,360 Speaker 1: Oh Jesus Christ, that's that's the song you knowed to. 2766 01:59:05,800 --> 01:59:07,440 Speaker 5: Well, it's only two minutes long, so I was trying 2767 01:59:07,440 --> 01:59:08,160 Speaker 5: to think it was probably that one. 2768 01:59:08,160 --> 01:59:08,840 Speaker 1: It's probably the intro. 2769 01:59:10,320 --> 01:59:12,960 Speaker 2: It was the intro. I none it before he started rapping. 2770 01:59:14,680 --> 01:59:15,800 Speaker 2: He done it before the beat. 2771 01:59:15,880 --> 01:59:20,560 Speaker 8: The drums came in, shots, you nutted on it, diging 2772 01:59:20,640 --> 01:59:22,000 Speaker 8: the ditch introwd. 2773 01:59:23,760 --> 01:59:26,320 Speaker 5: And then yeah, and then I don't think I got 2774 01:59:26,400 --> 01:59:29,680 Speaker 5: pussy until the big withdraw came up. Yeah, I really 2775 01:59:29,720 --> 01:59:32,240 Speaker 5: based like my first sexual partners off what Lloyd Bank's 2776 01:59:32,280 --> 01:59:33,000 Speaker 5: mixtape was happening. 2777 01:59:33,360 --> 01:59:34,560 Speaker 2: That is fucking crazy. 2778 01:59:35,880 --> 01:59:38,280 Speaker 5: It's not that crazy though, if you were my age 2779 01:59:38,360 --> 01:59:40,680 Speaker 5: at that time, though, Bro, that that was what people were. 2780 01:59:41,000 --> 01:59:42,840 Speaker 6: I'm gonna go on the legacay. You are the only 2781 01:59:42,920 --> 01:59:45,520 Speaker 6: person that has ever lost their virginity the Lloyd Banks playing, No. 2782 01:59:45,600 --> 01:59:49,240 Speaker 4: I'm gonna do ain't. I'm sure somebody else has lost every. 2783 01:59:49,200 --> 01:59:52,400 Speaker 8: Day, to Carmel, to Lloyd Banks playing in the Smile. No, 2784 01:59:53,280 --> 01:59:54,879 Speaker 8: I don't think nobody that was beautiful. 2785 01:59:55,040 --> 01:59:56,839 Speaker 3: Lloyd Bank's playing while they lost their virginity. 2786 01:59:56,920 --> 01:59:58,120 Speaker 2: That is so fucking crazy. 2787 01:59:58,120 --> 02:00:01,200 Speaker 5: I won't do it just for rel and his editing purposes, 2788 02:00:01,280 --> 02:00:03,760 Speaker 5: but Karma, you don't think I would play it. 2789 02:00:03,880 --> 02:00:05,960 Speaker 3: But I'm not playing. 2790 02:00:06,600 --> 02:00:10,160 Speaker 2: No, it's featuring a Vaughan I think, right, that's still. 2791 02:00:09,960 --> 02:00:12,920 Speaker 3: It's still Lloyd Banks though, Like I just that's just weird. 2792 02:00:13,400 --> 02:00:15,400 Speaker 4: Piggybank came out one time when I was having sex. 2793 02:00:15,520 --> 02:00:18,840 Speaker 6: Oh god, that explains a lot. That explains why you 2794 02:00:18,880 --> 02:00:20,480 Speaker 6: always like yo how much money he got. 2795 02:00:22,000 --> 02:00:24,040 Speaker 2: But also I didn't set the mood with Lloyd Banks. 2796 02:00:24,160 --> 02:00:25,400 Speaker 2: It was what was playing. 2797 02:00:26,440 --> 02:00:28,280 Speaker 3: No, you put it on and then had sex. 2798 02:00:29,000 --> 02:00:32,320 Speaker 5: I was inexperienced. I was dating, not dating, I'm sorry. 2799 02:00:32,360 --> 02:00:34,640 Speaker 5: I was fucking a girl that was dating a senior. 2800 02:00:34,960 --> 02:00:37,840 Speaker 5: She was my age, she was my friend, and she 2801 02:00:38,040 --> 02:00:40,000 Speaker 5: was way more experienced than I was. I didn't know 2802 02:00:40,040 --> 02:00:41,200 Speaker 5: I was ready to have sex. 2803 02:00:41,480 --> 02:00:46,200 Speaker 2: She was a little whoa I mean, she was a 2804 02:00:46,280 --> 02:00:47,600 Speaker 2: young girl discovering herself. 2805 02:00:47,760 --> 02:00:51,880 Speaker 5: Yeah, oh love those. I appreciated that she was a 2806 02:00:52,040 --> 02:00:53,120 Speaker 5: freshman fucking a senior. 2807 02:00:53,200 --> 02:00:54,280 Speaker 2: She walked me through it. 2808 02:00:55,240 --> 02:00:55,360 Speaker 1: Uh. 2809 02:00:55,520 --> 02:00:57,600 Speaker 2: Shout out to her wherever she is in the world. 2810 02:00:57,680 --> 02:00:59,520 Speaker 2: I I have not the slightest fucking clip. 2811 02:01:00,000 --> 02:01:02,720 Speaker 3: But we'll finish this on Patreon Patreon dot com. 2812 02:01:04,040 --> 02:01:08,560 Speaker 6: Subscribe tickets available for DC Howard There to March twenty third. 2813 02:01:09,240 --> 02:01:12,280 Speaker 3: Neworianmaul dot com merchan is available. 2814 02:01:12,440 --> 02:01:15,560 Speaker 6: Well, some of the merch are still available. It's not 2815 02:01:15,680 --> 02:01:18,240 Speaker 6: much of it, some of it are still there. Subscribe 2816 02:01:18,280 --> 02:01:20,680 Speaker 6: to the Patreon, subscribe to the YouTube. Hit the like 2817 02:01:20,760 --> 02:01:23,160 Speaker 6: buttoner you hating, We'll talk to you all sooner's head 2818 02:01:23,160 --> 02:01:25,080 Speaker 6: over to patreon dot com now. 2819 02:01:25,840 --> 02:01:26,840 Speaker 4: Worrian now