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Speaker 1: Rolling up to Guitar Center with Richard Kind, and he says,

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Speaker 1: feel excuse me, I'm gonna go pull a Schroeder. It's

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Speaker 1: gonna go play piano. Yeah, sitting on the ground with

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Speaker 1: his legs underneath the piano.

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Speaker 2: Yes, low piano.

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Speaker 3: Dick Kind's gonna get down there, squeezing under the.

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Speaker 2: Not going cross legged.

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Speaker 1: No.

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Speaker 3: Sometimes sometimes I will see him sit chriss cross apple

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Speaker 3: sauce in.

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Speaker 2: Front of the keys and just start grooving.

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Speaker 4: Richard is a little older now.

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Speaker 2: M m yeah.

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Speaker 1: I have, of course go to the guitar zone. I

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Speaker 1: find this Cherry double fret max pedal with the strat.

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Speaker 2: Nod cast. You've been looking for this?

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Speaker 3: Yes, well I know you have a custom Coco chanel

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Speaker 3: Les Paul, uh huh uh. I know that you have

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Speaker 3: multil just one of these old Beater acoustics that just

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Speaker 3: it's it's a total piece of crap, but it sounds

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Speaker 3: so good.

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Speaker 2: Yeah.

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Speaker 4: Yeah, with with manual tune.

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Speaker 2: But in terms of a double threat Fender strat.

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Speaker 1: Cherry with the strat and with the whammy bar, yeah,

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Speaker 1: it comes with adjustable wham oh no, and you can

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Speaker 1: wham anyway you want.

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Speaker 2: Oh hey, So.

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Speaker 4: To performance adjustable wham.

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Speaker 3: So did you even check the price tag? I mean

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Speaker 3: I would think you just ran out with yes, gotta go.

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Speaker 2: Without even looking how much it was. I just ran

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Speaker 2: out of it and just drove away with rich a machine.

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Speaker 1: And they were like hey, because I guess they're like,

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Speaker 1: can you even handle that?

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Speaker 2: But obviously I can. Yeah.

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Speaker 1: So I go home, I unbox it, put it on

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Speaker 1: the live stream. U.

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Speaker 2: All my fans are like, play it, play something.

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Speaker 1: All my subscribers to my live stream, and I do

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Speaker 1: one strum and I realized it.

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Speaker 2: It came with no songs. The songs are extra kidding,

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Speaker 2: the songs are still at the store.

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Speaker 1: Yeah, and that's why I realized that. I was like, hey,

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Speaker 1: you forgot any songs? Oh my gosh. Hey, so then

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Speaker 1: what do you do with it? At that point? Are

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Speaker 1: you just hugging it? I'm kind of I start to

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Speaker 1: mouth words like I'm speaking yeah, so they think they're

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Speaker 1: sound is broken smart and I'm like pretending to sing, uh,

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Speaker 1: you found me. I think that's what the song is called.

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Speaker 1: But I'm just mouthing me yeah, And my subscribers are like,

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Speaker 1: what the heck, Like I'm seeing myself lose subscribers.

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Speaker 2: Oh, and the numbers are going down, yeah, and so.

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Speaker 1: And my stream coin dollars are taking a huge hit.

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Speaker 2: But you were, I mean, because I do.

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Speaker 3: I recall seeing a still image from this live stream

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Speaker 3: that you're in ripped white jeans, no shirt, bandana. Yeah,

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Speaker 3: and and I and I remember thinking, this guy's pulling

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Speaker 3: out all the stops. Yeah, so you change into that

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Speaker 3: outfit when the numbers started to go down.

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Speaker 1: Yeah, yeah, they could watch me change, and then the

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Speaker 1: numbers went up a little bit.

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Speaker 4: I'm sorry, Dave.

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Speaker 1: Did you have a live stream you wanted to watch

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Speaker 1: during the show.

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Speaker 5: It was fiddling with my phone and I accidentally turned

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Speaker 5: on Siri. Who I have configured to be an Australian male.

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Speaker 2: Oh wow, oh okay.

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Speaker 1: Australian known to be the smartest for demographics, Yeah.

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Speaker 2: The most fun to dominate? Who, Yeah, they're fun to

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Speaker 2: travel with.

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Speaker 1: Who do you trust with information more than that Australian man?

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Speaker 2: Yeah, a submissive Australian male.

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Speaker 3: Well, Captain Boomerang, Yeah, you know, I mean, the most

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Speaker 3: genius of all superheroes. Mm hmmm, uh so I was so,

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Speaker 3: I mean, well, you know, spoiler alert, we have a

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Speaker 3: guest it's the show.

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Speaker 2: So we have a guest. Yeah, that's what we do here.

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Speaker 1: Hey, welcome to Hollywood Handbook. The guests show something. We're

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Speaker 1: doing something.

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Speaker 3: Yes, the guest show where we have a guest, they

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Speaker 3: talk with us.

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Speaker 2: We are here with them. Uh and we learn huh

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Speaker 2: huh don't we a sure?

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Speaker 4: It's a freaking yet, Dave home Holmes.

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Speaker 2: Holmes, Holmes hole Holmes.

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Speaker 3: It's like the l's not silent, but it's it's subtle,

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Speaker 3: but it's Yeah, it's quiet. It's almost a secret. It's

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Speaker 3: just between me and your name.

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Speaker 1: Are you ever worried that someone could do a parody

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Speaker 1: account of you with a capital I instead of the L?

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Speaker 2: Oh? Yeah, I guess they could open the.

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Speaker 1: Door a little louder next time. Kevin, Yeah, I guess

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Speaker 1: I can prick. You are scared of that.

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Speaker 3: I am scared of that. It's gonna happen at some point.

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Speaker 4: It's got to make that and now it's out there.

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Speaker 3: I hate that we give people such good ideas to

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Speaker 3: troll our guests.

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Speaker 1: Yeah, but that's what the verified check is for. I

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Speaker 1: don't have an L or a capital eye in my name,

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Speaker 1: so I don't need the verified check and I keep

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Speaker 1: sending it back.

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Speaker 2: Yeah, that's good. They're smart.

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Speaker 3: I've sold so many verified checks to different people who

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Speaker 3: just need it more than I do.

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Speaker 2: You know, I get it.

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Speaker 3: Every time I get them, I go like, what am

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Speaker 3: I going to do with this? Like I'm never going

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Speaker 3: to use it. And then I know people who actually

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Speaker 3: give a huge fuck about that stuff, and I'll just

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Speaker 3: be like, okay, you know, name a price, like, name

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Speaker 3: a number, and I'll give them. But I've gotten twitters

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Speaker 3: tried to give me dozens of verified checks at this point,

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Speaker 3: the mail like begging me.

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Speaker 2: I'll put them in the mail.

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Speaker 3: Or I'll even be like, hey, come over, I'm cooking,

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Speaker 3: like I'm making paela, and I'll be like, I'm, you know,

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Speaker 3: chopping up an octopus already, so like just come over.

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Speaker 3: I'll put it in the saffron rice and we'll have

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Speaker 3: the paela together and I'll just kind of give them

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Speaker 3: the check at the end of the meal and they'll

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Speaker 3: slide an envelope and it's got whatever they think is fair.

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Speaker 1: Sticky pan paola, yeah my favorite kind. Yeah, they'll all

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Speaker 1: burned on the bottom and very cold on the top.

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Speaker 3: The only thing that sucks is I do have to

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Speaker 3: throw out the pan every time.

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Speaker 2: That makes it special because I make it wrong.

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Speaker 4: It's a real ceremony.

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Speaker 2: Yeah yeah, so dave ye.

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Speaker 1: People will want to have some closure on what we

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Speaker 1: talked about last time with you, where it was revealed

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Speaker 1: that you were thennoid.

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Speaker 4: Yes, are you still annoyed?

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Speaker 3: I am still the annoid. Yeah, personal appearances and some

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Speaker 3: internet stuff funnier.

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Speaker 2: Yeah, I can't remember. Why were you so pissed at pizza?

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Speaker 3: I just fucking hate I just hate it. Yeah, I

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Speaker 3: hate It's not that I hate pizza, it's just that

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Speaker 3: I did.

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Speaker 2: I don't like the joy that it brings people.

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Speaker 3: Oh okay, and I just there's just something primal about

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Speaker 3: me that wants to take that joy away from them.

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Speaker 2: So it's not that.

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Speaker 3: I hate pizza, okay, It's just that I want the

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Speaker 3: pizza not to be a fun experiencedness that brings people joy.

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Speaker 2: Makes me so fucking mad, okay.

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Speaker 3: I just want to remove that thing.

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Speaker 2: Yeah, and just make pizza like just plant.

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Speaker 4: Yeah you know what I mean.

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Speaker 3: I just want to fucking get on a jackhammer and

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Speaker 3: bounce a pizza and jackammer.

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Speaker 2: The pizza would definitely ruin it.

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Speaker 3: Yeah, Yeah, pizza is sort of a zero sum game

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Speaker 3: for you. It absolutely is, and you're gonna get you some. Yeah,

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Speaker 3: and they can have zero.

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Speaker 6: Now.

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Speaker 1: I know you did do kind of a switch teams

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Speaker 1: campaign like the Verizon guy where now you're working for

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Speaker 1: an opposing company, but it's Orangina.

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Speaker 2: Yeah.

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Speaker 1: I don't totally understand how that's like. Else, I don't

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Speaker 1: understand Domino is you are you like a rabbit man?

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Speaker 1: Or is that just a suit?

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Speaker 3: It? Here's the thing, it's it's a suit. But it's

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Speaker 3: like it's like I did my own al Hurstfeld kind

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Speaker 3: of a thing. It's like I did my own carricature.

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Speaker 2: Yes, you know what I mean.

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Speaker 3: You know my ears are a little bigger than the

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Speaker 3: rest of my head, and you're owning that. I'm owning it.

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Speaker 3: I'm gonna make fun of it before you do. I'm

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Speaker 3: going to take your power. We talk about b Rabbit

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Speaker 3: a lot and his famous freestyle at the end of

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Speaker 3: eight Mile where he really mows the lawn on all

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Speaker 3: the jokes Papa Doc was going to be able to do.

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Speaker 2: Yeah, he takes it away. Uh, and know what he does.

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Speaker 2: He takes their.

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Speaker 3: Upper hand and he and he takes then a manhole

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Speaker 3: cover and uses it like a frisbee and throws it

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Speaker 3: at it and breaks it into a million pieces.

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Speaker 4: Wow, you know what I mean?

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Speaker 3: Like, yes, yes, figuratively figuratively through rapping and.

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Speaker 1: He actually does do that, does okay, figurative and he

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Speaker 1: really does do it?

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Speaker 3: Was it got cut out of the movie, but it's

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Speaker 3: in the It's in the special features. Yeah, we are

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Speaker 3: now at the point where we probably watched the DVD

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Speaker 3: extras more than we watch the actual film when I.

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Speaker 1: Sometimes forget to watch the movie and instead doing all

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Speaker 1: the bonus features.

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Speaker 3: Yeah, but I'm sorry you you were going to explain

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Speaker 3: how orange and is the opposite of Yeah.

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Speaker 1: I don't well, yeah, I wasn't sure how that was

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Speaker 1: like a that you were being like, now I work

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Speaker 1: for the other team now that the noid.

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Speaker 4: Yeah, and do.

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Speaker 3: You like orangeine or do you like Orangeina? Okay, more

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Speaker 3: than Orangeina itself, I just like, I like its whole thing.

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Speaker 2: I liked it.

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Speaker 5: It was the official twenty sixteen Olympics orange back of

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Speaker 5: the US American team.

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Speaker 4: I think it's really cool.

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Speaker 3: I think that I thought that was a really strong move.

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Speaker 3: Do you like the Bert Firshner's sketch where they're saying orangina.

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Speaker 2: Do you remember that disrespectful? Yeah? I don't like that

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Speaker 2: at all. Yeah, I don't.

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Speaker 3: I mean the joke is there, it's obvious, Yeah, obvious.

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Speaker 2: And they're saying rangina the whole time.

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Speaker 3: Yeah, And that's most of the sketch, and then the

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Speaker 3: and then the blow is that someone finally says like, okay, fine,

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Speaker 3: I'm not even going to order that, and they say, okay,

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Speaker 3: would you like a diet cock?

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Speaker 1: Oh?

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Speaker 2: Yeah, yeah, I think it's gross.

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Speaker 4: It is not what it looks like.

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Speaker 2: Papa Gino's went through a similar thing.

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Speaker 3: Fun to say, Papa Guinos, but it's just like why

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Speaker 3: why no, thank you?

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Speaker 2: Yeah, like go there.

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Speaker 1: But you hate pizza, so that must have been somewhat

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Speaker 1: satisfying for well.

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Speaker 3: But they also have pasitive things and it's difficult. It's difficult.

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Speaker 2: Yeah, that's right, they do. So I don't know. It's difficult.

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Speaker 5: But it's not that I hate I don't hate pizza.

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Speaker 5: I just the special choice brings people is something that

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Speaker 5: I feel like.

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Speaker 3: I have to take away.

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Speaker 2: Oh okay, I have to take it away.

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Speaker 4: Yeah.

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Speaker 1: Now with Orangeina, what we really want to do is

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Speaker 1: you wrote a memoir. I did famous book which was

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Speaker 1: called I know at some point it was going to

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Speaker 1: be called Homie the Clown.

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Speaker 2: Yeah, yeah, because you are making people.

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Speaker 3: And then and then it was Homie do play that's

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Speaker 3: so much about Yeah.

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Speaker 2: Yeah, twenty one things.

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Speaker 5: I do play, Yes, unlike Homie the Clown, who doesn't

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Speaker 5: play anythings.

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Speaker 3: Yes, exactly exactly, which I thought was such a fun

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Speaker 3: play Homie the Clown's catchphrase. And at readings I was

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Speaker 3: going to bot people on the head, you know if

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Speaker 3: they ask questions.

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Speaker 2: Yeah, you know what I mean.

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Speaker 5: It was just like we had a whole thing so

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Speaker 5: for it. But turns out we did not. We were

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Speaker 5: not able to license any of any of.

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Speaker 2: It, any of that at all. Damn, damn, damn, damn.

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Speaker 3: As you well know, I mean, you really you have to.

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Speaker 3: You have to secure the rights and whatnot, and so

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Speaker 3: we we never we never did that.

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Speaker 2: So I changed it.

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Speaker 5: Okay too, It's called Party of One Member of Songs now, okay.

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Speaker 2: Yeah.

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Speaker 3: The noise period in my life, I didn't. I did

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Speaker 3: not get real deep into in it. Just you know,

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Speaker 3: have you got something floor have you gotten complaints for

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Speaker 3: people who go to the bookstore and ask for your

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Speaker 3: book and end up getting seated at the bookstore cafe.

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Speaker 2: I've not I have not No, has that happened like

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Speaker 2: something that Yes, every time I've gotten into buying, I've

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Speaker 2: not been able to buy it.

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Speaker 3: Well, and it's so strange when we're together because what's

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Speaker 3: also frustrating we get seated separately because I go, I walk.

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Speaker 2: Up, and I say party of one.

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Speaker 3: Oh, I see for both of us, I see, and

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Speaker 3: then and then the mad or d will come over

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Speaker 3: and go, oh, I've got got it, sirs, you your

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Speaker 3: separate tables, and if we try to lean over and talk.

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Speaker 2: They like will like bop us homeie the clown style. Yeah.

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Speaker 3: Yeah, it's and it can be a frustrating experience.

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Speaker 2: Yeah, no, I wouldn't. I understand that. I understand it.

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Speaker 6: Now.

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Speaker 2: This is the first time I'll come across that.

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Speaker 4: Yeah, something to think about.

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Speaker 3: Yeah, the next one, Well, I have already called this

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Speaker 3: book that thing, so I will call the next one something.

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Speaker 1: Okay, something not that you wouldn't say yeah to be Yeah, yeah,

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Speaker 1: I maybe call it.

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Speaker 2: Do you have anything outside? Okay? I was thinking it

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Speaker 2: could be. How do you ful We're already we're already

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Speaker 2: talking about the.

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Speaker 4: Next one, okay, and it's.

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Speaker 3: I'm gonna call it.

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Speaker 2: Jeeve uh jeh fire. That's a fire hazard. Just fun

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Speaker 2: stuff that fire.

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Speaker 3: Marshall Bill used to say, Oh, you know what I mean,

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Speaker 3: was this burnt up face that beginning noise sounds like

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Speaker 3: it would be hard to spell.

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Speaker 5: It is, it is, it has It would have to

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Speaker 5: be like one of those cards that play songs.

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Speaker 3: There would be like a little thing and it would

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Speaker 3: just make that move. I can't believe you reached for

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00:14:07,720 --> 00:14:12,360
Speaker 3: that his best secondary catchphrase, you know, and that he

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Speaker 3: and that the book's not gonna.

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Speaker 2: Be called let me show you something.

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Speaker 3: Oh yes, because that is what I remember him saying.

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Speaker 2: But I may be wrong. Yeah. For me, it was

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Speaker 2: I remember gathering.

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Speaker 3: That was when I was like in college and we

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00:14:28,360 --> 00:14:30,720
Speaker 3: would gathering and when he would wind up and be like.

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Speaker 5: That that's so far, we would all say it together.

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Speaker 2: It was just really fun.

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Speaker 1: Well, the upshot is, Dave, we have uh held some

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00:14:45,240 --> 00:14:48,600
Speaker 1: of your residual chech envelopes up to the light in

305
00:14:48,760 --> 00:14:51,640
Speaker 1: your advance for the book. We know that you're doing

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00:14:51,720 --> 00:14:56,480
Speaker 1: big numbers on this numbers thing. We are going to well, well,

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Speaker 1: I want to get me some of that. I do

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Speaker 1: want you do want me that.

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Speaker 5: Yeah, we need our cut deep publishing industry money. Uh huh,

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Speaker 5: deep memoir cash. Yes, Yeah, there's nothing.

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Speaker 2: That is more on the rise than physical books.

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Speaker 5: Yeah, it was a perfect time for me to hop

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Speaker 5: on board, especially ones that don't ever mention.

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Speaker 2: Our current political climate at all.

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Speaker 3: Yeah, because because it's it's easy then to get booked

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Speaker 3: on shows to talk about it, y'all, because you just die.

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Speaker 3: It's like it's it just makes your whole sales job

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Speaker 3: much easier.

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Speaker 2: Oh, the marketing, it just does itself.

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Speaker 3: It really because you go like, well, everyone wants to

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Speaker 3: talk about something other than no.

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Speaker 1: One really says now more than ever about it. They

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Speaker 1: say now the same time as ever. Yeah, uh huh.

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Speaker 2: So we are gonna also just steal it and do

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Speaker 2: the same thing and do.

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Speaker 3: Our own memoir and do it through songs that we like. Okay, great,

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Speaker 3: and we need your help. Okay, I'm here to help

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Speaker 3: because a lot of us, I mean for me, I know,

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Speaker 3: I haven't even heard them many songs, and I don't

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Speaker 3: really remember what was going on a lot of the time.

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Speaker 3: So if you could kind of.

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Speaker 5: Fill in the blank, I would be happy to yeah, yeah,

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Speaker 5: that's that's what I do.

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Speaker 3: I mean, you guys know, a huge portion of my

335
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Speaker 3: life I lived in a big, giant stump and I

336
00:16:14,880 --> 00:16:16,760
Speaker 3: just had a best friend who was like a toad,

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00:16:17,760 --> 00:16:20,560
Speaker 3: and we just would share bugs for a meal every night.

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Speaker 3: And the music I would hear at that time was

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Speaker 3: the music. Yes, it was bog music. It was a

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Speaker 3: burbling sound coming from.

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Speaker 2: The nearby sort of marshland.

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Speaker 3: Yes, but it was croaks and low crokes. Yes, yes,

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Speaker 3: a buzzing just the dragonfly wings or something. But I

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Speaker 3: don't think I can make that relatable in a book.

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Speaker 3: I mean, how hard have you tried? How deep into

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Speaker 3: the process?

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Speaker 2: Can I show you a bruise that I have?

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Speaker 3: Yeah, okay, I have big bruise here on my hip

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Speaker 3: from how hard I tried because I was really trying

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Speaker 3: to write it and the pen did slip and I

351
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Speaker 3: did stick it in my hip. Oh, I was writing

352
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Speaker 3: on my leg okay, because I didn't have.

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Speaker 2: A long surface long yes, okay.

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Speaker 1: And I when I was just starting out, I wasn't

355
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Speaker 1: you remember like your first apartment where it's like like

356
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Speaker 1: there's like.

357
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Speaker 4: A wall like right on your bed and stuff.

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Speaker 1: Basically it's so small, and I was living in one

359
00:17:25,600 --> 00:17:31,160
Speaker 1: where the garbage disposal was permanently on oh okay, wedged

360
00:17:31,160 --> 00:17:32,960
Speaker 1: into the on position.

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Speaker 3: And it was in the shower drain too, right, So yeah,

362
00:17:35,080 --> 00:17:37,600
Speaker 3: you had to just be very careful where you put

363
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Speaker 3: your feet, yes, and so a lot of my taste

364
00:17:42,040 --> 00:17:46,479
Speaker 3: in music was informed by that, sure, by that noise,

365
00:17:46,640 --> 00:17:51,879
Speaker 3: grinding metal yes, yeah, blades, yes, blades, loud blades.

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Speaker 2: Okay. So that's it. That probably won't come up in

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00:17:55,359 --> 00:17:56,920
Speaker 2: our memoir discussion, but.

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Speaker 5: I mean, it seems like it's an important part of

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Speaker 5: your life, so use it, you know.

370
00:18:00,640 --> 00:18:03,520
Speaker 1: But it's not a book, you know, it's a it's

371
00:18:03,520 --> 00:18:07,000
Speaker 1: a sound. It's a garbage disposal sound.

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00:18:07,080 --> 00:18:10,119
Speaker 2: It is it is. And I went over there and

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Speaker 2: it really was.

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00:18:11,480 --> 00:18:13,520
Speaker 3: It was very loud and it was sounding just like

375
00:18:13,560 --> 00:18:16,040
Speaker 3: a garbage and that was it a book to me.

376
00:18:16,200 --> 00:18:19,440
Speaker 2: It never felt like a book. It just felt like

377
00:18:19,560 --> 00:18:23,120
Speaker 2: that was my obstacle to talking. Yeah, well, here's the thing.

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00:18:23,200 --> 00:18:26,640
Speaker 5: At the time that things are happening to you, those

379
00:18:26,640 --> 00:18:33,040
Speaker 5: things are not at that time books. Do you what

380
00:18:33,200 --> 00:18:36,320
Speaker 5: you your job as the writer, yeah, is to take

381
00:18:36,359 --> 00:18:39,080
Speaker 5: those things and make them later books.

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00:18:39,160 --> 00:18:41,440
Speaker 1: This is almost the opposite of what bj Novak was

383
00:18:41,480 --> 00:18:44,760
Speaker 1: saying when he came in here. Yeahva, he was like,

384
00:18:44,760 --> 00:18:47,360
Speaker 1: we're doing a book right now. Yeah, he said, this

385
00:18:47,440 --> 00:18:50,480
Speaker 1: is a book. I was on my way here and

386
00:18:50,560 --> 00:18:51,960
Speaker 1: a book happened to me.

387
00:18:52,280 --> 00:18:54,520
Speaker 2: This book is a book. Yeah, there's a book over there.

388
00:18:55,359 --> 00:18:58,760
Speaker 2: I feel like there's a book in the lobby right now. Yeah. Yeah.

389
00:18:58,800 --> 00:19:01,879
Speaker 2: So he just always was sort of seeing the book.

390
00:19:02,040 --> 00:19:03,800
Speaker 3: Well, I guess. I mean there's room for a lot

391
00:19:03,840 --> 00:19:04,520
Speaker 3: of different processes.

392
00:19:05,359 --> 00:19:09,119
Speaker 1: He has to take books and turn them into his life,

393
00:19:09,200 --> 00:19:10,879
Speaker 1: basically into into.

394
00:19:10,640 --> 00:19:11,600
Speaker 4: Like normal stuff.

395
00:19:11,680 --> 00:19:13,720
Speaker 1: Okay, he doesn't take his life and turn it into

396
00:19:13,720 --> 00:19:15,680
Speaker 1: a book. And some of them, once in a while

397
00:19:15,680 --> 00:19:18,040
Speaker 1: will stay books and we'll go out into the world.

398
00:19:18,560 --> 00:19:21,480
Speaker 1: But the others he has to reverse engineer into his life.

399
00:19:21,520 --> 00:19:24,080
Speaker 5: Okay, he has to figuratively get on a giant wrecking

400
00:19:24,119 --> 00:19:29,080
Speaker 5: ball and swing himself, swinging himself and turn it into life.

401
00:19:30,320 --> 00:19:30,600
Speaker 4: Yeah.

402
00:19:31,359 --> 00:19:35,800
Speaker 1: In that remember Miley's scandalous outfit.

403
00:19:36,320 --> 00:19:40,520
Speaker 3: Oh please, it's the only thing I remember from the

404
00:19:40,560 --> 00:19:44,280
Speaker 3: past several years. Is just it's just burned into my

405
00:19:44,359 --> 00:19:46,760
Speaker 3: mind that he inappropriate.

406
00:19:46,800 --> 00:19:47,600
Speaker 4: It's underpants.

407
00:19:48,160 --> 00:19:53,440
Speaker 3: It's underpants on the outside with nothing over it, And

408
00:19:53,520 --> 00:19:58,440
Speaker 3: to me, I have to just say, can someone get

409
00:19:58,440 --> 00:20:03,160
Speaker 3: this girl a rope, get her clothes, a clothes, get

410
00:20:03,160 --> 00:20:08,119
Speaker 3: her clothes, get us underclothes, under closed as closed is

411
00:20:08,200 --> 00:20:11,360
Speaker 3: not it's not enough if you know what, if you're

412
00:20:11,359 --> 00:20:14,560
Speaker 3: doing that, that's the wrong kind of attention. Yeah, if

413
00:20:14,600 --> 00:20:20,120
Speaker 3: that's how you're getting famous for, I'm sorry, somebody call

414
00:20:20,480 --> 00:20:22,600
Speaker 3: you know, someone the police or something.

415
00:20:23,080 --> 00:20:27,520
Speaker 2: So can we start Can we start on on my book? Yeah? Absolutely,

416
00:20:27,720 --> 00:20:30,360
Speaker 2: It's called Hayes I Wish I was Your lover?

417
00:20:31,119 --> 00:20:38,600
Speaker 1: Ah, signed like that, signed the People of Earth, which

418
00:20:38,640 --> 00:20:39,119
Speaker 1: is a show.

419
00:20:40,720 --> 00:20:42,760
Speaker 5: It's not about the show, not about the show people

420
00:20:42,760 --> 00:20:46,280
Speaker 5: of Okay. But so the title is a letter from

421
00:20:46,320 --> 00:20:48,480
Speaker 5: the people of Earth to you, Yes, and they.

422
00:20:48,400 --> 00:20:51,199
Speaker 4: Wish okay, in the form of you know and you know.

423
00:20:51,240 --> 00:20:56,040
Speaker 1: It's a parody of a song, a song Hey, I

424
00:20:56,040 --> 00:20:57,240
Speaker 1: Wish I was your lover.

425
00:20:57,160 --> 00:20:59,960
Speaker 5: Okay, Okay, Yeah, so it's a parody of that. Yeah,

426
00:21:00,200 --> 00:21:03,640
Speaker 5: doesn't go any further than the title that can see.

427
00:21:03,920 --> 00:21:05,080
Speaker 2: Yeah, not really.

428
00:21:05,440 --> 00:21:08,359
Speaker 1: There might be some more song parodies inside, but that

429
00:21:08,440 --> 00:21:09,960
Speaker 1: doesn't really come up again.

430
00:21:10,040 --> 00:21:14,119
Speaker 5: Okay again again, I think you have to go a

431
00:21:14,240 --> 00:21:17,720
Speaker 5: step further to call it a parody.

432
00:21:17,800 --> 00:21:20,320
Speaker 2: Well, it's just funny. Got in this argument before.

433
00:21:20,359 --> 00:21:22,760
Speaker 3: But it is actually cracking me up just hearing him

434
00:21:22,800 --> 00:21:24,840
Speaker 3: even say it, like, come.

435
00:21:24,720 --> 00:21:27,520
Speaker 1: On, it's funny, and it sounds like the name of

436
00:21:27,560 --> 00:21:30,359
Speaker 1: the song, but it's a little different, but one word

437
00:21:30,400 --> 00:21:33,800
Speaker 1: is different, and so that is actually exactly what a

438
00:21:33,800 --> 00:21:34,919
Speaker 1: song parody is.

439
00:21:35,240 --> 00:21:39,800
Speaker 2: Okay, oh again, there's room for no there.

440
00:21:39,680 --> 00:21:41,840
Speaker 1: May give you some examples. There was a song called

441
00:21:41,880 --> 00:21:45,080
Speaker 1: beat It. Yeah, and then the song became called eat It.

442
00:21:45,280 --> 00:21:49,080
Speaker 1: No I know that, but that was officially a song parody.

443
00:21:49,200 --> 00:21:52,280
Speaker 3: But I'm going to just stop you there because what

444
00:21:52,600 --> 00:21:53,200
Speaker 3: that was weird.

445
00:21:53,200 --> 00:21:54,560
Speaker 2: Al Okay.

446
00:21:54,680 --> 00:21:57,080
Speaker 5: What he also did was he did the whole song

447
00:21:57,840 --> 00:21:59,920
Speaker 5: and so eat it you know how eat it sounds

448
00:21:59,920 --> 00:22:01,640
Speaker 5: like be no way, Yeah, no, he did.

449
00:22:02,760 --> 00:22:05,359
Speaker 3: He rewrote the whole thing and re recorded the whole

450
00:22:05,400 --> 00:22:08,920
Speaker 3: thing and made it about about how he.

451
00:22:08,880 --> 00:22:11,600
Speaker 2: Wants to eat it. He wants you to eat it.

452
00:22:12,359 --> 00:22:16,480
Speaker 3: Yeah, hey, you should eat it, like here's food, and

453
00:22:16,520 --> 00:22:18,160
Speaker 3: so he talked about a bunch of foods and why

454
00:22:18,200 --> 00:22:21,440
Speaker 3: you should eat it. So what like have a banana,

455
00:22:21,520 --> 00:22:23,200
Speaker 3: have a whole bunch, it doesn't matter what you had

456
00:22:23,200 --> 00:22:25,680
Speaker 3: for lunch or yeah yeah, yeah, yeah, that's exactly right.

457
00:22:25,720 --> 00:22:27,880
Speaker 3: He did the whole thing and then if that's what

458
00:22:28,040 --> 00:22:29,000
Speaker 3: makes it a parody?

459
00:22:29,359 --> 00:22:32,200
Speaker 1: Okay, yeah, it seems a little try hard at that point.

460
00:22:32,280 --> 00:22:35,119
Speaker 3: I don't know, man, what about what about this example?

461
00:22:35,160 --> 00:22:38,560
Speaker 3: Because I know he didn't do it for this he did,

462
00:22:39,080 --> 00:22:43,760
Speaker 3: uh he parodied Libamba and he said lasagnya Okay.

463
00:22:43,480 --> 00:22:44,760
Speaker 2: Like that was the whole parody.

464
00:22:44,880 --> 00:22:48,320
Speaker 5: Yeah, but I think also he did the whole song.

465
00:22:48,400 --> 00:22:51,240
Speaker 1: He's going la la la la lasagna, all the songs

466
00:22:51,480 --> 00:22:54,159
Speaker 1: kind of about this about eating food?

467
00:22:54,320 --> 00:22:56,800
Speaker 3: Does this does this have to be so does Hayes

468
00:22:57,240 --> 00:22:58,240
Speaker 3: in order to be a parody?

469
00:22:58,240 --> 00:23:00,960
Speaker 2: Does it have about food? It has to be about food?

470
00:23:01,200 --> 00:23:03,840
Speaker 3: Because I have one about food for mine, which is

471
00:23:04,280 --> 00:23:08,479
Speaker 3: obviously when life gives you clements, make Clement Dade and

472
00:23:08,480 --> 00:23:12,080
Speaker 3: then Clement Dade, it says like like Beyonce is clemonade.

473
00:23:12,760 --> 00:23:16,240
Speaker 2: And then so that's about food. You know. Where does

474
00:23:16,280 --> 00:23:20,160
Speaker 2: it say that? Huh? Where does it say like beyonces

475
00:23:20,280 --> 00:23:22,159
Speaker 2: you when you open it up? You know those breeding

476
00:23:22,160 --> 00:23:23,720
Speaker 2: cards that you open up and they talk to you.

477
00:23:23,960 --> 00:23:26,119
Speaker 3: Yeah, and so when you open the first page and

478
00:23:26,160 --> 00:23:30,840
Speaker 3: it's like Beyonce's clemonade, you know. And and I was

479
00:23:30,880 --> 00:23:33,119
Speaker 3: also hoping to use a lot of hurt because people

480
00:23:33,160 --> 00:23:35,119
Speaker 3: really liked lemonade.

481
00:23:35,000 --> 00:23:38,720
Speaker 4: Yeah, because it was as.

482
00:23:37,760 --> 00:23:40,800
Speaker 3: I like to use a lot of that, please, because

483
00:23:41,160 --> 00:23:43,040
Speaker 3: that seems like it would go over a lot better

484
00:23:43,119 --> 00:23:47,280
Speaker 3: than some of what I've been doing. Okay, so like

485
00:23:47,400 --> 00:23:52,560
Speaker 3: her stuff, your stuff, what have you got either?

486
00:23:52,600 --> 00:23:55,800
Speaker 2: Either, it's just been like me in this podcast with

487
00:23:55,880 --> 00:23:59,120
Speaker 2: my friend. It's just me and another.

488
00:23:58,960 --> 00:24:02,199
Speaker 3: Like sort of clever white guy like kind of like

489
00:24:02,400 --> 00:24:07,840
Speaker 3: cackling at each other, like half shots at things that.

490
00:24:07,800 --> 00:24:11,000
Speaker 2: Are more popular than we are, just like that's the

491
00:24:11,040 --> 00:24:14,880
Speaker 2: whole fucking thing. And then we go like so funny.

492
00:24:15,320 --> 00:24:17,080
Speaker 2: Then we walk away, and then we.

493
00:24:17,119 --> 00:24:19,440
Speaker 1: Talk at the parking lot for like an hour about

494
00:24:19,440 --> 00:24:20,480
Speaker 1: how funny if we're like.

495
00:24:20,440 --> 00:24:25,840
Speaker 3: A two dozen people listen this ruled and they all

496
00:24:26,080 --> 00:24:29,440
Speaker 3: look just like us and just fucking sucks.

497
00:24:29,920 --> 00:24:31,840
Speaker 2: Whereas what she was doing seemed.

498
00:24:31,600 --> 00:24:34,879
Speaker 3: Like it had a real yeah sort of message to

499
00:24:35,000 --> 00:24:38,919
Speaker 3: it and resonated with a big audience. There was some

500
00:24:39,080 --> 00:24:41,520
Speaker 3: artistry behind it, you know. It seemed like it would

501
00:24:41,560 --> 00:24:44,199
Speaker 3: take forever, especially for someone like me to come up

502
00:24:44,240 --> 00:24:44,479
Speaker 3: with that.

503
00:24:44,520 --> 00:24:47,000
Speaker 2: But if I can kind of use hers, sure.

504
00:24:46,880 --> 00:24:48,760
Speaker 4: Yeah, then that time she already did it.

505
00:24:48,960 --> 00:24:52,080
Speaker 3: Yeah yes, so yeah, So that that I think would

506
00:24:52,080 --> 00:24:53,720
Speaker 3: be a strong choice for you to take some of

507
00:24:53,720 --> 00:24:55,280
Speaker 3: her songs make them about.

508
00:24:55,119 --> 00:24:58,600
Speaker 2: Food, Okay, yeah, okay, and then you weave some of

509
00:24:58,720 --> 00:24:59,800
Speaker 2: your own personal narrative.

510
00:25:00,160 --> 00:25:02,600
Speaker 4: Do you have to know what the songs are? I'm

511
00:25:02,600 --> 00:25:04,040
Speaker 4: not sure you know what they are?

512
00:25:04,280 --> 00:25:06,760
Speaker 2: Help? Yeah?

513
00:25:07,160 --> 00:25:08,360
Speaker 4: Can you think of any of them?

514
00:25:08,480 --> 00:25:08,720
Speaker 6: Well?

515
00:25:08,840 --> 00:25:10,120
Speaker 2: I know one is like.

516
00:25:12,040 --> 00:25:15,720
Speaker 3: She's going like, I'm gonna keep running because the winner

517
00:25:15,760 --> 00:25:18,639
Speaker 3: don't quit on themselves. But maybe I could be like

518
00:25:19,119 --> 00:25:23,480
Speaker 3: a syrup, keep running because we don't butter itself.

519
00:25:23,800 --> 00:25:26,320
Speaker 2: Okay, you know what I mean? Like I think, yeah,

520
00:25:26,359 --> 00:25:27,120
Speaker 2: you're on the right track.

521
00:25:27,280 --> 00:25:29,640
Speaker 3: It all has to be food syrup keep running because

522
00:25:29,640 --> 00:25:30,960
Speaker 3: the waffle don't butter itself.

523
00:25:31,080 --> 00:25:31,399
Speaker 2: Yeah.

524
00:25:31,440 --> 00:25:36,160
Speaker 3: And that to me, it's funny, you know, and obviously

525
00:25:36,160 --> 00:25:39,840
Speaker 3: has an inspirational message just like hers. But it's parody,

526
00:25:39,920 --> 00:25:41,040
Speaker 3: so it's it's legal.

527
00:25:41,160 --> 00:25:44,760
Speaker 1: Here's a question for the lemonade stuff that is already food,

528
00:25:44,920 --> 00:25:47,879
Speaker 1: like how she has the hot sauce, yeah, and the bag.

529
00:25:48,240 --> 00:25:50,959
Speaker 1: Do you have to change that to like fish sauce?

530
00:25:51,240 --> 00:25:52,720
Speaker 2: You could, yeah, just a different food.

531
00:25:52,880 --> 00:25:54,800
Speaker 3: Okay, yeah, just keep it in the family of food.

532
00:25:55,160 --> 00:25:56,560
Speaker 4: But can it be sauce?

533
00:25:57,280 --> 00:25:57,480
Speaker 3: Yeah?

534
00:25:57,480 --> 00:25:57,920
Speaker 2: I think so?

535
00:25:58,160 --> 00:25:59,439
Speaker 4: Okay, I think so different?

536
00:25:59,640 --> 00:26:01,400
Speaker 2: Well, can it be? Then I gotta be a funny.

537
00:26:01,560 --> 00:26:04,119
Speaker 3: Can it still be hot sauce? But it's not in

538
00:26:04,200 --> 00:26:08,600
Speaker 3: my bag? It's like in another food. I got hot

539
00:26:08,600 --> 00:26:09,960
Speaker 3: sauce in my bag edge.

540
00:26:10,359 --> 00:26:13,720
Speaker 1: Okay, yeah, adding a new food, right, hot sauce?

541
00:26:13,800 --> 00:26:15,560
Speaker 2: Yeah? People love that.

542
00:26:15,800 --> 00:26:19,000
Speaker 3: Yeah, because when she's talking about her bag, that's not food.

543
00:26:19,320 --> 00:26:22,320
Speaker 2: Yeah, so I could make that food. I don't know

544
00:26:22,320 --> 00:26:23,800
Speaker 2: that I have to work so hard to come up

545
00:26:23,800 --> 00:26:26,919
Speaker 2: with a whole new sauce. I mean that seems like

546
00:26:26,960 --> 00:26:27,719
Speaker 2: it could take all day.

547
00:26:27,840 --> 00:26:31,000
Speaker 3: Honestly, I think we have two strong and different approaches,

548
00:26:31,000 --> 00:26:33,119
Speaker 3: and so we could both do this in each in

549
00:26:33,160 --> 00:26:37,040
Speaker 3: each other's book. Yeah, oh yeah, this might be the

550
00:26:37,240 --> 00:26:40,399
Speaker 3: forward to your book written by me that we should

551
00:26:40,440 --> 00:26:40,800
Speaker 3: do that.

552
00:26:40,840 --> 00:26:42,800
Speaker 2: We have to do the forward for each other's book.

553
00:26:42,600 --> 00:26:44,440
Speaker 4: But we have to promise to do a lot of times.

554
00:26:44,440 --> 00:26:48,600
Speaker 1: We'll do this mutual promise prisoner's dilemma scenario, and we

555
00:26:48,680 --> 00:26:50,200
Speaker 1: will both try to betray each.

556
00:26:50,080 --> 00:26:53,520
Speaker 3: Other and it winds up just like in the prisoner's dilemma,

557
00:26:53,560 --> 00:26:54,320
Speaker 3: no one gets anything.

558
00:26:54,480 --> 00:26:57,080
Speaker 4: We end up with the worst outcome, which is nothing.

559
00:26:57,840 --> 00:26:59,800
Speaker 3: What is the prisoner's dilemma? I don't I'm not sure.

560
00:26:59,840 --> 00:27:07,119
Speaker 3: Oh god, do you not understand tim game there essential

561
00:27:07,560 --> 00:27:10,120
Speaker 3: part of knowing about math.

562
00:27:10,640 --> 00:27:11,160
Speaker 4: Yeah.

563
00:27:11,320 --> 00:27:15,120
Speaker 1: There was a man named John Mash and he made

564
00:27:15,240 --> 00:27:17,000
Speaker 1: up this incredible idea.

565
00:27:17,440 --> 00:27:18,240
Speaker 2: Well, he made up.

566
00:27:18,160 --> 00:27:20,399
Speaker 3: This Mash game right where you find out are you

567
00:27:20,400 --> 00:27:21,920
Speaker 3: going to live in a mansion.

568
00:27:22,200 --> 00:27:25,439
Speaker 2: You live in a shack? Yes? And who you're going

569
00:27:25,520 --> 00:27:28,159
Speaker 2: to marry. But also at the same time he was

570
00:27:28,200 --> 00:27:28,680
Speaker 2: working on.

571
00:27:28,640 --> 00:27:33,040
Speaker 3: Another puzzle, Yeah, the kind that maybe it is not

572
00:27:33,920 --> 00:27:36,200
Speaker 3: necessarily as fun to think about as who you marry,

573
00:27:37,320 --> 00:27:43,280
Speaker 3: and it's more who's going to jail? Oh, so there's

574
00:27:43,320 --> 00:27:47,200
Speaker 3: sort of a bastardized version of it which has as solved, right,

575
00:27:47,640 --> 00:27:51,640
Speaker 3: the game show version, right, Yes, you know what. This

576
00:27:51,680 --> 00:27:55,119
Speaker 3: guy loves game shows. Yes, and he's doing the host

577
00:27:55,840 --> 00:27:59,680
Speaker 3: So you could actually host a prisoner's dilemma between us.

578
00:28:00,080 --> 00:28:02,520
Speaker 2: Great, okay, let's do it all right, I am doing

579
00:28:02,520 --> 00:28:04,040
Speaker 2: the hosts. Okay.

580
00:28:04,600 --> 00:28:10,480
Speaker 3: So what happens is, let's say you've got a big prize. Yeah,

581
00:28:11,080 --> 00:28:12,240
Speaker 3: how much money you're going to have?

582
00:28:15,000 --> 00:28:18,440
Speaker 2: This isn't a test, Okay, you're the host, you're the hose.

583
00:28:18,640 --> 00:28:20,040
Speaker 4: Okay, you're not right.

584
00:28:20,560 --> 00:28:23,480
Speaker 1: There is a compartment below you that can open up

585
00:28:23,480 --> 00:28:26,680
Speaker 1: and you fall in like on Friend or Foe hosted

586
00:28:26,720 --> 00:28:29,800
Speaker 1: by Kennedy on the Game Show Network maybe fifteen years ago.

587
00:28:29,880 --> 00:28:32,720
Speaker 4: Okay, okay, but other than that, you're safe.

588
00:28:33,000 --> 00:28:34,520
Speaker 2: Okay, okay.

589
00:28:34,720 --> 00:28:39,520
Speaker 3: So how much money? How much money is a big prize,

590
00:28:39,800 --> 00:28:42,000
Speaker 3: like like dollars?

591
00:28:42,040 --> 00:28:42,840
Speaker 2: Okay? Wow?

592
00:28:42,920 --> 00:28:43,640
Speaker 4: Wow, great?

593
00:28:44,000 --> 00:28:47,120
Speaker 3: So what you do is you go, Hayz and Sean huh.

594
00:28:47,720 --> 00:28:49,480
Speaker 3: I'm going to send you each into the separate room

595
00:28:49,760 --> 00:28:53,000
Speaker 3: with a piece of paper. I see you write down

596
00:28:53,000 --> 00:28:55,760
Speaker 3: on the piece of paper, either share or keep.

597
00:28:56,200 --> 00:29:00,720
Speaker 2: Okay. If you both write share, each get fifty thousand dollar. Yeah.

598
00:29:01,120 --> 00:29:03,880
Speaker 3: If you one do you write Share and one of

599
00:29:03,920 --> 00:29:05,960
Speaker 3: you writes Keep, the one who wrote keep gets one

600
00:29:06,000 --> 00:29:10,360
Speaker 3: hundred thousand dollars. If you both write keep, you get nothing.

601
00:29:12,000 --> 00:29:14,120
Speaker 3: And so we look at each other and go, oh,

602
00:29:14,280 --> 00:29:17,719
Speaker 3: I am so sharing with you are my best friend?

603
00:29:17,880 --> 00:29:18,760
Speaker 2: Yeah, I would.

604
00:29:18,760 --> 00:29:20,760
Speaker 3: I wouldn't even want to have it all knowing that

605
00:29:20,800 --> 00:29:22,840
Speaker 3: you don't have it. That's the only thing I want

606
00:29:22,920 --> 00:29:25,080
Speaker 3: is for you to have. In fact, you know I'm

607
00:29:25,120 --> 00:29:27,560
Speaker 3: writing Share, and I'm so sure of it that you

608
00:29:27,600 --> 00:29:30,000
Speaker 3: could write keep if you want. It's fine, you would

609
00:29:30,040 --> 00:29:31,880
Speaker 3: get the whole thing because you know I'm writing Share.

610
00:29:31,960 --> 00:29:33,040
Speaker 2: But I hope you do that.

611
00:29:33,040 --> 00:29:35,880
Speaker 1: And each of the of us refuses to stop talking

612
00:29:35,920 --> 00:29:38,720
Speaker 1: about how much more we love the other one.

613
00:29:39,440 --> 00:29:42,280
Speaker 3: Then I think he should have it. Yeah, I please

614
00:29:42,360 --> 00:29:44,040
Speaker 3: write keep because I'm writing.

615
00:29:43,720 --> 00:29:45,800
Speaker 4: Shit, and I insist that you write.

616
00:29:45,520 --> 00:29:49,080
Speaker 3: It, okay, So then we both do right keep yes,

617
00:29:49,240 --> 00:29:52,880
Speaker 3: every single time, and we never write it in huge letters.

618
00:29:53,000 --> 00:29:55,800
Speaker 1: I seem to think that if I write it bigger,

619
00:29:55,840 --> 00:29:57,760
Speaker 1: I'll get to keep even more money.

620
00:29:57,800 --> 00:29:59,920
Speaker 2: And then I write, and I write keep suck.

621
00:30:01,120 --> 00:30:03,720
Speaker 3: And then and then I'm giving him the finger when

622
00:30:03,720 --> 00:30:06,680
Speaker 3: I show the thing and I go, you fuck it, chump.

623
00:30:07,280 --> 00:30:08,960
Speaker 2: So you do this over and over again.

624
00:30:09,040 --> 00:30:12,200
Speaker 3: It keeps happening in a prison because I still don't

625
00:30:12,200 --> 00:30:15,880
Speaker 3: know why your prisoners we oh, well, the original version

626
00:30:15,920 --> 00:30:18,280
Speaker 3: of the of the game theory problem.

627
00:30:18,440 --> 00:30:21,800
Speaker 2: Heyes, you want to explain it. It was about, uh,

628
00:30:22,160 --> 00:30:26,960
Speaker 2: these people in a jail from doing crime. Yeah. Uh,

629
00:30:27,880 --> 00:30:32,120
Speaker 2: I love Shawshank. Sure. So let's say it's The Guys

630
00:30:32,480 --> 00:30:35,920
Speaker 2: that comes on TVs. I have to watch. It's primo

631
00:30:36,080 --> 00:30:38,560
Speaker 2: rewatch it no matter what time it is in the movie.

632
00:30:38,800 --> 00:30:42,280
Speaker 3: For even if it's just the credit, I watch the

633
00:30:42,320 --> 00:30:43,560
Speaker 3: whole credit.

634
00:30:43,320 --> 00:30:47,640
Speaker 1: And the ultimate rewatch rankings all time gotta be number

635
00:30:47,680 --> 00:30:54,200
Speaker 1: one at the top. Yeah, it is also number one

636
00:30:54,520 --> 00:30:58,080
Speaker 1: The exception for me with Shawshank is if I'm going

637
00:30:58,120 --> 00:30:59,960
Speaker 1: to miss the part where the guard says I got

638
00:31:00,040 --> 00:31:03,000
Speaker 1: pinch a loaf, it's not worth watching.

639
00:31:04,000 --> 00:31:05,040
Speaker 2: That's what I'm watching for.

640
00:31:05,680 --> 00:31:07,720
Speaker 1: So so let's say that it would be fun for

641
00:31:07,800 --> 00:31:10,720
Speaker 1: the prisoners I think to be the main guy, Todd

642
00:31:12,080 --> 00:31:21,840
Speaker 1: and his friend Ze. So those are the two guys

643
00:31:22,160 --> 00:31:27,160
Speaker 1: and the prison the boss, their boss at the prison.

644
00:31:27,040 --> 00:31:35,200
Speaker 3: Whose name I do know, yes, mister Diesels okay.

645
00:31:34,160 --> 00:31:38,360
Speaker 1: Comes to them and it's like, hey, I have one

646
00:31:38,440 --> 00:31:42,760
Speaker 1: hundred thousand dollars to give to you guys.

647
00:31:43,240 --> 00:31:46,680
Speaker 4: If you right on the whiteboard, keep in share.

648
00:31:47,960 --> 00:31:50,000
Speaker 1: And so then it kind of gets into the same

649
00:31:50,200 --> 00:31:53,120
Speaker 1: conceit that we had before.

650
00:31:55,200 --> 00:31:58,400
Speaker 3: Because John mash was a huge fan of Sean Shank.

651
00:31:58,520 --> 00:32:01,520
Speaker 3: For him, it was number one on rewatchables ranking, right

652
00:32:01,560 --> 00:32:02,600
Speaker 3: after conn Air.

653
00:32:04,600 --> 00:32:07,959
Speaker 2: It was one a how do I Live? Put the

654
00:32:08,120 --> 00:32:10,880
Speaker 2: Bunny down? John Mashews to say.

655
00:32:11,120 --> 00:32:14,200
Speaker 5: So, so okay, So it basically also, at what point

656
00:32:14,240 --> 00:32:16,440
Speaker 5: does the floor open and I fall into a price?

657
00:32:16,720 --> 00:32:17,720
Speaker 2: Well if you mess up?

658
00:32:17,840 --> 00:32:21,680
Speaker 3: Oh yeah, okay, Oh please don't mess up, because we

659
00:32:21,720 --> 00:32:23,080
Speaker 3: wouldn't have a guest and this.

660
00:32:23,160 --> 00:32:24,360
Speaker 2: Is the show with a guest.

661
00:32:24,760 --> 00:32:29,280
Speaker 3: Yeah, okay, So that's the prisoner's dilemma. Yeah, what do

662
00:32:29,360 --> 00:32:31,320
Speaker 3: I do about this? And I don't want to piss

663
00:32:31,360 --> 00:32:33,680
Speaker 3: you off. But if one of the biggest songs in

664
00:32:33,760 --> 00:32:36,520
Speaker 3: my whole thing was gonna be the song that went,

665
00:32:36,600 --> 00:32:45,960
Speaker 3: It's a pizza, boni and cheese.

666
00:32:43,440 --> 00:32:46,600
Speaker 2: Please stop that. Now that song's already about food, So

667
00:32:46,760 --> 00:32:49,320
Speaker 2: how do I parody that? And about food? I just

668
00:32:49,320 --> 00:32:50,479
Speaker 2: wish you would not talk about it.

669
00:32:50,520 --> 00:32:53,800
Speaker 3: You know, I'm not here to piss you off. Look,

670
00:32:54,320 --> 00:32:57,360
Speaker 3: and they fully eliminated the pizza from the menu.

671
00:32:57,280 --> 00:33:01,440
Speaker 1: And talking about you were specifically the happiest kind of pizza.

672
00:33:01,840 --> 00:33:05,680
Speaker 3: The thing did make people happy, and Dave stopped it.

673
00:33:06,280 --> 00:33:09,880
Speaker 3: Dominoes didn't who who's McDonald's.

674
00:33:10,200 --> 00:33:12,600
Speaker 4: They had a pizza, pizza, they.

675
00:33:12,400 --> 00:33:16,160
Speaker 3: Had a pizza, happy meal, pepper and cheese.

676
00:33:16,400 --> 00:33:20,880
Speaker 2: All right, okay, I don't remember that at all. To me,

677
00:33:20,960 --> 00:33:22,680
Speaker 2: its awesome. I have someone please.

678
00:33:22,680 --> 00:33:24,520
Speaker 3: I don't know the middle part of the song's fine,

679
00:33:24,640 --> 00:33:27,160
Speaker 3: that's fine, especially don't sing it. I don't remember that

680
00:33:27,320 --> 00:33:33,200
Speaker 3: at all. When was that Oh boy, oh oh oh

681
00:33:33,440 --> 00:33:36,400
Speaker 3: bear toe jerky.

682
00:33:37,040 --> 00:33:38,400
Speaker 2: I gotta say.

683
00:33:39,600 --> 00:33:45,680
Speaker 3: It was probably in the late eighties, eighty nine, maybe yes,

684
00:33:46,000 --> 00:33:48,600
Speaker 3: strike me as McRib people, do you get real excited.

685
00:33:48,280 --> 00:33:49,760
Speaker 2: When when it comes around.

686
00:33:50,400 --> 00:33:52,200
Speaker 4: It comes around, Yeah.

687
00:33:51,760 --> 00:33:54,560
Speaker 3: And just make a big fuss economics behind why the

688
00:33:54,600 --> 00:33:59,880
Speaker 3: McRib is only temporary available. Actually, yeah, yes, everybody, I do.

689
00:34:00,440 --> 00:34:02,600
Speaker 2: Yes, I actually know why.

690
00:34:02,680 --> 00:34:04,960
Speaker 1: It's the food. It has to do with the food,

691
00:34:05,040 --> 00:34:07,760
Speaker 1: by the food and cooking it.

692
00:34:07,760 --> 00:34:10,279
Speaker 2: It's when the food is low when they do it. Yeah,

693
00:34:10,320 --> 00:34:13,560
Speaker 2: that's expensive for them. So yeah.

694
00:34:13,719 --> 00:34:15,680
Speaker 3: No, when the mid rib comes around, I eat it

695
00:34:15,719 --> 00:34:20,399
Speaker 3: three meals a day, seven days a week. And when

696
00:34:20,400 --> 00:34:25,600
Speaker 3: it's gone, I actually just eat a bertoe.

697
00:34:25,840 --> 00:34:27,799
Speaker 1: When it comes back, I say, maybe this year isn't

698
00:34:27,800 --> 00:34:29,160
Speaker 1: such a fail after all.

699
00:34:29,719 --> 00:34:31,080
Speaker 4: Every time it comes back.

700
00:34:31,200 --> 00:34:34,440
Speaker 3: Yeah. Do you have strong feelings about the ridges that

701
00:34:34,480 --> 00:34:38,760
Speaker 3: look like the actual ribs? Yes, yeah, I have strong

702
00:34:38,800 --> 00:34:40,320
Speaker 3: feelings about it fucking rocks.

703
00:34:40,480 --> 00:34:42,240
Speaker 4: Yeah. I wish they were deeper.

704
00:34:42,520 --> 00:34:45,919
Speaker 1: Yeah, we counter it because that seems like there would

705
00:34:45,920 --> 00:34:49,319
Speaker 1: be less rib there would, but but I wish they

706
00:34:49,320 --> 00:34:52,640
Speaker 1: were faker even than they are already.

707
00:34:52,920 --> 00:34:55,880
Speaker 3: And I'll tell you something else. I keep, obviously a

708
00:34:55,960 --> 00:35:01,000
Speaker 3: journal of my diet. And when the mac does come back,

709
00:35:01,120 --> 00:35:03,840
Speaker 3: I noticed that there are a lot of issues that

710
00:35:03,920 --> 00:35:08,200
Speaker 3: come up for me physically with my health, and I'm

711
00:35:08,239 --> 00:35:13,880
Speaker 3: glad it's worth it because the sauce, the fake ridges

712
00:35:13,960 --> 00:35:16,359
Speaker 3: that I wish were even faker and deeper, so there's

713
00:35:16,480 --> 00:35:20,200
Speaker 3: less meat and the freaking credits on where do they

714
00:35:20,239 --> 00:35:20,600
Speaker 3: get that?

715
00:35:20,680 --> 00:35:24,279
Speaker 2: It's so good? I have a question, Dave.

716
00:35:24,400 --> 00:35:28,839
Speaker 1: Yeah, you famously began your memoir fade in. Are we

717
00:35:29,760 --> 00:35:31,640
Speaker 1: allowed to do that as well, or do we have

718
00:35:31,719 --> 00:35:33,560
Speaker 1: to do a different transition?

719
00:35:33,880 --> 00:35:35,680
Speaker 5: I mean there are no there are some rules, but

720
00:35:35,719 --> 00:35:38,080
Speaker 5: there are no rules in this real I mean, do

721
00:35:38,120 --> 00:35:38,640
Speaker 5: what you want.

722
00:35:38,719 --> 00:35:40,360
Speaker 4: We can use some of the same words.

723
00:35:40,440 --> 00:35:40,800
Speaker 2: Yeah.

724
00:35:41,239 --> 00:35:43,680
Speaker 3: It was honestly, up until the very last minute was

725
00:35:43,800 --> 00:35:46,400
Speaker 3: picture it. But then I just kind of like at

726
00:35:46,440 --> 00:35:48,239
Speaker 3: the last minute, I think I had been to the

727
00:35:48,400 --> 00:35:52,120
Speaker 3: arc light and it just started thinking more cinematically.

728
00:35:53,280 --> 00:35:53,680
Speaker 2: Top it.

729
00:35:53,880 --> 00:35:54,200
Speaker 4: Yeah.

730
00:35:54,320 --> 00:35:57,080
Speaker 5: I called my editor and I was like, don't print it.

731
00:35:57,680 --> 00:35:59,319
Speaker 5: I got to make a change, and I did, and

732
00:35:59,320 --> 00:36:00,880
Speaker 5: I made it fade in. And I think that really

733
00:36:01,080 --> 00:36:02,759
Speaker 5: it puts you in exactly the right frame.

734
00:36:02,840 --> 00:36:06,760
Speaker 2: Oh dude, yes, well it's not so. Yeah. Well, one

735
00:36:06,880 --> 00:36:09,520
Speaker 2: thing that I wanted to say in mind is I.

736
00:36:09,440 --> 00:36:12,440
Speaker 3: Wanted to keep going and scene at the end of

737
00:36:12,480 --> 00:36:13,240
Speaker 3: every chapter.

738
00:36:14,719 --> 00:36:17,560
Speaker 2: I did want to go, Well that just happened.

739
00:36:19,320 --> 00:36:20,160
Speaker 4: Yeah, it's fun.

740
00:36:20,440 --> 00:36:23,680
Speaker 5: So there's that when a character is like being introduced

741
00:36:24,520 --> 00:36:25,480
Speaker 5: enter Joanne.

742
00:36:25,880 --> 00:36:26,799
Speaker 1: Yes you know what I mean.

743
00:36:26,880 --> 00:36:30,680
Speaker 2: Yes, yes, I'm sort of enter Helen Stage Left. Those

744
00:36:30,680 --> 00:36:32,520
Speaker 2: things are just fun, you know what I mean. It

745
00:36:32,600 --> 00:36:33,480
Speaker 2: shows that you have.

746
00:36:34,480 --> 00:36:37,520
Speaker 3: Can you describe yourself like when you say, like enter

747
00:36:37,560 --> 00:36:38,720
Speaker 3: the clem Dog or whatever.

748
00:36:38,920 --> 00:36:41,840
Speaker 2: Can you be like hot but doesn't know it? Oh?

749
00:36:41,880 --> 00:36:46,000
Speaker 3: Absolutely like about yourself, because if you're saying it about yourself,

750
00:36:46,160 --> 00:36:52,719
Speaker 3: it does sort of challenge the limits of reality. Yes, well,

751
00:36:52,800 --> 00:36:56,320
Speaker 3: it's just like, how can I say that I doesn't

752
00:36:56,360 --> 00:36:59,799
Speaker 3: know it when I'm telling you it? Yeah, but maybe

753
00:36:59,840 --> 00:37:02,400
Speaker 3: it's that I could say hot but doesn't know it,

754
00:37:02,440 --> 00:37:06,680
Speaker 3: but somebody told him right after. Yeah, uh yeah, but yeah,

755
00:37:06,960 --> 00:37:08,439
Speaker 3: uh you know, I think I think that's it makes

756
00:37:08,480 --> 00:37:12,600
Speaker 3: your character kind of chill and relatable and just like fun,

757
00:37:12,760 --> 00:37:13,560
Speaker 3: like easy.

758
00:37:13,239 --> 00:37:15,920
Speaker 2: For the reader to kind of yeah, yeah, to relate

759
00:37:15,960 --> 00:37:17,000
Speaker 2: to enjoy.

760
00:37:17,760 --> 00:37:20,520
Speaker 1: Question related to Sam's memoir and here Sam, I've been

761
00:37:20,520 --> 00:37:24,080
Speaker 1: studying his in preparation for writing my own. He's something

762
00:37:24,080 --> 00:37:27,040
Speaker 1: of a pop culture maven mm hm. And he began

763
00:37:27,440 --> 00:37:30,839
Speaker 1: his uh a long time ago in a hospital far

764
00:37:30,920 --> 00:37:31,440
Speaker 1: far away.

765
00:37:31,840 --> 00:37:35,399
Speaker 2: Oh yeah, oh I like that. I like that, which

766
00:37:35,440 --> 00:37:38,080
Speaker 2: is a reference to some of his favorite characters.

767
00:37:38,719 --> 00:37:41,560
Speaker 1: Is that okay to do that? Is that a parody?

768
00:37:41,719 --> 00:37:44,040
Speaker 1: I think not only is that okay, I encourage it, Okay.

769
00:37:44,360 --> 00:37:46,160
Speaker 1: I just think it's like you and your reader get

770
00:37:46,160 --> 00:37:47,200
Speaker 1: on the same page.

771
00:37:47,120 --> 00:37:49,879
Speaker 2: Figuratively and literally. Yeah, right off the bat.

772
00:37:49,920 --> 00:37:51,520
Speaker 3: But shouldn't he have had to at least put it

773
00:37:51,560 --> 00:37:55,239
Speaker 3: in the hospital cafeteria so that it's about food. Well,

774
00:37:55,280 --> 00:37:57,400
Speaker 3: if he wanted to do a song parody, yeah, but

775
00:37:57,480 --> 00:37:59,719
Speaker 3: if he just wants to write a memoir with just

776
00:37:59,800 --> 00:38:02,880
Speaker 3: for song parody, yeah, member doesn't have to be about food.

777
00:38:02,920 --> 00:38:04,239
Speaker 3: It can be about food, but it doesn't have to

778
00:38:04,280 --> 00:38:04,799
Speaker 3: be about food.

779
00:38:05,000 --> 00:38:08,120
Speaker 2: He calls himself Luke sam Walker. Huh.

780
00:38:10,600 --> 00:38:14,920
Speaker 1: I tried to say Luke Skywalker Sam Skywalker would be

781
00:38:15,160 --> 00:38:17,360
Speaker 1: cooler and have like the same effect.

782
00:38:17,840 --> 00:38:20,000
Speaker 2: I don't know what was but what was your art?

783
00:38:20,160 --> 00:38:21,279
Speaker 2: What was the case for that?

784
00:38:23,480 --> 00:38:26,640
Speaker 1: It's got my name in it, I know, but you

785
00:38:26,680 --> 00:38:28,840
Speaker 1: could have put that at the beginning.

786
00:38:28,880 --> 00:38:30,360
Speaker 2: But then people don't know it's me.

787
00:38:30,920 --> 00:38:34,120
Speaker 3: Well, also, so you kept saying you you talk a

788
00:38:34,120 --> 00:38:37,240
Speaker 3: lot about growing up and you call your dad Darth Father.

789
00:38:38,160 --> 00:38:42,920
Speaker 3: But which first off spoiler, Well, but I thought I

790
00:38:42,920 --> 00:38:47,400
Speaker 3: thought Dad Vader would have been cool. And again I

791
00:38:47,840 --> 00:38:49,640
Speaker 3: didn't totally understand your reasoning.

792
00:38:50,239 --> 00:38:52,279
Speaker 6: I want my name to be in the front one,

793
00:38:53,080 --> 00:38:56,800
Speaker 6: and then Dad's name in the second one, and again business.

794
00:38:56,400 --> 00:39:00,240
Speaker 2: In the front. Yeah. Also mostly pictures.

795
00:39:01,440 --> 00:39:03,840
Speaker 3: Yes, yeah, I noticed. It was a lot of you

796
00:39:04,000 --> 00:39:06,920
Speaker 3: just drawing yourself in a spaceship.

797
00:39:06,800 --> 00:39:09,839
Speaker 1: Right, and they'll cut out pictures from Premiere magazine?

798
00:39:10,000 --> 00:39:12,360
Speaker 2: Can pictures be parody?

799
00:39:13,120 --> 00:39:13,400
Speaker 3: Dave?

800
00:39:13,760 --> 00:39:16,000
Speaker 2: Well, you know it's a case by case thing. Where'd

801
00:39:16,040 --> 00:39:18,920
Speaker 2: you get them? In this case, where'd you get them?

802
00:39:18,920 --> 00:39:20,000
Speaker 4: Premier Magazine?

803
00:39:20,080 --> 00:39:20,319
Speaker 2: Oh?

804
00:39:20,400 --> 00:39:24,600
Speaker 3: I see, okay, yeah, no, those are pretty straightforward a fangoria.

805
00:39:25,120 --> 00:39:28,560
Speaker 5: Yeah, those are sometimes parody, Okay, you know, because it's

806
00:39:28,560 --> 00:39:29,920
Speaker 5: wild wacky costumes.

807
00:39:30,120 --> 00:39:33,000
Speaker 3: I know, Sam put his face on Spaceman spiff a lot.

808
00:39:33,239 --> 00:39:38,520
Speaker 2: Sure, that's parody, that's parody. That's fair use. Good, I'm sorry.

809
00:39:38,520 --> 00:39:41,720
Speaker 2: Did I lose you with that? That got fair use? Yeah?

810
00:39:41,840 --> 00:39:42,080
Speaker 1: Huh?

811
00:39:42,200 --> 00:39:44,640
Speaker 2: Someone else here a very high pitch. I do, Yeah,

812
00:39:44,719 --> 00:39:44,920
Speaker 2: I do.

813
00:39:45,000 --> 00:39:45,759
Speaker 4: I'm getting that.

814
00:39:46,520 --> 00:39:55,080
Speaker 2: Is it fire season or something? I did run over

815
00:39:55,120 --> 00:39:57,920
Speaker 2: one of the cables down? They're an emergency?

816
00:39:58,120 --> 00:39:59,520
Speaker 4: Could that make that kind of noise?

817
00:40:01,760 --> 00:40:03,359
Speaker 2: We all have our headphones on. Let's see if it's

818
00:40:03,360 --> 00:40:04,080
Speaker 2: happening in real life.

819
00:40:04,120 --> 00:40:08,319
Speaker 5: Oh, that's my insolent Oh really yeah, oh, i's got

820
00:40:08,400 --> 00:40:09,080
Speaker 5: to switch it out.

821
00:40:10,120 --> 00:40:13,120
Speaker 2: We can do that right here? Can we live switch it?

822
00:40:13,160 --> 00:40:16,760
Speaker 2: We're gonna do a lot the first the first live

823
00:40:16,840 --> 00:40:20,600
Speaker 2: pump switch. If I hadn't heard that, would you have died? Yeah?

824
00:40:21,320 --> 00:40:24,520
Speaker 3: Yeah, probably would have died ultimately, Yeah, but not until

825
00:40:24,520 --> 00:40:28,680
Speaker 3: after the episode of years. But yeah, keep going.

826
00:40:29,400 --> 00:40:32,480
Speaker 4: Do you want to do commentary?

827
00:40:32,800 --> 00:40:35,000
Speaker 2: Sure, yeah we can.

828
00:40:35,719 --> 00:40:39,359
Speaker 1: People love being welcomed into the lives of the of

829
00:40:39,400 --> 00:40:39,840
Speaker 1: the host.

830
00:40:40,000 --> 00:40:41,880
Speaker 2: Oh yeah, you know, a lot of fun. Let me

831
00:40:41,960 --> 00:40:44,000
Speaker 2: turn this one off and becomes a friendship.

832
00:40:44,239 --> 00:40:44,839
Speaker 4: Yeah.

833
00:40:44,960 --> 00:40:46,880
Speaker 5: I can't guarantee that this is going to be interesting

834
00:40:47,360 --> 00:40:49,880
Speaker 5: at all. Uh huh, but it's happening.

835
00:40:50,120 --> 00:40:51,800
Speaker 2: Well, it's getting loud.

836
00:40:51,840 --> 00:40:53,920
Speaker 3: If it was interesting, it would really stand out on

837
00:40:53,960 --> 00:40:58,440
Speaker 3: our show that we make shut up, which is just

838
00:40:58,520 --> 00:40:59,719
Speaker 3: us feeling around in the dark.

839
00:41:00,600 --> 00:41:02,719
Speaker 1: Now, do you like to say that you're like a

840
00:41:02,960 --> 00:41:07,360
Speaker 1: basically a cybernetic android machine and many?

841
00:41:07,560 --> 00:41:11,080
Speaker 2: Is it? Okay? Yeah? Yeah, I think we're doing it now.

842
00:41:11,760 --> 00:41:17,480
Speaker 2: A freaking cyborg. Yeah, I'm a robot. Is essentially my battery.

843
00:41:18,440 --> 00:41:20,680
Speaker 3: It's a lot of fun. We can make it about food.

844
00:41:21,280 --> 00:41:25,240
Speaker 1: Oh okay, yeah, okay, a pump.

845
00:41:26,000 --> 00:41:31,560
Speaker 3: Okay, So it's maybe a pump from Yeah, that's fun.

846
00:41:31,719 --> 00:41:37,120
Speaker 6: What did you say, Yeah, like like French time, French Fries,

847
00:41:37,520 --> 00:41:38,520
Speaker 6: French Fries.

848
00:41:38,560 --> 00:41:45,000
Speaker 2: A beat selling. Yeah, yeah, it's much.

849
00:41:44,920 --> 00:41:47,759
Speaker 4: Quieter now, it really is. Yeah.

850
00:41:47,960 --> 00:41:49,759
Speaker 6: Is it rude to say that I'm happy it was

851
00:41:49,800 --> 00:41:51,799
Speaker 6: something that was wrong with you and not something I

852
00:41:51,840 --> 00:41:52,279
Speaker 6: had done.

853
00:41:52,440 --> 00:41:53,960
Speaker 2: Yeah, okay, that's fine.

854
00:41:54,840 --> 00:41:55,480
Speaker 4: I worry, are you?

855
00:41:55,640 --> 00:41:55,759
Speaker 2: Like?

856
00:41:55,800 --> 00:41:59,920
Speaker 1: What if it's the equipment interfering with the device and

857
00:42:00,160 --> 00:42:03,640
Speaker 1: giving you a wrong signal? The podcast equipment?

858
00:42:03,840 --> 00:42:06,560
Speaker 5: Oh yeah, just pushing insulin into my body that I

859
00:42:06,560 --> 00:42:07,480
Speaker 5: don't want or need.

860
00:42:08,080 --> 00:42:10,200
Speaker 2: Yeah, that would be. That would be I wouldn't want that.

861
00:42:10,560 --> 00:42:14,440
Speaker 2: I have an idea for Sam's next memoir. Yeah, and

862
00:42:14,520 --> 00:42:21,879
Speaker 2: it's that well is this? Yeah, this music could still

863
00:42:21,920 --> 00:42:22,239
Speaker 2: be in it.

864
00:42:22,320 --> 00:42:24,799
Speaker 3: I guess this is a B but I think that

865
00:42:24,880 --> 00:42:28,719
Speaker 3: your name should be samwise Ganja and.

866
00:42:30,440 --> 00:42:32,000
Speaker 2: You're trying to deliver.

867
00:42:31,880 --> 00:42:38,840
Speaker 3: Like the One True Carb to the Freakin' Bong Mountain

868
00:42:39,840 --> 00:42:41,120
Speaker 3: and uh.

869
00:42:40,840 --> 00:42:46,520
Speaker 2: I guess it would be called Lord of the.

870
00:42:48,960 --> 00:42:53,120
Speaker 3: Is it like a earwolf thing the Lord?

871
00:42:53,360 --> 00:42:53,680
Speaker 1: Yeah?

872
00:42:54,680 --> 00:42:59,239
Speaker 2: Can aerosmith daughter be in it? Yeah, Aerosmith's daughter can

873
00:42:59,239 --> 00:43:01,600
Speaker 2: be in it. Joe Perry's daughter.

874
00:43:03,280 --> 00:43:05,720
Speaker 1: That would be the this character would be an interesting

875
00:43:05,760 --> 00:43:11,040
Speaker 1: evolution from your other character in your first book, Chewbacco,

876
00:43:13,800 --> 00:43:16,399
Speaker 1: which is you with the days that you obviously had

877
00:43:16,400 --> 00:43:21,799
Speaker 1: a massive lip and back when you were on the divarsity.

878
00:43:22,880 --> 00:43:24,000
Speaker 4: Yeah squash team.

879
00:43:24,200 --> 00:43:24,439
Speaker 2: Yeah.

880
00:43:24,480 --> 00:43:33,120
Speaker 3: So then it's like you Chewbacco, Frodo Dime Baggins, and

881
00:43:33,160 --> 00:43:37,120
Speaker 3: then Gange Dolph. I mean it's all conscious stuff. Yeah,

882
00:43:37,280 --> 00:43:38,680
Speaker 3: it just that's what we have.

883
00:43:38,719 --> 00:43:40,000
Speaker 2: To work with a little bit.

884
00:43:41,160 --> 00:43:51,200
Speaker 7: Orlando Bud Yeah yeah.

885
00:43:51,320 --> 00:43:53,759
Speaker 1: Weed is not a huge part of your identity, which

886
00:43:53,800 --> 00:43:55,839
Speaker 1: is weird or is it?

887
00:43:56,040 --> 00:43:56,560
Speaker 4: I don't know.

888
00:43:58,760 --> 00:44:00,920
Speaker 3: I think this guy chiefs some of the kind buds

889
00:44:01,160 --> 00:44:06,000
Speaker 3: Sam but me, Yeah, no, Samwise, Ganges.

890
00:44:05,600 --> 00:44:09,879
Speaker 2: I have been a sober man for a year.

891
00:44:10,719 --> 00:44:15,200
Speaker 3: Oh damn, dude, shit man taken after me. This guy's

892
00:44:15,239 --> 00:44:18,120
Speaker 3: freaking sees how well I'm doing, and he goes like,

893
00:44:18,200 --> 00:44:19,160
Speaker 3: let me get some of that.

894
00:44:19,239 --> 00:44:20,399
Speaker 2: How many days you got now?

895
00:44:21,280 --> 00:44:29,120
Speaker 3: Oh god, well, thirteen and a half years. I could

896
00:44:29,160 --> 00:44:32,360
Speaker 3: probably calculate the days if you want. Would that be

897
00:44:32,440 --> 00:44:37,279
Speaker 3: a good podcast episode? Just Hayes is a human calculator?

898
00:44:37,280 --> 00:44:39,880
Speaker 2: Can you do it? Hayes? Thirteen and a half years?

899
00:44:41,520 --> 00:44:44,439
Speaker 1: Okay, there it counts.

900
00:44:46,719 --> 00:44:51,880
Speaker 2: Okay. The number of days and a year is two hundred. Okay,

901
00:44:52,120 --> 00:44:53,040
Speaker 2: I love watching it.

902
00:44:53,880 --> 00:44:59,600
Speaker 1: We do thirteen times two is one hundred and thirty

903
00:45:00,160 --> 00:45:02,080
Speaker 1: man hundred.

904
00:45:06,320 --> 00:45:09,560
Speaker 4: Three one hundred.

905
00:45:10,080 --> 00:45:13,759
Speaker 2: Oh wow, so that's a bunch of days.

906
00:45:13,840 --> 00:45:14,760
Speaker 4: Yeah.

907
00:45:14,880 --> 00:45:18,040
Speaker 3: Yeah, man, I can't believe that Sam caught my style.

908
00:45:18,560 --> 00:45:20,919
Speaker 3: That is the only thing that made me interesting. Yeah.

909
00:45:20,920 --> 00:45:22,600
Speaker 2: All of a sudden, this fucking dude.

910
00:45:22,320 --> 00:45:25,880
Speaker 3: Comes in, who already has motorcycles, who already has tattoos,

911
00:45:26,120 --> 00:45:28,520
Speaker 3: who already is kind of mean about my dog showing

912
00:45:28,600 --> 00:45:32,080
Speaker 3: up here. He has so many brands. Yeah, and then

913
00:45:32,120 --> 00:45:32,680
Speaker 3: he goes like.

914
00:45:32,680 --> 00:45:34,720
Speaker 2: Oh, what's the one thing Sean's.

915
00:45:34,360 --> 00:45:35,239
Speaker 4: Got going for him?

916
00:45:35,280 --> 00:45:37,200
Speaker 2: Oh, let me just freaking gobble it up.

917
00:45:37,640 --> 00:45:38,200
Speaker 4: Yeah.

918
00:45:38,239 --> 00:45:42,640
Speaker 1: And it's newer, it's fresher, it's younger. I didn't know

919
00:45:42,719 --> 00:45:43,640
Speaker 1: you could just do that.

920
00:45:44,520 --> 00:45:46,040
Speaker 2: Oh of course you would have done it a million

921
00:45:46,080 --> 00:45:46,480
Speaker 2: years ago.

922
00:45:46,560 --> 00:45:49,799
Speaker 1: Yeah, because I always thought I was too boring to

923
00:45:50,000 --> 00:45:54,120
Speaker 1: have this like backstory, and I didn't know you could

924
00:45:54,160 --> 00:45:55,919
Speaker 1: just be like, oh, yeah, this is my thing.

925
00:45:56,800 --> 00:45:59,400
Speaker 2: Zam. Do you meet what's up? Do you meet or

926
00:45:59,400 --> 00:46:02,359
Speaker 2: your vegetarian? Oh no, I'm I have a lunch meat,

927
00:46:02,960 --> 00:46:06,880
Speaker 2: you know. Let's okay, I'll do a thin slice. Okay,

928
00:46:07,320 --> 00:46:11,440
Speaker 2: only thin me, okay, Hayes kind of doing the vegetarian

929
00:46:11,520 --> 00:46:16,840
Speaker 2: corner about it. But Kevin Bartet's really lunch meat yeah.

930
00:46:18,400 --> 00:46:23,960
Speaker 1: Something, oh something? Uh okay, is there a parody of

931
00:46:24,000 --> 00:46:27,839
Speaker 1: my Sharona? For example? You could do with the lunch

932
00:46:27,960 --> 00:46:31,000
Speaker 1: meat bologney. Then it's called my bologny.

933
00:46:31,800 --> 00:46:33,680
Speaker 2: See again weird al got there?

934
00:46:34,360 --> 00:46:35,960
Speaker 4: Okay, Yeah, he.

935
00:46:35,920 --> 00:46:37,960
Speaker 3: Says it boloa just to kind of make it more

936
00:46:38,840 --> 00:46:39,600
Speaker 3: like more fit.

937
00:46:40,200 --> 00:46:43,760
Speaker 2: Yeah, to fit it, you know. Yeah, okay, the song.

938
00:46:44,120 --> 00:46:45,399
Speaker 4: But was that was it?

939
00:46:45,840 --> 00:46:48,279
Speaker 5: That does not imply that lunch meat is off the

940
00:46:48,320 --> 00:46:50,040
Speaker 5: table is off the table.

941
00:46:50,120 --> 00:46:51,960
Speaker 3: You can take it in your own direction, okay, but

942
00:46:51,960 --> 00:46:53,520
Speaker 3: again it has to be about well I think I

943
00:46:53,520 --> 00:46:57,760
Speaker 3: mean nowadays it would have to be my corona, right,

944
00:46:58,400 --> 00:47:00,160
Speaker 3: you know, and now I can't do that one, and

945
00:47:00,239 --> 00:47:04,000
Speaker 3: neither can say apparently yeah okay, but hey.

946
00:47:04,080 --> 00:47:05,560
Speaker 2: You could do my corona.

947
00:47:05,760 --> 00:47:08,360
Speaker 1: Well, you're allowed to own it, you're just not allowed

948
00:47:08,360 --> 00:47:11,839
Speaker 1: to You're allowed to own a beer, right.

949
00:47:11,680 --> 00:47:12,239
Speaker 2: That's true.

950
00:47:12,320 --> 00:47:15,279
Speaker 1: You're just not allowed to drink it, but you can,

951
00:47:15,520 --> 00:47:19,120
Speaker 1: like I still have stock in beer company.

952
00:47:20,280 --> 00:47:20,839
Speaker 2: Oh right.

953
00:47:21,080 --> 00:47:23,600
Speaker 3: Talk about your portfolio a little bit and how you've

954
00:47:23,600 --> 00:47:26,600
Speaker 3: invested in a lot of different domestic and foreign beers.

955
00:47:27,200 --> 00:47:33,600
Speaker 6: I keep mostly bitcoin of I'll keep bitcoin of boozes. Okay,

956
00:47:33,800 --> 00:47:36,759
Speaker 6: I'll keep blockchains for coronas.

957
00:47:37,719 --> 00:47:40,440
Speaker 2: Oh wow. The rest of the portfolio is mostly just

958
00:47:40,480 --> 00:47:47,200
Speaker 2: things I've drawn and more draw because yeah, okay.

959
00:47:48,320 --> 00:47:50,920
Speaker 3: And you call that, you say you always say that

960
00:47:50,960 --> 00:47:54,239
Speaker 3: you have an extensive fine art collection. Yeah, but it's

961
00:47:54,360 --> 00:47:55,719
Speaker 3: just things that you've drawn.

962
00:47:56,080 --> 00:48:01,720
Speaker 1: And cut out from Premieer magazine, from the movie Boiler Room,

963
00:48:01,760 --> 00:48:05,400
Speaker 1: which is I guess about stock stuff, So I guess

964
00:48:05,400 --> 00:48:07,880
Speaker 1: that makes sense that it would be in your portfolio.

965
00:48:08,160 --> 00:48:12,279
Speaker 2: Money is moneyball? Is moneyball in boiler movie? No, No,

966
00:48:12,320 --> 00:48:15,239
Speaker 2: it's mostly the Geovanni Okay.

967
00:48:14,920 --> 00:48:18,800
Speaker 1: But moneyball is like you can do like the moneyball

968
00:48:18,840 --> 00:48:23,839
Speaker 1: of stocks to make huge cash in areas that people

969
00:48:23,960 --> 00:48:24,440
Speaker 1: are not.

970
00:48:26,040 --> 00:48:28,000
Speaker 4: Knowing that there is money there.

971
00:48:28,080 --> 00:48:33,360
Speaker 1: So it's actually a good lesson about well.

972
00:48:33,239 --> 00:48:36,080
Speaker 3: Just going like we're valuing the wrong things. We should

973
00:48:36,080 --> 00:48:40,319
Speaker 3: be valuing all this money, right. You know people are

974
00:48:40,320 --> 00:48:43,840
Speaker 3: always talking about like computers or something. Right, It's like,

975
00:48:43,920 --> 00:48:45,960
Speaker 3: what are you talking about? That's not money?

976
00:48:46,160 --> 00:48:47,280
Speaker 2: Yeah, making money.

977
00:48:47,440 --> 00:48:49,640
Speaker 1: So many of the companies that we are investing in

978
00:48:49,680 --> 00:48:51,960
Speaker 1: are making stuff like computers.

979
00:48:51,400 --> 00:48:55,200
Speaker 3: And it breaks, yes, or you can't find it half

980
00:48:55,239 --> 00:48:57,560
Speaker 3: the time, it gets lost.

981
00:48:58,080 --> 00:48:58,520
Speaker 2: It does.

982
00:48:58,880 --> 00:49:01,239
Speaker 3: Yeah, so it has no real value if you can't

983
00:49:01,280 --> 00:49:02,280
Speaker 3: find it and it's broken.

984
00:49:02,360 --> 00:49:06,160
Speaker 1: Money is hard to break. Oh please, especially the little

985
00:49:06,160 --> 00:49:06,680
Speaker 1: hard ones.

986
00:49:06,960 --> 00:49:07,480
Speaker 2: Yeah.

987
00:49:07,640 --> 00:49:13,839
Speaker 3: They make these little ones that are incredibly hard and

988
00:49:13,920 --> 00:49:21,520
Speaker 3: even if you eat them, they're not really gone. Yeah.

989
00:49:21,600 --> 00:49:24,080
Speaker 2: What's one of the songs from your book? Yeah? Can

990
00:49:24,120 --> 00:49:25,480
Speaker 2: we use one of yours? Well?

991
00:49:25,680 --> 00:49:28,720
Speaker 5: Yeah, I mean well yeah, yeah maybe or maybe it'll

992
00:49:28,760 --> 00:49:30,000
Speaker 5: just sort of well you did you?

993
00:49:30,080 --> 00:49:32,200
Speaker 3: We're all of your songs that rebel just for kicks

994
00:49:32,239 --> 00:49:32,719
Speaker 3: now song.

995
00:49:33,400 --> 00:49:35,799
Speaker 2: A couple of them are yeah, yeah, yeah.

996
00:49:36,280 --> 00:49:40,560
Speaker 5: The three of them are are semi charmed life.

997
00:49:40,360 --> 00:49:44,239
Speaker 2: By yeah, okay, because that's fun. So can I have

998
00:49:44,480 --> 00:49:49,160
Speaker 2: one second? Just one second, I'm a rabbit just for

999
00:49:49,280 --> 00:49:49,879
Speaker 2: tricks man?

1000
00:49:50,360 --> 00:49:53,560
Speaker 3: Yeah, so that wow is mine?

1001
00:49:53,600 --> 00:49:53,799
Speaker 6: Now?

1002
00:49:57,880 --> 00:49:58,000
Speaker 1: Uh?

1003
00:49:58,400 --> 00:50:00,360
Speaker 2: Semi charm life charmed life is I.

1004
00:50:00,360 --> 00:50:04,719
Speaker 3: Mean, so that's lucky charm life now, right, lucky charm life.

1005
00:50:05,000 --> 00:50:07,640
Speaker 2: Relevant to your experience, semi charm life.

1006
00:50:07,719 --> 00:50:09,520
Speaker 3: I am all the way charmed, I think, And that's

1007
00:50:09,600 --> 00:50:10,560
Speaker 3: kind of the point that I make.

1008
00:50:11,280 --> 00:50:12,560
Speaker 2: It's a short chapter.

1009
00:50:12,880 --> 00:50:16,360
Speaker 3: Wow, yeah, semi more like all the way charm and

1010
00:50:16,360 --> 00:50:18,320
Speaker 3: then that's just next chapter yeah.

1011
00:50:18,560 --> 00:50:20,480
Speaker 2: Which is the same thing A couple of times, just

1012
00:50:20,520 --> 00:50:24,960
Speaker 2: to drive the home, Like, didn't I tell you this already? Bitch? Yeah,

1013
00:50:25,120 --> 00:50:28,400
Speaker 2: I'm all the way charmed. I'm glad. I'm glad that

1014
00:50:28,400 --> 00:50:29,640
Speaker 2: you brought that up, because that's another thing.

1015
00:50:29,800 --> 00:50:32,479
Speaker 3: Call the reader a bit as often as you can,

1016
00:50:32,920 --> 00:50:34,280
Speaker 3: because it's like, it's.

1017
00:50:34,280 --> 00:50:35,799
Speaker 2: It's abusive, but it's fun.

1018
00:50:35,920 --> 00:50:41,000
Speaker 3: It's a kind of abusive that everybody can like, especially you,

1019
00:50:41,640 --> 00:50:43,520
Speaker 3: But it's like it's just fun.

1020
00:50:43,880 --> 00:50:44,799
Speaker 2: Yeah, you know what I mean.

1021
00:50:45,000 --> 00:50:47,120
Speaker 1: And then at the end you say, like the end,

1022
00:50:47,160 --> 00:50:51,239
Speaker 1: and then the next page is like, you're still here.

1023
00:50:50,040 --> 00:51:00,520
Speaker 3: You know what a pathetic weepy are you literally actually reading? God,

1024
00:51:00,560 --> 00:51:02,560
Speaker 3: you must not have an all the way charmed life

1025
00:51:02,640 --> 00:51:06,799
Speaker 3: like mine or a lucky charm life, which is the song.

1026
00:51:06,840 --> 00:51:08,320
Speaker 2: And then the very last page he goes.

1027
00:51:10,080 --> 00:51:14,280
Speaker 1: It's a fire hazard, don't it says? That's it's another

1028
00:51:14,719 --> 00:51:18,920
Speaker 1: because that's that sounds hard. You can hide those little

1029
00:51:18,960 --> 00:51:26,000
Speaker 1: sound cards.

1030
00:51:22,880 --> 00:51:25,640
Speaker 2: Like you can barely even they're nearly flat. They're nearly flat.

1031
00:51:25,800 --> 00:51:28,960
Speaker 1: Yeah, not to I mean those cards said. The cards

1032
00:51:29,040 --> 00:51:31,120
Speaker 1: are much fatter than the normal cards.

1033
00:51:31,160 --> 00:51:32,000
Speaker 2: Not a huge surprise.

1034
00:51:32,040 --> 00:51:33,919
Speaker 1: And when you get it for your birthday, you kind

1035
00:51:33,920 --> 00:51:35,840
Speaker 1: of know from the fat that's that it is gonna

1036
00:51:36,120 --> 00:51:38,719
Speaker 1: make a loud, surprising sound when you when you open

1037
00:51:38,760 --> 00:51:39,160
Speaker 1: it up.

1038
00:51:39,120 --> 00:51:42,279
Speaker 2: A handful of coins, or it could be noise making.

1039
00:51:42,920 --> 00:51:46,200
Speaker 1: Yeah, yeah, but I think they they make them fat

1040
00:51:46,239 --> 00:51:49,719
Speaker 1: on purpose to warn you, but they can make them

1041
00:51:49,760 --> 00:51:51,239
Speaker 1: flat if they want to surprise you.

1042
00:51:52,000 --> 00:51:54,160
Speaker 5: I think, yeah, No, I definitely these days to get

1043
00:51:54,200 --> 00:51:57,480
Speaker 5: them into books, you gotta go, yeah, you gotta go flat.

1044
00:51:57,200 --> 00:52:00,520
Speaker 3: Do the flat ones? Yeah, And they are now being

1045
00:52:00,520 --> 00:52:01,919
Speaker 3: able to be hidden in.

1046
00:52:01,880 --> 00:52:03,560
Speaker 2: Things that aren't even books.

1047
00:52:04,239 --> 00:52:08,600
Speaker 3: I mean, the sound cards are everywhere, and government can

1048
00:52:08,680 --> 00:52:10,160
Speaker 3: put them wherever they want, so.

1049
00:52:10,200 --> 00:52:12,480
Speaker 2: In your mouth, make you say whatever they want you

1050
00:52:12,560 --> 00:52:12,919
Speaker 2: to say.

1051
00:52:13,320 --> 00:52:15,560
Speaker 3: That they can put it flat into your lip while

1052
00:52:15,560 --> 00:52:17,360
Speaker 3: you're asleep, and then when you open your mouth in

1053
00:52:17,360 --> 00:52:19,520
Speaker 3: the morning, you could say something pretty insane.

1054
00:52:19,600 --> 00:52:23,040
Speaker 1: You could sing happy birthday, Happy birthday, want to to

1055
00:52:23,200 --> 00:52:26,080
Speaker 1: like the vice president, to show loyalty. It makes you

1056
00:52:26,120 --> 00:52:29,280
Speaker 1: say happy birthday. Then nineteen eighty four.

1057
00:52:29,680 --> 00:52:33,680
Speaker 3: Yeah, fuck guys, yeah, nineteen four only four years reform

1058
00:52:33,760 --> 00:52:36,239
Speaker 3: McDonald's pizza shits.

1059
00:52:36,520 --> 00:52:37,960
Speaker 4: Yeah, So nineteen.

1060
00:52:37,719 --> 00:52:40,560
Speaker 5: Eighty eight, like a late eighties sixth pizza was a

1061
00:52:40,600 --> 00:52:42,000
Speaker 5: MG pizza, you know what?

1062
00:52:42,200 --> 00:52:48,839
Speaker 3: Probably early nineties. No, it wasn't mcpizza. It was McDonald's pizza. Yeah,

1063
00:52:48,880 --> 00:52:51,839
Speaker 3: that's right, and I think it was early nineties. I'm

1064
00:52:51,840 --> 00:52:56,160
Speaker 3: gonna say ninety two ninety three. Were they individually sized? Well,

1065
00:52:56,200 --> 00:52:58,200
Speaker 3: you could have the if you got the pizza Happy Meal,

1066
00:52:58,640 --> 00:53:01,640
Speaker 3: that was like a personal pampeae, but you also could

1067
00:53:01,640 --> 00:53:04,160
Speaker 3: get a family sized pizza at McDonald's. I feel like

1068
00:53:04,200 --> 00:53:05,960
Speaker 3: this was a regional thing. I don't remember it at all.

1069
00:53:06,640 --> 00:53:10,239
Speaker 1: Okay, what song was that chapter? What song was that

1070
00:53:10,360 --> 00:53:13,319
Speaker 1: chapter of the book, So maybe we can narrow down

1071
00:53:13,320 --> 00:53:15,279
Speaker 1: we can know what you were doing.

1072
00:53:15,480 --> 00:53:16,759
Speaker 2: At that time and why.

1073
00:53:16,960 --> 00:53:19,960
Speaker 4: Maybe instead of knowing about McDonald's pizza.

1074
00:53:19,719 --> 00:53:23,760
Speaker 3: What was I doing in nineteen eighty eight or the nineties? Uh?

1075
00:53:23,760 --> 00:53:24,840
Speaker 2: What was my songs?

1076
00:53:25,120 --> 00:53:27,680
Speaker 4: This is pre semi charm.

1077
00:53:27,480 --> 00:53:30,560
Speaker 2: Live sure ah fuck?

1078
00:53:30,719 --> 00:53:35,040
Speaker 5: Probably probably a Wilson Phillips A hold on an impulsive.

1079
00:53:35,520 --> 00:53:36,239
Speaker 3: Will release me?

1080
00:53:36,760 --> 00:53:37,200
Speaker 2: Okay?

1081
00:53:37,719 --> 00:53:43,080
Speaker 1: Yeah yeah, sob like ham On ham On.

1082
00:53:43,520 --> 00:53:51,200
Speaker 2: For one more day? Yeah, ham On for one more rye?

1083
00:53:51,400 --> 00:53:52,160
Speaker 4: Do you say.

1084
00:53:52,480 --> 00:53:55,040
Speaker 2: Releash me, release me, release me?

1085
00:53:55,360 --> 00:53:57,680
Speaker 5: And but and then the first verse is just explaining

1086
00:53:57,680 --> 00:53:58,960
Speaker 5: that that's how you say raleih.

1087
00:53:58,760 --> 00:54:02,560
Speaker 6: Yeah, yeah, or you use one of my pictures for

1088
00:54:02,600 --> 00:54:05,120
Speaker 6: the first verse to help explain.

1089
00:54:04,920 --> 00:54:07,400
Speaker 3: Yeah, like you in the in the region that you

1090
00:54:07,400 --> 00:54:09,759
Speaker 3: grew up where they say releash instead of relish.

1091
00:54:09,880 --> 00:54:11,360
Speaker 2: That makes a lot of sense, and it's a.

1092
00:54:11,360 --> 00:54:14,560
Speaker 3: Timesaver one thing that you could do is nothing compares

1093
00:54:14,640 --> 00:54:17,880
Speaker 3: to do. And then it's about mountain dude.

1094
00:54:17,960 --> 00:54:22,279
Speaker 1: Yeah, okay, that might run into your Orangeina sponsor show.

1095
00:54:22,560 --> 00:54:24,680
Speaker 2: I don't think it would. I don't know they would

1096
00:54:24,719 --> 00:54:25,520
Speaker 2: be okay with that.

1097
00:54:25,719 --> 00:54:28,040
Speaker 3: No, you know what, because do exist in its own category,

1098
00:54:28,040 --> 00:54:28,520
Speaker 3: which is.

1099
00:54:28,440 --> 00:54:33,040
Speaker 1: Like extreme, that's rhyme, okayveraging gown.

1100
00:54:33,239 --> 00:54:37,200
Speaker 2: I can drink whatever I want, you know what I mean?

1101
00:54:37,760 --> 00:54:41,560
Speaker 3: I could get code red out of fancy rest.

1102
00:54:42,719 --> 00:54:45,520
Speaker 2: But it's all And then you're freaking skateboarding in the video.

1103
00:54:46,239 --> 00:54:48,920
Speaker 2: I love it. Do you have videos in your memoir?

1104
00:54:49,280 --> 00:54:49,480
Speaker 4: Yeah?

1105
00:54:49,480 --> 00:54:52,160
Speaker 2: I do have a bunch of videos before. Yeah. Yeah

1106
00:54:52,320 --> 00:54:52,960
Speaker 2: that rocks.

1107
00:54:53,120 --> 00:54:54,200
Speaker 3: Yeah, pretty fun.

1108
00:54:54,800 --> 00:54:58,320
Speaker 1: Yeah, I'm amazed that you can put the videos inside

1109
00:54:58,400 --> 00:55:01,640
Speaker 1: the book. That technology is amazing. But the player itself

1110
00:55:01,880 --> 00:55:04,279
Speaker 1: is still pretty skippy.

1111
00:55:04,400 --> 00:55:06,600
Speaker 2: It is. It is. It's very very buggy.

1112
00:55:06,800 --> 00:55:08,959
Speaker 5: Yeah, but what's fun is if you if you're really

1113
00:55:08,960 --> 00:55:12,759
Speaker 5: not like, turn the page, it'll start, hit pause, let

1114
00:55:12,800 --> 00:55:16,040
Speaker 5: it load up a little bit. It's just ten minutes

1115
00:55:16,080 --> 00:55:19,759
Speaker 5: of sports bloopers, which I which is just it's like

1116
00:55:19,800 --> 00:55:20,720
Speaker 5: a reset button.

1117
00:55:20,880 --> 00:55:21,560
Speaker 4: Yeah you know what I mean.

1118
00:55:21,600 --> 00:55:24,040
Speaker 3: I get into some emotional tear, some of the hard stuff,

1119
00:55:24,040 --> 00:55:24,680
Speaker 3: and then it's.

1120
00:55:24,520 --> 00:55:27,080
Speaker 5: Just like it's the song walk of Life by Dire

1121
00:55:27,120 --> 00:55:31,279
Speaker 5: Strait Fun. It's William the Refrigerator Perry or whatever, and

1122
00:55:31,280 --> 00:55:33,719
Speaker 5: he's he like they throw on the ball and he

1123
00:55:33,719 --> 00:55:36,239
Speaker 5: doesn't catch it. In fact, somebody else catches it. Yeah,

1124
00:55:36,320 --> 00:55:39,520
Speaker 5: they win and he falls down. It's just like just fun,

1125
00:55:39,600 --> 00:55:40,520
Speaker 5: just goofy stuff.

1126
00:55:40,320 --> 00:55:43,120
Speaker 1: Wow, bloopers of like someone like the football player throws

1127
00:55:43,120 --> 00:55:45,480
Speaker 1: it and the guy and the other team catches it.

1128
00:55:45,880 --> 00:55:50,880
Speaker 1: Get you imagine, dude, or like the guy dribbling and

1129
00:55:50,920 --> 00:55:52,319
Speaker 1: he loses the ball.

1130
00:55:52,400 --> 00:55:54,040
Speaker 2: The other guy takes the ball.

1131
00:55:54,600 --> 00:56:00,239
Speaker 3: Boun's get it is mine now? Oh god baseball? He

1132
00:56:00,360 --> 00:56:02,080
Speaker 3: swings just fully misses it.

1133
00:56:02,440 --> 00:56:11,560
Speaker 1: Oh not top ten, massive fail? What Sam? What time

1134
00:56:11,640 --> 00:56:12,799
Speaker 1: is it in the show.

1135
00:56:14,840 --> 00:56:19,200
Speaker 2: Say the Truth please? A little under hour? We have

1136
00:56:19,280 --> 00:56:21,040
Speaker 2: a song that we play in this situation.

1137
00:56:21,239 --> 00:56:23,120
Speaker 3: Oh really you have it.

1138
00:56:23,680 --> 00:56:26,840
Speaker 5: Let's let's remember eleven minutes of it is me silently

1139
00:56:26,960 --> 00:56:30,000
Speaker 5: changing out my insulincuff, which is exciting for.

1140
00:56:30,040 --> 00:56:33,600
Speaker 1: Him because that was very real. It's the reality lots

1141
00:56:33,600 --> 00:56:36,239
Speaker 1: of other shows. Scott Ackerman. When that happens, is gonna

1142
00:56:36,280 --> 00:56:38,880
Speaker 1: be like, get it off my show.

1143
00:56:39,600 --> 00:56:46,680
Speaker 8: Yeah, he's so terrified to ever have a curated He's

1144
00:56:46,680 --> 00:56:49,319
Speaker 8: so terrified just have something physically happening in the room

1145
00:56:49,400 --> 00:56:51,800
Speaker 8: that people can't see or hear about, or wouldn't enjoy.

1146
00:56:52,040 --> 00:56:52,319
Speaker 3: You know.

1147
00:56:54,960 --> 00:56:55,920
Speaker 4: It plays this on the song.

1148
00:56:56,000 --> 00:56:56,919
Speaker 2: Oh, that wasn't the song.

1149
00:56:57,360 --> 00:56:58,359
Speaker 4: It came up for one second.

1150
00:56:58,360 --> 00:57:05,600
Speaker 2: Came up any peppers in your twenty one songs? Did

1151
00:57:05,640 --> 00:57:07,480
Speaker 2: the Peppers make it? I didn't hear what that was?

1152
00:57:07,800 --> 00:57:12,640
Speaker 2: Play again, play it again? I love them so much?

1153
00:57:14,480 --> 00:57:15,280
Speaker 3: How long?

1154
00:57:15,480 --> 00:57:20,320
Speaker 8: How long it's.

1155
00:57:18,960 --> 00:57:19,680
Speaker 4: A song they did for?

1156
00:57:19,720 --> 00:57:21,560
Speaker 2: How long it has been in our episode?

1157
00:57:21,600 --> 00:57:23,680
Speaker 3: We often ask how long the episode is so we

1158
00:57:23,720 --> 00:57:29,480
Speaker 3: know where they we're allowed to stop contractually. So so

1159
00:57:29,640 --> 00:57:31,720
Speaker 3: one of our nice listeners made a song for that.

1160
00:57:31,800 --> 00:57:33,640
Speaker 2: Oh I love that. I love that.

1161
00:57:33,640 --> 00:57:37,360
Speaker 5: That's a pit although it's not about food. Yeah, the

1162
00:57:37,440 --> 00:57:38,760
Speaker 5: case could be made that that's a parody.

1163
00:57:38,840 --> 00:57:41,200
Speaker 2: Well, and he didn't do the whole song. The whole

1164
00:57:41,240 --> 00:57:43,480
Speaker 2: song it does exist. We can't play it now, but

1165
00:57:43,520 --> 00:57:44,040
Speaker 2: that's what it does.

1166
00:57:44,080 --> 00:57:45,160
Speaker 4: It's so long.

1167
00:57:46,440 --> 00:57:48,000
Speaker 2: I love I love the Red Hot Chili Peppers.

1168
00:57:48,000 --> 00:57:50,760
Speaker 5: I think they's just a fucking fun attitude.

1169
00:57:51,080 --> 00:57:52,080
Speaker 2: It just seems cool.

1170
00:57:52,600 --> 00:57:52,840
Speaker 4: Yeah.

1171
00:57:52,920 --> 00:57:54,480
Speaker 5: They just seemed like the kind of people you'd want

1172
00:57:54,480 --> 00:57:58,160
Speaker 5: to just have dinner with, Yeah, be seen in public with,

1173
00:57:59,120 --> 00:58:00,360
Speaker 5: you know, yeah.

1174
00:58:00,200 --> 00:58:02,480
Speaker 3: Just to hear what they have to talk about. Sure,

1175
00:58:02,560 --> 00:58:05,120
Speaker 3: I want to go to an art exhibit with them

1176
00:58:05,480 --> 00:58:06,520
Speaker 3: and just get their thoughts on.

1177
00:58:06,680 --> 00:58:08,920
Speaker 2: They are something of an art exhibit in their own right.

1178
00:58:09,080 --> 00:58:10,520
Speaker 2: Oh well, we got a sock on.

1179
00:58:10,560 --> 00:58:12,080
Speaker 4: They're so trippy.

1180
00:58:12,360 --> 00:58:14,760
Speaker 3: Some of their old stuff is freaking my bean in

1181
00:58:14,800 --> 00:58:18,560
Speaker 3: a major way. I saw one of the two worst

1182
00:58:19,000 --> 00:58:20,680
Speaker 3: fights I've ever seen in my life at a Red

1183
00:58:20,680 --> 00:58:23,200
Speaker 3: Hot Chili Pepper's concert. Just saw a guy get the

1184
00:58:23,400 --> 00:58:25,960
Speaker 3: shit beat out of him by like six other guys.

1185
00:58:26,320 --> 00:58:30,960
Speaker 2: Wow, well tough to say.

1186
00:58:32,640 --> 00:58:35,840
Speaker 3: I was sitting on the hood of someone's car in

1187
00:58:35,920 --> 00:58:38,200
Speaker 3: the parking lot and I saw a guy walking with

1188
00:58:38,240 --> 00:58:41,600
Speaker 3: his girlfriend and about five guys behind him walking with

1189
00:58:41,680 --> 00:58:45,000
Speaker 3: beer bottles, throwing the bottle caps at him, and he

1190
00:58:45,160 --> 00:58:49,320
Speaker 3: was turning around going like yeah, fuck you man, fuck you,

1191
00:58:49,480 --> 00:58:51,640
Speaker 3: Like yeah, I'll fight you sometime, but when it's me

1192
00:58:51,680 --> 00:58:53,120
Speaker 3: and you, not when it's me and you and all

1193
00:58:53,160 --> 00:58:53,760
Speaker 3: your boys.

1194
00:58:53,920 --> 00:58:55,800
Speaker 2: And the guy was going like all right, all right, and.

1195
00:58:55,800 --> 00:58:58,440
Speaker 3: His girlf was going stop stop just stop, and he

1196
00:58:58,560 --> 00:59:00,440
Speaker 3: was like, all right, fuck you guys fucking goes and

1197
00:59:00,480 --> 00:59:04,240
Speaker 3: then one guy, so they're about two rows away, starts

1198
00:59:04,440 --> 00:59:08,440
Speaker 3: running at like a pretty solid speed, picking up speed

1199
00:59:08,480 --> 00:59:11,560
Speaker 3: as he goes through two rows of cars and then

1200
00:59:11,800 --> 00:59:15,480
Speaker 3: around past me, goes right past me, does this huge

1201
00:59:15,680 --> 00:59:18,280
Speaker 3: arc where that he then runs around in front of

1202
00:59:18,360 --> 00:59:20,800
Speaker 3: him from the other side as the dudes are like

1203
00:59:20,880 --> 00:59:26,120
Speaker 3: talking to him behind him. He gets like a football

1204
00:59:26,120 --> 00:59:30,240
Speaker 3: fields worth of a full sprint going and just lands

1205
00:59:30,280 --> 00:59:33,200
Speaker 3: this flying punch on the guy, knocks him down, and

1206
00:59:33,240 --> 00:59:35,360
Speaker 3: then the other four guys have kind of as they're

1207
00:59:35,400 --> 00:59:38,280
Speaker 3: having this argument, cornered off, and they close in from

1208
00:59:38,360 --> 00:59:39,200
Speaker 3: all sides and.

1209
00:59:39,160 --> 00:59:41,840
Speaker 2: Just start kicking the fucking shit out of this guy.

1210
00:59:42,480 --> 00:59:46,720
Speaker 3: And then it happens for twenty seconds and then they

1211
00:59:46,760 --> 00:59:48,520
Speaker 3: all back off and he gets up and you can

1212
00:59:48,600 --> 00:59:49,560
Speaker 3: just see he has.

1213
00:59:49,440 --> 00:59:50,280
Speaker 2: No idea where he is.

1214
00:59:50,400 --> 00:59:52,560
Speaker 9: He's kind of trying to walk away, and they like

1215
00:59:52,680 --> 00:59:54,520
Speaker 9: let him get like two steps, and then they just

1216
00:59:54,560 --> 00:59:57,440
Speaker 9: fucking close in and do it again. And his girlfriend's

1217
00:59:57,480 --> 01:00:01,720
Speaker 9: just screaming, I'm sitting on the car. I've left the

1218
01:00:01,760 --> 01:00:04,120
Speaker 9: concert a literally because I am so sick from all

1219
01:00:04,120 --> 01:00:06,919
Speaker 9: the drugs and alcohol in my system, and so I'm

1220
01:00:06,960 --> 01:00:08,720
Speaker 9: just like on my buddy's car waiting for them to

1221
01:00:08,720 --> 01:00:11,640
Speaker 9: come out of the concert. Concert's not over U, And

1222
01:00:11,920 --> 01:00:14,400
Speaker 9: I'm like alone there, and I'm being like, well, I

1223
01:00:14,440 --> 01:00:14,960
Speaker 9: mean I'm not.

1224
01:00:15,200 --> 01:00:17,760
Speaker 2: I cannot be involved in this like I should. A

1225
01:00:17,920 --> 01:00:20,880
Speaker 2: hero would help. That's not what I am.

1226
01:00:21,360 --> 01:00:25,240
Speaker 3: So I watch and then what was amazing is that

1227
01:00:25,400 --> 01:00:29,520
Speaker 3: almost immediately an ambulance pulled up and they put the

1228
01:00:29,520 --> 01:00:31,280
Speaker 3: guy in the back of it, and the girlfriend like

1229
01:00:31,320 --> 01:00:32,800
Speaker 3: got in with him and drove away, and the other

1230
01:00:32,840 --> 01:00:35,560
Speaker 3: guys had disappeared. But I was like, what was the

1231
01:00:35,640 --> 01:00:38,920
Speaker 3: system where they were informed I didn't do it?

1232
01:00:38,960 --> 01:00:41,560
Speaker 2: I mean I should have, she didn't do it, Like,

1233
01:00:42,560 --> 01:00:43,200
Speaker 2: how'd they know?

1234
01:00:43,880 --> 01:00:45,800
Speaker 1: I was trying to think of the funniest song to

1235
01:00:46,000 --> 01:00:48,920
Speaker 1: have been playing in the show while this was going on.

1236
01:00:49,040 --> 01:00:52,320
Speaker 1: I shoveled the a few options, like scar tissue or something.

1237
01:00:52,320 --> 01:00:54,520
Speaker 1: Of course, it's like an obvious one. But then I

1238
01:00:54,560 --> 01:00:58,560
Speaker 1: settled on the part and higher ground where he's like

1239
01:00:58,840 --> 01:01:02,320
Speaker 1: stemidos but it's gotta bring me down.

1240
01:01:02,440 --> 01:01:06,560
Speaker 2: They're like wow, wow, wow, wow, this guy is just

1241
01:01:07,160 --> 01:01:08,360
Speaker 2: almost beat to death.

1242
01:01:08,800 --> 01:01:09,800
Speaker 4: Stevie knows that.

1243
01:01:11,280 --> 01:01:13,160
Speaker 3: The worst fight I ever saw was at a Wu

1244
01:01:13,200 --> 01:01:16,280
Speaker 3: Tang and Rage concert, okay, and somebody got dumped over

1245
01:01:16,320 --> 01:01:18,280
Speaker 3: a railing and they stomped on his head while he

1246
01:01:18,400 --> 01:01:20,520
Speaker 3: was just like at his waist stumped over the railing.

1247
01:01:21,160 --> 01:01:23,200
Speaker 2: They just stepped on his head. Yeah, they were just

1248
01:01:23,200 --> 01:01:27,120
Speaker 2: like stomping on his chin down. Yeah, Jesus was he?

1249
01:01:27,320 --> 01:01:30,160
Speaker 3: But and that there was a riot at that concert.

1250
01:01:30,160 --> 01:01:32,000
Speaker 3: They destroyed the fence. They just he did like one

1251
01:01:32,040 --> 01:01:34,000
Speaker 3: hundred thousand dollars with the damage to the lawn of

1252
01:01:34,040 --> 01:01:36,880
Speaker 3: the concert. And I remember I was like fourteen or thirteen,

1253
01:01:36,920 --> 01:01:39,200
Speaker 3: and I was like getting hit with rocks and shit

1254
01:01:39,760 --> 01:01:40,400
Speaker 3: just by walking.

1255
01:01:40,400 --> 01:01:43,680
Speaker 2: They tore the fence apart and started a bonfire there

1256
01:01:44,240 --> 01:01:45,280
Speaker 2: there playing this song.

1257
01:01:45,520 --> 01:01:47,960
Speaker 1: Yeah, was he was the guy that it was happening to,

1258
01:01:48,560 --> 01:01:53,400
Speaker 1: one of those that worked forces that because I heard

1259
01:01:53,400 --> 01:01:54,400
Speaker 1: something about those guys.

1260
01:01:56,480 --> 01:01:57,120
Speaker 4: Is that true?

1261
01:01:58,320 --> 01:02:00,640
Speaker 3: You know what he would have had to be to

1262
01:02:00,720 --> 01:02:04,560
Speaker 3: deserve something like that. That was like the golden age

1263
01:02:04,560 --> 01:02:09,200
Speaker 3: of let's fucking destroy an outdoor ampathe like that had

1264
01:02:09,240 --> 01:02:11,320
Speaker 3: a moment that was a trend.

1265
01:02:12,600 --> 01:02:14,800
Speaker 2: Yeah, you don't. You don't hear it much anymore.

1266
01:02:14,960 --> 01:02:16,720
Speaker 1: Yeah, it's you wouldn't think that something like that would

1267
01:02:16,800 --> 01:02:20,480
Speaker 1: go away. There's more people now in the world to

1268
01:02:20,520 --> 01:02:22,280
Speaker 1: take down a hat shell or something.

1269
01:02:22,480 --> 01:02:24,560
Speaker 3: I saw a car get flipped and sent on fire

1270
01:02:26,080 --> 01:02:31,040
Speaker 3: at another concert. Nope, Dave Matthew's ban and somebody get

1271
01:02:31,400 --> 01:02:33,480
Speaker 3: pushed down in a porta potty.

1272
01:02:34,760 --> 01:02:37,680
Speaker 1: You guys ever see that? Yeah, Oh that's scary. It

1273
01:02:37,720 --> 01:02:39,560
Speaker 1: was in one of the Jackass movies.

1274
01:02:39,720 --> 01:02:41,600
Speaker 2: Is that what you're talking about? No, it happened at

1275
01:02:41,600 --> 01:02:42,840
Speaker 2: the concert. What concert?

1276
01:02:42,880 --> 01:02:45,760
Speaker 3: They pushed it door side down Dave Matthew's ban. No,

1277
01:02:46,400 --> 01:02:47,520
Speaker 3: and there were riots there.

1278
01:02:48,200 --> 01:02:52,760
Speaker 2: It was that on TV news just before or after

1279
01:02:52,800 --> 01:02:55,400
Speaker 2: My time. You're Alma mater you were, Yeah, he might

1280
01:02:55,400 --> 01:02:57,960
Speaker 2: have been in the other studio. Probably was his Kurt

1281
01:02:58,000 --> 01:03:03,520
Speaker 2: Loader dead. No, k much alive. Rights for Reason magazine, Yeah,

1282
01:03:03,720 --> 01:03:05,320
Speaker 2: like Raisin magazine. Reason.

1283
01:03:05,840 --> 01:03:16,240
Speaker 1: That's a good magazine parody by.

1284
01:03:16,040 --> 01:03:19,600
Speaker 7: This has been an Earwolf production executive produced by Scott Ackerman,

1285
01:03:19,840 --> 01:03:21,720
Speaker 7: Chris Bannon, and Colin Anderson.

1286
01:03:21,920 --> 01:03:29,720
Speaker 2: For more information and content, visit earwolf dot com.